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This programme contains some strong language and some scenes which some viewers may find upsetting | 0:00:04 | 0:00:08 | |
I'm pregnant. HE LAUGHS | 0:00:08 | 0:00:10 | |
Police in Polesford are continuing their search for the missing | 0:00:10 | 0:00:13 | |
schoolgirls Poppy Johnston and Abigail Toms. Shit. What? | 0:00:13 | 0:00:15 | |
Suspect's wife, I know her. She was my best friend. | 0:00:15 | 0:00:17 | |
I have to go to Polesford. All right, I'll get them to endorse | 0:00:17 | 0:00:20 | |
access to Linda Bates, but no stepping on anyone's toes. | 0:00:20 | 0:00:23 | |
We're going to be grandads! Come here. | 0:00:23 | 0:00:25 | |
It's just weird being back. | 0:00:26 | 0:00:28 | |
You know, seeing Linda. | 0:00:28 | 0:00:29 | |
Two girls, | 0:00:29 | 0:00:31 | |
one missing over three weeks. What do you think? | 0:00:31 | 0:00:33 | |
TV: 'Abigail's burnt remains were discovered in woodland yesterday. | 0:00:33 | 0:00:36 | |
'Poppy Johnston is still missing.' | 0:00:36 | 0:00:38 | |
So, let me guess - coppers. | 0:00:38 | 0:00:41 | |
How's the holiday in Murder Town? | 0:00:41 | 0:00:43 | |
I mean, no-one really knows anyone, do they? | 0:00:43 | 0:00:45 | |
Do you ever think about what happened all them years ago? | 0:00:45 | 0:00:48 | |
Yeah. Every day. | 0:00:48 | 0:00:50 | |
So, is it mine? | 0:00:51 | 0:00:53 | |
I used to come here when I was younger. | 0:02:28 | 0:02:31 | |
It wasn't deserted then. | 0:02:31 | 0:02:33 | |
We used to go crazy in those cornfields. | 0:02:34 | 0:02:36 | |
I was younger - getting off with boys, | 0:02:38 | 0:02:41 | |
fumbling around like we knew what we were doing... | 0:02:41 | 0:02:44 | |
And this is relevant, is it? | 0:02:44 | 0:02:45 | |
To you being pregnant with my kid. | 0:02:45 | 0:02:47 | |
It's not yours. | 0:02:47 | 0:02:48 | |
Ah, come on! | 0:02:48 | 0:02:49 | |
It is relevant. If you just wait... | 0:02:49 | 0:02:52 | |
Fine. Tell me the story. | 0:02:54 | 0:02:57 | |
It's what I do, Adam. I sabotage my life. | 0:02:59 | 0:03:02 | |
You know, you think I was unhappy, but maybe it was the opposite. | 0:03:02 | 0:03:06 | |
Maybe I was just terrified of the happiness I was feeling. | 0:03:06 | 0:03:09 | |
Does he know about us? | 0:03:09 | 0:03:11 | |
What do you think? | 0:03:11 | 0:03:13 | |
How about I tell him? | 0:03:15 | 0:03:16 | |
Oh, yeah, that's a great idea, | 0:03:16 | 0:03:18 | |
then how about I tell the rest of the force? Cos that'll go down well, | 0:03:18 | 0:03:21 | |
shagging your colleague's girlfriend. | 0:03:21 | 0:03:22 | |
You'll be trusted undercover. Helen, I didn't come here to have a scrap with you. | 0:03:22 | 0:03:26 | |
I came here because... Yes, to talk to you about the baby, | 0:03:26 | 0:03:30 | |
but also to say that, if it is mine... | 0:03:30 | 0:03:33 | |
and I reckon there's a pretty high chance it is, don't you...? | 0:03:33 | 0:03:36 | |
..that I want to be a part of its life. | 0:03:39 | 0:03:42 | |
And I want to be a part of yours. | 0:03:44 | 0:03:46 | |
As most of you will already know, Stephen Bates, | 0:03:55 | 0:03:58 | |
the man we believe to be responsible for the murder of Abigail Toms, | 0:03:58 | 0:04:03 | |
is now on remand awaiting trial. | 0:04:03 | 0:04:06 | |
While I commend Detective Inspector Cornish | 0:04:06 | 0:04:09 | |
and his team for their excellent work on this tragic case, | 0:04:09 | 0:04:13 | |
we must not lose sight of the fact that there is an inquiry still ongoing, | 0:04:13 | 0:04:18 | |
so Poppy's parents, Michael and Annette, | 0:04:18 | 0:04:21 | |
are going to make a short statement, | 0:04:21 | 0:04:23 | |
after which I will be happy to answer any questions. | 0:04:23 | 0:04:26 | |
Stephen Bates has persistently refused to tell police | 0:04:28 | 0:04:32 | |
where our daughter is. | 0:04:32 | 0:04:33 | |
So today we are appealing to anyone who might know anything | 0:04:33 | 0:04:39 | |
to please come forward and help police find Poppy. | 0:04:39 | 0:04:42 | |
She has been missing for five days now | 0:04:43 | 0:04:45 | |
and we are desperate to hear from her. | 0:04:45 | 0:04:48 | |
Poppy is only 16 years old and it's completely | 0:04:48 | 0:04:51 | |
out of character for her to leave home without telling us. | 0:04:51 | 0:04:54 | |
And we just want her... | 0:04:54 | 0:04:55 | |
All I am saying is just go home - let me have my space - | 0:04:55 | 0:04:59 | |
and then when I'm back in Manchester, you know, we... | 0:04:59 | 0:05:03 | |
RINGING Oh, shit! | 0:05:03 | 0:05:06 | |
What's wrong? | 0:05:08 | 0:05:09 | |
'I'm at the hospital.' | 0:05:09 | 0:05:11 | |
Stephen Bates tried to kill himself. | 0:05:11 | 0:05:13 | |
Right, OK. | 0:05:13 | 0:05:14 | |
Thanks for letting me know, I'll be over there as soon as I can. | 0:05:14 | 0:05:17 | |
What? | 0:05:17 | 0:05:20 | |
I've got to go - you need to get out. | 0:05:20 | 0:05:22 | |
You what? We're in the middle of nowhere! | 0:05:22 | 0:05:24 | |
Well, ring a cab. | 0:05:24 | 0:05:25 | |
I don't have a number. | 0:05:25 | 0:05:26 | |
Oh, Google it. I've got to go, now. | 0:05:26 | 0:05:28 | |
You need to tell him about us and about the baby. | 0:05:33 | 0:05:36 | |
And you need to decide what future you want. | 0:05:40 | 0:05:42 | |
