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This programme contains very strong language | 0:00:02 | 0:00:05 | |
It ain't safe around here no more. | 0:00:05 | 0:00:07 | |
GUNSHOTS | 0:00:07 | 0:00:08 | |
I'm thinking Lillehammer. | 0:00:08 | 0:00:10 | |
Why the fuck would you want to go there? | 0:00:10 | 0:00:12 | |
Clean air, fresh white snow, | 0:00:12 | 0:00:15 | |
gorgeous broads and, best of all, | 0:00:15 | 0:00:18 | |
nobody, but nobody, is going to be looking for me there. | 0:00:18 | 0:00:20 | |
-Cheers. -Cheers. | 0:00:27 | 0:00:29 | |
BABY CRIES | 0:01:37 | 0:01:39 | |
Yes. | 0:01:45 | 0:01:46 | |
Mind-blowing. | 0:01:46 | 0:01:47 | |
-Hey. -Hi. | 0:01:54 | 0:01:56 | |
-How are you? -Svein. -Johnny. | 0:01:56 | 0:01:58 | |
So, you're the doctor? | 0:02:10 | 0:02:12 | |
Excuse me? | 0:02:16 | 0:02:17 | |
Er... | 0:02:17 | 0:02:19 | |
I'm the midwife. | 0:02:19 | 0:02:22 | |
-You're the midwife? -Ja. | 0:02:23 | 0:02:26 | |
THEY LAUGH | 0:02:35 | 0:02:37 | |
SHE LAUGHS | 0:02:38 | 0:02:40 | |
Whoa, whoa, whoa. Listen. | 0:02:46 | 0:02:48 | |
I'm not too comfortable putting your hands... | 0:02:48 | 0:02:51 | |
I don't know, honey. Listen, I think we need a regular midwife. | 0:02:51 | 0:02:55 | |
A regular midwife? | 0:02:55 | 0:02:57 | |
Yeah, you know. Key word - wife. | 0:02:57 | 0:02:59 | |
You know, as in broad, as in skirt, as in dame... | 0:02:59 | 0:03:02 | |
Oh, Jesus. | 0:03:10 | 0:03:11 | |
Excuse me girls, would you happen to know | 0:03:26 | 0:03:29 | |
where the doctor in charge might be? | 0:03:29 | 0:03:31 | |
Yes, it's me. | 0:03:31 | 0:03:32 | |
-Oh. -Can I help you? | 0:03:32 | 0:03:35 | |
Yeah. I'm... | 0:03:35 | 0:03:38 | |
I'm having a little trouble with my midwife. | 0:03:38 | 0:03:40 | |
OK. What's the trouble? | 0:03:40 | 0:03:42 | |
Well, the trouble is... | 0:03:44 | 0:03:46 | |
it's a man. | 0:03:46 | 0:03:47 | |
OK... | 0:03:49 | 0:03:52 | |
Call me old fashioned, but... | 0:03:52 | 0:03:55 | |
I just don't want the first thing my kid sees | 0:03:55 | 0:03:58 | |
to be his mother spreading her legs for another man. | 0:03:58 | 0:04:01 | |
You have to wear blue plastic socks here. | 0:04:08 | 0:04:11 | |
HE CHUCKLES | 0:04:23 | 0:04:26 | |
I went to get schooled on the dress code. | 0:04:29 | 0:04:32 | |
Hey, baby, it's me. | 0:06:32 | 0:06:33 | |
Hi. | 0:06:33 | 0:06:34 | |
Gjovik. Motherfucker. | 0:06:55 | 0:06:58 | |
-'Hello, Dr Hustad.' -Johnny Henriksen here. | 0:07:10 | 0:07:13 | |
We spoke the other day at the hospital. | 0:07:13 | 0:07:15 | |
Yeah, how you doing? | 0:07:18 | 0:07:19 | |
Listen, there's been a mix up. | 0:07:19 | 0:07:21 | |
