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What are we going to call this baby? | 0:00:02 | 0:00:03 | |
Gillian had an abortion when she was 15. | 0:00:03 | 0:00:05 | |
I want to be somebody's mum. | 0:00:05 | 0:00:06 | |
I just never knew I'd been a dad. | 0:00:06 | 0:00:08 | |
-You weren't. -I'm not being funny but I'm off home. | 0:00:08 | 0:00:11 | |
It's poisonous. Saying something like that. | 0:00:11 | 0:00:13 | |
Don't you dare say anything about Celia to me! | 0:00:13 | 0:00:18 | |
They're going off on a mucky weekend. | 0:00:18 | 0:00:20 | |
I'm taking Kate to a nice little hotel for the weekend. | 0:00:20 | 0:00:22 | |
We're baby-sitting the boys. | 0:00:22 | 0:00:24 | |
Have you seen Ellie? | 0:00:24 | 0:00:25 | |
She's not upstairs. She's not downstairs. Her stuff's gone. | 0:00:25 | 0:00:28 | |
-Thanks for coming. -No problem. | 0:00:28 | 0:00:30 | |
I want to tell you something. | 0:00:30 | 0:00:31 | |
He'd smashed his head open. With the log splitter. | 0:00:31 | 0:00:35 | |
Down in t'barn. He'd done it on purpose. | 0:00:35 | 0:00:38 | |
She'd finished him off. | 0:00:38 | 0:00:40 | |
With a block of wood. She killed him. | 0:00:40 | 0:00:43 | |
I'm going to look after the baby while you do your shift | 0:00:43 | 0:00:46 | |
-at Greenhough's. -You sure? | 0:00:46 | 0:00:47 | |
I am...very fond of you. | 0:00:47 | 0:00:49 | |
Have I said too much? | 0:01:38 | 0:01:40 | |
No. No. | 0:01:40 | 0:01:41 | |
Have I upset you? | 0:01:41 | 0:01:43 | |
Well, it's a shock. I suppose. | 0:01:43 | 0:01:48 | |
You won't tell anyone? Not even Caroline. | 0:01:48 | 0:01:51 | |
I don't tell her everything. | 0:01:51 | 0:01:53 | |
Are you all right? | 0:01:56 | 0:01:57 | |
Well... | 0:01:57 | 0:01:59 | |
I know what it can feel like to feel trapped, | 0:01:59 | 0:02:02 | |
with the wrong person. | 0:02:02 | 0:02:04 | |
Yeah. Well, she were. | 0:02:04 | 0:02:07 | |
What could you have done, | 0:02:07 | 0:02:08 | |
if it'd all happened by the time you got there? | 0:02:08 | 0:02:11 | |
It's like I said before - when I gave you the edited version - | 0:02:11 | 0:02:15 | |
there were no way I were shopping her to t'police. | 0:02:15 | 0:02:18 | |
And it weren't just her! There were t'lad. | 0:02:18 | 0:02:21 | |
He were only seven. | 0:02:21 | 0:02:23 | |
What good could she have done him in prison? | 0:02:24 | 0:02:26 | |
You probably did the right thing. You probably did the only thing. | 0:02:27 | 0:02:30 | |
I'd've had to live with it either way, as what I'd done. | 0:02:30 | 0:02:35 | |
And Robbie suspected? | 0:02:36 | 0:02:38 | |
Yeah. | 0:02:38 | 0:02:39 | |
He looked into it. They'd have looked into it anyway, | 0:02:39 | 0:02:44 | |
and they did ask questions. | 0:02:44 | 0:02:47 | |
Lots of questions. | 0:02:47 | 0:02:48 | |
They had me in twice. | 0:02:49 | 0:02:52 | |
Who rang the police? | 0:02:52 | 0:02:54 | |
She did. | 0:02:54 | 0:02:56 | |
I told her it'd look odd if I'd got there | 0:02:56 | 0:02:58 | |
and then I'd been one to ring. | 0:02:58 | 0:03:01 | |
You kept your nerve. | 0:03:04 | 0:03:06 | |
I had to for her sake. | 0:03:06 | 0:03:07 | |
And I had to hope to God she'd keep hers. | 0:03:07 | 0:03:10 | |
Because if she hadn't, I'd have been an accessory after the fact. | 0:03:10 | 0:03:14 | |
I was an accessory after the fact. | 0:03:14 | 0:03:15 | |
I am an accessory after the fact. | 0:03:18 | 0:03:21 | |
Anyway, look. | 0:03:22 | 0:03:24 | |
That is why she ought to be a bit more grateful, | 0:03:24 | 0:03:29 | |
a bit more courteous, and why, ten years on, | 0:03:29 | 0:03:32 | |
it's no hardship to me to put a little distance between me | 0:03:32 | 0:03:36 | |
and her, and if I never have reason to set foot in that barn again... | 0:03:36 | 0:03:41 | |
I'd be a very happy man. | 0:03:41 | 0:03:44 | |
I am a very happy man. | 0:03:46 | 0:03:48 | |
Like I never imagined that I could be, ever again. | 0:03:49 | 0:03:53 | |
It's ten past three. Aren't we meant to be looking after Lawrence? | 0:03:55 | 0:04:00 | |
DOOR OPENS | 0:04:24 | 0:04:26 | |
Hello? | 0:04:26 | 0:04:27 | |
Hello! | 0:04:27 | 0:04:28 | |
Hello. | 0:04:31 | 0:04:32 | |
Hi. How're you? How's things? | 0:04:32 | 0:04:35 | |
Pretty weird. | 0:04:36 | 0:04:38 | |
Course. | 0:04:38 | 0:04:39 | |
Where's me mum? | 0:04:42 | 0:04:43 | |
Work. I offered to look after... | 0:04:43 | 0:04:45 | |
Right. | 0:04:47 | 0:04:48 | |
She rang. And she sounded pretty low, | 0:04:48 | 0:04:50 | |
so I offered to pop over and help out. | 0:04:50 | 0:04:53 | |
Why did she ask you? | 0:04:53 | 0:04:54 | |
Oh. Well. Just... I dunno. | 0:04:54 | 0:04:58 | |
So, you've driven 60 miles over from Harrogate to baby-sit? | 0:05:03 | 0:05:06 | |
Well not just... As I say, she sounded rather low, so... | 0:05:06 | 0:05:10 | |
Right. Do you want some tea? | 0:05:12 | 0:05:15 | |
Got some. Thanks. | 0:05:15 | 0:05:17 | |
OK. Well I'm here now anyway, so... | 0:05:17 | 0:05:20 | |
if you wanted to miss rush hour. M62 gets well jammed. | 0:05:20 | 0:05:23 | |
-Especially on a Friday. -Oh. No. The thing is, | 0:05:23 | 0:05:25 | |
she invited me to stay for supper. | 0:05:25 | 0:05:27 | |
Oh. OK. | 0:05:27 | 0:05:29 | |
Are you all right with her, then? If I play on the Xbox? | 0:05:34 | 0:05:37 | |
-Sure! -Or she can come and sit and watch me. | 0:05:37 | 0:05:38 | |
How are things? With... is it Ellie? | 0:05:38 | 0:05:42 | |
She's cleared off. | 0:05:43 | 0:05:45 | |
Oh, she's at her mother's. Gillian said. | 0:05:45 | 0:05:47 | |
She had a phone call from someone. Harry? | 0:05:47 | 0:05:50 | |
Right. I don't know then. How things are. Legally. | 0:05:51 | 0:05:57 | |
I don't know if that means she's left her with me and that's it, | 0:05:57 | 0:06:00 | |
or if it means she can just come back any time she likes | 0:06:00 | 0:06:04 | |
and just take her. | 0:06:04 | 0:06:05 | |
No. No. You have rights too. | 0:06:05 | 0:06:06 | |
You're on the birth certificate as the father. | 0:06:06 | 0:06:08 | |
-Not yet, we've not... -Oh, well. You'll want to sort that out. | 0:06:08 | 0:06:12 | |
I would, straightaway, right now. | 0:06:12 | 0:06:13 | |
You've got to protect your interests. | 0:06:13 | 0:06:16 | |
The law is weighted massively, | 0:06:16 | 0:06:17 | |
ridiculously on the side of the mother. | 0:06:17 | 0:06:19 | |
If you're not even on the birth certificate, legally you're... | 0:06:19 | 0:06:23 | |
stuffed. | 0:06:23 | 0:06:24 | |
Listen, I'm talking as someone whose relationship with his children | 0:06:24 | 0:06:27 | |
has been really compromised by being married | 0:06:27 | 0:06:29 | |
to a mad manipulative lesbian. | 0:06:29 | 0:06:32 | |
I thought it was cos you had a fling wi' that, um.... | 0:06:33 | 0:06:36 | |
Judith? | 0:06:36 | 0:06:37 | |
Why don't I drive you into Halifax? Get it done. | 0:06:39 | 0:06:41 | |
-Now? -You need to phone her. Ellie. | 0:06:41 | 0:06:43 | |
Tell her we'll pick her up. You both need to be there. | 0:06:43 | 0:06:45 | |
Ten o'clock, no later than. | 0:06:48 | 0:06:51 | |
Don't let him persuade you that it's the weekend | 0:06:51 | 0:06:53 | |
and he can stay up till any time he likes. | 0:06:53 | 0:06:55 | |
