Episode 5 Hustle


Episode 5

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Transcript


LineFromTo

That was a fantastic meal.

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Well the pleasure was all ours, Albert, really.

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-It was Luigi's, actually, let's get a move on.

-The rest of the day is yours, Albert.

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-What would you like to do?

-Your wish is our command.

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-How about the first flight to Vegas?

-Well, we thought maybe bungee jumping over the Thames.

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Or go-karting?

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-I'll whoop your ass, young whippersnapper!

-You probably would!

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Oh, let me see. I know what. I'm feeling nostalgic.

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How about a snifter at The Royal Mayfair Club.

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It's where I roped my first mark.

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Sounds good to me.

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It's a huge, domed atrium, filled with natural light.

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But more importantly has the best choice of brandies

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this side of Paris!

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Let's do it.

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I see what you mean about the natural light.

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It was an iconic building.

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A monument to Anglo-American relations.

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Roped some of my biggest marks there, ever.

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And the soulless son-of-a-bitch who pulled it down should be strung up.

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Better still, Albert, let's hit him where it really hurts.

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Agreed.

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So who is he?

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It turns out that Starfire Property Holdings is owned by none other than Dale Ridley.

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-Dale who?

-Ridley.

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You know, "Ding-dong, that's my song!"

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I think it's time you took your pill, mate!

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Never mind, they're too young.

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Back in the day in the late '80s, he was game-show gold.

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Big hair, big teeth and more cheese than the Cheddar Gorge.

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Take a butchers at this. Albert.

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THEME MUSIC PLAYS

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'It's Friday, and its live from London City Studios,

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'it's the greatest game show on Earth, Ding-Dong That's My Song!

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'Tonight's fabulous prizes include a personal stereo,

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'an electronic typewriter, and a luxury caravan holiday for four!

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'And here's your host - Dale Ridley!'

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So, Julia...

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'Tell me about yourself.'

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-This is painful.

-Oh, dear.

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RECORDING SPOOLS FORWARD

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Was it A, Howard Jones.

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B, A-Ha.

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Or C, Bronski Beat?

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LAUGHTER ON RECORDING

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BELL DINGS

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Oh! Ding-dong, that's my song!

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Ding-dong, that's my song.

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Excruciating I know, but every Saturday night 15 million of us were glued to that crap.

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Were you?

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Well when I say "us", I don't mean me, obviously. I mean us as a nation.

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Ah, right.

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-Anyway, I was more, erm...I was more World About Us.

-Obviously.

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-What happened to Ridley?

-Fame and fortune went to his head. He reckoned he was the saviour of commercial TV.

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He started trying to push them around, making petty demands when it was time for a new contract.

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What finished him was a big TV charity night.

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London City Studios got him on tape demanding

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20% of whatever the charity made in return for hosting it.

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Next morning, it was all over the papers. And that was that.

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-The network fired him and no-one else would touch him.

-What did he do next?

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He crawled back to his Birmingham mansion and hid.

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And five years later, he re-emerged as a property entrepreneur.

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First thing he did was buy an old folk's home.

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The moment he had his hands on it, he shut it down,

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turfed out 35 OAPs and then brought in the bulldozers.

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A month later, he sold it to a developer for twice what he paid for it.

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So he stuck at it, only this time on a much bigger scale.

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Victorian warehouses, factories, historic mills,

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all in great locations bought at knock down prices,

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often before they've even come on to the market.

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-How?

-Backhanders to local councillors, agents, consultants.

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They made sure sales were completed before anyone else got a look in.

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-How come no-one cottoned on to the bribery?

-It seems they did.

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He upset developers, councils and heritage groups from Leicester to Ludlow.

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-That's when he started buying property in London.

-Where's he based?

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Right now, he's staying at the Union House Hotel.

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-It just so happens I play poker with the concierge there.

-Surprise!

-How long's he in town?

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-Less than a week.

-OK, then, no time to lose. Let's get out there and find a way in.

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Ding-dong, eh, ladies?

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Ding-dong, that's my song. Eh?

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Bloody tourists!

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Oi!

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Hello, sir?

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Two theatre tickets, tonight, decent seats. Nothing too intellectual. Sort it, yeah?

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-I've got those spreadsheets to do tonight.

-I'm not taking you, you oaf!

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I fancy a blonde tonight. Big but small, know what I mean? Sort it, yeah?

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PHONE RINGS

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-Big but small...

-Hello, baby dream, I was just thinking about you and Dale Junior.

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Have you been in touch with the heritage people yet?

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I'm waiting for a call back.

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-Make sure you deal with a man.

-Why?

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Women have scruples. Bad for business.

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-Right.

-Take him to a fancy restaurant, fill him full of vodka,

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take him to a titty bar, and then hit him with the money.

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Oh, right, OK.

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It's only my old boss always used to say

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never mix business with pleasure.

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Really?

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Let me ask you this, Gibbs. How big was his yacht?

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-I don't think he had one.

-Really?

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How many Ferraris in his garage?

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He didn't.

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No? Surprise, surprise.

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You starting to get the picture?

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There are no boundaries between business and pleasure.

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Oh, right, I get it.

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So, if you enjoy what you do, it's all pleasure.

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No, you thicko. Rule one. It's all business.

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Stick around, kid. Learn from the master.

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What was it?

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The National Victorian Library.

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It should burn well, then. That would save money on the bulldozers.

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How big's the site? Square feet?

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Just under 8,000.

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Too small. I want scale.

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-I want impressive.

-What, bigger than this?

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There's barely room to swing a heritage commissioner in it.

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Think Premiership, not Conference.

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It's difficult in London. There's a lot more competition.

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Rule one. Do not be afraid of competition.

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Nobody wants to win a one-horse race.

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I thought rule one was...

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Shut it!

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Come on.

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-What have we got?

-You were right about how he does business.

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He pays off agents, council officials and heritage commissioners to make sure the deal goes his way,

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and always for the right price.

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His motto is "Everybody has their price".

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Ah, well, why hasn't he been prosecuted?

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He never does the dirty deed himself.

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He leaves it to an apprentice.

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-Three employees have done time in the last five years.

-And they never squeal?

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-Almost certainly, and Ridley never leaves a trail.

-What about his corporate structure?

