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He loves these intimate spaces. | 0:00:10 | 0:00:12 | |
It's where he tries out all his new stuff. | 0:00:12 | 0:00:15 | |
Le Jean's a genius. He's bringing them all to a climax. | 0:00:28 | 0:00:33 | |
Holding off hitting that sweet spot as long as possible. | 0:00:33 | 0:00:36 | |
They all worship him. | 0:00:36 | 0:00:39 | |
-You were awesome, babe. -Bless ya, babes, bless ya, but, nah... | 0:01:11 | 0:01:13 | |
-No, you smashed it! -It wasn't tight, you know what I mean? | 0:01:13 | 0:01:17 | |
It was! It was absolutely... | 0:01:17 | 0:01:18 | |
I was dropping beats all over the place, man. | 0:01:18 | 0:01:20 | |
-No, it was amazing, baby. -I didn't feel it, it was like... It was like... | 0:01:20 | 0:01:23 | |
-Yo. You the guy buying up all the clubs, right? -Gary Harbinger. | 0:01:25 | 0:01:27 | |
Gary is the owner of the Shimmers chain. | 0:01:27 | 0:01:30 | |
-Nice, man, nice. -And you remember Kelly Sumner? He's been overseeing the legal side. | 0:01:30 | 0:01:33 | |
My granddaughters are your biggest fans. | 0:01:33 | 0:01:35 | |
They download all your records. | 0:01:35 | 0:01:37 | |
-Safe, man, safe. -What about some drinks, yeah? -Good idea, good idea. Yo, Darryl! | 0:01:37 | 0:01:41 | |
Get these guys some, I don't know, Jagermeisters or something like that. We're making history tonight. | 0:01:41 | 0:01:46 | |
Just to let you know your car's here to take you to the helipad, OK? | 0:01:46 | 0:01:49 | |
Oh, yeah, yeah, yeah. Guys, we have to wrap this up quick. | 0:01:49 | 0:01:52 | |
-Are you going somewhere? -Am I going some... What, is this guy for real? | 0:01:52 | 0:01:56 | |
Le Jean plays a set at Pacha on Ibiza every Tuesday. | 0:01:56 | 0:01:59 | |
-It's a legendary night. -Everybody knows that, don't they? | 0:01:59 | 0:02:04 | |
You want to attach my name to your clubs | 0:02:04 | 0:02:06 | |
and you don't know about my Pacha set? | 0:02:06 | 0:02:08 | |
Well, Marcus here handles the acts and the day-to-day business... | 0:02:08 | 0:02:11 | |
Whoa, whoa! See, haul up, haul up! | 0:02:11 | 0:02:14 | |
See... | 0:02:14 | 0:02:16 | |
Are you... | 0:02:16 | 0:02:18 | |
Are you saying that what I do is an act? | 0:02:18 | 0:02:22 | |
Like, what, like I'm some kind of mobile disco pig, available for weddings and Bar Mitzvahs? | 0:02:22 | 0:02:27 | |
Easy, big fella, easy. | 0:02:27 | 0:02:28 | |
-Do you know who I am? -Of course he does, Garry, of course he does, | 0:02:31 | 0:02:35 | |
he's just, er, he's very protective of his image, yeah? | 0:02:35 | 0:02:38 | |
It's a credibility issue. | 0:02:38 | 0:02:40 | |
Yeah, it's a credibility issue, it's all about mystique as well. | 0:02:40 | 0:02:43 | |
Did you see the people down there? Did you see them?! | 0:02:43 | 0:02:46 | |
They don't come to one of my gigs cos they want to listen to music, man. | 0:02:46 | 0:02:49 | |
It's a pilgrimage, dread. | 0:02:49 | 0:02:51 | |
And because I got that credibility, those people out there | 0:02:51 | 0:02:54 | |
are my disciples, they worship at the decks of Le Jean. | 0:02:54 | 0:02:57 | |
And that is what sells. | 0:02:57 | 0:02:59 | |
Do you feel me? | 0:03:02 | 0:03:05 | |
I feel you. | 0:03:06 | 0:03:08 | |
All right, look, I done schooling you, right? Peace and love. | 0:03:08 | 0:03:12 | |
Let's get down to business, yeah? | 0:03:12 | 0:03:14 | |
One hundred grand in fifties, as you requested. | 0:03:19 | 0:03:23 | |
It's red. It's my colour. | 0:03:27 | 0:03:29 | |
Gentlemen, enjoy the drinks. Enjoy the company. Laters, yeah? | 0:03:32 | 0:03:39 | |
-We should have stayed a bit longer. -What, anything to do with the nearly naked girls? | 0:03:45 | 0:03:49 | |
We only booked them for an hour, someone should make sure they get home safely. | 0:03:49 | 0:03:52 | |
-The kid's all heart. -Thanks. Drinks are on us. | 0:03:52 | 0:03:56 | |
You Fisk? | 0:04:08 | 0:04:09 | |
No, I'm the Easter Bunny. | 0:04:09 | 0:04:11 | |
You got something for me, or not? | 0:04:14 | 0:04:16 | |
My employer would look very favourably on the individual | 0:04:16 | 0:04:20 | |
that put this guy out of business... | 0:04:20 | 0:04:23 | |
permanently. | 0:04:23 | 0:04:25 | |
Can you do it? | 0:04:28 | 0:04:30 | |
Won't be easy. | 0:04:30 | 0:04:31 | |
The five grand's a down payment. There's another 15 when it's done. | 0:04:31 | 0:04:36 | |
Cor, what's that pong? | 0:05:52 | 0:05:53 | |
-It smells like dead, wet dog in here. -Edward! | 0:05:53 | 0:05:56 | |
Hold your horses. I'm nearly there. | 0:05:56 | 0:05:58 | |
Oh, look, more bags. What, it's not rancid enough in here? | 0:05:58 | 0:06:01 | |
You sure you got enough rubbish, Ed? | 0:06:01 | 0:06:02 | |
It piles up, Sean. You'd be amazed. | 0:06:02 | 0:06:05 | |
Surely this is a health hazard? | 0:06:05 | 0:06:06 | |
Yes, you'd think so, wouldn't you? | 0:06:06 | 0:06:08 | |
Erm, do you maybe want to explain what's going on, Edward? | 0:06:08 | 0:06:12 | |
It's a bloody outrage. That's what's going on. It's a bloody scandal. | 0:06:12 | 0:06:16 | |
The council has started fining you 200 quid for leaving your rubbish out over night. | 0:06:16 | 0:06:18 | |
-Eh? -See, they pick it up between eight and nine on a Tuesday morning. | 0:06:18 | 0:06:22 | |
Before, you could leave your bags out on a Monday night. | 0:06:22 | 0:06:24 | |
Now, some jobsworth environmental officer comes round | 0:06:24 | 0:06:27 | |
and tells me I've got to put them out just before they get here. | 0:06:27 | 0:06:30 | |
What do I pay me rates for? | 0:06:30 | 0:06:31 | |
Well, take it out the back, then. | 0:06:31 | 0:06:32 | |
There's no access. Now I've got to schlep it through the bar where there's customers. | 0:06:32 | 0:06:36 | |
Then this same inspector comes round | 0:06:36 | 0:06:38 | |
and tells me I can't take the rubbish through the bar during opening hours. | 0:06:38 | 0:06:41 | |
So you can't leave them out overnight or bring them through in the morning? | 0:06:41 | 0:06:44 | |
-You're a bit stuffed then, ain't ya? -Exactly. It's a...thingy-o... -It's a paradox? | 0:06:44 | 0:06:49 | |
-No. -No, a catch-22? -No. -Chinese puzzle? | 0:06:49 | 0:06:51 | |
-No. -A conundrum? -No. | 0:06:51 | 0:06:55 | |
-A mystery within a puzzle wrapped up in an enigma? -Tell you what it is. | 0:06:55 | 0:06:59 | |
-It's a downright flamin' liberty, that's what it is. -Ooh, I can feel a rant coming on. | 0:06:59 | 0:07:02 | |
Into the office then. | 0:07:02 | 0:07:04 | |
-Ed, when you've finished moaning, can I have a full English? -Do you lot ever listen to a word I say? | 0:07:04 | 0:07:08 | |
Yeah, of course we do. Bags, bleedin' councils, rates, by-laws, | 0:07:08 | 0:07:12 | |
flamin' liberties, eggs over easy, chunky toast, mug of tea, and three sugars. | 0:07:12 | 0:07:17 | |
OK, everyone. Listen up. | 0:07:17 | 0:07:19 | |
Michael Stone, aka Mickey Bricks. | 0:07:19 | 0:07:21 | |
As some of you'll know, Stone and his crew have been giving the fraud squad the run-around for years. | 0:07:21 | 0:07:25 | |
I've had a whisper that their next big scoop is on our patch. I'm not having it. | 0:07:25 | 0:07:28 | |
I want them shut down. | 0:07:28 | 0:07:30 | |
-Are fraud all right with this, guv? -I'll talk them through it | 0:07:30 | 0:07:32 | |
when Stone and his crew are locked up. I want round-the-clock surveillance. | 0:07:32 | 0:07:36 | |
Albert Stroller. The Roper. Been grifting since the Boer War. He's got contacts all over the city. | 0:07:36 | 0:07:41 | |
Ash "Three Socks" Morgan. The Fixer. He knows more tricks than a cartful of monkeys. | 0:07:41 | 0:07:45 | |
But this is where we start. Sean and Emma Kennedy. The newbies. | 0:07:45 | 0:07:48 | |
Stroller found them making short cons on the street and brought them into the fold. | 0:07:48 | 0:07:53 | |
He and Stone are training them up, | 0:07:53 | 0:07:54 | |
moulding them into their own seedy image. | 0:07:54 | 0:07:57 | |
