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I'm not sure I have anything worthwhile | 0:00:02 | 0:00:03 | |
-to speak with a councillor about. -We need to talk about Fredrik. | 0:00:03 | 0:00:06 | |
You need to speak about your son. | 0:00:06 | 0:00:09 | |
We don't need to be on the wrong side of each other. | 0:00:09 | 0:00:11 | |
Be seeing you. | 0:00:11 | 0:00:13 | |
If you're in danger, you have to say something. | 0:00:13 | 0:00:16 | |
-I've got a girlfriend. -Hi, I'm Lola. Jason told me all about you. | 0:00:16 | 0:00:19 | |
We haven't got any money. | 0:00:19 | 0:00:20 | |
Jay said you might be able to help us out? | 0:00:20 | 0:00:22 | |
I suppose I am gonna need your help | 0:00:22 | 0:00:23 | |
if I'm gonna be back to work next week. | 0:00:23 | 0:00:25 | |
Aren't you supposed to be on light duties between your physio sessions? | 0:00:25 | 0:00:29 | |
SHE GROANS | 0:00:30 | 0:00:31 | |
His head. His head. | 0:00:31 | 0:00:33 | |
We weren't able to remove the bullet. | 0:00:33 | 0:00:35 | |
Next...steps? | 0:00:35 | 0:00:38 | |
You're a hard person to track down. | 0:01:19 | 0:01:21 | |
I understand why. | 0:01:21 | 0:01:23 | |
What you needed to do. | 0:01:24 | 0:01:25 | |
The journey you wanted to go on. | 0:01:25 | 0:01:27 | |
If there were any other way, | 0:01:29 | 0:01:31 | |
any other person I thought I could turn to... | 0:01:31 | 0:01:33 | |
Henrik, stop. | 0:01:33 | 0:01:35 | |
You only had to ask. You only ever have to ask. | 0:01:36 | 0:01:40 | |
So, you got my briefing notes, did you? | 0:01:43 | 0:01:46 | |
I did. | 0:01:46 | 0:01:47 | |
Then you'll understand, therefore, | 0:01:48 | 0:01:50 | |
that this is not a crisis of your making. | 0:01:50 | 0:01:52 | |
I only ask that you steady the ship, provide leadership until... | 0:01:52 | 0:01:56 | |
..some other arrangements can be made. | 0:01:56 | 0:01:58 | |
"Other arrangements"? When are you coming back? | 0:01:58 | 0:02:03 | |
You are planning on coming back? | 0:02:03 | 0:02:06 | |
SHE SIGHS | 0:02:07 | 0:02:09 | |
I'll give you as long as I can. | 0:02:09 | 0:02:11 | |
-I understand. -But I can't stay. | 0:02:11 | 0:02:13 | |
-I know. -I have...other priorities now. | 0:02:13 | 0:02:17 | |
How is Ms Wolfe? | 0:02:19 | 0:02:21 | |
She's good. Setting up a trauma unit in Nairobi. | 0:02:21 | 0:02:26 | |
I'm joining her there, once... | 0:02:26 | 0:02:28 | |
Thank you. | 0:02:28 | 0:02:29 | |
Henrik, why now? | 0:02:30 | 0:02:34 | |
The truth. | 0:02:36 | 0:02:37 | |
Large clot, I think. Yes, bifurcation of the pulmonary artery. | 0:02:41 | 0:02:47 | |
Lucky to catch this one before it disappears entirely. | 0:02:47 | 0:02:49 | |
OK, I'm sucking it through. | 0:02:49 | 0:02:50 | |
-It's time. -No, I've got this. | 0:02:50 | 0:02:53 | |
Let's close the pulmonary artery. Let's come off bypass, please. | 0:02:53 | 0:02:56 | |
Mr Valentine. It's time. | 0:02:56 | 0:02:57 | |
No. I can do this. I can save him. | 0:02:57 | 0:02:59 | |
BEEPING | 0:02:59 | 0:03:01 | |
I can save you. | 0:03:01 | 0:03:02 | |
Oliver... | 0:03:02 | 0:03:03 | |
It's time. | 0:03:03 | 0:03:05 | |
BEEPING SLOWS | 0:03:05 | 0:03:07 | |
Oliver. | 0:03:11 | 0:03:13 | |
It's time to wake up. | 0:03:13 | 0:03:15 | |
I was just dreaming. | 0:03:17 | 0:03:20 | |
Nice ones? | 0:03:20 | 0:03:21 | |
-The best. -How so? | 0:03:22 | 0:03:24 | |
-Or shouldn't I ask? -I was standing. On my own two feet. | 0:03:24 | 0:03:27 | |
Unaided. | 0:03:29 | 0:03:30 | |
-It's time for physio. -Ah. | 0:03:32 | 0:03:34 | |
Can I help you? | 0:04:19 | 0:04:20 | |
Yes, I'm looking for the clinical lead. | 0:04:20 | 0:04:23 | |
-I'm afraid he's busy at the moment, but... -Busy doing what? | 0:04:23 | 0:04:25 | |
Preparing for a conference. | 0:04:26 | 0:04:28 | |
Perhaps there's something I could help you with? | 0:04:28 | 0:04:30 | |
OK, well, you can start by explaining | 0:04:30 | 0:04:33 | |
why bed 1 appears to be wandering off to Lord knows where | 0:04:33 | 0:04:36 | |
still attached to her drip! | 0:04:36 | 0:04:38 | |
More importantly, why is the theatre list not fully utilised? | 0:04:38 | 0:04:42 | |
And why is the emergency theatre being used for elective caesareans, | 0:04:42 | 0:04:47 | |
leaving the ward dangerously exposed in the event of a major trauma? | 0:04:47 | 0:04:51 | |
Well, there isn't a trauma unit here any more. | 0:04:51 | 0:04:54 | |
Yes, I am fully aware of that short-sighted piece of folly, | 0:04:54 | 0:04:57 | |
but AAU must be prepared for anything - at any time. | 0:04:57 | 0:05:02 | |
Firstly, we have one consultant, and he's going to a conference. | 0:05:02 | 0:05:05 | |
Secondly, I can have that theatre ready within minutes | 0:05:05 | 0:05:08 | |
for any life and limb surgery - | 0:05:08 | 0:05:09 | |
and thirdly, who do you think you are, Bossy Britches? | 0:05:09 | 0:05:13 | |
Serena! | 0:05:13 | 0:05:15 | |
Oh, wow. You're a sight for sore eyes. | 0:05:17 | 0:05:21 | |
And you're the cause for sore ribs. | 0:05:21 | 0:05:22 | |
HE CHUCKLES | 0:05:22 | 0:05:25 | |
Sorry. Sorry. Introductions. | 0:05:25 | 0:05:27 | |
Right, Nurse Donna Jackson, Dr Nicky McKendrick, | 0:05:27 | 0:05:30 | |
this is Ms Serena Campbell. | 0:05:30 | 0:05:32 | |
Our new boss! | 0:05:32 | 0:05:34 | |
Er, temporary boss. | 0:05:34 | 0:05:36 | |
So... You're Donna Jackson? | 0:05:36 | 0:05:40 | |
I might be. | 0:05:40 | 0:05:42 | |
OK. Well, I will take over Mr Levy's list for today. | 0:05:42 | 0:05:46 | |
You sort out the electives. Then come and see me. | 0:05:46 | 0:05:49 | |
We've got things to discuss. | 0:05:49 | 0:05:51 | |
Guess we have new powers that be. | 0:05:57 | 0:06:00 | |
So, conference? | 0:06:12 | 0:06:14 | |
Yes, sorry about that. | 0:06:14 | 0:06:16 | |
It's all right. | 0:06:16 | 0:06:17 | |
-We'll catch up later? -Yeah. | 0:06:17 | 0:06:19 | |
So, is there anything you need? | 0:06:19 | 0:06:22 | |
Henrik left me detailed notes. | 0:06:22 | 0:06:25 | |
Is he...? | 0:06:26 | 0:06:28 | |
Working things through. | 0:06:29 | 0:06:30 | |
I've reassigned those electives for you. | 0:06:30 | 0:06:34 | |
You wanted to see me? | 0:06:34 | 0:06:35 | |
Yes, I understand you're close to Ric Griffin. | 0:06:35 | 0:06:38 | |
-That's right. -I've got an appointment | 0:06:38 | 0:06:40 | |
to see him this afternoon. | 0:06:40 | 0:06:42 | |
On behalf of the hospital? | 0:06:42 | 0:06:43 | |
On behalf of myself. | 0:06:43 | 0:06:44 | |
How is he? | 0:06:46 | 0:06:47 | |
I don't really know. | 0:06:51 | 0:06:53 | |
He says he's fine, but he won't really talk about prison, so... | 0:06:54 | 0:06:57 | |
He assured me he was fine, | 0:06:59 | 0:07:01 | |
but he doesn't want anyone to worry about him. | 0:07:01 | 0:07:03 | |
Hm. He would say that, wouldn't he? | 0:07:03 | 0:07:05 | |
Exactly! I keep making appointments to see him | 0:07:05 | 0:07:07 | |
and he keeps finding a way to put me off. | 0:07:07 | 0:07:09 | |
Well, he won't put me off. | 0:07:09 | 0:07:10 | |
Is there anything else I can do for you, Ms Campbell? | 0:07:11 | 0:07:14 | |
Oliver Valentine... | 0:07:15 | 0:07:17 | |
That's it, Ollie. Two more. | 0:07:21 | 0:07:23 | |
Give me two more. You can do it, bae. | 0:07:27 | 0:07:28 | |
