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This programme contains some violent scenes and some strong language | 0:00:02 | 0:00:06 | |
Are you asking me if I think my dead partner was screwing around? | 0:00:06 | 0:00:10 | |
They're going to kill us. A copper's dead. And now they're coming for us. | 0:00:10 | 0:00:13 | |
GUNSHOT | 0:00:13 | 0:00:15 | |
What you doing here, Adam? You want a relationship with a woman | 0:00:15 | 0:00:18 | |
-who doesn't even know who the father is. -Well, I love you. | 0:00:18 | 0:00:21 | |
Stay away from Frank Linnell. | 0:00:21 | 0:00:22 | |
I've got a bit of a reputation. Paul was my friend, I'm devastated. | 0:00:22 | 0:00:26 | |
-You Ray Jackson? -Yeah. | 0:00:26 | 0:00:27 | |
-Who was the other passenger, Ray? -Kevin Sherwood. | 0:00:27 | 0:00:30 | |
The last thing you want is for something to happen to your baby. | 0:00:30 | 0:00:32 | |
Mr Sherwood doesn't like | 0:00:32 | 0:00:34 | |
people sticking their nose in where it's not wanted. | 0:00:34 | 0:00:36 | |
And who are you, then? | 0:02:17 | 0:02:18 | |
Kevin Sherwood. | 0:02:19 | 0:02:21 | |
I've taken pictures of your car reg and your face | 0:02:21 | 0:02:23 | |
and I've sent them to my boss, so if anything happens to me... | 0:02:23 | 0:02:26 | |
And you are Helen? | 0:02:29 | 0:02:31 | |
Paul's girlfriend? | 0:02:31 | 0:02:32 | |
How do you know where I live? | 0:02:32 | 0:02:33 | |
When Ray described you, I figured it out. | 0:02:33 | 0:02:37 | |
You know who you are and the fact that you weren't there | 0:02:37 | 0:02:39 | |
in any official capacity. | 0:02:39 | 0:02:41 | |
See, Ray's not the sharpest knife in the drawer. | 0:02:41 | 0:02:43 | |
It's probably why he drives a cab. | 0:02:43 | 0:02:45 | |
Claps eyes on a warrant card and makes all kinds of assumptions. | 0:02:45 | 0:02:49 | |
But I know what happened to Paul. | 0:02:50 | 0:02:53 | |
-What did happen to him? -You're just probably trying to work out | 0:02:53 | 0:02:56 | |
-what me and Paul were discussing. -You going to tell me? | 0:02:56 | 0:02:59 | |
Well, whoever's investigating Paul's death, | 0:02:59 | 0:03:01 | |
they're not looking at the likes of me. | 0:03:01 | 0:03:03 | |
Probably looking at someone a bit younger than me, a bit blacker. | 0:03:03 | 0:03:07 | |
Helen, I think it's best if you leave it alone. | 0:03:09 | 0:03:12 | |
Best for who? | 0:03:12 | 0:03:13 | |
You. | 0:03:13 | 0:03:14 | |
-Is that a warning? -It's not a warning. | 0:03:14 | 0:03:17 | |
OK, Helen! | 0:03:17 | 0:03:19 | |
Just tell yourself he needed a bit of extra money. | 0:03:19 | 0:03:22 | |
He had a kid on the way, so he wanted a bigger house. | 0:03:22 | 0:03:24 | |
Tell yourself he was doing it for you. | 0:03:24 | 0:03:26 | |
Piss off and leave me alone. | 0:03:26 | 0:03:28 | |
TYRES SCREECH | 0:03:52 | 0:03:53 | |
TYRES SCREECH | 0:03:58 | 0:03:59 | |
DOOR OPENS AND CLOSES | 0:04:01 | 0:04:02 | |
Hiya. | 0:04:10 | 0:04:11 | |
I'm, er, I'm police. | 0:04:11 | 0:04:13 | |
I just going to leave my car here. | 0:04:13 | 0:04:15 | |
OK. | 0:04:15 | 0:04:17 | |
Hey, it's me. I want to see you. | 0:04:38 | 0:04:40 | |
KNOCK ON DOOR | 0:04:47 | 0:04:48 | |
You all right? | 0:05:05 | 0:05:06 | |
Here's what I want you to do. | 0:05:09 | 0:05:10 | |
I want you to take your clothes off. | 0:05:12 | 0:05:14 | |
Have sex with me and then hold me. | 0:05:17 | 0:05:20 | |
And make me feel safe. | 0:05:20 | 0:05:21 | |
Can you do that? | 0:05:23 | 0:05:25 | |
PHONE RINGS | 0:05:48 | 0:05:50 | |
Hi, it's Theo. Is Javine there? | 0:05:52 | 0:05:54 | |
Hold on. | 0:05:54 | 0:05:55 | |
It's for you. | 0:05:55 | 0:05:56 | |
-Theo? You OK? Where are you? -Yeah, I'm cool. | 0:05:58 | 0:06:03 | |
-I've found a place to hide out. What time can I pass by? -This afternoon. | 0:06:03 | 0:06:08 | |
-But make sure you're not followed. -OK. -Really make sure, Theo. | 0:06:08 | 0:06:13 | |
Look, I won't. I got a couple of routes in mind, | 0:06:13 | 0:06:15 | |
and I won't decide till the last minute. | 0:06:15 | 0:06:17 | |
Be careful. And don't go where people know ya. | 0:06:17 | 0:06:20 | |
I won't. | 0:06:20 | 0:06:22 | |
-I'll see you later. -See you later. | 0:06:22 | 0:06:25 | |
-I love you. -Love you too. | 0:06:25 | 0:06:27 | |
We need to talk about this. | 0:06:49 | 0:06:51 | |
SHE SIGHS | 0:06:53 | 0:06:55 | |
About what? What, the fact that I had sex with you | 0:06:59 | 0:07:02 | |
when I was perfectly happy in my relationship? | 0:07:02 | 0:07:04 | |
But you weren't happy, were you? | 0:07:04 | 0:07:06 | |
You wanted something different. | 0:07:06 | 0:07:08 | |
Oh, come on, you complimented my legs at a party | 0:07:08 | 0:07:12 | |
and the next thing I was just spreading them for you. | 0:07:12 | 0:07:15 | |
We all think that our problems are so unique. | 0:07:15 | 0:07:18 | |
I was so complicated. | 0:07:20 | 0:07:22 | |
Hey... | 0:07:23 | 0:07:25 | |
-You can't just... -What? Leave? | 0:07:26 | 0:07:30 | |
I'm pregnant and I'm grieving. | 0:07:30 | 0:07:32 | |
That gives me licence to do just about anything. | 0:07:32 | 0:07:35 | |
Helen. Helen, come here. | 0:07:35 | 0:07:37 | |