These two are Stone's soft underbelly. If we get to them, we can penetrate the inner circle, | 0:07:57 | 0:08:01 | |
tear it apart. That's how we get him. | 0:08:01 | 0:08:04 | |
Read the file, get to know them, how they operate, let's show the third floor how it's done. | 0:08:04 | 0:08:08 | |
All right, come on, you heard the man. | 0:08:08 | 0:08:10 | |
-Ma'am. Didn't see you there. -Who assigned you to this case? | 0:08:12 | 0:08:16 | |
My brief is to catch criminals and hit my crime target figures. | 0:08:16 | 0:08:19 | |
I wasn't aware that I had to have every case authorised before I launch an investigation. | 0:08:19 | 0:08:23 | |
And does the fraud squad know you're going after Stone? | 0:08:23 | 0:08:26 | |
The information I've been given is that they're planning a job, | 0:08:26 | 0:08:29 | |
-I can't yet determine whether it's fraud or not. -Don't play games with me, Inspector. | 0:08:29 | 0:08:34 | |
I'm just an old-fashioned copper. Find the bad guys. Put 'em away. | 0:08:34 | 0:08:37 | |
Some of us have to get our hands dirty. | 0:08:37 | 0:08:39 | |
And that's how you intend to conduct the case, is it? Get dirty? | 0:08:39 | 0:08:43 | |
If I have to. | 0:08:44 | 0:08:45 | |
I will not have this department brought into disrepute. | 0:08:45 | 0:08:48 | |
Everything gets done by the book, the same book I'll be | 0:08:48 | 0:08:51 | |
throwing at you if I find out you've been cutting corners. | 0:08:51 | 0:08:53 | |
Yes, Ma'am. | 0:08:53 | 0:08:55 | |
I mean it, Inspector. | 0:08:55 | 0:08:57 | |
You have to catch him with the cash in his hand. | 0:08:57 | 0:08:59 | |
Any room for doubt and you'll end up embarrassing us all. | 0:08:59 | 0:09:03 | |
Oh, I'll catch him, Ma'am. I guarantee it. | 0:09:03 | 0:09:07 | |
OK, so our new mark is Linda Runcorn. | 0:09:08 | 0:09:12 | |
The story is that she's the CEO of an online restaurant and hotel guide. | 0:09:12 | 0:09:16 | |
It's got a huge tourist readership, so it's very influential. | 0:09:16 | 0:09:20 | |
However, excellence is not the best way to guarantee a good review. | 0:09:20 | 0:09:24 | |
The larger chains escape, but she tells the smaller hotels and family restaurants | 0:09:24 | 0:09:28 | |
that if they don't make it worth her while, she'll put them out of business. | 0:09:28 | 0:09:32 | |
Worth her while by handing over cash? | 0:09:32 | 0:09:34 | |
Precisely. | 0:09:34 | 0:09:35 | |
The smaller hotels and restaurants survive on reputation. | 0:09:35 | 0:09:38 | |
She operates on fear, and once she's got hold of you, she bleeds you dry. | 0:09:38 | 0:09:44 | |
-Character traits? -A bully. She sucks up to the bigger chains, | 0:09:44 | 0:09:47 | |
-while bullying the smaller clients who can't afford to fight back. -Nasty. | 0:09:47 | 0:09:51 | |
-What's our way in? -Her mum's family, the Toppings. | 0:09:51 | 0:09:53 | |
Had a bit of land and a noble line going back centuries, | 0:09:53 | 0:09:57 | |
but they cut off her grandmother, Helen Topping, without a penny | 0:09:57 | 0:10:01 | |
when she married a builder. | 0:10:01 | 0:10:03 | |
Seems the family thought he was beneath her. | 0:10:03 | 0:10:05 | |
But to this day, Linda wears a bracelet given to her | 0:10:05 | 0:10:08 | |
by her Grandmother which bears the Topping family crest. | 0:10:08 | 0:10:12 | |
So what's the game? An inheritance scam? | 0:10:12 | 0:10:15 | |
Yeah. We use a long-lost relative Linda's never heard of. | 0:10:15 | 0:10:18 | |
One of the Toppings. A maiden aunt who died without making a will, | 0:10:18 | 0:10:21 | |
leaving behind an estate which Linda is the sole heir to. | 0:10:21 | 0:10:25 | |
-Which just happens to be worth a small fortune. -Exactly. | 0:10:25 | 0:10:29 | |
Yeah, I'm here. I'll call you when I'm done. | 0:10:38 | 0:10:41 | |
-Miss Runcorn? -Yes. | 0:10:45 | 0:10:47 | |
Hello. I'm Holly Patterson, Greyshot Genealogy. | 0:10:47 | 0:10:50 | |
-I was rather surprised to get your letter. -Oh? -How did you find me? | 0:10:50 | 0:10:55 | |
-The voting register. -Did I ask for water? | 0:10:55 | 0:10:58 | |
For heaven's sake, just put it down. | 0:10:58 | 0:10:59 | |
We'll call you when we want something. | 0:10:59 | 0:11:02 | |
They fuss all over you, then when you actually want something, | 0:11:02 | 0:11:05 | |
-when you want to actually order something, they're nowhere to be bloody seen. -Quite. | 0:11:05 | 0:11:09 | |
So, what's this potentially exciting news exactly? | 0:11:09 | 0:11:12 | |
Well, every few months, the Treasury releases a list of estates that are intestate. | 0:11:12 | 0:11:18 | |
-That means... -People who died without leaving a will. Yes. -Yes. | 0:11:18 | 0:11:21 | |
You're one of those bloody heir hunters, aren't you? | 0:11:21 | 0:11:23 | |
Oh, well, we prefer probate investigators. | 0:11:23 | 0:11:26 | |
All the same thing, like ambulance chasers. | 0:11:26 | 0:11:30 | |
I can't imagine what you found on my father's side, they didn't have two pennies to rub together. | 0:11:30 | 0:11:34 | |
What is it? A tin bath? | 0:11:34 | 0:11:36 | |
Well, actually, it's a relative on your mother's side. | 0:11:36 | 0:11:38 | |
-Oh. My mother's side? -Yes, the Toppings... | 0:11:38 | 0:11:41 | |
Now, this is your great-aunt Irene. Irene Topping. | 0:11:41 | 0:11:46 | |
Excuse me. | 0:11:46 | 0:11:47 | |
Sorry, I just need to check this. | 0:11:47 | 0:11:51 | |
She's the sister of your maternal grandmother. | 0:11:51 | 0:11:54 | |
Now, your great-aunt passed away. | 0:11:54 | 0:11:56 | |
She was childless, she never married and she didn't leave a will. | 0:11:56 | 0:11:59 | |
So her estate passed to the next in line. | 0:11:59 | 0:12:02 | |
-Which is you. -Me? -Yes. It appears so. | 0:12:02 | 0:12:07 | |
Well, I don't suppose there's anything to get too excited about. | 0:12:07 | 0:12:10 | |
I never really believed all those rumours about my mother's aristocratic family. | 0:12:10 | 0:12:14 | |
The old bag probably left me a tatty old armchair and some cats. | 0:12:14 | 0:12:18 | |
Well, she actually left you jewellery | 0:12:18 | 0:12:21 | |
and property worth in the region of £4.7 million. | 0:12:21 | 0:12:26 | |
And, as far as we can tell, you are the sole heir. | 0:12:26 | 0:12:30 | |
Well, that's different. | 0:12:30 | 0:12:34 | |
I mean, obviously, I am devastated about poor old Great-Aunt Irene. | 0:12:34 | 0:12:38 | |
But... Sorry, did you say 4.7 million? | 0:12:38 | 0:12:41 | |
-I did. -O-M-G! | 0:12:41 | 0:12:45 | |
Well, it was a pleasure to meet you. | 0:12:45 | 0:12:47 | |
You'll be hearing from us soon. Bye-bye. | 0:12:47 | 0:12:50 | |
Yeah, it's me. Done. | 0:12:53 | 0:12:56 | |
'Hook, line and sinker.' | 0:12:56 | 0:12:58 | |
OK, good. See you back here. | 0:12:58 | 0:13:00 | |
Well? | 0:13:18 | 0:13:19 | |
Some old rubbish about an old aunt leaving her a fortune. | 0:13:19 | 0:13:22 | |
All right, stay on it. | 0:13:22 | 0:13:25 | |
Katherine Farmer. | 0:13:33 | 0:13:34 | |
We haven't seen you for a while. | 0:13:35 | 0:13:38 | |
Still picking pockets? | 0:13:38 | 0:13:39 | |
No idea what you're banging on about, mate. | 0:13:39 | 0:13:42 | |
Really? | 0:13:42 | 0:13:43 | |
-You going to tell me what I'm doing here, or what? -You know this man? | 0:13:43 | 0:13:47 | |
-Don't ring any bells. -Sean Kennedy. -Never seen him before. | 0:13:49 | 0:13:54 | |
-Really? -Let me jog your memory. | 0:13:54 | 0:13:57 | |
We found this with your stuff. | 0:13:59 | 0:14:01 | |
-That ain't mine. -Intent to supply Class-As. | 0:14:01 | 0:14:03 | |
-You can't stitch me up like that. -Can't I? -I want to see a brief. | 0:14:03 | 0:14:07 | |
This isn't your first offence, is it, sweetheart? It's not going to be three months, out in a fortnight. | 0:14:09 | 0:14:13 | |
You'll do serious time for this. Now look at the picture again. | 0:14:13 | 0:14:16 | |
Sean Kennedy. | 0:14:16 | 0:14:18 | |
