Browse content similar to Gently Northern Soul. Check below for episodes and series from the same categories and more!
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MUSIC: "I Say A Little Prayer" by Aretha Franklin | 0:00:02 | 0:00:04 | |
-CHANTING: -We want in, we want in, we want in! | 0:00:09 | 0:00:12 | |
# The moment I wake up | 0:00:12 | 0:00:16 | |
# Before I put on my make-up | 0:00:16 | 0:00:20 | |
# I say a little prayer for you | 0:00:20 | 0:00:23 | |
# While combing my hair now | 0:00:24 | 0:00:28 | |
# And wondering what dress To wear now | 0:00:28 | 0:00:31 | |
# I say a little prayer for you. # | 0:00:31 | 0:00:34 | |
You'd think it was the Beatles playing! | 0:00:37 | 0:00:39 | |
As long as they keep buying tickets. | 0:00:39 | 0:00:41 | |
Let's get these doors open before we have a riot, yeah? You ready? | 0:00:41 | 0:00:44 | |
# Together, together | 0:00:45 | 0:00:47 | |
# That's how it must be, to live without you... # | 0:00:47 | 0:00:49 | |
All right, no pushing, no pushing! | 0:00:51 | 0:00:53 | |
You're all going to get in, all right? | 0:00:53 | 0:00:56 | |
No beer! Hey, no beer. Anyone caught with beer you'll be out on your ear! | 0:00:56 | 0:00:59 | |
Get that for later, yeah? | 0:00:59 | 0:01:01 | |
Evening, girls. To the side. | 0:01:03 | 0:01:05 | |
All right, Dolores? | 0:01:11 | 0:01:12 | |
All right, Gary. | 0:01:12 | 0:01:14 | |
I'll turn a blind eye this time since it's you, eh? | 0:01:15 | 0:01:18 | |
I hope you two girls are going to enjoy yourselves tonight. | 0:01:18 | 0:01:21 | |
And er, be careful, right? | 0:01:21 | 0:01:23 | |
Oh, and er, save the last dance, girls, yeah? | 0:01:25 | 0:01:29 | |
MUSIC: "Baby, Do The Philly Dog" by The Olympics | 0:01:29 | 0:01:33 | |
# Stand up, and kick off your shoes | 0:01:43 | 0:01:46 | |
# Let your hair down, Get in the groove | 0:01:46 | 0:01:48 | |
# Head shakin', finger boppin', Lookin' fine | 0:01:49 | 0:01:52 | |
# Come on baby, let me see you try | 0:01:52 | 0:01:55 | |
# Philly dog | 0:01:55 | 0:01:56 | |
# Baby, do the philly dog | 0:01:56 | 0:01:58 | |
-# Hey, now baby -# Baby, do the philly dog | 0:01:58 | 0:02:00 | |
# It's all right | 0:02:00 | 0:02:02 | |
# Baby, do the philly dog | 0:02:02 | 0:02:04 | |
# I know you can do it now | 0:02:04 | 0:02:05 | |
# It spread from east to west | 0:02:12 | 0:02:15 | |
# My baby can do it best | 0:02:15 | 0:02:18 | |
# Earth shakin', back breakin', Lookin' cool | 0:02:18 | 0:02:21 | |
# Oh, I like the way you move | 0:02:21 | 0:02:24 | |
# Philly dog | 0:02:24 | 0:02:26 | |
# Baby, do the Philly dog | 0:02:26 | 0:02:27 | |
# Hey, now, baby | 0:02:27 | 0:02:28 | |
-# Baby, do the Philly dog -# It's all right | 0:02:28 | 0:02:31 | |
# Baby, do the Philly dog | 0:02:31 | 0:02:33 | |
# I know you can do it. # | 0:02:33 | 0:02:35 | |
MUSIC: "I'm Going to Love You A Long Long Time" by Patti and the Emblems | 0:02:35 | 0:02:38 | |
# I want you to understand | 0:02:42 | 0:02:44 | |
# Want you to know | 0:02:44 | 0:02:46 | |
# I'm your girl and you're my man | 0:02:46 | 0:02:48 | |
# I want you to say | 0:02:48 | 0:02:49 | |
# With you, I'd go anywhere | 0:02:49 | 0:02:51 | |
# Go anywhere | 0:02:51 | 0:02:52 | |
# Hey, I'll be there | 0:02:52 | 0:02:55 | |
# I'm going to love you A long, long time | 0:02:55 | 0:02:59 | |
# I'm going to love you A long, long time | 0:02:59 | 0:03:01 | |
# Let me tell you | 0:03:01 | 0:03:04 | |
# I'm your baby... MUSIC FADES | 0:03:04 | 0:03:07 | |
# I'm your baby | 0:03:07 | 0:03:09 | |
# For a long, long time, now. # | 0:03:11 | 0:03:15 | |
Who found the body? | 0:03:23 | 0:03:24 | |
A man from the local estate. Down there. | 0:03:24 | 0:03:27 | |
Working girl. | 0:03:29 | 0:03:30 | |
Why? | 0:03:30 | 0:03:32 | |
This place is famous for it. | 0:03:32 | 0:03:34 | |
Blow to the side of the head. But it wasn't robbery. | 0:03:38 | 0:03:41 | |
Huh? | 0:03:41 | 0:03:42 | |
Have you got an evidence bag? | 0:03:42 | 0:03:44 | |
Tom, Tom. Evidence bag. | 0:03:44 | 0:03:46 | |
20 quid. | 0:03:52 | 0:03:54 | |
Why did he kill her then? | 0:03:54 | 0:03:56 | |
-Who? -The trick. You know, the punter. | 0:03:56 | 0:03:59 | |
Too drunk to finish the business. | 0:03:59 | 0:04:00 | |
She laughed at him, mebbies, and he got angry. | 0:04:00 | 0:04:04 | |
So why didn't he take his money back? | 0:04:04 | 0:04:06 | |
Can't be many coloured girls in this area. | 0:04:09 | 0:04:11 | |
She shouldn't be too hard to identify. | 0:04:11 | 0:04:13 | |
I'll ask around. | 0:04:13 | 0:04:15 | |
There's plenty of men who'd pay extra for a bit of exotic. | 0:04:15 | 0:04:17 | |
I want her name on my desk by nine o'clock tomorrow morning. | 0:04:19 | 0:04:23 | |
Righto. | 0:04:23 | 0:04:24 | |
Enjoy your Sunday. | 0:04:25 | 0:04:27 | |
Dolores Kenny. 35 Gale Street, Whitley Bay. Thank you very much. | 0:04:27 | 0:04:32 | |
My guess is she picked up a client in town, | 0:04:32 | 0:04:34 | |
and then drove out to Byker to, er, you know. | 0:04:34 | 0:04:37 | |
Fractured skull. Possible internal bleeding. | 0:04:37 | 0:04:39 | |
Looks like she was hit with a blunt object. | 0:04:39 | 0:04:41 | |
Traces of carbolic soap found on her neck. | 0:04:41 | 0:04:43 | |
And? | 0:04:43 | 0:04:45 | |
No sign of recent sexual activity. | 0:04:46 | 0:04:48 | |
Some prostitute. | 0:04:48 | 0:04:49 | |
No, no, no, no. It just means they hadn't got that far, that's all. | 0:04:49 | 0:04:54 | |
He's a bus conductor, sir. | 0:05:08 | 0:05:10 | |
Originally from Trinidad and Tobago. | 0:05:13 | 0:05:16 | |
Is your father home? | 0:05:21 | 0:05:22 | |
Thank you. | 0:05:26 | 0:05:27 | |
The wife? | 0:05:33 | 0:05:35 | |
-RAF. -Mmm. | 0:05:42 | 0:05:45 | |
Ambrose Kenny? | 0:05:57 | 0:05:59 | |
I'm Chief Inspector Gently. This is Detective Sergeant Bacchus. | 0:05:59 | 0:06:03 | |
You have a daughter named Dorothy, yes? | 0:06:04 | 0:06:08 | |
Dolores. | 0:06:08 | 0:06:09 | |
-I'm... -I'm afraid we've got some bad news. | 0:06:09 | 0:06:12 | |
She was found dead yesterday on some waste ground in Byker. | 0:06:13 | 0:06:18 | |
What happened? | 0:06:30 | 0:06:31 | |
We think she was killed by a blow to the head. | 0:06:31 | 0:06:35 | |
I would like to say how very sorry we are. | 0:06:38 | 0:06:40 | |
He didn't even know she name. | 0:06:43 | 0:06:45 | |
I... Sorry. | 0:06:47 | 0:06:49 | |
Is there anything that you can tell us | 0:06:51 | 0:06:54 | |
that might help explain the circumstances of Dolores's death? | 0:06:54 | 0:06:57 | |
She take she own life? | 0:06:57 | 0:06:58 | |
No. There's no suggestion of that. | 0:06:58 | 0:07:01 | |
Then let me call this thing by its name, no? | 0:07:01 | 0:07:04 | |
Murder. | 0:07:04 | 0:07:05 | |
Can you think of anybody who would have wanted to harm her? | 0:07:09 | 0:07:12 | |
Sorry, can I ask why you're laughing? | 0:07:15 | 0:07:17 | |
Perhaps it was one of the men who spat at her on the bus last week | 0:07:18 | 0:07:23 | |
and told her to get back to the jungle. | 0:07:23 | 0:07:26 | |
Or maybe the woman who wouldn't let her touch her washing | 0:07:26 | 0:07:28 | |
-in the launderette, or the kids... -Joseph! | 0:07:28 | 0:07:31 | |
Enough. | 0:07:33 | 0:07:34 | |
Someone specific. | 0:07:35 | 0:07:37 | |
No. | 0:07:38 | 0:07:39 | |
Did she have a boyfriend? | 0:07:41 | 0:07:42 | |
She was a good girl. | 0:07:42 | 0:07:45 | |
That's not what the sergeant asked. | 0:07:45 | 0:07:47 | |
No. | 0:07:47 | 0:07:49 | |
Where was she on Saturday night? All dressed up. | 0:07:51 | 0:07:54 | |
She was go dancing with a friend. | 0:07:54 | 0:07:56 | |
Is that what she told you? | 0:07:56 | 0:07:57 | |
Aye, because that's what she did. | 0:07:57 | 0:08:00 | |
What's the name of her friend? | 0:08:02 | 0:08:04 | |
Carol. | 0:08:04 | 0:08:05 | |
Carol Morford. | 0:08:06 | 0:08:07 | |
Them's work at the launderette together. | 0:08:09 | 0:08:12 | |
Them is like sisters. | 0:08:12 | 0:08:13 | |
Can we see Dolores's room? | 0:08:13 | 0:08:15 | |
I didn't know that there were coloureds in the RAF during the war. | 0:08:17 | 0:08:23 | |
What was he, do you reckon? | 0:08:25 | 0:08:27 | |
Ground crew, maybe? | 0:08:30 | 0:08:31 | |
He was a pilot. Wellington bomber. 90 missions over Germany. | 0:08:35 | 0:08:39 | |
Anything else you'd like to know? | 0:08:39 | 0:08:41 | |
A little more about your sister and her friend, Carol. | 0:08:41 | 0:08:43 | |
Where did they go dancing together? | 0:08:43 | 0:08:45 | |
They went to the Carlton. | 0:08:45 | 0:08:47 | |
The Carlton? Ballroom dancing? | 0:08:47 | 0:08:50 | |
For the all-nighters. | 0:08:50 | 0:08:52 | |
What? | 0:08:52 | 0:08:53 | |
Northern Soul. | 0:08:53 | 0:08:54 | |
Come again? | 0:08:56 | 0:08:57 | |
Is this Carol? | 0:08:57 | 0:08:58 | |
Dolores had a lot of money on her. Twenty quid. | 0:09:03 | 0:09:07 | |
Do you have any idea where that might have come from? | 0:09:07 | 0:09:10 | |
She'd been saving her wages to buy records. | 0:09:10 | 0:09:11 | |
They trade singles at the club. | 0:09:13 | 0:09:16 | |
You admired Dr King, I imagine? | 0:09:26 | 0:09:28 | |
Aye. We all did. | 0:09:28 | 0:09:30 | |
Yeah, me too. | 0:09:30 | 0:09:32 | |
The policeman who approves of civil disobedience? | 0:09:32 | 0:09:35 | |
A policeman who approves of non-violence. | 0:09:35 | 0:09:38 | |
We'll be in touch as soon as we have any information. | 0:09:41 | 0:09:44 | |
Try and get the name right next time. | 0:09:49 | 0:09:51 | |
There's more money in her drawer. | 0:09:52 | 0:09:55 | |
You don't get that working in a launderette, | 0:09:55 | 0:09:57 | |
selling records in a dance hall. Do you? | 0:09:57 | 0:10:00 | |
These all-night Northern Soul type things, sir. | 0:10:03 | 0:10:05 | |
They're not organised by the ballroom. They just hire it out. | 0:10:05 | 0:10:08 | |
Who to? | 0:10:08 | 0:10:10 | |
A bloke called Gary Watts. | 0:10:10 | 0:10:12 | |
All right. Let's have a word with him and then Dolores's friend Carol. | 0:10:12 | 0:10:15 | |