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He runs all his projects through Starfire Property Holdings.

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-But puts profits into offshore accounts to avoid tax.

-How big is his operation?

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It's difficult to get exact figures but about eight deals a year, three to five million pounds each.

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He's got his eyes set on bigger opportunities here in London.

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-So we need to find something that'll float his boat.

-A tasty little deal, somewhere.

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What about...a tasty big deal?

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Seems London City Studios are up for sale.

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Bit out of his league, isn't it?

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-Exactly.

-That means he'll need partners.

-He's going to love this, isn't he, eh?

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The smell of easy money, the kudos of the big deal, and, the icing on the cake, revenge.

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He gets to be involved in tearing down the studios.

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-What a sweet little plan, Michael.

-And the best bit is the bidding's about to close.

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Excuse me, do you know where I can find Three Socks Morgan?

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Who wants to know?

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Which one of yous is Three Socks Morgan?

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-You don't remember me, do you?

-Er...no. Should I?

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Relax. You're not my dad or anything weird like that.

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Lucky for you.

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The thought never crossed my mind.

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So, who are you, kid?

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It's me. Alfie Beezer.

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Your godson?

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Course you are. Yeah, the eyes.

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-Where's your dad?

-He's at the airport.

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Eh?

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"Dear Ash, sorry to do this to you,

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"but I need you to look after the kid for a few days.

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"I had to get on a plane to Amsterdam to salvage a big score.

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"The kid's nan's in Spain and I was stuck,

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"so I thought it was time you did your Godfatherly thing.

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"I owe you big time. Love, Beezer.

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"PS. Watch the kid, he's a slippery sod."

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The last bit's a lie.

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If I do this...

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you got to choose a card, remember it, and if I guess it,

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give me a pound coin.

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Yeah, all right, yeah.

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Was it the ace of hearts?

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Gor blimey! How did he do that? Here you are.

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Johnny Beezer was a roper I worked with back in the '90s.

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He got his bird up the duff,

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and, hey presto, along comes little Alfie there.

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So me and Beezer down a few pints to celebrate. Eight pints in and he asks me to be godfather.

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What could I say?

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Probably not a lot after eight pints.

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-And that was the last time I saw him.

-How come?

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Cos the next day Beezer found out that Alfie's mum was

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-having it away with her gyny.

-What, while she was...?

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Well, each to his own.

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Anyway, Beezer takes Alfie back to Manchester to live with his nan.

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Haven't seen him since.

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Well, we can't work a con while we're looking after a kid.

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-No, I'll talk to Beezer.

-Can I borrow a pound?

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Yeah, all right.

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If I can make this pound disappear,

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without you knowing where it's gone, can I keep it?

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Yeah, go on, then.

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Do that again.

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I need another pound.

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Hang on, here.

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What if we took it in turns to look after him?

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The kid could be a complete liability.

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I won't be, I promise.

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-Ey! You should be in bed.

-Maybe I can help.

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You can help by going back to bed.

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I've worked on Dad's cons loads of times.

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I won't be any trouble, I promise.

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-That's not what your dad said.

-He was joking.

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Oh, please?

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Well, we all got to start somewhere.

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All right, maybe he could just help out behind the scenes, back here?

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Your responsibility.

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-Why mine?

-Cos you were the first to crack.

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Fine.

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OK, kid, it's agreed. You're in.

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-Yes!

-And when we're busy, Eddie can baby-sit.

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If he can afford it. The kid's already taken him for 20.

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25, actually.

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LAUGHTER

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OK, then, let's get started.

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-I thought I was going do something.

-Stop complaining. You said you wanted a burger, you've had one.

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-You said I was going to be involved in the con.

-You will be.

-Doing what?

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-I don't know yet. Something back in the apartment.

-That sounds boring. Why can't I be the roper?

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Because Albert's the roper. And you're only 11.

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That can be an advantage sometimes. No-one suspects an 11-year-old.

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They would if they met you.

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Look, if you don't want me to do anything, I can just watch.

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Alfie, can we stop talking? Just for five minutes.

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PHONE RINGS

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-Hi, Ash.

-Do you want to see a trick?

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-What?

-Hold this and wait here.

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Yes, all right, go on, then.

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I'm exhausted!

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I've done the London Eye and he's had some food, so now we're on our way back. OK?

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..he won't shut up.

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Literally. He's just on and on at me, all the time...

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Yeah, yeah, he's got all the questions, I can't answer them. I'm coming home.

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..No, Ash, listen to me, I'm coming home.

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It's Sean's turn, or your turn.

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Excuse me, can you just hold this for me?

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All right.

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Cheers.

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OK. I'll see you later.

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What?

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Flippin' heck!

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I want the next flight home.

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They can't exclude us from the sale just because we're Americans!

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Not officially, they can't. But at the end of the day,

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if the chairman's got some grudge against Americans, there's not a hell of a lot we can do about it.

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You found that out just now? In 24 hours the bidding closes.

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I only found out because their consultants told me an hour ago

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the chairman was cleaned out by his American ex-wife.

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Look, Henry, come on, we can't win 'em all.

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Let me set you straight, Strickland.

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I never lose.

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As soon as I get to Boston, I'm going to contact my lawyers

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and have them start legal proceedings against London City Studios.

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I want...that...site.

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Yeah, OK.

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Good.

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Wait here.

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I'm Henry Sellworth, checking out.

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I'd like some information... on our American friends.

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Bandit at two o'clock.

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Keep going.

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-A little busy right now, kid.

-Whoa! Was that the mark?

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Rrr! Mickey, I'm sorry, he just slipped away. Do we have a problem?

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-I don't think so.

-OK.

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-SHE LAUGHS

-That was, er, really funny.

-I just wanted to help.

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Well, you pull something like that again and you're in big trouble, mister.

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Get over here...!

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See you in Boston. OK.

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-This is incredible!

-What?

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-You know the London City Studios?

-Yeah, it's up for sale.

-Exactly!

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And it's out of our price range by a factor of ten.

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-Was.

-Eh?

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I'll explain in the lift.

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He could've ruined the whole con.

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-How'd he know where the hotel is?

-That's the scary thing. It's like...he knows everything.

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-The kid's smart. He's listening to everything we say.

-How did he get away from you, again?

