Gently Upside Down Inspector George Gently


Gently Upside Down

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SCHOOL BELL RINGS

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Have you heard the Beatles new record?

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-No running.

-Sorry, Miss.

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so the question posed by many Shakespearean critics,

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including FR Leavis,

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TS Eliot, and others too grand to use their own first names, is,

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are Anthony and Cleopatra true tragic heroes,

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or are they too fault-ridden and laughable to be tragic?

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Is their relationship one of love or lust?

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Does Cleopatra kill herself out of love for Anthony,

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or because the world has changed and she's lost all power?

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-Essays in on Monday, please.

-Yes, Sir.

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-Did you hear me, Hazel and Shelley?

-Yes, Sir!

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# The night we met I knew that

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# I needed you so

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# And if I had the chance I'd

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# Never let you go

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# So whilst you say you love me

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# I'll make you... #

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-Heard from Mary?

-Total silence.

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-Where'd you think she went?

-Gretna Green.

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-Serious? Did he propose?

-So she said.

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-"With a passion that burned the air between us."

-Blimey. Imagine that.

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"And so saying,

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"his erstwhile timid lips grew bold

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"and poesied with hers in dewy rhyme".

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What does that mean?

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It's John Keats-talk for he snogged her.

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She wouldn't tell me his name.

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-Right. Out of ten.

-Ten.

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-Me?

-11.

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# Oh, since the day I saw you

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# I had... #

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Joining the orchestra, girls?

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I'm on the lookout for young ladies like you.

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Oh, you just would, wouldn't you?

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# So won't you please

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# Be my, be my... #

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THEY TUNE INSTRUMENTS

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-Ooh! Ow!

-Anyone smell gas?

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-Out tonight, John?

-I might be.

-Didn't really want to know, did we?

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No. I'm just being polite, actually.

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-All right then, if you really want to know...

-No, no, none of my business.

-Fine!

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Ah, got you.

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All right, well you've beaten it out of us.

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I. John Bacchus. Me.

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I'm on a promise.

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-Who is he?

-Ha-ha...

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# So come on be

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# Be my

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# Be my little baby... #

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-Does your dad know where we go?

-No.

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He just knows we're out. Me sister covers for us.

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CHEERING

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On camera one, two next...

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Welcome to the show. It's Friday night!

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Put your work in a drawer called "forget about it",

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get your glad rags on, and turn the world "Upside Down"!

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Go to camera three on The Walking Dead and I don't mean Tone.

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I'm Tony "Tone" Hexton, and have I got a fabulous show for you tonight.

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-Camera two, one next...

-It's so fabulous, it's a crime to use the word fabulous for it.

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-Isn't that right, sweetheart?

-Camera one, three next...

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I dunno what you're talking about.

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She agrees with me, she just hasn't thought about it yet. Let's kick off.

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Playing Suzanne, the group that's been taking the chart by storm...

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-Stand by three.

-Please welcome, The Walking Dead!

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CHEERING

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Start low,

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I want to see legs, please. And, if possible...

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# Well

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# She likes to talk dirty but I keep her running nice and clean

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# Talks dirty says if she feels

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# I love the way she looks

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# And she knows that all my friends are green

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# The way she looks all my friends are green

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# Hey there, Suzanne

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# You really gotta hold of me

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-# Suzanne

-Suzanne

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-# Suzanne

-Suzanne

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-# Suzanne

-Suzanne

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-# Suzanne

-Suzanne

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-# Suzanne

-Suzanne

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-# Suzanne

-Suzanne

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-# Suzanne

-Suzanne

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-# Suzanne

-Suzanne

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# Picking up the pieces of my broken heart... #

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Ah. The smell of sex.

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Fancy a walk?

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She's such a tart. It's shocking.

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I totally agree.

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-Blind dates, eh?

-Just keep your distance, yeah?

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-What's your name, anyway?

-Barry.

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MUSIC STOPS

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CHEERING

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-Camera one next.

-Oh, to be young. Oh, to be cool.

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Oh, me lumbago...

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-Oh, to be witty.

-Chat up time, Tone.

-Two next...

-Now I'd like to do something,

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which is a little bit unusual for me and that is chat up some ladies.

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-Hi. So what's your name, young Lady?

-Shelley Macefield.

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-Enjoying tonight's show, Shelley?

-For crying out loud, not her!

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Well, come out of your shell, Shelley, and tell us what's cool about being young today.

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-Music, isn't it?

-Ah, but is it, Shelley?

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-Disaster.

-Three next.

-What about boys? Got a boyfriend?

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-Me? No!

-Hard to get, eh?

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So, what kind of guy lights your fire, Shelley?

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Well, not one that looks like me dad!

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It's not funny. You old blokes, you think it's all about sex for us but it isn't.

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They all say that at first, ladies and gents.

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-That's just what you'd like the world to be about.

-Hello, hello...

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What's fantastic about now is the fashion.

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It's seeing what's coming out of Manchester and Liverpool

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and London and New York and being able to go and buy it.

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It's how you feel when you wear clothes that you love. It's like a feeling of power.

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I like this one, I'd like her, after the show, please.

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I put on a new dress and I feel like I was born to dance.

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Born to walk down the street.

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Any street.

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Any town. Anywhere.

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I feel like I was born to be me.

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Born to be me. What's her name, Tone?

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Get off us, will you?

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-Would you want to see us again? Or not?

-Not.

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Eurgh! What's that smell?

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Are you all right?

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Oh, God. Oh, God.

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SHE SCREAMS

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CHEERING

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Give her the mike. Give her the mike.

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I've just had a little idea.

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-Hello, everybody!

-ALL:

-Hello, Hazel!

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-Are you ready?

-ALL:

-Yes!

-Are you ready up there?!

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Are we?

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Because we want to dance!

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CHEERING AND APPLAUSE

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MUSIC STARTS

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Over here, Sarge.

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-Sir.

-What are you doing here?

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I just... I was at a loose end.

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I thought I'd come over and...

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What happened to the promise?

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You know she, er...

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I'm getting old.

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Over here.

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Is this the missing girl?

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Yeah. Mary Claverton.

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-How do we know?

-Still got her school uniform on, John.

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It's not nice.

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Something's been feeding on her.

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Urgh!

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She's been laid out in the earth very carefully.

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-17, wasn't she?

-Yeah. Last year at school.

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Whole life in front of her.

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We're getting more and more of these,

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More and more sick blokes carrying out

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their disgusting, sick little fantasies.

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You know what? We should never have given up on capital punishment.

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Our job to tell the parents.

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And that bloke Tony. I couldn't believe it.

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When we were in the pub, he's got his hand on my leg and he goes,

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-"Do you want my phone number, Shell?"

-Oh, gruesome! Yuk!

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I was like "Naaah, Tone, you're all right."

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-Can you imagine doing it with him?

-Yuk!

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THEY LAUGH

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Oh.

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Night, Mr Holdaway.

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-Night, Haze.

-Shelley?

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-Yes, Mr Holdaway?

-What do you think your dad's going to say when somebody tells him you were on live television

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tonight with some dirty old man sticking a camera up your skirt?

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He won't say nothing, Mr Holdaway.

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He's never said anything in years.

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He just sits there.

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Did you see me, Dad?

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I saw more of you than I was expecting.

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You're not happy then?

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Hazel.

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We'll talk in the morning.

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HE KNOCKS ON DOOR

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Not in?

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HE KNOCKS ON DOOR

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Is that her there?

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That's her there.

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Mrs Claverton?

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HE PANTS

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HE BREATHES HEAVILY

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-Have you found her?

-Mr Claverton,

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I'm Detective Chief Inspector Gently,

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-and this is Detective Sergeant Bacchus.

-Have you found her?

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Yes. We found Mary's body in Pinnock Woods, I'm very sorry, Mr Claverton.

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HE GROANS

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-How did... How did she die?

-We don't know yet.

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-Well, was there any? Had anybody?

-We don't know.

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We're waiting for the post-mortem.

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When was the last time that you saw Mary, Mrs Claverton?

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-The last time...

-When she went out that night.

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She was going to meet her mates at the bus stop and they were going to go dancing in Newcastle.

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She didn't arrive at the bus stop and they went without her.

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What time did she leave the house?

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-About...

-Quarter past six for the half six bus.

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I told her to be back by 11. The last we saw of her.

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The last time I saw my bairn.

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You told the police at the time she went missing, that she had a boyfriend on the quiet,

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-and that's where she'd gone.

-Was it him?

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What can you tell me about him? Was he at school?

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She never told us anything. Not me anyway...

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Not even a name.

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She lived in a different world to us.

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We weren't a part of it.

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I thought she was with this lad, you know, somewhere.

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She'd only packed a couple of things.

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We thought she'd just run off for the weekend. But after a week...

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Can we have a look in her room?