Keep an eye on how much snackage he gets through otherwise | 0:06:55 | 0:06:57 | |
he won't eat any of the meals you go to the trouble of preparing for him. | 0:06:57 | 0:07:01 | |
9:30 in the morning he needs to be at rugby. He knows that, | 0:07:01 | 0:07:04 | |
but if you can be on top of it as well. What else? | 0:07:04 | 0:07:07 | |
I've invited Angus round for a sleep-over. | 0:07:07 | 0:07:09 | |
Can you handle that? | 0:07:11 | 0:07:12 | |
Is he Scottish? | 0:07:12 | 0:07:14 | |
No. | 0:07:14 | 0:07:15 | |
I imagine we'll muddle through. | 0:07:15 | 0:07:17 | |
Right. I'm going to get changed. | 0:07:17 | 0:07:19 | |
Me and Kate can give you a lift to work, Will, if you like. | 0:07:19 | 0:07:21 | |
-It's on our way. -Yeah. Whatever. | 0:07:21 | 0:07:25 | |
Sorry, was that, "Thanks, Mum, thanks for offering me a lift | 0:07:25 | 0:07:28 | |
"to work so I don't have to catch a bus"? | 0:07:28 | 0:07:30 | |
Bloody hate that job. | 0:07:30 | 0:07:31 | |
You know he hates that job. | 0:07:31 | 0:07:32 | |
Yes, well, when he's been to university he'll be able to get | 0:07:32 | 0:07:35 | |
a properly-paid job that doesn't bore him rigid, won't he? | 0:07:35 | 0:07:38 | |
And he'll appreciate it more. How's Alan? | 0:07:38 | 0:07:41 | |
He's fine, he's watching Countdown. | 0:07:41 | 0:07:43 | |
I rang Gillian. | 0:07:46 | 0:07:47 | |
I thought I told you not to. | 0:07:47 | 0:07:49 | |
I think she knows she overreacted. | 0:07:49 | 0:07:51 | |
I said don't ring her! | 0:07:51 | 0:07:53 | |
I told her you were upset and sorry, | 0:07:53 | 0:07:55 | |
and she says she thinks she's probably a bit hormonal. | 0:07:55 | 0:07:57 | |
I asked you not to interfere. | 0:07:57 | 0:07:59 | |
I was worried about her. | 0:07:59 | 0:08:00 | |
You were worried about her? | 0:08:00 | 0:08:03 | |
Both of you. I was worried about both of you. | 0:08:03 | 0:08:06 | |
I'm going to get changed. | 0:08:06 | 0:08:08 | |
Yeah, go on. Slink off. | 0:08:08 | 0:08:10 | |
What about something literary? | 0:08:15 | 0:08:16 | |
Oh, yes. | 0:08:16 | 0:08:18 | |
Like...? | 0:08:18 | 0:08:20 | |
Like Vita. Or Virginia. | 0:08:20 | 0:08:22 | |
Or...Aphra... | 0:08:22 | 0:08:25 | |
-Who? -Behn. | 0:08:25 | 0:08:27 | |
Isn't that a boy's name? | 0:08:27 | 0:08:30 | |
I want to call her Elsie, after my grandad's mother. | 0:08:30 | 0:08:32 | |
Elsie. | 0:08:32 | 0:08:34 | |
-That is so old. -So? | 0:08:34 | 0:08:36 | |
She were a character were Alan's mother. | 0:08:36 | 0:08:38 | |
By God, she was. | 0:08:38 | 0:08:40 | |
Do you remember that time she hit you over t'head with a frying pan? | 0:08:40 | 0:08:43 | |
I've still got a mark to prove it. | 0:08:43 | 0:08:44 | |
Six-year-old. I were seeing stars for a fortnight. | 0:08:44 | 0:08:47 | |
You shouldn't have said that about her big knickers on t'washing line. | 0:08:47 | 0:08:51 | |
It were only an observation, it wasn't a criticism. | 0:08:51 | 0:08:54 | |
Right, Elsie then. | 0:08:54 | 0:08:56 | |
No, not Elsie. And can you keep right out of it? | 0:08:56 | 0:09:00 | |
You don't even have an opinion. You left her. | 0:09:00 | 0:09:03 | |
I didn't leave her. | 0:09:03 | 0:09:05 | |
I just needed a break. | 0:09:05 | 0:09:07 | |
We're not calling her Elsie. | 0:09:07 | 0:09:09 | |
My mother were called Myra. | 0:09:09 | 0:09:11 | |
That's one you don't hear so much any more. | 0:09:11 | 0:09:13 | |
Surprise, surprise. | 0:09:13 | 0:09:15 | |
You're not helping, Grandad! | 0:09:15 | 0:09:17 | |
PHONE RINGS | 0:09:17 | 0:09:18 | |
Excuse me. Hello? | 0:09:18 | 0:09:21 | |
Hey, Popsicle. 'Tis I. | 0:09:21 | 0:09:24 | |
Your favourite son. | 0:09:24 | 0:09:25 | |
-Lawrence! -Where's the DVD of Reservoir Dogs? | 0:09:25 | 0:09:28 | |
And don't you go around telling people I left her. | 0:09:28 | 0:09:30 | |
Angus is coming round and Mum said we could watch it, | 0:09:30 | 0:09:32 | |
-and I can't find it. -Are you sure Caroline said...? | 0:09:32 | 0:09:34 | |
-Yeah, do you want to talk to her? -No. No, no. It's... | 0:09:34 | 0:09:37 | |
And you do not tell me I don't have an opinion! | 0:09:37 | 0:09:40 | |
Oh, I've got it! Got it, thanks. | 0:09:40 | 0:09:42 | |
-No problem. -Where are you? | 0:09:42 | 0:09:44 | |
I'm... I'm... I'm in Halifax. | 0:09:44 | 0:09:46 | |
Cool. Bye! | 0:09:46 | 0:09:47 | |
Oh, have we agreed on something? | 0:09:51 | 0:09:53 | |
Emily Jane. | 0:09:53 | 0:09:55 | |
It's what me grandad calls her. | 0:09:55 | 0:09:56 | |
Oh, that's good! That works. Emily Bronte. Emily Jane Bronte. | 0:09:56 | 0:10:00 | |
"I'll walk where my own nature would be leading." | 0:10:00 | 0:10:04 | |
Who are you again? | 0:10:04 | 0:10:05 | |
"It vexes me to choose another guide." | 0:10:05 | 0:10:09 | |
-He's... -I'm... I'm... | 0:10:09 | 0:10:10 | |
I'm Celia's son-in-law. | 0:10:10 | 0:10:12 | |
Oh, aye. | 0:10:14 | 0:10:16 | |
So, why did she ring you to come and baby-sit again? | 0:10:16 | 0:10:19 | |
I'm writing a novel. It's set on a farm, partly, here, | 0:10:19 | 0:10:23 | |
in West Yorkshire. I thought it would help if I could... | 0:10:23 | 0:10:27 | |
immerse myself. In things. | 0:10:27 | 0:10:29 | |
A bit. | 0:10:29 | 0:10:30 | |
So I thought I'd cook for everyone. | 0:10:32 | 0:10:34 | |
If that's...? | 0:10:34 | 0:10:36 | |
Cool. | 0:10:36 | 0:10:38 | |
Do you want to see it? | 0:10:38 | 0:10:39 | |
Course I want to see it! | 0:10:39 | 0:10:41 | |
Here. | 0:10:41 | 0:10:42 | |
And we couldn't decide whose surname to use, so we put both. | 0:10:46 | 0:10:49 | |
Only we put ours first, cos it's alphabetical. | 0:10:49 | 0:10:52 | |
So what was Harry and Maurice doing there? | 0:10:52 | 0:10:53 | |
They were round at their house when we called. | 0:10:53 | 0:10:55 | |
Emily Jane Greenwood-Wallace. | 0:10:55 | 0:10:58 | |
Well that's...a gobful. | 0:10:58 | 0:11:00 | |
For somebody who only weighs six pounds, three ounces. | 0:11:00 | 0:11:04 | |
I'm going to ring grandad and tell him. | 0:11:04 | 0:11:06 | |
He'll be pleased, that was his name for her. | 0:11:06 | 0:11:08 | |
Right, well, if you do, say hello to him...from me. | 0:11:08 | 0:11:14 | |
And, me and Ellie's seeing each other down Ripponden. | 0:11:15 | 0:11:18 | |
-Tonight, for a drink. -Is that right? | 0:11:18 | 0:11:20 | |
We've decided we ought to take things steady for a bit | 0:11:20 | 0:11:23 | |
and see what happens. | 0:11:23 | 0:11:24 | |
Take things steady. | 0:11:24 | 0:11:26 | |
Yeah. | 0:11:26 | 0:11:28 | |
OK, and who's looking after Her Ladyship? Grandma Buggins? | 0:11:29 | 0:11:35 | |
Well, I said I would. | 0:11:35 | 0:11:37 | |
Yeah, so... | 0:11:37 | 0:11:39 | |
Oh, text from Greg. | 0:12:04 | 0:12:05 | |
He says he's running on time | 0:12:05 | 0:12:06 | |
and he's looking forward to meeting us in the bar at 6.30. | 0:12:06 | 0:12:09 | |
When we were leaving, just before, my mum said this thing. | 0:12:13 | 0:12:15 | |
She said, "We've discussed it and Alan doesn't mind | 0:12:15 | 0:12:18 | |
"if you want to call him dad now we're married." | 0:12:18 | 0:12:22 | |
Is that not...? That's nice. | 0:12:22 | 0:12:25 | |
-Isn't it? -I don't know. I like Alan. | 0:12:25 | 0:12:27 | |
I like him a lot but he's not my dad. My dad's dead. | 0:12:27 | 0:12:30 | |
