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Excuse me. Yes. | 0:01:27 | 0:01:28 | |
I want you off this beach now, please. | 0:01:28 | 0:01:30 | |
Have a bit of respect, all right? | 0:01:30 | 0:01:31 | |
It's not a sight for children is it? | 0:01:31 | 0:01:34 | |
Some people! | 0:01:34 | 0:01:36 | |
Bob, Bob, I want these people off that pier, all right? | 0:01:53 | 0:01:56 | |
I want the whole pier cleared. | 0:01:56 | 0:01:57 | |
Can you move off the pier, please? | 0:01:59 | 0:02:01 | |
Quickly now! Sorry, we're moving. We're moving on. Thank you. | 0:02:01 | 0:02:04 | |
Hello there. Hiya. | 0:02:10 | 0:02:13 | |
Is she on her own? Yeah. | 0:02:13 | 0:02:14 | |
My name's John. Are you all right? | 0:02:16 | 0:02:18 | |
Where's your mummy and daddy? | 0:02:20 | 0:02:21 | |
They're asleep. Asleep? | 0:02:21 | 0:02:23 | |
So did you bring out the dog for a walk on your own? | 0:02:26 | 0:02:28 | |
Do you know what, if you were my little lass, | 0:02:30 | 0:02:33 | |
I wouldn't let you out of my sight. | 0:02:33 | 0:02:35 | |
ICE-CREAM VAN JINGLE PLAYS | 0:02:35 | 0:02:37 | |
I'd also buy you a big fat massive ice cream... | 0:02:37 | 0:02:42 | |
I think it might be a little bit too early. What do you think? | 0:02:43 | 0:02:46 | |
No, it's not! No, not too early? | 0:02:46 | 0:02:48 | |
Come on then, let's go and get one. | 0:02:48 | 0:02:50 | |
There we go. | 0:02:52 | 0:02:53 | |
Morning, Sir. | 0:03:26 | 0:03:28 | |
Nice day for it. | 0:03:28 | 0:03:30 | |
About 16 to 17 by the looks of it. | 0:03:32 | 0:03:34 | |
She's no ID, but there's a massive blow to the side of the head. | 0:03:34 | 0:03:37 | |
Think she was dead before she hit the water. | 0:03:39 | 0:03:41 | |
She's wearing a Bluebird Holiday Camp uniform. | 0:03:41 | 0:03:45 | |
Can't have been in the water very long. | 0:03:45 | 0:03:47 | |
Time of death is... Oh, I dunno, some time today, early hours | 0:03:47 | 0:03:50 | |
of the morning, something like that. What do you think? | 0:03:50 | 0:03:54 | |
You all right? Get her in. | 0:03:56 | 0:03:58 | |
Right, I'll get the lads. | 0:03:59 | 0:04:00 | |
All right, let's get her in. | 0:04:00 | 0:04:02 | |
Any witnesses? | 0:04:13 | 0:04:14 | |
Not yet, no. | 0:04:14 | 0:04:16 | |
Old fella said he saw a young couple down here last night. | 0:04:16 | 0:04:20 | |
Could've been her... | 0:04:20 | 0:04:23 | |
With a bloke - things get out of hand, you know. | 0:04:23 | 0:04:25 | |
Description fit? Not really, no. | 0:04:26 | 0:04:29 | |
Was dark though. | 0:04:29 | 0:04:31 | |
Is that all you've got? | 0:04:31 | 0:04:32 | |
Give us a chance, sir, will you? | 0:04:32 | 0:04:34 | |
You searched the pier? | 0:04:35 | 0:04:37 | |
What? | 0:04:38 | 0:04:39 | |
The pier. Have you searched the pier? No, not yet. | 0:04:40 | 0:04:43 | |
Something tells me that the beach is the priority, Guv. | 0:04:43 | 0:04:46 | |
And something tells me you've not heard of longshore drift. | 0:04:46 | 0:04:49 | |
That body travelled inland. | 0:04:49 | 0:04:51 | |
You'd dump her at the furthest point, of course, | 0:04:59 | 0:05:02 | |
closest to the open sea - | 0:05:02 | 0:05:05 | |
gives her a better chance of drifting away. | 0:05:05 | 0:05:08 | |
But you'd be very wrong cos the current would just take her | 0:05:08 | 0:05:11 | |
straight round, right where she was found. | 0:05:11 | 0:05:14 | |
A pier at night can house all sorts. | 0:05:16 | 0:05:19 | |
Meaning? It's more private than the beach. | 0:05:21 | 0:05:23 | |
Perfect for an illicit night-time stroll, over the waves. | 0:05:23 | 0:05:26 | |
Very romantic. | 0:05:26 | 0:05:29 | |
Sounds like you've been there and done that. | 0:05:29 | 0:05:31 | |
I might have known a late-night stroll along the pier in my time, John. | 0:05:31 | 0:05:34 | |
Really? | 0:05:34 | 0:05:36 | |
I don't have you down as a man who likes it al fresco. | 0:05:37 | 0:05:40 | |
Now, there's a line. | 0:05:41 | 0:05:44 | |
And I just crossed it. You've just... Yeah, absolutely. Sorry. | 0:05:44 | 0:05:47 | |
I want every inch of this pier searched. All right. Sorry. | 0:05:48 | 0:05:51 | |
Bluebird's eh? | 0:05:54 | 0:05:55 | |
Yeah. Bluebird's three or four miles that way. | 0:05:55 | 0:05:58 | |
We went there, you know, me and Lisa. Did you? | 0:05:58 | 0:06:01 | |
Mmm, a few years back. It was good. | 0:06:01 | 0:06:03 | |
Just after Leigh-Anne was born. | 0:06:03 | 0:06:04 | |
We went to a holiday camp right after the war. | 0:06:06 | 0:06:09 | |
Never seen so many families in one place, you know, | 0:06:09 | 0:06:13 | |
enjoying themselves for the first time. | 0:06:13 | 0:06:15 | |
A whole new world. | 0:06:15 | 0:06:17 | |
BACCHUS SIGHS | 0:06:17 | 0:06:20 | |
Are you missing Leigh-Anne? | 0:06:20 | 0:06:21 | |
Yeah. | 0:06:23 | 0:06:25 | |
I've not seen her for three week. Can you believe that? | 0:06:25 | 0:06:28 | |
That's not enough, is it? No, it's not enough. | 0:06:28 | 0:06:30 | |
I'm fine when I'm not thinking about her. | 0:06:31 | 0:06:33 | |
You know, I'm fine then. | 0:06:33 | 0:06:35 | |
But you think about her all the time. | 0:06:35 | 0:06:37 | |
Yeah. | 0:06:38 | 0:06:39 | |
Isabel! | 0:06:53 | 0:06:55 | |
Sorry. | 0:06:59 | 0:07:00 | |
Welcome to Bluebird! Can I help you, gentlemen? | 0:07:17 | 0:07:21 | |
Wives powdering their noses in the car, | 0:07:21 | 0:07:23 | |
and children causing mischief after a long drive, I'll bet? | 0:07:23 | 0:07:26 | |
Let me get someone to help you with your bags. | 0:07:26 | 0:07:28 | |
No, thank you. I'm DCI Gently. | 0:07:28 | 0:07:30 | |
Could we speak to the manager, please? | 0:07:30 | 0:07:32 | |
Of course. | 0:07:32 | 0:07:33 | |
Well, would you like a lift? | 0:07:33 | 0:07:36 | |
No, thank you. We'll walk. | 0:07:36 | 0:07:38 | |
I'll show you the way. | 0:07:38 | 0:07:40 | |
Go! | 0:07:42 | 0:07:43 | |
One, two, three, | 0:07:43 | 0:07:47 | |
four, five, six... | 0:07:47 | 0:07:50 | |
FAIRGROUND ORGAN PLAYS | 0:07:52 | 0:07:55 | |
Sorry to disturb, Miss Stretch, | 0:08:20 | 0:08:22 | |
these gentlemen wish to see Mr Stretch. They're policeman. | 0:08:22 | 0:08:25 | |
Thank you, Justine. Detective Chief Inspector Gently. | 0:08:27 | 0:08:30 | |
Cherry. This is Detective Sergeant Bacchus. | 0:08:30 | 0:08:32 | |
My brother Todd shouldn't be long. | 0:08:33 | 0:08:35 | |
It's all a bit manic here today. | 0:08:35 | 0:08:37 | |
The body of a young woman was found this morning. | 0:08:39 | 0:08:42 | |
We believe that she worked here. | 0:08:42 | 0:08:44 | |
Obviously we're very anxious to identify her. | 0:08:44 | 0:08:47 | |
Anyone missing? | 0:08:47 | 0:08:48 | |
I'm...I'm sorry? | 0:08:48 | 0:08:50 | |
Body was found on the beach near the pier. | 0:08:50 | 0:08:52 | |
Why do you think she worked here? | 0:08:52 | 0:08:54 | |
She wore a Bluebird uniform. | 0:08:54 | 0:08:56 | |
Right. | 0:08:56 | 0:08:58 | |
Anyone missing, to your knowledge? | 0:08:58 | 0:09:00 | |
Well...I don't know. | 0:09:00 | 0:09:02 | |
Staff rotas aren't really my thing. | 0:09:02 | 0:09:04 | |
Might need to try harder than that. | 0:09:05 | 0:09:07 | |
All my workers live on site. | 0:09:09 | 0:09:11 | |
There's a late-comers board. | 0:09:11 | 0:09:13 | |
If someone hasn't clocked in, then their name get's chalked up. | 0:09:13 | 0:09:15 | |
Good. Shall we? | 0:09:15 | 0:09:17 | |
Hello, Mr Stretch. Sophie. Sally. | 0:09:24 | 0:09:27 | |
Do you live on site, Mr Stretch? | 0:09:27 | 0:09:29 | |
No. I live at home with my wife and two daughters. | 0:09:29 | 0:09:32 | |
I'm very lucky. | 0:09:32 | 0:09:34 | |
Business good? Chin up, Lottie. | 0:09:40 | 0:09:42 | |
Oh, yes. We are a powerhouse, gentlemen - built from dust. | 0:09:42 | 0:09:46 | |
But a few loans started my father off, | 0:09:46 | 0:09:49 | |
and he opened the doors in '36. | 0:09:49 | 0:09:52 | |
No-one had ever seen anything quite like it. | 0:09:52 | 0:09:55 | |
Family holidays for the masses. | 0:09:55 | 0:09:57 | |
We've been full to bursting ever since. | 0:09:57 | 0:09:59 | |
You know there is a great pleasure in | 0:09:59 | 0:10:02 | |
having to turn punters away. | 0:10:02 | 0:10:03 | |
Here we are. | 0:10:05 | 0:10:06 | |
Ah, Megan. | 0:10:06 | 0:10:07 | |
Blue for Bluebird? Yes. | 0:10:09 | 0:10:11 | |
Does she live with anybody, share a room? | 0:10:11 | 0:10:14 | |
Justine Leyland, I believe. Senior Bluebird. | 0:10:14 | 0:10:16 | |
We've met her already. | 0:10:16 | 0:10:18 | |
Ah, yes. She's been scooping up the new arrivals, | 0:10:18 | 0:10:21 | |
and hurling them into a dance competition to whet their appetite. | 0:10:21 | 0:10:24 | |
I think the Bluebirds will be arriving in the dance hall now. | 0:10:24 | 0:10:28 | |
Thank you. | 0:10:28 | 0:10:29 | |
Inspector? Yes. | 0:10:29 | 0:10:30 | |
Now, we can keep all this a little...low, can't we? | 0:10:30 | 0:10:36 | |
I'm sorry? People are on their holidays. | 0:10:36 | 0:10:38 | |
Yes? | 0:10:38 | 0:10:40 | |
Well, this is a camp of smiles. | 0:10:40 | 0:10:44 | |
It's a holiday from their grey little lives. | 0:10:44 | 0:10:46 | |
We don't want a gloomy little storm cloud gathering. | 0:10:46 | 0:10:50 | |
Are you asking us to protect your business, Mr Stretch? | 0:10:50 | 0:10:53 | |
Simply asking for a little discretion. | 0:10:53 | 0:10:55 | |
I don't think you've quite got it yet, have you? | 0:10:55 | 0:10:59 | |
A member of your staff has been found dead. | 0:10:59 | 0:11:02 | |
We need staff rotas, the names of everybody who was working last night. | 0:11:03 | 0:11:07 | |
Oh, and the guests. Of course. | 0:11:07 | 0:11:09 | |
We need the names of all the guests. | 0:11:09 | 0:11:11 | |
Dance hall, you said? | 0:11:12 | 0:11:14 | |
MUSIC: "Helpless" by Kim Weston | 0:11:30 | 0:11:35 | |
I'm happy to be the girl if you fancy a dance. | 0:11:49 | 0:11:51 | |
No, you're all right, thank you very much. | 0:11:53 | 0:11:55 | |
Lisa and I won this, you know. | 0:11:56 | 0:11:57 | |
Did you? Won the cup in this very room. | 0:11:57 | 0:11:59 | |
She's a good mover is Lisa. | 0:11:59 | 0:12:01 | |
Really cracking little dancer. | 0:12:02 | 0:12:04 | |
I mean, she wouldn't have won the cup without me. | 0:12:04 | 0:12:07 | |
Is that right? Yeah. | 0:12:07 | 0:12:08 | |
Fred Astaire of the North-East, me. | 0:12:08 | 0:12:10 | |
Look at the moves. | 0:12:12 | 0:12:14 | |
Quality. | 0:12:16 | 0:12:17 | |
Well, much as I'd like to stand here and admire your...fluidity. | 0:12:17 | 0:12:22 | |
Well done, campers! | 0:12:25 | 0:12:26 | |
Wow, are you all trained or something? | 0:12:26 | 0:12:29 | |
They said that when we were here. | 0:12:29 | 0:12:30 | |
So, the dance competition is now closed, | 0:12:30 | 0:12:33 | |
so now we have the Bluebird Boppers while our judges make their decision | 0:12:33 | 0:12:37 | |
and it won't be long till this little cup get's given to one lucky family. | 0:12:37 | 0:12:41 | |
Could we have a word, please? Inspector? | 0:12:41 | 0:12:44 | |