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Thank you.

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Guv. Guv. What they talking about, "different world"?

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I mean how could they know absolutely nothing about a boyfriend important enough to run away with?

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And how come the investigation didn't find a single thing about him?

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You think there was no boyfriend?

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Who is he? The Invisible Man?

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What we looking for?

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Hey, Guv. Look, look.

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Who are these? the Beverley Sisters?

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They're writers, I think.

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Mary was always writing.

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Her school thought the world of her.

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Had her going to university. Girl from here, going to university.

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You must have been very proud of her, Mrs Claverton.

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Well, I tried to be...

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-I didn't really understand her poems or anything, or the names of the people in them.

-This different world.

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Is this the world that Mary was in when she wrote her poems?

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I suppose so.

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And this boyfriend did he belong to that world, do you think?

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Do you mean was he made up?

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No, he was real.

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No. Might he have lived in that world as well?

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We may have lived in different worlds,

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but we were both women.

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I knew she had somebody.

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Somebody important.

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MR CLAVERTON SOBS

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My husband's crying.

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I've never seen my husband cry.

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I am so sorry.

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Erm... So. What were the names of her friends at school?

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Her best friend was Hazel Holdaway.

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She was always round at her house.

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-She practically lived there.

-This Hazel Holdaway was she

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one of the friends at the bus stop the night she went missing?

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THUD

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He's upset. Best leave him to it.

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MR CLAVERTON SHOUTS

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Is Joe often violent, Mrs Claverton?

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THUD

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He'll go for a walk then he'll go to the pub when it opens.

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Report says cause of death was suffocation.

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The boyfriend then?

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He wanted her to go away with him, she refused, they had a fight, it got out of hand.

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She packed a bag, John.

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All right then. Well, she agreed to go with him for like a

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dirty weekend or something, and then she changed her mind, he went mad.

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In her statement, Mrs Claverton said that she always wore a little gold necklace. With an "M".

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It's not there. That's all there is.

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A present from her father on her 16th birthday.

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OK.

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You ready for this, Sheila, hmm?

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DOORBELL RINGS

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Mrs Holdaway? I'm Detective Sergeant Bacchus, this is Chief Inspector Gently.

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-Is this about Mary Claverton?

-Could we speak to Hazel please, Mrs Holdaway?

-Have you found her?

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-Is Mary safe? Have you found her?

-We need to talk to Hazel.

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I taught Mary literature. As Deputy Head, I also run the University Futures Programme at Blackworth.

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-What's that?

-Preparing the more able kids to get into good universities.

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-Right.

-Was Mary an able student, Mr Holdaway?

-Mary was exceptional.

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Mary and Hazel were close, were they best friends?

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-Inseparable.

-So you'd known Mary a long time?

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-Since she was 12.

-And you thought she was "exceptional"?

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You put up with the bored and the not so bright because, once in a while,

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a girl like Mary comes along. This is a world of low expectations.

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They don't expect their daughters to achieve Oxford.

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Or their sons...

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Mr Holdaway, we are trying

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to trace this elusive boyfriend of Mary's.

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Was she seeing any of the lads at school?

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That's not part of the girls' world I get involved in.

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Well. Can you think of any reason why

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someone like Mary with the sort of future that you saw for her

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would throw it all away by running off with a boyfriend?

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-Cos they're stupid.

-You thought she was stupid?

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No. No. Mary was very clever. I just meant girls in general.

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Mr Gently. Mary was quick, she was confident, she had it all. That can breed impatience.

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For a young woman like that sometimes the future can't come quick enough.

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What did you think of Mary, Mrs Holdaway?

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MISS Holdaway. I'm Hazel's sister.

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-Your Hazel's sister?

-Yes.

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Oh, I thought. I thought...

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Sadly, I no longer have a wife.

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-Oh, right.

-Our mother and father separated 15 years ago.

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-Hazel going to be long is she?

-Anytime now.

0:21:310:21:37

Sorry, Daddy.

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She's at the TV studios.

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I see.

0:21:440:21:46

This is wonderful, Shel.

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It's like Mary Quant but it's a little bit more dreamy with it, isn't it?

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It's like it's saying,

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"I've looked at Mary Quant, but d'you know what, I'm going to do it me own way."

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I mean just look at the fabric, Where did you get it, Shel?

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Ah. It's me Gran's.

0:22:010:22:04

She is kidding, right? Somebody tell me she's kidding.

0:22:050:22:08

Tell all, Shell.

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I'm going to call you Mary Quaint from now on, by the way.

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Mary Quaint. Brilliant.

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Like listening to Oscar Wilde.

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I think it's fantastic.

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-Out of ten, everybody?

-ALL:

-Ten!

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Now tell me about your hair.

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I love it here, I love this line you've got, Shel, you're great at that.

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Cleopatra could not have done it better herself.

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Who?

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Cleopatra, Queen of Egypt.

0:22:320:22:35

Ah, the one that got shagged off that Roman?

0:22:350:22:39

Is my friend allowed to say "shagged" on TV?

0:22:390:22:43

I kept thinking I was going to hear from her.

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Like she'd send us a postcard or something.

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Arrange to meet up, but then swear us to silence.

0:23:010:23:04

Did she say anything to you, Shelley?

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She was more Hazel's friend than mine.

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They were both brainy.

0:23:110:23:13

Always talking about poems and that, and that John Paul Belmondo.

0:23:130:23:17

Who?

0:23:170:23:19

He's a film star but he can only talk French.

0:23:190:23:22

-Right.

-Girls, we really need to know the name of this lad that she was seeing.

0:23:220:23:27

Hazel?

0:23:300:23:33

She'd drop you clues now and then.

0:23:330:23:35

He's like Mr Rochester.

0:23:390:23:42

Oh, wow. Fantastic.

0:23:420:23:45

-All scarred, you mean?

-Aye.

0:23:450:23:48

He has got scars, actually, Hazel.

0:23:480:23:51

Though I doubt you'd be able to see them.

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Why, where are they? On his bum?

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-And why would I not be able to see them, Mary?

-They are inner scars.

0:23:560:24:01

Maybe Rochester's wrong, maybe he's more Dover Beach

0:24:010:24:07

or Porphyria's Lover. I love Porphyria's lover.

0:24:070:24:10

Blimey, he's Greek now. Greek and scarred - that's the worst combination I can think of.

0:24:100:24:15

Have you had sex with him?

0:24:210:24:24

"I laughed him with his patience; and the next morn, ere the ninth hour, I drank him to his bed."

0:24:280:24:35

INAUDIBLE

0:24:410:24:43

So who was she talking about?

0:24:510:24:53

Come on, Hazel, this is important.

0:24:530:24:55

She used to just say things for effect.

0:24:550:24:57

What effect?

0:24:570:24:59

-Shelley. What effect?

-She was always trying to make Hazel jealous.

0:25:040:25:07

Like, "I'm getting all this nookie, you're not.

0:25:070:25:10

"I'm a woman, you're a little girl".

0:25:100:25:12

Was there anybody in particular she was trying to make you jealous of?

0:25:120:25:14

-It was rubbish. She's just making things up.

-About who?

0:25:140:25:19

Shelley. About who?

0:25:210:25:24

-Mr Nugent...

-Who's he?

0:25:240:25:25

The music teacher. She knew Hazel had a pash for him.

0:25:250:25:28

-I didn't.

-You bloomin' did.

0:25:280:25:30

We all did.

0:25:300:25:32

I've still got one.

0:25:320:25:34

So. She told you there was something between her and this teacher?

0:25:340:25:37

SEAGULLS CRY

0:25:440:25:46

PIANO MUSIC PLAYS

0:25:460:25:50

Do that bit again.

0:25:570:25:58

With vibrato. OK?

0:25:580:26:00

-Feel it. Breath.

-Yep.

0:26:010:26:03

SHE PLAYS PIANO

0:26:030:26:05

-Thanks, love.

-Whoever you are, you obviously can't read. Go somewhere else.

0:26:090:26:13

-Yes?

-Mr Nugent?

-Who was it?

0:26:170:26:21

That's what we're trying to find out.

0:26:210:26:22

-I meant who told you this stupid story?

-Does it matter?

0:26:220:26:26

Yes, it does as a matter of fact. To her memory, and quite frankly to me.

0:26:260:26:33

It was him, wasn't it? Her father.

0:26:330:26:35

Well...

0:26:350:26:37

He's an idiot.

0:26:370:26:38

-He totally over-reacted over a completely innocent situation.

-Which was what?

0:26:380:26:43

Tell me his version first.

0:26:440:26:47

-No, you tell us your version, if you wouldn't mind.

-All right.

0:26:470:26:52

I passed Mary walking home.

0:26:580:27:01

I offered her a lift. We sat chatting for a moment outside her house.