-Don't call me that. -What? -Bae! | 0:07:28 | 0:07:30 | |
Give me two more and I will. | 0:07:30 | 0:07:33 | |
I can't... | 0:07:35 | 0:07:37 | |
Course you can! Big strong lad like you. | 0:07:37 | 0:07:39 | |
HE GROANS | 0:07:39 | 0:07:41 | |
-It hurts. -That's how we know it's working! Two more. | 0:07:45 | 0:07:49 | |
Bae. | 0:07:49 | 0:07:50 | |
One more. | 0:07:55 | 0:07:57 | |
-Hey, very good. -I did it! | 0:08:00 | 0:08:03 | |
Amazeballs! | 0:08:03 | 0:08:05 | |
I don't even know what that means! | 0:08:05 | 0:08:07 | |
It means you get a lollipop. | 0:08:07 | 0:08:08 | |
-Same time tomorrow? -Great. | 0:08:08 | 0:08:10 | |
No. Let's keep going. | 0:08:10 | 0:08:11 | |
I'm not sure that's a good idea. | 0:08:11 | 0:08:13 | |
Doc's right, Ollie. You're exhausted. | 0:08:13 | 0:08:15 | |
I'm exhausted just watching you. | 0:08:15 | 0:08:17 | |
Hot, short of breath - and that's not just your blue eyes. | 0:08:17 | 0:08:19 | |
I'm fine, honest. | 0:08:19 | 0:08:20 | |
Oliver... | 0:08:20 | 0:08:22 | |
This is my physio. My recovery plan. | 0:08:22 | 0:08:24 | |
My decision. Let's go again. | 0:08:24 | 0:08:27 | |
Well, well, well. The Prodigal Sapphist returns. | 0:08:31 | 0:08:35 | |
Hello, Jac. Anyway, my visit's only temporary. I'm just... | 0:08:35 | 0:08:40 | |
..steadying the ship in Henrik's absence. | 0:08:40 | 0:08:43 | |
Where is Hanssen? | 0:08:43 | 0:08:44 | |
Taking some time. | 0:08:45 | 0:08:46 | |
How much time? | 0:08:46 | 0:08:48 | |
As much as he needs. | 0:08:48 | 0:08:50 | |
So when you say "temporary", you mean "indefinite". | 0:08:50 | 0:08:52 | |
For God's sake, Jac - | 0:08:52 | 0:08:53 | |
I haven't spent the last year travelling the world | 0:08:53 | 0:08:56 | |
to try and find myself only to return | 0:08:56 | 0:08:58 | |
to where I lost me in the first place | 0:08:58 | 0:09:00 | |
to do a job I stopped wanting to do long before that. | 0:09:00 | 0:09:03 | |
No. I have better things to do with my life. | 0:09:03 | 0:09:06 | |
You've been away a long time. Things have changed. | 0:09:06 | 0:09:09 | |
So have I. | 0:09:09 | 0:09:10 | |
I noticed. Buddha? | 0:09:10 | 0:09:13 | |
You've gone full hippie, Campbell. | 0:09:13 | 0:09:15 | |
You never go full hippie. | 0:09:15 | 0:09:16 | |
Yes, well, after France, I spent some time at a Nepalese retreat... | 0:09:16 | 0:09:20 | |
Why am I explaining myself? | 0:09:20 | 0:09:23 | |
I do not have to explain myself to you. | 0:09:23 | 0:09:26 | |
No. I guess you don't. | 0:09:26 | 0:09:28 | |
Jac? | 0:09:30 | 0:09:32 | |
I'm fine. | 0:09:32 | 0:09:33 | |
-Is it your back? -I said I'm fine. | 0:09:33 | 0:09:35 | |
Some things haven't changed. You're as stubborn as ever. | 0:09:35 | 0:09:39 | |
-Here. -What's this? Something you picked up on your summer of love? | 0:09:39 | 0:09:43 | |
It's incense. You burn it. Meditate. It helps. | 0:09:43 | 0:09:48 | |
-Helps what? -Manage pain. | 0:09:48 | 0:09:51 | |
Both kinds. | 0:09:51 | 0:09:53 | |
-You never go full hippie, Campbell. -Jac... | 0:09:56 | 0:09:59 | |
About Jasmine... | 0:10:01 | 0:10:02 | |
I got the flowers. Thank you. | 0:10:02 | 0:10:04 | |
I am so sorry. | 0:10:04 | 0:10:06 | |
This place has been through a lot. | 0:10:08 | 0:10:10 | |
"Steadying the ship" is going to take more than flowers and incense. | 0:10:10 | 0:10:14 | |
SHE GROANS | 0:10:14 | 0:10:17 | |
You might want to think about that | 0:10:17 | 0:10:19 | |
if you have better things to do with your life. | 0:10:19 | 0:10:21 | |
SHE LAUGHS | 0:10:29 | 0:10:31 | |
That's it, Ollie. Two more. | 0:10:31 | 0:10:33 | |
-Ollie... -I'm fine. | 0:10:33 | 0:10:34 | |
No, you're not. You're about to collapse! | 0:10:34 | 0:10:36 | |
Stop mothering me. No-one is about to... | 0:10:36 | 0:10:39 | |
-Collapse? -Ms Colter? Becky? | 0:10:40 | 0:10:43 | |
Hello, Jason. Working the early shift? | 0:10:44 | 0:10:48 | |
Auntie Serena? You're here! | 0:10:48 | 0:10:50 | |
I'm sorry, love, I know I should have called. | 0:10:50 | 0:10:52 | |
It all happened rather quickly. | 0:10:52 | 0:10:54 | |
That's OK. I'm just glad to see you're back. | 0:10:54 | 0:10:57 | |
-And you're working. -Yep. -Does this mean you're all better in the head? | 0:10:57 | 0:11:01 | |
Well, I'm certainly better than I was. | 0:11:01 | 0:11:03 | |
Good. I'm glad. | 0:11:03 | 0:11:05 | |
I've so much to tell you. | 0:11:05 | 0:11:07 | |
And me you. But now I'm working. | 0:11:07 | 0:11:09 | |
-Oh, right. -How is Ms Wolfe? | 0:11:09 | 0:11:13 | |
Very well. She sends her love to you. | 0:11:13 | 0:11:16 | |
Doesn't she need it for you? | 0:11:18 | 0:11:20 | |
I think she's got some to spare. | 0:11:20 | 0:11:22 | |
Will she be coming back too? | 0:11:22 | 0:11:24 | |
No. At least not here. Not yet, anyway. | 0:11:24 | 0:11:27 | |
No, Bernie's got a new hospital. In Nairobi... | 0:11:27 | 0:11:31 | |
..where I'll be joining her. | 0:11:31 | 0:11:33 | |
-You're not staying? -Not long-term, no. | 0:11:34 | 0:11:38 | |
OK. | 0:11:39 | 0:11:41 | |
That's it? "OK"? | 0:11:41 | 0:11:44 | |
Yes. | 0:11:44 | 0:11:45 | |
There... There are reasons... | 0:11:45 | 0:11:48 | |
This isn't your home now. | 0:11:48 | 0:11:51 | |
No... I'm not sure that it is. | 0:11:51 | 0:11:55 | |
-Look... -Ms Campbell... | 0:11:55 | 0:11:56 | |
Not now, Nurse Jackson. | 0:11:56 | 0:11:58 | |
It's Mr Griffin. | 0:11:58 | 0:11:59 | |
-What about him? -He's here. | 0:12:00 | 0:12:02 | |
Serena Campbell. | 0:12:16 | 0:12:19 | |
Long time no see. | 0:12:19 | 0:12:20 | |
What are you doing? | 0:12:29 | 0:12:30 | |
Go away. | 0:12:30 | 0:12:32 | |
What is this smell? Is that...? | 0:12:33 | 0:12:35 | |
Oh, it's incense. | 0:12:35 | 0:12:38 | |
Are you meditating? | 0:12:38 | 0:12:39 | |
Do I look like a hippie? | 0:12:39 | 0:12:41 | |
Everybody is going bonkers today. Must be full moon. | 0:12:41 | 0:12:44 | |
What do you want? | 0:12:44 | 0:12:45 | |
I want to lead Mr Friedkin's aortic valve replacement procedure. | 0:12:45 | 0:12:50 | |
Maybe. We'll talk about it next week. | 0:12:50 | 0:12:51 | |
-Then it will be too late. -Too late for what? | 0:12:51 | 0:12:54 | |
Mr Friedkin. His surgery is today. | 0:12:54 | 0:12:56 | |
No, I postponed all my electives. | 0:12:56 | 0:12:57 | |
He's not an elective. It's urgent. | 0:12:57 | 0:13:00 | |
His surgery is happening today. | 0:13:00 | 0:13:02 | |
-That's impossible. -Well, check the rota yourself. | 0:13:03 | 0:13:06 | |
Is there a problem? | 0:13:06 | 0:13:08 | |
Erm, I just have better things to do. | 0:13:08 | 0:13:11 | |
Clearly. You might want to talk to Fletch. He's gone...loco. | 0:13:11 | 0:13:16 | |
-Can't you do it? -I have a consult on Keller - | 0:13:16 | 0:13:19 | |
and then I'm going to come back | 0:13:19 | 0:13:20 | |
and we're going to talk about Mr Friedkin's theatre plan. | 0:13:20 | 0:13:23 | |
Yes? | 0:13:23 | 0:13:24 | |
DOOR BANGS | 0:13:27 | 0:13:28 | |
I need full bloods, cannula, and colloids going, please. | 0:13:28 | 0:13:31 | |
BP, temperature and pulse? | 0:13:31 | 0:13:32 | |
It hasn't gone in too deep. | 0:13:32 | 0:13:34 | |
About an inch and a half, I'd guess. | 0:13:34 | 0:13:37 | |
I'm not about to decompensate. | 0:13:37 | 0:13:40 | |