But he's still me dad. He'll always be me dad for all his faults. | 0:12:30 | 0:12:34 | |
Did you say that? | 0:12:34 | 0:12:35 | |
No. She wouldn't want to hear it. | 0:12:35 | 0:12:37 | |
-Hello, ladies. -Hello. | 0:13:00 | 0:13:03 | |
I've... We've got a reservation. | 0:13:03 | 0:13:07 | |
OK, name? | 0:13:07 | 0:13:09 | |
What you thinking? | 0:13:12 | 0:13:14 | |
I thought you'd had such a calm, uncomplicated life compared to me | 0:13:14 | 0:13:19 | |
with Kenneth. I'm sorry you haven't. | 0:13:19 | 0:13:22 | |
And I've embroiled you in it now. Is that what you're thinking? | 0:13:22 | 0:13:27 | |
No. No. I'm glad you can tell me things. | 0:13:27 | 0:13:31 | |
Somebody with a good heart like you | 0:13:32 | 0:13:34 | |
shouldn't have skeletons in their cupboard. | 0:13:34 | 0:13:38 | |
It does still bother me. | 0:13:38 | 0:13:39 | |
Aye, he were an alcoholic more or less, he were handy with his fists, | 0:13:39 | 0:13:43 | |
but he'd grown up in care. | 0:13:43 | 0:13:46 | |
So I imagine it weren't entirely his fault | 0:13:46 | 0:13:49 | |
that he turned out like he did. | 0:13:49 | 0:13:51 | |
Happen he'd have died anyway. | 0:13:51 | 0:13:53 | |
Happen. | 0:13:53 | 0:13:54 | |
Or had brain damage. | 0:13:54 | 0:13:57 | |
Happen she did him a favour. | 0:13:58 | 0:14:00 | |
If it was suicide. | 0:14:00 | 0:14:01 | |
Is there still more to it than you've said? | 0:14:04 | 0:14:06 | |
No. No. Only that. | 0:14:06 | 0:14:09 | |
Right, well. | 0:14:11 | 0:14:13 | |
If that's what the Coroner said. | 0:14:13 | 0:14:15 | |
DOORBELL RINGS | 0:14:15 | 0:14:16 | |
Oh, that'll be Angus. | 0:14:16 | 0:14:18 | |
Angus is here! | 0:14:18 | 0:14:20 | |
Let's live with what's on the table. | 0:14:20 | 0:14:23 | |
Wassu...?! | 0:14:26 | 0:14:27 | |
Which one are you again? | 0:14:27 | 0:14:29 | |
-Lawrence. -Who is it? | 0:14:29 | 0:14:31 | |
OK, Lawrence. Where's Daddy? | 0:14:31 | 0:14:33 | |
Can I help you? | 0:14:33 | 0:14:35 | |
Yes. I'm looking for John. | 0:14:35 | 0:14:37 | |
He's not here. | 0:14:37 | 0:14:38 | |
Well, where is he then? | 0:14:38 | 0:14:40 | |
Who wants to know? | 0:14:40 | 0:14:41 | |
-I do. -That's Judith. | 0:14:41 | 0:14:44 | |
Is it. | 0:14:44 | 0:14:46 | |
-And you are...? -I'm Caroline's mother. | 0:14:46 | 0:14:49 | |
Ah... | 0:14:49 | 0:14:51 | |
So you're her, are you? You're the whore. | 0:14:51 | 0:14:53 | |
Whoa...Granny. Angus! | 0:14:53 | 0:14:55 | |
OK, look. I need to know where John is. | 0:14:55 | 0:15:00 | |
Well, bad luck. | 0:15:00 | 0:15:02 | |
I don't want a fight. | 0:15:02 | 0:15:03 | |
Well, you've probably come to the wrong place then. | 0:15:03 | 0:15:06 | |
-I just want to know... -You've got some bare-face cheek, coming here! | 0:15:06 | 0:15:11 | |
-PHONE RINGS -Ooh, is that me? | 0:15:11 | 0:15:13 | |
-That's you. -Have you any idea where he's likely to be? | 0:15:13 | 0:15:16 | |
Not the slightest. | 0:15:16 | 0:15:17 | |
Let's face it, you're more likely to know than any of us. | 0:15:17 | 0:15:20 | |
-It's Raff. -All right, can I speak to Caroline then? | 0:15:20 | 0:15:23 | |
-No. You can't. -Hello? | 0:15:23 | 0:15:24 | |
It's me, Grandad! We've been up to t'registry office in Halifax! | 0:15:24 | 0:15:27 | |
-Is Caroline in? -No. | 0:15:27 | 0:15:28 | |
-Been where? -Do you know where John is? | 0:15:28 | 0:15:30 | |
We've registered the baby. | 0:15:30 | 0:15:31 | |
Oh, aye? Sorry? | 0:15:31 | 0:15:33 | |
-Oh, my God. -What? | 0:15:35 | 0:15:37 | |
-Wow. -What? | 0:15:37 | 0:15:39 | |
-And guess what we've called her? -What? | 0:15:39 | 0:15:41 | |
-You're Celia. He's Alan. -And? | 0:15:41 | 0:15:43 | |
You're the couple that fell in love and got married. | 0:15:43 | 0:15:45 | |
-So? -No, it's just... | 0:15:45 | 0:15:47 | |
You can't call a baby that. | 0:15:47 | 0:15:50 | |
I think that's really, really, really amazing. | 0:15:50 | 0:15:52 | |
Do we look like we give a stuff about what you think? | 0:15:52 | 0:15:54 | |
You are joking? | 0:15:54 | 0:15:55 | |
What've they called it? | 0:15:55 | 0:15:56 | |
Yeah, no, I get that, but... | 0:15:56 | 0:15:58 | |
Calamity Jane. | 0:15:58 | 0:15:59 | |
No, Grandad. Not... | 0:15:59 | 0:16:01 | |
They've never. | 0:16:01 | 0:16:02 | |
He's in Halifax. | 0:16:02 | 0:16:04 | |
-Sorry? -He rang. Earlier. My dad. | 0:16:04 | 0:16:06 | |
-Said he's in Halifax. -Oh, Emily Jane! | 0:16:06 | 0:16:08 | |
What's he doing in Halifax? | 0:16:08 | 0:16:10 | |
Dunno. This way. That's Granny. | 0:16:10 | 0:16:13 | |
-Hi, Granny. -That's Alan. | 0:16:13 | 0:16:14 | |
He's gone to see her. | 0:16:14 | 0:16:15 | |
Who? | 0:16:15 | 0:16:17 | |
Gillian. That's your daughter. | 0:16:17 | 0:16:19 | |
-Has he? -Have you got an address? | 0:16:19 | 0:16:21 | |
I think I need my ears syringed! You what? | 0:16:21 | 0:16:24 | |
What's Gillian's address? | 0:16:24 | 0:16:26 | |
What's he gone there for? | 0:16:26 | 0:16:27 | |
He's obsessed with her. | 0:16:27 | 0:16:29 | |
Oh, and me mum says to say "hello," Grandad. | 0:16:29 | 0:16:32 | |
I think she's sorry. | 0:16:32 | 0:16:35 | |
Grandad? | 0:16:35 | 0:16:36 | |
Hello. | 0:16:42 | 0:16:44 | |
Shall I sit here? | 0:16:44 | 0:16:45 | |
If you like. | 0:16:45 | 0:16:47 | |
Do you want a drink? | 0:16:53 | 0:16:56 | |
We've got ten minutes. | 0:16:56 | 0:16:59 | |
So... | 0:17:03 | 0:17:04 | |
Tell me some more about him. | 0:17:08 | 0:17:10 | |
I've told you everything there is to say. | 0:17:10 | 0:17:12 | |
Anyway, I thought you weren't that interested. | 0:17:12 | 0:17:14 | |
Can I have a gin and tonic? Thank you. | 0:17:14 | 0:17:16 | |
I am. I am interested. | 0:17:18 | 0:17:19 | |
You said you didn't need to get to know him. | 0:17:19 | 0:17:22 | |
No. But we're here now, so... | 0:17:22 | 0:17:23 | |
You look beautiful. | 0:17:28 | 0:17:30 | |
You are unfff...believable. You know that, don't you? | 0:17:31 | 0:17:34 | |
Kate. What you have to remember is that... | 0:17:34 | 0:17:36 | |
I was so thrilled, I was so delighted when you told me | 0:17:36 | 0:17:38 | |
-you'd booked this place. -OK, but... | 0:17:38 | 0:17:40 | |
I was so flattered because it was like for the first time, | 0:17:40 | 0:17:43 | |
you were happy to acknowledge outside the house | 0:17:43 | 0:17:46 | |
that I was your partner. | 0:17:46 | 0:17:47 | |
And then you go and book two separate rooms! | 0:17:47 | 0:17:52 | |
Mentally, I've left. | 0:17:52 | 0:17:53 | |
Mentally, I'm not even here. | 0:17:53 | 0:17:55 | |
Physically, I'm here because Greg's coming, and I'd like to see him. | 0:17:55 | 0:17:58 | |
-Beyond that... -Oh, look. OK... | 0:17:58 | 0:17:59 | |
I put up with it at work arriving in separate cars, | 0:17:59 | 0:18:01 | |
-because I understand... -That's just a practical arrangement. | 0:18:01 | 0:18:04 | |
You're the boss, you're high profile, you need to be discreet. | 0:18:04 | 0:18:06 | |
But this! And you know what, Caroline, | 0:18:06 | 0:18:09 | |
they all know. You've not fooled anyone, they all know. | 0:18:09 | 0:18:12 | |
And it just makes us look sad, actually. | 0:18:12 | 0:18:14 | |
I'm not trying to fool anyone. | 0:18:22 | 0:18:23 | |