I got a letter saying we've been moved to Gjovik. | 0:07:21 | 0:07:25 | |
Well, that's some kind of misunderstanding. | 0:07:29 | 0:07:32 | |
I mean, my girlfriend doesn't want to go anywhere else. | 0:07:32 | 0:07:35 | |
You've got to switch us back. | 0:07:35 | 0:07:37 | |
Wait a minute. Are you telling me there's nothing you can do? | 0:07:41 | 0:07:43 | |
Neimen hei Johnny! | 0:08:44 | 0:08:45 | |
Julius Picasso, as I live and breathe. | 0:08:45 | 0:08:48 | |
HE LAUGHS | 0:08:48 | 0:08:50 | |
Listen, I know I'm usually here for business, | 0:08:55 | 0:08:58 | |
but this time I've got something a little more personal. | 0:08:58 | 0:09:00 | |
Oh? | 0:09:00 | 0:09:02 | |
I've been going with a girl, Sigrid... | 0:09:02 | 0:09:05 | |
You know, the blonde. | 0:09:05 | 0:09:06 | |
Ja, ja, ja. | 0:09:06 | 0:09:08 | |
Well, we're going to have a kid. | 0:09:08 | 0:09:11 | |
Congratulations. | 0:09:11 | 0:09:13 | |
Shannon! Shannon! Bring us some bubbly water from the basement. | 0:09:13 | 0:09:17 | |
You don't have to do that. | 0:09:17 | 0:09:19 | |
We have to celebrate. Come on. Sit down. | 0:09:19 | 0:09:21 | |
I have a little problem with the hospital. | 0:09:24 | 0:09:27 | |
Yeah, they assigned me a male midwife... | 0:09:29 | 0:09:33 | |
And when I suggested to them that maybe I wasn't entirely comfortable, | 0:09:33 | 0:09:36 | |
You know, with my midwife getting a hard-on during the birth... | 0:09:38 | 0:09:43 | |
they immediately reassigned me to some hospital in Gjovik. | 0:09:43 | 0:09:48 | |
I'm telling you, Julie. If Sigrid finds out, I'm a dead man. | 0:09:50 | 0:09:54 | |
You got that kind of juice? | 0:09:59 | 0:10:00 | |
-Salute. -Cheers. | 0:10:02 | 0:10:05 | |
WHISPERS: | 0:10:13 | 0:10:17 | |
I... I've got to go. | 0:10:38 | 0:10:40 | |
-But thanks for taking care of that thing. -No problem. | 0:10:40 | 0:10:43 | |
Sorry. Er... | 0:12:20 | 0:12:22 | |
PHONE RINGS | 0:12:38 | 0:12:40 | |
HE EXHALES DEEPLY | 0:12:51 | 0:12:52 | |
HE SPLUTTERS | 0:13:35 | 0:13:38 | |
You know, the couple with the baby? | 0:14:03 | 0:14:04 | |
Yeah, sure. Yeah, of course. | 0:14:04 | 0:14:07 | |
Jonas! | 0:14:08 | 0:14:09 | |
He's coming. | 0:14:13 | 0:14:15 | |
Jonas! | 0:14:15 | 0:14:17 | |
DOORBELL RINGS | 0:14:17 | 0:14:20 | |
BABY CRIES | 0:14:35 | 0:14:38 | |
So you're running the whole operation here? | 0:14:38 | 0:14:42 | |
Yeah, you should think about it. | 0:14:48 | 0:14:50 | |
Yeah. | 0:14:50 | 0:14:52 | |
KETTLE WHISTLES | 0:14:55 | 0:14:57 | |
Shit. | 0:14:58 | 0:15:00 | |
Me? | 0:15:03 | 0:15:04 | |
BABY SCREAMS | 0:15:04 | 0:15:07 | |
KETTLE WHISTLES | 0:15:07 | 0:15:09 | |
Are they supposed to smell like this? | 0:15:10 | 0:15:12 | |
