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So many years, I wondered what I'd do if I ever saw him again. | 0:00:02 | 0:00:06 | |
And then, I did. | 0:00:06 | 0:00:07 | |
In a photo, in a briefing room. | 0:00:07 | 0:00:09 | |
And I was being sent to meet him with a gun. | 0:00:09 | 0:00:11 | |
This programme contains scenes which some viewers may find upsetting. | 0:00:11 | 0:00:14 | |
When this is all done, Steve, I'll suffer for my actions. | 0:00:14 | 0:00:17 | |
I'm under no illusions of a happy ending. | 0:00:17 | 0:00:19 | |
-GUNSHOT -Shot fired! | 0:00:19 | 0:00:21 | |
What's he saying? He whispered something to you. What did he say? | 0:00:21 | 0:00:23 | |
I'm not sure what he meant. | 0:00:23 | 0:00:25 | |
My job is to find any and all evidence. | 0:00:27 | 0:00:29 | |
-And what was found in the case? -A large number of banknotes. | 0:00:29 | 0:00:33 | |
-How did Detective Sergeant Arnott react? -He didn't bat an eye. | 0:00:33 | 0:00:36 | |
I don't think we should close the investigation into Danny Waldron's background. | 0:00:39 | 0:00:43 | |
I'd like to keep digging. | 0:00:43 | 0:00:45 | |
There's evidence of prolonged torture. | 0:00:47 | 0:00:49 | |
Cause of death isn't clear. | 0:00:49 | 0:00:50 | |
Cutting his head off can't have helped. | 0:00:50 | 0:00:52 | |
This photograph shows Danny Waldron as a teenager. | 0:00:54 | 0:00:57 | |
This man's a young Ronan Murphy, | 0:00:57 | 0:00:59 | |
the suspect shot by Danny Waldron during Operation Damson. | 0:00:59 | 0:01:02 | |
What? They knew each other? | 0:01:02 | 0:01:03 | |
And this person bears a strong semblance to Linus Murphy's severed head. | 0:01:03 | 0:01:06 | |
Danny knew him too. | 0:01:06 | 0:01:08 | |
No prior information of the operation to move Tommy Hunter. | 0:01:10 | 0:01:14 | |
I had no prior...knowledge. | 0:01:14 | 0:01:17 | |
No prior knowledge, at all. | 0:01:17 | 0:01:18 | |
Kate knows about me and Jackie and Danny. | 0:01:21 | 0:01:23 | |
I've got to come clean to AC-12. | 0:01:23 | 0:01:25 | |
The longer I leave it, the worse it looks. | 0:01:25 | 0:01:27 | |
It is with deep regret that I inform you all | 0:01:27 | 0:01:29 | |
of the death of PC Rod Kennedy. | 0:01:29 | 0:01:31 | |
Rod's body was found hanged at an industrial unit. | 0:01:31 | 0:01:35 | |
We need to talk. | 0:01:44 | 0:01:45 | |
You are now declaring | 0:01:48 | 0:01:50 | |
that PC Rod Kennedy killed Sergeant Daniel Waldron? | 0:01:50 | 0:01:53 | |
Yes, sir. | 0:01:53 | 0:01:55 | |
Rod killed Danny. | 0:01:55 | 0:01:57 | |
RAIN PATTERS | 0:01:59 | 0:02:01 | |
Look, I'm sorry about this. | 0:02:17 | 0:02:18 | |
It's just that I've got no-one else to talk to right now. | 0:02:18 | 0:02:21 | |
It's fine. | 0:02:21 | 0:02:23 | |
Look, mate, I don't think I can keep going into the station. | 0:02:26 | 0:02:29 | |
All the stuff that's going on behind our backs. | 0:02:29 | 0:02:32 | |
All the stuff that's going on to our faces. | 0:02:32 | 0:02:34 | |
Yeah, well, Rod was a good bloke, weren't he? | 0:02:34 | 0:02:37 | |
You know, people can't get their heads round it. | 0:02:37 | 0:02:39 | |
Yeah. | 0:02:39 | 0:02:41 | |
I can see why. | 0:02:41 | 0:02:42 | |
Look, Jackie, don't do this to yourself. | 0:02:47 | 0:02:50 | |
My hands were on that gun and I felt Rod force the trigger. | 0:02:50 | 0:02:54 | |
He killed Danny. | 0:02:57 | 0:02:59 | |
You know, we was right to stick together, | 0:03:00 | 0:03:02 | |
you know, when he was here, but now he's gone. | 0:03:02 | 0:03:04 | |
We've got to move on. | 0:03:04 | 0:03:06 | |
Ah, come here. | 0:03:09 | 0:03:10 | |
TELEPHONE RINGS | 0:03:26 | 0:03:28 | |
-Superintendent Hastings. -"Hi, sorry to bother you, sir." | 0:03:28 | 0:03:31 | |
I just followed Jackie Brickford to a meeting with Hari Bains. | 0:03:31 | 0:03:34 | |
"He seems pretty bloody shifty to me." | 0:03:34 | 0:03:36 | |
Dot. | 0:03:41 | 0:03:42 | |
Just so you know, I've authorised Kate to adopt | 0:03:43 | 0:03:45 | |
-direct surveillance on Hari Bains. -Nice one, Gaffer. | 0:03:45 | 0:03:48 | |
-Yes, and I want Steve in on it too. -Absolutely. | 0:03:48 | 0:03:50 | |
Steve, get yourself get yourself over to South Ferry | 0:03:50 | 0:03:53 | |
when Hari Bains comes on shift. | 0:03:53 | 0:03:56 | |
-Be visible. -Sir. | 0:03:56 | 0:03:57 | |
> (Fuck.) | 0:03:57 | 0:03:59 | |
TEXT MESSAGE ALERT | 0:04:09 | 0:04:10 | |
TELEPHONE RINGS IN BACKGROUND | 0:04:14 | 0:04:16 | |
-Come in. -Inspector McAndrew, DS Arnott, AC-12. | 0:04:29 | 0:04:33 | |
What do you want? | 0:04:33 | 0:04:35 | |
In an interview gave at AC-12 you informed us that Hari Bains | 0:04:40 | 0:04:42 | |
had a good working relationship with Danny Waldron. | 0:04:42 | 0:04:45 | |
Yeah, so? | 0:04:45 | 0:04:46 | |
Hari never made any complaints about Danny? | 0:04:46 | 0:04:48 | |
If anything, the opposite. | 0:04:48 | 0:04:50 | |
How so, Ma'am? | 0:04:50 | 0:04:51 | |
I was due to rotate Hari from Danny's squad, | 0:04:51 | 0:04:54 | |
but Hari said that he respected Danny's professionalism | 0:04:54 | 0:04:56 | |
-and wanted to ride on more jobs with him. -Really? | 0:04:56 | 0:04:59 | |
When did he say this? | 0:04:59 | 0:05:01 | |
Couple of days before the Abbots Lane op. | 0:05:01 | 0:05:04 | |
You mean a couple of days before the op that got Danny killed? | 0:05:04 | 0:05:07 | |
