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This programme contains some violent scenes | 0:00:02 | 0:00:08 | |
Urgent call for the Duty Inspector. | 0:00:08 | 0:00:10 | |
DI Denton. | 0:00:14 | 0:00:15 | |
DS Jayne Akers, calling with request for urgent assistance, | 0:00:15 | 0:00:18 | |
immediate and credible threat to life. | 0:00:18 | 0:00:20 | |
We need Gold to sign off. | 0:00:22 | 0:00:24 | |
Chief Super's gone home. | 0:00:24 | 0:00:26 | |
Well then, call him at home. | 0:00:26 | 0:00:27 | |
'This is Chief Superintendent Mallick... | 0:00:30 | 0:00:32 | |
'please leave your name and number and I will get back to you.' | 0:00:32 | 0:00:35 | |
ANSWER MACHINE TONE | 0:00:35 | 0:00:37 | |
He's not picking up his mobile either. | 0:00:37 | 0:00:39 | |
We really ought to give him another five minutes. | 0:00:39 | 0:00:41 | |
Ma'am... | 0:00:42 | 0:00:44 | |
HE SIGHS | 0:00:44 | 0:00:45 | |
There she goes... | 0:00:45 | 0:00:46 | |
RINGING TONE | 0:00:50 | 0:00:52 | |
'Deputy Chief Constable Dryden.' | 0:00:52 | 0:00:54 | |
Sir, this is DI Lindsay Denton. | 0:00:54 | 0:00:56 | |
Yes, Linda, how can I help you? | 0:00:56 | 0:00:57 | |
'Sir, I need Gold approval for an op.' | 0:00:57 | 0:00:59 | |
We allowed to know where we're going? | 0:01:03 | 0:01:04 | |
Suspect in a missing persons enquiry, need to get him in for questioning. | 0:01:04 | 0:01:08 | |
-No, my car! -What? -Just...come on! | 0:01:08 | 0:01:10 | |
Come on! | 0:01:10 | 0:01:12 | |
SIREN WAILS | 0:01:12 | 0:01:14 | |
DS Akers. Thanks for stepping in, ma'am. | 0:01:38 | 0:01:41 | |
I need a safe and available destination ASAP. | 0:01:43 | 0:01:46 | |
Straight into town? | 0:01:46 | 0:01:48 | |
I'd take the back roads. | 0:01:48 | 0:01:49 | |
You lead. Have your men in my car, engine running, ready to go. | 0:01:54 | 0:01:57 | |
Yeah, I'm going to take the rest of your team... | 0:01:57 | 0:01:59 | |
-It's just me. -What? | 0:01:59 | 0:02:01 | |
Ma'am... | 0:02:01 | 0:02:02 | |
..please. | 0:02:03 | 0:02:04 | |
OK. | 0:02:06 | 0:02:07 | |
Keep the radio in the car on channel 1. | 0:02:07 | 0:02:09 | |
Personal radios back-to-back on 2. | 0:02:09 | 0:02:11 | |
-Who's in the house? -I don't know. | 0:02:11 | 0:02:14 | |
Just move. Please. | 0:02:14 | 0:02:15 | |
Wallis to Denton, it's straight on here, ma'am. | 0:02:48 | 0:02:51 | |
Yeah. I know the way to my own station. | 0:02:54 | 0:02:56 | |
TYRES SQUEAL | 0:03:08 | 0:03:10 | |
No! | 0:03:14 | 0:03:15 | |
SHE BREATHES HEAVILY | 0:03:21 | 0:03:23 | |
RAPID GUNFIRE | 0:03:23 | 0:03:25 | |
SHE SCREAMS | 0:03:25 | 0:03:27 | |
Charlie Mike two-five, status zero, status zero, Long Lane and Crown Avenue! | 0:03:36 | 0:03:40 | |
Charlie Mike two-five, confirm message. | 0:03:40 | 0:03:42 | |
Status zero, status zero! | 0:03:42 | 0:03:44 | |
SHE SHRIEKS | 0:03:52 | 0:03:54 | |
SIRENS WAIL | 0:04:24 | 0:04:25 | |
OFFICE HUBBUB | 0:04:34 | 0:04:36 | |
ALARM RINGS | 0:04:45 | 0:04:46 | |
MACHINES BEEP | 0:04:48 | 0:04:50 | |
How are you, Lindsay? | 0:04:58 | 0:04:59 | |
Anything I can get you? | 0:05:00 | 0:05:02 | |
No, thanks. | 0:05:04 | 0:05:05 | |
Up to answering a couple of questions? | 0:05:09 | 0:05:11 | |
I'm just trying to get my head around what happened out there, sir. | 0:05:13 | 0:05:17 | |
But no-one seems to know what you were up to... | 0:05:19 | 0:05:22 | |
I'm not sure I do, either. | 0:05:22 | 0:05:23 | |
Wallis and Butler are dead. | 0:05:24 | 0:05:26 | |
The other two... | 0:05:27 | 0:05:29 | |
Get the next shot ready. | 0:05:29 | 0:05:31 | |
..they're still trying to save. | 0:05:31 | 0:05:32 | |
Who are they? | 0:05:35 | 0:05:36 | |
I'm not clear yet on whether that's something I should be divulging, sir. | 0:05:36 | 0:05:40 | |
SHE SNIFFS | 0:05:40 | 0:05:42 | |
It'd help to know! | 0:05:44 | 0:05:46 | |
I got your messages. | 0:05:50 | 0:05:52 | |
Instead of dropping me in it, | 0:05:52 | 0:05:53 | |
if you'd given me a minute to get back to you. | 0:05:53 | 0:05:55 | |
I gave you more than a minute. | 0:05:55 | 0:05:58 | |
I gave you 20. | 0:05:58 | 0:05:59 | |
DOCTOR COUNTS | 0:06:03 | 0:06:05 | |
MACHINE TONE CHANGES | 0:06:09 | 0:06:12 | |
Two more breaths, please. | 0:06:29 | 0:06:31 | |
No... I'm calling it, asystolic. | 0:06:31 | 0:06:33 | |
Pulse-less for 20 minutes. | 0:06:36 | 0:06:38 | |
Everyone OK with that? | 0:06:38 | 0:06:40 | |
OK, CPR discontinued at 23.12. | 0:06:40 | 0:06:42 | |
HELICOPTER ROTORS WHIR | 0:06:45 | 0:06:46 | |
SIREN BLARES | 0:06:51 | 0:06:53 | |
Everybody! | 0:07:01 | 0:07:03 | |
Evidence recovery's ongoing, so, guys, | 0:07:04 | 0:07:06 | |
please respect the limits of the cordon at all times. | 0:07:06 | 0:07:09 | |
Our forensic scene investigators have work lights. | 0:07:12 | 0:07:15 | |
Talk to me if you need any lighting changes | 0:07:15 | 0:07:17 | |
This way, sir. | 0:07:17 | 0:07:19 | |
Deputy Chief Constable Dryden. | 0:07:43 | 0:07:45 | |
There's been an attack on the police. | 0:07:45 | 0:07:48 | |
Three of our colleagues have lost their lives in the line of duty. | 0:07:48 | 0:07:52 | |
Our first thoughts are with their families. | 0:07:52 | 0:07:56 | |
But now the hunt begins for the people who committed | 0:07:56 | 0:07:59 | |
this brutal crime. | 0:07:59 | 0:08:00 | |
This way. | 0:08:29 | 0:08:31 | |
'Doors closing.' | 0:08:31 | 0:08:32 | |
-Sir. -As you were. | 0:08:43 | 0:08:45 | |
MONITORS BEEP | 0:08:58 | 0:09:00 | |