GUITAR CHORDS AND SHOUTING | 0:15:21 | 0:15:24 | |
ALL: Ja. | 0:15:26 | 0:15:28 | |
I got a surprise for you. | 0:15:33 | 0:15:36 | |
Yeah! | 0:15:36 | 0:15:38 | |
# Well, it's one for the money | 0:15:38 | 0:15:40 | |
# Two for the show | 0:15:40 | 0:15:42 | |
# Three to get ready | 0:15:42 | 0:15:43 | |
# Now go, cat, go | 0:15:43 | 0:15:45 | |
# But don't you | 0:15:45 | 0:15:46 | |
# Step on my blue suede shoes... # | 0:15:46 | 0:15:49 | |
MICROPHONE FEEDBACK | 0:15:50 | 0:15:54 | |
I... | 0:15:54 | 0:15:55 | |
MICROPHONE FEEDBACK | 0:15:57 | 0:15:59 | |
GUITAR CHORDS | 0:16:00 | 0:16:02 | |
Sorry. Sorry. | 0:16:10 | 0:16:12 | |
MICROPHONE FEEDBACK | 0:16:12 | 0:16:15 | |
BABY CRIES | 0:16:18 | 0:16:21 | |
DOOR CLOSES | 0:16:23 | 0:16:26 | |
A friend of mine she had to give birth in the Nabokommune. | 0:16:58 | 0:17:00 | |
Excuse me. | 0:17:05 | 0:17:07 | |
Is there a men's room? | 0:17:07 | 0:17:08 | |
Upstairs. | 0:17:09 | 0:17:11 | |
Julie, it's Johnny. Again. | 0:17:20 | 0:17:23 | |
What the fuck's going on with my fodeplass? Huh? | 0:17:23 | 0:17:27 | |
You're not returning my calls. | 0:17:27 | 0:17:30 | |
I could use some good news on this one. | 0:17:30 | 0:17:32 | |
Call me back! | 0:17:33 | 0:17:35 | |
-What? Me? -Yeah, yeah. | 0:18:14 | 0:18:16 | |
I don't know... | 0:18:16 | 0:18:18 | |
That would be great. | 0:18:18 | 0:18:19 | |
Yeah. Come on. | 0:18:23 | 0:18:25 | |
WEEPING AND SNIFFLING | 0:18:25 | 0:18:28 | |
It's Johnny. | 0:18:39 | 0:18:40 | |
Just wanted to see how you're doing. | 0:18:46 | 0:18:49 | |
Women. | 0:18:57 | 0:18:58 | |
Yeah, life ain't easy. | 0:19:04 | 0:19:06 | |
No. | 0:19:19 | 0:19:20 | |
Come again? | 0:19:22 | 0:19:24 | |
Snip, snip. I sterilized myself. | 0:19:24 | 0:19:26 | |
Jesus. | 0:19:27 | 0:19:29 | |
Sometimes you've just got to get it all out. | 0:19:34 | 0:19:37 | |
HE LAUGHS | 0:19:37 | 0:19:38 | |
Thank you, Johnny. Thank you. | 0:19:38 | 0:19:41 | |
-OK. -Thank you. | 0:19:41 | 0:19:42 | |
It's OK. | 0:19:42 | 0:19:43 | |
Yeah. Just, you know, let it all out. | 0:19:46 | 0:19:49 | |
OK. | 0:19:50 | 0:19:51 | |
Oh, he's got some issues, all right. | 0:19:55 | 0:19:57 | |
Maybe you can bring him | 0:19:59 | 0:20:00 | |
to one of his poker nights? | 0:20:00 | 0:20:02 | |
-Wouldn't that be nice? -HE SIGHS | 0:20:02 | 0:20:05 | |
Yeah, you can do that. He has no friends, and... | 0:20:06 | 0:20:09 | |
Yeah, and I know why. | 0:20:09 | 0:20:11 | |
What the hell, why not? | 0:20:12 | 0:20:15 | |
He could sure use a shot of testosterone. | 0:20:15 | 0:20:17 | |
Thank you. | 0:20:17 | 0:20:19 | |
VIDEO GAME BEEPS | 0:20:22 | 0:20:26 | |
Your mom had to crash. | 0:20:28 | 0:20:30 | |