I was all set to disband Danny's team | 0:05:07 | 0:05:09 | |
after the shooting of Ronan Murphy | 0:05:09 | 0:05:11 | |
and there is no way you're going to pin some blame on me | 0:05:11 | 0:05:14 | |
just because you're struggling to find a scapegoat. | 0:05:14 | 0:05:16 | |
Thank you, Ma'am. You've been very helpful. | 0:05:16 | 0:05:18 | |
TELEPHONE RINGS | 0:06:03 | 0:06:04 | |
-'AC-12.' -DC Fleming. Put me through to telecommunications, please. | 0:06:04 | 0:06:08 | |
-'Telecoms.' -DC Fleming. | 0:06:08 | 0:06:09 | |
I need an identification on the last number dialled from a payphone | 0:06:09 | 0:06:13 | |
-on the corner of Calman Road and Turner Road. -'Stand by.' | 0:06:13 | 0:06:17 | |
-AUTOMATED OPERATOR: -'The number you have called is not recognised. Please check the number.' | 0:06:17 | 0:06:21 | |
'The number you have called is...' | 0:06:21 | 0:06:23 | |
Kate reports Bains attempted to make a call to this number. | 0:06:29 | 0:06:33 | |
It relates to an unregistered pay-as-you-go mobile. | 0:06:33 | 0:06:36 | |
Now, the call couldn't be connected | 0:06:36 | 0:06:37 | |
because either the phone or the SIM Card was out of service. | 0:06:37 | 0:06:40 | |
I've got Maneet liaising with the mobile network provider to see | 0:06:40 | 0:06:43 | |
-what information we can get about the number. -Great. | 0:06:43 | 0:06:46 | |
Tell Kate I want her on Hari Bains round the clock. | 0:06:46 | 0:06:49 | |
Yeah, will do, Gaffer. | 0:06:49 | 0:06:50 | |
TELEPHONE RINGS | 0:07:06 | 0:07:08 | |
-Hello. -DOT: -'What the bloody hell are you playing at? | 0:07:12 | 0:07:15 | |
'Making a call from a public box? | 0:07:15 | 0:07:16 | |
'That's why we sent you the unregistered mobiles.' | 0:07:16 | 0:07:19 | |
The text came through to my own phone, so I thought... | 0:07:19 | 0:07:21 | |
'Yeah, well, we had to get a message to you urgently | 0:07:21 | 0:07:23 | |
'and you weren't answering. You're being watched by AC-12.' | 0:07:23 | 0:07:26 | |
-I didn't see anyone. -'What did the text say?' | 0:07:26 | 0:07:29 | |
"Sit tight. Act normal." | 0:07:29 | 0:07:30 | |
So how's this acting normal? Dickhead. | 0:07:30 | 0:07:33 | |
-All right? -All right? | 0:07:43 | 0:07:44 | |
Look, for my two penn'orth, I think we're flogging a dead horse | 0:07:44 | 0:07:48 | |
with Bains and Brickford. | 0:07:48 | 0:07:49 | |
Rod Kennedy killed Danny Waldron, | 0:07:49 | 0:07:51 | |
couldn't handle the guilt, he topped himself. | 0:07:51 | 0:07:54 | |
Maybe it wasn't suicide. | 0:07:54 | 0:07:55 | |
We ought to request a second postmortem on Rod Kennedy's body. | 0:07:55 | 0:07:58 | |
The first one was only looking for cause of death. | 0:07:58 | 0:08:00 | |
We should get a Home Office pathologist | 0:08:00 | 0:08:02 | |
looking for evidence of crime. | 0:08:02 | 0:08:04 | |
Sure. | 0:08:05 | 0:08:06 | |
-Leave that with me. -Cheers. | 0:08:06 | 0:08:08 | |
Do you like chilli? | 0:08:08 | 0:08:10 | |
The food. | 0:08:10 | 0:08:11 | |
Not the country. | 0:08:11 | 0:08:13 | |
I've got a pot...on the simmer. | 0:08:13 | 0:08:16 | |
You've probably eaten. | 0:08:18 | 0:08:20 | |
No, I haven't, actually. | 0:08:22 | 0:08:23 | |
Well? | 0:08:23 | 0:08:25 | |
Yeah. | 0:08:25 | 0:08:27 | |
-Not too fiery? -I'll cope. | 0:08:30 | 0:08:32 | |
If you go to the trouble of making a pot, | 0:08:33 | 0:08:36 | |
you might as well make it last a few days, you know? | 0:08:36 | 0:08:38 | |
One night, you can have it with rice. One night, baked potato... | 0:08:38 | 0:08:42 | |
-KATE LAUGHS -It's rock and roll, me. | 0:08:42 | 0:08:45 | |
Well, I'm not complaining. | 0:08:45 | 0:08:47 | |
By the time I knock off, the only thing that's open is a dodgy kebab. | 0:08:47 | 0:08:50 | |
That's undercover, isn't it? Stupid hours. | 0:08:50 | 0:08:52 | |
Well, Mark works in IT. | 0:08:52 | 0:08:54 | |
He did a lot from home, which was great for childcare. | 0:08:54 | 0:08:58 | |
Just not so great for us. | 0:08:58 | 0:08:59 | |
-You still see the kid, though? -Yeah. | 0:08:59 | 0:09:03 | |
-Sorry, I shouldn't poke my nose in. -No, it's fine. | 0:09:04 | 0:09:08 | |
It was the right decision. You know, give him security and stability. | 0:09:08 | 0:09:12 | |
Just not such a great decision for me, to be honest. | 0:09:12 | 0:09:15 | |
See, me and my missus, we never got around to having kids. | 0:09:15 | 0:09:18 | |
-Was she a copper too? -Forensics. I don't see much of her now. | 0:09:18 | 0:09:21 | |
-No? -No, I was on the piss most nights. | 0:09:21 | 0:09:24 | |
Couldn't pass a bookie's. | 0:09:24 | 0:09:26 | |
Final straw was - we'd put down half on a fortnight in Majorca. | 0:09:26 | 0:09:29 | |
Oh, don't tell me. | 0:09:29 | 0:09:30 | |
Yeah, five-to-one. Dead cert. | 0:09:30 | 0:09:33 | |
I couldn't go home to face the music, so... | 0:09:33 | 0:09:36 | |
I took out a loan, | 0:09:36 | 0:09:38 | |
put a grand down on the last race of the day, try and win it all back... | 0:09:38 | 0:09:42 | |
Barrel of laughs, me, yeah. | 0:09:45 | 0:09:47 | |
THEY LAUGH | 0:09:47 | 0:09:49 | |
-Can I have your bowl? -Cheers. | 0:09:49 | 0:09:51 | |
Hey, there's seconds here if you fancy? | 0:10:05 | 0:10:08 | |
Any more and I won't get off this sofa. | 0:10:08 | 0:10:10 | |
TELEPHONE RINGS | 0:10:21 | 0:10:23 | |
