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Physical signs of psychomotor agitation indicating barely | 0:00:02 | 0:00:05 | |
repressed, depressive tendencies. | 0:00:05 | 0:00:07 | |
Psychiatrists - always leaping to a clinical observation. | 0:00:07 | 0:00:11 | |
The betrayal of a loved one. | 0:00:11 | 0:00:13 | |
What have you done, Fredrik? | 0:00:17 | 0:00:18 | |
It's Jac! | 0:00:20 | 0:00:21 | |
This family of yours, I'm not part of that. | 0:00:22 | 0:00:24 | |
-Please, no. -But you aren't either. | 0:00:24 | 0:00:26 | |
He's shooting staff. He's actually targeting them. | 0:00:26 | 0:00:29 | |
Shots fired. | 0:00:30 | 0:00:31 | |
Oliver's been shot in the head. | 0:00:31 | 0:00:33 | |
Fredrik! | 0:00:33 | 0:00:34 | |
I'm here to end this. | 0:00:34 | 0:00:35 | |
Raf! | 0:00:35 | 0:00:36 | |
David, he, um, he didn't make it. | 0:00:38 | 0:00:41 | |
-ECHOING: -Two people died | 0:01:25 | 0:01:27 | |
and several wounded in a shooting at Holby City Hospital last night... | 0:01:27 | 0:01:30 | |
Among the casualties was Surgical Registrar Raffaello Di Lucca, 41. | 0:01:30 | 0:01:33 | |
54-year-old David Hopkins also died... | 0:01:33 | 0:01:36 | |
At least two other hospital staff were critically wounded. | 0:01:36 | 0:01:38 | |
The shooter has been named as 26-year-old | 0:01:38 | 0:01:41 | |
Swedish national, Fredrik Johanssen, a former doctor at the hospital... | 0:01:41 | 0:01:45 | |
Motives remain unclear at this stage... | 0:01:45 | 0:01:47 | |
Surgical staff continue to work... | 0:01:47 | 0:01:49 | |
..just weeks after a former colleague went on a murderous rampage. | 0:01:49 | 0:01:52 | |
..Police investigation is ongoing but sources confirm no other people are expected to be charged... | 0:01:52 | 0:01:56 | |
-Funerals were held for Raffaello Di Luca... -Questions still surround the future of Henrik Hanssen, | 0:01:56 | 0:02:00 | |
hospital CEO and father of the shooter, | 0:02:00 | 0:02:02 | |
despite the continued support of the Trust and senior colleagues... | 0:02:02 | 0:02:05 | |
I was wondering if you'd come. | 0:02:07 | 0:02:09 | |
I beg your pardon? | 0:02:11 | 0:02:12 | |
I said I was wondering if you'd come. | 0:02:13 | 0:02:17 | |
We have unfinished business. | 0:02:17 | 0:02:18 | |
As much as I've come to enjoy our occasional jousts, it's just a game. | 0:02:20 | 0:02:24 | |
It can wait. | 0:02:26 | 0:02:27 | |
No, I don't like loose ends. | 0:02:27 | 0:02:28 | |
I can't imagine what these last three weeks must have | 0:02:32 | 0:02:34 | |
been like for you... | 0:02:34 | 0:02:36 | |
Irrelevant. What matters is the hospital and my staff. | 0:02:36 | 0:02:40 | |
You're still working? | 0:02:40 | 0:02:42 | |
Of course. | 0:02:42 | 0:02:43 | |
Someone had to assert authority. | 0:02:45 | 0:02:48 | |
Take... | 0:02:48 | 0:02:49 | |
Responsibility? | 0:02:49 | 0:02:51 | |
Bring order to the chaos. | 0:02:54 | 0:02:55 | |
And is there now "order" at the hospital? | 0:02:57 | 0:02:59 | |
Well, there's still a great deal to do. | 0:03:03 | 0:03:06 | |
And yet you're here. Why? | 0:03:06 | 0:03:09 | |
What happened today that brought you here to...play chess? | 0:03:10 | 0:03:15 | |
CLOCK CLICKS | 0:03:24 | 0:03:25 | |
Three new surgeons began work this morning... | 0:03:29 | 0:03:32 | |
"What type of suture would you use to secure | 0:03:34 | 0:03:36 | |
"apposition of edges of a surgical or traumatic wound?" | 0:03:36 | 0:03:40 | |
-How do I look? -Perfect. | 0:03:40 | 0:03:41 | |
You didn't even look. | 0:03:41 | 0:03:43 | |
I don't have to. You always look perfect. | 0:03:43 | 0:03:45 | |
It's your superpower. | 0:03:45 | 0:03:46 | |
My superpower is to apply complimentary make-up? | 0:03:46 | 0:03:49 | |
Your superpower is the ability to melt hearts and befuddle minds | 0:03:49 | 0:03:53 | |
with nothing more than a dimpled smile and batting of an eyelash. | 0:03:53 | 0:03:56 | |
Do I get a shield and bracelets? | 0:03:56 | 0:03:58 | |
-No. -Worst superpower ever. | 0:03:58 | 0:04:00 | |
-How do I look? -Like you drank too much last night. | 0:04:00 | 0:04:02 | |
Correction. I drank exactly as much as required last night. | 0:04:02 | 0:04:06 | |
Required to achieve what? | 0:04:06 | 0:04:08 | |
A mild state of euphoria, decreased anxiety, lowered social inhibitions | 0:04:08 | 0:04:12 | |
while avoiding ataxia, bouts of emesis and lapses in consciousness. | 0:04:12 | 0:04:16 | |
You managed not to fall down in a puddle of your own vomit? | 0:04:16 | 0:04:19 | |
It's a delicate balance. You didn't answer my question. | 0:04:19 | 0:04:21 | |
What question? | 0:04:21 | 0:04:23 | |
What type of suture would you use to secure | 0:04:23 | 0:04:25 | |
apposition of the edges of a surgical or traumatic wound? | 0:04:25 | 0:04:28 | |
Thought it was rhetorical. | 0:04:28 | 0:04:29 | |
I don't think they're going to spot test us on our first day. | 0:04:29 | 0:04:32 | |
-Meena... -Something which allows perfect eversion | 0:04:32 | 0:04:34 | |
and vertical opposition | 0:04:34 | 0:04:36 | |
of the superficial skin edges, such as a vertical mattress suture. | 0:04:36 | 0:04:40 | |
Not just a pretty face, huh? | 0:04:40 | 0:04:41 | |
Scared? | 0:04:45 | 0:04:47 | |
Terrified. | 0:04:47 | 0:04:49 | |
You ready? | 0:04:49 | 0:04:50 | |
Ready. | 0:04:50 | 0:04:51 | |
-Do you think he'll be here? -Who? | 0:04:53 | 0:04:55 | |
Hanssen. | 0:04:55 | 0:04:56 | |
Sure. Why not? | 0:04:56 | 0:04:57 | |
Um...maybe because his son killed someone and shot several others. | 0:04:57 | 0:05:01 | |
How do you get past something like that? | 0:05:01 | 0:05:04 | |
Who says he's "past" it? | 0:05:04 | 0:05:06 | |
I guess he'll just want to get things back to | 0:05:06 | 0:05:08 | |
normal as soon as poss... | 0:05:08 | 0:05:09 | |
Normal, you say? | 0:05:11 | 0:05:12 | |
KNOCK ON DOOR | 0:05:36 | 0:05:37 | |
ICP is 15. Brain function appears nominal on EEG. | 0:05:37 | 0:05:41 | |
For the first time we have positive indicators for potential recovery. | 0:05:41 | 0:05:45 | |
I want to wake him up. Today. | 0:05:45 | 0:05:48 | |
Who? | 0:05:49 | 0:05:50 | |
Oliver Valentine. | 0:05:51 | 0:05:52 | |
I see. | 0:05:54 | 0:05:55 | |
I just need your permission to move him from ITU to Keller. | 0:05:55 | 0:05:59 | |
What does John think of your plan? | 0:05:59 | 0:06:02 | |
What Professor John Gaskell thinks is irrelevant. | 0:06:02 | 0:06:05 | |
Mr Valentine is my patient. | 0:06:05 | 0:06:06 | |
Nobody is disputing that. | 0:06:06 | 0:06:08 | |
OK. Good. | 0:06:08 | 0:06:10 | |
Right. Well, I'll inform ITU of the transfer. | 0:06:10 | 0:06:13 | |
Thank you. | 0:06:14 | 0:06:16 | |
When it's time, will you come? | 0:06:16 | 0:06:18 | |
I am required on AAU. But keep me informed, please. | 0:06:20 | 0:06:25 | |
Of course. | 0:06:25 | 0:06:26 | |