All right. I may have seen him knocking about. | 0:14:18 | 0:14:22 | |
It was more than that, wasn't it? | 0:14:22 | 0:14:23 | |
Used to run around together, get into scrapes. | 0:14:23 | 0:14:26 | |
We was just kids. | 0:14:26 | 0:14:28 | |
I don't see him any more. | 0:14:28 | 0:14:29 | |
What happened? His sister put a stop to it? | 0:14:29 | 0:14:32 | |
Didn't want a nasty little pilferer | 0:14:32 | 0:14:34 | |
-like you horning in on their double act? -It weren't like that. -Whatever. | 0:14:34 | 0:14:37 | |
I think it's time you and Sean got reacquainted. | 0:14:37 | 0:14:39 | |
-Why? -I'm going fishing, and you're my bait. | 0:14:39 | 0:14:44 | |
-Do I look like a maggot? -You'll infiltrate this gang he's joined | 0:14:44 | 0:14:47 | |
-and report back to me. -No! I ain't no grass. | 0:14:47 | 0:14:49 | |
I see you've had a little girl. | 0:14:52 | 0:14:54 | |
What is she now? Two? | 0:14:55 | 0:14:57 | |
Be a shame. Drug-dealing mum locked up, kid put into care... | 0:14:58 | 0:15:02 | |
You leave her out of this! | 0:15:02 | 0:15:04 | |
She's be a teenager when you got out. Wouldn't even know you. She'd be with a new mum. | 0:15:04 | 0:15:07 | |
-You can't do this. -I'm a police officer, sweetheart, | 0:15:07 | 0:15:10 | |
I can pretty much do anything I want. Now, you do what I'm telling you, | 0:15:10 | 0:15:14 | |
or your brat will be in a foster home in time for her tea. | 0:15:14 | 0:15:16 | |
What's this here, a family crest? | 0:15:24 | 0:15:26 | |
The Topping family. We need an exact match. | 0:15:26 | 0:15:28 | |
By tomorrow, you said? | 0:15:28 | 0:15:30 | |
-Can it be done? -It's not easy. You have to get the stone right. | 0:15:30 | 0:15:34 | |
The shape and the clarity, and the way the light dances off the... | 0:15:34 | 0:15:38 | |
-Hmm. That's odd. -Something wrong? | 0:15:38 | 0:15:41 | |
Not at all, but you might want to rethink a replica. | 0:15:41 | 0:15:45 | |
-Why? -Because if this is what I think it is, | 0:15:45 | 0:15:49 | |
a replica won't stand up to any serious scrutiny. | 0:15:49 | 0:15:51 | |
It's fine with the naked eye, but if she gets it authenticated... | 0:15:51 | 0:15:55 | |
What? | 0:15:55 | 0:15:57 | |
What is it, Bob? | 0:15:59 | 0:16:00 | |
Cushion-cut, 20-carat, azure stone. | 0:16:00 | 0:16:05 | |
If I'm not mistaken, | 0:16:05 | 0:16:07 | |
we are looking at a 150-year-old Kashmir sapphire. | 0:16:07 | 0:16:13 | |
Well, that sounds expensive. | 0:16:13 | 0:16:15 | |
It's hard to tell from a snap, but if this is the real thing, it could be 20-30 grand. | 0:16:15 | 0:16:19 | |
It won't stand up to close scrutiny, but I'll get you the replica by tomorrow, all right? | 0:16:20 | 0:16:24 | |
Cheers. | 0:16:24 | 0:16:25 | |
Bloody hell! You spilled my shampoo, you clumsy...! | 0:16:31 | 0:16:33 | |
-Oh, I'm so sorry. -Watch the suit, will you? -It's a nice one, then? | 0:16:33 | 0:16:36 | |
I said get your grubby mitts off my threads. Now tootle off back to your caravan. There's a dear. | 0:16:36 | 0:16:40 | |
Get me another bottle. | 0:16:40 | 0:16:41 | |
She's stolen my wallet! Stop that girl! | 0:16:44 | 0:16:47 | |
-Police. -What you talking about? I ain't done nothing! | 0:16:47 | 0:16:49 | |
Hey. What's going on here? City of London Police. | 0:16:49 | 0:16:53 | |
-What seems to be the problem? -This geezer is sexually harassing me. | 0:16:53 | 0:16:56 | |
I wouldn't touch you with a jack hammer, love. | 0:16:56 | 0:16:59 | |
Both of you calm down. Sir, why don't you explain to me what's happened? | 0:16:59 | 0:17:02 | |
This grotty little chav stole my wallet. | 0:17:02 | 0:17:04 | |
-Do you want a smack, cheese breath? -I want her to turn out her pockets right now. | 0:17:04 | 0:17:07 | |
I want my money back! | 0:17:07 | 0:17:08 | |
And I want you to calm down. I'm not going to warn you again, sir! | 0:17:08 | 0:17:11 | |
Do as he says. Empty your pockets. | 0:17:12 | 0:17:15 | |
-It's not there. -Well, are you sure it's missing, sir? | 0:17:20 | 0:17:24 | |
-Yes. I keep it inside my jacket. -Why don't you check your other pockets? I don't see why, I don't keep... | 0:17:24 | 0:17:28 | |
I think you owe this young lady an apology, don't you? | 0:17:32 | 0:17:35 | |
I'm sure she... | 0:17:35 | 0:17:36 | |
Oh, come on, then. Apologise. | 0:17:36 | 0:17:38 | |
Sir. | 0:17:39 | 0:17:40 | |
-I'm most terribly sorry. -Yeah, well, up yours, creep. | 0:17:43 | 0:17:46 | |
No, seriously, did you see that guy's face? | 0:17:52 | 0:17:54 | |
When I accused him of sexually harassing me, I thought he was going to puke. | 0:17:54 | 0:17:57 | |
What happened to you? Kat Farmer used to be the best in the business. | 0:17:57 | 0:18:01 | |
Used to be able to steal anything, and you got caught nicking a wallet. Come on, girl! | 0:18:01 | 0:18:04 | |
Who says I wanted his wallet? | 0:18:04 | 0:18:07 | |
Whoa, nice! | 0:18:07 | 0:18:08 | |
Shit! | 0:18:10 | 0:18:13 | |
-You know, I never thought I'd see you again. -Why's that? | 0:18:13 | 0:18:16 | |
You're in this fancy new crew now. I'm still nicking watches. | 0:18:16 | 0:18:20 | |
I might have moved on, but I haven't changed. | 0:18:20 | 0:18:22 | |
I'll never forget what you did for me. | 0:18:22 | 0:18:24 | |
-Yeah, well, I ain't a grass. -I know. | 0:18:24 | 0:18:27 | |
I was worried about you in there. | 0:18:27 | 0:18:29 | |
It weren't that bad. Regular meals every day. A roof over my head. | 0:18:29 | 0:18:33 | |
It's good that you were worried though. | 0:18:33 | 0:18:36 | |
-You ain't done so bad for yourself, have you? -Well, you know... | 0:18:36 | 0:18:39 | |
-THEY LAUGH -I got a little girl now. | 0:18:39 | 0:18:41 | |
What? | 0:18:41 | 0:18:43 | |
Yeah, she'll be three next month. | 0:18:43 | 0:18:45 | |
I can't believe you're a mum. | 0:18:45 | 0:18:47 | |
Dad's a bit of a waste of space though, I ain't seen him in two years. | 0:18:47 | 0:18:50 | |
-I'm sorry to hear that. -Don't be. Like I said, he's a waste of space. | 0:18:50 | 0:18:55 | |
Look, Sean, now you're all sorted, I could really use a leg up. | 0:18:55 | 0:18:59 | |
Uh? | 0:18:59 | 0:19:00 | |
There must be some little job I can do in that fancy crew of yours? | 0:19:00 | 0:19:04 | |
Sweep up? Make the tea? | 0:19:04 | 0:19:06 | |
Stand there and look pretty? | 0:19:06 | 0:19:08 | |
Kat, it's not really that... | 0:19:08 | 0:19:11 | |
I'll get Mum to look after Laurel for a bit. Truth is, Sean, I'm really skint. | 0:19:11 | 0:19:14 | |
-Oh! -No! I don't want your charity, you know me better than that. | 0:19:14 | 0:19:19 | |
I want to work for it. | 0:19:19 | 0:19:20 | |
Ash sent these over from the printers. | 0:19:29 | 0:19:31 | |
-These are fake title deeds to a 30-acre pile in Northumberland. -Great. | 0:19:31 | 0:19:35 | |
-And documents showing all the debts still owed to the estate. -Fantastic. -Hey, guys. | 0:19:35 | 0:19:42 | |
-Sean, what the hell are you...? -I see you've brought company. | 0:19:43 | 0:19:46 | |
All right? I'm Kat. | 0:19:46 | 0:19:48 | |
Like your gaff. This all from grifting then? | 0:19:48 | 0:19:53 | |
-All right, Emms? Long time no see! -Kat. | 0:19:55 | 0:19:59 | |
-Wow! Look at you, all glammed up! -Look, she's an old friend, OK? | 0:19:59 | 0:20:02 | |
I said she could help out with a job. | 0:20:02 | 0:20:04 | |
She used to hang around with me and Emma back in the day. | 0:20:04 | 0:20:06 | |
She just needs a leg up, that's all. | 0:20:06 | 0:20:08 | |
It's one job, and I'll pay her from my share. | 0:20:08 | 0:20:11 | |
Are you serious? I mean, I'm sorry, this is nothing personal... | 0:20:11 | 0:20:14 | |
I can vouch for her and so can Emma. | 0:20:14 | 0:20:15 | |
That aside, I owe her. She kept me from going to prison. | 0:20:15 | 0:20:18 | |
-That was a long time ago, Sean. -That's what I said. | 0:20:18 | 0:20:21 | |
It makes no difference. | 0:20:26 | 0:20:28 | |
I was 15, and she could have seriously reduced her sentence if she'd grassed me up, but she didn't. | 0:20:28 | 0:20:34 | |