-Yeah? -I've got something for you, Sarge. | 0:10:25 | 0:10:27 | |
-"On that photo found at Danny's." -Yeah, sure. | 0:10:27 | 0:10:30 | |
It's from a boys' home called Sands View. | 0:10:31 | 0:10:34 | |
Danny Waldron's mum died when he was 11, and he moved up north to | 0:10:34 | 0:10:36 | |
live with his dad and stepmum, but that didn't work out and he got taken into care. | 0:10:36 | 0:10:40 | |
Danny was a resident at Sands View from the age of 13 until he was 17. | 0:10:40 | 0:10:43 | |
I keep going through the file. | 0:10:43 | 0:10:45 | |
There's no link between Danny Waldron and Ronan Murphy while Danny was a police officer. | 0:10:45 | 0:10:49 | |
The only link must be this boys' home. | 0:10:49 | 0:10:51 | |
Unfortunately, I can't get hold of any records for that period. | 0:10:51 | 0:10:54 | |
One council department told me they were lost in a fire, | 0:10:54 | 0:10:56 | |
another told me they went missing during an office move. | 0:10:56 | 0:10:58 | |
You think they've been lost on purpose? | 0:10:58 | 0:11:00 | |
Who knows? The lads were chucked out at 17 and pretty much | 0:11:00 | 0:11:03 | |
left to fend for themselves, with no follow-up. | 0:11:03 | 0:11:05 | |
However, I've crosschecked with individuals known | 0:11:05 | 0:11:08 | |
to the criminal justice system and I've got a name for you. | 0:11:08 | 0:11:11 | |
Same age as Danny, | 0:11:11 | 0:11:12 | |
so chances are they were there at the same time. | 0:11:12 | 0:11:14 | |
Good work. | 0:11:14 | 0:11:16 | |
-MUFFLED BY NOISE: -Hey, Joe. Joe! | 0:11:26 | 0:11:28 | |
-Joseph Nash? -Yeah? | 0:11:30 | 0:11:32 | |
Can I talk to you somewhere quieter, please? | 0:11:32 | 0:11:35 | |
Yeah. | 0:11:35 | 0:11:37 | |
I'd like to show you a photograph, if that's all right. | 0:11:46 | 0:11:50 | |
It's a photocopy of an original image believed to be | 0:11:50 | 0:11:53 | |
approximately 15 to 20 years old. | 0:11:53 | 0:11:56 | |
-Do you recognise the image? -Yeah. | 0:11:59 | 0:12:01 | |
-Do you recall the name of this location? -Yes. | 0:12:02 | 0:12:05 | |
Mr Nash, you're not in any trouble. | 0:12:07 | 0:12:09 | |
How did you find out my name? | 0:12:09 | 0:12:11 | |
I'm not going to lie. You committed a number of minor offences. | 0:12:11 | 0:12:14 | |
Look, I was just a kid, back then. | 0:12:14 | 0:12:16 | |
-I've put my life back together now. -The convictions are spent. | 0:12:16 | 0:12:20 | |
It was only that your record crosschecked with an enquiry I'm involved with. | 0:12:20 | 0:12:23 | |
An enquiry into Sands View? | 0:12:29 | 0:12:31 | |
Connected to Sands View. | 0:12:31 | 0:12:33 | |
Do you recognise this individual? | 0:12:35 | 0:12:37 | |
-Yes, Danny. -Danny Waldron. -Yeah. | 0:12:39 | 0:12:41 | |
Do you recognise this individual? | 0:12:42 | 0:12:44 | |
Yes. | 0:12:44 | 0:12:45 | |
What do you remember about that person? | 0:12:47 | 0:12:49 | |
He took us for football on a Tuesday afternoon. | 0:12:49 | 0:12:52 | |
-He was one of the staff? -No, he just took us for footie. | 0:12:52 | 0:12:55 | |
What else do you recall about him? | 0:12:55 | 0:12:56 | |
You're being a big help, Joe. | 0:13:00 | 0:13:02 | |
Is it OK if I ask you about one more person? | 0:13:04 | 0:13:06 | |
This man, here. | 0:13:08 | 0:13:10 | |
Him. | 0:13:10 | 0:13:11 | |
Who is he? | 0:13:12 | 0:13:14 | |
Mr Murphy. He was the caretaker. | 0:13:15 | 0:13:17 | |
The other man. | 0:13:17 | 0:13:19 | |
-The football coach. Was his name Murphy too? -Might have been. | 0:13:19 | 0:13:23 | |
They was a pair. | 0:13:24 | 0:13:26 | |
A pair? | 0:13:26 | 0:13:27 | |
The older one, the caretaker, he had the keys. | 0:13:31 | 0:13:33 | |
For the dormitories. | 0:13:36 | 0:13:38 | |
Changing rooms, the basement. | 0:13:38 | 0:13:39 | |
But him, the younger one... | 0:13:41 | 0:13:43 | |
..he was in on it too. | 0:13:44 | 0:13:46 | |
With the others. | 0:13:47 | 0:13:48 | |
What others? | 0:13:49 | 0:13:51 | |
Just... Not in the photo. | 0:13:51 | 0:13:53 | |
Visitors. | 0:13:54 | 0:13:55 | |
We got told they were very important people | 0:13:58 | 0:14:00 | |
and we had to do exactly... what they said. | 0:14:00 | 0:14:04 | |
Did you ever get the names of any of these people? | 0:14:04 | 0:14:07 | |
No. No-one ever got any names. | 0:14:07 | 0:14:10 | |
And even if we did, it was just... | 0:14:10 | 0:14:13 | |
Mr Smith. | 0:14:13 | 0:14:14 | |
What happened with these visitors? | 0:14:16 | 0:14:18 | |
Well, sometimes they'd... | 0:14:24 | 0:14:26 | |
..they'd come to the home | 0:14:27 | 0:14:29 | |
and we'd be told it was like a private interview. | 0:14:29 | 0:14:32 | |
"Mr Smith can be a big help to you when you move on," sort of thing. | 0:14:34 | 0:14:37 | |
You know? | 0:14:37 | 0:14:38 | |
And then you go to a room with Mr Smith. | 0:14:41 | 0:14:43 | |
Or a few of you would. | 0:14:49 | 0:14:51 | |
With a few of them. | 0:14:53 | 0:14:54 | |
-The abuse always took place within Sands View? -No, not always. There was, erm... | 0:14:55 | 0:15:00 | |
sometimes there'd be a car or a minibus | 0:15:00 | 0:15:02 | |
and they'd take us to a hotel, or a guesthouse, or some big... | 0:15:02 | 0:15:06 | |
..some big private home. | 0:15:09 | 0:15:11 | |
You know? | 0:15:11 | 0:15:12 | |
But the parties... | 0:15:12 | 0:15:14 | |