Roxanna, I've had a note from HR telling me that you haven't | 0:06:28 | 0:06:33 | |
taken up the counselling sessions the hospital offered you. | 0:06:33 | 0:06:37 | |
I went last night. | 0:06:37 | 0:06:38 | |
You did? | 0:06:38 | 0:06:40 | |
Wanted to wait until after David's funeral. | 0:06:40 | 0:06:42 | |
Of course. | 0:06:44 | 0:06:45 | |
Look, if you need some time... | 0:06:47 | 0:06:49 | |
I'll take time when you do. | 0:06:49 | 0:06:50 | |
We both need to keep busy, Henrik. | 0:06:53 | 0:06:55 | |
David would understand that more than anyone. | 0:06:55 | 0:06:57 | |
The counselling? | 0:07:01 | 0:07:02 | |
Did it help? | 0:07:05 | 0:07:06 | |
Has it helped you? | 0:07:09 | 0:07:10 | |
PHONE RINGS | 0:07:13 | 0:07:14 | |
Hanssen. | 0:07:19 | 0:07:20 | |
I'll be right there. | 0:07:22 | 0:07:23 | |
Newbie scoop? | 0:07:28 | 0:07:30 | |
-Yep. -Detained by security? | 0:07:30 | 0:07:32 | |
Fletch's Fascists strike again. | 0:07:34 | 0:07:36 | |
Bit harsh. These things take time to settle in. | 0:07:36 | 0:07:39 | |
I'm grateful for the added protection, really I am, | 0:07:39 | 0:07:41 | |
but this is getting out of hand. | 0:07:41 | 0:07:43 | |
Relatives being turned away. Patients being frisked. | 0:07:43 | 0:07:46 | |
It does seem to be causing more problems than it's solving. | 0:07:46 | 0:07:48 | |
I know why Fletch is acting the way he is. | 0:07:48 | 0:07:50 | |
What I don't get is why Hanssen's letting him do it... | 0:07:50 | 0:07:53 | |
Because Mr Fletcher has assumed responsibility for patient | 0:07:53 | 0:07:56 | |
safety and staff security. | 0:07:56 | 0:07:57 | |
It is not a responsibility Mr Fletcher relishes, | 0:07:57 | 0:08:00 | |
but it's one that he takes seriously and so should we. | 0:08:00 | 0:08:02 | |
Right. Let's go and collect our new colleagues... | 0:08:02 | 0:08:05 | |
-Get your hands off her! -Really, this is so unnecessary... | 0:08:05 | 0:08:08 | |
You touch her with that wand and I'll shove it so far up your... | 0:08:08 | 0:08:11 | |
That's enough! | 0:08:11 | 0:08:12 | |
Mr Hanssen, they took my... | 0:08:13 | 0:08:14 | |
Are you quite finished? | 0:08:14 | 0:08:16 | |
There are new security protocols in place. | 0:08:16 | 0:08:18 | |
You will get used to them. | 0:08:18 | 0:08:20 | |
Meena Chowdhury? | 0:08:20 | 0:08:21 | |
Your first rotation is general surgery on Keller. | 0:08:21 | 0:08:24 | |
Your consultant is Mr Levy. | 0:08:24 | 0:08:25 | |
He's on leave, so you will report to Mr Copeland. | 0:08:25 | 0:08:28 | |
Nurse Chiltern here will show you around. | 0:08:28 | 0:08:30 | |
Nicole McKendrick? | 0:08:30 | 0:08:31 | |
Nicky. Please. | 0:08:31 | 0:08:33 | |
No-one calls me Nicole, except my step-brother | 0:08:33 | 0:08:35 | |
and he's a wind-up mer... | 0:08:35 | 0:08:36 | |
You will be on acute admissions. Nurse Jackson will show you around. | 0:08:36 | 0:08:39 | |
And my consultant? | 0:08:39 | 0:08:41 | |
You will answer to me. | 0:08:41 | 0:08:42 | |
It'll be an honour, sir. I've always wanted... | 0:08:43 | 0:08:45 | |
They say first impressions count. | 0:08:45 | 0:08:47 | |
They say that it takes as little as one-tenth of a second for us | 0:08:47 | 0:08:50 | |
to meet someone and make a judgment. | 0:08:50 | 0:08:52 | |
Mr Hanssen, what happened here at reception, that was | 0:08:52 | 0:08:55 | |
completely my fault. | 0:08:55 | 0:08:57 | |
I was belligerent and I escalated a situation that could easily | 0:08:57 | 0:09:00 | |
-HER VOICE FADES: -..have resolved itself... | 0:09:00 | 0:09:03 | |
Hang on. That's not fair. "Mainly" your fault, perhaps... | 0:09:03 | 0:09:06 | |
You are here to observe, to listen and to obey. | 0:09:06 | 0:09:10 | |
You will not treat, diagnose, | 0:09:10 | 0:09:11 | |
or otherwise interfere with any patients. | 0:09:11 | 0:09:14 | |
You will not attempt any displays of unearned or uninvited initiative. | 0:09:14 | 0:09:16 | |
And you will speak only when you're spoken to. | 0:09:16 | 0:09:19 | |
Break any of these rules and I will send you back to the Deanery, | 0:09:19 | 0:09:23 | |
where you will immediately be reassigned to another hospital. | 0:09:23 | 0:09:26 | |
Understood? | 0:09:27 | 0:09:28 | |
Yeah. | 0:09:29 | 0:09:30 | |
-JERRY: -Wow. That certainly told them... -You disapprove? | 0:09:33 | 0:09:37 | |
On the contrary. I think it's a marvellous management technique. | 0:09:38 | 0:09:43 | |
Give the new kids on the block an arbitrary set of rules | 0:09:43 | 0:09:46 | |
both contradictory and impossible. | 0:09:46 | 0:09:48 | |
Sisyphus would be proud. | 0:09:48 | 0:09:51 | |
Where's the contradiction? | 0:09:51 | 0:09:52 | |
Rules that are almost impossible not to break. | 0:09:52 | 0:09:55 | |
And, yet, by not breaking them, they prove themselves | 0:09:55 | 0:09:58 | |
unequal to the task of becoming the kind of surgeon they need to be. | 0:09:58 | 0:10:02 | |
After all, what is a surgeon without initiative? | 0:10:02 | 0:10:05 | |
A surgeon who learns to walk before they run. | 0:10:05 | 0:10:08 | |
Who doesn't race headlong into mistakes. One that I can protect. | 0:10:08 | 0:10:12 | |
Protect? From what? | 0:10:12 | 0:10:15 | |
Themselves. | 0:10:18 | 0:10:20 | |
CLOCK CLICKS | 0:10:25 | 0:10:27 | |
Who was the other one? | 0:10:27 | 0:10:29 | |
You said there were three new surgeons started work this morning. | 0:10:30 | 0:10:33 | |
Who was the third? | 0:10:33 | 0:10:35 | |
SIREN WAILS | 0:10:37 | 0:10:38 | |
Well, that's not very mature, is it? | 0:10:50 | 0:10:52 | |
You know what they say about doctors making the worst patients. | 0:10:52 | 0:10:56 | |
You know what they say about nurses being patronising bores. | 0:10:56 | 0:11:00 | |
Imaging indicates you've got pulmonary function deficit, | 0:11:00 | 0:11:02 | |
so today you will undergo a transoesophageal echocardiogram... | 0:11:02 | 0:11:05 | |
-Those scans don't indicate anything, they're inconclusive... -..if necessary corrective surgery. | 0:11:05 | 0:11:09 | |
If you think I'm letting some two-bit hack come near me with a scalpel... | 0:11:09 | 0:11:12 | |
-..by a surgeon assigned by Mr Hanssen... -Over my dead body. -What do you think we're worried about, | 0:11:12 | 0:11:15 | |
-you numpty? -"Numpty"? That's a new one... | 0:11:15 | 0:11:18 | |
SHE COUGHS | 0:11:18 | 0:11:19 | |
All right. | 0:11:20 | 0:11:21 | |
It's all right. | 0:11:23 | 0:11:24 | |
Why do you do this? Why do you put up with this? | 0:11:26 | 0:11:29 | |
It's my job as Director of Patronising Bores. | 0:11:29 | 0:11:32 | |
Besides, nobody else will do it - you've scared everyone else away. | 0:11:34 | 0:11:37 | |
But not you. | 0:11:38 | 0:11:39 | |
Not yet. | 0:11:43 | 0:11:44 | |
Who? | 0:11:50 | 0:11:51 | |
What? | 0:11:51 | 0:11:52 | |
You said Hanssen had assigned a surgeon. Who? | 0:11:53 | 0:11:56 | |
Are you Mr Fletcher? | 0:11:56 | 0:11:57 | |
