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CHURCH BELL CHIMES | 0:00:02 | 0:00:03 | |
..came also the resurrection of the dead. | 0:00:03 | 0:00:06 | |
Christ the first fruits, | 0:00:06 | 0:00:09 | |
afterward they that are Christ's at His coming. | 0:00:09 | 0:00:12 | |
For He must reign till He hath put all enemies under His feet. | 0:00:12 | 0:00:17 | |
The last enemy that shall be destroyed is death. | 0:00:17 | 0:00:21 | |
Hi, Daniel. You're looking well. | 0:00:31 | 0:00:34 | |
MAN LAUGHS | 0:01:02 | 0:01:04 | |
HE GASPS | 0:01:39 | 0:01:41 | |
-ALL: -# Potatoes, whole potatoes pied | 0:01:41 | 0:01:43 | |
# Enjoy them all especially chips | 0:01:43 | 0:01:46 | |
# Remember, spuds don't come in ships! # | 0:01:46 | 0:01:49 | |
Gently? | 0:01:49 | 0:01:52 | |
-How do you do? -I thought it was you, Sergeant. | 0:01:52 | 0:01:54 | |
Detective Chief Inspector these days. | 0:01:54 | 0:01:56 | |
Oh, so you've swapped one uniform for another? Unlike myself. | 0:01:56 | 0:02:01 | |
So I see, Brigadier Phillips. | 0:02:01 | 0:02:03 | |
I'm fighting an impulse to salute. | 0:02:03 | 0:02:06 | |
Seems a long time since you and Archie and the rest | 0:02:06 | 0:02:09 | |
-dragged a wet-behind-the-ears lieutenant through Italy. -Oh, yeah. | 0:02:09 | 0:02:12 | |
-So you'd kept in touch? -No, not really, but you turn up, don't you? | 0:02:12 | 0:02:17 | |
-Archie was a warrior. Saved my life more than once. -Mine, too. | 0:02:17 | 0:02:21 | |
He was a good man. A good soldier. | 0:02:21 | 0:02:23 | |
Was he? | 0:02:23 | 0:02:25 | |
-It was 26 years ago, Sergeant. -George. | 0:02:27 | 0:02:30 | |
My name is George. | 0:02:30 | 0:02:32 | |
Or Detective Chief Inspector if you prefer rank. | 0:02:32 | 0:02:35 | |
Bad form to rake over the coals. | 0:02:35 | 0:02:38 | |
-It was war. -I remember. | 0:02:38 | 0:02:41 | |
We may have got our hands dirty now and then, | 0:02:41 | 0:02:42 | |
but we were bloody heroes and I don't mind saying it. | 0:02:42 | 0:02:46 | |
We've nothing to feel guilty about, George. | 0:02:46 | 0:02:48 | |
Morning. | 0:03:00 | 0:03:02 | |
I didn't get back till one this morning. This better be good, John. | 0:03:02 | 0:03:06 | |
Or bad, if you see what I mean. | 0:03:06 | 0:03:08 | |
How was the funeral? | 0:03:09 | 0:03:11 | |
Well, the dancing girls were a particular highlight. | 0:03:11 | 0:03:14 | |
It was a funeral, John. | 0:03:14 | 0:03:16 | |
I was trying to say, sir, in a roundabout way, are you all right? | 0:03:16 | 0:03:20 | |
-Was it someone close? -Old army comrade. | 0:03:22 | 0:03:24 | |
Thank you for your concern, I appreciate it. What have we got? | 0:03:26 | 0:03:29 | |
This way. | 0:03:29 | 0:03:30 | |
Place was pretty full last night, apparently, maybe about 20 patrons. | 0:03:32 | 0:03:36 | |
Something like that. | 0:03:36 | 0:03:37 | |
And how does this work? Is there a membership or...? | 0:03:37 | 0:03:40 | |
No. No, you pay on entry. There's an old fella that you give money to. | 0:03:40 | 0:03:43 | |
Thanks. Gives you a towel and a locker key | 0:03:43 | 0:03:45 | |
and at the end of the night, turns everything off, | 0:03:45 | 0:03:48 | |
he locks up and he goes home. | 0:03:48 | 0:03:50 | |
Bloody hand print there. It's not going to test our talents much this one, sir. | 0:03:50 | 0:03:54 | |
There's another smear here, look. | 0:03:54 | 0:03:56 | |
Now, we've got a witness, a man called Francis Walsh | 0:03:59 | 0:04:02 | |
who says that this fella who's the victim, | 0:04:02 | 0:04:05 | |
this is Leonard Price... | 0:04:05 | 0:04:08 | |
he approached another fella who went crazy and...smashed him up. | 0:04:08 | 0:04:15 | |
No-one intervened? | 0:04:16 | 0:04:19 | |
Well, the witness got a smack in the face for the pleasure. | 0:04:19 | 0:04:22 | |
And the rest of them just ran out screaming. | 0:04:22 | 0:04:26 | |
They're not renowned for their bravery, are they, sir? | 0:04:26 | 0:04:29 | |
-Who? -You know, this lot. | 0:04:29 | 0:04:31 | |
Poofters. | 0:04:31 | 0:04:33 | |
You're jumping to conclusions, John. | 0:04:33 | 0:04:36 | |
-There was no provocation? -None I could see. | 0:04:41 | 0:04:44 | |
Leonard just went over to the lad and he went crazy. | 0:04:45 | 0:04:48 | |
He was like a wild animal. | 0:04:48 | 0:04:50 | |
-Then what happened? -I tried to pull him away and I got this. | 0:04:50 | 0:04:53 | |
People'll think I've gone all rough trade. | 0:04:57 | 0:04:59 | |
Mr Walsh, were you the only other person in here? | 0:04:59 | 0:05:02 | |
Nah. | 0:05:03 | 0:05:05 | |
Everyone else left in a hurry. | 0:05:05 | 0:05:07 | |
No-one helped you? | 0:05:07 | 0:05:09 | |
It all happened so fast. | 0:05:09 | 0:05:12 | |
And let's be honest, there's plenty of men in here | 0:05:12 | 0:05:16 | |
wouldn't want their presence to become common knowledge, | 0:05:16 | 0:05:18 | |
never mind talk to yous. | 0:05:18 | 0:05:21 | |
But you stayed? | 0:05:21 | 0:05:23 | |
Leonard was me friend. | 0:05:23 | 0:05:25 | |
-And I don't care who knows what I am. -So you are a... | 0:05:25 | 0:05:28 | |
HE CLEARS HIS THROAT You know...a practising homosexual? | 0:05:30 | 0:05:35 | |
HE CHUCKLES | 0:05:35 | 0:05:37 | |
I'm well beyond practising, Sergeant. | 0:05:37 | 0:05:39 | |
But only with consenting adults in the privacy of me own home as allowed by the law. | 0:05:40 | 0:05:44 | |
Yeah, yeah. Did you recognise Leonard's attacker? | 0:05:44 | 0:05:47 | |
I've never seen him before. He just went insane. | 0:05:47 | 0:05:51 | |
He ran out of here still wearing his towel. | 0:05:51 | 0:05:53 | |
His stuff's still in his locker. | 0:05:53 | 0:05:55 | |
Right. And that, please. | 0:06:03 | 0:06:06 | |
Up there, sir. | 0:06:06 | 0:06:07 | |
If only they all left their ID at the crime scene, we'd be home by dinner time every day. | 0:06:09 | 0:06:14 | |
And then what would you do with yourself? | 0:06:14 | 0:06:16 | |
Plenty, guv, plenty. | 0:06:16 | 0:06:18 | |
-Could take up a hobby. -Such as? | 0:06:19 | 0:06:22 | |
I don't know, life drawing maybe...with naked ladies. | 0:06:22 | 0:06:26 | |
Something sensitive and artistic. | 0:06:26 | 0:06:27 | |
Because you're well known for your artistic temperament and sensitive approach. | 0:06:27 | 0:06:31 | |
You heard Walsh, Scott Tanner went mad. | 0:06:31 | 0:06:34 | |
Better to be safe than sorry this. | 0:06:34 | 0:06:37 | |
Hello, pet. We were just wondering... | 0:06:37 | 0:06:39 | |
-Losing your touch there. -I prefer 'em with teeth. | 0:06:42 | 0:06:45 | |
-You've got the weapon. -Right, fine. | 0:06:52 | 0:06:55 | |
Right. | 0:06:57 | 0:06:59 | |
No-one here, sir. | 0:07:09 | 0:07:11 | |
Have a look round. | 0:07:11 | 0:07:13 | |
And who the bloody hell are you? And why are you in my flat? | 0:07:24 | 0:07:28 | |
I'm a police officer. | 0:07:28 | 0:07:30 | |
Thought you looked a bit smart for a burglar. | 0:07:30 | 0:07:33 | |
Back off! | 0:07:33 | 0:07:34 | |
HE LAUGHS | 0:07:34 | 0:07:36 | |
You come at me with that and I'll wrap it round your head. | 0:07:36 | 0:07:38 | |
Is that your dog? | 0:07:38 | 0:07:40 | |
And my bite's worse than my bark, believe me. You back off. | 0:07:40 | 0:07:43 | |
-John. -I'll not tell you again. -John! | 0:07:43 | 0:07:45 | |
-What's this about? -Are you Scott Tanner? -That's me little brother. | 0:07:48 | 0:07:52 | |
Why? | 0:07:52 | 0:07:54 | |
I'm DCI Gently, that's DS Bacchus. | 0:07:54 | 0:07:58 | |
We're investigating a murder and your brother's a suspect. | 0:07:58 | 0:08:01 | |
HE LAUGHS | 0:08:04 | 0:08:06 | |
What, you think Scotty...? | 0:08:06 | 0:08:08 | |
Nah. He wouldn't know where to start. | 0:08:09 | 0:08:11 | |
-So that's not him in army uniform holding a gun? -Aye, it is. | 0:08:11 | 0:08:17 | |
And there's a reason that he's not a soldier any more. | 0:08:17 | 0:08:20 | |
Scotty's soft, should never have signed up. | 0:08:20 | 0:08:22 | |
Who is it he's supposed to have murdered? | 0:08:25 | 0:08:27 | |
-Where were you last night? -Enjoying a bit of R&R. | 0:08:27 | 0:08:30 | |
Right. Where? | 0:08:32 | 0:08:33 | |
Mostly with a fine young lady by the name of Gwendoline. | 0:08:33 | 0:08:36 | |
Though I suspect that ain't her real name, if you know what I mean? | 0:08:36 | 0:08:40 | |
-When did you last see Scott? -Yesterday afternoon. | 0:08:40 | 0:08:43 | |
Guv...the bedroom was packed in a hurry. | 0:08:43 | 0:08:47 | |
Do you mind if we have a look? | 0:08:47 | 0:08:48 | |
Half his stuff's gone. Clothes, old kit bag... | 0:08:53 | 0:08:57 | |
boots, fatigues. | 0:08:57 | 0:09:00 | |
No, you must have this wrong. | 0:09:00 | 0:09:02 | |
I'm telling you the lad was scared of his own shadow half the time. | 0:09:02 | 0:09:05 | |
-Any idea where he might have run to? -I've only been back four days, first time in 15 months. | 0:09:05 | 0:09:11 | |
-Due to leave again in three. -Flying visit. You in the army? | 0:09:11 | 0:09:15 | |
-Not since '63. -What do you do now? | 0:09:15 | 0:09:18 | |
Same as I always did, only I get paid better. | 0:09:18 | 0:09:20 | |
Oh, you're a mercenary? | 0:09:20 | 0:09:23 | |
Ugly word that, Mr Gently. | 0:09:23 | 0:09:25 | |
-I'll need a recent photograph of your brother. -Guv! -What? | 0:09:25 | 0:09:29 | |
It was in the bathroom. | 0:09:33 | 0:09:35 | |
Is your brother homosexual? | 0:09:37 | 0:09:39 | |
-BOTH GROAN -Hey! Put it down! | 0:09:39 | 0:09:43 | |
Put it down or I'll arrest you for assault! | 0:09:44 | 0:09:47 | |
I don't like you much. | 0:09:53 | 0:09:55 | |
You pull another stunt like that and we'll continue this elsewhere. | 0:09:56 | 0:10:00 | |
Look...I don't know where Scott is. | 0:10:02 | 0:10:06 | |
I don't know why he'd have killed a fella | 0:10:06 | 0:10:09 | |
and I don't know what he's talking about neither. | 0:10:09 | 0:10:12 | |
-So you weren't very close then? -Did I say that? | 0:10:12 | 0:10:15 | |
But I've barely seen Scott for three years. | 0:10:15 | 0:10:18 | |
He was still serving the last time I was home. | 0:10:18 | 0:10:20 | |
-Followed in your footsteps. -And our dad's before that. | 0:10:20 | 0:10:24 | |
I don't know what was going on with him. | 0:10:25 | 0:10:28 | |
Who does then? | 0:10:28 | 0:10:30 | |
You want to know about Scott, | 0:10:35 | 0:10:37 | |
you go and see that doctor of his...the head shrinker. | 0:10:37 | 0:10:41 | |
I'll need a name. | 0:10:41 | 0:10:42 | |
And we're going to need the address of this Gwendoline. | 0:10:44 | 0:10:47 | |
Oh, aye? | 0:10:47 | 0:10:49 | |
She's a strong woman, I'm not sure you'll be man enough for her. | 0:10:49 | 0:10:53 | |
-Think you're funny you, don't you? -Photo. | 0:10:53 | 0:10:55 | |
If you find him...don't hurt him. | 0:10:56 | 0:11:00 | |
You've got this wrong, I promise you. | 0:11:00 | 0:11:03 | |
BIRDSONG | 0:11:05 | 0:11:07 | |
So, I'm having a photograph printed now and a copy'll be given to every officer on patrol. | 0:11:22 | 0:11:26 | |
-And we're calling in other shifts early as well to do house to house. -Good. | 0:11:26 | 0:11:30 | |
The radio and even the telly are going to do an appeal for information, sir. | 0:11:30 | 0:11:33 | |