The parties, they were the worst. | 0:15:17 | 0:15:19 | |
Parties? | 0:15:19 | 0:15:21 | |
There'd be a few of them, these, these VIPs... | 0:15:21 | 0:15:23 | |
And we'd be farmed out. | 0:15:27 | 0:15:29 | |
Do you recall any details in terms of names, | 0:15:32 | 0:15:35 | |
addresses, or the people who drove you to and from these parties? | 0:15:35 | 0:15:38 | |
This was a long time ago, all right, mate? | 0:15:38 | 0:15:40 | |
And I wish I could remember that information | 0:15:40 | 0:15:42 | |
and forget about the rest, but... | 0:15:42 | 0:15:44 | |
..it's the opposite. | 0:15:45 | 0:15:46 | |
I know this is hard, Joe. | 0:15:47 | 0:15:49 | |
Is there anything you can tell me | 0:15:51 | 0:15:52 | |
about these individuals that might help identify them? | 0:15:52 | 0:15:54 | |
Yeah, there's one of them... stands out. | 0:16:00 | 0:16:02 | |
He's a... | 0:16:04 | 0:16:06 | |
He's a big... | 0:16:07 | 0:16:08 | |
big fat whale of a fella. | 0:16:08 | 0:16:11 | |
He always wore a suit. | 0:16:12 | 0:16:13 | |
And when he took the suit jacket off, he always had these, these, | 0:16:15 | 0:16:19 | |
these sweat patches and... he stank of it. | 0:16:19 | 0:16:22 | |
And when I got told he'd asked for me again, I'd... | 0:16:25 | 0:16:28 | |
I'd throw up, you know? | 0:16:28 | 0:16:29 | |
I'd be sick. | 0:16:31 | 0:16:32 | |
Is Danny the one? | 0:16:36 | 0:16:38 | |
The one? | 0:16:39 | 0:16:40 | |
Yeah. | 0:16:40 | 0:16:42 | |
He's got people listening to us, at last. | 0:16:42 | 0:16:44 | |
Yeah. | 0:16:45 | 0:16:47 | |
Yeah, he is. | 0:16:47 | 0:16:49 | |
-Arnott. -Any report yet on the second PM? -What second PM? | 0:17:10 | 0:17:14 | |
Dot said he was organising a second postmortem on Rod Kennedy. | 0:17:14 | 0:17:17 | |
First I've heard of it. | 0:17:17 | 0:17:19 | |
Leave it with me. | 0:17:19 | 0:17:20 | |
OK, I'll head back to South Ferry. | 0:17:20 | 0:17:22 | |
Right, I'll tell her. | 0:17:41 | 0:17:42 | |
Francis, that was your rep. | 0:17:46 | 0:17:48 | |
AC-12 want you in for interview straight away. | 0:17:48 | 0:17:51 | |
-She doesn't know anything. -She never believed us, not for a minute. | 0:18:12 | 0:18:15 | |
Jackie, she weren't in the room when Danny was shot. | 0:18:15 | 0:18:18 | |
-But he whispered something to her as he was dying. -Yeah. | 0:18:18 | 0:18:22 | |
And if he managed to tell her the truth, | 0:18:22 | 0:18:24 | |
do you think she would've kept quiet this whole time? | 0:18:24 | 0:18:27 | |
No. | 0:18:27 | 0:18:28 | |
Trust me, she don't know anything. | 0:18:30 | 0:18:33 | |
Yeah? | 0:18:33 | 0:18:34 | |
All right, mate. | 0:18:36 | 0:18:38 | |
I've continued to search records relating to Sands View. | 0:18:47 | 0:18:50 | |
Our witness, Joseph Nash, claims a number of his abusers | 0:18:50 | 0:18:52 | |
were VIPs, all of whom used the same alias, Mr Smith. | 0:18:52 | 0:18:56 | |
Hence Nash wasn't able to give us any names. | 0:18:56 | 0:18:58 | |
But he did claim one of these abusers was extremely obese. | 0:18:58 | 0:19:02 | |
Sports day at Sands View. | 0:19:04 | 0:19:06 | |
-Who is he? -Dale Roach. | 0:19:09 | 0:19:11 | |
He was leader of the city council during the period | 0:19:11 | 0:19:14 | |
Danny Waldron and Joe Nash were residents at Sands View. | 0:19:14 | 0:19:17 | |
Is this the man, Joe? | 0:19:19 | 0:19:21 | |
Yeah, that's him. | 0:19:25 | 0:19:27 | |
Thank you. | 0:19:27 | 0:19:28 | |
Now, it would help if you would come to my department | 0:19:30 | 0:19:33 | |
and look through some images of other individuals... | 0:19:33 | 0:19:36 | |
Joe, I came from a loving family. | 0:19:40 | 0:19:42 | |
Had a nice childhood | 0:19:42 | 0:19:43 | |
and I can't begin to imagine what yours must have been like. | 0:19:43 | 0:19:46 | |
20 years... | 0:19:46 | 0:19:48 | |
-..it's took you to come here. -I want to help. | 0:19:49 | 0:19:52 | |
20 years... | 0:19:52 | 0:19:54 | |
I've had that monster in my head. | 0:19:54 | 0:19:56 | |
The sounds he made, the smell of him. | 0:19:57 | 0:20:00 | |
And the things that he did to us at Sands View... | 0:20:00 | 0:20:04 | |
No copper ever gave a toss. | 0:20:06 | 0:20:08 | |
Are you saying offences committed at Sands View | 0:20:10 | 0:20:12 | |
were reported to police and no action was taken? | 0:20:12 | 0:20:15 | |
We told teachers, we told social workers, and yeah... | 0:20:16 | 0:20:19 | |
..we told coppers. | 0:20:21 | 0:20:22 | |
And then, we learned not to. | 0:20:22 | 0:20:24 | |
Danny Waldron's dead, Joe. | 0:20:24 | 0:20:26 | |
He was killed because he was going after the people | 0:20:28 | 0:20:31 | |
who did this to you. | 0:20:31 | 0:20:32 | |
Danny's mission is now my mission. | 0:20:33 | 0:20:35 | |
And I promise you, I will get these bastards. | 0:20:35 | 0:20:38 | |
HE SIGHS | 0:21:04 | 0:21:06 | |
Daddy! Daddy! | 0:21:07 | 0:21:09 | |
Hey! Hello, you! | 0:21:09 | 0:21:10 | |
-Is that for me? -Mm-hm. -Well, thank you very much. | 0:21:10 | 0:21:14 | |
-And I will always, always love you, OK? -Mm-hm. | 0:21:17 | 0:21:21 | |
Come here. | 0:21:21 | 0:21:23 | |
How long has he been here? | 0:21:33 | 0:21:34 | |
I'd have to check. Two or three years at least. | 0:21:34 | 0:21:36 | |
Any family? | 0:21:38 | 0:21:40 | |
No family, no visitors. | 0:21:40 | 0:21:42 | |
Mr Roach. | 0:21:57 | 0:21:59 | |
Mr Roach?! | 0:22:01 | 0:22:03 | |