That Linnea girl today, | 0:20:32 | 0:20:34 | |
you kind of liked her, huh? | 0:20:34 | 0:20:37 | |
I saw you get all...shy and shit when she came around. | 0:20:37 | 0:20:42 | |
Next time... | 0:20:42 | 0:20:44 | |
You get a little anxiety around a girl... You know, intimidated, | 0:20:44 | 0:20:49 | |
you look at her, up and down, | 0:20:49 | 0:20:51 | |
and you say to yourself, | 0:20:51 | 0:20:53 | |
"Women are food." | 0:20:53 | 0:20:56 | |
Yeah. | 0:20:56 | 0:20:59 | |
They are a reward for a man's hard day's work. | 0:20:59 | 0:21:04 | |
Like a good meal. | 0:21:04 | 0:21:06 | |
Why do you think we call them sugar, | 0:21:06 | 0:21:08 | |
honey, sweetie, cupcake...? | 0:21:08 | 0:21:11 | |
Am I right? | 0:21:11 | 0:21:12 | |
They're our nourishment, | 0:21:14 | 0:21:16 | |
they exist to inspire us, | 0:21:16 | 0:21:19 | |
with those luscious lips... | 0:21:19 | 0:21:22 | |
beautiful tits... | 0:21:22 | 0:21:25 | |
round, smooth, creamy asses | 0:21:25 | 0:21:29 | |
and delicious pussies, | 0:21:29 | 0:21:30 | |
all waiting to be tasted, licked, bitten, sucked... | 0:21:30 | 0:21:36 | |
Savoured like a fine wine. | 0:21:37 | 0:21:39 | |
-You get what I'm saying? -Yes. | 0:21:42 | 0:21:43 | |
That's my boy. | 0:21:43 | 0:21:45 | |
Now, go to bed. | 0:21:45 | 0:21:48 | |
Remember what I said. | 0:21:48 | 0:21:50 | |
Geir? | 0:22:21 | 0:22:22 | |
RECORD JUMPS | 0:22:24 | 0:22:27 | |
MUSIC STOPS | 0:22:36 | 0:22:37 | |
Geir? | 0:22:45 | 0:22:47 | |
WATER FLOWS | 0:23:07 | 0:23:10 | |
Oslo. | 0:23:56 | 0:23:58 | |
New York. | 0:23:59 | 0:24:01 | |
Memphis? | 0:24:01 | 0:24:02 | |
LOUD MUSIC PLAYS | 0:24:38 | 0:24:41 | |
-Hi. -Hey, what do you say?! | 0:25:11 | 0:25:13 | |
Looks like you've got something more then cards on your mind. | 0:25:13 | 0:25:16 | |
I've been trying to reach Julius. | 0:25:16 | 0:25:17 | |
You know, I can't find him. You seen him around? | 0:25:17 | 0:25:19 | |
-His kid ran away? -Ja, ja. | 0:25:23 | 0:25:25 | |
Jesus Christ, he was supposed to do a thing for me. | 0:25:25 | 0:25:28 | |
Don't count on it. | 0:25:28 | 0:25:29 | |
Fuck. | 0:25:30 | 0:25:32 | |
-Come on, we got a game. -Yeah. | 0:25:32 | 0:25:34 | |
LOUD MUSIC PLAYS | 0:25:36 | 0:25:39 | |
Gentlemen, full house. | 0:25:53 | 0:25:55 | |
Oh! | 0:25:55 | 0:25:56 | |
Motherfucker! | 0:25:57 | 0:25:59 | |
So much for your beautiful straight. | 0:26:01 | 0:26:03 | |
This is Jan's night, I tell you right now. You son of a... | 0:26:04 | 0:26:07 | |
Shit, I forgot I invited that guy. | 0:26:13 | 0:26:16 | |
Per, how you doing? | 0:26:18 | 0:26:19 | |
Good to see you, my friend. Sit down, sit down. | 0:26:21 | 0:26:23 | |