-I want to find out where Dolores was getting all this money from. -OK. | 0:10:15 | 0:10:19 | |
Maybe some of their tricks. | 0:10:19 | 0:10:20 | |
Where do I find this bloke Watts? | 0:10:20 | 0:10:22 | |
This is his head office, sir. | 0:10:22 | 0:10:23 | |
Very good. | 0:10:25 | 0:10:26 | |
There you go, love. | 0:10:29 | 0:10:30 | |
Thanks very much. It looks lovely. | 0:10:30 | 0:10:33 | |
Should keep the old man's strength up, eh? | 0:10:33 | 0:10:35 | |
-Thank you. -All right. -Bye. -Ta-ra. | 0:10:35 | 0:10:38 | |
Gary Watts? | 0:10:38 | 0:10:39 | |
I'd like to ask you a few questions | 0:10:41 | 0:10:42 | |
about a regular at your soul nights, Dolores Kenny? | 0:10:42 | 0:10:46 | |
She was found dead yesterday. | 0:10:46 | 0:10:49 | |
Shame. | 0:10:49 | 0:10:50 | |
She might have been at the Carlton on Saturday. Did you see her? | 0:10:50 | 0:10:54 | |
I've seen her about. Hard to miss, really. | 0:10:55 | 0:10:58 | |
Tell me about Northern Soul. | 0:11:01 | 0:11:03 | |
Well, we give them a kind of soul music they don't play anywhere else. | 0:11:04 | 0:11:08 | |
They come from all over the place. London, Scotland. | 0:11:08 | 0:11:11 | |
They're obsessed by it. Don't know why, like. | 0:11:11 | 0:11:13 | |
It's all like jigaboo to me, but there you go, they love it. | 0:11:13 | 0:11:16 | |
And it makes me money. | 0:11:16 | 0:11:17 | |
What about Carol Morford? | 0:11:17 | 0:11:20 | |
She might have been there. I don't know. | 0:11:20 | 0:11:22 | |
Her father told me that you and Dolores Kenny were close, | 0:11:24 | 0:11:28 | |
like sisters. | 0:11:28 | 0:11:29 | |
Ambrose looked out for us. | 0:11:31 | 0:11:33 | |
Me dad went back to Ireland | 0:11:33 | 0:11:35 | |
and me mam, well, she only had time for church, | 0:11:35 | 0:11:38 | |
so I spent a lot of time at their house. | 0:11:38 | 0:11:40 | |
Can you tell me what you remember about that Saturday night? | 0:11:42 | 0:11:45 | |
Just a normal night. | 0:11:47 | 0:11:49 | |
-Which was..? -Dancing. | 0:11:49 | 0:11:51 | |
Drinking? | 0:11:51 | 0:11:52 | |
No. No alcohol allowed. | 0:11:52 | 0:11:54 | |
She had quite a lot of money on her. Any idea where that came from? | 0:11:56 | 0:12:00 | |
I didn't realise Dolores was the criminal here. | 0:12:00 | 0:12:03 | |
I thought she was the victim. | 0:12:03 | 0:12:05 | |
Well, did she have a boyfriend? | 0:12:06 | 0:12:07 | |
Was she seeing anybody? | 0:12:09 | 0:12:10 | |
If I'm going to find out what happened to her, | 0:12:15 | 0:12:17 | |
I need to know what kind of person she was. | 0:12:17 | 0:12:20 | |
She was beautiful. | 0:12:20 | 0:12:23 | |
Inside and out. | 0:12:23 | 0:12:24 | |
Nothing from the door to door, guv. | 0:12:39 | 0:12:41 | |
What about the working girls? | 0:12:41 | 0:12:43 | |
Ah, well, the ones that are still awake at this time. | 0:12:43 | 0:12:45 | |
They've never heard of Dolores Kenny. | 0:12:45 | 0:12:47 | |
Mmm. | 0:12:47 | 0:12:48 | |
See, I think Dolores Kenny met her killer at this Northern, what is it? | 0:12:48 | 0:12:52 | |
Northern Soul. | 0:12:52 | 0:12:53 | |
Soul. They dance all night. | 0:12:53 | 0:12:55 | |
They're not allowed booze. So how do they keep going? | 0:12:55 | 0:12:58 | |
-Pills. -Exactly. | 0:12:58 | 0:12:59 | |
-Watts. -What? | 0:12:59 | 0:13:00 | |
-Gary Watts. The fishmonger. -What? | 0:13:00 | 0:13:02 | |
What's the name of the bloke we've been trying to put away for years? | 0:13:02 | 0:13:05 | |
You know. Protection, and money lending and that? | 0:13:05 | 0:13:07 | |
-You mean Bernie Watts? -Bernie Watts. How old's Gary? | 0:13:07 | 0:13:10 | |
-30-something. -Could be his son? | 0:13:10 | 0:13:13 | |
Yeah, OK. | 0:13:13 | 0:13:14 | |
He's been selling pills to his audience, right? | 0:13:14 | 0:13:16 | |
Maybe Dolores Kenny was working for him? | 0:13:16 | 0:13:18 | |
And that's how she got the money. Eh? | 0:13:18 | 0:13:21 | |
She's coloured, so she must be on the game. | 0:13:21 | 0:13:23 | |
She's got money, so she's selling drugs? | 0:13:23 | 0:13:26 | |
I thought it might flush somebody out. A trick, mebbies. | 0:14:16 | 0:14:20 | |
Joseph Kenny here to see you, sir. | 0:14:21 | 0:14:23 | |
Before you say it, let me... | 0:14:31 | 0:14:32 | |
This arrived, addressed to me dad. | 0:14:32 | 0:14:34 | |
Delivered by hand. | 0:14:34 | 0:14:35 | |
"Dear Mr Kenny. | 0:14:41 | 0:14:42 | |
"I'm so happy your wog daughter's dead. | 0:14:43 | 0:14:47 | |
"Now go back to where you came from." | 0:14:47 | 0:14:49 | |
Pay no attention to it, Joseph. | 0:14:49 | 0:14:51 | |
Somebody saw an opportunity to hurt you and your dad. | 0:14:51 | 0:14:53 | |
-Please don't let them. -Yeah... | 0:14:53 | 0:14:56 | |
Why should any of us trust any of you? | 0:14:56 | 0:14:58 | |
Sometimes I wonder. | 0:14:58 | 0:15:00 | |
Written on an Underwood. | 0:15:05 | 0:15:07 | |
On headed stationery? | 0:15:07 | 0:15:09 | |
Granthorn Social Club. | 0:15:09 | 0:15:10 | |
Whoever wrote it isn't exactly the brightest, is he? Huh? | 0:15:10 | 0:15:15 | |
You think it's the killer? "Come to this address and arrest us". | 0:15:15 | 0:15:19 | |
No, come on, guv. | 0:15:19 | 0:15:21 | |
Guv, it's a waste of time. | 0:15:21 | 0:15:22 | |
We should let them know how we feel about having our time wasted. | 0:15:22 | 0:15:25 | |
Do you recognise this stationery? | 0:15:27 | 0:15:29 | |
Aye, son. It's the club's letterhead. | 0:15:29 | 0:15:33 | |
-And who would have access to that? -Only me. | 0:15:33 | 0:15:36 | |
But that's nae good. It's out of date. | 0:15:37 | 0:15:39 | |
The committee's changed the lettering. Look, I'll show you. | 0:15:40 | 0:15:43 | |
What did you do with the old stationery? | 0:15:44 | 0:15:47 | |
Well, I didn't like to see nowt wasted. | 0:15:47 | 0:15:48 | |
But I think I left it at my old digs. | 0:15:48 | 0:15:52 | |
Yes, we had Alfred here for six months. | 0:16:16 | 0:16:19 | |
Wasn't ideal, but I felt sorry for the old gent. | 0:16:19 | 0:16:22 | |
I made sure he had most of his meals in his room. | 0:16:22 | 0:16:24 | |
Who's up there now? | 0:16:24 | 0:16:25 | |
Mr Tate, till next week. | 0:16:25 | 0:16:27 | |
I take in theatricals and they do tend to come and go. | 0:16:27 | 0:16:30 | |
Yes, we've had all the greats staying here over the years. | 0:16:30 | 0:16:33 | |
We've had Dickie Henderson, Jimmy Clitheroe, Frank Ifield. | 0:16:33 | 0:16:36 | |
I do wish he'd stop that yodelling though, don't you? | 0:16:36 | 0:16:39 | |
Is that you? Were you in the business? | 0:16:39 | 0:16:41 | |
Ten seasons at the Tivoli Theatre of Varieties. | 0:16:41 | 0:16:44 | |
When did Mr Tate move in? | 0:16:44 | 0:16:45 | |
Sunday. He's a regular. A vent. | 0:16:45 | 0:16:48 | |
Ventriloquist. | 0:16:48 | 0:16:49 | |
Who else is here this weekend? | 0:16:49 | 0:16:51 | |
Two Dundonians. Contortionists. | 0:16:51 | 0:16:54 | |
Incredible what they can achieve on a diet of black pudding and neat vodka. | 0:16:54 | 0:16:58 | |
Alfred said he left some belongings. | 0:17:03 | 0:17:05 | |
Oh? Such as? | 0:17:05 | 0:17:06 | |
Stationery. We're trying to trace a letter. | 0:17:06 | 0:17:08 | |
No. I can't say I recall anything like that. | 0:17:08 | 0:17:14 | |
Beautiful birds. How many you got? | 0:17:14 | 0:17:17 | |
Eight English budgies. Three American. | 0:17:17 | 0:17:19 | |
Pair of lovebirds, a parakeet and a cockatiel. | 0:17:19 | 0:17:22 | |
A parakeet and a cockatiel in the same cage? | 0:17:22 | 0:17:24 | |
Birds don't cross-breed. Not like people. | 0:17:24 | 0:17:29 | |
They're only attracted to their own species. | 0:17:29 | 0:17:32 | |
I thought the human race WAS one species? | 0:17:32 | 0:17:34 | |
Sorry I couldn't have been more help. | 0:17:35 | 0:17:37 | |
No. Not at all. Thanks for your time. | 0:17:37 | 0:17:40 | |
That your typewriter? | 0:17:42 | 0:17:44 | |
Yes. My father bought it for me, years ago. | 0:17:44 | 0:17:46 | |
It's just gathering dust now. | 0:17:46 | 0:17:48 | |
It's an Underwood, isn't it? | 0:17:48 | 0:17:49 | |
Yes. | 0:17:49 | 0:17:51 | |
Do you know the Kennys? | 0:18:00 | 0:18:01 | |
Can't say I do. No. | 0:18:03 | 0:18:05 | |
Why did you do it, Matilda? | 0:18:05 | 0:18:06 | |
-Do what? -Write that letter. | 0:18:06 | 0:18:08 | |
I didn't write any letter. | 0:18:08 | 0:18:09 | |
You've got a sign in the window saying no blacks. | 0:18:09 | 0:18:13 | |
Are you telling me you haven't noticed a coloured family two streets away? | 0:18:13 | 0:18:16 | |
On top of which, | 0:18:16 | 0:18:18 | |
you've got the same make of typewriter the letter was written on | 0:18:18 | 0:18:20 | |
and the same paper used on your noticeboard. | 0:18:20 | 0:18:24 | |
My only crime is to want things back the way they were. | 0:18:24 | 0:18:29 | |
Before all this immigration. | 0:18:29 | 0:18:31 | |
When you knew who your neighbour was. | 0:18:31 | 0:18:34 | |
Nowadays, look at us. Just like a nation of strangers. | 0:18:34 | 0:18:37 | |
When the Race Relations Bill passes, that sign there will be illegal. | 0:18:37 | 0:18:41 | |
So let me do you a favour. | 0:18:41 | 0:18:42 | |
If I find that you've been turning away coloured people, | 0:18:50 | 0:18:53 | |
I'll close you down. | 0:18:53 | 0:18:54 | |
Do we understand each other? | 0:18:54 | 0:18:56 | |
Ambrose Kenny. | 0:19:03 | 0:19:04 | |
What about him? | 0:19:04 | 0:19:05 | |
Why not him? | 0:19:05 | 0:19:06 | |
Your thinking behind that? | 0:19:06 | 0:19:08 | |
He found out she was on drugs. And he gave her a good old slap, no? | 0:19:08 | 0:19:11 | |
And he got carried away. | 0:19:11 | 0:19:13 | |
Dolores was found miles away from home, Ambrose hasn't got a car. | 0:19:13 | 0:19:18 | |
But she was only a mile away from the Carlton dance hall. | 0:19:18 | 0:19:21 | |
That's where we need to be. | 0:19:21 | 0:19:22 | |
Or, to be more specific, that's where YOU need to be. | 0:19:24 | 0:19:28 | |
MUSIC: "I'll Do A Little Bit More" by The Olympics | 0:19:30 | 0:19:34 | |
Priceless, isn't it? | 0:19:45 | 0:19:47 | |