Yes, and you are? | 0:11:57 | 0:11:59 | |
-There's a goon. -It's OK. She's with me. | 0:11:59 | 0:12:01 | |
Sorry, they should have had your pass downstairs. | 0:12:01 | 0:12:03 | |
I'll find out what happened. | 0:12:03 | 0:12:05 | |
But, Jac, I'd like to introduce you to... | 0:12:05 | 0:12:08 | |
Petrenko. | 0:12:08 | 0:12:09 | |
Miss Naylor. | 0:12:10 | 0:12:12 | |
-You know each other? -What are you doing here? | 0:12:12 | 0:12:14 | |
You haven't told her? | 0:12:16 | 0:12:17 | |
Oh, dear God, no... | 0:12:19 | 0:12:21 | |
Today, Miss Naylor, I will be playing the part of your surgeon. | 0:12:21 | 0:12:24 | |
It must have been difficult. The merger... | 0:12:27 | 0:12:30 | |
starting at a new hospital only to move again? | 0:12:30 | 0:12:32 | |
I always wanted to come to Holby. To work with Mr Hanssen. | 0:12:32 | 0:12:35 | |
They say you should never meet your heroes. | 0:12:36 | 0:12:38 | |
Just give it time. It's difficult circumstances. | 0:12:38 | 0:12:42 | |
Right. | 0:12:45 | 0:12:46 | |
Our new F1... Dr Nicole McKendrick, Dr Morven Digby. | 0:12:54 | 0:12:58 | |
Hi. It's Nicky. | 0:12:58 | 0:12:59 | |
No-one calls me Nicole except my step brother. | 0:12:59 | 0:13:02 | |
OK. This is Trinity Mathews, 30. | 0:13:02 | 0:13:04 | |
Mrs Mathews has been referred to us | 0:13:04 | 0:13:06 | |
after an RTI with facial lacerations. | 0:13:06 | 0:13:09 | |
Have you removed glass from a wound before? | 0:13:09 | 0:13:11 | |
I have, but... | 0:13:11 | 0:13:13 | |
Hanssen has benched both the new F1s. Observe only. | 0:13:13 | 0:13:16 | |
Thomas, honey? Don't do that. | 0:13:16 | 0:13:18 | |
Thomas! | 0:13:19 | 0:13:21 | |
His father should be here soon. | 0:13:22 | 0:13:24 | |
Great. | 0:13:24 | 0:13:25 | |
Would you mind observing him for a bit, please? | 0:13:26 | 0:13:29 | |
Just keep him out of my hair? | 0:13:29 | 0:13:30 | |
I'm not really good with kids. | 0:13:30 | 0:13:32 | |
Just while I patch her up. | 0:13:32 | 0:13:34 | |
OK. | 0:13:34 | 0:13:35 | |
Fab. | 0:13:35 | 0:13:36 | |
I'm sorry if Mr Hanssen was a little harsh. | 0:13:40 | 0:13:42 | |
It might not seem it right now but he's very protective of his staff. | 0:13:42 | 0:13:45 | |
Especially the juniors. | 0:13:45 | 0:13:46 | |
It's fine. I'm happy to sit back and observe. | 0:13:46 | 0:13:49 | |
Nicky, however... | 0:13:49 | 0:13:51 | |
The hare to your tortoise? | 0:13:51 | 0:13:52 | |
Let's just say I'm fine taking things slowly. | 0:13:52 | 0:13:55 | |
Nurse Chiltern, can I get a hand, please? | 0:13:55 | 0:13:57 | |
Bring her. | 0:13:57 | 0:13:58 | |
Name? | 0:14:06 | 0:14:07 | |
What? | 0:14:07 | 0:14:08 | |
Never mind. Tell me what you see? | 0:14:08 | 0:14:11 | |
A naked behind? | 0:14:11 | 0:14:12 | |
Yes, well done. You're going to have to try a little harder than that. | 0:14:12 | 0:14:15 | |
You're in the process of inserting a flatus tube, | 0:14:15 | 0:14:18 | |
probably to alleviate a subacute volvulus. | 0:14:18 | 0:14:20 | |
Right, I've inserted the sigmoidoscope to approximately | 0:14:20 | 0:14:24 | |
15cms but Mr Greening's volvulus is actually slightly higher | 0:14:24 | 0:14:28 | |
so I am going to need you to insert the flatus to just past the twist. | 0:14:28 | 0:14:32 | |
I'd love to. But I can't. | 0:14:32 | 0:14:34 | |
-What? -Hanssen's orders. Observation only. | 0:14:35 | 0:14:37 | |
OK, well, we have neither the time or staff for "observation only", | 0:14:37 | 0:14:41 | |
so pinny on. | 0:14:41 | 0:14:42 | |
Mr Hanssen was pretty firm about it. | 0:14:42 | 0:14:44 | |
Right, Mr Greening, we're about to insert the second tube. | 0:14:45 | 0:14:48 | |
Inserting... | 0:14:52 | 0:14:53 | |
HE BREAKS WIND | 0:14:57 | 0:14:58 | |
OK, that's my cue.. | 0:14:58 | 0:15:00 | |
Right, removing the sigmoidoscope...being careful | 0:15:00 | 0:15:03 | |
not to dislodge the flatus and the collection bag. | 0:15:03 | 0:15:06 | |
Collection bag? Wait. What? | 0:15:08 | 0:15:09 | |
SQUELCHY FLATULENCE | 0:15:09 | 0:15:11 | |
Oh! | 0:15:11 | 0:15:12 | |
Er... I'll get a wash basin. | 0:15:12 | 0:15:14 | |
Maybe two. | 0:15:15 | 0:15:16 | |
Are you all right in there? | 0:15:22 | 0:15:24 | |
Won't be long. | 0:15:24 | 0:15:25 | |
WHIRRING | 0:15:28 | 0:15:29 | |
Right. Start again. | 0:15:40 | 0:15:42 | |
-So, you used to work here? -Yeah. | 0:15:43 | 0:15:45 | |
-In CT? -No. | 0:15:45 | 0:15:47 | |
That came later. | 0:15:49 | 0:15:50 | |
When you went to St Francis? | 0:15:50 | 0:15:52 | |
Yeah. | 0:15:52 | 0:15:54 | |
It's just... | 0:15:54 | 0:15:56 | |
if you used to work here and then changed specialities | 0:15:56 | 0:15:59 | |
and had to retrain in CT - why choose St Francis and not Holby? | 0:15:59 | 0:16:03 | |
Memories. | 0:16:06 | 0:16:08 | |
Memories? | 0:16:10 | 0:16:11 | |
Yes. | 0:16:11 | 0:16:13 | |
Bad ones? | 0:16:13 | 0:16:14 | |
Not all. Some. | 0:16:14 | 0:16:16 | |
Do you have Miss Naylor's X-rays? | 0:16:16 | 0:16:18 | |
I do. So, has this place changed much? | 0:16:18 | 0:16:20 | |
There are guards at the front door. | 0:16:22 | 0:16:23 | |
When did that become someone's idea of good hospital policy? | 0:16:23 | 0:16:26 | |
When someone killed my best friend | 0:16:26 | 0:16:28 | |
and tried to kill several other people that I care about. | 0:16:28 | 0:16:31 | |
Of course. I'm sorry. | 0:16:31 | 0:16:32 | |
It's just, where I come from, men in uniforms | 0:16:32 | 0:16:34 | |
asking for identifications... | 0:16:34 | 0:16:36 | |
Oliver Valentine. | 0:16:39 | 0:16:41 | |
Is he...? | 0:16:41 | 0:16:42 | |
Stable. Improving. | 0:16:42 | 0:16:44 | |
They're going to try and bring him out of his coma today. | 0:16:44 | 0:16:46 | |
That's good to hear. | 0:16:46 | 0:16:48 | |
So, Ollie... was he one of those memories? | 0:16:48 | 0:16:51 | |
Miss Naylor, your spinal inflammation has begun to recede | 0:16:55 | 0:16:58 | |
but your chest X-ray confirms build up of fluid... | 0:16:58 | 0:17:01 | |
Welcome to this episode of Stuff We Knew Already. | 0:17:01 | 0:17:04 | |
My legs are aching just sitting here. | 0:17:04 | 0:17:06 | |
Your mobility is supposed to return once you | 0:17:06 | 0:17:08 | |
resume your physiotherapy sessions, but first we need to fix your chest. | 0:17:08 | 0:17:12 | |
It could be a simple effusion | 0:17:12 | 0:17:14 | |
but from the range of symptoms, I suspect it's something more serious. | 0:17:14 | 0:17:17 | |
So I will be performing a TOE... | 0:17:17 | 0:17:19 | |
No. You won't. | 0:17:19 | 0:17:21 | |
The last I heard, you were wiping third world kids' | 0:17:21 | 0:17:23 | |
snotty noses, not becoming a highly trained expert in complex | 0:17:23 | 0:17:27 | |
cardiothoracic procedures. | 0:17:27 | 0:17:28 | |
I don't know what Hanssen's thinking and I don't care - | 0:17:28 | 0:17:31 | |
you're not coming anywhere near me. | 0:17:31 | 0:17:34 | |
