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That was a fantastic meal. | 0:00:06 | 0:00:08 | |
Well the pleasure was all ours, Albert, really. | 0:00:08 | 0:00:11 | |
-It was Luigi's, actually, let's get a move on. -The rest of the day is yours, Albert. | 0:00:11 | 0:00:15 | |
-What would you like to do? -Your wish is our command. | 0:00:15 | 0:00:17 | |
-How about the first flight to Vegas? -Well, we thought maybe bungee jumping over the Thames. | 0:00:17 | 0:00:22 | |
Or go-karting? | 0:00:22 | 0:00:23 | |
-I'll whoop your ass, young whippersnapper! -You probably would! | 0:00:23 | 0:00:27 | |
Oh, let me see. I know what. I'm feeling nostalgic. | 0:00:27 | 0:00:30 | |
How about a snifter at The Royal Mayfair Club. | 0:00:30 | 0:00:33 | |
It's where I roped my first mark. | 0:00:33 | 0:00:35 | |
Sounds good to me. | 0:00:35 | 0:00:36 | |
It's a huge, domed atrium, filled with natural light. | 0:00:36 | 0:00:39 | |
But more importantly has the best choice of brandies | 0:00:39 | 0:00:42 | |
this side of Paris! | 0:00:42 | 0:00:43 | |
Let's do it. | 0:00:43 | 0:00:44 | |
I see what you mean about the natural light. | 0:00:55 | 0:00:57 | |
It was an iconic building. | 0:01:44 | 0:01:46 | |
A monument to Anglo-American relations. | 0:01:46 | 0:01:49 | |
Roped some of my biggest marks there, ever. | 0:01:49 | 0:01:52 | |
And the soulless son-of-a-bitch who pulled it down should be strung up. | 0:01:52 | 0:01:56 | |
Better still, Albert, let's hit him where it really hurts. | 0:01:56 | 0:02:00 | |
Agreed. | 0:02:00 | 0:02:02 | |
So who is he? | 0:02:02 | 0:02:03 | |
It turns out that Starfire Property Holdings is owned by none other than Dale Ridley. | 0:02:03 | 0:02:08 | |
-Dale who? -Ridley. | 0:02:08 | 0:02:09 | |
You know, "Ding-dong, that's my song!" | 0:02:09 | 0:02:12 | |
I think it's time you took your pill, mate! | 0:02:12 | 0:02:15 | |
Never mind, they're too young. | 0:02:15 | 0:02:17 | |
Back in the day in the late '80s, he was game-show gold. | 0:02:17 | 0:02:20 | |
Big hair, big teeth and more cheese than the Cheddar Gorge. | 0:02:20 | 0:02:23 | |
Take a butchers at this. Albert. | 0:02:23 | 0:02:25 | |
THEME MUSIC PLAYS | 0:02:25 | 0:02:27 | |
'It's Friday, and its live from London City Studios, | 0:02:29 | 0:02:32 | |
'it's the greatest game show on Earth, Ding-Dong That's My Song! | 0:02:32 | 0:02:36 | |
'Tonight's fabulous prizes include a personal stereo, | 0:02:36 | 0:02:39 | |
'an electronic typewriter, and a luxury caravan holiday for four! | 0:02:39 | 0:02:42 | |
'And here's your host - Dale Ridley!' | 0:02:42 | 0:02:46 | |
So, Julia... | 0:02:46 | 0:02:49 | |
'Tell me about yourself.' | 0:02:52 | 0:02:54 | |
-This is painful. -Oh, dear. | 0:02:54 | 0:02:56 | |
RECORDING SPOOLS FORWARD | 0:02:56 | 0:02:58 | |
Was it A, Howard Jones. | 0:03:00 | 0:03:03 | |
B, A-Ha. | 0:03:04 | 0:03:06 | |
Or C, Bronski Beat? | 0:03:06 | 0:03:10 | |
LAUGHTER ON RECORDING | 0:03:10 | 0:03:12 | |
BELL DINGS | 0:03:12 | 0:03:13 | |
Oh! Ding-dong, that's my song! | 0:03:13 | 0:03:18 | |
Ding-dong, that's my song. | 0:03:20 | 0:03:24 | |
Excruciating I know, but every Saturday night 15 million of us were glued to that crap. | 0:03:24 | 0:03:30 | |
Were you? | 0:03:30 | 0:03:31 | |
Well when I say "us", I don't mean me, obviously. I mean us as a nation. | 0:03:31 | 0:03:36 | |
Ah, right. | 0:03:36 | 0:03:37 | |
-Anyway, I was more, erm...I was more World About Us. -Obviously. | 0:03:37 | 0:03:41 | |
-What happened to Ridley? -Fame and fortune went to his head. He reckoned he was the saviour of commercial TV. | 0:03:41 | 0:03:46 | |
He started trying to push them around, making petty demands when it was time for a new contract. | 0:03:46 | 0:03:51 | |
What finished him was a big TV charity night. | 0:03:51 | 0:03:55 | |
London City Studios got him on tape demanding | 0:03:55 | 0:03:58 | |
20% of whatever the charity made in return for hosting it. | 0:03:58 | 0:04:01 | |
Next morning, it was all over the papers. And that was that. | 0:04:01 | 0:04:04 | |
-The network fired him and no-one else would touch him. -What did he do next? | 0:04:04 | 0:04:08 | |
He crawled back to his Birmingham mansion and hid. | 0:04:08 | 0:04:11 | |
And five years later, he re-emerged as a property entrepreneur. | 0:04:11 | 0:04:15 | |
First thing he did was buy an old folk's home. | 0:04:15 | 0:04:18 | |
The moment he had his hands on it, he shut it down, | 0:04:18 | 0:04:20 | |
turfed out 35 OAPs and then brought in the bulldozers. | 0:04:20 | 0:04:24 | |
A month later, he sold it to a developer for twice what he paid for it. | 0:04:24 | 0:04:28 | |
So he stuck at it, only this time on a much bigger scale. | 0:04:28 | 0:04:32 | |
Victorian warehouses, factories, historic mills, | 0:04:32 | 0:04:35 | |
all in great locations bought at knock down prices, | 0:04:35 | 0:04:38 | |
often before they've even come on to the market. | 0:04:38 | 0:04:40 | |
-How? -Backhanders to local councillors, agents, consultants. | 0:04:40 | 0:04:44 | |
They made sure sales were completed before anyone else got a look in. | 0:04:44 | 0:04:47 | |
-How come no-one cottoned on to the bribery? -It seems they did. | 0:04:47 | 0:04:50 | |
He upset developers, councils and heritage groups from Leicester to Ludlow. | 0:04:50 | 0:04:54 | |
-That's when he started buying property in London. -Where's he based? | 0:04:54 | 0:04:58 | |
Right now, he's staying at the Union House Hotel. | 0:04:58 | 0:05:01 | |
-It just so happens I play poker with the concierge there. -Surprise! -How long's he in town? | 0:05:01 | 0:05:05 | |
-Less than a week. -OK, then, no time to lose. Let's get out there and find a way in. | 0:05:05 | 0:05:10 | |
Ding-dong, eh, ladies? | 0:05:19 | 0:05:22 | |
Ding-dong, that's my song. Eh? | 0:05:22 | 0:05:26 | |
Bloody tourists! | 0:05:27 | 0:05:28 | |
Oi! | 0:05:30 | 0:05:32 | |
Hello, sir? | 0:05:32 | 0:05:33 | |
Two theatre tickets, tonight, decent seats. Nothing too intellectual. Sort it, yeah? | 0:05:33 | 0:05:38 | |
-I've got those spreadsheets to do tonight. -I'm not taking you, you oaf! | 0:05:47 | 0:05:51 | |
I fancy a blonde tonight. Big but small, know what I mean? Sort it, yeah? | 0:05:51 | 0:05:55 | |
PHONE RINGS | 0:05:55 | 0:05:56 | |
-Big but small... -Hello, baby dream, I was just thinking about you and Dale Junior. | 0:05:56 | 0:06:00 | |
Have you been in touch with the heritage people yet? | 0:06:02 | 0:06:05 | |
I'm waiting for a call back. | 0:06:05 | 0:06:06 | |
-Make sure you deal with a man. -Why? | 0:06:06 | 0:06:09 | |
Women have scruples. Bad for business. | 0:06:09 | 0:06:11 | |
-Right. -Take him to a fancy restaurant, fill him full of vodka, | 0:06:11 | 0:06:16 | |
take him to a titty bar, and then hit him with the money. | 0:06:16 | 0:06:18 | |
Oh, right, OK. | 0:06:18 | 0:06:20 | |
It's only my old boss always used to say | 0:06:20 | 0:06:22 | |
never mix business with pleasure. | 0:06:22 | 0:06:25 | |
Really? | 0:06:25 | 0:06:26 | |
Let me ask you this, Gibbs. How big was his yacht? | 0:06:27 | 0:06:30 | |