The transit convoy was ambushed. | 0:09:00 | 0:09:03 | |
The two 4th Street officers were shot dead. | 0:09:03 | 0:09:06 | |
The vehicle was set alight, and the witness | 0:09:06 | 0:09:09 | |
and the handler suffered critical burns and gunshot wounds. | 0:09:09 | 0:09:11 | |
The handler was pronounced dead on arrival at the hospital. | 0:09:11 | 0:09:14 | |
We've been assigned to investigate the possibility that | 0:09:15 | 0:09:19 | |
a police officer or officers tipped somebody off. | 0:09:19 | 0:09:22 | |
Who is he? | 0:09:22 | 0:09:23 | |
Classified. He was under Witness Protection. | 0:09:23 | 0:09:26 | |
New identity, relocation, the WORKS. | 0:09:26 | 0:09:29 | |
And how is he, sir, the witness? | 0:09:29 | 0:09:31 | |
Critical but stable. | 0:09:31 | 0:09:33 | |
Can I ask you a question? | 0:09:35 | 0:09:37 | |
Depends on the question. | 0:09:37 | 0:09:38 | |
"Critical but stable" - what does that mean exactly? | 0:09:40 | 0:09:43 | |
Well, he's been lucky. His chances are good. | 0:09:43 | 0:09:45 | |
He doesn't look very lucky. | 0:09:45 | 0:09:46 | |
I'll set up an alert. | 0:09:48 | 0:09:49 | |
As soon as he comes round, we'll be banging on his door. | 0:09:50 | 0:09:53 | |
-Thank you. -Sir. | 0:09:53 | 0:09:55 | |
He said it was a convoy. Who was in the other vehicles? | 0:09:56 | 0:09:59 | |
Just one vehicle, driven by our only other survivor, DI Lindsay Denton. | 0:09:59 | 0:10:03 | |
When can we talk to her? | 0:10:03 | 0:10:05 | |
I'm chasing. But she's in counselling. | 0:10:05 | 0:10:06 | |
Are we allowed to know the names of the deceased officers? | 0:10:06 | 0:10:09 | |
From 4th Street Station - Sergeant Alex Wallis, PC Vincent Butler, | 0:10:09 | 0:10:14 | |
and...the third victim's name is being withheld from the public | 0:10:14 | 0:10:18 | |
because she was from Witness Protection - DS Jayne Akers. | 0:10:18 | 0:10:21 | |
Sorry, sir, I'll be down in five. | 0:10:25 | 0:10:27 | |
Sure. | 0:10:27 | 0:10:28 | |
You got a minute, sir? | 0:10:48 | 0:10:49 | |
See you back at the office. | 0:10:51 | 0:10:52 | |
This one's not for me, sir. | 0:10:53 | 0:10:55 | |
This is going to be a very high-profile case. | 0:10:58 | 0:11:00 | |
I need my best team. | 0:11:00 | 0:11:01 | |
I'm flattered, sir, but I knew Jayne Akers. | 0:11:01 | 0:11:03 | |
We went through Ryton together. | 0:11:03 | 0:11:05 | |
Half the job went through training together, and we're not investigating Akers. | 0:11:05 | 0:11:08 | |
Not yet. | 0:11:08 | 0:11:10 | |
There's three of our own in the morgue! | 0:11:10 | 0:11:12 | |
Am I meant to be angry, is that it, sir? | 0:11:12 | 0:11:14 | |
Well, you ought to be. | 0:11:14 | 0:11:16 | |
And if I find out a police officer's responsible, | 0:11:16 | 0:11:18 | |
even in the slightest, I'll be livid! | 0:11:18 | 0:11:20 | |
I'm not. That's the problem. | 0:11:20 | 0:11:21 | |
Problem? | 0:11:21 | 0:11:22 | |
I'd rather not investigate the death of a former colleague. I like keeping a distance. | 0:11:22 | 0:11:26 | |
What about Steve? | 0:11:27 | 0:11:29 | |
Well, I'll have to find him a new partner | 0:11:29 | 0:11:31 | |
and I expect he won't like it. | 0:11:31 | 0:11:32 | |
Away you go. | 0:11:34 | 0:11:35 | |
Sorry to keep you. | 0:11:52 | 0:11:54 | |
No problem, sir. | 0:11:54 | 0:11:55 | |
DC Georgina Trotman, meet DS Steven Arnott. | 0:11:55 | 0:11:59 | |
Steve, meet your new partner. | 0:11:59 | 0:12:01 | |
Actually, sir, it's Georgia. | 0:12:01 | 0:12:03 | |
Georgia. Sorry. | 0:12:03 | 0:12:05 | |
-Pleased to meet you. -Likewise. | 0:12:05 | 0:12:07 | |
I've just been given the operational parameters. | 0:12:07 | 0:12:10 | |
Witness Protection is off limits. | 0:12:10 | 0:12:12 | |
For Christ's sake. | 0:12:12 | 0:12:14 | |
Yeah. Major Violent Crime are going after the gunmen. | 0:12:14 | 0:12:17 | |
So, AC-12's brief is to investigate the suspicion that | 0:12:17 | 0:12:22 | |
information leakage by a police officer | 0:12:22 | 0:12:25 | |
is part of the set-up of the ambush. | 0:12:25 | 0:12:28 | |
-Sir... -Steve. I get it. I get it. | 0:12:28 | 0:12:31 | |
This is how Dryden wants it. We get the 4th Street officers. | 0:12:31 | 0:12:33 | |
Only one's still alive. | 0:12:33 | 0:12:35 | |
So, you go after Denton. | 0:12:35 | 0:12:37 | |
Very good, sir. | 0:12:37 | 0:12:38 | |
Thank you, you two. | 0:12:38 | 0:12:40 | |
Is she up to it? | 0:12:49 | 0:12:50 | |
Get you, the Big I Am. | 0:12:50 | 0:12:53 | |
HE CHUCKLES | 0:12:53 | 0:12:55 | |
Yes, I think so. | 0:12:55 | 0:12:57 | |
This investigation, sir... | 0:12:57 | 0:12:59 | |
Aye, aye. That's the spirit. | 0:12:59 | 0:13:00 | |
Welcome to AC-12. | 0:13:07 | 0:13:08 | |
BACKGROUND CHATTER | 0:13:22 | 0:13:24 | |
Morning, ma'am. | 0:13:41 | 0:13:42 | |
How you faring, ma'am? | 0:14:06 | 0:14:09 | |
OK. Thanks. | 0:14:09 | 0:14:10 | |
-Anythin' I can do, don't hesitate. -Cheers, sarge. | 0:14:10 | 0:14:13 | |
Welcome back, Lindsay. | 0:14:17 | 0:14:18 | |
Sir. | 0:14:21 | 0:14:23 | |
You've been through a lot. Just take it steady. | 0:14:23 | 0:14:26 | |
Thanks. | 0:14:28 | 0:14:29 | |
SIRENS WAIL IN DISTANCE | 0:15:00 | 0:15:02 | |
KNOCK ON DOOR | 0:15:15 | 0:15:16 | |
SHE SNIFFLES | 0:15:16 | 0:15:18 | |
This one's taken. | 0:15:19 | 0:15:20 | |
POUNDING ON DOOR | 0:15:22 | 0:15:23 | |
I said, "This one's taken." | 0:15:23 | 0:15:25 | |
SHE SCREAMS | 0:15:27 | 0:15:28 | |
TOILET FLUSHES | 0:15:31 | 0:15:32 | |
SHE SCREAMS | 0:15:32 | 0:15:34 | |