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I don't know, I was... I looked away, he was gone.

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It was the old "string around the corner" trick.

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-A-ha.

-(Shut up!)

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-Tell me he's having a laugh.

-My dad says the old ones are best.

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-Did you seriously fall for the string trick?

-No!

-Yeah, you did!

0:17:320:17:36

No! I was distracted cos I was on the phone.

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Oh, well, in that case you were on the phone.

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What's it worth not to tell Mickey?

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All right, d'you know what, if it's so funny...

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he's all yours.

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Just have to be in the right place at the right time...

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This could be sweet.

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Here we are. Helius International Property Investments.

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Started in 1982, Boston.

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3.4 billion portfolio in the US, Canada and Europe.

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Serious players, then.

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There's one of them. Henry Sellworth, Chairman.

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And there's the other one. Brett Strickland.

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Head of Acquisitions, Western Europe.

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London City Studios is perfect for them. Big site, central location.

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-Just demolish what's there and stick up one of their shopping centres.

-Yeah...

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But they can't get it, because the chairman's got a grudge against Yanks.

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So what are you thinking, boss? We front the bid for them?

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Why not?

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Surely they could deal with any UK property company?

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Not when the bidding closes in 24 hours, they can't.

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That's why they've thrown in the towel.

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We better catch them, before they get on a plane.

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Just try to LOOK intelligent.

0:19:010:19:03

Mr Strickland?

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-Yes?

-Sorry for interrupting.

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My name's Dale Ridley. I'm the chairman and chief executive of Starfire Property Holdings.

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-And this is my apprentice, Mr Gibbs.

-Hi.

0:19:190:19:22

-OK. So...how do you guys know my name?

-I'm a big fan.

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I like to think of Helius International as a role model for my company.

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-That's great to hear, Mr, er...?

-Ridley.

-..Ridley,

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-but I'm on my way to the airport.

-Give me two minutes...

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and I will give you a game-changing opportunity.

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OK, well, I'm all ears until my cab arrives.

0:19:430:19:47

Ah!

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London City Studios. I think we can help.

0:19:530:19:56

-How?

-Your bid has hit the buffers because Helius is an American company. Correct?

0:19:560:20:01

-I'm sorry but how do you know all this?

-Information is everything.

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OK, so what exactly do you want?

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We're a UK company, specialising in land and property acquisitions.

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In short, Mr Strickland...

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-..WE can front your bid.

-Why not just bid yourself?

-Simple.

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Don't have access to that level of funding.

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OK... I see.

0:20:230:20:25

Look, I admire your opportunism but the idea that a £100 million deal

0:20:250:20:31

can be secured on the basis of a two-minute conversation

0:20:310:20:34

with a perfect stranger a day before the bidding closes... is frankly laughable.

0:20:340:20:38

Seize the moment and seize the deal.

0:20:400:20:42

That's my motto, Mr Strickland.

0:20:420:20:44

Or one of them, anyway.

0:20:450:20:47

I am offering you the chance to save this deal,

0:20:490:20:53

and to enhance your standing within your company.

0:20:530:20:56

OK... Let's say I go for this opportunity of yours.

0:20:570:21:03

-What do you get out of it?

-Ten percent of the bid price.

0:21:030:21:07

-Ten perc...

-HE LAUGHS

0:21:070:21:10

I'm sorry, I have a flight to catch.

0:21:100:21:12

Think about it.

0:21:130:21:15

Call me.

0:21:170:21:18

-Well, I suppose it was worth a shot.

-Trust me, he'll ring.

0:21:260:21:30

It feels like yesterday.

0:21:390:21:41

The fans used to be there, waiting, waving to me as I swept in in the Bentley.

0:21:410:21:46

Had a table in all the best restaurants, champagne on ice in every club.

0:21:460:21:50

Women coming up to me in the street, begging me to say those magic words.

0:21:500:21:55

What?

0:21:560:21:57

Ding-dong, that's my song!

0:21:570:22:00

Three times I was on the cover of the TV Times, I was.

0:22:000:22:04

Felt like I owned the place...

0:22:040:22:06

and the people in it.

0:22:060:22:07

Everyone sang to my song.

0:22:090:22:11

You should've known me then, Gibbs. Not that I'd have given time to someone like you, obviously.

0:22:130:22:19

But it would've given you an insight into the man you see before you.

0:22:190:22:23

Go and have a word with that security guard, see if he remembers me.

0:22:260:22:30

See if he'll let us in for a look around.

0:22:300:22:33

-Did he remember me?

-Yeah, eventually. He's been working on the gate for 30-odd years.

0:22:570:23:01

What did he say?

0:23:010:23:03

-(Well, just...)

-No, no, no, no, no. Go on, go on, what did he say?

0:23:030:23:07

He said you were a greedy scumbag

0:23:070:23:10

and that your lifetime ban from the studios is still in place.

0:23:100:23:13

Yeah, well, the same to you, mate! Just you wait!

0:23:140:23:18

We'll see who has the last laugh!

0:23:180:23:20

My dad always talks about you.

0:23:270:23:29

"Three Socks this", "Three Socks that".

0:23:290:23:31

Why are you called Three Socks, anyway?

0:23:310:23:34

-Well, it's a long story. How is your dad?

-Yeah, he's good.

0:23:340:23:38

Is he... Is he with anyone, y'know?

0:23:380:23:40

Yeah...me.

0:23:400:23:43

-No, no, no, no. I mean like a girlfriend.

-Oh, sometimes.

0:23:430:23:46

-What about you, Uncle Ash?

-Yeah... Well, sometimes.

0:23:470:23:51

-You got any children?

-No.

0:23:510:23:53

Oh... Are you gay?

0:23:540:23:57

-No, I'm not gay, thank you.

-Nothing wrong if you are.

0:23:570:24:00

I know. I'm just not gay, all right?

0:24:000:24:03

Just asking.

0:24:030:24:04

-So what's my fee going to be?

-Er, what fee's that, then?

0:24:070:24:10

For the con. You said I was part of the team.

0:24:100:24:13

No, no, no, no, no, no. You see, your fee, right, is learning -

0:24:130:24:17

y'know, from us. It's worth more than money, that is.

0:24:170:24:20

Oh, OK.