Haven't you got a job to go to? | 0:19:54 | 0:19:55 | |
Sir. | 0:19:55 | 0:19:57 | |
Oi! Oi! | 0:19:57 | 0:19:59 | |
Are you laughing at me? Is he laughing at me? | 0:19:59 | 0:20:02 | |
No, no. | 0:20:02 | 0:20:03 | |
I want double time for this. | 0:20:03 | 0:20:04 | |
Oh, you'll need these. | 0:20:04 | 0:20:06 | |
What? You've got to take your own records? | 0:20:09 | 0:20:11 | |
They buy and sell them, remember. | 0:20:11 | 0:20:13 | |
Help make you look a bit more believable. | 0:20:13 | 0:20:16 | |
Or slightly less unbelievable. | 0:20:16 | 0:20:19 | |
Don't be a wallflower. | 0:20:23 | 0:20:24 | |
CHANTING: We want in! We want in! We want in! | 0:20:29 | 0:20:32 | |
We want in! We want in! We want in! | 0:20:32 | 0:20:35 | |
We want in... | 0:20:35 | 0:20:37 | |
MUSIC: "Seven Days Too Long" by Chuck Wood | 0:20:37 | 0:20:40 | |
# First time I called you girl | 0:20:40 | 0:20:42 | |
# They say you wasn't home | 0:20:42 | 0:20:44 | |
# Then the second time I tried it | 0:20:45 | 0:20:48 | |
# They say you won't be left alone | 0:20:48 | 0:20:50 | |
# We had a lot of quarrels, Yes we did | 0:20:52 | 0:20:55 | |
# Like all lovers do | 0:20:55 | 0:20:57 | |
# I'm ready to make up | 0:21:00 | 0:21:02 | |
# It's only left to you now | 0:21:02 | 0:21:06 | |
# Cos seven days is too long | 0:21:06 | 0:21:08 | |
# Without you, baby | 0:21:08 | 0:21:11 | |
# Come on back to me now | 0:21:11 | 0:21:13 | |
# Seven days is too long, girl | 0:21:13 | 0:21:17 | |
# Without you, baby | 0:21:17 | 0:21:19 | |
# Come on back to me | 0:21:19 | 0:21:21 | |
# I refuse to break up | 0:21:21 | 0:21:23 | |
# Because I'm alive | 0:21:23 | 0:21:25 | |
# Cos my love is too strong, girl | 0:21:27 | 0:21:30 | |
# Yes, it is | 0:21:30 | 0:21:32 | |
# To let it down | 0:21:32 | 0:21:33 | |
# Let's sort this problem | 0:21:34 | 0:21:37 | |
# Cos I see the danger sign, you know | 0:21:38 | 0:21:40 | |
# It's written on your face | 0:21:42 | 0:21:44 | |
# Just as well as mine | 0:21:44 | 0:21:47 | |
# Cos seven days is too long | 0:21:47 | 0:21:51 | |
# Without you, baby | 0:21:51 | 0:21:53 | |
# Come on back to me now | 0:21:53 | 0:21:55 | |
# Seven days is too long | 0:21:55 | 0:21:58 | |
# Without you, baby | 0:21:58 | 0:22:00 | |
# Come on back to me | 0:22:00 | 0:22:03 | |
# Let's stop playing, girl | 0:22:03 | 0:22:05 | |
# I need to go to sleep | 0:22:05 | 0:22:07 | |
# I can't stand Being without you, baby | 0:22:09 | 0:22:12 | |
# Another week | 0:22:12 | 0:22:14 | |
# You got me so I can't even concentrate | 0:22:16 | 0:22:21 | |
# You know good things come | 0:22:23 | 0:22:25 | |
# I say, good things come To those who wait | 0:22:25 | 0:22:29 | |
# Well, I can't wait no longer | 0:22:29 | 0:22:31 | |
# Listen to me, baby, because | 0:22:31 | 0:22:34 | |
# Seven days is too long | 0:22:34 | 0:22:36 | |
# Without you, baby | 0:22:36 | 0:22:38 | |
# Come on back to me | 0:22:38 | 0:22:41 | |
# Seven days is too long | 0:22:41 | 0:22:43 | |
# Without you, baby | 0:22:43 | 0:22:45 | |
# Come on back to me | 0:22:45 | 0:22:47 | |
# Seven days is too long | 0:22:47 | 0:22:50 | |
# Without you, baby... # | 0:22:50 | 0:22:52 | |
The pathologist's full report, sir. | 0:22:52 | 0:22:54 | |
MUSIC: "Sweet Was The Love" by The Four Tops | 0:23:11 | 0:23:13 | |
What you got, pet? | 0:23:17 | 0:23:19 | |
Orangeade, or orangeade. | 0:23:19 | 0:23:22 | |
Orangeade then, please. | 0:23:24 | 0:23:25 | |
Thank you. | 0:23:26 | 0:23:27 | |
Do you want to deal, mate? | 0:23:31 | 0:23:32 | |
-What? -Do you want to deal? | 0:23:32 | 0:23:34 | |
-No. -OK. | 0:23:36 | 0:23:37 | |
Hello, pet. | 0:23:54 | 0:23:55 | |
-Want to buy a single? -Nah. You're all right, thanks. | 0:23:57 | 0:23:59 | |
I'd ask you to dance but I've twisted me ankle. | 0:24:01 | 0:24:03 | |
-You're in luck. I'm not in the mood. -Oh, aye? Why's that? | 0:24:03 | 0:24:06 | |
Just. | 0:24:06 | 0:24:07 | |
Here you are, look. "Born A Loser". It's my theme tune, that. Go on. Make an offer. | 0:24:10 | 0:24:13 | |
10 bob. | 0:24:13 | 0:24:15 | |
Sold. | 0:24:15 | 0:24:16 | |
I'm just kidding. You get 15 quid for that. | 0:24:16 | 0:24:18 | |
Really? | 0:24:18 | 0:24:20 | |
Yeah. No, it's worth it to get to talk to you. | 0:24:20 | 0:24:25 | |
My name's Jim. | 0:24:27 | 0:24:30 | |
Carol. | 0:24:30 | 0:24:31 | |
I've not seen you here before. | 0:24:33 | 0:24:35 | |
I've just moved back up from Leeds. | 0:24:35 | 0:24:38 | |
You like Don Ray then? | 0:24:38 | 0:24:39 | |
Yeah. I prefer Frank Wilson. | 0:24:39 | 0:24:43 | |
Do I Love You? | 0:24:43 | 0:24:45 | |
Indeed I Do. | 0:24:45 | 0:24:46 | |
It's my friend's favourite. | 0:24:46 | 0:24:48 | |
Is it? | 0:24:48 | 0:24:49 | |
Well, it was nice to meet you, Jim. | 0:24:58 | 0:25:01 | |
Right. | 0:25:01 | 0:25:03 | |
Charlie, I need to speak to you... | 0:25:03 | 0:25:05 | |
Charlie! | 0:25:07 | 0:25:09 | |
There is something I need to tell you, Mr Kenny. | 0:25:18 | 0:25:20 | |
Ambrose, please. | 0:25:20 | 0:25:22 | |
Ambrose. | 0:25:22 | 0:25:23 | |
Your daughter was three months pregnant when she died. | 0:25:25 | 0:25:28 | |
You didn't know. | 0:25:34 | 0:25:36 | |
Any idea who the father might be? | 0:25:46 | 0:25:48 | |
You didn't know this? | 0:25:54 | 0:25:55 | |
So she did have a relationship. Despite what you said last time. | 0:25:58 | 0:26:02 | |
What are you reading this for? Put it away. | 0:26:04 | 0:26:07 | |
You will learn nothing but hate from these men. | 0:26:07 | 0:26:10 | |
They'll make things worse, not better. We must change the way people see us. | 0:26:10 | 0:26:13 | |
Is that why you're drinking yourself to sleep every night? Hmmm? | 0:26:13 | 0:26:18 | |
-Do you think you'll wake up white? -You see these Black Panthers? | 0:26:18 | 0:26:20 | |
They have all the questions and none of the answers. | 0:26:20 | 0:26:23 | |
They want to build a black nation for black people. | 0:26:23 | 0:26:25 | |
-As Dr King said... -Dr King is dead. | 0:26:25 | 0:26:28 | |
We need to become the masters of our own destiny. | 0:26:28 | 0:26:30 | |
Look, some may not like it but we are a part of this country. | 0:26:30 | 0:26:33 | |
No, we're not. | 0:26:33 | 0:26:34 | |
And if we don't help ourselves, who will? Him? | 0:26:34 | 0:26:36 | |
This man is a guest in our house. | 0:26:36 | 0:26:39 | |
-A guest is someone you invite. -Enough! | 0:26:39 | 0:26:41 | |
They're going to let the man who killed your daughter walk away, | 0:26:43 | 0:26:46 | |
and you're just going to stand there and do nothing. | 0:26:46 | 0:26:49 | |
You never fought for anything in your life, did you? | 0:26:53 | 0:26:55 | |
You even let your own wife walk away without a fight. | 0:26:57 | 0:26:59 | |
MUSIC: "Green Door" by Wynder K Frog | 0:27:06 | 0:27:09 | |
Oi. | 0:27:13 | 0:27:14 | |
Don't take the micky, bonny lad. Cos I'll cave your face in. | 0:27:17 | 0:27:20 | |
What are you looking at? | 0:27:34 | 0:27:36 | |
Ah, nothing. Just... | 0:27:36 | 0:27:38 | |
I wouldn't mind a few of them myself, actually. | 0:27:42 | 0:27:44 | |
A few of what? | 0:27:44 | 0:27:46 | |
You know, the um... | 0:27:46 | 0:27:48 | |
No bother. | 0:27:49 | 0:27:50 | |
You just enjoy the music. | 0:27:53 | 0:27:55 | |
All right. No offence. | 0:27:57 | 0:27:58 | |
MUSIC: "Tighten Up" by Archie Bell And The Drells | 0:28:07 | 0:28:09 | |
# Hi, everybody | 0:28:09 | 0:28:10 | |
# I'm Archie Bell of the Drells | 0:28:10 | 0:28:12 | |
# From Houston, Texas | 0:28:12 | 0:28:14 | |
# We don't only sing but we dance | 0:28:14 | 0:28:16 | |
# Just as good as we walk. # | 0:28:16 | 0:28:18 | |
Y'all right? | 0:28:18 | 0:28:19 | |
All right? | 0:28:19 | 0:28:20 | |
Do you mind if I have a look? | 0:28:20 | 0:28:22 | |
Yeah. | 0:28:23 | 0:28:24 | |
Thanks. | 0:28:24 | 0:28:26 | |
Ah, you got some good 'uns here. | 0:28:29 | 0:28:31 | |
One of them cost 15 quid. | 0:28:31 | 0:28:33 | |
15 quid! Which one's that? | 0:28:33 | 0:28:35 | |
The Contours. Just A Little Misunderstanding. | 0:28:35 | 0:28:37 | |
Original label. | 0:28:39 | 0:28:40 | |
I'd have that round me neck if I were you. | 0:28:40 | 0:28:42 | |
It's a bit of a funny atmosphere tonight, don't you think? | 0:28:43 | 0:28:46 | |
Suppose. | 0:28:46 | 0:28:48 | |
Yeah. | 0:28:49 | 0:28:51 | |
There was that girl that was found dead last Saturday, | 0:28:51 | 0:28:54 | |
about a mile away. | 0:28:54 | 0:28:55 | |
Hey. Leave them. | 0:29:06 | 0:29:09 | |
Hey. | 0:29:13 | 0:29:14 | |
Your wages. Ten bob. | 0:29:17 | 0:29:20 | |
Well, darkie'll do it for half price. | 0:29:23 | 0:29:25 | |
No. I said leave them! | 0:29:25 | 0:29:26 | |
Charlie. | 0:29:26 | 0:29:27 | |
It's just monkey music, yeah? | 0:29:29 | 0:29:32 | |
Relax. Eh? | 0:29:32 | 0:29:34 | |
I don't want your pills. | 0:29:37 | 0:29:38 | |
What have I told you?! | 0:29:41 | 0:29:42 | |
-Hey! Leave him. -Get off, man! | 0:29:46 | 0:29:48 | |
Hey. All right, All right. I don't want any trouble. | 0:29:48 | 0:29:52 | |
-Just leave him alone. -Friend of his? | 0:29:52 | 0:29:55 | |
No. | 0:29:55 | 0:29:56 | |
She's gone, little brother. | 0:30:05 | 0:30:07 | |
Gone. | 0:30:07 | 0:30:09 | |
Life goes on. | 0:30:13 | 0:30:14 | |
Thanks. You shouldn't have got involved. | 0:30:33 | 0:30:35 | |
No bother. | 0:30:35 | 0:30:37 | |
What was it all about? | 0:30:37 | 0:30:39 | |
They work for me dad. | 0:30:39 | 0:30:41 | |
He's happy to see Gary cash in on Philly Soul, | 0:30:41 | 0:30:43 | |
you're just not supposed to enjoy it. | 0:30:43 | 0:30:45 | |
Charlie Watts. | 0:30:50 | 0:30:51 | |
Jim. Jim Thomas. | 0:30:51 | 0:30:53 | |
Is Gary your brother? | 0:30:56 | 0:30:57 | |
Yeah. | 0:30:59 | 0:31:00 | |
Hey, who was the lass in the green dress? | 0:31:01 | 0:31:05 | |
Carol? | 0:31:06 | 0:31:07 | |
Aye, Carol. | 0:31:07 | 0:31:09 | |
Do you fancy her? | 0:31:09 | 0:31:12 | |
Ah, no. Not if she's yours I don't. | 0:31:12 | 0:31:14 | |
You all right? | 0:31:18 | 0:31:20 | |
Yeah. | 0:31:20 | 0:31:22 | |