It makes us look embarrassed and old-fashioned and ridiculous. | 0:18:23 | 0:18:27 | |
You should've said something when we checked in if you weren't happy. | 0:18:27 | 0:18:30 | |
I was too stunned, I was too, "Did I just hear that?" | 0:18:30 | 0:18:33 | |
Look. All right. This isn't easy for me. | 0:18:33 | 0:18:37 | |
I was going to book a double room when I rang up, and then... | 0:18:37 | 0:18:40 | |
What? | 0:18:40 | 0:18:41 | |
I couldn't. | 0:18:43 | 0:18:45 | |
Why not? Why not? | 0:18:45 | 0:18:48 | |
Do you think we're the first gay couple who've ever stayed here? | 0:18:48 | 0:18:51 | |
Sh. | 0:18:51 | 0:18:52 | |
Anyway, I popped in at reception earlier and I said, | 0:18:52 | 0:18:55 | |
"Actually me and my girlfriend, the woman I sleep with, | 0:18:55 | 0:18:57 | |
"the woman I have sex with, would like a double room, please, | 0:18:57 | 0:19:00 | |
"instead of these two singles." | 0:19:00 | 0:19:02 | |
-Did you? -No. I was tempted, | 0:19:02 | 0:19:04 | |
but then I thought sod it. | 0:19:04 | 0:19:06 | |
You see, for me, if I'd been booking this, | 0:19:06 | 0:19:08 | |
the whole point would've been that I got to spend | 0:19:08 | 0:19:11 | |
two whole days and nights in the same room as you. | 0:19:11 | 0:19:13 | |
That would've been the single biggest thing that made me | 0:19:13 | 0:19:15 | |
want to book it in the first place. | 0:19:15 | 0:19:17 | |
But obviously for you that wasn't a thing, so... | 0:19:17 | 0:19:19 | |
We can still sleep together. | 0:19:19 | 0:19:21 | |
Sneaking around like a couple of sad idiots | 0:19:21 | 0:19:24 | |
in a bedroom farce from the 1970s? | 0:19:24 | 0:19:26 | |
No, thanks. | 0:19:26 | 0:19:27 | |
Look. I'm still getting used to this. | 0:19:27 | 0:19:30 | |
To what? Caroline. It's 2013. You're 46. | 0:19:30 | 0:19:33 | |
You know in Iran they still stone women to death for having | 0:19:33 | 0:19:35 | |
any sort of...genital... | 0:19:35 | 0:19:40 | |
sexual contact. | 0:19:40 | 0:19:42 | |
This is Yorkshire. | 0:19:42 | 0:19:43 | |
-You take my point. -Not really. | 0:19:43 | 0:19:45 | |
Sometimes I still feel a bit weird about it, that's all. | 0:19:45 | 0:19:47 | |
It's not personal, it's not about you, it's about me. And suddenly, | 0:19:47 | 0:19:50 | |
on the phone when I was booking, I panicked. | 0:19:50 | 0:19:52 | |
And I knew you'd be cross, but I didn't know what to do about it. | 0:19:52 | 0:19:55 | |
Caroline, you're a doctor of philosophy. You run a huge school. | 0:19:55 | 0:19:58 | |
You have the welfare of 857 children in your hands on a daily basis. | 0:19:58 | 0:20:01 | |
You don't panic! | 0:20:01 | 0:20:02 | |
I panicked! | 0:20:02 | 0:20:04 | |
I panicked. | 0:20:04 | 0:20:06 | |
I was talking to a testosterone stacked 18-year-old... | 0:20:06 | 0:20:09 | |
..jock who couldn't spell "Elliot!" | 0:20:11 | 0:20:13 | |
Well, the L's and the T's aren't always obvious. | 0:20:13 | 0:20:15 | |
And I lost my bottle! | 0:20:15 | 0:20:16 | |
Why? | 0:20:16 | 0:20:18 | |
Cos, because... | 0:20:18 | 0:20:20 | |
Because I'm me. | 0:20:28 | 0:20:30 | |
I'm not falling for that, Caroline. Not any more. | 0:20:34 | 0:20:37 | |
You've blown it. | 0:20:37 | 0:20:39 | |
Don't say that, please. Don't say that! | 0:20:39 | 0:20:42 | |
-Greg! -Kate! How are you? | 0:20:43 | 0:20:46 | |
I'm good, I'm great, I'm really well. Look at you! | 0:20:46 | 0:20:49 | |
You look fantastic. | 0:20:49 | 0:20:50 | |
Yeah, I feel fantastic! And the good news is... Hi. | 0:20:50 | 0:20:54 | |
..is I've checked in, I've booked a room, | 0:20:54 | 0:20:56 | |
so I can join you for dinner, if that's...? | 0:20:56 | 0:20:59 | |
Yeah! Wow. That's great! What're you drinking? | 0:20:59 | 0:21:01 | |
Are you drinking? | 0:21:01 | 0:21:03 | |
I am drinking! | 0:21:03 | 0:21:05 | |
Cos you stopped! | 0:21:05 | 0:21:06 | |
So tell us about this novel, then. | 0:21:08 | 0:21:10 | |
Oh, the novel. Well, it's barely started. | 0:21:10 | 0:21:12 | |
It's at a very preliminary stage. | 0:21:12 | 0:21:15 | |
What's the plot? | 0:21:16 | 0:21:17 | |
Well, essentially, | 0:21:17 | 0:21:19 | |
it's a sort of... Well, it's a family saga. | 0:21:19 | 0:21:23 | |
I suppose, potentially. | 0:21:23 | 0:21:25 | |
OK, and what happens? | 0:21:25 | 0:21:27 | |
-Well... -Who's in it besides me? | 0:21:27 | 0:21:30 | |
-Well, when I said it was you... -Are you in it? | 0:21:30 | 0:21:33 | |
I didn't mean literally you, I meant more... | 0:21:33 | 0:21:34 | |
-Am I in it? -..more sort of you were | 0:21:34 | 0:21:37 | |
a sort of inspiration, as it were. | 0:21:37 | 0:21:40 | |
If that doesn't sound too... | 0:21:40 | 0:21:42 | |
-Wanky. -Yeah. | 0:21:42 | 0:21:43 | |
-Does a bit. -Good word. | 0:21:43 | 0:21:45 | |
Am I your muse? | 0:21:45 | 0:21:47 | |
Well, at the risk of sounding wanky again... | 0:21:48 | 0:21:51 | |
Wow. I've never been anybody's muse before. Not that I'm aware of. | 0:21:51 | 0:21:56 | |
There's a surprise. | 0:21:56 | 0:21:58 | |
Sod off! Oops! Sorry, Calamity. | 0:21:58 | 0:22:02 | |
That's going to stick now thanks to deaf Grandad. | 0:22:02 | 0:22:05 | |
I like it. I wish they'd called me that. | 0:22:05 | 0:22:07 | |
It sounds like someone who can kick ass. | 0:22:07 | 0:22:10 | |
KNOCKING ON DOOR | 0:22:10 | 0:22:11 | |
"Whah, Calam! | 0:22:11 | 0:22:13 | |
"That sounds like the door." | 0:22:13 | 0:22:15 | |
Sorry. | 0:22:28 | 0:22:29 | |
Oh, hello. | 0:22:29 | 0:22:31 | |
I overreacted. | 0:22:32 | 0:22:33 | |
Calamity Jane. They've been to the Registry Office. | 0:22:35 | 0:22:38 | |
You are kidding. | 0:22:38 | 0:22:40 | |
Half kidding. Emily Jane. | 0:22:40 | 0:22:43 | |
I am sorry. | 0:22:47 | 0:22:48 | |
But I'm sticking with Calamity. Because..it's got a certain... | 0:22:49 | 0:22:55 | |
je ne sais quoi. | 0:22:55 | 0:22:56 | |
It was a long time ago, and it must've been horrible, | 0:22:58 | 0:23:02 | |
and you had it to deal with, and I'm sorry. | 0:23:02 | 0:23:04 | |
Has Uncle Robbie had his tea? | 0:23:06 | 0:23:08 | |
Robbie's here. | 0:23:15 | 0:23:16 | |
-Hello. -Hello. | 0:23:18 | 0:23:20 | |
Sit down. I'll get you a plate. | 0:23:20 | 0:23:23 | |
Right, I'm off. | 0:23:23 | 0:23:24 | |
John's here. He's staying over. | 0:23:29 | 0:23:33 | |
He's doing some research. | 0:23:33 | 0:23:36 | |
He's writing a novel. | 0:23:36 | 0:23:39 | |
Right. | 0:23:39 | 0:23:40 | |
I've had another bust-up wi' me dad cos o' yesterday. | 0:23:40 | 0:23:44 | |
How? | 0:23:44 | 0:23:45 | |
Because I had a go at Celia, didn't I? | 0:23:45 | 0:23:48 | |
For opening her trap to you. | 0:23:48 | 0:23:49 | |
Sorry. | 0:23:49 | 0:23:51 | |
How's Caroline? | 0:23:56 | 0:23:59 | |
She's... She's... I don't know. | 0:23:59 | 0:24:01 | |
She still...? | 0:24:02 | 0:24:05 | |
I don't have a huge amount to do with her. | 0:24:05 | 0:24:07 | |
So what's it about then, this novel? | 0:24:13 | 0:24:16 | |
Josh Hepworth. Do you remember him? You do. He fancied you. Brown hair. | 0:24:19 | 0:24:25 | |
Five foot ten. Scarf, acne. Brogues, he always wore brogues. | 0:24:25 | 0:24:30 | |
He lived in the same house as PJ in second year. | 0:24:30 | 0:24:33 | |
We went to a party there once. Fancy dress. | 0:24:33 | 0:24:36 | |
Who did we go as? | 0:24:36 | 0:24:37 | |