-Did you remember? -No-one's going to approach him. The word "dangerous" was mentioned several times. | 0:11:33 | 0:11:37 | |
-Very good. -All right, here we are. There's no obvious connections | 0:11:37 | 0:11:40 | |
between Leonard Price and Scott Tanner. OK? | 0:11:40 | 0:11:43 | |
It says here that he was a regular at the Turkish baths. | 0:11:43 | 0:11:46 | |
He was well known, he was well liked. | 0:11:46 | 0:11:48 | |
And he was an accountant at a local firm in Durham, | 0:11:48 | 0:11:50 | |
but none of his colleagues realised that he batted for the other side. | 0:11:50 | 0:11:53 | |
He is still dead, you know? Whatever his...affiliations, I mean, he's still a victim, a person. | 0:11:53 | 0:12:00 | |
Here we go. You going to start burning your bras, are we? | 0:12:00 | 0:12:02 | |
I tell you what I'll do, Rachel. | 0:12:02 | 0:12:04 | |
I'll go and organise a little march for you. How about that? | 0:12:04 | 0:12:07 | |
No. All I'm saying is that somebody shouldn't have to die just | 0:12:07 | 0:12:09 | |
-cos they're different. -Did I say that? Hm? Did I say that? | 0:12:09 | 0:12:12 | |
No, I didn't. So don't put words into my mouth, pet. All right. | 0:12:12 | 0:12:16 | |
Maybe he did get killed because he's different. | 0:12:16 | 0:12:19 | |
-But I did not say that. -All right, all right, all right. Murder's murder. | 0:12:19 | 0:12:22 | |
We don't know why he died yet, do we? | 0:12:22 | 0:12:24 | |
Anybody managed to track down Gwendoline? | 0:12:24 | 0:12:27 | |
Oh, yes. Real name is Hettie Blake. | 0:12:27 | 0:12:31 | |
Confirmed that Mark Tanner did spend the night with her till early morning. | 0:12:31 | 0:12:34 | |
He tips well apparently and is a very vigorous man. | 0:12:34 | 0:12:38 | |
Well, good. Keep looking into Leonard Price, | 0:12:38 | 0:12:40 | |
see if there is any connection to Scott Tanner. | 0:12:40 | 0:12:42 | |
-Come on. -Where are we going? | 0:12:46 | 0:12:48 | |
To see Scott Tanner's psychiatrist. | 0:12:48 | 0:12:50 | |
Must be plenty of money in listening to folk sit and whinge all day. | 0:13:01 | 0:13:05 | |
I should get a bonus, then, shouldn't I, working with you. | 0:13:05 | 0:13:07 | |
That's not very nice, is it, sir? | 0:13:07 | 0:13:09 | |
-Dr Stefan Lesley? -Yes. | 0:13:12 | 0:13:14 | |
I'm DCI Gently, this is DS Bacchus. May we come in, please? | 0:13:14 | 0:13:19 | |
May I ask what it's regarding? | 0:13:19 | 0:13:20 | |
Yes. It's about one of your patients. Scott Tanner. | 0:13:20 | 0:13:23 | |
-Please. -Thank you. | 0:13:25 | 0:13:27 | |
It's a nice part of town, this, isn't it? | 0:13:32 | 0:13:35 | |
Yes. My father bought this place years ago. I love it. | 0:13:35 | 0:13:39 | |
I bet. Just live in a top floor flat, me. | 0:13:39 | 0:13:41 | |
I'm sure it's got damp. | 0:13:41 | 0:13:43 | |
Scott Tanner is a fugitive and a suspect in a murder enquiry. | 0:13:46 | 0:13:52 | |
-Scott killed someone? -Yes. | 0:13:53 | 0:13:55 | |
He went... | 0:13:55 | 0:13:57 | |
crackers in a Turkish bath and he beat a man to death. | 0:13:57 | 0:14:00 | |
That clearly surprises you. | 0:14:01 | 0:14:03 | |
Well, Scott always seemed like such a gentle young man. | 0:14:05 | 0:14:08 | |
But troubled, otherwise he wouldn't need a psychiatrist. | 0:14:08 | 0:14:11 | |
What were you treating him for? | 0:14:11 | 0:14:13 | |
I mean, was there a specific condition? | 0:14:13 | 0:14:16 | |
Scott was referred to me after a medical discharge from the Army. | 0:14:18 | 0:14:21 | |
-By whom? -The MOD. | 0:14:21 | 0:14:23 | |
Was that usual? | 0:14:23 | 0:14:25 | |
For the Army to pay for an ex-soldier's care? | 0:14:25 | 0:14:27 | |
I don't know, Mr Gently. I'm sorry, is that the correct form of...? | 0:14:29 | 0:14:32 | |
-Yes. That's fine, thank you. -I don't know. | 0:14:32 | 0:14:34 | |
I've had no other dealings with the military so I couldn't say. | 0:14:34 | 0:14:38 | |
Your help looks expensive. | 0:14:39 | 0:14:41 | |
Yes, well, my father came from money. | 0:14:41 | 0:14:43 | |
He was a very eminent psychiatrist and researcher. | 0:14:43 | 0:14:46 | |
Followed in his footsteps, did you? | 0:14:46 | 0:14:48 | |
Or, rather, walked in his shadow. Would you like some water? | 0:14:48 | 0:14:53 | |
No, thank you. | 0:14:53 | 0:14:56 | |
Scott was a patient of mine. | 0:14:56 | 0:14:57 | |
I'd like to help you, of course, but, as I'm sure you'll understand, | 0:14:57 | 0:15:01 | |
our sessions were completely confidential. | 0:15:01 | 0:15:03 | |
He's a fugitive, Doctor. And I don't want anybody else to be hurt. | 0:15:03 | 0:15:08 | |
Do you? So, if you could, would you please tell us | 0:15:08 | 0:15:12 | |
why you think Scott might do something like this? | 0:15:12 | 0:15:14 | |
You say he attacked someone completely unprovoked? | 0:15:14 | 0:15:17 | |
Apparently, yes. | 0:15:17 | 0:15:19 | |
Scott was exhibiting symptoms of schizophrenia. | 0:15:25 | 0:15:29 | |
The onset of which often occurs in men in their early 20s. | 0:15:30 | 0:15:34 | |
He MAY have had a psychotic episode. | 0:15:34 | 0:15:38 | |
Could you elaborate on that for us? | 0:15:38 | 0:15:40 | |
Well, schizophrenics often experience bouts of extreme | 0:15:40 | 0:15:43 | |
paranoia, delusions, even hallucinations. | 0:15:43 | 0:15:46 | |
Had Scott had these episodes before? | 0:15:46 | 0:15:48 | |
Not to my knowledge. | 0:15:48 | 0:15:50 | |
Was he on anti-psychotic medication? | 0:15:50 | 0:15:53 | |
I'm afraid that's confidential, Mr Gently. | 0:15:53 | 0:15:56 | |
Was Scott Tanner a homosexual? | 0:15:58 | 0:16:00 | |
That's also confidential. | 0:16:00 | 0:16:02 | |
Because the murder occurred in a Turkish baths | 0:16:02 | 0:16:05 | |
frequented by such men. | 0:16:05 | 0:16:06 | |
Could an unwelcome approach from another man | 0:16:06 | 0:16:09 | |
set off one of these psychotic episodes in Scott? | 0:16:09 | 0:16:13 | |
Or maybe he had a grudge against them | 0:16:13 | 0:16:14 | |
and went there specifically to attack these men? What do you think? | 0:16:14 | 0:16:17 | |
You're asking me to speculate? | 0:16:17 | 0:16:19 | |
All right. Have you any idea where Scott could have gone to? | 0:16:19 | 0:16:23 | |
No. | 0:16:23 | 0:16:24 | |
I'm going to need to see his medical records, doctor. | 0:16:24 | 0:16:27 | |
I don't feel comfortable with that. | 0:16:27 | 0:16:29 | |
Well, I could go to a judge and ask him to order you to hand them over. | 0:16:29 | 0:16:33 | |
At which point, I'll be more than happy to comply. But not before. | 0:16:33 | 0:16:36 | |
Very well. If he should contact you or turns up here, | 0:16:37 | 0:16:42 | |
-if you wouldn't mind...? -Of course. I'll call you immediately. | 0:16:42 | 0:16:46 | |
So, if my dad had been a psychiatrist, | 0:16:46 | 0:16:48 | |
I'd get to live in a big house like this would I, huh? | 0:16:48 | 0:16:51 | |
Talk bollocks all day? | 0:16:51 | 0:16:52 | |
Don't worry, John. You're halfway there. | 0:16:52 | 0:16:55 | |
Ha! Ha! Can't be good for his reputation, though, can it? | 0:16:55 | 0:16:59 | |
Doing what he does and one of your clients tops somebody. | 0:16:59 | 0:17:02 | |
He knows more than he's saying. | 0:17:04 | 0:17:05 | |
So, we are going to the judge for the medical records, are we? | 0:17:07 | 0:17:09 | |
Yes, we are. | 0:17:09 | 0:17:11 | |
Won't change the fact Tanner did it. | 0:17:11 | 0:17:13 | |
KNOCKS ON DOOR | 0:17:26 | 0:17:27 | |
Have you seen this person? | 0:17:27 | 0:17:29 | |
Right...turn! | 0:17:32 | 0:17:34 | |
Squad...halt! | 0:17:38 | 0:17:40 | |
About...turn! | 0:17:41 | 0:17:43 | |
By the right, quick march! | 0:17:45 | 0:17:47 | |
How does marching up and down like that all day | 0:17:51 | 0:17:53 | |
make you any better at fighting? | 0:17:53 | 0:17:55 | |
It promotes discipline and teamwork. | 0:17:55 | 0:17:57 | |
You could play football for that. | 0:17:57 | 0:17:59 | |
Discipline is the foundation that the Army's based on. | 0:18:00 | 0:18:04 | |
You, you maggot, get down and give me ten! Go! | 0:18:04 | 0:18:06 | |
It saves lives, John. And it builds character for later life. | 0:18:06 | 0:18:11 | |
Made you the man you are today, did it? | 0:18:11 | 0:18:13 | |
In more ways than you could possibly know, John. | 0:18:13 | 0:18:16 | |
I'm not sure you're such a great advert, sir. | 0:18:17 | 0:18:20 | |
SERGEANT SHOUTS ORDERS | 0:18:20 | 0:18:22 | |
Do you miss it? | 0:18:22 | 0:18:24 | |
Yes, I do. Some of it. | 0:18:24 | 0:18:25 | |
Course, it's like any other institution. | 0:18:25 | 0:18:28 | |
It's only as good as the people in it. | 0:18:28 | 0:18:31 | |
See, I can't imagine you ever letting anybody tell you what to do. | 0:18:31 | 0:18:34 | |
It's different in a war. | 0:18:35 | 0:18:37 | |
This'll be our lift. | 0:18:41 | 0:18:42 | |
LOUD EXPLOSION AND SHOUTING | 0:18:43 | 0:18:45 | |
GUNFIRE AND SHOUTING | 0:18:51 | 0:18:55 | |
Ah, Detective Chief Inspector Gently and Sergeant Bacchus, is it? | 0:19:04 | 0:19:08 | |
-That's right. -Sorry to drag you all the way up here, | 0:19:08 | 0:19:11 | |
but I was keen to run the rule over this mob. How can I help? | 0:19:11 | 0:19:14 | |
We're investigating a murder. | 0:19:14 | 0:19:15 | |
The suspect is a former Seaham soldier, Scott Tanner. | 0:19:15 | 0:19:19 | |
Whoever called gave me his name. | 0:19:19 | 0:19:21 | |
I have 600 men under me here, Gently. | 0:19:21 | 0:19:23 | |
I can't say I know them all personally. But I did look him up. | 0:19:23 | 0:19:25 | |
I appreciate that, Colonel. | 0:19:25 | 0:19:27 | |
He was discharged on medical grounds 12 months ago. | 0:19:27 | 0:19:30 | |
-Could you be more specific? -Mental instability. | 0:19:30 | 0:19:35 | |
Our job here is to turn boys into men, and men into soldiers. | 0:19:35 | 0:19:39 | |
Sometimes that isn't possible. | 0:19:39 | 0:19:41 | |
For want of a better word, Scott Tanner was weak. | 0:19:41 | 0:19:44 | |
And an army is only as strong as its weakest link. | 0:19:44 | 0:19:47 | |
-Have you ever served? -Me? Nah. | 0:19:47 | 0:19:50 | |
I'd have guessed not, length of that hair. | 0:19:50 | 0:19:52 | |
Oh, right. An obvious indicator of character, is it? | 0:19:52 | 0:19:55 | |
You'd be surprised. You? | 0:19:55 | 0:19:56 | |
-Yes. -Well, then you know what I'm talking about. | 0:19:56 | 0:19:59 | |
You have to be able to rely on the man next to you. | 0:19:59 | 0:20:01 | |
-Your life is in his hands, and his in yours. Correct? -Very much so. | 0:20:01 | 0:20:05 | |
LOUD EXPLOSION | 0:20:05 | 0:20:06 | |
I wouldn't have wanted Scott Tanner standing next to me. | 0:20:10 | 0:20:13 | |
Was Scott Tanner a homosexual? | 0:20:15 | 0:20:17 | |
Homosexuals are not permitted to join the British Army, Sergeant. | 0:20:17 | 0:20:20 | |
-Is that why he left? -Was I not clear? He left on medical grounds. | 0:20:20 | 0:20:25 | |
Do you have any idea what his subsequent medical treatment was? | 0:20:25 | 0:20:29 | |
I haven't thought about him since he left my command. Ask the MOD. | 0:20:29 | 0:20:32 | |
He is a fugitive. | 0:20:32 | 0:20:34 | |
And he might turn up here to try and contact some of his former comrades. | 0:20:34 | 0:20:38 | |