-I don't think he had one. -Really? | 0:06:31 | 0:06:34 | |
How many Ferraris in his garage? | 0:06:34 | 0:06:36 | |
He didn't. | 0:06:36 | 0:06:37 | |
No? Surprise, surprise. | 0:06:37 | 0:06:40 | |
You starting to get the picture? | 0:06:40 | 0:06:43 | |
There are no boundaries between business and pleasure. | 0:06:43 | 0:06:46 | |
Oh, right, I get it. | 0:06:46 | 0:06:47 | |
So, if you enjoy what you do, it's all pleasure. | 0:06:47 | 0:06:50 | |
No, you thicko. Rule one. It's all business. | 0:06:50 | 0:06:54 | |
Stick around, kid. Learn from the master. | 0:06:56 | 0:06:59 | |
What was it? | 0:07:04 | 0:07:05 | |
The National Victorian Library. | 0:07:05 | 0:07:07 | |
It should burn well, then. That would save money on the bulldozers. | 0:07:07 | 0:07:11 | |
How big's the site? Square feet? | 0:07:11 | 0:07:14 | |
Just under 8,000. | 0:07:14 | 0:07:16 | |
Too small. I want scale. | 0:07:18 | 0:07:21 | |
-I want impressive. -What, bigger than this? | 0:07:21 | 0:07:23 | |
There's barely room to swing a heritage commissioner in it. | 0:07:23 | 0:07:26 | |
Think Premiership, not Conference. | 0:07:26 | 0:07:29 | |
It's difficult in London. There's a lot more competition. | 0:07:29 | 0:07:32 | |
Rule one. Do not be afraid of competition. | 0:07:32 | 0:07:35 | |
Nobody wants to win a one-horse race. | 0:07:35 | 0:07:38 | |
I thought rule one was... | 0:07:40 | 0:07:41 | |
Shut it! | 0:07:41 | 0:07:43 | |
Come on. | 0:07:46 | 0:07:47 | |
-What have we got? -You were right about how he does business. | 0:07:59 | 0:08:02 | |
He pays off agents, council officials and heritage commissioners to make sure the deal goes his way, | 0:08:02 | 0:08:07 | |
and always for the right price. | 0:08:07 | 0:08:09 | |
His motto is "Everybody has their price". | 0:08:09 | 0:08:11 | |
Ah, well, why hasn't he been prosecuted? | 0:08:11 | 0:08:14 | |
He never does the dirty deed himself. | 0:08:14 | 0:08:15 | |
He leaves it to an apprentice. | 0:08:15 | 0:08:17 | |
-Three employees have done time in the last five years. -And they never squeal? | 0:08:17 | 0:08:21 | |
-Almost certainly, and Ridley never leaves a trail. -What about his corporate structure? | 0:08:21 | 0:08:25 | |
He runs all his projects through Starfire Property Holdings. | 0:08:25 | 0:08:29 | |
-But puts profits into offshore accounts to avoid tax. -How big is his operation? | 0:08:29 | 0:08:33 | |
It's difficult to get exact figures but about eight deals a year, three to five million pounds each. | 0:08:33 | 0:08:38 | |
He's got his eyes set on bigger opportunities here in London. | 0:08:38 | 0:08:41 | |
-So we need to find something that'll float his boat. -A tasty little deal, somewhere. | 0:08:41 | 0:08:45 | |
What about...a tasty big deal? | 0:08:45 | 0:08:48 | |
Seems London City Studios are up for sale. | 0:08:48 | 0:08:52 | |
Bit out of his league, isn't it? | 0:08:52 | 0:08:53 | |
-Exactly. -That means he'll need partners. -He's going to love this, isn't he, eh? | 0:08:53 | 0:08:58 | |
The smell of easy money, the kudos of the big deal, and, the icing on the cake, revenge. | 0:08:58 | 0:09:02 | |
He gets to be involved in tearing down the studios. | 0:09:02 | 0:09:05 | |
-What a sweet little plan, Michael. -And the best bit is the bidding's about to close. | 0:09:05 | 0:09:09 | |
Excuse me, do you know where I can find Three Socks Morgan? | 0:09:09 | 0:09:13 | |
Who wants to know? | 0:09:13 | 0:09:15 | |
Which one of yous is Three Socks Morgan? | 0:09:16 | 0:09:19 | |
-You don't remember me, do you? -Er...no. Should I? | 0:09:22 | 0:09:27 | |
Relax. You're not my dad or anything weird like that. | 0:09:27 | 0:09:30 | |
Lucky for you. | 0:09:30 | 0:09:32 | |
The thought never crossed my mind. | 0:09:32 | 0:09:34 | |
So, who are you, kid? | 0:09:34 | 0:09:35 | |
It's me. Alfie Beezer. | 0:09:35 | 0:09:38 | |
Your godson? | 0:09:38 | 0:09:40 | |
Course you are. Yeah, the eyes. | 0:09:40 | 0:09:45 | |
-Where's your dad? -He's at the airport. | 0:09:47 | 0:09:50 | |
Eh? | 0:09:51 | 0:09:53 | |
"Dear Ash, sorry to do this to you, | 0:09:57 | 0:10:00 | |
"but I need you to look after the kid for a few days. | 0:10:00 | 0:10:04 | |
"I had to get on a plane to Amsterdam to salvage a big score. | 0:10:04 | 0:10:08 | |
"The kid's nan's in Spain and I was stuck, | 0:10:08 | 0:10:10 | |
"so I thought it was time you did your Godfatherly thing. | 0:10:10 | 0:10:14 | |
"I owe you big time. Love, Beezer. | 0:10:14 | 0:10:16 | |
"PS. Watch the kid, he's a slippery sod." | 0:10:16 | 0:10:19 | |
The last bit's a lie. | 0:10:19 | 0:10:21 | |
If I do this... | 0:10:26 | 0:10:28 | |
you got to choose a card, remember it, and if I guess it, | 0:10:28 | 0:10:32 | |
give me a pound coin. | 0:10:32 | 0:10:34 | |
Yeah, all right, yeah. | 0:10:34 | 0:10:36 | |
Was it the ace of hearts? | 0:10:40 | 0:10:42 | |
Gor blimey! How did he do that? Here you are. | 0:10:44 | 0:10:46 | |
Johnny Beezer was a roper I worked with back in the '90s. | 0:10:46 | 0:10:49 | |
He got his bird up the duff, | 0:10:49 | 0:10:51 | |
and, hey presto, along comes little Alfie there. | 0:10:51 | 0:10:54 | |
So me and Beezer down a few pints to celebrate. Eight pints in and he asks me to be godfather. | 0:10:54 | 0:10:59 | |
What could I say? | 0:10:59 | 0:11:00 | |
Probably not a lot after eight pints. | 0:11:00 | 0:11:02 | |
-And that was the last time I saw him. -How come? | 0:11:02 | 0:11:05 | |
Cos the next day Beezer found out that Alfie's mum was | 0:11:05 | 0:11:08 | |
-having it away with her gyny. -What, while she was...? | 0:11:08 | 0:11:11 | |
Well, each to his own. | 0:11:11 | 0:11:12 | |
Anyway, Beezer takes Alfie back to Manchester to live with his nan. | 0:11:12 | 0:11:17 | |
Haven't seen him since. | 0:11:17 | 0:11:19 | |
Well, we can't work a con while we're looking after a kid. | 0:11:19 | 0:11:22 | |
-No, I'll talk to Beezer. -Can I borrow a pound? | 0:11:22 | 0:11:24 | |
Yeah, all right. | 0:11:27 | 0:11:28 | |
If I can make this pound disappear, | 0:11:30 | 0:11:32 | |
without you knowing where it's gone, can I keep it? | 0:11:32 | 0:11:35 | |
Yeah, go on, then. | 0:11:36 | 0:11:38 | |
Do that again. | 0:11:44 | 0:11:45 | |
I need another pound. | 0:11:45 | 0:11:47 | |
Hang on, here. | 0:11:48 | 0:11:49 | |
What if we took it in turns to look after him? | 0:11:57 | 0:11:59 | |
The kid could be a complete liability. | 0:11:59 | 0:12:02 | |
I won't be, I promise. | 0:12:02 | 0:12:04 | |
-Ey! You should be in bed. -Maybe I can help. | 0:12:04 | 0:12:07 | |
You can help by going back to bed. | 0:12:07 | 0:12:09 | |
I've worked on Dad's cons loads of times. | 0:12:09 | 0:12:11 | |
I won't be any trouble, I promise. | 0:12:11 | 0:12:13 | |
-That's not what your dad said. -He was joking. | 0:12:13 | 0:12:16 | |
Oh, please? | 0:12:18 | 0:12:19 | |
Well, we all got to start somewhere. | 0:12:19 | 0:12:21 | |
All right, maybe he could just help out behind the scenes, back here? | 0:12:21 | 0:12:25 | |
Your responsibility. | 0:12:25 | 0:12:26 | |