0:24:200:24:22

Tell you what, if I can trick you out of some of the money you make from the con,

0:24:230:24:27

can I keep it?

0:24:270:24:28

Hang on, let me get this straight. If you can trick me out of some of the money,

0:24:280:24:32

-assuming we get it, that is... I let you keep it.

-Yeah.

0:24:320:24:35

What's the problem? You scared the great Three Socks Morgan'll be outsmarted by an 11-year-old?

0:24:360:24:41

No, no, no. I just don't want to crush your confidence, you cheeky sod!

0:24:410:24:45

Deal?

0:24:450:24:46

Yeah, all right, deal.

0:24:490:24:50

He-he!

0:24:500:24:51

How are we going to get him into the studios? From what I've heard the place is like Fort Knox.

0:24:530:24:58

-We're not.

-How come?

0:24:580:25:00

He doesn't need to go there. He just needs to do the presentation to you.

0:25:000:25:03

How are you getting on with the offices?

0:25:030:25:06

-Well, I've had a rethink.

-Oh?

0:25:060:25:08

The name of the London City Studios' property developers is already out there - Weinstein De Vere.

0:25:080:25:12

A big company with swanky West End offices.

0:25:120:25:15

So we have to assume that Ridley at least knows of 'em.

0:25:150:25:18

-We can't risk faking it.

-So what were you thinking?

0:25:180:25:22

We get Ridley to do the presentation AT Weinstein De Vere.

0:25:220:25:25

-What, in their actual offices?

-Yeah, in the boardroom.

-Yeah, obviously.

0:25:250:25:29

As my dad always says, you can't have much more convincing than the real thing.

0:25:290:25:34

-Is the shark with you?

-Nah, he's been following me since I left the aquarium.

0:25:340:25:38

-How will you pull this one off, Uncle Ash?

-Yeah, how WILL you pull this one off, Uncle Ash?

0:25:380:25:42

Well y'know, I'm, erm... I'm working on it, ain't I?

0:25:420:25:46

I think it's time to put our friend out of his misery.

0:25:460:25:49

Ah, Mr Ridley. Brett Strickland.

0:25:510:25:54

No, no, actually, my flight's been delayed.

0:25:540:25:57

Perhaps we SHOULD meet.

0:25:570:25:59

Yeah. Yeah, that works for me.

0:25:590:26:03

OK.

0:26:030:26:04

I've spoken to Mr Sellworth about your proposal and he's interested. But we'd need to move fast.

0:26:060:26:10

You must meet Weinstein de Vere, the property consultants handling the sealed bids.

0:26:100:26:14

No problem. We can arrange a meeting for tomorrow. How much are you proposing to bid?

0:26:140:26:19

-100 million.

-Any flexibility in that?

-We want the building.

0:26:190:26:22

-Our analysts believe 100 million should swing it.

-Let's hope they're right.

0:26:220:26:26

The only outstanding issue is your fee. Ten percent is completely out of the question.

0:26:260:26:31

-So what are you thinking?

-A flat million.

-That will barely cover my costs.

0:26:310:26:36

Plus, we are talking about YOUR reputation.

0:26:360:26:39

Picture the scene.

0:26:390:26:41

You, arriving back in Boston with a 100 million contract in your pocket

0:26:410:26:47

that you've salvaged by using your intuitive brilliance and relentless determination

0:26:470:26:52

on behalf of Helius International. That's got to be worth five million of anybody's money, surely.

0:26:520:26:58

-Two.

-Three.

0:26:580:27:00

-2.5.

-Done.

0:27:000:27:01

Good. You'll front the bid on behalf of your company.

0:27:010:27:04

If you win, we will put up the money and you will pass full ownership of the building over to us

0:27:040:27:09

in exchange for £2.5 million. Do we have a deal?

0:27:090:27:13

-There's one more thing I need.

-I'm done negotiating, Mr Ridley.

-Oh, I'm sure you'll be OK with this.

0:27:130:27:19

-I'm assuming you'll be demolishing and building from scratch.

-Of course.

0:27:190:27:23

Then I would like to drive the first bulldozer through the front of the building.

0:27:230:27:27

-You...want to drive the bulldozer?

-That's right. Through the front wall.

0:27:270:27:31

OK. Well, then, I guess we have a deal.

0:27:320:27:36

Couldn't I just come and watch?

0:27:390:27:41

What, and that won't be suspicious, you sitting in a corner of the room, staring? I think not, Alfred.

0:27:410:27:46

-Could be your assistant.

-You're 11.

-Could make the tea?

0:27:470:27:50

-Look, just sit tight here with Albert, just in case we need you, yeah?

-Bo-ring.

0:27:500:27:54

-You nearly done?

-Yeah... Good as.

0:27:580:28:01

-You missed the C off acquire.

-Eh?

0:28:010:28:04

Acquire. Has a C in it.

0:28:040:28:07

Oh.

0:28:090:28:10

Thank you.

0:28:110:28:13

-Hello?

-'Weinstein de Vere?'

-Hello, yes, it's Terry Harper here, from TGP Properties.

0:28:130:28:18

Yes, we're looking to hire a new firm of consultants

0:28:180:28:21

and I'd like to set up a meeting with David Trip to discuss it.

0:28:210:28:25

Hey, here's one for ya. How many Spaniards does it take to change a lightbulb?

0:28:300:28:34

Juan.

0:28:340:28:35

-Eh, you, I'm doing the punchline!

-He's all yours, Eddie.

-Sounds expensive.

0:28:370:28:41

-We'll cover any losses.

-You staying for a quick one?

-I must get back. We'll come for him later.

0:28:410:28:46

Now YOU, you be good, Bandito, huh?

0:28:460:28:49

OK.

0:28:490:28:50

-Bye, Albert.

-Bye!

0:28:520:28:54

-Want to play a game, Eddie?

-Seeing as how they're paying, yeah, whatever you want.

0:28:550:29:00

-What about "find a fiver"?

-Never heard of that one.

-It's easy.

0:29:000:29:03

You just close your eyes, count to say...

0:29:030:29:06

200, I'll hide.

0:29:060:29:08

Once you get to 200, open your eyes, try and find me.

0:29:080:29:11

-That's hide-and-seek.

-Yeah, but if you find me, I have to give you a fiver.