And if he does I'll let you know. And we'll hold on to him for you. | 0:20:38 | 0:20:40 | |
Thank you. | 0:20:42 | 0:20:43 | |
Tanner can't have just vanished into thin air, sir. | 0:21:04 | 0:21:07 | |
He's a trained soldier, don't forget. | 0:21:07 | 0:21:10 | |
-Yeah. But a crap one, apparently. -It doesn't make any difference. | 0:21:10 | 0:21:13 | |
He still knows how to hide and live off the land, doesn't he? | 0:21:13 | 0:21:15 | |
What are these medical records going to tell us | 0:21:20 | 0:21:22 | |
that we don't already know, sir? | 0:21:22 | 0:21:24 | |
Why would he make us wait until we got a search warrant? | 0:21:24 | 0:21:27 | |
He's hiding something. He's not answering the door, either. | 0:21:27 | 0:21:30 | |
BACCHUS RINGS DOORBELL | 0:21:32 | 0:21:33 | |
Oh! He's hanged himself! John, get out the way. | 0:21:35 | 0:21:38 | |
Guv! Guv! The window's open. | 0:21:40 | 0:21:41 | |
-He's been dead for a while. Stone-cold. -Oh, God... | 0:22:03 | 0:22:06 | |
I want to know why. I don't like coincidences, John. | 0:22:17 | 0:22:22 | |
And when we came here yesterday, he didn't seem like a man | 0:22:22 | 0:22:26 | |
-unhappy in his life. -Taylor, it's me. Get the police surgeon, will you? | 0:22:26 | 0:22:30 | |
Just do it, man. | 0:22:33 | 0:22:34 | |
No Scott Tanner file in here. | 0:22:40 | 0:22:42 | |
You know what? | 0:22:46 | 0:22:47 | |
Get some officers in. | 0:22:47 | 0:22:49 | |
I want all this paperwork gone through, the whole lot. | 0:22:49 | 0:22:52 | |
-You think somebody else is involved, don't you? -Maybe. | 0:22:52 | 0:22:56 | |
All right, mate? | 0:23:08 | 0:23:10 | |
Dad! Dad! It's him. | 0:23:11 | 0:23:14 | |
Stop where you are, son! | 0:23:19 | 0:23:21 | |
Stop! | 0:23:26 | 0:23:27 | |
SIRENS WAIL | 0:23:28 | 0:23:30 | |
Stay there, son. Stay there. | 0:23:36 | 0:23:38 | |
I want you to tell me if this is the man that killed Leonard Price, OK? | 0:23:47 | 0:23:50 | |
Aye. That's him. | 0:23:57 | 0:23:59 | |
Good. | 0:23:59 | 0:24:00 | |
We have your wallet. | 0:24:19 | 0:24:22 | |
We have your clothes. | 0:24:22 | 0:24:23 | |
We know you were at the Turkish bath. | 0:24:23 | 0:24:26 | |
BACCHUS CLEARS HIS THROAT | 0:24:26 | 0:24:28 | |
So, what happened? | 0:24:28 | 0:24:29 | |
I don't know. | 0:24:32 | 0:24:33 | |
You know you went there? | 0:24:35 | 0:24:36 | |
Yeah? | 0:24:38 | 0:24:39 | |
So, why don't you know? | 0:24:39 | 0:24:41 | |
-I don't remember. -That's convenient, isn't it? | 0:24:43 | 0:24:46 | |
Do you know Leonard Price? | 0:24:46 | 0:24:48 | |
No. | 0:24:48 | 0:24:49 | |
Do you remember attacking Leonard Price? | 0:24:50 | 0:24:53 | |
No. | 0:24:55 | 0:24:57 | |
So, why did you go home and pack, why did you run? | 0:24:57 | 0:25:00 | |
-I was frightened. -Of getting caught? | 0:25:02 | 0:25:04 | |
I didn't know why. | 0:25:05 | 0:25:07 | |
I don't remember going there. | 0:25:09 | 0:25:12 | |
But you knew something was wrong? | 0:25:12 | 0:25:14 | |
Yes? Something you done? | 0:25:16 | 0:25:18 | |
So, what had you done? | 0:25:21 | 0:25:22 | |
Right, I'm going to jog your memory. You ready? | 0:25:25 | 0:25:29 | |
You went to the Turkish baths looking for a bit of how's your father, didn't you? Look at me. | 0:25:29 | 0:25:34 | |
You changed your mind, you killed a bloke, and you ran away. | 0:25:34 | 0:25:39 | |
Does that...does that help you? | 0:25:39 | 0:25:41 | |
Blood on my hand... | 0:25:53 | 0:25:55 | |
Yeah, I'll say. You killed Leonard Price, didn't you? | 0:25:55 | 0:25:58 | |
Didn't you? | 0:26:00 | 0:26:01 | |
We've got a witness who saw you do it. | 0:26:01 | 0:26:03 | |
HE WEEPS | 0:26:08 | 0:26:10 | |
Please I... I need my doctor. | 0:26:12 | 0:26:15 | |
Stefan Lesley. | 0:26:15 | 0:26:17 | |
We've already spoken to Dr Lesley, Scott. | 0:26:17 | 0:26:20 | |
-And? -Yesterday. When did you last see him? | 0:26:21 | 0:26:24 | |
Last week. Wednesday. I see him every Wednesday. | 0:26:24 | 0:26:26 | |
-Not today? -No. | 0:26:26 | 0:26:27 | |
If you needed Dr Lesley, why didn't you go and talk to him? | 0:26:27 | 0:26:31 | |
He could have helped you cos he knows about your illness. | 0:26:31 | 0:26:34 | |
-My illness? -Yes. -Please. Can I see him? | 0:26:37 | 0:26:40 | |
Please, can I see him? | 0:26:40 | 0:26:41 | |
No. | 0:26:41 | 0:26:43 | |
Please. He'll help me understand. | 0:26:43 | 0:26:44 | |
He's not going to help you understand, is he? Because he's dead. | 0:26:44 | 0:26:47 | |
-Stefan...? -Uh-huh. | 0:26:53 | 0:26:55 | |
-Sit down. -No. No, he can't be... | 0:26:56 | 0:26:59 | |
Did you kill him, Scott? Hm. Did you? | 0:26:59 | 0:27:01 | |
No, he can't be. No, he can't be! He knows. | 0:27:01 | 0:27:05 | |
He knows. | 0:27:05 | 0:27:07 | |
What does he know, Scott? | 0:27:13 | 0:27:15 | |
What does he know? | 0:27:16 | 0:27:18 | |
BACCHUS SIGHS | 0:27:29 | 0:27:31 | |
I'll charge him with Leonard Price's murder, right? | 0:27:31 | 0:27:35 | |
Yeah. He's not fit to plead yet. | 0:27:35 | 0:27:39 | |
So get him to High Park Hospital to be assessed. | 0:27:39 | 0:27:42 | |
-Right. And then can we go to the pub, yeah? -What for? | 0:27:42 | 0:27:45 | |
Celebrate a good result. A job well done, that. | 0:27:45 | 0:27:47 | |
Look at all this paperwork. Must be like Christmas for you. | 0:27:50 | 0:27:54 | |
-Leave it, man. -Eh? Shame we've got a result before you manage to finish this lot, ain't it? | 0:27:54 | 0:27:58 | |
Not so fast, John. | 0:27:58 | 0:28:00 | |
Guv, Tanner flipped out and killed Price. | 0:28:00 | 0:28:03 | |
And now he's either genuinely blanking it from his memory | 0:28:03 | 0:28:07 | |
or he's pretending. | 0:28:07 | 0:28:09 | |
Either way, our job is done. | 0:28:11 | 0:28:13 | |
And what about Stefan Lesley? | 0:28:13 | 0:28:15 | |
Well, the door was locked, wasn't it? | 0:28:15 | 0:28:17 | |
There was no sign of forced entry, | 0:28:17 | 0:28:18 | |
and there was no evidence of anything except suicide. | 0:28:18 | 0:28:21 | |
The day after his patient commits a murder | 0:28:21 | 0:28:24 | |
he can't remember anything about? | 0:28:24 | 0:28:25 | |
That doesn't bother you at all? | 0:28:25 | 0:28:27 | |
Guv, right. He screwed up with Tanner, | 0:28:29 | 0:28:30 | |
felt all remorseful and topped himself. | 0:28:30 | 0:28:32 | |
I don't know, why does anybody ever kill themselves? | 0:28:32 | 0:28:35 | |
It never makes any sense, does it? | 0:28:35 | 0:28:37 | |
-And it's not our job to make sense of it. -Oh, John... | 0:28:37 | 0:28:39 | |
You just don't want to get a round in. | 0:28:39 | 0:28:42 | |
It's a suspicious death. Related to a murder and our suspect. | 0:28:42 | 0:28:46 | |
That's very much our purview, John. | 0:28:46 | 0:28:48 | |
Right now, we've only got Stefan Lesley's word for it | 0:28:48 | 0:28:51 | |
that Scott Tanner is schizophrenic. | 0:28:51 | 0:28:53 | |
Well, he seemed pretty schizophrenic to me. | 0:28:53 | 0:28:55 | |
Pardon me if I don't accept your expert medical opinion, Dr Freud. | 0:28:55 | 0:28:59 | |
But when I asked Scott Tanner about his illness, | 0:28:59 | 0:29:02 | |
he just looked confused. | 0:29:02 | 0:29:03 | |
Didn't know what the hell I was talking about. No-no-no. | 0:29:03 | 0:29:06 | |
There's too many unanswered questions about this for me | 0:29:06 | 0:29:09 | |
-to file it away. -Right. | 0:29:09 | 0:29:12 | |
Have you got Scott Tanner's medical records in that lot? | 0:29:12 | 0:29:14 | |
No. They're definitely missing, sir. | 0:29:14 | 0:29:16 | |
Medical, legal and personal. | 0:29:16 | 0:29:19 | |
I'm in the process of date ordering and alphabetising where appropriate, | 0:29:19 | 0:29:23 | |
and I'm investigating other lines of enquiries. | 0:29:23 | 0:29:25 | |
Did people used to chuck things at you when you were in school? | 0:29:25 | 0:29:28 | |
No. | 0:29:28 | 0:29:30 | |
Sir, I thought you might be interested in this as well. | 0:29:30 | 0:29:33 | |
It's Stefan Lesley's will. This makes very interesting reading. | 0:29:33 | 0:29:36 | |
Rachel, please don't encourage him. | 0:29:36 | 0:29:38 | |
Look at this. We knew he was wealthy. | 0:29:39 | 0:29:43 | |
But he's very, very wealthy according to that. | 0:29:43 | 0:29:46 | |
And Scott Tanner's a beneficiary. One of six. | 0:29:46 | 0:29:50 | |
SHE COUGHS | 0:29:51 | 0:29:52 | |
So, what if one of the other five read about Scott Tanner | 0:29:55 | 0:30:02 | |
in the newspaper, and saw an opportunity? | 0:30:02 | 0:30:05 | |
Faked Stefan Lesley's suicide, and inherits. | 0:30:05 | 0:30:08 | |
-Well, yes, that's a motive. -Yes, it is. | 0:30:08 | 0:30:10 | |
Yes, but you're assuming that the killer knows about Tanner's | 0:30:10 | 0:30:13 | |
relationship with Stefan. | 0:30:13 | 0:30:15 | |
-It's a bit of a stretch that, sir. -Yes, it is. | 0:30:16 | 0:30:20 | |
Rachel, get me the details | 0:30:20 | 0:30:22 | |
and addresses of the other beneficiaries, would you? | 0:30:22 | 0:30:24 | |
Yes, sir. | 0:30:24 | 0:30:25 | |
Where's Hopewood? | 0:30:28 | 0:30:29 | |
Scott! Scotty! | 0:30:40 | 0:30:42 | |
-This man's under arrest. -Mark! -Where are you taking him? -Taylor. | 0:30:42 | 0:30:45 | |
Oi! Let go of him. | 0:30:45 | 0:30:46 | |
Calm down. Calm down. | 0:30:46 | 0:30:48 | |
In the van. | 0:30:48 | 0:30:50 | |
Let me talk to him! Where are you taking him? | 0:30:50 | 0:30:52 | |
Scott's been charged with murder. | 0:30:52 | 0:30:55 | |
Scotty? | 0:30:55 | 0:30:56 | |
I did it, Mark. | 0:30:56 | 0:30:57 | |
Hey. I thought he wasn't a killer? | 0:30:59 | 0:31:02 | |
Your brother's being taken to High Park Mental Institution | 0:31:02 | 0:31:06 | |
for assessment. | 0:31:06 | 0:31:08 | |
Mental hospital? | 0:31:08 | 0:31:09 | |
Did Scott ever write to you? | 0:31:11 | 0:31:13 | |
Did he ever talk to you about why he left the Army? | 0:31:13 | 0:31:16 | |
Once. Just said he'd had enough. I wasn't surprised. | 0:31:16 | 0:31:21 | |
He was medically discharged. Mental instability. | 0:31:21 | 0:31:25 | |
Didn't notice any change in him? Dear me, some big brother you are. | 0:31:25 | 0:31:29 | |
ENGINE STARTS | 0:31:29 | 0:31:31 | |
What did you do that for? | 0:31:33 | 0:31:34 | |
Bit off the beaten track this, isn't it? | 0:31:45 | 0:31:47 | |
Police. I'd like to speak to Dr Jennifer Bing, please. | 0:31:52 | 0:31:56 | |
I'll give her a call. | 0:31:58 | 0:31:59 | |
Or you could just let us through. | 0:31:59 | 0:32:01 | |
Not without an order. | 0:32:02 | 0:32:04 | |
-We're the police, man. -Yes. I still need an order. | 0:32:04 | 0:32:06 | |
Bloody squaddies. | 0:32:08 | 0:32:09 | |
Come in. | 0:32:32 | 0:32:33 | |
Apparently this is something to do with a murder enquiry? | 0:32:37 | 0:32:40 | |
-Yes, I'm Detective... -Oh, I'm sure you are who you say you are. | 0:32:40 | 0:32:43 | |
The Army tend to be very thorough on these things. | 0:32:43 | 0:32:46 | |
My time is tight, gentlemen... | 0:32:46 | 0:32:47 | |
-Do you know a Dr Stefan Lesley? -Yes. | 0:32:47 | 0:32:50 | |
When did you last see him? | 0:32:50 | 0:32:51 | |
Yesterday. I assume you know that or you wouldn't be here. | 0:32:51 | 0:32:54 | |
