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-Jeremy, let go of me! -You said you would help! Donna! | 0:00:02 | 0:00:04 | |
-Let her go, right now! -Big mistake. | 0:00:04 | 0:00:06 | |
The consequences of this will be severe, | 0:00:06 | 0:00:07 | |
but you've brought this on yourselves. | 0:00:07 | 0:00:09 | |
It's Jeremy Warren. | 0:00:09 | 0:00:10 | |
This is Ms MacMillan's husband, the eminent David Hopkins. | 0:00:10 | 0:00:13 | |
What are we watching? | 0:00:13 | 0:00:15 | |
-A PFO? -It's made the dementia worse. | 0:00:15 | 0:00:17 | |
I've booked the first available theatre slot. | 0:00:17 | 0:00:20 | |
He reversed motor neuron disease using stem-cell therapy. | 0:00:20 | 0:00:23 | |
Is he really coming here? | 0:00:23 | 0:00:24 | |
I know. It's something else, isn't it? | 0:00:24 | 0:00:26 | |
Going to be some ride, I promise you that. | 0:00:26 | 0:00:27 | |
I'm just really worried. I can't explain it. | 0:00:27 | 0:00:31 | |
It's like someone's trying to tell me something. | 0:00:31 | 0:00:34 | |
What would you say if I told you I was leaving Holby? | 0:00:34 | 0:00:36 | |
I don't follow you. | 0:00:36 | 0:00:38 | |
Just give this to Hanssen. | 0:00:38 | 0:00:39 | |
I'm going to go and say goodbye to Sacha | 0:00:39 | 0:00:41 | |
and then I'm going home to my daughter. | 0:00:41 | 0:00:42 | |
GUNSHOT | 0:00:46 | 0:00:47 | |
-Everything's down. -Oh, here he is. | 0:01:28 | 0:01:30 | |
Can we get maintenance on to this? | 0:01:30 | 0:01:31 | |
The computers are down and everything. | 0:01:31 | 0:01:33 | |
Do you think it's a cyber-attack? | 0:01:33 | 0:01:35 | |
Paranoia is catching, it seems. | 0:01:35 | 0:01:37 | |
Can you look after the little guy? I'm going to get Mum up to ITU. | 0:01:37 | 0:01:39 | |
Sure. Come with me, buddy. I'm going to need your superpowers, OK? | 0:01:39 | 0:01:42 | |
Henrik, eh? You didn't waste much time. | 0:01:42 | 0:01:44 | |
Put your pay rise in already? | 0:01:44 | 0:01:46 | |
Believe me, that's not worth the paper that it's written on. | 0:01:46 | 0:01:48 | |
Mum and babies need to be together. | 0:01:48 | 0:01:50 | |
Heck of a surprise she's waking up to. | 0:01:50 | 0:01:52 | |
Out of the darkness and into the light. | 0:01:52 | 0:01:54 | |
Heck of a day! | 0:01:54 | 0:01:56 | |
There she goes. Say, "Bye-bye, Mummy!" | 0:01:56 | 0:01:58 | |
Yeah, they're out on reception too. | 0:01:58 | 0:02:00 | |
Looks like it's just the ground floor, then. OK, let me know. | 0:02:00 | 0:02:03 | |
Yeah, the second generator should kick in if it's a power cut. | 0:02:04 | 0:02:07 | |
Kind of does it for me, dark and gloomy. | 0:02:07 | 0:02:09 | |
And you wonder why you're still single. | 0:02:09 | 0:02:11 | |
I just like the tone of my days varied, that's all. | 0:02:11 | 0:02:13 | |
I'll remind you of that the next time the heating packs up, | 0:02:13 | 0:02:15 | |
you're on a late and you're burning books to keep yourself warm. | 0:02:15 | 0:02:17 | |
Ladies and gentlemen, nothing to worry about. | 0:02:17 | 0:02:19 | |
The second generator will kick in in a minute and we'll be back up | 0:02:19 | 0:02:22 | |
and running, all right? It's just a blown fuse somewhere. | 0:02:22 | 0:02:24 | |
-Either that or the Russians have hacked us. -Don't even joke. | 0:02:24 | 0:02:27 | |
DISTANT BANG | 0:02:27 | 0:02:29 | |
What was that? | 0:02:29 | 0:02:31 | |
PHONE RINGS | 0:02:31 | 0:02:33 | |
Hello, Wet Lab. | 0:02:38 | 0:02:39 | |
Yeah, OK, I'll tell him. Thanks. | 0:02:42 | 0:02:44 | |
There's been a power cut. | 0:02:46 | 0:02:48 | |
AAU, lights have gone out. | 0:02:48 | 0:02:50 | |
Must have been the fuse box. | 0:02:51 | 0:02:53 | |
SHE GROANS | 0:02:59 | 0:03:02 | |
Jimmy, can we can get the lights sorted pronto, please? | 0:03:20 | 0:03:23 | |
Ric... | 0:03:23 | 0:03:24 | |
Ric, erm... | 0:03:27 | 0:03:28 | |
I need to speak to you. | 0:03:30 | 0:03:32 | |
It's about Jeremy Warren. | 0:03:32 | 0:03:34 | |
I've been getting these, um... these texts messages from him. | 0:03:35 | 0:03:39 | |
They're threats... | 0:03:39 | 0:03:41 | |
..and I don't know what to do now that you're not allowed | 0:03:41 | 0:03:43 | |
anywhere near the hospital. | 0:03:43 | 0:03:45 | |
I don't know how to... | 0:03:45 | 0:03:46 | |
Just let me know that you're OK, please. | 0:03:49 | 0:03:51 | |
Will you call me back? | 0:03:51 | 0:03:53 | |
GUNSHOT | 0:03:53 | 0:03:54 | |
Come with me! Come with me! | 0:03:56 | 0:03:58 | |
Come with me! | 0:03:58 | 0:03:59 | |
Just get down. | 0:03:59 | 0:04:01 | |
Everybody get down and stay down! | 0:04:01 | 0:04:03 | |
It's OK, you're going to be fine. I need the police. Yes. | 0:04:08 | 0:04:12 | |
It's OK. Everything's going to be OK. | 0:04:12 | 0:04:14 | |
Micro-injector, please, Nurse Harrison. | 0:04:15 | 0:04:17 | |
Sorry, I don't know what's got into me. | 0:04:20 | 0:04:23 | |
PHONE RINGS | 0:04:23 | 0:04:25 | |
Hello? | 0:04:29 | 0:04:30 | |
Someone's got a gun on AAU. | 0:04:32 | 0:04:34 | |
They've shot once. | 0:04:36 | 0:04:38 | |
They don't know if anyone's been hurt. | 0:04:39 | 0:04:42 | |
-The police are on their way. -Oh, God. | 0:04:42 | 0:04:44 | |
Right, instigate the major incidents procedure. | 0:04:44 | 0:04:47 | |
Lock the doors, shut the lifts down, cancel all electives. | 0:04:47 | 0:04:49 | |
No-one goes in or out of the hospital. | 0:04:49 | 0:04:51 | |
We're on lockdown. Tell them now, please. | 0:04:51 | 0:04:53 | |
Oh, God, it's Jac! | 0:04:53 | 0:04:54 | |
She's been shot in the back. | 0:04:56 | 0:04:57 | |
We've got to stop the bleed. We need to move her. | 0:04:57 | 0:04:59 | |
We can't. We're on lockdown. There's nowhere to take her to. | 0:04:59 | 0:05:02 | |
We'll never get her up the stairs, that's for sure. | 0:05:02 | 0:05:04 | |
-We have to open her up. -Let's get her to the lab. | 0:05:04 | 0:05:06 | |
Grab this trolley. We need to get a tube down. | 0:05:06 | 0:05:09 | |
Nurse, the dummy. | 0:05:09 | 0:05:10 | |
The Ambu bag, the bag with the one-way valve, the mask, | 0:05:10 | 0:05:13 | |
just grab what you can. | 0:05:13 | 0:05:15 | |
It's all right, we're here now. | 0:05:15 | 0:05:16 | |
Just going to look for the wound. | 0:05:18 | 0:05:19 | |
This... This... | 0:05:19 | 0:05:22 | |
Get it together. Come on, come on... | 0:05:22 | 0:05:25 | |
Here. | 0:05:26 | 0:05:28 | |
Bag, please. Thank you. | 0:05:29 | 0:05:31 | |
She needs anaesthetic. | 0:05:31 | 0:05:32 | |
I have some chloroform I use on the stem cells. | 0:05:32 | 0:05:34 | |