No firearms! No backup! | 0:15:38 | 0:15:40 | |
It should be you we're burying, you stupid bitch! | 0:15:41 | 0:15:44 | |
SHE SCREAMS | 0:15:44 | 0:15:45 | |
TOILET FLUSHES | 0:15:45 | 0:15:46 | |
SHE SOBS | 0:15:52 | 0:15:54 | |
DI Royal. DI Denton. | 0:16:20 | 0:16:22 | |
CONTINUOUS TONE | 0:16:59 | 0:17:01 | |
TONE STOPS | 0:17:11 | 0:17:12 | |
AC-12 interview - DI Lindsay Denton and Federation rep DI Samuel Royal, | 0:17:12 | 0:17:17 | |
in the presence of Superintendent Hastings, DS Arnott, DC Trotman. | 0:17:17 | 0:17:22 | |
DI Denton, thank you very much for coming in today. | 0:17:23 | 0:17:26 | |
Let's be clear, you're being interviewed today as a witness, | 0:17:26 | 0:17:29 | |
not as a suspect in any matters of crime, discipline or misconduct. | 0:17:29 | 0:17:34 | |
Whatever I can do to help, sir. | 0:17:34 | 0:17:35 | |
Thank you. | 0:17:35 | 0:17:37 | |
So, how did you come to be involved in the operation | 0:17:37 | 0:17:39 | |
that took place on the night of September 5th? | 0:17:39 | 0:17:43 | |
Just bad luck. I was on the ghost rota. | 0:17:43 | 0:17:46 | |
The Duty Sergeant took a call and passed it on to me. | 0:17:46 | 0:17:48 | |
And what was said in that call? | 0:17:48 | 0:17:51 | |
The caller identified herself as DS Akers. DS Jayne Akers. | 0:17:52 | 0:17:57 | |
Akers or the individual identifying herself as Akers advised me | 0:17:58 | 0:18:01 | |
that there was an immediate and credible threat to the life of a protected witness. | 0:18:01 | 0:18:05 | |
Did she expand on the nature of that threat? | 0:18:06 | 0:18:09 | |
No, she did not. | 0:18:09 | 0:18:11 | |
Did she give any indication as to where the information came from? | 0:18:11 | 0:18:14 | |
No, she did not. | 0:18:14 | 0:18:15 | |
Go on. | 0:18:17 | 0:18:19 | |
DS Akers requested assistance. | 0:18:19 | 0:18:21 | |
You were the duty station? | 0:18:21 | 0:18:23 | |
DI Denton is entitled to be questioned by an officer | 0:18:23 | 0:18:25 | |
at least one rank superior. | 0:18:25 | 0:18:28 | |
There's no suspicion of DI Denton. | 0:18:28 | 0:18:30 | |
-She is being interviewed purely as a witness. -Yeah... -Sam, it's all fine. | 0:18:30 | 0:18:33 | |
We were the duty station as, at that time, Akers and the witness were | 0:18:35 | 0:18:38 | |
located within the precinct of 4th Street and the 4th Street Estate. | 0:18:38 | 0:18:41 | |
And did you share that information with | 0:18:41 | 0:18:43 | |
the officers at 4th Street Station? | 0:18:43 | 0:18:45 | |
No, I did not, sir. | 0:18:45 | 0:18:47 | |
You did not? | 0:18:47 | 0:18:48 | |
Why not? | 0:18:48 | 0:18:50 | |
DS Akers impressed on me the secure nature of our communication, | 0:18:50 | 0:18:53 | |
and that I should only involve others | 0:18:53 | 0:18:55 | |
when strictly operationally necessary. | 0:18:55 | 0:18:57 | |
I... I invented a cover story involving | 0:18:57 | 0:19:00 | |
the arrest of a missing person suspect. | 0:19:00 | 0:19:02 | |
You shared the information with no-one? | 0:19:02 | 0:19:04 | |
I discussed the matter with Deputy Chief Constable Dryden. | 0:19:04 | 0:19:07 | |
I sought his approval to render assistance. | 0:19:07 | 0:19:10 | |
Didn't DS Akers advise you to inform as few people as possible? | 0:19:11 | 0:19:16 | |
A critical incident response of that type requires Gold approval, sir. | 0:19:16 | 0:19:20 | |
Quite right. | 0:19:20 | 0:19:21 | |
You always adhere to regulations? | 0:19:22 | 0:19:24 | |
That's what they're there for. | 0:19:24 | 0:19:26 | |
I can see you and I are going to get on like a house on fire, DI Denton! | 0:19:26 | 0:19:29 | |
So, Deputy Chief Constable Dryden, | 0:19:29 | 0:19:33 | |
what induced you to call him in particular? | 0:19:33 | 0:19:36 | |
An incident occurred a few months ago in which the Duty CS | 0:19:36 | 0:19:39 | |
failed to answer. DCC Dryden made it clear that he could be | 0:19:39 | 0:19:43 | |
contacted in such circumstances. | 0:19:43 | 0:19:45 | |
I... I think it was his way of finding out which brass were | 0:19:45 | 0:19:47 | |
pulling their weight and which weren't. | 0:19:47 | 0:19:49 | |
HE CHUCKLES | 0:19:49 | 0:19:51 | |
And why did you assign Wallis and Butler? | 0:19:51 | 0:19:54 | |
They were two officers I knew by reputation. | 0:19:54 | 0:19:56 | |
They could handle themselves. | 0:19:58 | 0:19:59 | |
Two unarmed officers. | 0:19:59 | 0:20:00 | |
No firearms? | 0:20:05 | 0:20:06 | |
No backup? | 0:20:07 | 0:20:08 | |
If there was anything I could do to reverse that decision, sir... | 0:20:09 | 0:20:13 | |
DI Denton's statement records she was acting on | 0:20:15 | 0:20:19 | |
DS Akers' instructions. | 0:20:19 | 0:20:20 | |
Nobody's blaming you, I mean if those were Akers' instructions. | 0:20:20 | 0:20:24 | |
I just thought you might think they were... | 0:20:24 | 0:20:27 | |
a bit irregular? | 0:20:27 | 0:20:28 | |
You took the view it was Akers' area of specialisation? | 0:20:33 | 0:20:37 | |
Exactly. | 0:20:37 | 0:20:38 | |
The ambush, ma'am, must've been frightening. | 0:20:44 | 0:20:47 | |
It was. | 0:20:49 | 0:20:51 | |
You ever experienced anything like that before? | 0:20:51 | 0:20:54 | |
No. Thankfully. | 0:20:54 | 0:20:56 | |
That's true, isn't it, DI Denton? | 0:20:56 | 0:20:58 | |
You've held down a lot of desk jobs? | 0:20:58 | 0:21:00 | |
You're a bit of a... | 0:21:00 | 0:21:01 | |
backroom detective? | 0:21:01 | 0:21:04 | |
I believe I've done important work, sir. | 0:21:04 | 0:21:06 | |