It's just that you were his last appointment | 0:32:54 | 0:32:57 | |
before he was found dead. | 0:32:57 | 0:32:58 | |
You don't seem surprised? | 0:33:00 | 0:33:02 | |
You told the sentry this was a murder enquiry | 0:33:02 | 0:33:04 | |
and then you mention Stefan. | 0:33:04 | 0:33:05 | |
Ergo, he's either the victim or the perpetrator. | 0:33:05 | 0:33:07 | |
Now I know which. | 0:33:07 | 0:33:09 | |
Someone's dead. And you don't seem bothered. | 0:33:09 | 0:33:11 | |
I tend to keep my emotions in check. | 0:33:11 | 0:33:14 | |
Either that or you knew already. | 0:33:14 | 0:33:16 | |
Actually, it seems that Dr Lesley committed suicide. | 0:33:16 | 0:33:19 | |
Then this isn't a murder enquiry? | 0:33:21 | 0:33:22 | |
Well, the man that committed the murder, he's an ex-patient of his. | 0:33:24 | 0:33:27 | |
A man called Scott Tanner. | 0:33:27 | 0:33:30 | |
Means nothing to me. | 0:33:30 | 0:33:31 | |
We discussed this murder with Dr Lesley. He visited you. | 0:33:31 | 0:33:35 | |
-And soon after he was found dead. -Ergo, here we are. | 0:33:35 | 0:33:39 | |
Why was Dr Lesley here? | 0:33:42 | 0:33:43 | |
Cup of tea. A social catch up. | 0:33:44 | 0:33:46 | |
You were friends? | 0:33:46 | 0:33:48 | |
Former colleagues. He used to work here. | 0:33:48 | 0:33:51 | |
Doing what? | 0:33:51 | 0:33:53 | |
No idea. | 0:33:53 | 0:33:54 | |
I don't run the place, just work in my little corner. | 0:33:54 | 0:33:57 | |
Doing? | 0:33:57 | 0:33:59 | |
Can't tell you that. Official Secrets Act. | 0:33:59 | 0:34:02 | |
What is this place? | 0:34:02 | 0:34:04 | |
This conversation is going to get very repetitive, very fast, | 0:34:04 | 0:34:07 | |
and I don't have the time. | 0:34:07 | 0:34:09 | |
Stefan Lesley visited, and then he left. Clearly. | 0:34:09 | 0:34:12 | |
I'm sorry to hear he took his own life. | 0:34:12 | 0:34:14 | |
Though he was always a sensitive and complicated man. | 0:34:14 | 0:34:18 | |
Who chose to spend his final hours visiting you. | 0:34:18 | 0:34:21 | |
How did Stefan seem when you saw him yesterday? | 0:34:23 | 0:34:26 | |
Fine. | 0:34:27 | 0:34:29 | |
Do you want me to lie to you? | 0:34:30 | 0:34:32 | |
He was clearly shaken by the news about Scott Tanner. | 0:34:32 | 0:34:35 | |
Did he mention him to you? | 0:34:35 | 0:34:37 | |
No. | 0:34:38 | 0:34:39 | |
He just drove all the way up here for a cup of tea? | 0:34:39 | 0:34:42 | |
Maybe he was looking for a warm shoulder to cry on. | 0:34:44 | 0:34:46 | |
Have you finished? | 0:34:48 | 0:34:49 | |
This is a military facility? | 0:34:51 | 0:34:54 | |
No flies on you, I see. | 0:34:54 | 0:34:56 | |
But you're a civilian? | 0:34:56 | 0:34:57 | |
Contracted to the MOD, yes. | 0:34:57 | 0:34:59 | |
If you want to know any more, then take it up with them. | 0:34:59 | 0:35:02 | |
The sentry will see you out. | 0:35:02 | 0:35:04 | |
She's a piece of work. Isn't she? I found her strangely attractive. | 0:35:04 | 0:35:09 | |
Stefan Lesley denied all knowledge of the military. | 0:35:10 | 0:35:13 | |
Now we know he worked at an MOD facility. | 0:35:13 | 0:35:15 | |
I don't see what any of this has got to do with us. | 0:35:15 | 0:35:19 | |
I think it's you who needs a hobby. | 0:35:19 | 0:35:20 | |
SHE SIGHS HAPPILY | 0:35:24 | 0:35:25 | |
C'mon, man, it's not the London Palladium... | 0:35:25 | 0:35:27 | |
Right, yeah. | 0:35:27 | 0:35:29 | |
So, there were six beneficiaries of Stefan Lesley's will. | 0:35:31 | 0:35:35 | |
Scott Tanner, Edward Fuller, Larry Wells, Peter Gartwood, | 0:35:35 | 0:35:39 | |
Lawrence Bruce and a Mrs Edith Johnson. | 0:35:39 | 0:35:41 | |
All of the men are serving or former soldiers. | 0:35:41 | 0:35:44 | |
I take it Mrs Edith Johnson isn't? | 0:35:44 | 0:35:47 | |
No. But her son Tony was. He's deceased. | 0:35:47 | 0:35:50 | |
Deceased how? | 0:35:50 | 0:35:52 | |
Tony Johnson died in military service. | 0:35:52 | 0:35:54 | |
-And he served at Seaham Barracks with Scott Tanner. -A-ha! | 0:35:54 | 0:35:57 | |
It's all getting a bit less stretchy by the minute, isn't it? | 0:35:58 | 0:36:02 | |
Well done, Rachel, can you get me the current locations | 0:36:02 | 0:36:05 | |
of the others and then...? | 0:36:05 | 0:36:07 | |
Yes. Bruce and Gartwood are still serving. Germany and Gibraltar. | 0:36:07 | 0:36:11 | |
And Mrs Edith Johnson is 54 and lives in Southampton. | 0:36:11 | 0:36:14 | |
And what about Wells and Fuller? | 0:36:14 | 0:36:15 | |
Wells is currently undergoing treatment | 0:36:15 | 0:36:18 | |
-at a mental facility in Leeds. -What's his condition? | 0:36:18 | 0:36:20 | |
Severe delirium tremens caused by drugs and alcohol abuse. | 0:36:20 | 0:36:24 | |
And Edward Fuller now resides in Newcastle. | 0:36:24 | 0:36:27 | |
That will was changed in their favour a year ago. | 0:36:28 | 0:36:33 | |
But why, is the question. | 0:36:33 | 0:36:35 | |
Rachel? No? Dear me, I'm a bit disappointed. | 0:36:35 | 0:36:40 | |
HE CACKLES | 0:36:40 | 0:36:41 | |
I'll go and see Fuller in Newcastle. | 0:36:41 | 0:36:44 | |
John, you go to Leeds and see Wells and Lesley's solicitor. | 0:36:44 | 0:36:46 | |
Hang about! | 0:36:46 | 0:36:48 | |
You want me to go to a mental asylum in Yorkshire? Why? | 0:36:48 | 0:36:51 | |
-You're not going to need a passport, you know. -I know that. | 0:36:51 | 0:36:54 | |
I just don't know what it is exactly I'm meant to be investigating. | 0:36:54 | 0:36:57 | |
Tanner's not a full shilling, right, | 0:36:57 | 0:36:58 | |
and neither is this Wells fella, so what? | 0:36:58 | 0:37:01 | |
Sir, Scott Tanner has got no outstanding prescriptions | 0:37:01 | 0:37:04 | |
for any medication with any chemists in the Durham area. | 0:37:04 | 0:37:07 | |
For anything. | 0:37:07 | 0:37:08 | |
So, Stefan Lesley lied to us about Scott Tanner's condition. | 0:37:08 | 0:37:11 | |
-He told us he was schizophrenic. -Yeah. | 0:37:11 | 0:37:13 | |
And Stefan Lesley also said that the symptoms develop as you get older. | 0:37:13 | 0:37:17 | |
So he should been on neuroleptics to counter them. | 0:37:17 | 0:37:20 | |
And he wasn't, was he? | 0:37:20 | 0:37:22 | |
He joined the Army and three years later | 0:37:22 | 0:37:24 | |
he comes out with mental problems. | 0:37:24 | 0:37:26 | |
Which makes me wonder, actually, where Hopewood comes in. | 0:37:26 | 0:37:30 | |
-So, go and see them. And take Rachel with you. -Why? | 0:37:30 | 0:37:34 | |
Do you want to go? | 0:37:34 | 0:37:35 | |
-Uh-huh. -That's why. And she's earned it. | 0:37:35 | 0:37:38 | |
Don't think you're getting to drive. | 0:37:40 | 0:37:42 | |
# I can see for miles and miles | 0:37:42 | 0:37:46 | |
# And miles and miles | 0:37:46 | 0:37:50 | |
# And miles | 0:37:50 | 0:37:54 | |
# Oh, yeah | 0:37:54 | 0:37:55 | |
# If you think that I don't know about the little tricks you play... # | 0:37:58 | 0:38:03 | |
ENGINE STOPS | 0:38:03 | 0:38:05 | |
Morning. | 0:38:05 | 0:38:06 | |
It's a wild goose chase this, isn't it, huh? | 0:38:07 | 0:38:10 | |
I don't know why we're doing this, we've already got the killer. | 0:38:10 | 0:38:14 | |
Driving all this way cos the guv's got some | 0:38:14 | 0:38:17 | |
bloody bee in his bonnet about the Army. | 0:38:17 | 0:38:19 | |
Isn't that the point, to find out why? | 0:38:19 | 0:38:22 | |
Don't you start. | 0:38:22 | 0:38:23 | |
The only reason we find out the why is | 0:38:23 | 0:38:25 | |
because it leads us to the who. | 0:38:25 | 0:38:27 | |
-We've already got the who. -They're a good band. | 0:38:27 | 0:38:30 | |
Huh? | 0:38:30 | 0:38:31 | |
They're a good band. | 0:38:31 | 0:38:32 | |
Who? | 0:38:32 | 0:38:34 | |
The Who. | 0:38:34 | 0:38:35 | |
What? | 0:38:36 | 0:38:37 | |
It doesn't matter. | 0:38:39 | 0:38:40 | |
You like The Who? | 0:38:43 | 0:38:45 | |
I do. | 0:38:45 | 0:38:46 | |
There's hope for you yet. | 0:38:46 | 0:38:48 | |
-Eddie Fuller? -Aye. | 0:38:56 | 0:38:58 | |
Wait. Wait. Wait. Wait. I'll do it. | 0:39:02 | 0:39:04 | |
PATIENT LAUGHS HYSTERICALLY | 0:39:08 | 0:39:11 | |
Very funny, pal. Very funny. | 0:39:11 | 0:39:13 | |
All right. | 0:39:21 | 0:39:23 | |
Not a word, you. | 0:39:26 | 0:39:27 | |
First I'm hearing of it. | 0:39:29 | 0:39:30 | |
A man is dead, you certainly gain a lot of money, Mr Fuller. | 0:39:30 | 0:39:35 | |
You think I killed him? | 0:39:35 | 0:39:36 | |
No. I'm not saying that. | 0:39:36 | 0:39:38 | |
But while we're talking about it, where were you yesterday? | 0:39:38 | 0:39:43 | |
My grandfather is dying. In the infirmary. | 0:39:44 | 0:39:47 | |
I was with him all day. | 0:39:49 | 0:39:51 | |
Getting my arse kicked at chess. | 0:39:52 | 0:39:55 | |
So, you've never heard of Scott Tanner? | 0:39:55 | 0:39:57 | |
He was a soldier, like you. You were never stationed at Seaham? | 0:39:59 | 0:40:03 | |
I wasn't some crap hat, I was a Para. | 0:40:03 | 0:40:06 | |
You know what that means? | 0:40:06 | 0:40:08 | |
Oh, yes. You're not any more? | 0:40:08 | 0:40:11 | |
Bust me leg. Invalided out. | 0:40:11 | 0:40:14 | |
Were you ever treated by Dr Stefan Lesley? | 0:40:14 | 0:40:17 | |
We had medicals all the time but I never took name badges, | 0:40:17 | 0:40:21 | |
I just coughed when they grabbed me balls. | 0:40:21 | 0:40:24 | |
What about Hopewood, does that ring any bells? | 0:40:24 | 0:40:27 | |
I think we're done. | 0:40:29 | 0:40:30 | |
-So you do know it? What is it? -I cannot talk about it. | 0:40:30 | 0:40:35 | |
Well, Dr Stefan Lesley worked there. Is that why you were in his will? | 0:40:35 | 0:40:38 | |
I don't know owt about his will, or why he's left me this money. | 0:40:38 | 0:40:42 | |
Well, just tell me about Hopewood. | 0:40:42 | 0:40:44 | |
I can't. | 0:40:44 | 0:40:46 | |
Look. All I ever wanted to do was serve my country. | 0:40:46 | 0:40:51 | |
To make sure the next time we go to war, we'll win that one and all. | 0:40:51 | 0:40:55 | |
I take my loyalties very seriously. I signed the papers. | 0:40:57 | 0:41:01 | |
I know what's expected of me. | 0:41:03 | 0:41:04 | |
THE GIRLS LAUGH | 0:41:13 | 0:41:14 | |
Let me do the talking. | 0:41:18 | 0:41:19 | |
You watch and learn. | 0:41:21 | 0:41:24 | |
-I can't wait. -Charlotte Tate? -You are the police officer? | 0:41:24 | 0:41:27 | |
That's right. Detective Sergeant Bacchus, this is WPC Coles. | 0:41:27 | 0:41:30 | |
-Hello, Miss Tate. -You're the one who rang? | 0:41:30 | 0:41:32 | |
-I am, yes. -Aren't you a rarity, my dear. | 0:41:32 | 0:41:34 | |
They haven't chained you to the tea urn and the biscuit tray. | 0:41:34 | 0:41:37 | |
You must be quite the forward thinker, Sergeant. | 0:41:37 | 0:41:39 | |
That's me. | 0:41:39 | 0:41:40 | |
Sit. Please. | 0:41:40 | 0:41:42 | |
Thank you. | 0:41:43 | 0:41:45 | |
Now, we're enquiring about a Dr Stefan Lesley. | 0:41:45 | 0:41:48 | |
I believe he was a client of yours? | 0:41:48 | 0:41:49 | |
-One of many. -Just one of many? | 0:41:49 | 0:41:52 | |
Really? How many of your other clients killed themselves yesterday? | 0:41:52 | 0:41:57 | |
More than just a client, I think. | 0:41:59 | 0:42:02 | |
That was cruel, Sergeant, and unnecessary. | 0:42:02 | 0:42:05 | |