Hey. | 0:06:17 | 0:06:18 | |
He got hold of a ballpoint pen, tried to do his wrists. | 0:06:20 | 0:06:25 | |
Is he all right? | 0:06:26 | 0:06:27 | |
No-one'll talk to me. | 0:06:29 | 0:06:32 | |
No-one'll tell me anything. | 0:06:32 | 0:06:34 | |
Looks like he was trying to take the easy way out, don't it? | 0:06:38 | 0:06:41 | |
That's what they'll say, isn't it? | 0:06:44 | 0:06:46 | |
They'll say that in the papers. | 0:06:48 | 0:06:50 | |
Still think he didn't do it? | 0:07:03 | 0:07:04 | |
Admit it doesn't exactly scream innocence. | 0:07:06 | 0:07:08 | |
But right now the entire country thinks he's a child-killer. | 0:07:10 | 0:07:14 | |
How do you think that feels? | 0:07:14 | 0:07:15 | |
Pretty terrible. | 0:07:15 | 0:07:17 | |
Yeah, especially if it's not true. | 0:07:17 | 0:07:19 | |
Thought you'd been warned off. | 0:07:21 | 0:07:24 | |
Cornish told me he'd told you to go home. | 0:07:24 | 0:07:26 | |
Yeah. I have. | 0:07:26 | 0:07:27 | |
Helen, people's careers can get ruined by stuff like this. | 0:07:30 | 0:07:35 | |
Is she really worth it? Linda? | 0:07:35 | 0:07:38 | |
'You have two new messages and five saved messages. | 0:07:50 | 0:07:55 | |
'Helen, it's Jenny. Have you spoken to Paul yet? Ring me back. | 0:07:55 | 0:07:58 | |
'Bye. | 0:07:58 | 0:08:00 | |
'Hey, Hels, I'm just heading into town, | 0:08:00 | 0:08:02 | |
'why don't you meet me in the pub in a bit?' | 0:08:02 | 0:08:04 | |
Paul, we need to talk. | 0:08:16 | 0:08:19 | |
Paul, I've got to tell you something. Paul...I... | 0:08:19 | 0:08:22 | |
I really messed up, Paul, and, er... | 0:08:26 | 0:08:30 | |
..I really hope this baby's yours, but... | 0:08:32 | 0:08:35 | |
Look who it is - Linda Bates's girlfriend. | 0:09:12 | 0:09:14 | |
Fucking rug-muncher. Waiting for you at home, is she? The murdering bitch. | 0:09:14 | 0:09:18 | |
All right, lads. Shut your mouth! | 0:09:18 | 0:09:19 | |
Eh! You know I'm a policewoman, right? | 0:09:19 | 0:09:21 | |
We don't give a shit. We knew Abi and we knew Poppy. | 0:09:21 | 0:09:23 | |
All right, this is intimidation, so if you don't get out of my way, now, I'm... | 0:09:23 | 0:09:26 | |
SHE SIGHS | 0:09:48 | 0:09:50 | |
Helen Weeks! | 0:09:53 | 0:09:54 | |
Phil! Wha... | 0:10:02 | 0:10:03 | |
Paul asked me to come. | 0:10:03 | 0:10:04 | |
What? I thought you hated the countryside. | 0:10:05 | 0:10:09 | |
Oh, not the countryside as such, just everyone in it. | 0:10:09 | 0:10:13 | |
And how often do you find out that one of your best friends | 0:10:13 | 0:10:16 | |
is having a...cause for a celebration? | 0:10:16 | 0:10:19 | |
I demand Champagne immediately, | 0:10:19 | 0:10:21 | |
or, er, failing that, several pints of strong Continental lager. | 0:10:21 | 0:10:24 | |
Shall we? | 0:10:24 | 0:10:25 | |
I'd love to. | 0:10:25 | 0:10:27 | |
Hey! | 0:10:27 | 0:10:29 | |
What is this place? | 0:10:29 | 0:10:31 | |
Hell on Earth. | 0:10:31 | 0:10:32 | |
So, I popped in to see the coroner and I saw the body. | 0:10:34 | 0:10:39 | |
How did you do that? | 0:10:39 | 0:10:41 | |
What can I say, the guy must've liked me, I have a certain charm. | 0:10:41 | 0:10:44 | |
TV: '..reporting from outside the East Derbyshire Hospital where | 0:10:44 | 0:10:47 | |
'we've been informed Stephen Bates has been admitted. Police...' | 0:10:47 | 0:10:50 | |
Guilt. '..refuse to comment on why...' | 0:10:50 | 0:10:52 | |
He tried to top himself, couldn't live with it. | 0:10:52 | 0:10:54 | |
Looks like they've got their man. | 0:10:54 | 0:10:55 | |
So, how is the body? | 0:10:55 | 0:10:58 | |
Not a lot left of her, to be honest - | 0:10:58 | 0:11:00 | |
most of the skin had been removed by insect invasion. | 0:11:00 | 0:11:03 | |
Tell me about the report. | 0:11:03 | 0:11:05 | |
Hello! Looks like I have an admirer. | 0:11:05 | 0:11:08 | |
Phillip! | 0:11:08 | 0:11:10 | |
What? | 0:11:10 | 0:11:11 | |
Phil! Eyes on us! Front and centre. | 0:11:11 | 0:11:13 | |
Tell us about the PM report. Yeah. | 0:11:13 | 0:11:15 | |
What about time of death? | 0:11:15 | 0:11:17 | |
Three weeks, give or take. | 0:11:17 | 0:11:20 | |
And this is where our creepy crawlies come in. | 0:11:20 | 0:11:23 | |
Three different types of insect were found in the remains. | 0:11:24 | 0:11:27 | |
Yes, I know, but, er...we're all just insect feed in the end. | 0:11:28 | 0:11:32 | |
Oh, cheery! | 0:11:32 | 0:11:34 | |
Right, well, er, time for a tinkle. | 0:11:37 | 0:11:40 | |
Phil. Phillip! No! | 0:11:40 | 0:11:42 | |
Oh, ye of little faith. | 0:11:44 | 0:11:45 | |
PHIL SNIFFS PAUL LAUGHS | 0:11:53 | 0:11:57 | |
Hi, Dad, Syd, this is Phil. Phil, this is Dad and Syd. | 0:12:05 | 0:12:09 | |
Oh, my God, you've got a gay dad. How fantastic. | 0:12:09 | 0:12:13 | |
Hiya. | 0:12:13 | 0:12:14 | |
Come in. Hi. Hey, Syd. | 0:12:14 | 0:12:17 | |
Nice to meet you. Pleased to meet you. Hello. | 0:12:17 | 0:12:20 | |
Phil, great to see you. | 0:12:20 | 0:12:22 | |
Oh, cheers. | 0:12:41 | 0:12:42 | |
There you go. There you go. | 0:12:42 | 0:12:44 | |
Ah, nice and cool. | 0:12:44 | 0:12:46 | |
Piercings. You guys have piercings. | 0:12:46 | 0:12:49 | |
I could never have piercings - scared of the pain. | 0:12:49 | 0:12:52 | |
It's the pain that enhances the pleasure, | 0:12:52 | 0:12:54 | |