Absolutely. | 0:21:06 | 0:21:08 | |
Absolutely. | 0:21:09 | 0:21:10 | |
You did well in a very testing situation, ma'am. | 0:21:10 | 0:21:12 | |
Thank you. | 0:21:12 | 0:21:14 | |
You've never faced an anti-corruption hearing, have you, ma'am? | 0:21:14 | 0:21:17 | |
No. | 0:21:17 | 0:21:18 | |
In 2002, DC Denton alleged a colleague was falsifying | 0:21:18 | 0:21:22 | |
witness statements. | 0:21:22 | 0:21:24 | |
The complaint was upheld - the officer was disciplined. | 0:21:24 | 0:21:27 | |
In 2007, DS Denton alleged a colleague was making | 0:21:27 | 0:21:30 | |
fraudulent expenses' claims. | 0:21:30 | 0:21:32 | |
The complaint was upheld - the officer was disciplined. | 0:21:32 | 0:21:34 | |
DI Denton has demonstrated the utmost probity throughout | 0:21:35 | 0:21:38 | |
her service career. | 0:21:38 | 0:21:39 | |
It takes courage to make a moral stand against your fellow officers, | 0:21:41 | 0:21:45 | |
except sometimes they don't see it that way. | 0:21:45 | 0:21:47 | |
No. | 0:21:47 | 0:21:48 | |
I direct you to document seven in your folder. | 0:21:49 | 0:21:52 | |
Document seven, for the tape, is a map showing | 0:21:52 | 0:21:55 | |
the location of the safe house, the ambush and 4th Street Station. | 0:21:55 | 0:22:00 | |
For the tape, I'm indicating the route taken that night. | 0:22:00 | 0:22:03 | |
Two unmarked police vehicles departed the safe house. | 0:22:03 | 0:22:06 | |
And the most direct route to 4th Street Station is via A roads. | 0:22:06 | 0:22:09 | |
Instead, the vehicles travelled along Crown Avenue and then turned left | 0:22:09 | 0:22:12 | |
into Long Lane, almost immediately after which the ambush took place. | 0:22:12 | 0:22:16 | |
Agreed and accepted? | 0:22:18 | 0:22:20 | |
Agreed and accepted. | 0:22:20 | 0:22:22 | |
A decision was taken not to go the fastest way, via A roads. | 0:22:22 | 0:22:25 | |
That's correct. | 0:22:26 | 0:22:27 | |
DI Denton was following DS Akers' instructions. | 0:22:27 | 0:22:30 | |
Akers' chose the route? | 0:22:30 | 0:22:32 | |
Yeah. | 0:22:33 | 0:22:35 | |
This back route, it would lead to 4th Street Station, | 0:22:35 | 0:22:38 | |
but only if you'd continued along Crown Avenue. | 0:22:38 | 0:22:40 | |
The vehicles turned left into Long Lane. | 0:22:40 | 0:22:42 | |
Yeah. | 0:22:44 | 0:22:45 | |
You didn't question that decision? | 0:22:47 | 0:22:49 | |
No, sir. | 0:22:50 | 0:22:52 | |
You had a radio, didn't you? | 0:22:52 | 0:22:54 | |
Yeah. | 0:22:55 | 0:22:56 | |
So, why didn't you question the decision? | 0:22:56 | 0:22:58 | |
Can we take a step back, please, | 0:22:58 | 0:23:01 | |
and remind ourselves that DI Denton is being interviewed as a witness? | 0:23:01 | 0:23:05 | |
Absolutely, absolutely. | 0:23:05 | 0:23:07 | |
The decision appeared to make sense at the time. | 0:23:10 | 0:23:13 | |
There were roadworks on Crown Avenue, | 0:23:13 | 0:23:16 | |
erm, with temporary traffic signals controlling a single lane. | 0:23:16 | 0:23:22 | |
It was a potential hold-up that would've left us vulnerable. | 0:23:22 | 0:23:25 | |
There were no roadworks on Crown Avenue that night. | 0:23:25 | 0:23:28 | |
Works had been completed the day before. | 0:23:28 | 0:23:30 | |
I wasn't aware. | 0:23:30 | 0:23:32 | |
You didn't make a point of getting up-to-date travel information? | 0:23:32 | 0:23:36 | |
-No. -You said Akers chose the route, | 0:23:36 | 0:23:38 | |
but you seem very familiar with the arguments. | 0:23:38 | 0:23:42 | |
You were the ranking officer. | 0:23:42 | 0:23:44 | |
You and Akers discussed the route between you. | 0:23:45 | 0:23:48 | |
That's more likely, isn't it? | 0:23:49 | 0:23:50 | |
Not more likely? | 0:23:54 | 0:23:55 | |
I think we should stop there. | 0:23:56 | 0:23:58 | |
Are you withdrawing your cooperation, DI Denton? | 0:24:02 | 0:24:04 | |
DI Denton? | 0:24:08 | 0:24:09 | |
No, of course I cooperate. | 0:24:09 | 0:24:11 | |
Your vehicle was the only one that wasn't shot at. | 0:24:12 | 0:24:14 | |
They didn't need to. They'd knocked my car off the road. | 0:24:14 | 0:24:17 | |
I, erm... | 0:24:17 | 0:24:19 | |
..I took cover inside until they fled the scene. | 0:24:20 | 0:24:24 | |
You were in fear of your life. | 0:24:24 | 0:24:26 | |
Understandably. | 0:24:26 | 0:24:27 | |
According to the pathologist's report, | 0:24:27 | 0:24:29 | |
Wallis and Butler died almost instantly from gunshot wounds. | 0:24:29 | 0:24:33 | |
But Akers and her witness were alive. | 0:24:33 | 0:24:35 | |
The witness... | 0:24:35 | 0:24:36 | |
..managed to put out the flames, | 0:24:38 | 0:24:39 | |
but... | 0:24:39 | 0:24:40 | |
Akers, she couldn't... | 0:24:41 | 0:24:45 | |
I, er... | 0:24:45 | 0:24:47 | |
I threw my coat over her. | 0:24:47 | 0:24:49 | |
Well done, ma'am. | 0:24:50 | 0:24:51 | |
Did you help get them out of the car? | 0:24:53 | 0:24:56 | |
No. | 0:24:56 | 0:24:57 | |
No? | 0:24:57 | 0:24:59 | |
They came out themselves, sir. They, er... | 0:25:02 | 0:25:04 | |
..they, er, they were already burning. | 0:25:07 | 0:25:09 | |
-I'm sorry. -That must've been a horrible sight. | 0:25:14 | 0:25:17 | |
It was. | 0:25:18 | 0:25:19 | |
We all appreciate that you've been... | 0:25:23 | 0:25:26 | |
through the most terrible situation, | 0:25:26 | 0:25:29 | |
but we have a job to do. | 0:25:29 | 0:25:31 | |
What we're trying to get at here, DI Denton, | 0:25:32 | 0:25:34 | |
is how those gunmen knew where you were that night. | 0:25:34 | 0:25:37 | |