Can he hear me? | 0:22:04 | 0:22:06 | |
He doesn't understand much. He can't talk. | 0:22:06 | 0:22:08 | |
-What's wrong with him? -Massive stroke. | 0:22:08 | 0:22:11 | |
Sorry, do you need me to stay? | 0:22:15 | 0:22:17 | |
-No. Thank you. -Call if you need me. | 0:22:17 | 0:22:20 | |
DOOR CLOSES | 0:22:24 | 0:22:26 | |
Mr Roach, do you recognise the name "Sands View Boys' Home"? | 0:22:37 | 0:22:40 | |
Mr Roach? | 0:22:45 | 0:22:47 | |
I'm Detective Sergeant Steve Arnott. | 0:22:48 | 0:22:51 | |
I'm investigating claims relating to Sands View. | 0:22:52 | 0:22:55 | |
Do you understand me?! | 0:22:56 | 0:22:57 | |
(I know what you did to those boys.) | 0:23:01 | 0:23:03 | |
HE EXHALES | 0:23:12 | 0:23:14 | |
TAKES DEEP BREATH | 0:23:18 | 0:23:20 | |
DOOR OPENS AND CLOSES | 0:23:28 | 0:23:30 | |
Danny Waldron recognised Ronan Murphy as an occasional | 0:23:31 | 0:23:34 | |
sports volunteer at Sands View Boys' Home. | 0:23:34 | 0:23:36 | |
Somehow, from Ronan, he was able to track down Linus Murphy. | 0:23:36 | 0:23:40 | |
Linus was the caretaker at Sands View and used his position | 0:23:40 | 0:23:44 | |
to include Ronan, his nephew, in his activities. | 0:23:44 | 0:23:46 | |
Now, a witness has given us another name - Dale Roach. | 0:23:47 | 0:23:50 | |
Councillor Dale Roach. | 0:23:50 | 0:23:53 | |
Unfortunately, Roach isn't fit to stand trial. | 0:23:54 | 0:23:56 | |
I think Danny Waldron purposefully created a trail of evidence | 0:23:57 | 0:24:01 | |
that led us to connect him to Linus Murphy's murder. | 0:24:01 | 0:24:04 | |
And now, we're on the trail of the other abusers. | 0:24:04 | 0:24:06 | |
There is only one thing we are interested in here, son, | 0:24:09 | 0:24:12 | |
and one thing only. | 0:24:12 | 0:24:14 | |
-And that's bent coppers. -The boys made complaints. | 0:24:16 | 0:24:19 | |
Some allegedly to police officers. | 0:24:19 | 0:24:22 | |
Thank you, Steve. | 0:24:24 | 0:24:26 | |
Sir. | 0:24:29 | 0:24:31 | |
BUZZER | 0:24:33 | 0:24:35 | |
-Hi. -Kate? | 0:24:43 | 0:24:45 | |
-Come in. -BUZZER | 0:24:46 | 0:24:49 | |
Something wrong? | 0:25:03 | 0:25:04 | |
You didn't come back to the station. | 0:25:04 | 0:25:06 | |
By the time I'd finished with AC-12, my shift was over. | 0:25:06 | 0:25:09 | |
So, what's going on? | 0:25:09 | 0:25:11 | |
They just wanted to go over the details of the day Danny was killed, | 0:25:11 | 0:25:15 | |
times, places. | 0:25:15 | 0:25:16 | |
You know what they're like, fishing for inconsistencies. | 0:25:16 | 0:25:19 | |
-Anything they can pounce on. -And did they? | 0:25:19 | 0:25:22 | |
-Did they what? -Pounce. | 0:25:22 | 0:25:24 | |
-We shouldn't talk about this. -What did you tell them, Kate? | 0:25:25 | 0:25:28 | |
-We can't have this conversation. You should leave. -I need to know! | 0:25:28 | 0:25:32 | |
You keep asking me to leave you alone. | 0:25:33 | 0:25:35 | |
Congratulations, you're on your own. | 0:25:35 | 0:25:37 | |
-What do they know, Kate? -You should go. | 0:25:37 | 0:25:40 | |
What do they know? | 0:25:40 | 0:25:42 | |
They're onto the pair of you. | 0:25:43 | 0:25:44 | |
What about us? | 0:25:48 | 0:25:50 | |
They know Hari stopped McAndrew from disbanding Danny's squad. | 0:25:51 | 0:25:54 | |
What?! | 0:25:54 | 0:25:56 | |
-I never knew anything about that! -And they know about the phone calls. | 0:25:57 | 0:26:00 | |
-What phone calls? -Yeah, right(!) "What phone calls?"(!) Bye, Jackie. | 0:26:00 | 0:26:04 | |
What phone calls, Kate?! | 0:26:04 | 0:26:05 | |
They've got Hari making calls from a phone box | 0:26:07 | 0:26:09 | |
to an unregistered pay-as-you-go number. | 0:26:09 | 0:26:12 | |
They know it must be a phone you're using covertly. | 0:26:12 | 0:26:15 | |
You two are in collusion, and developing your strategy | 0:26:15 | 0:26:18 | |
-using untraceable telephone calls. -It's not me he's been calling. | 0:26:18 | 0:26:21 | |
DOOR SLAMS | 0:26:32 | 0:26:34 | |
DOORBELL RINGS | 0:26:34 | 0:26:35 | |
Stay here, I'll get it. | 0:26:40 | 0:26:42 | |
So, what's up, then? | 0:26:54 | 0:26:56 | |
Who've you been calling? | 0:26:56 | 0:26:58 | |
-What? -AC-12 know you've been making dodgy calls. | 0:26:58 | 0:27:01 | |
They think I'm in on it! | 0:27:01 | 0:27:02 | |
All this time, we trusted you. It was just the three of us. | 0:27:03 | 0:27:06 | |
Now, Rod's dead and that still isn't the end of it! | 0:27:06 | 0:27:08 | |
Jackie, what are you...? | 0:27:08 | 0:27:10 | |
Who have you been making those calls to? | 0:27:10 | 0:27:13 | |
What aren't you telling me?! | 0:27:13 | 0:27:15 | |
I haven't been making any calls, all right? It's just me and you, | 0:27:15 | 0:27:18 | |
and as long as we stick together, then... | 0:27:18 | 0:27:20 | |
Jackie, I've been telling you the truth. | 0:27:20 | 0:27:22 | |
DOOR SLAMS | 0:27:22 | 0:27:24 | |
RAIN PATTERS | 0:27:25 | 0:27:28 | |
RINGING TONE | 0:27:45 | 0:27:47 | |
Yeah, I'm sorry, I know it's late. | 0:27:49 | 0:27:51 | |
I need to go in and see AC-12... | 0:27:53 | 0:27:55 | |
..and I'm going to need your solicitor. | 0:27:56 | 0:27:59 | |
-Stand away from the door. > -BUZZER | 0:28:07 | 0:28:09 | |
-Ms Denton, you remain under oath. -Thank you, milady. | 0:28:37 | 0:28:41 | |
Ms Denton... | 0:28:43 | 0:28:45 | |
In your examination-in-chief, by your own counsel, | 0:28:46 | 0:28:49 | |