0:27:010:27:05

The next thing I know I've got her father screaming at me to stay away from his daughter.

0:27:050:27:08

And that was it was it.

0:27:080:27:10

-No more to it than that.

-Nothing.

0:27:100:27:12

So why would Mary Claverton tell her girlfriends that there was something going on between you?

0:27:140:27:21

Am I a suspect here?

0:27:210:27:23

Where were you on the evening of Friday 29th?

0:27:230:27:26

I am.

0:27:260:27:29

-You're serious.

-Where did you say you were?

0:27:290:27:32

-Home.

-Are you sure?

0:27:320:27:37

My wife has a yoga class on Friday nights. I look after our two kids.

0:27:370:27:41

-How old are they?

-Three and five.

0:27:410:27:45

-Not really going to swear you an alibi, are they?

-No.

0:27:450:27:48

So probably I took them with me while I went to Pinnock Woods and murdered a schoolgirl I was rather fond of.

0:27:480:27:53

-Do you think?

-Stranger things have happened.

0:27:530:27:56

Do you ever bother to engage your brain before you open your mouth, Sergeant?

0:27:560:27:59

Would you care to answer my question now, Mr Nugent?

0:27:590:28:03

I have no idea why Mary would tell anyone there was anything between us.

0:28:030:28:08

No idea.

0:28:080:28:10

We have no sightings from the night Mary Claverton disappeared. We've got no witnesses,

0:28:100:28:17

although we do know is that she left her home wearing a necklace and carrying a bag

0:28:170:28:20

and these have gone missing. OK. Right...

0:28:200:28:23

Cup of cocoa with your bedtime reading?

0:28:290:28:34

It's Mary's poems.

0:28:340:28:36

They're not bad for a 17 year old.

0:28:360:28:39

"Do you feel a stirring? No. Why not, fair damsel?

0:28:390:28:42

"There's something missing inside you.

0:28:420:28:44

"And what might that be, oh, wise and beautiful child?"

0:28:440:28:49

That's rubbish. It doesn't even rhyme.

0:28:490:28:51

And a proper poet wouldn't write it on the back of a beer mat.

0:28:510:28:55

Ever hear of Dylan Thomas?

0:28:550:28:57

No. Who does he play for?

0:28:570:28:59

There's two different handwritings.

0:29:040:29:05

-This isn't a poem, it's a conversation.

-About what?

0:29:050:29:08

No idea.

0:29:080:29:10

But I know what this is. Have a look at that.

0:29:100:29:13

Written two weeks ago. She's dated it.

0:29:130:29:16

"His hands weathered with time, that distance between us, reach down and touch my...

0:29:160:29:21

"touch my..."

0:29:210:29:24

That's illegal that, isn't it?

0:29:240:29:26

-What's that tell you?

-Older man.

0:29:260:29:30

Fair bet.

0:29:300:29:32

And this...

0:29:330:29:35

is the father, presumably. It's a poem called Joe.

0:29:350:29:40

"Black anger roars inside him."

0:29:400:29:44

Maybe Nugent was on to something, eh? "He leaves his anger inside me,

0:29:440:29:51

"streaming, streaming, streaming inside me..."

0:29:510:29:56

What? No. Let's have a look.

0:29:560:29:59

Whoa. Listen to this.

0:30:010:30:03

This is three weeks ago. "The future pushing, stomach taut,

0:30:030:30:10

"my skin on the stretch..."

0:30:100:30:12

Full post-mortem on Mary Claverton.

0:30:120:30:15

-The pathologist wanted you to see it straight away.

-She was pregnant.

0:30:150:30:18

Two months.

0:30:180:30:20

Go and get Joe Claverton.

0:30:260:30:29

Yeah. Yeah. I will.

0:30:290:30:32

-What if he's inside the pit?

-Go in and get him.

0:30:320:30:35

What are you staring at, you?

0:30:490:30:51

Who... me?

0:30:540:30:57

You accusing me of something here?

0:30:570:30:59

Why? Should we be?

0:30:590:31:01

If you had learned that Mary was about to run off with a man

0:31:050:31:10

what would you have done?

0:31:100:31:12

-I'd have stopped her.

-How?

0:31:140:31:17

By force, if I had to.

0:31:170:31:19

Tell me about the incident with Mr Nugent.

0:31:220:31:25

That ponce.

0:31:300:31:32

-Who told you about that?

-He did.

0:31:320:31:35

So?

0:31:370:31:39

I look out the window. He's got my daughter in his car.

0:31:390:31:42

What do you expect us to do?

0:31:420:31:44

You can't think of any innocent explanation for that?

0:31:450:31:48

No, I can't.

0:31:480:31:50

Mmmm.

0:31:520:31:54

Mary wrote

0:31:560:31:59

about...

0:31:590:32:01

your "black anger"

0:32:010:32:04

roaring inside you.

0:32:040:32:07

All right. All right...

0:32:070:32:09

let's get down to basics, shall we?

0:32:090:32:11

You...

0:32:130:32:16

didn't like Mary having sex with her boyfriends did you.

0:32:160:32:20

Why?

0:32:200:32:23

Did you want to keep her all for yourself?

0:32:230:32:25

I loved that girl.

0:32:270:32:29

Yeah well. We're not really talking about love, are we Joe.

0:32:290:32:34

We're talking about something else.

0:32:340:32:36

Mary was pregnant.

0:32:430:32:45

What do you mean?

0:32:460:32:47

-Was it yours?

-What happened, Joe?

0:32:470:32:51

Where do you think you're going?

0:33:020:33:04

Dancing. I'm late for the bus. Me mates are waiting.

0:33:040:33:08

-Just get out the way, will you?

-What's the matter now? Let her go,

0:33:080:33:11

will you, she'll be late.

0:33:110:33:13

I don't believe her. Show us the bag.

0:33:130:33:16

-It's none of your business.

-Joe!

0:33:160:33:18

Just get your hands off!

0:33:180:33:20

-Just get out the way.

-Joe, don't be an idiot!

0:33:200:33:22

Don't you dare hit her, you moron.

0:33:260:33:29

Aye a moron. Hear us?

0:33:290:33:32

You are a cretin.

0:33:320:33:34

So what happened?

0:33:550:33:57

Did you catch up with her?

0:33:570:33:59

Yeah. I asked her to come back

0:33:590:34:02

and tell us exactly what was going on.

0:34:020:34:06

And?

0:34:060:34:07

She told us she despised us.

0:34:110:34:14

She took the necklace off I'd given her and threw it in me face. And off she went.

0:34:140:34:18

And this is the necklace

0:34:180:34:19

that previously she had worn all the time?

0:34:190:34:22

Aye.

0:34:220:34:24

So what does that tell you

0:34:240:34:25

about the way your daughter was feeling about you?

0:34:250:34:29

Where is this necklace?

0:34:290:34:30

I shoved it into my pocket.

0:34:330:34:35

You went back indoors?

0:34:350:34:36

-No.

-Where did you go? Did you follow her?

0:34:360:34:38

-No.

-No, no, no, no. You did. You followed her.

0:34:380:34:41

You stopped her from meeting this lad that she was seeing, eh?

0:34:410:34:45

And then things got out of hand and eventually you know.

0:34:450:34:50

You buried her that night.

0:34:500:34:51

And you took that necklace from her body and you kept it as a keepsake.

0:34:510:34:57

Where is it?

0:34:570:34:59

-I didn't have it in the morning. I must've lost it.

-Oh, right.

0:35:040:35:07

Mystery solved.

0:35:090:35:11

According to the report, the bruise on her face was recent when she died.

0:35:160:35:19

Exactly. Exactly. She was murdered on that Friday night.

0:35:190:35:23

-Why are we not charging him?

-Not on this evidence.

0:35:230:35:25

No we'll keep him here for a while.

0:35:250:35:27

Mary left home in time to catch that bus.

0:35:280:35:31

She just never turned up at the bus stop.

0:35:310:35:34

She was going somewhere else. But where? That's the missing bit.

0:35:340:35:38

-Do you think the girls have told us everything that they know?

-I'm not sure about Hazel.

0:35:380:35:43

There's clearly an edge to their friendship.

0:35:430:35:45

They weren't just friends. They were rivals.

0:35:450:35:48

Don't you think this is a little... unseemly, Hazel?

0:35:500:35:52

-A little what, Dad?

-Unseemly.

0:35:520:35:54

You know for someone who loves words, you do choose some funny ones.

0:35:540:35:58

-Why don't you just say what you mean?

-All right then, tasteless.

0:35:580:36:01

24 hours after your best friend's body is discovered and off you go, pursuing your new "career".

0:36:030:36:09

Hazel. If I was you I'd just...

0:36:090:36:11

You're not me, Margaret.

0:36:110:36:14

And it's not a new career, Dad,

0:36:140:36:16

it's just a chance to do something different.