I wish I could help you, sir. | 0:25:39 | 0:25:40 | |
You do understand what we're investigating here, don't you, DI Denton? | 0:25:40 | 0:25:44 | |
The possibility of information leakage. | 0:25:44 | 0:25:46 | |
Yeah, I understand. | 0:25:46 | 0:25:48 | |
And information leakage can only happen in two ways - | 0:25:48 | 0:25:50 | |
deliberately... | 0:25:50 | 0:25:52 | |
Officer corruption - they're in with the criminals. | 0:25:52 | 0:25:54 | |
..or accidentally... | 0:25:54 | 0:25:55 | |
Officer incompetence - they fail to communicate securely. | 0:25:55 | 0:25:58 | |
This interview has to stop. | 0:25:58 | 0:26:00 | |
If DI Denton is under suspicion, | 0:26:00 | 0:26:02 | |
you need to issue her with a Regulation 15 Notice. | 0:26:02 | 0:26:05 | |
This is still information gathering. | 0:26:05 | 0:26:06 | |
We are a long way from a Reg 15. | 0:26:06 | 0:26:09 | |
Under AC-12's blanket authority to vet any officer connected to | 0:26:09 | 0:26:12 | |
an ongoing investigation, we carried out financial checks on DI Denton. | 0:26:12 | 0:26:15 | |
I've requested that you stop. | 0:26:15 | 0:26:18 | |
Our strongest suspicion is that criminal interests tried to | 0:26:20 | 0:26:23 | |
assassinate the witness to stop him from testifying. | 0:26:23 | 0:26:26 | |
Now, those criminal interests would pay a pretty penny | 0:26:26 | 0:26:30 | |
for an inside man, or woman. | 0:26:30 | 0:26:33 | |
And any officer in the financial difficulties that you are in, | 0:26:33 | 0:26:36 | |
DI Denton, is duty-bound to declare it | 0:26:36 | 0:26:39 | |
on the grounds that she would be vulnerable to bribery. | 0:26:39 | 0:26:43 | |
You're in debt up to your eyeballs. | 0:26:43 | 0:26:44 | |
Stop the tape. We're finished here. | 0:26:44 | 0:26:46 | |
My mother had to go into a nursing home. | 0:26:55 | 0:26:58 | |
And the council wouldn't pay, so we sold her house but it wasn't enough. | 0:27:00 | 0:27:04 | |
So, we sold mine, but there was negative equity, so... | 0:27:04 | 0:27:09 | |
..my mum is being looked after, but I'm stuck with | 0:27:11 | 0:27:14 | |
mortgage payments on a horrible little place that I hate and... | 0:27:14 | 0:27:17 | |
-..you people... -Lindsay, don't. | 0:27:18 | 0:27:20 | |
..you people, you sit there and you try | 0:27:20 | 0:27:22 | |
and twist some case out of my misfortunes. | 0:27:22 | 0:27:25 | |
All I did was do my job. That's all I've ever done. | 0:27:26 | 0:27:31 | |
SHE SNIFFLES | 0:27:32 | 0:27:34 | |
I shouldn't have even been on duty that night. | 0:27:34 | 0:27:36 | |
I'd do anything not to have been there, not to have picked up | 0:27:36 | 0:27:39 | |
that call, because for all I know it's going to take away | 0:27:39 | 0:27:42 | |
the one good thing in my life - and that is being a police officer. | 0:27:42 | 0:27:44 | |
That how it works here? | 0:27:50 | 0:27:52 | |
Sometimes. | 0:27:52 | 0:27:54 | |
You should've told me you were going to treat her like a suspect. | 0:27:54 | 0:27:57 | |
We weren't. She did that herself. | 0:27:57 | 0:27:59 | |
She was defenceless in there. | 0:27:59 | 0:28:00 | |
That's her rep's job, not ours. | 0:28:00 | 0:28:02 | |
What's ours, then? | 0:28:02 | 0:28:04 | |
Catching criminals. | 0:28:05 | 0:28:07 | |
The criminals we catch happen to be police officers. | 0:28:07 | 0:28:09 | |
That's all there is to it. | 0:28:09 | 0:28:11 | |
You think she's a criminal? | 0:28:11 | 0:28:13 | |
Well? | 0:28:15 | 0:28:17 | |
No. | 0:28:17 | 0:28:19 | |
So, what gives you the right to treat her like one? | 0:28:19 | 0:28:21 | |
I've been through it. That gives me the right. | 0:28:21 | 0:28:23 | |
And having been through it, it doesn't bother you? | 0:28:23 | 0:28:25 | |
If this is not for you, all you need to do is say. | 0:28:28 | 0:28:30 | |
It's for me. | 0:28:34 | 0:28:35 | |
CAMERAS CLICK | 0:28:54 | 0:28:55 | |
Sergeant Alex Wallis and Constable Vince Butler | 0:28:55 | 0:28:58 | |
both leave behind them families devastated by their loss. | 0:28:58 | 0:29:02 | |
Who were the other casualties? | 0:29:02 | 0:29:04 | |
A police detective was pronounced dead shortly afterwards. | 0:29:04 | 0:29:08 | |
A second police detective suffered minor injuries. | 0:29:08 | 0:29:11 | |
We're withholding both their names for operational reasons. | 0:29:11 | 0:29:14 | |
CLAMOUR FROM REPORTERS | 0:29:14 | 0:29:16 | |
Can you confirm reports that there was another casualty? A civilian? | 0:29:16 | 0:29:19 | |
No. | 0:29:19 | 0:29:21 | |
"There's been an attack on the police." | 0:29:21 | 0:29:23 | |
Those were my words on the night of the ambush. | 0:29:23 | 0:29:25 | |
For the families that lost their loved ones, the hurt goes on. | 0:29:28 | 0:29:31 | |
For those of us charged with finding their killers, | 0:29:32 | 0:29:37 | |
we must set that pain aside and proceed with clear minds. | 0:29:37 | 0:29:41 | |
And it's clear to me there's another attack on the police... | 0:29:41 | 0:29:45 | |
..an insidious and, ultimately, more devastating one. | 0:29:46 | 0:29:50 | |
Our numbers have been cut back. | 0:29:51 | 0:29:53 | |
Public safety has been jeopardised. | 0:29:53 | 0:29:56 | |
There's no clearer indicator than the fact that on that night | 0:29:57 | 0:30:01 | |
we weren't even able to protect ourselves. | 0:30:01 | 0:30:04 | |
DANCE MUSIC PLAYS THROUGH WALL | 0:30:05 | 0:30:08 | |
DOGS BARK IN DISTANCE | 0:30:09 | 0:30:11 | |
DANCE MUSIC POUNDS | 0:30:12 | 0:30:14 | |