It missed the aorta, cava and I'm pretty sure the liver's safe. | 0:13:40 | 0:13:44 | |
What's left of it. | 0:13:44 | 0:13:45 | |
Who did this to you? | 0:13:45 | 0:13:47 | |
No-one. It was an accident. | 0:13:48 | 0:13:49 | |
What the hell are you people doing in there? | 0:13:51 | 0:13:53 | |
You were supposed to protect him... | 0:13:53 | 0:13:55 | |
BP, temperature and pulse, Nurse Jackson. | 0:13:55 | 0:13:57 | |
Don't make me ask again. | 0:13:57 | 0:13:59 | |
137/79. 84. 37. | 0:14:00 | 0:14:05 | |
BP's strong. Might have got lucky. | 0:14:05 | 0:14:07 | |
Lucky?! | 0:14:07 | 0:14:09 | |
Nurse Jackson, a word, please. | 0:14:09 | 0:14:10 | |
I need you to stand down. You're emotionally involved... | 0:14:16 | 0:14:18 | |
Too right, I'm emotionally involved - | 0:14:18 | 0:14:20 | |
and what I don't understand is, why are you so calm? | 0:14:20 | 0:14:22 | |
It's my job, | 0:14:22 | 0:14:24 | |
and right now, you're getting in the way of me doing it. | 0:14:24 | 0:14:27 | |
Well, I see that you've met Donna? | 0:14:36 | 0:14:38 | |
Briefly. I only got back last night. | 0:14:38 | 0:14:41 | |
Yes, exactly... | 0:14:42 | 0:14:43 | |
Look at it this way - | 0:14:43 | 0:14:45 | |
I can think of at least one person who's having a worse day than you! | 0:14:45 | 0:14:50 | |
Book a theatre, please. | 0:14:54 | 0:14:55 | |
It's not impacting anything internally, | 0:14:55 | 0:14:57 | |
so we'll take it out under local. | 0:14:57 | 0:14:59 | |
In the meantime, dress with surgi-pad and tape - | 0:14:59 | 0:15:02 | |
and don't let him tell you how to do your job. | 0:15:02 | 0:15:05 | |
Go easy on Donna. She's a good nurse. | 0:15:05 | 0:15:08 | |
Maybe a little...excitable. | 0:15:08 | 0:15:11 | |
Excitable? | 0:15:11 | 0:15:13 | |
She just knows a pack of lies when she hears it. | 0:15:16 | 0:15:19 | |
-WHISPERS: -As do I. | 0:15:21 | 0:15:22 | |
Serena Campbell, I presume? | 0:15:35 | 0:15:37 | |
What can I do for you, Professor Gaskell? | 0:15:37 | 0:15:39 | |
You know me? | 0:15:39 | 0:15:41 | |
By reputation - and what Hanssen told me. | 0:15:41 | 0:15:43 | |
You've spoken to Henrik? | 0:15:43 | 0:15:46 | |
-I have. -We're old friends. Is he OK? | 0:15:46 | 0:15:49 | |
He will be. | 0:15:50 | 0:15:52 | |
Are you OK? | 0:15:52 | 0:15:54 | |
Oh, just a tough first day back, that's all. | 0:15:54 | 0:15:57 | |
Then I'll let you get on. Thank you. | 0:15:57 | 0:16:00 | |
For telling me Henrik's OK... | 0:16:01 | 0:16:03 | |
..and for relieving him of some of his burden. | 0:16:03 | 0:16:06 | |
I'm just filling in... | 0:16:06 | 0:16:08 | |
If you know Henrik, you know how important this place is to him. | 0:16:08 | 0:16:11 | |
The fact that he can trust you with it tells me all I need to know. | 0:16:11 | 0:16:16 | |
Thanks. Thank you. | 0:16:16 | 0:16:18 | |
PHONE CHIMES | 0:16:20 | 0:16:22 | |
Hm. | 0:16:29 | 0:16:31 | |
Ah, there you are. | 0:16:46 | 0:16:48 | |
I apologise for being unprofessional, | 0:16:48 | 0:16:50 | |
but Ric is lying. Someone attacked him - | 0:16:50 | 0:16:53 | |
and he's too scared or noble to do anything about it. | 0:16:53 | 0:16:57 | |
-We have to help him. -I completely agree. | 0:16:57 | 0:17:00 | |
The question is - what can we do? | 0:17:00 | 0:17:01 | |
We can't exactly bust him out of jail, can we? | 0:17:01 | 0:17:05 | |
I used to know a guy who knows a guy... | 0:17:05 | 0:17:06 | |
No. No, we can't. | 0:17:08 | 0:17:10 | |
So, we need to ensure he doesn't stay in jail | 0:17:11 | 0:17:14 | |
for a second longer than he has to. | 0:17:14 | 0:17:17 | |
I want you to tell me everything you know about the CPS | 0:17:17 | 0:17:20 | |
case against him and his likely defence. | 0:17:20 | 0:17:23 | |
-Dizzy? -Dizzy, short of breath, palpitations... | 0:17:24 | 0:17:26 | |
I get those all the time, | 0:17:26 | 0:17:28 | |
after a 5K run or a spin class. It's normal, right? | 0:17:28 | 0:17:31 | |
To be fair, I had all of those when training for the Fun Run. | 0:17:31 | 0:17:34 | |
Have you ever fainted before? | 0:17:34 | 0:17:36 | |
-No. -There you go. | 0:17:36 | 0:17:38 | |
At least, not like that | 0:17:38 | 0:17:40 | |
Like what, then? | 0:17:40 | 0:17:42 | |
Two weeks ago, I blacked out after binge-watching Davina's exercises. | 0:17:42 | 0:17:47 | |
Then I've fainted after strenuous exercise. Today, I wasn't. | 0:17:47 | 0:17:52 | |
I was watching him exercise. | 0:17:52 | 0:17:53 | |
I'd like to try some more of those photo recognition... | 0:17:53 | 0:17:56 | |
I run two miles a day. Avoid salt, fat, sugar. | 0:17:56 | 0:17:59 | |
Drink protein shakes instead of eating red meat. | 0:17:59 | 0:18:01 | |
Kale smoothies instead of... | 0:18:01 | 0:18:04 | |
..I don't know...something nice. I have done everything right. | 0:18:04 | 0:18:07 | |
There can't be anything wrong with my heart. | 0:18:07 | 0:18:09 | |
-Mitral valve prolapse! -What? | 0:18:09 | 0:18:11 | |
-You have mitral valve prolapse. -Oliver? How do you know that? | 0:18:12 | 0:18:15 | |
-The monitor. Isn't it obvious? -Not necessarily. How do you know? | 0:18:15 | 0:18:19 | |
The left ventricle is thicker. The aortic valve is...normal... | 0:18:19 | 0:18:24 | |
I know because I remember... | 0:18:27 | 0:18:30 | |
I remember. | 0:18:34 | 0:18:35 | |
Is he right about the diagnosis? | 0:18:47 | 0:18:48 | |
Way too early to tell. | 0:18:48 | 0:18:50 | |
Would it be your diagnosis, if you were forced to guess? | 0:18:50 | 0:18:53 | |
No. I don't think it is mitral valve prolapse. There's no regurgitation. | 0:18:53 | 0:18:58 | |
You need to do a trans... A trans... | 0:18:58 | 0:19:00 | |
A TOE. | 0:19:03 | 0:19:04 | |
If you do a TOE, | 0:19:04 | 0:19:05 | |
that'll show you what you need to know. | 0:19:05 | 0:19:07 | |
It's possible... | 0:19:09 | 0:19:11 | |
..but what I do know is that she needs to come to Darwin. | 0:19:11 | 0:19:14 | |
So, more photo recognition tests? | 0:19:18 | 0:19:20 | |
No, I've got something else in mind. | 0:19:21 | 0:19:23 | |
Look, if I wanted the Small Faces version of the 1966 song, | 0:19:26 | 0:19:28 | |
Sorry She's Mine, I would have asked for it, wouldn't I? | 0:19:28 | 0:19:31 | |
But no... I clearly stated I wanted an original, | 0:19:31 | 0:19:33 | |
first pressing of the Jimmy Winston & His Reflections version - | 0:19:33 | 0:19:36 | |
but that's not what you sent me, is it? | 0:19:36 | 0:19:39 | |
But that is what I paid for. Do you know what that is, mate? | 0:19:39 | 0:19:41 | |
It's fraud - and you, you and your... | 0:19:41 | 0:19:45 | |
Hello? | 0:19:45 | 0:19:46 | |
He hung up on me! | 0:19:46 | 0:19:47 | |
Oh, people these days... | 0:19:47 | 0:19:49 | |
-The cheek of it. -Frieda said you'd gone loco. | 0:19:49 | 0:19:51 | |
This is about that missing record, isn't it? | 0:19:51 | 0:19:53 | |
This isn't just any record, Jac, right, it's... | 0:19:53 | 0:19:55 | |
Yes, it's the missing piece to Raf's vinyl collection | 0:19:55 | 0:19:58 | |
that he left to you from beyond the grave | 0:19:58 | 0:19:59 | |
and, once complete, will be worth a mint. That record, right? | 0:19:59 | 0:20:02 | |
This isn't about the money, Jac. OK, this is about...man stuff, | 0:20:02 | 0:20:07 | |