if you have it in the right place. | 0:12:54 | 0:12:56 | |
Interesting job you got. | 0:12:56 | 0:12:58 | |
Oh, yeah, hanging out with dead people all day. | 0:12:58 | 0:13:01 | |
Yes, well, it pays very well but the conversation's often lacking. | 0:13:01 | 0:13:05 | |
It's amazing what they can do now, with all this tech. | 0:13:05 | 0:13:08 | |
I suppose you got to be smart these days to be a criminal. | 0:13:08 | 0:13:11 | |
You just need a detective with a massive ego who's happy to bang up the wrong person. | 0:13:11 | 0:13:15 | |
Cheers, everyone. | 0:13:17 | 0:13:18 | |
It's been a long day. | 0:13:22 | 0:13:24 | |
Oh, come on, the party's just getting started. | 0:13:24 | 0:13:26 | |
Oh, you'll be fine without me. Have fun. | 0:13:26 | 0:13:29 | |
Night. Night. | 0:13:29 | 0:13:31 | |
Right, let's crack out the poppers! | 0:13:36 | 0:13:39 | |
THEY CHATTER | 0:13:42 | 0:13:45 | |
VOICES CHATTER | 0:15:04 | 0:15:06 | |
THEY TALK | 0:15:12 | 0:15:14 | |
What do you think's going on? | 0:15:25 | 0:15:27 | |
I've no idea. But I think it's got something to do with this place. | 0:15:27 | 0:15:31 | |
I mean, who leaves and never comes back? Never? | 0:15:31 | 0:15:33 | |
Her father lives here, her sister visits. | 0:15:33 | 0:15:36 | |
Yeah, yes, the labyrinthine maze that is Helen's psyche. | 0:15:36 | 0:15:39 | |
Oof! | 0:15:39 | 0:15:41 | |
Bollocks! | 0:15:43 | 0:15:44 | |
God love the countryside. | 0:15:44 | 0:15:47 | |
So let's assume she wasn't dead three or four weeks. | 0:15:50 | 0:15:54 | |
In fact, nothing like four weeks. | 0:15:54 | 0:15:56 | |
How do you make a body that's actually relatively fresh | 0:15:58 | 0:16:02 | |
look as though it's been rotting for a while? | 0:16:02 | 0:16:05 | |
Well, never mind how - why? | 0:16:05 | 0:16:07 | |
Well, to falsify the time of death, I imagine, | 0:16:08 | 0:16:11 | |
but in that case... why burn the body? | 0:16:11 | 0:16:15 | |
Well, I was hoping you'd have an answer. | 0:16:15 | 0:16:18 | |
Well, it's just a theory, but, er, to open it up. | 0:16:18 | 0:16:23 | |
I think he burned the body just enough to open it up. | 0:16:25 | 0:16:31 | |
For what? | 0:16:32 | 0:16:34 | |
To put the bugs in. | 0:16:36 | 0:16:38 | |
CLAMOURING | 0:16:52 | 0:16:56 | |
OK, so, I'm him, I'm the killer, right? | 0:17:31 | 0:17:34 | |
Oh, dear. Hell of a twist, but let's go with it. | 0:17:34 | 0:17:37 | |
I burn the body, open up the skin, expose the muscles, organs, | 0:17:37 | 0:17:42 | |
whatever... | 0:17:42 | 0:17:43 | |
Yeah. Transfer your colony across, wrap it all up in a bag, job done. | 0:17:43 | 0:17:48 | |
Not forgetting to put the fag end in | 0:17:48 | 0:17:49 | |
with Stephen Bates's DNA all over it. | 0:17:49 | 0:17:51 | |
Yes. Wherever you managed to acquire that from. | 0:17:51 | 0:17:53 | |
Maybe I followed him, watched him drop it in the gutter. | 0:17:53 | 0:17:56 | |
There you go, love. Thanks, love. | 0:17:56 | 0:17:58 | |
Possibly. | 0:17:58 | 0:17:59 | |
Right, so, where does he get them all from? | 0:18:00 | 0:18:03 | |
All these flies, maggots, different kinds of beetles. | 0:18:03 | 0:18:05 | |
Internet? | 0:18:05 | 0:18:07 | |
I've checked his history. | 0:18:07 | 0:18:08 | |
Oh... Dark web? Bitcoin? | 0:18:08 | 0:18:10 | |
Normal people don't know how to use that. I do. | 0:18:10 | 0:18:13 | |
You're not normal. | 0:18:13 | 0:18:14 | |
HORN HOOTS | 0:18:14 | 0:18:16 | |
Thought it was you. | 0:18:19 | 0:18:20 | |
Gavin. | 0:18:20 | 0:18:21 | |
This is, er, Phil - he's a colleague of mine from Manchester. | 0:18:21 | 0:18:24 | |
You bringing the whole force down? | 0:18:24 | 0:18:26 | |
You know this used to be a nice town, before all this! | 0:18:26 | 0:18:29 | |
Now all we've got are pigs and hacks everywhere. | 0:18:29 | 0:18:31 | |
Ah, he seems like a nice chap! | 0:18:33 | 0:18:35 | |
You really ought to get us together for dinner some time. | 0:18:35 | 0:18:38 | |
Yeah, but he's right, though, isn't he? What are we doing here? | 0:18:38 | 0:18:42 | |
Well, you're here for Helen. | 0:18:42 | 0:18:44 | |
And I'm here to escape a large Nigerian man named Reuben | 0:18:44 | 0:18:48 | |
who seems to think we're in a relationship. | 0:18:48 | 0:18:50 | |
Are we being followed? | 0:18:56 | 0:18:58 | |
Relax. | 0:18:58 | 0:18:59 | |
How's Stephen? | 0:19:16 | 0:19:17 | |
Better - he's out of hospital. | 0:19:17 | 0:19:20 | |
They still won't let me see him, though, or the kids. | 0:19:22 | 0:19:25 | |
It's killing 'em. | 0:19:26 | 0:19:28 | |
I know. | 0:19:28 | 0:19:30 | |
They shouldn't have to go through this, | 0:19:32 | 0:19:34 | |
because it's hard for them to accept this hate towards him. | 0:19:34 | 0:19:38 | |
It's the worst thing that's ever happened to me. | 0:19:39 | 0:19:42 | |
Is it...the worst? | 0:19:44 | 0:19:47 | |
I feel so guilty, Linda, for leaving. | 0:19:54 | 0:19:57 | |
It's a long time ago. | 0:19:59 | 0:20:01 | |
I was a coward. | 0:20:01 | 0:20:02 | |
That's shit. | 0:20:02 | 0:20:04 | |
You had the chance and you got out, and if I... | 0:20:04 | 0:20:07 | |
God, if I'd've had that same chance I would've done exactly the same. | 0:20:07 | 0:20:11 | |
I thought you'd hate me. | 0:20:11 | 0:20:13 | |