ORGAN MUSIC PLAYS | 0:30:21 | 0:30:25 | |
God asks us to forgive. | 0:30:47 | 0:30:49 | |
But first we must gain justice | 0:30:52 | 0:30:55 | |
for our fallen comrades. | 0:30:55 | 0:30:57 | |
"Dearly beloved, | 0:30:59 | 0:31:02 | |
"avenge not yourselves... | 0:31:02 | 0:31:03 | |
"..but rather give place unto wrath. | 0:31:06 | 0:31:09 | |
"For it is written, | 0:31:09 | 0:31:12 | |
" 'Vengeance is mine. | 0:31:12 | 0:31:13 | |
" 'I will repay,' | 0:31:13 | 0:31:16 | |
"saith the Lord." | 0:31:16 | 0:31:17 | |
Detective Sergeant Jayne Akers leaves a loving husband, | 0:31:20 | 0:31:24 | |
Richard Akers, | 0:31:24 | 0:31:26 | |
and many colleagues devastated by her loss. | 0:31:26 | 0:31:29 | |
The families of Sergeant Alex Wallis | 0:31:29 | 0:31:31 | |
and Constable Vincent Butler will miss them terribly... | 0:31:31 | 0:31:34 | |
Sir. | 0:31:36 | 0:31:38 | |
You called me that night. | 0:31:38 | 0:31:40 | |
-Yes, sir. -How are you bearing up? | 0:31:40 | 0:31:43 | |
OK, thanks, sir. | 0:31:46 | 0:31:47 | |
Very sorry for your loss. | 0:31:53 | 0:31:55 | |
-Very sorry for your loss. -Thanks. | 0:31:55 | 0:31:57 | |
Very sorry for your loss. | 0:32:02 | 0:32:04 | |
-Sorry. -Sorry. | 0:32:06 | 0:32:08 | |
Hi, it's me. Look, I've got to work late tonight, I'm sorry. | 0:32:14 | 0:32:18 | |
Yeah, would you mind getting his stuff ready for school? | 0:32:18 | 0:32:22 | |
Thanks, babe. Yeah, all right, then, I'll speak to you in a bit, bye. | 0:32:22 | 0:32:25 | |
DOOR CLOSES | 0:33:37 | 0:33:38 | |
DOOR OPENS | 0:33:48 | 0:33:49 | |
HE SNIFFS | 0:33:55 | 0:33:56 | |
-I'm sorry. -What for? | 0:34:07 | 0:34:09 | |
-For tonight. -It doesn't matter much, in the scheme of things. | 0:34:12 | 0:34:15 | |
HE SNIFFS | 0:34:18 | 0:34:21 | |
You two always used to end up side by side. | 0:34:21 | 0:34:23 | |
Do you think she ever knew? | 0:34:34 | 0:34:36 | |
When it mattered, she trusted us both with her life. | 0:34:39 | 0:34:42 | |
The night of the ambush, she called me, to call you. | 0:34:47 | 0:34:49 | |
To say what? | 0:34:51 | 0:34:53 | |
For you to call her back about the case she was working on. | 0:34:53 | 0:34:55 | |
Why didn't she call me direct? Was she worried her phone was tapped? | 0:34:57 | 0:35:01 | |
If you'd answered, you could've asked her yourself. | 0:35:01 | 0:35:04 | |
'AC-12 interview, DI Lindsay Denton | 0:35:28 | 0:35:31 | |
'and Federation rep DI Samuel Royal...' | 0:35:31 | 0:35:33 | |
Sorry, Tom, can I call you back? | 0:35:35 | 0:35:38 | |
Five minutes, mate, cheers. | 0:35:38 | 0:35:40 | |
I'm moving you up. | 0:35:51 | 0:35:52 | |
Where? | 0:35:54 | 0:35:55 | |
The 28s. | 0:35:55 | 0:35:57 | |
Why? | 0:35:57 | 0:35:59 | |
Quality Control are responding to complaints that | 0:35:59 | 0:36:01 | |
non-high-priority missing persons are being down-processed. | 0:36:01 | 0:36:04 | |
We've got to be seen to take action. | 0:36:04 | 0:36:06 | |
This is because I didn't cover for you. | 0:36:08 | 0:36:10 | |
I've got a room full of detectives scoring fours and fives. | 0:36:13 | 0:36:16 | |
After the balls-up of the ambush... | 0:36:19 | 0:36:21 | |
..you're a two, at best. | 0:36:23 | 0:36:26 | |
I'm taking this to HR. | 0:36:26 | 0:36:28 | |
Take it to Butler's missus, Wallis' kids. | 0:36:28 | 0:36:32 | |
Who's on this unit? | 0:36:34 | 0:36:35 | |
You. | 0:36:38 | 0:36:40 | |
And? | 0:36:40 | 0:36:42 | |
I'll find some DC or other, | 0:36:42 | 0:36:43 | |
if there's one who'll work with you. | 0:36:43 | 0:36:45 | |
'Nobody's blaming you, I mean, if those were Akers' instructions... | 0:36:50 | 0:36:54 | |
'Akers chose the route?' | 0:36:54 | 0:36:56 | |
'Yeah. | 0:36:57 | 0:36:59 | |
'Vehicles turned left into Long Lane? | 0:37:00 | 0:37:03 | |
'Yeah. | 0:37:03 | 0:37:04 | |
'You didn't question that decision? | 0:37:06 | 0:37:09 | |
'No, sir.' | 0:37:11 | 0:37:12 | |
Computer on the blink? | 0:37:23 | 0:37:25 | |
I'm an old-fashioned girl. | 0:37:25 | 0:37:27 | |
I listened to the tape. | 0:37:30 | 0:37:33 | |
-I thought you didn't want to get involved. -Denton picked the route. | 0:37:33 | 0:37:36 | |
-We don't know that. -And tried to pin it on Jayne Akers. -She was nervous. | 0:37:36 | 0:37:39 | |
Easiest ploy in the world - blame the dead person. | 0:37:39 | 0:37:42 | |
-May I, sir? -Sure. | 0:37:53 | 0:37:55 | |
MAN: She said, "Just because I reported him missing doesn't mean | 0:38:29 | 0:38:32 | |
"I wanted him back." | 0:38:32 | 0:38:34 | |
LAUGHTER | 0:38:34 | 0:38:36 | |
-All right, who's for the pub? -I am. | 0:38:36 | 0:38:38 | |
-Good, it's your round. -OK. | 0:38:38 | 0:38:40 | |
Thank you for making time to see me today. | 0:39:21 | 0:39:24 | |
As I told you on the telephone, I'm heading up a newly formed unit | 0:39:24 | 0:39:27 | |
that's taken over the search for Carly. | 0:39:27 | 0:39:30 | |
-Anything we can do to help. -Before she went missing, | 0:39:30 | 0:39:32 | |
did you notice anything unusual about Carly's behaviour? | 0:39:32 | 0:39:36 | |
She'd always been...difficult. | 0:39:36 | 0:39:38 | |
A lot of them are that we take in. | 0:39:38 | 0:39:41 | |
And how did her difficult nature manifest itself? | 0:39:41 | 0:39:44 | |
You try and make them stay in school, not go out late. | 0:39:44 | 0:39:47 | |
If they go out, maybe it's the pictures or... | 0:39:47 | 0:39:50 | |
Carly drifted back into her old ways, | 0:39:50 | 0:39:52 | |
or what they said were her old ways - | 0:39:52 | 0:39:55 | |