Somewhere quieter. | 0:12:44 | 0:12:46 | |
So, ladies and gentlemen, a big hand for the Bluebird Boppers! | 0:12:54 | 0:12:58 | |
CHEERING | 0:12:58 | 0:13:00 | |
So, your cabin mate Megan Webb... | 0:13:00 | 0:13:02 | |
What about her? | 0:13:02 | 0:13:03 | |
She didn't come to work this morning. | 0:13:03 | 0:13:06 | |
Yeah, well, she's always late. | 0:13:06 | 0:13:08 | |
She'll stroll in any minute looking immaculate. | 0:13:08 | 0:13:10 | |
Do you share a cabin? | 0:13:10 | 0:13:12 | |
There's three of us. Who's the third? | 0:13:12 | 0:13:15 | |
Gail. Little kitchen maid. | 0:13:15 | 0:13:17 | |
Buried in chip fat, as we speak, lucky old thing. | 0:13:17 | 0:13:20 | |
When's the last time that you saw Megan? | 0:13:20 | 0:13:22 | |
Be last night, on stage. | 0:13:22 | 0:13:24 | |
She'd finished after the first show. | 0:13:24 | 0:13:26 | |
Did she come back here at all last night? | 0:13:26 | 0:13:29 | |
No. Was she meeting anybody? | 0:13:30 | 0:13:33 | |
Well, she didn't say she was. | 0:13:34 | 0:13:35 | |
What's going on? We're just making some enquiries. | 0:13:38 | 0:13:41 | |
Really? | 0:13:41 | 0:13:43 | |
Two plain-clothes detectives? | 0:13:43 | 0:13:45 | |
We've found a body - a girl. | 0:13:46 | 0:13:48 | |
She was wearing a Bluebird uniform. | 0:13:48 | 0:13:50 | |
Long blonde hair, very pretty. | 0:13:50 | 0:13:54 | |
No! | 0:13:57 | 0:13:58 | |
What was Megan wearing when you saw her last? | 0:14:01 | 0:14:05 | |
Er... | 0:14:05 | 0:14:06 | |
Her uniform. | 0:14:06 | 0:14:09 | |
She'd just finished her shift. | 0:14:09 | 0:14:11 | |
Was that the last time you saw her? | 0:14:11 | 0:14:13 | |
I told you, she didn't come back last night. | 0:14:13 | 0:14:15 | |
You didn't report her? | 0:14:15 | 0:14:17 | |
I'm her friend, so, no. | 0:14:17 | 0:14:18 | |
That's what we do. | 0:14:20 | 0:14:21 | |
She's got enough black marks next to her name as it is. | 0:14:22 | 0:14:25 | |
Did she have a boyfriend? | 0:14:25 | 0:14:26 | |
Not that I know of. | 0:14:28 | 0:14:30 | |
Are you sure? | 0:14:30 | 0:14:31 | |
I told you, I don't know. | 0:14:31 | 0:14:33 | |
Well, thank you, | 0:14:33 | 0:14:35 | |
you'll want to be getting back to announce those winners. | 0:14:35 | 0:14:38 | |
Until we've spoken to the family, got a positive ID... | 0:14:38 | 0:14:41 | |
You want me to keep me mouth shut. Well, it might not be her. | 0:14:41 | 0:14:44 | |
Yeah, but it might. | 0:14:45 | 0:14:47 | |
Yeah. | 0:14:47 | 0:14:49 | |
MUSIC: "Heaven Must Have Sent You" by Bonnie Pointer | 0:14:50 | 0:14:55 | |
Lisa, it's me. | 0:15:33 | 0:15:34 | |
Yeah. Listen, | 0:15:36 | 0:15:38 | |
I was wondering if I could see Leigh-Anne this weekend? | 0:15:38 | 0:15:41 | |
I know it's not my weekend. | 0:15:41 | 0:15:42 | |
Right. | 0:15:44 | 0:15:46 | |
No, no, I can't wait three weeks. It's not fair. | 0:15:47 | 0:15:50 | |
Why? | 0:15:51 | 0:15:52 | |
I know what the agreement is, Lisa. Once a month's not enough, | 0:15:54 | 0:15:57 | |
it's nowhere near, it's not even close. | 0:15:57 | 0:15:59 | |
No, no, I'm her dad, Lisa. I'm her dad! | 0:16:00 | 0:16:03 | |
And I only get to see her 12 times a year. | 0:16:03 | 0:16:06 | |
12 - it's ridiculous! | 0:16:06 | 0:16:07 | |
No, listen... | 0:16:08 | 0:16:10 | |
I don't think you realise how ridi... | 0:16:10 | 0:16:12 | |
Oh, you stupid...! | 0:16:12 | 0:16:13 | |
She hung up on us. | 0:16:17 | 0:16:19 | |
Can you believe that? | 0:16:19 | 0:16:20 | |
Must be your softly-softly approach, John. | 0:16:20 | 0:16:22 | |
What's that supposed to mean? | 0:16:22 | 0:16:24 | |
It means easy does it. | 0:16:24 | 0:16:25 | |
Come on. | 0:16:27 | 0:16:28 | |
Pathology report's back. | 0:16:31 | 0:16:33 | |
John? Huh? | 0:16:35 | 0:16:37 | |
Sorry, go on. | 0:16:37 | 0:16:39 | |
No sign of rape, or sexual assault. | 0:16:39 | 0:16:41 | |
She wasn't a virgin. | 0:16:41 | 0:16:42 | |
And no water in the lungs. | 0:16:44 | 0:16:46 | |
Well, that means she'd have been dead when she hit the water, doesn't it? | 0:16:46 | 0:16:49 | |
Very. It'd only been there a few hours. | 0:16:49 | 0:16:52 | |
Time of death was between eight and ten on Saturday evening. | 0:16:52 | 0:16:56 | |
It'd have been busy in the pier, Saturday night. | 0:16:56 | 0:16:58 | |
I don't think she died on the pier, John. | 0:16:58 | 0:17:00 | |
I think she was killed somewhere else, | 0:17:01 | 0:17:04 | |
kept there for eight or so hours, | 0:17:04 | 0:17:06 | |
and then taken to the pier, dumped over the side. | 0:17:06 | 0:17:09 | |
Somebody hoped that she would just drift away without a trace. | 0:17:10 | 0:17:13 | |
That's a bit stupid, that, isn't it? | 0:17:14 | 0:17:16 | |
Yeah, very. | 0:17:16 | 0:17:17 | |
What happens now? | 0:17:34 | 0:17:35 | |
Well, can we drive you home? | 0:17:37 | 0:17:39 | |
I've got the car. | 0:17:39 | 0:17:41 | |
Don't you want to talk to us? | 0:17:41 | 0:17:43 | |
We can do that later. | 0:17:43 | 0:17:44 | |
I want to do it now. | 0:17:44 | 0:17:45 | |
Agnes... Well, what are we going to do? | 0:17:45 | 0:17:47 | |
Go home, chop some vegetables, put the radio on? Darling... | 0:17:47 | 0:17:50 | |
Inspector? | 0:17:50 | 0:17:51 | |
She told us at dinner... | 0:17:53 | 0:17:54 | |
..about the job at the camp. | 0:17:56 | 0:17:57 | |
It was my birthday. | 0:17:58 | 0:18:00 | |
I'd made a quiche Lorraine. | 0:18:00 | 0:18:02 | |
One always hopes that someone else will cook on your birthday, | 0:18:02 | 0:18:05 | |
but not this time. | 0:18:05 | 0:18:06 | |
Megan! On the table! | 0:18:10 | 0:18:12 | |
Megan! | 0:18:17 | 0:18:18 | |
Megan. | 0:18:29 | 0:18:30 | |
Patrick, did you polish both serving spoons? | 0:18:33 | 0:18:36 | |
Yes, I think so... | 0:18:36 | 0:18:38 | |
You think? | 0:18:38 | 0:18:39 | |
I'll do it. | 0:18:41 | 0:18:45 | |
When you ask if you can help, dear, and then don't do the very thing | 0:18:45 | 0:18:47 | |
that I ask, there really is very little point, is there? | 0:18:47 | 0:18:50 | |
Have we got any butter? | 0:19:04 | 0:19:05 | |
There's already butter on the potatoes. | 0:19:06 | 0:19:08 | |
I'd like to put a bit more on. | 0:19:10 | 0:19:11 | |
You heard your mother, you don't need any more. | 0:19:11 | 0:19:13 | |
I'd like some more, please. | 0:19:16 | 0:19:18 | |
Run along and get it then. | 0:19:23 | 0:19:25 | |
We'll wait till you return. | 0:19:31 | 0:19:32 | |
I've got a job at the Bluebird Holiday Camp. | 0:19:43 | 0:19:45 | |
And so it began. | 0:19:48 | 0:19:49 | |
She left when? | 0:19:51 | 0:19:53 | |
The following morning. She was resolute. | 0:19:53 | 0:19:55 | |
She took the bus. | 0:19:55 | 0:19:56 | |
The blue one, with the flaky upholstery. | 0:19:57 | 0:19:59 | |
When was this? | 0:20:01 | 0:20:02 | |
About two months ago. | 0:20:04 | 0:20:05 | |
And you haven't seen her since? | 0:20:05 | 0:20:07 | |
No. | 0:20:07 | 0:20:09 | |
Did you visit her at the camp? | 0:20:09 | 0:20:11 | |
No. | 0:20:11 | 0:20:13 | |
Thank you, Rachel. | 0:20:14 | 0:20:16 | |
Was this new, this desire to break free? | 0:20:19 | 0:20:22 | |
The last two years have been rather disruptive, Inspector. | 0:20:24 | 0:20:27 | |
Cos we...we moved, from London to Newcastle - | 0:20:29 | 0:20:34 | |
from a dear little house in Richmond. | 0:20:34 | 0:20:36 | |
Nice neighbours, everything just as we wanted it. | 0:20:38 | 0:20:40 | |
And Patrick got a promotion up here. | 0:20:40 | 0:20:43 | |
He's from Newcastle, you see. | 0:20:45 | 0:20:47 | |
And then after the move, | 0:20:49 | 0:20:51 | |
Megan did become perhaps a little surly, | 0:20:51 | 0:20:55 | |
but then she did have dreams of achieving something | 0:20:55 | 0:20:58 | |
which was just beyond the realms of possibility. | 0:20:58 | 0:21:01 | |
What was that? | 0:21:01 | 0:21:02 | |
She wanted to become an actress, a performer. | 0:21:02 | 0:21:05 | |
You didn't approve? | 0:21:06 | 0:21:07 | |
It's a wildly frivolous occupation, Inspector, bound in... | 0:21:09 | 0:21:12 | |
..uncertainty and self-indulgence | 0:21:13 | 0:21:16 | |
and those who really need it are fragile creatures, in my opinion. | 0:21:16 | 0:21:19 | |
"Look at me!" Isn't that what it's saying? | 0:21:19 | 0:21:21 | |
Perhaps. Was she good at it? | 0:21:21 | 0:21:24 | |
What? Megan, was she any good? | 0:21:25 | 0:21:27 | |
Was she a good performer? | 0:21:27 | 0:21:29 | |
I've no idea. | 0:21:30 | 0:21:32 | |
But the notion of her wanting to get a job at the camp | 0:21:32 | 0:21:35 | |
to achieve her dreams was quite frankly laughable. | 0:21:35 | 0:21:38 | |
Why was that? | 0:21:39 | 0:21:41 | |
The Bluebird Holiday Camp is hardly the Royal Shakespeare Company, is it? | 0:21:42 | 0:21:45 | |
It's a playground for those with less than Patrick and I. | 0:21:47 | 0:21:51 | |
We prefer to holiday at Whitby. | 0:21:53 | 0:21:55 | |
Wonderful steam train. | 0:21:55 | 0:21:56 | |
I love steam trains. | 0:21:58 | 0:21:59 | |
Did she contact you after she got to the camp | 0:22:04 | 0:22:07 | |
or while she was there? | 0:22:07 | 0:22:08 | |
She wrote. | 0:22:08 | 0:22:10 | |
Once. Can we see it, that letter? | 0:22:13 | 0:22:15 | |
I don't have it. | 0:22:17 | 0:22:18 | |
I saw no reason to keep it. | 0:22:18 | 0:22:20 | |
Was she precious to you, your daughter? | 0:22:26 | 0:22:28 | |
What sort of a question is that? | 0:22:28 | 0:22:30 | |
Well, parents don't usually throw away their children's letters, do they? | 0:22:30 | 0:22:35 | |
Especially if they haven't seen them for a few weeks, | 0:22:35 | 0:22:38 | |
their only daughter. | 0:22:38 | 0:22:39 | |
She was enjoying being amongst all those campers, | 0:22:39 | 0:22:42 | |
enjoying the hysteria. | 0:22:42 | 0:22:43 | |
I saw no reason to read that letter more than once. | 0:22:43 | 0:22:46 | |
Right, one more question. What were you both doing last night? | 0:22:48 | 0:22:51 | |
What, pray, are you suggesting? | 0:22:53 | 0:22:54 | |
Just answer the question, please. | 0:22:55 | 0:22:57 | |
We went to the theatre. | 0:23:00 | 0:23:02 | |
At the village hall. | 0:23:03 | 0:23:05 | |
Amateur dramatic production of Kiss Me Kate - | 0:23:05 | 0:23:08 | |
it was rather good. | 0:23:08 | 0:23:10 | |
Thank you. | 0:23:12 | 0:23:13 | |
I'd run away to a holiday camp if that was the alternative. Indeed. | 0:23:25 | 0:23:29 | |
She didn't seem very upset, did she? | 0:23:31 | 0:23:33 | |
Visibly unmoved, I'd say. | 0:23:33 | 0:23:35 | |
Methodical. Taut. | 0:23:38 | 0:23:40 | |
We'd better check their alibi. | 0:23:40 | 0:23:42 | |
I could do that. | 0:23:42 | 0:23:43 | |
All right. I've got it. | 0:23:43 | 0:23:45 | |
You still here? I'm compartmentalising. | 0:23:45 | 0:23:48 | |
What? Well, er, your filing system is, um, questionable... | 0:23:48 | 0:23:52 | |
Sir. Is it now? | 0:23:52 | 0:23:54 | |
No, it's not. It's not? No. | 0:23:54 | 0:23:56 | |
Well, you see, Detective Sergeant, I would be interested | 0:23:56 | 0:23:59 | |