Yeah, it's nothing. | 0:31:24 | 0:31:26 | |
So how do you know Carol then? | 0:31:29 | 0:31:31 | |
I was going out with her best mate. | 0:31:32 | 0:31:34 | |
Dolores. | 0:31:36 | 0:31:37 | |
My dad didn't like it. | 0:31:39 | 0:31:40 | |
If he calmed down a bit, he'd be a Nazi. | 0:31:44 | 0:31:46 | |
Oh, I see. | 0:31:46 | 0:31:48 | |
My brother's the same. | 0:31:48 | 0:31:50 | |
Can I ask, was Dolores the girl that..? | 0:31:51 | 0:31:54 | |
You know... | 0:31:54 | 0:31:56 | |
Why do you keep asking about her? | 0:32:00 | 0:32:03 | |
No reason, no reason. | 0:32:04 | 0:32:05 | |
Sorry. | 0:32:07 | 0:32:08 | |
I could do with a drink, I think. Orangeade. | 0:32:11 | 0:32:15 | |
Do you want one? | 0:32:16 | 0:32:17 | |
No. I'll just stay here. | 0:32:19 | 0:32:21 | |
All right. | 0:32:21 | 0:32:22 | |
PHONE RINGS | 0:32:24 | 0:32:29 | |
Hello? | 0:32:31 | 0:32:32 | |
Gary Watts is dealing, I've just met him. | 0:32:32 | 0:32:36 | |
Aye, he's a lovely fella. | 0:32:36 | 0:32:38 | |
Hey, guess what? You'll like this. | 0:32:38 | 0:32:41 | |
It's a family affair. Dolores had a boyfriend. | 0:32:41 | 0:32:44 | |
Gary's brother, Charlie. | 0:32:46 | 0:32:48 | |
-She was seeing Bernie Watts' son? -'Aye.' | 0:32:48 | 0:32:50 | |
'Well done, John. So what happens...?' | 0:32:52 | 0:32:55 | |
Hey. You're not away are you, pet? I was hoping for a dance. | 0:33:02 | 0:33:05 | |
I thought you twisted your ankle? | 0:33:05 | 0:33:07 | |
Mebbies a slow one, then. | 0:33:07 | 0:33:08 | |
Sorry. You've caught us on a bad night. | 0:33:10 | 0:33:12 | |
That's what they all say. | 0:33:14 | 0:33:17 | |
I was hoping I might have impressed you the way | 0:33:17 | 0:33:19 | |
I smacked the side of my face into that bloke's forehead. | 0:33:19 | 0:33:21 | |
-Wasn't expecting that, was he? -No, he wasn't. | 0:33:23 | 0:33:25 | |
You had him up against the ropes right enough. | 0:33:25 | 0:33:28 | |
Aye. That's what I thought. Terrified, he was. | 0:33:28 | 0:33:31 | |
-No, I better go. -Ah, go on. | 0:33:33 | 0:33:36 | |
Just the one. I promise I won't try any funny business. | 0:33:37 | 0:33:40 | |
Well, then, I'm definitely off. | 0:33:40 | 0:33:42 | |
Think of me as one of those blokes back from the trenches. You know. | 0:33:42 | 0:33:46 | |
It's your duty. | 0:33:49 | 0:33:51 | |
MUSIC: "Heaven Must Have Sent You" by The Elgins | 0:33:51 | 0:33:54 | |
# I've cried through Many endless nights | 0:34:02 | 0:34:05 | |
# Just holding my pillow tight | 0:34:05 | 0:34:09 | |
# Then you came into my lonely days | 0:34:09 | 0:34:11 | |
# With your tender love And sweet ways... # | 0:34:12 | 0:34:16 | |
You all right? Looks like you've been crying. | 0:34:16 | 0:34:19 | |
I'm just upset about my friend Dolores. | 0:34:19 | 0:34:22 | |
Ah. Is that the girl that was found the other night? | 0:34:23 | 0:34:26 | |
Aye. | 0:34:27 | 0:34:28 | |
I'm sorry. | 0:34:31 | 0:34:33 | |
Was she a good friend? | 0:34:33 | 0:34:34 | |
The best. | 0:34:34 | 0:34:36 | |
Can I ask? | 0:34:38 | 0:34:40 | |
Do you not feel scared about coming back after what happened? | 0:34:40 | 0:34:43 | |
Why would I be? | 0:34:43 | 0:34:45 | |
Nobody here would have harmed Dolores. | 0:34:46 | 0:34:48 | |
They don't care about the colour of your skin. | 0:34:48 | 0:34:51 | |
Most of their heroes are black. | 0:34:51 | 0:34:53 | |
No, it couldn't have been one of the regulars, no way. | 0:34:53 | 0:34:56 | |
Mebbies it wasn't a regular. | 0:34:57 | 0:34:58 | |
Like you, you mean? | 0:35:00 | 0:35:01 | |
I'm joking. | 0:35:04 | 0:35:05 | |
No. Dolores wouldn't have wanted me to stop coming here. | 0:35:07 | 0:35:11 | |
This place meant the world to us. | 0:35:11 | 0:35:13 | |
You're a much better dancer than I thought you'd be. | 0:35:18 | 0:35:21 | |
For a cripple. | 0:35:21 | 0:35:22 | |
Do you want to go somewhere quiet? | 0:35:26 | 0:35:28 | |
All right. | 0:35:29 | 0:35:31 | |
MUSIC: "Going to Send You Back To Georgia" by James Carr | 0:35:34 | 0:35:37 | |
This place made Dolores forget about her boring job, | 0:35:40 | 0:35:43 | |
her dad, about everything. | 0:35:43 | 0:35:44 | |
Her dad? | 0:35:44 | 0:35:45 | |
Aye. He didn't like her seeing lads. | 0:35:45 | 0:35:47 | |
We had this mad dream about going to America. | 0:35:50 | 0:35:53 | |
To the clubs in Philadelphia and Detroit. | 0:35:53 | 0:35:55 | |
She thought she'd meet some big record producer. | 0:35:55 | 0:35:58 | |
She could sing, you see. She could sing like Aretha. | 0:35:58 | 0:36:01 | |
What about you? Can you sing? | 0:36:01 | 0:36:03 | |
Not like Dolores. | 0:36:03 | 0:36:05 | |
No. I was going to be her manager. | 0:36:05 | 0:36:07 | |
We'd nearly saved up enough. | 0:36:10 | 0:36:12 | |
Did her dad know about that? | 0:36:14 | 0:36:15 | |
Oh, no. He'd have gone nuts. | 0:36:15 | 0:36:18 | |
So, what do you think happened to her? | 0:36:26 | 0:36:28 | |
I wish I knew. | 0:36:29 | 0:36:31 | |
Have the coppers seen you? | 0:36:31 | 0:36:33 | |
She's just another wog to the cops. | 0:36:33 | 0:36:35 | |
You should hear some of the names they call us. | 0:36:35 | 0:36:37 | |
Which way you going? | 0:36:51 | 0:36:53 | |
This way. | 0:36:53 | 0:36:54 | |
-I'll give you a lift if you like? -Oh, no, it's all right. I'm going for a swim. | 0:36:54 | 0:36:57 | |
A quick dip and a cup of coffee and I'm ready to face the world. | 0:36:57 | 0:37:00 | |
-All right, see you later. -See you. | 0:37:02 | 0:37:04 | |
Want to keep us company? | 0:37:07 | 0:37:09 | |
I don't usually carry me trunks with us. | 0:37:11 | 0:37:14 | |
You can hire them at the baths. | 0:37:14 | 0:37:15 | |
Aye, all right. | 0:37:15 | 0:37:17 | |
Selling scrap, mate? | 0:37:46 | 0:37:47 | |
Bernie Watts around? | 0:37:47 | 0:37:49 | |
I never met the lass. | 0:37:59 | 0:38:01 | |
I can't say I'm glad she's dead, | 0:38:01 | 0:38:03 | |
but I am glad Charlie isn't going to end up with her. | 0:38:03 | 0:38:05 | |
I told him it's all right for a bit of fun | 0:38:06 | 0:38:08 | |
but you don't want to be bringing one home. | 0:38:08 | 0:38:10 | |
Did he listen to you? | 0:38:11 | 0:38:13 | |
Well, they finished a while back. So yeah, I think he did. He's a good boy really. | 0:38:13 | 0:38:16 | |
She was pregnant. | 0:38:16 | 0:38:19 | |
You think my lad had summat to do with that? | 0:38:19 | 0:38:21 | |
You know what they're like. She was probably putting it about all over. | 0:38:21 | 0:38:24 | |
We need to stop this Race Relations Bill and end immigration. | 0:38:24 | 0:38:28 | |
Half the world thinks they're British. | 0:38:28 | 0:38:31 | |
-Where were you Saturday night? -You think I killed her? | 0:38:31 | 0:38:34 | |
I'm a businessman. | 0:38:35 | 0:38:36 | |
My personal feelings come second to my desire to make money. | 0:38:36 | 0:38:40 | |
A desire shared by your other son Gary. | 0:38:40 | 0:38:43 | |
The one who sells drugs to the dancers. | 0:38:43 | 0:38:46 | |
Now, you might as well be talking Swahili, Inspector. | 0:38:46 | 0:38:49 | |
-Where were you Saturday night? -I was here. | 0:38:49 | 0:38:51 | |
Anybody with you? | 0:38:53 | 0:38:55 | |
Tell the Inspector where you were last Saturday. | 0:38:55 | 0:38:58 | |
Having a few pints with you, Bernie. | 0:38:58 | 0:38:59 | |
MUSIC: Let's Get It On by Marvin Gaye | 0:39:02 | 0:39:05 | |
Not sure about these trunks. I don't know where they've been. | 0:39:10 | 0:39:13 | |
Jump in, the water's lovely! | 0:39:13 | 0:39:15 | |
-It's like the North Pole in there. -Don't be such a big jessie! | 0:39:15 | 0:39:18 | |
# Let's get it on | 0:39:27 | 0:39:28 | |
# Let's get it on | 0:39:32 | 0:39:34 | |
# Let's love, baby | 0:39:35 | 0:39:37 | |
# Let's get it on | 0:39:39 | 0:39:42 | |
# Sugar, let's get it on... # | 0:39:42 | 0:39:46 | |
Me and Dolores used to come here every morning after an all-nighter. | 0:39:49 | 0:39:53 | |
With Charlie? | 0:39:53 | 0:39:55 | |
Aye. | 0:39:55 | 0:39:57 | |
And Gary? | 0:39:57 | 0:39:58 | |
No. | 0:39:58 | 0:40:00 | |
Well, yeah, sometimes, but he'd just sit and watch. | 0:40:00 | 0:40:03 | |
He always gave me the creeps. | 0:40:03 | 0:40:06 | |
Charlie said we'd never get the smell of the fish | 0:40:06 | 0:40:08 | |
out of the water if he did come in. | 0:40:08 | 0:40:10 | |
He used to give him carbolic soap for his birthday! | 0:40:10 | 0:40:13 | |
Gary sells fish. | 0:40:14 | 0:40:16 | |
He's got sole, just the wrong kind. | 0:40:16 | 0:40:18 | |
# Giving yourself to me | 0:40:25 | 0:40:28 | |
# Can never be wrong... # | 0:40:28 | 0:40:30 | |
WHISTLE | 0:40:30 | 0:40:33 | |
Oi! | 0:40:33 | 0:40:34 | |
I'd better go. | 0:40:37 | 0:40:39 | |
I'll come with you. | 0:40:39 | 0:40:41 | |
No, you're all right. You finish your swim. | 0:40:41 | 0:40:43 | |
Will I see you next week at the club? | 0:40:48 | 0:40:49 | |
Maybe. | 0:40:51 | 0:40:52 | |
What time do you call this? | 0:41:03 | 0:41:04 | |
I've been for a dip with Carol. | 0:41:05 | 0:41:08 | |
Dolores's mate. | 0:41:08 | 0:41:10 | |
That's what they do, they go swimming after. | 0:41:10 | 0:41:12 | |
You know, they know how to have a good time down there. | 0:41:12 | 0:41:17 | |
I could really, really get into that Philly Soul. It's amazing. | 0:41:17 | 0:41:20 | |
Well, I'm glad you enjoyed yourself. What's the... | 0:41:20 | 0:41:22 | |
Don't worry. It was just a bit of a scuffle. | 0:41:22 | 0:41:24 | |
So, you feel like telling me what else you found out? | 0:41:24 | 0:41:27 | |
Yes, sorry. Gary Watts. | 0:41:27 | 0:41:30 | |
Uses carbolic soap to get rid of the smell of fish off his hands. | 0:41:30 | 0:41:33 | |
Yeah, you sure? | 0:41:33 | 0:41:34 | |
Aye, positive. Yeah. Is that how the soap got on her neck? | 0:41:34 | 0:41:37 | |
Cos he had a thing for her. | 0:41:37 | 0:41:39 | |
What? Gary got her pregnant? Gary, who thinks it's all jigaboo music? | 0:41:39 | 0:41:43 | |
Well, Carol says that he was always hanging round her, even though | 0:41:43 | 0:41:45 | |
