Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm pregnant. | 0:00:02 | 0:00:03 | |
You were a cute kid. | 0:00:03 | 0:00:05 | |
I'm excited, Helen. This is a new start for us. | 0:00:05 | 0:00:07 | |
So...is it mine? | 0:00:07 | 0:00:08 | |
I want to be a part of it's life and I want to be a part of yours. | 0:00:08 | 0:00:11 | |
Adam Perrin? Tell me it's not his. | 0:00:11 | 0:00:13 | |
Helen! Tell me. | 0:00:13 | 0:00:14 | |
-I don't know. -Why? | 0:00:14 | 0:00:16 | |
Why would you do this to me? | 0:00:16 | 0:00:18 | |
Please come home, let's at least try. | 0:00:18 | 0:00:20 | |
Do you know, Helen, right now I can't even look at you. | 0:00:20 | 0:00:22 | |
This programme contains some violent scenes, some strong language | 0:00:24 | 0:00:27 | |
and some scenes which some viewers may find disturbing | 0:00:27 | 0:00:30 | |
T. Everyone's nervous the first time. Be cool. | 0:01:26 | 0:01:29 | |
What's with the AC in this piece of shit? | 0:01:29 | 0:01:31 | |
No-one else is busting a sweat. S'all I'm saying. | 0:01:31 | 0:01:33 | |
Can we have some tunes on, or summat? | 0:01:33 | 0:01:35 | |
MUSIC STARTS AND STOPS | 0:01:35 | 0:01:36 | |
No tunes. You need to concentrate. | 0:01:36 | 0:01:39 | |
Yeah, lad, you want to join the crew, you've gotta do this. | 0:01:39 | 0:01:42 | |
Right, that's the one. | 0:01:51 | 0:01:52 | |
-Why this one? -She chose herself. | 0:01:52 | 0:01:54 | |
Right, do it. | 0:02:16 | 0:02:18 | |
Do it! | 0:02:19 | 0:02:21 | |
Take the shot. | 0:02:21 | 0:02:22 | |
WOMAN SCREAMS | 0:02:22 | 0:02:24 | |
Go, go, go on, drive! | 0:02:24 | 0:02:26 | |
TYRES SCREECH | 0:02:26 | 0:02:28 | |
There you go, Helen. | 0:02:34 | 0:02:35 | |
Thanks. | 0:02:37 | 0:02:38 | |
SHE BREATHES DEEPLY | 0:02:50 | 0:02:52 | |
Come in. | 0:02:54 | 0:02:56 | |
Surprise! | 0:02:57 | 0:02:59 | |
Surprise! | 0:02:59 | 0:03:01 | |
-Woo! -Ah...you guys. | 0:03:01 | 0:03:03 | |
We knew you were going to try and sneak out quietly. | 0:03:03 | 0:03:06 | |
We weren't going to let that happen. Come here. | 0:03:06 | 0:03:08 | |
Right, how does this work? Hold on. | 0:03:08 | 0:03:09 | |
-How do, how do we do this? -Just... | 0:03:09 | 0:03:12 | |
There you go. | 0:03:12 | 0:03:14 | |
Oooh. | 0:03:14 | 0:03:15 | |
Are you all right? | 0:03:15 | 0:03:17 | |
Helen, is it the baby? | 0:03:17 | 0:03:20 | |
Shit, call an ambulance. | 0:03:20 | 0:03:21 | |
No! Surprise! | 0:03:21 | 0:03:23 | |
Oh, come on, I've got loads of hormones flying around. | 0:03:26 | 0:03:29 | |
That's really funny! | 0:03:29 | 0:03:30 | |
Thank you, Brian. | 0:03:34 | 0:03:36 | |
Ah, thanks. | 0:03:36 | 0:03:38 | |
Was that for me? Thank you. | 0:03:38 | 0:03:40 | |
So are you ready for all of this? | 0:03:40 | 0:03:42 | |
-Maternity leave? -Yeah. | 0:03:42 | 0:03:45 | |
I've read the manual. | 0:03:45 | 0:03:46 | |
The main thing is you just try and keep them alive. | 0:03:46 | 0:03:49 | |
-No, it's... No, Adam. -Let me take that. | 0:03:53 | 0:03:56 | |
-It's... -That's all right, come on. | 0:03:56 | 0:03:57 | |
Actually, yeah. Thanks. | 0:03:57 | 0:04:00 | |
ENGINE STARTS | 0:04:09 | 0:04:11 | |
Yeah... | 0:04:15 | 0:04:17 | |
DOOR CLOSES | 0:04:20 | 0:04:21 | |
Hello? | 0:04:21 | 0:04:23 | |
In here. | 0:04:23 | 0:04:25 | |
-Hiya. -Hi. | 0:04:25 | 0:04:27 | |
They threw me a party. | 0:04:27 | 0:04:29 | |
Yeah, I, er, I know, they invited me along. | 0:04:29 | 0:04:31 | |
Oh, you declined? | 0:04:31 | 0:04:33 | |
-Well, I know how much you hate that kind of stuff. -Yeah. | 0:04:33 | 0:04:36 | |
Who was there? | 0:04:36 | 0:04:37 | |
Oh, just the usual. | 0:04:37 | 0:04:38 | |
-Right. -This thing can't sit still for two minutes. | 0:04:40 | 0:04:43 | |
Well, it, er... | 0:04:43 | 0:04:44 | |
It takes after its mother. | 0:04:44 | 0:04:46 | |
Have you not eaten since breakfast? | 0:04:47 | 0:04:49 | |
No, but I've got a mountain of work to get through so I'm not... | 0:04:49 | 0:04:51 | |
Oh, I can, I can make something quick? | 0:04:51 | 0:04:54 | |
Yeah, yeah, all right. Something quick. | 0:04:54 | 0:04:57 | |
Yeah. | 0:04:57 | 0:04:59 | |
This is good. | 0:05:01 | 0:05:03 | |
Are you off this weekend? | 0:05:04 | 0:05:06 | |
Erm, 50-50, why? | 0:05:06 | 0:05:08 | |
We spoke about looking at houses | 0:05:09 | 0:05:11 | |
and I thought I'd set up some appointments. | 0:05:11 | 0:05:13 | |
Yeah, I-I don't know what I'm doing, I'm sorry. | 0:05:13 | 0:05:16 | |
We are going to have to get a bigger place with a baby. | 0:05:18 | 0:05:21 | |
Helen, babies are like this big, you know, they sleep in Moses baskets. | 0:05:21 | 0:05:24 | |
But the prams and changing tables and all the other crap that | 0:05:24 | 0:05:27 | |
we've yet to assemble, that doesn't take up any space at all. | 0:05:27 | 0:05:30 | |
So we're going to kill ourselves with a massive mortgage | 0:05:30 | 0:05:33 | |
