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This programme contains some violent scenes | 0:00:02 | 0:00:06 | |
There's been an attack on the police. | 0:00:06 | 0:00:08 | |
Three of our colleagues have lost their lives in the line of duty. | 0:00:08 | 0:00:11 | |
The vehicles travelled along Crown Avenue and then turned left | 0:00:13 | 0:00:16 | |
into Long Lane, almost immediately after which the ambush took place. | 0:00:16 | 0:00:20 | |
-Akers chose the route? -Yeah. | 0:00:25 | 0:00:27 | |
The third victim's name is being withheld from the public | 0:00:27 | 0:00:30 | |
because she was from Witness Protection - DS Jayne Akers. | 0:00:30 | 0:00:33 | |
Do you think she ever knew? | 0:00:35 | 0:00:37 | |
CRASH! | 0:00:40 | 0:00:42 | |
Your vehicle was the only one that wasn't shot at. | 0:00:42 | 0:00:44 | |
GUNSHOT | 0:00:44 | 0:00:45 | |
WOMAN SCREAMS | 0:00:45 | 0:00:46 | |
No firearms, no backup. | 0:00:46 | 0:00:48 | |
WATER SPLASHES | 0:00:51 | 0:00:52 | |
No firearms, no backup. | 0:00:52 | 0:00:55 | |
A breakthrough is imminent. | 0:00:58 | 0:01:00 | |
SIREN WAILS | 0:01:00 | 0:01:01 | |
Computer on the blink? | 0:01:12 | 0:01:14 | |
I'm an old-fashioned girl. | 0:01:14 | 0:01:16 | |
I'm heading up a newly-formed unit that's taken over | 0:01:16 | 0:01:19 | |
the search for Carly. | 0:01:19 | 0:01:20 | |
That's my new DC, Kate Foster. | 0:01:20 | 0:01:22 | |
Hi. | 0:01:22 | 0:01:23 | |
Denton just made a call to the hospital from a payphone. | 0:01:25 | 0:01:28 | |
Get over there, Steve. Check on the witness. | 0:01:28 | 0:01:31 | |
MACHINE BLEEPS CONTINUOUSLY | 0:01:39 | 0:01:40 | |
SHE SCREAMS | 0:01:40 | 0:01:42 | |
BLEEPING FLATLINES | 0:01:42 | 0:01:45 | |
NEWS REPORT: 'The police officer plunged five floors | 0:01:48 | 0:01:50 | |
'and is reported to have died instantly. | 0:01:50 | 0:01:53 | |
'She has been named as Detective Constable Georgia Trotman, aged 28. | 0:01:53 | 0:01:57 | |
'A police spokesperson refused to disclose the precise | 0:01:57 | 0:01:59 | |
'circumstances surrounding Detective Constable Trotman's death, | 0:01:59 | 0:02:02 | |
'however, a murder enquiry has been opened and officers | 0:02:02 | 0:02:05 | |
'are seeking a suspect in connection with the investigation.' | 0:02:05 | 0:02:08 | |
SIREN WAILS | 0:02:08 | 0:02:11 | |
-The witness is dead. -Jesus wept! | 0:02:17 | 0:02:20 | |
They've brought someone in - copper. | 0:02:20 | 0:02:23 | |
PHONE RINGS | 0:02:23 | 0:02:26 | |
DOOR OPENS | 0:02:32 | 0:02:34 | |
DCS Hargreaves, DS Rogerson, Major Violent Crime Unit. | 0:02:36 | 0:02:40 | |
-I'm very sorry about DC Trotman. -Thank you. | 0:02:40 | 0:02:44 | |
We're interested in what you were up to at the hospital. | 0:02:46 | 0:02:49 | |
There on a tip-off, weren't you? | 0:02:49 | 0:02:51 | |
If you speak to Superintendent Hastings... | 0:02:52 | 0:02:54 | |
Where did that tip-off come from, eh? | 0:02:54 | 0:02:57 | |
Who's got that kind of inside information? | 0:02:57 | 0:02:59 | |
I do honestly want to help, sir, | 0:02:59 | 0:03:01 | |
but I'm really not at liberty to answer that question. | 0:03:01 | 0:03:04 | |
Your partner fell five floors. | 0:03:06 | 0:03:08 | |
The pathologist had to spoon half her brain back inside her skull. | 0:03:08 | 0:03:13 | |
Do you not want to help us get the bastard that did it? | 0:03:13 | 0:03:16 | |
There were two of you, weren't there, eh? | 0:03:18 | 0:03:21 | |
Two of you. One of him. | 0:03:21 | 0:03:22 | |
Sit down. | 0:03:24 | 0:03:25 | |
You're going nowhere till I've got corroboration you were | 0:03:25 | 0:03:29 | |
there on lawful business. | 0:03:29 | 0:03:30 | |
You know a Lorna Barrett? | 0:03:56 | 0:03:59 | |
Of her. She's my next-door neighbour, sir. | 0:04:00 | 0:04:03 | |
Professional Standards are serving you a Reg 15. | 0:04:03 | 0:04:06 | |
Ms Barrett's c/o'd assault occasioning ABH. | 0:04:06 | 0:04:08 | |
SHE CLEARS HER THROAT | 0:04:08 | 0:04:09 | |
You struck her with a bottle, beat her head against the floor. | 0:04:09 | 0:04:13 | |
May I, sir? | 0:04:14 | 0:04:15 | |
DC Foster. | 0:04:16 | 0:04:17 | |
What are you playing at? | 0:04:22 | 0:04:23 | |
I'd just feel more comfortable with a witness, sir. | 0:04:23 | 0:04:25 | |
Sir. Ma'am. | 0:04:29 | 0:04:30 | |
Would you mind repeating what you just said, sir? | 0:04:31 | 0:04:33 | |
Lorna Barrett alleges you struck her with a bottle | 0:04:37 | 0:04:41 | |
and alleges you beat her head against the floor. | 0:04:41 | 0:04:44 | |
Ms Barrett is an alcoholic with a long history of mental illness. | 0:04:44 | 0:04:49 | |
It's very sad. | 0:04:49 | 0:04:50 | |
You deny the charges? | 0:04:51 | 0:04:53 | |
An officer gets accused, falsely, and the vultures start circling. | 0:04:53 | 0:04:58 | |
I'm just not going to take it, sir. | 0:04:58 | 0:05:01 | |
I'm going to clear my name, even if | 0:05:01 | 0:05:03 | |
it means dragging the lot of you through the courts. | 0:05:03 | 0:05:05 | |
You're already under investigation by AC-12. | 0:05:07 | 0:05:09 | |
If Standards have got any sense, they'll make it their problem. | 0:05:11 | 0:05:14 | |
Steve, you're fine. Come on. | 0:05:26 | 0:05:29 | |
Could I have a word with you, please? | 0:05:34 | 0:05:37 | |
Here...if you want to go down that road. | 0:05:37 | 0:05:39 | |
Your treatment of my officer was unsympathetic and provocative. | 0:05:42 | 0:05:46 | |
As a matter of policy, Anti-Corruption cannot discuss | 0:05:46 | 0:05:48 | |
the details of any ongoing investigation, as you well know. | 0:05:48 | 0:05:51 | |
Yeah, well, you have it your way, eh? | 0:05:51 | 0:05:54 | |
Leave real policing to the experts. | 0:05:54 | 0:05:56 | |
Experts? | 0:05:56 | 0:05:57 | |
Would that be your guard unit you're referring to, sir? | 0:05:59 | 0:06:02 | |
Are you all right? How's your head? Do you need to see the doctor? | 0:06:05 | 0:06:08 | |
I'm fine. What happened to the guards? | 0:06:08 | 0:06:11 | |
They got locked out on a disused fire escape chasing an intruder - | 0:06:12 | 0:06:17 | |
thought they could make their way back to their posts | 0:06:17 | 0:06:19 | |
before anybody noticed. | 0:06:19 | 0:06:20 | |
Pair of bloody idiots got Georgia killed. | 0:06:20 | 0:06:23 | |
HE SIGHS | 0:06:23 | 0:06:24 | |
You can be very proud of your daughter. | 0:06:30 | 0:06:32 | |
She was a dedicated young officer who gave her life | 0:06:34 | 0:06:37 | |
trying to protect the public. | 0:06:37 | 0:06:39 | |
If there's anything I can do, just call on me at any time. | 0:06:41 | 0:06:44 | |
Let me, let me. | 0:06:46 | 0:06:47 | |
I promise you, we'll find the people who did it. | 0:06:55 | 0:06:57 | |
So...I'm here. | 0:07:18 | 0:07:19 | |
Thank you. | 0:07:21 | 0:07:22 | |
Well, why the mystery? | 0:07:24 | 0:07:26 | |
We lost Georgia. | 0:07:28 | 0:07:29 | |
The girl we had dinner with? | 0:07:31 | 0:07:33 | |
Oh, my God, Ted, I'm so sorry. | 0:07:33 | 0:07:35 | |
Is there anything I can do? | 0:07:43 | 0:07:44 | |
Don't. | 0:07:52 | 0:07:54 | |