0:36:160:36:19

And Mary would've done the exact same.

0:36:190:36:22

They're not asking me next week or next month...

0:36:220:36:24

they're asking me tonight.

0:36:240:36:26

-So all I want you to do is introduce Hazel.

-Just say "Here's Hazel",

0:36:410:36:45

that's all I'm required to do?

0:36:450:36:47

That's the one, Tone.

0:36:470:36:49

-She'll do the rest.

-Lovely.

0:36:490:36:51

In your own time, then.

0:36:530:36:55

OK. Standby. Right camera two in five.

0:36:550:36:59

Four.

0:36:590:37:00

Three. Two. One...

0:37:000:37:04

-Ladies and gentlemen, boys and girls.

-Couldn't quite manage it, could he?

0:37:040:37:08

Number two next.

0:37:080:37:09

This is the part of the show where I ask them to slowly, slowly turn down the lights.

0:37:090:37:14

Boys take hold of your girls.

0:37:140:37:17

Get closer. Because it's smooching time.

0:37:170:37:21

-And just remember...

-Lights.

0:37:210:37:23

Uncle Tone will be keeping a watchful eye on your smooching styles.

0:37:230:37:27

Oh, shut up, you fool.

0:37:270:37:30

Two, one next.

0:37:300:37:33

-# All around the world... #

-On two next. On two three next.

0:37:380:37:41

# There are hearts beating slow

0:37:410:37:45

# Yours is one, I won't let go

0:37:460:37:53

# Inside the town

0:37:540:37:57

# I hear the people sing

0:37:570:38:01

# Sing their songs of love

0:38:020:38:06

# And what love brings

0:38:060:38:09

# Anywhere you are

0:38:110:38:14

# Anywhere you are You know that...#

0:38:140:38:18

-And on two...

-# Your beating heart is always mine. #

0:38:180:38:24

# Bring me my spear!

0:38:240:38:26

# O clouds, unfold!

0:38:260:38:29

# Bring me my chariot of fire!

0:38:290:38:36

# I will not cease

0:38:360:38:39

# From mental fight

0:38:390:38:42

# Nor shall my sword sleep in my hand

0:38:420:38:48

# Till we have built Jerusalem

0:38:480:38:55

# In England's green and pleasant land. #

0:38:550:39:03

There will of course be a full service for Mary at a later date.

0:39:270:39:30

But I thought that you,

0:39:320:39:35

that all of us who knew Mary well and felt close to her,

0:39:350:39:39

should meet briefly today to mark her passing

0:39:390:39:43

and to share our thoughts and feelings with each other.

0:39:430:39:47

And to sing her favourite hymn.

0:39:470:39:49

Mary Claverton lit up our lives.

0:39:490:39:52

And so we feel robbed.

0:39:540:39:55

David has asked if I would sit in on this conversation as a friend and a colleague.

0:40:000:40:05

I hope you have no objections?

0:40:050:40:06

None at all.

0:40:080:40:11

Right. We are now certain

0:40:140:40:17

that Mary Claverton was in a relationship with an older man.

0:40:170:40:21

Based on the ravings of Joe Claverton.

0:40:210:40:24

You've already admitted that you had her in your car at least once.

0:40:240:40:28

-I didn't "have her in my car".

-Where did you have her?

0:40:280:40:31

There are also things that Mary wrote,

0:40:310:40:33

which strongly suggest the same thing.

0:40:330:40:36

Such as what?

0:40:360:40:38

-Am I mentioned?

-Poetry. Poems. About how she fell for an older man.

0:40:380:40:41

Is there a sonnet called "My Fling With David Nugent"?

0:40:410:40:43

You'd be in court by now if there was.

0:40:430:40:45

-Perhaps I can shed some light on this, Chief Inspector?

-Please do.

0:40:450:40:50

I've read these poems.

0:40:500:40:51

Or if not these same poems, then similar ones.

0:40:510:40:55

-Mary often showed me her work.

-Have you read the one about

0:40:550:40:58

how she felt when this man touched her sexually?

0:40:580:41:00

-Yes, I think I did.

-Didn't that alarm you?

0:41:000:41:03

No. And let me tell you why.

0:41:030:41:06

Mr Gently, I'd be very wary of drawing conclusions

0:41:060:41:10

about a student's private life from the fiction they wrote for me.

0:41:100:41:13

Mary was very mature as a writer it's true,

0:41:130:41:16

she explored a darkness,

0:41:160:41:19

the far edges of experience...

0:41:190:41:21

imaginative experience, that is.

0:41:210:41:23

It's all made up, is it?

0:41:230:41:26

All this, all made up.

0:41:260:41:28

Is it English Literature, made up?

0:41:280:41:30

Is it Shakespeare? Is that made up?

0:41:300:41:33

Pretty much.

0:41:330:41:34

No. No.

0:41:340:41:36

What's the one with Marlon Brando in it? The um...

0:41:360:41:40

Yeah you know... Julius Caesar is that made up? Hmm.

0:41:400:41:44

No. No. It's not. It's a true story. There's facts in that.

0:41:440:41:47

-Yes, but, in another play he set a scene on the coast of Bohemia.

-So?

0:41:470:41:51

Bohemia's landlocked.

0:41:510:41:53

Why does he do that?

0:41:530:41:56

He wanted a child to be abandoned on the shore

0:41:560:41:59

and it's guardians to be eaten by a bear.

0:41:590:42:01

What? On a beach?!

0:42:010:42:02

-A-ha...

-Which one is this?

0:42:020:42:04

Does it matter?

0:42:040:42:06

-Just tell us.

-The Winter's Tale.

0:42:060:42:08

Right, well I won't be wasting me money watching that.

0:42:080:42:11

Can we just get back to the point please?

0:42:110:42:16

So a poet - even a young girl like Mary - can make up facts about their

0:42:160:42:21

lives which are not necessarily the truths about their lives, yes?

0:42:210:42:25

Especially a young girl like Mary.

0:42:250:42:28

A poem about a difficult father, for example, might well have been

0:42:280:42:31

influenced by her own home life, or just as easily by Sylvia Plath's.

0:42:310:42:35

And a poem about an older man who - far from resenting her

0:42:350:42:39

and holding her back - loves her,

0:42:390:42:41

makes her feel special...

0:42:410:42:42

allows her to grow into a woman...

0:42:420:42:45

well you can see why a girl like Mary

0:42:450:42:47

might want to invent such a figure, can't you?

0:42:470:42:49

Well. Yes, I can see that.

0:42:490:42:53

I don't think that Mary made up this bloke at all.

0:42:550:42:58

Literary critic now, are you?

0:42:580:43:00

No, no. I'm a copper who's looking at a girl that you had in your car

0:43:000:43:05

who is then murdered on a night that you don't have a proper alibi for.

0:43:050:43:08

OK. I think we should go and have a word with your wife, don't you?

0:43:080:43:13

-Do we really have to?

-Yeah. Yeah. We really do.

0:43:130:43:17

OK.

0:43:200:43:21

-Can I have a word, Mr Gently?

-Yeah.

0:43:240:43:26

No running.

0:43:330:43:35

Sir.

0:43:350:43:37

You think there's nothing to this story about Mary and Nugent, don't you?

0:43:390:43:43

I'm certain.

0:43:430:43:45

Look. We all know it happens.

0:43:450:43:48

The News Of The World is full of it every Sunday.

0:43:480:43:51

Silly young male teacher runs off with even sillier 17 year old girl.

0:43:510:43:58

Frankly it's bound to happen.

0:43:580:44:00

Almost the better the teacher, the more likely it is.

0:44:000:44:04

Sir...

0:44:040:44:06

They get close to us.

0:44:060:44:08

We become a focus for them.

0:44:080:44:11

Before you know it, they fall in love with us.

0:44:110:44:14

Sir.

0:44:140:44:16

Yes. I'm afraid so.

0:44:180:44:20

It cost me my marriage. And it was nothing.

0:44:220:44:25

Nothing.

0:44:250:44:27

She wrote me a sonnet.

0:44:270:44:28

I wrote her one back.

0:44:280:44:31

It was a literary device, a conversation in verse.

0:44:310:44:35

A conversation?

0:44:350:44:37

There are lines,

0:44:370:44:39

and you don't cross them.

0:44:390:44:41

-Sir.

-And you definitely didn't cross the line with this girl?

0:44:440:44:48

No definitely not. It was all in her head.

0:44:480:44:52

What happened to her?

0:44:520:44:53

She changed schools, went up to Cambridge, got a First.

0:44:530:44:58

And then blow me, if she didn't throw it all away...

0:44:580:45:01

married a Canadian farmer at the age of 24!

0:45:010:45:04

Can you remember her name?

0:45:040:45:07

How can I forget after an episode like that?

0:45:070:45:10

Juliet Twyler.