it was his brother Charlie that was going out with her. | 0:41:45 | 0:41:48 | |
Yeah, well, like you said, it's a family affair. What else? | 0:41:48 | 0:41:51 | |
Oh, er... | 0:41:51 | 0:41:53 | |
Carol said that Dolores and her had enough money | 0:41:53 | 0:41:55 | |
to get them both to America. | 0:41:55 | 0:41:57 | |
Money coming from where, do you think? | 0:41:57 | 0:41:59 | |
Don't know, she didn't say. | 0:41:59 | 0:42:01 | |
She doesn't go all the way on a first date then. | 0:42:01 | 0:42:03 | |
Is she selling drugs for Gary? | 0:42:05 | 0:42:06 | |
No. Not Carol. | 0:42:06 | 0:42:08 | |
-Not Carol? -No, no definitely not, no. | 0:42:08 | 0:42:12 | |
Dolores, she was in the driving seat. | 0:42:12 | 0:42:15 | |
Oh, and it turns out that Bernie Watts wasn't the only person | 0:42:15 | 0:42:19 | |
who didn't approve of Charlie and Dolores's, you know... | 0:42:19 | 0:42:23 | |
Carol says that Ambrose wasn't too happy about her seeing any lads. | 0:42:23 | 0:42:29 | |
He lied to us. | 0:42:31 | 0:42:32 | |
Point taken. | 0:42:32 | 0:42:34 | |
Thank you. | 0:42:34 | 0:42:36 | |
Get Gary and Charlie in. Gary first. | 0:42:36 | 0:42:38 | |
I know you've been dealing at the club. I've got a witness. | 0:42:40 | 0:42:42 | |
Were you working for your dad? | 0:42:42 | 0:42:45 | |
No. | 0:42:45 | 0:42:46 | |
I also pulled your file. | 0:42:47 | 0:42:49 | |
Seems you've got a bit of a nasty streak, Gary. | 0:42:50 | 0:42:54 | |
Two convictions for assault. | 0:42:54 | 0:42:55 | |
Dishonourably discharged from the army for attacking an officer. | 0:42:55 | 0:43:01 | |
Anything else I should know about? | 0:43:02 | 0:43:04 | |
Did you know that Dolores was pregnant? | 0:43:07 | 0:43:08 | |
You had a thing for her, didn't you? | 0:43:10 | 0:43:12 | |
I'm married. Now why would I be shagging her? | 0:43:12 | 0:43:16 | |
As your dad says, as long as you don't bring them home. | 0:43:16 | 0:43:19 | |
You use carbolic to get rid of the smell of the fish, don't you? | 0:43:20 | 0:43:25 | |
Who's telling you all this rubbish, eh? | 0:43:26 | 0:43:28 | |
Do you or don't you? | 0:43:28 | 0:43:29 | |
So? | 0:43:29 | 0:43:31 | |
Traces of the same soap were found on Dolores. On her neck. | 0:43:31 | 0:43:34 | |
Well, maybe she used it as well. | 0:43:34 | 0:43:36 | |
No. Girls usually prefer something scented. | 0:43:36 | 0:43:39 | |
Maybe she couldn't afford Yardley's. | 0:43:39 | 0:43:42 | |
Were you seeing Dolores? | 0:43:42 | 0:43:44 | |
No chance. The name's Gary, not Charlie. | 0:43:44 | 0:43:47 | |
What else were you doing for your father apart from selling drugs? | 0:43:47 | 0:43:51 | |
Getting rid of unwanted girlfriends? | 0:43:52 | 0:43:55 | |
You'd better start telling me the truth about you and Dolores | 0:43:56 | 0:44:00 | |
or I'll do you for drug dealing right now. | 0:44:00 | 0:44:02 | |
I might have touched her neck. | 0:44:03 | 0:44:04 | |
You might have touched her neck? | 0:44:04 | 0:44:06 | |
-When she kissed me. -When did this happen? | 0:44:06 | 0:44:08 | |
Outside the club. | 0:44:08 | 0:44:09 | |
You left with her? | 0:44:09 | 0:44:11 | |
She was upset. | 0:44:11 | 0:44:12 | |
She'd had an argument or summat with Charlie. | 0:44:13 | 0:44:16 | |
I went to see if she was all right. | 0:44:16 | 0:44:18 | |
We kissed goodnight and I went back inside the club. | 0:44:18 | 0:44:21 | |
How long were you gone? | 0:44:21 | 0:44:22 | |
Five minutes. | 0:44:22 | 0:44:24 | |
'He's lying. He fancied her.' | 0:44:25 | 0:44:28 | |
He's got a face like a butcher's chopping block. It's jealousy. | 0:44:28 | 0:44:31 | |
Good-looking Charlie got her instead. | 0:44:31 | 0:44:33 | |
So he smashed her skull in, stuck her in the back of the van, | 0:44:33 | 0:44:36 | |
went back to the club, dumped her later. | 0:44:36 | 0:44:38 | |
And what happened to your theory about Ambrose? | 0:44:38 | 0:44:41 | |
-Sir. -What? | 0:44:41 | 0:44:42 | |
Charlie Watts is here. | 0:44:42 | 0:44:43 | |
All right. Get a search warrant for Gary's fish van. | 0:44:43 | 0:44:46 | |
And speak to Carol again. | 0:44:46 | 0:44:47 | |
I need to know who was the father of Dolores's baby. | 0:44:47 | 0:44:49 | |
Surely she told her best friend? | 0:44:49 | 0:44:51 | |
And if not, why not? | 0:44:51 | 0:44:52 | |
I need to know what's going on between the four of them. | 0:44:52 | 0:44:55 | |
I'll sleep when I'm dead, shall I? | 0:44:57 | 0:44:59 | |
How did you feel about being a dad, Charlie? | 0:44:59 | 0:45:01 | |
Not thrilled? | 0:45:03 | 0:45:04 | |
Is that what you and Dolores fought about the night she died? | 0:45:07 | 0:45:10 | |
You have a clear motive for killing her. | 0:45:13 | 0:45:17 | |
What motive? | 0:45:17 | 0:45:18 | |
Jealousy. I've seen it send men to the gallows. | 0:45:18 | 0:45:22 | |
Gary kissed her the night she died. But you knew that, didn't you? | 0:45:24 | 0:45:30 | |
Did she get bored with you and then move on to your big brother? | 0:45:30 | 0:45:33 | |
He told me he was having her. | 0:46:00 | 0:46:02 | |
Oh? | 0:46:02 | 0:46:03 | |
Is that what the row was about? She left. | 0:46:05 | 0:46:07 | |
Gary went after her to comfort her? | 0:46:07 | 0:46:10 | |
You saw them kissing. You waited for Gary to leave. | 0:46:10 | 0:46:13 | |
Did you kill her, Charlie? | 0:46:14 | 0:46:16 | |
No. | 0:46:16 | 0:46:17 | |
I didn't. | 0:46:19 | 0:46:20 | |
Hello? | 0:46:34 | 0:46:36 | |
What are you doing here? | 0:46:36 | 0:46:37 | |
Looking for you. | 0:46:37 | 0:46:39 | |
How'd you know I worked here? | 0:46:39 | 0:46:40 | |
I asked around. | 0:46:40 | 0:46:42 | |
You're keen. | 0:46:43 | 0:46:44 | |
I couldn't wait till the next all-nighter. I wanted to see you. | 0:46:44 | 0:46:47 | |
Can I take you for lunch? | 0:46:48 | 0:46:50 | |
I've already got my lunch. | 0:46:50 | 0:46:52 | |
I can do better than a soggy cheese sandwich. | 0:46:52 | 0:46:54 | |
Soggy cheese sandwich and chips. | 0:46:54 | 0:46:56 | |
Were you aware that Dolores was saving up to leave for America? | 0:46:57 | 0:47:01 | |
I found this in she room. She said she'd saved it from she wages. | 0:47:04 | 0:47:09 | |
Well, she might have got it selling drugs at the club. | 0:47:09 | 0:47:12 | |
Did she ever mention a Gary Watts? | 0:47:13 | 0:47:15 | |
Do you think he killed her? | 0:47:15 | 0:47:17 | |
That is the father of the child? | 0:47:17 | 0:47:19 | |
We don't know. But she did have another boyfriend. | 0:47:19 | 0:47:23 | |
Charlie Watts. His brother. | 0:47:23 | 0:47:26 | |
But surely you knew that, didn't you, Ambrose? | 0:47:26 | 0:47:28 | |
I don't know anything. | 0:47:28 | 0:47:30 | |
Come on, Ambrose. | 0:47:30 | 0:47:31 | |
You've got a daughter who seems to have two white boyfriends. Brothers. | 0:47:31 | 0:47:35 | |
Whose father, Bernie Watts, | 0:47:35 | 0:47:37 | |
is one of the worst racialist bigots in the country. | 0:47:37 | 0:47:40 | |
Plus she might have been in with them selling drugs. | 0:47:40 | 0:47:44 | |
And you say you didn't know? | 0:47:44 | 0:47:46 | |
Here you are, cheese and onion toastie. | 0:47:54 | 0:47:56 | |
Don't say I don't spoil you. | 0:47:56 | 0:47:58 | |
Where's my chips? | 0:47:58 | 0:48:00 | |
They don't do chips, sorry about that. Beer's got a head on it, though. | 0:48:00 | 0:48:03 | |
Ooh. You really know how to sweep a girl off her feet, don't you? | 0:48:03 | 0:48:06 | |
If you play your cards right I'll take you to the burger van in King Street next time. | 0:48:06 | 0:48:10 | |
So you're not working today? | 0:48:12 | 0:48:15 | |
No, no I got a day off. | 0:48:15 | 0:48:17 | |
I'm in the building trade. | 0:48:17 | 0:48:18 | |
Only work when it's sunny. | 0:48:18 | 0:48:20 | |
That's why I moved back to the north east. I'm a lazy bugger. | 0:48:20 | 0:48:24 | |
Right. | 0:48:24 | 0:48:25 | |
Mmmm... | 0:48:27 | 0:48:29 | |
Your toastie's getting cold. | 0:48:30 | 0:48:32 | |
I'm not really hungry. | 0:48:32 | 0:48:34 | |
Not had much of an appetite since Dolores was killed. | 0:48:34 | 0:48:37 | |
Do they have any idea who did it yet? | 0:48:42 | 0:48:44 | |
No, not that I've heard. | 0:48:44 | 0:48:47 | |
Maybe she had another lad on the go. | 0:48:49 | 0:48:52 | |
An older man. Summat like that, maybe? | 0:48:52 | 0:48:54 | |
Plenty men won't admit it, | 0:48:56 | 0:48:57 | |
but they like a bit of summat different on the side. | 0:48:57 | 0:48:59 | |
And what's that supposed to mean? | 0:48:59 | 0:49:01 | |
Huh? Nothing. | 0:49:01 | 0:49:02 | |
And Dolores would just go along with that, would she? | 0:49:02 | 0:49:04 | |
Is that because black girls just like a good shag? | 0:49:04 | 0:49:07 | |
And they're up for it? They go like bunnies? Is that what you mean? | 0:49:07 | 0:49:11 | |
I didn't mean it like that. Just thinking out loud. | 0:49:11 | 0:49:13 | |
No. You weren't thinking, that's the problem. | 0:49:13 | 0:49:16 | |
Nobody had a reason to kill her. | 0:49:16 | 0:49:18 | |
Sorry, I didn't mean to upset you. | 0:49:20 | 0:49:21 | |
Honestly, I don't want you thinking I'm some narrow-minded idiot. | 0:49:21 | 0:49:25 | |
I really don't. | 0:49:25 | 0:49:26 | |
Everybody's allowed to make one mistake. | 0:49:30 | 0:49:33 | |
Just the one, mind. | 0:49:33 | 0:49:34 | |
We're having a vigil for Dolores tomorrow at the Carlton. | 0:49:35 | 0:49:38 | |
Would you like to come? | 0:49:38 | 0:49:40 | |
What was it like when you came here from Trinidad and Tobago? | 0:49:49 | 0:49:52 | |
Why? Why you want to know? | 0:49:52 | 0:49:54 | |
I've got an enquiring mind. Comes with the job. | 0:49:54 | 0:49:58 | |
It was raining. | 0:49:59 | 0:50:00 | |
1940. I trained as a wireless operator, then I was an air gunner. | 0:50:01 | 0:50:07 | |
And then after 30 missions | 0:50:10 | 0:50:11 | |
you're entitled to a job on the ground. | 0:50:11 | 0:50:13 | |
But I wanted to fly. So I retrained as a pilot. | 0:50:13 | 0:50:16 | |
Do a lot of low-level flying. After the war I met my wife. | 0:50:16 | 0:50:21 | |
She was an army nurse. | 0:50:21 | 0:50:23 | |