-Is that all you've got? -It's a lab, not a theatre! | 0:05:34 | 0:05:37 | |
DISTANT SIREN | 0:05:47 | 0:05:50 | |
This isn't good. | 0:05:50 | 0:05:52 | |
It's a shooting! | 0:05:52 | 0:05:54 | |
-Fletch! Give us a hand, mate. -Who was it? What sort of...? | 0:05:54 | 0:05:57 | |
I don't know, someone says one bloke. | 0:05:57 | 0:05:59 | |
-Others are saying there's two of 'em. -Was anyone else hit? | 0:05:59 | 0:06:01 | |
I don't know. I know as much as you! A nurse handed her to me. | 0:06:01 | 0:06:04 | |
Said she didn't see owt either. | 0:06:04 | 0:06:06 | |
I need to get some IV morphine in her pronto. | 0:06:06 | 0:06:07 | |
Right, let's get her in the back of the ambulance, | 0:06:07 | 0:06:09 | |
get that leg in a brace and get a trauma tourniquet standing by. | 0:06:09 | 0:06:12 | |
I'll be back in a minute. OK, everyone, please stay calm. | 0:06:12 | 0:06:14 | |
Stay calm. All staff to me. Thank you. Right, OK. | 0:06:14 | 0:06:17 | |
We need to get as many people out as possible | 0:06:17 | 0:06:19 | |
cos I reckon those doors are going to get locked any second now. | 0:06:19 | 0:06:22 | |
So we do it calmly, we do it quickly, but do it now. Go. | 0:06:22 | 0:06:24 | |
Mr Levy, the wound is already there, just do the thoracotomy. | 0:06:24 | 0:06:27 | |
Clam shell gives us more access and we won't need to deflate the lung. | 0:06:27 | 0:06:30 | |
No, there's too much risk of infection... | 0:06:30 | 0:06:32 | |
THEY SHOUT OVER EACH OTHER | 0:06:32 | 0:06:33 | |
None of this is exactly sterile! | 0:06:33 | 0:06:35 | |
This should keep her under long enough. | 0:06:36 | 0:06:39 | |
Sacha, come on! | 0:06:41 | 0:06:42 | |
Make the incision. | 0:06:42 | 0:06:44 | |
We can use our hands to keep her open. | 0:06:44 | 0:06:45 | |
Oh, so you're not above the menial tasks after all. | 0:07:03 | 0:07:07 | |
It's just you've made a bit of a name for yourself today. | 0:07:07 | 0:07:09 | |
The Professor has been praising your "sharp intellect" | 0:07:09 | 0:07:12 | |
and your "diagnostic eye". | 0:07:12 | 0:07:14 | |
Yeah, well, I was just doing what was asked of me. | 0:07:14 | 0:07:16 | |
You're getting good at that. | 0:07:16 | 0:07:18 | |
Is there something I can help you with? | 0:07:18 | 0:07:19 | |
Me? No. Might want to check with your friend Mr Valentine | 0:07:19 | 0:07:23 | |
or Ms MacMillan or your new buddy the Professor, though. | 0:07:23 | 0:07:26 | |
What's gotten into you? | 0:07:26 | 0:07:27 | |
You've been chipping away at me all day. | 0:07:27 | 0:07:29 | |
I mean, for what? Doing my job? | 0:07:29 | 0:07:30 | |
Sure, yeah, that's what this is about. | 0:07:32 | 0:07:34 | |
So there is something! Well, please enlighten me. | 0:07:34 | 0:07:36 | |
What is it that's sneaked through the impenetrable ego | 0:07:36 | 0:07:39 | |
of Dominic Copeland? Hm? | 0:07:39 | 0:07:40 | |
Sorry, I've come across a bit strong there. | 0:07:42 | 0:07:44 | |
-SIRENS WAIL -Dom, come on. -Lock the door. | 0:07:44 | 0:07:47 | |
What? | 0:07:47 | 0:07:49 | |
We're on lockdown. The whole hospital. | 0:07:49 | 0:07:51 | |
Lock the door. We need to lock the door. | 0:07:51 | 0:07:54 | |
Large clot, I think. | 0:07:59 | 0:08:01 | |
-Bifurcation of the pulmonary artery? -Mm. | 0:08:01 | 0:08:05 | |
Lucky to catch this one before it disappears entirely. | 0:08:05 | 0:08:08 | |
Looks intact. | 0:08:10 | 0:08:12 | |
Are there any others? | 0:08:12 | 0:08:13 | |
No. That's it. | 0:08:15 | 0:08:16 | |
What? | 0:08:19 | 0:08:20 | |
Sorry. I don't know. | 0:08:20 | 0:08:22 | |
It's just that you're quite good at this, aren't you? | 0:08:22 | 0:08:25 | |
I'd never really appreciated it before. | 0:08:25 | 0:08:28 | |
Well, I learnt from the best. | 0:08:28 | 0:08:29 | |
OK... That's sucked it out. | 0:08:33 | 0:08:36 | |
Dr Digby, do you want to have a closer look? | 0:08:36 | 0:08:38 | |
PAGERS BEEP | 0:08:38 | 0:08:40 | |
Ms MacMillan? | 0:08:40 | 0:08:41 | |
What is it? | 0:08:42 | 0:08:44 | |
There's so much blood, it must be a major vessel. | 0:08:47 | 0:08:49 | |
-We need to get her to theatre! -There's no way to move her. | 0:08:49 | 0:08:52 | |
We need to find something else to pack her with. | 0:08:52 | 0:08:54 | |
Clothing. | 0:08:54 | 0:08:55 | |
Too much risk of infection. | 0:08:55 | 0:08:56 | |
-It's all right, Jac, you're going to be fine. -Her bag. | 0:08:56 | 0:08:59 | |
She had a bag with her. Handbag, near the stairs. | 0:08:59 | 0:09:01 | |
-I'll go. -Be careful. | 0:09:01 | 0:09:03 | |
Pulse is thready. | 0:09:06 | 0:09:08 | |
It's the aorta. | 0:09:08 | 0:09:10 | |
She needs a solution. | 0:09:10 | 0:09:12 | |
We have to stop this bleed. | 0:09:12 | 0:09:13 | |
She needs more equipment if she's going to survive. | 0:09:13 | 0:09:15 | |
We need to fix this vessel! | 0:09:15 | 0:09:17 | |
Come here. | 0:09:18 | 0:09:19 | |
Put your hand on the aorta. | 0:09:19 | 0:09:22 | |
I have an idea. I can hold it in place. | 0:09:22 | 0:09:23 | |
I need to print a patch. | 0:09:23 | 0:09:24 | |
We can't start experimenting at a time like this! | 0:09:24 | 0:09:27 | |
What choice do we have? | 0:09:27 | 0:09:29 | |
We need to try anything, Mr Levy. Something. | 0:09:29 | 0:09:31 | |
Take it. | 0:09:32 | 0:09:33 | |
OK. After three... | 0:09:38 | 0:09:40 | |
One, two... | 0:09:40 | 0:09:42 | |
Please, can we put the lifts back on? Let's get her to theatre. | 0:09:47 | 0:09:50 | |
I can't. You know I can't. | 0:09:50 | 0:09:52 | |
GLASS SMASHES | 0:09:59 | 0:10:00 | |
INDISTINCT WHISPERING | 0:10:00 | 0:10:02 | |
DISTANT SIRENS | 0:10:02 | 0:10:04 | |
-WHISPERS: -OK. When I say, we're going to crouch down low | 0:10:06 | 0:10:09 | |
and we're going to run over to that bed | 0:10:09 | 0:10:10 | |
and get behind the curtain as fast as we can. Do you understand? | 0:10:10 | 0:10:13 | |
OK, as fast as we can, OK? | 0:10:13 | 0:10:15 | |
BANGING | 0:10:17 | 0:10:19 | |
Go, go, go, go. | 0:10:23 | 0:10:24 | |
That's it, just stay there. | 0:10:28 | 0:10:30 | |
It's really important that you stay still, OK? | 0:10:30 | 0:10:34 | |
Remember, like a wolf, OK? | 0:10:34 | 0:10:36 | |
It's really important that no-one knows that you're here. | 0:10:36 | 0:10:39 | |
Is this you? Mrs Henry? | 0:10:53 | 0:10:56 | |
Perforated ulcer? | 0:10:56 | 0:10:58 | |
Stay there! He's coming! | 0:10:58 | 0:11:00 | |
So much of it. | 0:11:51 | 0:11:53 | |
Here. This is all I could find. | 0:11:53 | 0:11:57 | |
No, not that. Please. | 0:11:57 | 0:11:58 | |