Don't use the poor girl's death to diminish what you did. | 0:07:54 | 0:07:57 | |
If you're sending flowers, make them from me too. | 0:08:00 | 0:08:03 | |
CLOCK TICKS | 0:08:10 | 0:08:13 | |
POUNDING MUSIC NEXT DOOR | 0:08:15 | 0:08:18 | |
LOUD POUNDING MUSIC | 0:08:21 | 0:08:24 | |
You. I could sue your arse. | 0:08:30 | 0:08:32 | |
If we could try to get along like grown-ups, maybe you could understand | 0:08:32 | 0:08:36 | |
that it would help if you didn't play your music so loudly at night. | 0:08:36 | 0:08:39 | |
Well, if it helps you, how about you help me? | 0:08:41 | 0:08:44 | |
Hundred. | 0:08:45 | 0:08:47 | |
I'm not giving you money. | 0:08:47 | 0:08:49 | |
A hundred and I keep it down. | 0:08:49 | 0:08:51 | |
Ten. | 0:09:00 | 0:09:01 | |
Fine. | 0:09:04 | 0:09:06 | |
MUSIC STOPS | 0:09:11 | 0:09:12 | |
Michelle? I'm DI Denton. Is there somewhere quiet we can talk? | 0:09:21 | 0:09:26 | |
Carly's foster parents thought she might've been with you | 0:09:26 | 0:09:28 | |
the night she disappeared. | 0:09:28 | 0:09:30 | |
In your original statement, you referred to a boyfriend? | 0:09:30 | 0:09:32 | |
I don't know if he was. | 0:09:32 | 0:09:33 | |
She started hanging out less and it was like maybe he was the reason. | 0:09:33 | 0:09:37 | |
In your statement, you said you didn't remember his name. | 0:09:37 | 0:09:40 | |
I think it was Matt or something. | 0:09:40 | 0:09:41 | |
But the policewoman said if I couldn't be sure, | 0:09:41 | 0:09:43 | |
not to put it in the statement. | 0:09:43 | 0:09:45 | |
And what else do you remember about him? | 0:09:45 | 0:09:47 | |
Asian... | 0:09:47 | 0:09:48 | |
fit... | 0:09:48 | 0:09:50 | |
older. | 0:09:50 | 0:09:51 | |
How old? | 0:09:51 | 0:09:52 | |
Dunno, 30? | 0:09:52 | 0:09:54 | |
After Carly disappeared, did her boyfriend ever come looking for her? | 0:09:54 | 0:09:57 | |
No. | 0:09:57 | 0:09:58 | |
Maybe he didn't come looking for her | 0:10:00 | 0:10:02 | |
because he was in on her disappearance? | 0:10:02 | 0:10:04 | |
-I want to go and see Carly's foster parents again. -OK. | 0:10:04 | 0:10:07 | |
What's the address again? | 0:10:10 | 0:10:11 | |
Erm, Queen Street. | 0:10:11 | 0:10:13 | |
FC1 4RC. | 0:10:15 | 0:10:17 | |
I've been trying to find the right time, | 0:10:24 | 0:10:26 | |
but there never seems to be one. | 0:10:26 | 0:10:28 | |
I'd rather not talk about that. | 0:10:28 | 0:10:30 | |
People talk, that's all. Round the station. | 0:10:31 | 0:10:33 | |
Well, they shouldn't. | 0:10:33 | 0:10:35 | |
Yes, ma'am. | 0:10:35 | 0:10:36 | |
Sorry, ma'am, I don't mean to badger you, it's just... | 0:10:43 | 0:10:46 | |
well, you were the one who made the point of calling me in | 0:10:46 | 0:10:48 | |
-to witness the meeting with Mallick. -True. | 0:10:48 | 0:10:51 | |
In which case, it might help if you gave me the gen on your neighbour. | 0:10:51 | 0:10:56 | |
She's lying. | 0:10:56 | 0:10:57 | |
If you're worried about a charge, though, I could say I was there, | 0:10:59 | 0:11:02 | |
just to back up your version of events. | 0:11:02 | 0:11:05 | |
I'll pretend I didn't hear that. | 0:11:05 | 0:11:07 | |
SIREN WAILS IN DISTANCE | 0:11:13 | 0:11:16 | |
Hi. | 0:11:24 | 0:11:25 | |
Hi, I'm Detective Sergeant Steve Arnott. We spoke at the hospital. | 0:11:37 | 0:11:41 | |
Can I come in? | 0:11:44 | 0:11:45 | |
I know you had a very long interview with my colleagues | 0:11:47 | 0:11:49 | |
on the Major Violent Crime Unit, so I'll keep this as brief as possible. | 0:11:49 | 0:11:53 | |
I want to start with the two firearms officers who were | 0:11:53 | 0:11:56 | |
assigned to protect the witness. | 0:11:56 | 0:11:59 | |
Why weren't they at their post? | 0:11:59 | 0:12:00 | |
Because of Joe - sorry, that's the only name I've got. | 0:12:00 | 0:12:03 | |
How? | 0:12:03 | 0:12:05 | |
He was dressed in scrubs and he told them | 0:12:05 | 0:12:07 | |
he thought he'd seen someone out on the fire escape with a gun. | 0:12:07 | 0:12:10 | |
As soon as they stepped out to check, he locked the door. | 0:12:10 | 0:12:12 | |
How'd he got onto the intensive care unit | 0:12:12 | 0:12:14 | |
and passed himself off as a nurse? | 0:12:14 | 0:12:16 | |
I... I gave him access. | 0:12:18 | 0:12:20 | |
How do you know Joe? | 0:12:22 | 0:12:23 | |
Um, a couple of days earlier, | 0:12:23 | 0:12:26 | |
he bumped into my car in the hospital car park. | 0:12:26 | 0:12:28 | |
He was very apologetic. | 0:12:28 | 0:12:30 | |
He offered to pay for the repairs at his mate's garage, | 0:12:30 | 0:12:33 | |
so I wouldn't have to wait for the insurance. | 0:12:33 | 0:12:36 | |
So, tell me how Joe involved you. | 0:12:36 | 0:12:38 | |
We took my car at his mate's garage, and then he gave me a lift home. | 0:12:39 | 0:12:43 | |
Then the next morning, he called round | 0:12:43 | 0:12:45 | |
so we could drop Nathan at nursery. | 0:12:45 | 0:12:47 | |
But instead of going to collect my car, | 0:12:47 | 0:12:49 | |
Joe said we were going to the hospital. | 0:12:49 | 0:12:52 | |
He said... | 0:12:53 | 0:12:54 | |
BOY SINGS TO HIMSELF | 0:12:54 | 0:12:56 | |
He said he knew people who would kill Nathan | 0:12:59 | 0:13:01 | |
unless I did what they needed me to do. | 0:13:01 | 0:13:03 | |
I know I should've told someone so they could stop him, | 0:13:03 | 0:13:07 | |
but I was too scared. | 0:13:07 | 0:13:08 | |
Joe said they'd already killed police, | 0:13:08 | 0:13:11 | |
so not even they could protect me. | 0:13:11 | 0:13:12 | |
It's all right. | 0:13:16 | 0:13:18 | |
Around the time of the killing, there was a call to the hospital. | 0:13:19 | 0:13:22 | |
Do you know or have you ever had any contact with a police officer | 0:13:22 | 0:13:26 | |
named Detective Inspector Lindsay Denton? | 0:13:26 | 0:13:28 | |
No. | 0:13:30 | 0:13:31 | |
You're sure? Detective Inspector Lindsay Denton. | 0:13:31 | 0:13:35 | |
Definite. | 0:13:35 | 0:13:36 | |
Was she the one? | 0:13:40 | 0:13:42 | |
The one? | 0:13:42 | 0:13:44 | |
Who got killed? | 0:13:44 | 0:13:45 | |
No. | 0:13:48 | 0:13:49 | |
ENGINE REVS | 0:13:52 | 0:13:53 | |
-You OK? -Fine. | 0:14:00 | 0:14:02 | |
What were Denton's movements while we were at the hospital? | 0:14:02 | 0:14:05 | |
She made the call, then visited her mum's nursing home. | 0:14:05 | 0:14:07 | |
I checked it out and she stayed with her mum for exactly half an hour. | 0:14:07 | 0:14:10 | |
The exact time of the killing. | 0:14:10 | 0:14:12 | |
Perfect alibi - plus using the phone box. | 0:14:12 | 0:14:14 | |
Yeah, well, I checked out the trace. Now, the timing matches exactly | 0:14:14 | 0:14:17 | |
with an outside call that was connected to the reception desk | 0:14:17 | 0:14:19 | |
on the intensive care unit - a female voice, same time. | 0:14:19 | 0:14:22 | |
Had to be Denton. | 0:14:22 | 0:14:23 | |
The caller insisted they page the nurse, but they wouldn't | 0:14:23 | 0:14:26 | |
because she wouldn't give a name. | 0:14:26 | 0:14:27 | |
I didn't know Georgia. She seemed nice. | 0:14:30 | 0:14:33 | |
Yeah. | 0:14:33 | 0:14:34 | |