Well, we just decided to stay. We feel at home. | 0:50:26 | 0:50:30 | |
What went wrong with you and the wife? | 0:50:31 | 0:50:33 | |
She wanted more from life than I could give her. | 0:50:35 | 0:50:38 | |
I just realised how much like she mother Dolores was. | 0:50:46 | 0:50:51 | |
Did you argue with Dolores about that money you found? | 0:50:51 | 0:50:55 | |
Did you? | 0:50:57 | 0:50:58 | |
Look, I understand this must be difficult for you, Ambrose. | 0:50:59 | 0:51:03 | |
-You feel rejected by the country that you fought for. -I didn't say that. | 0:51:03 | 0:51:07 | |
No. But it's what you really feel isn't it? Deep down. | 0:51:07 | 0:51:10 | |
Now you find that your own daughter doesn't respect you either. | 0:51:10 | 0:51:14 | |
She lies. She gets pregnant. She doesn't even know who the father is. | 0:51:14 | 0:51:19 | |
So you snap. You lose control. All that anger comes flooding out. | 0:51:19 | 0:51:24 | |
And you said yourself, she's just like your wife. | 0:51:24 | 0:51:27 | |
Enough! | 0:51:27 | 0:51:29 | |
You are not a father. | 0:51:29 | 0:51:32 | |
Are you? | 0:51:33 | 0:51:34 | |
Nice cup of tea, and a biscuit. | 0:51:39 | 0:51:42 | |
There you are. | 0:51:44 | 0:51:45 | |
How'd you get on? | 0:51:46 | 0:51:49 | |
Yeah, no, it was, er... | 0:51:49 | 0:51:50 | |
I didn't find out much about who the father was. | 0:51:51 | 0:51:55 | |
I don't think she knows. | 0:51:55 | 0:51:57 | |
But I did get invited to a vigil they're holding for Dolores | 0:51:57 | 0:52:00 | |
tomorrow at the Carlton. | 0:52:00 | 0:52:02 | |
Don't worry, I made my excuses. | 0:52:03 | 0:52:06 | |
RAF records office. The war record of Ambrose Kenny. I asked for it. | 0:52:06 | 0:52:12 | |
Why? | 0:52:12 | 0:52:13 | |
Because his son couldn't stay in the same room with him | 0:52:13 | 0:52:16 | |
when Ambrose told me about his war record. | 0:52:16 | 0:52:19 | |
What does that mean? | 0:52:19 | 0:52:20 | |
What it means, John, is that he made the whole thing up. | 0:52:20 | 0:52:22 | |
He was a clerk in the stores. Why? | 0:52:22 | 0:52:27 | |
Why do you need to do that? | 0:52:27 | 0:52:28 | |
Is this the cup final and nobody told me? | 0:52:28 | 0:52:31 | |
VOICES GATHER | 0:52:31 | 0:52:33 | |
'Two of them married now, with family. | 0:52:35 | 0:52:38 | |
'I shan't be satisfied till I have seen them all settled overseas. | 0:52:40 | 0:52:45 | |
'In this country, in 15 or 20 years' time, | 0:52:47 | 0:52:52 | |
'the black man will have the whip hand over the white man. | 0:52:52 | 0:52:56 | |
'Well, I can already hear the chorus of execration. | 0:52:57 | 0:53:05 | |
'How dare I say such a horrible thing? | 0:53:05 | 0:53:09 | |
'How dare I stir up trouble and inflame feelings | 0:53:11 | 0:53:16 | |
'by repeating such a conversation? | 0:53:16 | 0:53:18 | |
'My answer is that I do not have the right NOT to do so. | 0:53:20 | 0:53:25 | |
'It almost passes belief that, | 0:53:27 | 0:53:29 | |
'at this moment, 20 to 30 additional immigrant children | 0:53:29 | 0:53:36 | |
'are arriving from overseas in Wolverhampton alone every week. | 0:53:37 | 0:53:43 | |
'And that means 15 or 20 additional families | 0:53:45 | 0:53:50 | |
'a decade or so hence. | 0:53:50 | 0:53:53 | |
'Those whom the gods wish to destroy, they first make mad. | 0:53:55 | 0:54:02 | |
'We must be mad, literally mad, as a nation | 0:54:02 | 0:54:07 | |
'to be permitting the annual inflow | 0:54:07 | 0:54:11 | |
'of some 50,000 dependants, | 0:54:11 | 0:54:15 | |
'who are, for the most part, the material of the future growth...' | 0:54:15 | 0:54:19 | |
About time somebody said it. | 0:54:19 | 0:54:21 | |
'..of the immigrant descended population.' | 0:54:21 | 0:54:24 | |
We have lift off. | 0:54:24 | 0:54:26 | |
'It is like watching a nation busily engaged | 0:54:26 | 0:54:29 | |
'in heaping up its own funeral pyre. | 0:54:29 | 0:54:32 | |
'In these circumstances, nothing will suffice...' | 0:54:35 | 0:54:38 | |
OK. Get back to work. All of you. | 0:54:38 | 0:54:41 | |
That's all this country needs. | 0:54:46 | 0:54:48 | |
Inspector Gently, | 0:54:54 | 0:54:55 | |
can I have a few words about the Dolores Kenny case please? | 0:54:55 | 0:54:57 | |
It's ongoing. That's all I can say at the moment. | 0:54:57 | 0:54:59 | |
Well, how long was she on the game? | 0:54:59 | 0:55:01 | |
Should other prostitutes in the area be worried? | 0:55:01 | 0:55:03 | |
Dolores Kenny was not a prostitute. | 0:55:06 | 0:55:09 | |
And if anybody has any information about what happened to her | 0:55:10 | 0:55:13 | |
I'd like them to come forward. | 0:55:13 | 0:55:15 | |
If they could imagine for just one moment it was their daughter | 0:55:15 | 0:55:17 | |
how would they feel? | 0:55:17 | 0:55:18 | |
Would you like me to repeat any of that? | 0:55:20 | 0:55:22 | |
No, no, that's fine. | 0:55:22 | 0:55:24 | |
Before we have a moment's silence for Dolores, | 0:55:26 | 0:55:30 | |
her dad would like to say a few words. | 0:55:30 | 0:55:32 | |
Nobody could want a better daughter than Dolores. | 0:55:57 | 0:55:59 | |
She was strong-willed, but I don't have to tell you that. | 0:56:02 | 0:56:05 | |
She was also kind, generous. | 0:56:05 | 0:56:08 | |
She friends tell me she had a wonderful singing voice. | 0:56:10 | 0:56:13 | |
But she had a future. | 0:56:16 | 0:56:18 | |
She has been taken away from us by hatred. | 0:56:23 | 0:56:26 | |
And that does make you want to hate. | 0:56:29 | 0:56:31 | |
I don't know why she died. | 0:56:33 | 0:56:35 | |
I probably never will. | 0:56:36 | 0:56:37 | |
But she killer, | 0:56:39 | 0:56:40 | |
he cannot take away our humanity, unless we give it to him. | 0:56:40 | 0:56:45 | |
I once fought in a war. I see a lot of death. | 0:56:46 | 0:56:50 | |
So now there is no reason | 0:56:50 | 0:56:51 | |
why I want to go outside there and kill somebody. | 0:56:51 | 0:56:56 | |
It's like Dr King and all them does say. | 0:56:57 | 0:57:00 | |
"You have to fight the hate". | 0:57:00 | 0:57:04 | |
So come. Let us pray. | 0:57:11 | 0:57:13 | |
# God save our gracious Queen! | 0:57:32 | 0:57:36 | |
# Long live our noble Queen! | 0:57:36 | 0:57:39 | |
# God save the Queen! | 0:57:39 | 0:57:42 | |
Get out! | 0:57:42 | 0:57:43 | |
# Send her victorious | 0:57:43 | 0:57:46 | |
# Happy and glorious | 0:57:46 | 0:57:48 | |
Stop it. Stop it now! | 0:57:48 | 0:57:50 | |
# Long to reign over us | 0:57:50 | 0:57:53 | |
# God save the Queen! | 0:57:53 | 0:57:55 | |
MUSIC: "Spirit In The Dark" by Aretha Franklin | 0:57:55 | 0:57:58 | |
# I'm gettin' the spirit in the dark | 0:57:58 | 0:58:00 | |
# I'm gettin' the spirit in the dark | 0:58:01 | 0:58:07 | |
# People movin', aw, ain't we groovin'? | 0:58:10 | 0:58:15 | |
# Just gettin' the spirit | 0:58:17 | 0:58:21 | |
# In the dark | 0:58:21 | 0:58:23 | |
# Tell me sister, how do you feel? | 0:58:25 | 0:58:30 | |
# Tell me my brother, brother | 0:58:32 | 0:58:35 | |
# Brother, how do you feel? | 0:58:35 | 0:58:37 | |
# If you feel like dancin' | 0:58:39 | 0:58:43 | |
# Get up and let's start dancin' | 0:58:43 | 0:58:45 | |
# Start gettin' the spirit, Spirit in the dark | 0:58:47 | 0:58:53 | |
# In the dark | 0:58:53 | 0:58:56 | |
# It's like Sally Walker | 0:58:56 | 0:58:57 | |
Gary! | 0:58:57 | 0:59:00 | |
# Sittin' in a saucer | 0:59:00 | 0:59:02 | |
Joseph! | 0:59:03 | 0:59:04 | |
-# That's how ya do it -Carol...! | 0:59:04 | 0:59:06 | |
# It ain't nothin' to it | 0:59:07 | 0:59:09 | |
What are you doing here? | 0:59:10 | 0:59:12 | |
-It's fine. I'll sort it. Just stay here. Promise me. -Look, I can't see Joseph! | 0:59:12 | 0:59:16 | |
# Cover your eyes | 0:59:16 | 0:59:18 | |
# And move with the spirit | 0:59:18 | 0:59:20 | |
# Move with the spirit | 0:59:20 | 0:59:22 | |
# Oh, move | 0:59:22 | 0:59:25 | |
# Move with the spirit... # | 0:59:25 | 0:59:26 | |
Enough! Stop it! | 0:59:41 | 0:59:44 | |
Get him! | 0:59:44 | 0:59:45 | |
You want some scars, son? Like your friends from Africa? | 0:59:50 | 0:59:54 | |
Hit him! | 0:59:54 | 0:59:55 | |
Will that make you happy? | 0:59:55 | 0:59:58 | |
You need to remember who your people are, son. | 1:00:00 | 1:00:05 | |
'Ey, 'ey, it's me, man! | 1:00:16 | 1:00:18 | |
We got a dead man up here! | 1:00:18 | 1:00:20 | |
Settle down! Settle down! | 1:00:50 | 1:00:52 | |
Look at me. Look at me, son. You were fighting. | 1:00:55 | 1:00:57 | |
You admit to fighting. Who did that to you? | 1:00:57 | 1:00:59 | |
Where do you live? | 1:01:03 | 1:01:05 | |
Settle down! Will you settle down?! | 1:01:06 | 1:01:11 | |
You OK? | 1:01:15 | 1:01:16 | |
Yeah. | 1:01:17 | 1:01:19 | |
Listen, thanks for, erm... | 1:01:20 | 1:01:21 | |
What happened to Charlie Watts? We haven't got him. | 1:01:22 | 1:01:25 | |
Don't know, must have done a runner. | 1:01:25 | 1:01:26 | |
Oh, brilliant(!) | 1:01:26 | 1:01:29 | |
Get men watching for him at his flat and the scrapyard. | 1:01:29 | 1:01:32 | |
You do understand that this could ruin your life? | 1:01:44 | 1:01:47 | |
Do you want your father to lose both his children? | 1:01:47 | 1:01:51 | |
I'm not going to confess to something I didn't do, | 1:01:51 | 1:01:53 | |
-no matter what you do to me. -And what am I going to do to you? | 1:01:53 | 1:01:56 | |
Maybe I'll accidentally fall down the stairs. | 1:01:56 | 1:01:59 | |
Well, I don't need to push you down a flight of stairs, Joseph, | 1:01:59 | 1:02:02 | |
because I've got the knife. | 1:02:02 | 1:02:04 | |
Then check it for fingerprints. | 1:02:04 | 1:02:06 | |
Yeah. And it's been wiped clean. I wonder if you knew that already. | 1:02:06 | 1:02:09 | |
-I'm glad he's dead. -Why? -Because he killed Dolores. | 1:02:09 | 1:02:11 | |
How do you know that? | 1:02:11 | 1:02:13 | |
I saw them outside the club together. | 1:02:13 | 1:02:15 | |
Dolores... | 1:02:15 | 1:02:17 | |
Dolores. Hey! What's wrong? What's the matter? | 1:02:17 | 1:02:21 | |
Just talk to me. I'm here for you. | 1:02:21 | 1:02:25 | |
What are you doing here? | 1:02:37 | 1:02:39 | |