in your definition of an operational filing system | 0:23:59 | 0:24:01 | |
when there appears to be a lack of any files. | 0:24:01 | 0:24:03 | |
It's all right. It's all there. | 0:24:03 | 0:24:06 | |
Yeah, well, it's all there, yeah, but in what semblance of order | 0:24:06 | 0:24:09 | |
because, well, ideally if we could actually locate the information that we do have, | 0:24:09 | 0:24:13 | |
well, it might give us more time to look for the information we don't have. | 0:24:13 | 0:24:17 | |
Well, it's really that simple, I'd say. | 0:24:17 | 0:24:19 | |
Well, you carry on, Rachel. | 0:24:19 | 0:24:21 | |
I, for one, am glad you're here. For one. | 0:24:21 | 0:24:23 | |
Oi! She was wearing a good wig, Mrs Webb. | 0:24:23 | 0:24:26 | |
What relevance is that? Probably none. | 0:24:27 | 0:24:30 | |
I never noticed she was wearing a wig. | 0:24:30 | 0:24:32 | |
Well, that's because you're a man, sir. Is that a fact? | 0:24:32 | 0:24:35 | |
Well, Rachel, you coordinate with Sergeant Bacchus, I'd like you with us. | 0:24:37 | 0:24:40 | |
We're going to need help speaking to everybody in the camp | 0:24:40 | 0:24:43 | |
and nobody is to check out until they've been interviewed. | 0:24:43 | 0:24:47 | |
Take that. | 0:24:54 | 0:24:55 | |
"Semblance of order", huh? | 0:25:02 | 0:25:04 | |
She's only been here two minutes, man, | 0:25:04 | 0:25:07 | |
she's fiddling around with everything. | 0:25:07 | 0:25:09 | |
Calm down. She's a good copper. | 0:25:09 | 0:25:10 | |
Aye, so everyone keeps telling us. I don't see it, myself. | 0:25:10 | 0:25:13 | |
I mean, it's nice to have somebody here to make a cup of tea, | 0:25:13 | 0:25:15 | |
she'd be good for that, granted. I wanted her here. | 0:25:15 | 0:25:18 | |
We don't need her. Well, I say we do, John. Oh, well, you would. | 0:25:18 | 0:25:20 | |
She thinks you walk on water. | 0:25:20 | 0:25:23 | |
Are you jealous? What? | 0:25:25 | 0:25:27 | |
You know, bright young spark, hard worker. | 0:25:27 | 0:25:29 | |
What are you saying? You know what I'm saying. | 0:25:29 | 0:25:32 | |
You might want to step up, John. | 0:25:32 | 0:25:34 | |
Put a bit of seniority in your stride. | 0:25:36 | 0:25:38 | |
That wouldn't harm you, would it? | 0:25:38 | 0:25:41 | |
Cherry? Yes? | 0:26:09 | 0:26:11 | |
I was at home last night, all right? | 0:26:22 | 0:26:25 | |
You want me to lie? | 0:26:27 | 0:26:28 | |
It's a tiny little white lie. | 0:26:28 | 0:26:30 | |
Todd... If you wouldn't mind. | 0:26:30 | 0:26:32 | |
Is there something I don't know? | 0:26:37 | 0:26:38 | |
Just do it. | 0:26:41 | 0:26:42 | |
Daddy! | 0:27:57 | 0:27:58 | |
Hey, baby girl, let's have a look at you. | 0:27:58 | 0:28:03 | |
Beautiful. | 0:28:03 | 0:28:05 | |
I did this myself. My very first plait. | 0:28:05 | 0:28:07 | |
Let me have a look at that. Wowee, that's fantastic. | 0:28:07 | 0:28:10 | |
You're amazing, do you know that? | 0:28:10 | 0:28:12 | |
I didn't even know you were coming. | 0:28:12 | 0:28:14 | |
Well, I wanted to surprise you, didn't I? Eh? | 0:28:14 | 0:28:16 | |
Are those your friends over there? | 0:28:16 | 0:28:18 | |
Why don't you go and play with them for ten minutes | 0:28:18 | 0:28:20 | |
and I'll just have a quick word with your mum, all right? | 0:28:20 | 0:28:23 | |
See you in a bit. What are you doing? | 0:28:23 | 0:28:25 | |
I'm talking to my daughter. | 0:28:25 | 0:28:26 | |
It's not your day. | 0:28:26 | 0:28:28 | |
It's not my day to talk to my daughter? | 0:28:29 | 0:28:31 | |
See, this is what it is with you... John, this is just how it works. | 0:28:31 | 0:28:35 | |
It works for you, it doesn't really work for me! | 0:28:35 | 0:28:38 | |
Will you calm down? We're just outside the school gates. | 0:28:38 | 0:28:40 | |
I know where we are, Lisa. All right, thank you very much. | 0:28:40 | 0:28:44 | |
You see her every month. It's what we agreed. | 0:28:44 | 0:28:46 | |
No, it's what you decided. | 0:28:46 | 0:28:48 | |
I had no choice, unless I take you to court, remember? Oh, come on! | 0:28:48 | 0:28:51 | |
You see her about as much as I think you can manage. | 0:28:51 | 0:28:54 | |
You don't even pick her up on time. That happened once. | 0:28:54 | 0:28:57 | |
Twice. | 0:28:57 | 0:28:58 | |
In two years that's not that bad. | 0:28:58 | 0:29:01 | |
I try, Lisa. | 0:29:01 | 0:29:02 | |
I might not be perfect, like you, but I try. | 0:29:02 | 0:29:05 | |
Yeah, you really try. | 0:29:05 | 0:29:07 | |
You know how to patronise me, don't you? | 0:29:07 | 0:29:09 | |
We all know you're in charge, Lisa, | 0:29:09 | 0:29:11 | |
you keep ramming it down me bloody throat! | 0:29:11 | 0:29:13 | |
I don't want to talk to you any more, John. Leigh-Anne! | 0:29:13 | 0:29:15 | |
You can't do this. You can't just turn up. | 0:29:15 | 0:29:17 | |
You're being aggressive, you're frightening me. | 0:29:17 | 0:29:20 | |
I'm taking Leigh-Anne into school, you can see her in a few weeks. | 0:29:20 | 0:29:23 | |
I just want to see her! | 0:29:25 | 0:29:26 | |
Morning. Do you ever sleep, you? | 0:29:41 | 0:29:44 | |
Do you ever smile? | 0:29:44 | 0:29:46 | |
I've done blocks A to F. Course you have. | 0:29:46 | 0:29:49 | |
You really don't like me, do you? | 0:29:49 | 0:29:51 | |
No. No, it's not that. I just don't need you here. | 0:29:51 | 0:29:53 | |
I can do it, all right, that's the point. Right, so you'll know about | 0:29:53 | 0:29:56 | |
the staff meeting, then, starting in five minutes? | 0:29:56 | 0:29:58 | |
Yeah, yeah. | 0:29:58 | 0:30:00 | |
You all right? | 0:30:06 | 0:30:07 | |
You're late. | 0:30:07 | 0:30:09 | |
Er, yeah. | 0:30:09 | 0:30:10 | |
Sorry. | 0:30:10 | 0:30:12 | |
Right, two tickets for Kiss Me Kate | 0:30:12 | 0:30:14 | |
was purchased under Patrick Webb's name, | 0:30:14 | 0:30:17 | |
but only one person went and that was Patrick. | 0:30:17 | 0:30:20 | |
Apparently he arrived alone. | 0:30:20 | 0:30:23 | |
And he sold the second ticket back to the box office | 0:30:23 | 0:30:25 | |
just before the show. | 0:30:25 | 0:30:27 | |
CACKLING | 0:30:27 | 0:30:29 | |
Was she any good? | 0:30:29 | 0:30:31 | |
Get Mrs Webb in. Right. | 0:30:31 | 0:30:32 | |
Whoo! | 0:30:32 | 0:30:33 | |
Is everyone here? | 0:30:35 | 0:30:36 | |
I have an announcement to make. | 0:30:36 | 0:30:38 | |
We have lost... | 0:30:41 | 0:30:42 | |
..one of our most beautiful Bluebirds. | 0:30:43 | 0:30:46 | |
Megan Webb... | 0:30:49 | 0:30:51 | |
has been found dead off-camp. | 0:30:51 | 0:30:53 | |
SHOCKED MURMURING | 0:30:53 | 0:30:56 | |
I'm so sorry. | 0:31:00 | 0:31:01 | |
It is vital that you are able to seek solace in each other, | 0:31:04 | 0:31:08 | |
but it is also vital that we maintain a standard for our campers. | 0:31:08 | 0:31:15 | |
And a smile. | 0:31:15 | 0:31:16 | |
And you will find yourself having to answer many difficult questions, | 0:31:18 | 0:31:21 | |
but your bright and breezy answer to them is this - | 0:31:21 | 0:31:25 | |
it is sunshine | 0:31:25 | 0:31:27 | |
and business as usual at the Bluebird Holiday Camp. | 0:31:27 | 0:31:30 | |
Now, the police, of course, are investigating, | 0:31:32 | 0:31:34 | |
and I trust that you will be as co-operative as they require. | 0:31:34 | 0:31:40 | |
But I've asked them to conduct their inquiries in a manner | 0:31:40 | 0:31:43 | |
which will not upset our campers. | 0:31:43 | 0:31:46 | |
This, I must emphasise, is paramount. | 0:31:46 | 0:31:49 | |
That is all. | 0:31:49 | 0:31:50 | |
Lovely speech. MR STRETCH: Lovely girl. | 0:31:54 | 0:31:56 | |
Hello. I'm WPC Coles. | 0:31:56 | 0:31:58 | |
I was wondering if I could ask you a few questions. | 0:31:58 | 0:32:01 | |
I've always had a thing about female police officers. | 0:32:01 | 0:32:04 | |
Oh, goodie for me. | 0:32:04 | 0:32:05 | |
I'm Detective Sergeant Bacchus. I'd like to ask you a few questions. | 0:32:05 | 0:32:07 | |
It's all right, Sergeant. I've got this. Hope so. | 0:32:07 | 0:32:10 | |
Name? | 0:32:11 | 0:32:12 | |
Manners. Gary Manners. Mr Manners, | 0:32:12 | 0:32:15 | |
you worked with Megan Webb, is that correct? | 0:32:15 | 0:32:17 | |
You don't quite hold the same appeal as your colleague. | 0:32:17 | 0:32:20 | |
Answer the question, pal, all right? | 0:32:20 | 0:32:21 | |
I worked with her, yeah. | 0:32:23 | 0:32:25 | |
You worked with her... | 0:32:25 | 0:32:26 | |
I bet she was on your radar | 0:32:26 | 0:32:27 | |
because you clearly have a thing with the lasses, don't you? | 0:32:27 | 0:32:30 | |
Aye, well, Megan clearly had a thing for the gents. Hey, come back. | 0:32:30 | 0:32:34 | |
Did she have a thing for you? | 0:32:36 | 0:32:38 | |
That's interesting. Maybe not. | 0:32:40 | 0:32:42 | |
Write this down. Megan Webb had taste. | 0:32:42 | 0:32:45 | |
What did you just say? | 0:32:45 | 0:32:47 | |
Aye, go on. | 0:32:47 | 0:32:49 | |
Go on, Mr Manners, I dare you. | 0:32:50 | 0:32:52 | |
The thrill of chucking you in a police cell | 0:32:52 | 0:32:54 | |
would absolutely make my day, so go on. | 0:32:54 | 0:32:57 | |
After you. | 0:32:58 | 0:32:59 | |
Right. That's what I thought. | 0:33:03 | 0:33:06 | |
I'm a grown-up, you know. I can cope. | 0:33:06 | 0:33:08 | |
The guy's an idiot. Aye. You're an idiot. | 0:33:08 | 0:33:10 | |
Knight in shining armour, eh? | 0:33:13 | 0:33:15 | |
What? No, the guy's an idiot. | 0:33:15 | 0:33:17 | |
What? | 0:33:20 | 0:33:21 | |
What?! | 0:33:21 | 0:33:22 | |
Relations between staff members. Yes. | 0:33:31 | 0:33:34 | |
Encouraged? Banned? | 0:33:34 | 0:33:36 | |
Todd hates it. | 0:33:36 | 0:33:37 | |
But it goes on. | 0:33:37 | 0:33:39 | |
What about Megan and that Gary Manners fella? Anything there? | 0:33:39 | 0:33:42 | |
I don't know. Quick fling, maybe? | 0:33:42 | 0:33:44 | |
Well, when he heard about Megan, | 0:33:44 | 0:33:45 | |
he looked as though he'd been punched in the stomach. | 0:33:45 | 0:33:48 | |
Well... | 0:33:48 | 0:33:50 | |
It's been a terrible shock for us all. | 0:33:50 | 0:33:53 | |
Do you know what happened between them? Who broke it off? | 0:33:53 | 0:33:56 | |
No. Sorry. | 0:33:56 | 0:33:57 | |
Could you confirm what your brother was doing on Saturday night? | 0:33:57 | 0:34:01 | |
He went home to his wife. | 0:34:01 | 0:34:03 | |
He left here around four and I didn't see him again | 0:34:03 | 0:34:05 | |
until the morning. And yourself? | 0:34:05 | 0:34:07 | |
I was supervising the dining hall. | 0:34:07 | 0:34:09 | |
We had a supervisor off sick, so I offered to step in. | 0:34:09 | 0:34:12 | |
I finished my shift around ten. | 0:34:12 | 0:34:14 | |
Rather a late night for me. | 0:34:14 | 0:34:16 | |
We'll need to speak to one of Megan's other cabin-mates. | 0:34:16 | 0:34:19 | |
Gail? Gail, yes. | 0:34:19 | 0:34:21 | |
The kitchens are round the back. I can walk you round. | 0:34:21 | 0:34:23 | |
Ah, we'll find our own way, thank you. OK. | 0:34:23 | 0:34:26 | |
That Gary Manners fella, he's lying about something. | 0:34:29 | 0:34:32 | |