-Mate, if you ever need to talk... -Cheers. | 0:14:37 | 0:14:40 | |
Same. | 0:14:41 | 0:14:42 | |
Right. 'Night. | 0:14:48 | 0:14:49 | |
'Night. | 0:14:49 | 0:14:50 | |
SIREN WAILS IN DISTANCE | 0:14:55 | 0:14:57 | |
This is an e-fit of the suspect. | 0:14:59 | 0:15:02 | |
We put that together with the nurse there. | 0:15:02 | 0:15:04 | |
Be great if we could circulate to the press. | 0:15:04 | 0:15:06 | |
Absolutely. I want those guards disciplined. | 0:15:06 | 0:15:09 | |
Sir. | 0:15:09 | 0:15:10 | |
This can't bloody get out. | 0:15:11 | 0:15:13 | |
The witness was close to regaining consciousness! | 0:15:13 | 0:15:15 | |
It's very disappointing, sir. | 0:15:17 | 0:15:19 | |
Our best lead. | 0:15:20 | 0:15:21 | |
Sir. | 0:15:21 | 0:15:23 | |
So where are you with the vehicle? | 0:15:26 | 0:15:28 | |
The ambush vehicle? | 0:15:28 | 0:15:29 | |
Yes, the ambush vehicle. | 0:15:29 | 0:15:31 | |
There's no forensics to connect it to the gunmen. | 0:15:31 | 0:15:34 | |
Since we can't trace them via the vehicle, | 0:15:34 | 0:15:36 | |
we've been concentrating on traffic cams, | 0:15:36 | 0:15:38 | |
trying to plot the route that it took that night, but so far we've... | 0:15:38 | 0:15:41 | |
Nothing. | 0:15:41 | 0:15:42 | |
Right. | 0:15:48 | 0:15:49 | |
You all right to hang around for a couple of secs, Les? | 0:15:52 | 0:15:55 | |
Jo's got an idea she wants to go over with you. | 0:15:55 | 0:15:58 | |
All right, sir. | 0:15:59 | 0:16:00 | |
What idea? | 0:16:02 | 0:16:03 | |
From now on, Les does the press conferences. | 0:16:04 | 0:16:07 | |
And this is my idea? | 0:16:07 | 0:16:08 | |
Obviously, if there are any major breakthroughs, | 0:16:08 | 0:16:11 | |
I'll step back up to the plate. | 0:16:11 | 0:16:12 | |
So when would it be possible to schedule a meeting with | 0:16:16 | 0:16:19 | |
-Deputy Chief Constable Dryden? -'His diary's full for the week.' | 0:16:19 | 0:16:21 | |
Yeah... I appreciate he's got a hectic round of media appoint... | 0:16:21 | 0:16:25 | |
'I can go back to him. | 0:16:25 | 0:16:27 | |
'Did you say you were Superintendent Hayman?' | 0:16:27 | 0:16:29 | |
No, no, Hastings, like the battle. | 0:16:29 | 0:16:32 | |
'Leave it with me, sir.' | 0:16:32 | 0:16:33 | |
Thank you kindly. | 0:16:33 | 0:16:35 | |
ENGINE IDLES | 0:16:40 | 0:16:41 | |
Cab for Jo Dwyer? Hillside Lane Station, please. | 0:16:47 | 0:16:51 | |
Hi, Jo. Pleased to meet you. I'm Lindsay Denton. | 0:16:51 | 0:16:54 | |
I know who you are and I'm already late for a meeting. | 0:16:54 | 0:16:56 | |
I'm so sorry, I know you must be rushed off your feet, but this, | 0:16:56 | 0:16:59 | |
it won't take a minute of your time. | 0:16:59 | 0:17:00 | |
-You must get so many calls and e-mails... -I'm sorry. | 0:17:00 | 0:17:03 | |
I should've replied. It's been a busy time. | 0:17:03 | 0:17:05 | |
It's about publicising the disappearance | 0:17:05 | 0:17:07 | |
of a teenage girl, Carly Kirk. | 0:17:07 | 0:17:08 | |
I'll get back to you as soon as I can. | 0:17:08 | 0:17:10 | |
-You're avoiding me. -No. | 0:17:10 | 0:17:12 | |
I'm a serving Missing Persons detective | 0:17:12 | 0:17:14 | |
and I intend to discharge my duties until someone tells me otherwise. | 0:17:14 | 0:17:17 | |
Of course. | 0:17:17 | 0:17:18 | |
Well, then help me find this girl. | 0:17:18 | 0:17:20 | |
OK. | 0:17:20 | 0:17:22 | |
Why are you lying to me? | 0:17:23 | 0:17:24 | |
CAR DOOR OPENS | 0:17:44 | 0:17:45 | |
INDISTINCT POLICE RADIO MESSAGE | 0:17:45 | 0:17:48 | |
We didn't really meet properly before - Nicky Rogerson. | 0:17:54 | 0:17:58 | |
Sorry about my boss's questioning. He's under a lot of pressure. | 0:17:58 | 0:18:01 | |
At least he spared me the strip search. | 0:18:01 | 0:18:04 | |
What's going on? | 0:18:04 | 0:18:05 | |
A&B Carriage Repairs was a legit business, moved on over a year ago. | 0:18:05 | 0:18:08 | |
Unit's been vacant ever since. | 0:18:08 | 0:18:10 | |
What became of the nurse's car? | 0:18:10 | 0:18:12 | |
Found dumped. It's being checked over for forensics. | 0:18:12 | 0:18:14 | |
-Found any? -Nothing. Nothing here either. | 0:18:14 | 0:18:18 | |
We're locking it down and moving out. | 0:18:18 | 0:18:19 | |
Hargreaves calls you "Jolly". | 0:18:26 | 0:18:28 | |
"Jolly" Rogerson. | 0:18:29 | 0:18:31 | |
He's a laugh a minute. | 0:18:31 | 0:18:32 | |
By the looks, it's not been touched since they moved out. | 0:18:37 | 0:18:40 | |
Apparently. | 0:18:40 | 0:18:41 | |
You checked CCTV from the hospital car park? | 0:18:41 | 0:18:44 | |
Maybe. | 0:18:45 | 0:18:46 | |
Any chance of AC-12 getting a peek? | 0:18:48 | 0:18:50 | |
Nurse's car. | 0:18:57 | 0:18:58 | |
Joe's car. | 0:18:59 | 0:19:00 | |
-No accident. -Mm. | 0:19:02 | 0:19:03 | |
He never once turns round so the camera can see him. | 0:19:05 | 0:19:08 | |
That's cos he knows it's there. | 0:19:08 | 0:19:11 | |
You get a trace on that car? | 0:19:11 | 0:19:12 | |
Same story as the ambush - stolen vehicle, cloned plates. | 0:19:12 | 0:19:16 | |
He's the go-between - you get him, you get the killers, | 0:19:17 | 0:19:21 | |
you get the police officer they're working with. | 0:19:21 | 0:19:23 | |
You never saw a face in the hospital? | 0:19:27 | 0:19:30 | |
No. | 0:19:30 | 0:19:32 | |
Only Georgia did. | 0:19:32 | 0:19:34 | |
Boss, we've had a call off Carly's mate, Michelle. | 0:20:29 | 0:20:31 | |
She remembered something about the boyfriend. | 0:20:31 | 0:20:33 | |
-Said he was into cars, might've been a mechanic. -OK. | 0:20:33 | 0:20:36 | |
Er, just give me a minute. | 0:20:36 | 0:20:38 | |
We're all set to meet the press. | 0:20:41 | 0:20:43 | |
Come with me a minute. | 0:20:44 | 0:20:46 | |
Take a seat. | 0:20:51 | 0:20:53 | |
Er... | 0:21:02 | 0:21:04 | |
What's wrong? | 0:21:04 | 0:21:05 | |
-Have they found a body? -No. No. | 0:21:06 | 0:21:09 | |
But unfortunately there isn't going to be a press conference. | 0:21:09 | 0:21:12 | |
Why not? | 0:21:12 | 0:21:13 | |
There's...insufficient interest in the story. | 0:21:14 | 0:21:18 | |
I get it. | 0:21:19 | 0:21:22 | |
Carly's just some nothing from a broken home. | 0:21:22 | 0:21:25 | |
I'm so sorry. | 0:21:25 | 0:21:26 | |
-But no-one's giving up on Carly. -This is your job! | 0:21:27 | 0:21:31 | |
-Tess... -Look, this is your job! | 0:21:31 | 0:21:34 | |
You get them to be here, you get them to ask people to find Carly. | 0:21:34 | 0:21:39 | |
Tess. | 0:21:39 | 0:21:40 | |
-She's upset, DI Denton. We know it's not your fault. -No? | 0:21:40 | 0:21:44 | |
Whose is it, then? | 0:21:44 | 0:21:45 | |
What did you tell him? Working late? | 0:22:18 | 0:22:21 | |
Yeah, something like that. | 0:22:22 | 0:22:23 | |
He believes you? | 0:22:23 | 0:22:24 | |
Kate...? | 0:22:28 | 0:22:29 | |
Are they any nearer to finding out what happened to Jayne? | 0:22:35 | 0:22:39 | |
I think so. | 0:22:39 | 0:22:40 | |
And? | 0:22:40 | 0:22:41 | |
There's a prime suspect. | 0:22:44 | 0:22:46 | |
Sounds like there's a doubt. | 0:22:46 | 0:22:48 | |
There won't be. | 0:22:48 | 0:22:49 | |