-Why mine? -Cos you were the first to crack. | 0:12:26 | 0:12:29 | |
Fine. | 0:12:31 | 0:12:32 | |
OK, kid, it's agreed. You're in. | 0:12:32 | 0:12:34 | |
-Yes! -And when we're busy, Eddie can baby-sit. | 0:12:34 | 0:12:37 | |
If he can afford it. The kid's already taken him for 20. | 0:12:37 | 0:12:40 | |
25, actually. | 0:12:40 | 0:12:42 | |
LAUGHTER | 0:12:43 | 0:12:44 | |
OK, then, let's get started. | 0:12:44 | 0:12:47 | |
-I thought I was going do something. -Stop complaining. You said you wanted a burger, you've had one. | 0:13:00 | 0:13:05 | |
-You said I was going to be involved in the con. -You will be. -Doing what? | 0:13:05 | 0:13:08 | |
-I don't know yet. Something back in the apartment. -That sounds boring. Why can't I be the roper? | 0:13:08 | 0:13:13 | |
Because Albert's the roper. And you're only 11. | 0:13:13 | 0:13:16 | |
That can be an advantage sometimes. No-one suspects an 11-year-old. | 0:13:16 | 0:13:20 | |
They would if they met you. | 0:13:20 | 0:13:21 | |
Look, if you don't want me to do anything, I can just watch. | 0:13:21 | 0:13:24 | |
Alfie, can we stop talking? Just for five minutes. | 0:13:24 | 0:13:28 | |
PHONE RINGS | 0:13:30 | 0:13:32 | |
-Hi, Ash. -Do you want to see a trick? | 0:13:36 | 0:13:38 | |
-What? -Hold this and wait here. | 0:13:38 | 0:13:41 | |
Yes, all right, go on, then. | 0:13:41 | 0:13:43 | |
I'm exhausted! | 0:13:43 | 0:13:44 | |
I've done the London Eye and he's had some food, so now we're on our way back. OK? | 0:13:44 | 0:13:48 | |
..he won't shut up. | 0:13:51 | 0:13:53 | |
Literally. He's just on and on at me, all the time... | 0:13:55 | 0:13:59 | |
Yeah, yeah, he's got all the questions, I can't answer them. I'm coming home. | 0:14:01 | 0:14:05 | |
..No, Ash, listen to me, I'm coming home. | 0:14:07 | 0:14:10 | |
It's Sean's turn, or your turn. | 0:14:10 | 0:14:12 | |
Excuse me, can you just hold this for me? | 0:14:13 | 0:14:17 | |
All right. | 0:14:17 | 0:14:18 | |
Cheers. | 0:14:18 | 0:14:19 | |
OK. I'll see you later. | 0:14:37 | 0:14:39 | |
What? | 0:14:44 | 0:14:45 | |
Flippin' heck! | 0:14:55 | 0:14:56 | |
I want the next flight home. | 0:15:09 | 0:15:11 | |
They can't exclude us from the sale just because we're Americans! | 0:15:11 | 0:15:15 | |
Not officially, they can't. But at the end of the day, | 0:15:15 | 0:15:18 | |
if the chairman's got some grudge against Americans, there's not a hell of a lot we can do about it. | 0:15:18 | 0:15:23 | |
You found that out just now? In 24 hours the bidding closes. | 0:15:23 | 0:15:26 | |
I only found out because their consultants told me an hour ago | 0:15:26 | 0:15:31 | |
the chairman was cleaned out by his American ex-wife. | 0:15:31 | 0:15:34 | |
Look, Henry, come on, we can't win 'em all. | 0:15:34 | 0:15:36 | |
Let me set you straight, Strickland. | 0:15:36 | 0:15:38 | |
I never lose. | 0:15:39 | 0:15:40 | |
As soon as I get to Boston, I'm going to contact my lawyers | 0:15:40 | 0:15:44 | |
and have them start legal proceedings against London City Studios. | 0:15:44 | 0:15:49 | |
I want...that...site. | 0:15:50 | 0:15:53 | |
Yeah, OK. | 0:15:53 | 0:15:54 | |
Good. | 0:15:54 | 0:15:56 | |
Wait here. | 0:15:58 | 0:16:00 | |
I'm Henry Sellworth, checking out. | 0:16:03 | 0:16:06 | |
I'd like some information... on our American friends. | 0:16:06 | 0:16:09 | |
Bandit at two o'clock. | 0:16:17 | 0:16:19 | |
Keep going. | 0:16:22 | 0:16:24 | |
-A little busy right now, kid. -Whoa! Was that the mark? | 0:16:26 | 0:16:28 | |
Rrr! Mickey, I'm sorry, he just slipped away. Do we have a problem? | 0:16:31 | 0:16:35 | |
-I don't think so. -OK. | 0:16:35 | 0:16:38 | |
-SHE LAUGHS -That was, er, really funny. -I just wanted to help. | 0:16:38 | 0:16:42 | |
Well, you pull something like that again and you're in big trouble, mister. | 0:16:42 | 0:16:46 | |
Get over here...! | 0:16:48 | 0:16:49 | |
See you in Boston. OK. | 0:16:49 | 0:16:51 | |
-This is incredible! -What? | 0:16:54 | 0:16:56 | |
-You know the London City Studios? -Yeah, it's up for sale. -Exactly! | 0:16:56 | 0:17:00 | |
And it's out of our price range by a factor of ten. | 0:17:00 | 0:17:03 | |
-Was. -Eh? | 0:17:03 | 0:17:05 | |
I'll explain in the lift. | 0:17:05 | 0:17:07 | |
He could've ruined the whole con. | 0:17:10 | 0:17:11 | |
-How'd he know where the hotel is? -That's the scary thing. It's like...he knows everything. | 0:17:11 | 0:17:16 | |
-The kid's smart. He's listening to everything we say. -How did he get away from you, again? | 0:17:16 | 0:17:20 | |
I don't know, I was... I looked away, he was gone. | 0:17:20 | 0:17:23 | |
It was the old "string around the corner" trick. | 0:17:23 | 0:17:26 | |
-A-ha. -(Shut up!) | 0:17:26 | 0:17:29 | |
-Tell me he's having a laugh. -My dad says the old ones are best. | 0:17:29 | 0:17:32 | |
-Did you seriously fall for the string trick? -No! -Yeah, you did! | 0:17:32 | 0:17:36 | |
No! I was distracted cos I was on the phone. | 0:17:36 | 0:17:39 | |
Oh, well, in that case you were on the phone. | 0:17:39 | 0:17:42 | |
What's it worth not to tell Mickey? | 0:17:42 | 0:17:44 | |
All right, d'you know what, if it's so funny... | 0:17:44 | 0:17:46 | |
he's all yours. | 0:17:46 | 0:17:48 | |
Just have to be in the right place at the right time... | 0:17:52 | 0:17:55 | |
This could be sweet. | 0:17:56 | 0:17:58 | |
Here we are. Helius International Property Investments. | 0:18:00 | 0:18:05 | |
Started in 1982, Boston. | 0:18:05 | 0:18:07 | |
3.4 billion portfolio in the US, Canada and Europe. | 0:18:07 | 0:18:12 | |
Serious players, then. | 0:18:12 | 0:18:14 | |
There's one of them. Henry Sellworth, Chairman. | 0:18:14 | 0:18:18 | |
And there's the other one. Brett Strickland. | 0:18:18 | 0:18:21 | |
Head of Acquisitions, Western Europe. | 0:18:21 | 0:18:25 | |
London City Studios is perfect for them. Big site, central location. | 0:18:25 | 0:18:29 | |
-Just demolish what's there and stick up one of their shopping centres. -Yeah... | 0:18:29 | 0:18:33 | |
But they can't get it, because the chairman's got a grudge against Yanks. | 0:18:33 | 0:18:38 | |
So what are you thinking, boss? We front the bid for them? | 0:18:38 | 0:18:41 | |
Why not? | 0:18:41 | 0:18:44 | |
Surely they could deal with any UK property company? | 0:18:44 | 0:18:46 | |
Not when the bidding closes in 24 hours, they can't. | 0:18:46 | 0:18:49 | |
That's why they've thrown in the towel. | 0:18:50 | 0:18:52 | |
We better catch them, before they get on a plane. | 0:18:52 | 0:18:56 | |
Just try to LOOK intelligent. | 0:19:01 | 0:19:03 | |
Mr Strickland? | 0:19:07 | 0:19:09 | |
-Yes? -Sorry for interrupting. | 0:19:10 | 0:19:13 | |
My name's Dale Ridley. I'm the chairman and chief executive of Starfire Property Holdings. | 0:19:14 | 0:19:19 | |
-And this is my apprentice, Mr Gibbs. -Hi. | 0:19:19 | 0:19:22 | |
-OK. So...how do you guys know my name? -I'm a big fan. | 0:19:22 | 0:19:26 | |
I like to think of Helius International as a role model for my company. | 0:19:26 | 0:19:31 | |