-because we're a little bit cramped? -We can afford it. | 0:05:33 | 0:05:35 | |
Yeah, we can, if we never go out again. | 0:05:35 | 0:05:38 | |
We're having a baby, of course we're never going to go out again. | 0:05:38 | 0:05:41 | |
Have you spoken to the DCI yet? | 0:05:41 | 0:05:44 | |
About what? | 0:05:44 | 0:05:46 | |
About extending paternity leave. | 0:05:46 | 0:05:48 | |
No, I haven't, Helen. He's got more important things to think about. | 0:05:48 | 0:05:51 | |
And, do you know what, quite frankly, so have I. | 0:05:51 | 0:05:53 | |
-More important than your child? -My child? | 0:05:53 | 0:05:56 | |
Oh, let's hope so, hey. | 0:05:57 | 0:05:59 | |
Hey, Daddy's got a new job. | 0:06:13 | 0:06:14 | |
BABY CRIES | 0:06:14 | 0:06:16 | |
Shhh, but don't tell Mummy. | 0:06:16 | 0:06:17 | |
BABY CONTINUES CRYING | 0:06:17 | 0:06:19 | |
Ohhh... | 0:06:19 | 0:06:21 | |
All right. | 0:06:23 | 0:06:26 | |
It's started again with Paul. | 0:06:26 | 0:06:28 | |
The Adam hating? | 0:06:28 | 0:06:30 | |
He doesn't want to kill him any more, | 0:06:30 | 0:06:32 | |
which I'm seeing as progress, but... | 0:06:32 | 0:06:35 | |
It's just cos the baby's getting closer. | 0:06:35 | 0:06:37 | |
Maybe Paul is worried about how he's going to feel when he sees it. | 0:06:37 | 0:06:41 | |
He'll love it. | 0:06:41 | 0:06:42 | |
He'll be a really good dad. | 0:06:44 | 0:06:45 | |
I just want Paul to be there for me. | 0:06:47 | 0:06:50 | |
He will be. | 0:06:50 | 0:06:52 | |
He WILL. | 0:06:52 | 0:06:53 | |
Every time he looks at me it's like I've got whore written across my forehead. | 0:06:53 | 0:06:57 | |
Look, just go out together and have some fun. | 0:07:01 | 0:07:04 | |
It's a female conspiracy. | 0:07:08 | 0:07:11 | |
Is it bollocks! It's like shelling peas. | 0:07:11 | 0:07:15 | |
-What?! -Shelling peas. | 0:07:15 | 0:07:17 | |
It's all designed to make us men feel like we couldn't do it. | 0:07:17 | 0:07:20 | |
-You couldn't. -I'll tell you what, I got kicked in the... | 0:07:20 | 0:07:22 | |
In fact, Paul was there, he'll back me up on this. | 0:07:22 | 0:07:25 | |
This I have to hear. | 0:07:25 | 0:07:26 | |
I got kicked in the nuts by a guy with a machinegun. | 0:07:26 | 0:07:29 | |
We've all been there. | 0:07:29 | 0:07:30 | |
Er, are you seriously trying to tell me | 0:07:30 | 0:07:33 | |
that childbirth's any more painful than that? | 0:07:33 | 0:07:35 | |
Well, I'll tell you what, how about you come with me to the | 0:07:35 | 0:07:37 | |
labour and we'll use your arm to bite down on | 0:07:37 | 0:07:39 | |
-and then we can gauge how much pain I'm in. -There you are. | 0:07:39 | 0:07:42 | |
-It's nature. -Why would Mother Nature make it painful? -You tell us. | 0:07:42 | 0:07:45 | |
-Are you going to back me up here? -You lost us at shelling peas, Gaz, I'm not getting involved. | 0:07:45 | 0:07:48 | |
-We're supposed to be partners! -Godfather material? -Yeah. | 0:07:48 | 0:07:51 | |
Godfather, fairy godmother... | 0:07:51 | 0:07:54 | |
I'm scared. | 0:08:42 | 0:08:44 | |
What of? | 0:08:44 | 0:08:45 | |
They say that having a baby puts a strain on a relationship. | 0:08:51 | 0:08:54 | |
Do you think we can handle any more? | 0:08:57 | 0:09:00 | |
Helen... | 0:09:01 | 0:09:03 | |
I wish things could be different too. | 0:09:05 | 0:09:08 | |
OK? | 0:09:08 | 0:09:09 | |
But they're not | 0:09:09 | 0:09:12 | |
and we just have to make the best of it. | 0:09:12 | 0:09:14 | |
I am so... | 0:09:22 | 0:09:23 | |
I'm so, so sorry. | 0:09:25 | 0:09:27 | |
Yeah, I know. | 0:09:27 | 0:09:28 | |
I know. | 0:09:28 | 0:09:30 | |
PHONE RINGS | 0:10:32 | 0:10:33 | |
God. | 0:10:33 | 0:10:35 | |
PHONE RINGS | 0:10:36 | 0:10:37 | |
Hi, it's Paul...leave a message. | 0:10:37 | 0:10:40 | |
Hey! You're late, call me. | 0:10:40 | 0:10:43 | |
Love you. | 0:10:50 | 0:10:52 | |
GUNSHOT | 0:11:26 | 0:11:28 | |
And again! | 0:11:28 | 0:11:30 | |
GUNSHOT | 0:11:30 | 0:11:32 | |
TYRES SCREECH | 0:11:32 | 0:11:34 | |
DOOR BUZZES REPEATEDLY | 0:11:58 | 0:12:01 | |
Helen, I'm sorry. | 0:12:22 | 0:12:23 | |
It's Paul. | 0:12:23 | 0:12:25 | |
So what was he doing there? | 0:14:02 | 0:14:04 | |
We don't know. | 0:14:04 | 0:14:06 | |
A bus stop, in Gorton, at midnight... | 0:14:06 | 0:14:08 | |
It must've been work? | 0:14:08 | 0:14:10 | |
-We assume. -What do his notes say? | 0:14:10 | 0:14:13 | |
He hasn't been writing them. | 0:14:13 | 0:14:14 | |
Since when? | 0:14:14 | 0:14:16 | |
Paul's movements have been a bit sketchy lately. | 0:14:16 | 0:14:19 | |
Sketchy? | 0:14:20 | 0:14:22 | |
We didn't even know he was working last night. | 0:14:22 | 0:14:24 | |
He told Gary he was staying at home. | 0:14:24 | 0:14:26 | |
There isn't anywhere you think he might've been that might explain... | 0:14:26 | 0:14:30 | |
Are you asking me if I think he was cheating on me? | 0:14:35 | 0:14:38 | |