SHE GROANS | 0:12:03 | 0:12:04 | |
She's coming round. | 0:12:07 | 0:12:08 | |
Ready when you are. | 0:12:16 | 0:12:18 | |
That's it, that's it. And one more. | 0:12:22 | 0:12:24 | |
PATIENT COUGHS | 0:12:31 | 0:12:33 | |
It's OK. | 0:12:33 | 0:12:35 | |
Oh, no, no, no... | 0:12:38 | 0:12:40 | |
I need fluids. | 0:12:40 | 0:12:42 | |
PHONE RINGS | 0:12:42 | 0:12:44 | |
-Hey, are you OK? -Yes. | 0:12:46 | 0:12:48 | |
OK. Back into your tent. Back into your tent. | 0:12:48 | 0:12:51 | |
PHONE CONTINUES TO RING | 0:12:55 | 0:12:58 | |
Donna! I'm here. | 0:13:20 | 0:13:22 | |
Yeah, I'm at the hospital. I'm outside. | 0:13:22 | 0:13:25 | |
I'm coming in. | 0:13:25 | 0:13:27 | |
I'll find a way in. | 0:13:27 | 0:13:29 | |
Are you all right? Is anybody hurt? | 0:13:29 | 0:13:31 | |
Jeremy? | 0:13:35 | 0:13:36 | |
No, no, no. It's OK... | 0:13:36 | 0:13:39 | |
Donna, you're jumping to... | 0:13:39 | 0:13:41 | |
Donna. | 0:13:41 | 0:13:43 | |
Donna, listen to me! | 0:13:43 | 0:13:44 | |
Don't jump to conclusions. | 0:13:44 | 0:13:46 | |
You're doing the right thing. | 0:13:47 | 0:13:49 | |
Just stay hidden. Yep. | 0:13:49 | 0:13:52 | |
Stay where you are. | 0:13:52 | 0:13:54 | |
I'm coming in. | 0:13:54 | 0:13:56 | |
Ric, you can't. | 0:13:56 | 0:13:57 | |
Ezra, get back! It's OK. | 0:13:57 | 0:14:00 | |
Just don't let anyone see you, remember? OK. | 0:14:00 | 0:14:02 | |
It's the patient. | 0:14:05 | 0:14:06 | |
She's vomited blood. She needs fluids, | 0:14:08 | 0:14:10 | |
I think she's having a post-op haemorrhage. | 0:14:10 | 0:14:12 | |
I can't. | 0:14:14 | 0:14:15 | |
There's nothing I can use here. We're trapped in! | 0:14:15 | 0:14:17 | |
Hey, it's OK, it's OK, sweetheart. You're doing really well. | 0:14:19 | 0:14:22 | |
You're doing brilliantly. | 0:14:22 | 0:14:23 | |
I just need you to go back in there and hide. Promise me. | 0:14:23 | 0:14:26 | |
Promise me that you won't leave, OK? OK, good boy. | 0:14:26 | 0:14:30 | |
Ladies and gentlemen, we don't have any more information at the minute, | 0:14:35 | 0:14:38 | |
so if you could just stay there, please. | 0:14:38 | 0:14:40 | |
The doors are locked for a reason. | 0:14:40 | 0:14:41 | |
If you've got friends or relatives inside, they will be looked after | 0:14:41 | 0:14:45 | |
by my colleagues. I can promise you that, all right? | 0:14:45 | 0:14:47 | |
-Just try and stay calm. -SCREAMING | 0:14:47 | 0:14:50 | |
I'm going to find out whatever I can, OK? Nurse! | 0:14:50 | 0:14:53 | |
Keep her calm, will ya? | 0:14:53 | 0:14:56 | |
-Patient's awake. -Yeah, I can hear that. | 0:14:56 | 0:14:57 | |
Rosie Cranham. Shrapnel wound, by the way. | 0:14:57 | 0:15:00 | |
Last thing she remembers she was out walking with her son | 0:15:00 | 0:15:02 | |
-and now she's... -Iain, I've got 100 people out here | 0:15:02 | 0:15:04 | |
-with 100 different problems... -She's waking up, | 0:15:04 | 0:15:06 | |
-having lost her babies. -Babies? -Yeah, twins. She was pregnant. | 0:15:06 | 0:15:09 | |
Looks like she's had a C-section, but... | 0:15:09 | 0:15:11 | |
-Well, the baby should be safe, right? -I assume so. | 0:15:11 | 0:15:13 | |
You try telling her that. She won't let me treat her. | 0:15:13 | 0:15:15 | |
And she ain't going to go to St James's until we've found them. | 0:15:15 | 0:15:17 | |
-Excuse me, can you please help my gran? -What can we do? -Please. | 0:15:17 | 0:15:20 | |
Right, let's have a look. | 0:15:20 | 0:15:22 | |
OK, we need to close the pulmonary artery, | 0:15:35 | 0:15:39 | |
think about coming off bypass. | 0:15:39 | 0:15:41 | |
Dr Digby? | 0:15:42 | 0:15:44 | |
I'm sorry, it's just... | 0:15:44 | 0:15:46 | |
-Well, what do we do? -We carry on. | 0:15:46 | 0:15:49 | |
He's right. | 0:15:49 | 0:15:50 | |
Duty of care is to the patient. We don't leave them, no matter what. | 0:15:50 | 0:15:54 | |
OK, but... | 0:15:54 | 0:15:56 | |
What if...? | 0:15:56 | 0:15:57 | |
-What if they...you know? -It won't happen. | 0:15:59 | 0:16:03 | |
We carry on. We carry on whatever the situation. | 0:16:03 | 0:16:06 | |
We do not leave the patient. | 0:16:06 | 0:16:08 | |
As normal, everyone. | 0:16:12 | 0:16:13 | |
-Honestly, I have no idea what's going on... -Kathy? | 0:16:17 | 0:16:19 | |
Could I please get everyone's attention? Thank you. | 0:16:19 | 0:16:21 | |
Ladies and gentlemen, can I have your attention for a moment, please? | 0:16:21 | 0:16:25 | |
Now, I need for everyone to remain calm. | 0:16:25 | 0:16:28 | |
All access to this ward has now been locked and secured. | 0:16:29 | 0:16:33 | |
Now, the police are on site. | 0:16:34 | 0:16:37 | |
We are perfectly safe. | 0:16:37 | 0:16:38 | |
Now, I need for everyone to not get carried away, OK? | 0:16:38 | 0:16:42 | |
It's on the news. | 0:16:42 | 0:16:44 | |
TV: The number of assailants is yet unknown, | 0:16:44 | 0:16:46 | |
but the police have arrived and are working to identify and locate... | 0:16:46 | 0:16:49 | |
Dom, you can't stop people finding out. | 0:16:49 | 0:16:51 | |
I need for everyone to not share any information that they don't know | 0:16:51 | 0:16:56 | |
is based in fact. | 0:16:56 | 0:16:58 | |
It is not helpful, OK? | 0:16:58 | 0:17:01 | |
Can I have a word, please? | 0:17:01 | 0:17:02 | |
We're exposed like this. | 0:17:05 | 0:17:07 | |
We need to reconfigure the ward somehow, OK? | 0:17:07 | 0:17:10 | |
So what I'm suggesting is we move all mobile patients | 0:17:10 | 0:17:13 | |
-down to that end of the ward, all right? -OK. -Right. | 0:17:13 | 0:17:17 | |
Ladies and gentlemen, | 0:17:17 | 0:17:18 | |
what I need you to do now is I need for everyone to | 0:17:18 | 0:17:21 | |
make their way down to this end of the ward. | 0:17:21 | 0:17:24 | |
Now, this is just protocol, OK? | 0:17:24 | 0:17:26 | |
So I don't need anyone to worry, OK? Thank you. | 0:17:26 | 0:17:30 | |
I'll get wheelchairs. | 0:17:30 | 0:17:31 | |
I'll make sure Mrs Mussert and Mrs Judge stay in their beds. | 0:17:31 | 0:17:34 | |
OK, thank you. | 0:17:34 | 0:17:35 | |
Now, if we could all start making our way down to this | 0:17:36 | 0:17:38 | |
end of the ward, please. | 0:17:38 | 0:17:41 | |
Thank you. | 0:17:41 | 0:17:42 | |
Now, the police are dealing with this situation so... | 0:17:43 | 0:17:47 | |
..they know what they're doing. | 0:17:47 | 0:17:49 | |
We are just going to continue as normal. | 0:17:49 | 0:17:52 | |
Police! SHOUTING | 0:17:53 | 0:17:56 | |
Get back in the corner, now! | 0:17:56 | 0:17:58 | |