-Please give it to me. -No! | 0:17:34 | 0:17:35 | |
Thomas, come on! | 0:17:35 | 0:17:36 | |
Dr McKendrick. Who is this child | 0:17:38 | 0:17:40 | |
and why is he carrying an expensive hospital-issue tablet? | 0:17:40 | 0:17:43 | |
This is Thomas. | 0:17:43 | 0:17:45 | |
He's carrying the tablet because I was trying to distract him | 0:17:45 | 0:17:47 | |
with it and now he won't give it back. | 0:17:47 | 0:17:49 | |
Dad! | 0:17:52 | 0:17:53 | |
All right, mate? What's wrong? | 0:17:53 | 0:17:55 | |
What did you do? | 0:17:58 | 0:18:00 | |
You must be looking for Trinity Mathews? | 0:18:00 | 0:18:02 | |
Yes. We were... | 0:18:02 | 0:18:04 | |
She was in an accident? | 0:18:04 | 0:18:05 | |
I'll take you to her. | 0:18:07 | 0:18:08 | |
How's Essie? She still staying with Sacha? | 0:18:14 | 0:18:16 | |
She was meant to go back to Raf's after the funeral but... | 0:18:16 | 0:18:19 | |
I need the obs on bed four, please, | 0:18:19 | 0:18:22 | |
Done. When's Sacha back? | 0:18:22 | 0:18:24 | |
Don't know. Why? What does that matter? | 0:18:24 | 0:18:26 | |
Because you haven't had a day off in three weeks. | 0:18:26 | 0:18:28 | |
You need time to stop and assess what happened. | 0:18:28 | 0:18:30 | |
I know what's happened. We move on. We get to. Others don't. | 0:18:30 | 0:18:35 | |
-Where's that F1? -Here. | 0:18:35 | 0:18:36 | |
Right. Good. What was your name? | 0:18:38 | 0:18:40 | |
Meena Chowdhury. | 0:18:40 | 0:18:42 | |
Did you re-do your make-up? | 0:18:42 | 0:18:43 | |
Yes... | 0:18:43 | 0:18:44 | |
OK. Right, bed five needs a catheter. | 0:18:44 | 0:18:47 | |
I need the patient notes for six and seven as well as the transfer information. | 0:18:47 | 0:18:51 | |
Once you've done that, can you prepare | 0:18:51 | 0:18:53 | |
the notes for the clinical rounds and chase up haematology for me? | 0:18:53 | 0:18:56 | |
Questions? | 0:18:58 | 0:18:59 | |
-No. -OK. | 0:18:59 | 0:19:01 | |
He doesn't like me? | 0:19:04 | 0:19:06 | |
Come on. I'll help you with the catheter. | 0:19:06 | 0:19:09 | |
Mr Sonley can be a bit tricky. | 0:19:09 | 0:19:10 | |
You need to talk to her. | 0:19:16 | 0:19:18 | |
I've tried. It didn't work. | 0:19:18 | 0:19:19 | |
Try harder. You must know what she's like. | 0:19:19 | 0:19:22 | |
I know exactly what she's like. | 0:19:22 | 0:19:24 | |
And you're just giving up? | 0:19:24 | 0:19:26 | |
No. | 0:19:26 | 0:19:27 | |
I can't force her to accept treatment. | 0:19:27 | 0:19:30 | |
But I might know somebody who can. | 0:19:30 | 0:19:33 | |
Oh... She's going on the lam. | 0:19:33 | 0:19:36 | |
-What are you doing? -What's it look like? | 0:19:38 | 0:19:40 | |
-I need the loo. -I'll get you a bed pan. | 0:19:40 | 0:19:42 | |
No, not in front of Darwin Ward again. | 0:19:42 | 0:19:44 | |
In this lifetime or the next. | 0:19:44 | 0:19:46 | |
OK, well, then, let me help you. | 0:19:46 | 0:19:47 | |
I am fine. | 0:19:47 | 0:19:49 | |
Do you know what? | 0:19:49 | 0:19:50 | |
You are the most stubborn, insufferable, | 0:19:50 | 0:19:52 | |
pig-headed woman I have ever met. | 0:19:52 | 0:19:54 | |
There are mules that are more open to reason than you. | 0:19:54 | 0:19:56 | |
There are peacocks with less pride than you. | 0:19:56 | 0:19:58 | |
There's even Cocker Spaniels with more common sense than you. | 0:19:58 | 0:20:01 | |
You are infuriating, you are feckless and, | 0:20:01 | 0:20:03 | |
you are completely and utterly off your rocker! | 0:20:03 | 0:20:06 | |
Well, I love you too, Fletcher. | 0:20:07 | 0:20:09 | |
Dave? Chair, please. Come on. | 0:20:13 | 0:20:15 | |
Is that King's Hospital in Lahore? | 0:20:24 | 0:20:26 | |
It's not that he doesn't like you. | 0:20:31 | 0:20:33 | |
It's complicated. He's complicated. | 0:20:33 | 0:20:37 | |
Are you and Mr Copeland...? | 0:20:37 | 0:20:39 | |
What? | 0:20:39 | 0:20:40 | |
Together? | 0:20:40 | 0:20:42 | |
No. Well, yes... | 0:20:42 | 0:20:46 | |
Sometimes. I think. | 0:20:46 | 0:20:48 | |
But not now. | 0:20:49 | 0:20:50 | |
I think. | 0:20:52 | 0:20:53 | |
I hope it works out for the two of you. | 0:20:53 | 0:20:55 | |
You don't seem complicated at all. Maybe exactly what he needs? | 0:20:55 | 0:20:58 | |
I'm sorry. I shouldn't have said... | 0:21:00 | 0:21:02 | |
The police found a list of names. | 0:21:02 | 0:21:04 | |
Targets. | 0:21:06 | 0:21:07 | |
And Mr Copeland was... | 0:21:07 | 0:21:09 | |
I don't... I can't imagine what knowing that must feel like. | 0:21:10 | 0:21:15 | |
I don't think anyone can. | 0:21:15 | 0:21:16 | |
Hey, sorry to interrupt | 0:21:16 | 0:21:18 | |
but Mrs McMillan's just about to bring him out. | 0:21:18 | 0:21:21 | |
Bring who out of what? | 0:21:22 | 0:21:24 | |
Mr Valentine. They're going to bring him out of his coma. | 0:21:24 | 0:21:27 | |
I've got it. | 0:21:30 | 0:21:31 | |
No. My bad... | 0:21:31 | 0:21:32 | |
HE VOMITS | 0:21:32 | 0:21:34 | |
Oh! | 0:21:34 | 0:21:35 | |
Oh, dear. | 0:21:37 | 0:21:38 | |
WHIRRING | 0:21:39 | 0:21:41 | |
It's going great, Dad. Everyone's just lovely. | 0:21:41 | 0:21:44 | |
Couldn't be going better! | 0:21:44 | 0:21:45 | |
WHIRRING STOPS | 0:21:45 | 0:21:46 | |
WHIRRING STARTS | 0:21:46 | 0:21:47 | |
Where have you been? | 0:21:55 | 0:21:57 | |
I went to the ED. I thought... they said you were here. | 0:21:57 | 0:22:01 | |
Trin... I'm so sorry. | 0:22:03 | 0:22:05 | |
It's not as bad as it looks. | 0:22:05 | 0:22:07 | |
I'll be fixed up in no time. | 0:22:07 | 0:22:09 | |
Not if you keep talking so much. | 0:22:09 | 0:22:11 | |
Where's Thomas? | 0:22:11 | 0:22:13 | |
He's in the office. If you could just let Dr Digby do her job. | 0:22:13 | 0:22:15 | |
Trin... The police... | 0:22:15 | 0:22:17 | |
The police. Did they talk to you? | 0:22:20 | 0:22:23 | |
No, not yet. It was an accident, Zach. | 0:22:23 | 0:22:26 | |
-It'll be fine. -SHE WINCES | 0:22:26 | 0:22:28 | |
What are you doing? You're hurting her! | 0:22:28 | 0:22:30 | |
OK, I need you to calm down. Why don't you come with me? | 0:22:30 | 0:22:32 | |
I'm not going anywhere! | 0:22:32 | 0:22:33 | |
Dr McKendrick, there appears to be a child in my office. | 0:22:33 | 0:22:36 | |
-That's me. I... -Remove him. Immediately. | 0:22:36 | 0:22:38 | |
What is your problem, eh? | 0:22:38 | 0:22:39 | |
This is not a creche. And kindly keep your voice down. | 0:22:39 | 0:22:42 | |
-Who do you think... -Mr Mathews, I think... | 0:22:42 | 0:22:44 | |
Get off! | 0:22:44 | 0:22:45 | |
SUSTAINED RINGING | 0:22:45 | 0:22:46 | |
-JERRY: -How did that make you feel? | 0:22:52 | 0:22:54 | |
Feel? | 0:22:55 | 0:22:56 | |
I don't understand the question. | 0:23:06 | 0:23:08 | |
You had gone out of your way to make this new F1 passive, | 0:23:10 | 0:23:15 | |
to remove any sense of agency or freewill from her. | 0:23:15 | 0:23:18 | |
"To protect them from themselves". | 0:23:19 | 0:23:22 | |