You two, of all people, should respect that. | 0:20:34 | 0:20:36 | |
How many of your old friends have turned up? And we've taken care of every single one of them. | 0:20:36 | 0:20:41 | |
Kid's got a point. | 0:20:45 | 0:20:47 | |
-Emma? -Oh, she's a train crash. | 0:20:47 | 0:20:51 | |
But she's all right. | 0:20:52 | 0:20:53 | |
OK. We'll work her into the con. | 0:20:59 | 0:21:02 | |
-Looks like she's in, Guv. -All right. Stay on it. | 0:21:02 | 0:21:07 | |
OK. So tomorrow, Emma goes to see Linda and reveals the news about the debts owed on the estate. | 0:21:07 | 0:21:13 | |
But before she starts asking questions, show her the bracelet. | 0:21:13 | 0:21:17 | |
Yeah, there might be an issue with that. | 0:21:17 | 0:21:19 | |
An issue? | 0:21:19 | 0:21:21 | |
Seedy Bob says the sapphire on the bracelet might be a rare Kashmir sapphire, | 0:21:21 | 0:21:25 | |
and very hard for Bob to forge. | 0:21:25 | 0:21:27 | |
-So if she gets it authenticated... -Yeah. They'll spot it. | 0:21:27 | 0:21:29 | |
-What if we do a switch? -What, swap Linda's bracelet for Seedy Bob's replica? | 0:21:32 | 0:21:38 | |
-Yeah. -So she gets her own bracelet authenticated. | 0:21:38 | 0:21:40 | |
What if she compares the two? | 0:21:40 | 0:21:41 | |
No, no, apparently, the replica will look the same to the naked eye. | 0:21:41 | 0:21:45 | |
It's only if she gets it examined that there's a problem. | 0:21:45 | 0:21:48 | |
Even if that's true, it's still a tricky manoeuvre. | 0:21:48 | 0:21:49 | |
Not for Kat. She could easily swap the fake bracelet for the real one. | 0:21:49 | 0:21:54 | |
Seriously, guys. It makes perfect sense. It's what she specialises in. | 0:21:55 | 0:22:00 | |
She could do that switch with her hands tied behind her back. | 0:22:00 | 0:22:03 | |
-Well, it is what I do. -Kat can go along as Emma's assistant, | 0:22:03 | 0:22:06 | |
Emma can distract Linda and Kat can move in for the kill. | 0:22:06 | 0:22:09 | |
It makes sense. | 0:22:11 | 0:22:13 | |
-Lovely morning. -It was. | 0:22:25 | 0:22:28 | |
And there was me thinking this was the beginning of a beautiful friendship. | 0:22:28 | 0:22:31 | |
Yeah, well, think again. | 0:22:31 | 0:22:33 | |
So what have you got for me? | 0:22:33 | 0:22:35 | |
They're conning some bird. | 0:22:35 | 0:22:37 | |
Linda Runcorn. An inheritance scam, I know all that. Tell me something I don't know. | 0:22:37 | 0:22:40 | |
They've got this fake bracelet that proves it's legit, or something... | 0:22:40 | 0:22:44 | |
Except there's a snag. | 0:22:44 | 0:22:45 | |
They think that the sapphire in the bracelet might be from Kashmir. | 0:22:45 | 0:22:49 | |
Could be worth a few quid. Maybe more than a few quid. | 0:22:49 | 0:22:52 | |
So they're worried this Linda might get it valued? | 0:22:52 | 0:22:54 | |
Yeah. They want me to help Emma do the switch. | 0:22:54 | 0:22:58 | |
I nick the real one and put the fake one back on her wrist. | 0:22:58 | 0:23:01 | |
So, Runcorn gets her own valued, thinks the whole thing's kosher. | 0:23:01 | 0:23:04 | |
All right. Do what they want for now Keep reporting back to me. And one other thing. | 0:23:04 | 0:23:07 | |
-I want you to slip this in Emma Kennedy's case. -No way! | 0:23:07 | 0:23:11 | |
They've been all right by me so far. I'm not doing that! | 0:23:11 | 0:23:13 | |
OK, no? If you don't want to do it, that's fine. | 0:23:13 | 0:23:16 | |
-If you don't feel like it. -I've done what you asked. -But we're not finished, are we? | 0:23:16 | 0:23:20 | |
I make one call to Social Services, tell them you've been arrested | 0:23:20 | 0:23:23 | |
for dealing in Class-A drugs, they'll pick your kid up within the hour. | 0:23:23 | 0:23:25 | |
You want me off your back? Then do as you're told. | 0:23:25 | 0:23:28 | |
At the end of this, you'll never have to set eyes on me again. | 0:23:28 | 0:23:32 | |
Well, here are the deeds to your aunt's estate. And here's a picture of the house in Northumberland. | 0:23:38 | 0:23:43 | |
-It's a nice gaff. -Yes. Thank you, Miss Hunter. | 0:23:43 | 0:23:47 | |
I've just got to tell you about a slight problem before we continue. | 0:23:47 | 0:23:50 | |
-Problem? -Well, as you can see from the house there, it's a couple of centuries old, | 0:23:50 | 0:23:55 | |
-and a few years ago, it started suffering from subsidence. -Nasty. My nan had that. | 0:23:55 | 0:23:59 | |
Yes. | 0:24:01 | 0:24:03 | |
Your great-aunt Irene, she had to get builders in, | 0:24:03 | 0:24:06 | |
and apparently, now, they're claiming that they haven't been fully paid. | 0:24:06 | 0:24:09 | |
-Can I, er, get some water? -Hmm? | 0:24:09 | 0:24:14 | |
A glass of water. I'm not being funny, but it feels like a family of badgers just moved in. | 0:24:14 | 0:24:18 | |
SHE CLEARS HER THROAT | 0:24:18 | 0:24:20 | |
-How much are they owed? -Sorry? -These builders. How much are they owed? | 0:24:22 | 0:24:27 | |
Oh. Yes. Er, 100,000. | 0:24:27 | 0:24:29 | |
One hundred grand? For subsidence?! | 0:24:29 | 0:24:31 | |
-Well, it is a massive house. -And very old. | 0:24:31 | 0:24:33 | |
And as the builders are threatening court action, | 0:24:33 | 0:24:35 | |
they will need to be paid before the transaction can be completed. | 0:24:35 | 0:24:38 | |
-Why? -Sorry? | 0:24:38 | 0:24:41 | |
I mean, why before? Can't the debts be absorbed by the estate? | 0:24:41 | 0:24:44 | |
Well, it could be, I suppose, but time is of the essence. | 0:24:44 | 0:24:47 | |
The builders are threatening to force the estate | 0:24:47 | 0:24:50 | |
into administration over these unpaid bills. | 0:24:50 | 0:24:53 | |
You can't imagine how complicated that would make things. | 0:24:53 | 0:24:56 | |
The legal fees alone would treble what you owe the builders | 0:24:56 | 0:24:59 | |
and it could mean that you wouldn't see your inheritance for...five years. | 0:24:59 | 0:25:04 | |
I see. And you're sure it's my aunt? | 0:25:04 | 0:25:07 | |
-Sorry, am I sure? -I'm not going to suddenly find there's been a mix-up? | 0:25:07 | 0:25:11 | |
Not if I've done my job properly, no. | 0:25:11 | 0:25:13 | |
SHE CLEARS HER THROAT | 0:25:15 | 0:25:16 | |
I don't remember having a Great-Aunt Irene. | 0:25:17 | 0:25:21 | |
And I don't want to fork out 100,000 | 0:25:21 | 0:25:23 | |
and then find out I'm paying somebody else's bloody bills. | 0:25:23 | 0:25:26 | |
I am quite sure that it is your aunt. | 0:25:26 | 0:25:28 | |
Actually, one of the items that she left was a sapphire bracelet, | 0:25:28 | 0:25:31 | |
-very much like the one you're wearing. -A bracelet? | 0:25:31 | 0:25:35 | |
Have you got it? | 0:25:35 | 0:25:36 | |
-Yes. -Show me. -If you could... | 0:25:36 | 0:25:38 | |
It's just somewhere down here... | 0:25:42 | 0:25:44 | |
-Oh! -Oh, my God! Oh, I'm so sorry. -It's fine. | 0:25:44 | 0:25:49 | |
I'm always doing this. Mum says I could start World War Three, I'm so accident prone. | 0:25:49 | 0:25:52 | |
It's fine. I can manage! | 0:25:52 | 0:25:56 | |
Miss Hunter, why don't you give Miss Runcorn the bracelet now? | 0:25:58 | 0:26:02 | |
-Well, it certainly looks authentic. -Yes, and it has the crest, and everything. | 0:26:14 | 0:26:18 | |
I'll have to get it authenticated. | 0:26:21 | 0:26:24 | |
But if it's all above board, I'll sign the papers and pay the debts. | 0:26:27 | 0:26:32 | |
That's great. Great. You won't regret it. | 0:26:34 | 0:26:36 | |
-You said we have to move quickly. -Yes. -How quickly? | 0:26:36 | 0:26:39 | |
Well, it would help if you paid the debts in cash. | 0:26:39 | 0:26:42 | |
-Cash? I'm not sure. -They are builders. | 0:26:42 | 0:26:46 | |
Well, if it'll oil the wheels a little, then...so be it. | 0:26:49 | 0:26:54 | |
Great. Great. | 0:26:56 | 0:26:59 | |
-That was good work. -Thank you. | 0:27:00 | 0:27:02 | |
SIRENS WAIL | 0:27:02 | 0:27:07 | |
Leg it! Leg it! | 0:27:07 | 0:27:09 | |
Kat! | 0:27:09 | 0:27:11 | |