Two suspected gunshot casualties, again, could be more... | 0:18:03 | 0:18:06 | |
Rosie, you've opened your stitches up. | 0:18:06 | 0:18:08 | |
Can you stay nice and still for me, please? | 0:18:08 | 0:18:10 | |
I've got the nurses sending patients home with minors | 0:18:10 | 0:18:13 | |
and all the electives are cancelled, the rest are split into groups | 0:18:13 | 0:18:16 | |
but depending on their needs, I might have to send a few your way. | 0:18:16 | 0:18:19 | |
Priority is to minimise risk to the public in the vicinity | 0:18:19 | 0:18:21 | |
of the attacker. Keep it tight. 360 awareness. | 0:18:21 | 0:18:24 | |
Can we find out who was working on her? | 0:18:24 | 0:18:26 | |
Once the perimeter's secure, I want an inner cordon set up, | 0:18:26 | 0:18:28 | |
nobody comes in or out. | 0:18:28 | 0:18:30 | |
Everybody is a suspect, repeat, everybody. | 0:18:30 | 0:18:33 | |
Or phone Obs and Gynae Neo-natal. | 0:18:33 | 0:18:34 | |
See what's happening with the twins? | 0:18:34 | 0:18:36 | |
Contain the building. Eyes on all aspects. | 0:18:36 | 0:18:39 | |
Front, rear and both sides all need cover. Locate, contain, negotiate. | 0:18:39 | 0:18:44 | |
-I need to get in there. -Fletch! | 0:18:47 | 0:18:49 | |
Hey! Hands on your head! | 0:18:49 | 0:18:51 | |
Look, I'm Adrian Fletcher! Director of Nursing! | 0:18:51 | 0:18:53 | |
Just look at my pass. | 0:18:53 | 0:18:54 | |
Put your hands where we can see them, on your head! | 0:18:54 | 0:18:57 | |
OK. Look, I just need to get inside. | 0:18:57 | 0:18:59 | |
I appreciate that, but that's not how this works. | 0:18:59 | 0:19:02 | |
Look, there are patients that need treating | 0:19:02 | 0:19:04 | |
and I've got colleagues in there, right? | 0:19:04 | 0:19:06 | |
Look, I'm an executive director in this hospital, | 0:19:06 | 0:19:08 | |
I need to co-ordinate the major response for our staff! | 0:19:08 | 0:19:10 | |
-RADIO: -All internal doors are security locked, | 0:19:10 | 0:19:12 | |
we're having to go round. | 0:19:12 | 0:19:14 | |
I've got a patient in there that has just given birth to twins, | 0:19:14 | 0:19:17 | |
all right? And she's going out of her mind | 0:19:17 | 0:19:18 | |
because she's separated from them and she's just found out | 0:19:18 | 0:19:21 | |
she can't find her other kid. | 0:19:21 | 0:19:22 | |
Look, there's going to be lots of people separated and anxious. | 0:19:22 | 0:19:25 | |
That's why it's imperative we get this over as quickly as possible, | 0:19:25 | 0:19:29 | |
with as little harm done. | 0:19:29 | 0:19:31 | |
Look, I know it's difficult, but this lot need you to do your job. | 0:19:31 | 0:19:35 | |
Let us do ours. | 0:19:35 | 0:19:37 | |
Keep to your own LOEs. | 0:19:39 | 0:19:41 | |
I want to know each area is clear and safe. | 0:19:41 | 0:19:44 | |
-Armed police! Show me your hands! -I'm a doctor here! | 0:20:14 | 0:20:17 | |
-Drop the bags! -These are fluids. | 0:20:17 | 0:20:19 | |
-I need them for a patient who's haemorrhaging! -Drop the bags! | 0:20:19 | 0:20:23 | |
Put your hands on your head. You need to lock your fingers. | 0:20:24 | 0:20:27 | |
I'm a doctor here! I've left my ID at home. | 0:20:27 | 0:20:29 | |
Walk towards the wall slowly! Slowly! | 0:20:29 | 0:20:33 | |
-Stop! -Look... | 0:20:33 | 0:20:35 | |
..I think I know the man you're looking for. | 0:20:35 | 0:20:38 | |
His name is Jeremy Warren. | 0:20:38 | 0:20:41 | |
-He's got some crazy mixed-up idea that... -Mr Griffin! | 0:20:41 | 0:20:46 | |
No, he's a doctor here. He's one of us! | 0:20:46 | 0:20:49 | |
I saw him. | 0:20:49 | 0:20:50 | |
I saw him. | 0:20:51 | 0:20:53 | |
This is not working. | 0:20:55 | 0:20:56 | |
We need equipment. | 0:20:57 | 0:20:58 | |
-Essie, can you get Mr Hanssen, please? -I can't let go. | 0:20:59 | 0:21:02 | |
We wait for the patch. Mr Levy, this can work. | 0:21:02 | 0:21:04 | |
-Please! Enough! -This could save her life. | 0:21:04 | 0:21:06 | |
-Theatre is what will save her life! -Sacha, just hear him out. | 0:21:06 | 0:21:09 | |
A haemostatic gel sponge matrix. | 0:21:09 | 0:21:11 | |
Once exposed to blood it can swell to become a patch. | 0:21:11 | 0:21:15 | |
It's never been used on humans before but | 0:21:15 | 0:21:17 | |
-we can place it on the vessel and... -It is science fiction! | 0:21:17 | 0:21:19 | |
Right, we need to find another way. | 0:21:19 | 0:21:23 | |
She's so pale. | 0:21:23 | 0:21:25 | |
PHONE RINGS | 0:21:25 | 0:21:27 | |
-Yes? -Essie, please, listen to me... | 0:21:30 | 0:21:33 | |
There's nothing else we can do. | 0:21:33 | 0:21:34 | |
Thank you. | 0:21:36 | 0:21:38 | |
Yes, it's Henrik Hanssen, yep. | 0:21:42 | 0:21:44 | |
Yes, I ordered the major incident procedure and the lockdown, but... | 0:21:45 | 0:21:49 | |
I don't care about their cordon, if they've made the area secure, | 0:21:49 | 0:21:52 | |
then it is safe enough to give access to the basement. | 0:21:52 | 0:21:55 | |
No, look, just get the equipment that we need down here. | 0:21:57 | 0:22:00 | |
We have a surgeon bleeding out, all right? | 0:22:00 | 0:22:02 | |
Several of the staff have identified him. | 0:22:06 | 0:22:08 | |
-TV: -Meanwhile, authorities have narrowed it down to a lone gunman | 0:22:12 | 0:22:16 | |
and are systematically searching the hospital floor by floor. | 0:22:16 | 0:22:21 | |
-Here at the scene, the tension is palpable... -Dominic. | 0:22:21 | 0:22:24 | |
..as patients and members of the public | 0:22:24 | 0:22:26 | |
-wait for further instructions. Behind me... -Dom. | 0:22:26 | 0:22:29 | |
..you can probably see, police continue to lead people to safety, | 0:22:29 | 0:22:33 | |
but the problem, of course, is that it's a huge hospital... | 0:22:33 | 0:22:35 | |
Someone's posted a picture. | 0:22:35 | 0:22:37 | |
..so going from ward to ward to clear each area can take time. | 0:22:37 | 0:22:41 | |
Sgt Jonathan Taylor is leading the operation of this team. | 0:22:41 | 0:22:45 | |
Set up a safe spot inside on the ground floor that is cleared | 0:22:45 | 0:22:49 | |
and contained. | 0:22:49 | 0:22:51 | |
Not on the wards - too many access areas. | 0:22:51 | 0:22:54 | |
Have a team up top working their way down. | 0:22:54 | 0:22:57 | |
We think he's using a pass. | 0:22:57 | 0:22:59 | |
I've got a picture in front of me of the suspected subject - | 0:23:00 | 0:23:03 | |
white male, approximately 6'2", | 0:23:03 | 0:23:06 | |
wearing a black jacket, jacket hood possibly up. | 0:23:06 | 0:23:09 | |
Repeat, black jacket. He's using a security pass. | 0:23:09 | 0:23:13 | |