'This is an e-fit of a suspect strongly linked to the ambush. | 0:22:50 | 0:22:54 | |
'He used the name Joe.' | 0:22:54 | 0:22:55 | |
'So there was a connection with the incident at the hospital?' | 0:22:55 | 0:22:59 | |
'I, er... No, erm, I...' | 0:23:00 | 0:23:04 | |
' "No" there wasn't an individual | 0:23:04 | 0:23:05 | |
'connected to the 5th September ambush receiving treatment | 0:23:05 | 0:23:09 | |
'or "no" this individual wasn't involved in an incident?' | 0:23:09 | 0:23:12 | |
KNOCK ON DOOR | 0:23:13 | 0:23:14 | |
'As I say, I'm not at liberty to confirm any connection.' | 0:23:14 | 0:23:18 | |
'Would Deputy Chief Constable Dryden | 0:23:18 | 0:23:20 | |
'be at liberty to confirm a connection?' | 0:23:20 | 0:23:22 | |
'I'm constantly in touch with the Deputy Chief Constable.' | 0:23:22 | 0:23:26 | |
-'But not right now.' -LAUGHTER ON TV | 0:23:26 | 0:23:28 | |
KNOCK ON DOOR | 0:23:28 | 0:23:29 | |
'This is a complicated operation involving 90 officers | 0:23:29 | 0:23:32 | |
'working around the clock...' | 0:23:32 | 0:23:33 | |
Peace offering. | 0:23:37 | 0:23:38 | |
Kate, that's really not necessary. | 0:23:38 | 0:23:40 | |
Listen, boss, I screwed up. This is an important posting for me. | 0:23:40 | 0:23:43 | |
I was too eager to please. | 0:23:43 | 0:23:45 | |
Thanks. | 0:23:51 | 0:23:52 | |
You're gorgeous, aren't you? Yes, you are. | 0:23:55 | 0:23:58 | |
Yes, you are. | 0:23:58 | 0:24:00 | |
She's a little princess, I bet. | 0:24:00 | 0:24:03 | |
Aren't they all? | 0:24:03 | 0:24:05 | |
I bet you get your own way, don't you? | 0:24:05 | 0:24:07 | |
I bet you do. | 0:24:07 | 0:24:09 | |
CAT MEWS | 0:24:09 | 0:24:10 | |
Lived here long? | 0:24:12 | 0:24:14 | |
A year. No, it's probably closer to 18 months. | 0:24:14 | 0:24:18 | |
Easy to lose track. | 0:24:18 | 0:24:20 | |
This place is very cosy. | 0:24:20 | 0:24:23 | |
I had somewhere... | 0:24:23 | 0:24:25 | |
I just...had to downsize. | 0:24:25 | 0:24:28 | |
I'm sorry, boss, I'm probably interrupting something. | 0:24:36 | 0:24:39 | |
I'm not sparkling company. I've got a lot on my plate. | 0:24:39 | 0:24:42 | |
POUNDING MUSIC NEXT DOOR | 0:24:44 | 0:24:46 | |
Thanks for the wine. It was a nice thought. | 0:24:46 | 0:24:49 | |
-Why don't I go and have a word? -No, um, please don't. | 0:24:56 | 0:25:00 | |
A couple of minutes, she always turns it down. | 0:25:00 | 0:25:02 | |
OK. | 0:25:02 | 0:25:04 | |
And you were right, ma'am, that people shouldn't talk. | 0:25:04 | 0:25:06 | |
Problem is, they do, and no-one's getting to hear your side. | 0:25:06 | 0:25:10 | |
AC-12, they twist everything and make everyone look guilty. | 0:25:10 | 0:25:14 | |
I wouldn't have taken this posting if I thought you were. | 0:25:14 | 0:25:17 | |
There's an interesting exercise. | 0:25:19 | 0:25:21 | |
You take the worst thing you've ever done, | 0:25:21 | 0:25:23 | |
and you state it in the simplest terms - | 0:25:23 | 0:25:25 | |
no dressing it up, no implicit mitigation. | 0:25:25 | 0:25:28 | |
I wouldn't want to play that game. | 0:25:28 | 0:25:31 | |
No, me neither, but AC-12 do. | 0:25:31 | 0:25:33 | |
What's the worst thing you've ever done to anyone? | 0:25:37 | 0:25:39 | |
Have you done something, boss? | 0:25:44 | 0:25:45 | |
Yours first. | 0:25:46 | 0:25:48 | |
Erm...someone told a lie to help a dead man's family, | 0:25:51 | 0:25:56 | |
and I didn't stand up for the truth. | 0:25:56 | 0:25:57 | |
No. | 0:26:03 | 0:26:04 | |
You've done worse than that. | 0:26:07 | 0:26:08 | |
We'll work well together | 0:26:12 | 0:26:13 | |
only when you can be completely honest with me. | 0:26:13 | 0:26:16 | |
I'll let you get some rest. | 0:26:24 | 0:26:26 | |
DOOR CLOSES | 0:26:42 | 0:26:44 | |
POUNDING MUSIC PLAYS | 0:26:44 | 0:26:45 | |
OIL BUBBLES | 0:26:45 | 0:26:47 | |
MUSIC STOPS | 0:27:02 | 0:27:03 | |
BUBBLING QUIETENS AND STOPS | 0:27:37 | 0:27:39 | |
PHONE RINGS | 0:28:21 | 0:28:23 | |
Phone and financial record requests. I just need your signature, sir. | 0:28:24 | 0:28:28 | |
Phone and financial record requests. | 0:28:33 | 0:28:36 | |
I've just got the tick from the Chief Super. | 0:28:36 | 0:28:38 | |
I'm the Case Officer, so returns for my eyes only, please. | 0:28:38 | 0:28:41 | |
Jo, come through. Thanks, Denise. | 0:28:57 | 0:28:59 | |
Two minutes, Ted. | 0:28:59 | 0:29:00 | |
What do they know, or think they know? | 0:29:04 | 0:29:07 | |
They've got a source claiming that a vehicle registered | 0:29:07 | 0:29:10 | |
to your wife was captured by a safety camera | 0:29:10 | 0:29:13 | |
around 10pm on August 16th. | 0:29:13 | 0:29:15 | |
A fixed three-point penalty notice was sent to your wife | 0:29:15 | 0:29:18 | |
and it's alleged she claimed, falsely, that you were the driver. | 0:29:18 | 0:29:21 | |
-How the hell did they get that? -I told you. They've got a source. | 0:29:21 | 0:29:25 | |
What, some bobby with an axe to grind | 0:29:25 | 0:29:27 | |
fancies stabbing me in the back for a few quid? | 0:29:27 | 0:29:29 | |
Don't these idiots realise I'm trying to improve their lot? | 0:29:29 | 0:29:32 | |
But is it true? | 0:29:32 | 0:29:33 | |
Helen was home. I was driving. | 0:29:35 | 0:29:37 | |
I'll throw your denial straight back at them. | 0:29:37 | 0:29:39 | |
Thank you. | 0:29:39 | 0:29:41 | |
But if they're confident of their source, they'll run it anyway. | 0:29:41 | 0:29:43 | |
What can you do to... limit the damage? | 0:29:47 | 0:29:50 | |
Me? | 0:29:50 | 0:29:51 | |
You. | 0:29:51 | 0:29:53 | |
The ambush is still the bigger story. | 0:29:53 | 0:29:55 | |
Crack the case and the speed camera won't even make page eight. | 0:29:55 | 0:29:58 | |
Why are they doing this to me? | 0:30:00 | 0:30:02 | |
You have to ask? Seriously? | 0:30:02 | 0:30:04 | |
PHONE RINGS | 0:30:11 | 0:30:14 | |
Ted. Very sorry. | 0:30:16 | 0:30:18 | |
Have you been offered tea, coffee? | 0:30:23 | 0:30:26 | |
Ah, plenty, plenty. Thank you, sir. | 0:30:26 | 0:30:28 | |
I can see you're busy, so I'll come straight to the point, if I may. | 0:30:29 | 0:30:32 | |
I'd be grateful. | 0:30:32 | 0:30:33 | |
AC-12 would like to access all areas | 0:30:33 | 0:30:35 | |
relevant to the 5th September ambush. | 0:30:35 | 0:30:38 | |
-Those areas being? -Witness Protection. | 0:30:38 | 0:30:40 | |
-Ted... -With no reciprocity. | 0:30:40 | 0:30:42 | |
You know the sensitivity of WP. | 0:30:42 | 0:30:45 | |
It's prudent to compartmentalise the investigation. | 0:30:45 | 0:30:49 | |
And how is that going, sir? | 0:30:49 | 0:30:51 | |
I'm only interested in the best way to get results, Ted. | 0:30:52 | 0:30:56 | |
We've identified a prime suspect, sir. | 0:30:56 | 0:30:59 | |
A police officer possibly involved in setting up the ambush, | 0:30:59 | 0:31:02 | |
and a go-between with links to the criminal parties who carried it out. | 0:31:02 | 0:31:06 | |
The missing link is in Witness Protection, sir. | 0:31:06 | 0:31:08 | |
-I'm nearly certain of it. -Who are these individuals? | 0:31:08 | 0:31:10 | |