Can I help you, officer? | 0:27:20 | 0:27:21 | |
Oi! | 0:27:23 | 0:27:24 | |
Guv. | 0:27:26 | 0:27:27 | |
-Put her in the car. -That's not mine. | 0:27:27 | 0:27:30 | |
That's not mine! I can walk there myself... | 0:27:30 | 0:27:34 | |
No! | 0:27:34 | 0:27:36 | |
I don't know what happened, they just came out of nowhere. | 0:27:36 | 0:27:38 | |
How did she get drugs on her, Kat? Emma doesn't even do drugs. | 0:27:38 | 0:27:40 | |
They weren't mine, if that's what you're asking. | 0:27:40 | 0:27:44 | |
I went with her, I did what you asked me to do, and then we went outside and... | 0:27:44 | 0:27:47 | |
Kat's right. It's not her fault. Something else must be going on. | 0:27:47 | 0:27:49 | |
-The cops must have planted the gear on Emma. -I'm so sorry, Sean... | 0:27:49 | 0:27:55 | |
She's at the Barber Street station. | 0:27:55 | 0:27:57 | |
She was arrested by Detective Inspector Fisk. | 0:27:57 | 0:28:00 | |
-Sid Fisk? -You know him? -Yeah, he's bent as a nine bob note. | 0:28:00 | 0:28:02 | |
This is how he operates. He frames people and then bangs them up. | 0:28:02 | 0:28:06 | |
-Well, it's ridiculous. What does Fisk want with Emma? -This can't be just about Emma. It's about all of us. | 0:28:06 | 0:28:12 | |
I'm going to see her. On my own. Meet me at Eddie's in an hour. | 0:28:12 | 0:28:16 | |
Ahem... | 0:28:51 | 0:28:52 | |
Excuse me. Roger Wyles, senior partner, Wyles, Clark and Foster. | 0:29:01 | 0:29:04 | |
I'm representing Emma Kennedy. | 0:29:04 | 0:29:07 | |
If I am delayed from seeing my client in any way whatsoever, | 0:29:07 | 0:29:09 | |
there will be a serious complaint made to the IPCC. | 0:29:09 | 0:29:12 | |
-Take this gentleman down to cell four, please. -Thank you. | 0:29:12 | 0:29:15 | |
PHONE RINGS | 0:29:17 | 0:29:18 | |
-Fisk. -'Sir, Stone's come to see her.' | 0:29:21 | 0:29:25 | |
-Miss Kennedy. Roger Wyles. Your solicitor. -Yeah, of course. | 0:29:34 | 0:29:40 | |
-I have no idea what happened. -It's all right. -It doesn't make any sense. | 0:29:44 | 0:29:47 | |
-It's OK, it's OK, we'll work it out. -How's Sean? | 0:29:47 | 0:29:50 | |
He's OK. Except he wants to drive a JCB into the building. | 0:29:50 | 0:29:54 | |
-Good plan. -Needs fine tuning. | 0:29:54 | 0:29:56 | |
-Yep. -I'll get you out of here, OK? I'll think of something. | 0:29:56 | 0:30:00 | |
-We won't go further with the con on Linda, we'll figure it out. -No. | 0:30:01 | 0:30:05 | |
-Emma... -No, I don't want you to do that, right? | 0:30:05 | 0:30:09 | |
We've come too far. When she gets the bracelet authenticated... | 0:30:09 | 0:30:13 | |
No, no, no, no, stop, stop. Think a minute. | 0:30:13 | 0:30:16 | |
Look at what happened. Look at where you are. | 0:30:16 | 0:30:18 | |
Yes. And it would feel a whole lot worse if it was all for nothing. | 0:30:18 | 0:30:21 | |
We've done the switch. We've shown her the paperwork. | 0:30:24 | 0:30:26 | |
All that's left to do now is collect. | 0:30:26 | 0:30:28 | |
It'd be crazy to back out now. | 0:30:28 | 0:30:31 | |
I'll keep. | 0:30:32 | 0:30:34 | |
He's got some front coming in here, I'll give him that. | 0:30:37 | 0:30:40 | |
You want me to nick him, Guv? | 0:30:40 | 0:30:42 | |
For what? Impersonating a brief? | 0:30:42 | 0:30:44 | |
Nah. I'm going to make him an offer he can't refuse. | 0:30:44 | 0:30:49 | |
For the girl? | 0:30:49 | 0:30:50 | |
You're learning, sergeant. | 0:30:50 | 0:30:52 | |
I thought you wanted Bricks banged up. At all costs, you said. | 0:30:52 | 0:30:55 | |
He will be. | 0:30:55 | 0:30:57 | |
The thing is, he's a clever boy, that's why no-one's got him in the past. | 0:30:57 | 0:31:01 | |
You can't beat him at his own game. | 0:31:01 | 0:31:02 | |
So I'll play him at mine. | 0:31:02 | 0:31:04 | |
Nice and simple, no way out. | 0:31:04 | 0:31:07 | |
When he accepts my offer and hands over the cash, | 0:31:07 | 0:31:09 | |
I'll get him for attempting to bribe a police officer. | 0:31:09 | 0:31:11 | |
Time's up! | 0:31:16 | 0:31:17 | |
Hello, Michael. | 0:31:29 | 0:31:30 | |
Fancy a coffee? | 0:31:30 | 0:31:32 | |
She's doing my nut in. | 0:31:41 | 0:31:44 | |
-Emma's a tough cookie. She'll be OK. -She's not going to be OK. Not unless WE do something. | 0:31:44 | 0:31:49 | |
-Like what? Boost her from the cop shop? -We've done harder stuff than that before. | 0:31:49 | 0:31:52 | |
Let's just wait until we hear what Michael says. Try not to think about it until we hear from him. | 0:31:52 | 0:31:59 | |
-I sorted out the bin problem. -Not now, Ed. -They're refurbishing the block next door, | 0:31:59 | 0:32:02 | |
so they've got a skip, so I just bung the bags over the wall. | 0:32:02 | 0:32:05 | |
It's not permanent, but a bloke thinks it'll be there six months. | 0:32:05 | 0:32:08 | |
It's not a great time, Eddie. | 0:32:08 | 0:32:09 | |
Sorry, mate. I thought you might be interested, you know, as mates. | 0:32:09 | 0:32:12 | |
-Yeah, well, we just hit a bit of a bump in the road. -Oh, right. | 0:32:12 | 0:32:18 | |
Where's Em? | 0:32:18 | 0:32:19 | |
-It's Kat, isn't it? -Yeah, that's right. | 0:32:23 | 0:32:26 | |
So what are you, like, a new member of the crew, or what? | 0:32:26 | 0:32:29 | |
-I'm not helping here, am I? -Not really, but we'll be OK, we'll think of something. | 0:32:33 | 0:32:37 | |
Yeah, mate, yeah, sure. Of course you will. | 0:32:37 | 0:32:39 | |
Yeah, sure. | 0:32:39 | 0:32:41 | |
Emma Kennedy had cocaine | 0:32:44 | 0:32:46 | |
with a street value of five grand in her bag. | 0:32:46 | 0:32:49 | |
She's looking at intent to supply and a pretty hefty sentence. | 0:32:49 | 0:32:53 | |
It's funny how you know the exact value. | 0:32:53 | 0:32:56 | |
Pay for it yourself, did you? | 0:32:56 | 0:32:57 | |
I'm sure I don't know what you're suggesting, Michael. | 0:32:57 | 0:32:59 | |
Do you know, I have a lot of respect for the police. I do. | 0:33:00 | 0:33:04 | |
They have a job to do and I'm fair game, and if they can catch me, then... | 0:33:04 | 0:33:08 | |
no hard feelings. | 0:33:08 | 0:33:10 | |
But a bent cop? Someone who's not interested in catching criminals, just lining his own pocket. | 0:33:10 | 0:33:17 | |
That's got to be the lowest of the low. | 0:33:17 | 0:33:19 | |
Spare me the honour amongst thieves bullshit, Stone. | 0:33:19 | 0:33:23 | |
-I couldn't be less interested in what you think of me. -Then what are you interested in? | 0:33:23 | 0:33:26 | |
-They told me you were a bright boy. -Spell it out for me. | 0:33:26 | 0:33:30 | |
Fifty grand and the girl walks. | 0:33:31 | 0:33:34 | |
-Fifty grand? -Cash. Shouldn't be too steep for you. The great Mickey Bricks. | 0:33:36 | 0:33:43 | |
How do I know I can trust you? | 0:33:45 | 0:33:46 | |
You don't. | 0:33:46 | 0:33:48 | |
But as far as I can see, you don't have much choice, do you? | 0:33:48 | 0:33:52 | |
You've always got a choice. | 0:33:54 | 0:33:56 | |
And my grandmother always told me, | 0:33:56 | 0:34:00 | |
never make deals with fools or bent cops. | 0:34:00 | 0:34:04 | |
You're making a big mistake, Stone. | 0:34:07 | 0:34:10 | |
-How is she? -She's a little shaken up, but she's coping. | 0:34:19 | 0:34:23 | |
-Is she angry with me? -No, mostly, she's angry with herself. | 0:34:23 | 0:34:25 | |
I think we've sat here like lemons for long enough. | 0:34:25 | 0:34:28 | |
-Let's go and help her. -I'm working on it. -Not hard enough. -Sean. | 0:34:28 | 0:34:31 | |
No, I'm sorry, Albert, I just want to do something. | 0:34:31 | 0:34:33 | |
This is what Fisk wants, us losing our focus. | 0:34:33 | 0:34:36 | |
That's why he planted the coke on Emma. We have to keep our heads in what we're doing. | 0:34:36 | 0:34:39 | |
Not get distracted. | 0:34:39 | 0:34:40 | |
-Carry on with the con? -Yes. All the ground work's been done. We can wrap it up quickly. | 0:34:40 | 0:34:44 | |
-We may even need the money to get Emma back. -He's right. | 0:34:44 | 0:34:48 | |