Stefan committed suicide? | 0:42:05 | 0:42:08 | |
We think so. Any idea why? | 0:42:08 | 0:42:11 | |
-No. -You're sure? | 0:42:11 | 0:42:13 | |
He changed his will a year ago, left his money to a bunch of squaddies. | 0:42:15 | 0:42:18 | |
Why would he do that? | 0:42:18 | 0:42:19 | |
-I have no idea. -Really? You wrote the will. | 0:42:19 | 0:42:23 | |
Yes. He was very clear in his wishes. | 0:42:23 | 0:42:26 | |
Not curious, given that you were clearly a friend of his? | 0:42:26 | 0:42:29 | |
It's funny this case, really is. | 0:42:33 | 0:42:35 | |
Nobody seems to know anything about anything, or anyone. | 0:42:35 | 0:42:38 | |
And I feel sorry for Stefan, he's dead | 0:42:38 | 0:42:42 | |
and nobody seems to care or has a clue about why he did it. | 0:42:42 | 0:42:45 | |
Either that or they're scared to admit it. | 0:42:45 | 0:42:48 | |
Why did he leave his money to those men, huh? | 0:42:49 | 0:42:53 | |
What harm can it do to tell me now? | 0:42:53 | 0:42:56 | |
I appreciate you've both come a very long way | 0:42:57 | 0:42:59 | |
but I have nothing more to say. | 0:42:59 | 0:43:01 | |
Right. | 0:43:04 | 0:43:06 | |
-Gently. -Colonel. | 0:43:18 | 0:43:19 | |
I'll be putting it all in a box soon. | 0:43:19 | 0:43:22 | |
I've been selected for promotion. Finally made it to full Colonel. | 0:43:22 | 0:43:26 | |
Congratulations. | 0:43:26 | 0:43:27 | |
Well, it may sound arrogant, but I believe I've earned it. | 0:43:27 | 0:43:31 | |
I see you fought against the Mau Mau. | 0:43:31 | 0:43:33 | |
Mmm. Korea and Malaya too. I've never shirked war, Mr Gently. | 0:43:33 | 0:43:38 | |
No matter how savage. | 0:43:38 | 0:43:39 | |
It is the crucible in which character is forged. Please sit. | 0:43:39 | 0:43:43 | |
Thank you. | 0:43:43 | 0:43:44 | |
I'm intrigued as to why you're back here. | 0:43:44 | 0:43:48 | |
I read that you got your man. Well done. | 0:43:48 | 0:43:51 | |
I've linked another Seaham soldier to my investigation. | 0:43:51 | 0:43:55 | |
A man named Tony Johnson. | 0:43:55 | 0:43:57 | |
Oh, I thought this was all the Tanner boy gone mad? | 0:43:57 | 0:44:00 | |
What can you tell me about Johnson? | 0:44:00 | 0:44:02 | |
Different kettle of fish altogether. I remember him well. | 0:44:02 | 0:44:05 | |
Hell of a recruit. I was devastated to lose him. | 0:44:05 | 0:44:08 | |
How did he die? | 0:44:08 | 0:44:09 | |
It was a three day exercise. A mock engagement. | 0:44:09 | 0:44:13 | |
Johnson went ahead of his unit, he was desperate to win, | 0:44:13 | 0:44:16 | |
and he caught a live round in the head. | 0:44:16 | 0:44:18 | |
-It was a terrible accident. -Mm. | 0:44:18 | 0:44:21 | |
-I'd be happy to get you a copy of the report if you wish? -Thank you. | 0:44:21 | 0:44:24 | |
Corporal Anson! | 0:44:24 | 0:44:25 | |
Double time it down to Records. | 0:44:27 | 0:44:28 | |
I need the accident and death paperwork for Private Tony Johnson. | 0:44:28 | 0:44:32 | |
-Quick as you can, lad. -Yes, sir. | 0:44:32 | 0:44:34 | |
To die on the battlefield is one thing, | 0:44:35 | 0:44:37 | |
but to lose a man on exercise is such a waste. | 0:44:37 | 0:44:40 | |
Is it a terrible thing for me to say that I miss combat? | 0:44:41 | 0:44:44 | |
The exhilaration, the camaraderie. | 0:44:44 | 0:44:48 | |
The simple life-and-death honour of it all. | 0:44:48 | 0:44:50 | |
There's no honour in war. | 0:44:50 | 0:44:52 | |
I know it's a reason that many men go and fight them, | 0:44:52 | 0:44:55 | |
but it doesn't survive the reality. | 0:44:55 | 0:45:00 | |
You played your part in the defeat of a great evil, | 0:45:00 | 0:45:03 | |
there's honour in that, surely? | 0:45:03 | 0:45:04 | |
You faced an implacable enemy and now we face a greater one. | 0:45:04 | 0:45:09 | |
Communism is a many headed snake, Mr Gently. | 0:45:09 | 0:45:13 | |
These people are godless monsters. | 0:45:13 | 0:45:16 | |
We cannot afford weakness if we are to defeat it. | 0:45:16 | 0:45:19 | |
What can you tell me about a place called Hopewood? | 0:45:22 | 0:45:25 | |
What of it? | 0:45:27 | 0:45:28 | |
It came up in my enquiries. | 0:45:28 | 0:45:30 | |
I know Hopewood's there but I don't know what they do | 0:45:32 | 0:45:34 | |
and I wouldn't be able to tell you if I did. | 0:45:34 | 0:45:36 | |
You know what the Army is like. | 0:45:36 | 0:45:38 | |
Yes, it's very good at keeping secrets from those it defends. | 0:45:38 | 0:45:42 | |
The public wouldn't want it any other way. | 0:45:42 | 0:45:44 | |
We man the barricades. | 0:45:44 | 0:45:45 | |
I assume you heard about Dr Lesley's suicide? | 0:45:47 | 0:45:50 | |
-Who? -Dr Lesley, Scott Tanner's psychiatrist. | 0:45:50 | 0:45:53 | |
I thought you might know him. | 0:45:53 | 0:45:54 | |
Why should I? Suicide's a coward's way out. | 0:45:54 | 0:45:56 | |
I've never understood it myself. | 0:45:56 | 0:45:58 | |
KNOCK ON DOOR | 0:45:58 | 0:45:59 | |
Ah, good effort, Corporal. | 0:45:59 | 0:46:01 | |
Here's your report. | 0:46:01 | 0:46:03 | |
Good day, Detective Chief Inspector. | 0:46:05 | 0:46:08 | |
And good luck with your case. | 0:46:08 | 0:46:09 | |
Larry Wells was a lunatic, he really was, he was bouncing off the walls. | 0:46:17 | 0:46:21 | |
-You couldn't ask him anything. -I know. He was scary, wasn't he? | 0:46:21 | 0:46:24 | |
If you're not used to that kind of thing, yes, I suppose. | 0:46:27 | 0:46:30 | |
Eddie Fuller clammed up as soon as I mentioned Hopewood. | 0:46:30 | 0:46:33 | |
And he claimed he'd never even met Lesley. | 0:46:33 | 0:46:36 | |
Do you know what, I would love if somebody I didn't know | 0:46:36 | 0:46:39 | |
left me a stack of cash. Or somebody I did know, come to mention it. | 0:46:39 | 0:46:43 | |
-Any luck with that solicitor? -Same as you, really. | 0:46:43 | 0:46:46 | |
They got upset when we said Lesley had died, but denied all knowledge. | 0:46:46 | 0:46:50 | |
I reckon she was lying about something. | 0:46:50 | 0:46:53 | |
I'd agree, sir. | 0:46:53 | 0:46:54 | |
DOOR OPENS | 0:46:54 | 0:46:55 | |
Evening, sir. | 0:46:57 | 0:46:58 | |
-George. A private word, please? -Certainly. | 0:46:58 | 0:47:01 | |
-Can I get you a scotch? -No, thank you. | 0:47:09 | 0:47:11 | |
What are you playing at with the Army, George? | 0:47:15 | 0:47:17 | |
I thought you had a suspect in custody for this murder? | 0:47:17 | 0:47:20 | |
I'm investigating two deaths. | 0:47:20 | 0:47:22 | |
The other one's a suicide, I'm led to believe. | 0:47:22 | 0:47:25 | |
Why are you wasting time on that? | 0:47:25 | 0:47:27 | |
Have you come all the way down here just to ask me that? | 0:47:27 | 0:47:30 | |
As the senior investigating officer, I choose to. | 0:47:30 | 0:47:34 | |
-How does the MOD fit in with that? -I don't know yet. | 0:47:34 | 0:47:37 | |
Well, I've had a call. | 0:47:37 | 0:47:38 | |
All requests for interviews with military personnel | 0:47:38 | 0:47:41 | |
have to come from my office | 0:47:41 | 0:47:43 | |
and then go to a military liaison officer who will "consider" them. | 0:47:43 | 0:47:47 | |
-I see. -Is this going to get embarrassing, George? -Who for? | 0:47:47 | 0:47:50 | |
For them. For us. The establishment. | 0:47:50 | 0:47:53 | |
Why don't you put it to bed, eh? I mean, you've got a result. | 0:47:53 | 0:47:56 | |
There's no-one else asking questions but you. | 0:47:56 | 0:47:58 | |
Are you ordering me to ignore evidence | 0:47:58 | 0:48:01 | |
and abandon my enquiry, sir? | 0:48:01 | 0:48:03 | |
Because if so, I think I'd like that in writing. | 0:48:03 | 0:48:05 | |
Just walk quietly, George. | 0:48:05 | 0:48:07 | |
If you think this has got the makings of a scandal, | 0:48:07 | 0:48:10 | |
I need you to tell me. | 0:48:10 | 0:48:11 | |
Then we can decide how we're going to proceed. | 0:48:11 | 0:48:13 | |
Cover it up, you mean? | 0:48:13 | 0:48:14 | |
I mean, do your job, man. And shove it up the chain of command. | 0:48:14 | 0:48:18 | |
And any requests for military interviews come to me, as requested. | 0:48:20 | 0:48:25 | |
Right... | 0:48:33 | 0:48:34 | |
Just to be clear, I've just told your guvnor that no-one, | 0:48:36 | 0:48:39 | |
no-one speaks to the Army without my say-so. | 0:48:39 | 0:48:44 | |
-Do you understand? -Yes, sir. | 0:48:44 | 0:48:46 | |
You? | 0:48:46 | 0:48:47 | |
Oh, aye, yeah. Crystal clear, sir. | 0:48:47 | 0:48:50 | |
So there's no misunderstandings. | 0:48:50 | 0:48:52 | |
Somebody's rattled his cage. | 0:48:58 | 0:49:00 | |
He's just making sure we understand our orders. | 0:49:00 | 0:49:03 | |
So what's he after you doing, marching up and down the corridor out there is it? | 0:49:03 | 0:49:08 | |
No. Not yet. Although he did mention a haircut. | 0:49:08 | 0:49:11 | |
SHE SNIGGERS | 0:49:11 | 0:49:14 | |
Somebody at the MOD doesn't like our investigation. | 0:49:14 | 0:49:18 | |
They want to hide something. And my guess, it's Hopewood. | 0:49:18 | 0:49:21 | |
Who won't speak to us. | 0:49:21 | 0:49:23 | |
Scott Tanner might. | 0:49:24 | 0:49:25 | |
INDISTINCT SPEECH | 0:49:31 | 0:49:33 | |
DISTANT YELLING | 0:49:35 | 0:49:37 | |
HE SHOUTS | 0:49:37 | 0:49:39 | |
If there was something wrong, you could have told me, you know. | 0:49:45 | 0:49:49 | |
I'd have come back. | 0:49:49 | 0:49:51 | |
Why did you do it, Scotty? | 0:49:54 | 0:49:56 | |
Why kill the bloke? | 0:49:57 | 0:49:59 | |
I don't know. | 0:49:59 | 0:50:00 | |
I don't remember. | 0:50:02 | 0:50:03 | |
Stefan's dead too. But I didn't do that. | 0:50:07 | 0:50:11 | |
I swear, Mark. | 0:50:13 | 0:50:14 | |
He was my only friend. | 0:50:19 | 0:50:20 | |
Whatever they... | 0:50:22 | 0:50:23 | |
I was home, Scott. Why didn't you talk to me? | 0:50:25 | 0:50:29 | |
You remember when we were kids? | 0:50:29 | 0:50:30 | |
I wanted to be just like you. | 0:50:34 | 0:50:35 | |
But I knew I wasn't. | 0:50:38 | 0:50:39 | |
Knew I embarrassed you. | 0:50:41 | 0:50:43 | |
Other kids would pick on me and you'd batter them for it. | 0:50:45 | 0:50:49 | |
But after, I'd see the look in your eye. | 0:50:49 | 0:50:51 | |
I knew what you thought. | 0:50:54 | 0:50:56 | |
No. You were my little brother. That's all that ever was. | 0:50:56 | 0:51:00 | |
I wanted to make you proud. | 0:51:03 | 0:51:05 | |
That's why I signed up. | 0:51:07 | 0:51:09 | |
And I liked the Army. | 0:51:09 | 0:51:10 | |
Till Hopewood. | 0:51:14 | 0:51:15 | |
What is that? | 0:51:15 | 0:51:16 | |
Is that why this happened? | 0:51:18 | 0:51:20 | |
Is that why this happened? | 0:51:22 | 0:51:24 | |
Stay in the car. He's not your biggest fan. | 0:51:35 | 0:51:38 | |
I don't see why that's my fault. | 0:51:38 | 0:51:41 | |
What are you doing here? Come to get your confession signed, | 0:51:41 | 0:51:45 | |
wrap it all up, lock my brother away for ever? | 0:51:45 | 0:51:48 | |
I know there's something else going on, Mark. | 0:51:48 | 0:51:50 | |
From when Scott was still serving in the Army. | 0:51:50 | 0:51:53 | |
"Serving." Aye, we served. Follow your orders. No questions asked. | 0:51:53 | 0:52:00 | |
Whatever they had you do, eh, Mr Gently... | 0:52:00 | 0:52:03 | |
We used to be the good guys, it's what I always thought. | 0:52:03 | 0:52:07 | |