I'd rather not say at this particular time, sir. | 0:31:10 | 0:31:12 | |
-"Rather not"? -With respect, sir, that's what no reciprocity means. | 0:31:12 | 0:31:16 | |
It's the appropriate way of investigating blue-on-blue crime. | 0:31:16 | 0:31:20 | |
A way of keeping the lid on internal leaks, sir. | 0:31:20 | 0:31:23 | |
Of course. | 0:31:25 | 0:31:27 | |
We're the best in the business, sir. | 0:31:28 | 0:31:30 | |
I think we can sort this thing out pretty quickly. | 0:31:30 | 0:31:33 | |
-I'll open up Witness Protection to your team. -Thank you, sir. | 0:31:38 | 0:31:41 | |
There's a DI in AC-9. | 0:31:41 | 0:31:45 | |
He's your man. You'll second him. | 0:31:45 | 0:31:47 | |
As you wish, sir. | 0:31:47 | 0:31:48 | |
Whatever it takes to nail those bastards, right, Ted? | 0:31:48 | 0:31:51 | |
Absolutely. Thank you, sir. | 0:31:51 | 0:31:53 | |
-Thought you could do with a lift. -Thanks. | 0:32:12 | 0:32:15 | |
Er, don't go. | 0:32:17 | 0:32:20 | |
Is there something I can do? | 0:32:20 | 0:32:21 | |
It's me, actually. | 0:32:21 | 0:32:23 | |
So far, I haven't done anything | 0:32:23 | 0:32:25 | |
towards your professional development. | 0:32:25 | 0:32:27 | |
Well, you've had a lot on your plate. | 0:32:27 | 0:32:29 | |
So...why Missing Persons? | 0:32:33 | 0:32:37 | |
Um... Well, it's challenging detective work, plus, | 0:32:38 | 0:32:42 | |
-when you do find them, it's massively rewarding emotionally. -Mm. | 0:32:42 | 0:32:45 | |
When you find them. | 0:32:45 | 0:32:47 | |
Yeah. It's not so brilliant when you don't. | 0:32:47 | 0:32:50 | |
So, have you done much of this before? | 0:32:50 | 0:32:53 | |
A year on a Misper Squad at East Mids. | 0:32:53 | 0:32:55 | |
No! No, then you must know Sally Fordham? | 0:32:55 | 0:32:58 | |
Um... | 0:32:58 | 0:33:00 | |
-What? -There isn't anybody by that name on the squad. | 0:33:00 | 0:33:04 | |
Oh. | 0:33:04 | 0:33:05 | |
Sorry, I'm getting mixed up. | 0:33:08 | 0:33:11 | |
It's been a bit of a rough day. | 0:33:11 | 0:33:13 | |
Do you mind if we pick this up another time? | 0:33:13 | 0:33:15 | |
-Yeah. No worries. -Great. | 0:33:15 | 0:33:17 | |
Kate. | 0:33:20 | 0:33:22 | |
Thanks for the tea. | 0:33:22 | 0:33:24 | |
My name is Detective Inspector Denton, | 0:33:58 | 0:34:00 | |
from 4th Street Station. | 0:34:00 | 0:34:01 | |
I need to talk to somebody who can give me | 0:34:01 | 0:34:03 | |
a list of all your employees over the last year. | 0:34:03 | 0:34:05 | |
-Seen DI Denton? -No, sorry. | 0:34:19 | 0:34:21 | |
PHONE BLEEPS | 0:34:33 | 0:34:34 | |
PHONE RINGS | 0:34:55 | 0:34:58 | |
DS Arnott. | 0:34:58 | 0:35:00 | |
Denton's disappeared, now she's asking me to meet her. | 0:35:00 | 0:35:02 | |
You suspicious? | 0:35:02 | 0:35:04 | |
I'm not sure. It's an industrial unit. | 0:35:04 | 0:35:06 | |
A&B Carriage Repairs? | 0:35:06 | 0:35:07 | |
That's the empty repair garage they used as a front. | 0:35:07 | 0:35:10 | |
Now I'm suspicious. | 0:35:10 | 0:35:12 | |
I'll call in back-up. | 0:35:12 | 0:35:14 | |
I know the location - I can be there in ten minutes. | 0:35:14 | 0:35:17 | |
If she sees you, then... | 0:35:17 | 0:35:18 | |
-We'll hold back till you pocket-dial. -Don't blow my cover. | 0:35:18 | 0:35:21 | |
I won't. But if anything doesn't feel right, you call. | 0:35:21 | 0:35:24 | |
Received. | 0:35:24 | 0:35:26 | |
SHE EXHALES | 0:35:27 | 0:35:28 | |
-Boss. -You took your time, didn't you? | 0:36:23 | 0:36:25 | |
-Sorry, I... -Christ's sake. It's round the back. | 0:36:25 | 0:36:29 | |
Isn't this place part of the Major Violent Crime investigation? | 0:36:29 | 0:36:31 | |
I started ringing garages to see if any of their employees | 0:36:31 | 0:36:34 | |
fitted the description of Carly's boyfriend | 0:36:34 | 0:36:36 | |
and started acting suspiciously | 0:36:36 | 0:36:37 | |
around about the time of the disappearance. | 0:36:37 | 0:36:40 | |
This place came up as disused | 0:36:40 | 0:36:42 | |
but crosschecked with the MVC investigation. | 0:36:42 | 0:36:44 | |
Aren't they protecting the scene? | 0:36:44 | 0:36:46 | |
Forensics have finished. They've released it. | 0:36:46 | 0:36:49 | |
Ma'am, is this a good idea, | 0:36:51 | 0:36:52 | |
what with AC-12's investigation into the ambush? | 0:36:52 | 0:36:55 | |
Ugh! | 0:36:55 | 0:36:56 | |
Ugh... | 0:36:56 | 0:36:57 | |
Do I look like I was born yesterday? | 0:36:57 | 0:37:00 | |
I don't know what you're talking about. | 0:37:00 | 0:37:01 | |
No? Brand-new DC, doesn't care that I'm under investigation. | 0:37:01 | 0:37:04 | |
-Wants to be my new best friend? -I'm just trying to get along. -Yeah? | 0:37:04 | 0:37:07 | |
What have I told you about being honest with me? | 0:37:07 | 0:37:10 | |
I hate liars. | 0:37:10 | 0:37:12 | |
DS Arnott, AC-12? | 0:37:12 | 0:37:14 | |
Boss... | 0:37:14 | 0:37:16 | |
People have underestimated me my whole life. | 0:37:17 | 0:37:20 | |
TRAIN HOOTS | 0:37:20 | 0:37:22 | |
Absolutely, It's fine. Nearly done. | 0:37:30 | 0:37:32 | |
I'll be there in ten. Promise. | 0:37:34 | 0:37:36 | |
Hi. 8:30 OK for tomorrow's briefing? | 0:37:40 | 0:37:43 | |
Look, Jo, the Hargreaves interview, the whole thing, this isn't working. | 0:37:45 | 0:37:49 | |
-You're firing me? -No. | 0:37:50 | 0:37:53 | |
You know that's more hassle than it's worth. | 0:37:53 | 0:37:56 | |
You're bringing someone else in. Why? | 0:37:57 | 0:38:01 | |
You have to ask? Seriously? | 0:38:01 | 0:38:04 | |
Can you talk? | 0:38:26 | 0:38:27 | |
What's there to say? | 0:38:30 | 0:38:32 | |
Everyone makes mistakes sometimes. | 0:38:32 | 0:38:34 | |
No way did Kate mess up. | 0:38:34 | 0:38:37 | |
We underestimated her. | 0:38:37 | 0:38:38 | |
I've let you down, sir. | 0:38:39 | 0:38:41 | |
Don't talk rubbish. | 0:38:41 | 0:38:42 | |
DI Denton doesn't know the half we've got on her. | 0:38:44 | 0:38:46 | |
That call to the hospital, now the stuff with the garage. | 0:38:48 | 0:38:50 | |
Steve, I want you to contact Denton and her rep. | 0:38:50 | 0:38:53 | |
Tell her I want her in here on a Reg 15. | 0:38:53 | 0:38:56 | |
Any prevarication, you arrest her. | 0:38:56 | 0:38:58 | |
I'm telling you. | 0:38:59 | 0:39:01 | |
She'll be wishing she never messed with you | 0:39:01 | 0:39:03 | |
by the time we're through with her. | 0:39:03 | 0:39:05 | |
Sir. | 0:39:05 | 0:39:06 | |
Sure you're OK? | 0:39:14 | 0:39:16 | |
Wounded pride, that's all. | 0:39:16 | 0:39:18 | |
I'll give you a lift home. | 0:39:18 | 0:39:19 | |
Thanks, but it's best you don't. | 0:39:19 | 0:39:21 | |
How'd it go with Georgia's parents? | 0:39:24 | 0:39:26 | |
It went. | 0:39:28 | 0:39:29 | |
DOORBELL RINGS | 0:39:32 | 0:39:35 | |
Hey. | 0:39:44 | 0:39:45 | |
Why didn't you tell me she was your partner? | 0:39:53 | 0:39:55 | |
You were feeling bad enough already. | 0:39:57 | 0:39:59 | |
One thing the other police officer said... | 0:40:04 | 0:40:07 | |
They said, me being the only witness, | 0:40:07 | 0:40:11 | |
chances were, Joe planned to kill me afterwards. | 0:40:11 | 0:40:15 | |