Everybody this is Per. | 0:26:23 | 0:26:25 | |
In here we make our own laws. | 0:26:30 | 0:26:32 | |
THEY SNIGGER | 0:26:32 | 0:26:35 | |
Come to play, my friend? | 0:26:36 | 0:26:37 | |
The price is 25. Come on in. | 0:26:39 | 0:26:40 | |
Get the Big Spender a drink. | 0:26:42 | 0:26:45 | |
Per... | 0:26:46 | 0:26:48 | |
The one night of your life you're off the leash. | 0:26:48 | 0:26:51 | |
One drink. | 0:26:51 | 0:26:53 | |
THEY SNIGGER | 0:26:55 | 0:26:57 | |
You're beautiful. | 0:26:57 | 0:27:00 | |
Here we go. Here we go. | 0:27:00 | 0:27:01 | |
INTERMITTENT BEEPING | 0:27:47 | 0:27:52 | |
Huh? | 0:28:05 | 0:28:06 | |
Geir Tveit, Lillehammer. | 0:28:26 | 0:28:29 | |
Come on. | 0:28:48 | 0:28:49 | |
3,000 more to you. | 0:28:54 | 0:28:57 | |
You're looking a little light, my friend. | 0:29:04 | 0:29:06 | |
Tell you what, | 0:29:17 | 0:29:18 | |
I'll loan you 5,000. | 0:29:18 | 0:29:20 | |
You're good for it. | 0:29:22 | 0:29:23 | |
Right. | 0:29:29 | 0:29:30 | |
Oh! | 0:29:30 | 0:29:32 | |
You're raising me 2,000? | 0:29:32 | 0:29:34 | |
That guy got balls, you've got to give it to him. | 0:29:38 | 0:29:41 | |
Hit me, hit me, hit me. | 0:29:47 | 0:29:50 | |
Motherfucker! | 0:29:52 | 0:29:54 | |
Oh, fuck. | 0:29:54 | 0:29:56 | |
Look at this. | 0:29:57 | 0:29:59 | |
I'm going to do your 2,000 and 3,000 more. | 0:30:29 | 0:30:31 | |
You're already in for five digits. That might be enough. | 0:30:40 | 0:30:43 | |
It's a nice ring, but... | 0:30:58 | 0:31:00 | |
..it's not 3,000 worth. | 0:31:02 | 0:31:04 | |
Tell you what, | 0:31:04 | 0:31:06 | |
give me the fodeplass from the hospital. | 0:31:06 | 0:31:09 | |
What?! | 0:31:12 | 0:31:13 | |
Yeah, they transferred us to Gjovik. | 0:31:13 | 0:31:16 | |
Sigrid likes Lillehammer... | 0:31:16 | 0:31:19 | |
Give me your fodeplass, | 0:31:19 | 0:31:22 | |
and call it even. | 0:31:22 | 0:31:24 | |
What have you got? | 0:31:34 | 0:31:35 | |
Very impressive. | 0:31:41 | 0:31:43 | |
Full boat, queens over sevens... | 0:31:43 | 0:31:47 | |
Straight flush to the king. | 0:31:47 | 0:31:49 | |
Don't worry, lots of good hotels on the way to Gjovik. | 0:31:54 | 0:31:57 | |
"Mental disorder..." | 0:32:23 | 0:32:25 | |
"Have you ever been involved in terrorist activities?" | 0:32:33 | 0:32:36 | |
HE SNIGGERS | 0:33:25 | 0:33:27 | |
What the fuck?! | 0:33:32 | 0:33:33 | |
I see the local artists have paid you a visit too? | 0:33:39 | 0:33:42 | |
Yes. | 0:33:42 | 0:33:44 | |
Torgeir, Arne, come here. | 0:33:44 | 0:33:46 | |
Give the guy a hand. | 0:33:51 | 0:33:53 | |
This would never happen where I come from. | 0:33:56 | 0:33:59 | |
We take care of our own neighbourhoods. | 0:33:59 | 0:34:01 | |