It's why I signed up. | 0:52:07 | 0:52:09 | |
So what changed? | 0:52:09 | 0:52:11 | |
My eyes were opened. | 0:52:11 | 0:52:12 | |
You think the Americans had a monopoly | 0:52:13 | 0:52:15 | |
on baby-killing and massacres? I was in Kenya. | 0:52:15 | 0:52:19 | |
And we did things there, called it soldiering. | 0:52:19 | 0:52:22 | |
You tell men the enemy are less than human, bad things happen. | 0:52:24 | 0:52:28 | |
I guess it's always been the way. | 0:52:29 | 0:52:32 | |
So what's this got to do with your brother? | 0:52:32 | 0:52:34 | |
I never thought we'd do it to our own. | 0:52:34 | 0:52:37 | |
That can't stand. | 0:52:37 | 0:52:39 | |
Then talk to me. | 0:52:39 | 0:52:41 | |
MARK SCOFFS | 0:52:42 | 0:52:43 | |
What are you going to do? | 0:52:43 | 0:52:45 | |
You're just the same as them, you just wear a different uniform. | 0:52:45 | 0:52:49 | |
DISTANT SHOUTS | 0:52:55 | 0:52:57 | |
Come on, Colin. | 0:52:57 | 0:52:58 | |
Thank you. | 0:53:05 | 0:53:07 | |
How can anybody ever get better in a place like this? | 0:53:07 | 0:53:10 | |
Is that the idea, Guv? | 0:53:10 | 0:53:11 | |
I thought it was to stop them hurting other people. | 0:53:11 | 0:53:15 | |
It does say "criminally insane" over the door, doesn't it? | 0:53:15 | 0:53:18 | |
Some of them don't even know what they've done. | 0:53:18 | 0:53:20 | |
The world's not perfect, is it? | 0:53:20 | 0:53:22 | |
Bloody hell. | 0:53:25 | 0:53:27 | |
What have they given him? | 0:53:29 | 0:53:31 | |
Largactil. | 0:53:31 | 0:53:32 | |
You remember us, Scott? | 0:53:43 | 0:53:44 | |
Have you remembered anything else since we last spoke? | 0:53:46 | 0:53:49 | |
I killed a man. I know that. | 0:53:51 | 0:53:55 | |
But I didn't remember doing it. | 0:53:55 | 0:53:57 | |
How is that? How could that happen? | 0:53:58 | 0:54:02 | |
Is it something to do with Hopewood? | 0:54:04 | 0:54:06 | |
-I can't tell you. -No. | 0:54:11 | 0:54:13 | |
Cos you signed the papers? | 0:54:15 | 0:54:17 | |
I've signed the papers too. So has John. | 0:54:21 | 0:54:24 | |
Yes. | 0:54:27 | 0:54:28 | |
You did? | 0:54:29 | 0:54:31 | |
Yes. How else would we know about Hopewood? | 0:54:31 | 0:54:34 | |
Why did they send you there? | 0:54:44 | 0:54:45 | |
I... | 0:54:48 | 0:54:50 | |
I volunteered. It was a... | 0:54:52 | 0:54:56 | |
..a day out. | 0:54:58 | 0:55:00 | |
MEN LAUGHING | 0:55:01 | 0:55:03 | |
MUSIC: "I Feel Free" by Cream | 0:55:04 | 0:55:08 | |
# Feel when I dance with you | 0:55:15 | 0:55:20 | |
# We move like the sea | 0:55:20 | 0:55:24 | |
# You, you're all I want to know... # | 0:55:25 | 0:55:28 | |
It was fun. We were... | 0:55:28 | 0:55:29 | |
HE LAUGHS | 0:55:30 | 0:55:33 | |
We were so high. | 0:55:33 | 0:55:34 | |
Keep it straight, keep it tight! | 0:55:34 | 0:55:37 | |
# I feel free | 0:55:37 | 0:55:41 | |
THE MEN LAUGH | 0:55:41 | 0:55:43 | |
# I feel free | 0:55:43 | 0:55:45 | |
# I can walk down the street, there's no-one there | 0:55:47 | 0:55:49 | |
# Though the pavements are one huge crowd | 0:55:49 | 0:55:52 | |
# I can drive down the road, my eyes don't see | 0:55:52 | 0:55:55 | |
# Though my mind wants to cry out loud | 0:55:55 | 0:55:58 | |
# Ah, ah, ah, ah, ah, ah | 0:55:58 | 0:56:02 | |
# Ah, ah, ah, ah... # | 0:56:03 | 0:56:07 | |
HE LAUGHS | 0:56:07 | 0:56:09 | |
# ..Ah, ah, ah, ah, ah, ah... # | 0:56:09 | 0:56:11 | |
How old are you? | 0:56:11 | 0:56:13 | |
-23. How old are you? -HE LAUGHS | 0:56:13 | 0:56:16 | |
What drugs were you given? | 0:56:20 | 0:56:22 | |
I don't know. We weren't told what or why. | 0:56:23 | 0:56:25 | |
That was part of the test. | 0:56:25 | 0:56:28 | |
We were free like, to come and go as we pleased. | 0:56:28 | 0:56:32 | |
But um... | 0:56:34 | 0:56:35 | |
But then it changed. | 0:56:42 | 0:56:44 | |
SOUND DISTORTS | 0:56:44 | 0:56:46 | |
HE CLICKS FINGERS Scott. | 0:56:55 | 0:56:58 | |
Changed how? | 0:56:58 | 0:56:59 | |
Men in black masks. | 0:57:06 | 0:57:09 | |
You only see their eyes and their teeth. They were shouting at me. | 0:57:09 | 0:57:14 | |
DISTORTED SHOUTS | 0:57:14 | 0:57:16 | |
You were given drugs and tortured? | 0:57:20 | 0:57:22 | |
And Dr Stefan Lesley was there? | 0:57:24 | 0:57:26 | |
Yes. | 0:57:28 | 0:57:29 | |
Why were you tortured, Scott? | 0:57:31 | 0:57:33 | |
Because I wouldn't tell. | 0:57:36 | 0:57:38 | |
They knew, and they wanted me to admit it. | 0:57:40 | 0:57:43 | |
But I'm not weak. I was a good soldier. | 0:57:47 | 0:57:51 | |
Yes, good lad. | 0:57:53 | 0:57:54 | |
What happened in the steam room? | 0:57:58 | 0:58:00 | |
I was lonely. | 0:58:11 | 0:58:13 | |
SCOTT MOANS | 0:58:27 | 0:58:30 | |
And then I had blood on my hands and I ran away. | 0:58:37 | 0:58:41 | |
-What about Dr Lesley? -No. | 0:58:42 | 0:58:44 | |
No, Stefan was my friend. | 0:58:46 | 0:58:48 | |
When they threw me out, he came to me. | 0:58:52 | 0:58:54 | |
He told me it wasn't my fault. | 0:58:54 | 0:58:56 | |
They pushed us too far. | 0:58:59 | 0:59:00 | |
And now there's no way back, is there? | 0:59:05 | 0:59:08 | |
You heard him. They volunteered for it. | 0:59:10 | 0:59:13 | |
-They signed up for it. -Oh, that makes it all right, does it? | 0:59:13 | 0:59:17 | |
Well, the Army must have had their reasons, sir, | 0:59:17 | 0:59:19 | |
or they wouldn't have bothered, would they? | 0:59:19 | 0:59:21 | |
-If the Commies are doing the same... -We have to do it as well. Of course. | 0:59:21 | 0:59:25 | |
It's all about the greater good, isn't it? | 0:59:25 | 0:59:28 | |
It's just an excuse, John. | 0:59:28 | 0:59:30 | |
Guv, what's going on, huh? What's this all about? | 0:59:34 | 0:59:39 | |
Guv, Tanner volunteered and Stefan Lesley killed himself | 0:59:39 | 0:59:42 | |
because maybe he felt guilty, I don't know. | 0:59:42 | 0:59:45 | |
But it's not a crime. It's not... | 0:59:45 | 0:59:46 | |
Are you saying what happened to that boy wasn't a crime? | 0:59:46 | 0:59:49 | |
No. It's not one for us to investigate, sir. | 0:59:49 | 0:59:51 | |
That's down to his brief and the courts. All right? | 0:59:51 | 0:59:54 | |
-Get in the car. -Guv! | 0:59:54 | 0:59:56 | |
Are you all right, pet? | 1:00:16 | 1:00:17 | |
What have you got there, is it your homework, is it? | 1:00:17 | 1:00:19 | |
No. It's the pathology report on Stefan Lesley. | 1:00:19 | 1:00:22 | |
Right. Go on, then, is it suicide? | 1:00:22 | 1:00:24 | |
-He was murdered. -You're joking?! -He died of a broken neck. | 1:00:24 | 1:00:28 | |
But before the rope went near him. | 1:00:28 | 1:00:30 | |
He was right, wasn't he? He was right all along. | 1:00:33 | 1:00:35 | |
I hate it when he's right. | 1:00:35 | 1:00:37 | |
He's going to be all magnanimous an' all, which makes it even worse. | 1:00:37 | 1:00:40 | |
Right. OK. Come on then. | 1:00:42 | 1:00:44 | |
I suppose you want to watch me eating humble pie? | 1:00:45 | 1:00:47 | |
Sir. | 1:00:50 | 1:00:52 | |
You were right. I take it all back. | 1:00:52 | 1:00:55 | |
Well, well, well. | 1:00:57 | 1:00:59 | |
You weren't to know, were you? | 1:01:00 | 1:01:02 | |
Question is, who and why? | 1:01:03 | 1:01:06 | |
Well, I reckon Mark Tanner's capable of snapping a few necks. | 1:01:07 | 1:01:11 | |
Indeed he is. Why would he kill Lesley now? | 1:01:11 | 1:01:15 | |
And what about those medical records? | 1:01:17 | 1:01:19 | |
All right, maybe... | 1:01:19 | 1:01:22 | |
Yeah, listen. Maybe... | 1:01:22 | 1:01:25 | |
Maybe Scott tells Mark ages ago what happened. | 1:01:25 | 1:01:27 | |
And then when Scott snaps, goes mental and kills Leonard Price, | 1:01:27 | 1:01:31 | |
Mark blames and goes after the people that messed with his head. | 1:01:31 | 1:01:35 | |
It's just simple revenge, isn't it? Strong motive that. | 1:01:35 | 1:01:39 | |
Yes, it is. | 1:01:39 | 1:01:40 | |
But why would Mark take the medical records? | 1:01:42 | 1:01:45 | |
Somebody at Hopewood knows what happened. | 1:01:46 | 1:01:49 | |
You want to go and see that scary woman again, don't you? | 1:01:49 | 1:01:52 | |
-Yes. We could take her out to tea. -That's a good idea, yes. | 1:01:52 | 1:01:55 | |
Because the last person she had a drink with | 1:01:55 | 1:01:57 | |
ended up with their neck snapped. | 1:01:57 | 1:01:59 | |
Should I call the ACC's office, sir, and put a request in. | 1:01:59 | 1:02:02 | |
What for? | 1:02:02 | 1:02:03 | |
Well, for an interview. ACC Hale said that we... | 1:02:03 | 1:02:06 | |
Forget about Hale. | 1:02:06 | 1:02:08 | |
With all respect, sir. It's easy for you to say, sir, but I... | 1:02:08 | 1:02:11 | |
-Rachel, this isn't a discussion. -She is right, Guv. | 1:02:11 | 1:02:14 | |
But then, you don't care, do you? | 1:02:19 | 1:02:21 | |
I care about catching a killer. Nothing else. | 1:02:21 | 1:02:24 | |
Certainly not about helping them to cover it up. | 1:02:24 | 1:02:26 | |
Don't worry about it. | 1:02:31 | 1:02:32 | |
This conversation never happened, all right? | 1:02:32 | 1:02:35 | |
-As far as you're concerned. -Which conversation? | 1:02:35 | 1:02:37 | |
Exactly. Listen. Do me a favour. | 1:02:37 | 1:02:40 | |
Get a uniform to get Mark Tanner here, right? | 1:02:40 | 1:02:43 | |
I still think he's the killer. | 1:02:43 | 1:02:45 | |
I don't appreciate being coerced, Mr Gently. | 1:02:56 | 1:02:59 | |
Is that what you think this is? | 1:02:59 | 1:03:01 | |
You told the sentry you'd arrest me the minute I left the facility | 1:03:01 | 1:03:04 | |
if I didn't speak to you. | 1:03:04 | 1:03:05 | |
You're a civilian. That would be my right. | 1:03:05 | 1:03:07 | |
I've informed my employers at the MOD. That is my right. | 1:03:07 | 1:03:11 | |
I know about the psychological warfare tests | 1:03:17 | 1:03:20 | |
carried out on Scott Tanner and others. | 1:03:20 | 1:03:22 | |
And I know about the torture and the beatings. | 1:03:22 | 1:03:25 | |
SHE LAUGHS SOFTLY | 1:03:25 | 1:03:27 | |
You find that funny? | 1:03:27 | 1:03:29 | |
I find it amusing that you take the ravings of a lunatic as fact. | 1:03:29 | 1:03:33 | |
There were no beatings or torture. | 1:03:33 | 1:03:35 | |
We conducted clinical trials under controlled conditions. | 1:03:35 | 1:03:39 | |
Yes, they were secret tests. | 1:03:39 | 1:03:40 | |
But the soldiers signed on the bottom line, volunteered | 1:03:40 | 1:03:43 | |
and were well looked after. That was Lesley's responsibility - | 1:03:43 | 1:03:46 | |
to devise the tests and monitor their mental well-being. | 1:03:46 | 1:03:49 | |
Stefan Lesley was murdered. | 1:03:49 | 1:03:50 | |
You look a little emotional there, Doctor. | 1:03:53 | 1:03:55 | |
Someone broke his neck and dressed it up to look like suicide. | 1:03:55 | 1:04:00 | |
Have you any notion who would do that? Or why? | 1:04:00 | 1:04:03 | |
None. | 1:04:03 | 1:04:05 | |
Stefan Lesley rewrote his will - | 1:04:05 | 1:04:06 | |
left everything to your test subjects. Why would he do that? | 1:04:06 | 1:04:10 | |
-I don't do supposition, Mr Gently. -Oh, I do. | 1:04:10 | 1:04:14 | |
Guilt. Because of what he was party to here. | 1:04:14 | 1:04:18 | |
Scott Tanner says he was given massive doses of drugs, | 1:04:18 | 1:04:21 | |