You need to let me in. | 0:07:39 | 0:07:41 | |
I'm sorry. | 0:07:59 | 0:08:01 | |
-Stay as long as you like. -Thanks. | 0:08:02 | 0:08:05 | |
I'll bring my things tomorrow. | 0:08:07 | 0:08:09 | |
PHONE RINGS | 0:09:34 | 0:09:36 | |
Hello? | 0:09:36 | 0:09:37 | |
Yeah, hi, it's Theo. | 0:09:37 | 0:09:39 | |
Can you tell Javine I can't make it? | 0:09:39 | 0:09:41 | |
Dad! | 0:10:02 | 0:10:03 | |
Here. | 0:10:06 | 0:10:08 | |
When did you get here? | 0:10:09 | 0:10:11 | |
-This morning. -What time is it? | 0:10:11 | 0:10:14 | |
-11. -11? | 0:10:14 | 0:10:16 | |
Come on, doing a fry up. | 0:10:16 | 0:10:18 | |
Here you are. | 0:10:27 | 0:10:28 | |
Have you thought of any hymns yet? | 0:10:33 | 0:10:35 | |
I assume you're having hymns, or pop music? | 0:10:35 | 0:10:38 | |
Pop music. | 0:10:40 | 0:10:42 | |
The hit parade. | 0:10:42 | 0:10:43 | |
Hey, I download. | 0:10:43 | 0:10:46 | |
I'm not a dinosaur yet, you know! | 0:10:46 | 0:10:48 | |
No, I haven't thought of any. | 0:10:50 | 0:10:52 | |
Every time I do, it just... | 0:10:53 | 0:10:55 | |
..just reminds me he's dead. | 0:10:58 | 0:11:00 | |
I was...going to ask if I could help carry him, | 0:11:05 | 0:11:08 | |
carry the coffin. | 0:11:08 | 0:11:10 | |
You've probably got friends who can do it, but... | 0:11:10 | 0:11:12 | |
No it'll be, erm... | 0:11:12 | 0:11:14 | |
It'll be coppers. Erm, honour guard, in dress uniform. | 0:11:15 | 0:11:21 | |
It's Paul's mum, she wants the whole ceremonial bit. | 0:11:21 | 0:11:24 | |
She sent me an e-mail, very strongly worded one. | 0:11:24 | 0:11:28 | |
She wants, like, 26 gun salute, and trumpets, and... | 0:11:30 | 0:11:36 | |
all that bullshit. | 0:11:36 | 0:11:38 | |
Did you like him? Paul? | 0:11:44 | 0:11:47 | |
And don't...don't just say yes cos he's dead. | 0:11:48 | 0:11:50 | |
Did you really like him? | 0:11:54 | 0:11:55 | |
Most of the time. | 0:11:56 | 0:11:58 | |
He could be arrogant, especially with a beer inside him, | 0:11:59 | 0:12:01 | |
and, of course, he was a City fan, so... | 0:12:01 | 0:12:04 | |
Yes, I liked him. | 0:12:05 | 0:12:07 | |
We talked... | 0:12:10 | 0:12:11 | |
..about you, about the baby. | 0:12:13 | 0:12:15 | |
He was looking forward to it. | 0:12:18 | 0:12:20 | |
Did you trust him? | 0:12:22 | 0:12:24 | |
Didn't you? | 0:12:26 | 0:12:28 | |
I thought I did. | 0:12:30 | 0:12:31 | |
Hey. | 0:12:37 | 0:12:39 | |
MOBILE RINGS | 0:12:56 | 0:13:00 | |
Hey, Easy, what's up? | 0:13:07 | 0:13:09 | |
Yo, need to see ya, today. | 0:13:09 | 0:13:12 | |
Today? Oh, I can't today, I got some stuff to do. | 0:13:12 | 0:13:15 | |
Nah, today. I'll come grab ya. Sweet. | 0:13:15 | 0:13:18 | |
-TV: -17-year-old Meekaaeel Qureshi's young life was cut short | 0:13:24 | 0:13:27 | |
by a violent and terrifying gun attack yesterday. | 0:13:27 | 0:13:31 | |
Combined with the recent disappearance of James Desunmo | 0:13:31 | 0:13:33 | |
otherwise known as Snap, police are working on the assumption | 0:13:33 | 0:13:36 | |
that rival gangs may have become engaged in a deadly turf war. | 0:13:36 | 0:13:39 | |
The police are determined to prevent the violence from escalating. | 0:13:39 | 0:13:42 | |
They are warning residents not to retaliate | 0:13:42 | 0:13:45 | |
and are appealing... | 0:13:45 | 0:13:46 | |
DCI Carter. | 0:13:51 | 0:13:52 | |
-Hey, Ted, it's me, Helen. -Helen, how are you doing? | 0:13:52 | 0:13:55 | |
I'm just curious, how's that investigation going? | 0:13:55 | 0:13:57 | |
Well, we're confident that the boys involved in that shooting | 0:13:57 | 0:14:00 | |
are from the same estate that the lad's been killed. | 0:14:00 | 0:14:02 | |
-We're conducting more door-to-doors. -And? | 0:14:02 | 0:14:06 | |
-You know what it's like on these estates. -Yep, wall of silence. | 0:14:06 | 0:14:11 | |
Just been chillin', yeah! | 0:14:29 | 0:14:31 | |
Hey. | 0:14:31 | 0:14:33 | |
It's really sad, isn't it? | 0:14:35 | 0:14:36 | |
They say it's gang related. | 0:14:38 | 0:14:40 | |
Talking about all sorts, they don't know shit. | 0:14:42 | 0:14:44 | |
Right. | 0:14:46 | 0:14:47 | |
What do you reckon? | 0:14:47 | 0:14:48 | |
If it's a war, the other crew won't know what's hit 'em. | 0:14:50 | 0:14:53 | |
What's the other crew? | 0:14:55 | 0:14:57 | |
Are you all part of...of that crew? | 0:14:57 | 0:15:00 | |
-Maybe. -So, you knew them, Wave and Easy? | 0:15:00 | 0:15:03 | |
-Everyone knows Wave. -Is he the leader? -Are you some sort of cop? | 0:15:03 | 0:15:06 | |
-Come on, look at me, do I look like a cop? -You look like a MILF. | 0:15:06 | 0:15:10 | |
THEY LAUGH | 0:15:10 | 0:15:12 | |
-Wouldn't even need a condom. -All right, thanks for your time. | 0:15:12 | 0:15:16 | |
-Hiya. -Hi. -Helen. Nice to meet you. | 0:15:22 | 0:15:25 | |
-You didn't know him, did you? -Nah. | 0:15:25 | 0:15:28 | |
Did you hear about the killings that happened recently, two young boys? | 0:15:28 | 0:15:31 | |
Yeah. Well, it happens all the time round here, don't it? | 0:15:31 | 0:15:33 | |
Why, who are you, anyway? | 0:15:33 | 0:15:35 | |
I'm just... I know it sounds silly, I just... | 0:15:35 | 0:15:37 | |