0:29:110:29:16

I like the sound of that.

0:29:160:29:18

Go on, turn around, close your eyes, start counting.

0:29:180:29:22

-One, two, three...

-No peeking!

0:29:260:29:30

..four, five, six, seven, eight,

0:29:300:29:35

nine, ten, 11, 12...

0:29:350:29:38

-Morning, Mr Trip.

-Just off for my 10.30.

0:29:440:29:46

-It's me. He's just left. EMMA:

-'OK, we're all set here.'

0:29:520:29:55

Hello, I have a meeting with a few colleagues but they're going to be late.

0:30:010:30:05

Is it all right if I wait over there until we're all here?

0:30:050:30:08

Hello.

0:30:120:30:14

Terry Harper, TGP Properties. I've got an appointment to see David Trip.

0:30:140:30:18

Oh, he's just left, I'm afraid.

0:30:180:30:20

Oh, hell! Mix-up with my new assistant. No problem. I'll give him a call.

0:30:200:30:25

Hello, David? Yes, Terry Harper. Bit of a mix-up, I'm afraid.

0:30:300:30:35

Yeah! I'm at your office.

0:30:350:30:37

Yes, I know.

0:30:370:30:39

All right, see you in a minute.

0:30:400:30:42

He won't be long. He said for me to wait for him in the meeting room.

0:30:420:30:46

Certainly. It's just here.

0:30:460:30:48

-Can I get you a drink?

-No, no, no, I'm fine, thanks.

0:30:490:30:52

Two of my colleagues will be arriving shortly,

0:30:530:30:56

Mr Ridley and Associate.

0:30:560:30:58

-They'll ask for me. Just show them right in, would you?

-Of course. It's this way...

0:30:580:31:03

Hi, David Trip...

0:31:160:31:18

-Mr Trip. Hello, I'm Louise, I'm Terry's assistant.

-Oh, hi!

0:31:180:31:21

Terry's stuck in traffic. He'll be here any minute now

0:31:210:31:25

but the meeting room's in use so he's asked me to cover the company's background.

0:31:250:31:29

-Sure, no problem.

-Please, take a seat.

0:31:290:31:31

-Oh! Oh! I'm sorry, I'm sorry.

-No, it's...

-Oh!

0:31:310:31:35

-Right, thank you.

-There you go.

-Lovely. Just take a seat.

-Certainly. Thank you.

0:31:350:31:40

-That's just a little bit of what we're about, there.

-Splendid.

0:31:420:31:46

-Dale Ridley...to see Terry Harper.

-If you'd like to follow me, please.

0:31:490:31:54

..198, 199, 200.

0:32:080:32:11

-Gentlemen, welcome. I'm Terry Harper.

-Pleased to meet you.

0:32:140:32:17

Please.

0:32:180:32:19

As I'm sure you know, we've been appointed by the vendors

0:32:210:32:25

to handle the sale of the London City Studios,

0:32:250:32:28

and it's my job to oversee the sealed bid process.

0:32:280:32:31

Now, I'm a bit pushed for time so let's get straight on with it, shall we?

0:32:310:32:34

Yeah... Sure.

0:32:340:32:37

Clearly, the key selling point is the location.

0:32:370:32:40

The studios are right in the heart of the West End

0:32:400:32:43

making it perfect for a luxury hotel, shopping centre,

0:32:430:32:47

offices or even luxury apartments.

0:32:470:32:49

-How many bids have you had?

-I can't discuss details of the bids, I'm afraid,

0:32:500:32:54

but I'm sure you can imagine there's been considerable interest in the site.

0:32:540:32:58

And I CAN tell you that your party is the final bid.

0:32:580:33:02

-We're closing the process in just over two hours.

-(I see.)

0:33:020:33:05

Now...

0:33:070:33:08

..I must point out, Terry,

0:33:090:33:12

that we are determined to win this bid.

0:33:120:33:16

I am personally prepared to pay whatever it takes to ensure we do.

0:33:180:33:23

Whatever it takes?

0:33:260:33:28

Whatever it takes.

0:33:280:33:30

I want that site, Terry.

0:33:310:33:35

Well, in that case...it would be a shame if you didn't get it.

0:33:350:33:40

'The person you are calling is unable to take your call.

0:33:470:33:50

'Please leave a message after the tone.'

0:33:500:33:53

David, it's Kate. They're all in the boardroom waiting for you.

0:33:530:33:56

Now...

0:33:560:33:57

..let's suppose,

0:33:590:34:01

hypothetically speaking,

0:34:010:34:03

that I write

0:34:030:34:06

"100 million" here.

0:34:060:34:08

How would that sound?

0:34:090:34:11

Well, that sounds like a...

0:34:120:34:15

..winning bid. Hypothetically speaking.

0:34:150:34:19

And...

0:34:200:34:22

what should I allow for extras?

0:34:220:34:25

You know...

0:34:260:34:28

..the, er, additional costs to ensure the deal is done?

0:34:290:34:34

Well, I usually advise one percent cash,

0:34:340:34:38

which would make it, let me see, erm...

0:34:380:34:41

Oh.

0:34:410:34:43

A nice round million.

0:34:440:34:46

I hate to spend more than I have to on extras.

0:34:460:34:48

I was thinking...250.

0:34:490:34:52

-Oh, look, is that the time?

-Fine.

0:34:520:34:54

500,000.

0:34:550:34:57

Oh, I think we can probably work with that.

0:34:590:35:02

We specialise in medium-size city-centre commercial properties,

0:35:090:35:13

mainly office blocks, but we also have a portfolio of retail units.

0:35:130:35:19

-Excuse me for just one second.

-Yes, certainly.

0:35:190:35:22

WHAT do you think you're doing here?!

0:35:280:35:31

You said I could help! I haven't done anything interesting yet.

0:35:310:35:34

We're right in the middle of the con!

0:35:340:35:37

Oh no, that's blown it!

0:35:370:35:38

-That's not the man from Weinstein de Vere, is it?

-Yes! It is!

0:35:390:35:42

-And now he knows we're supposed to be THERE and not HERE!

-I'm sorry. I'll go warn Uncle Ash.

-No!

0:35:420:35:48

Don't you dare! You're going straight back to Eddie's bar and you'll wait there!