To keep her out of the firing line, in fact. | 0:23:22 | 0:23:26 | |
Yet, here she is, lying at your feet. Injured. Vulnerable. | 0:23:27 | 0:23:33 | |
I'm interested to know how that made you feel. | 0:23:35 | 0:23:38 | |
I called security | 0:23:42 | 0:23:44 | |
and had the assailant ejected from the building as per hospital policy. | 0:23:44 | 0:23:49 | |
That's not what I asked. | 0:23:51 | 0:23:52 | |
But, you know... | 0:23:55 | 0:23:57 | |
PENCIL CLACKS ON TABLE | 0:23:57 | 0:23:58 | |
Whatever. | 0:23:58 | 0:24:00 | |
SHE COUGHS | 0:24:08 | 0:24:09 | |
DOOR OPENS | 0:24:20 | 0:24:22 | |
SHE COUGHS | 0:24:22 | 0:24:23 | |
You need help. | 0:24:24 | 0:24:25 | |
No. I'm fine. | 0:24:27 | 0:24:29 | |
You have pressure in your chest. Syncope, palpitations, dyspnoea. | 0:24:29 | 0:24:33 | |
A worsening cough. | 0:24:33 | 0:24:35 | |
This is fluid in the pericardium. You are not "fine". | 0:24:35 | 0:24:39 | |
You think it's pericardial effusion. | 0:24:39 | 0:24:40 | |
I know it's pericardial effusion and so do you. | 0:24:40 | 0:24:43 | |
But we still have to do TOE to make sure. | 0:24:43 | 0:24:46 | |
What are you doing here, Petrenko? | 0:24:46 | 0:24:48 | |
Mr Hope asked me. | 0:24:49 | 0:24:51 | |
Elliot? | 0:24:54 | 0:24:55 | |
Mr Hanssen was worried that you are not acknowledging | 0:24:55 | 0:24:58 | |
a secondary complication, | 0:24:58 | 0:24:59 | |
so he got in touch with Mr Hope. | 0:24:59 | 0:25:01 | |
Elliot looked at your notes and called me. | 0:25:03 | 0:25:05 | |
Why? | 0:25:08 | 0:25:09 | |
You know. | 0:25:09 | 0:25:11 | |
Your experience with TB. | 0:25:12 | 0:25:13 | |
Well, you can tell Elliot thanks but no, thanks. | 0:25:17 | 0:25:20 | |
I can find my own solutions. | 0:25:20 | 0:25:21 | |
Tell him yourself. He's right here waiting to Facetime with you. | 0:25:21 | 0:25:24 | |
No. | 0:25:26 | 0:25:27 | |
Why? | 0:25:27 | 0:25:29 | |
You don't want him to see you like this? Weak. Vulnerable. | 0:25:29 | 0:25:35 | |
I don't want anyone to see me like this. | 0:25:44 | 0:25:47 | |
Not Elliot, not Emma. No-one. | 0:25:47 | 0:25:50 | |
Then let me help you. | 0:25:50 | 0:25:51 | |
One condition... | 0:26:05 | 0:26:06 | |
-There you go. -It's fine, really, I'm OK. It was an accident. | 0:26:10 | 0:26:14 | |
You keep saying that, but as long as you're sure. | 0:26:14 | 0:26:16 | |
Mrs Mathews had bruising from the top left to | 0:26:16 | 0:26:19 | |
the bottom right of her chest. | 0:26:19 | 0:26:21 | |
The lacerations are on the left side of her face. | 0:26:21 | 0:26:23 | |
Imagine you're driving a car. Either she was driving | 0:26:23 | 0:26:27 | |
-a left-hand drive car, or she wasn't driving... -At all. | 0:26:27 | 0:26:30 | |
You knew? Why didn't you say anything? | 0:26:30 | 0:26:32 | |
We're not police. No-one else was involved, so... | 0:26:32 | 0:26:35 | |
There was someone involved. | 0:26:35 | 0:26:36 | |
The person who was actually driving the car. Mr Mathews. | 0:26:36 | 0:26:39 | |
But he hasn't got any injuries. | 0:26:39 | 0:26:40 | |
No visible injuries. But what about internal ones? | 0:26:40 | 0:26:42 | |
Another impromptu visit, John? | 0:26:47 | 0:26:49 | |
Anyone would think you were keeping an eye on me. | 0:26:49 | 0:26:52 | |
Peritonitis. Appendectomy. | 0:26:52 | 0:26:56 | |
Anyone would think you weren't one of the world's foremost | 0:26:56 | 0:26:58 | |
hepatobiliary surgeons. | 0:26:58 | 0:27:00 | |
AAU is where the hospital needs me now. | 0:27:00 | 0:27:03 | |
Is it? | 0:27:03 | 0:27:04 | |
Ms Naylor? Are you keeping an eye on her too? | 0:27:05 | 0:27:08 | |
All I did was patch her up, hand her over | 0:27:08 | 0:27:11 | |
to our exemplary CT team. | 0:27:11 | 0:27:13 | |
They tell me she's doing well. Ms Naylor is not my patient. | 0:27:13 | 0:27:16 | |
-Nor am I. -KNOCK ON DOOR | 0:27:16 | 0:27:18 | |
Sorry. Mr Hanssen, Ms MacMillan has just called to say they're | 0:27:18 | 0:27:21 | |
reducing Mr Valentine's sedatives now. | 0:27:21 | 0:27:24 | |
Right, thank you. Would you like to attend? | 0:27:24 | 0:27:27 | |
I think I'll check on him later. | 0:27:29 | 0:27:30 | |
You're not going? | 0:27:32 | 0:27:34 | |
John, the hospital as part of its pastoral care is offering | 0:27:34 | 0:27:37 | |
counselling to those who were involved in the incident | 0:27:37 | 0:27:39 | |
-three weeks ago. -Excellent idea. | 0:27:39 | 0:27:41 | |
The offer is open to your good self. | 0:27:42 | 0:27:44 | |
That won't be necessary. I wasn't shot at. | 0:27:44 | 0:27:47 | |
Hurt. I just did what I could to help. | 0:27:47 | 0:27:49 | |
KNOCK ON DOOR | 0:27:49 | 0:27:50 | |
Nicky has a convincing theory that Zachary Mathews was | 0:27:50 | 0:27:54 | |
actually in the car accident that injured his wife | 0:27:54 | 0:27:56 | |
and is suffering from an undiagnosed head injury. | 0:27:56 | 0:27:58 | |
Based on what? | 0:27:58 | 0:28:00 | |
Observations. Mr Mathews was unable to carry his son's weight. | 0:28:00 | 0:28:04 | |
This could be a sign of hemiparesis. | 0:28:04 | 0:28:06 | |
I also witnessed him slurring his speech slightly, | 0:28:06 | 0:28:09 | |
he held his head as if in pain and I don't believe he meant to strike me. | 0:28:09 | 0:28:13 | |
It was an involuntary action. | 0:28:13 | 0:28:15 | |
An exaggerated reflex response? What makes you think this? | 0:28:15 | 0:28:17 | |
When I approached him, I should have been clear in his peripheral vision. | 0:28:17 | 0:28:20 | |
But it was only when I touched him that he realised that I was there. | 0:28:20 | 0:28:23 | |
That's when he struck out. | 0:28:23 | 0:28:25 | |
You made all these observations | 0:28:25 | 0:28:26 | |
but you didn't think to mention it sooner? | 0:28:26 | 0:28:28 | |
Right, I should examine this man immediately. Come. | 0:28:32 | 0:28:35 | |
Security, please. | 0:28:37 | 0:28:39 | |
So why now? | 0:28:41 | 0:28:42 | |
Oliver's intracranial pressure has stabilised over the last few days. | 0:28:44 | 0:28:48 | |
His EEG shows distinct bursts of synchronous activity with | 0:28:49 | 0:28:55 | |
evidence of modulation by external stimuli. | 0:28:55 | 0:28:57 | |
Good signs? | 0:29:00 | 0:29:01 | |
Hopeful signs. | 0:29:05 | 0:29:06 | |
Do you think he's going to be OK? | 0:29:19 | 0:29:21 | |
There's no way of knowing. | 0:29:27 | 0:29:28 | |
So? | 0:29:34 | 0:29:36 | |
We wait. | 0:29:37 | 0:29:38 | |
Haven't you got better things to be doing, Dr Chowdhury? | 0:29:49 | 0:29:52 | |
-I... -Have you done everything I asked you to? -Yes. | 0:29:52 | 0:29:55 | |
So you prepared all the notes for the clinical rounds? | 0:29:55 | 0:29:58 | |
Yes. Well, I didn't. | 0:29:58 | 0:29:59 | |
Nurse Chiltern did the notes while I... | 0:29:59 | 0:30:01 | |
So you got someone else to do your job for you? | 0:30:01 | 0:30:03 | |
-I offered. -Of course you did. | 0:30:03 | 0:30:06 | |