Shit, I don't remember. Lizzie drank too much. | 0:24:37 | 0:24:41 | |
Surely not. | 0:24:41 | 0:24:42 | |
And she puked this spectacular tidal wave of multicoloured vomit | 0:24:42 | 0:24:45 | |
-into a doorway at Woolworths! -This is ringing a bell. | 0:24:45 | 0:24:47 | |
Anyway, I'm in Oslo and I bump into Josh Hepworth! | 0:24:47 | 0:24:51 | |
How mad is that? Yeah, he works there. In Oslo! | 0:24:51 | 0:24:55 | |
He's working for Ericsson. I was just on holiday... | 0:24:55 | 0:24:58 | |
Let it go. | 0:25:14 | 0:25:16 | |
I would, only it sickens me. | 0:25:16 | 0:25:18 | |
Don't let it. | 0:25:18 | 0:25:19 | |
Maybe Judith wasn't the first. | 0:25:19 | 0:25:22 | |
If he can insinuate himself so readily into women's beds, | 0:25:24 | 0:25:27 | |
what does that mean? | 0:25:27 | 0:25:30 | |
Has he been mucking about behind Caroline's back for years? | 0:25:30 | 0:25:33 | |
I know she's wondered. | 0:25:35 | 0:25:36 | |
Aye, well, she's shot of him now, isn't she? | 0:25:36 | 0:25:39 | |
Anyway, look on the bright side. | 0:25:39 | 0:25:42 | |
He'll have met his match with our Gillian. One way or another. | 0:25:42 | 0:25:47 | |
Utter, utter rubbish. I can't watch television. | 0:25:50 | 0:25:54 | |
Not with anything police-related. | 0:25:54 | 0:25:57 | |
I'm just chucking a beer can at t'telly. I'm going, "What trash!" | 0:25:57 | 0:26:01 | |
"Do your research, would it kill you?" | 0:26:01 | 0:26:03 | |
I'm going, "Come and talk to me! | 0:26:03 | 0:26:05 | |
"I'll tell you how we investigate a murder." | 0:26:05 | 0:26:07 | |
Not Inspector Doo-dah in his wacky car with Sergeant Pillock side-kick. | 0:26:07 | 0:26:12 | |
There's a team, a whole team of dedicated, professional, | 0:26:12 | 0:26:18 | |
highly-trained officers. | 0:26:18 | 0:26:19 | |
Yeah. Yeah. Yeah. Yeah. | 0:26:19 | 0:26:23 | |
I could tell you some stories. | 0:26:23 | 0:26:26 | |
I could tell you what to put in your book. | 0:26:26 | 0:26:28 | |
What's it about again? | 0:26:28 | 0:26:29 | |
KNOCKING ON DOOR | 0:26:29 | 0:26:30 | |
Who the 'ell's that? | 0:26:30 | 0:26:32 | |
-Where's the fire? -Sorry? | 0:26:37 | 0:26:39 | |
Is someone's arse on fire? Banging like that. | 0:26:39 | 0:26:42 | |
Do you need a bucket o' water? Eh? A bucket o' sand? | 0:26:42 | 0:26:45 | |
Are you Gillian? | 0:26:45 | 0:26:47 | |
-I might be. -I'm looking for John. Is he here? | 0:26:47 | 0:26:49 | |
-And you are? -Judith. | 0:26:49 | 0:26:51 | |
Is that summat to do wi' you? | 0:26:51 | 0:26:53 | |
Are you? Well, well, well. | 0:26:53 | 0:26:57 | |
Well, well, well. What do you want? | 0:26:58 | 0:27:00 | |
Him. I know he's here. | 0:27:00 | 0:27:02 | |
You bastard! | 0:27:10 | 0:27:12 | |
Sorry? Hang on, what? | 0:27:12 | 0:27:13 | |
What's this? This was my idea. | 0:27:13 | 0:27:15 | |
What was? | 0:27:15 | 0:27:16 | |
To write a novel about two old people in love! | 0:27:16 | 0:27:18 | |
It was not! We discussed it, certainly, but it was me who... | 0:27:18 | 0:27:21 | |
And I said, "That'd make a great story!" | 0:27:21 | 0:27:23 | |
It must've been obvious to you what my intention was. | 0:27:23 | 0:27:25 | |
Well, I could say that! | 0:27:25 | 0:27:26 | |
I could say it must've been obvious to you what my intention was | 0:27:26 | 0:27:29 | |
when I said, "That'd make a great story" | 0:27:29 | 0:27:32 | |
No. | 0:27:32 | 0:27:33 | |
You were talking about it as a thing that had happened, was happening, | 0:27:33 | 0:27:37 | |
and I was the one saying, "That'd make a great novel". | 0:27:37 | 0:27:39 | |
-That's really not... -You're a plagiarist. | 0:27:39 | 0:27:43 | |
-No. -You've even copied ideas I talked about! | 0:27:43 | 0:27:46 | |
Writing it from Bathsheba Everdene's point of view. | 0:27:46 | 0:27:49 | |
That was, that was, that was entirely my idea. | 0:27:49 | 0:27:52 | |
No. I put the idea in your head. | 0:27:52 | 0:27:56 | |
This is a fantasy, you've misremembered. | 0:27:56 | 0:27:58 | |
-No. -You'd probably had a drink. | 0:27:58 | 0:27:59 | |
You'd definitely had a drink! | 0:27:59 | 0:28:00 | |
Judith. It's my story. This is my family! | 0:28:00 | 0:28:02 | |
You don't even know these people! | 0:28:02 | 0:28:04 | |
So bloody what? Shakespeare didn't know Richard III! | 0:28:04 | 0:28:06 | |
It didn't stop him writing a shitty play about him! | 0:28:06 | 0:28:09 | |
I would not steal someone else's idea. | 0:28:09 | 0:28:11 | |
Let me explain to you the difference between observing something | 0:28:11 | 0:28:14 | |
and making the decision to write about it. | 0:28:14 | 0:28:17 | |
I understand what you're saying... | 0:28:17 | 0:28:19 | |
Why don't you both calm down? | 0:28:19 | 0:28:21 | |
-There's a baby trying to sleep here. -This is Robbie. | 0:28:21 | 0:28:24 | |
Is it? God. | 0:28:24 | 0:28:28 | |
Wow! What a fascinating menage. | 0:28:28 | 0:28:32 | |
What's that supposed to mean? | 0:28:34 | 0:28:36 | |
They've slept together. These two. Well, I'm saying that. | 0:28:36 | 0:28:40 | |
I've only got his word for it, so obviously it may be just another | 0:28:40 | 0:28:43 | |
of his little wish-fulfilment fantasies. | 0:28:43 | 0:28:47 | |
Who knows? Sorry. | 0:28:47 | 0:28:49 | |
That's, that's just not true. | 0:28:49 | 0:28:51 | |
Really? So you made that up too? | 0:28:51 | 0:28:54 | |
How dare you. | 0:28:54 | 0:28:55 | |
No. No. I didn't make anything up. | 0:28:55 | 0:28:57 | |
-You told her that I'd slept with you? -No! I didn't. She's lying! | 0:28:57 | 0:29:00 | |
I'm not lying, that's what he told me. | 0:29:00 | 0:29:02 | |
You may have got the wrong end of the stick...then. | 0:29:02 | 0:29:04 | |
So you made that up just like you're saying this tripe was your idea | 0:29:04 | 0:29:08 | |
when it wasn't! | 0:29:08 | 0:29:10 | |
-Have you slept together? -No. | 0:29:13 | 0:29:16 | |
What did he tell you? | 0:29:16 | 0:29:18 | |
Nothing! I didn't tell her anything. | 0:29:18 | 0:29:20 | |
Describe to me the language he used. | 0:29:20 | 0:29:23 | |
Language? | 0:29:23 | 0:29:24 | |
Well...he was here, obviously. | 0:29:24 | 0:29:28 | |
Drunk. Upset. Angry, | 0:29:28 | 0:29:31 | |
cos he'd just found out that Caroline'd been shopping | 0:29:31 | 0:29:34 | |
round the corner, and... | 0:29:34 | 0:29:37 | |
Celia was here. She was upset too. cos he was mouthing off. | 0:29:37 | 0:29:41 | |
And Alan. And you were here. And it was Caroline's birthday! | 0:29:41 | 0:29:46 | |
I'd cut an artery open with a broken bottle. | 0:29:46 | 0:29:50 | |
It was your birthday too. They have the same birthday. | 0:29:52 | 0:29:56 | |
Well, it was that night he claimed it happened. | 0:29:56 | 0:30:00 | |
Although he said he was so pissed the next day | 0:30:00 | 0:30:04 | |
he barely remember what happened. | 0:30:04 | 0:30:06 | |
And like I say, he's probably making it up. | 0:30:06 | 0:30:10 | |
She's making it up. | 0:30:12 | 0:30:13 | |
How can she be making it up? She wasn't here. | 0:30:13 | 0:30:15 | |
Yes, but we didn't, we didn't... | 0:30:15 | 0:30:18 | |
All right! We did. | 0:30:23 | 0:30:25 | |
We did, and so what? | 0:30:25 | 0:30:27 | |
You're clearly no good for her, so why don't you just clear off? | 0:30:27 | 0:30:31 | |