Taking you home. Can't you see these white boys are using you? | 1:02:39 | 1:02:42 | |
How long will they stay when people spit at them? | 1:02:42 | 1:02:44 | |
I'm having a baby. | 1:02:47 | 1:02:49 | |
-Don't know what to do. -Which one's the father? | 1:02:52 | 1:02:54 | |
-It's Charlie's. -How do you know? | 1:02:54 | 1:02:56 | |
Joe. I don't need your anger. I need your help. | 1:02:56 | 1:03:00 | |
You're just like your mother. | 1:03:01 | 1:03:03 | |
'You left her alone in the middle of the night?' | 1:03:06 | 1:03:08 | |
Why didn't you tell me this before? | 1:03:10 | 1:03:12 | |
I felt ashamed. | 1:03:12 | 1:03:14 | |
I felt...responsible. | 1:03:15 | 1:03:19 | |
Can I go home now? | 1:03:21 | 1:03:23 | |
No. No, you can't. | 1:03:23 | 1:03:25 | |
I need to speak to this witness, in private. | 1:03:31 | 1:03:34 | |
My name is John. | 1:03:41 | 1:03:43 | |
I'm a Detective Sergeant, | 1:03:43 | 1:03:44 | |
and I was working undercover on Dolores's murder. | 1:03:44 | 1:03:47 | |
Can I go now? | 1:03:48 | 1:03:49 | |
No, don't. | 1:03:49 | 1:03:51 | |
You not finished lying to me yet? | 1:03:51 | 1:03:53 | |
You not finished using me? Jim. | 1:03:53 | 1:03:57 | |
I was just trying to find out what happened to Dolores. | 1:03:57 | 1:03:59 | |
If you'd known I was a copper you'd never have spoken to us. | 1:03:59 | 1:04:02 | |
That makes it all right, does it? | 1:04:03 | 1:04:04 | |
I don't know. | 1:04:04 | 1:04:06 | |
That's for you to decide. | 1:04:07 | 1:04:08 | |
You know, if I thought you cared - | 1:04:08 | 1:04:10 | |
if I thought any of you really cared about Dolores - I'd understand. | 1:04:10 | 1:04:14 | |
I didn't know Dolores. | 1:04:14 | 1:04:15 | |
But I do want justice for her. | 1:04:17 | 1:04:19 | |
For you. | 1:04:21 | 1:04:23 | |
I want you to believe me. | 1:04:26 | 1:04:27 | |
I told you not to get involved! | 1:04:47 | 1:04:48 | |
Huh? | 1:04:48 | 1:04:49 | |
First you go swimming with her, | 1:04:50 | 1:04:52 | |
next you're snogging her on police premises! | 1:04:52 | 1:04:54 | |
You told me not to be a wallflower. | 1:04:54 | 1:04:57 | |
She could have been playing you for a fool. | 1:04:57 | 1:04:59 | |
She could have been feeding you false information. | 1:04:59 | 1:05:01 | |
But she didn't. | 1:05:01 | 1:05:02 | |
How serious is it? | 1:05:08 | 1:05:09 | |
Well, I hope you are prepared for the stick you'll get. | 1:05:11 | 1:05:15 | |
It would be career suicide. | 1:05:15 | 1:05:17 | |
Now, I'm not saying it's right, it's just a fact. | 1:05:17 | 1:05:19 | |
It won't get that far. | 1:05:19 | 1:05:21 | |
Well, from what I just saw, it already has. | 1:05:21 | 1:05:23 | |
She thinks policemen are all bigots. | 1:05:23 | 1:05:25 | |
Well - she's got a point, hasn't she? | 1:05:25 | 1:05:27 | |
You've been prejudiced since this case started. | 1:05:27 | 1:05:30 | |
You thought Dolores was just a bit of exotic, didn't you? | 1:05:30 | 1:05:34 | |
Not even worth the bother of getting her name right. | 1:05:34 | 1:05:37 | |
A swim and a kiss. | 1:05:38 | 1:05:39 | |
That changes you for ever, does it? | 1:05:40 | 1:05:42 | |
-What about you, sir? -Eh? | 1:05:43 | 1:05:45 | |
Bending over backwards | 1:05:45 | 1:05:46 | |
to believe every single word Ambrose Kenny says. | 1:05:46 | 1:05:48 | |
And hey, what does he turn out to be? | 1:05:48 | 1:05:51 | |
Biggles of the stores! | 1:05:51 | 1:05:52 | |
Ambrose Kenny's downstairs, sir. | 1:05:57 | 1:05:59 | |
It was me, I do it. I killed him. | 1:06:11 | 1:06:14 | |
I kill him. | 1:06:15 | 1:06:17 | |
He took my daughter's life. So I take his. | 1:06:20 | 1:06:23 | |
Sit down, Mr Kenny. | 1:06:24 | 1:06:25 | |
I don't want to sit down. | 1:06:25 | 1:06:27 | |
So this knife, | 1:06:39 | 1:06:40 | |
the murder weapon, is your knife? | 1:06:41 | 1:06:44 | |
No. I find it on the floor, I just pick it up and I stab Gary Watts. | 1:06:45 | 1:06:49 | |
What if I said that you're afraid that Joseph stabbed Gary Watts | 1:06:50 | 1:06:53 | |
and you're taking the blame? | 1:06:53 | 1:06:56 | |
You would be wrong. | 1:06:56 | 1:06:57 | |
All right, so how many times did you stab him? | 1:06:57 | 1:06:59 | |
I can't remember. | 1:06:59 | 1:07:01 | |
Self-sacrifice is to be admired. Not in this case. | 1:07:04 | 1:07:09 | |
Don't talk to me about self-sacrifice. | 1:07:09 | 1:07:11 | |
I fought for the mother country, this country ever fight for me? | 1:07:11 | 1:07:14 | |
Well, that's not strictly speaking true, is it? | 1:07:14 | 1:07:18 | |
What do you mean by that? | 1:07:18 | 1:07:19 | |
"Ambrose Kenny, storeman. | 1:07:29 | 1:07:32 | |
"September 1942, applied for training as a rear gunner. | 1:07:32 | 1:07:36 | |
"Application denied. | 1:07:36 | 1:07:38 | |
"January 1943, applied for training as a rear gunner. | 1:07:38 | 1:07:42 | |
"Application denied." | 1:07:42 | 1:07:43 | |
June 1943, same again. | 1:07:44 | 1:07:46 | |
And again. And again. And again! | 1:07:46 | 1:07:48 | |
Why'd you make up this pack of lies? | 1:07:49 | 1:07:52 | |
Same reason you came here today, isn't it? | 1:08:00 | 1:08:03 | |
For your children. | 1:08:05 | 1:08:06 | |
One black person is welcome in. | 1:08:07 | 1:08:09 | |
It's when there's more than one, that's when you people change. | 1:08:11 | 1:08:14 | |
It's a gradual thing. I watched it happening. | 1:08:14 | 1:08:17 | |
You start to feel threatened. | 1:08:19 | 1:08:21 | |
And then one day your children, they come home from school... | 1:08:23 | 1:08:26 | |
..and they tell you people start to spit at them. | 1:08:28 | 1:08:32 | |
You get to watch the pain in their eyes, because they don't | 1:08:32 | 1:08:36 | |
understand why people would say you don't belong here. | 1:08:36 | 1:08:38 | |
You is a nobody, | 1:08:38 | 1:08:40 | |
you come from a nobody family and your father is just a bus conductor | 1:08:40 | 1:08:43 | |
and you're a nobody! | 1:08:43 | 1:08:44 | |
So one day you start to tell a story. | 1:08:45 | 1:08:50 | |
It might give them a little piece of pride. | 1:08:50 | 1:08:53 | |
So, yes. | 1:08:55 | 1:08:56 | |
I buy these medals in a junk shop. | 1:09:04 | 1:09:06 | |
I'm not a father, as you pointed out. | 1:09:08 | 1:09:11 | |
But I hope I would have had the courage to do the same. | 1:09:15 | 1:09:17 | |
Sir, Charlie Watts has been seen at the scrapyard. | 1:09:19 | 1:09:22 | |
You wait here, right? | 1:09:32 | 1:09:33 | |
Jim. What are you doing here? | 1:09:54 | 1:09:57 | |
Sorry, Charlie. It's John. I need you to come with me. | 1:09:57 | 1:10:01 | |
All right, don't worry. This way. | 1:10:03 | 1:10:06 | |
Yeah. | 1:10:07 | 1:10:08 | |
I need to talk to you. | 1:10:53 | 1:10:54 | |
Why did you bring Charlie back in? He's already answered your questions. | 1:10:55 | 1:10:59 | |
No, he hasn't. | 1:11:00 | 1:11:01 | |
We don't know where he was when Gary was murdered. | 1:11:03 | 1:11:05 | |
We also can't account for his movements | 1:11:05 | 1:11:08 | |
on the night that Dolores died. | 1:11:08 | 1:11:10 | |
You don't understand. | 1:11:10 | 1:11:12 | |
He couldn't have killed her. | 1:11:13 | 1:11:14 | |
I know it's hard to believe | 1:11:14 | 1:11:16 | |
but, you know, sometimes people just act out of character. | 1:11:16 | 1:11:21 | |
He couldn't have done it. | 1:11:21 | 1:11:22 | |
Why are you so sure? | 1:11:22 | 1:11:24 | |
Because I know where he was. | 1:11:24 | 1:11:26 | |
He was with me. | 1:11:28 | 1:11:30 | |
MUSIC: "Stronger Than Love" by James Carr | 1:11:34 | 1:11:37 | |
# Darling, you must have something Stronger than love | 1:11:41 | 1:11:47 | |
# Oh yeah | 1:11:47 | 1:11:48 | |
# Darling, you got to have something Stronger than love | 1:11:48 | 1:11:54 | |
Seen Charlie? | 1:11:54 | 1:11:55 | |
# Every time I try to leave you alone | 1:11:55 | 1:12:00 | |
# You really put it on | 1:12:00 | 1:12:02 | |
# Darling, you got | 1:12:02 | 1:12:05 | |
She thinks the world of you, honestly. | 1:12:05 | 1:12:07 | |
Dolores? You all right, pet? | 1:12:23 | 1:12:26 | |
You had it away with your best mate's boyfriend | 1:12:39 | 1:12:42 | |
while she was pregnant? | 1:12:42 | 1:12:44 | |
It was just a kiss. | 1:12:44 | 1:12:46 | |
Charlie used me to make her jealous. | 1:12:47 | 1:12:49 | |
He thought she'd been seeing Gary. | 1:12:49 | 1:12:50 | |
That's why he won't say where he was, and I begged him not to. | 1:12:50 | 1:12:55 | |
Joseph and Ambrose are like family to me. | 1:12:55 | 1:12:57 | |
I couldn't stand it if they knew it was my fault. | 1:12:57 | 1:13:00 | |
Have you told your dad about Carol yet? Have you? | 1:13:05 | 1:13:07 | |
I feel sorry for him, mate, I really do. | 1:13:07 | 1:13:10 | |
He thinks he's got rid of one unsuitable girlfriend, and now you go and get yourself another one. | 1:13:10 | 1:13:14 | |
-John... -What are black girls to you, just fair game? | 1:13:14 | 1:13:16 | |
That's enough! | 1:13:16 | 1:13:18 | |
Huh? Go on. Admit it. Admit it. You killed Dolores. | 1:13:18 | 1:13:21 | |
You cough to that, they might take it easy on you. | 1:13:21 | 1:13:23 | |
Crime of passion, they'll call it. In France you wouldn't even get a fine. Go on, admit it! | 1:13:23 | 1:13:27 | |
Oi! I said that's enough! | 1:13:27 | 1:13:29 | |
I loved Dolores from the moment I laid eyes on her. | 1:13:33 | 1:13:36 | |
She was the most beautiful girl I'd ever met. | 1:13:36 | 1:13:39 | |
I should've believed her... | 1:13:41 | 1:13:43 | |
..but I believed Gary instead. | 1:13:45 | 1:13:47 | |
He said he'd been shagging her. I was jealous. Angry. | 1:13:49 | 1:13:53 | |
I kissed Carol to get back at Dolores. | 1:13:56 | 1:13:58 | |
And Gary? | 1:14:01 | 1:14:03 | |
Did you kill him? | 1:14:03 | 1:14:05 | |
There's no point in lying, Charlie. | 1:14:08 | 1:14:10 | |
Because we got the murder weapon. | 1:14:11 | 1:14:13 | |
And guess what? | 1:14:13 | 1:14:15 | |
It's covered in fingerprints. | 1:14:17 | 1:14:19 | |
You're lying. | 1:14:19 | 1:14:21 | |