and then beaten and tortured. And you were there. | 1:04:21 | 1:04:25 | |
You have to understand. | 1:04:25 | 1:04:26 | |
We know the Soviets and the Chinese are running similar tests. | 1:04:26 | 1:04:29 | |
-So we drop to their level? -I had a job to do. | 1:04:29 | 1:04:32 | |
It was your job to drive Scott Tanner insane? | 1:04:32 | 1:04:35 | |
Scott Tanner was mentally unstable when he walked through the door. | 1:04:35 | 1:04:38 | |
Weak. We learned that quickly. | 1:04:38 | 1:04:40 | |
The brutal truth is that this fact made him | 1:04:42 | 1:04:47 | |
the most useful subject, the most susceptible. | 1:04:47 | 1:04:50 | |
-To what? -LSD primarily. Also BZ, THC and PCP. | 1:04:50 | 1:04:56 | |
Gentlemen, what Scott Tanner has described to you | 1:04:58 | 1:05:02 | |
are his hallucinations, not what really happened to him. | 1:05:02 | 1:05:05 | |
I'm breaking protocol doing this, but I'm going to show you something. | 1:05:07 | 1:05:11 | |
And then perhaps you'll concentrate your enquiries elsewhere. | 1:05:11 | 1:05:14 | |
This is classified film showing tests we conducted at Hopewood. | 1:05:19 | 1:05:23 | |
'October 1967.' | 1:05:23 | 1:05:25 | |
The idea was to drop LSD on enemy formations, | 1:05:25 | 1:05:27 | |
rendering them unable to fight. | 1:05:27 | 1:05:30 | |
'The first doses were administered at 11.00 hours.' | 1:05:30 | 1:05:32 | |
'The enemy target is over there. | 1:05:32 | 1:05:34 | |
'Remember what we're doing here, lads. | 1:05:34 | 1:05:37 | |
'Remember why we're here. Keep it tight over there, come here.' | 1:05:37 | 1:05:40 | |
'At 11.45 the first effects became apparent. | 1:05:40 | 1:05:43 | |
'The test subjects began to lose co-ordination | 1:05:46 | 1:05:48 | |
'and concentration on the task at hand. | 1:05:48 | 1:05:51 | |
'The subjects stopped taking orders and became disorientated.' | 1:05:52 | 1:05:55 | |
SOLDIERS LAUGH | 1:05:57 | 1:06:00 | |
As you can see, it was hardly torture. | 1:06:00 | 1:06:03 | |
'Subject seven became increasingly paranoid and fearful | 1:06:05 | 1:06:08 | |
'and was removed from the test arena.' | 1:06:08 | 1:06:11 | |
Were these the only tests you conducted on Scott Tanner? | 1:06:11 | 1:06:14 | |
And tests to see if the drugs aided in interrogation. | 1:06:14 | 1:06:17 | |
We were looking for a truth serum. | 1:06:17 | 1:06:19 | |
'Can you tell me a little bit about your family.' | 1:06:19 | 1:06:22 | |
'The subjects were asked a series of questions.' | 1:06:22 | 1:06:25 | |
'I've a brother.' | 1:06:25 | 1:06:27 | |
The idea was to take men we knew had a secret and see | 1:06:27 | 1:06:30 | |
if we could get them to divulge it under the influence of the drugs. | 1:06:30 | 1:06:34 | |
Did it work? | 1:06:34 | 1:06:35 | |
No. The drugs proved a blunt instrument. Too wayward. | 1:06:35 | 1:06:40 | |
So you tortured them instead? | 1:06:40 | 1:06:42 | |
As I said, Mr Gently, | 1:06:43 | 1:06:46 | |
Scott Tanner's persecution exists entirely in his own mind. | 1:06:46 | 1:06:50 | |
INDISTINCT SPEECH | 1:06:52 | 1:06:54 | |
Can you go back to the beginning? | 1:06:57 | 1:06:59 | |
What are the soldiers' names? | 1:07:13 | 1:07:14 | |
Tanner, Fuller, Wells, Gartwood, Bruce and Johnson. | 1:07:16 | 1:07:21 | |
Thank you. | 1:07:21 | 1:07:22 | |
Your former colleague is dead, Dr Bing, because of what occurred here. | 1:07:27 | 1:07:31 | |
-Your life could be in danger. -From who? | 1:07:31 | 1:07:34 | |
Scott Tanner's got a brother. | 1:07:34 | 1:07:36 | |
He's ex-special forces and we don't know where he is. | 1:07:36 | 1:07:39 | |
He may be looking to seek revenge on those people that he | 1:07:39 | 1:07:41 | |
thinks are responsible. | 1:07:41 | 1:07:44 | |
What do you suggest I do? | 1:07:44 | 1:07:45 | |
With your permission, I'd like to send officers to escort you | 1:07:45 | 1:07:49 | |
home and remain with you. | 1:07:49 | 1:07:51 | |
You really think that's necessary? | 1:07:51 | 1:07:53 | |
I would hate to be standing over another body with a broken neck. | 1:07:53 | 1:07:57 | |
-You're very persuasive. -Yeah. | 1:08:00 | 1:08:03 | |
No sign of Mark Tanner at home. They don't know where he is. | 1:08:16 | 1:08:20 | |
Our question is, will he go after Dr Bing? | 1:08:20 | 1:08:24 | |
If it's him. | 1:08:24 | 1:08:26 | |
Well. Who else is it, sir? And why protect her if it isn't? | 1:08:26 | 1:08:30 | |
So we know exactly where she is if I need to speak to her again. | 1:08:30 | 1:08:34 | |
Off MOD land. | 1:08:34 | 1:08:35 | |
Have a look at this. | 1:08:39 | 1:08:41 | |
-Guv, I'm on my break now! -Go on. Just have a look. | 1:08:41 | 1:08:44 | |
Darwin told me that Tony Johnson died at Seaham barracks | 1:08:44 | 1:08:48 | |
on manoeuvres. There's the report signed by him. | 1:08:48 | 1:08:51 | |
So what's the date of death? | 1:08:51 | 1:08:54 | |
-14th October 1967. -14th October 1967. | 1:08:54 | 1:08:57 | |
And the Hopewood film that we saw is also the 14th October 1967. | 1:08:57 | 1:09:03 | |
How could he be dying at Seaham if he was taking LSD at Hopewood? | 1:09:03 | 1:09:08 | |
Darwin lied to us and the film proves it. | 1:09:09 | 1:09:12 | |
Guv, why would he lie? | 1:09:12 | 1:09:14 | |
These tests are public knowledge nowadays, aren't they? | 1:09:14 | 1:09:17 | |
They're all above board, they're all sanctioned. | 1:09:17 | 1:09:19 | |
John, John, John... | 1:09:19 | 1:09:20 | |
Tony Johnson died at Hopewood because of the tests. | 1:09:22 | 1:09:28 | |
You know yourself that the greater good | 1:09:28 | 1:09:30 | |
and personal interest often become the same thing. | 1:09:30 | 1:09:33 | |
And Darwin's up for promotion. | 1:09:33 | 1:09:35 | |
Why is this getting under your skin so much? | 1:09:38 | 1:09:40 | |
Shut the door. | 1:09:43 | 1:09:45 | |
HE SIGHS | 1:09:53 | 1:09:55 | |
That funeral I went to. Archie Leeson. A man who saved my life... | 1:09:57 | 1:10:04 | |
We got pinned down by a sniper - this is up in a bell tower - | 1:10:06 | 1:10:12 | |
and he killed three of our platoon before he finally ran | 1:10:12 | 1:10:15 | |
out of ammo and surrendered. Waved a white flag. | 1:10:15 | 1:10:18 | |
So down he comes, and he's just a boy. | 1:10:20 | 1:10:24 | |
17 or 18, his uniform didn't even fit him. | 1:10:24 | 1:10:27 | |
He's got a little white flower in his lapel. Prisoner of War. | 1:10:29 | 1:10:33 | |
But men had died and Archie lost it. | 1:10:35 | 1:10:39 | |
Others joined in, and they beat that boy to death. | 1:10:41 | 1:10:45 | |
And you? | 1:10:47 | 1:10:48 | |
No. | 1:10:50 | 1:10:51 | |
No. | 1:10:53 | 1:10:54 | |
And when they had finished, the men were | 1:10:56 | 1:10:59 | |
looking at each other, horrified at what they had done. | 1:10:59 | 1:11:03 | |
But it was murder, pure and simple. | 1:11:03 | 1:11:07 | |
Well, he was the enemy, wasn't he, sir? | 1:11:11 | 1:11:14 | |
Yes, he was. But he'd surrendered. | 1:11:18 | 1:11:21 | |
It made us no different from the Nazis, it's what they did. | 1:11:23 | 1:11:26 | |
And I knew I should have reported it, but my lieutenant, | 1:11:27 | 1:11:31 | |
Lieutenant Phillips, said no. And I went along with him. | 1:11:31 | 1:11:34 | |
Because I told myself that these were men I'd been fighting with | 1:11:36 | 1:11:40 | |
for months, it was my officer's job not mine. | 1:11:40 | 1:11:43 | |
What did one enemy boy matter against everyone else? | 1:11:43 | 1:11:46 | |
And it was wrong. | 1:11:47 | 1:11:49 | |
I let it pass and it was wrong. | 1:11:50 | 1:11:53 | |
It's not your responsibility. | 1:11:53 | 1:11:55 | |
Edmund Burke said that for evil to flourish, | 1:11:58 | 1:12:01 | |
it's only necessary for good men to do nothing. | 1:12:01 | 1:12:04 | |
Which is what I did. | 1:12:07 | 1:12:08 | |
And I carry that guilt with me. | 1:12:12 | 1:12:14 | |
Do you know what, sir? | 1:12:23 | 1:12:25 | |
So much suddenly makes sense about you. | 1:12:26 | 1:12:29 | |
THEY LAUGH | 1:12:30 | 1:12:32 | |
So...what now? | 1:12:34 | 1:12:36 | |
Detective Chief Inspector Gently? | 1:12:39 | 1:12:42 | |
Yes. Yes, thank you for speaking with me, sir. | 1:12:42 | 1:12:46 | |
Well, I haven't heard of you in 20-odd years | 1:12:46 | 1:12:48 | |
and now twice in a week. | 1:12:48 | 1:12:50 | |
Well, I'm conducting a murder enquiry. | 1:12:50 | 1:12:52 | |
It has a military connection. | 1:12:52 | 1:12:54 | |
There are channels for this sort of thing, Gently. | 1:12:54 | 1:12:57 | |
And they've been closed. No-one is talking. | 1:12:57 | 1:13:00 | |
A man has been murdered, and someone wants to cover it up. | 1:13:00 | 1:13:03 | |
Does that sound familiar to you, Brigadier? | 1:13:03 | 1:13:06 | |
What do you want? | 1:13:07 | 1:13:09 | |
Service record of a Lt Colonel James Darwin, | 1:13:09 | 1:13:13 | |
currently at Seaham barracks. | 1:13:13 | 1:13:15 | |
If I go down channels, they'll just close me down. | 1:13:15 | 1:13:18 | |
You want me to put a fellow officer in the frame for murder? | 1:13:18 | 1:13:21 | |
If he's guilty. | 1:13:21 | 1:13:23 | |
You two. Out of the car now. NOW! | 1:13:51 | 1:13:55 | |
-Sir, please calm down. -Move it. Shut up. | 1:13:57 | 1:14:00 | |
You try anything and I'll shoot you down and take her anyway. | 1:14:00 | 1:14:04 | |
Now, back away. Up the road, all the way. Run! | 1:14:04 | 1:14:08 | |
-Can you drive? -Yes. | 1:14:08 | 1:14:10 | |
Right, well, get out of the car. | 1:14:10 | 1:14:12 | |
Stay there! | 1:14:12 | 1:14:14 | |
You try anything and I'll put a bullet in your leg. Shut the door. | 1:14:14 | 1:14:18 | |
Stay there. Don't move! | 1:14:18 | 1:14:20 | |
Drive. Drive! | 1:14:22 | 1:14:25 | |
-Sir. Sir! Somebody just kidnapped Dr Bing at gunpoint. -Where? | 1:14:31 | 1:14:35 | |
Outside Hopewood. Sounds like Mark Tanner. | 1:14:35 | 1:14:37 | |
He took the squad car with her in it. | 1:14:37 | 1:14:39 | |
We should try his flat, sir. | 1:14:39 | 1:14:40 | |
Right. Nobody is to approach him without my say-so. | 1:14:40 | 1:14:43 | |
Check Dr Bing's house and the Tanner apartment first. | 1:14:43 | 1:14:46 | |
PHONE RINGS OK, sir. | 1:14:46 | 1:14:47 | |
Sir! There's a call for you. A Brigadier Phillips. | 1:14:51 | 1:14:54 | |
No. We haven't got time for that. Sir, come on. | 1:14:54 | 1:14:56 | |
-No. Carry on. -We haven't got time, sir. | 1:14:56 | 1:14:58 | |
It's all right. Wait for me in the car. | 1:14:58 | 1:15:00 | |
BACCHUS MUTTERS | 1:15:00 | 1:15:03 | |
DR BING WHIMPERS | 1:15:03 | 1:15:05 | |
A man died in this room because of what you did to my brother. | 1:15:10 | 1:15:14 | |
-Please, I don't know anything... -No more lies! | 1:15:14 | 1:15:17 | |
I'm going to ask questions, you're going to answer them. | 1:15:17 | 1:15:21 | |
Just like Scotty. | 1:15:21 | 1:15:23 | |
SHE WHIMPERS | 1:15:26 | 1:15:28 | |
I'm a woman. | 1:15:28 | 1:15:31 | |
You think that I haven't killed women before? | 1:15:31 | 1:15:33 | |
SHE SCREAMS | 1:15:35 | 1:15:37 | |
Now there's nothing that I haven't done for Queen and Country. | 1:15:37 | 1:15:42 | |
That's one thing that me and you have got in common. | 1:15:42 | 1:15:44 | |