You and your partner saved my life. | 0:40:15 | 0:40:18 | |
Suppose. | 0:40:20 | 0:40:22 | |
Had you been together long, you and her? | 0:40:23 | 0:40:25 | |
SHE PLAYS SOFT, MELODIC PIANO | 0:40:34 | 0:40:37 | |
POUNDING MUSIC NEXT DOOR | 0:40:37 | 0:40:41 | |
SHE PLAYS LOUDER OVER POUNDING MUSIC | 0:40:41 | 0:40:45 | |
SHE PLAYS LOUDER | 0:40:58 | 0:41:01 | |
DISCORDANT NOTES | 0:41:03 | 0:41:05 | |
HARSH, BUZZING DRONE | 0:41:10 | 0:41:12 | |
DRONING STOPS | 0:41:17 | 0:41:18 | |
AC-12 interview with DI Denton, in the presence of DI Royal, | 0:41:18 | 0:41:23 | |
by Superintendent Hastings, DS Arnott and DC Fleming. | 0:41:23 | 0:41:26 | |
DI Denton, did you assault DC Fleming? | 0:41:26 | 0:41:30 | |
Sorry, sir, you'll have to help me. Who's DC Fleming? | 0:41:31 | 0:41:34 | |
For the purposes of the tape, I'm indicating DC Fleming. | 0:41:36 | 0:41:41 | |
I'm confused, sir. That's DC Foster. | 0:41:41 | 0:41:43 | |
The officer known to you know as Foster - | 0:41:45 | 0:41:47 | |
did you assault her, yes or no? | 0:41:47 | 0:41:49 | |
-No. -You didn't strike her? | 0:41:49 | 0:41:52 | |
There was an altercation that got a little bit physical. | 0:41:52 | 0:41:55 | |
For the tape, I note that DC Foster - sorry, Fleming - | 0:41:55 | 0:41:58 | |
shows no significant injuries. | 0:41:58 | 0:42:00 | |
-You're in the habit of assaulting people, DI Denton? -No. | 0:42:00 | 0:42:03 | |
-Have you ever assaulted anyone? -No. | 0:42:03 | 0:42:05 | |
-Did you assault Lorna Barrett, your next door neighbour? -No. | 0:42:05 | 0:42:08 | |
She gave a statement alleging you did. I'll read from it. | 0:42:08 | 0:42:10 | |
"Lindsay Denton struck me across the side of the head with a bottle | 0:42:12 | 0:42:15 | |
"and then she beat my head against the floor repeatedly." | 0:42:15 | 0:42:18 | |
Lorna Barrett's an unreliable witness. | 0:42:18 | 0:42:20 | |
She's making a vexatious complaint. | 0:42:20 | 0:42:21 | |
I interviewed Lorna Barrett. | 0:42:21 | 0:42:23 | |
She provided a coherent account of the assault, | 0:42:23 | 0:42:25 | |
had injuries consistent with her version of events, | 0:42:25 | 0:42:28 | |
and accurately described you as the assailant. | 0:42:28 | 0:42:31 | |
There's a witness to my relationship with Ms Barrett. | 0:42:31 | 0:42:34 | |
She's in this room right now. | 0:42:34 | 0:42:36 | |
Shall I call you Foster or Fleming? | 0:42:36 | 0:42:38 | |
Fleming. | 0:42:40 | 0:42:41 | |
Ms Barrett played loud music late at night. Can you confirm that? | 0:42:41 | 0:42:44 | |
Yes. | 0:42:44 | 0:42:45 | |
And did I respond in a potentially aggressive fashion | 0:42:45 | 0:42:47 | |
to Ms Barrett's anti-social behaviour? | 0:42:47 | 0:42:49 | |
No. | 0:42:49 | 0:42:51 | |
Ms Barrett's allegations represent a history of anti-social conduct, | 0:42:51 | 0:42:54 | |
who you might have been taken in by, DS Arnott, | 0:42:54 | 0:42:56 | |
though she doesn't appear to be your type. | 0:42:56 | 0:42:58 | |
I think we should revisit the events of 5th September. | 0:43:05 | 0:43:08 | |
DI Denton has already provided a comprehensive statement | 0:43:08 | 0:43:12 | |
and interview in this regard. | 0:43:12 | 0:43:14 | |
Yes, as a witness. | 0:43:14 | 0:43:15 | |
These matters will now be addressed under the terms | 0:43:15 | 0:43:17 | |
of the Regulation 15 notice you've just been served, DS Arnott. | 0:43:17 | 0:43:20 | |
You've seen this illustration before - | 0:43:20 | 0:43:22 | |
document five in your folders. | 0:43:22 | 0:43:24 | |
It shows the location of the safe house, 12 St James' Close, | 0:43:24 | 0:43:28 | |
the route taken by the convoy, the location of the ambush which | 0:43:28 | 0:43:31 | |
led to the deaths of DS Akers, Sergeant Wallis and PC Butler. | 0:43:31 | 0:43:34 | |
It also shows the location of 4th Street Station, | 0:43:34 | 0:43:37 | |
which DI Denton has claimed was the intended destination that night. | 0:43:37 | 0:43:40 | |
DI Denton, this is now your opportunity to amend | 0:43:40 | 0:43:44 | |
or clarify your previous statement. | 0:43:44 | 0:43:47 | |
SHE WHISPERS: I've got nothing to add. | 0:43:51 | 0:43:52 | |
DI Denton has nothing to add. | 0:43:52 | 0:43:55 | |
There is one specific point we'd like to explore in more depth | 0:43:55 | 0:43:58 | |
with you, and that is the route. | 0:43:58 | 0:44:00 | |
This is an excerpt from the first interview with DI Denton. | 0:44:01 | 0:44:04 | |
For the tape, a transcript will appear on screen. | 0:44:04 | 0:44:07 | |
-ARNOTT: -This back route, it would lead to 4th Street Station, | 0:44:10 | 0:44:13 | |
but only if you'd continued along Crown Avenue. | 0:44:13 | 0:44:15 | |
The vehicles turned left into Long Lane... | 0:44:15 | 0:44:18 | |
DENTON: The, um... The decision appeared to make sense at the time. | 0:44:18 | 0:44:23 | |
There were roadworks on Crown Avenue, | 0:44:23 | 0:44:28 | |
with temporary traffic signals controlling a single lane. | 0:44:28 | 0:44:31 | |
It was a potential hold-up that would've left us vulnerable. | 0:44:31 | 0:44:34 | |
There were no roadworks on Crown Avenue that night. | 0:44:34 | 0:44:37 | |
Works had been completed the day before. | 0:44:37 | 0:44:40 | |
I wasn't aware. | 0:44:41 | 0:44:43 | |
-HASTINGS: -You didn't make a point of getting up-to-date travel information? | 0:44:43 | 0:44:47 | |
No. | 0:44:47 | 0:44:48 | |
BLEEP | 0:44:48 | 0:44:49 | |
DI Denton's service vehicle is fitted with | 0:44:50 | 0:44:52 | |
a Type-60 Travel System. | 0:44:52 | 0:44:54 | |
I'm familiar with this system and so is DI Denton. | 0:44:54 | 0:44:58 | |
I've been a passenger in said vehicle | 0:44:58 | 0:45:00 | |
and observed DI Denton operate this system faultlessly. | 0:45:00 | 0:45:03 | |
The TS-60 provides instantaneous traffic | 0:45:03 | 0:45:07 | |
and roadworks information relating to the chosen route. | 0:45:07 | 0:45:10 | |
The service vehicle driven by DI Denton on the night | 0:45:12 | 0:45:14 | |
of the ambush was also fitted with the TS-60. | 0:45:14 | 0:45:17 | |
This system was in operation on the night of September 5th and would | 0:45:18 | 0:45:22 | |
have advised DI Denton there were no longer roadworks on Crown Avenue. | 0:45:22 | 0:45:25 | |
You drove them straight into | 0:45:31 | 0:45:33 | |
that ambush, didn't you? | 0:45:33 | 0:45:34 | |
It was no accident, was it? | 0:45:37 | 0:45:38 | |
I genuinely believed that there were roadworks. | 0:45:40 | 0:45:43 | |
In the stress of the situation, | 0:45:43 | 0:45:45 | |
I didn't even look at the information on the sat nav. | 0:45:45 | 0:45:47 | |
I strenuously deny any involvement in setting up the ambush. | 0:45:47 | 0:45:51 | |
Three of our own - three of YOUR own - | 0:45:53 | 0:45:55 | |
in the morgue because of you, DI Denton. | 0:45:55 | 0:45:58 | |
-Make that four. -Yes. | 0:45:58 | 0:46:00 | |
DC Georgia Trotman, killed attempting to protect | 0:46:00 | 0:46:03 | |
the life of the witness who was the target of that ambush. | 0:46:03 | 0:46:06 | |
DI Denton has absolutely no connection | 0:46:06 | 0:46:09 | |