Are you asking me if I think my dead partner was screwing around? | 0:14:39 | 0:14:43 | |
Is that seriously what you're asking? | 0:14:43 | 0:14:45 | |
No, Helen, not at all! | 0:14:45 | 0:14:46 | |
We'll get to the bottom of it. | 0:14:48 | 0:14:50 | |
Helen! | 0:14:50 | 0:14:51 | |
Manchester Metropolitan Police have launched a major | 0:15:57 | 0:16:00 | |
investigation following the death of one of their officers, | 0:16:00 | 0:16:04 | |
Detective Inspector Paul Hopkins. | 0:16:04 | 0:16:06 | |
Gary! | 0:16:10 | 0:16:12 | |
He was distracted. | 0:16:15 | 0:16:17 | |
Maybe it was the baby coming, I don't know. | 0:16:17 | 0:16:19 | |
Distracted...how? | 0:16:19 | 0:16:21 | |
A lot of time away from the office, vague explanations, | 0:16:21 | 0:16:25 | |
I tried talking to him about it but he just batted it away. | 0:16:25 | 0:16:28 | |
We all have times like that though, don't we? | 0:16:28 | 0:16:31 | |
It's a stressful job. | 0:16:31 | 0:16:33 | |
So what was he working on? | 0:16:33 | 0:16:35 | |
-Don't know. They're checking. -Well, you're partners. | 0:16:35 | 0:16:37 | |
So were you. | 0:16:37 | 0:16:39 | |
Did he tell you everything? | 0:16:41 | 0:16:43 | |
What was he doing in Gorton at a bus stop | 0:16:44 | 0:16:47 | |
when he has a car? | 0:16:47 | 0:16:49 | |
If you start torturing yourself with questions you're going to get ill. | 0:16:49 | 0:16:52 | |
You need to grieve. Look after yourself and the baby. | 0:16:52 | 0:16:55 | |
-Are you all right? -What's up, T? | 0:17:04 | 0:17:06 | |
What's that you're looking at? | 0:17:42 | 0:17:43 | |
Oh, it's just the news. | 0:17:43 | 0:17:45 | |
Right, bro, you need to forget about that now, it's done. | 0:17:46 | 0:17:49 | |
Right? C'mon. | 0:17:49 | 0:17:51 | |
Easy, about that shooting.... | 0:17:56 | 0:17:57 | |
You passed the test. You smashed it, bro. | 0:17:57 | 0:17:59 | |
He was a police officer, he had a kid on the way. | 0:17:59 | 0:18:02 | |
So? That's one less fed, bro... | 0:18:02 | 0:18:03 | |
They're not just going to let us kill one of their own. | 0:18:03 | 0:18:05 | |
The feds don't know nothing, | 0:18:05 | 0:18:07 | |
they don't even know where to start looking so, as long as you | 0:18:07 | 0:18:09 | |
keep that shut, and that means no fucking pillow talk, | 0:18:09 | 0:18:12 | |
we'll be sweet. | 0:18:12 | 0:18:13 | |
All right, just relax. | 0:18:13 | 0:18:15 | |
OK. | 0:18:15 | 0:18:18 | |
Right, so, Wave and Mikey stay in the car, | 0:18:18 | 0:18:20 | |
they handle first contact with the cat. | 0:18:20 | 0:18:23 | |
Find out what he wants, take the cash, then send them | 0:18:23 | 0:18:25 | |
over to the youths. Where do you think he's going? | 0:18:25 | 0:18:28 | |
To get the stuff for... | 0:18:28 | 0:18:29 | |
Exactly, so he's going to go off, get the food, | 0:18:29 | 0:18:31 | |
and then bring it back to the cat and then back to square one. | 0:18:31 | 0:18:34 | |
Then Mikey, every time he hits four, five ton, | 0:18:34 | 0:18:36 | |
take it back to the flat, drop it off and then come back. | 0:18:36 | 0:18:40 | |
What's happening, bro? Sweet. | 0:18:40 | 0:18:42 | |
-All right, boy. -All right. | 0:18:50 | 0:18:52 | |
Right, come on. | 0:18:57 | 0:18:59 | |
Make sure the cash goes in this box after every drop off. | 0:18:59 | 0:19:02 | |
Then at the end of the day, I'll come and collect. | 0:19:02 | 0:19:05 | |
It's easy work. If Snap can do it anyone can! | 0:19:05 | 0:19:08 | |
Yeah. Right, wait there, actually. | 0:19:08 | 0:19:12 | |
Right, never bring your phone to work, keep this one, | 0:19:13 | 0:19:16 | |
and don't save numbers in it either. | 0:19:16 | 0:19:18 | |
-Right. -See? | 0:19:18 | 0:19:20 | |
-Yeah. -Take a seat, bro, part of the fam now. | 0:19:20 | 0:19:23 | |
TV: They are two evenly matched teams... | 0:19:23 | 0:19:26 | |
Is this Fifa? | 0:19:28 | 0:19:30 | |
Play nice, yeah? | 0:19:30 | 0:19:32 | |
See ya! | 0:19:32 | 0:19:33 | |
Well, I'm not going to bullshit you, Helen, we haven't got much. | 0:19:35 | 0:19:38 | |
We suspect the BMW was targeted at random. | 0:19:38 | 0:19:40 | |
The driver does PR for a charity, no previous. | 0:19:40 | 0:19:44 | |
Is it gang related? | 0:19:44 | 0:19:46 | |
Well, the car was stolen in Didsbury, doing the shooting | 0:19:46 | 0:19:49 | |
on the other side of town might've been a territorial thing. | 0:19:49 | 0:19:51 | |
Why target a random woman? | 0:19:51 | 0:19:53 | |
-CCTV? -We're on it now. | 0:19:54 | 0:19:57 | |
-Forensics? -The Mondeo was burnt out when we found it, | 0:19:57 | 0:20:00 | |
so we're not going to find much there. | 0:20:00 | 0:20:02 | |
The BMW is still being examined. | 0:20:02 | 0:20:04 | |
Where? | 0:20:04 | 0:20:05 | |
We're doing everything as quickly as we can, trust me. | 0:20:06 | 0:20:09 | |
Any witnesses? | 0:20:14 | 0:20:15 | |