You know, concerned citizens get together and... | 0:34:01 | 0:34:04 | |
..talk some sense into the kids. | 0:34:06 | 0:34:08 | |
So you got the same kind of thing here, huh? | 0:34:14 | 0:34:16 | |
Night Ravens. | 0:34:20 | 0:34:23 | |
I like the sound of that. | 0:34:23 | 0:34:25 | |
-So this is where the ravens gather? -Yeah, sure. Sure. | 0:34:42 | 0:34:45 | |
OK, OK. | 0:34:49 | 0:34:51 | |
You don't want the bat slipping once the game starts. | 0:35:08 | 0:35:11 | |
You know, in the main event. | 0:35:11 | 0:35:13 | |
Busting heads. | 0:35:13 | 0:35:15 | |
Why? How do you expect to get anything done? | 0:35:20 | 0:35:23 | |
You can't talk to bad guys. | 0:35:26 | 0:35:28 | |
You think we'd have gotten Saddam if we'd shown up | 0:35:28 | 0:35:31 | |
in yellow vests, wanting to chat? | 0:35:31 | 0:35:33 | |
All right, all right... | 0:35:39 | 0:35:42 | |
Got you! I'm fucking with you. | 0:35:52 | 0:35:54 | |
Just joking. I'm big on this dialogue stuff. | 0:35:57 | 0:36:00 | |
Well, well, well. If it's not my favourite midwife! | 0:36:15 | 0:36:18 | |
The juvenile delinquents are out there shaking in their boots tonight, | 0:36:19 | 0:36:23 | |
with you and grandma on the loose. | 0:36:23 | 0:36:25 | |
Very funny. | 0:36:25 | 0:36:26 | |
Relax. We just got off on the wrong foot, that's all. | 0:36:28 | 0:36:31 | |
Yeah, but that's all water under the bridge now. | 0:36:34 | 0:36:37 | |
Now we're back under your care. | 0:36:37 | 0:36:38 | |
Yeah. But we switched back. | 0:36:44 | 0:36:47 | |
A spot opened up. | 0:36:47 | 0:36:48 | |
Remember Per, the male homemaker? | 0:36:53 | 0:36:57 | |
Dahl Thomassen? | 0:36:58 | 0:37:00 | |
Yeah. | 0:37:00 | 0:37:01 | |
They decided they preferred... | 0:37:01 | 0:37:03 | |
Gjovik. | 0:37:03 | 0:37:04 | |
No shit. | 0:37:12 | 0:37:14 | |
TANNOY BEEPS | 0:37:21 | 0:37:23 | |
We have now arrived at Newark International Airport. | 0:37:23 | 0:37:26 | |
Due to a minor technical problem, | 0:37:26 | 0:37:28 | |
we kindly ask you to sit in your seats for a few more minutes. | 0:37:28 | 0:37:33 | |
Excuse me, Sir? | 0:37:41 | 0:37:43 | |
I need you to stand up and come with us, please. | 0:37:43 | 0:37:45 | |
-What, me? -Yes. | 0:37:45 | 0:37:48 | |
Is this about the joke? We were just messing around, Officer. | 0:37:50 | 0:37:53 | |
Yes, unfortunately, there's nobody else laughing, Sir. | 0:37:53 | 0:37:56 | |
Please, stand and come with us. | 0:37:56 | 0:37:57 | |
Hey! Hey! | 0:37:57 | 0:37:59 | |
Do you know this man? | 0:38:01 | 0:38:02 | |
I'm an officer! I'm an officer, Officer. | 0:38:09 | 0:38:12 | |
"Hip Hop Against Drugs." | 0:38:20 | 0:38:22 | |
Isn't that, like, a contradiction? | 0:38:22 | 0:38:24 | |