I was scared to death coming down here, I thought you'd... | 0:20:13 | 0:20:16 | |
Yes? | 0:20:18 | 0:20:19 | |
Oh! | 0:20:19 | 0:20:21 | |
Sorry for staring. | 0:20:21 | 0:20:24 | |
I'm sorry - we're in the middle of something here, private, so... | 0:20:24 | 0:20:27 | |
Oh, I just wanted to say, Linda, I know who you are and I understand. | 0:20:27 | 0:20:32 | |
Thank you. | 0:20:32 | 0:20:34 | |
And if you ever want to talk... | 0:20:34 | 0:20:36 | |
I appreciate it. | 0:20:40 | 0:20:42 | |
Which paper are you from? | 0:20:42 | 0:20:44 | |
I beg your pardon? | 0:20:44 | 0:20:46 | |
Which newspaper? | 0:20:46 | 0:20:48 | |
All right. Last chance, before I really hurt you. What newspaper? | 0:20:48 | 0:20:52 | |
The-The Post! | 0:20:52 | 0:20:54 | |
Right. Why don't... We'll pay you - to tell your side of the story. | 0:20:54 | 0:20:57 | |
Why don't you get out of here | 0:20:57 | 0:20:58 | |
before I shove those stupid glasses up your bony tabloid arse? | 0:20:58 | 0:21:01 | |
Scum. | 0:21:09 | 0:21:11 | |
"Bony tabloid arse"? | 0:21:24 | 0:21:27 | |
You're a good friend. | 0:21:31 | 0:21:33 | |
No, I... | 0:21:36 | 0:21:39 | |
and I never blamed you. | 0:21:39 | 0:21:40 | |
We were both victims. | 0:21:44 | 0:21:45 | |
But... | 0:21:48 | 0:21:49 | |
..it's because of me. | 0:21:52 | 0:21:54 | |
He got to you through me. | 0:21:54 | 0:21:56 | |
No. | 0:21:56 | 0:21:57 | |
We were 13 years old. We were little girls. | 0:21:58 | 0:22:04 | |
KISS | 0:22:53 | 0:22:55 | |
Adam knows. It's all going to come out, | 0:23:15 | 0:23:18 | |
and if it isn't me that tells Paul | 0:23:18 | 0:23:20 | |
it's going to be ten times worse - terminal. | 0:23:20 | 0:23:22 | |
Who told Adam? | 0:23:22 | 0:23:23 | |
Some prick at work, Mickey. | 0:23:23 | 0:23:24 | |
Well, how does he know? Oh, he's the one who drove me to the hospital. | 0:23:24 | 0:23:27 | |
Jen, I'm going to tell him tonight. No, no, no, no, no. | 0:23:27 | 0:23:29 | |
No, listen, don't interrupt. | 0:23:29 | 0:23:31 | |
If it all blows up, | 0:23:31 | 0:23:33 | |
I'm going to need somewhere to stay for a few days. | 0:23:33 | 0:23:35 | |
Yeah, of course, but you're going to tear your life apart, | 0:23:35 | 0:23:38 | |
throw everything away, and he doesn't need to know. | 0:23:38 | 0:23:40 | |
God, you're gorgeous. | 0:23:46 | 0:23:48 | |
I'm trying to belch. | 0:23:48 | 0:23:50 | |
Yeah, I know, that's when I like you best. | 0:23:50 | 0:23:52 | |
So, where are you taking me tonight, then? | 0:23:54 | 0:23:57 | |
Thought we'd try this new vegetarian place, Green Tomato. | 0:23:57 | 0:24:00 | |
Oh, right, OK, town famous for its pork and you want to go veggie! | 0:24:00 | 0:24:04 | |
Shouldn't we invite Phil? I mean, | 0:24:04 | 0:24:06 | |
isn't it a bit rude to leave him back with your dad and Syd? | 0:24:06 | 0:24:09 | |
No, it's Phil, he'll be fine. | 0:24:09 | 0:24:11 | |
He was amazing yesterday, you know. | 0:24:11 | 0:24:14 | |
He's got a brain the size of a planet. | 0:24:14 | 0:24:16 | |
So he thinks it's all about the insects, does he? | 0:24:18 | 0:24:20 | |
Yeah, yeah, placed inside the body. | 0:24:20 | 0:24:23 | |
It would require some pretty specialist knowledge, | 0:24:23 | 0:24:26 | |
I mean, let alone where you'd actually acquire them from. | 0:24:26 | 0:24:28 | |
A layman just wouldn't know that stuff. | 0:24:28 | 0:24:30 | |
Shit. | 0:24:30 | 0:24:31 | |
Pig farms. | 0:24:33 | 0:24:34 | |
You what? | 0:24:34 | 0:24:36 | |
The killer wouldn't need to buy the bugs, he could harvest them. | 0:24:36 | 0:24:39 | |
Right, I spent some time on farms growing up. | 0:24:39 | 0:24:42 | |
What happens when you let an animal corpse decompose? | 0:24:42 | 0:24:45 | |
Flies. They feed on it and they lay their eggs | 0:24:45 | 0:24:47 | |
and that is when the beetles and the maggots make their appearance. | 0:24:47 | 0:24:50 | |
Oh, shit! | 0:24:50 | 0:24:52 | |
That's it - the weird farmer, the guy in the bar, | 0:24:52 | 0:24:55 | |
accusing everyone of stealing his piglets. | 0:24:55 | 0:24:57 | |
Mad Bob. Right, OK, we should go down there. | 0:24:57 | 0:24:59 | |
Well, what about dinner? Oh, I've lost my appetite. Ring Phil. | 0:24:59 | 0:25:02 | |
Ah, pigs! | 0:25:14 | 0:25:16 | |
I do love pigs, me! | 0:25:16 | 0:25:18 | |
I say pigs, I mean sausages. | 0:25:18 | 0:25:20 | |
Wonderful animals, pigs. They're cleverer than dogs. | 0:25:20 | 0:25:24 | |
So, er...why don't we have, er, guide pigs? | 0:25:24 | 0:25:27 | |
We could - easily. | 0:25:27 | 0:25:29 | |
Sniffer pigs? | 0:25:29 | 0:25:30 | |
OK, right, OK, we're getting off topic. Can we ask you | 0:25:30 | 0:25:33 | |
some questions about the piglet that you-you think was stolen? | 0:25:33 | 0:25:37 | |
Don't think. It was. Didn't just disappear into thin air, did it? | 0:25:37 | 0:25:41 | |
Want a description? | 0:25:41 | 0:25:42 | |
Oh, no, I think-I think we know what a pig looks like. | 0:25:42 | 0:25:45 | |
Know what a Saddleback looks like? | 0:25:45 | 0:25:47 | |
Thought not. | 0:25:50 | 0:25:51 | |
This isn't a big operation. | 0:25:51 | 0:25:53 | |
And you say it happened overnight, yeah? | 0:25:53 | 0:25:55 | |
Well, it was there last time I changed the feed, | 0:25:55 | 0:25:57 | |
gone the next morning. | 0:25:57 | 0:25:58 | |