A couple passing by in a car think they might've seen another | 0:20:15 | 0:20:18 | |
man talking to Paul. It's possible he was just a passer-by. | 0:20:18 | 0:20:22 | |
What about... | 0:20:22 | 0:20:23 | |
What about the woman in the car? | 0:20:23 | 0:20:25 | |
She's doing OK, she broke her collarbone. | 0:20:25 | 0:20:28 | |
Her face is pretty smashed up. | 0:20:28 | 0:20:30 | |
Have you got someone staying with you? Family? | 0:20:30 | 0:20:32 | |
Yeah, my sister lives close by. | 0:20:32 | 0:20:34 | |
-And what about Paul's parents? -They're at a hotel. | 0:20:34 | 0:20:38 | |
Have you decided on a funeral? | 0:20:40 | 0:20:42 | |
Yeah. I mean, we're definitely having one. | 0:20:42 | 0:20:44 | |
I think that's for the best, don't you? | 0:20:44 | 0:20:46 | |
I meant whether you wanted an official police... | 0:20:48 | 0:20:50 | |
Yeah, I know. | 0:20:50 | 0:20:51 | |
-Can I have her address? -I'm sorry? | 0:20:53 | 0:20:56 | |
The woman in the BMW. I want to talk to her. | 0:20:56 | 0:20:58 | |
Is that a good idea? | 0:21:01 | 0:21:02 | |
What do you want me to do, Ted? | 0:21:02 | 0:21:05 | |
-Sit around wondering if I'll... -Helen, go home. | 0:21:05 | 0:21:08 | |
Rest... | 0:21:08 | 0:21:09 | |
KNOCK AT DOOR | 0:21:09 | 0:21:11 | |
Sir. | 0:21:11 | 0:21:13 | |
Hiya. | 0:21:13 | 0:21:15 | |
-Hey. -Have you got a second? | 0:21:15 | 0:21:17 | |
Thank you. | 0:21:44 | 0:21:45 | |
Will you be OK? | 0:21:48 | 0:21:50 | |
PHONE RINGS | 0:21:52 | 0:21:54 | |
DOORBELL RINGS | 0:22:10 | 0:22:13 | |
I'm his girlfriend. | 0:22:20 | 0:22:22 | |
The dead copper. | 0:22:22 | 0:22:24 | |
Come in. | 0:22:27 | 0:22:28 | |
When are you due? | 0:22:32 | 0:22:34 | |
Just over a week. | 0:22:34 | 0:22:36 | |
Is it a boy or a girl? | 0:22:37 | 0:22:39 | |
It's definitely one of those. | 0:22:39 | 0:22:42 | |
Have you got any names yet? | 0:22:42 | 0:22:44 | |
We couldn't agree. | 0:22:47 | 0:22:49 | |
So I'll either have my way or I can honour his memory. | 0:22:49 | 0:22:53 | |
I'll probably just decide when I see its face, see what it suits. | 0:22:56 | 0:23:00 | |
I'm sorry. | 0:23:01 | 0:23:03 | |
Patrick, this is Helen, she's a police officer. | 0:23:03 | 0:23:05 | |
Jesus, we've done all that. | 0:23:05 | 0:23:09 | |
-She's made a dozen statements. -Patrick. | 0:23:09 | 0:23:12 | |
It was Helen's husband that got killed at the bus stop. | 0:23:12 | 0:23:15 | |
Partner, actually... | 0:23:15 | 0:23:17 | |
we weren't married. | 0:23:17 | 0:23:19 | |
It must've been terrifying being shot at. | 0:23:29 | 0:23:32 | |
It all happened incredibly fast. | 0:23:33 | 0:23:36 | |
I know everyone says that, | 0:23:37 | 0:23:39 | |
but one minute this car was alongside me | 0:23:39 | 0:23:42 | |
and there were shots. | 0:23:42 | 0:23:44 | |
Next thing, I'm in an ambulance. | 0:23:44 | 0:23:46 | |
What were you doing in Gorton? | 0:23:48 | 0:23:50 | |
What's that got to do with anything? | 0:23:50 | 0:23:52 | |
Once a cop, always a cop. | 0:23:52 | 0:23:54 | |
Actually, I'm not here in an official capacity. | 0:23:54 | 0:23:57 | |
-Then, what...why are you here? -Patrick! | 0:23:57 | 0:24:00 | |
I'm trying to understand why my boyfriend died. | 0:24:00 | 0:24:02 | |
Oh, yes. | 0:24:04 | 0:24:06 | |
I'd been for a drink, with a friend. | 0:24:09 | 0:24:11 | |
And before you ask, it was only one drink and I wasn't over the limit. | 0:24:11 | 0:24:16 | |
Did you think you were going to hate me, | 0:24:21 | 0:24:24 | |
cos it was my car that... | 0:24:24 | 0:24:26 | |
Yeah. | 0:24:26 | 0:24:28 | |
I thought I might, | 0:24:29 | 0:24:31 | |
but that would be stupid, | 0:24:31 | 0:24:33 | |
you're just as much a victim as I am. | 0:24:33 | 0:24:35 | |
I'm sorry, I don't know why I came, I just... | 0:24:42 | 0:24:44 | |
Do you think they'll ever find the lads in that car? | 0:24:45 | 0:24:48 | |
Well, where gangs are concerned it's usually hard to get people to | 0:24:48 | 0:24:51 | |
talk, but I'm sure my colleagues will do their best. | 0:24:51 | 0:24:54 | |
Oh, if you speak to them, your colleagues, | 0:24:54 | 0:24:57 | |
-I wonder if you could do me a favour. -Of course. | 0:24:57 | 0:25:00 | |
It's the BMW. | 0:25:00 | 0:25:01 | |
I need to know if they've finished with it. | 0:25:01 | 0:25:03 | |
Until we get the car back we can't get the insurance sorted out, you see. | 0:25:03 | 0:25:06 | |
I'll put it at the top of my priority list. | 0:25:06 | 0:25:08 | |
Don't worry, Sarah, I'll walk myself out. | 0:25:12 | 0:25:14 | |
DOOR SLAMS | 0:25:15 | 0:25:17 | |
How much blood is there? | 0:25:27 | 0:25:29 | |
I'm not, I'm not sure...a lot. | 0:25:29 | 0:25:32 | |
Is there a problem? | 0:25:32 | 0:25:34 | |
There can't, there can't be a problem. | 0:25:34 | 0:25:36 | |
Try and stay calm, we'll get you checked out. | 0:25:36 | 0:25:39 | |
MACHINE BEEPS | 0:25:39 | 0:25:41 | |
BABY'S HEARTBEAT | 0:25:41 | 0:25:44 | |