Show me the picture. | 0:23:16 | 0:23:18 | |
Look, if he's using the pass, then I need to know who it is. | 0:23:18 | 0:23:21 | |
Show me the picture. | 0:23:21 | 0:23:22 | |
-It can't be. -Any information you have, any reason, | 0:23:23 | 0:23:26 | |
any insight into his mind-set, no matter how small. | 0:23:26 | 0:23:28 | |
-RADIO: -Reports coming in that he has specific targets. | 0:23:28 | 0:23:31 | |
He's been ignoring patients and civilians. | 0:23:31 | 0:23:33 | |
-Suspect he's targeting hospital staff. -Mr Fletcher... | 0:23:33 | 0:23:36 | |
..is there anyone you can think that might be a specific target? | 0:23:36 | 0:23:39 | |
Cut. | 0:23:44 | 0:23:46 | |
OK, that's closed the pulmonary artery. | 0:23:46 | 0:23:49 | |
-Do we need to repeat the heparin dose? -Maybe. | 0:23:49 | 0:23:52 | |
We need to check the ACT. | 0:23:52 | 0:23:54 | |
And let's start ventilating, please, need to come off bypass now. | 0:23:54 | 0:23:57 | |
-There's just not enough pressure. -Mean pressure's below 50. | 0:24:01 | 0:24:05 | |
BANGING | 0:24:05 | 0:24:07 | |
We carry on. | 0:24:10 | 0:24:11 | |
Er... | 0:24:12 | 0:24:14 | |
Noradrenaline, please. Quickly. | 0:24:14 | 0:24:16 | |
CHATTERING | 0:24:21 | 0:24:23 | |
What's the latest? I need to get her in there, | 0:24:23 | 0:24:26 | |
-sats are down, she's sweating. -Right, OK. | 0:24:26 | 0:24:28 | |
They're setting up a safe area inside, | 0:24:28 | 0:24:30 | |
but until they know where he is, no-one's going in or out. | 0:24:30 | 0:24:33 | |
Group one are fine, group two are going home, but as for group three, | 0:24:33 | 0:24:36 | |
I need to get some of them inside | 0:24:36 | 0:24:38 | |
-because they need fluids and bloods taken. -OK. | 0:24:38 | 0:24:40 | |
What? | 0:24:42 | 0:24:43 | |
They think they know who it is and, erm... | 0:24:49 | 0:24:52 | |
And he's targeting staff. | 0:24:54 | 0:24:55 | |
-Targeting staff? -Yeah. | 0:24:56 | 0:24:58 | |
Who is it? | 0:24:58 | 0:24:59 | |
Why would he do this? | 0:25:01 | 0:25:02 | |
What have any of us done to him to make him do something like this? | 0:25:04 | 0:25:08 | |
Essie... | 0:25:10 | 0:25:11 | |
Why Jac? | 0:25:13 | 0:25:14 | |
If Jac's a target, then anybody can be a target. | 0:25:17 | 0:25:19 | |
What interaction did they ever have anyway? | 0:25:24 | 0:25:26 | |
-Why would he want to hurt her? -Essie, Essie, don't. | 0:25:28 | 0:25:31 | |
Now is not the time. | 0:25:32 | 0:25:35 | |
It's ready. | 0:25:35 | 0:25:36 | |
-RADIO: -Black coat spotted on five, black coat on five. -Room clear! | 0:25:44 | 0:25:48 | |
-Clear. -Clear. | 0:25:48 | 0:25:51 | |
Armed police! Stand still! Put your hands on your head! | 0:25:55 | 0:25:59 | |
You just need to stay calm, OK? The patients need you. | 0:26:02 | 0:26:05 | |
Mr Reeve needs an emergency laparotomy, Mrs Wilks... | 0:26:05 | 0:26:07 | |
Mrs Wilks has an elective gall bladder, I know! | 0:26:07 | 0:26:09 | |
-You're the only doctor in charge. -You heard the vans | 0:26:09 | 0:26:11 | |
and you heard the screams and don't pretend you didn't. | 0:26:11 | 0:26:14 | |
-It's the police! -And how do you know that? | 0:26:14 | 0:26:15 | |
Dom, you're making leaps in your head. No-one has said anything. | 0:26:15 | 0:26:18 | |
-It said so on the news! -No! The internet. No-one knows anything, OK? | 0:26:18 | 0:26:21 | |
It's paranoia. What does he have against you anyway? Nothing. | 0:26:21 | 0:26:25 | |
Everything! Lofty, you have no idea about this situation at all. | 0:26:25 | 0:26:30 | |
Listen, everything is going to be absolute fine. | 0:26:30 | 0:26:32 | |
It's not going to be fine! | 0:26:32 | 0:26:34 | |
You're not the one that he had a problem with, OK? | 0:26:35 | 0:26:37 | |
Right, we need to get all the lights turned off in here. | 0:26:39 | 0:26:42 | |
We need to make it look like it's deserted | 0:26:42 | 0:26:44 | |
-and we need to get everyone into theatre. -Dom, you're scaring people. | 0:26:44 | 0:26:47 | |
Lofty, I'm putting people at risk. | 0:26:51 | 0:26:53 | |
OK, erm, can you please get Mr Reeve stronger antibiotics | 0:26:56 | 0:27:01 | |
and make sure he's on IV fluids to keep him stable? | 0:27:01 | 0:27:03 | |
Once you've done that, will you please help me | 0:27:03 | 0:27:05 | |
get everyone into theatre? | 0:27:05 | 0:27:07 | |
-Of course. -Thank you. | 0:27:07 | 0:27:10 | |
Face down on the floor! Face down to the floor! | 0:27:13 | 0:27:17 | |
Hands behind your back. | 0:27:17 | 0:27:18 | |
This is Bronze One, I have movement on the third floor. | 0:27:18 | 0:27:21 | |
All units to three. | 0:27:21 | 0:27:23 | |
-That's Keller. -RADIO: -This one is clean. Wrong man. | 0:27:24 | 0:27:28 | |
Repeat, wrong man. Subject still on the move. | 0:27:28 | 0:27:31 | |
Fluids are set. Give her an infusion of omeprazole and regular obs. | 0:27:33 | 0:27:39 | |
Nurse Jackson? | 0:27:39 | 0:27:40 | |
Yeah, erm, regular obs. | 0:27:41 | 0:27:43 | |
Sorry, it's... We can't locate his mother. | 0:27:45 | 0:27:49 | |
Neo-natal unit, maternity. None of them are picking up. | 0:27:50 | 0:27:53 | |
These are extreme circumstances | 0:27:55 | 0:27:58 | |
and what you're doing is nothing short of heroic. | 0:27:58 | 0:28:01 | |
I better call Mia, let her know that I'm OK. | 0:28:02 | 0:28:05 | |
It's just hard to concentrate when he's still out there. | 0:28:05 | 0:28:10 | |
I don't understand why they can't find him. | 0:28:10 | 0:28:12 | |
I'm going to call Mia. | 0:28:15 | 0:28:16 | |
-It's gone quiet. -Dr Digby, there's no point thinking like that. | 0:28:18 | 0:28:23 | |
Focus on the task. | 0:28:23 | 0:28:24 | |
We need to increase the mean pressure before we can take him... | 0:28:24 | 0:28:27 | |
SHE SCREAMS | 0:28:27 | 0:28:29 | |
He knows the code. | 0:28:38 | 0:28:40 | |
DOOR BUZZES OPEN | 0:28:43 | 0:28:45 | |
We have a patient here coming off bypass. | 0:28:45 | 0:28:47 | |
-Look at me. -Please, just put that down. | 0:28:47 | 0:28:50 | |
-Hey, hey, don't point that at her. -Oliver, stop! | 0:28:50 | 0:28:53 | |
GUNSHOT No! | 0:28:53 | 0:28:55 | |
Shots fired. He's on the sixth floor. | 0:28:56 | 0:28:59 | |
-Repeat, sixth floor. -That's Darwin. | 0:28:59 | 0:29:01 | |
Has he shot someone? Was that you lot or has he shot someone?! | 0:29:01 | 0:29:05 | |
This is Bronze One. All units to Floor Six. | 0:29:07 | 0:29:10 | |
Where did he...? | 0:29:13 | 0:29:14 | |
SHE WHIMPERS | 0:29:27 | 0:29:29 | |
Hold this here. Hold it! | 0:29:32 | 0:29:35 | |