OK, well, seeing as you're free, if you'd like to go to the | 0:30:06 | 0:30:09 | |
-pharmacy for some discharge medications? -Um, OK... | 0:30:09 | 0:30:12 | |
Is there a problem with that? | 0:30:12 | 0:30:14 | |
No. It's just I'm an F1 not an HCA. | 0:30:14 | 0:30:17 | |
OK, and Nurse Chiltern's not an F1, | 0:30:17 | 0:30:19 | |
but seeing as we're job-sharing today. Excuse me. | 0:30:19 | 0:30:22 | |
I just want to say I think it's brilliant you've found a compromise. | 0:30:28 | 0:30:31 | |
But I have one tiny question. | 0:30:31 | 0:30:33 | |
Why is she still conscious?! | 0:30:33 | 0:30:34 | |
So that she can keep an eye on me. | 0:30:34 | 0:30:36 | |
I need you to be still now. | 0:30:38 | 0:30:40 | |
You're biting down on the scope. | 0:30:40 | 0:30:42 | |
I see it. Stop biting. | 0:30:42 | 0:30:44 | |
3mls midazolam, please. | 0:30:45 | 0:30:47 | |
Jac, no, no. Don't pull the scope. | 0:30:47 | 0:30:49 | |
Night, night, Miss Naylor. | 0:30:52 | 0:30:54 | |
Impossible woman. | 0:30:55 | 0:30:57 | |
OK. We need to operate. ASAP. | 0:31:07 | 0:31:10 | |
I'm telling you this is unnecessary. I was never driving... | 0:31:10 | 0:31:13 | |
Mr Mathews, I really couldn't care less | 0:31:13 | 0:31:15 | |
about your culpability or otherwise in this situation. | 0:31:15 | 0:31:17 | |
But it appears to me that Dr McKendrick here has acute powers | 0:31:17 | 0:31:20 | |
of observation, so, if you would kindly follow the line of my finger. | 0:31:20 | 0:31:23 | |
Is that Professor Gaskell? | 0:31:25 | 0:31:26 | |
Yeah. | 0:31:26 | 0:31:28 | |
Cranial nerve examination? | 0:31:28 | 0:31:29 | |
-Yeah. -Awesome. | 0:31:29 | 0:31:31 | |
Yeah. How's Keller? | 0:31:31 | 0:31:33 | |
Great. Fantastic. Keeping busy, you know. How about you? | 0:31:33 | 0:31:36 | |
Nurse Jackson. | 0:31:36 | 0:31:37 | |
He has superior quadrantanopia. | 0:31:38 | 0:31:41 | |
He needs an immediate head CT. | 0:31:41 | 0:31:42 | |
I will need a theatre booked, ASAP, | 0:31:43 | 0:31:45 | |
for when he's diagnosed with the arachnoid cyst | 0:31:45 | 0:31:48 | |
which is almost certainly expanding due to haemorrhage. | 0:31:48 | 0:31:51 | |
Congratulations, Dr McKendrick. You can scrub in. | 0:31:51 | 0:31:53 | |
You're scrubbing in with Professor Gaskell?! | 0:31:56 | 0:31:58 | |
McKendrick! | 0:31:58 | 0:31:59 | |
MONITOR BEEPS STEADILY | 0:32:08 | 0:32:09 | |
HE GASPS | 0:32:33 | 0:32:35 | |
MONITOR BEEPS RAPIDLY | 0:32:35 | 0:32:37 | |
Help! | 0:32:37 | 0:32:38 | |
-What's happening? -He just started fitting. | 0:32:40 | 0:32:43 | |
4mgs I/V lorazepam and levetiracetam, one gram. | 0:32:45 | 0:32:48 | |
-What's happening to him? -Seizure. He's just...not ready. | 0:32:48 | 0:32:52 | |
You know how to do an endotracheal tube? | 0:32:52 | 0:32:54 | |
Yes. | 0:32:54 | 0:32:55 | |
Do it. We need to protect his airway. | 0:32:55 | 0:32:58 | |
-Dr Chowdhury? -Maybe...? | 0:33:06 | 0:33:08 | |
I'll show you. | 0:33:08 | 0:33:10 | |
Restart his propofol infusion. | 0:33:10 | 0:33:11 | |
RAPID BEEPING STOPS | 0:33:20 | 0:33:21 | |
STEADY BEEPING RESUMES | 0:33:24 | 0:33:25 | |
He just wasn't ready, Dom. That's all it means. | 0:33:27 | 0:33:29 | |
No more, no less. | 0:33:31 | 0:33:32 | |
Why did you stop? | 0:33:39 | 0:33:40 | |
You waited for someone to jump in. | 0:33:42 | 0:33:45 | |
And Lofty did as Lofty does. Why did you wait? | 0:33:45 | 0:33:49 | |
Mr Hanssen said... | 0:33:50 | 0:33:52 | |
Don't use him as a crutch. | 0:33:52 | 0:33:53 | |
Your first instinct cannot be to shirk all responsibility. | 0:33:53 | 0:33:58 | |
You've got to be better than that. | 0:34:00 | 0:34:01 | |
You've got to be better than that. | 0:34:04 | 0:34:05 | |
It's not your fault. | 0:34:11 | 0:34:12 | |
What? | 0:34:13 | 0:34:15 | |
What happened to Mr Valentine. What happened at this hospital... | 0:34:15 | 0:34:18 | |
Lofty told me about the list the police found. | 0:34:19 | 0:34:22 | |
I can't imagine what that must be like for you | 0:34:22 | 0:34:24 | |
but you can't blame yourself. | 0:34:24 | 0:34:26 | |
Get out. | 0:34:28 | 0:34:30 | |
What? | 0:34:31 | 0:34:32 | |
You're done for the day. Go get changed. | 0:34:32 | 0:34:34 | |
I don't understand... | 0:34:34 | 0:34:36 | |
No. You don't. | 0:34:36 | 0:34:38 | |
Go. | 0:34:39 | 0:34:40 | |
Oh, and Dr Chowdhury? | 0:34:44 | 0:34:46 | |
You're make-up is smudged. | 0:34:47 | 0:34:50 | |
I'm only telling you that because you seem like | 0:34:50 | 0:34:52 | |
the kind of person to whom that would be important. | 0:34:52 | 0:34:54 | |
He wasn't ready. | 0:35:00 | 0:35:02 | |
Right, I understand. | 0:35:04 | 0:35:05 | |
Your new F1 - Dr Chowdhury. She was there when it happened. | 0:35:05 | 0:35:09 | |
Henrik? | 0:35:12 | 0:35:14 | |
Er... Right. Keep me informed of Mr Valentine's status, please. | 0:35:14 | 0:35:19 | |
What happened to your arm? | 0:35:44 | 0:35:46 | |
My arm? | 0:35:48 | 0:35:49 | |
Nothing. Just a silly accident. | 0:35:51 | 0:35:53 | |
I'm liking the idea of these new kids you've got. | 0:35:58 | 0:36:02 | |
-Strong, independent... -Flawed. | 0:36:02 | 0:36:05 | |
It is the nature of the young to be flawed. | 0:36:05 | 0:36:08 | |
They need to be led. | 0:36:09 | 0:36:10 | |
I saw a video the other day. | 0:36:20 | 0:36:23 | |
Apparently it's gone "viral". | 0:36:24 | 0:36:26 | |
There was a line of eight baby ducks. On a bridge. | 0:36:30 | 0:36:35 | |
With their mother. | 0:36:37 | 0:36:38 | |
Or father? | 0:36:38 | 0:36:39 | |
Perhaps. | 0:36:42 | 0:36:44 | |
Anyway...the parent suddenly leaps off the bridge into the unknown. | 0:36:45 | 0:36:54 | |
An apparent act of wanton abandonment. | 0:36:56 | 0:36:59 | |
The video goes on to feature all the baby ducks, one by one, | 0:37:02 | 0:37:07 | |
hurling themselves off this bridge. | 0:37:07 | 0:37:09 | |
You can't see what they face. | 0:37:09 | 0:37:11 | |
You don't know the outcome of that choice. | 0:37:14 | 0:37:16 | |
They just leap blindly into the abyss. | 0:37:19 | 0:37:22 | |
To an uncertain fate. | 0:37:25 | 0:37:27 | |
Judging by the comments, I think we're supposed to find | 0:37:30 | 0:37:33 | |
the video humorous. | 0:37:33 | 0:37:34 | |
It was supposed to be "cute". | 0:37:35 | 0:37:37 | |
I found it horrific. | 0:37:43 | 0:37:44 | |
CLOCK CLICKS | 0:37:54 | 0:37:56 | |
Check. | 0:37:56 | 0:37:57 | |
Meena's in bits. What are you doing? | 0:38:03 | 0:38:05 | |
I could ask you the same thing. | 0:38:05 | 0:38:07 | |
You told her about Fredrik's list. Why would you do that? | 0:38:08 | 0:38:13 | |
-I was trying to explain... -Explain what? | 0:38:13 | 0:38:16 | |
Why you're behaving so coldly. Why you're so tense and torn up. | 0:38:16 | 0:38:19 | |
You don't get to do that, Lofty. | 0:38:19 | 0:38:21 | |
You don't get to explain me, to justify me. | 0:38:21 | 0:38:24 | |