Now, we just have to be extra vigilant. | 0:34:48 | 0:34:51 | |
Cover our backs every possible way. | 0:34:51 | 0:34:53 | |
If Linda's on, we can arrange a time and a place for the money exchange that we control. | 0:34:53 | 0:34:59 | |
-It's what Emma wants us to do. -She said that, did she? | 0:34:59 | 0:35:02 | |
Yes. She's got Linda exactly where we want her. | 0:35:02 | 0:35:06 | |
Agreed? | 0:35:06 | 0:35:08 | |
Yeah, agreed. | 0:35:09 | 0:35:10 | |
Yeah. | 0:35:10 | 0:35:11 | |
Sean? | 0:35:12 | 0:35:14 | |
Fine. | 0:35:15 | 0:35:16 | |
Hello, Linda Runcorn? | 0:35:20 | 0:35:22 | |
My name is Sheldon Greyshot, Greyshot Genealogists. | 0:35:22 | 0:35:26 | |
Yes, I'm afraid Miss Patterson has been taken ill, | 0:35:26 | 0:35:29 | |
so I'll be dealing with your case from now on. | 0:35:29 | 0:35:32 | |
We need you to sign some paperwork, at your earliest convenience. | 0:35:32 | 0:35:35 | |
-Are you going to let Emma go? -What's it to you? | 0:35:35 | 0:35:38 | |
-She's my friend. -You're breaking my heart. | 0:35:38 | 0:35:41 | |
Now, are you going to tell me what I need to know, or do you want to share a cell with her? | 0:35:41 | 0:35:45 | |
-They're arranging a meet. -Which will be where? | 0:35:45 | 0:35:47 | |
I don't know. They won't tell me. They've all clammed up. | 0:35:47 | 0:35:51 | |
You nicking Emma has freaked them out. | 0:35:51 | 0:35:53 | |
What about the woman? Linda Runcorn. They must be telling her. | 0:35:53 | 0:35:55 | |
Yeah, but she ain't going to tell me, is she? | 0:35:55 | 0:35:58 | |
No, she isn't. | 0:35:58 | 0:36:01 | |
DOOR BUZZES | 0:36:06 | 0:36:08 | |
Detective Inspector Fisk. This is DS Loach. | 0:36:12 | 0:36:15 | |
Can we come in? | 0:36:15 | 0:36:16 | |
Con men?! | 0:36:22 | 0:36:24 | |
Did they suggest there were any outstanding charges | 0:36:24 | 0:36:27 | |
on your aunt's estate? Mortgage payments, legal fees? | 0:36:27 | 0:36:29 | |
Yes. | 0:36:29 | 0:36:32 | |
One hundred thousand for subsidence. | 0:36:32 | 0:36:35 | |
I was about to give it to them as well. In cash. | 0:36:35 | 0:36:39 | |
I don't believe it! | 0:36:39 | 0:36:42 | |
-So there's no estate? -No estate. No dead relative. -No nothing. | 0:36:42 | 0:36:48 | |
-And I'm afraid the bracelet they gave you... -What about it? | 0:36:48 | 0:36:52 | |
Well, we're going to have to take it with us. | 0:36:52 | 0:36:55 | |
It's evidence. | 0:36:55 | 0:36:56 | |
I spoke to them yesterday. They said they were going to come and collect me later today. | 0:37:05 | 0:37:10 | |
-Did they give you an address? -No. I didn't think to ask. | 0:37:10 | 0:37:15 | |
-Did they say what time you were being picked up? -Two o'clock. -Great. | 0:37:15 | 0:37:18 | |
-We'd like you to keep that appointment. -Excuse me? -Go along, | 0:37:18 | 0:37:21 | |
sign the papers, and hand Michael Stone the money, just as planned. | 0:37:21 | 0:37:24 | |
-Are you mad? -It is essential that we catch him with the cash in his hand. | 0:37:24 | 0:37:28 | |
-My cash? -Yes. -Have you lost your mind? | 0:37:28 | 0:37:30 | |
There'll be a team of police officers. We'll be with you all the way. There's no risk at all. | 0:37:30 | 0:37:35 | |
No risk to you, no. It's not your money, is it? | 0:37:35 | 0:37:38 | |
-You don't even know where they're bloody taking me! Do you? -No, but I can assure you... | 0:37:38 | 0:37:42 | |
And I can assure you the £100,000 is going back into my bank. | 0:37:42 | 0:37:45 | |
I'm sorry, I don't mind helping you catch these people, but I will not risk my life savings. | 0:37:45 | 0:37:50 | |
And you have no right to ask me to do so! | 0:37:50 | 0:37:53 | |
-You've got two minutes. -Thanks. | 0:37:57 | 0:38:00 | |
Sean, what are you doing here? | 0:38:00 | 0:38:04 | |
-'Fisk.' -Her brother's turned up. | 0:38:05 | 0:38:08 | |
Look, you shouldn't have come. | 0:38:08 | 0:38:10 | |
Well, I had to. Nobody else is doing anything. | 0:38:10 | 0:38:12 | |
Mickey's acting like it's just a little inconvenient hitch in his master plan. | 0:38:12 | 0:38:15 | |
That's just the way he deals with stuff. He doesn't let his emotions get in the way. | 0:38:15 | 0:38:19 | |
-That's because he doesn't have any emotions. -Oh, Sean, come on. Don't be stupid. | 0:38:19 | 0:38:22 | |
I'm not being stupid, when are you going to realise you're in trouble? | 0:38:22 | 0:38:26 | |
You have to trust Mickey, OK? We both do. | 0:38:26 | 0:38:29 | |
He'll come up with something. He always does. | 0:38:29 | 0:38:32 | |
Yeah? What if he doesn't this time? | 0:38:32 | 0:38:35 | |
Little family reunion, Seany? | 0:38:38 | 0:38:40 | |
Excuse me? | 0:38:40 | 0:38:42 | |
Detective Inspector Fisk. My pals call me Sid. How is Emma? | 0:38:42 | 0:38:44 | |
Still acting tough? | 0:38:44 | 0:38:46 | |
Are you the copper that set my sister up? | 0:38:48 | 0:38:50 | |
Yeah, I am. And I can make it stick too. | 0:38:50 | 0:38:52 | |
I have this network of people, you see, | 0:38:52 | 0:38:55 | |
all willing to state that they bought Class-A drugs from your big sister. | 0:38:55 | 0:38:58 | |
Come on, then. Come on. | 0:38:58 | 0:39:00 | |
I'm not entirely sure how it would help your sister, but it might be fun all the same. | 0:39:01 | 0:39:05 | |
Come on. | 0:39:05 | 0:39:07 | |
No? Smart boy. | 0:39:07 | 0:39:10 | |
See, what I don't understand is | 0:39:10 | 0:39:12 | |
why Mickey wasn't interested in the deal I offered him. | 0:39:12 | 0:39:16 | |
-What deal? -When he was here posing as her brief. | 0:39:16 | 0:39:18 | |
-You spoke to Mickey? -Like I said, I offered him a deal. | 0:39:18 | 0:39:21 | |
Fifty grand and she walks. | 0:39:21 | 0:39:22 | |
Didn't seem too much, not for a big crew like your lot. | 0:39:22 | 0:39:25 | |
-He turned me down. -You're lying. | 0:39:25 | 0:39:27 | |
Oh, what, he didn't tell you? | 0:39:27 | 0:39:30 | |
-I'll get you fifty grand. -Sorry, that deal's closed. | 0:39:32 | 0:39:35 | |
-I've got another one though. -Yeah, and what's that, then? | 0:39:35 | 0:39:38 | |
Linda Runcorn gets picked up at two o'clock to finish a deal. | 0:39:38 | 0:39:40 | |
I want to know where you're taking her. | 0:39:40 | 0:39:42 | |
Ten minutes after you tell me, I have Emma released. You have my word on that. | 0:39:42 | 0:39:46 | |
If you don't tell me, I'll make sure she gets ten years. Minimum. | 0:39:46 | 0:39:50 | |
Time to find out if blood's thicker than money, Seany. | 0:39:50 | 0:39:54 | |
Need some company? | 0:40:07 | 0:40:08 | |
-I'll have what he's having. -Sure. | 0:40:12 | 0:40:14 | |
You worried about Emms? | 0:40:17 | 0:40:19 | |
Yeah, but she'll be fine, we've got out of worse scrapes than this. | 0:40:19 | 0:40:25 | |
Yeah, you have. | 0:40:25 | 0:40:27 | |
I used to love you and Emms, back in the day, | 0:40:29 | 0:40:32 | |
always looking out for each other. | 0:40:32 | 0:40:35 | |
I never had that. I had a sister who hated my guts | 0:40:35 | 0:40:38 | |
and a mum who was only happy when she was off her face. | 0:40:38 | 0:40:42 | |
You've got your little girl now. | 0:40:42 | 0:40:46 | |
Yeah. Mum's better too. It's funny how something so little | 0:40:46 | 0:40:50 | |
can turn two people's lives around. | 0:40:50 | 0:40:52 | |
It's hard though... | 0:40:54 | 0:40:56 | |
looking out for her, making sure she's got what she needs, | 0:40:56 | 0:40:58 | |
things that I never had. | 0:40:58 | 0:41:01 | |
I'm sure you're a great mum. | 0:41:01 | 0:41:03 | |
Well, I try my best. | 0:41:04 | 0:41:06 | |
That's the thing about family. | 0:41:06 | 0:41:10 | |
You do whatever you have to to take care of them, keep them safe. | 0:41:10 | 0:41:15 | |
Yeah, you do. | 0:41:15 | 0:41:19 | |
And there ain't nothing wrong with that, is there, Sean? | 0:41:19 | 0:41:21 | |
No, there isn't. | 0:41:21 | 0:41:23 | |
Inspector Fisk? It's Sean Kennedy. | 0:41:30 | 0:41:34 | |
'I'll tell you what you want to know, but I need to see Emma's free first.' | 0:41:34 | 0:41:38 | |