-That's great to hear, Mr, er...? -Ridley. -..Ridley, | 0:19:31 | 0:19:34 | |
-but I'm on my way to the airport. -Give me two minutes... | 0:19:34 | 0:19:37 | |
and I will give you a game-changing opportunity. | 0:19:37 | 0:19:41 | |
OK, well, I'm all ears until my cab arrives. | 0:19:43 | 0:19:47 | |
Ah! | 0:19:49 | 0:19:51 | |
London City Studios. I think we can help. | 0:19:53 | 0:19:56 | |
-How? -Your bid has hit the buffers because Helius is an American company. Correct? | 0:19:56 | 0:20:01 | |
-I'm sorry but how do you know all this? -Information is everything. | 0:20:01 | 0:20:06 | |
OK, so what exactly do you want? | 0:20:06 | 0:20:09 | |
We're a UK company, specialising in land and property acquisitions. | 0:20:09 | 0:20:13 | |
In short, Mr Strickland... | 0:20:13 | 0:20:16 | |
-..WE can front your bid. -Why not just bid yourself? -Simple. | 0:20:16 | 0:20:20 | |
Don't have access to that level of funding. | 0:20:20 | 0:20:23 | |
OK... I see. | 0:20:23 | 0:20:25 | |
Look, I admire your opportunism but the idea that a £100 million deal | 0:20:25 | 0:20:31 | |
can be secured on the basis of a two-minute conversation | 0:20:31 | 0:20:34 | |
with a perfect stranger a day before the bidding closes... is frankly laughable. | 0:20:34 | 0:20:38 | |
Seize the moment and seize the deal. | 0:20:40 | 0:20:42 | |
That's my motto, Mr Strickland. | 0:20:42 | 0:20:44 | |
Or one of them, anyway. | 0:20:45 | 0:20:47 | |
I am offering you the chance to save this deal, | 0:20:49 | 0:20:53 | |
and to enhance your standing within your company. | 0:20:53 | 0:20:56 | |
OK... Let's say I go for this opportunity of yours. | 0:20:57 | 0:21:03 | |
-What do you get out of it? -Ten percent of the bid price. | 0:21:03 | 0:21:07 | |
-Ten perc... -HE LAUGHS | 0:21:07 | 0:21:10 | |
I'm sorry, I have a flight to catch. | 0:21:10 | 0:21:12 | |
Think about it. | 0:21:13 | 0:21:15 | |
Call me. | 0:21:17 | 0:21:18 | |
-Well, I suppose it was worth a shot. -Trust me, he'll ring. | 0:21:26 | 0:21:30 | |
It feels like yesterday. | 0:21:39 | 0:21:41 | |
The fans used to be there, waiting, waving to me as I swept in in the Bentley. | 0:21:41 | 0:21:46 | |
Had a table in all the best restaurants, champagne on ice in every club. | 0:21:46 | 0:21:50 | |
Women coming up to me in the street, begging me to say those magic words. | 0:21:50 | 0:21:55 | |
What? | 0:21:56 | 0:21:57 | |
Ding-dong, that's my song! | 0:21:57 | 0:22:00 | |
Three times I was on the cover of the TV Times, I was. | 0:22:00 | 0:22:04 | |
Felt like I owned the place... | 0:22:04 | 0:22:06 | |
and the people in it. | 0:22:06 | 0:22:07 | |
Everyone sang to my song. | 0:22:09 | 0:22:11 | |
You should've known me then, Gibbs. Not that I'd have given time to someone like you, obviously. | 0:22:13 | 0:22:19 | |
But it would've given you an insight into the man you see before you. | 0:22:19 | 0:22:23 | |
Go and have a word with that security guard, see if he remembers me. | 0:22:26 | 0:22:30 | |
See if he'll let us in for a look around. | 0:22:30 | 0:22:33 | |
-Did he remember me? -Yeah, eventually. He's been working on the gate for 30-odd years. | 0:22:57 | 0:23:01 | |
What did he say? | 0:23:01 | 0:23:03 | |
-(Well, just...) -No, no, no, no, no. Go on, go on, what did he say? | 0:23:03 | 0:23:07 | |
He said you were a greedy scumbag | 0:23:07 | 0:23:10 | |
and that your lifetime ban from the studios is still in place. | 0:23:10 | 0:23:13 | |
Yeah, well, the same to you, mate! Just you wait! | 0:23:14 | 0:23:18 | |
We'll see who has the last laugh! | 0:23:18 | 0:23:20 | |
My dad always talks about you. | 0:23:27 | 0:23:29 | |
"Three Socks this", "Three Socks that". | 0:23:29 | 0:23:31 | |
Why are you called Three Socks, anyway? | 0:23:31 | 0:23:34 | |
-Well, it's a long story. How is your dad? -Yeah, he's good. | 0:23:34 | 0:23:38 | |
Is he... Is he with anyone, y'know? | 0:23:38 | 0:23:40 | |
Yeah...me. | 0:23:40 | 0:23:43 | |
-No, no, no, no. I mean like a girlfriend. -Oh, sometimes. | 0:23:43 | 0:23:46 | |
-What about you, Uncle Ash? -Yeah... Well, sometimes. | 0:23:47 | 0:23:51 | |
-You got any children? -No. | 0:23:51 | 0:23:53 | |
Oh... Are you gay? | 0:23:54 | 0:23:57 | |
-No, I'm not gay, thank you. -Nothing wrong if you are. | 0:23:57 | 0:24:00 | |
I know. I'm just not gay, all right? | 0:24:00 | 0:24:03 | |
Just asking. | 0:24:03 | 0:24:04 | |
-So what's my fee going to be? -Er, what fee's that, then? | 0:24:07 | 0:24:10 | |
For the con. You said I was part of the team. | 0:24:10 | 0:24:13 | |
No, no, no, no, no, no. You see, your fee, right, is learning - | 0:24:13 | 0:24:17 | |
y'know, from us. It's worth more than money, that is. | 0:24:17 | 0:24:20 | |
Oh, OK. | 0:24:20 | 0:24:22 | |
Tell you what, if I can trick you out of some of the money you make from the con, | 0:24:23 | 0:24:27 | |
can I keep it? | 0:24:27 | 0:24:28 | |
Hang on, let me get this straight. If you can trick me out of some of the money, | 0:24:28 | 0:24:32 | |
-assuming we get it, that is... I let you keep it. -Yeah. | 0:24:32 | 0:24:35 | |
What's the problem? You scared the great Three Socks Morgan'll be outsmarted by an 11-year-old? | 0:24:36 | 0:24:41 | |
No, no, no. I just don't want to crush your confidence, you cheeky sod! | 0:24:41 | 0:24:45 | |
Deal? | 0:24:45 | 0:24:46 | |
Yeah, all right, deal. | 0:24:49 | 0:24:50 | |
He-he! | 0:24:50 | 0:24:51 | |
How are we going to get him into the studios? From what I've heard the place is like Fort Knox. | 0:24:53 | 0:24:58 | |
-We're not. -How come? | 0:24:58 | 0:25:00 | |
He doesn't need to go there. He just needs to do the presentation to you. | 0:25:00 | 0:25:03 | |
How are you getting on with the offices? | 0:25:03 | 0:25:06 | |
-Well, I've had a rethink. -Oh? | 0:25:06 | 0:25:08 | |
The name of the London City Studios' property developers is already out there - Weinstein De Vere. | 0:25:08 | 0:25:12 | |
A big company with swanky West End offices. | 0:25:12 | 0:25:15 | |
So we have to assume that Ridley at least knows of 'em. | 0:25:15 | 0:25:18 | |
-We can't risk faking it. -So what were you thinking? | 0:25:18 | 0:25:22 | |
We get Ridley to do the presentation AT Weinstein De Vere. | 0:25:22 | 0:25:25 | |
-What, in their actual offices? -Yeah, in the boardroom. -Yeah, obviously. | 0:25:25 | 0:25:29 | |
As my dad always says, you can't have much more convincing than the real thing. | 0:25:29 | 0:25:34 | |
-Is the shark with you? -Nah, he's been following me since I left the aquarium. | 0:25:34 | 0:25:38 | |
-How will you pull this one off, Uncle Ash? -Yeah, how WILL you pull this one off, Uncle Ash? | 0:25:38 | 0:25:42 | |
Well y'know, I'm, erm... I'm working on it, ain't I? | 0:25:42 | 0:25:46 | |
I think it's time to put our friend out of his misery. | 0:25:46 | 0:25:49 | |
Ah, Mr Ridley. Brett Strickland. | 0:25:51 | 0:25:54 | |
No, no, actually, my flight's been delayed. | 0:25:54 | 0:25:57 | |
Perhaps we SHOULD meet. | 0:25:57 | 0:25:59 | |
Yeah. Yeah, that works for me. | 0:25:59 | 0:26:03 | |
OK. | 0:26:03 | 0:26:04 | |