The baby's fine. | 0:25:55 | 0:25:56 | |
Which is more than can be said for you. | 0:25:58 | 0:26:00 | |
You really need to rest, Helen. | 0:26:00 | 0:26:02 | |
"The best way to feel your baby kick..." | 0:26:04 | 0:26:06 | |
I can feel you kick all the time, can't I? | 0:26:08 | 0:26:10 | |
LOUD MUSIC | 0:26:16 | 0:26:18 | |
Boom like a shotgun. | 0:26:21 | 0:26:22 | |
MUSIC DROWNS SPEECH | 0:26:22 | 0:26:25 | |
-All right. -What's going on? | 0:26:25 | 0:26:27 | |
Eh, are we going to get paid today? | 0:26:27 | 0:26:29 | |
Yeah, I'll sort it out for you now. | 0:26:29 | 0:26:30 | |
Right. | 0:26:30 | 0:26:32 | |
Easy, will you sort him out? | 0:26:32 | 0:26:34 | |
Know what you're going to spend it on yet? | 0:26:41 | 0:26:43 | |
No, I don't know. | 0:26:43 | 0:26:45 | |
Enjoy it, bro! | 0:26:45 | 0:26:47 | |
Thank you. | 0:26:47 | 0:26:48 | |
That's a lot of money, bro, what are you going to spend it on? | 0:26:51 | 0:26:54 | |
I dunno. | 0:26:54 | 0:26:56 | |
No, you must know, what you going to spend it on? | 0:26:56 | 0:26:58 | |
He's joking, bro, go! | 0:26:58 | 0:27:00 | |
-I asked you a question... -SNAP! Taking the piss. | 0:27:01 | 0:27:04 | |
-T, go back to your baby. -All right. | 0:27:04 | 0:27:07 | |
-See you later. -What? | 0:27:08 | 0:27:10 | |
-Hiya! -Hiya, babe. | 0:27:34 | 0:27:37 | |
Hello! | 0:27:39 | 0:27:40 | |
How are you doing? Are you all right? | 0:27:41 | 0:27:44 | |
Good. Exhausted. He won't stop feeding. | 0:27:44 | 0:27:46 | |
He's going to end up like a big, fat bruiser. | 0:27:46 | 0:27:50 | |
You seen filth all over the street? | 0:27:50 | 0:27:52 | |
Yeah, yeah, what's all that about? | 0:27:52 | 0:27:54 | |
-Be about the dead cop, I suppose. -What dead cop? | 0:27:54 | 0:27:56 | |
You must've saw it on the TV! | 0:27:56 | 0:27:58 | |
No. | 0:27:58 | 0:27:59 | |
How was your day? | 0:28:01 | 0:28:03 | |
Yeah, yeah, good, erm, wait there. | 0:28:03 | 0:28:05 | |
Like I'm going anywhere. | 0:28:05 | 0:28:07 | |
Ta-da. | 0:28:09 | 0:28:11 | |
Whoa! | 0:28:11 | 0:28:12 | |
You got one. | 0:28:12 | 0:28:13 | |
I said I would. Told ya, | 0:28:13 | 0:28:15 | |
I'm going to sort stuff out for you and Leon, and I did, didn't I? | 0:28:15 | 0:28:17 | |
Snap? | 0:28:33 | 0:28:35 | |
Snap? | 0:28:42 | 0:28:43 | |
PAUL: I can do it...move down, I want a better background. | 0:29:29 | 0:29:33 | |
Make it look professional. | 0:29:33 | 0:29:34 | |
Right, smile like you love me. | 0:29:34 | 0:29:36 | |
God, that's so bad. | 0:29:38 | 0:29:40 | |
DOOR BUZZES | 0:29:48 | 0:29:50 | |
Paul's things. We're clearing out his locker cos someone needed it. | 0:29:55 | 0:29:59 | |
-MOBILE: -You have two new messages. | 0:30:46 | 0:30:49 | |
Hey, you're late. Call me. | 0:30:51 | 0:30:53 | |
Love you. | 0:30:57 | 0:30:59 | |
PHONE RINGS | 0:32:27 | 0:32:29 | |
-Paul? -Is this Frank? | 0:32:34 | 0:32:36 | |
Who's this? | 0:32:36 | 0:32:38 | |
My name's Helen, I'm, er... | 0:32:38 | 0:32:40 | |
-I'm Paul's girlfriend. -OK. | 0:32:40 | 0:32:42 | |
I'm sorry to call you like this. | 0:32:42 | 0:32:44 | |
I was just going through his phone and... | 0:32:44 | 0:32:47 | |
I'm afraid to tell you Paul's dead. | 0:32:47 | 0:32:48 | |
You didn't know? | 0:32:57 | 0:32:59 | |
No. | 0:32:59 | 0:33:02 | |
It's been on the news. | 0:33:02 | 0:33:03 | |
What news? | 0:33:03 | 0:33:05 | |
How did it happen? | 0:33:05 | 0:33:07 | |
-Accident. -Accident? | 0:33:07 | 0:33:10 | |
-Car accident. -Was Paul driving? | 0:33:10 | 0:33:13 | |
No. | 0:33:13 | 0:33:14 | |
No, erm... | 0:33:14 | 0:33:16 | |
he was hit. | 0:33:16 | 0:33:17 | |
At a bus stop. | 0:33:17 | 0:33:18 | |
Bus stop? He had a car. | 0:33:18 | 0:33:20 | |
Yes, he did. | 0:33:21 | 0:33:23 | |
We don't have the details... | 0:33:23 | 0:33:25 | |
Dates yet for the funeral. | 0:33:25 | 0:33:28 | |
Um, I have to wait until they release his body | 0:33:28 | 0:33:32 | |
but if you give me your address I can, | 0:33:32 | 0:33:34 | |
I can send you the details when I have them. | 0:33:34 | 0:33:37 | |
It just, it just says Frank on his phone, so... | 0:33:37 | 0:33:41 | |
What's your surname? | 0:33:41 | 0:33:43 | |
Linnell. Frank Linnell. | 0:33:43 | 0:33:45 | |
And, er, an, an address? | 0:33:45 | 0:33:47 | |
I'll call you. | 0:33:47 | 0:33:49 | |
PHONE DISCONNECTS | 0:33:49 | 0:33:51 | |
-VOICEOVER: -I want to know about Frank Linnell. | 0:34:00 | 0:34:03 | |
-Linnell? Where do you get that name? -Who is he? | 0:34:03 | 0:34:06 | |
Ask Organised Crime, he ran chunks of Manchester. | 0:34:06 | 0:34:09 | |
I've never heard of him. | 0:34:09 | 0:34:11 | |
He's old school. He's had everyone in his pocket. | 0:34:11 | 0:34:14 | |
Now he employs dubious methods securing contracts with | 0:34:14 | 0:34:17 | |
building and development companies. | 0:34:17 | 0:34:20 | |