It's written all over his stupid, smug, shiny, stupid face. | 0:34:32 | 0:34:37 | |
Well, if you'd been dumped by a girl who ended up murdered, | 0:34:37 | 0:34:39 | |
you might want to keep quiet about it. | 0:34:39 | 0:34:41 | |
He's as guilty as sin, man. It's obvious. | 0:34:41 | 0:34:44 | |
He really kicked your perch, didn't he? | 0:34:44 | 0:34:46 | |
You want to tell me why you were late? | 0:34:49 | 0:34:50 | |
I went to see Lisa. | 0:34:53 | 0:34:55 | |
I went to see her at the school cos I wanted to talk to her | 0:34:55 | 0:34:58 | |
about Leigh-Anne and my access | 0:34:58 | 0:35:00 | |
and why I can't see her and it just all blew up. | 0:35:00 | 0:35:02 | |
What, you just turned up out the blue? Yeah. I did. Yeah. | 0:35:02 | 0:35:05 | |
Clever(!) | 0:35:05 | 0:35:07 | |
Yeah, all right. All right. | 0:35:07 | 0:35:08 | |
Your powers of persuasion are getting better by the minute, John. | 0:35:08 | 0:35:12 | |
Miss Smith? | 0:35:19 | 0:35:20 | |
Gail, is it? | 0:35:20 | 0:35:22 | |
I'm DCI Gently. This is Detective Sergeant Bacchus. | 0:35:22 | 0:35:25 | |
I've got to get these carrots done. | 0:35:25 | 0:35:27 | |
Well, we have permission to interview all staff, | 0:35:27 | 0:35:30 | |
working, or otherwise. | 0:35:30 | 0:35:31 | |
I'm very sorry about what happened to your cabin-mate. | 0:35:34 | 0:35:37 | |
Shocking thing to happen. | 0:35:37 | 0:35:39 | |
Could say that. | 0:35:39 | 0:35:40 | |
We're searching your cabin right now. Just so you know, OK? | 0:35:40 | 0:35:43 | |
Did you get on? Three of you - you Justine and Megan - as cabin-mates? | 0:35:43 | 0:35:46 | |
Fine. | 0:35:46 | 0:35:48 | |
Three's a difficult number. | 0:35:48 | 0:35:49 | |
You're a bit younger than the other girls, aren't you? | 0:35:51 | 0:35:53 | |
What are you, 16? | 0:35:53 | 0:35:55 | |
In four months. I'm 15. | 0:35:55 | 0:35:58 | |
Was that a problem? In the cabin? | 0:35:58 | 0:36:00 | |
You know, any...ructions? | 0:36:00 | 0:36:02 | |
No. | 0:36:02 | 0:36:03 | |
Are you sure? Anything at all? | 0:36:03 | 0:36:05 | |
Have you got a cigarette? Gail... | 0:36:06 | 0:36:08 | |
Why did Megan dump Gary? | 0:36:10 | 0:36:13 | |
Don't know. | 0:36:13 | 0:36:14 | |
Gail, this is a murder investigation. | 0:36:15 | 0:36:18 | |
We ask questions and you answer, truthfully. That's how it works. | 0:36:18 | 0:36:22 | |
We've got no time for messing about or telling fibs. | 0:36:22 | 0:36:25 | |
Well, I'm not lying, actually. | 0:36:25 | 0:36:27 | |
Well, you see, the word "actually" has kind of landed you in it there. | 0:36:27 | 0:36:31 | |
Actually. | 0:36:31 | 0:36:32 | |
I told you, I don't know. | 0:36:32 | 0:36:34 | |
What? Three girls sharing a cabin together | 0:36:34 | 0:36:37 | |
and you never had a good gossip about your love life? | 0:36:37 | 0:36:39 | |
Look, I've got to get back to work. I've got to do this... | 0:36:39 | 0:36:42 | |
VOICE QUAVERING: ..and then I've got to change the chip fat. | 0:36:42 | 0:36:45 | |
Where were you on Saturday night, Gail? | 0:36:45 | 0:36:47 | |
Working. Here. All night. You can ask any of the kitchen staff. | 0:36:47 | 0:36:50 | |
Are you all right? | 0:37:06 | 0:37:08 | |
Yeah. | 0:37:09 | 0:37:10 | |
I just found this in Justine's drawer and... | 0:37:10 | 0:37:13 | |
Are we done? Yep. | 0:37:14 | 0:37:16 | |
What is it? | 0:37:18 | 0:37:20 | |
I don't know. | 0:37:20 | 0:37:21 | |
I think it's pine disinfectant. | 0:37:23 | 0:37:25 | |
Might be nothing. | 0:37:25 | 0:37:26 | |
Let's find out when the cabins are cleaned. | 0:37:26 | 0:37:29 | |
Who's got a car? | 0:37:33 | 0:37:34 | |
Say again? Who's got a car? | 0:37:34 | 0:37:36 | |
If Megan was killed in there, somebody could have kept her there | 0:37:36 | 0:37:40 | |
and waited till it was late enough to drive her to the pier. | 0:37:40 | 0:37:42 | |
Well, there's a staff car | 0:37:42 | 0:37:44 | |
and the keys are kept behind the reception desk | 0:37:44 | 0:37:46 | |
and all staff do have access, within reason. | 0:37:46 | 0:37:49 | |
That'll be it. | 0:37:49 | 0:37:50 | |
It's my turn! | 0:38:36 | 0:38:37 | |
Come here. | 0:38:37 | 0:38:39 | |
It's my turn. | 0:38:39 | 0:38:40 | |
But it's mine. He's had it all day. | 0:38:40 | 0:38:42 | |
The pair of yous better pack it in, right. | 0:38:42 | 0:38:44 | |
BOTH: But Dad! | 0:38:45 | 0:38:46 | |
Sir? The lab report's back. It's a match. | 0:38:54 | 0:38:57 | |
The blood in the car was the same type as Megan's. | 0:38:57 | 0:39:00 | |
124 witness statements and nobody saw a thing. | 0:39:00 | 0:39:03 | |
Well, not yet. | 0:39:03 | 0:39:04 | |
Where's John? | 0:39:04 | 0:39:06 | |
I'm not sure. He, um... | 0:39:06 | 0:39:08 | |
Well, he disappeared when he heard | 0:39:08 | 0:39:09 | |
that there was a solicitor in the building. | 0:39:09 | 0:39:11 | |
I'm not sure what it's about, but... | 0:39:11 | 0:39:13 | |
Sorry. Oh, great. | 0:39:13 | 0:39:15 | |
You don't know what you're talking about. You're an idiot! | 0:39:16 | 0:39:19 | |
I'm just telling you how it is. | 0:39:19 | 0:39:20 | |
He's an idiot, him. Doesn't know what he's talking about. | 0:39:20 | 0:39:23 | |
I take it you cornered him about Leigh-Anne. Yeah. | 0:39:23 | 0:39:25 | |
And he says the only option I have is to take Lisa to court | 0:39:25 | 0:39:29 | |
and even then, right, statistically, | 0:39:29 | 0:39:31 | |
I have a minuscule chance of winning. | 0:39:31 | 0:39:33 | |
And either way, I've got to pay the court costs. | 0:39:33 | 0:39:36 | |
So, not only will I end up exactly where I started... | 0:39:36 | 0:39:39 | |
..I'll be bankrupt. It's great, innit, that? Terrific. | 0:39:40 | 0:39:43 | |
So, what does he recommend? | 0:39:43 | 0:39:44 | |
He doesn't. He told me to forget it. | 0:39:44 | 0:39:45 | |
So I told him to shove his clipboard up his stupid... John. John. | 0:39:45 | 0:39:48 | |
John! John! | 0:39:48 | 0:39:50 | |
Not here. | 0:39:50 | 0:39:51 | |
Sorry. Why don't you go and talk to Lisa again? | 0:39:51 | 0:39:54 | |
I can't do that. Why not? | 0:39:54 | 0:39:56 | |
Because, apparently, I scare her and she doesn't want me around. | 0:39:58 | 0:40:01 | |
It's ridiculous. Oh, don't mind me. | 0:40:01 | 0:40:03 | |
I'm only Leigh-Anne's dad. | 0:40:03 | 0:40:04 | |
Just the hapless father, that's all. | 0:40:04 | 0:40:06 | |
Where was Gary Manners on Saturday night? | 0:40:06 | 0:40:08 | |
Oh, look at this, man. She keeps shifting... John! | 0:40:08 | 0:40:11 | |
LOUDLY: Where was Gary Manners on Saturday night? | 0:40:11 | 0:40:13 | |
Er, oh, yeah... | 0:40:14 | 0:40:16 | |
Him and Justine were on stage at the camp | 0:40:16 | 0:40:19 | |
from six till last orders. | 0:40:19 | 0:40:21 | |
Don't they ever give them a break? | 0:40:21 | 0:40:22 | |
I don't think so. They treat them like pack-horses. | 0:40:22 | 0:40:25 | |
Don't even have time to eat. | 0:40:25 | 0:40:27 | |
How did you get on with Stretch's wife? | 0:40:27 | 0:40:29 | |
Sir, there was no answer on the phone, | 0:40:29 | 0:40:31 | |
so I popped round and spoke to a neighbour, | 0:40:31 | 0:40:33 | |
who said that Mrs Stretch and his daughters had left months ago. | 0:40:33 | 0:40:36 | |
Did they, indeed? | 0:40:36 | 0:40:37 | |
Oh, yeah, and I also called the village hairdressers | 0:40:37 | 0:40:40 | |
about Mrs Webb and asked about her wig. | 0:40:40 | 0:40:43 | |
Well, hairdressers know everything, | 0:40:43 | 0:40:44 | |
especially local hair-associated facts. | 0:40:44 | 0:40:47 | |
Well, childbirth. | 0:40:47 | 0:40:48 | |
All of her hair fell out when she gave birth to Megan. | 0:40:48 | 0:40:51 | |
She's been wearing a wig ever since. | 0:40:51 | 0:40:53 | |
It's always been a problem between mother and daughter, apparently. | 0:40:53 | 0:40:57 | |
That's great. | 0:40:57 | 0:40:58 | |
Innit? That's amazing. | 0:40:58 | 0:41:00 | |
Really exemplary work there, WPC Coles. | 0:41:00 | 0:41:03 | |
Tell us something. Were you one of those kids | 0:41:03 | 0:41:06 | |
that wore their school uniform at the weekends? | 0:41:06 | 0:41:08 | |
Would you excuse us for a moment, please, Rachel. | 0:41:10 | 0:41:12 | |
Bright and female. | 0:41:17 | 0:41:19 | |
She really rattled your cage, didn't she? No, no, it's not that. | 0:41:19 | 0:41:23 | |
She's just an arrogant know-all. | 0:41:23 | 0:41:25 | |
She's over you like a rash. John... | 0:41:25 | 0:41:27 | |
She's all like, "Oh, Mr Gently, sir..." | 0:41:27 | 0:41:29 | |
John, John. I feel for you, I really do. | 0:41:29 | 0:41:32 | |
Not seeing Leigh-Anne, it's grossly unfair... | 0:41:32 | 0:41:36 | |
What would you know about it? | 0:41:36 | 0:41:38 | |
You're not a father. | 0:41:38 | 0:41:40 | |
Thanks for that. | 0:41:47 | 0:41:48 | |
But that does not give you permission to come here | 0:41:51 | 0:41:53 | |
and make everybody feel as diminished as you clearly do. | 0:41:53 | 0:41:56 | |
You get back to the holiday camp. | 0:41:58 | 0:42:00 | |
You're more use there than here. | 0:42:00 | 0:42:02 | |
Give it a day or two, most of these campers will be gone. | 0:42:28 | 0:42:32 | |
You don't know that. | 0:42:32 | 0:42:34 | |
I admire your optimism. | 0:42:34 | 0:42:35 | |
Tea? | 0:42:36 | 0:42:38 | |
No. Not for me. | 0:42:38 | 0:42:39 | |
Where's Gary Manners right about now. | 0:42:39 | 0:42:41 | |
He's proving to be a bit elusive. | 0:42:41 | 0:42:43 | |
On his way to the dancehall, I should imagine. | 0:42:43 | 0:42:45 | |
Whipping up our campers into a heightened state of euphoria. | 0:42:45 | 0:42:48 | |
Really? | 0:42:48 | 0:42:49 | |
How long have you been married? | 0:42:50 | 0:42:52 | |
16 years. | 0:42:52 | 0:42:53 | |
To Kitty. | 0:42:53 | 0:42:54 | |
Two children, | 0:42:54 | 0:42:56 | |
if indeed that was to be your next question. | 0:42:56 | 0:42:58 | |
Dorothy and Heather, 14 and 12. | 0:42:58 | 0:43:01 | |
Do you get home much? | 0:43:01 | 0:43:02 | |
Well, I work hard, Sergeant. | 0:43:02 | 0:43:05 | |
Is that why she left? | 0:43:05 | 0:43:06 | |
Ah, come on, man. | 0:43:09 | 0:43:10 | |
That piece of information's not going to pass us by, is it? | 0:43:10 | 0:43:13 | |
It's a murder investigation. | 0:43:13 | 0:43:15 | |
Look... | 0:43:16 | 0:43:17 | |
I don't want anyone to know. Even my sister doesn't know. | 0:43:17 | 0:43:21 | |
I had to give Kitty some money to keep quiet. | 0:43:21 | 0:43:24 | |
I am a family man. | 0:43:24 | 0:43:25 | |
Was. | 0:43:25 | 0:43:26 | |
Does beg the question, though, doesn't it? | 0:43:28 | 0:43:30 | |
What you were really doing on Saturday night? | 0:43:31 | 0:43:33 | |
What is this? | 0:43:39 | 0:43:40 | |
I've always loved Kiss Me Kate. | 0:43:41 | 0:43:44 | |
Perhaps you could enlighten me about Saturday night's production. | 0:43:44 | 0:43:48 | |
I got drunk and slept here on the sofa. | 0:43:56 | 0:43:59 | |
It happens a little too often. | 0:44:00 | 0:44:02 | |
I was embarrassed. | 0:44:03 | 0:44:05 | |