OK? You wouldn't understand. | 0:20:07 | 0:20:09 | |
What? You're the one that encouraged me to go and find it! | 0:20:09 | 0:20:12 | |
Yes, because I thought you needed a distraction. A hobby... | 0:20:12 | 0:20:14 | |
..but this is getting ridiculous. | 0:20:14 | 0:20:16 | |
Look, if I can find this missing record, | 0:20:19 | 0:20:21 | |
will you promise to give us all some peace and quiet? | 0:20:21 | 0:20:24 | |
If you can find this record, I will kiss you! | 0:20:24 | 0:20:26 | |
I was looking for a reward, | 0:20:28 | 0:20:30 | |
not a potentially fatal encounter with your halitosis. | 0:20:30 | 0:20:33 | |
Peace and quiet? | 0:20:33 | 0:20:35 | |
Peace and quiet. | 0:20:35 | 0:20:36 | |
"Man stuff. You wouldn't understand!" | 0:20:43 | 0:20:46 | |
Oh, come on, Naylor, think. | 0:20:48 | 0:20:49 | |
What would you say to Emma in this situation? | 0:20:49 | 0:20:53 | |
"Where were you the last time you had it?" | 0:20:53 | 0:20:56 | |
I was with...Emma! | 0:20:56 | 0:20:57 | |
I was with Emma! | 0:20:57 | 0:20:59 | |
Yes, I was with Emma. | 0:20:59 | 0:21:00 | |
OK. Aha, aha! | 0:21:02 | 0:21:04 | |
Oh, no. Oh, no! No, no, no! | 0:21:05 | 0:21:10 | |
Is everything all right? | 0:21:12 | 0:21:15 | |
-Yeah, fine. Why? -I thought I heard you cry out? | 0:21:15 | 0:21:18 | |
Really? | 0:21:18 | 0:21:20 | |
"No!" Like that. | 0:21:20 | 0:21:22 | |
-What do you want? -You are needed on the ward. | 0:21:23 | 0:21:26 | |
I'll be right there. | 0:21:27 | 0:21:29 | |
Mm. | 0:21:30 | 0:21:32 | |
Prescribing blood thinning agents for an ischemic leg is... | 0:21:37 | 0:21:41 | |
Well, it's standard practice. | 0:21:41 | 0:21:43 | |
Very odd that Ric could forget something so simple. | 0:21:43 | 0:21:46 | |
Well, he's sure he didn't. He's sure he ordered warfarin. | 0:21:46 | 0:21:49 | |
Just not with you... | 0:21:49 | 0:21:50 | |
..and you have no idea why he thought he had? | 0:21:50 | 0:21:53 | |
I can only assume that he assumed. We've worked together for so long, | 0:21:53 | 0:21:57 | |
we have a kind of shorthand... We really needed it that day. | 0:21:57 | 0:22:01 | |
That's the bit I don't get. | 0:22:02 | 0:22:03 | |
If it was so busy, what was he doing | 0:22:03 | 0:22:06 | |
having a "prolonged absence from the ward"? | 0:22:06 | 0:22:10 | |
He is allowed. | 0:22:10 | 0:22:11 | |
A consultant being off-site isn't in and of itself negligent. | 0:22:11 | 0:22:15 | |
Unless you fail to prescribe proper medication | 0:22:15 | 0:22:17 | |
and then fail to follow up on your most urgent patient. | 0:22:17 | 0:22:20 | |
This isn't Ric. This is someone who is distracted. | 0:22:20 | 0:22:23 | |
-His mind's elsewhere. -It wasn't like that. | 0:22:23 | 0:22:26 | |
We were under the cosh... | 0:22:26 | 0:22:28 | |
..but we were focused. | 0:22:28 | 0:22:30 | |
He was focused... | 0:22:30 | 0:22:31 | |
That's not the picture the prosecution will paint, | 0:22:31 | 0:22:33 | |
though, is it? | 0:22:33 | 0:22:35 | |
All he'll say is that he was dealing with a family emergency - but... | 0:22:35 | 0:22:38 | |
"But"...? | 0:22:38 | 0:22:39 | |
I've spoken to Kofi. | 0:22:42 | 0:22:43 | |
He and Darla were in St Catherine's Hospital, York, | 0:22:44 | 0:22:47 | |
for a routine follow-up procedure. | 0:22:47 | 0:22:50 | |
It's 200 miles away. | 0:22:50 | 0:22:51 | |
If it was a family emergency, it didn't involve them. | 0:22:52 | 0:22:56 | |
Hm. | 0:22:56 | 0:22:58 | |
So...what exactly are we trying to achieve with this? | 0:23:00 | 0:23:03 | |
Memory is like a muscle. | 0:23:03 | 0:23:05 | |
Exercise it - stimulate it - and it can grow stronger. | 0:23:05 | 0:23:08 | |
So if watching Ms Petrenko do the echo sparked old memories, | 0:23:08 | 0:23:11 | |
maybe following Dom's patients can spark more? | 0:23:11 | 0:23:13 | |
-It's worth a try. -This one. | 0:23:13 | 0:23:15 | |
OK... Well, this one is actually quite a difficult one. | 0:23:20 | 0:23:24 | |
Three months ago, Isla Winters was on tour | 0:23:25 | 0:23:28 | |
when a car accident crushed her left forearm. | 0:23:28 | 0:23:31 | |
She's undergone multiple bypass graft operations | 0:23:31 | 0:23:34 | |
to restore the blood supply, only to then develop a rare bone infection. | 0:23:34 | 0:23:38 | |
Osteomyelitis. | 0:23:38 | 0:23:40 | |
By the time she got to us, suppurating wounds had opened up. | 0:23:40 | 0:23:43 | |
To avoid further risk, we have now scheduled a below-elbow amputation. | 0:23:43 | 0:23:48 | |
You said she was on tour. What does she do? | 0:23:48 | 0:23:50 | |
That's what makes this one so difficult... | 0:23:50 | 0:23:53 | |
She's a violinist...for the London Philharmonic Orchestra. | 0:23:54 | 0:23:57 | |
One of the bright shining young stars of classical music. | 0:23:58 | 0:24:02 | |
Or, at least, she was. | 0:24:02 | 0:24:03 | |
She's not just losing her arm, | 0:24:03 | 0:24:05 | |
she's losing what she does and who she is, forever. | 0:24:05 | 0:24:08 | |
I can't begin to imagine what that must be like. | 0:24:08 | 0:24:11 | |
-Dinner? -No thanks, Jason. I'm not hungry. | 0:24:11 | 0:24:14 | |
I meant, would you like dinner tonight? | 0:24:14 | 0:24:17 | |
You can explain why you don't feel this is home any more. | 0:24:17 | 0:24:20 | |
I'd love to. | 0:24:20 | 0:24:21 | |
Good. I'll send you the address. | 0:24:21 | 0:24:24 | |
Wait. What address? Aren't you living at mine? | 0:24:24 | 0:24:28 | |
-Sometimes. Not always. -Where else do you live? | 0:24:28 | 0:24:30 | |
Greta's. | 0:24:30 | 0:24:32 | |
-Who's Greta? -My girlfriend. | 0:24:32 | 0:24:34 | |
You have a girlfriend? Wow. How long's this been going on? | 0:24:35 | 0:24:39 | |
Seven months, three weeks, four days and...17 hours. | 0:24:39 | 0:24:44 | |
You've had a girlfriend for seven months?! | 0:24:44 | 0:24:46 | |
Seven months, three weeks... | 0:24:46 | 0:24:47 | |
Y-Yes, OK. Um... | 0:24:47 | 0:24:49 | |
..why didn't you tell me? | 0:24:50 | 0:24:52 | |
You didn't ask. | 0:24:52 | 0:24:53 | |
-Mr Griffin's ready in theatre. -Thanks. | 0:24:55 | 0:24:57 | |
-7:30 OK? -Yes, lovely. 7:30. | 0:24:57 | 0:25:00 | |
HE CHUCKLES | 0:25:06 | 0:25:07 | |
Ah, there she is. The woman of the hour. | 0:25:07 | 0:25:09 | |
Provider of rare and original recordings... | 0:25:09 | 0:25:12 | |
You know what you were saying about money not being the point...? | 0:25:12 | 0:25:15 | |
Jacky Naylor? Is that you, bae? | 0:25:15 | 0:25:17 | |
Becky Colter? What's she doing here? | 0:25:17 | 0:25:20 | |
She's your new patient. | 0:25:20 | 0:25:22 | |
Jacky! I thought it was you. | 0:25:22 | 0:25:25 | |
You guys know each other? | 0:25:25 | 0:25:27 | |
Yeah, all our kids go to the hospital creche together. | 0:25:27 | 0:25:29 | |
My daughter, Bella, lovely little Theo - and naughty scamp Emms! | 0:25:29 | 0:25:32 | |
It's quite the community. | 0:25:32 | 0:25:34 | |
It's really not - and it's Emma, not "Emms". | 0:25:34 | 0:25:36 | |
-She hates being called Emms. -No, she doesn't. | 0:25:36 | 0:25:38 | |
My Bella and Emms are locked in this fierce passion play | 0:25:38 | 0:25:42 | |
over little Theo. It's so cute. Right, Jac? | 0:25:42 | 0:25:45 | |
Emms has got a little crush on Theo? | 0:25:45 | 0:25:46 | |