We can save him, OK? We can do this. | 0:29:35 | 0:29:37 | |
YOU can do this. Keep the pressure on! | 0:29:37 | 0:29:40 | |
Fetch a trolley from next door. | 0:29:40 | 0:29:42 | |
His head....it's his head... | 0:29:42 | 0:29:44 | |
We need to get him on bypass or he's going to die. Henrik... | 0:29:44 | 0:29:49 | |
Get up. You have to stop him. | 0:29:49 | 0:29:52 | |
We have to stop him! Find the police. | 0:29:52 | 0:29:55 | |
Find him and get them to stop him before there are any more! | 0:29:55 | 0:29:59 | |
Go! | 0:29:59 | 0:30:01 | |
No... It's OK! We need him in here. He's Director of Nursing. | 0:30:06 | 0:30:11 | |
We need him in here. | 0:30:11 | 0:30:13 | |
Fletch? | 0:30:14 | 0:30:16 | |
He's actually shot somebody on Darwin. | 0:30:16 | 0:30:18 | |
He's shooting staff. | 0:30:18 | 0:30:20 | |
He's targeting them and now Jac's not answering her phone. | 0:30:20 | 0:30:22 | |
Jac Naylor will be holding it together, like she always does. | 0:30:22 | 0:30:25 | |
-Yeah, well, I'm going up. -Fletch? Fletch, come on. | 0:30:25 | 0:30:28 | |
They're not going to let you in. Just...have faith. | 0:30:28 | 0:30:33 | |
PHONE RINGS | 0:30:33 | 0:30:35 | |
Mikey? I'm fine. | 0:30:35 | 0:30:38 | |
-You've got to get out of here. You can't be seen. -I'm not going anywhere. | 0:30:38 | 0:30:41 | |
Please, we have got it under control here. | 0:30:41 | 0:30:43 | |
This is a safe zone now, so you cannot get caught. | 0:30:43 | 0:30:46 | |
Hey! | 0:30:46 | 0:30:48 | |
Hey! Hey, you found Mummy, clever! | 0:30:50 | 0:30:52 | |
That's your superpowers, that is. | 0:30:52 | 0:30:54 | |
Come on. | 0:30:56 | 0:30:58 | |
I'm going to try and close him up, give me two chest drains. | 0:31:00 | 0:31:04 | |
-Dr Digby, OK? Keep the pressure on the swabs. -It's not stopping. | 0:31:04 | 0:31:09 | |
He's on maximum inotropes, why are his pressures so low? | 0:31:09 | 0:31:12 | |
Check his pupils, please. | 0:31:13 | 0:31:15 | |
Dilated. | 0:31:15 | 0:31:17 | |
I could suck through the carotid and see if there's any thrombus. | 0:31:18 | 0:31:21 | |
Heart rate's dropping. He's having a seizure. | 0:31:21 | 0:31:23 | |
Uh... Please, wh-what do I do? | 0:31:23 | 0:31:27 | |
I think it's coming from inside the head! | 0:31:27 | 0:31:30 | |
-I'm going to insert a cannula into the carotid and aspirate. -Roxanna! | 0:31:30 | 0:31:34 | |
Can you hold his head, please? | 0:31:36 | 0:31:37 | |
Let me check his pupils. | 0:31:37 | 0:31:39 | |
Right. He's having a cerebral haemorrhage. | 0:31:43 | 0:31:46 | |
It must be from the heparin. | 0:31:46 | 0:31:48 | |
There is nothing we can do, all right? | 0:31:48 | 0:31:51 | |
We just have to wait and watch. | 0:31:51 | 0:31:53 | |
He needs a CT scan. | 0:31:53 | 0:31:55 | |
-But, Ollie, he needs a neurosurgeon now! -I need to try. | 0:31:55 | 0:32:00 | |
-I could reverse the heparin with protamine. -Look at him! | 0:32:00 | 0:32:03 | |
He will die if we don't stop the bleed. | 0:32:04 | 0:32:07 | |
It's coming from inside the head. | 0:32:09 | 0:32:11 | |
Close him. | 0:32:12 | 0:32:14 | |
Right. | 0:32:18 | 0:32:20 | |
When I say, release your hand and I'll apply the patch. Now! | 0:32:20 | 0:32:23 | |
-PHONE RINGS -Sacha, move your hand. | 0:32:23 | 0:32:25 | |
Let him apply the patch. | 0:32:25 | 0:32:27 | |
-I can't let you do that. -Mr Levy, she doesn't have any more time. | 0:32:27 | 0:32:29 | |
-I can't. -Sacha, please. -We have a tiny window, it's about to pass. | 0:32:29 | 0:32:32 | |
She can't afford to lose any more blood. | 0:32:32 | 0:32:34 | |
I know, but there's no material to sew it on with. | 0:32:34 | 0:32:36 | |
If we apply enough pressure, we can do it without. | 0:32:36 | 0:32:38 | |
-But you said this hasn't been tested properly. -We have no other option. | 0:32:38 | 0:32:41 | |
-This... -Untested on humans, Professor! | 0:32:41 | 0:32:43 | |
-PHONE CONTINUES TO RING -We have her lying on a table | 0:32:43 | 0:32:46 | |
in a non-sterile environment like a piece of meat! | 0:32:46 | 0:32:49 | |
Anaesthetising her with chloroform, | 0:32:49 | 0:32:51 | |
tampons to stem the bleeding, | 0:32:51 | 0:32:53 | |
-breathing apparatus from a teaching aid? -Just try it! | 0:32:53 | 0:32:56 | |
-No! No. It's a risk too far. -This woman is about to die. | 0:32:56 | 0:32:59 | |
This woman is my friend! | 0:32:59 | 0:33:01 | |
Now... We keep packing it and we wait. | 0:33:03 | 0:33:07 | |
We wait for Hanssen. Hanssen will bring equipment, | 0:33:07 | 0:33:09 | |
he said he'd bring equipment. He'll be here soon, and we save her. | 0:33:09 | 0:33:11 | |
Mr Levy... Mr Levy. Mr Hanssen isn't coming back. | 0:33:11 | 0:33:16 | |
I've given Mr Bange benzodiazepine, | 0:33:25 | 0:33:28 | |
but wouldn't... Shh, shh, shh. | 0:33:28 | 0:33:30 | |
CLANKING | 0:33:32 | 0:33:34 | |
Can you hear that? | 0:33:34 | 0:33:35 | |
CREAKING AND CLANGING | 0:33:35 | 0:33:38 | |
I must have left the TV on. | 0:33:38 | 0:33:40 | |
No. No, it's not that. | 0:33:41 | 0:33:44 | |
GUNSHOT | 0:33:50 | 0:33:52 | |
LOUD BANGING ON DOORS | 0:33:55 | 0:33:58 | |
LOUD CLATTERING | 0:33:58 | 0:34:00 | |
SILENCE | 0:34:00 | 0:34:02 | |
Just stay calm, everyone, OK? It's going to be fine. | 0:34:07 | 0:34:09 | |
Just keep still, all right? | 0:34:09 | 0:34:12 | |
HE BREATHES HARD | 0:34:13 | 0:34:16 | |
Please, no. No... | 0:34:18 | 0:34:20 | |
HANSSEN: Fredrik! | 0:34:23 | 0:34:25 | |
This has to stop now. | 0:34:56 | 0:34:58 | |
OK, after three. Trust me. | 0:35:02 | 0:35:04 | |
Don't think of anything else, just Jac. | 0:35:04 | 0:35:06 | |
Nurse Harrison? | 0:35:10 | 0:35:12 | |
One, two, three. | 0:35:15 | 0:35:18 | |
Pulse is fading. | 0:35:27 | 0:35:29 | |
It's not working. | 0:35:31 | 0:35:32 | |
It's holding. | 0:35:40 | 0:35:41 | |
Pulse is coming back up. | 0:35:51 | 0:35:52 | |
Hey. | 0:35:57 | 0:35:58 | |
Looks like we're going to get you out of here. | 0:35:59 | 0:36:01 | |
Now we just need the lifts to come back on. | 0:36:03 | 0:36:05 | |
Yeah. Soon as they catch him. | 0:36:05 | 0:36:07 | |
PHONE RINGS | 0:36:07 | 0:36:09 | |
It's over there. | 0:36:13 | 0:36:15 | |
It's Fletch. | 0:36:20 | 0:36:22 | |
Hi, Fletch, it's Essie. | 0:36:22 | 0:36:24 | |
Will it hold? | 0:36:29 | 0:36:30 | |
It's just us. All right? | 0:36:41 | 0:36:44 | |
What have you done, Fredrik? | 0:37:22 | 0:37:25 | |
Hmm? | 0:37:25 | 0:37:27 | |
Weapons down. | 0:37:38 | 0:37:40 | |
Fredrik? | 0:37:41 | 0:37:44 | |
My name is Sergeant Taylor. | 0:37:44 | 0:37:46 | |