0:45:100:45:12

Of all the names in the world, wouldn't you know it

0:45:130:45:17

she had to be called Juliet.

0:45:170:45:19

Well.

0:45:210:45:23

Thank you very much, Mr Holdaway.

0:45:230:45:25

-Goodbye, Mr Gently.

-Goodbye.

0:45:250:45:27

INAUDIBLE

0:46:040:46:07

Anna, please be careful with that ball.

0:46:100:46:12

It's only round the corner,

0:46:180:46:20

So I'm back at 25 to nine.

0:46:200:46:23

-That's all. Thanks, pet.

-Why are you asking?

0:46:230:46:26

Kids. We're not going to the shop any more. We're going to go home.

0:46:350:46:39

Hi-ya.

0:46:400:46:43

What were you doing in the back of the car?

0:46:430:46:46

Asking us a few questions.

0:46:460:46:49

Seventy minutes?

0:46:490:46:50

Yeah. Seventy minutes.

0:46:500:46:52

I mean he'd need a helicopter wouldn't he to get from his place,

0:46:520:46:55

meet Mary, murder Mary, bury her body in Pinnock Woods and then get back in time.

0:46:550:47:01

So we forget Nugent. Which is a pity.

0:47:010:47:03

Joe Claverton then.

0:47:030:47:05

Yeah, yeah. No sign of any necklace in the park... what a surprise -

0:47:060:47:11

and his alibi was shaky.

0:47:110:47:13

Weren't it? He went out on a pub crawl on his own, OK,

0:47:130:47:16

but so far the only thing we've got is a barmaid

0:47:160:47:19

telling us that she saw him in his local at half past six

0:47:190:47:22

and then not again until chucking out time.

0:47:220:47:25

So where was he in between?

0:47:250:47:27

-Burying his daughter?

-He hasn't got a car. Has he.

0:47:270:47:30

-Pinnock Woods is miles away.

-Well.

0:47:300:47:33

Maybe he's got a mate with a car.

0:47:330:47:35

She was laid out in that grave.

0:47:370:47:40

Not just chucked into a hole in the ground.

0:47:400:47:43

Her hands were crossed over her chest she was laid out flat. Tidy.

0:47:430:47:49

With love...

0:47:490:47:52

Could be Joe.

0:47:520:47:54

Or the older man she was seeing.

0:47:550:47:58

I want to talk to Hazel and Shelley again.

0:47:580:48:00

They haven't told us all they know.

0:48:000:48:02

Are we charging Joe?

0:48:020:48:04

No. Let him go.

0:48:040:48:06

He's got a funeral to sort out.

0:48:060:48:08

Hazel Holdaway,

0:48:230:48:25

ladies and gentlemen, is seventeen years old.

0:48:250:48:28

A school girl from Durham.

0:48:280:48:30

We first saw her in the studio audience last week and for the rest

0:48:300:48:33

of our run this "Fresh Face of The North", will be co-presenting

0:48:330:48:38

Upside Down alongside Tony "Tone" Hexton.

0:48:380:48:41

Over here, Hazel love.

0:48:410:48:44

-What'll you be doing on the show Hazel?

-I'll be doing fashion and make-up in the studio audience.

0:48:440:48:49

I'll be talking to the bands. And Pip here... sorry, Mr Hogge, he wants me to lip-sync

0:48:490:48:55

along to some various hits,

0:48:550:48:56

which is a good thing really because I cannot hold a note for toffee.

0:48:560:49:00

So what are you going to be doing, Tone?

0:49:000:49:01

I'll be standing next to Hazel looking pretty.

0:49:010:49:04

I'm not here to interfere with Tony's job, although

0:49:040:49:07

I might have to have a word with him about some of his jumpers.

0:49:070:49:10

That's right, sweetheart, put the boot in, why don't you?

0:49:120:49:14

-No, no, sorry, I... It was a joke.

-Course it was.

-Tony, maybe you...

0:49:140:49:19

Shut up, you.

0:49:190:49:22

Ladies and gentlemen... and children. Upside Down is my creation.

0:49:220:49:28

I invented it.

0:49:280:49:29

The music, the audience, the lip-synch, the smooching time.

0:49:290:49:33

All my idea.

0:49:330:49:36

-Tone.

-I'm not finished yet, old boy.

0:49:360:49:38

A little story, very quickly, about the world we now live in. Wow.

0:49:380:49:43

This world, eh?

0:49:430:49:45

Used to belong to professionals like me.

0:49:450:49:49

Radio, TV, you name it, I can do it.

0:49:490:49:52

Because I'm a consummate professional.

0:49:520:49:56

All considered worthless by Mr Hogge, here.

0:49:560:49:59

Nothing matters to him.

0:49:590:50:01

Except how old you are whether you look "natural".

0:50:010:50:04

So.

0:50:040:50:07

I have made a decision.

0:50:070:50:08

The people from "Come Dancing"

0:50:080:50:10

-want to meet, and I'm off to the Smoke.

-Result.

0:50:100:50:12

It's over and out from Uncle Tone.

0:50:120:50:15

I resign.

0:50:150:50:18

Upside Down is all yours now, sweetheart.

0:50:190:50:23

Over here Hazel. Hazel.

0:50:230:50:25

I don't think I can to do it.

0:50:290:50:31

I don't like this world.

0:50:320:50:34

This is the chance of a lifetime, Hazel. Literally.

0:50:340:50:37

Half the girls in England would kill for a chance to do this.

0:50:370:50:40

Ask one of them then.

0:50:400:50:43

Just think it over.

0:50:430:50:45

We'll talk again later...

0:50:450:50:47

Oh, no, not them two again.

0:50:490:50:51

We'll be here all night.

0:50:510:50:53

You waited at the bus stop,

0:50:570:50:59

where you were supposed to meet Mary to go dancing.

0:50:590:51:03

Yeah. I told you.

0:51:030:51:05

That right, Shelley?

0:51:050:51:07

-Yeah.

-OK. But Mary didn't turn up.

0:51:070:51:10

You waited for her but she didn't turn up.

0:51:100:51:13

And then the bus came and you got on it and you forgot all about Mary...

0:51:130:51:16

-Shelley?

-Mary was always missing the bus, we just used to wait for her and get the next one.

0:51:180:51:24

Why didn't you wait for her on that Friday night?

0:51:240:51:27

Well...

0:51:270:51:28

Hazel said she wouldn't be coming.

0:51:300:51:33

-Is that all right, Haze?

-Yeah.

0:51:330:51:35

Don't worry, Shell.

0:51:350:51:37

Hazel.

0:51:400:51:43

Why wasn't she coming?

0:51:430:51:44

She said she was starting a new life.

0:51:480:51:50

That this night was the start of a new life.

0:51:520:51:54

A new life? What new life?

0:51:540:51:57

-I don't know.

-With this man?

0:51:570:52:00

And was that it? She said nothing else?

0:52:000:52:02

No.

0:52:020:52:04

She just laughed at us.

0:52:040:52:07

Why?

0:52:070:52:09

She was always laughing at us.

0:52:100:52:12

Always letting us know

0:52:120:52:14

that she was getting what I wanted and couldn't have.

0:52:140:52:17

And there was no need to be like that.

0:52:170:52:19

But she was.

0:52:210:52:24

It's how she needed to be.

0:52:240:52:25

She was just a little girl, you know?

0:52:250:52:28

Is there a little part of you just a little part

0:52:280:52:33

that's glad that she's out of the way?

0:52:330:52:35

You are a really nasty piece of work, do you know that?

0:52:370:52:40

Or would you prefer that she was around so that you could gloat of your new career?

0:52:400:52:45

I haven't got a new career.

0:52:450:52:47

-I turned it down.

-It's true.

0:52:470:52:50

Hundred pound a week. She's turned it down.

0:52:500:52:52

Hey, Haze. They'll have to get beer mat Tony back!

0:52:520:52:55

Beer mat Tony?

0:52:560:52:59

Yeah, Uncle Tone. "Time to smooch".

0:52:590:53:02

Why'd you calling him "beer mat Tony"?

0:53:020:53:04

Oh, cos when we were in the pub he wrote his number down on a beer mat for us.

0:53:040:53:09

Did you keep it?

0:53:110:53:13

No, I chucked it on the floor on me way out.

0:53:130:53:15

Did he meet Mary Claverton?

0:53:170:53:20

Yeah. They met here after the show.

0:53:200:53:23

He took her for a drink.

0:53:230:53:24

-And did he offer her anything by any chance?

-Spec so.

0:53:240:53:28

-He offered me summit, I know that.

-Like what?

0:53:280:53:31

A new life in London perhaps?

0:53:310:53:34

MUSIC: The House of the Rising Sun

0:53:450:53:49

I don't think Uncle Tone's going to turn up do you?