I got moved by the story, I just wanted to find out... | 0:15:37 | 0:15:40 | |
You shouldn't be walking around here like that, anyway. | 0:15:40 | 0:15:42 | |
-Did you hear about the killings that happened? Young lads. -Yeah. | 0:15:42 | 0:15:45 | |
It's no more than the little bastards deserve. | 0:15:45 | 0:15:48 | |
They bring it all on themselves. | 0:15:48 | 0:15:50 | |
I seen him around but I didn't know him, like, | 0:15:50 | 0:15:52 | |
you know what I mean? I didn't really know him, like. | 0:15:52 | 0:15:54 | |
Now recently, there's been nothing like that. | 0:15:54 | 0:15:56 | |
There's been nothing, has it? | 0:15:56 | 0:15:57 | |
No, it's been really quiet. | 0:15:57 | 0:15:58 | |
Did you hear about the killings that went on? | 0:15:58 | 0:16:00 | |
Aye, everyone's heard about them, you know? | 0:16:00 | 0:16:02 | |
There's not much we can do. | 0:16:02 | 0:16:04 | |
SHE PANTS | 0:16:09 | 0:16:12 | |
Are you OK? | 0:16:12 | 0:16:14 | |
Yeah. Just, er... | 0:16:14 | 0:16:17 | |
nausea. | 0:16:17 | 0:16:18 | |
The baby. | 0:16:18 | 0:16:20 | |
I've got a son. Leon. | 0:16:20 | 0:16:22 | |
Going to see him later. Can't wait. | 0:16:22 | 0:16:24 | |
-God, you don't seem old enough. -Started young. | 0:16:24 | 0:16:27 | |
Everything starts young round here. | 0:16:27 | 0:16:29 | |
-Even murder? -What? | 0:16:29 | 0:16:31 | |
I-I saw that story on the news, | 0:16:31 | 0:16:33 | |
about that boy and, I dunno, must be my hormones, but it really moved me. | 0:16:33 | 0:16:37 | |
-Right. -Did you know him? | 0:16:37 | 0:16:39 | |
-Mikey. -Kind of. | 0:16:39 | 0:16:42 | |
And what about that other boy, who they said went missing? | 0:16:42 | 0:16:45 | |
-Well, I'd seen him round. He was a good guy. You know. -Yo. Tee! Theo! | 0:16:45 | 0:16:49 | |
-One sec, Wave. -Come on, man! Hurry up, man! -All right, sorry! | 0:16:49 | 0:16:53 | |
RINGING | 0:17:12 | 0:17:14 | |
Hello? | 0:17:16 | 0:17:17 | |
Hello? | 0:17:19 | 0:17:20 | |
Hello? | 0:17:25 | 0:17:27 | |
RINGING | 0:17:40 | 0:17:41 | |
Hello? | 0:17:41 | 0:17:43 | |
Helen, it's Jess Harlow from the Coroner's Office. | 0:17:43 | 0:17:46 | |
-Oh, right. Did... Did you just call me? -No. | 0:17:46 | 0:17:50 | |
Oh, you, er, you... | 0:17:50 | 0:17:53 | |
-you didn't just call me? -No. | 0:17:53 | 0:17:55 | |
OK, erm, right, well, wha-what do you want? | 0:17:56 | 0:18:02 | |
It's regarding Paul. Is this a good time? | 0:18:02 | 0:18:04 | |
Yeah, yeah, no, this is as good a time as any. | 0:18:04 | 0:18:08 | |
OK well, the senior investigating officer has conferred | 0:18:08 | 0:18:11 | |
with the coroner and they're happy to authorise burial, | 0:18:11 | 0:18:14 | |
issuing a temporary death certificate. | 0:18:14 | 0:18:17 | |
In the light of this, | 0:18:17 | 0:18:18 | |
the SIO would himself be happy to release Paul's body. | 0:18:18 | 0:18:21 | |
Well, everyone's happy. | 0:18:23 | 0:18:25 | |
I'm sorry? | 0:18:25 | 0:18:27 | |
Nothing. Just, erm... | 0:18:28 | 0:18:31 | |
I'll be happy to... | 0:18:35 | 0:18:37 | |
to have his body to bury. | 0:18:37 | 0:18:39 | |
-All right, thank you. -Bye-bye. | 0:18:42 | 0:18:44 | |
Stay there. | 0:18:54 | 0:18:56 | |
All right, lads? | 0:19:09 | 0:19:10 | |
Want to be straight. | 0:19:10 | 0:19:12 | |
We don't know which crew is behind it, so the best thing we can do now | 0:19:12 | 0:19:17 | |
is keep our heads down till we sort this out. | 0:19:17 | 0:19:20 | |
Wave's going to stay with me at my bro's. Where are you going to stay? | 0:19:20 | 0:19:23 | |
At-at Javine's mum's. | 0:19:23 | 0:19:25 | |
Wave is getting his bro's dog for protection, | 0:19:25 | 0:19:28 | |
but I think we need something with a bit more accuracy. | 0:19:28 | 0:19:30 | |
Take that, bro. | 0:19:35 | 0:19:37 | |
It's kill or be killed, boys. | 0:19:44 | 0:19:46 | |
Hey. Come here. | 0:19:53 | 0:19:56 | |
They brought me his iPad. | 0:20:03 | 0:20:05 | |
I didn't even know he had one. | 0:20:06 | 0:20:09 | |
There's a folder on it. | 0:20:09 | 0:20:11 | |
"Victoria." | 0:20:11 | 0:20:13 | |
Victoria? | 0:20:13 | 0:20:14 | |
Mm-hm. | 0:20:14 | 0:20:15 | |
Password required. | 0:20:15 | 0:20:18 | |
Did you get in it? | 0:20:18 | 0:20:19 | |
But why would he have that? | 0:20:19 | 0:20:22 | |
It could be anything. | 0:20:22 | 0:20:23 | |
Could be a code word, secret file. | 0:20:25 | 0:20:27 | |
Do you want me to speak to tech and see if they can hack into it? | 0:20:27 | 0:20:31 | |
-I think he was involved with something. -Something? Like what? | 0:20:32 | 0:20:36 | |
There's this guy called Kevin Sherwood. | 0:20:36 | 0:20:39 | |
Extremely dodgy businessman - | 0:20:39 | 0:20:41 | |
he's got links to credit and debit card scams and money laundering, | 0:20:41 | 0:20:45 | |
and illegal machinery sales in Nigeria. | 0:20:45 | 0:20:48 | |
He said Paul was helping him, that they had a deal. | 0:20:50 | 0:20:53 | |
And you believe him? | 0:20:54 | 0:20:55 | |
I don't want to, but... | 0:20:55 | 0:20:58 | |
God, you know what they say, you know - | 0:21:00 | 0:21:01 | |
-if it smells like shit and it looks like shit... -Helen. | 0:21:01 | 0:21:04 | |