-No. It's the first I've heard of it. -Sorry! | 0:25:46 | 0:25:49 | |
What I'd do to get my hands on those glutes...! | 0:25:50 | 0:25:53 | |
The echo shows enough to be concerned. Let's do a CMR ASAP. | 0:25:56 | 0:26:00 | |
We don't want you here any longer than absolutely necessary. | 0:26:00 | 0:26:03 | |
-What about the TOE? -What TOE? | 0:26:03 | 0:26:06 | |
Oliver watched me do the echo. He diagnosed MVP. | 0:26:06 | 0:26:10 | |
And he thought that a TOE will show it. | 0:26:10 | 0:26:12 | |
He seemed very sure of himself. | 0:26:12 | 0:26:15 | |
Well, at least he's trying. That's all that matters. | 0:26:16 | 0:26:19 | |
-There must be something you can do. -We are. | 0:26:22 | 0:26:24 | |
-Cutting her arm off? -To save her life | 0:26:24 | 0:26:27 | |
Music is her life. You lose that... | 0:26:27 | 0:26:29 | |
-No, there must be something else. -We've looked at every option... | 0:26:29 | 0:26:32 | |
HE SCOFFS | 0:26:32 | 0:26:34 | |
Revascularisation. I...remember that. | 0:26:38 | 0:26:41 | |
We've got an expert here. Griffin. Ric Griffin. | 0:26:41 | 0:26:44 | |
Why are you looking at me like that? I remember. | 0:26:46 | 0:26:48 | |
Firstly, Mr Griffin is... incapacitated. | 0:26:48 | 0:26:51 | |
As for revascularisation... | 0:26:51 | 0:26:53 | |
It's a non-starter, Ollie. | 0:26:53 | 0:26:54 | |
The osteomyelitis is far too widespread | 0:26:54 | 0:26:57 | |
and if we don't act now, it could be fatal. | 0:26:57 | 0:26:59 | |
Damn. | 0:27:04 | 0:27:05 | |
Damn, damn, DAMN! | 0:27:07 | 0:27:08 | |
DAMN! DAMN! | 0:27:08 | 0:27:10 | |
HE SHRIEKS | 0:27:10 | 0:27:12 | |
-Calm down, it's OK. -I told her...I promised. | 0:27:12 | 0:27:15 | |
You... | 0:27:15 | 0:27:16 | |
You promised Isla? You promised Isla what? | 0:27:17 | 0:27:21 | |
I thought... | 0:27:21 | 0:27:22 | |
I need to sort this. | 0:27:25 | 0:27:27 | |
Go. | 0:27:27 | 0:27:29 | |
I thought I remembered. | 0:27:29 | 0:27:31 | |
You shouldn't be in prison. | 0:27:34 | 0:27:36 | |
I wouldn't be, if I hadn't thumped Jeremy Warren. It's a mess... | 0:27:36 | 0:27:41 | |
..but I've made my bed and I'm going to have to lie in it. | 0:27:41 | 0:27:43 | |
Where were you? You were gone for three hours. | 0:27:43 | 0:27:47 | |
-Where? -It doesn't matter. Family emergency. | 0:27:47 | 0:27:50 | |
Where I was and what I was doing | 0:27:50 | 0:27:53 | |
had no effect on my care of Elaine Warren. That's the truth. | 0:27:53 | 0:27:57 | |
And that's the end of it. | 0:27:58 | 0:28:00 | |
Ready. | 0:28:02 | 0:28:03 | |
OK, I'm going to remove the blade now. | 0:28:03 | 0:28:05 | |
I'll have to take a closer look. | 0:28:05 | 0:28:08 | |
Oh, how long have I yearned to hear those words?! | 0:28:08 | 0:28:11 | |
Stop it... | 0:28:11 | 0:28:12 | |
I can do that. | 0:28:40 | 0:28:41 | |
It's fine. I need you to order a CT scan ASAP. | 0:28:41 | 0:28:45 | |
Has the blade caused internal...? | 0:28:45 | 0:28:46 | |
Now, please, Dr McKendrick. | 0:28:46 | 0:28:48 | |
Lot of bruising there. | 0:28:52 | 0:28:54 | |
So...Jason's got a new girlfriend. | 0:29:03 | 0:29:06 | |
Really? Is he happy? | 0:29:06 | 0:29:08 | |
-Seems to be. -Good. | 0:29:08 | 0:29:10 | |
He deserves to be. | 0:29:10 | 0:29:11 | |
Ric? | 0:29:14 | 0:29:16 | |
Remember a few months ago, when I rang you from Nepal | 0:29:16 | 0:29:19 | |
and asked you to help Jason out...? | 0:29:19 | 0:29:21 | |
Yes, it was nothing. All sorted. | 0:29:21 | 0:29:25 | |
Ms Campbell. Keller needs you. Something about Mr Valentine? | 0:29:25 | 0:29:28 | |
SHE SIGHS | 0:29:33 | 0:29:35 | |
You changed Mr Friedkin's surgery to a robotics procedure. | 0:29:38 | 0:29:42 | |
Oh. That. It's a long procedure. So I thought it would make it easier. | 0:29:42 | 0:29:45 | |
Yeah, maybe for you - | 0:29:45 | 0:29:46 | |
but I'm not qualified to lead a robotics procedure. | 0:29:46 | 0:29:49 | |
Whoops. Sorry. | 0:29:49 | 0:29:50 | |
-"Whoops"? -You can do the next one. | 0:29:50 | 0:29:52 | |
I'm doing this one. | 0:29:52 | 0:29:53 | |
You're not robotics trained. | 0:29:55 | 0:29:56 | |
And this procedure is not robotics suitable. | 0:29:56 | 0:29:59 | |
What? | 0:29:59 | 0:30:00 | |
There is aortic regurgitation, | 0:30:00 | 0:30:02 | |
so it will be very, very difficult to cardioplege. | 0:30:02 | 0:30:07 | |
I thought you weren't qualified? | 0:30:07 | 0:30:08 | |
I know the theory and I'm worried that you don't. | 0:30:08 | 0:30:10 | |
-I know it. -Then, act like it. | 0:30:10 | 0:30:12 | |
OK, I made a mistake. Just move on! | 0:30:14 | 0:30:18 | |
-OK. Then I lead? -Yes! | 0:30:18 | 0:30:20 | |
And you will assist and stand by my side? | 0:30:20 | 0:30:23 | |
Yes! Was there anything else? | 0:30:23 | 0:30:24 | |
Yes, Becky Colter's CMR results. | 0:30:24 | 0:30:27 | |
See you on the dance floor. | 0:30:28 | 0:30:30 | |
It's good to see you. | 0:30:41 | 0:30:42 | |
Back cracking the whip, like the old days. | 0:30:42 | 0:30:44 | |
Not so much cracking the whip as lending a little support. | 0:30:44 | 0:30:47 | |
-How's Bernie? -She's good. In Nairobi. | 0:30:47 | 0:30:49 | |
-Nice! -I know. I'm joining her there in a couple of weeks. | 0:30:49 | 0:30:53 | |
You're leaving again so soon? | 0:30:53 | 0:30:54 | |
Once things are running smoothly here. | 0:30:54 | 0:30:57 | |
So...what's the problem? | 0:30:57 | 0:30:58 | |
There's not a problem as such... | 0:30:58 | 0:31:00 | |
New rules. | 0:31:00 | 0:31:02 | |
If a member of staff or patient is violent in any way, | 0:31:02 | 0:31:05 | |
we go straight to the top - | 0:31:05 | 0:31:06 | |
and that's you. | 0:31:06 | 0:31:08 | |
Sorry, so Oliver was violent? Who to? | 0:31:09 | 0:31:12 | |
Himself. | 0:31:12 | 0:31:14 | |
I should never have raised your hopes. I'm sorry. | 0:31:14 | 0:31:16 | |
Do you think I'm getting better? | 0:31:16 | 0:31:18 | |
One step at a time. | 0:31:18 | 0:31:19 | |
Ms MacMillan? I'm Serena Campbell. | 0:31:21 | 0:31:23 | |
You were called because of the recent security protocols... | 0:31:23 | 0:31:26 | |
Yes, that's been explained, thank you. Oliver? | 0:31:26 | 0:31:28 | |
Hello. | 0:31:30 | 0:31:31 | |
Do I know you? | 0:31:32 | 0:31:34 | |
You did - and you will again. Please. | 0:31:35 | 0:31:39 | |
Erm, Mr Hanssen has made it clear | 0:31:39 | 0:31:41 | |
that the hospital is to put its full resources | 0:31:41 | 0:31:45 | |
at Ms MacMillan's disposal to ensure your recovery. | 0:31:45 | 0:31:49 | |
We'll do whatever it takes to get you home | 0:31:49 | 0:31:51 | |
and prepared for your new life. | 0:31:51 | 0:31:54 | |
New life? | 0:31:54 | 0:31:55 | |
Whatever you need... | 0:31:55 | 0:31:57 | |
I don't need a "new" life. | 0:31:57 | 0:31:58 | |
I need my old one back again. As a surgeon. | 0:31:58 | 0:32:01 | |
Here. | 0:32:01 | 0:32:03 | |
I was told that your injuries... | 0:32:03 | 0:32:05 | |
My injuries? | 0:32:05 | 0:32:06 | |
What? You don't think I'm coming back from this, do you? | 0:32:10 | 0:32:15 | |
-It's not like that, Oliver... -Then WHAT'S IT LIKE?! | 0:32:15 | 0:32:18 | |
CRASH | 0:32:18 | 0:32:20 | |
One step at a time? | 0:32:22 | 0:32:23 | |
-OK, so you need to stand with your legs apart, not too far apart. -Mm. | 0:32:32 | 0:32:36 | |