0:35:480:35:52

OK, I'll be right back.

0:36:010:36:03

-Is everything OK?

-There's been a mix-up. Mr Harper's waiting for me at our offices.

0:36:050:36:09

Oh! If I call get him to come back, that's probably the easiest...

0:36:090:36:12

-No, it's fine.

-No, I really...

-I'll take a cab.

0:36:120:36:15

Excellent!

0:36:170:36:18

MOBILE RINGS

0:36:200:36:24

Excuse me, I must take this.

0:36:240:36:25

Yes?

0:36:270:36:29

Well, I am rather busy at the moment.

0:36:290:36:31

Not as busy as you'll be in two minutes' time. Long story but Trip's coming back to you.

0:36:310:36:35

Oh, dear.

0:36:350:36:37

Right, well, thanks for that.

0:36:370:36:39

-Problem?

-No. No, nothing serious.

0:36:390:36:42

But I'm afraid we will have to wrap this up shortly.

0:36:420:36:45

But before we do, correct me if I'm wrong...

0:36:450:36:47

"Ding-dong, that's my song!" Yes?

0:36:490:36:52

-Yes, that's me.

-I KNEW I recognised you!

-Long time ago.

0:36:530:36:56

-Yes, it was, but it was a great show, though.

-Thank you.

0:36:560:37:00

Don't think it'll be a problem, do you?

0:37:000:37:02

You know, my, er...history with...London City Studios?

0:37:020:37:06

History?

0:37:060:37:07

What history?

0:37:080:37:10

Exactly.

0:37:110:37:13

You see, the bottom line is, they don't need to know

0:37:130:37:16

who the principal players are behind the winning bid.

0:37:160:37:19

Unless you're a Yank!

0:37:200:37:22

God forbid!

0:37:250:37:27

Please.

0:37:270:37:28

A pleasure to do business with you, Mr Harper.

0:37:450:37:48

-I'll be in touch soon.

-Excellent. Sorry not to have longer. Busy day, I'm afraid.

0:37:500:37:54

-I trust we'll speak again very soon.

-You can count on it.

0:37:540:37:58

Mr Harper?

0:37:580:37:59

-David Trip.

-Ah, David, just excuse me for two minutes, would you? I need the loo.

0:37:590:38:04

How quickly can you get your hands on that half a million?

0:38:170:38:21

I'll call the bank. Couple of hours, easy.

0:38:210:38:23

Check again! His name's Terry Harper, he's here. This is Weinstein de Vere and he's visiting...

0:38:230:38:28

-No!

-You'll have to leave.

-I've got to go! Get off me!

-There's no-one here by that name.

0:38:280:38:32

Yeah, I had to cut things short but I don't think he suspected anything.

0:38:370:38:41

-'In fact, I'm certain he's on board.'

-OK, OK. Well done.

0:38:410:38:45

-You meeting us at Eddie's?

-No, I'm going back to the hotel to await Ridley's call.

0:38:450:38:48

-I'll see you later.

-All right, mate, cheers.

0:38:480:38:51

-Are you sure it was the same kid?

-One hundred percent.

0:38:510:38:54

Well, maybe it's just a coincidence.

0:38:540:38:56

He was there looking for Terry Harper.

0:38:560:38:58

But when I saw the kid at the hotel, he was with Strickland.

0:38:580:39:02

-That's more than a coincidence.

-Yeah, that is a bit odd.

0:39:020:39:05

Plus, he was saying to that security guard that Terry Harper was a visitor.

0:39:050:39:10

-But he's isn't, he works there.

-Exactly!

0:39:100:39:13

-Boss, what are you saying?

-I don't know.

0:39:130:39:16

But something definitely is NOT right.

0:39:160:39:20

-So where have you been? I told you to come straight back here.

-I, er...got lost?

0:39:200:39:26

Oh, OK. I thought we agreed. You promised me you'd be good.

0:39:260:39:29

I wondered why you asked me to count all the way to 200.

0:39:290:39:32

Oh! Don't tell me he got you to play hide-and-seek!

0:39:320:39:35

-What is it with you?

-He's very persuasive. It's the eyes.

-Definitely the eyes.

0:39:350:39:38

Either that or you two are unbelievably gullible.

0:39:380:39:41

All right, come on, drink up.

0:39:430:39:45

You all right?

0:39:490:39:50

-Can I talk to ya?

-Yeah, sure.

0:39:520:39:54

Alone.

0:39:570:39:58

Ridley just saw me at the offices you were at.

0:39:580:40:01

What, Weinstein de Vere?

0:40:010:40:03

What were you doing there?

0:40:040:40:07

I came to warn you about the other man - that he was coming back.

0:40:070:40:11

And did Ridley recognise you from the hotel?

0:40:110:40:14

Don't worry, son, we'll sort it.

0:40:200:40:22

I think it went pretty well.

0:40:300:40:32

But I don't think we should risk leaving the outcome to chance.

0:40:320:40:35

What do you mean?

0:40:350:40:36

It's my secret weapon.

0:40:360:40:38

I always know who's open to a little financial incentive and who isn't.

0:40:380:40:42

Are you suggesting we pay a bribe?

0:40:420:40:44

Oh come on, Mr Strickland, we're both grown-up businessmen.

0:40:440:40:47

That's the way it sometimes happens.

0:40:470:40:50

We are a billion-dollar-a-year business with a reputation to protect.

0:40:500:40:54

We can't be seen to be involved.

0:40:540:40:56

You wouldn't have to. We'd do it.

0:40:560:40:58

And what if Harper squeals?

0:40:580:41:00

Well, your name's not on the bid document, you've got complete deniability.

0:41:000:41:05

All right, just do it then.

0:41:060:41:08

I think it's only fair that we each put up half the cash.

0:41:080:41:12

Why?

0:41:120:41:13

Because if anything goes wrong, then we both share the hit.

0:41:130:41:16

How much are we talking?

0:41:160:41:18

A man like Harper? 500,000 should do it.

0:41:180:41:21

And you're suggesting I go and find £250,000 in cash, like that?

0:41:210:41:25

You're a billion-dollar-a-year company. That's just loose change.

0:41:250:41:30

So what are his options?

0:41:320:41:34

-Well, he could walk away.