He's not someone you'd want to get on the wrong side of. | 0:34:20 | 0:34:23 | |
Is there any reason Paul would've been in contact with him through work? | 0:34:23 | 0:34:26 | |
No. Why? | 0:34:26 | 0:34:28 | |
They were in touch, like text messages. One was friendly. | 0:34:28 | 0:34:31 | |
You know what you were saying the other day about... | 0:34:35 | 0:34:38 | |
-About how he was distracted and it was affecting his work. -Helen... | 0:34:38 | 0:34:41 | |
No! Tell me the truth. Was he involved in something that he shouldn't have been? | 0:34:41 | 0:34:44 | |
I'm not saying that. | 0:34:44 | 0:34:46 | |
-Well, then why was he hanging out with criminals? -All right. | 0:34:46 | 0:34:49 | |
He told me what happened. | 0:34:49 | 0:34:50 | |
Your affair. | 0:34:52 | 0:34:54 | |
If I'm honest, I think it did his fucking head in. | 0:34:54 | 0:34:56 | |
Me screwing around, it doesn't explain, it doesn't explain | 0:35:00 | 0:35:03 | |
why a man who's given his life to banging people up | 0:35:03 | 0:35:06 | |
-would suddenly turn bent. -He wasn't bent. -How do you know? | 0:35:06 | 0:35:08 | |
-Cos he hated corruption, we all do, don't we? -Well, I hated infidelity, | 0:35:08 | 0:35:12 | |
still ended up doing it. | 0:35:12 | 0:35:14 | |
We're not always what we seem, Gary. | 0:35:18 | 0:35:20 | |
Yeah, all right. | 0:35:21 | 0:35:23 | |
All right, we'll get your answers, I promise. | 0:35:23 | 0:35:26 | |
But in the meantime, you promise me something. | 0:35:26 | 0:35:29 | |
Stay away from Frank Linnell. | 0:35:29 | 0:35:31 | |
All right? | 0:35:31 | 0:35:32 | |
Just promise me, Helen. | 0:35:33 | 0:35:36 | |
Come here. | 0:35:44 | 0:35:46 | |
He ain't dead, right. | 0:35:48 | 0:35:50 | |
Cos if he's dead people are going to ask questions | 0:35:50 | 0:35:53 | |
and they'll want answers. | 0:35:53 | 0:35:55 | |
So he ain't dead. You don't know where he is. | 0:35:55 | 0:35:58 | |
You ain't heard from him, you don't know nothing. | 0:35:58 | 0:36:01 | |
All right? | 0:36:01 | 0:36:02 | |
All right! | 0:36:02 | 0:36:04 | |
Take him out. | 0:36:07 | 0:36:09 | |
Rest in peace, bro. | 0:36:44 | 0:36:46 | |
Never thought it'd be you before me. | 0:36:46 | 0:36:49 | |
What if it's the feds, bro? | 0:36:59 | 0:37:01 | |
It ain't the feds, bro. | 0:37:01 | 0:37:03 | |
Then who is it? | 0:37:03 | 0:37:04 | |
Just trust me, it's not the feds. | 0:37:04 | 0:37:06 | |
Then why was the newspaper there? | 0:37:06 | 0:37:08 | |
Well, someone knows. | 0:37:08 | 0:37:10 | |
Someone wants revenge, man. | 0:37:10 | 0:37:12 | |
Go get in the car. Now. | 0:37:12 | 0:37:13 | |
Come here. | 0:37:17 | 0:37:19 | |
No, come here! | 0:37:19 | 0:37:21 | |
Right, we're going to find who did it and hit back. | 0:37:21 | 0:37:24 | |
But in the meantime, we need to stay on our toes and watch our backs. | 0:37:24 | 0:37:27 | |
But business carries on as usual. All right? | 0:37:27 | 0:37:30 | |
-Yeah? -Yeah. | 0:37:30 | 0:37:32 | |
Get in the car. | 0:37:32 | 0:37:34 | |
You know, legally speaking, that's trespassing. | 0:37:44 | 0:37:46 | |
Adam's here. | 0:37:46 | 0:37:48 | |
-You are joking? -He wanted to see you. | 0:37:50 | 0:37:52 | |
You let him in?! | 0:37:53 | 0:37:55 | |
Look, when Paul was alive things were different. | 0:37:55 | 0:37:58 | |
But he might be the father of your baby and you might need him | 0:37:58 | 0:38:01 | |
in your life, so... | 0:38:01 | 0:38:02 | |
What are you doing here, Adam? | 0:38:37 | 0:38:39 | |
-I just wanted to offer my condolences. -Bullshit. | 0:38:39 | 0:38:41 | |
You send a card, you send flowers, you don't | 0:38:41 | 0:38:44 | |
turn up unannounced at someone's house. | 0:38:44 | 0:38:47 | |
You wanted to see me, why? | 0:38:47 | 0:38:49 | |
Because of this? | 0:38:49 | 0:38:50 | |
Come on, you're a detective, work it out. | 0:38:50 | 0:38:53 | |
We had a fling. | 0:38:55 | 0:38:56 | |
An illicit, mucky little... | 0:38:57 | 0:38:59 | |
Romance. | 0:38:59 | 0:39:00 | |
And I want to be here for you. | 0:39:12 | 0:39:14 | |
Thank you... | 0:39:16 | 0:39:18 | |
that's beautiful. | 0:39:18 | 0:39:19 | |
You're going to need me, Helen. | 0:39:22 | 0:39:23 | |
Maybe not now, but in the weeks to come. | 0:39:23 | 0:39:26 | |
God, you sound like my sister. | 0:39:26 | 0:39:27 | |
You might...Helen. | 0:39:28 | 0:39:30 | |
You want a relationship... | 0:39:32 | 0:39:34 | |
with me? | 0:39:34 | 0:39:36 | |
With a woman who gets pregnant | 0:39:36 | 0:39:37 | |
and doesn't even know who the father is. | 0:39:37 | 0:39:40 | |
You don't know me, so don't wait, OK, Adam, | 0:39:40 | 0:39:43 | |
cos I know what you're like, Mr It'll All Be OK In The End. | 0:39:43 | 0:39:46 | |
Life isn't like that, it's just a series | 0:39:46 | 0:39:49 | |
of random events and sometimes you win and sometimes you lose. | 0:39:49 | 0:39:53 | |
And right now, I'm... | 0:39:56 | 0:39:57 | |