I'm beginning to understand that. | 0:38:25 | 0:38:27 | |
Right. | 0:38:27 | 0:38:29 | |
Meena didn't deserve the way you spoke to her. | 0:38:29 | 0:38:31 | |
She's using you, Lofty. To hide behind. | 0:38:32 | 0:38:35 | |
To cover for her failings. | 0:38:35 | 0:38:37 | |
-How do you know that? -Because I recognise it. | 0:38:37 | 0:38:39 | |
-And I can't? -No. | 0:38:39 | 0:38:41 | |
-Why not? -Because you're naive. That's why she gets to use you. | 0:38:41 | 0:38:45 | |
That's what people do to you. | 0:38:45 | 0:38:47 | |
Poor, sweet, lovable, innocent, naive Lofty. | 0:38:47 | 0:38:50 | |
I didn't mean that. | 0:38:58 | 0:38:59 | |
I think you did. | 0:39:02 | 0:39:04 | |
If you can recognise her failings, why don't you do something to help? | 0:39:07 | 0:39:11 | |
Help her do what? | 0:39:14 | 0:39:16 | |
Become better. | 0:39:17 | 0:39:18 | |
Or is that just naive? | 0:39:19 | 0:39:21 | |
Is it true you saved Ms Naylor's life the night of the shooting? | 0:39:31 | 0:39:34 | |
Yes, with Mr Levy's help. | 0:39:34 | 0:39:37 | |
The procedure was experimental? | 0:39:37 | 0:39:40 | |
Unorthodox, but then the circumstances were unorthodox. | 0:39:40 | 0:39:44 | |
Of course. | 0:39:44 | 0:39:46 | |
It must have been terrifying. | 0:39:47 | 0:39:48 | |
Probably. | 0:39:48 | 0:39:50 | |
I can't believe somebody could be so evil. | 0:39:52 | 0:39:55 | |
You believe in something as binary as good and evil? | 0:39:55 | 0:39:58 | |
Well...I guess. You don't? | 0:39:58 | 0:40:03 | |
I think the human condition is a bit more complicated than that. | 0:40:03 | 0:40:07 | |
A man is defined by the choices he makes over years. | 0:40:07 | 0:40:11 | |
Decades. One choice begets another. Eventually there's an outcome. | 0:40:11 | 0:40:17 | |
It could be malign, it could be benign. | 0:40:19 | 0:40:21 | |
But it's definitely more complicated, | 0:40:23 | 0:40:25 | |
more sophisticated even, than good and evil. | 0:40:25 | 0:40:28 | |
-But... -I think we're done here. | 0:40:28 | 0:40:31 | |
Did I say something out of turn? | 0:40:31 | 0:40:33 | |
No, no. I'm just finished. | 0:40:33 | 0:40:34 | |
You may leave. | 0:40:34 | 0:40:36 | |
Dr McKendrick? | 0:40:41 | 0:40:42 | |
You saved this man's life. | 0:40:44 | 0:40:46 | |
You should be proud. | 0:40:46 | 0:40:47 | |
You make it look effortless. | 0:41:07 | 0:41:09 | |
I'm sorry? | 0:41:09 | 0:41:10 | |
The make-up. Your "thing". You make it look effortless. | 0:41:10 | 0:41:14 | |
It's not, though, is it? | 0:41:16 | 0:41:18 | |
-No. -It's quite the art form. | 0:41:18 | 0:41:20 | |
Yes. | 0:41:20 | 0:41:22 | |
It's all part of the package, though. | 0:41:22 | 0:41:24 | |
It's what makes Meena Chowdhury greater than the sum of all | 0:41:24 | 0:41:26 | |
her parts. | 0:41:26 | 0:41:28 | |
Makes people like you. Makes people want to help you. | 0:41:28 | 0:41:31 | |
It also means it makes people not expect that much of you. | 0:41:33 | 0:41:37 | |
It's my superpower. | 0:41:40 | 0:41:42 | |
And are you happy with that? | 0:41:44 | 0:41:46 | |
Could use a shield and bracelets. | 0:41:46 | 0:41:47 | |
How did you know? | 0:41:51 | 0:41:52 | |
That I doubt myself. | 0:41:52 | 0:41:53 | |
You just remind me of someone. | 0:41:56 | 0:41:57 | |
While I am your mentor, I will expect things of you, Dr Chowdhury. | 0:42:00 | 0:42:06 | |
And when you give them to me, I will then expect more from you. | 0:42:06 | 0:42:09 | |
Is that understood? | 0:42:10 | 0:42:12 | |
Yes. | 0:42:12 | 0:42:14 | |
Well, you can begin by taking this down to AAU | 0:42:14 | 0:42:16 | |
and giving it to Mr Hanssen. | 0:42:16 | 0:42:17 | |
It's Oliver Valentine's blood chemistry. | 0:42:18 | 0:42:21 | |
Thank you. | 0:42:21 | 0:42:23 | |
You're back. | 0:42:43 | 0:42:45 | |
What happened? | 0:42:45 | 0:42:47 | |
Well, there's the long story or the... | 0:42:47 | 0:42:49 | |
Petrenko! She put me under. | 0:42:49 | 0:42:51 | |
She did more than that. | 0:42:51 | 0:42:52 | |
-She operated on me? -She had to. | 0:42:54 | 0:42:56 | |
-Without consent? -She saved your life. | 0:42:56 | 0:42:58 | |
Don't be ridiculous. There was nothing on the TOE to... | 0:42:58 | 0:43:02 | |
You were tamponading. | 0:43:02 | 0:43:04 | |
The right ventricle wasn't collapsing | 0:43:04 | 0:43:06 | |
and the right atrium was filling well... | 0:43:06 | 0:43:08 | |
Whatever. It's done now. | 0:43:08 | 0:43:09 | |
The operation was a complete success. | 0:43:09 | 0:43:11 | |
The pericardial effusion is fixed | 0:43:11 | 0:43:13 | |
and you will begin to feel better almost immediately. | 0:43:13 | 0:43:15 | |
OK. Thank you. | 0:43:17 | 0:43:18 | |
Miss Naylor, there's something I wanted to talk to you... | 0:43:22 | 0:43:26 | |
-Now I want you to get the hell off my ward. -What? | 0:43:26 | 0:43:29 | |
You operated without gaining my consent. | 0:43:29 | 0:43:32 | |
I thank you for not killing me, | 0:43:32 | 0:43:34 | |
but I can't overlook such a flagrant disregard for procedure. | 0:43:34 | 0:43:38 | |
Adios. | 0:43:40 | 0:43:42 | |
It's been emotional. | 0:43:42 | 0:43:43 | |
Ms Petrenko? Frieda? | 0:43:43 | 0:43:45 | |
PHONE RINGS | 0:44:05 | 0:44:07 | |
Mr Fletcher? | 0:44:11 | 0:44:12 | |
I think you need to get up here. | 0:44:12 | 0:44:15 | |
Why? Is Ms Naylor... | 0:44:15 | 0:44:16 | |
Operation went fine. But there's a problem with Jac and Petrenko. | 0:44:16 | 0:44:19 | |
So you need to get up here. | 0:44:19 | 0:44:21 | |
All right, well, I understand. Thank you for keeping me informed. | 0:44:21 | 0:44:24 | |
You can't just ignore... | 0:44:24 | 0:44:25 | |
PERSISTENT RINGING | 0:44:25 | 0:44:27 | |
ECHOING FOOTSTEPS | 0:44:28 | 0:44:30 | |
ECHOING BANGING | 0:44:35 | 0:44:37 | |
BANGING | 0:44:39 | 0:44:41 | |
GUNSHOT | 0:44:46 | 0:44:47 | |
GUNSHOTS | 0:44:51 | 0:44:52 | |
GUNSHOTS CONTINUE | 0:44:56 | 0:44:58 | |
Bang! | 0:45:04 | 0:45:05 | |
Bang! | 0:45:05 | 0:45:06 | |
-Bang! -Thomas! -Control him. | 0:45:09 | 0:45:12 | |
Bang. Bang. Bang. | 0:45:12 | 0:45:14 | |
Control your son! | 0:45:14 | 0:45:15 | |
-JERRY: -It was the child? | 0:45:17 | 0:45:19 | |
A child. | 0:45:21 | 0:45:22 | |
Wilful. Lacking boundaries. Control. | 0:45:25 | 0:45:32 | |
You couldn't control him, Henrik. | 0:45:32 | 0:45:34 | |
A child with ADHD. Shocked from being in a car accident, | 0:45:34 | 0:45:39 | |
seeing his mother injured and his father walk away... | 0:45:39 | 0:45:44 | |
Avoid responsibility. | 0:45:44 | 0:45:45 | |
Your arm, Henrik. What happened to your arm? | 0:45:47 | 0:45:51 | |
It's you. | 0:45:56 | 0:45:57 | |
It's you from the telly. | 0:45:59 | 0:46:01 | |
He's the one from the news. | 0:46:03 | 0:46:06 | |
We're so sorry. | 0:46:10 | 0:46:12 | |
For what? | 0:46:12 | 0:46:13 | |
Your loss. | 0:46:14 | 0:46:15 | |
My...? | 0:46:17 | 0:46:18 | |
Is it so hard to accept? | 0:46:46 | 0:46:48 | |