-But he won't, will he. Not Ridley.

0:41:340:41:37

He's asking us to put up half the money,

0:41:370:41:39

to look like he's going to go through with the bribe.

0:41:390:41:43

But he'll keep it.

0:41:430:41:44

Exactly. So how do we get it back?

0:41:440:41:48

Ok, So we're 43 short. Any ideas?

0:41:520:41:55

Yeah, I can probably magic that up.

0:41:550:41:56

-How?

-Ask no questions, I'll tell you no lies.

0:41:560:41:59

-Oh, no you don't.

-What?

-I know what you're thinking.

-No, you don't.

0:41:590:42:02

-What's she on about?

-I've no idea.

-You promised.

0:42:020:42:06

ALL: Reg!

0:42:090:42:11

All right, all right, I heard you. >

0:42:240:42:26

Oh, it's you.

0:42:310:42:33

Yeah, well nice to see you too, Reg.

0:42:330:42:36

Well, come in then.

0:42:360:42:38

Thank you, Reg.

0:42:450:42:46

That's 50p.

0:42:460:42:48

What?

0:42:480:42:49

50p. For the tea.

0:42:490:42:51

You want cake? I've got cake.

0:42:510:42:52

No, no, you're all right, mate.

0:42:520:42:56

-There you go, 50p.

-Thank you.

0:42:560:42:58

So... How much do you want?

0:43:010:43:05

Eighty grand.

0:43:060:43:07

REG SCOFFS Eighty grand?!

0:43:070:43:10

No, no, no, I can't do eighty grand, I can't.

0:43:100:43:12

No? Right, what about 43 then, can you do that?

0:43:120:43:14

Yes, I could do 43.

0:43:140:43:16

Ten...

0:43:350:43:36

twenty...

0:43:360:43:38

thirty...

0:43:380:43:40

..forty..

0:43:420:43:43

41, 42, 43.

0:43:430:43:46

So, how long d'you want it for?

0:43:460:43:50

Oh, a couple of days should do it, Reg.

0:43:500:43:52

-It's gonna cost you.

-How much?

-The usual.

0:43:520:43:55

-What, 2% a day?

-Plus the other thing.

0:43:550:43:59

What other thing's that then, Reg?

0:43:590:44:01

Y'know, the other thing, with the girl.

0:44:010:44:04

-Emma.

-Is there a problem?

0:44:040:44:05

No, it's not a problem, Reg. She loves doing it with you.

0:44:060:44:09

Really?

0:44:090:44:12

Oh, yeah.

0:44:130:44:14

That's good.

0:44:140:44:15

-I feel like I'm in a spy movie.

-It's just boring old business.

0:44:310:44:34

Maybe for you, but this is not how I do business.

0:44:340:44:37

Well, it is now. Mind if I have a look?

0:44:370:44:40

-Not if you don't?

-Be my guest.

0:44:400:44:42

You think this is going to work?

0:44:570:44:59

Oh, I'm sure of it. I'll ring you when it's done.

0:44:590:45:02

He's on his way.

0:45:110:45:12

So how did it go?

0:45:170:45:19

Like a dream.

0:45:210:45:22

You can't kid a kidder!

0:45:380:45:40

Boss. You're a genius. This is sweet!

0:45:400:45:43

PHONE RINGS

0:45:430:45:45

-Hello?

-Hello, Mr Ridley. It's Sarah on reception here.

0:45:470:45:50

Hello, love.

0:45:500:45:52

Erm, there are some policeman on their way up to see you.

0:45:520:45:55

There's police on their way up here.

0:45:550:45:58

The police!? Why? Are we in trouble? Why are the police here?

0:45:580:46:01

How would I know?!

0:46:010:46:04

PHONE RINGS AGAIN

0:46:040:46:06

Hello?

0:46:100:46:11

-Mr Ridley. It's Sarah on reception again.

-Oh, hello.

0:46:110:46:14

The police are asking if you and your colleague would come downstairs and talk to them.

0:46:140:46:19

They say it won't take long.

0:46:190:46:20

Fine.

0:46:200:46:22

They want us downstairs now.

0:46:240:46:27

-Us?

-Yes, us!

0:46:270:46:29

I'm Ridley. Where are they?

0:46:390:46:42

-Sorry, Mr Ridley, who?

-The policemen.

0:46:420:46:44

Sorry, which policemen?

0:46:440:46:46

Where's Sarah?

0:46:480:46:49

We don't have a Sarah here.

0:46:490:46:51

I've just spoken to her.

0:46:510:46:53

What's going on?

0:46:550:46:57

Where's the money?

0:47:140:47:17

They've nicked it!

0:47:190:47:21

Mr Ridley. Can I help?

0:47:220:47:24

Damn right you can. I've been robbed.

0:47:250:47:28

A receptionist called Sarah rang me

0:47:320:47:34

and said that there were police officers coming up to see me.

0:47:340:47:37

We don't have anyone called Sarah.

0:47:370:47:39

So you said.

0:47:390:47:41

Then she rang me again, and asked me to go downstairs to meet them.

0:47:410:47:46

I went downstairs and there were no police officers.

0:47:460:47:51

We were out of this room for five minutes,

0:47:510:47:55

and someone stole cash from that safe.

0:47:550:47:59

But Mr Ridley, there are absolutely no signs of forced entry.

0:48:010:48:05

And as I showed you downstairs, the CCTV footage only shows you

0:48:050:48:09

and your colleague entering this room once.

0:48:090:48:11

Your camera only shows us going to the room

0:48:110:48:15

after we came back from reception.

0:48:150:48:18

We were in the room before that as well!

0:48:180:48:22

Not according the footage and neither was anyone else.

0:48:220:48:27

So, how are you suggesting they got in?

0:48:270:48:30

I don't know! Through the door!

0:48:300:48:33

Don't tell me he got you to play hide and seek.

0:48:340:48:37

-What is it with you lot?

-He's very persuasive. It's the eyes.

-Yes, it's definitely the eyes.

0:48:370:48:42

Well, either that or you two are unbelievably gullible.

0:48:420:48:45

And did Ridley recognise you from the hotel?

0:48:450:48:49

Don't worry, son, we'll sort it.

0:48:540:48:56

-So what are his options?