0:55:170:55:19

Would you? He didn't turn up at his hotel last night.

0:55:200:55:23

We'll find him.

0:55:230:55:26

I'd like my husband to read something.

0:56:250:56:27

They're words that he wrote the day our Mary was born.

0:56:270:56:32

Most of you here know that Mary was good with writing.

0:56:340:56:37

As was her dad once.

0:56:370:56:39

So...

0:56:390:56:41

Please. Joe.

0:56:460:56:47

I touched your hand for the first time today

0:56:560:57:00

And around my finger it curled

0:57:000:57:03

I hope one day it will reach away And circle the entire world.

0:57:030:57:07

I long to hear where you're going to go

0:57:070:57:10

Who you're going to see,

0:57:100:57:12

where you're going to roam.

0:57:120:57:14

Have we had the pleasure?

0:57:300:57:32

I'm Detective Chief Inspector Gently,

0:57:320:57:36

this is Sergeant Bacchus.

0:57:360:57:38

Yes! We have met, Sergeant!

0:57:400:57:42

I remember it now.

0:57:420:57:44

-When was that?

-The day music hall died.

0:57:440:57:47

My act was taken in for questioning.

0:57:470:57:49

Do you know this girl?

0:57:490:57:51

I dunno. Does she say I do?

0:57:520:57:56

No offers made under the influence of drink shall constitute a contract.

0:57:560:58:00

She's not saying anything.

0:58:000:58:01

She's dead.

0:58:010:58:04

-Is she the girl they.

-Yep.

0:58:040:58:06

That's her.

0:58:060:58:07

-You knew her.

-Did I?

0:58:070:58:10

Ah yes. She was part of the Upside Down crowd.

0:58:100:58:14

Remember? You chatted her up.

0:58:140:58:16

Took her out afterwards.

0:58:160:58:18

I'm afraid that doesn't narrow it down,

0:58:180:58:21

Look, I'd like to help, but...

0:58:210:58:24

Is this your handwriting?

0:58:260:58:27

Well, some of it is.

0:58:300:58:32

And the rest of it's hers.

0:58:320:58:34

Oh.

0:58:340:58:37

I... Do you know, I didn't even know I knew the poor girl. That's terrible.

0:58:370:58:40

That's shocking actually.

0:58:400:58:43

All right.

0:58:450:58:46

-What can I do to help?

-You can start by trying to remember when you met her.

0:58:460:58:51

Let me see that photo again.

0:58:510:58:55

Yes.

0:58:590:59:00

Yes. I remember her.

0:59:000:59:02

Beautiful girl.

0:59:020:59:04

And full of confidence.

0:59:050:59:06

You try to pull her?

0:59:060:59:07

Of course I tried to pull her.

0:59:070:59:10

'So I wrote, "Do you feel a stirring?",

0:59:390:59:42

'which is rather embarrassing.

0:59:420:59:44

'To which she replied, rather wittily, "No".

0:59:490:59:53

'And I put, "And why not, fair damsel?".'

0:59:571:00:01

'Then she wrote "There is something missing in you".

1:00:011:00:03

'And then you wrote "And what might that be,

1:00:031:00:06

'"oh, wise and beautiful child?" And then it all stops. Why?'

1:00:061:00:11

-'Where did you find that?'

-'She kept it.'

1:00:111:00:14

Sorry to disappoint you, but you are not my type.

1:00:141:00:17

The man that commands my heart has poetry in his soul,

1:00:171:00:20

and you are just a boring old fart in a jumper.

1:00:201:00:24

'Which you have to admit...

1:00:241:00:26

'on all the available evidence...'

1:00:261:00:28

is probably true.

1:00:281:00:31

So who commands her heart? Huh?

1:00:381:00:41

Who has poetry in his soul?

1:00:411:00:44

Hey, Joe Claverton read a poem at the graveside.

1:00:441:00:48

How's his alibi coming along?

1:00:481:00:50

Still got a hole you could drive a bus through.

1:00:501:00:53

Go on a pub crawl.

1:00:531:00:55

Check them again see if anybody saw him.

1:00:551:00:57

-I've done it.

-Do it again.

1:00:571:00:59

-How long have you worked here?

-20 years.

1:01:271:01:32

Do you remember a girl called Juliet Twyler?

1:01:321:01:35

She left the school before her time about 15 years ago.

1:01:351:01:39

No. No, I can't recall a Juliet.

1:01:391:01:42

There was a Jasmine Twyler.

1:01:441:01:47

Bonny little thing.

1:01:471:01:49

She left in a bit of a hurry.

1:01:491:01:51

-15 years ago?

-That would be about right, yes.

-Did she go to Cambridge?

1:01:511:01:55

Jasmine Twyler go to Cambridge?

1:01:551:01:57

She'd be lucky.

1:01:571:01:59

She left before the Easter term in the lower sixth.

1:01:591:02:04

-Did she marry a farmer and go to Canada?

-No.

1:02:041:02:09

HORN BEEPS

1:02:091:02:11

John, get in.

1:02:141:02:16

Where are we going?

1:02:171:02:19

Excuse me.

1:02:331:02:35

-I'm looking for Jasmine Twyler...

-That's me.

1:02:351:02:39

Cambridge and Canada, eh?

1:02:391:02:42

Well, you never know what your life might be.

1:02:421:02:45

Would that have been mine?

1:02:451:02:47

I wouldn't trade that for what I've got. Youse only know what you know.

1:02:471:02:52

And he taught you English?

1:02:521:02:55

He taught us all sorts.

1:02:551:02:58

He taught us life.

1:02:581:03:00

Were you in love with him?

1:03:001:03:01

I was 17, Sergeant. How do I know what I was?

1:03:011:03:06

What happened?

1:03:071:03:09

Well...

1:03:091:03:10

He ran a sonnet class on a lunchtime.

1:03:121:03:15

And I loved poetry.

1:03:151:03:18

I loved it. And, er..

1:03:181:03:21

He wrote a sonnet for the class.

1:03:211:03:25

"Just to demonstrate the rhyming scheme".

1:03:251:03:27

Actually to show off.

1:03:291:03:31

And it was about me.

1:03:351:03:38

Can you imagine how flattering that was?

1:03:381:03:42

So I...

1:03:421:03:44

I wrote a crap sonnet back.

1:03:441:03:46

I pushed it under his door, you know.

1:03:461:03:50

And then he writes another one back.

1:03:501:03:52

A conversation, he called it...

1:03:551:03:58

And so on. And then you have got to meet for a coffee to discuss the feelings expressed in the poetry...

1:04:001:04:05

blah, blah... I don't need to draw youse a picture.

1:04:051:04:08

You know the rest.

1:04:081:04:10

Wasn't there anybody to help you?

1:04:101:04:13

Mr Gently,

1:04:131:04:15

it's always the girl's fault.

1:04:151:04:18

Maybe that'll change.

1:04:181:04:20

But, hell's bells, it's a slow change.

1:04:201:04:23

It's still us to blame, as far as I can tell.

1:04:231:04:26

Need a hand with the bins, Mum?

1:04:261:04:29

No, no. You just go and do your homework.

1:04:291:04:31

Nice lad.

1:04:351:04:37

What did you call him?

1:04:371:04:40

Nought out of ten for originality.

1:04:401:04:43

Peter.

1:04:441:04:45

Jasmine, I have to ask you one last question.

1:04:471:04:50

Where did you go to make love?

1:04:501:04:52

Was it Pinnock Woods, by any chance?

1:04:521:04:54

Ah...

1:04:571:05:00

No.

1:05:001:05:03

It was usually in the room at school.

1:05:031:05:05

It's a bit risky, that, isn't it?

1:05:071:05:10

If I got noisy...

1:05:101:05:12

..he used to put his hand over my mouth.

1:05:141:05:16

Can you remember why your mother left?

1:05:351:05:38

Yes.

1:05:391:05:40

She couldn't cope with the new bairn, I think.

1:05:401:05:43

Hazel was only two.

1:05:431:05:46

She was mentally unstable.

1:05:461:05:48

My mother was mentally unstable.

1:05:481:05:51

Poor Daddy.

1:05:531:05:55

Where is she now?

1:05:551:05:57

Who knows? The snow melts, and then where is it?

1:05:581:06:03

Maybe they shielded you from the real reason that the relationship broke up. Do you think?

1:06:091:06:15

What "real reason"?

1:06:171:06:19

No, because I'd have known.

1:06:191:06:22

Because even before she left I was doing everything.

1:06:221:06:25

I was bringing up our Hazel and I was washing and cooking for Daddy and...

1:06:251:06:31

all she did was just lie on the floor...

1:06:311:06:35

crying.

1:06:351:06:36

-Stupid woman.

-Crying about what, Margaret?

1:06:371:06:41

Who knows?

1:06:431:06:44

He'll be back in a minute. You can ask him.