I've spoken to Mr Sellworth about your proposal and he's interested. But we'd need to move fast. | 0:26:06 | 0:26:10 | |
You must meet Weinstein de Vere, the property consultants handling the sealed bids. | 0:26:10 | 0:26:14 | |
No problem. We can arrange a meeting for tomorrow. How much are you proposing to bid? | 0:26:14 | 0:26:19 | |
-100 million. -Any flexibility in that? -We want the building. | 0:26:19 | 0:26:22 | |
-Our analysts believe 100 million should swing it. -Let's hope they're right. | 0:26:22 | 0:26:26 | |
The only outstanding issue is your fee. Ten percent is completely out of the question. | 0:26:26 | 0:26:31 | |
-So what are you thinking? -A flat million. -That will barely cover my costs. | 0:26:31 | 0:26:36 | |
Plus, we are talking about YOUR reputation. | 0:26:36 | 0:26:39 | |
Picture the scene. | 0:26:39 | 0:26:41 | |
You, arriving back in Boston with a 100 million contract in your pocket | 0:26:41 | 0:26:47 | |
that you've salvaged by using your intuitive brilliance and relentless determination | 0:26:47 | 0:26:52 | |
on behalf of Helius International. That's got to be worth five million of anybody's money, surely. | 0:26:52 | 0:26:58 | |
-Two. -Three. | 0:26:58 | 0:27:00 | |
-2.5. -Done. | 0:27:00 | 0:27:01 | |
Good. You'll front the bid on behalf of your company. | 0:27:01 | 0:27:04 | |
If you win, we will put up the money and you will pass full ownership of the building over to us | 0:27:04 | 0:27:09 | |
in exchange for £2.5 million. Do we have a deal? | 0:27:09 | 0:27:13 | |
-There's one more thing I need. -I'm done negotiating, Mr Ridley. -Oh, I'm sure you'll be OK with this. | 0:27:13 | 0:27:19 | |
-I'm assuming you'll be demolishing and building from scratch. -Of course. | 0:27:19 | 0:27:23 | |
Then I would like to drive the first bulldozer through the front of the building. | 0:27:23 | 0:27:27 | |
-You...want to drive the bulldozer? -That's right. Through the front wall. | 0:27:27 | 0:27:31 | |
OK. Well, then, I guess we have a deal. | 0:27:32 | 0:27:36 | |
Couldn't I just come and watch? | 0:27:39 | 0:27:41 | |
What, and that won't be suspicious, you sitting in a corner of the room, staring? I think not, Alfred. | 0:27:41 | 0:27:46 | |
-Could be your assistant. -You're 11. -Could make the tea? | 0:27:47 | 0:27:50 | |
-Look, just sit tight here with Albert, just in case we need you, yeah? -Bo-ring. | 0:27:50 | 0:27:54 | |
-You nearly done? -Yeah... Good as. | 0:27:58 | 0:28:01 | |
-You missed the C off acquire. -Eh? | 0:28:01 | 0:28:04 | |
Acquire. Has a C in it. | 0:28:04 | 0:28:07 | |
Oh. | 0:28:09 | 0:28:10 | |
Thank you. | 0:28:11 | 0:28:13 | |
-Hello? -'Weinstein de Vere?' -Hello, yes, it's Terry Harper here, from TGP Properties. | 0:28:13 | 0:28:18 | |
Yes, we're looking to hire a new firm of consultants | 0:28:18 | 0:28:21 | |
and I'd like to set up a meeting with David Trip to discuss it. | 0:28:21 | 0:28:25 | |
Hey, here's one for ya. How many Spaniards does it take to change a lightbulb? | 0:28:30 | 0:28:34 | |
Juan. | 0:28:34 | 0:28:35 | |
-Eh, you, I'm doing the punchline! -He's all yours, Eddie. -Sounds expensive. | 0:28:37 | 0:28:41 | |
-We'll cover any losses. -You staying for a quick one? -I must get back. We'll come for him later. | 0:28:41 | 0:28:46 | |
Now YOU, you be good, Bandito, huh? | 0:28:46 | 0:28:49 | |
OK. | 0:28:49 | 0:28:50 | |
-Bye, Albert. -Bye! | 0:28:52 | 0:28:54 | |
-Want to play a game, Eddie? -Seeing as how they're paying, yeah, whatever you want. | 0:28:55 | 0:29:00 | |
-What about "find a fiver"? -Never heard of that one. -It's easy. | 0:29:00 | 0:29:03 | |
You just close your eyes, count to say... | 0:29:03 | 0:29:06 | |
200, I'll hide. | 0:29:06 | 0:29:08 | |
Once you get to 200, open your eyes, try and find me. | 0:29:08 | 0:29:11 | |
-That's hide-and-seek. -Yeah, but if you find me, I have to give you a fiver. | 0:29:11 | 0:29:16 | |
I like the sound of that. | 0:29:16 | 0:29:18 | |
Go on, turn around, close your eyes, start counting. | 0:29:18 | 0:29:22 | |
-One, two, three... -No peeking! | 0:29:26 | 0:29:30 | |
..four, five, six, seven, eight, | 0:29:30 | 0:29:35 | |
nine, ten, 11, 12... | 0:29:35 | 0:29:38 | |
-Morning, Mr Trip. -Just off for my 10.30. | 0:29:44 | 0:29:46 | |
-It's me. He's just left. EMMA: -'OK, we're all set here.' | 0:29:52 | 0:29:55 | |
Hello, I have a meeting with a few colleagues but they're going to be late. | 0:30:01 | 0:30:05 | |
Is it all right if I wait over there until we're all here? | 0:30:05 | 0:30:08 | |
Hello. | 0:30:12 | 0:30:14 | |
Terry Harper, TGP Properties. I've got an appointment to see David Trip. | 0:30:14 | 0:30:18 | |
Oh, he's just left, I'm afraid. | 0:30:18 | 0:30:20 | |
Oh, hell! Mix-up with my new assistant. No problem. I'll give him a call. | 0:30:20 | 0:30:25 | |
Hello, David? Yes, Terry Harper. Bit of a mix-up, I'm afraid. | 0:30:30 | 0:30:35 | |
Yeah! I'm at your office. | 0:30:35 | 0:30:37 | |
Yes, I know. | 0:30:37 | 0:30:39 | |
All right, see you in a minute. | 0:30:40 | 0:30:42 | |
He won't be long. He said for me to wait for him in the meeting room. | 0:30:42 | 0:30:46 | |
Certainly. It's just here. | 0:30:46 | 0:30:48 | |
-Can I get you a drink? -No, no, no, I'm fine, thanks. | 0:30:49 | 0:30:52 | |
Two of my colleagues will be arriving shortly, | 0:30:53 | 0:30:56 | |
Mr Ridley and Associate. | 0:30:56 | 0:30:58 | |
-They'll ask for me. Just show them right in, would you? -Of course. It's this way... | 0:30:58 | 0:31:03 | |
Hi, David Trip... | 0:31:16 | 0:31:18 | |
-Mr Trip. Hello, I'm Louise, I'm Terry's assistant. -Oh, hi! | 0:31:18 | 0:31:21 | |
Terry's stuck in traffic. He'll be here any minute now | 0:31:21 | 0:31:25 | |
but the meeting room's in use so he's asked me to cover the company's background. | 0:31:25 | 0:31:29 | |
-Sure, no problem. -Please, take a seat. | 0:31:29 | 0:31:31 | |
-Oh! Oh! I'm sorry, I'm sorry. -No, it's... -Oh! | 0:31:31 | 0:31:35 | |
-Right, thank you. -There you go. -Lovely. Just take a seat. -Certainly. Thank you. | 0:31:35 | 0:31:40 | |
-That's just a little bit of what we're about, there. -Splendid. | 0:31:42 | 0:31:46 | |
-Dale Ridley...to see Terry Harper. -If you'd like to follow me, please. | 0:31:49 | 0:31:54 | |
..198, 199, 200. | 0:32:08 | 0:32:11 | |
-Gentlemen, welcome. I'm Terry Harper. -Pleased to meet you. | 0:32:14 | 0:32:17 | |
Please. | 0:32:18 | 0:32:19 | |
As I'm sure you know, we've been appointed by the vendors | 0:32:21 | 0:32:25 | |
to handle the sale of the London City Studios, | 0:32:25 | 0:32:28 | |
and it's my job to oversee the sealed bid process. | 0:32:28 | 0:32:31 | |
Now, I'm a bit pushed for time so let's get straight on with it, shall we? | 0:32:31 | 0:32:34 | |
Yeah... Sure. | 0:32:34 | 0:32:37 | |
Clearly, the key selling point is the location. | 0:32:37 | 0:32:40 | |
The studios are right in the heart of the West End | 0:32:40 | 0:32:43 | |
making it perfect for a luxury hotel, shopping centre, | 0:32:43 | 0:32:47 | |
offices or even luxury apartments. | 0:32:47 | 0:32:49 | |