out late, drinking, smoking... boys, too. | 0:39:55 | 0:39:58 | |
We found a used condom in her room. | 0:39:58 | 0:40:02 | |
We did our best not to push her away... | 0:40:02 | 0:40:04 | |
-Yeah? -Just wanted to ask you a couple of questions, ma'am. | 0:40:25 | 0:40:27 | |
Which should take place following legal notice | 0:40:27 | 0:40:29 | |
and in the presence of my Police Federation Rep. | 0:40:29 | 0:40:31 | |
We can do all that if you prefer, ma'am, but you're being interviewed | 0:40:31 | 0:40:34 | |
-as a witness, not a suspect. -Yeah, I've heard that one before. | 0:40:34 | 0:40:38 | |
We had a job to do. I'm sorry. | 0:40:38 | 0:40:40 | |
But thanks to your cooperation, our investigation's moving on. | 0:40:40 | 0:40:43 | |
Look, this isn't a trap, ma'am. | 0:40:43 | 0:40:45 | |
You're the last living person to have had contact with DS Akers. | 0:40:45 | 0:40:49 | |
We need to form a view of her mental state that night. | 0:40:49 | 0:40:51 | |
All right. | 0:40:53 | 0:40:54 | |
How was she behaving? | 0:41:07 | 0:41:09 | |
She was... | 0:41:09 | 0:41:11 | |
She was on edge. | 0:41:12 | 0:41:14 | |
Nervous. I'd say very nervous. | 0:41:14 | 0:41:18 | |
Did she give any reason why she wasn't in contact with her own team? | 0:41:18 | 0:41:21 | |
No, she didn't. | 0:41:21 | 0:41:22 | |
Did she refer to any process? | 0:41:22 | 0:41:24 | |
KNOCK ON DOOR | 0:41:24 | 0:41:25 | |
Sorry, gaffer, you said you wanted these straightaway. | 0:41:25 | 0:41:28 | |
That's all right, thank you. | 0:41:28 | 0:41:29 | |
-That's my new DC, Kate Foster. -Hi. | 0:41:29 | 0:41:32 | |
You were saying? | 0:41:37 | 0:41:38 | |
Did DS Akers refer to any process of clearing her actions | 0:41:38 | 0:41:41 | |
-with her superiors? -No, she didn't. | 0:41:41 | 0:41:43 | |
Did she discuss any role played by other members of her team? | 0:41:43 | 0:41:47 | |
No, she didn't. | 0:41:47 | 0:41:48 | |
As far as you could tell, who was DS Akers working with? | 0:41:48 | 0:41:52 | |
As far as I could tell...DS Akers appeared to be working alone. | 0:41:52 | 0:41:56 | |
That's been very helpful. Thank you, ma'am. | 0:41:57 | 0:42:00 | |
I asked Kate to check out the operational options. | 0:42:14 | 0:42:17 | |
Neither of us suspected she'd get embedded so quickly. | 0:42:17 | 0:42:21 | |
There was an unfilled post for Denton's DC. | 0:42:21 | 0:42:23 | |
-Yeah, well, a heads-up would have been nice. -Do you want a row? | 0:42:23 | 0:42:28 | |
What the hell were you doing there, anyway, interviewing Denton again? | 0:42:28 | 0:42:31 | |
We're not allowed to investigate Akers, so I asked Denton about her. | 0:42:31 | 0:42:34 | |
Full marks for ingenuity, son. | 0:42:36 | 0:42:38 | |
Supposing Akers was the inside woman. | 0:42:39 | 0:42:42 | |
Sorry, Steve. | 0:42:42 | 0:42:44 | |
-All right? -Hi. | 0:42:46 | 0:42:47 | |
(Thanks for coming.) | 0:42:48 | 0:42:50 | |
Steve, meet the trouble and strife. | 0:42:50 | 0:42:52 | |
Have you been here before, Steve? | 0:42:55 | 0:42:57 | |
-I haven't, no. It looks a nice place. -Yeah. We've heard some good things, | 0:42:57 | 0:43:00 | |
haven't we, love? Oh, and speaking of good things. | 0:43:00 | 0:43:02 | |
I'm not late, am I? Sorry, sorry. | 0:43:02 | 0:43:05 | |
-I'm Roisin. -Georgia. | 0:43:05 | 0:43:07 | |
-Drink, Steve? -I'm still on this beer, thanks. -Georgia? | 0:43:07 | 0:43:10 | |
If anyone fancies wine... | 0:43:12 | 0:43:13 | |
-Yep. Wine list, please. -Oh. You're on beer. | 0:43:13 | 0:43:15 | |
Do you want one? | 0:43:15 | 0:43:17 | |
Sorry, a beer here, please. | 0:43:17 | 0:43:19 | |
So, Steve's been in AC for a year now | 0:43:21 | 0:43:24 | |
and every day has felt like a lifetime. | 0:43:24 | 0:43:27 | |
That'd make me about your age, sir. | 0:43:27 | 0:43:29 | |
-He also likes the banter, the cheeky wee b... -Ted. | 0:43:29 | 0:43:32 | |
"Boy" - I was going to say, "Cheeky, wee boy." | 0:43:32 | 0:43:35 | |
You're new to Ted's unit? | 0:43:35 | 0:43:38 | |
Transferred from Armed Robbery. | 0:43:38 | 0:43:40 | |
You'll be at home here, then... | 0:43:40 | 0:43:42 | |
with these prices. | 0:43:42 | 0:43:43 | |
Thanks. | 0:43:45 | 0:43:46 | |
DANCE MUSIC POUNDS THROUGH WALLS | 0:44:07 | 0:44:10 | |
MUSIC CONTINUES POUNDING | 0:44:13 | 0:44:16 | |
PIANO KEYS RATTLE | 0:44:25 | 0:44:27 | |
-That was very generous, thanks, sir. -Thanks, sir. | 0:44:34 | 0:44:36 | |
-Pleasure. -Lovely meeting you both. | 0:44:36 | 0:44:39 | |
See you tomorrow, then. | 0:44:39 | 0:44:41 | |
-Night. -Night-night. -Night-night. | 0:44:41 | 0:44:43 | |
-Night, boss. -Night. | 0:44:43 | 0:44:44 | |
Do you need a lift? | 0:44:49 | 0:44:51 | |
Bus stop's just here. | 0:44:51 | 0:44:53 | |
Well, I'm that way. | 0:44:53 | 0:44:54 | |
You OK to drive? | 0:44:56 | 0:44:58 | |
Do you fancy a nightcap? | 0:45:05 | 0:45:07 | |
DANCE MUSIC PLAYS | 0:45:07 | 0:45:09 | |
-What are you having? -I'll get these. I insist. -All right. Beer. | 0:45:12 | 0:45:16 | |
Whatever they've got. | 0:45:16 | 0:45:18 | |
Pint of, er, Peroni, half of Pilsner... | 0:45:18 | 0:45:23 | |
and a double vodka. | 0:45:23 | 0:45:24 | |
Thank you for that. | 0:45:41 | 0:45:42 | |
You always wanted to try the place. | 0:45:51 | 0:45:53 | |
I got you out in false pretences? Is that it? | 0:46:06 | 0:46:09 | |
I didn't detect any pressing reason for keeping up appearances. | 0:46:11 | 0:46:14 | |
I'm their boss. | 0:46:17 | 0:46:18 | |