Knees over big toes, OK? Suck it all in... | 0:32:36 | 0:32:39 | |
..and then bend back and stick your bottom right out! | 0:32:39 | 0:32:41 | |
Seriously, it's really good for your core. | 0:32:41 | 0:32:43 | |
Great for your legs, great for your glutes... | 0:32:43 | 0:32:45 | |
..and it will help out that lower back pain. | 0:32:45 | 0:32:47 | |
Oh, right. OK! | 0:32:47 | 0:32:49 | |
Seriously, you've got to try it. So, remember... | 0:32:49 | 0:32:52 | |
Ms Colter... | 0:32:52 | 0:32:53 | |
Come on, Jacky, we're all friends here. | 0:32:53 | 0:32:55 | |
Actually, we're not, but even so... | 0:32:55 | 0:32:57 | |
Listen... About that record, there's a chance I can... | 0:32:57 | 0:32:59 | |
Oh, you should tell her what you just told me. | 0:32:59 | 0:33:01 | |
-My Bella's father... -Yes, your ex-husband... | 0:33:01 | 0:33:04 | |
Whatevs... | 0:33:04 | 0:33:05 | |
Anyway, his cousin owns a second-hand music store - | 0:33:05 | 0:33:08 | |
-and guess what! -What? | 0:33:08 | 0:33:10 | |
There's an original, first-pressing vinyl of Sorry She's Mine | 0:33:10 | 0:33:14 | |
heading here as we speak! | 0:33:14 | 0:33:16 | |
Yay... | 0:33:16 | 0:33:17 | |
How incredible is that, eh?! Well done. | 0:33:17 | 0:33:20 | |
Yay. | 0:33:20 | 0:33:22 | |
Listen, sorry to be a Debbie Downer, Becky, | 0:33:22 | 0:33:24 | |
but your CMR shows that you have hypertrophic cardiomyopathy or HCM. | 0:33:24 | 0:33:28 | |
It's a genetic condition where the muscular wall of the heart - | 0:33:28 | 0:33:33 | |
the myocardium - becomes thickened. | 0:33:33 | 0:33:35 | |
It's serious enough to require surgery, | 0:33:35 | 0:33:37 | |
so you've been provisionally booked for October. | 0:33:37 | 0:33:39 | |
Your GP will be in touch with any further details. | 0:33:39 | 0:33:42 | |
OK, what was that? | 0:33:48 | 0:33:50 | |
Me doing my job. | 0:33:50 | 0:33:51 | |
You could have been a bit nicer about it. | 0:33:51 | 0:33:53 | |
Ugh, have we met? | 0:33:53 | 0:33:55 | |
Come on, Becky needs your help. | 0:33:55 | 0:33:57 | |
Look, I diagnosed her. I gave her a treatment plan. | 0:33:57 | 0:34:00 | |
What more does she need? | 0:34:00 | 0:34:01 | |
Sorry, what's the matter with you? She's terrified. | 0:34:01 | 0:34:04 | |
So what?! We're all terrified. Right? All of us. | 0:34:04 | 0:34:08 | |
You're terrified of letting go of Raf, | 0:34:08 | 0:34:10 | |
so you obsess over some stupid record collection. | 0:34:10 | 0:34:12 | |
Frieda's terrified she won't live up to Elliot's expectations, | 0:34:12 | 0:34:16 | |
so she latches onto me, knowing I will hold her back. | 0:34:16 | 0:34:19 | |
Serena's terrified to commit to this place | 0:34:19 | 0:34:20 | |
because she knows she'll have to fully confront her daughter's death, | 0:34:20 | 0:34:23 | |
and Hanssen... | 0:34:23 | 0:34:25 | |
Hanssen's so terrified that he's responsible | 0:34:25 | 0:34:27 | |
for his son being a maniac that he's gone AWOL! | 0:34:27 | 0:34:30 | |
So, we are all terrified. What do we do? | 0:34:30 | 0:34:33 | |
We cry and weep? No. We just get on with it. | 0:34:33 | 0:34:36 | |
That's what normal people do. | 0:34:36 | 0:34:38 | |
What are you terrified of, Jac? | 0:34:47 | 0:34:48 | |
That this tedious conversation will never end. | 0:34:50 | 0:34:53 | |
They ask for help. | 0:34:59 | 0:35:00 | |
What? | 0:35:00 | 0:35:02 | |
People. When they're scared. They ask for help. | 0:35:04 | 0:35:08 | |
That's what normal people do. | 0:35:10 | 0:35:12 | |
DOOR BANGS | 0:35:14 | 0:35:16 | |
You're not well. | 0:35:34 | 0:35:35 | |
Hello, Jason. | 0:35:36 | 0:35:38 | |
I had a bit of an accident... | 0:35:39 | 0:35:42 | |
-..but I'll be fine. -You don't look fine. You look tired. | 0:35:42 | 0:35:46 | |
Old. Sick. | 0:35:46 | 0:35:48 | |
RIC CHUCKLES | 0:35:48 | 0:35:50 | |
Well, if it quacks like a duck... | 0:35:50 | 0:35:52 | |
I heard you're in prison. Why? | 0:35:52 | 0:35:55 | |
I...did something wrong. I hurt someone. | 0:35:58 | 0:36:03 | |
Did you kill them? | 0:36:03 | 0:36:04 | |
No. I didn't kill anyone. | 0:36:04 | 0:36:07 | |
I don't understand. You're a good man. | 0:36:07 | 0:36:09 | |
It doesn't seem fair. | 0:36:10 | 0:36:12 | |
Thank you, Jason. | 0:36:14 | 0:36:15 | |
If I were you, I'd be angry. Aren't you angry? | 0:36:19 | 0:36:23 | |
Sometimes. | 0:36:25 | 0:36:26 | |
Jason... | 0:36:28 | 0:36:29 | |
Did Serena ever ask you anything about what happened... | 0:36:29 | 0:36:32 | |
-you know, a few months ago? -No. | 0:36:32 | 0:36:35 | |
And you never said anything to her? | 0:36:35 | 0:36:37 | |
Like you said, "Only if asked," right? | 0:36:37 | 0:36:42 | |
-Right. -Goodbye, Mr Griffin. | 0:36:42 | 0:36:45 | |
Goodbye, Jason. | 0:36:45 | 0:36:47 | |
HE EXHALES | 0:37:12 | 0:37:13 | |
One step at a time. | 0:37:13 | 0:37:15 | |
HE GRUNTS | 0:37:23 | 0:37:26 | |
Excuse me. I need to speak to my patient in private. | 0:38:04 | 0:38:07 | |
You can stand over there | 0:38:07 | 0:38:09 | |
but I'm afraid you can't be privy to this conversation. | 0:38:09 | 0:38:12 | |
Thank you. | 0:38:12 | 0:38:14 | |
Serena... | 0:38:14 | 0:38:15 | |
Ric, I never did get to the bottom of what was upsetting Jason | 0:38:15 | 0:38:18 | |
when I called you. | 0:38:18 | 0:38:20 | |
He texted me the next day, saying everything was fine, | 0:38:20 | 0:38:22 | |
so I didn't think about it again. | 0:38:22 | 0:38:25 | |
-Until today... -Serena... | 0:38:25 | 0:38:27 | |
I called you at 11am on the 2nd of October. | 0:38:27 | 0:38:30 | |
You were treating Elaine Warren. | 0:38:31 | 0:38:35 | |
You left the ward at 11:30 and didn't return for three hours. | 0:38:35 | 0:38:38 | |
You weren't dealing with your family emergency, were you? | 0:38:40 | 0:38:44 | |
You were dealing with mine. | 0:38:46 | 0:38:48 | |
Lucky to catch this one before it disappears entirely. | 0:38:53 | 0:38:57 | |
Looks intact. | 0:38:57 | 0:38:59 | |
OK. I'm sucking it through. | 0:38:59 | 0:39:00 | |
Mr Valentine... | 0:39:00 | 0:39:02 | |
No, I've got this. I can save him. | 0:39:09 | 0:39:11 | |
I can save you. | 0:39:14 | 0:39:16 | |
Wake up, Ollie! Ollie, wake up, mate. | 0:39:23 | 0:39:26 | |
Talk to me, Ollie. Get Ms MacMillan now! | 0:39:26 | 0:39:29 | |
Ollie, everything's going to be OK, all right. I've got you. | 0:39:29 | 0:39:32 | |
What happened? | 0:39:32 | 0:39:34 | |
-I fell... Hurts. Can't...breathe. -Stay with me, OK? | 0:39:34 | 0:39:38 | |
Page CT! | 0:39:38 | 0:39:41 | |
Ollie? Ollie?! Ollie?! | 0:39:41 | 0:39:44 | |
It was never meant to become a big secret. | 0:39:45 | 0:39:48 | |
It was just something that had to be dealt with. | 0:39:49 | 0:39:52 | |
So I dealt with it. | 0:39:52 | 0:39:53 | |
I don't know the whole history, | 0:39:53 | 0:39:56 | |
but I gathered that Jason had let a friend come and stay | 0:39:56 | 0:40:00 | |
for a few days... | 0:40:00 | 0:40:02 | |
..and this friend had taken advantage... | 0:40:04 | 0:40:07 | |
Advantage? | 0:40:07 | 0:40:09 | |
Food, money, lodging... I don't know... | 0:40:09 | 0:40:13 | |
..but on the morning that Jason called you - something happened. | 0:40:13 | 0:40:18 | |
Jason caught this person stealing something of yours, | 0:40:20 | 0:40:24 | |