You were at the camp all evening? | 0:44:05 | 0:44:07 | |
Yes. | 0:44:07 | 0:44:08 | |
Did you go anywhere? | 0:44:08 | 0:44:10 | |
Answer the question. | 0:44:13 | 0:44:15 | |
In the dancehall, there's a corner of the wings | 0:44:18 | 0:44:22 | |
where I can stand without being seen. | 0:44:22 | 0:44:23 | |
I make notes. | 0:44:25 | 0:44:26 | |
The show has to be perfect. | 0:44:26 | 0:44:28 | |
Efficiency is everything if we are to maintain the numbers. | 0:44:28 | 0:44:31 | |
Standards need to be high. | 0:44:31 | 0:44:33 | |
Was Megan performing? | 0:44:34 | 0:44:35 | |
Yes. | 0:44:39 | 0:44:40 | |
You lied during the murder investigation of your own daughter. | 0:44:40 | 0:44:43 | |
If I'd told you where I was, you would have assumed the worst! | 0:44:43 | 0:44:46 | |
I always assume the worst of everybody. | 0:44:46 | 0:44:48 | |
I didn't kill her! | 0:44:49 | 0:44:50 | |
You know what? I don't believe you. | 0:44:50 | 0:44:53 | |
Oh, there I go again... | 0:44:53 | 0:44:55 | |
I didn't kill her! How could I? | 0:44:55 | 0:44:56 | |
Well, you had enough of a reason. | 0:44:56 | 0:44:58 | |
People don't need much, surprisingly. | 0:44:58 | 0:45:00 | |
It was a shock...when she left, yes? | 0:45:04 | 0:45:06 | |
Yes. | 0:45:08 | 0:45:10 | |
I felt like I wanted to die, actually. | 0:45:11 | 0:45:14 | |
It didn't make you happy, | 0:45:14 | 0:45:16 | |
knowing that your only daughter was following her dream? | 0:45:16 | 0:45:19 | |
I told you before, Inspector, I thought it was an indulgence. | 0:45:19 | 0:45:22 | |
She wanted lessons after school. | 0:45:24 | 0:45:26 | |
Ballet, tap, singing, acting. | 0:45:26 | 0:45:28 | |
Instead, Patrick whisked her off to his sister for extra Latin classes. | 0:45:28 | 0:45:32 | |
She's an exemplary Latin teacher, his sister. | 0:45:34 | 0:45:37 | |
No social graces though, | 0:45:37 | 0:45:40 | |
so I keep my distance when possible. | 0:45:40 | 0:45:42 | |
Well, Megan must have been naturally talented then, | 0:45:42 | 0:45:45 | |
cos she didn't have any training or crafting of her talent. | 0:45:45 | 0:45:49 | |
Apparently so. | 0:45:49 | 0:45:50 | |
What did you want to do when you were a little girl? | 0:45:55 | 0:45:58 | |
Er... | 0:46:03 | 0:46:05 | |
I liked to tell stories. | 0:46:08 | 0:46:10 | |
Ah. | 0:46:10 | 0:46:12 | |
I was good at the voices. | 0:46:12 | 0:46:13 | |
My mum and dad used to wheel me out at parties. | 0:46:15 | 0:46:18 | |
I had some... | 0:46:19 | 0:46:21 | |
..ambition, you might say. | 0:46:22 | 0:46:24 | |
But it was not to be. | 0:46:26 | 0:46:27 | |
You lost your hair? | 0:46:30 | 0:46:31 | |
SHE SIGHS | 0:46:32 | 0:46:34 | |
After I gave birth to Megan... | 0:46:37 | 0:46:39 | |
..pretty as a picture, I was not. | 0:46:42 | 0:46:44 | |
Would you say your daughter was as pretty as a picture? | 0:46:46 | 0:46:49 | |
Of course I would! | 0:46:49 | 0:46:51 | |
And clearly she had the talent. | 0:46:52 | 0:46:54 | |
She was all set to have the career that you could never have. | 0:46:54 | 0:46:57 | |
Yes, yes. All right! | 0:46:57 | 0:46:59 | |
You went to the camp, didn't you? | 0:47:02 | 0:47:04 | |
SHE SIGHS | 0:47:06 | 0:47:07 | |
Temptation got the better of me. | 0:47:08 | 0:47:11 | |
I just... | 0:47:11 | 0:47:12 | |
..wanted to see her sing. | 0:47:14 | 0:47:15 | |
Saturday night? | 0:47:16 | 0:47:17 | |
Right, campers, we know you're desperate to see the next act, | 0:47:22 | 0:47:25 | |
so please put your hands together for the late-night version | 0:47:25 | 0:47:29 | |
of the After Dark Bluebirds, led by our very own Megan Webb! | 0:47:29 | 0:47:34 | |
CHEERING | 0:47:34 | 0:47:36 | |
MUSIC: The Shoop Shoop Song (It's In His Kiss) | 0:47:36 | 0:47:39 | |
# Does he love me? | 0:47:39 | 0:47:41 | |
# I wanna know | 0:47:41 | 0:47:43 | |
# How can I tell if he loves me so? | 0:47:43 | 0:47:46 | |
# Is it in his eyes? | 0:47:46 | 0:47:48 | |
# Oh, no, you'll be deceived | 0:47:48 | 0:47:50 | |
# Is it in his eyes? | 0:47:50 | 0:47:52 | |
# Oh, no, he'll make believe | 0:47:52 | 0:47:54 | |
# If you wanna know if he loves you so | 0:47:54 | 0:47:58 | |
# It's in his kiss That's where it is | 0:47:58 | 0:48:01 | |
# Oh, yeah, or is it in his face? | 0:48:01 | 0:48:04 | |
# Oh, no, it's just his charms | 0:48:04 | 0:48:06 | |
# In his warm embrace? | 0:48:06 | 0:48:08 | |
# Oh, no, that's just his arm | 0:48:08 | 0:48:09 | |
# If you wanna know if he loves you so | 0:48:09 | 0:48:13 | |
# It's in his kiss That's where it is | 0:48:13 | 0:48:16 | |
# Whoa, it's in his kiss That's where it is | 0:48:16 | 0:48:20 | |
# Whoa-oh-oh Kiss him and squeeze him tight | 0:48:20 | 0:48:25 | |
# Find out what you wanna know | 0:48:25 | 0:48:29 | |
# If it's love, if it really is | 0:48:29 | 0:48:33 | |
# It's there in his kiss | 0:48:33 | 0:48:36 | |
# How 'bout the way he acts? | 0:48:36 | 0:48:37 | |
# Oh, no, that's not the way | 0:48:37 | 0:48:40 | |
# You're not listenin' to all I say | 0:48:40 | 0:48:44 | |
# If you wanna know if he loves you so | 0:48:44 | 0:48:47 | |
# It's in his kiss That's where it is | 0:48:47 | 0:48:50 | |
# Whoa-oh-oh, it's in his kiss That's where it is... # | 0:48:50 | 0:48:54 | |
Any mistakes? | 0:48:55 | 0:48:56 | |
There's always room for polish. | 0:48:57 | 0:49:00 | |
Tighter footwork. | 0:49:00 | 0:49:01 | |
Wider smiles. | 0:49:01 | 0:49:02 | |
Why did your wife leave you? | 0:49:05 | 0:49:07 | |
It's ironic. | 0:49:07 | 0:49:09 | |
One fights to maintain the perfect family holiday | 0:49:09 | 0:49:12 | |
and in doing so, | 0:49:12 | 0:49:14 | |
destroys one's own precious little unit. | 0:49:14 | 0:49:17 | |
You wouldn't understand precious if it came up and hit you in the face. | 0:49:17 | 0:49:19 | |
I beg your pardon? You sit there, | 0:49:19 | 0:49:21 | |
talking about how important family is to you, when all the time, | 0:49:21 | 0:49:25 | |
you were having it off with Megan Webb. | 0:49:25 | 0:49:27 | |
No, I wasn't. Yes, you were. | 0:49:27 | 0:49:29 | |
I just wouldn't! You're lying! | 0:49:29 | 0:49:31 | |
Again! | 0:49:31 | 0:49:32 | |
This may come as a surprise to you, Sergeant, | 0:49:32 | 0:49:34 | |
but we are not all unfaithful. Not all of us. | 0:49:34 | 0:49:37 | |
My weakness is this camp. | 0:49:38 | 0:49:41 | |
My father's camp. | 0:49:41 | 0:49:43 | |
I just want it to work. | 0:49:43 | 0:49:46 | |
And I can't fail. | 0:49:46 | 0:49:47 | |
I just can't. | 0:49:48 | 0:49:49 | |
Do you know what? | 0:49:54 | 0:49:55 | |
I came to this camp a few years back. | 0:49:57 | 0:49:59 | |
Really? Yep. | 0:49:59 | 0:50:01 | |
Me, the wife, my daughter. | 0:50:01 | 0:50:03 | |
We had a great time. | 0:50:03 | 0:50:04 | |
I remember how busy it was. It was absolutely packed with families. | 0:50:06 | 0:50:10 | |
Not so packed any more. | 0:50:10 | 0:50:12 | |
Your camp's dying, isn't it? | 0:50:12 | 0:50:14 | |
Hardly that. | 0:50:14 | 0:50:15 | |
Come on, man, this is 1969. | 0:50:15 | 0:50:16 | |
Family's not what it used to be. I should know. | 0:50:18 | 0:50:22 | |
People don't want to come to holiday camps any more, | 0:50:22 | 0:50:24 | |
they want to go further afield. | 0:50:24 | 0:50:26 | |
Your dancehall seems busy enough. | 0:50:26 | 0:50:28 | |
Your dining room, all that. | 0:50:28 | 0:50:29 | |
You've disguised those bits very well... No, it is not a disguise! | 0:50:29 | 0:50:34 | |
It is clever programming. | 0:50:34 | 0:50:36 | |
We lead our campers like horses to water. | 0:50:36 | 0:50:38 | |
One big event on the hour, every hour. | 0:50:38 | 0:50:40 | |
If a room is full, they'll be happy, and they will keep coming back. | 0:50:40 | 0:50:44 | |
You'd do anything to save this camp, wouldn't you? | 0:50:46 | 0:50:48 | |
Did Patrick know you went? | 0:50:51 | 0:50:53 | |
Megan... | 0:50:56 | 0:50:57 | |
..obviously wanted me to come. I was rather touched. | 0:50:58 | 0:51:01 | |
She wrote more than once? | 0:51:01 | 0:51:03 | |
Yes. | 0:51:03 | 0:51:04 | |
Every week. | 0:51:05 | 0:51:06 | |
But I couldn't write back. Why not? | 0:51:08 | 0:51:10 | |
I didn't want to engage. She'd...disobeyed me. | 0:51:11 | 0:51:14 | |
But then she told me an agent was coming. | 0:51:15 | 0:51:17 | |
An agent? Yes. | 0:51:17 | 0:51:19 | |
Someone local had seen her, told someone else. | 0:51:19 | 0:51:21 | |
I thought, she must be...passable, | 0:51:23 | 0:51:26 | |
if someone's coming to see her. | 0:51:26 | 0:51:28 | |
Did you speak to her? | 0:51:28 | 0:51:30 | |
After the show. | 0:51:30 | 0:51:32 | |
WHOOPING AND LAUGHING | 0:51:32 | 0:51:34 | |
What time was this? | 0:51:57 | 0:51:59 | |
I suppose... | 0:51:59 | 0:52:00 | |
..9.20pm, 9.25pm, maybe? | 0:52:02 | 0:52:04 | |
Mum... | 0:52:10 | 0:52:12 | |
I won't come in. | 0:52:12 | 0:52:13 | |
What are you doing here? | 0:52:13 | 0:52:14 | |
I just came to see you sing a couple of songs | 0:52:14 | 0:52:17 | |
and to say... | 0:52:17 | 0:52:19 | |
yeah, well done. | 0:52:19 | 0:52:20 | |
Mum, please come in. No, I couldn't possibly. | 0:52:24 | 0:52:28 | |
You came to see me. | 0:52:28 | 0:52:29 | |
Thought it was about time. | 0:52:30 | 0:52:33 | |
Got my letters, then? | 0:52:33 | 0:52:34 | |
Did the agent come? | 0:52:39 | 0:52:41 | |
You said in your letter... | 0:52:41 | 0:52:43 | |
Um... | 0:52:43 | 0:52:44 | |
I was cross with you. | 0:52:46 | 0:52:48 | |
Every week I write, and nothing. | 0:52:48 | 0:52:50 | |
I just found myself writing that, and... | 0:52:51 | 0:52:53 | |
I see. | 0:52:56 | 0:52:57 | |
No agent? | 0:52:59 | 0:53:00 | |
Oh, well. | 0:53:04 | 0:53:05 | |
That'll serve me right for not writing back. | 0:53:07 | 0:53:09 | |
I might not stay here, Mum. | 0:53:14 | 0:53:15 | |
Why? | 0:53:15 | 0:53:16 | |
I can't explain, really. | 0:53:18 | 0:53:20 | |
Mum, can I come home? | 0:53:23 | 0:53:25 | |
Home? | 0:53:25 | 0:53:27 | |
No. No, darling, you can't. | 0:53:29 | 0:53:32 | |
I really should go. | 0:53:37 | 0:53:39 | |
Mum! | 0:53:39 | 0:53:40 | |
Mum... | 0:53:41 | 0:53:43 | |
Why'd you say no? | 0:53:45 | 0:53:47 | |
Because she was too good. | 0:53:47 | 0:53:49 | |
Oh. She was so good, in fact, that I realised | 0:53:50 | 0:53:53 | |
she was absolutely right, | 0:53:53 | 0:53:54 | |
to have left home, gone to the camp. | 0:53:54 | 0:53:56 | |
It was a perfect platform for her. | 0:53:58 | 0:53:59 | |
She couldn't give it up and come home. I wouldn't allow it. | 0:54:00 | 0:54:03 | |
If I didn't know you better, | 0:54:05 | 0:54:07 | |
I'd say you were starting to sound like a proud mum. | 0:54:07 | 0:54:10 | |
I don't know about that. Oh, come on, Agnes. | 0:54:10 | 0:54:13 | |
"Come on" what, Mr Gently? | 0:54:13 | 0:54:15 | |
Do I regret not telling her that? | 0:54:15 | 0:54:17 | |
Absolutely that? | 0:54:17 | 0:54:19 | |
That I was proud of her? Proud of her...beautiful performance? | 0:54:19 | 0:54:23 | |
I think so, yes. Yes. | 0:54:23 | 0:54:26 | |