I'm on a losing streak. | 0:39:57 | 0:39:59 | |
Well, I love you. | 0:40:03 | 0:40:05 | |
Are you sure you don't want me to drive it home? | 0:40:19 | 0:40:22 | |
It's only a car. | 0:40:22 | 0:40:24 | |
Yes, but erm... | 0:40:24 | 0:40:27 | |
isn't it going to be rather upsetting? | 0:40:27 | 0:40:30 | |
It's Paul's car. | 0:40:30 | 0:40:32 | |
I'll deal with it. | 0:40:32 | 0:40:33 | |
If it gets too much I'll call you. | 0:40:35 | 0:40:38 | |
Given up, my arse. | 0:40:58 | 0:41:00 | |
Your daddy was a liar. | 0:41:02 | 0:41:03 | |
Excuse me? | 0:42:57 | 0:42:59 | |
Is Frank in? | 0:43:06 | 0:43:08 | |
Who are you? | 0:43:08 | 0:43:09 | |
Paul's girlfriend. | 0:43:09 | 0:43:11 | |
It's Paul's girlfriend. | 0:43:15 | 0:43:17 | |
He says come through. | 0:43:20 | 0:43:21 | |
Helen. | 0:44:04 | 0:44:05 | |
It's a privilege. | 0:44:05 | 0:44:07 | |
No, I'm fine, thanks. | 0:44:28 | 0:44:29 | |
Nice place...when it's finished. | 0:44:48 | 0:44:51 | |
It's been sat here derelict for years. | 0:44:53 | 0:44:56 | |
Just needs some love. | 0:44:57 | 0:44:59 | |
How long left? It can't be long now. | 0:45:01 | 0:45:03 | |
Don't make any loud noises. | 0:45:03 | 0:45:05 | |
Are you taking time off or are you one of these modern types? | 0:45:07 | 0:45:10 | |
I came here to talk about Paul. | 0:45:10 | 0:45:12 | |
I'd like that. | 0:45:14 | 0:45:15 | |
How did you know him? | 0:45:17 | 0:45:19 | |
We met six years ago. | 0:45:19 | 0:45:22 | |
He was part of a team on a case I was close to | 0:45:22 | 0:45:25 | |
- the murder of someone I loved. | 0:45:25 | 0:45:27 | |
Paul was terrific. | 0:45:29 | 0:45:31 | |
One or two of his colleagues weren't quite so sympathetic, | 0:45:31 | 0:45:34 | |
if you know what I mean. | 0:45:34 | 0:45:36 | |
I've got a bit of a reputation. | 0:45:37 | 0:45:39 | |
Means some people see me a certain way. | 0:45:40 | 0:45:43 | |
But Paul wasn't like that. | 0:45:46 | 0:45:48 | |
And after? | 0:45:51 | 0:45:52 | |
We stayed in touch. | 0:45:53 | 0:45:55 | |
Is that it? | 0:45:56 | 0:45:58 | |
We became friends, I suppose. | 0:45:58 | 0:46:00 | |
We were friends. | 0:46:02 | 0:46:03 | |
He was a good man. | 0:46:05 | 0:46:06 | |
So you, you'd go to lunch, go out for a drink together? | 0:46:08 | 0:46:12 | |
Yeah, lunch, talk about this and that, | 0:46:12 | 0:46:15 | |
sometimes we'd go to the cricket. | 0:46:15 | 0:46:17 | |
Cricket? | 0:46:20 | 0:46:21 | |
Oh, yeah, he loved a bit of cricket. | 0:46:21 | 0:46:23 | |
So this reputation of yours... | 0:46:38 | 0:46:40 | |
Paul knew about that, presumably, | 0:46:42 | 0:46:45 | |
and it was never a problem for him? | 0:46:45 | 0:46:47 | |
Didn't seem so. | 0:46:47 | 0:46:49 | |
When did you last see him? | 0:46:49 | 0:46:51 | |
Day before he died. | 0:46:51 | 0:46:52 | |
No, I know that, I saw the text. | 0:46:52 | 0:46:54 | |
So why are you asking? | 0:46:54 | 0:46:56 | |
I also saw his text to you. | 0:46:56 | 0:46:58 | |
"I need this." | 0:46:58 | 0:47:00 | |
What was that about, what did he need? | 0:47:00 | 0:47:03 | |
I can't remember now. | 0:47:06 | 0:47:08 | |
Oh, come on. "I need this" - | 0:47:08 | 0:47:10 | |
sounds quite significant, doesn't it? | 0:47:10 | 0:47:13 | |
Was it money? | 0:47:16 | 0:47:17 | |
Paul asked me to help him out. | 0:47:22 | 0:47:23 | |
To pass on a few names. | 0:47:25 | 0:47:27 | |
People I thought he could talk to. | 0:47:27 | 0:47:29 | |
What kind of people? | 0:47:29 | 0:47:31 | |
I told him I couldn't help. | 0:47:31 | 0:47:33 | |
Well, that I didn't want to. | 0:47:33 | 0:47:35 | |
What kind of people? | 0:47:35 | 0:47:36 | |
People in my line of work. | 0:47:36 | 0:47:38 | |
Criminals? | 0:47:38 | 0:47:39 | |
Why did he ask, Frank? | 0:47:41 | 0:47:43 | |
Helen... | 0:47:51 | 0:47:53 | |
Paul was my friend. | 0:47:53 | 0:47:54 | |
I'm devastated by what has happened. | 0:47:57 | 0:47:59 | |
But if you're looking to point fingers, | 0:48:00 | 0:48:03 | |
you're pointing in the wrong place. | 0:48:03 | 0:48:05 | |
Good luck with the baby, | 0:48:16 | 0:48:19 | |
parenthood's a wonderful thing. | 0:48:19 | 0:48:21 | |
What does "no fucking tuna" mean? | 0:48:28 | 0:48:31 | |
In your text you said, "no fucking tuna", what does it mean? | 0:48:31 | 0:48:35 | |
He was bringing me lunch, | 0:48:36 | 0:48:39 | |
sandwich. | 0:48:39 | 0:48:41 | |
Can't stand the stuff. | 0:48:42 | 0:48:44 | |
-All right. -See you later. | 0:48:56 | 0:48:58 | |
-Later. -In a bit, Mikey. | 0:48:58 | 0:49:00 | |
LOUD BANG | 0:49:08 | 0:49:10 | |
Mikey, it's Theo, I've got a problem. | 0:49:35 | 0:49:37 | |
Which is? | 0:49:37 | 0:49:38 | |
I think I'm being followed, there's two guys, what shall I do? | 0:49:38 | 0:49:41 | |
Are you sure you're just not being paranoid, T? | 0:49:41 | 0:49:43 | |
-Yeah, I'm sure. -OK. | 0:49:43 | 0:49:45 | |