-breaking something. -Right, I'm going to get him | 0:40:24 | 0:40:26 | |
and we're going to have this out... | 0:40:26 | 0:40:28 | |
No. Let me explain... | 0:40:28 | 0:40:29 | |
What's to explain? Jason lets some scumbag into my home, | 0:40:29 | 0:40:32 | |
without ever breathing a word of it to me. | 0:40:32 | 0:40:34 | |
He couldn't! | 0:40:34 | 0:40:36 | |
He was in a really bad way. | 0:40:36 | 0:40:38 | |
He said that you knew this person. | 0:40:40 | 0:40:42 | |
That you would be very angry with him for being so stupid | 0:40:44 | 0:40:48 | |
and that you would never trust him again. | 0:40:48 | 0:40:50 | |
So...I told him that he didn't have to mention it. | 0:40:52 | 0:40:56 | |
That if you didn't ask, he didn't have to tell... | 0:40:56 | 0:40:59 | |
..but...there had been an altercation. | 0:41:02 | 0:41:06 | |
What? Was Jason hurt? | 0:41:06 | 0:41:09 | |
Not as badly as the other person. | 0:41:09 | 0:41:11 | |
-Who was this person? -An ex-girlfriend called Lola... | 0:41:12 | 0:41:18 | |
Lola Winston. Jason hurt Lola? | 0:41:19 | 0:41:23 | |
It was an accident... | 0:41:23 | 0:41:25 | |
How badly was she hurt? | 0:41:25 | 0:41:26 | |
Ric? | 0:41:28 | 0:41:29 | |
Bad enough. | 0:41:31 | 0:41:32 | |
-Hey, you rang. What's wrong? -It's Ric. He's been admitted. | 0:41:40 | 0:41:43 | |
-He's here? -He's been attacked in prison. | 0:41:43 | 0:41:46 | |
What, again? How bad is it? | 0:41:46 | 0:41:50 | |
Bad enough... What do you mean, "again"? | 0:41:50 | 0:41:52 | |
PAGER BEEPS | 0:41:52 | 0:41:55 | |
It's Ric. We should go. | 0:41:55 | 0:41:57 | |
I still don't understand. | 0:41:59 | 0:42:01 | |
If you'd taken them to the ED, | 0:42:01 | 0:42:02 | |
then there'd be some record of them being admitted - | 0:42:02 | 0:42:04 | |
which would explain where you'd been... | 0:42:04 | 0:42:06 | |
We never made it to the ED. | 0:42:06 | 0:42:09 | |
I treated them in the car park. | 0:42:11 | 0:42:14 | |
-What?! -I...had my reasons. | 0:42:14 | 0:42:16 | |
In the circumstances, it was... | 0:42:18 | 0:42:21 | |
..better not to involve the police. I did what I had to. | 0:42:21 | 0:42:26 | |
You did that for Jason? | 0:42:26 | 0:42:28 | |
I didn't do it for Jason... | 0:42:31 | 0:42:33 | |
LOUD BEEPS | 0:42:37 | 0:42:38 | |
Ric? Ric! Ric! Some help here, please! | 0:42:38 | 0:42:42 | |
Ric! | 0:42:42 | 0:42:44 | |
BP's 80/60. Dropping fast. | 0:42:44 | 0:42:45 | |
-Haematoma. -From an uncontained renal injury. | 0:42:45 | 0:42:48 | |
It's not the first time he's been attacked, is it, Mr Levy? | 0:42:48 | 0:42:50 | |
Oh, God. | 0:42:50 | 0:42:52 | |
Haemorrhaging internally. We need to get to theatre. | 0:42:52 | 0:42:54 | |
Sacha? Sacha? Theatre now. | 0:42:54 | 0:42:56 | |
Hello, sleepyhead. | 0:43:02 | 0:43:03 | |
I was just dreaming. I was in surgery, in my dream. | 0:43:05 | 0:43:09 | |
I was in surgery and it felt right. Normal. I'm in control. | 0:43:09 | 0:43:14 | |
Who I'm meant to be... and then I woke up... | 0:43:16 | 0:43:18 | |
..and all of that certainty. | 0:43:18 | 0:43:19 | |
That sense of self - just... | 0:43:19 | 0:43:21 | |
..floats away. | 0:43:24 | 0:43:25 | |
Like something's been amputated... Cut away... | 0:43:25 | 0:43:28 | |
..and all that's left is a... | 0:43:28 | 0:43:30 | |
..phantom Oliver. A memory. | 0:43:32 | 0:43:36 | |
Broken. Is something amusing you? | 0:43:36 | 0:43:38 | |
Yeah, I like the idea of the two Olivers. | 0:43:39 | 0:43:43 | |
The old Oliver and the new Oliver. | 0:43:43 | 0:43:45 | |
You know, in your dream, the... confident one, in control, | 0:43:46 | 0:43:49 | |
is the new Oliver, to me. | 0:43:49 | 0:43:51 | |
The old Oliver...? | 0:43:51 | 0:43:53 | |
Mm, he was...naive - lacked self-belief. | 0:43:54 | 0:44:00 | |
Sometimes sly and cowardly. | 0:44:01 | 0:44:05 | |
Oh, he sounds... | 0:44:07 | 0:44:08 | |
..like a prat... | 0:44:10 | 0:44:12 | |
But you overcame those things. You grew. Became a better Oliver. | 0:44:12 | 0:44:17 | |
Oliver 2.0. | 0:44:17 | 0:44:18 | |
Maybe you can do all those things again? | 0:44:18 | 0:44:22 | |
I seem to remember you fancied the pants off of old Oliver. | 0:44:22 | 0:44:25 | |
I've always had bad taste in men. | 0:44:25 | 0:44:27 | |
HE CHUCKLES | 0:44:27 | 0:44:29 | |
Besides, you are not old Oliver any more. | 0:44:29 | 0:44:33 | |
No, but I don't remember new Oliver, | 0:44:33 | 0:44:35 | |
so maybe if you kissed me, I can... | 0:44:35 | 0:44:37 | |
..piece the memories together. | 0:44:39 | 0:44:41 | |
Oh, like, I'm the princess and you're the toad? | 0:44:41 | 0:44:45 | |
Something like that. | 0:44:45 | 0:44:46 | |
-Well, in the interests of medical research... -Mmm. | 0:44:46 | 0:44:52 | |
Well...? | 0:45:04 | 0:45:05 | |
Mm, no, still a toad. Maybe try again... | 0:45:05 | 0:45:08 | |
Even the old Oliver knew not to push his luck. | 0:45:08 | 0:45:10 | |
-Becky Colter? Was it a mitral valve prolapse? -No... | 0:45:13 | 0:45:16 | |
..but she will be OK - and so will you. | 0:45:16 | 0:45:20 | |
He's fine. At least, his heart and lungs are. | 0:45:22 | 0:45:25 | |
It's his head I'm worried about. | 0:45:25 | 0:45:28 | |
Sounds like the Oliver I used to know. | 0:45:28 | 0:45:30 | |
I'm confused. Which Oliver am I now? | 0:45:30 | 0:45:32 | |
It's whoever you wish to be. | 0:45:32 | 0:45:34 | |
SHE GRUNTS | 0:45:59 | 0:46:01 | |
Packs, please. I need an additional sucker. | 0:46:12 | 0:46:14 | |
-Sacha, the packs! -Sorry. | 0:46:14 | 0:46:17 | |
Packs, please, thank you. | 0:46:17 | 0:46:18 | |
How did it get so bad? He's clearly suffered repeated renal damage. | 0:46:22 | 0:46:25 | |
Previously it's been contained. | 0:46:25 | 0:46:27 | |
Whatever happened today... | 0:46:27 | 0:46:29 | |
..straw, camel's back. | 0:46:29 | 0:46:31 | |
I should have stopped this... I should have done something. | 0:46:31 | 0:46:34 | |
-I've found the source of the bleed. Can you apply pressure? -Yep. | 0:46:34 | 0:46:37 | |
BP stabilising. | 0:46:40 | 0:46:42 | |
Good. He's going to be OK. | 0:46:42 | 0:46:44 | |
For now... | 0:46:45 | 0:46:47 | |
Jac, we were supposed to scrub-in 10 minutes ago... | 0:46:50 | 0:46:55 | |
Oh, you silly, silly woman. | 0:47:10 | 0:47:13 | |
Amazeballs... | 0:47:45 | 0:47:47 | |
Erm... | 0:47:51 | 0:47:52 | |
SHE COUGHS | 0:47:52 | 0:47:54 | |
..I wanted to apologise for being brusque earlier. | 0:47:54 | 0:47:57 | |
It's OK... | 0:47:57 | 0:47:59 | |
No. It's not. | 0:47:59 | 0:48:01 | |
You had a big shock and I should have communicated better. | 0:48:01 | 0:48:05 | |
"Communicated"? | 0:48:05 | 0:48:07 | |
I'm not good at the touchy-feely language - | 0:48:09 | 0:48:11 | |
but if you're concerned or you're scared, then I'm here to help. | 0:48:11 | 0:48:15 | |
Were you scared? | 0:48:16 | 0:48:18 | |
When? | 0:48:18 | 0:48:19 | |
I got shot in the back. I didn't have time to be scared... | 0:48:22 | 0:48:24 | |
I meant after, when you were lying in one of these beds, | 0:48:24 | 0:48:27 | |
wondering if you were going to be OK. | 0:48:27 | 0:48:30 | |
If you were ever going to be the same again? | 0:48:30 | 0:48:32 | |
Yes. I was scared. | 0:48:33 | 0:48:34 | |
Did you have someone to help you? | 0:48:35 | 0:48:37 | |