And regret can make a person... | 0:54:27 | 0:54:29 | |
..very, very angry and bitter. | 0:54:31 | 0:54:33 | |
Well... | 0:54:36 | 0:54:38 | |
..at least you went to see her. | 0:54:39 | 0:54:40 | |
That would have meant something to her. | 0:54:41 | 0:54:43 | |
You think? Hmm. | 0:54:45 | 0:54:47 | |
Yeah, maybe. | 0:54:49 | 0:54:50 | |
But I didn't take her home with me, Inspector. | 0:54:53 | 0:54:56 | |
I didn't do as she asked. | 0:55:00 | 0:55:01 | |
We've lost our baby, Patrick. Our baby. | 0:55:16 | 0:55:19 | |
SHE SOBS | 0:55:21 | 0:55:23 | |
CRYING: She was such a good dancer. | 0:55:24 | 0:55:26 | |
I so wished you could have seen her. | 0:55:26 | 0:55:28 | |
I think it's what they call a cack-handed approach. | 0:55:29 | 0:55:32 | |
It was clumsy, certainly. | 0:55:32 | 0:55:34 | |
Just makes me laugh. | 0:55:34 | 0:55:35 | |
Does he think for one moment that him turning up like that | 0:55:35 | 0:55:38 | |
is going to make me go, "Oh, yeah, all right, then. | 0:55:38 | 0:55:40 | |
"Just because you asked so nicely." | 0:55:40 | 0:55:43 | |
John has got a particular way with words. | 0:55:43 | 0:55:45 | |
That's one way of putting it. | 0:55:45 | 0:55:47 | |
Oh, he's always been like this, hasn't he? | 0:55:47 | 0:55:49 | |
Gets in a rage, because he doesn't know what else to do. | 0:55:49 | 0:55:52 | |
But, you know, Lisa, underneath all of that... | 0:55:55 | 0:55:57 | |
..he might just have... What? ..a point. | 0:55:59 | 0:56:02 | |
A point? | 0:56:02 | 0:56:04 | |
Yeah. | 0:56:04 | 0:56:05 | |
Oh, no. | 0:56:06 | 0:56:07 | |
The amount of contact he has with Leigh-Anne is pitiful, Lisa. | 0:56:07 | 0:56:13 | |
It just is. Is that what this is about? | 0:56:13 | 0:56:16 | |
This is why you asked us to meet? | 0:56:16 | 0:56:17 | |
I'll get us another drink. | 0:56:21 | 0:56:22 | |
MAN: I can't explain now... | 0:56:32 | 0:56:33 | |
WOMAN: I think it's best if we just get home as quick as we can... | 0:56:33 | 0:56:38 | |
Ah, we meet again. I missed you. | 0:56:39 | 0:56:41 | |
I'll bet. I mustn't dawdle. Campers to entertain. | 0:56:41 | 0:56:43 | |
Everyone in this camp seems to think that you and Megan | 0:56:43 | 0:56:46 | |
had a relationship except for you. It's funny that, isn't it? Yeah? | 0:56:46 | 0:56:49 | |
Well, I don't call a couple of nights in a cold, unoccupied cabin | 0:56:49 | 0:56:51 | |
a relationship. Maybe, you do. How sweet(!) | 0:56:51 | 0:56:54 | |
Someone even said that you were in love with her. Who? | 0:56:54 | 0:56:57 | |
Oh, fascinating. | 0:56:59 | 0:57:01 | |
Meaning? So many untruths whizzing about this camp, Sergeant. | 0:57:02 | 0:57:06 | |
Were you angry or upset when she ended it? No. | 0:57:06 | 0:57:09 | |
Dear me, you're a terrible liar. | 0:57:09 | 0:57:12 | |
Why did she end it? | 0:57:12 | 0:57:13 | |
I don't know. I don't care. | 0:57:13 | 0:57:15 | |
Well, you either genuinely don't know, in which case, you're thick, | 0:57:15 | 0:57:18 | |
or you do know and you're just not telling me, | 0:57:18 | 0:57:20 | |
in which case, you're a bit stupid. | 0:57:20 | 0:57:22 | |
Must be difficult in that dancehall without her. | 0:57:25 | 0:57:27 | |
Off you pop. | 0:57:30 | 0:57:31 | |
Will you think about it? | 0:57:44 | 0:57:46 | |
There's nothing to think about. I disagree. | 0:57:46 | 0:57:49 | |
This has nothing to do with you, George. | 0:57:49 | 0:57:50 | |
Well, not directly, no. | 0:57:50 | 0:57:52 | |
But I think I know something of what John's going through. | 0:57:52 | 0:57:56 | |
I know what it's like to feel... | 0:57:56 | 0:57:58 | |
What? | 0:57:59 | 0:58:01 | |
Isabella died five years ago yesterday. | 0:58:06 | 0:58:08 | |
About this time, actually. | 0:58:09 | 0:58:11 | |
George, I'm sorry. No, it's all right. It's all right. | 0:58:11 | 0:58:15 | |
Well, it's not. | 0:58:17 | 0:58:19 | |
Lisa, I don't have a family... | 0:58:22 | 0:58:24 | |
..as John so kindly pointed out to me yesterday | 0:58:26 | 0:58:29 | |
but what he doesn't know is that we did try. | 0:58:29 | 0:58:32 | |
For years. We did all the tests, all of it, but... | 0:58:32 | 0:58:35 | |
And I think I would have made an all-right dad. | 0:58:38 | 0:58:41 | |
But... | 0:58:42 | 0:58:44 | |
Let him do it, Lisa. | 0:58:45 | 0:58:47 | |
George... Something's got to give. | 0:58:47 | 0:58:49 | |
He could see Leigh-Anne more, couldn't he? | 0:58:51 | 0:58:53 | |
We've got a routine now. | 0:58:53 | 0:58:55 | |
This is not about routine. This is about control. | 0:58:56 | 0:58:59 | |
I don't like the way you're saying that. | 0:59:01 | 0:59:03 | |
Why? | 0:59:04 | 0:59:06 | |
Why couldn't he see more of her? | 0:59:06 | 0:59:07 | |
Because seeing her so little, it's making his heart freeze, Lisa. | 0:59:07 | 0:59:13 | |
And he's her dad. She's his little girl. You can't change that. | 0:59:13 | 0:59:16 | |
You can't take that away from him. | 0:59:16 | 0:59:19 | |
Or her. | 0:59:19 | 0:59:20 | |
You look like the boss to me. | 0:59:33 | 0:59:35 | |
Not the other one. | 0:59:35 | 0:59:37 | |
Hello, there. | 0:59:38 | 0:59:39 | |
Just something about the way you hold yourself. | 0:59:40 | 0:59:42 | |
It's fun here when the sun starts to fade, isn't it? | 0:59:45 | 0:59:48 | |
Depends what you mean by fun. | 0:59:48 | 0:59:51 | |
Oh, holiday camps are all about sunshine, blue skies. | 0:59:51 | 0:59:54 | |
Smiling faces, colour, laughing... | 0:59:54 | 0:59:58 | |
It's a well-trodden path | 0:59:58 | 1:00:00 | |
but when the night falls, we don't think about the shadows. | 1:00:00 | 1:00:02 | |
Let me ask you something. | 1:00:02 | 1:00:05 | |
Why did you lie to us when we first questioned you about Gary? | 1:00:05 | 1:00:07 | |
You said that Megan wasn't seeing anyone. | 1:00:07 | 1:00:10 | |
She wasn't, they'd split up. | 1:00:10 | 1:00:12 | |
Clever clogs. | 1:00:14 | 1:00:15 | |
What are you doing, Justine? | 1:00:19 | 1:00:21 | |
Well, it's my evening off. | 1:00:22 | 1:00:23 | |
I came out for a fag but I can't be seen loitering. | 1:00:25 | 1:00:28 | |
So, I'd appreciate it if miraculously you'd forgotten you'd seen us. | 1:00:28 | 1:00:31 | |
You and Megan were good friends, were you? | 1:00:34 | 1:00:36 | |
Do we have to talk about this now? | 1:00:39 | 1:00:41 | |
Go down the station, talk about it there if you fancy. | 1:00:42 | 1:00:45 | |
Well, I liked her a lot. | 1:00:48 | 1:00:50 | |
She knew who she was, what she was doing here. | 1:00:53 | 1:00:55 | |
It's an over-used term, Sergeant, but Megan was a good person. | 1:00:59 | 1:01:03 | |
A friend. | 1:01:03 | 1:01:04 | |
What about Gail? | 1:01:04 | 1:01:05 | |
Was she jealous at all about your friendship? | 1:01:07 | 1:01:10 | |
Gail's young. | 1:01:10 | 1:01:11 | |
I think she's used to being the underdog, but I'm... | 1:01:12 | 1:01:15 | |
..I'm working on her. | 1:01:16 | 1:01:17 | |
I used to be a bit like that... | 1:01:19 | 1:01:21 | |
..like Gail... | 1:01:22 | 1:01:23 | |
..and then I came here and everything changed. | 1:01:24 | 1:01:26 | |
I can't imagine you ever being like Gail. | 1:01:28 | 1:01:31 | |
Oh, I'd surprise you, Sergeant. | 1:01:31 | 1:01:32 | |
Gary and Megan were in a relationship, were they? | 1:01:41 | 1:01:44 | |
Yeah, everyone knows that. | 1:01:46 | 1:01:47 | |
Why did she dump him? | 1:01:48 | 1:01:49 | |
Nobody answers that question. Why will nobody answer that question? | 1:01:53 | 1:01:56 | |
I don't know why she dumped him. | 1:01:56 | 1:01:58 | |
She was so into him. | 1:02:00 | 1:02:01 | |
So excited when he first showed an interest in her. | 1:02:03 | 1:02:06 | |
He singled her out... | 1:02:07 | 1:02:08 | |
..invited her to this party where it all began. | 1:02:10 | 1:02:13 | |
We got her ready. | 1:02:13 | 1:02:14 | |
I lent her a dress. | 1:02:14 | 1:02:16 | |
# Sugar | 1:02:16 | 1:02:17 | |
# Oh, honey, honey | 1:02:19 | 1:02:20 | |
# You are my candy girl | 1:02:23 | 1:02:26 | |
# And you got me wanting you | 1:02:26 | 1:02:30 | |
# Honey... # | 1:02:32 | 1:02:33 | |
That's better. | 1:02:33 | 1:02:35 | |
It's all about accentuation. | 1:02:35 | 1:02:37 | |
Isn't it a bit much? | 1:02:37 | 1:02:39 | |
No. | 1:02:39 | 1:02:40 | |
It's actually perfect. | 1:02:41 | 1:02:43 | |
Now, can you see what can be done? | 1:02:47 | 1:02:49 | |
Anything's possible... | 1:02:49 | 1:02:50 | |
Yeah, but I haven't even got the basics. | 1:02:50 | 1:02:54 | |
Oh, we can create the basics. | 1:02:54 | 1:02:56 | |
Trust me. | 1:02:56 | 1:02:58 | |
MUSIC: "Ha! Ha! Said The Clown" by Manfred Mann | 1:02:58 | 1:03:01 | |
Go and get a drink. | 1:03:11 | 1:03:12 | |
See what happens. | 1:03:12 | 1:03:14 | |
SONG CHANGES: "Build Me Up Buttercup" by The Foundations | 1:03:35 | 1:03:39 | |
MUSIC DROWNS HIS WHISPER | 1:03:49 | 1:03:51 | |
Look and learn, Gail. | 1:03:54 | 1:03:55 | |
Look and learn. | 1:03:55 | 1:03:57 | |
Well, they'd been seeing each other a couple of weeks | 1:04:22 | 1:04:24 | |
and she suddenly went cold on him. | 1:04:24 | 1:04:26 | |
Did she find out he was seeing anybody else? Anything like that? | 1:04:26 | 1:04:30 | |
I don't know. | 1:04:30 | 1:04:31 | |
I think you do. | 1:04:32 | 1:04:33 | |
Well, you would. | 1:04:33 | 1:04:35 | |
It's your job to be suspicious. | 1:04:35 | 1:04:37 | |
Come on, pet. | 1:04:37 | 1:04:38 | |
Sorry to disappoint. | 1:04:39 | 1:04:40 | |
Were you on stage all night on Saturday? | 1:04:42 | 1:04:44 | |
Yeah, between six and midnight. | 1:04:44 | 1:04:46 | |
Didn't leave the dancehall ever? | 1:04:46 | 1:04:48 | |
No. | 1:04:48 | 1:04:49 | |
Sure? Absolutely. | 1:04:49 | 1:04:50 | |
I hate to admit it but I'm rather frightened, Sergeant. | 1:04:55 | 1:04:58 | |
It could happen again, couldn't it? | 1:04:59 | 1:05:02 | |
I'd get inside if I were you, pet. | 1:05:05 | 1:05:07 | |
Till we've made an arrest, | 1:05:08 | 1:05:09 | |
this camp might not be the safest place to be. | 1:05:09 | 1:05:12 | |
Ta-ra. | 1:05:14 | 1:05:15 | |
Why did Megan want to leave that camp? | 1:05:24 | 1:05:26 | |
Something changed. | 1:05:26 | 1:05:27 | |
And something's bothering me. | 1:05:29 | 1:05:31 | |
The staff didn't know about Megan's murder | 1:05:31 | 1:05:34 | |
until about ten the next morning. Right? | 1:05:34 | 1:05:36 | |
Yeah, about that... | 1:05:36 | 1:05:38 | |
And the newspapers arrive at 11 o'clock, yeah? | 1:05:38 | 1:05:41 | |
Yeah, they get delivered to the cabins. | 1:05:41 | 1:05:43 | |
So by mid-morning, everybody knows. Yes? Yeah. | 1:05:43 | 1:05:46 | |
Right, well... | 1:05:46 | 1:05:48 | |
there's a list of families | 1:05:48 | 1:05:50 | |
who tried to check out of the camp before they were interviewed. | 1:05:50 | 1:05:52 | |
Nothing too troubling about that. | 1:05:52 | 1:05:54 | |
They wanted to get the hell out of there, I don't blame them. | 1:05:54 | 1:05:57 | |
But one family were recorded by the... | 1:05:57 | 1:06:00 | |
John, listen. | 1:06:00 | 1:06:02 | |