You look like shit. | 0:21:06 | 0:21:08 | |
And you're going to need all your strength to get through this funeral | 0:21:08 | 0:21:11 | |
and, to be frank, the last thing you need is to be looking at his coffin | 0:21:11 | 0:21:16 | |
and wondering if he was corrupt. | 0:21:16 | 0:21:19 | |
Are you sure you want to be alone right now? | 0:21:19 | 0:21:21 | |
Do you want to stay with me? | 0:21:21 | 0:21:23 | |
No, I'm-I'm at my sister's. | 0:21:24 | 0:21:26 | |
OK. | 0:21:28 | 0:21:29 | |
SILLY VOICE: I'm your long-lost twin sister. | 0:22:08 | 0:22:12 | |
I look just like you. | 0:22:12 | 0:22:14 | |
I even have a tiny teeny beard right on the end of my chin. | 0:22:14 | 0:22:20 | |
It's your doppelganger. | 0:22:22 | 0:22:25 | |
-Oh, my God, she's so ugly! -Ugly! | 0:22:25 | 0:22:29 | |
I know - look at you. | 0:22:29 | 0:22:31 | |
Come on! | 0:22:52 | 0:22:53 | |
Yo, the dog won't shit. | 0:22:53 | 0:22:55 | |
-Let's go, bro. -Come on. Come on! | 0:22:55 | 0:22:59 | |
This dog's useless. | 0:22:59 | 0:23:01 | |
-You want to get high? -You want to get high? | 0:23:01 | 0:23:03 | |
You want to smoke with me? Ah? | 0:23:03 | 0:23:05 | |
Oh, I ate too much, you know, way too much. | 0:23:06 | 0:23:09 | |
-Well too much. Come on. -Belly feels bad! -Hangin'. | 0:23:09 | 0:23:13 | |
INAUDIBLE | 0:23:14 | 0:23:17 | |
We'll have to smoke outside. | 0:23:18 | 0:23:20 | |
Bro. | 0:23:22 | 0:23:23 | |
-Take it down, will you, bro? -No bother. | 0:23:28 | 0:23:31 | |
DOG GROWLS | 0:23:34 | 0:23:35 | |
-Oh, bro. -What? | 0:23:35 | 0:23:38 | |
The dog's shit on the floor, man! | 0:23:38 | 0:23:40 | |
Are you taking the piss, bro? | 0:23:40 | 0:23:42 | |
Nah, not outside my bro's yard. | 0:23:42 | 0:23:44 | |
Stay there. I'm getting you a bag. | 0:23:45 | 0:23:48 | |
Dog shit! | 0:23:53 | 0:23:55 | |
-I ain't cleaning that up! -Scoop it! Scoop it now! | 0:23:55 | 0:23:58 | |
I can't believe you're making me do this! | 0:23:58 | 0:24:00 | |
-I told you don't bring the dog. -Bro! | 0:24:00 | 0:24:02 | |
HE RETCHES | 0:24:02 | 0:24:04 | |
It's why I don't have a dog, bro! | 0:24:04 | 0:24:06 | |
-Yo, dash it, bro. -Shit! Come on. | 0:24:07 | 0:24:10 | |
DOG GROWLS | 0:24:15 | 0:24:16 | |
Calm down, you little shit. | 0:24:16 | 0:24:18 | |
-Get down. -You're mad! | 0:24:35 | 0:24:38 | |
-Down, now. -All right. | 0:24:38 | 0:24:40 | |
Now this is about Paul Hopkins. | 0:24:42 | 0:24:44 | |
-Who's that? -The police officer who got killed, waiting for a bus. | 0:24:44 | 0:24:48 | |
-In Gorton, right, yeah, yeah, I seen it in the pa... -Don't bullshit me! | 0:24:48 | 0:24:52 | |
Right, what do you want to know? | 0:24:52 | 0:24:55 | |
Everything. Like, who else was involved. | 0:24:55 | 0:24:59 | |
All right, just take the gun out my face. | 0:24:59 | 0:25:01 | |
SHE SINGS SOFTLY | 0:25:16 | 0:25:18 | |
BANGING | 0:25:18 | 0:25:20 | |
DOOR CLOSES | 0:25:22 | 0:25:24 | |
Ah! | 0:25:48 | 0:25:50 | |
Argh! | 0:25:59 | 0:26:00 | |
I've got bleach and I will use it in your fucking eyes! | 0:26:08 | 0:26:11 | |
EXHALES LOUDLY | 0:26:39 | 0:26:41 | |
DI Moody - professional standards branch. | 0:26:42 | 0:26:44 | |
What the fuck were you doing in my flat?! | 0:26:44 | 0:26:46 | |
-Wasn't me. -There was a man - there was a man in my flat! | 0:26:46 | 0:26:48 | |
Do you want me to have a look? | 0:26:48 | 0:26:51 | |
Let me see. | 0:26:51 | 0:26:52 | |
Follow me in. | 0:26:52 | 0:26:54 | |
Come on, let's have a look. | 0:26:54 | 0:26:56 | |
So? Am I under surveillance? | 0:27:22 | 0:27:25 | |
I wouldn't call it surveillance. | 0:27:25 | 0:27:28 | |
We've been tracking your movements. | 0:27:28 | 0:27:30 | |
-Why? -You ran a vehicle check on Ray Jackson. | 0:27:30 | 0:27:33 | |
Any enquiry related to him gets flagged on our system. | 0:27:33 | 0:27:36 | |
We know you've spoken to Kevin Sherwood | 0:27:36 | 0:27:39 | |
and you visited the murder scene of Meekaaeel Qureshi. | 0:27:39 | 0:27:42 | |
Yes, I also spoke to Frank Linnell and Sarah Rushton. | 0:27:42 | 0:27:45 | |
I've been all over town, and why, | 0:27:45 | 0:27:46 | |
because I have got 1,000 questions and no answers. | 0:27:46 | 0:27:50 | |
Do you mind telling me how you came up with Ray Jackson's name? | 0:27:50 | 0:27:53 | |
I found parking tickets. | 0:27:54 | 0:27:56 | |
So I took them to the CCTV monitoring centre, | 0:27:58 | 0:28:03 | |
and they showed me Paul... | 0:28:03 | 0:28:06 | |
..stepping into the same taxi on two separate occasions. | 0:28:09 | 0:28:12 | |
So I did some investigating... | 0:28:15 | 0:28:17 | |
..and all the signs point to him being bent. | 0:28:19 | 0:28:21 | |
Paul wasn't corrupt. | 0:28:27 | 0:28:29 | |
He was working for us. | 0:28:29 | 0:28:31 | |
Paul's job was to target fellow officers, | 0:28:43 | 0:28:46 | |
to secure evidence that might convict anyone passing information | 0:28:46 | 0:28:49 | |
to organised crime figures - individuals, gangs, whatever. | 0:28:49 | 0:28:52 | |
He was investigating Kevin Sherwood? | 0:28:52 | 0:28:54 | |
Sherwood was a target Paul was making decent headway on | 0:28:54 | 0:28:57 | |
before his death - you've met him, | 0:28:57 | 0:28:59 | |