you made a number of references to an undercover operation | 0:28:49 | 0:28:52 | |
conducted by a Detective Sergeant Arnott of Anti-Corruption Unit 12. | 0:28:52 | 0:28:55 | |
Yes, I did. | 0:28:55 | 0:28:57 | |
Did any of these operations involve Detective Sergeant Arnott | 0:28:57 | 0:29:00 | |
-being present at your home? -Some did. | 0:29:00 | 0:29:02 | |
-You were alone with Detective Sergeant Arnott? -Sometimes. | 0:29:02 | 0:29:06 | |
And on all these occasions, | 0:29:06 | 0:29:07 | |
there were no other police officers in the vicinity? | 0:29:07 | 0:29:10 | |
There was a constable stationed outside the house. | 0:29:10 | 0:29:12 | |
-Where outside? -On the doorstep. | 0:29:12 | 0:29:14 | |
-And where did sexual relations take place? -In the bedroom. | 0:29:14 | 0:29:18 | |
-And how was the bedroom accessed? -Via the stairs. | 0:29:18 | 0:29:21 | |
And how far do the stairs lie from the front door? | 0:29:23 | 0:29:26 | |
I don't know, three or four metres from the front door. | 0:29:26 | 0:29:28 | |
From the plans of your home obtained by the prosecution, | 0:29:28 | 0:29:32 | |
the distance is... | 0:29:32 | 0:29:34 | |
2.7 metres. | 0:29:34 | 0:29:36 | |
-If you say so. -I don't "say so", | 0:29:36 | 0:29:39 | |
it's a fact. | 0:29:39 | 0:29:40 | |
And if I'm inaccurate, I'll be corrected. | 0:29:40 | 0:29:43 | |
There are written statements by all the officers | 0:29:45 | 0:29:48 | |
stationed outside the door in early October, and not one recalls | 0:29:48 | 0:29:51 | |
hearing you and Detective Sergeant Arnott go upstairs together. | 0:29:51 | 0:29:54 | |
Well, that doesn't surprise me. | 0:29:54 | 0:29:56 | |
It doesn't surprise you that trained police officers | 0:29:56 | 0:29:59 | |
on guard duty, in a high state of vigilance, | 0:29:59 | 0:30:02 | |
don't hear the two of you go upstairs for sex | 0:30:02 | 0:30:04 | |
when he or she is less than three metres away? | 0:30:04 | 0:30:07 | |
-We were discreet. -Hmm. | 0:30:07 | 0:30:09 | |
You've told the jury that this intimacy | 0:30:11 | 0:30:14 | |
with Detective Sergeant Arnott won your trust and, therefore, | 0:30:14 | 0:30:17 | |
you permitted him unsupervised access to your home. | 0:30:17 | 0:30:20 | |
There were times when I was napping or in the bath or the shower | 0:30:20 | 0:30:23 | |
and he was free to roam the premises. I trusted him completely. | 0:30:23 | 0:30:26 | |
And you've alleged that on one of these occasions, | 0:30:26 | 0:30:29 | |
Detective Sergeant Arnott planted a sum of money | 0:30:29 | 0:30:32 | |
in your late mother's overnight case. | 0:30:32 | 0:30:34 | |
Did you witness Detective Sergeant Arnott | 0:30:35 | 0:30:37 | |
-bringing the £50,000 into your home? -No. | 0:30:37 | 0:30:39 | |
Did you ever witness Detective Sergeant Arnott having access | 0:30:39 | 0:30:42 | |
-to tens of thousands of pounds in cash? -He'd hardly do it openly. | 0:30:42 | 0:30:46 | |
Corrupt officers have access to criminal contacts. | 0:30:46 | 0:30:49 | |
Please answer the question you've been asked. | 0:30:49 | 0:30:51 | |
Did you ever witness Detective Sergeant Arnott | 0:30:53 | 0:30:56 | |
with such an enormous sum... | 0:30:56 | 0:30:58 | |
of cash? | 0:30:58 | 0:31:00 | |
I don't know how Steve Arnott got hold of the money | 0:31:00 | 0:31:02 | |
-and then got it into my house. -Ms Denton, you've answered. | 0:31:02 | 0:31:05 | |
And I'm still answering. If I'm in accurate, I'll be corrected. | 0:31:05 | 0:31:08 | |
(The nerve of that one.) | 0:31:08 | 0:31:09 | |
Steve Arnott had my complete trust | 0:31:09 | 0:31:12 | |
and the trust of the officers on guard duty. | 0:31:12 | 0:31:14 | |
He could easily have picked his moment to plant the money | 0:31:14 | 0:31:16 | |
and I firmly believe that that is the best explanation | 0:31:16 | 0:31:20 | |
for how it came to be there. | 0:31:20 | 0:31:21 | |
Because I had never seen that money before. | 0:31:21 | 0:31:23 | |
Were you aware that you were under investigation | 0:31:25 | 0:31:27 | |
-by Anti-Corruption Unit 12? -Yes, I was. | 0:31:27 | 0:31:30 | |
-And were you cooperating with that investigation? -Yes, I was. | 0:31:30 | 0:31:32 | |
You were being completely honest, to the best of your knowledge, | 0:31:32 | 0:31:35 | |
-in assisting them with their enquiries? -Yes, I was. | 0:31:35 | 0:31:38 | |
And had you always been completely honest with Anti-Corruption Unit 12? | 0:31:38 | 0:31:42 | |
Please answer, Ms Denton. | 0:31:50 | 0:31:52 | |
It was a complex case and there were many details that were elusive | 0:31:52 | 0:31:56 | |
and, at times, required further thought | 0:31:56 | 0:31:58 | |
and examination before I could give a definitive answer. | 0:31:58 | 0:32:01 | |
Did you lie in relation to matters surrounding the conspiracy | 0:32:01 | 0:32:05 | |
to murder Tommy Hunter? | 0:32:05 | 0:32:07 | |
Ms Denton. | 0:32:12 | 0:32:14 | |
As I said, it was a complex case, | 0:32:16 | 0:32:18 | |
and many details were difficult to define or recollect. | 0:32:18 | 0:32:21 | |
-Did you lie about having prior knowledge of Hunter? -No. | 0:32:21 | 0:32:25 | |
-You lied about having prior knowledge of Hunter, didn't you? -No. | 0:32:26 | 0:32:29 | |
You told the investigators lie after lie to confound them, | 0:32:29 | 0:32:32 | |