-How many bids have you had? -I can't discuss details of the bids, I'm afraid, | 0:32:50 | 0:32:54 | |
but I'm sure you can imagine there's been considerable interest in the site. | 0:32:54 | 0:32:58 | |
And I CAN tell you that your party is the final bid. | 0:32:58 | 0:33:02 | |
-We're closing the process in just over two hours. -(I see.) | 0:33:02 | 0:33:05 | |
Now... | 0:33:07 | 0:33:08 | |
..I must point out, Terry, | 0:33:09 | 0:33:12 | |
that we are determined to win this bid. | 0:33:12 | 0:33:16 | |
I am personally prepared to pay whatever it takes to ensure we do. | 0:33:18 | 0:33:23 | |
Whatever it takes? | 0:33:26 | 0:33:28 | |
Whatever it takes. | 0:33:28 | 0:33:30 | |
I want that site, Terry. | 0:33:31 | 0:33:35 | |
Well, in that case...it would be a shame if you didn't get it. | 0:33:35 | 0:33:40 | |
'The person you are calling is unable to take your call. | 0:33:47 | 0:33:50 | |
'Please leave a message after the tone.' | 0:33:50 | 0:33:53 | |
David, it's Kate. They're all in the boardroom waiting for you. | 0:33:53 | 0:33:56 | |
Now... | 0:33:56 | 0:33:57 | |
..let's suppose, | 0:33:59 | 0:34:01 | |
hypothetically speaking, | 0:34:01 | 0:34:03 | |
that I write | 0:34:03 | 0:34:06 | |
"100 million" here. | 0:34:06 | 0:34:08 | |
How would that sound? | 0:34:09 | 0:34:11 | |
Well, that sounds like a... | 0:34:12 | 0:34:15 | |
..winning bid. Hypothetically speaking. | 0:34:15 | 0:34:19 | |
And... | 0:34:20 | 0:34:22 | |
what should I allow for extras? | 0:34:22 | 0:34:25 | |
You know... | 0:34:26 | 0:34:28 | |
..the, er, additional costs to ensure the deal is done? | 0:34:29 | 0:34:34 | |
Well, I usually advise one percent cash, | 0:34:34 | 0:34:38 | |
which would make it, let me see, erm... | 0:34:38 | 0:34:41 | |
Oh. | 0:34:41 | 0:34:43 | |
A nice round million. | 0:34:44 | 0:34:46 | |
I hate to spend more than I have to on extras. | 0:34:46 | 0:34:48 | |
I was thinking...250. | 0:34:49 | 0:34:52 | |
-Oh, look, is that the time? -Fine. | 0:34:52 | 0:34:54 | |
500,000. | 0:34:55 | 0:34:57 | |
Oh, I think we can probably work with that. | 0:34:59 | 0:35:02 | |
We specialise in medium-size city-centre commercial properties, | 0:35:09 | 0:35:13 | |
mainly office blocks, but we also have a portfolio of retail units. | 0:35:13 | 0:35:19 | |
-Excuse me for just one second. -Yes, certainly. | 0:35:19 | 0:35:22 | |
WHAT do you think you're doing here?! | 0:35:28 | 0:35:31 | |
You said I could help! I haven't done anything interesting yet. | 0:35:31 | 0:35:34 | |
We're right in the middle of the con! | 0:35:34 | 0:35:37 | |
Oh no, that's blown it! | 0:35:37 | 0:35:38 | |
-That's not the man from Weinstein de Vere, is it? -Yes! It is! | 0:35:39 | 0:35:42 | |
-And now he knows we're supposed to be THERE and not HERE! -I'm sorry. I'll go warn Uncle Ash. -No! | 0:35:42 | 0:35:48 | |
Don't you dare! You're going straight back to Eddie's bar and you'll wait there! | 0:35:48 | 0:35:52 | |
OK, I'll be right back. | 0:36:01 | 0:36:03 | |
-Is everything OK? -There's been a mix-up. Mr Harper's waiting for me at our offices. | 0:36:05 | 0:36:09 | |
Oh! If I call get him to come back, that's probably the easiest... | 0:36:09 | 0:36:12 | |
-No, it's fine. -No, I really... -I'll take a cab. | 0:36:12 | 0:36:15 | |
Excellent! | 0:36:17 | 0:36:18 | |
MOBILE RINGS | 0:36:20 | 0:36:24 | |
Excuse me, I must take this. | 0:36:24 | 0:36:25 | |
Yes? | 0:36:27 | 0:36:29 | |
Well, I am rather busy at the moment. | 0:36:29 | 0:36:31 | |
Not as busy as you'll be in two minutes' time. Long story but Trip's coming back to you. | 0:36:31 | 0:36:35 | |
Oh, dear. | 0:36:35 | 0:36:37 | |
Right, well, thanks for that. | 0:36:37 | 0:36:39 | |
-Problem? -No. No, nothing serious. | 0:36:39 | 0:36:42 | |
But I'm afraid we will have to wrap this up shortly. | 0:36:42 | 0:36:45 | |
But before we do, correct me if I'm wrong... | 0:36:45 | 0:36:47 | |
"Ding-dong, that's my song!" Yes? | 0:36:49 | 0:36:52 | |
-Yes, that's me. -I KNEW I recognised you! -Long time ago. | 0:36:53 | 0:36:56 | |
-Yes, it was, but it was a great show, though. -Thank you. | 0:36:56 | 0:37:00 | |
Don't think it'll be a problem, do you? | 0:37:00 | 0:37:02 | |
You know, my, er...history with...London City Studios? | 0:37:02 | 0:37:06 | |
History? | 0:37:06 | 0:37:07 | |
What history? | 0:37:08 | 0:37:10 | |
Exactly. | 0:37:11 | 0:37:13 | |
You see, the bottom line is, they don't need to know | 0:37:13 | 0:37:16 | |
who the principal players are behind the winning bid. | 0:37:16 | 0:37:19 | |
Unless you're a Yank! | 0:37:20 | 0:37:22 | |
God forbid! | 0:37:25 | 0:37:27 | |
Please. | 0:37:27 | 0:37:28 | |
A pleasure to do business with you, Mr Harper. | 0:37:45 | 0:37:48 | |
-I'll be in touch soon. -Excellent. Sorry not to have longer. Busy day, I'm afraid. | 0:37:50 | 0:37:54 | |
-I trust we'll speak again very soon. -You can count on it. | 0:37:54 | 0:37:58 | |
Mr Harper? | 0:37:58 | 0:37:59 | |
-David Trip. -Ah, David, just excuse me for two minutes, would you? I need the loo. | 0:37:59 | 0:38:04 | |
How quickly can you get your hands on that half a million? | 0:38:17 | 0:38:21 | |
I'll call the bank. Couple of hours, easy. | 0:38:21 | 0:38:23 | |
Check again! His name's Terry Harper, he's here. This is Weinstein de Vere and he's visiting... | 0:38:23 | 0:38:28 | |
-No! -You'll have to leave. -I've got to go! Get off me! -There's no-one here by that name. | 0:38:28 | 0:38:32 | |
Yeah, I had to cut things short but I don't think he suspected anything. | 0:38:37 | 0:38:41 | |
-'In fact, I'm certain he's on board.' -OK, OK. Well done. | 0:38:41 | 0:38:45 | |
-You meeting us at Eddie's? -No, I'm going back to the hotel to await Ridley's call. | 0:38:45 | 0:38:48 | |
-I'll see you later. -All right, mate, cheers. | 0:38:48 | 0:38:51 | |
-Are you sure it was the same kid? -One hundred percent. | 0:38:51 | 0:38:54 | |
Well, maybe it's just a coincidence. | 0:38:54 | 0:38:56 | |
He was there looking for Terry Harper. | 0:38:56 | 0:38:58 | |
But when I saw the kid at the hotel, he was with Strickland. | 0:38:58 | 0:39:02 | |
-That's more than a coincidence. -Yeah, that is a bit odd. | 0:39:02 | 0:39:05 | |
Plus, he was saying to that security guard that Terry Harper was a visitor. | 0:39:05 | 0:39:10 | |
-But he's isn't, he works there. -Exactly! | 0:39:10 | 0:39:13 | |
-Boss, what are you saying? -I don't know. | 0:39:13 | 0:39:16 | |
But something definitely is NOT right. | 0:39:16 | 0:39:20 | |
-So where have you been? I told you to come straight back here. -I, er...got lost? | 0:39:20 | 0:39:26 | |
Oh, OK. I thought we agreed. You promised me you'd be good. | 0:39:26 | 0:39:29 | |
I wondered why you asked me to count all the way to 200. | 0:39:29 | 0:39:32 | |
Oh! Don't tell me he got you to play hide-and-seek! | 0:39:32 | 0:39:35 | |
-What is it with you? -He's very persuasive. It's the eyes. -Definitely the eyes. | 0:39:35 | 0:39:38 | |
Either that or you two are unbelievably gullible. | 0:39:38 | 0:39:41 | |
All right, come on, drink up. | 0:39:43 | 0:39:45 | |