You don't have electric fences, anything like that? | 0:25:58 | 0:26:01 | |
Nope. Have I seen you somewhere before? | 0:26:01 | 0:26:04 | |
Er, yeah, yeah, at the pub - | 0:26:04 | 0:26:05 | |
you came in accusing Trevor, the landlord. | 0:26:05 | 0:26:08 | |
Could be him, easy, amount of pork he serves, | 0:26:08 | 0:26:11 | |
and that cook he's got, Shelley, cut-price bloody Shakespeare - | 0:26:11 | 0:26:15 | |
if he's such a good poet, why's he cooking sausages? | 0:26:15 | 0:26:20 | |
Yes. What I don't fully understand is that, well, you, er, clearly love | 0:26:20 | 0:26:26 | |
your pigs, so how do you handle them being, you know, slaughtered? | 0:26:26 | 0:26:32 | |
Love 'em? They're money! | 0:26:32 | 0:26:36 | |
Somebody steals my pigs, it's like mugging me in the street. | 0:26:36 | 0:26:39 | |
Well, thank you very much. | 0:26:40 | 0:26:44 | |
We'll let you know if we hear anything. | 0:26:46 | 0:26:50 | |
Why would someone go to all that trouble to implicate Bates? | 0:26:55 | 0:26:59 | |
Well, so that everyone thinks that Bates is the killer, | 0:26:59 | 0:27:02 | |
which is exactly what the real killer wants. | 0:27:02 | 0:27:04 | |
But he can't get away with killing a second time, | 0:27:04 | 0:27:07 | |
not with Bates in custody. | 0:27:07 | 0:27:08 | |
So what are you saying? You think Poppy's still alive? | 0:27:08 | 0:27:11 | |
I think she might be, yeah. I think it's possible. | 0:27:11 | 0:27:14 | |
That was your lovely friend. | 0:27:23 | 0:27:25 | |
Gavin. | 0:27:25 | 0:27:26 | |
Shall we follow him? | 0:27:26 | 0:27:27 | |
On what grounds? Ah, fun. | 0:27:27 | 0:27:29 | |
He's been acting suspicious - | 0:27:29 | 0:27:31 | |
he was parked up by the woods the other night. | 0:27:31 | 0:27:33 | |
Eh, what? Are we actually doing this, guys? What if he sees us? | 0:27:33 | 0:27:37 | |
Oh, we will claim coincidence. | 0:27:37 | 0:27:39 | |
Mm-hm. Come on. | 0:27:39 | 0:27:41 | |
All right! Fine! | 0:27:41 | 0:27:43 | |
There he is. | 0:27:43 | 0:27:45 | |
Isn't this fun? | 0:27:45 | 0:27:47 | |
Yeah, that's him! | 0:27:47 | 0:27:49 | |
What the hell is he doing? | 0:28:10 | 0:28:11 | |
Only one way to find out. | 0:28:11 | 0:28:13 | |
Hey, listen, just remember you're pregnant, | 0:28:15 | 0:28:17 | |
all right, so if it kicks off, leave it to us. | 0:28:17 | 0:28:19 | |
All right, so now what? | 0:28:33 | 0:28:34 | |
Right, we follow him inside, | 0:28:34 | 0:28:35 | |
but one of us goes round the side in case he bolts. I'll go. | 0:28:35 | 0:28:38 | |
Wait here. | 0:28:52 | 0:28:54 | |
Shit! | 0:28:59 | 0:29:00 | |
GROANING | 0:29:05 | 0:29:08 | |
I've got him! I've got him! | 0:29:10 | 0:29:13 | |
OK, OK... | 0:29:14 | 0:29:16 | |
Look, it was just a bit of robbing. | 0:29:18 | 0:29:20 | |
They're insured. | 0:29:20 | 0:29:22 | |
It's the Poppy and Abi show, isn't it? | 0:29:22 | 0:29:24 | |
Everyone's making a nice bit of coin out of it. | 0:29:24 | 0:29:26 | |
Oh, you should be ashamed of yourself. | 0:29:26 | 0:29:28 | |
Yeah, well, thanks for that, school bully. | 0:29:28 | 0:29:30 | |
Helen! Helen! | 0:29:33 | 0:29:35 | |
You, you don't know anything about me, or anything about my life | 0:29:36 | 0:29:39 | |
back then, so why don't you just shut your stupid trap? | 0:29:39 | 0:29:42 | |
I've got to go back up to Manchester. | 0:30:50 | 0:30:52 | |
I was working on. | 0:30:52 | 0:30:54 | |
Can you stay tonight and go back tomorrow morning? | 0:30:54 | 0:30:57 | |
Maybe we could have dinner tonight together. | 0:30:58 | 0:31:01 | |
Is everything all right? | 0:31:01 | 0:31:03 | |
Hey, what's wrong? | 0:31:04 | 0:31:07 | |
Look, Helen, whatever it is, just spit it out. | 0:31:10 | 0:31:12 | |
Just don't think I'm ready to be a mother. | 0:31:23 | 0:31:25 | |
Y'know, coming back here and seeing all this pain and anguish, | 0:31:25 | 0:31:29 | |
it's like people make themselves vulnerable just by having kids, | 0:31:29 | 0:31:32 | |
just by loving something that much. | 0:31:32 | 0:31:34 | |
What's the alternative? Hey? Close your heart to risk never being hurt? | 0:31:34 | 0:31:39 | |
I need the loo. | 0:31:39 | 0:31:40 | |
You've just been! | 0:31:40 | 0:31:41 | |
Yeah, but I've got a baby pressing down on my bladder! | 0:31:41 | 0:31:43 | |
DOOR OPENS | 0:31:53 | 0:31:54 | |
I saw your picture in the paper. | 0:31:57 | 0:32:00 | |
Right. | 0:32:00 | 0:32:02 | |
You're a friend of Linda Bates. | 0:32:02 | 0:32:03 | |
And? | 0:32:05 | 0:32:06 | |
Can we talk? | 0:32:08 | 0:32:09 | |
Yeah. I'm coming out. | 0:32:10 | 0:32:12 | |
This is a bit of a nightmare, actually, | 0:32:22 | 0:32:24 | |
you being a friend of Steve's wife, | 0:32:24 | 0:32:25 | |
but I'm hoping you'll help me. | 0:32:25 | 0:32:28 | |
Help you? | 0:32:28 | 0:32:30 | |
Prove he didn't kill anyone. | 0:32:31 | 0:32:33 | |
Why do you think he didn't kill anyone? | 0:32:39 | 0:32:41 | |
Because... | 0:32:42 | 0:32:44 | |
..that night everyone reckons he took Abigail Toms, | 0:32:45 | 0:32:48 | |
he was with me. | 0:32:48 | 0:32:49 | |
It was me he was meeting in that pub. | 0:32:49 | 0:32:52 | |
So you, you and Steve, you were together? | 0:32:53 | 0:32:55 | |
Yeah. | 0:32:55 | 0:32:57 | |
We had to meet in places a bit out the way. | 0:32:57 | 0:33:01 | |