We have to be here, OK? | 0:37:47 | 0:37:50 | |
Just so I can hear you. Nothing else. | 0:37:50 | 0:37:53 | |
Nobody will move, nobody is a threat to you. | 0:37:55 | 0:37:58 | |
We want to hear you so we can communicate. | 0:38:00 | 0:38:02 | |
Find a way to resolve this. | 0:38:03 | 0:38:05 | |
Just want to listen. | 0:38:06 | 0:38:07 | |
So... | 0:38:11 | 0:38:13 | |
..a lot of people are hurt, Fredrik. | 0:38:14 | 0:38:17 | |
I know. | 0:38:23 | 0:38:24 | |
So, let's just keep this between us now, all right? | 0:38:24 | 0:38:27 | |
-Whatever you want. -No. | 0:38:30 | 0:38:32 | |
I don't want anything from you. | 0:38:36 | 0:38:38 | |
Not any more. | 0:38:41 | 0:38:43 | |
-Let me come to you... -You stay there. | 0:38:48 | 0:38:50 | |
You tell them to do the same. | 0:38:53 | 0:38:56 | |
Right, you heard him. | 0:38:56 | 0:38:57 | |
No-one is going to do anything... if you put the gun down. | 0:38:57 | 0:39:02 | |
SHOUTING: Put it down! | 0:39:02 | 0:39:03 | |
Thank you. | 0:39:09 | 0:39:11 | |
Now, Fredrik, don't raise the gun. | 0:39:11 | 0:39:13 | |
If you raise the gun, they will... | 0:39:13 | 0:39:15 | |
Just put the gun down, please. | 0:39:19 | 0:39:21 | |
I decide how this ends. | 0:39:24 | 0:39:26 | |
OK... | 0:39:28 | 0:39:30 | |
ME! | 0:39:30 | 0:39:32 | |
OK. | 0:39:34 | 0:39:36 | |
I know. | 0:39:37 | 0:39:39 | |
Anterior cerebral artery has been injured. Clip, please. | 0:39:50 | 0:39:54 | |
Bullet has macerated the frontal lobe, | 0:39:56 | 0:40:00 | |
it's completely fragmented inside the skull. | 0:40:00 | 0:40:02 | |
MACHINE BEEPS He's fibrillating. | 0:40:02 | 0:40:04 | |
Ms MacMillan, he's fibrillating. | 0:40:05 | 0:40:08 | |
OK, um... | 0:40:08 | 0:40:09 | |
I need, um, paddles please. | 0:40:09 | 0:40:11 | |
20 joule shock. | 0:40:11 | 0:40:13 | |
Thank you. PADDLES CHARGE UP | 0:40:13 | 0:40:15 | |
PADDLES SHOCK | 0:40:18 | 0:40:19 | |
Again. | 0:40:21 | 0:40:22 | |
It's not working. I'm going to have to go in. | 0:40:27 | 0:40:31 | |
Massaging the heart. | 0:40:31 | 0:40:32 | |
Come on, David. Come on. | 0:40:34 | 0:40:36 | |
Come on. | 0:40:39 | 0:40:41 | |
He's operating alone and he's targeting staff. | 0:40:42 | 0:40:45 | |
He's barricaded himself into Keller. | 0:40:45 | 0:40:47 | |
Dominic is up there, Lofty and Mr Hanssen. | 0:40:47 | 0:40:50 | |
Oliver's been shot in the head and they don't know. | 0:40:50 | 0:40:53 | |
-There could be more. -Hey, hey. He'll be safe. | 0:40:53 | 0:40:56 | |
-He's not answering his phone... -Listen to me, Essie. | 0:40:56 | 0:40:59 | |
-He'll be fine, OK? -That's exactly what he said. Exactly... | 0:40:59 | 0:41:02 | |
Listen to me. Listen to me. They're not going to let anyone in or out | 0:41:02 | 0:41:05 | |
until Fredrik's arrested. We have to stay here. | 0:41:05 | 0:41:07 | |
-BANGING -Mr Levy, take over. Mr Levy! | 0:41:07 | 0:41:10 | |
RAPID FOOTSTEPS Armed police! Hands on your head! | 0:41:14 | 0:41:16 | |
-Put your hands on your head! -Please... Calm, calm. | 0:41:16 | 0:41:19 | |
Please, it's important. | 0:41:19 | 0:41:21 | |
I'm Professor Gaskell, I'm with Mr Levy and Nurse Harrison. | 0:41:21 | 0:41:24 | |
On the table in this room, | 0:41:24 | 0:41:26 | |
there's a very important cardiothoracic surgeon, | 0:41:26 | 0:41:28 | |
she's been shot in the back. | 0:41:28 | 0:41:30 | |
We have managed to stabilise her, | 0:41:30 | 0:41:32 | |
using an experimental patch | 0:41:32 | 0:41:33 | |
but we need to get more equipment to treat her properly. And fast. | 0:41:33 | 0:41:38 | |
This is Nurse Harrison. | 0:41:38 | 0:41:41 | |
You need to let her through so she can find the bits we need. | 0:41:41 | 0:41:44 | |
She doesn't have a lot of time. Nurse Harrison? | 0:41:44 | 0:41:46 | |
Collect everything we discussed, take Jac's phone | 0:41:46 | 0:41:49 | |
and call us when you know you have it. | 0:41:49 | 0:41:51 | |
Yes. Call us when you have it. | 0:41:53 | 0:41:55 | |
Reports suggest that the police are gaining ground on... | 0:42:03 | 0:42:07 | |
ON TV: ..the once disgraced surgeon, son of CEO Henrik Hanssen, | 0:42:07 | 0:42:12 | |
and it is reported that they will soon make contact with... | 0:42:12 | 0:42:15 | |
Mud sticks. | 0:42:24 | 0:42:25 | |
I don't know. You came back from that. You co... | 0:42:29 | 0:42:32 | |
It's the first time I've been called a surgeon. | 0:42:35 | 0:42:37 | |
Right. Put the gun down. | 0:42:43 | 0:42:46 | |
This has to end now, my boy. | 0:42:46 | 0:42:48 | |
That's what I'm here to do. | 0:42:52 | 0:42:54 | |
No, please! Go back! | 0:42:59 | 0:43:01 | |
You couldn't let me have this one moment! | 0:43:02 | 0:43:04 | |
Fredrik, please, I never meant... | 0:43:04 | 0:43:06 | |
Mr Copeland, get out of here now! | 0:43:06 | 0:43:09 | |
This family of yours, I'm not part of that. | 0:43:13 | 0:43:16 | |
And I accept it. But you aren't either. | 0:43:16 | 0:43:19 | |
HE COCKS GUN | 0:43:19 | 0:43:21 | |
It's all fake. Built on sand. | 0:43:21 | 0:43:23 | |
-Fredrik, good lad, don't do this. -You're not happy. You don't cope. | 0:43:23 | 0:43:28 | |
-Neither of us do. -Fredrik, put the gun down, you're not yourself. | 0:43:28 | 0:43:30 | |
-That's the problem, I am myself. -Fredrik... -And you're yourself. | 0:43:30 | 0:43:33 | |
-Fredrik! NO! -Well, that's the problem. | 0:43:33 | 0:43:35 | |
-I'm here to end it! -FREDRIK! | 0:43:35 | 0:43:37 | |
GUNSHOT | 0:43:37 | 0:43:38 | |
-TV: -Witnesses report hearing gunfire from inside the building. | 0:43:40 | 0:43:43 | |
We will update you with any information | 0:43:43 | 0:43:46 | |
as it is coming in to us. | 0:43:46 | 0:43:47 | |
Get away from him! Fredrik! | 0:43:47 | 0:43:49 | |
Emergency search complete. | 0:43:49 | 0:43:51 | |
-Get a theatre ready. -Threat neutralised. -Get away from me! | 0:43:51 | 0:43:54 | |
Sir, listen to me. You should prepare for the worst. | 0:43:54 | 0:43:56 | |
-No, he's alive! -It's gone straight into his chest. | 0:43:56 | 0:43:59 | |
Right. Get the monitor ready. | 0:44:00 | 0:44:02 | |
We need O negative. Activate major haemorrhage protocol. | 0:44:02 | 0:44:05 | |
-I'll get... -Get him up! He needs theatre. | 0:44:05 | 0:44:07 | |
There are people in there. | 0:44:07 | 0:44:09 | |
Well, get them out then! Get his chest open. | 0:44:09 | 0:44:11 | |
-I have to open his chest. Get his chest open. -OK. | 0:44:11 | 0:44:13 | |
-Let's just not move him. Wait for the trolley, OK? -All right. | 0:44:13 | 0:44:16 | |
Coming through! | 0:44:16 | 0:44:18 | |