1:06:441:06:47

Where is he?

1:06:471:06:49

Who? I think...

1:06:491:06:54

I think he said he was going to put some chrysanths on Mary Claverton's grave

1:06:541:06:58

or something like that. Something...

1:06:581:07:00

Something stupid. Anyway, I've done lamb shanks, so...

1:07:001:07:03

-Is Hazel here?

-Hazel?

-Yes...

1:07:031:07:07

Oh, we don't see Hazel. She'll be off with her new fancy friends.

1:07:071:07:11

Margaret, do you think that Hazel ought to take this job on Upside Down?

1:07:111:07:18

What does it matter what I think?

1:07:201:07:23

About anything.

1:07:231:07:25

Can you tell me where your father was on the night that Mary went missing?

1:07:251:07:31

He was here. With me. Why?

1:07:341:07:36

Did Mary come here?

1:07:361:07:40

-Why are you asking me these stupid questions?

-Why?

1:07:401:07:44

Why did she come here?

1:07:441:07:46

Full of airy ideas as usual.

1:07:461:07:49

To talk about poetry, I expect.

1:07:491:07:51

Honestly, these lamb shanks'll be ruined and I've put...

1:07:511:07:55

I've put rosemary in them as well. I wouldn't care...

1:07:551:07:58

So... Mary Claverton met your father here on the night that she disappeared, yes?

1:07:581:08:03

-No. Daddy wasn't here.

-You just said he was.

-No.

1:08:031:08:07

Do you know where he is now?

1:08:091:08:12

He's gone to stop Hazel from ruining her life, he said.

1:08:141:08:18

Go and get him.

1:08:181:08:21

You're coming with me, Margaret.

1:08:211:08:23

I have procured, from the landlord, his last remaining

1:08:261:08:29

bottle of champagne. I'm not sure the vintage is up to much...

1:08:291:08:32

-Why are we celebrating?

-We are celebrating, my lovely,

1:08:321:08:36

news that the Orwellian institution that is ITV, Loves our "Fresh Face Of The North"

1:08:361:08:40

SO MUCH, that they are considering taking our little regional show nationwide!

1:08:401:08:45

THEY CHEER

1:08:451:08:48

Now all we need is our Fresh Face.

1:08:481:08:50

Now then, give us a kiss on those icy lips, my lovely. And don't make it a Judas kiss.

1:08:501:08:55

Get your hands off her.

1:08:551:08:57

-And you are?

-Dad, it's all right. Really.

1:08:581:09:02

No, it's not all right.

1:09:021:09:04

You're coming home. Now go outside and get in the car.

1:09:041:09:06

No, I don't want to get in the car.

1:09:081:09:10

I want to stay here. I've got things to talk about.

1:09:101:09:13

What, back at his place?

1:09:131:09:16

-No, Dad.

-Half an hour, Peter, shall we say half an hour?

1:09:161:09:19

Who said you could call me "Peter"?

1:09:191:09:22

-Just being friendly.

-We're not friends.

1:09:221:09:26

Come on, Hazel.

1:09:261:09:28

-Everything's up for discussion. Get in the car.

-No, Dad.

1:09:281:09:30

Everything is not up for discussion. Go and live your life.

1:09:301:09:35

I've got a different life to live.

1:09:351:09:38

-Pip.

-Yes?

-Do you still want me?

1:09:381:09:41

-Like wildfire.

-Well, then, it's a yes.

1:09:411:09:45

-I was born to be me.

-THEY CHEER

1:09:451:09:48

THEY GASP

1:09:481:09:50

..take my daughter away from me!

1:09:521:09:54

Sort it out.

1:10:001:10:01

Hazel. You're coming with me.

1:10:071:10:09

-Come on.

-Hazel.

1:10:091:10:11

-Yes, Pip?

-Monday morning.

1:10:111:10:14

Bright and early.

1:10:141:10:15

Are you the man in Mary's poems, Peter?

1:10:201:10:24

Like you were in Jasmine Twyler's?

1:10:241:10:26

-Who?

-Jasmine Twyler. Your "Juliet".

1:10:291:10:32

You fancied yourself as her Romeo.

1:10:321:10:35

Tell us, Peter, did you have fantasies about school girls?

1:10:351:10:39

Nothing happened between us.

1:10:391:10:41

-It was all in her head. I've told you.

-Except a 15-year-old son called Peter.

1:10:411:10:46

-Mary Claverton came to your house the night she died.

-No.

1:10:461:10:50

Well, Margaret says that she did.

1:10:501:10:54

You've spoken to Margaret?

1:10:541:10:55

Yes.

1:10:551:10:57

-What else did she say?

-Oooh, lots. Didn't she?

1:10:591:11:02

Lots and lots. We want to hear it from you.

1:11:021:11:06

She came to see me.

1:11:131:11:15

And?

1:11:171:11:18

-She was pregnant.

-Like Jasmine Twyler.

1:11:181:11:22

I don't make a habit of this, believe me.

1:11:241:11:27

Just the two, then.

1:11:271:11:30

These were special girls.

1:11:331:11:36

-Very.

-And you abused your position of trust by having sex with both of them.

1:11:371:11:42

-It was love.

-Yeah, yeah right.

1:11:441:11:48

When you got Jasmine Twyler pregnant, what happened?

1:11:481:11:53

-It was hushed up.

-She paid the price.

1:11:531:11:56

Who else paid the price, Peter?

1:11:561:11:58

Hazel.

1:11:581:11:59

She grew up without a mother.

1:12:021:12:03

And Margaret?

1:12:031:12:05

She dedicated the rest of her life to looking after you, didn't she?

1:12:051:12:09

Well, Margaret would only've ended up doing the same thing for some other man.

1:12:091:12:14

Harsh but true.

1:12:141:12:16

Did you murder Mary Claverton, Peter?

1:12:281:12:31

I had to.

1:12:361:12:37

Why?

1:12:401:12:42

She was pregnant.

1:12:451:12:46

-It was the end of my career.

-But it was love, wasn't it?.

1:12:481:12:51

Huh?

1:12:511:12:53

Why didn't you just own up? Write a poem. Marry her.

1:12:531:12:57

Still the end of my career.

1:12:571:13:00

And your career means that much to you, does it?

1:13:001:13:04

-To me.

-What? More than anything?

1:13:041:13:07

-Yes.

-So Mary came to your house to tell you that she was pregnant, yes?

1:13:071:13:11

It wasn't at the house.

1:13:111:13:13

I was working late at school.

1:13:131:13:17

-She came there.

-So why does Margaret say that she came to the house?

1:13:171:13:23

Margaret doesn't know what day it is half the time.

1:13:231:13:25

-And this was the first time that you found out that she was pregnant.

-Yes.

-Right!

1:13:251:13:30

She kept insisting that she wanted the child, that she wanted me.

1:13:301:13:35

She was out of control.

1:13:371:13:39

She wouldn't listen to the damage it would do to me, to my daughters.

1:13:401:13:44

I couldn't let that happen.

1:13:461:13:48

I didn't mean to hurt her. I was just trying to...

1:13:501:13:55

..make her shut up.

1:13:571:13:58

I put my hand over her mouth.

1:14:011:14:04

She kept struggling.

1:14:041:14:06

'I lost control.

1:14:111:14:13

'I suffocated her.

1:14:161:14:17

'I buried her.'

1:14:211:14:23

Braces.

1:15:101:15:11

I've made a total mess of my life,

1:15:291:15:32

haven't I?

1:15:321:15:34

Hats off to him making a run for manslaughter...

1:15:591:16:01

"Oh, I just put me hand over her mouth and she stopped breathing".

1:16:011:16:05

That's cold-blooded murder in anybody's book.

1:16:051:16:09

"Oh, she got pregnant, I didn't know what to do with my career. It was the end".

1:16:091:16:12

Something's not right with this. It's not.

1:16:121:16:18

Guv, we got the confession.

1:16:181:16:20

Why did Margaret say that Mary came to the house that night if she was at the school with Peter?

1:16:221:16:27

Margaret's barking mad. It's like he said - she didn't even know what day of the week it is.

1:16:271:16:31

Where's Hazel?

1:16:321:16:35

Room two.

1:16:351:16:37

Your father's confessed to the murder of Mary Claverton.

1:16:441:16:48

No.

1:16:501:16:51

That's stupid. Why's he saying that?

1:16:541:16:56

They were lovers, Hazel.

1:16:581:17:01

She was pregnant by him.

1:17:021:17:05

What?

1:17:051:17:06

Are you trying to tell me you didn't know? I thought she told you everything.

1:17:061:17:10

She never told us anything about my dad.

1:17:101:17:14

Ever. There was nothing... nothing to tell.

1:17:141:17:17

So who was she taunting you about then, Hazel?