Huh? | 0:30:31 | 0:30:32 | |
You've made her life a living hell in the past, | 0:30:32 | 0:30:36 | |
trying to get her arrested when she was at her most vulnerable. | 0:30:36 | 0:30:39 | |
Yes! I know all about it! | 0:30:39 | 0:30:41 | |
And now you prey on her because you know how generous and good | 0:30:41 | 0:30:45 | |
-and kind-hearted she is -Prey on her? | 0:30:45 | 0:30:47 | |
Yeah, well, get lost! She doesn't need you, she doesn't want you. | 0:30:47 | 0:30:52 | |
She rang me to come over and help | 0:30:52 | 0:30:53 | |
because she was at the end of her tether with everything. | 0:30:53 | 0:30:56 | |
With all of you, and especially with you. | 0:30:56 | 0:30:59 | |
Is this true? | 0:30:59 | 0:31:00 | |
Some of it. | 0:31:05 | 0:31:07 | |
Partially. | 0:31:07 | 0:31:09 | |
After yesterday. | 0:31:09 | 0:31:11 | |
The sleeping with bit? | 0:31:11 | 0:31:13 | |
Shit. Shit! Oh, shit. | 0:31:27 | 0:31:31 | |
MUSIC: "Stuck In The Middle With You" by Stealer's Wheel | 0:31:36 | 0:31:40 | |
What the hell's going on? | 0:31:44 | 0:31:47 | |
Granny, get your gun! He's doused me in petrol | 0:31:47 | 0:31:50 | |
and he's cut my ear clean off and now he's going to set alight to me! | 0:31:50 | 0:31:54 | |
-What's all this sticky, mucky mess? -Ahh! You shot me, Granny. | 0:31:54 | 0:31:59 | |
Don't you Granny me, you monkey! Just look at this mess! | 0:31:59 | 0:32:02 | |
Are you drunk? | 0:32:03 | 0:32:05 | |
Why's there two of you, Granny? | 0:32:05 | 0:32:06 | |
What've you been drinking? How much've you had? | 0:32:06 | 0:32:11 | |
It is not funny! | 0:32:11 | 0:32:13 | |
Celia? It's William. He's in outpatients. | 0:32:13 | 0:32:17 | |
Outpatients? | 0:32:17 | 0:32:20 | |
Hilarious! He spent four days in intensive care! | 0:32:20 | 0:32:24 | |
That is so not hilarious! | 0:32:24 | 0:32:26 | |
Listen, gosh, we should talk about the baby, the baby plan. | 0:32:26 | 0:32:32 | |
I just need to find the bathroom, and then you can tell me | 0:32:32 | 0:32:37 | |
more about what you have in mind. | 0:32:37 | 0:32:39 | |
Shan't be a tick. | 0:32:39 | 0:32:40 | |
Well, I don't think I've ever met anyone who's quite so fond | 0:32:47 | 0:32:50 | |
of the sound of their own voice. | 0:32:50 | 0:32:52 | |
Right, well, I'm going to bed. | 0:32:54 | 0:32:57 | |
Because I can't stand any more of this bloke's self-obsessed drivel. | 0:32:57 | 0:33:02 | |
OK. | 0:33:02 | 0:33:03 | |
I'm sure neither of you'll mind whether I'm here or not. | 0:33:05 | 0:33:08 | |
Thought not. Good night then. | 0:33:09 | 0:33:14 | |
Good night. | 0:33:14 | 0:33:16 | |
I'm sorry we've been so long. | 0:33:30 | 0:33:32 | |
We had to wait at the police station to report it. | 0:33:32 | 0:33:35 | |
-What happened? -Just these two idiots. | 0:33:35 | 0:33:38 | |
Yeah. You sit down there. | 0:33:38 | 0:33:40 | |
I'll make us all a nice cup of tea. | 0:33:42 | 0:33:45 | |
Where's Starsky and Hutch? | 0:33:48 | 0:33:50 | |
In bed. Fast asleep. | 0:33:50 | 0:33:52 | |
I started trying to tidy t'kitchen, | 0:33:52 | 0:33:55 | |
but I really didn't know where things went. | 0:33:55 | 0:33:57 | |
How are you feeling, lad? | 0:34:00 | 0:34:01 | |
I left work. I walked out. | 0:34:07 | 0:34:09 | |
Because I couldn't stand it any more. | 0:34:11 | 0:34:13 | |
I get talked to like crap by the chef and one of the waiters, | 0:34:15 | 0:34:18 | |
they're both jerks, they both think they're special, and the truth is | 0:34:18 | 0:34:22 | |
they haven't got one brain cell to rub together between 'em. | 0:34:22 | 0:34:26 | |
So I walked out. I didn't want to come home. | 0:34:26 | 0:34:30 | |
So I went into town. | 0:34:33 | 0:34:36 | |
I was going to go to this club | 0:34:36 | 0:34:38 | |
where some of 'em from school go. | 0:34:38 | 0:34:40 | |
There's this girl I like. | 0:34:40 | 0:34:43 | |
Grace, she goes there. | 0:34:45 | 0:34:47 | |
So I was getting some money out of the cash point... | 0:34:47 | 0:34:51 | |
..and there's two of them and this lad goes, | 0:34:54 | 0:34:58 | |
"Lend us 50p." | 0:34:58 | 0:34:59 | |
And I was stupid, | 0:34:59 | 0:35:01 | |
I took my wallet out | 0:35:01 | 0:35:04 | |
and they smacked me in the head, they got me on the floor, | 0:35:04 | 0:35:07 | |
and they kicked me... | 0:35:07 | 0:35:09 | |
where they shouldn't, then they went through my pockets. | 0:35:09 | 0:35:14 | |
I... | 0:35:16 | 0:35:17 | |
I couldn't move I was in so much pain and I couldn't stop them... | 0:35:20 | 0:35:26 | |
And they were laughing, and calling me stupid. | 0:35:26 | 0:35:32 | |
Calling me names. | 0:35:32 | 0:35:34 | |
Could you remember what they looked like | 0:35:34 | 0:35:36 | |
when you spoke to the police? | 0:35:36 | 0:35:39 | |
Yeah. | 0:35:39 | 0:35:41 | |
Good. | 0:35:41 | 0:35:42 | |
Me mum'll go mad, she'll go, | 0:35:44 | 0:35:47 | |
"Trust you not to be able to hold down a job". | 0:35:47 | 0:35:51 | |
Well, I don't know your mum as well as you do, | 0:35:51 | 0:35:53 | |
but I can't imagine she will. | 0:35:53 | 0:35:56 | |
I couldn't stand it. They made me feel like a freak. | 0:35:59 | 0:36:03 | |
Like I was the odd one out. I always feel like the odd one out. | 0:36:03 | 0:36:07 | |
You won't. | 0:36:07 | 0:36:09 | |
First time I met you, I remember thinking, | 0:36:10 | 0:36:13 | |
"What a smashing young fella". | 0:36:13 | 0:36:16 | |
Up at farm. | 0:36:16 | 0:36:18 | |
Me and Celia's little engagement party. | 0:36:18 | 0:36:20 | |
You shook my hand, and I thought, "What a fine young man". | 0:36:20 | 0:36:23 | |
I'll tell you something I've learned over the years, | 0:36:25 | 0:36:28 | |
and it's taken me a long time, but I've just about got it sussed now. | 0:36:28 | 0:36:33 | |
Life's all about confidence. | 0:36:35 | 0:36:38 | |
And the only way you gain confidence is by putting yourself | 0:36:38 | 0:36:42 | |
into situations where you do feel a little bit out of your depth. | 0:36:42 | 0:36:45 | |
Like you did, with this job. | 0:36:45 | 0:36:48 | |
Where you do feel uncomfortable, where you do have to deal | 0:36:48 | 0:36:51 | |
with people who you might not naturally be drawn to. | 0:36:51 | 0:36:55 | |
And I really admire you for doing that. For trying. | 0:36:56 | 0:37:01 | |
And the thing to do next, is to dust yourself down | 0:37:01 | 0:37:05 | |
and get right back in there and try something else. | 0:37:05 | 0:37:08 | |
cos you can only get stronger. | 0:37:08 | 0:37:10 | |
And you might feel like the odd one out now, but you won't. | 0:37:10 | 0:37:14 | |
You're going places. They aren't. | 0:37:15 | 0:37:17 | |
I only wish our Raff were going places with you. | 0:37:21 | 0:37:24 | |
I got your text. | 0:37:37 | 0:37:38 | |
Are you joining me? Or are you waiting for Greg? | 0:37:39 | 0:37:43 | |
What time's he leaving? | 0:37:53 | 0:37:55 | |
I don't know. | 0:37:55 | 0:37:57 | |
I came back downstairs last night to try and find you, | 0:37:57 | 0:38:00 | |
but you weren't here. | 0:38:00 | 0:38:02 | |
You weren't in here, you weren't in the bar | 0:38:02 | 0:38:04 | |
and you weren't in your bedroom. | 0:38:04 | 0:38:05 | |
I knocked. Twice. | 0:38:05 | 0:38:08 | |
I went back half an hour later. | 0:38:08 | 0:38:10 | |