Accept what? | 0:46:48 | 0:46:49 | |
The compassion of others. | 0:46:51 | 0:46:53 | |
It's what makes us human. | 0:46:57 | 0:46:58 | |
GLASS SHATTERS | 0:47:09 | 0:47:11 | |
Mr Hanssen... ? | 0:47:16 | 0:47:17 | |
-My apologies for the slight fracas. -Your arm. | 0:47:17 | 0:47:19 | |
-A clumsy accident. -I'll get some help. | 0:47:19 | 0:47:21 | |
No. That won't be necessary. | 0:47:21 | 0:47:23 | |
Mosquito clips and a suture pack... | 0:47:25 | 0:47:27 | |
No. It's just a small cut. You may return to your duties. | 0:47:27 | 0:47:31 | |
Right now you are "our duties". | 0:47:31 | 0:47:33 | |
Right, well, what type of suture would you use to secure | 0:47:34 | 0:47:37 | |
apposition of the edges of a traumatic wound? | 0:47:37 | 0:47:40 | |
-BOTH: -Something which allows perfect eversion and vertical opposition | 0:47:40 | 0:47:43 | |
of the superficial skin edges such as a vertical mattress suture. | 0:47:43 | 0:47:47 | |
Mr Hanssen, I'm going to clip your ulnar artery. | 0:47:47 | 0:47:50 | |
The damage doesn't look too bad... | 0:47:51 | 0:47:53 | |
Start stitching. | 0:47:54 | 0:47:55 | |
You're leaving? You don't seem like the type who quits easily. | 0:47:59 | 0:48:03 | |
I'm also the type who doesn't make commitments easily. | 0:48:03 | 0:48:07 | |
You're a good doctor, Frieda. We need good surgeons. | 0:48:08 | 0:48:12 | |
We've lost so much. | 0:48:12 | 0:48:13 | |
We're hanging by a thread here. | 0:48:13 | 0:48:14 | |
I'm sorry. That's...that's unfair. | 0:48:17 | 0:48:21 | |
I shouldn't put that on you. | 0:48:21 | 0:48:23 | |
Thank you for saving her. | 0:48:27 | 0:48:28 | |
Oliver Valentine? | 0:48:30 | 0:48:31 | |
They had to put him back under. But he's fighting. | 0:48:33 | 0:48:35 | |
Hey. | 0:48:50 | 0:48:52 | |
I was just on the phone to Essie. | 0:48:52 | 0:48:54 | |
She OK? | 0:48:57 | 0:48:58 | |
No, not really. | 0:49:00 | 0:49:01 | |
I'm sorry. | 0:49:09 | 0:49:11 | |
You were right. About everything. | 0:49:13 | 0:49:17 | |
I have been being cold and distant and I have been pushing you away. | 0:49:19 | 0:49:24 | |
-Dom... -No, let me finish. | 0:49:25 | 0:49:27 | |
I'm going to take Hanssen up on his offer for counselling. | 0:49:29 | 0:49:35 | |
I think it's about time I unpacked some of this stuff I've been | 0:49:35 | 0:49:41 | |
carrying around with me. | 0:49:41 | 0:49:42 | |
That's good. That's really great, Dom. I'm pleased for you. | 0:49:42 | 0:49:47 | |
Now. About us... | 0:49:50 | 0:49:52 | |
There is no "us", Dom. | 0:49:52 | 0:49:53 | |
There never has been, has there? | 0:49:54 | 0:49:56 | |
I mean, it's always been fits and starts. | 0:49:57 | 0:50:00 | |
And maybe we just need to accept that's the way it is. | 0:50:00 | 0:50:03 | |
I don't want to accept that. | 0:50:07 | 0:50:09 | |
Every time we've got close, something terrible seems to happen. | 0:50:11 | 0:50:13 | |
Maybe it's the universe telling us it's the way it is. | 0:50:16 | 0:50:19 | |
We need to listen. | 0:50:21 | 0:50:23 | |
I went to St Francis because there are... | 0:50:46 | 0:50:50 | |
ghosts here I wanted to avoid. | 0:50:50 | 0:50:52 | |
Mr Hope wanted me to train here... with you. | 0:50:56 | 0:50:58 | |
He thought we could use one other. Learn from each other. | 0:51:00 | 0:51:03 | |
I don't know, maybe that's ridiculous. | 0:51:03 | 0:51:05 | |
But that's what I wanted to tell you before you sacked me. | 0:51:05 | 0:51:08 | |
I have some time off. I'm thinking I won't return. | 0:51:11 | 0:51:14 | |
But I can't ignore what Elliot asked. | 0:51:16 | 0:51:19 | |
So, I will return if you agree to train me. | 0:51:21 | 0:51:26 | |
Ball's in your court, Naylor. | 0:51:34 | 0:51:35 | |
What are you doing? | 0:51:47 | 0:51:49 | |
Cloud watching. Seeing shapes and paintings in the sky. | 0:51:49 | 0:51:53 | |
Hangover's back? | 0:51:54 | 0:51:56 | |
With a vengeance. | 0:51:56 | 0:51:57 | |
Funny old day. | 0:51:59 | 0:52:00 | |
Yeah. | 0:52:01 | 0:52:02 | |
I heard Freaky Frieda's here. On Darwin. | 0:52:04 | 0:52:06 | |
Really? I always liked Frieda. | 0:52:06 | 0:52:08 | |
It's going to be OK, right? | 0:52:14 | 0:52:15 | |
We're going to be OK? | 0:52:16 | 0:52:17 | |
Yeah. We are. | 0:52:19 | 0:52:20 | |
Oi! Newbies. We're going for a drink. | 0:52:24 | 0:52:27 | |
Digby insists. | 0:52:27 | 0:52:28 | |
And Digby's paying. Come on. | 0:52:28 | 0:52:30 | |
Well, it'd be rude not to, really. | 0:52:32 | 0:52:33 | |
What happened to your arm? | 0:52:39 | 0:52:41 | |
Accident. | 0:52:41 | 0:52:42 | |
Been a few of those recently. Mishaps. | 0:52:44 | 0:52:47 | |
Mr Fletcher, the hospital is offering... | 0:52:51 | 0:52:53 | |
Counselling. Yeah, I know. I've already been. | 0:52:53 | 0:52:56 | |
Has it helped? | 0:53:00 | 0:53:01 | |
The bloke told me it was all right to be angry. | 0:53:10 | 0:53:12 | |
That it's OK to want to blame someone. | 0:53:14 | 0:53:16 | |
He said it was all right to feel that losing people you loved | 0:53:19 | 0:53:23 | |
deserved some form of retribution. | 0:53:23 | 0:53:25 | |
But I already know all of that. | 0:53:32 | 0:53:34 | |
I know every single time one of my kids tells me | 0:53:38 | 0:53:42 | |
how much they miss Raf... | 0:53:42 | 0:53:44 | |
..so I don't need some stuffed shirt telling me what I already know. | 0:53:45 | 0:53:48 | |
I just need a way to channel that anger. | 0:53:48 | 0:53:50 | |
I've just signed off on the next stage of your security operation. | 0:53:58 | 0:54:04 | |
Knife arch? Corridor lockdown? | 0:54:05 | 0:54:07 | |
Yes. All of it. | 0:54:07 | 0:54:09 | |
Good. | 0:54:10 | 0:54:11 | |
Tell me something. Have you been for counselling yet? | 0:54:15 | 0:54:19 | |
Can't say I blame you. | 0:54:25 | 0:54:26 | |
I mean, what would be the point? | 0:54:28 | 0:54:29 | |
Damage has already been done, right? | 0:54:31 | 0:54:33 | |
Do you think he's right? | 0:54:52 | 0:54:54 | |
Do you think there's no point? | 0:54:56 | 0:54:58 | |
I'm not really sure I have anything worthwhile to speak with | 0:55:00 | 0:55:03 | |
a counsellor about. | 0:55:03 | 0:55:04 | |
You can't believe that. | 0:55:05 | 0:55:06 | |
I thought you'd be coming here today. | 0:55:10 | 0:55:12 | |
Did you? Why? | 0:55:12 | 0:55:14 | |
You know why. | 0:55:14 | 0:55:15 | |
You've been talking for some time. | 0:55:28 | 0:55:30 | |
You haven't even mentioned him. Not once. | 0:55:32 | 0:55:35 | |
You haven't even said his name. | 0:55:36 | 0:55:38 | |
I'm afraid my time is up. | 0:55:45 | 0:55:46 | |
Henrik. Please... | 0:55:46 | 0:55:48 | |
Goodbye, Jerry. And good luck. | 0:55:52 | 0:55:54 | |
I hope you get the treatment you need. | 0:55:54 | 0:55:56 | |
I don't think we'll meet now for some time. | 0:55:56 | 0:55:58 | |
We need to talk about Fredrik. | 0:55:58 | 0:56:01 | |
You need to speak about your son. | 0:56:02 | 0:56:04 |