1:17:171:17:20

Who was the older man, the Rochester figure with the scars...

1:17:201:17:25

that only she could see and you couldn't?

1:17:251:17:27

-She was talking about David Nugent.

-Ooh.

1:17:271:17:31

Why him, then?

1:17:311:17:33

It was like Shelley said. She knew I fancied him.

1:17:351:17:40

Sit down, Hazel.

1:17:401:17:42

Come on, sit down.

1:17:421:17:44

What scars does David Nugent have?

1:17:531:17:57

How should I know?

1:17:571:17:59

Are you telling me that Mary was having an affair with David Nugent,

1:17:591:18:03

-and not your father?

-No, I'm not saying that.

1:18:031:18:05

No, because the scars were caused by the break up of your father's marriage to your mother.

1:18:051:18:11

And the fallout that is having got another schoolgirl pregnant 15 years ago.

1:18:111:18:18

Why do you think your mother did a bunk, Hazel?

1:18:181:18:21

On the night that Mary died, you and Shelley waited for her at the bus stop. Correct?

1:18:251:18:31

-Yeah.

-But she didn't turn up, so you and Shelley went dancing together. Correct?

1:18:311:18:36

(Yeah.)

1:18:381:18:39

-What were you wearing?

-What?

1:18:391:18:43

What were you wearing?

1:18:431:18:45

-A dress. Why?

-What colour was it?

1:18:471:18:49

-I can't remember?

-Can't remember? Fashion's important to you.

1:18:521:18:56

-It was blue.

-Are you sure?

1:19:001:19:04

Yeah. It was blue.

1:19:071:19:09

Bring Shelley in.

1:19:101:19:11

I think your father loves you very much.

1:19:221:19:25

Doesn't he, Hazel?

1:19:251:19:26

-There, Shelley.

-The night you and Hazel waited for Mary at the bus stop,

1:19:371:19:42

-you went off dancing together. You remember?

-Yeah.

-Yeah.

1:19:421:19:45

-And Hazel was wearing a red dress. Yeah?

-Yeah.

1:19:451:19:50

Are you positive about that?

1:19:501:19:52

-Yeah, if she says so.

-She said it was blue.

1:19:521:19:55

Yeah, it was blue.

1:19:551:19:59

Hazel wasn't there at all, was she, Shelley?

1:19:591:20:03

You can tell the truth, Shell. Don't worry.

1:20:041:20:06

I went on me own.

1:20:061:20:09

She turned up later at the dance.

1:20:091:20:12

How much later?

1:20:121:20:14

A lot later.

1:20:141:20:17

Come on, Shell.

1:20:171:20:18

So where were you that night, then, Hazel?

1:20:241:20:27

Had you arranged to meet Mary?

1:20:301:20:32

Hazel cannot account for her whereabouts on the night of the murder...

1:20:441:20:48

She was out dancing. That's been established.

1:20:481:20:51

-No, she wasn't.

-Was she with you?

1:20:511:20:52

Hazel, you must tell them where you were.

1:20:561:20:59

-This is idiotic.

-Why should I take any notice from a dirty old man like you?

1:20:591:21:03

Just tell them where you were and get home and be with Margaret.

1:21:031:21:07

-That was my friend you were shagging, Dad.

-Hazel...

1:21:071:21:10

That wasn't even the first time, was it?...

1:21:101:21:12

That's the reason I don't have a mother, isn't it?

1:21:131:21:16

Because of you.

1:21:171:21:19

-None of that matters now.

-It matters to me.

1:21:191:21:24

Daddy?

1:21:241:21:25

Hazel?

1:21:301:21:32

Daddy, what's happening?

1:21:331:21:36

Why's she been brought here?

1:21:391:21:41

This is an outrage. Margaret doesn't belong in a place like this.

1:21:411:21:44

What did you ever care about Margaret?

1:21:441:21:47

-You stole her life.

-Hazel, don't talk to Daddy like that.

1:21:471:21:51

Look at yourself, Margaret. He paralysed you!

1:21:511:21:56

How many young girls' lives have you ruined

1:21:561:22:00

just so you could go on seeing yourself as some man with a soul full of poetry?

1:22:001:22:05

You have no soul.

1:22:051:22:08

You're all the same.

1:22:081:22:10

Pathetic old men, so frightened of your dead-end lives that you suck the life out of us.

1:22:101:22:18

Who are we talking about here, Hazel?

1:22:191:22:23

I'll tell you where I was that Friday.

1:22:231:22:25

Same place I was the Friday before and the Friday before that.

1:22:251:22:31

Every Friday for the past three months, in fact.

1:22:311:22:35

Like a fool.

1:22:351:22:37

Between half past seven and half past eight.

1:22:371:22:39

On my back on his carpet in front of his fire

1:22:391:22:42

with David Nugent, hoping against hope that what we were doing would stop him ever growing old.

1:22:421:22:47

A young girl my age, Dad, is allowed to make a mistake

1:22:491:22:53

and move on. But a man your age isn't!

1:22:531:22:55

People like you and David Nugent are meant to take care of us.

1:22:581:23:02

Not use us.

1:23:021:23:04

Can we have the truth now, Mr Holdaway?

1:23:201:23:23

I've told you all you need to know.

1:23:231:23:26

I murdered Mary Claverton.

1:23:271:23:29

No, Daddy...

1:23:291:23:30

Be quiet, Margaret.

1:23:301:23:32

Margaret?

1:23:401:23:41

No...

1:23:441:23:46

Margaret?

1:23:461:23:48

What do you want to tell us?

1:23:501:23:52

'We're going to get married.'

1:23:551:23:57

Oh, don't worry. Nothing will change for you.

1:23:571:24:00

The baby's due in the summer holidays and I'll go back to school and you can take care of the baby.

1:24:001:24:05

I mean, you're used to it. And then we could all live here, together.

1:24:051:24:09

-Daddy never said anything about this.

-He'll agree.

1:24:091:24:14

I just need to talk to him. Where is he?

1:24:141:24:17

He should be here. I told him I was coming.

1:24:171:24:23

This is the night that changes my life forever.

1:24:231:24:27

Oh...

1:24:271:24:29

Oh, dear...

1:24:291:24:31

I'm going to be your mum.

1:24:311:24:33

SHE GASPS

1:24:431:24:46

You never really noticed me.

1:24:491:24:53

I wasn't clever.

1:24:531:24:54

I wasn't pretty.

1:24:551:24:56

What did I have to do?

1:24:581:25:00

Peter Holdaway, I'm charging you with attempting to pervert the course of justice.

1:25:121:25:16

-You do not have to say anything, but anything you do say may be given in evidence. Do you understand?

-Yes.

1:25:161:25:22

Follow me.

1:25:291:25:30

Margaret Holdaway, I'm charging you with the murder of Mary Claverton.

1:25:351:25:40

You do not have to say anything, but anything you do say may be used in evidence.

1:25:401:25:45

Do you understand?

1:25:451:25:47

No. Not really.

1:25:471:25:48

Margaret...

1:26:341:26:36

growing old alone in prison. He'll get a lighter sentence.

1:26:361:26:39

But still, he'll grow old alone, too.

1:26:391:26:43

That's what he couldn't face.

1:26:431:26:46

You should find yourself another wife, George. I mean it.

1:26:561:27:02

Maybe, John.

1:27:021:27:03

What about you? It's the weekend. Got any plans?

1:27:041:27:08

-Who, me?

-Yeah, you.

1:27:081:27:10

-Do you really want to know? Or are you just being polite?

-No. I'm just being polite.

1:27:101:27:16

Right well. I. Me. John Bacchus...

1:27:161:27:21

..am on a promise.

1:27:221:27:24

CHEERING

1:27:451:27:47

-Hello!

-AUDIENCE: Hello, Hazel!

1:27:471:27:49

Hello, everybody, because we are going nationwide tonight for the very first time!

1:27:491:27:54

CHEERING

1:27:541:27:56

And we are very pleased to welcome you all here to the Northeast!

1:27:561:28:00

As someone once said to me...

1:28:001:28:02

"I hope I die before I get old." But hey, it's Friday night...

1:28:021:28:07

and the world goes Upside Down!

1:28:071:28:10

# You said that you don't need a thing

1:28:211:28:25

# But what you need is what I bring

1:28:251:28:27

# I said I bring my love to you

1:28:271:28:30

# Hope you change the tune you sing

1:28:301:28:32

# When I show up with your diamond ring

1:28:321:28:34

# I bring my love to you

1:28:341:28:36

# But you don't want me to

1:28:361:28:39

# I got to live on

1:28:391:28:42

# I got to live on

1:28:421:28:44

# I got to live on

1:28:441:28:47

# I got nothing else to do... #

1:28:471:28:49

Subtitles by Red Bee Media Ltd

1:28:501:28:52

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1:28:521:28:54

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