to the tragic death of DC Trotman. | 0:46:09 | 0:46:12 | |
You'll kindly keep your counsel till we're said and done. | 0:46:12 | 0:46:15 | |
The witness survived the ambush and was receiving treatment | 0:46:15 | 0:46:18 | |
when there was a second, successful, attempt on his life. | 0:46:18 | 0:46:21 | |
DI Denton was observed making a phone call | 0:46:21 | 0:46:23 | |
from a public telephone box | 0:46:23 | 0:46:25 | |
approximately 15 minutes prior to the witness's death. | 0:46:25 | 0:46:28 | |
Why did you use a phone box? | 0:46:28 | 0:46:30 | |
I didn't want the call appearing in my phone history. | 0:46:31 | 0:46:33 | |
Yeah we get that, DI Denton. Why didn't you? | 0:46:33 | 0:46:35 | |
It was an impulse, I knew it was inadvisable. | 0:46:36 | 0:46:39 | |
Said call was identified with the number of the hospital switchboard - | 0:46:39 | 0:46:42 | |
it was put through to the intensive care unit | 0:46:42 | 0:46:44 | |
where the witness was being treated. | 0:46:44 | 0:46:46 | |
The member of staff who took the call has provided | 0:46:46 | 0:46:48 | |
a statement that the female caller asked for Staff Nurse Tindall | 0:46:48 | 0:46:51 | |
by name, Staff Nurse Tindall being the intensive care nurse | 0:46:51 | 0:46:54 | |
blackmailed into furnishing access to the witness. | 0:46:54 | 0:46:56 | |
Who made that call, DI Denton? | 0:46:56 | 0:46:57 | |
-Not me. -I saw you make that call. | 0:46:57 | 0:46:59 | |
I'm not denying making A call. | 0:46:59 | 0:47:02 | |
The witness was the only person who could verify that | 0:47:02 | 0:47:05 | |
I had nothing to do with setting up the ambush. | 0:47:05 | 0:47:08 | |
I'd heard rumours that he was about to regain consciousness | 0:47:08 | 0:47:10 | |
and I wanted to find out if they were true. | 0:47:10 | 0:47:12 | |
How come you knew the name of the nurse, | 0:47:12 | 0:47:14 | |
-the very same nurse who was involved in killing him? -I didn't. | 0:47:14 | 0:47:16 | |
I hung up when they put me through. I... | 0:47:16 | 0:47:19 | |
I realised it was a stupid thing to do. I wasn't thinking. | 0:47:19 | 0:47:22 | |
You expect us to believe that? | 0:47:22 | 0:47:25 | |
If I had conspired in the murder... | 0:47:25 | 0:47:27 | |
Which you didn't. | 0:47:27 | 0:47:29 | |
..why on earth would I have made a call at that exact time? | 0:47:29 | 0:47:31 | |
It would only incriminate me. | 0:47:31 | 0:47:33 | |
It does. | 0:47:33 | 0:47:34 | |
Funny that. | 0:47:34 | 0:47:35 | |
I'm sure you've seen this e-fit before. Who is that man? | 0:47:38 | 0:47:42 | |
I've never seen him before in my life. | 0:47:42 | 0:47:44 | |
He was at the hospital, about to kill the witness | 0:47:44 | 0:47:46 | |
and DC Trotman, at exactly the same time you made your phone call. | 0:47:46 | 0:47:49 | |
DS Arnott, what's your theory on why I'd make that call? | 0:47:53 | 0:47:56 | |
It was a signal. | 0:47:57 | 0:47:59 | |
Or you got cold feet, tried to call off the murder. | 0:47:59 | 0:48:02 | |
I'm as aware as you all are that it isn't possible to trace | 0:48:02 | 0:48:04 | |
a call within an internal telephone network. | 0:48:04 | 0:48:07 | |
All you can do is identify the number dialled from the call box | 0:48:07 | 0:48:10 | |
as being that of the hospital switchboard - | 0:48:10 | 0:48:12 | |
and I admit to that part. | 0:48:12 | 0:48:14 | |
After that, all you have is the vague evidence from somebody | 0:48:14 | 0:48:16 | |
who can't be sure who called, what they said, or why. | 0:48:16 | 0:48:19 | |
I deny that it was me who asked to speak to the nurse. | 0:48:19 | 0:48:21 | |
That your final answer? | 0:48:23 | 0:48:25 | |
DC Fleming? | 0:48:32 | 0:48:33 | |
DI Denton text-messaged me to attend a meeting | 0:48:36 | 0:48:39 | |
at the Canalside Industrial Estate, | 0:48:39 | 0:48:41 | |
purporting to be in connection with a breakthrough | 0:48:41 | 0:48:44 | |
in a missing persons enquiry. | 0:48:44 | 0:48:46 | |
The specific location given by DI Denton was a unit formerly | 0:48:46 | 0:48:49 | |
belonging to A&B Carriage Repairs. | 0:48:49 | 0:48:51 | |
This disused unit was a front for individuals connected | 0:48:51 | 0:48:54 | |
with the 5th of September ambush. | 0:48:54 | 0:48:57 | |
What was your connection, DI Denton? | 0:48:57 | 0:49:00 | |
There's no connection to me. | 0:49:00 | 0:49:02 | |
I went there following a lead on my investigation | 0:49:02 | 0:49:05 | |
into the disappearance of a 15-year-old girl. | 0:49:05 | 0:49:08 | |
The fact that it'd gone out of business and was already connected | 0:49:08 | 0:49:11 | |
to an ongoing investigation - these facts only added to my suspicions. | 0:49:11 | 0:49:15 | |
Yes, but instead of following your suspicions, | 0:49:15 | 0:49:17 | |
-you assault DC Fleming. -I was emotional, sir. -Why? | 0:49:17 | 0:49:21 | |
I imagined what it must've been like for that girl | 0:49:21 | 0:49:23 | |
if she'd been abducted to that place. | 0:49:23 | 0:49:25 | |
I was frustrated with the case, and I was angry with DC Fleming's lies. | 0:49:25 | 0:49:29 | |
Lies, yes, you don't like being lied to, do you, DI Denton? | 0:49:29 | 0:49:33 | |
The fact of the matter is, neither do we. | 0:49:33 | 0:49:36 | |
DI Denton, I'm arresting you | 0:49:36 | 0:49:37 | |
for conspiracy to murder a protected witness. | 0:49:37 | 0:49:39 | |
-State the grounds. -You do not have to say anything. | 0:49:39 | 0:49:42 | |
Under Code G of the Police and Criminal Evidence Act, | 0:49:42 | 0:49:44 | |
state the grounds. Why are you arresting me? | 0:49:44 | 0:49:47 | |
As the arresting officer, I submit... | 0:49:47 | 0:49:49 | |
One - you're the sole survivor of an ambush | 0:49:49 | 0:49:52 | |
you had the means of setting up. | 0:49:52 | 0:49:54 | |
Two - you made a phone call, | 0:49:54 | 0:49:55 | |
and freely admit that you made a phone call, | 0:49:55 | 0:49:58 | |
to the hospital, after which two people were murdered. | 0:49:58 | 0:50:01 | |
Regarding the Police and Criminal Evidence Act, | 0:50:01 | 0:50:04 | |
I note subsection 5C(1), C(2), E and F, | 0:50:04 | 0:50:08 | |
and I'm sure you're very familiar with those terms. | 0:50:08 | 0:50:12 | |
Lindsay Denton, you do not have to say anything, however, | 0:50:12 | 0:50:17 | |
you may harm your defence if you fail to mention | 0:50:17 | 0:50:20 | |
when questioned something you later rely on in court. | 0:50:20 | 0:50:24 | |
Anything you do say may be used in evidence. | 0:50:24 | 0:50:26 | |
I would like to say something. | 0:50:29 | 0:50:32 | |
Keep the tape running. | 0:50:32 | 0:50:33 | |
Superintendent Hastings, | 0:50:36 | 0:50:38 | |
I have in my possession certain financial records pertaining to you. | 0:50:38 | 0:50:43 | |
How the hell did you get these? | 0:50:47 | 0:50:49 | |
The document requests were signed off by an officer | 0:50:49 | 0:50:51 | |
of Chief Superintendent rank. | 0:50:51 | 0:50:53 | |
Anything I say may be used in evidence - | 0:50:53 | 0:50:55 | |
that works both ways, sir. | 0:50:55 | 0:50:57 | |