Guv, the car's been spotted outside Lesley's. | 1:15:47 | 1:15:50 | |
Go! Go! | 1:15:57 | 1:15:59 | |
MUFFLED MOANS | 1:16:02 | 1:16:04 | |
It's all right. You can leave. | 1:16:06 | 1:16:08 | |
It's all right. | 1:16:09 | 1:16:11 | |
SHE GASPS | 1:16:11 | 1:16:12 | |
-Are you all right? -Yes. | 1:16:12 | 1:16:14 | |
You sure? It was Mark Tanner, wasn't it? | 1:16:14 | 1:16:18 | |
-Wasn't it? -Yes. | 1:16:18 | 1:16:19 | |
Thank you. | 1:16:26 | 1:16:27 | |
Who's he really after? | 1:16:29 | 1:16:30 | |
You know what I'm talking about, don't you? | 1:16:31 | 1:16:34 | |
I can make a very good case for you being | 1:16:34 | 1:16:36 | |
involved in the murder of Stefan Lesley. | 1:16:36 | 1:16:39 | |
-I had nothing to do with it. -No. But you know who did, don't you? | 1:16:39 | 1:16:41 | |
-What do you mean? -He didn't kill Stefan Lesley. | 1:16:41 | 1:16:44 | |
He wants to find his killer, same as we do. | 1:16:44 | 1:16:47 | |
Now... | 1:16:49 | 1:16:50 | |
What happened at Hopewood? | 1:16:53 | 1:16:54 | |
It was Darwin. | 1:16:59 | 1:17:00 | |
He went too far. | 1:17:02 | 1:17:04 | |
Tell me what you are! | 1:17:06 | 1:17:08 | |
Tell me! | 1:17:09 | 1:17:11 | |
Tell me, or he dies. | 1:17:12 | 1:17:14 | |
SCOTT PANTS | 1:17:14 | 1:17:16 | |
Yes. | 1:17:16 | 1:17:18 | |
What are you? | 1:17:18 | 1:17:20 | |
HE WHIMPERS | 1:17:20 | 1:17:22 | |
I'm...I'm queer. | 1:17:22 | 1:17:24 | |
All this because they were homosexual? | 1:17:27 | 1:17:30 | |
No! That was irrelevant to us. But not to them. | 1:17:30 | 1:17:34 | |
It was the secret they were keeping. It was a test. | 1:17:34 | 1:17:37 | |
It was just meant to be a test. | 1:17:37 | 1:17:39 | |
But Darwin wouldn't stop until he broke those boys. | 1:17:39 | 1:17:43 | |
He was way beyond his orders. He knew it meant the end of his career. | 1:17:43 | 1:17:46 | |
And yours. You kept quiet. | 1:17:46 | 1:17:48 | |
Well, what would speaking out have achieved?! | 1:17:48 | 1:17:50 | |
Hmm? Stefan was looking after Scott. He... | 1:17:50 | 1:17:54 | |
He'd convinced him that it was a hallucination. | 1:17:54 | 1:17:57 | |
That it hadn't really happened. | 1:17:57 | 1:17:59 | |
And the memory came back and he killed somebody | 1:17:59 | 1:18:02 | |
and you still kept quiet. | 1:18:02 | 1:18:03 | |
Stefan came to see me in a panic. | 1:18:03 | 1:18:05 | |
He was going to ruin all our lives. | 1:18:07 | 1:18:10 | |
Another innocent man, because we stood by and did nothing. | 1:18:10 | 1:18:14 | |
Fine. You're right. But we can't change that now. | 1:18:14 | 1:18:17 | |
But we can help Scott Tanner! | 1:18:17 | 1:18:20 | |
How? | 1:18:20 | 1:18:21 | |
By showing it wasn't his fault. | 1:18:21 | 1:18:22 | |
By telling the world what we did to him. | 1:18:22 | 1:18:25 | |
No-one will ever believe you. You can't prove anything. | 1:18:25 | 1:18:28 | |
I've got copies of the films, Jennifer. They show everything. | 1:18:28 | 1:18:32 | |
It's enough to condemn us all. | 1:18:32 | 1:18:33 | |
And you warned Darwin that Stefan was having | 1:18:36 | 1:18:38 | |
an attack of conscience and was going to make these films public? | 1:18:38 | 1:18:42 | |
Yes. But he told me that Stefan had seen reason. | 1:18:42 | 1:18:44 | |
That he was going to hand these films back. | 1:18:44 | 1:18:46 | |
-I never thought that... -Did you tell Mark Tanner this? | 1:18:46 | 1:18:49 | |
-He was going to kill me. -Where did Tanner go to? | 1:18:49 | 1:18:51 | |
He made me call Darwin, said I had to meet him at Hopewood. | 1:18:51 | 1:18:55 | |
I want a written statement out of you. And I want those films. | 1:18:55 | 1:18:59 | |
That's Lesley's car. Stop! | 1:19:08 | 1:19:10 | |
Guv. Guv! | 1:19:25 | 1:19:26 | |
TYRES SCREECH | 1:19:33 | 1:19:35 | |
HE GRUNTS IN PAIN | 1:19:47 | 1:19:49 | |
Move. Move now! | 1:20:19 | 1:20:21 | |
Now get up on your feet. On your feet and look at me. | 1:20:22 | 1:20:25 | |
-Mark! Put it down, mate. -Or what? | 1:20:25 | 1:20:28 | |
What? You're going to set your dog on me again, are you? | 1:20:28 | 1:20:32 | |
Now do us all a favour and walk away. | 1:20:32 | 1:20:34 | |
Gently, this man is insane. | 1:20:34 | 1:20:36 | |
Do you know what he did to my brother? | 1:20:36 | 1:20:39 | |
Yes. | 1:20:39 | 1:20:41 | |
Then he deserves to die. Get back, you! | 1:20:41 | 1:20:44 | |
-Mark! Mark! -I won't tell you again. | 1:20:44 | 1:20:46 | |
Mark! And what about your brother then? | 1:20:46 | 1:20:50 | |
He's locked up. I can't help him now. Except like this. | 1:20:50 | 1:20:54 | |
Some justice. | 1:20:54 | 1:20:56 | |
What? And then I lock you up for the rest of your life? | 1:20:56 | 1:20:59 | |
It'd be worth it. | 1:20:59 | 1:21:00 | |
No. No. Mark, he'll only get charged with manslaughter. | 1:21:00 | 1:21:04 | |
Diminished responsibility. | 1:21:04 | 1:21:06 | |
He'll be out while he's still a young man. | 1:21:06 | 1:21:08 | |
And then you can be there for him. | 1:21:08 | 1:21:10 | |
You do this. You're going to be leaving him on his own again. | 1:21:10 | 1:21:13 | |
Now, step aside. | 1:21:14 | 1:21:15 | |
DARWIN GRUNTS | 1:21:15 | 1:21:17 | |
Gently, step aside. | 1:21:17 | 1:21:18 | |
I can't do it, Mark. | 1:21:18 | 1:21:19 | |
He's got to pay! | 1:21:19 | 1:21:21 | |
He will. I promise. | 1:21:21 | 1:21:23 | |
Scott'll definitely get out? | 1:21:30 | 1:21:32 | |
Absolutely, yes. | 1:21:32 | 1:21:33 | |
You know I've got to arrest you, Mark, for what you've done? | 1:21:48 | 1:21:52 | |
-Aye. -Yes. Go on, then. | 1:21:52 | 1:21:54 | |
'What are you going to do? Are you going to cry, eh? | 1:21:58 | 1:22:01 | |
'Are you going to cry? Filthy pig. | 1:22:01 | 1:22:04 | |
STEFAN LESLEY: 'Stop this, please. Please, it's too much.' | 1:22:07 | 1:22:11 | |
-DR BING: -'Take him out.' | 1:22:11 | 1:22:12 | |
Sit down there, Colonel. | 1:22:20 | 1:22:22 | |
Thank you, Constable. | 1:22:22 | 1:22:23 | |
'Tell me what you are! Tell me!' | 1:22:31 | 1:22:35 | |
'Tell me, or he dies. | 1:22:41 | 1:22:44 | |
'What are you?!' | 1:22:44 | 1:22:45 | |
'I'm...I'm queer.' | 1:22:46 | 1:22:48 | |
'Both of you?' | 1:22:48 | 1:22:49 | |
SCREAMING, GUNSHOT | 1:22:49 | 1:22:51 | |
'Turn that off. Turn that off now.' | 1:22:51 | 1:22:54 | |
You tortured those boys because of what they were. | 1:23:01 | 1:23:06 | |
I didn't care what they were. | 1:23:06 | 1:23:08 | |
I just wanted to see what it took to make them admit it. | 1:23:08 | 1:23:11 | |
It was Lesley's own theory - | 1:23:11 | 1:23:13 | |
the bigger the secret, the better the test. | 1:23:13 | 1:23:15 | |
They just wanted to be soldiers. | 1:23:15 | 1:23:17 | |
And they knew that admitting it would end their careers. | 1:23:17 | 1:23:20 | |
And you destroyed them for that. | 1:23:20 | 1:23:23 | |
What war has ever been won by staying within the lines? | 1:23:23 | 1:23:27 | |
We are faced with an enemy who knows no boundaries. | 1:23:27 | 1:23:31 | |
So yes, if some savage cuts the head off one of mine, | 1:23:31 | 1:23:35 | |
I will cut off three of theirs. And his balls too. That is war. | 1:23:35 | 1:23:40 | |
Yes, but maybe your superiors wouldn't see it that way. | 1:23:40 | 1:23:44 | |
Nothing they could admit to. | 1:23:44 | 1:23:46 | |
The public would get squeamish at the necessities | 1:23:46 | 1:23:48 | |
enacted in their name. | 1:23:48 | 1:23:50 | |
You lied about Tony Johnson's death and covered it up. | 1:23:50 | 1:23:54 | |
And you told me that you didn't know Dr Stefan Lesley, and yet you | 1:23:54 | 1:23:58 | |
were the commanding officer at Hopewood when he was there. | 1:23:58 | 1:24:01 | |
A lie I was forced to tell. | 1:24:01 | 1:24:03 | |
-Need to know and all that. Really this is just... -Yes. Yes. | 1:24:03 | 1:24:05 | |
Yes. Now you thought you'd gotten a way with it, hadn't you? | 1:24:05 | 1:24:09 | |
Hadn't you? | 1:24:09 | 1:24:10 | |
Until Dr Bing telephoned you to tell you that Stefan Lesley | 1:24:10 | 1:24:14 | |
was going to tell tales. | 1:24:14 | 1:24:15 | |
I wanted to save Stefan from himself. | 1:24:15 | 1:24:18 | |
BACCHUS CHUCKLES | 1:24:18 | 1:24:19 | |
Right. So you did go and see him? | 1:24:19 | 1:24:21 | |
I admit to seeing him. No more. | 1:24:21 | 1:24:24 | |
You killed Stefan Lesley to shut him up. | 1:24:24 | 1:24:27 | |
You think this will ever see the inside of a courtroom? | 1:24:33 | 1:24:36 | |
HE SCOFFS | 1:24:36 | 1:24:38 | |
You actually think they're going to let you do this? | 1:24:38 | 1:24:41 | |
Oh, Gently, you are an idealist. | 1:24:42 | 1:24:45 | |
I pity you, man. | 1:24:46 | 1:24:48 | |
DARWIN CHOKES | 1:24:50 | 1:24:52 | |
Guv. Guv! | 1:24:52 | 1:24:54 | |
Hey, Guv! | 1:24:54 | 1:24:56 | |
DARWIN MOANS | 1:24:56 | 1:24:58 | |
See... | 1:25:08 | 1:25:09 | |
We're all savages in the end. | 1:25:11 | 1:25:13 | |
I've got the films, Darwin. | 1:25:14 | 1:25:16 | |
Jennifer Bing gave us everything to save her own skin. | 1:25:18 | 1:25:22 | |
You are going to be tried | 1:25:22 | 1:25:24 | |
and convicted for the murder of Dr Stefan Lesley. | 1:25:24 | 1:25:26 | |
SHE LAUGHS | 1:25:29 | 1:25:31 | |
I dare you. | 1:25:32 | 1:25:34 | |
Howay then. | 1:25:34 | 1:25:35 | |
SHE CLEARS THROAT | 1:25:35 | 1:25:37 | |
Sir. | 1:25:37 | 1:25:38 | |
HE SIGHS | 1:25:46 | 1:25:48 | |
Right. Where is he? | 1:25:48 | 1:25:50 | |
No idea, sir. | 1:25:51 | 1:25:53 | |
What is the bloody meaning of that? | 1:25:53 | 1:25:55 | |
That's a good result that, isn't it? | 1:25:58 | 1:26:00 | |
That's a disaster, you idiot. Who called the papers? | 1:26:00 | 1:26:04 | |
I told him! I told him to tell me first, | 1:26:04 | 1:26:06 | |
so we can manage it. | 1:26:06 | 1:26:08 | |
And I was stupid enough to think that he would. | 1:26:08 | 1:26:10 | |
Who, sir? | 1:26:12 | 1:26:13 | |
You tell Gently I want him. The moment he arrives, right? | 1:26:14 | 1:26:18 | |
Right-o. | 1:26:19 | 1:26:21 | |
Gently. Here we are again. | 1:26:26 | 1:26:29 | |
Thank you for coming. | 1:26:29 | 1:26:31 | |
I see you got your man. | 1:26:34 | 1:26:35 | |
Hell of a stink you've created up there. | 1:26:37 | 1:26:39 | |
Darwin seems to be a monster. | 1:26:39 | 1:26:40 | |
So, well done, for bringing him to justice. | 1:26:40 | 1:26:43 | |
Why did you want to see me? | 1:26:43 | 1:26:45 | |
I wanted to tell you to your face. | 1:26:45 | 1:26:48 | |
Tell me what? | 1:26:48 | 1:26:49 | |
I'm going to file a report. | 1:26:49 | 1:26:51 | |
Against Archie Leeson and the others. For the boy. | 1:26:51 | 1:26:56 | |
What good does it do now? Who can it possibly serve? | 1:26:58 | 1:27:01 | |
Just me, really. It's never too late to admit guilt. | 1:27:02 | 1:27:06 | |
You and I weren't guilty of anything. | 1:27:06 | 1:27:09 | |
We ignored a murder. We should be better than that. | 1:27:10 | 1:27:15 | |
We have to have honour. Without it we're just...animals. | 1:27:15 | 1:27:21 | |
HE SIGHS | 1:27:23 | 1:27:25 | |
I've tried so hard to be good ever since, | 1:27:28 | 1:27:33 | |
but nothing really fills the hole, does it? | 1:27:33 | 1:27:36 | |
No. It doesn't. | 1:27:36 | 1:27:37 | |
All right. File the report. List me as a witness. | 1:27:44 | 1:27:49 |