One family were recorded by the receptionist | 1:06:02 | 1:06:04 | |
as desperately trying to leave at quarter past ten, Monday morning, | 1:06:04 | 1:06:09 | |
45 minutes before the newspapers arrived. | 1:06:09 | 1:06:11 | |
Yeah, and there's no radios in any of the cabins. | 1:06:11 | 1:06:15 | |
Sylvia and Timothy Ryan. Cabin Red 4? | 1:06:15 | 1:06:18 | |
No, no, I remember now. | 1:06:18 | 1:06:20 | |
There was no answer when I was doing my checks. | 1:06:20 | 1:06:22 | |
Bring them both in - separate interviews. | 1:06:22 | 1:06:25 | |
Don't worry, Mr Ryan, you'll be next. | 1:06:33 | 1:06:36 | |
Got any children? | 1:06:40 | 1:06:41 | |
Yeah. Like that, is it? | 1:06:42 | 1:06:44 | |
Well, life changes after kids. | 1:06:44 | 1:06:46 | |
Some people say for the better. | 1:06:46 | 1:06:48 | |
Well, it depends on your point of view. | 1:06:48 | 1:06:51 | |
People shouldn't have kids if they don't want them. | 1:06:51 | 1:06:53 | |
No-one tells you they destroy your lives. | 1:06:53 | 1:06:56 | |
You know what? | 1:06:56 | 1:06:57 | |
I hope your kids never ever hear you say that. | 1:06:57 | 1:07:00 | |
Oh, it's always the dads who judge the most. | 1:07:00 | 1:07:02 | |
And the ones who see the kids the least. | 1:07:02 | 1:07:05 | |
Do you know what... Right, let's just stick to the point, shall we? | 1:07:05 | 1:07:08 | |
Is he staying? | 1:07:08 | 1:07:09 | |
Yes. | 1:07:09 | 1:07:10 | |
Now, where were you on Saturday night, Mrs Ryan? | 1:07:13 | 1:07:16 | |
I was at the camp. Where do you think I was? | 1:07:16 | 1:07:18 | |
Don't get smart. | 1:07:18 | 1:07:21 | |
What were you doing around 9.30? | 1:07:21 | 1:07:22 | |
I can't remember. Think! | 1:07:22 | 1:07:24 | |
Yeah, I... | 1:07:27 | 1:07:29 | |
I called my mum. | 1:07:29 | 1:07:30 | |
Tim was on his way to the dancehall, | 1:07:30 | 1:07:32 | |
I remember I needed to call my mum. | 1:07:32 | 1:07:34 | |
What about? This and that. | 1:07:34 | 1:07:37 | |
Give me the number. | 1:07:37 | 1:07:39 | |
What? | 1:07:39 | 1:07:40 | |
Your mother's number. | 1:07:40 | 1:07:41 | |
Well, presumably she would have remembered the phone call. | 1:07:41 | 1:07:44 | |
So, I'll ask you again. | 1:07:53 | 1:07:54 | |
I went to a cabin, to meet a fella... | 1:07:58 | 1:08:00 | |
..a Bluebird. Who? | 1:08:02 | 1:08:04 | |
His name was...Gary. | 1:08:04 | 1:08:06 | |
Gary Manners? | 1:08:06 | 1:08:07 | |
I don't know his second name. | 1:08:07 | 1:08:08 | |
Gary Manners! | 1:08:08 | 1:08:09 | |
I'd been at the camp a week | 1:08:09 | 1:08:11 | |
and on the second night we got chatting and we hit it off. | 1:08:11 | 1:08:15 | |
This was our third date, of sorts. | 1:08:15 | 1:08:18 | |
What time was this? | 1:08:18 | 1:08:19 | |
I met him around...ten. | 1:08:21 | 1:08:23 | |
There was a competition. | 1:08:23 | 1:08:25 | |
The campers got 20 minutes to dance for the judges. | 1:08:25 | 1:08:29 | |
Gary could come off stage - | 1:08:29 | 1:08:31 | |
he slipped away and no-one noticed. | 1:08:31 | 1:08:34 | |
Go on. | 1:08:34 | 1:08:35 | |
Well, I met him in his cabin. | 1:08:36 | 1:08:38 | |
We were... | 1:08:38 | 1:08:40 | |
Making daisy chains. Yeah, I know. I get it. | 1:08:40 | 1:08:42 | |
When this music suddenly started, really loud - | 1:08:42 | 1:08:46 | |
coming from a cabin nearby. | 1:08:46 | 1:08:48 | |
"BUILD ME UP BUTTERCUP" BLARES | 1:08:48 | 1:08:51 | |
What's the matter? | 1:08:51 | 1:08:52 | |
It's coming from Meg's cabin. Oh, we've only got 15 minutes! | 1:08:53 | 1:08:56 | |
She needs to turn it down. | 1:08:56 | 1:08:57 | |
No, it'll be fine. She needs to turn it down! | 1:08:57 | 1:08:59 | |
Meg, what are you doing? Turn it down. | 1:09:11 | 1:09:14 | |
Meg, what are you playing at? Turn it down! | 1:09:14 | 1:09:17 | |
VOLUME LOWERS | 1:09:18 | 1:09:20 | |
Thank you. | 1:09:20 | 1:09:21 | |
Meg? | 1:09:25 | 1:09:26 | |
Hello? | 1:09:33 | 1:09:34 | |
'How long was the music playing for?' | 1:09:39 | 1:09:41 | |
Minute and a half - maybe less. | 1:09:41 | 1:09:43 | |
And how long were you and Gary...? | 1:09:43 | 1:09:47 | |
15 minutes. | 1:09:49 | 1:09:50 | |
Then what? | 1:09:52 | 1:09:53 | |
I ran back to the dance hall. | 1:09:54 | 1:09:56 | |
What about Gary? | 1:09:56 | 1:09:57 | |
Yeah, he went there too. Just...different route. | 1:09:57 | 1:10:01 | |
Did you see him go? | 1:10:01 | 1:10:03 | |
No, but five minutes later he were on the stage. | 1:10:03 | 1:10:06 | |
Five minutes? | 1:10:06 | 1:10:08 | |
Why did you try and check out early? | 1:10:10 | 1:10:13 | |
Gary came to find me, | 1:10:13 | 1:10:15 | |
when the staff had heard about the girl... | 1:10:15 | 1:10:17 | |
the dead girl. | 1:10:17 | 1:10:19 | |
Well, the music we heard, Gary thought it were a bit odd. | 1:10:19 | 1:10:22 | |
It was too loud, out of character. | 1:10:22 | 1:10:24 | |
We wondered if... | 1:10:24 | 1:10:26 | |
..we'd witnessed something. | 1:10:28 | 1:10:30 | |
And you couldn't tell us because your husband would find out. | 1:10:30 | 1:10:34 | |
But what about Gary? | 1:10:34 | 1:10:35 | |
I don't know. | 1:10:35 | 1:10:36 | |
Because she's not Gary's usual fare, is she? | 1:10:36 | 1:10:41 | |
I beg your pardon. I mean, look at her. | 1:10:41 | 1:10:43 | |
He could have anyone. That's just insulting! | 1:10:43 | 1:10:46 | |
At least I've not got a face that looks like | 1:10:46 | 1:10:49 | |
a horse's head caught in a clamp. Clever. | 1:10:49 | 1:10:51 | |
And you'd be surprised - a lot of men like a bit of flesh. | 1:10:51 | 1:10:55 | |
But not Gary, eh? | 1:10:57 | 1:11:00 | |
I don't know what you mean. Yes, you do. | 1:11:04 | 1:11:06 | |
You paid him for the sex, didn't you? | 1:11:10 | 1:11:12 | |
The lying git. | 1:11:20 | 1:11:21 | |
Megan must have found out about him. | 1:11:21 | 1:11:23 | |
It's not the kind of thing you want to hear | 1:11:23 | 1:11:26 | |
about your nice new boyfriend, is it? | 1:11:26 | 1:11:28 | |
You're looking forward to this, aren't you? | 1:11:29 | 1:11:32 | |
Yeah. | 1:11:32 | 1:11:34 | |
Right, last six! | 1:11:34 | 1:11:35 | |
Three... | 1:11:36 | 1:11:37 | |
five... | 1:11:37 | 1:11:39 | |
Well done. Good, well done. | 1:11:39 | 1:11:41 | |
Good workout! | 1:11:41 | 1:11:43 | |
Star pupil! | 1:11:43 | 1:11:44 | |
Whoo! Oh, God, I think I'm going to throw up. | 1:11:44 | 1:11:47 | |
Gary, put it away, man, will you? I want a word with you. | 1:11:49 | 1:11:51 | |
I'm busy! Now, please. | 1:11:51 | 1:11:53 | |
Where's the fire, gentlemen? | 1:11:55 | 1:11:57 | |
It's not a good look in front of the campers. | 1:11:57 | 1:11:59 | |
Did you sleep with Sylvia Ryan? | 1:11:59 | 1:12:01 | |
I need to get on, got back-to-back classes. | 1:12:02 | 1:12:04 | |
Well, I'll take that as a yes then. | 1:12:04 | 1:12:06 | |
Look, we could do this down at the station, if you like. | 1:12:06 | 1:12:10 | |
And there, I guarantee, you will start sweating. | 1:12:10 | 1:12:13 | |
It's just a bit of fun. | 1:12:13 | 1:12:14 | |
Do it often? I'm a consenting adult. | 1:12:14 | 1:12:16 | |
Indeed you are. | 1:12:16 | 1:12:17 | |
But unfortunately you consented to take money for it, didn't you? | 1:12:17 | 1:12:21 | |
Did Megan find out and threaten to tell somebody about it? | 1:12:23 | 1:12:25 | |
Hey, is that why you killed her, Gary? I wouldn't hurt Megan! | 1:12:25 | 1:12:28 | |
Not in a million years. See, at the moment, | 1:12:28 | 1:12:30 | |
I don't believe a single word that comes out of your mouth. | 1:12:30 | 1:12:34 | |
First you're not seeing Megan, then you are. | 1:12:34 | 1:12:36 | |
You didn't leave the dancehall, then you did. | 1:12:36 | 1:12:38 | |
Add that to your vice activity, | 1:12:38 | 1:12:40 | |
you're already looking at a jail term. | 1:12:40 | 1:12:42 | |
I didn't kill her. Yeah, right. | 1:12:42 | 1:12:44 | |
I didn't kill her! | 1:12:44 | 1:12:45 | |
You're a smarmy git, you are, Gary. | 1:12:45 | 1:12:48 | |
You want to watch yourself, all roads seem to be leading to you. | 1:12:48 | 1:12:51 | |
Because I had some assignations, I'm capable of murder? | 1:12:51 | 1:12:53 | |
How many times do I need to say it? You want to back off, man, all right? You've got this very wrong. | 1:12:53 | 1:12:58 | |
You were very fond of Megan, weren't you? | 1:12:59 | 1:13:01 | |
Yeah, I know. OK. | 1:13:01 | 1:13:03 | |
Did she find out that you were accepting money for sex? | 1:13:06 | 1:13:09 | |
Yes. | 1:13:11 | 1:13:12 | |
Who else knew? | 1:13:13 | 1:13:15 | |
Who else knew? | 1:13:16 | 1:13:17 | |
No-one. You're lying. I'm not. | 1:13:17 | 1:13:20 | |
See, I'm better at this than you are, Gary. | 1:13:20 | 1:13:23 | |
Now, there is something. Isn't there? | 1:13:23 | 1:13:25 | |
There's something around the notion of who else knew. | 1:13:25 | 1:13:28 | |
Because why would you lie? Who are you protecting? | 1:13:28 | 1:13:31 | |
You weren't the only one. Were you, Gary? | 1:13:35 | 1:13:37 | |
Thanks, Gary. | 1:13:44 | 1:13:45 | |
I'm lost. Stretch is running a knocking shop, John, | 1:13:51 | 1:13:55 | |
right here in the camp. | 1:13:55 | 1:13:57 | |
Are you quite serious? | 1:13:57 | 1:13:58 | |
This is a family holiday camp, Inspector, | 1:13:58 | 1:14:02 | |
it slightly misses the point. | 1:14:02 | 1:14:04 | |
I suggest you wipe that grin off your face | 1:14:04 | 1:14:06 | |
and take a seat, Mr Stretch. | 1:14:06 | 1:14:08 | |
Gary Manners regularly slept with female campers for money. | 1:14:09 | 1:14:14 | |
I don't know what you're talking about! | 1:14:14 | 1:14:16 | |
Well, I think you do, Mr Stretch. | 1:14:16 | 1:14:18 | |
Was Megan a part of this? What? Was she one of your girls? | 1:14:18 | 1:14:21 | |
Cherry, Inspector Gently is under the misguided | 1:14:21 | 1:14:26 | |
and quite frankly ludicrous impression | 1:14:26 | 1:14:28 | |
that this camp is gaining from immoral earnings. | 1:14:28 | 1:14:31 | |
Would you kindly tell him that we know nothing of any prostitution. | 1:14:31 | 1:14:35 | |
Who told you that? | 1:14:35 | 1:14:37 | |
Gary Manners gave himself away. | 1:14:37 | 1:14:39 | |
Gary likes the sound of his own voice. | 1:14:39 | 1:14:41 | |
Bit of a boaster. | 1:14:42 | 1:14:44 | |
So you knew nothing about this? Nothing at all? | 1:14:47 | 1:14:49 | |
Because Gary says he wasn't the only one. | 1:14:55 | 1:14:58 | |
I had to do something. | 1:15:07 | 1:15:08 | |
There were these loan sharks and they needed cash fast. | 1:15:08 | 1:15:12 | |
What are you saying? Todd knew nothing about this. | 1:15:12 | 1:15:15 | |
What have you done? | 1:15:15 | 1:15:16 | |
The camp was failing, Todd. We would have failed. | 1:15:16 | 1:15:19 | |
What have you done?! | 1:15:19 | 1:15:21 | |
The camp was going under, Todd - the whole thing! | 1:15:21 | 1:15:24 | |
Families weren't coming any more. We were that close. | 1:15:24 | 1:15:26 | |
I had to keep it afloat! No, Cherry...not like this. | 1:15:26 | 1:15:30 | |
This is all we have. This is all we are! | 1:15:30 | 1:15:32 | |