You all right? | 0:39:49 | 0:39:50 | |
-Can I talk to ya? -Yeah, sure. | 0:39:52 | 0:39:54 | |
Alone. | 0:39:57 | 0:39:58 | |
Ridley just saw me at the offices you were at. | 0:39:58 | 0:40:01 | |
What, Weinstein de Vere? | 0:40:01 | 0:40:03 | |
What were you doing there? | 0:40:04 | 0:40:07 | |
I came to warn you about the other man - that he was coming back. | 0:40:07 | 0:40:11 | |
And did Ridley recognise you from the hotel? | 0:40:11 | 0:40:14 | |
Don't worry, son, we'll sort it. | 0:40:20 | 0:40:22 | |
I think it went pretty well. | 0:40:30 | 0:40:32 | |
But I don't think we should risk leaving the outcome to chance. | 0:40:32 | 0:40:35 | |
What do you mean? | 0:40:35 | 0:40:36 | |
It's my secret weapon. | 0:40:36 | 0:40:38 | |
I always know who's open to a little financial incentive and who isn't. | 0:40:38 | 0:40:42 | |
Are you suggesting we pay a bribe? | 0:40:42 | 0:40:44 | |
Oh come on, Mr Strickland, we're both grown-up businessmen. | 0:40:44 | 0:40:47 | |
That's the way it sometimes happens. | 0:40:47 | 0:40:50 | |
We are a billion-dollar-a-year business with a reputation to protect. | 0:40:50 | 0:40:54 | |
We can't be seen to be involved. | 0:40:54 | 0:40:56 | |
You wouldn't have to. We'd do it. | 0:40:56 | 0:40:58 | |
And what if Harper squeals? | 0:40:58 | 0:41:00 | |
Well, your name's not on the bid document, you've got complete deniability. | 0:41:00 | 0:41:05 | |
All right, just do it then. | 0:41:06 | 0:41:08 | |
I think it's only fair that we each put up half the cash. | 0:41:08 | 0:41:12 | |
Why? | 0:41:12 | 0:41:13 | |
Because if anything goes wrong, then we both share the hit. | 0:41:13 | 0:41:16 | |
How much are we talking? | 0:41:16 | 0:41:18 | |
A man like Harper? 500,000 should do it. | 0:41:18 | 0:41:21 | |
And you're suggesting I go and find £250,000 in cash, like that? | 0:41:21 | 0:41:25 | |
You're a billion-dollar-a-year company. That's just loose change. | 0:41:25 | 0:41:30 | |
So what are his options? | 0:41:32 | 0:41:34 | |
-Well, he could walk away. -But he won't, will he. Not Ridley. | 0:41:34 | 0:41:37 | |
He's asking us to put up half the money, | 0:41:37 | 0:41:39 | |
to look like he's going to go through with the bribe. | 0:41:39 | 0:41:43 | |
But he'll keep it. | 0:41:43 | 0:41:44 | |
Exactly. So how do we get it back? | 0:41:44 | 0:41:48 | |
Ok, So we're 43 short. Any ideas? | 0:41:52 | 0:41:55 | |
Yeah, I can probably magic that up. | 0:41:55 | 0:41:56 | |
-How? -Ask no questions, I'll tell you no lies. | 0:41:56 | 0:41:59 | |
-Oh, no you don't. -What? -I know what you're thinking. -No, you don't. | 0:41:59 | 0:42:02 | |
-What's she on about? -I've no idea. -You promised. | 0:42:02 | 0:42:06 | |
ALL: Reg! | 0:42:09 | 0:42:11 | |
All right, all right, I heard you. > | 0:42:24 | 0:42:26 | |
Oh, it's you. | 0:42:31 | 0:42:33 | |
Yeah, well nice to see you too, Reg. | 0:42:33 | 0:42:36 | |
Well, come in then. | 0:42:36 | 0:42:38 | |
Thank you, Reg. | 0:42:45 | 0:42:46 | |
That's 50p. | 0:42:46 | 0:42:48 | |
What? | 0:42:48 | 0:42:49 | |
50p. For the tea. | 0:42:49 | 0:42:51 | |
You want cake? I've got cake. | 0:42:51 | 0:42:52 | |
No, no, you're all right, mate. | 0:42:52 | 0:42:56 | |
-There you go, 50p. -Thank you. | 0:42:56 | 0:42:58 | |
So... How much do you want? | 0:43:01 | 0:43:05 | |
Eighty grand. | 0:43:06 | 0:43:07 | |
REG SCOFFS Eighty grand?! | 0:43:07 | 0:43:10 | |
No, no, no, I can't do eighty grand, I can't. | 0:43:10 | 0:43:12 | |
No? Right, what about 43 then, can you do that? | 0:43:12 | 0:43:14 | |
Yes, I could do 43. | 0:43:14 | 0:43:16 | |
Ten... | 0:43:35 | 0:43:36 | |
twenty... | 0:43:36 | 0:43:38 | |
thirty... | 0:43:38 | 0:43:40 | |
..forty.. | 0:43:42 | 0:43:43 | |
41, 42, 43. | 0:43:43 | 0:43:46 | |
So, how long d'you want it for? | 0:43:46 | 0:43:50 | |
Oh, a couple of days should do it, Reg. | 0:43:50 | 0:43:52 | |
-It's gonna cost you. -How much? -The usual. | 0:43:52 | 0:43:55 | |
-What, 2% a day? -Plus the other thing. | 0:43:55 | 0:43:59 | |
What other thing's that then, Reg? | 0:43:59 | 0:44:01 | |
Y'know, the other thing, with the girl. | 0:44:01 | 0:44:04 | |
-Emma. -Is there a problem? | 0:44:04 | 0:44:05 | |
No, it's not a problem, Reg. She loves doing it with you. | 0:44:06 | 0:44:09 | |
Really? | 0:44:09 | 0:44:12 | |
Oh, yeah. | 0:44:13 | 0:44:14 | |
That's good. | 0:44:14 | 0:44:15 | |
-I feel like I'm in a spy movie. -It's just boring old business. | 0:44:31 | 0:44:34 | |
Maybe for you, but this is not how I do business. | 0:44:34 | 0:44:37 | |
Well, it is now. Mind if I have a look? | 0:44:37 | 0:44:40 | |
-Not if you don't? -Be my guest. | 0:44:40 | 0:44:42 | |
You think this is going to work? | 0:44:57 | 0:44:59 | |
Oh, I'm sure of it. I'll ring you when it's done. | 0:44:59 | 0:45:02 | |
He's on his way. | 0:45:11 | 0:45:12 | |
So how did it go? | 0:45:17 | 0:45:19 | |
Like a dream. | 0:45:21 | 0:45:22 | |
You can't kid a kidder! | 0:45:38 | 0:45:40 | |
Boss. You're a genius. This is sweet! | 0:45:40 | 0:45:43 | |
PHONE RINGS | 0:45:43 | 0:45:45 | |
-Hello? -Hello, Mr Ridley. It's Sarah on reception here. | 0:45:47 | 0:45:50 | |
Hello, love. | 0:45:50 | 0:45:52 | |
Erm, there are some policeman on their way up to see you. | 0:45:52 | 0:45:55 | |
There's police on their way up here. | 0:45:55 | 0:45:58 | |
The police!? Why? Are we in trouble? Why are the police here? | 0:45:58 | 0:46:01 | |
How would I know?! | 0:46:01 | 0:46:04 | |
PHONE RINGS AGAIN | 0:46:04 | 0:46:06 | |
Hello? | 0:46:10 | 0:46:11 | |
-Mr Ridley. It's Sarah on reception again. -Oh, hello. | 0:46:11 | 0:46:14 | |
The police are asking if you and your colleague would come downstairs and talk to them. | 0:46:14 | 0:46:19 | |
They say it won't take long. | 0:46:19 | 0:46:20 | |
Fine. | 0:46:20 | 0:46:22 | |
They want us downstairs now. | 0:46:24 | 0:46:27 | |
-Us? -Yes, us! | 0:46:27 | 0:46:29 | |
I'm Ridley. Where are they? | 0:46:39 | 0:46:42 | |
-Sorry, Mr Ridley, who? -The policemen. | 0:46:42 | 0:46:44 | |
Sorry, which policemen? | 0:46:44 | 0:46:46 | |
Where's Sarah? | 0:46:48 | 0:46:49 | |
We don't have a Sarah here. | 0:46:49 | 0:46:51 | |
I've just spoken to her. | 0:46:51 | 0:46:53 | |
What's going on? | 0:46:55 | 0:46:57 | |
Where's the money? | 0:47:14 | 0:47:17 | |
They've nicked it! | 0:47:19 | 0:47:21 | |
Mr Ridley. Can I help? | 0:47:22 | 0:47:24 | |
Damn right you can. I've been robbed. | 0:47:25 | 0:47:28 | |
A receptionist called Sarah rang me | 0:47:32 | 0:47:34 | |
and said that there were police officers coming up to see me. | 0:47:34 | 0:47:37 | |
We don't have anyone called Sarah. | 0:47:37 | 0:47:39 | |
So you said. | 0:47:39 | 0:47:41 | |
Then she rang me again, and asked me to go downstairs to meet them. | 0:47:41 | 0:47:46 | |
I went downstairs and there were no police officers. | 0:47:46 | 0:47:51 | |
We were out of this room for five minutes, | 0:47:51 | 0:47:55 | |
and someone stole cash from that safe. | 0:47:55 | 0:47:59 | |
But Mr Ridley, there are absolutely no signs of forced entry. | 0:48:01 | 0:48:05 | |