-so you know what kind of person he is. -A prick. | 0:28:59 | 0:29:02 | |
Correct, and not only that, he's a prick | 0:29:02 | 0:29:05 | |
we suspect has made payments to a number of officers in various units. | 0:29:05 | 0:29:09 | |
What about Frank Linnell? | 0:29:09 | 0:29:10 | |
He's not someone we have an active interest in. | 0:29:11 | 0:29:14 | |
Plenty of our colleagues do, of course. | 0:29:14 | 0:29:16 | |
Paul's been in touch with him. | 0:29:17 | 0:29:19 | |
Asking for info. | 0:29:19 | 0:29:20 | |
-What did Linnell say? -They were friends. | 0:29:20 | 0:29:23 | |
Friends! | 0:29:23 | 0:29:25 | |
-They watched cricket together. -Right. | 0:29:25 | 0:29:28 | |
I do know for a fact Linnell was not part of Operation Elizabeth. | 0:29:30 | 0:29:34 | |
-Elizabeth? -Women's names. | 0:29:34 | 0:29:37 | |
Elizabeth was Kevin Sherwood. | 0:29:37 | 0:29:39 | |
What about Victoria? | 0:29:41 | 0:29:43 | |
It's gone. | 0:30:02 | 0:30:03 | |
Paul's iPad - it's gone. | 0:30:05 | 0:30:08 | |
BABY GURGLES | 0:30:16 | 0:30:18 | |
Yeah! | 0:30:18 | 0:30:20 | |
RINGING | 0:30:20 | 0:30:22 | |
-Hey, Easy, what's up? -Easy's dead, Theo. | 0:30:22 | 0:30:25 | |
They're all dead except for you. | 0:30:27 | 0:30:31 | |
We'll find you. | 0:30:31 | 0:30:32 | |
Ezra Dennison and Errol Anderton, who went by the names Easy and Wave, | 0:30:46 | 0:30:50 | |
were found gunned down yesterday in a relatives' home. | 0:30:50 | 0:30:53 | |
It comes just days after | 0:30:53 | 0:30:55 | |
17-year-old Meekaaeel Qureshi was shot and killed riding his bicycle. | 0:30:55 | 0:31:00 | |
Police say the shootings appear to be targeted | 0:31:00 | 0:31:03 | |
and are keen to reassure the public... | 0:31:03 | 0:31:05 | |
Beautiful service. | 0:32:59 | 0:33:00 | |
Was good of you to come. | 0:33:03 | 0:33:04 | |
Like I told you, he was a friend of mine. | 0:33:04 | 0:33:07 | |
Have they found the bastards that did it yet? | 0:33:10 | 0:33:12 | |
Did it? | 0:33:12 | 0:33:14 | |
The shooting, the boys in the car. | 0:33:14 | 0:33:16 | |
Three of them are dead. | 0:33:19 | 0:33:21 | |
Well, there you go. | 0:33:22 | 0:33:24 | |
You reap what you sow. | 0:33:26 | 0:33:28 | |
Isn't that right, Clyde? | 0:33:28 | 0:33:30 | |
You reap what you sow. | 0:33:30 | 0:33:32 | |
If there's anything you need... | 0:33:40 | 0:33:43 | |
-Hi. -You all right? | 0:34:03 | 0:34:05 | |
Yeah. | 0:34:05 | 0:34:07 | |
-Helen, can I, erm, say something, as a friend? -Mm-hm. | 0:34:08 | 0:34:12 | |
If you ever need anything, please, | 0:34:12 | 0:34:15 | |
for once in your life, just pick up the bloody phone. | 0:34:15 | 0:34:18 | |
OK, call me. I know how to change a nappy, and believe it or not, | 0:34:18 | 0:34:23 | |
I'm also extremely au fait with the vagaries of Peppa Pig. | 0:34:23 | 0:34:26 | |
SHE LAUGHS | 0:34:26 | 0:34:28 | |
Hiya. | 0:34:28 | 0:34:29 | |
Helen. | 0:34:29 | 0:34:30 | |
-You OK? -How's the investigation going? | 0:34:32 | 0:34:35 | |
-Well, I spoke with Carter, but it can wait until... -Oh, no. | 0:34:35 | 0:34:38 | |
This is his funeral. | 0:34:38 | 0:34:39 | |
We are surrounded by coppers. | 0:34:39 | 0:34:41 | |
-This is the perfect time. -Gary, can you give us a minute? | 0:34:41 | 0:34:44 | |
Yeah, yeah, course. Yeah. | 0:34:46 | 0:34:48 | |
-I was going to come see you tomorrow. -Mm-hmm. -After all this. | 0:34:53 | 0:34:57 | |
They've had the crime scene report back. | 0:34:59 | 0:35:02 | |
-There's a peculiarity. -Peculiarity? | 0:35:02 | 0:35:04 | |
Hm. So the collision investigator was able to measure | 0:35:04 | 0:35:09 | |
exactly how fast each car was going when the incident occurred. | 0:35:09 | 0:35:13 | |
-And the answer, oddly enough, was not very. -So? | 0:35:13 | 0:35:17 | |
The BMW was supposedly trying to get away, at a time of night | 0:35:17 | 0:35:20 | |
when there was very little other traffic on the roads, | 0:35:20 | 0:35:22 | |
but the only time it got up to anything like a decent speed | 0:35:22 | 0:35:25 | |
was after the shots were fired, when it veered towards the bus stop. | 0:35:25 | 0:35:29 | |
Well, you would speed up if someone was shooting at you. | 0:35:29 | 0:35:32 | |
No, this is the thing - I told you they dug two bullets out. | 0:35:32 | 0:35:35 | |
-30 eights. -Mm-hm. -But they weren't in the right place. -Meaning? | 0:35:35 | 0:35:40 | |
They got ballistics to map the trajectory of the bullets | 0:35:40 | 0:35:43 | |
based on the relative heights of each vehicle. | 0:35:43 | 0:35:45 | |
Look - you can trace the path each bullet took. | 0:35:45 | 0:35:49 | |
Neither shot could have originated from the car. | 0:35:49 | 0:35:52 | |
Meaning what? | 0:35:55 | 0:35:57 | |
That the shots were fired before. | 0:35:57 | 0:35:59 | |
I don't know when exactly, but certainly before the accident. | 0:35:59 | 0:36:03 | |
Helen, they were fired by someone standing outside the vehicle | 0:36:03 | 0:36:07 | |
whilst it was stationary. | 0:36:07 | 0:36:08 | |
-Brian. Hey. -Helen! | 0:36:23 | 0:36:26 | |
I need to check local intelligence. | 0:36:26 | 0:36:28 | |
I'd been for a drink with a friend, | 0:37:03 | 0:37:05 | |