He invited me up to his room. For a nightcap. | 0:38:10 | 0:38:14 | |
Oh, you've made a start? | 0:38:14 | 0:38:17 | |
No. We just talked. | 0:38:17 | 0:38:19 | |
All right. Look. I'm sorry, I am sorry. I was a coward. | 0:38:27 | 0:38:31 | |
I won't be again. But I do have to say, for me, | 0:38:31 | 0:38:33 | |
if we are going to be parents, this bloke is the wrong person. | 0:38:33 | 0:38:36 | |
He's perfect from my point of view. | 0:38:38 | 0:38:40 | |
I couldn't go through with it, not with him. He's... | 0:38:40 | 0:38:42 | |
He's a jerk. | 0:38:44 | 0:38:46 | |
He's one of my oldest friends. | 0:38:46 | 0:38:48 | |
Whatever impression you got last night, he is not a jerk. | 0:38:48 | 0:38:51 | |
I think I'm going to have to give up on the idea | 0:39:04 | 0:39:06 | |
of buying John out of the house. | 0:39:06 | 0:39:08 | |
I think it's unrealistic. | 0:39:08 | 0:39:11 | |
It'd just be a burden. | 0:39:13 | 0:39:15 | |
Right. | 0:39:15 | 0:39:17 | |
Would you like any tea or coffee? | 0:39:17 | 0:39:19 | |
Neither, yet, thanks. I'm waiting for someone else. | 0:39:19 | 0:39:22 | |
I want to get pregnant, I want to have a child, | 0:39:24 | 0:39:27 | |
I want to get on with it. | 0:39:27 | 0:39:28 | |
Yeah, all right, fine. But... | 0:39:28 | 0:39:30 | |
I don't need your blessing. Not any more. Not after yesterday. | 0:39:30 | 0:39:35 | |
And what you just said, about the house. | 0:39:36 | 0:39:38 | |
You were doing it for all the wrong reasons anyway. | 0:39:38 | 0:39:40 | |
-You don't want what's best for me, you never did. -That's not true. | 0:39:40 | 0:39:43 | |
You want what's best for you all the time. | 0:39:43 | 0:39:44 | |
I worry about how upset you'd be if it doesn't happen... | 0:39:44 | 0:39:47 | |
And I don't think you'll change, Caroline, you're... | 0:39:47 | 0:39:49 | |
..or if you got pregnant and then lost it again. | 0:39:49 | 0:39:51 | |
You're too old to change. I think it'll always be about you. | 0:39:51 | 0:39:55 | |
That's not true. | 0:39:55 | 0:39:56 | |
Don't worry about my bill. I'll pay for myself. | 0:39:56 | 0:39:59 | |
Are you dumping me? | 0:40:02 | 0:40:04 | |
No. I don't think so. | 0:40:04 | 0:40:08 | |
I don't think anything ever really started. Did it? | 0:40:11 | 0:40:14 | |
A couple of embarrassed fumbles. | 0:40:16 | 0:40:18 | |
It's just been a bit of an odd mess really, hasn't it? | 0:40:21 | 0:40:24 | |
Which is a shame. Because I would've done absolutely anything for you. | 0:40:25 | 0:40:30 | |
We didn't do anything last night but that is still the plan. | 0:40:36 | 0:40:39 | |
We're both going to stay here tonight. | 0:40:39 | 0:40:42 | |
No, look. This was meant to be... | 0:40:42 | 0:40:43 | |
Oh, I know what it was meant to be, Caroline. | 0:40:43 | 0:40:45 | |
It was meant to be you and me. It was meant to be my birthday. | 0:40:45 | 0:40:47 | |
I was so happy when we got here. | 0:40:49 | 0:40:51 | |
Yesterday. | 0:40:51 | 0:40:53 | |
But you blew it. | 0:40:53 | 0:40:55 | |
You blew it before Greg even turned up, so don't blame him. | 0:40:55 | 0:40:59 | |
This is hard for me. | 0:40:59 | 0:41:01 | |
Yeah, well grow up. You think it's easy for anyone? | 0:41:01 | 0:41:07 | |
Only don't bother, don't grow up. Not on my account. | 0:41:07 | 0:41:10 | |
I made some coffee. | 0:42:02 | 0:42:03 | |
Well done. Where's your girlfriend? Her car's still outside. | 0:42:03 | 0:42:08 | |
-She's not my girlfriend. -Yeah, where is she? | 0:42:08 | 0:42:11 | |
-I've got no idea. -There's somebody crashed out in my bed. | 0:42:11 | 0:42:15 | |
She polished off them other two bottles of wine you bought | 0:42:15 | 0:42:17 | |
in less time than it takes me to bend over and tie one shoe lace, | 0:42:17 | 0:42:20 | |
and my emergency supply of medicinal brandy | 0:42:20 | 0:42:22 | |
seems to have disappeared as if by magic as well. | 0:42:22 | 0:42:25 | |
She really is the real McCoy. I'm afraid. | 0:42:25 | 0:42:27 | |
She doesn't just languish in the amateur division | 0:42:27 | 0:42:30 | |
-like you and me, you mean? -I haven't a bloody clue whose that car is. | 0:42:30 | 0:42:34 | |
-She's probably nicked it. -You all right, darling? How was your night? | 0:42:34 | 0:42:38 | |
Nice. | 0:42:38 | 0:42:40 | |
-They're taking it steady. -I heard. | 0:42:42 | 0:42:44 | |
Shit, what've you done to your face? | 0:42:46 | 0:42:49 | |
Your Uncle Robbie's fallen out wi' me again. | 0:42:49 | 0:42:52 | |
Why? | 0:42:52 | 0:42:53 | |
He... Well, he's got wrong end o' t'stick. Yet again, so... | 0:42:53 | 0:42:59 | |
What about this time? | 0:42:59 | 0:43:00 | |
It's all too ridiculous. | 0:43:03 | 0:43:06 | |
Did he do that? | 0:43:07 | 0:43:09 | |
PHONE RINGS | 0:43:09 | 0:43:11 | |
What fresh hell is this? | 0:43:12 | 0:43:14 | |
Hello. | 0:43:14 | 0:43:16 | |
Harry! No, he's in Harrogate. | 0:43:17 | 0:43:21 | |
Oh, no... | 0:43:29 | 0:43:31 | |
You sure you don't want any bacon and eggs, boys? | 0:43:32 | 0:43:37 | |
Sausages, black pudding, fried bread. | 0:43:37 | 0:43:39 | |
Cooked in lard! | 0:43:39 | 0:43:40 | |
Aye, with custard on top! | 0:43:40 | 0:43:42 | |
Shut up. | 0:43:42 | 0:43:43 | |
You shouldn't have cleaned the kitchen, Gran. | 0:43:43 | 0:43:46 | |
You should've left it and made them do it. | 0:43:46 | 0:43:48 | |
Well, I was tempted. | 0:43:48 | 0:43:50 | |
-Idiots. -Shut up, Beano Boy. | 0:43:50 | 0:43:52 | |
PHONE RINGS That's you. | 0:43:52 | 0:43:55 | |
Hello? | 0:43:58 | 0:44:00 | |
Dad? It's me. Gillian. Listen. I'm sorry. | 0:44:00 | 0:44:04 | |
I'm sorry I spoke to Celia like I did. Can I...? | 0:44:04 | 0:44:09 | |
Can I talk to her? | 0:44:09 | 0:44:11 | |
It's our Gillian. She wants to say sorry. | 0:44:11 | 0:44:14 | |
Hello? | 0:44:17 | 0:44:18 | |
Celia. Listen. I'm sorry. | 0:44:18 | 0:44:21 | |
You didn't know I knew Robbie then, and I overreacted. | 0:44:21 | 0:44:25 | |
And I'm sorry. | 0:44:25 | 0:44:26 | |
Well, that's all right, love, I... | 0:44:26 | 0:44:31 | |
-Is me dad all right? -Yeah, he's fine, love. | 0:44:31 | 0:44:33 | |
OK. Look. Something's happened. | 0:44:33 | 0:44:36 | |
I need you to tell him something. | 0:44:36 | 0:44:39 | |
And he might be upset. | 0:44:39 | 0:44:41 | |
I'd tell him myself, but it might be best coming from you. | 0:44:42 | 0:44:46 | |
Cos you're with him. | 0:44:46 | 0:44:49 | |
And he loves you. | 0:44:49 | 0:44:52 | |
What time are you supposed to be there? | 0:44:52 | 0:44:54 | |
-9:30. -That's going to look good, isn't it? | 0:44:54 | 0:44:57 | |
The head teacher's son and his stupid friend, | 0:44:57 | 0:45:00 | |
the two plonkers that don't turn up. | 0:45:00 | 0:45:01 | |
Right, upstairs, pair of you, come on, get changed, I'll drive you in. | 0:45:01 | 0:45:04 | |
Yes, love. I will. | 0:45:04 | 0:45:06 | |
Ta-ta. | 0:45:06 | 0:45:08 | |
They're supposed to be at a rugby match. | 0:45:09 | 0:45:12 | |
Has summat happened? | 0:45:14 | 0:45:16 | |
Sit down. | 0:45:22 | 0:45:24 | |
Maurice is dead. | 0:45:33 | 0:45:35 | |
A neighbour found him at the bottom of his stairs just this morning. | 0:45:39 | 0:45:44 | |
They think a stroke. | 0:45:44 | 0:45:46 | |
Are you all right? | 0:45:49 | 0:45:51 | |