So you have an alibi for him? | 0:33:01 | 0:33:03 | |
Well, sort of. | 0:33:03 | 0:33:05 | |
He didn't have time to get back to Polesford and kill someone. | 0:33:05 | 0:33:08 | |
Well, why not go to the police? | 0:33:08 | 0:33:10 | |
I'm only 16. | 0:33:12 | 0:33:13 | |
How long have you been seeing each other? | 0:33:18 | 0:33:20 | |
We didn't do anything, you know, sexual, not until my birthday. | 0:33:23 | 0:33:27 | |
He wouldn't. We kissed, but he didn't... | 0:33:29 | 0:33:32 | |
OK, there's no...no need to get upset. | 0:33:32 | 0:33:34 | |
I'm shitting myself, cos you know what they'll say, | 0:33:34 | 0:33:38 | |
they'll say, "Well, there you are, then, he was into young girls, | 0:33:38 | 0:33:42 | |
"it's proof, he did it with Abigail and Poppy as well, | 0:33:42 | 0:33:45 | |
"but he killed them - you could've been next," | 0:33:45 | 0:33:48 | |
but that's crap, he's not like that. | 0:33:48 | 0:33:50 | |
OK, I understand, but you know we need to take this to the police? | 0:33:50 | 0:33:58 | |
What did you say your name was again? | 0:33:58 | 0:33:59 | |
Ro...Rory Harcross. | 0:33:59 | 0:34:02 | |
Well, Aurora. | 0:34:03 | 0:34:06 | |
Blame my parents. | 0:34:06 | 0:34:08 | |
Harcross? | 0:34:08 | 0:34:10 | |
Oh, God, I need some air. I'm pregnant. I'm sorry. | 0:34:14 | 0:34:17 | |
Argh! | 0:34:50 | 0:34:51 | |
You learn some respect. | 0:34:56 | 0:34:58 | |
Don't be scared. He's fine. | 0:35:07 | 0:35:09 | |
..always meet outside of Polesford... | 0:35:24 | 0:35:28 | |
..the night Abi was taken... | 0:35:28 | 0:35:29 | |
You don't believe her, do you? | 0:35:29 | 0:35:31 | |
No. I don't. | 0:35:31 | 0:35:32 | |
Why? Because it means you're wrong? Why would she lie? | 0:35:32 | 0:35:36 | |
What's she got to gain? | 0:35:36 | 0:35:38 | |
She's got text after text proving the affair. | 0:35:38 | 0:35:41 | |
She gives Bates a rock-solid alibi | 0:35:41 | 0:35:43 | |
for the time you've got him murdering Abigail Toms. | 0:35:43 | 0:35:45 | |
You're determined to prove me wrong, aren't you? | 0:35:45 | 0:35:48 | |
Oh, my God. | 0:35:48 | 0:35:50 | |
It's not about you. | 0:35:50 | 0:35:52 | |
Why don't you see what's staring you straight in the face? | 0:35:52 | 0:35:56 | |
You will not be the star of this investigation | 0:35:56 | 0:35:58 | |
if you convict an innocent man. | 0:35:58 | 0:36:00 | |
Would you rather she take her story straight to the papers? | 0:36:01 | 0:36:05 | |
Fine. I'll take it once round the block. | 0:36:05 | 0:36:09 | |
Ah, by the way, your mate Linda's here. | 0:36:09 | 0:36:12 | |
Would you like to be the one to tell her? | 0:36:12 | 0:36:14 | |
She's lying. Polesford's full of little bitches like that. | 0:36:21 | 0:36:26 | |
I don't think so. | 0:36:26 | 0:36:27 | |
Oh, and you'd know, would you? | 0:36:27 | 0:36:29 | |
I know it can't be easy to hear, but it can't hurt to have an alibi. | 0:36:30 | 0:36:34 | |
Can't hurt? | 0:36:35 | 0:36:36 | |
How would you feel if some little slut came along | 0:36:39 | 0:36:43 | |
saying she was screwing your Paul, saying she loved him? | 0:36:43 | 0:36:46 | |
I would be upset. | 0:36:46 | 0:36:48 | |
But given these particular circumstances, | 0:36:48 | 0:36:52 | |
I would rather he was a shagger than a killer. | 0:36:52 | 0:36:55 | |
What am I going to tell the kids? | 0:36:59 | 0:37:01 | |
I don't know. | 0:37:01 | 0:37:02 | |
How can we tell Charli I know her stepdad's innocent | 0:37:02 | 0:37:04 | |
cos he was with a girl younger than she is? | 0:37:04 | 0:37:07 | |
What's she like? Is she pretty? | 0:37:08 | 0:37:11 | |
She's young. | 0:37:14 | 0:37:15 | |
Hm. Firm tits? Slim waist? | 0:37:15 | 0:37:18 | |
Know your enemy. | 0:37:20 | 0:37:22 | |
We learned that a long time ago, didn't we? | 0:37:25 | 0:37:28 | |
Who is she? | 0:37:31 | 0:37:33 | |
Helen, please tell me, what's her name? | 0:37:36 | 0:37:41 | |
You don't want to know. | 0:37:47 | 0:37:49 | |
I s'pose that's why I never came forward earlier, | 0:38:00 | 0:38:03 | |
because I knew they wouldn't believe me. | 0:38:03 | 0:38:05 | |
They'll investigate. I'll make sure they do. | 0:38:05 | 0:38:09 | |
I knew her. Abi. | 0:38:13 | 0:38:16 | |
Went out together a few times. | 0:38:16 | 0:38:19 | |
Bonded when we found out we had matching rose tats. | 0:38:19 | 0:38:22 | |
Tit tats, she called 'em, because they were... | 0:38:23 | 0:38:27 | |
you know...there. | 0:38:27 | 0:38:30 | |
I can't believe she's dead. | 0:38:33 | 0:38:36 | |
Thanks, anyway. | 0:38:40 | 0:38:42 | |
Gosh... | 0:38:50 | 0:38:52 | |
Aurora? | 0:38:52 | 0:38:53 | |
Who, erm, who lives with you in that house? | 0:38:55 | 0:38:59 | |
My-my dad - why? | 0:38:59 | 0:39:00 | |
Do you ever see your grandad? | 0:39:00 | 0:39:03 | |
He lives in Hull, big deal on the council over there. Why? | 0:39:06 | 0:39:10 | |
I used to know him. | 0:39:12 | 0:39:13 | |
Bye. | 0:39:15 | 0:39:16 | |
Are you going to tell me what this is all about? No. | 0:39:32 | 0:39:35 | |
Oh, for God's sake, Helen! | 0:39:35 | 0:39:36 | |
You've been weird ever since we came down here. There's something. | 0:39:36 | 0:39:40 | |
I know there's something. | 0:39:40 | 0:39:41 | |
I don't want to discuss it. | 0:39:41 | 0:39:43 | |
We're having a child together, Helen, in case you'd forgotten - | 0:39:43 | 0:39:46 | |