and before you ask, it was one drink and I wasn't over the limit. | 0:37:05 | 0:37:10 | |
..last about half an hour, cos I've got to go somewhere at four o'clock, | 0:37:17 | 0:37:20 | |
so if you just lay out some copies of the report... | 0:37:20 | 0:37:22 | |
I think there'll be about six of them arriving... | 0:37:22 | 0:37:24 | |
Hello, Sarah. | 0:37:24 | 0:37:26 | |
Are you here for me? | 0:37:29 | 0:37:31 | |
Well, I haven't come to make a donation. | 0:37:31 | 0:37:33 | |
Er, can-can you just give me a minute? | 0:37:33 | 0:37:34 | |
It's good work you do. It's worthy, helping the less advantaged. | 0:37:34 | 0:37:40 | |
Ironic, though, isn't it? | 0:37:40 | 0:37:42 | |
Campaigning for pharmaceuticals in Third World countries | 0:37:42 | 0:37:45 | |
when the rest of the time you're filling your own body with shit. | 0:37:45 | 0:37:48 | |
I'm sorry, I don't know... | 0:37:48 | 0:37:49 | |
Oh, bullshit. What is it? Coke? Crack? | 0:37:49 | 0:37:53 | |
-I have no idea what you're on about. -You must really owe them. | 0:37:53 | 0:37:57 | |
They must have such a hold on you to make you do what you did. | 0:37:57 | 0:38:02 | |
Or were you just so off your... off your head you couldn't think? | 0:38:02 | 0:38:05 | |
I dunno what you're implying, | 0:38:05 | 0:38:07 | |
but I strongly suggest that you find some evidence to back... | 0:38:07 | 0:38:10 | |
I buried him yesterday so don't you dare give me that shit! | 0:38:12 | 0:38:18 | |
Ow! | 0:38:18 | 0:38:20 | |
I did some digging. There have been incidents, haven't there, Sarah? | 0:38:20 | 0:38:24 | |
Argh! Argh! | 0:38:24 | 0:38:26 | |
Evidence of recreational drug use. | 0:38:26 | 0:38:28 | |
Little stint at the Priory, but I guess it didn't help. | 0:38:28 | 0:38:30 | |
I guess you slipped on the recovery. | 0:38:30 | 0:38:32 | |
I know the bullets were fired before the crash, | 0:38:32 | 0:38:34 | |
and I know that you're involved. | 0:38:34 | 0:38:37 | |
He threatened to hurt my family. | 0:38:37 | 0:38:40 | |
-Argh! -What's going on here? | 0:38:42 | 0:38:45 | |
Who? | 0:38:50 | 0:38:53 | |
He just showed me where - he told me to hit the bus stop. | 0:38:53 | 0:38:56 | |
And you didn't ask why? | 0:38:56 | 0:38:57 | |
Of course I asked. | 0:38:57 | 0:38:59 | |
He said he needed... | 0:38:59 | 0:39:02 | |
he needed to cause a distraction, | 0:39:02 | 0:39:04 | |
that night, in that area. I didn't know anyone was going to be killed. | 0:39:04 | 0:39:09 | |
I didn't. I swear. | 0:39:09 | 0:39:13 | |
Who? | 0:39:13 | 0:39:14 | |
I was going to lose everything. | 0:39:14 | 0:39:17 | |
You don't know of the threats. | 0:39:17 | 0:39:19 | |
Oh, God, I had to do it! | 0:39:19 | 0:39:22 | |
I had to! | 0:39:23 | 0:39:25 | |
Who? Who made you do it? | 0:39:25 | 0:39:27 | |
Who organised all this, Sarah? Who? | 0:39:28 | 0:39:30 | |
I'm so sorry. I'm so sorry. | 0:39:30 | 0:39:34 | |
I wish you'd broken your neck. | 0:39:36 | 0:39:39 | |
Helen. | 0:40:14 | 0:40:15 | |
Lovely surprise. | 0:40:16 | 0:40:18 | |
How're you coping? | 0:40:19 | 0:40:21 | |
It's after the funeral that it really hits home. | 0:40:21 | 0:40:23 | |
This is the tough time. | 0:40:23 | 0:40:25 | |
At the funeral, you said, "You reap what you sow." | 0:40:25 | 0:40:28 | |
What did you mean by that? | 0:40:29 | 0:40:32 | |
Turn of phrase. Like karma, isn't it? | 0:40:32 | 0:40:34 | |
What goes around comes around. | 0:40:34 | 0:40:36 | |
The driver of the car that killed Paul, | 0:40:36 | 0:40:38 | |
she said someone arranged Paul's death. | 0:40:38 | 0:40:41 | |
-Like who? -Well, she didn't say. | 0:40:41 | 0:40:43 | |
There's something I haven't told you - about Paul... | 0:40:45 | 0:40:48 | |
..and my daughter, Laura. | 0:40:49 | 0:40:51 | |
They were an item, lovers. | 0:40:51 | 0:40:55 | |
Before you. | 0:40:55 | 0:40:56 | |
He was good to her. | 0:40:58 | 0:41:00 | |
What happened? | 0:41:01 | 0:41:02 | |
She was killed. | 0:41:02 | 0:41:04 | |
It tore my heart out. | 0:41:05 | 0:41:07 | |
Did Paul never tell you about Laura dying? | 0:41:07 | 0:41:10 | |
No. | 0:41:12 | 0:41:14 | |
Things had been different, he'd've been my son-in-law. | 0:41:16 | 0:41:20 | |
You should talk to a guy called Jacky Snooks | 0:41:40 | 0:41:43 | |
at the social centre in the Newyard Estate... | 0:41:43 | 0:41:46 | |
about a meeting that took place there a few weeks ago | 0:41:46 | 0:41:49 | |
with those lads who got shot. | 0:41:49 | 0:41:51 | |
DOOR OPENS | 0:41:57 | 0:41:59 | |
REGGAE MUSIC PLAYS | 0:42:00 | 0:42:02 | |
Are you Jacky Snooks? | 0:42:02 | 0:42:03 | |
My name is Helen Weeks. I'm a detective. | 0:42:04 | 0:42:08 | |
I could flash you my warrant card but I don't want to do that here. | 0:42:08 | 0:42:10 | |
I just want to ask you some questions, | 0:42:10 | 0:42:12 | |
about the killings that have been going on, the young boys. | 0:42:12 | 0:42:15 | |
There's a mural to one of them down the road, Meekaaeel Qureshi. | 0:42:17 | 0:42:20 | |
Did you know them? | 0:42:20 | 0:42:22 | |
These-these people, they're... they're not my friends. | 0:42:22 | 0:42:25 | |