He'd have known nothing about it if it was a stroke. | 0:45:53 | 0:45:56 | |
Shall I make some fresh tea? | 0:46:03 | 0:46:05 | |
In a minute. | 0:46:07 | 0:46:09 | |
A bit of sugar in it. | 0:46:11 | 0:46:13 | |
Aye. | 0:46:13 | 0:46:15 | |
I am sorry. | 0:46:19 | 0:46:20 | |
Aye. Aye. | 0:46:25 | 0:46:29 | |
He were a nice man. | 0:46:42 | 0:46:45 | |
Kind. Do anything for anybody. | 0:46:45 | 0:46:50 | |
Yeah. | 0:46:50 | 0:46:52 | |
I've known him all my life. He's always been there. Uncle Maurice. | 0:46:54 | 0:47:00 | |
Me dad's known him since they were tiny. | 0:47:02 | 0:47:05 | |
They were in infants together at t'Board Knackers. | 0:47:05 | 0:47:07 | |
Sorry? | 0:47:07 | 0:47:10 | |
There was the National School and The Board School. | 0:47:10 | 0:47:13 | |
-Not boarding school, just... -No. | 0:47:13 | 0:47:16 | |
The Board School. | 0:47:16 | 0:47:18 | |
So you were either a Nashbog, or a Board Knacker. | 0:47:18 | 0:47:22 | |
Me dad and Maurice were Board Knackers. Celia was a Nashbog. | 0:47:22 | 0:47:28 | |
But Maurice and me dad... | 0:47:30 | 0:47:32 | |
Aww. | 0:47:32 | 0:47:33 | |
In their little shorts. During t'war. | 0:47:35 | 0:47:39 | |
Aww. | 0:47:39 | 0:47:41 | |
Bless him, Maurice. | 0:47:45 | 0:47:47 | |
I better ring back, see if me dad's all right. | 0:47:51 | 0:47:55 | |
Yeah. | 0:47:55 | 0:47:56 | |
Damn. | 0:47:57 | 0:47:58 | |
What? | 0:47:58 | 0:48:00 | |
Death. Dying. It's a bitch. | 0:48:02 | 0:48:07 | |
Fancy, him going before me. | 0:48:14 | 0:48:16 | |
He were right as rain last time I saw him. | 0:48:20 | 0:48:23 | |
Who'd have thought? | 0:48:27 | 0:48:29 | |
Who would've thought? | 0:48:33 | 0:48:35 | |
Ironic thing is, we've had a bit of good news since. | 0:49:13 | 0:49:16 | |
You know that bungalow we went to see? | 0:49:17 | 0:49:19 | |
When I said we were just looking? | 0:49:19 | 0:49:21 | |
Well, we put in an offer. | 0:49:23 | 0:49:25 | |
And the estate agent rang just before lunch to say | 0:49:26 | 0:49:29 | |
the people selling it've said yes. | 0:49:29 | 0:49:32 | |
Right. Gosh. | 0:49:33 | 0:49:37 | |
Well, that's... | 0:49:37 | 0:49:41 | |
I know you wanted us to put money in here, but realistically... | 0:49:41 | 0:49:46 | |
No, it's fine, I don't. | 0:49:46 | 0:49:47 | |
It's... I should never have asked, it was... | 0:49:47 | 0:49:51 | |
I just didn't want to face up to it, Mum, | 0:49:52 | 0:49:56 | |
but I have to. I'm going to have to let it go. | 0:49:56 | 0:50:02 | |
What about Kate putting money in? | 0:50:02 | 0:50:04 | |
-Is that not...? -No, that's... | 0:50:04 | 0:50:08 | |
-I've blown it. -How? | 0:50:08 | 0:50:10 | |
I'm just no...good at things. | 0:50:10 | 0:50:14 | |
Sometimes. | 0:50:15 | 0:50:17 | |
Maurice were a kind, good man, | 0:50:27 | 0:50:30 | |
in his private life, and in his public life as a local councillor. | 0:50:30 | 0:50:34 | |
For over 30 years he served the people of Ripponden. | 0:50:37 | 0:50:42 | |
And he always did it with enthusiasm, | 0:50:42 | 0:50:47 | |
integrity and a good heart. | 0:50:47 | 0:50:52 | |
He always had time for people. | 0:50:54 | 0:50:56 | |
Anyone and everyone, young and old. | 0:50:56 | 0:51:00 | |
My only regret with Maurice, on a personal note, | 0:51:02 | 0:51:07 | |
is I didn't ask him to be my best man | 0:51:07 | 0:51:11 | |
when Celia and I got married. | 0:51:11 | 0:51:14 | |
I couldn't choose between him and Harry, | 0:51:16 | 0:51:21 | |
and I still don't know that I could choose between 'em even now. | 0:51:21 | 0:51:24 | |
Even if I still had t'choice. | 0:51:27 | 0:51:30 | |
But the point is... | 0:51:32 | 0:51:34 | |
I don't have t'choice. And for that, I'm sorry. | 0:51:36 | 0:51:40 | |
So very deeply sorry. | 0:51:44 | 0:51:47 | |
Bless you, Maurice, you were one of life's treasures. | 0:51:51 | 0:51:57 | |
It's been a week. Did... did... Did you...? | 0:52:30 | 0:52:33 | |
Yes. We did. | 0:52:33 | 0:52:36 | |
Wow. | 0:52:36 | 0:52:38 | |
Well. | 0:52:39 | 0:52:41 | |
Mm. So... | 0:52:41 | 0:52:43 | |
I've finished what I came into this room to do, and so now... | 0:52:43 | 0:52:48 | |
I'm leaving it. | 0:52:48 | 0:52:50 | |
Right. | 0:52:51 | 0:52:53 | |
What were John doing at our house? | 0:53:02 | 0:53:05 | |
He still fancies me. Nothing happened. | 0:53:06 | 0:53:11 | |
I heard what he had to say, weighed things up, | 0:53:11 | 0:53:13 | |
and then I sent him packing. | 0:53:13 | 0:53:16 | |
Did Judith turn up? | 0:53:16 | 0:53:18 | |
She did! Yes. | 0:53:18 | 0:53:20 | |
What was all that about? | 0:53:20 | 0:53:22 | |
They're both reckoning to write a novel. About you two. | 0:53:22 | 0:53:25 | |
-I know. -She reckoned it was her idea, | 0:53:25 | 0:53:28 | |
he reckoned it was his. | 0:53:28 | 0:53:29 | |
I was always under the impression it was our idea. | 0:53:29 | 0:53:32 | |
Dozy buggers. | 0:53:32 | 0:53:34 | |
Y'all right, 'Arry lad? | 0:53:38 | 0:53:40 | |
Eh? Oh, aye, yeah. Just...you know. | 0:53:40 | 0:53:46 | |
I'm wondering if we should get married again. | 0:53:52 | 0:53:56 | |
Properly. Proper big do, no expense spared. Invite everybody. | 0:53:56 | 0:54:00 | |
Everybody we've ever heard of. | 0:54:00 | 0:54:03 | |
Would you like to be my best man? Harry? If we did? | 0:54:04 | 0:54:07 | |
I don't know. It might feel a bit... | 0:54:07 | 0:54:09 | |
Not right now. | 0:54:11 | 0:54:12 | |
Shuddup, y'nitwit! Say yes! | 0:54:12 | 0:54:15 | |
Oh, assuming I'm invited. | 0:54:15 | 0:54:18 | |
I assume I come under the umbrella of "everybody you've ever heard of". | 0:54:18 | 0:54:22 | |
I'll do it, Grandad. I'll be yer best man. | 0:54:22 | 0:54:25 | |
Ey, bugger off, you! If anybody's doing it, it'll be me. | 0:54:25 | 0:54:28 | |
In honour of Maurice. | 0:54:28 | 0:54:32 | |
Maurice. | 0:54:32 | 0:54:34 | |
Well, what do you reckon? Will you marry me? | 0:54:36 | 0:54:40 | |
Again? | 0:54:40 | 0:54:42 | |
Oh, go on, then! | 0:54:42 | 0:54:45 | |
Yay! | 0:54:47 | 0:54:48 | |
Yes! | 0:54:48 | 0:54:49 | |
Get a room! | 0:54:49 | 0:54:51 | |
Can I go and live with my dad? | 0:54:55 | 0:54:56 | |
I really don't think that's a good idea. | 0:54:56 | 0:54:58 | |
Robbie's got this new girlfriend. | 0:54:58 | 0:55:00 | |
Hello. I'm Cheryl. How'd you do? | 0:55:00 | 0:55:02 | |
She's moving in with him apparently. | 0:55:02 | 0:55:04 | |
How are the wedding plans going? | 0:55:04 | 0:55:05 | |
He's gone and invited Ted, his brother. | 0:55:05 | 0:55:08 | |
-It's her sister. -Has Celia got a sister? | 0:55:08 | 0:55:10 | |
-Alan Buttershaw! -Be honest. | 0:55:10 | 0:55:11 | |
You haven't actually sold your house? | 0:55:11 | 0:55:13 | |
That's t'plan. | 0:55:13 | 0:55:14 | |
I've offered to organise the wedding for them | 0:55:14 | 0:55:16 | |
and I said you'd help me. | 0:55:16 | 0:55:18 | |
Mum. Dad went out. Can you come and get me? | 0:55:18 | 0:55:20 | |
I am so deep in the doghouse it won't ever be worth trying to get out. | 0:55:20 | 0:55:24 | |
Lawrence?! Where is Lawrence? | 0:55:24 | 0:55:26 | |
I never told anyone this. | 0:55:26 | 0:55:27 | |
Don't tell me something you're going to regret. | 0:55:27 | 0:55:29 | |
-I want to tell you. -OK... | 0:55:29 | 0:55:31 | |
Subtitles by Red Bee Media Ltd | 0:55:44 | 0:55:47 |