You won't regret this, kid. | 0:41:38 | 0:41:39 | |
'Yeah. I'd better not.' | 0:41:39 | 0:41:41 | |
You know what you have to do? | 0:42:03 | 0:42:05 | |
-Just go along with everything until you turn up. -Exactly. | 0:42:05 | 0:42:09 | |
-Afternoon. -Hello. | 0:42:22 | 0:42:24 | |
I need to speak to Mr Gayhorse. | 0:42:24 | 0:42:26 | |
I'm sorry, we don't have anyone here by that name. | 0:42:26 | 0:42:29 | |
I'm Sheldon Greyshot. Who are you? | 0:42:29 | 0:42:31 | |
Oh. I've got it down as...Gayhorse. What does that look like to you? | 0:42:31 | 0:42:35 | |
Er...Playhouse. | 0:42:35 | 0:42:38 | |
Look, it's Greyshot. It's obviously a mistake. | 0:42:38 | 0:42:41 | |
We don't make mistakes. We can't afford to. | 0:42:41 | 0:42:43 | |
We're from Her Majesty's Treasury. My name is Farrow and this is Whitman. | 0:42:43 | 0:42:47 | |
You're investigating the estate of Marcus Hambury. | 0:42:47 | 0:42:50 | |
-Is there a problem. -He's wanted for tax evasion. | 0:42:50 | 0:42:54 | |
As you know, any probate investigator's at liberty to | 0:42:54 | 0:42:57 | |
track down the heirs to intestate assets of the deceased, | 0:42:57 | 0:43:00 | |
whatever their misdemeanours when living. | 0:43:00 | 0:43:03 | |
Except in this case, the deceased is alive and well and living in Hove. | 0:43:03 | 0:43:06 | |
-Hove? -Yes, we're afraid he might have faked his own death to avoid capture. | 0:43:06 | 0:43:10 | |
So, we'll need a room and all the documentation you have on the estate. | 0:43:10 | 0:43:13 | |
Jennifer, get the Hambury file, will you? | 0:43:13 | 0:43:15 | |
And show these gentlemen to meeting room one. | 0:43:15 | 0:43:18 | |
I've two more associates coming. Please alert me when they arrive. | 0:43:18 | 0:43:21 | |
Do give their names to the receptionist. | 0:43:21 | 0:43:25 | |
-Here for the Hambury meeting. -Ah, yes, upstairs. -Thank you. | 0:43:52 | 0:43:55 | |
-Fisk. -It's Sean. | 0:44:19 | 0:44:22 | |
Miss Runcorn. Let me take you upstairs. We're on the second floor. | 0:44:27 | 0:44:32 | |
Get her out. I want to see her. | 0:44:40 | 0:44:43 | |
You. Out. | 0:44:45 | 0:44:47 | |
-Get off me. -Where are they? -Fordham Road. Second floor. | 0:44:48 | 0:44:51 | |
-You've done the right thing, Seany. -What have you done? Sean? | 0:44:51 | 0:44:55 | |
-What did you do? -What I had to. -All units. All units. Fordham Road. Now. | 0:44:55 | 0:44:59 | |
-Second floor? -Up here. Is everything OK? | 0:45:05 | 0:45:08 | |
Michael Stone, I'm arresting you on suspicion of probate fraud. | 0:45:27 | 0:45:32 | |
Are you going to paint my portrait later? | 0:45:51 | 0:45:53 | |
Just making sure it's real. | 0:45:53 | 0:45:56 | |
What's real? | 0:45:56 | 0:45:57 | |
That we just collared the biggest grifter in London red-handed. | 0:45:57 | 0:46:02 | |
Oh, dear, not looking great, is it, Mickey? | 0:46:05 | 0:46:11 | |
Any advice from your grandmother on what to do when you're caught bang to rights? | 0:46:11 | 0:46:15 | |
-Can we just get this over with? -Should have trusted me. | 0:46:15 | 0:46:17 | |
You should have accepted my deal when you had the chance. | 0:46:17 | 0:46:20 | |
Then I wouldn't have had to get your boy to betray you. | 0:46:20 | 0:46:24 | |
-Sean? -That's right. He's the one who told me where to find you. | 0:46:24 | 0:46:28 | |
No, he... Why would he do...? | 0:46:32 | 0:46:36 | |
Emma's freedom. | 0:46:36 | 0:46:38 | |
So you see, I am a man of my word, after all. | 0:46:40 | 0:46:43 | |
Make a deal with me, I stick to it. | 0:46:43 | 0:46:46 | |
So? | 0:46:46 | 0:46:49 | |
What do you say, Michael? | 0:46:49 | 0:46:51 | |
One hundred grand and you can walk. | 0:46:51 | 0:46:53 | |
One hundred? It was 50 before. | 0:46:53 | 0:46:56 | |
I double it for a big cheese like you. You see, someone offered me 20 grand to put you away, | 0:46:56 | 0:47:01 | |
so I need the right incentive not to do that. | 0:47:01 | 0:47:03 | |
You get me the cash, this will all just disappear. | 0:47:05 | 0:47:09 | |
-How? -I'll do what I always do when I'm paid to make a case go away. | 0:47:09 | 0:47:14 | |
Pollute the evidence, a couple of schoolboy errors in the paperwork, | 0:47:14 | 0:47:17 | |
and tell your brief what to look for. You'll be out in an hour. | 0:47:17 | 0:47:20 | |
That's got to be worth a hundred grand. | 0:47:20 | 0:47:23 | |
That's just what I wanted to hear. | 0:47:25 | 0:47:28 | |
What are you smiling about? | 0:47:31 | 0:47:33 | |
Ma'am. This is Michael Stone... | 0:47:35 | 0:47:37 | |
Mickey Bricks. How are you, Michael? I trust we've made you comfortable? | 0:47:37 | 0:47:42 | |
Well, it's certainly been interesting. | 0:47:42 | 0:47:46 | |
Hard to get the staff these days. | 0:47:46 | 0:47:49 | |
What's going on here? | 0:47:51 | 0:47:53 | |
Michael and I had a little deal. | 0:47:53 | 0:47:55 | |
You know about deals, don't you, Sidney? You'll appreciate this one. | 0:47:55 | 0:48:00 | |
It's very nuanced. | 0:48:00 | 0:48:02 | |
Michael was in no position to refuse this offer. | 0:48:11 | 0:48:14 | |
I've been brought in to clean up this department, | 0:48:14 | 0:48:16 | |
by any means necessary. | 0:48:16 | 0:48:19 | |
Starting with a certain diseased apple called Fisk. | 0:48:19 | 0:48:22 | |
OK. So, what do you want from me? | 0:48:22 | 0:48:25 | |
Simply to do the thing you're best at. | 0:48:25 | 0:48:26 | |
You're a bit stuffed then, ain't ya? | 0:48:28 | 0:48:30 | |
-Exactly. It's a...a thingy-o... -It's a paradox? | 0:48:30 | 0:48:32 | |
-No, no. -No, a catch-22? | 0:48:32 | 0:48:34 | |
-No. -Chinese puzzle? | 0:48:34 | 0:48:36 | |
A conundrum? | 0:48:36 | 0:48:37 | |
-No. -A mystery within a puzzle wrapped up in an enigma? | 0:48:37 | 0:48:40 | |
-So, what we going to do about Fisk? -Hang on. I know that face. He's got something. | 0:48:40 | 0:48:45 | |
Michael? Don't keep us in suspense. | 0:48:45 | 0:48:49 | |
A mystery within a puzzle wrapped up in an enigma. | 0:48:49 | 0:48:52 | |
We're going to set Fisk a trap. One he'll fall headfirst into. | 0:48:52 | 0:48:55 | |
So. Linda Runcorn. | 0:48:56 | 0:48:58 | |
The story is she's the CEO of an online hotel and restaurant guide. | 0:48:58 | 0:49:01 | |
It was a straightforward probate con, really. | 0:49:01 | 0:49:05 | |
Albert look into the kind of extras you'd have to pay on an estate like that. | 0:49:05 | 0:49:09 | |
You know, bills for maintenance, loans to fix the roof, that sort of thing. | 0:49:09 | 0:49:13 | |
So, what do you think? | 0:49:13 | 0:49:15 | |
Yeah, I can make that work. | 0:49:15 | 0:49:18 | |
We got Jean Kirkpatrick, | 0:49:19 | 0:49:21 | |
one of the best grifters north of the Watford Gap to help us out. | 0:49:21 | 0:49:24 | |
We ensconced her in a Chelsea apartment and gave her a dossier | 0:49:24 | 0:49:26 | |
briefing her on the character she was supposed to play for us. Linda. | 0:49:26 | 0:49:29 | |
Nothing worse than a bent copper. | 0:49:29 | 0:49:32 | |
Now remember, Fisk will have us | 0:49:32 | 0:49:34 | |
under surveillance round the clock, so we play this for real. | 0:49:34 | 0:49:37 | |
Old bag probably left me a tatty old armchair and some cats. | 0:49:37 | 0:49:42 | |
Well, actually, she left jewellery. | 0:49:42 | 0:49:46 | |
And property worth in the region of £4.7 million. | 0:49:46 | 0:49:52 | |
We knew your team were watching us. | 0:49:52 | 0:49:54 | |
No. There's no way you would've known I was tailing you. No way. | 0:49:54 | 0:49:57 | |
Oh, we knew. | 0:49:57 | 0:49:59 | |
We knew you were coming after us | 0:49:59 | 0:50:01 | |
-the moment you took our five grand. -YOUR five grand? | 0:50:01 | 0:50:05 | |
The five grand's a down payment, there's another 15 when it's done. | 0:50:05 | 0:50:10 | |
The guy who paid you in the bar, Domino Derek, an old poker friend of Albert's. | 0:50:10 | 0:50:16 | |
All this! Why? | 0:50:25 | 0:50:28 | |
I'm a good cop. | 0:50:29 | 0:50:30 | |