And as I showed you downstairs, the CCTV footage only shows you | 0:48:05 | 0:48:09 | |
and your colleague entering this room once. | 0:48:09 | 0:48:11 | |
Your camera only shows us going to the room | 0:48:11 | 0:48:15 | |
after we came back from reception. | 0:48:15 | 0:48:18 | |
We were in the room before that as well! | 0:48:18 | 0:48:22 | |
Not according the footage and neither was anyone else. | 0:48:22 | 0:48:27 | |
So, how are you suggesting they got in? | 0:48:27 | 0:48:30 | |
I don't know! Through the door! | 0:48:30 | 0:48:33 | |
Don't tell me he got you to play hide and seek. | 0:48:34 | 0:48:37 | |
-What is it with you lot? -He's very persuasive. It's the eyes. -Yes, it's definitely the eyes. | 0:48:37 | 0:48:42 | |
Well, either that or you two are unbelievably gullible. | 0:48:42 | 0:48:45 | |
And did Ridley recognise you from the hotel? | 0:48:45 | 0:48:49 | |
Don't worry, son, we'll sort it. | 0:48:54 | 0:48:56 | |
-So what are his options? -Well, he could walk away. | 0:49:00 | 0:49:03 | |
But he won't, will he. Not Ridley. | 0:49:03 | 0:49:05 | |
He's asking us to put up half the money, | 0:49:05 | 0:49:07 | |
to look like he's going to go through with the bribe. | 0:49:07 | 0:49:10 | |
But he'll keep it. | 0:49:10 | 0:49:12 | |
Exactly. So how do we get it back? | 0:49:12 | 0:49:15 | |
Alfie, | 0:49:28 | 0:49:30 | |
you're a bloody genius! | 0:49:30 | 0:49:32 | |
-So we know that Ridley's on this floor, yeah? -Yeah. | 0:49:35 | 0:49:38 | |
OK. | 0:49:38 | 0:49:39 | |
Excuse me. Could you tell me if suite 532 or 732 are available? | 0:49:40 | 0:49:45 | |
I'd like to upgrade. | 0:49:45 | 0:49:46 | |
Sean, you'll need to access the hotel lift. | 0:49:50 | 0:49:53 | |
Make sure Ridley goes to the fifth floor. | 0:50:05 | 0:50:09 | |
So how did it go? | 0:50:12 | 0:50:14 | |
Like a dream. | 0:50:14 | 0:50:17 | |
We'll need to send Ridley to room 532. | 0:50:19 | 0:50:22 | |
But he'll think it's room 632. | 0:50:22 | 0:50:23 | |
Mickey, make sure you swap Ridley's key card. | 0:50:32 | 0:50:36 | |
You think this is gonna work? | 0:50:40 | 0:50:42 | |
Oh, I'm sure of it. | 0:50:42 | 0:50:43 | |
Hello, Mr Ridley, it's, erm... Sarah on reception here. | 0:50:52 | 0:50:56 | |
There are some policemen on their way up to see you. | 0:50:56 | 0:50:58 | |
The police? Why? Are we in trouble? Why are the police here? | 0:50:58 | 0:51:02 | |
How would I know? | 0:51:02 | 0:51:04 | |
I'm Ridley. Where are they? | 0:51:06 | 0:51:08 | |
-Sorry, Mr Ridley, who? -The policemen. | 0:51:08 | 0:51:10 | |
-Where's the money? -They've nicked it! | 0:51:24 | 0:51:26 | |
Six, seven, eight, nine. | 0:52:24 | 0:52:28 | |
Bingo. | 0:52:28 | 0:52:29 | |
-Come on. -OK, go. | 0:52:35 | 0:52:37 | |
Gentlemen! | 0:52:39 | 0:52:40 | |
Raise your glasses. I give you the great British game show. | 0:52:40 | 0:52:45 | |
Ding-dong, that's my song! | 0:52:45 | 0:52:49 | |
We went up in the lift, to the sixth floor and then we walked to the suite. | 0:52:52 | 0:52:56 | |
Then why didn't the CCTV see us? | 0:52:56 | 0:52:58 | |
Maybe they messed with the cameras. | 0:52:58 | 0:53:01 | |
Hey, what if the manager's in on it? | 0:53:01 | 0:53:03 | |
This is doing my head in, boss. Seriously, I give in. | 0:53:03 | 0:53:06 | |
That's easy for you to say. You haven't lost £250,000 to a bunch of con men! | 0:53:06 | 0:53:10 | |
Ding-dong, that's my song! | 0:53:11 | 0:53:14 | |
Piss off! | 0:53:15 | 0:53:18 | |
You did good, kid. | 0:53:22 | 0:53:23 | |
Actually, you were a complete liability. | 0:53:25 | 0:53:28 | |
But at least it was never boring. | 0:53:28 | 0:53:30 | |
Nah, you're gonna be great, son. | 0:53:30 | 0:53:32 | |
Cheers. I've loved every minute of it. And meeting you, Uncle Ash. | 0:53:32 | 0:53:37 | |
PHONE RINGS | 0:53:37 | 0:53:38 | |
Y'know, properly. I'm really going to miss you. | 0:53:38 | 0:53:41 | |
Hello? | 0:53:41 | 0:53:43 | |
Ah... | 0:53:44 | 0:53:47 | |
Yeah, well, me too, kid. | 0:53:47 | 0:53:50 | |
Ash. Phone for you. Beezer. | 0:53:50 | 0:53:53 | |
Well, well, well, if it isn't the bloke that's gonna be picking up | 0:53:54 | 0:53:58 | |
the tab down here for the next year. | 0:53:58 | 0:54:00 | |
Yeah, all right, how's it going? Yeah. | 0:54:01 | 0:54:04 | |
You what? Er, yeah, well, you know, I can only ask 'em. | 0:54:07 | 0:54:12 | |
Yeah, all right, ta-ta. | 0:54:13 | 0:54:14 | |
He says he's stuck in Berlin and wondered if we could | 0:54:19 | 0:54:23 | |
have Alfie for another couple of weeks. | 0:54:23 | 0:54:25 | |
Well, yeah, sure, fine. | 0:54:29 | 0:54:32 | |
No, I'm just kidding! | 0:54:34 | 0:54:35 | |
He's in a cab, he'll be here in five. | 0:54:35 | 0:54:38 | |
Hey, where's Emma? | 0:54:40 | 0:54:41 | |
Oh, she's taking one for the team. | 0:54:41 | 0:54:43 | |
TANGO MUSIC PLAYS | 0:54:47 | 0:54:49 | |
I'm gonna miss the kid, you know. | 0:55:32 | 0:55:33 | |
Yeah, me too. | 0:55:33 | 0:55:35 | |
Well, I think one fresh-faced kid on the team is enough. | 0:55:35 | 0:55:39 | |
Aw, thanks, Albert. | 0:55:39 | 0:55:42 | |
-So how exactly did he manage to lose you Emma? -We're five grand short. | 0:55:42 | 0:55:45 | |
-Don't change the subject. -I'm serious. | 0:55:45 | 0:55:47 | |
I counted this three times and we're two bundles short. | 0:55:47 | 0:55:50 | |
Maybe Ridley mis-counted it. He did think he was gonna get it all back after all. | 0:55:50 | 0:55:54 | |
No, he wouldn't have taken the risk. | 0:55:54 | 0:55:57 | |
Let's check the case. | 0:55:57 | 0:55:59 | |
-No, nothing there. -Have you got any idea, Ash? | 0:55:59 | 0:56:04 | |
Tell you what. If I can trick you out of some of the money you make from the con, | 0:56:04 | 0:56:07 | |
can I keep it? | 0:56:07 | 0:56:09 | |
Hang on, hang on, let me get this straight. | 0:56:09 | 0:56:10 | |
If you can trick me out of some of the money, I let you keep it? | 0:56:10 | 0:56:14 | |
Deal? | 0:56:16 | 0:56:17 | |
Yeah, all right, deal. | 0:56:17 | 0:56:19 | |
I'm really gonna miss you. | 0:56:19 | 0:56:21 | |
Yeah, me too, kid. | 0:56:24 | 0:56:25 | |
Nah. | 0:56:40 | 0:56:42 | |
No, it's a mystery to me. | 0:56:42 | 0:56:44 | |
This guy isn't just another mark. | 0:56:47 | 0:56:49 | |
Everything we've done, has been leading us to this point. | 0:56:49 | 0:56:53 | |
One big mark, then we can all walk away on top. | 0:56:53 | 0:56:56 | |
You take my ten million, you double it. | 0:56:56 | 0:56:59 | |
One last job and we're finished? | 0:56:59 | 0:57:00 | |
This walking-away money? | 0:57:00 | 0:57:02 | |
I've always thought it was a good idea to quit while you're ahead. | 0:57:02 | 0:57:04 | |
You said what? | 0:57:04 | 0:57:06 | |
I know what I'm doing. | 0:57:06 | 0:57:07 | |
I'll kill him. We have a job. | 0:57:07 | 0:57:10 | |
They've just gone into the hotel. | 0:57:10 | 0:57:11 | |
-Get out. -Go! Go, go, move! | 0:57:11 | 0:57:13 | |
Most of you must have thought that one day it would end like this. | 0:57:20 | 0:57:23 | |
Subtitles by Red Bee Media Ltd | 0:57:31 | 0:57:34 |