-Well, he could walk away.

0:49:000:49:03

But he won't, will he. Not Ridley.

0:49:030:49:05

He's asking us to put up half the money,

0:49:050:49:07

to look like he's going to go through with the bribe.

0:49:070:49:10

But he'll keep it.

0:49:100:49:12

Exactly. So how do we get it back?

0:49:120:49:15

Alfie,

0:49:280:49:30

you're a bloody genius!

0:49:300:49:32

-So we know that Ridley's on this floor, yeah?

-Yeah.

0:49:350:49:38

OK.

0:49:380:49:39

Excuse me. Could you tell me if suite 532 or 732 are available?

0:49:400:49:45

I'd like to upgrade.

0:49:450:49:46

Sean, you'll need to access the hotel lift.

0:49:500:49:53

Make sure Ridley goes to the fifth floor.

0:50:050:50:09

So how did it go?

0:50:120:50:14

Like a dream.

0:50:140:50:17

We'll need to send Ridley to room 532.

0:50:190:50:22

But he'll think it's room 632.

0:50:220:50:23

Mickey, make sure you swap Ridley's key card.

0:50:320:50:36

You think this is gonna work?

0:50:400:50:42

Oh, I'm sure of it.

0:50:420:50:43

Hello, Mr Ridley, it's, erm... Sarah on reception here.

0:50:520:50:56

There are some policemen on their way up to see you.

0:50:560:50:58

The police? Why? Are we in trouble? Why are the police here?

0:50:580:51:02

How would I know?

0:51:020:51:04

I'm Ridley. Where are they?

0:51:060:51:08

-Sorry, Mr Ridley, who?

-The policemen.

0:51:080:51:10

-Where's the money?

-They've nicked it!

0:51:240:51:26

Six, seven, eight, nine.

0:52:240:52:28

Bingo.

0:52:280:52:29

-Come on.

-OK, go.

0:52:350:52:37

Gentlemen!

0:52:390:52:40

Raise your glasses. I give you the great British game show.

0:52:400:52:45

Ding-dong, that's my song!

0:52:450:52:49

We went up in the lift, to the sixth floor and then we walked to the suite.

0:52:520:52:56

Then why didn't the CCTV see us?

0:52:560:52:58

Maybe they messed with the cameras.

0:52:580:53:01

Hey, what if the manager's in on it?

0:53:010:53:03

This is doing my head in, boss. Seriously, I give in.

0:53:030:53:06

That's easy for you to say. You haven't lost £250,000 to a bunch of con men!

0:53:060:53:10

Ding-dong, that's my song!

0:53:110:53:14

Piss off!

0:53:150:53:18

You did good, kid.

0:53:220:53:23

Actually, you were a complete liability.

0:53:250:53:28

But at least it was never boring.

0:53:280:53:30

Nah, you're gonna be great, son.

0:53:300:53:32

Cheers. I've loved every minute of it. And meeting you, Uncle Ash.

0:53:320:53:37

PHONE RINGS

0:53:370:53:38

Y'know, properly. I'm really going to miss you.

0:53:380:53:41

Hello?

0:53:410:53:43

Ah...

0:53:440:53:47

Yeah, well, me too, kid.

0:53:470:53:50

Ash. Phone for you. Beezer.

0:53:500:53:53

Well, well, well, if it isn't the bloke that's gonna be picking up

0:53:540:53:58

the tab down here for the next year.

0:53:580:54:00

Yeah, all right, how's it going? Yeah.

0:54:010:54:04

You what? Er, yeah, well, you know, I can only ask 'em.

0:54:070:54:12

Yeah, all right, ta-ta.

0:54:130:54:14

He says he's stuck in Berlin and wondered if we could

0:54:190:54:23

have Alfie for another couple of weeks.

0:54:230:54:25

Well, yeah, sure, fine.

0:54:290:54:32

No, I'm just kidding!

0:54:340:54:35

He's in a cab, he'll be here in five.

0:54:350:54:38

Hey, where's Emma?

0:54:400:54:41

Oh, she's taking one for the team.

0:54:410:54:43

TANGO MUSIC PLAYS

0:54:470:54:49

I'm gonna miss the kid, you know.

0:55:320:55:33

Yeah, me too.

0:55:330:55:35

Well, I think one fresh-faced kid on the team is enough.

0:55:350:55:39

Aw, thanks, Albert.

0:55:390:55:42

-So how exactly did he manage to lose you Emma?

-We're five grand short.

0:55:420:55:45

-Don't change the subject.

-I'm serious.

0:55:450:55:47

I counted this three times and we're two bundles short.

0:55:470:55:50

Maybe Ridley mis-counted it. He did think he was gonna get it all back after all.

0:55:500:55:54

No, he wouldn't have taken the risk.

0:55:540:55:57

Let's check the case.

0:55:570:55:59

-No, nothing there.

-Have you got any idea, Ash?

0:55:590:56:04

Tell you what. If I can trick you out of some of the money you make from the con,

0:56:040:56:07

can I keep it?

0:56:070:56:09

Hang on, hang on, let me get this straight.

0:56:090:56:10

If you can trick me out of some of the money, I let you keep it?

0:56:100:56:14

Deal?

0:56:160:56:17

Yeah, all right, deal.

0:56:170:56:19

I'm really gonna miss you.

0:56:190:56:21

Yeah, me too, kid.

0:56:240:56:25

Nah.

0:56:400:56:42

No, it's a mystery to me.

0:56:420:56:44

This guy isn't just another mark.

0:56:470:56:49

Everything we've done, has been leading us to this point.

0:56:490:56:53

One big mark, then we can all walk away on top.

0:56:530:56:56

You take my ten million, you double it.

0:56:560:56:59

One last job and we're finished?

0:56:590:57:00

This walking-away money?

0:57:000:57:02

I've always thought it was a good idea to quit while you're ahead.

0:57:020:57:04

You said what?

0:57:040:57:06

I know what I'm doing.

0:57:060:57:07

I'll kill him. We have a job.

0:57:070:57:10

They've just gone into the hotel.

0:57:100:57:11

-Get out.

-Go! Go, go, move!

0:57:110:57:13

Most of you must have thought that one day it would end like this.

0:57:200:57:23

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0:57:310:57:34

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