-Excuse me? -OK, I take the occasional backhander, but who doesn't? | 0:50:30 | 0:50:34 | |
I'm old school. Do you know how many villains I've put away? | 0:50:34 | 0:50:37 | |
The ones who didn't pay you? | 0:50:37 | 0:50:40 | |
So you call me a rotten apple, a disease that needs to be rooted out, | 0:50:40 | 0:50:44 | |
then you do deals with con men? That makes you the scab. The Judas. | 0:50:44 | 0:50:48 | |
Coppers like you were extinct years ago. | 0:50:48 | 0:50:50 | |
I'm trying to do honest police work with both my hands tied behind my back. | 0:50:50 | 0:50:53 | |
Honest? Planting drugs on people. Taking bribes to let them go. | 0:50:53 | 0:51:00 | |
We know you threatened Kat Farmer if she wouldn't spy for you. | 0:51:00 | 0:51:03 | |
That's the trouble with being predictable, Inspector. It meant we could read you like a book. | 0:51:03 | 0:51:08 | |
-Yeah. -Wainwright here. I've got something for you. -Thank you. | 0:51:14 | 0:51:18 | |
-You using Kat actually made our life easier. -Really? Well, delighted I could help. | 0:51:18 | 0:51:25 | |
-Emma? -Oh, she's a train crash. But she's all right. | 0:51:25 | 0:51:29 | |
It meant we could feed you the information we wanted you to have more easily. | 0:51:29 | 0:51:33 | |
-What's this, here? A family crest? -The Topping family. We need it exactly the same. | 0:51:33 | 0:51:37 | |
By tomorrow, you said? | 0:51:37 | 0:51:38 | |
Can it be done? | 0:51:40 | 0:51:42 | |
It's not easy. You have to get the stone right. | 0:51:42 | 0:51:45 | |
Sean and Emma Kennedy. The newbies. | 0:51:45 | 0:51:47 | |
These two are Stone's soft underbelly. | 0:51:47 | 0:51:49 | |
If we get to them, we can penetrate the inner circle and tear it apart. That's how we get him. | 0:51:49 | 0:51:54 | |
-We knew you were targeting Sean and Emma, so we played along. -It's Sean Kennedy. | 0:51:54 | 0:51:57 | |
I'll tell you what you want to know, but I need to see that Emma's free first. | 0:51:57 | 0:52:01 | |
-You won't regret this, kid. -Yeah, I'd better not. | 0:52:01 | 0:52:04 | |
We told you the bracelet was valuable | 0:52:04 | 0:52:07 | |
because we knew you couldn't resist getting your hands on the extra cash we said it was worth. | 0:52:07 | 0:52:10 | |
I'm afraid the bracelet they gave you... | 0:52:10 | 0:52:13 | |
-What about it? -Well, we're going to have to take it with us. | 0:52:13 | 0:52:15 | |
You stole a bracelet you thought was worth 50 grand, | 0:52:15 | 0:52:18 | |
and used your own money to try and entrap us. | 0:52:18 | 0:52:23 | |
You know what you have to do? | 0:52:23 | 0:52:24 | |
-Just go along with everything until you turn up. -Exactly. | 0:52:24 | 0:52:29 | |
He's dropped off the cash. | 0:52:30 | 0:52:32 | |
Ash made up an identical package, with fake money | 0:52:32 | 0:52:36 | |
and a recording device. | 0:52:36 | 0:52:38 | |
All we had to do then was switch the envelopes and wait for you to arrest me. | 0:52:44 | 0:52:50 | |
RECORDER BEEPS | 0:53:15 | 0:53:17 | |
'So? What do you say, Michael? | 0:53:17 | 0:53:19 | |
'One hundred grand and you can walk. | 0:53:19 | 0:53:21 | |
'A hundred? It was 50 before. | 0:53:21 | 0:53:24 | |
'I double it for a big cheese like you. | 0:53:24 | 0:53:27 | |
'You see, someone offered me 20 grand to put you away, | 0:53:27 | 0:53:29 | |
'so I need the right incentive not to do that. | 0:53:29 | 0:53:31 | |
'You get me the cash and this will all just disappear. | 0:53:31 | 0:53:35 | |
-'How? -I'll do what I always do when I'm paid to make a case go away. | 0:53:35 | 0:53:39 | |
'Pollute the evidence, a couple of schoolboy errors in the paperwork | 0:53:39 | 0:53:42 | |
'and tell your brief what to look for. You'll be out in an hour. | 0:53:42 | 0:53:45 | |
'That's got to be worth a hundred grand.' | 0:53:45 | 0:53:48 | |
I was doing my job. | 0:53:49 | 0:53:51 | |
Sidney Fisk. I'm arresting you on suspicion of corruption. | 0:53:51 | 0:53:55 | |
-Hang on a minute, I'm not the villain, here. I'm not the scumbag. -You do not have to say anything. | 0:53:55 | 0:53:59 | |
-But it may harm your defence... -I was doing my job. | 0:53:59 | 0:54:02 | |
-Sean! -You surprised to see me? -No, I just... | 0:54:22 | 0:54:26 | |
-It's OK, I know. -Know what? | 0:54:26 | 0:54:29 | |
Everything. Fisk, what he made you do. | 0:54:29 | 0:54:33 | |
It's all right. | 0:54:34 | 0:54:35 | |
-No, it ain't. -Yes, it is, listen, | 0:54:37 | 0:54:39 | |
we've taken care of it. He won't be bothering you again. | 0:54:39 | 0:54:42 | |
You must think I'm such a skank. | 0:54:42 | 0:54:44 | |
No. | 0:54:44 | 0:54:45 | |
-He said he was going to... -I know. | 0:54:50 | 0:54:54 | |
She's all I've got, Sean. | 0:54:54 | 0:54:55 | |
Listen, this is about what Fisk did, not you... | 0:54:55 | 0:54:59 | |
I know more than anyone, people like us, where we're from, you know, we take care of our own. | 0:54:59 | 0:55:03 | |
So we're all good. OK? | 0:55:06 | 0:55:08 | |
In fact... In fact, we're better than good. | 0:55:08 | 0:55:11 | |
-What's this? -It's your cut. | 0:55:11 | 0:55:13 | |
What? | 0:55:13 | 0:55:14 | |
From the con we were working on, the bracelet switch. | 0:55:14 | 0:55:18 | |
-But... -It's not charity, OK? You earned it. | 0:55:18 | 0:55:20 | |
Sean, I can't take this. | 0:55:20 | 0:55:21 | |
I don't deserve it, not after what I did. | 0:55:21 | 0:55:23 | |
Yes, you can. | 0:55:23 | 0:55:25 | |
-I owe you. -Call it even. | 0:55:27 | 0:55:30 | |
-Mummy! -Hello! | 0:55:30 | 0:55:33 | |
Laurel, this is Sean, say hello. | 0:55:35 | 0:55:37 | |
Hiya. | 0:55:37 | 0:55:39 | |
Take care of yourself, Kat. | 0:55:40 | 0:55:41 | |
You too, Seany... | 0:55:41 | 0:55:44 | |
Michael. | 0:55:52 | 0:55:54 | |
Come to wave me off? | 0:55:56 | 0:55:58 | |
You took a hell of a risk carrying on with the con... | 0:55:58 | 0:56:01 | |
You should've accepted Fisk's offer in the pub. | 0:56:01 | 0:56:04 | |
-You could have ended it there and then. -Well, I was having so much fun. | 0:56:04 | 0:56:07 | |
You saw an opportunity to relieve Fisk of his cash and you took it. | 0:56:07 | 0:56:09 | |
-That's what I do. -That's dirty money. | 0:56:09 | 0:56:12 | |
Made from bribery and corruption, | 0:56:12 | 0:56:14 | |
and by rights, it belongs to the Metropolitan Police. | 0:56:14 | 0:56:16 | |
Yeah, maybe, but we'll put it to much better use. | 0:56:16 | 0:56:20 | |
What makes you think I won't just arrest you for it? | 0:56:20 | 0:56:23 | |
-You won't do that. -Won't I? | 0:56:23 | 0:56:26 | |
Because then, you'd have to explain to your superiors how you | 0:56:26 | 0:56:29 | |
blackmailed a group of con artists into helping you catch a bent cop. | 0:56:29 | 0:56:33 | |
Well, they did say by any means necessary. | 0:56:33 | 0:56:37 | |
We could go and talk them through it now, if you like, you know, while I'm still here? | 0:56:37 | 0:56:42 | |
Goodbye, Chief Inspector. | 0:56:45 | 0:56:47 | |
Michael. | 0:56:47 | 0:56:50 | |
This was a one-off. Starting now, the slate's clean. | 0:56:52 | 0:56:57 | |
I'm the law enforcer and you're the criminal. | 0:56:57 | 0:57:00 | |
If I can catch you, I will. | 0:57:00 | 0:57:02 | |
I wouldn't have it any other way. | 0:57:04 | 0:57:08 | |
-So, how was she about us keeping Fisk's money? -Fine. | 0:57:19 | 0:57:25 | |
-Fine? -Yeah, well, she moaned for a bit, then I convinced her it was for the best. | 0:57:25 | 0:57:29 | |
How was Kat? | 0:57:29 | 0:57:30 | |
OK, yeah. | 0:57:31 | 0:57:33 | |
Can we get back to normal now, please? | 0:57:33 | 0:57:34 | |
It didn't feel right working for the police. | 0:57:34 | 0:57:36 | |
Give me tinkers and tricksters, and gamblers and fraudsters any time. | 0:57:36 | 0:57:40 | |
At least you know where you stand with them. | 0:57:40 | 0:57:42 | |
Ain't that the truth? | 0:57:42 | 0:57:44 | |
Subtitles by Red Bee Media Ltd | 0:58:09 | 0:58:11 | |
E-mail [email protected] | 0:58:11 | 0:58:14 |