I didn't ask if they were your friends. I asked did you know them? | 0:42:25 | 0:42:28 | |
Three boys - BOYS - have been murdered. | 0:42:28 | 0:42:32 | |
Did they have meetings here? | 0:42:34 | 0:42:37 | |
Did they do business? | 0:42:37 | 0:42:38 | |
I let them play pool, dominoes. | 0:42:38 | 0:42:43 | |
How am I supposed to know what people discuss? | 0:42:43 | 0:42:47 | |
Please, Jacky. | 0:42:49 | 0:42:51 | |
All right, I can't tell you anything. | 0:42:53 | 0:42:56 | |
When I close my eyes, when I open them, just look where I'm looking. | 0:42:56 | 0:43:02 | |
-Bob Marley? -Mm - the man, the one and only. | 0:43:12 | 0:43:15 | |
-And? -Bob Marley, him see everything. | 0:43:15 | 0:43:18 | |
But people don't know we film, so they feel safe. | 0:43:18 | 0:43:22 | |
How long do you keep the footage? | 0:43:22 | 0:43:24 | |
I need to be looking at Thursday two weeks ago. | 0:43:24 | 0:43:27 | |
I have no idea. You going to have to ask the manager that. | 0:43:30 | 0:43:34 | |
September 15th. | 0:43:39 | 0:43:42 | |
Use my computer if you like. | 0:43:42 | 0:43:44 | |
We, er, strive to ensure nothing criminal happens in the club. | 0:43:44 | 0:43:48 | |
-You realise that, don't you? Brew? -Ah, yeah, yeah. | 0:43:48 | 0:43:52 | |
-Tea, tea would be lovely. -No problem. | 0:43:52 | 0:43:54 | |
You're looking pretty large there. | 0:43:58 | 0:44:00 | |
-When are you due? -Today. Any second. | 0:44:00 | 0:44:02 | |
But don't worry - only 4% of births come on their due date | 0:44:03 | 0:44:06 | |
so we'll be fine. | 0:44:06 | 0:44:07 | |
-Get Gosforth! -Helen? | 0:45:03 | 0:45:06 | |
Get Gosforth! | 0:45:06 | 0:45:07 | |
Bastard! | 0:45:10 | 0:45:11 | |
-Helen, get off! -Helen! | 0:45:17 | 0:45:19 | |
-What the fuck? -You killed him! | 0:45:19 | 0:45:20 | |
-Get off me! Get off me! -Get off him! | 0:45:20 | 0:45:23 | |
The fuck?! | 0:45:25 | 0:45:27 | |
Fucking... | 0:45:37 | 0:45:39 | |
With Sarah's confession, he'll get life. | 0:45:44 | 0:45:47 | |
Adam must've known. | 0:45:53 | 0:45:55 | |
He must've known that Paul | 0:45:55 | 0:45:57 | |
was working for a counter corruption unit. | 0:45:57 | 0:45:59 | |
Must've realised that Paul was onto him. | 0:46:01 | 0:46:03 | |
I'll tell you what I don't understand, is why, | 0:46:04 | 0:46:08 | |
knowing what he knew about Adam, | 0:46:08 | 0:46:10 | |
Paul didn't report this to his superiors. | 0:46:10 | 0:46:12 | |
I, er... I had a thing... | 0:46:19 | 0:46:22 | |
I had a fling - with Adam. | 0:46:24 | 0:46:28 | |
Paul knew. | 0:46:31 | 0:46:32 | |
It was over. | 0:46:32 | 0:46:34 | |
So if he'd disclosed that, he'd've been taken off the case. | 0:46:34 | 0:46:37 | |
I've slept with Adam since. | 0:46:40 | 0:46:42 | |
How? | 0:46:43 | 0:46:45 | |
How could he do that? | 0:46:46 | 0:46:48 | |
-Helen, Helen. -No, but how, how, how, how could he? Hm. | 0:46:48 | 0:46:53 | |
-He was trying to protect himself. -By killing Paul? | 0:46:53 | 0:46:56 | |
The whole operation was going to be exposed - | 0:46:56 | 0:46:58 | |
Sherwood, Adam. | 0:46:58 | 0:47:00 | |
Adam was in his pocket - | 0:47:02 | 0:47:03 | |
Sherwood worked it out, tipped him off, that's it. | 0:47:03 | 0:47:06 | |
Adam used his drug connections to make it look like | 0:47:06 | 0:47:10 | |
the gang caused an accident, blackmailed Sarah Rushton... | 0:47:10 | 0:47:13 | |
Clever bastard. | 0:47:15 | 0:47:18 | |
Threw us all off the scent. | 0:47:18 | 0:47:20 | |
What... What I don't get is how? | 0:47:24 | 0:47:29 | |
How did he know? | 0:47:29 | 0:47:30 | |
How did he know that Paul would be there that night, | 0:47:30 | 0:47:32 | |
at that bus stop? | 0:47:32 | 0:47:34 | |
Well, it's just a thought, but maybe he was with him. | 0:47:35 | 0:47:38 | |
Remember the witness evidence? | 0:47:38 | 0:47:41 | |
Saying that Paul spoke to another man? We never traced him. | 0:47:41 | 0:47:44 | |
Adam lured Paul out under a pretext. | 0:47:44 | 0:47:46 | |
What do you mean? | 0:47:48 | 0:47:49 | |
The baby. | 0:47:51 | 0:47:52 | |
So we understand each other, yeah? | 0:47:59 | 0:48:01 | |
Yeah, we're good. | 0:48:01 | 0:48:03 | |
You need some time to work things out. | 0:48:04 | 0:48:06 | |
Listen, I need a piss. | 0:48:08 | 0:48:10 | |
GUNSHOTS, SCREECHING TYRES | 0:48:17 | 0:48:19 | |
I made it so easy for Adam. | 0:48:24 | 0:48:26 | |
-Helen, you can't think like that. -Oh, no, I gave him a way in. | 0:48:26 | 0:48:29 | |
Listen, I'll get someone to drive you home. | 0:48:32 | 0:48:34 | |
-No, I'm fine. -Helen! | 0:48:34 | 0:48:36 | |
Right, so, if Adam was in the pay of Sherwood, | 0:48:36 | 0:48:39 | |
then he'd hired Easy and those other boys to assist him, | 0:48:39 | 0:48:42 | |
don't you think that it's a coincidence | 0:48:42 | 0:48:44 | |
that they all have ended up dead? | 0:48:44 | 0:48:46 | |
They're not all dead. | 0:48:47 | 0:48:48 | |
Three of them are dead, one's missing. | 0:48:50 | 0:48:53 | |
-Presumed dead. -And the other is alive and well as far as we know. | 0:48:53 | 0:48:56 | |
-The other, what? -Sarah said there were five lads in the car. | 0:48:56 | 0:48:59 | |
Right. | 0:48:59 | 0:49:01 | |
So you don't think that anyone's been trying to kill them off? | 0:49:01 | 0:49:06 | |