OK, you, you and you. Get him on that trolley. | 0:44:18 | 0:44:21 | |
No output. | 0:44:25 | 0:44:26 | |
Um... I could try a decompressive craniectomy, | 0:44:28 | 0:44:31 | |
release the pressure maybe. | 0:44:31 | 0:44:33 | |
Yeah? Yeah. | 0:44:33 | 0:44:35 | |
-Dr Digby, there's no output. -I want to try! | 0:44:35 | 0:44:39 | |
-Morven... -No, I can do this. I know I can. Come on. | 0:44:41 | 0:44:45 | |
-TV: -Reports that the assailant has been hit | 0:44:46 | 0:44:49 | |
are currently unsubstantiated. | 0:44:49 | 0:44:50 | |
-Although hostage communications were... -Ric, please. | 0:44:50 | 0:44:53 | |
It's over now. Don't make this any worse than it is. | 0:44:53 | 0:44:58 | |
You stay strong. | 0:44:58 | 0:44:59 | |
You did what you could. You did it well. | 0:44:59 | 0:45:02 | |
-That's Rosie. -You know her? | 0:45:09 | 0:45:12 | |
Raf's patient. She was our patient. | 0:45:12 | 0:45:14 | |
She's separated from her kids. She's just given birth, twins. | 0:45:14 | 0:45:17 | |
-She doesn't know. -Doesn't know what? | 0:45:17 | 0:45:20 | |
She had triplets. Superfoetation. | 0:45:20 | 0:45:23 | |
-Eh? -She was pregnant while she got pregnant. | 0:45:23 | 0:45:27 | |
It's a miracle. | 0:45:27 | 0:45:28 | |
Raf saved them all. | 0:45:28 | 0:45:30 | |
Why is she here? Raf was supposed to be with her. | 0:45:30 | 0:45:33 | |
They thought she was shot. But... | 0:45:33 | 0:45:36 | |
-But what? -It was shrapnel. | 0:45:36 | 0:45:38 | |
It was just shrapnel. | 0:45:42 | 0:45:44 | |
-Coming through! -So, if we can get him open? I need diathermy. | 0:45:48 | 0:45:51 | |
Would you get some surgicel, please? | 0:45:51 | 0:45:53 | |
-We need to open him up and isolate the bleeding. -Mr Hanssen... | 0:45:53 | 0:45:57 | |
So, get the lift back on please. | 0:45:59 | 0:46:01 | |
Get the lift back on! | 0:46:01 | 0:46:03 | |
There's a cell-saver on Darwin. So if we can get the lift on... | 0:46:06 | 0:46:09 | |
Hmm? | 0:46:10 | 0:46:12 | |
HE STARTS TO SOB | 0:46:17 | 0:46:19 | |
He's gone. | 0:46:24 | 0:46:26 | |
Time of death, 15:58. | 0:46:31 | 0:46:33 | |
SHE CRIES | 0:46:35 | 0:46:38 | |
-ROXANNA: -You're at peace now. | 0:46:53 | 0:46:55 | |
You're at peace. | 0:46:58 | 0:47:00 | |
They put the lifts back on. | 0:47:53 | 0:47:54 | |
So we can take her to ITU. | 0:47:54 | 0:47:56 | |
Oliver Valentine. | 0:48:00 | 0:48:01 | |
He's alive, but... | 0:48:04 | 0:48:05 | |
..his frontal lobes... | 0:48:08 | 0:48:10 | |
And David, he... | 0:48:17 | 0:48:20 | |
His heart, he... | 0:48:21 | 0:48:22 | |
-He didn't make it. -And Fredrik? | 0:48:24 | 0:48:28 | |
He's dead. | 0:48:30 | 0:48:32 | |
-Yes! -You have a new message. | 0:48:46 | 0:48:48 | |
-RAF: -Essie. It's me. | 0:48:48 | 0:48:51 | |
I'm calling... I'm calling to tell you that | 0:48:53 | 0:48:54 | |
I'm not going to get out of here. | 0:48:54 | 0:48:57 | |
Even if they find me. | 0:48:57 | 0:48:59 | |
I was hit in the jugular. I've not got very long. | 0:48:59 | 0:49:03 | |
-You were right. -HE CHUCKLES | 0:49:05 | 0:49:07 | |
You've always got to be right, haven't you? | 0:49:07 | 0:49:09 | |
I'm trying to work out why I'm not scared. I should be. | 0:49:12 | 0:49:17 | |
But I'm not scared, because of what you've given me. | 0:49:21 | 0:49:25 | |
I need... I need you to know how much you gave to me. | 0:49:30 | 0:49:36 | |
How much you helped me. | 0:49:36 | 0:49:38 | |
How much you helped me be the real me | 0:49:40 | 0:49:43 | |
by always showing me the real you. | 0:49:43 | 0:49:45 | |
Because you are the kindest, | 0:49:48 | 0:49:52 | |
the most honest... | 0:49:53 | 0:49:55 | |
..and the toughest person I know. | 0:49:56 | 0:49:59 | |
-Raf! -I need you to stay strong, OK? Stay strong for the others. | 0:50:03 | 0:50:07 | |
For Fletch and the kids. | 0:50:08 | 0:50:11 | |
But know that I'm not alone right now. | 0:50:20 | 0:50:22 | |
Because all I can see... | 0:50:27 | 0:50:29 | |
All I can see is your face. | 0:50:29 | 0:50:32 | |
That beautiful face. | 0:50:36 | 0:50:38 | |
That smile that tells me I'm wrong again... | 0:50:39 | 0:50:42 | |
..those eyes...those eyes... | 0:50:43 | 0:50:47 | |
SHE DROPS PHONE | 0:50:47 | 0:50:49 | |
I don't know what happened. | 0:51:36 | 0:51:38 | |
I don't know who or why... | 0:51:38 | 0:51:41 | |
-HE LAUGHS -It doesn't matter anyway. | 0:51:41 | 0:51:43 | |
What have you done? | 0:51:45 | 0:51:47 | |
-RAF: -But make sure, make sure that you react... | 0:51:52 | 0:51:55 | |
..not with anger. | 0:51:57 | 0:51:59 | |
But with love. | 0:52:01 | 0:52:03 | |
You taught me that. | 0:52:09 | 0:52:11 | |
Love always wins. | 0:52:14 | 0:52:17 | |
-TEARFULLY: -Goodbye, my love. | 0:52:20 | 0:52:22 | |
Goodbye, my love. | 0:52:23 | 0:52:25 | |
OK, Mr Hanssen has asked that we respect his decision | 0:52:42 | 0:52:46 | |
to remain silent on the matter for now. | 0:52:46 | 0:52:47 | |
Mr Valentine and Ms Naylor are stable, we remain open. | 0:52:50 | 0:52:54 | |
Night shift are due any minute. | 0:52:54 | 0:52:56 | |
Even more have volunteered to cover any of us | 0:52:56 | 0:52:58 | |
that might want to go home. | 0:52:58 | 0:53:00 | |
Sure there will be numbers to ring, | 0:53:01 | 0:53:03 | |
people to speak to if anyone needs. | 0:53:03 | 0:53:05 | |
Mr Di Lucca and David will be taken to the morgue, to await the coroner. | 0:53:08 | 0:53:13 | |
One of us really should speak to the press. | 0:53:14 | 0:53:16 | |
Ideally someone they respect, someone that represents us. | 0:53:17 | 0:53:21 | |
Do you feel up to it? | 0:53:21 | 0:53:22 | |
Yeah. Sure. | 0:53:25 | 0:53:27 | |
Just if you need it. | 0:53:31 | 0:53:33 | |
Thank you. | 0:53:36 | 0:53:37 | |
ALL SHOUT QUESTIONS Mr Levy, will the hospital close? | 0:53:44 | 0:53:46 | |
-Can you tell us about Mr Johanssen? -Who has been killed? | 0:53:46 | 0:53:50 | |
ALL SHOUT AT ONCE | 0:53:50 | 0:53:53 | |
What just happened is not something anyone thought possible. | 0:54:02 | 0:54:08 | |
Fredrik, without a C... | 0:54:09 | 0:54:12 | |
It isn't something anyone could have predicted or done anything about. | 0:54:12 | 0:54:16 | |
..S-S-E-N. | 0:54:16 | 0:54:18 | |
And yet I've never been prouder of a group of ordinary people... | 0:54:20 | 0:54:27 | |
Can you tell us in your own words what happened? | 0:54:27 | 0:54:31 | |
..who in extreme circumstances... | 0:54:31 | 0:54:34 | |
..proved themselves to be extraordinary. | 0:54:39 | 0:54:43 | |
REPORTERS SHOUT | 0:54:43 | 0:54:44 | |
VOICES FADE AWAY | 0:54:44 | 0:54:46 |