I think that bonds us pretty tightly, don't you, so if there's | 0:39:46 | 0:39:50 | |
any secrets, if there's something that you're not telling me... | 0:39:50 | 0:39:53 | |
Helen! | 0:39:57 | 0:39:59 | |
Helen! Helen! | 0:40:00 | 0:40:01 | |
Helen! | 0:40:02 | 0:40:04 | |
Helen, Helen, stop! STOP! | 0:40:04 | 0:40:08 | |
I was abused. Raped. Is that what you want to hear? | 0:40:08 | 0:40:11 | |
I was 13 years old and his name was Peter Harcross. | 0:40:11 | 0:40:14 | |
Harcross? | 0:40:14 | 0:40:15 | |
Yeah, him. | 0:40:15 | 0:40:16 | |
He was a friend of my dad's and my dad was a single father | 0:40:16 | 0:40:19 | |
and my mum had died and my dad didn't know how to cope | 0:40:19 | 0:40:21 | |
and Peter pretended to be a helping hand | 0:40:21 | 0:40:23 | |
and he knew that my dad was gay, and he used that against me. | 0:40:23 | 0:40:26 | |
He said if I ever told anyone he would ruin him - | 0:40:26 | 0:40:29 | |
he would make sure that everyone knew, and he was a councillor | 0:40:29 | 0:40:31 | |
and my dad was still in the closet back then. | 0:40:31 | 0:40:34 | |
Hey! And it... You know, it wasn't just me. | 0:40:34 | 0:40:37 | |
It was Linda as well. He got to her through me. | 0:40:38 | 0:40:43 | |
Helen, come here! | 0:40:43 | 0:40:45 | |
No. | 0:40:45 | 0:40:46 | |
He wanted Jenny. I know he did. | 0:40:49 | 0:40:52 | |
He would turn up at the house | 0:40:52 | 0:40:54 | |
and he would pretend to be surprised that my dad wasn't in. | 0:40:54 | 0:40:57 | |
He would help himself to a beer and he would sit down next to me | 0:40:57 | 0:41:00 | |
and he would rub my leg and-and I was so shit scared | 0:41:00 | 0:41:04 | |
that she would be next and I swore, I swore that I would never... | 0:41:04 | 0:41:07 | |
I'd never let him get to her and he said...he said that | 0:41:07 | 0:41:11 | |
I had to keep loving him or he'd try someone else, | 0:41:11 | 0:41:14 | |
and I knew he meant her. | 0:41:14 | 0:41:16 | |
That's how he would describe it. | 0:41:16 | 0:41:19 | |
"Loving him." | 0:41:19 | 0:41:21 | |
Like-like loving means lying still like you're dead | 0:41:21 | 0:41:26 | |
and throwing your guts up after then running home | 0:41:26 | 0:41:30 | |
so fast you can't feel your legs any more. | 0:41:30 | 0:41:33 | |
And Paula... | 0:41:35 | 0:41:37 | |
Paula... | 0:41:39 | 0:41:41 | |
Paula calls me a bully. | 0:41:42 | 0:41:44 | |
I was looking after them. | 0:41:45 | 0:41:47 | |
I was a bitch to her and Jenny because I was trying to protect them. | 0:41:48 | 0:41:52 | |
Like I hadn't with Linda. | 0:41:55 | 0:41:57 | |
And it's ruined our lives, you know, | 0:42:01 | 0:42:05 | |
because it...it never leaves you, it never leaves you, not really, | 0:42:05 | 0:42:11 | |
it's fucking in here... Every relationship, | 0:42:11 | 0:42:17 | |
every fucking relationship I have ever had, I have... | 0:42:17 | 0:42:21 | |
I have fucked up and it's... it's him that's to blame... | 0:42:21 | 0:42:25 | |
the filthy fucking bastard. | 0:42:25 | 0:42:27 | |
Hey, hey, no. | 0:42:27 | 0:42:29 | |
No. | 0:42:29 | 0:42:30 | |
Helen, Helen, Helen, look at me, look at me. | 0:42:32 | 0:42:36 | |
Hey, you haven't fucked up every relationship, OK? | 0:42:38 | 0:42:43 | |
You've got me. You've still got me. | 0:42:44 | 0:42:47 | |
Not for long. | 0:42:53 | 0:42:54 | |
What do you mean? | 0:42:56 | 0:42:58 | |
What're you saying, Helen? | 0:43:00 | 0:43:02 | |
I slept with someone. | 0:43:04 | 0:43:07 | |
Adam Perrin. | 0:43:09 | 0:43:10 | |
And-and it didn't mean anything much, it was just screwing, but... | 0:43:10 | 0:43:14 | |
Fuck! | 0:43:14 | 0:43:15 | |
And don't ask me for reasons, because I've got none. | 0:43:15 | 0:43:18 | |
He was there and I fancied him and I knew it would mess everything up | 0:43:18 | 0:43:21 | |
but I didn't stop myself | 0:43:21 | 0:43:23 | |
because I couldn't, like I have never been able to. | 0:43:23 | 0:43:26 | |
The baby... | 0:43:30 | 0:43:32 | |
Tell me it's not his. | 0:43:34 | 0:43:35 | |
Helen, tell me. | 0:43:35 | 0:43:38 | |
I don't know. | 0:43:39 | 0:43:40 | |
Oh, shit! | 0:43:40 | 0:43:42 | |
I really don't. It could be his, Paul, or it could be yours. | 0:43:43 | 0:43:48 | |
How could you do this to me? How could you? | 0:43:48 | 0:43:52 | |
Why? Why would you do this to me? | 0:43:52 | 0:43:56 | |
Because it's who I am and I'm sorry. I'm sorry. | 0:43:57 | 0:44:02 | |
Adam Perrin? | 0:44:07 | 0:44:10 | |
I'm sorry. | 0:44:10 | 0:44:11 | |
I've got to go back to Manchester. | 0:44:14 | 0:44:16 | |
No, Paul... | 0:44:16 | 0:44:17 | |
You don't have any say any more. No, Paul, Paul, please! | 0:44:17 | 0:44:19 | |
Just leave me alone! | 0:44:19 | 0:44:21 | |
Please...just...stay... | 0:44:21 | 0:44:23 | |
SHE SOBS | 0:44:25 | 0:44:28 | |
'Tit tats, she called them cos they were...' | 0:45:18 | 0:45:21 | |
you know... | 0:45:21 | 0:45:23 | |
there. | 0:45:23 | 0:45:25 | |
RINGING | 0:45:33 | 0:45:35 | |
RINGING | 0:45:43 | 0:45:44 | |
What! | 0:45:47 | 0:45:49 | |
Paul, Paul, I know... | 0:45:49 | 0:45:51 | |
I know who killed Abigail Toms. | 0:45:51 | 0:45:52 | |
It's Trevor. Trevor Hare. I'll meet you at the pub. | 0:45:52 | 0:45:55 | |
'Lovely girl, that Abigail.' | 0:46:04 | 0:46:06 | |