And picking up the bill - that really took the prize! | 0:46:21 | 0:46:24 | |
For my benefit, was it? | 0:46:26 | 0:46:27 | |
Bottles now? | 0:46:41 | 0:46:43 | |
-Work in the morning. -Oh, that little thing. | 0:46:43 | 0:46:46 | |
When I first arrived, | 0:46:52 | 0:46:54 | |
what did you say to Hastings, when you were alone in the office? | 0:46:54 | 0:46:57 | |
Just talking operational parameters. | 0:46:57 | 0:46:59 | |
You're such a crap liar. | 0:47:00 | 0:47:03 | |
Look, I just wanted to know more about you. | 0:47:03 | 0:47:05 | |
All right. | 0:47:07 | 0:47:09 | |
Here are three facts about me but one of them is false. | 0:47:09 | 0:47:13 | |
You've bitten off more than you can chew, Trotman. | 0:47:13 | 0:47:15 | |
-I do this for a living. -Well, let's see, shall we? | 0:47:15 | 0:47:18 | |
I'm a gifted horsewoman. | 0:47:18 | 0:47:20 | |
I won a poetry competition when I was 11. | 0:47:21 | 0:47:25 | |
I'm a secret pool hustler. | 0:47:25 | 0:47:27 | |
You don't know one end of a pool cue from the other. | 0:47:32 | 0:47:35 | |
Is it so hard to comprehend, | 0:48:04 | 0:48:06 | |
a man wanting to spend the evening with his wife? | 0:48:06 | 0:48:09 | |
This hurts me, too. | 0:48:15 | 0:48:17 | |
THUNDER RUMBLES | 0:48:28 | 0:48:29 | |
-This is a really stupid idea. -Yeah, best not. -Best not. | 0:48:46 | 0:48:50 | |
Which was the false one by the way? | 0:48:53 | 0:48:54 | |
A girl never tells. | 0:48:57 | 0:48:59 | |
DANCE MUSIC PLAYS THROUGH WALLS | 0:49:03 | 0:49:06 | |
SHE SIGHS | 0:49:16 | 0:49:17 | |
DANCE MUSIC BLARES | 0:49:38 | 0:49:42 | |
What do you want? | 0:49:54 | 0:49:56 | |
SHE SCREAMS | 0:50:02 | 0:50:03 | |
I...will...not...take...it... any... more. | 0:50:03 | 0:50:07 | |
BOTTLE SMASHES | 0:50:29 | 0:50:31 | |
Yeah, thanks for that. Stay in touch. | 0:51:00 | 0:51:02 | |
Cheers. | 0:51:02 | 0:51:03 | |
News from the hospital. The docs are going to try the witness | 0:51:10 | 0:51:13 | |
off the ventilator later on today. He's on the mend. | 0:51:13 | 0:51:15 | |
When do we get to interview him? | 0:51:15 | 0:51:17 | |
Oh, rest assured, our foot is in the door. | 0:51:17 | 0:51:19 | |
If anyone's got answers to the questions, he has. | 0:51:19 | 0:51:22 | |
Good craic last night, you two. Huh? | 0:51:22 | 0:51:25 | |
This is so reductive. | 0:51:38 | 0:51:39 | |
I'm concerned there's a news vacuum, and what'll be used to fill it. | 0:51:42 | 0:51:46 | |
The Chief Constable's as concerned as I am about any leak | 0:51:46 | 0:51:49 | |
that a police officer might've been an accomplice. | 0:51:49 | 0:51:52 | |
We're looking at using anti-terror legislation to keep a lid on it. | 0:51:52 | 0:51:56 | |
You can't invite them to dinner and not serve pudding. | 0:51:56 | 0:51:59 | |
-I need a breakthrough. -I didn't say that. | 0:51:59 | 0:52:02 | |
We need to keep the bastards onside, that's all. | 0:52:02 | 0:52:05 | |
REPORTERS ALL SHOUT | 0:52:11 | 0:52:13 | |
Are you any nearer finding those responsible? | 0:52:15 | 0:52:18 | |
We're pursuing several, productive lines of inquiry. | 0:52:18 | 0:52:20 | |
I'm very pleased with the progress of the investigation. | 0:52:20 | 0:52:23 | |
Yeah. But do you have any suspects? | 0:52:23 | 0:52:24 | |
A breakthrough is imminent. | 0:52:28 | 0:52:29 | |
REPORTERS ALL SHOUT | 0:52:29 | 0:52:31 | |
-TV: -'Deputy Chief Constable Michael Dryden | 0:52:34 | 0:52:36 | |
'has taken personal charge of the investigation... | 0:52:36 | 0:52:39 | |
'A breakthrough is imminent.' | 0:52:39 | 0:52:41 | |
Knob. | 0:52:41 | 0:52:42 | |
LAUGHTER | 0:52:42 | 0:52:45 | |
Anything I can do, boss? | 0:52:45 | 0:52:47 | |
Just need to run an errand. Be back in half an hour. | 0:52:47 | 0:52:49 | |
-Drive you? -No need. | 0:52:49 | 0:52:51 | |
-PHONE DIALS -'Telecommunications.' | 0:54:04 | 0:54:06 | |
DC Fleming, requesting urgent identification on the last number | 0:54:06 | 0:54:10 | |
dialled from a payphone on the corner of | 0:54:10 | 0:54:12 | |
-Ridgeway Street and Sandhurst Lane. -'Received.' | 0:54:12 | 0:54:15 | |
Thanks. Get back to me as soon as you can. | 0:54:15 | 0:54:17 | |
PHONE RINGS | 0:54:41 | 0:54:43 | |
-DC Fleming. -'DC Fleming, we have the call ID you requested.' | 0:54:43 | 0:54:47 | |
Go ahead. | 0:54:47 | 0:54:49 | |
'It's the main switchboard number of the General Hospital.' | 0:54:49 | 0:54:51 | |
Thanks. | 0:54:53 | 0:54:54 | |
PHONE DISCONNECTS | 0:54:54 | 0:54:56 | |
PHONE BUZZES | 0:55:03 | 0:55:06 | |
Kate? | 0:55:06 | 0:55:07 | |
Denton just made a call to the hospital from a payphone. | 0:55:07 | 0:55:10 | |
Get over there, Steve. Check on the witness. | 0:55:10 | 0:55:12 | |
Georgia. | 0:55:14 | 0:55:15 | |
-DS Arnott. -'Steve, I've been on to the hospital.' | 0:55:32 | 0:55:36 | |
There's no answer from the Guard Unit. I've got someone else | 0:55:36 | 0:55:38 | |
trying again. If you just get up there as fast as you can, OK? | 0:55:38 | 0:55:41 | |
SIREN BLARES | 0:55:45 | 0:55:48 | |
'Sixth floor. | 0:56:10 | 0:56:12 | |
'Doors closing.' | 0:56:13 | 0:56:15 | |
Where's the guards? | 0:56:15 | 0:56:16 | |
You good to go? | 0:56:25 | 0:56:26 | |
-Yeah. -You sure? | 0:56:30 | 0:56:32 | |
Yeah. | 0:56:38 | 0:56:39 | |
LIFE SUPPORT MACHINES BEEP | 0:56:46 | 0:56:48 | |
Nurse? Where's the...? | 0:57:07 | 0:57:09 | |
Help! Help! | 0:57:12 | 0:57:14 | |
SHE SCREAMS | 0:57:39 | 0:57:41 | |
ALARMS BLARE | 0:57:41 | 0:57:43 | |
LIFE SUPPORT MACHINE FLATLINES | 0:57:46 | 0:57:49 |