Go somewhere lively, then, get to the pub quick time. | 0:49:45 | 0:49:48 | |
I'll get the boys and we'll come grab you. | 0:49:48 | 0:49:50 | |
But what if I don't reach you in time... | 0:49:50 | 0:49:52 | |
GUNSHOT | 0:49:52 | 0:49:53 | |
Mikey? | 0:50:03 | 0:50:05 | |
So...have you found anything? | 0:51:04 | 0:51:07 | |
Yes, do you mind if I just see those, er, those parking tickets? | 0:51:07 | 0:51:10 | |
Ah, yeah. | 0:51:10 | 0:51:12 | |
Thank you. | 0:51:14 | 0:51:16 | |
Yes, I got it right. | 0:51:18 | 0:51:20 | |
-Would you like to see the first recording? -Please. | 0:51:22 | 0:51:25 | |
He looks like a right dodgy so and so, doesn't he? | 0:51:32 | 0:51:35 | |
So, would you, erm, would you like to see the next one? | 0:51:59 | 0:52:03 | |
OK, here we go. | 0:52:04 | 0:52:06 | |
Same bloke, | 0:52:08 | 0:52:10 | |
Mr Dodgy. | 0:52:10 | 0:52:11 | |
He must have a few quid, eh, jumping in taxis left, right and centre. | 0:52:16 | 0:52:20 | |
Can you push up on that last clip? | 0:52:21 | 0:52:23 | |
-Erm, yeah. -Freeze frame on the taxi? -Mmm-hmm. | 0:52:23 | 0:52:26 | |
It's the same taxi. | 0:52:33 | 0:52:34 | |
Oh, yeah! Good spot. | 0:52:36 | 0:52:38 | |
Same reg number. | 0:52:38 | 0:52:40 | |
Theo, Theo, what's going on? | 0:52:58 | 0:53:01 | |
I aimed to miss. Something's wrong, like. | 0:53:01 | 0:53:04 | |
I wasn't even aiming at her but, but he's dead. | 0:53:04 | 0:53:07 | |
A copper's dead and now they're coming for us. | 0:53:07 | 0:53:10 | |
What have you done? | 0:53:10 | 0:53:11 | |
JAVINE! Right, someone is coming to get us. We have to go now, help me. | 0:53:11 | 0:53:17 | |
-We've got a baby! -JAVINE! | 0:53:17 | 0:53:19 | |
They're going to kill us, they'll kill us all. Help me! | 0:53:19 | 0:53:22 | |
Put that in there! | 0:53:22 | 0:53:24 | |
Are you all right, love? | 0:54:08 | 0:54:09 | |
Sorry, I'm only just about to start my first shift. | 0:54:12 | 0:54:15 | |
Are you, er, are you Ray Jackson? | 0:54:15 | 0:54:18 | |
Yeah. | 0:54:18 | 0:54:19 | |
Do you, er, do you want to hop into the back of your car? | 0:54:25 | 0:54:27 | |
We can have a talk there. | 0:54:27 | 0:54:29 | |
Is this going to take long? | 0:54:37 | 0:54:40 | |
-No, it's not going to take long. -Good. | 0:54:40 | 0:54:42 | |
I just want to ask you about a passenger, police officer, that you had in your cab on Friday. | 0:54:42 | 0:54:46 | |
-Which one? -I'm sorry? | 0:54:46 | 0:54:49 | |
-Which Friday? -September the 30th and the Friday before that. | 0:54:49 | 0:54:54 | |
Have you got any idea how many passengers I carry in a week? | 0:54:54 | 0:54:57 | |
You picked him up outside the NCP building on Briary Street. | 0:54:57 | 0:55:01 | |
OK, I'll take your word for it. | 0:55:01 | 0:55:03 | |
No, you don't need to take my word for it. | 0:55:03 | 0:55:05 | |
We've got both pick-ups on CCTV. | 0:55:05 | 0:55:07 | |
So? I wasn't speeding, I didn't park on double yellows. | 0:55:07 | 0:55:11 | |
I just want to know who the other passenger was, | 0:55:11 | 0:55:15 | |
the man who was already in the cab when you picked him up. | 0:55:15 | 0:55:18 | |
I don't have to talk to you, I've done nothing wrong. | 0:55:20 | 0:55:22 | |
The police officer I'm talking about was killed last week | 0:55:22 | 0:55:25 | |
so actually, you do need to talk to me, unless you want a whole | 0:55:25 | 0:55:28 | |
load of other police officers all over you like shit on a blanket. | 0:55:28 | 0:55:31 | |
Who was the other passenger, Ray? | 0:55:35 | 0:55:37 | |
I drive for a client sometimes. | 0:55:41 | 0:55:43 | |
He's a respected businessman, | 0:55:45 | 0:55:47 | |
it's an exclusive basis, and he supplements my fares. | 0:55:47 | 0:55:51 | |
Name? | 0:55:51 | 0:55:53 | |
Kevin Sherwood. | 0:55:53 | 0:55:55 | |
Where did you take them? | 0:55:55 | 0:55:57 | |
Mr Sherwood and the police officer? | 0:55:57 | 0:55:59 | |
I really think you need to go home. | 0:56:04 | 0:56:07 | |
Things can go wrong, | 0:56:09 | 0:56:12 | |
I've seen it happen. | 0:56:12 | 0:56:14 | |
The last thing you want is for something to happen to your baby. | 0:56:17 | 0:56:21 | |
Mr Sherwood doesn't like people sticking their nose in where it's not wanted. | 0:56:21 | 0:56:25 | |
Please stop asking questions... | 0:56:27 | 0:56:28 | |
..or you might find out something you don't want to know... | 0:56:31 | 0:56:34 | |
..about that dead cop. | 0:56:36 | 0:56:37 | |
Who are you, then? | 0:57:11 | 0:57:12 | |
-Kevin Sherwood. It's best if you leave it alone. -Is that a warning? | 0:57:12 | 0:57:15 | |
You need to let me in. | 0:57:15 | 0:57:16 | |
It's kill or be killed, boys. | 0:57:16 | 0:57:18 | |
I've got bleach and I will use it in your fucking eyes! | 0:57:18 | 0:57:21 | |
Be careful... | 0:57:21 | 0:57:23 | |
Don't go where people know ya. | 0:57:23 | 0:57:25 | |
Well, there you go, you reap what you sow. | 0:57:25 | 0:57:28 |