You're so naive, Todd. | 1:15:32 | 1:15:35 | |
It's business, just business. | 1:15:36 | 1:15:39 | |
I know it's hard, but we needed the cash. | 1:15:39 | 1:15:41 | |
We'd be dead otherwise. | 1:15:43 | 1:15:44 | |
Sit down, Mr Stretch. | 1:15:49 | 1:15:51 | |
How did you...market this business? | 1:15:56 | 1:16:00 | |
We watched, at meal-times, the couples who were struggling. | 1:16:04 | 1:16:08 | |
The men who looked straight past their own wives, | 1:16:08 | 1:16:10 | |
so they could get a good look at someone else's. | 1:16:10 | 1:16:12 | |
Oh, it's everywhere, Inspector - | 1:16:13 | 1:16:15 | |
unhappy couples. | 1:16:15 | 1:16:18 | |
Especially on holiday... | 1:16:18 | 1:16:20 | |
all that flesh, | 1:16:20 | 1:16:22 | |
every flaw exposed. | 1:16:22 | 1:16:24 | |
And what about Megan? | 1:16:25 | 1:16:26 | |
What about her? Come on, Cherry, there's more. | 1:16:26 | 1:16:29 | |
What about Megan? | 1:16:29 | 1:16:30 | |
I invited her to join us. | 1:16:32 | 1:16:35 | |
Well, I didn't, Gary did. | 1:16:35 | 1:16:37 | |
We'd set the whole thing up. | 1:16:38 | 1:16:39 | |
I thought if she fell in love with Gary, | 1:16:39 | 1:16:42 | |
she'd be more pliable. | 1:16:42 | 1:16:43 | |
Did Megan refuse to get involved? | 1:16:44 | 1:16:46 | |
We'd never been turned down before, we selected carefully. | 1:16:48 | 1:16:52 | |
She put a value on herself and it was beyond money. | 1:16:52 | 1:16:55 | |
And did she threaten to blow the whistle? | 1:16:57 | 1:16:59 | |
Yes. | 1:16:59 | 1:17:00 | |
Did you kill her? | 1:17:00 | 1:17:02 | |
No. | 1:17:02 | 1:17:03 | |
I was at my wit's end, yes, needed her to shut up. | 1:17:04 | 1:17:07 | |
We all needed her to shut up and then... | 1:17:07 | 1:17:10 | |
..you came and she was dead. | 1:17:12 | 1:17:14 | |
You say you selected carefully. | 1:17:18 | 1:17:21 | |
How? | 1:17:22 | 1:17:24 | |
They had to be... | 1:17:24 | 1:17:25 | |
..um...pretty... | 1:17:26 | 1:17:28 | |
ambitious... | 1:17:28 | 1:17:30 | |
girls and boys. | 1:17:30 | 1:17:33 | |
They had to be 16 and over, I was very strict about that. | 1:17:33 | 1:17:37 | |
16 or over? | 1:17:39 | 1:17:40 | |
Gail? | 1:17:54 | 1:17:56 | |
Justine, would you mind for a minute? | 1:17:56 | 1:17:58 | |
Whose is this? | 1:18:06 | 1:18:08 | |
It's mine. | 1:18:10 | 1:18:12 | |
Why was it in Justine's drawer? | 1:18:12 | 1:18:13 | |
Don't look at her. | 1:18:13 | 1:18:14 | |
She said I didn't need it any more. | 1:18:16 | 1:18:19 | |
Why? Gail... | 1:18:19 | 1:18:20 | |
Justine, shut it. | 1:18:20 | 1:18:21 | |
Because I'm a grown-up now. | 1:18:25 | 1:18:27 | |
In what way? | 1:18:27 | 1:18:28 | |
Gail, a girl has died... Megan has died. | 1:18:32 | 1:18:35 | |
Now, we know that some of the Bluebirds | 1:18:35 | 1:18:38 | |
were involved with men and women who paid them for sex. | 1:18:38 | 1:18:43 | |
She wasn't part of it. | 1:18:43 | 1:18:44 | |
Yeah, I was. | 1:18:44 | 1:18:46 | |
Cherry didn't know, Cherry thought I were too young. | 1:18:48 | 1:18:52 | |
But Justine thought I were ready. | 1:18:52 | 1:18:53 | |
Justine, did you set Gail up with clients? | 1:18:53 | 1:18:57 | |
Did Megan find out? | 1:18:57 | 1:18:58 | |
She's 15! | 1:19:00 | 1:19:02 | |
She's a child! | 1:19:02 | 1:19:04 | |
Megan cared about that, didn't she? | 1:19:06 | 1:19:08 | |
There's one thing finding out her mates were sleeping with campers. | 1:19:08 | 1:19:12 | |
But this was too much, wasn't it? | 1:19:12 | 1:19:13 | |
Gail dropped the money. She shouldn't have dropped the money! | 1:19:13 | 1:19:16 | |
MUSIC: "Sugar, Sugar" by The Archies | 1:19:16 | 1:19:20 | |
Meg, I thought you were in the staff room. | 1:19:20 | 1:19:22 | |
I'm not going. | 1:19:22 | 1:19:24 | |
Why? What are you two doing back? | 1:19:24 | 1:19:27 | |
Sneaked out. | 1:19:27 | 1:19:29 | |
Gail fancies the new kitchen porter. | 1:19:29 | 1:19:31 | |
Don't you, Gail? | 1:19:31 | 1:19:33 | |
I said I'd redo her hair for the late shift. | 1:19:33 | 1:19:35 | |
Right, you, hairbrush. Sit. | 1:19:35 | 1:19:39 | |
They're only on that dance floor for 16 minutes. | 1:19:39 | 1:19:41 | |
Then I'll be right back on that stage. | 1:19:41 | 1:19:43 | |
I'm sure she can do her own hair. | 1:19:43 | 1:19:45 | |
Only Justine can do it for me. | 1:19:45 | 1:19:47 | |
Is it yours? | 1:19:52 | 1:19:53 | |
No. I'm asking Gail. | 1:19:53 | 1:19:56 | |
Gail? | 1:19:56 | 1:19:57 | |
No. | 1:19:59 | 1:20:01 | |
She's started? | 1:20:01 | 1:20:02 | |
Is that what you're doing, now? | 1:20:02 | 1:20:04 | |
You're getting her ready for a punter? | 1:20:05 | 1:20:07 | |
You should go back to work. | 1:20:09 | 1:20:10 | |
What about you? Just go, now. | 1:20:10 | 1:20:12 | |
"BUILD ME UP BUTTERCUP" COMES ON | 1:20:17 | 1:20:20 | |
She wanted to get started. | 1:20:20 | 1:20:22 | |
She's just a kid. | 1:20:22 | 1:20:24 | |
I'm helping her out! | 1:20:25 | 1:20:27 | |
Really? | 1:20:27 | 1:20:28 | |
You really think that? | 1:20:29 | 1:20:31 | |
Meg, don't be angry. I'm helping her feel beautiful. | 1:20:34 | 1:20:37 | |
You actually enjoy it, don't you? | 1:20:38 | 1:20:40 | |
What? You actually enjoy dressing up a 15-year-old girl | 1:20:40 | 1:20:44 | |
as your doll | 1:20:44 | 1:20:46 | |
and sending her off to have sex with oily, bloated campers. | 1:20:46 | 1:20:49 | |
I turned her into something, I did that. She was nothing. | 1:20:49 | 1:20:53 | |
Wow. You're a star-maker... | 1:20:53 | 1:20:55 | |
You really need to be quiet. ..making dreams come true(!) | 1:20:55 | 1:20:58 | |
Except this isn't Hollywood Boulevard, it's a holiday camp. | 1:20:58 | 1:21:01 | |
SHE TURNS THE MUSIC UP You need to shut your mouth. | 1:21:01 | 1:21:03 | |
Gail is too young! | 1:21:03 | 1:21:05 | |
I'm calling the police, you whore! No, you're... | 1:21:05 | 1:21:08 | |
KNOCK AT THE DOOR Meg, what are you doing? Turn it down. | 1:21:21 | 1:21:25 | |
Meg, what are you playing at? Turn it down! | 1:21:26 | 1:21:29 | |
Thank you. | 1:21:32 | 1:21:33 | |
'Why didn't you just report Megan's death as an accident?' | 1:21:37 | 1:21:40 | |
Meg? | 1:21:40 | 1:21:42 | |
'And take the chance | 1:21:42 | 1:21:43 | |
'the police would come and find out about the other stuff?' | 1:21:43 | 1:21:45 | |
'And then?' | 1:21:45 | 1:21:47 | |
I stood there in the dark. | 1:21:47 | 1:21:49 | |
The door went again and I thought it was Gary. | 1:21:51 | 1:21:53 | |
But it was me. | 1:21:53 | 1:21:55 | |
I was worried about Justine. | 1:21:56 | 1:21:58 | |
You came out twice? | 1:21:58 | 1:22:00 | |
We've got statements. People said you were in the kitchen all night. | 1:22:00 | 1:22:03 | |
I'm the girl nobody notices. | 1:22:03 | 1:22:05 | |
I slipped away just fine. | 1:22:05 | 1:22:07 | |
Hello? | 1:22:10 | 1:22:11 | |
DISTANT KNOCKING | 1:22:11 | 1:22:13 | |
Justine... | 1:22:26 | 1:22:27 | |
..where's Meg? Don't switch the light on. | 1:22:28 | 1:22:31 | |
What's going on? | 1:22:32 | 1:22:33 | |
Something happened and there was an accident. | 1:22:34 | 1:22:37 | |
Megan was going to call the police. So I just... | 1:22:37 | 1:22:40 | |
She fell. | 1:22:41 | 1:22:42 | |
What do you mean? | 1:22:43 | 1:22:44 | |
She's dead. | 1:22:47 | 1:22:48 | |
What? | 1:22:48 | 1:22:49 | |
SHE WHIMPERS | 1:22:55 | 1:22:57 | |
No, you need to be quiet. | 1:22:59 | 1:23:00 | |
You need to be very, very quiet. | 1:23:01 | 1:23:04 | |
Everything that happens in the next five minutes | 1:23:05 | 1:23:07 | |
is really, really important. | 1:23:07 | 1:23:09 | |
And you need to do everything I say, right? | 1:23:09 | 1:23:12 | |
Everything. | 1:23:13 | 1:23:14 | |
We need to get back to work. | 1:23:19 | 1:23:22 | |
So...help me push her under the bed | 1:23:22 | 1:23:25 | |
and we can...we can deal with her later. | 1:23:25 | 1:23:27 | |
What? Right? Come on, under the bed. | 1:23:27 | 1:23:29 | |
No, don't get any blood on you! | 1:23:42 | 1:23:43 | |
Don't. | 1:23:43 | 1:23:45 | |
Gail, get back to work. Hurry. | 1:23:49 | 1:23:51 | |
Well, Justine killed Megan. That wasn't your problem. | 1:23:56 | 1:23:59 | |
I had to help. | 1:23:59 | 1:24:01 | |
What, you have to do everything she says? | 1:24:01 | 1:24:03 | |
Sleep with men when she says? Move bodies when she says? | 1:24:03 | 1:24:05 | |
I don't know... You're upsetting her. | 1:24:05 | 1:24:07 | |
You made her an accessory to murder! | 1:24:07 | 1:24:09 | |
And after Gail helped, you went back to the dancehall. Yeah? Yes. | 1:24:09 | 1:24:13 | |
Well, somebody must have noticed you were late. | 1:24:13 | 1:24:16 | |
We looked after each other. | 1:24:16 | 1:24:17 | |
Where have you been? Last-minute appointment. | 1:24:27 | 1:24:29 | |
You're all right. Didn't know you had one. | 1:24:30 | 1:24:32 | |
Spontaneity's my middle name. | 1:24:32 | 1:24:35 | |
The old boys love it. | 1:24:35 | 1:24:36 | |
That's why I'm earning more money than you. | 1:24:36 | 1:24:39 | |
Well, what about the delicious Sylvia Ryan? | 1:24:39 | 1:24:41 | |
Aye. Except Megan was playing her music full blast. | 1:24:41 | 1:24:44 | |
It was distracting. Right. | 1:24:44 | 1:24:46 | |
I need to talk to her. Yeah, you should. But I... | 1:24:46 | 1:24:49 | |
..I think she's getting an early night. | 1:24:50 | 1:24:52 | |
Maybe you should try her tomorrow. | 1:24:52 | 1:24:54 | |
Right, ladies and gentlemen, | 1:24:55 | 1:24:57 | |
that is your 20 minutes' dance time up. | 1:24:57 | 1:24:59 | |
So I hope you had a good time down there | 1:24:59 | 1:25:01 | |
because I certainly enjoyed watching you all. | 1:25:01 | 1:25:03 | |
'What about the body?' | 1:25:05 | 1:25:07 | |
'We waited till three o'clock in the morning.' | 1:25:08 | 1:25:10 | |
For Cherry, it was all about business. | 1:26:30 | 1:26:32 | |
This one... this one was something different. | 1:26:32 | 1:26:35 | |
I think she saw herself as some kind of Svengali. | 1:26:35 | 1:26:38 | |
I wonder what Stretch'll do now. Camp's a goner, isn't it? | 1:26:38 | 1:26:43 | |
30 years of family holidays, how ironic. | 1:26:43 | 1:26:46 | |
Oh, speaking of joyous family life, | 1:26:46 | 1:26:48 | |
Lisa called, left a message. What? | 1:26:48 | 1:26:51 | |
Yeah. What did she want? | 1:26:51 | 1:26:52 | |
She's dropping off Leigh-Anne in about half an hour. | 1:26:52 | 1:26:55 | |
No, I'm not seeing her for three week. | 1:26:55 | 1:26:57 | |
I don't know, something about a new deal. | 1:26:57 | 1:27:00 | |
Every other weekend, I think she said. | 1:27:00 | 1:27:02 | |
You're joking? I'm not. | 1:27:02 | 1:27:03 | |
You're joking! No, I'm not. | 1:27:03 | 1:27:05 | |
Why...why's she changed her mind? | 1:27:06 | 1:27:09 | |
I don't know, John. I've got to go. | 1:27:09 | 1:27:11 | |
Night, John. | 1:27:11 | 1:27:13 | |
Here's my girl! | 1:27:24 | 1:27:25 | |
Give us a hug! Oh! | 1:27:30 | 1:27:33 | |
Thanks for that, it means everything. | 1:27:37 | 1:27:39 | |
Have a nice evening. | 1:27:39 | 1:27:41 |