You know, like... | 0:38:24 | 0:38:25 | |
hookers against blow jobs? | 0:38:25 | 0:38:27 | |
SHE CHUCKLES | 0:38:29 | 0:38:31 | |
He has always been a little... What do you call it? | 0:39:00 | 0:39:04 | |
Sirumpa. | 0:39:04 | 0:39:06 | |
Seeroompah... As in, he's got pole up his ass? | 0:39:06 | 0:39:09 | |
Ja, something like that. | 0:39:09 | 0:39:12 | |
Hallo. | 0:39:18 | 0:39:19 | |
LIQUID SLOSHES | 0:39:41 | 0:39:44 | |
How's that dialogue thing going so far? | 0:39:53 | 0:39:55 | |
-THUMP -Oh! | 0:40:01 | 0:40:03 | |
Gudrun! | 0:40:03 | 0:40:05 | |
THUMP | 0:40:05 | 0:40:08 | |
You shouldn't be pushing old ladies around... | 0:40:08 | 0:40:10 | |
SCUFFLING | 0:40:10 | 0:40:13 | |
-Come here. -Hey! | 0:40:15 | 0:40:18 | |
SCUFFLING | 0:40:18 | 0:40:20 | |
BOTTLE CLINKS | 0:40:20 | 0:40:22 | |
That's quite a left hook for a midwife. | 0:40:22 | 0:40:25 | |
The kind you don't want to fuck with. | 0:40:30 | 0:40:32 | |
WHISTLE SOUNDS | 0:40:33 | 0:40:34 | |
I was expecting something like this from you. | 0:40:52 | 0:40:55 | |
Look. Svein here is just trying covering my ass, all right? | 0:41:26 | 0:41:28 | |
He even hurt his elbow trying to stop me. | 0:41:28 | 0:41:31 | |
Yeah, I got two last words for you Mr Raven, | 0:41:45 | 0:41:47 | |
Never fucking more. | 0:41:49 | 0:41:52 | |
Wake up. | 0:42:11 | 0:42:13 | |
Your identity was confirmed by the embassy. Come with us. | 0:42:14 | 0:42:18 | |
We only have one more question. | 0:42:20 | 0:42:22 | |
OK. | 0:42:22 | 0:42:23 | |
Why do you have pictures of American citizens | 0:42:26 | 0:42:28 | |
involved in organised crime in your bag? | 0:42:28 | 0:42:31 | |
-What did you say about this man? -Please. Answer the question. | 0:42:33 | 0:42:37 | |
Uh, it's just a case I'm working on. | 0:42:40 | 0:42:42 | |
So you're on duty? | 0:42:43 | 0:42:45 | |
No. I'm... I'm... | 0:42:45 | 0:42:46 | |
What do you call it? Er... | 0:42:46 | 0:42:49 | |
Permutated? | 0:42:49 | 0:42:50 | |
But who is he? | 0:42:51 | 0:42:53 | |
Organised crime, you say? | 0:42:53 | 0:42:55 | |
We're done here. You're free to go. | 0:42:55 | 0:42:58 | |
-Hey, wait! -Sorry, Sir. | 0:42:58 | 0:43:00 | |
Mafia. | 0:43:03 | 0:43:05 | |
Do you know what she's talking about? | 0:43:17 | 0:43:20 | |
No, no, you're not up to speed. We switched back. | 0:43:20 | 0:43:22 | |
Switched back? | 0:43:22 | 0:43:24 | |
My man. | 0:43:53 | 0:43:54 | |
Well, I'm not betting. But a son will do. | 0:44:14 | 0:44:17 | |
What do you mean? | 0:44:26 | 0:44:28 | |
Twins. | 0:44:31 | 0:44:33 | |
Fuck me. | 0:44:43 | 0:44:45 | |
Subtitles for the deaf and hard-of-hearing by Red Bee Media Ltd | 0:45:06 | 0:45:09 |