and to pervert the course of justice, didn't you? | 0:32:32 | 0:32:34 | |
-It wasn't like that. -It was like that. | 0:32:34 | 0:32:37 | |
You wove a web of deceit to confound the investigators | 0:32:37 | 0:32:40 | |
and to protect yourself, | 0:32:40 | 0:32:42 | |
-and you have the effrontery to attempt to deceive this jury. -No! | 0:32:42 | 0:32:45 | |
Did you fabricate the improper relations between you | 0:32:45 | 0:32:47 | |
-and Detective Sergeant Arnott? -No. | 0:32:47 | 0:32:49 | |
-Did you fabricate the planting of evidence against you? -No. | 0:32:49 | 0:32:51 | |
Lindsay Denton, aren't you an artful, devious person, | 0:32:51 | 0:32:54 | |
-who has betrayed the trust placed in her as a police officer... -No. | 0:32:54 | 0:32:56 | |
..and haven't you repeatedly and shamelessly connived | 0:32:56 | 0:32:59 | |
-to obstruct those who would bring you to justice? -NO, I HAVEN'T! | 0:32:59 | 0:33:02 | |
Watching that circus really turned my stomach. | 0:33:12 | 0:33:16 | |
Listen, I owe you an apology for the other night. | 0:33:19 | 0:33:22 | |
Your...dinner invitation. | 0:33:22 | 0:33:24 | |
You're a married man. | 0:33:25 | 0:33:27 | |
This is it. | 0:33:27 | 0:33:28 | |
But here we are, two colleagues having a drink, | 0:33:28 | 0:33:31 | |
and the sky hasn't fallen in yet. | 0:33:31 | 0:33:33 | |
Yeah. | 0:33:36 | 0:33:37 | |
Yeah... | 0:33:38 | 0:33:40 | |
INAUDIBLE | 0:33:49 | 0:33:52 | |
This is a voluntary interview by authorised firearms officer | 0:34:03 | 0:34:07 | |
Victor Charlie 53 in the presence | 0:34:07 | 0:34:09 | |
of her Police Federation representative and solicitor, | 0:34:09 | 0:34:12 | |
by Superintendent Hastings and DS Arnott. | 0:34:12 | 0:34:14 | |
I want to cooperate. | 0:34:15 | 0:34:17 | |
I want to go on record that I have never, at any time, | 0:34:18 | 0:34:22 | |
engaged with any other officer in covert telecommunications | 0:34:22 | 0:34:26 | |
to knowingly mislead lawful enquiries. | 0:34:26 | 0:34:28 | |
Glad to hear it. | 0:34:28 | 0:34:29 | |
I also want to clarify... | 0:34:31 | 0:34:33 | |
..some details... | 0:34:34 | 0:34:36 | |
of previous statements made regarding | 0:34:36 | 0:34:38 | |
the death of Sergeant Daniel Waldron. | 0:34:38 | 0:34:41 | |
Very good. | 0:34:41 | 0:34:43 | |
Carry on. | 0:34:43 | 0:34:44 | |
I never saw the exact moment the struggle started. | 0:34:46 | 0:34:50 | |
The struggle for the gun that killed Daniel Waldron. | 0:34:52 | 0:34:54 | |
Neither did Rod. | 0:34:54 | 0:34:56 | |
We had to rely on what Hari... | 0:34:58 | 0:34:59 | |
On what 54 told us. | 0:35:01 | 0:35:03 | |
He said that Danny had entered the room with his firearm drawn | 0:35:04 | 0:35:07 | |
and that he'd turned the gun on 54. | 0:35:07 | 0:35:09 | |
So, you're saying Danny tried to kill 54? | 0:35:09 | 0:35:12 | |
I'm saying that's only what 54 told us. | 0:35:12 | 0:35:14 | |
He said that Danny turned the gun on him. | 0:35:16 | 0:35:18 | |
54 made a grab for the firearm to stop Danny from shooting him. | 0:35:18 | 0:35:22 | |
There was a struggle for the gun, Rod and I joined in that struggle. | 0:35:22 | 0:35:26 | |
The gun went off and killed Danny. | 0:35:27 | 0:35:29 | |
Hold on a second, Constable, | 0:35:29 | 0:35:31 | |
this is going way beyond clarifying a statement. | 0:35:31 | 0:35:34 | |
I mean, you are changing your story all over again, here. | 0:35:35 | 0:35:39 | |
This is the truth, sir. | 0:35:39 | 0:35:41 | |
Well, you need to take a deep breath... | 0:35:42 | 0:35:44 | |
..and we need to caution you. | 0:35:45 | 0:35:46 | |
You do not have to say anything, but it may harm your defence | 0:35:46 | 0:35:49 | |
if you fail to mention, when questioned, | 0:35:49 | 0:35:51 | |
something you later rely on in court. | 0:35:51 | 0:35:53 | |
Anything you do say may be used in evidence. Do you understand? | 0:35:53 | 0:35:56 | |
I understand. | 0:35:56 | 0:35:58 | |
So, now you're saying that Danny wasn't trying to kill himself. | 0:35:58 | 0:36:01 | |
-He was trying to kill VC 54, or so 54 claims? -Yes, sir. | 0:36:02 | 0:36:07 | |
-That seemed plausible. -Why? | 0:36:08 | 0:36:10 | |
Danny was bullying us into covering for him after he shot a suspect. | 0:36:13 | 0:36:16 | |
He moved the suspect's firearm, | 0:36:17 | 0:36:20 | |
and then, he discharged the weapon narrowly missing 54. | 0:36:20 | 0:36:23 | |
What, you conspired with Daniel Waldron to provide false | 0:36:23 | 0:36:26 | |
statements regarding the shooting? | 0:36:26 | 0:36:28 | |
Yes, sir. | 0:36:29 | 0:36:31 | |
We were all really scared of Danny. | 0:36:31 | 0:36:33 | |
There was a part of him that was capable of doing anything. | 0:36:33 | 0:36:36 | |
-So, you killed him? -No! | 0:36:36 | 0:36:38 | |
It seemed like an accident. | 0:36:38 | 0:36:40 | |
54 convinced me and Rod | 0:36:43 | 0:36:46 | |
that if we said that we'd killed Danny in self-defence, | 0:36:46 | 0:36:48 | |
that the least we'd be looking at would be manslaughter. | 0:36:48 | 0:36:51 | |
He told us to claim that we were trying to save Danny... | 0:36:51 | 0:36:55 | |
..and that way, nobody could blame us for his death. | 0:36:57 | 0:36:59 | |
Yes, but instead of telling the truth, the three of you went off | 0:36:59 | 0:37:02 | |
and concocted a whole new version of events. | 0:37:02 | 0:37:04 | |