She had one of them stupid tattoos they all have...huge rose. | 0:46:06 | 0:46:10 | |
'That's like goody two shoes round here.' | 0:46:10 | 0:46:12 | |
Where's Trevor? | 0:46:23 | 0:46:25 | |
Where is he? I don't know! | 0:46:25 | 0:46:26 | |
You can't go up there! | 0:46:26 | 0:46:28 | |
I'm police! You can't! | 0:46:28 | 0:46:29 | |
Helen! | 0:46:53 | 0:46:54 | |
Right, he's heading for the lower villages, | 0:47:01 | 0:47:03 | |
and there's only one road there, so I think we could catch him. | 0:47:03 | 0:47:06 | |
Trevor knew about Abigail's tattoo. | 0:47:07 | 0:47:11 | |
It's the same as Rory's. They both had that rose in private places. | 0:47:11 | 0:47:15 | |
Plus, he's ex-police so he knows all about DNA | 0:47:15 | 0:47:18 | |
and time of death scenarios. | 0:47:18 | 0:47:19 | |
And he's had all the coppers in his pub | 0:47:19 | 0:47:21 | |
so he's had the inside track on everything. | 0:47:21 | 0:47:23 | |
Hiding in plain sight. | 0:47:23 | 0:47:25 | |
More than that - flaunting it. | 0:47:25 | 0:47:27 | |
Telling people he used to give Abigail and Poppy lifts in his car, | 0:47:27 | 0:47:30 | |
and it explains the fag end, too. | 0:47:30 | 0:47:31 | |
From the beer garden? He knew Bates. | 0:47:31 | 0:47:33 | |
He knew exactly what he was up to with Rory, | 0:47:33 | 0:47:36 | |
and knew he could set him up. | 0:47:36 | 0:47:37 | |
There he is. | 0:47:40 | 0:47:42 | |
I love you. | 0:47:45 | 0:47:47 | |
I know this road, I know where he's going. | 0:48:05 | 0:48:09 | |
To the old pumping station. | 0:48:09 | 0:48:11 | |
Come on, it's this way. | 0:48:44 | 0:48:46 | |
You OK? | 0:48:56 | 0:48:58 | |
Yeah, it's not far. | 0:48:58 | 0:48:59 | |
Why the hell didn't they search this place when they first came? | 0:49:00 | 0:49:03 | |
Probably under five foot of water. | 0:49:03 | 0:49:05 | |
Helen, be careful. | 0:49:29 | 0:49:31 | |
Oh, God. | 0:49:45 | 0:49:46 | |
Trevor! | 0:49:46 | 0:49:48 | |
Stop! | 0:49:48 | 0:49:49 | |
You shouldn't've come here. | 0:49:52 | 0:49:54 | |
You've put me in a terrible position. | 0:49:54 | 0:49:57 | |
Because now there aren't many options. | 0:49:57 | 0:49:59 | |
You don't want to kill her, Trevor. Kill her? | 0:49:59 | 0:50:03 | |
I love her. | 0:50:03 | 0:50:04 | |
You let us go or I will kill her. | 0:50:07 | 0:50:10 | |
You try and stop me and I will kill you. | 0:50:11 | 0:50:15 | |
Where are you going to go? Live on a little island? It's over. | 0:50:15 | 0:50:19 | |
It's all over, Trevor. | 0:50:19 | 0:50:20 | |
No, it's not. | 0:50:20 | 0:50:23 | |
You OK? | 0:50:36 | 0:50:38 | |
Watch out! | 0:51:01 | 0:51:02 | |
KNIFE PUNCTURES HIM | 0:51:02 | 0:51:04 | |
HE GASPS | 0:51:15 | 0:51:17 | |
COUGHING AND SPLUTTERING | 0:51:28 | 0:51:29 | |
CLAMOURING | 0:51:48 | 0:51:50 | |
THEY SHOUT OUT QUESTIONS | 0:51:50 | 0:51:55 | |
It's my fault. | 0:52:03 | 0:52:04 | |
No! No, no, no, it isn't. | 0:52:04 | 0:52:07 | |
He was my friend, that... | 0:52:07 | 0:52:08 | |
My little girl. | 0:52:11 | 0:52:13 | |
My little girl. | 0:52:15 | 0:52:17 | |
I'm so sorry. | 0:52:20 | 0:52:22 | |
I'm so, sorry. | 0:52:23 | 0:52:25 | |
SHE SOBS | 0:52:27 | 0:52:29 | |
Yeah? One sec... | 0:53:29 | 0:53:30 | |
You're not supposed to be here | 0:53:32 | 0:53:34 | |
until after the Trevor Hare investigation. | 0:53:34 | 0:53:36 | |
Yeah, I'm not here for that. | 0:53:36 | 0:53:38 | |
I'm here for something else. | 0:53:38 | 0:53:40 | |
I want to report a historic case of child abuse. | 0:53:50 | 0:53:53 | |
Against who? | 0:53:53 | 0:53:55 | |
Me. | 0:53:55 | 0:53:56 | |
How historic? | 0:54:02 | 0:54:04 | |
20-odd years ago. | 0:54:04 | 0:54:05 | |
And the perpetrator? | 0:54:05 | 0:54:07 | |
Peter Harcross. | 0:54:08 | 0:54:10 | |
He was a local councillor in my hometown, works in Hull now, | 0:54:10 | 0:54:15 | |
few years off retirement. | 0:54:15 | 0:54:16 | |
Local government? | 0:54:16 | 0:54:18 | |
Mm-hm. | 0:54:18 | 0:54:19 | |
This'll get attention. I want him done for it. | 0:54:23 | 0:54:25 | |
I'm so sorry you've had to live with this. | 0:54:30 | 0:54:32 | |
You've seen me... | 0:54:36 | 0:54:37 | |
..drug dealers, criminals, I can stand up to them... | 0:54:39 | 0:54:42 | |
..but... | 0:54:45 | 0:54:47 | |
..that man... | 0:54:49 | 0:54:50 | |
Paul, please...please come home. | 0:55:33 | 0:55:36 | |
Let's-let's at least try? | 0:55:36 | 0:55:39 | |
Do you know, Helen, right now I can't even look at you. | 0:55:39 | 0:55:42 | |
Mikey, I've got a problem. | 0:56:25 | 0:56:28 | |
They're going to kill us! They'll kill us all! | 0:56:28 | 0:56:30 | |
Right, we're going to find who did it and hit back. | 0:56:30 | 0:56:32 | |
The business carries on as usual. | 0:56:32 | 0:56:33 | |
Every time he looks at me it's like I've got "whore" written across my forehead. | 0:56:34 | 0:56:39 | |
You want a relationship with a woman | 0:56:39 | 0:56:40 | |
who doesn't even know who the father is? Well, I love you. | 0:56:40 | 0:56:43 | |
Stay away from Frank Linnell. | 0:56:43 | 0:56:45 | |
I've got a bit of a reputation. Some people see me a certain way. | 0:56:45 | 0:56:48 | |
How much blood is there? | 0:56:48 | 0:56:49 | |
There can't be...a problem. | 0:56:49 | 0:56:51 | |
Subtitles by Ericsson | 0:57:02 | 0:57:05 |