Yes, I did. | 0:48:40 | 0:48:41 | |
So, you and Fletch...! | 0:48:44 | 0:48:47 | |
What about me and Fletch? | 0:48:47 | 0:48:49 | |
Anything going on there? | 0:48:49 | 0:48:50 | |
No. No, why would you say that? Why would you even think that? | 0:48:50 | 0:48:54 | |
Why wouldn't you? He's, like, super-hot. | 0:48:54 | 0:48:57 | |
He's...Fletch. | 0:48:57 | 0:48:58 | |
It's just - I was throwing him some pretty heavy hints earlier, | 0:49:00 | 0:49:04 | |
if you know what I mean. | 0:49:04 | 0:49:06 | |
And...? | 0:49:06 | 0:49:08 | |
And nothing. Big fat zilch. | 0:49:08 | 0:49:11 | |
All he wanted to talk about was how a good surgeon you are. | 0:49:11 | 0:49:14 | |
Oh... | 0:49:15 | 0:49:18 | |
Well... | 0:49:18 | 0:49:19 | |
No, there's nothing going on there. | 0:49:19 | 0:49:21 | |
Probably didn't help that I messed up his rare record. | 0:49:21 | 0:49:23 | |
Turns out the bloke had a Small Faces version | 0:49:23 | 0:49:26 | |
instead of the Jimmy Winston one. | 0:49:26 | 0:49:29 | |
Oh, that's a shame. | 0:49:29 | 0:49:30 | |
I thought we were having dinner with Greta? | 0:49:42 | 0:49:44 | |
-Greta cancelled. -Oh. -Maybe another day. | 0:49:44 | 0:49:48 | |
OK. | 0:49:48 | 0:49:50 | |
Jason...what happened with Lola? | 0:49:53 | 0:49:57 | |
I saw her at a soup kitchen. She needed help. | 0:49:57 | 0:50:01 | |
Gave her food and money. Then I caught her stealing. | 0:50:01 | 0:50:04 | |
We had an argument. She got hurt. | 0:50:04 | 0:50:08 | |
Mr Griffin fixed us both up, | 0:50:08 | 0:50:10 | |
said some things to Lola and she went away forever. | 0:50:10 | 0:50:14 | |
Jason, did you hurt her? | 0:50:14 | 0:50:16 | |
She was stealing. I had to stop her... | 0:50:16 | 0:50:19 | |
You should have just let her have the money... | 0:50:19 | 0:50:21 | |
She wasn't stealing money. I gave her money. | 0:50:21 | 0:50:24 | |
She was taking Elinor's stuff. | 0:50:24 | 0:50:26 | |
I went to get it back. | 0:50:27 | 0:50:28 | |
She fell. Hit her head. She didn't want to go to hospital. | 0:50:28 | 0:50:32 | |
Said she was fine...but I remembered Elinor. So I called you... | 0:50:34 | 0:50:39 | |
..and you called Mr Griffin and he fixed everything. | 0:50:39 | 0:50:42 | |
Oh, love, I'm so sorry that this happened. That I wasn't here - | 0:50:42 | 0:50:45 | |
and that you felt you couldn't tell me. | 0:50:45 | 0:50:46 | |
I could tell you... Mr Griffin and I decided not to. | 0:50:46 | 0:50:50 | |
Because you were happy. | 0:50:50 | 0:50:52 | |
Far away from all the bad stuff in your head. | 0:50:52 | 0:50:54 | |
At first, I worried... | 0:50:56 | 0:50:57 | |
Why? | 0:50:57 | 0:50:59 | |
..and then Mr Di Lucca was killed, | 0:50:59 | 0:51:01 | |
Mr Valentine and Ms Naylor were shot... | 0:51:01 | 0:51:03 | |
..and you still didn't come back. | 0:51:03 | 0:51:05 | |
Your new home must be wonderful. | 0:51:07 | 0:51:09 | |
Yes, yeah...it is... | 0:51:13 | 0:51:15 | |
..but this is home, too. | 0:51:17 | 0:51:19 | |
I know I'm late. There's no need to glower. | 0:51:27 | 0:51:30 | |
I am not "glowering". | 0:51:30 | 0:51:31 | |
Right. | 0:51:31 | 0:51:33 | |
Well, there were just a few things I needed to do first, OK? | 0:51:33 | 0:51:35 | |
-I completely understand. -You do? | 0:51:35 | 0:51:38 | |
I was in your office earlier. | 0:51:38 | 0:51:40 | |
I couldn't help but notice the new kit you're trying out. | 0:51:40 | 0:51:43 | |
Knowing how much you hate standing and baby-sitting me, | 0:51:43 | 0:51:46 | |
I took some steps to help. | 0:51:46 | 0:51:48 | |
Also, I know some people who deal with rare records. | 0:51:50 | 0:51:56 | |
If that is the kind of thing that may be of use to you. | 0:51:56 | 0:51:58 | |
OK, you got lucky, very lucky. | 0:52:09 | 0:52:11 | |
The CT scan shows no new bleed or movement of the bullet... | 0:52:11 | 0:52:15 | |
Uh-huh... | 0:52:15 | 0:52:16 | |
..but it could so easily have done. You need to be more careful. | 0:52:16 | 0:52:20 | |
Any head pain or symptoms, you tell someone straight away. | 0:52:20 | 0:52:24 | |
Your mood swings and personality fluctuations | 0:52:24 | 0:52:26 | |
have been in the red zone today. | 0:52:26 | 0:52:28 | |
Hmm... | 0:52:28 | 0:52:29 | |
I can't help YOU if you don't help yourself. | 0:52:29 | 0:52:32 | |
-What are you doing? -Helping myself. | 0:52:32 | 0:52:34 | |
-What is that? -A coin trick. | 0:52:34 | 0:52:36 | |
A top surgeon once taught me | 0:52:36 | 0:52:38 | |
that if you can roll this coin across your knuckles like this, | 0:52:38 | 0:52:42 | |
you can achieve anything you want. | 0:52:42 | 0:52:44 | |
And what do you want to achieve? | 0:52:46 | 0:52:47 | |
Oliver 3.0. | 0:52:49 | 0:52:51 | |
Thank you. | 0:53:00 | 0:53:02 | |
What for? | 0:53:02 | 0:53:04 | |
Saving him. | 0:53:05 | 0:53:06 | |
I'd feel better if I didn't have this horrible feeling | 0:53:08 | 0:53:12 | |
that I'm partly responsible for him being here in the first place. | 0:53:12 | 0:53:15 | |
Join the club. | 0:53:15 | 0:53:17 | |
Yeah, the club sucks. No offence. | 0:53:18 | 0:53:20 | |
Drink? | 0:53:22 | 0:53:24 | |
Would love to, but I...I need to talk to some people. | 0:53:24 | 0:53:28 | |
About...? | 0:53:28 | 0:53:29 | |
A change of plan. | 0:53:31 | 0:53:33 | |
Yes...bifurcation of the pulmonary artery. | 0:53:47 | 0:53:50 | |
RAPID BEEPS | 0:53:50 | 0:53:53 | |
CRASH | 0:53:53 | 0:53:55 | |
Hello? | 0:53:57 | 0:53:59 | |
MONITORS SLOW | 0:54:04 | 0:54:06 | |
I can save you. | 0:54:09 | 0:54:11 | |
LOUD BANGS | 0:54:11 | 0:54:13 | |
I'll save you! | 0:54:15 | 0:54:17 | |
INTERMITTENT BEEPS | 0:54:21 | 0:54:23 | |
Oliver? | 0:54:45 | 0:54:47 | |
Are you OK? | 0:54:47 | 0:54:49 | |
Yeah. Just, er, dreams. | 0:54:49 | 0:54:51 | |
Nice ones? | 0:54:51 | 0:54:53 | |
Oh, the best. | 0:54:53 | 0:54:54 | |
Oh, it's about what you'd expect. Yes, that bad. | 0:55:00 | 0:55:03 | |
Erm, look, Bernie, | 0:55:04 | 0:55:06 | |
I'm afraid I'm going to have to put Nairobi on hold... | 0:55:06 | 0:55:10 | |
..indefinitely. | 0:55:10 | 0:55:12 | |
Well, this home needs me. | 0:55:14 | 0:55:16 | |
I knew you'd understand. Yep, I love you, too. | 0:55:19 | 0:55:23 | |
OK, bye. Bye, bye, bye... | 0:55:23 | 0:55:25 | |
Thank you. | 0:55:28 | 0:55:30 | |
I know what sacrifices you're making. | 0:55:32 | 0:55:34 | |
People seem to have been doing that for me quite a lot lately. | 0:55:36 | 0:55:40 | |
Very sorry to hear about Ric. | 0:55:41 | 0:55:43 | |
Between you and Ric, there's barely enough martyrdom to go round. | 0:55:43 | 0:55:47 | |
People aren't "making sacrifices". | 0:55:48 | 0:55:51 | |
They're helping because they care about you... | 0:55:51 | 0:55:54 | |
..and the hospital. | 0:55:54 | 0:55:56 | |
Well, you have my gratitude, nonetheless. | 0:55:57 | 0:55:59 | |
Ric will be found innocent. | 0:56:02 | 0:56:04 | |
Oliver will recover. | 0:56:05 | 0:56:08 | |
The hospital will heal... | 0:56:08 | 0:56:10 | |
..and so will you. | 0:56:11 | 0:56:13 | |
Henrik... | 0:56:19 | 0:56:21 | |
That hole... That emptiness you're feeling. | 0:56:22 | 0:56:27 | |
It will start to fade. | 0:56:29 | 0:56:30 | |
When? | 0:56:42 | 0:56:44 | |
When you're ready. | 0:56:44 | 0:56:45 |