Who - Adam? | 0:49:06 | 0:49:08 | |
Helen, go home - rest. We'll take things from here. | 0:49:10 | 0:49:14 | |
Yo, Tee. | 0:49:18 | 0:49:19 | |
-Theo! -Just one sec, Wave. -Come on, man! | 0:49:19 | 0:49:22 | |
Hurry up, man! | 0:49:22 | 0:49:23 | |
Hiya. Do you remember me? | 0:49:38 | 0:49:41 | |
I'm, er, I'm the MILF from the other day. | 0:49:41 | 0:49:44 | |
Look, I'm looking for a...for a kid called Theo - T. | 0:49:45 | 0:49:49 | |
Please, it's urgent. Do you know where he lives? | 0:49:50 | 0:49:52 | |
What's so urgent? | 0:49:52 | 0:49:54 | |
-What do you think? -Theo's the man? | 0:49:56 | 0:49:58 | |
THEY LAUGH | 0:50:00 | 0:50:03 | |
Please, just... | 0:50:03 | 0:50:05 | |
Down there - end house. | 0:50:05 | 0:50:08 | |
Hiya. Is Theo inside? | 0:50:13 | 0:50:15 | |
-He lives over there. Across the way. -That one there? | 0:50:15 | 0:50:18 | |
-Yeah, one on the end. -Right, thank you. | 0:50:18 | 0:50:20 | |
Yo, Theo! | 0:50:20 | 0:50:22 | |
Lady here wants to speak to Theo. | 0:50:23 | 0:50:25 | |
-Theo? -You can't come in. We're just about to leave... | 0:50:28 | 0:50:31 | |
It's all right, it's OK. Theo? | 0:50:31 | 0:50:32 | |
-Theo! -Get out of my house! | 0:50:32 | 0:50:35 | |
BABY CRIES | 0:50:36 | 0:50:38 | |
Javine, get back. | 0:50:38 | 0:50:39 | |
I'm a police officer. | 0:50:45 | 0:50:47 | |
My partner died a few weeks ago. | 0:50:47 | 0:50:50 | |
He was standing at a bus stop. | 0:50:50 | 0:50:52 | |
I didn't mean to hurt anyone. | 0:50:53 | 0:50:56 | |
I shot to miss. | 0:50:56 | 0:50:58 | |
No-one was supposed to die. | 0:50:58 | 0:51:00 | |
-I swear. -I know. | 0:51:01 | 0:51:03 | |
There were blanks in that gun. | 0:51:03 | 0:51:05 | |
The woman in the car, she drove at the bus stop on purpose. | 0:51:05 | 0:51:09 | |
She was in on the whole thing. | 0:51:11 | 0:51:13 | |
It was made to look like it was an accident, like it was random. | 0:51:15 | 0:51:19 | |
You're in such danger, Theo. | 0:51:30 | 0:51:31 | |
Wherever you run to, they will find you. | 0:51:33 | 0:51:35 | |
Trust me, they killed all the others, they will find you... | 0:51:35 | 0:51:39 | |
..but if you help me, help us... | 0:51:41 | 0:51:44 | |
Come on. | 0:51:51 | 0:51:53 | |
I'm so sorry. | 0:52:02 | 0:52:04 | |
Oh. | 0:52:09 | 0:52:11 | |
Shit! | 0:52:12 | 0:52:14 | |
Your waters! | 0:52:15 | 0:52:17 | |
Ah. | 0:52:18 | 0:52:20 | |
The bathroom's through there. Come on, I'll get you a towel. | 0:52:20 | 0:52:22 | |
No, er... No, er, if, er, if you... | 0:52:22 | 0:52:25 | |
if you could call me a taxi, that'd be... | 0:52:25 | 0:52:27 | |
Taxi? Round here? you'll be lucky! | 0:52:27 | 0:52:30 | |
Can one of you drive? | 0:52:30 | 0:52:31 | |
Right, Javine, right go to your mum's and I'll meet you back there. | 0:52:31 | 0:52:35 | |
-I'll take her, right? I'll take you. -Yeah. | 0:52:35 | 0:52:37 | |
-All right? -Yeah. | 0:52:37 | 0:52:39 | |
SHE SIGHS | 0:52:40 | 0:52:42 | |
Do you know who killed them - Wave and the others? | 0:52:48 | 0:52:51 | |
-I've got a fair idea. -What - is it a secret? | 0:52:51 | 0:52:53 | |
Ah, shit! | 0:52:53 | 0:52:55 | |
Oh! | 0:52:55 | 0:52:57 | |
It's OK. | 0:53:01 | 0:53:02 | |
Just...just breathe. | 0:53:02 | 0:53:05 | |
Where are you running to? | 0:53:10 | 0:53:12 | |
Lake District. | 0:53:12 | 0:53:14 | |
We'll find work. | 0:53:14 | 0:53:16 | |
Javine's mum gave us some money. | 0:53:16 | 0:53:18 | |
Theo, with what you know about what happened in the gang, | 0:53:18 | 0:53:21 | |
you can convict the bastard who did all this, | 0:53:21 | 0:53:24 | |
the ones who are responsible for killing your friends. | 0:53:24 | 0:53:26 | |
Thing is, if I make a statement, I'm as good as dead. | 0:53:26 | 0:53:30 | |
We can protect you! | 0:53:30 | 0:53:33 | |
This is why I tracked you down. | 0:53:33 | 0:53:35 | |
SHE MOANS | 0:53:40 | 0:53:41 | |
-All right? -Yeah. | 0:53:48 | 0:53:51 | |
There's a lady having a baby, she needs help! | 0:53:52 | 0:53:55 | |
There's a lady having a baby, she needs help! | 0:53:55 | 0:53:58 | |
Right, good luck. | 0:53:59 | 0:54:00 | |
Get yourself to the police station and you ask for DCI Gosforth | 0:54:00 | 0:54:03 | |
and you tell him that I sent you. Please, Theo. Please. | 0:54:03 | 0:54:07 | |
Fuck! | 0:54:08 | 0:54:10 | |
# Lover when you don't lay with me | 0:54:24 | 0:54:30 | |
# I'm a huntress for a husband lost at sea | 0:54:32 | 0:54:39 | |
# If I had you here | 0:54:41 | 0:54:45 | |
# We were here together | 0:54:45 | 0:54:48 | |
# I'd be boy and you'd be girl | 0:54:50 | 0:54:54 | |
# Beautiful | 0:54:56 | 0:54:58 | |
# Calling moon and moon | 0:54:58 | 0:55:05 | |
# Shoot that big bad hand | 0:55:07 | 0:55:12 | |
# It'll drag me to your door | 0:55:14 | 0:55:20 | |
# Now I won't see you no more | 0:55:23 | 0:55:26 | |
# Calling moon and moon... # | 0:55:48 | 0:55:53 | |
BABY CRIES | 0:55:53 | 0:55:55 | |
# Shoot that big bad hand | 0:55:55 | 0:56:01 | |
# It'll drag me to your door | 0:56:04 | 0:56:10 | |
# Now I won't see you no more | 0:56:12 | 0:56:16 | |
# I won't see you no more. # | 0:56:19 | 0:56:23 |