How can you be so sure? | 1:14:21 | 1:14:23 | |
Eh? | 1:14:24 | 1:14:25 | |
Is it because you know that the knife was wiped, | 1:14:26 | 1:14:29 | |
because you wiped it? | 1:14:29 | 1:14:31 | |
Gary! | 1:14:35 | 1:14:36 | |
Gary! | 1:14:43 | 1:14:44 | |
I know what you did. | 1:14:51 | 1:14:53 | |
It was your baby, wasn't it? Wasn't it? | 1:14:53 | 1:14:55 | |
Dad didn't want a little brown baby called Watts, now, did he? | 1:14:57 | 1:15:00 | |
No, Charlie, Charlie. | 1:15:02 | 1:15:03 | |
I lied about that, OK. | 1:15:03 | 1:15:06 | |
I never touched Dolores. | 1:15:06 | 1:15:08 | |
She wouldn't let me. | 1:15:08 | 1:15:09 | |
It was your baby all along, Charlie. | 1:15:11 | 1:15:13 | |
I just, I just said it to split yous up. | 1:15:15 | 1:15:18 | |
So it was my baby? | 1:15:22 | 1:15:24 | |
Yeah. | 1:15:25 | 1:15:26 | |
It was my baby. | 1:15:27 | 1:15:29 | |
You killed her? | 1:15:32 | 1:15:34 | |
It wasn't me, Charlie. | 1:15:45 | 1:15:46 | |
I swear it. | 1:15:47 | 1:15:48 | |
It wasn't me. | 1:15:52 | 1:15:53 | |
'He didn't kill her.' | 1:16:01 | 1:16:02 | |
But it's his fault she's dead. | 1:16:04 | 1:16:06 | |
His and mine. | 1:16:09 | 1:16:10 | |
Then who did kill her? | 1:16:11 | 1:16:13 | |
-Joseph? -Leave us alone! | 1:16:31 | 1:16:33 | |
Joseph... | 1:16:33 | 1:16:35 | |
Who killed my son? | 1:16:41 | 1:16:43 | |
His brother. | 1:16:43 | 1:16:45 | |
No. He's not thinking straight. | 1:16:45 | 1:16:48 | |
You made him say that. | 1:16:50 | 1:16:52 | |
You're going to let that black lad get away with killing a white lad. | 1:16:54 | 1:16:58 | |
You turned your sons against each other, Bernie. Poisoned them. | 1:16:58 | 1:17:02 | |
You poisoned your own family. | 1:17:02 | 1:17:04 | |
No. | 1:17:04 | 1:17:06 | |
They were both good boys. | 1:17:06 | 1:17:08 | |
Charlie confessed to it five minutes ago. | 1:17:09 | 1:17:12 | |
Right. | 1:17:15 | 1:17:17 | |
Time for the truth, Bernie. | 1:17:18 | 1:17:20 | |
Did you kill Dolores Kenny? | 1:17:20 | 1:17:22 | |
I hated her. | 1:17:24 | 1:17:26 | |
I gave her 20 quid to get rid of the baby. | 1:17:28 | 1:17:30 | |
She took it. | 1:17:31 | 1:17:32 | |
So what reason did I have to kill her? | 1:17:34 | 1:17:37 | |
MUSIC: "Cuckoo" by The Monks | 1:17:38 | 1:17:41 | |
Come out, you coon! Come out! Out! | 1:17:41 | 1:17:44 | |
Go upstairs and lock yourself in the bathroom. | 1:17:48 | 1:17:51 | |
Joseph, you're not going out there. They'll kill you. | 1:17:51 | 1:17:53 | |
-Just go and hide! -No! | 1:17:53 | 1:17:54 | |
We know you're in there, you know! | 1:17:57 | 1:17:58 | |
Are we going to do this? Come on. | 1:17:58 | 1:18:00 | |
Open the door! | 1:18:00 | 1:18:02 | |
Come on. | 1:18:03 | 1:18:05 | |
Come on! | 1:18:05 | 1:18:08 | |
KNOCK AT DOOR | 1:18:19 | 1:18:21 | |
# Someone playing a joke on me | 1:18:21 | 1:18:22 | |
# That ain't very hard to see | 1:18:22 | 1:18:24 | |
# Did you take my | 1:18:24 | 1:18:27 | |
# Cuckoo! | 1:18:27 | 1:18:30 | |
# Cuckoo! | 1:18:30 | 1:18:34 | |
# Now someone thinks I'm a fool | 1:18:34 | 1:18:36 | |
# Who's got it, who who? | 1:18:36 | 1:18:38 | |
# Have you got my | 1:18:38 | 1:18:40 | |
# Cuckoo! | 1:18:40 | 1:18:42 | |
# Cuckoo! | 1:18:43 | 1:18:46 | |
# Now if you ain't got my cuckoo | 1:18:48 | 1:18:51 | |
# Who are you, who who? | 1:18:51 | 1:18:53 | |
# Hey, you're my cuckoo! | 1:18:53 | 1:18:54 | |
# Cuckoo! # | 1:18:54 | 1:18:56 | |
Who do this? | 1:20:01 | 1:20:02 | |
You did. | 1:20:02 | 1:20:04 | |
Huh? | 1:20:08 | 1:20:09 | |
If you'd stopped her seeing a white boy in the first place, | 1:20:10 | 1:20:12 | |
this wouldn't have happened! | 1:20:12 | 1:20:14 | |
How I could tell her not to see a boy | 1:20:14 | 1:20:15 | |
because of the colour of his skin? | 1:20:15 | 1:20:17 | |
If I do that that make me the same as the people who come and do this! | 1:20:17 | 1:20:20 | |
You couldn't see what was going to happen, could you? | 1:20:20 | 1:20:23 | |
When you going to realise? | 1:20:25 | 1:20:26 | |
When YOU going to realise - they don't want us! | 1:20:26 | 1:20:29 | |
Not all of them, Joseph. It's not all of them. I don't believe that. | 1:20:29 | 1:20:32 | |
Oh, aye. But you believed I was capable of murder? | 1:20:32 | 1:20:36 | |
You believed that? Didn't you? | 1:20:36 | 1:20:38 | |
You can't blame me for that? | 1:20:39 | 1:20:41 | |
I mean, look at you. You're so full of anger. | 1:20:43 | 1:20:45 | |
-And you should be too. -Joseph... | 1:20:45 | 1:20:48 | |
You can't see. | 1:20:48 | 1:20:50 | |
I just tried to protect you! | 1:20:51 | 1:20:53 | |
Aye. | 1:20:53 | 1:20:54 | |
Like how you protected Dolores? | 1:20:55 | 1:20:58 | |
Sarge, another friend to see you. | 1:21:02 | 1:21:04 | |
Mr Bacchus? | 1:21:06 | 1:21:08 | |
Listen, I don't want to get anybody in trouble, you know, | 1:21:12 | 1:21:14 | |
especially not myself. | 1:21:14 | 1:21:16 | |
I've got a living to earn | 1:21:16 | 1:21:18 | |
and its not like you lot make it easy for girls like me. | 1:21:18 | 1:21:20 | |
Get on with it. | 1:21:20 | 1:21:21 | |
I read what you said in the paper, you know, | 1:21:33 | 1:21:36 | |
about that lass who died on Saturday night. | 1:21:36 | 1:21:38 | |
About how we should imagine they were our own daughter. | 1:21:39 | 1:21:43 | |
My customer was driving us in his van | 1:21:47 | 1:21:50 | |
to the waste ground where I work. | 1:21:50 | 1:21:52 | |
Well, he'd had a few and he was driving too fast. | 1:21:54 | 1:21:57 | |
And I felt this thud right next to me. | 1:21:57 | 1:22:00 | |
I didn't know what was going on. | 1:22:00 | 1:22:02 | |
So we pulled over. It was pitch black out there. | 1:22:03 | 1:22:06 | |
There was something in the road. | 1:22:07 | 1:22:09 | |
He said we'd hit a dog, but I knew he was lying. | 1:22:10 | 1:22:13 | |
It was that lass out of the paper. | 1:22:16 | 1:22:19 | |
'He said she was dead. | 1:22:28 | 1:22:29 | |
'But she wasn't. There was still breath in her.' | 1:22:31 | 1:22:33 | |
And he wouldn't go for an ambulance. | 1:22:34 | 1:22:36 | |
He just dragged her over to that ditch and left her there. | 1:22:38 | 1:22:42 | |
Ambrose, what are you doing? | 1:22:44 | 1:22:45 | |
Joseph, call the police. | 1:22:47 | 1:22:50 | |
'We had hit her hard.' | 1:22:50 | 1:22:53 | |
There was blood on the side mirror | 1:22:53 | 1:22:55 | |
and the side of her head was bashed in. | 1:22:55 | 1:22:58 | |
But still I told him, "You have to get help. | 1:22:58 | 1:23:01 | |
"You can't just leave her like that." | 1:23:01 | 1:23:04 | |
Sir... | 1:23:04 | 1:23:05 | |
Minute. Minute. | 1:23:05 | 1:23:07 | |
He said... | 1:23:07 | 1:23:08 | |
He said, "What does it matter? She's just a coloured." | 1:23:10 | 1:23:13 | |
Dad... | 1:23:15 | 1:23:16 | |
Dad! | 1:23:19 | 1:23:20 | |
You should walk away, if you know what's good for you. | 1:23:54 | 1:23:59 | |
Move. | 1:24:01 | 1:24:02 | |
You take my daughter's life. | 1:24:02 | 1:24:05 | |
Not true. | 1:24:05 | 1:24:07 | |
You think you can live while she lying in the ground? That's what you think? | 1:24:07 | 1:24:11 | |
-Dad? What are you doing? -Wait a minute. I didn't kill anyone. | 1:24:11 | 1:24:14 | |
Dad, don't! | 1:24:16 | 1:24:18 | |
-Shut your mouth! -I didn't lay a hand on her. | 1:24:18 | 1:24:20 | |
-Dad! -Ambrose. -Move! | 1:24:20 | 1:24:24 | |
Ambrose. Listen to me, please. | 1:24:24 | 1:24:26 | |
Nobody murdered her. Not Bernie, not Gary. It was a hit and run. | 1:24:27 | 1:24:32 | |
You expect me to believe that? | 1:24:32 | 1:24:33 | |
Joseph and Dolores argued that night. Yes? | 1:24:33 | 1:24:36 | |
Yeah, we did. He's telling the truth. | 1:24:36 | 1:24:38 | |
She walked home in the dark. She was hit on the side of the head. | 1:24:38 | 1:24:41 | |
The driver was drunk and he didn't report it. | 1:24:41 | 1:24:44 | |
It was him that caused it. Not that! | 1:24:44 | 1:24:46 | |
He left her to die in a ditch. | 1:24:49 | 1:24:51 | |
You think he would have done that if she was white? | 1:24:53 | 1:24:55 | |
-Dad, stop! -Ambrose! | 1:24:57 | 1:24:58 | |
All my life, I try and do the right thing. | 1:24:59 | 1:25:02 | |
I was brought up well. So I take all the abuse. | 1:25:02 | 1:25:06 | |
I listen to all your nasty racist jokes | 1:25:06 | 1:25:07 | |
even though I can see the hatred behind your eyes. | 1:25:07 | 1:25:11 | |
My son is not going through what I went through. | 1:25:13 | 1:25:17 | |
-Joseph! -I wanted you to fight back, but not like this. | 1:25:21 | 1:25:24 | |
I wanted you to stand up for yourself, | 1:25:25 | 1:25:27 | |
to be someone I could admire. And you are. | 1:25:27 | 1:25:29 | |
You are. | 1:25:30 | 1:25:31 | |
I love you. | 1:25:33 | 1:25:34 | |
Dolores, she loves you. | 1:25:35 | 1:25:37 | |
You don't need medals to be a hero, Dad. I can see that now. You don't. | 1:25:39 | 1:25:43 | |
Just...living is hard enough. | 1:25:44 | 1:25:47 | |
Ambrose... | 1:25:50 | 1:25:52 | |
Give me the gun. | 1:25:55 | 1:25:57 | |
Please. | 1:25:58 | 1:25:59 | |
MUSIC: "Lean On Me" by Bill Withers | 1:26:36 | 1:26:38 | |
# Sometimes in our lives | 1:27:02 | 1:27:07 | |
# We all have pain | 1:27:07 | 1:27:09 | |
# We all have sorrow | 1:27:10 | 1:27:14 | |
# But if we are wise | 1:27:15 | 1:27:20 | |
# We know that there's | 1:27:20 | 1:27:24 | |
# Always tomorrow | 1:27:24 | 1:27:27 | |
# Lean on me | 1:27:27 | 1:27:30 | |
# When you're not strong | 1:27:30 | 1:27:33 | |
# And I'll be your friend | 1:27:33 | 1:27:37 | |
# I'll help you carry on | 1:27:37 | 1:27:42 | |
# For it won't be long | 1:27:42 | 1:27:46 | |
# Till I'm going to need | 1:27:46 | 1:27:50 | |
# Somebody to lean on | 1:27:50 | 1:27:53 | |
# Please swallow your pride | 1:27:55 | 1:27:59 | |
# If I have faith | 1:27:59 | 1:28:02 | |
# You need to borrow | 1:28:02 | 1:28:08 | |
# For no-one can fill | 1:28:08 | 1:28:12 | |
# Those of your needs | 1:28:12 | 1:28:15 | |
# That you won't let show... # | 1:28:15 | 1:28:20 | |
Subtitles by Red Bee Media Ltd | 1:28:45 | 1:28:48 |