Sir, DI Denton has asked that the tape be left running. | 0:50:57 | 0:51:01 | |
She's got a right to be heard. | 0:51:01 | 0:51:03 | |
Without going into details, the records show that | 0:51:03 | 0:51:05 | |
Superintendent Hastings is in considerable financial difficulties. | 0:51:05 | 0:51:09 | |
These have absolutely no relevance to the case against you, DI Denton. | 0:51:11 | 0:51:17 | |
I'm reading from a transcript of our first interview. | 0:51:17 | 0:51:21 | |
Superintendent Hastings - "Our strongest supposition is that | 0:51:21 | 0:51:25 | |
"criminal interests attempted to assassinate | 0:51:25 | 0:51:28 | |
"the witness to prevent him testifying. | 0:51:28 | 0:51:30 | |
"Those interests would pay a pretty penny for an inside man, or woman. | 0:51:30 | 0:51:34 | |
"Any officer in the kind of financial mess you're in, DI Denton, | 0:51:34 | 0:51:38 | |
"is honour-bound to declare it, | 0:51:38 | 0:51:40 | |
"on account of vulnerability to bribery." | 0:51:40 | 0:51:42 | |
Have you declared your situation, sir? | 0:51:44 | 0:51:46 | |
Sir? | 0:51:49 | 0:51:50 | |
No. | 0:51:50 | 0:51:52 | |
"No." | 0:51:52 | 0:51:53 | |
DS Arnott, I'd like you to view these photographs. | 0:51:58 | 0:52:02 | |
Do you recognise the location? | 0:52:10 | 0:52:12 | |
-Yeah. -This is the home, under protective custody, | 0:52:12 | 0:52:15 | |
of Staff Nurse Claire Tindall. | 0:52:15 | 0:52:18 | |
You interviewed her in connection with events at the hospital. | 0:52:18 | 0:52:21 | |
-There are more photos. -How did you get these? | 0:52:21 | 0:52:23 | |
For the tape, the images show DS Arnott returning | 0:52:23 | 0:52:25 | |
to Staff Nurse Tindall's home. | 0:52:25 | 0:52:27 | |
And he's later photographed in an upstairs bedroom with her. | 0:52:27 | 0:52:30 | |
What was the purpose of your return visit? | 0:52:30 | 0:52:33 | |
(Um...) | 0:52:36 | 0:52:37 | |
I'm sure you took notes of the conversation. May we hear them? | 0:52:37 | 0:52:40 | |
No notes, then? | 0:52:44 | 0:52:46 | |
I'm sure you're aware - | 0:52:47 | 0:52:49 | |
or perhaps you're not, but I hope that Superintendent Hastings is - | 0:52:49 | 0:52:51 | |
that inappropriate relations with a witness | 0:52:51 | 0:52:54 | |
is a breach of the England & Wales Police Conduct Regulations 2008. | 0:52:54 | 0:52:57 | |
I know the Regs. | 0:52:57 | 0:52:58 | |
Were you coaching Staff Nurse Tindall to corroborate | 0:52:58 | 0:53:01 | |
the allegations against me regarding the call to the hospital? | 0:53:01 | 0:53:03 | |
-I don't have to. -No? | 0:53:03 | 0:53:05 | |
I'd say you're in desperate need of someone being able | 0:53:05 | 0:53:07 | |
to identify me as the caller. | 0:53:07 | 0:53:09 | |
Was Staff Nurse Tindall able to do that for you? | 0:53:09 | 0:53:11 | |
For the tape, DS Arnott's not forthcoming. | 0:53:15 | 0:53:18 | |
-No. -No, she wasn't able? | 0:53:19 | 0:53:21 | |
She wasn't able. | 0:53:23 | 0:53:24 | |
Was she able to state any relationship with me? | 0:53:24 | 0:53:27 | |
No. | 0:53:27 | 0:53:28 | |
We've established that you know the witness better than most. | 0:53:30 | 0:53:33 | |
Is she likely to lie? | 0:53:33 | 0:53:35 | |
-No. -If I was connected, she'd say, wouldn't she? | 0:53:36 | 0:53:40 | |
Yes. | 0:53:42 | 0:53:44 | |
DS Arnott, you know a suspect's three incriminating criteria. | 0:53:44 | 0:53:48 | |
Motive, opportunity, means. | 0:53:51 | 0:53:53 | |
Motive - I had none. | 0:53:53 | 0:53:55 | |
Why on earth would I want to kill fellow officers? | 0:53:55 | 0:53:59 | |
Opportunity - I had none. | 0:53:59 | 0:54:02 | |
I only found out about the witness in a phone call | 0:54:02 | 0:54:05 | |
one hour before the ambush. | 0:54:05 | 0:54:07 | |
Means - I had none. | 0:54:07 | 0:54:10 | |
I've never worked Serious Crime. | 0:54:10 | 0:54:12 | |
I don't have the criminal connections to be able to conspire in an ambush. | 0:54:12 | 0:54:16 | |
DC Fleming. | 0:54:18 | 0:54:20 | |
Is this your mobile phone? | 0:54:20 | 0:54:21 | |
-QUIETLY: -Yes. -Please speak up for the tape. | 0:54:24 | 0:54:26 | |
Yes. | 0:54:27 | 0:54:28 | |
I came into possession of this mobile phone | 0:54:28 | 0:54:30 | |
during our altercation at the Canalside Industrial Estate, | 0:54:30 | 0:54:33 | |
is that correct? | 0:54:33 | 0:54:34 | |
Yeah. You stole it from me. | 0:54:35 | 0:54:38 | |
Your call history makes for very interesting reading. | 0:54:38 | 0:54:42 | |
Significant people at significant times. | 0:54:42 | 0:54:44 | |
Stealing is against the law. | 0:54:46 | 0:54:49 | |
My bad. | 0:54:49 | 0:54:51 | |
Let's save the rest of this conversation for another time. | 0:54:52 | 0:54:55 | |
-Does that suit you, Kate? -Interview terminated. | 0:54:55 | 0:54:58 | |
Show's over. | 0:54:58 | 0:55:00 | |
Steve, you hold her here. | 0:55:00 | 0:55:02 | |
Kate, you organise the custody. | 0:55:03 | 0:55:06 | |
The best I can do for you now, Lindsay, | 0:55:07 | 0:55:10 | |
is find you a good solicitor. | 0:55:10 | 0:55:12 | |
AC-12 are bringing in an officer. | 0:55:20 | 0:55:22 | |
She works at 4th Street Station, so ideally somewhere she's not known. | 0:55:22 | 0:55:25 | |
ELEVATOR PINGS | 0:55:25 | 0:55:27 | |
We'll fax over the paperwork for charging. Thanks. | 0:55:30 | 0:55:32 | |
They've handed over the Witness Protection files. | 0:55:32 | 0:55:35 | |
Let's get cracking. I want this place locked down. | 0:55:35 | 0:55:37 | |
-Access by named personnel only. -Keep an eye on her. Shut the door. | 0:55:37 | 0:55:41 | |
Not one piece of paper shall leave this building | 0:55:41 | 0:55:43 | |
without my approval in triplicate. Thank you. | 0:55:43 | 0:55:45 | |
Good man. | 0:55:49 | 0:55:50 | |
Mother of God. | 0:55:53 | 0:55:55 | |
The protected witness. The wee gobshite this was all about. | 0:55:56 | 0:56:00 | |
Christ. | 0:56:00 | 0:56:02 | |
We need to start over. | 0:56:10 | 0:56:12 | |
Call your wives, your husbands, your boyfriends, your girlfriends. | 0:56:12 | 0:56:16 | |
No-one is leaving the premises till we have sifted through | 0:56:16 | 0:56:19 | |
every single piece of information. | 0:56:19 | 0:56:21 | |
What was in the Witness Protection files? | 0:56:46 | 0:56:48 | |
I saw the reaction. Was it the witness? | 0:56:52 | 0:56:55 | |
Oh, my God. Was it someone you knew? | 0:56:58 | 0:57:00 | |
I can't discuss this. | 0:57:00 | 0:57:02 | |
How can you let this happen to me, | 0:57:03 | 0:57:05 | |
when you know that there's so much more to it? | 0:57:05 | 0:57:07 | |
-ELEVATOR PINGS -Let's go. | 0:57:13 | 0:57:14 | |
DS Arnott, DI Denton. | 0:57:29 | 0:57:32 | |
You OK to book her in for me? | 0:57:32 | 0:57:34 | |
Lindsay Denton, I'm satisfied your arrest is lawful. | 0:57:34 | 0:57:37 | |
I'm authorising your detention at this police station | 0:57:37 | 0:57:40 | |
so that we can secure and preserve evidence of the investigation, | 0:57:40 | 0:57:44 | |
and to obtain evidence from you... | 0:57:44 | 0:57:46 | |
AUDIO FADES | 0:57:46 | 0:57:48 | |
I'm innocent. You know I am. | 0:58:02 | 0:58:04 |