And then, you decided to blame Rod Kennedy for Danny's death. | 0:37:04 | 0:37:07 | |
I knew Rod was jealous of Danny. | 0:37:07 | 0:37:10 | |
It seemed plausible that he could have been the one. | 0:37:11 | 0:37:13 | |
-You don't believe that any more? -No, sir. | 0:37:13 | 0:37:16 | |
54 initiated the struggle with that gun. | 0:37:17 | 0:37:21 | |
And it's only his word for it that it was self-defence. | 0:37:22 | 0:37:24 | |
I just don't believe him any more. | 0:37:26 | 0:37:27 | |
I can't cover for 54 any longer. | 0:37:29 | 0:37:31 | |
He convinced me... | 0:37:34 | 0:37:36 | |
to blame Rod. | 0:37:36 | 0:37:38 | |
But I'm not sure that Rod could have killed Danny. | 0:37:39 | 0:37:42 | |
He wasn't that sort of man. | 0:37:43 | 0:37:45 | |
I betrayed him. | 0:37:53 | 0:37:54 | |
Constable, you have my sincere condolences | 0:38:00 | 0:38:03 | |
for the deaths of your colleagues. | 0:38:03 | 0:38:06 | |
However, we have a job to do, | 0:38:06 | 0:38:08 | |
and that job requires us to investigate thoroughly | 0:38:08 | 0:38:11 | |
and impartially the murder of one of our own. | 0:38:11 | 0:38:15 | |
And whilst we appreciate your cooperation here today, | 0:38:15 | 0:38:18 | |
you have knowingly misled | 0:38:18 | 0:38:21 | |
this enquiry for weeks... | 0:38:21 | 0:38:24 | |
..on matters of the utmost gravity. | 0:38:25 | 0:38:28 | |
Firstly, in respect of the shooting dead of a suspect. | 0:38:28 | 0:38:32 | |
Secondly, in respect of the loss of life | 0:38:32 | 0:38:37 | |
of an officer in the line of duty, | 0:38:37 | 0:38:39 | |
the withholding of crucial information, | 0:38:39 | 0:38:42 | |
the blatant disregard from your lawful duty as a police officer | 0:38:42 | 0:38:46 | |
to comply with a criminal investigation, and therefore, | 0:38:46 | 0:38:50 | |
I am submitting to the Police Board, | 0:38:50 | 0:38:52 | |
that you be served with a red notice | 0:38:52 | 0:38:54 | |
which is the termination of your contract as a police officer. | 0:38:54 | 0:38:58 | |
And moreover, I will report to the Crown Prosecutor | 0:38:58 | 0:39:02 | |
regarding perverting the course of justice and assisting an offender. | 0:39:02 | 0:39:06 | |
Now, you won't be charged at this time, however, | 0:39:06 | 0:39:08 | |
pending my discussion with the Crown Prosecutor, | 0:39:08 | 0:39:11 | |
you may be charged with these offences. | 0:39:11 | 0:39:13 | |
But I thought if I cooperated, that you'd go easier on me? | 0:39:13 | 0:39:17 | |
A suspension? | 0:39:17 | 0:39:19 | |
A yellow notice? | 0:39:20 | 0:39:22 | |
A fellow officer has been killed. | 0:39:22 | 0:39:23 | |
There is no more serious offence that we investigate. | 0:39:26 | 0:39:30 | |
Now, you may think I am harsh, Constable... | 0:39:30 | 0:39:33 | |
..but, I know that this is justice. | 0:39:35 | 0:39:37 | |
SHE SOBS | 0:39:43 | 0:39:46 | |
All rise. | 0:39:50 | 0:39:51 | |
Foreman of the jury, please stand. | 0:40:02 | 0:40:05 | |
Have you reached a verdict upon which you are all agreed? | 0:40:06 | 0:40:09 | |
No, we have not. | 0:40:09 | 0:40:10 | |
In these circumstances, | 0:40:12 | 0:40:14 | |
I am willing to accept a majority verdict | 0:40:14 | 0:40:17 | |
upon which ten or more of you agree. | 0:40:17 | 0:40:19 | |
Yes, milady. | 0:40:19 | 0:40:21 | |
All rise. | 0:40:22 | 0:40:23 | |
Pick. | 0:40:42 | 0:40:43 | |
A or B? | 0:40:43 | 0:40:45 | |
A. | 0:40:45 | 0:40:46 | |
The report from the second PM on PC Kennedy. | 0:40:46 | 0:40:49 | |
-KNOCK AT DOOR -Yeah. | 0:40:53 | 0:40:55 | |
-Boss, sorry, I thought this shouldn't wait. -Yeah, come on. | 0:40:55 | 0:40:58 | |
This something I should know about, Gaffer? | 0:41:05 | 0:41:07 | |
-Yeah, why don't you bring the whole bloody office with you? -Sorry, sir. | 0:41:07 | 0:41:10 | |
The pathologist revised the findings on Rod Kennedy's postmortem. | 0:41:10 | 0:41:13 | |
She's admitted that they screwed up on the first one? | 0:41:13 | 0:41:15 | |
Well, the findings are subtle. | 0:41:15 | 0:41:17 | |
But there's a superficial head injury. | 0:41:17 | 0:41:19 | |
Bruising was hidden under scalp hair at the back of the head | 0:41:19 | 0:41:22 | |
and minor defensive wounds on the hands. | 0:41:22 | 0:41:23 | |
Again, very subtle. Unfortunately, | 0:41:23 | 0:41:25 | |
no organic material recovered from under the fingernails. | 0:41:25 | 0:41:28 | |
-None of this is very strong. -No, but I went back over the forensics, | 0:41:28 | 0:41:31 | |
and there were foreign fibres in Kennedy's clothing. | 0:41:31 | 0:41:33 | |
-Again, not strong. -Similar fibres were found in Kennedy's nose | 0:41:33 | 0:41:36 | |
-and mouth at the second PM. -Right. | 0:41:36 | 0:41:39 | |
Best guess, someone smothered him, | 0:41:39 | 0:41:40 | |
and then hanged him while he was unconscious. | 0:41:40 | 0:41:43 | |
Well, if Bains killed Danny, | 0:41:43 | 0:41:44 | |
I'll lay you evens he killed Kennedy, as well. | 0:41:44 | 0:41:47 | |
I need to show you this. | 0:41:47 | 0:41:49 | |
Traffic camera vid-caps from the night of Rod Kennedy's death. | 0:41:49 | 0:41:53 | |
This camera is located less than half a mile | 0:41:53 | 0:41:55 | |
from the industrial estate. | 0:41:55 | 0:41:56 | |
This registration matches a vehicle registered to... | 0:41:56 | 0:42:00 | |
Harinderpal Bains. | 0:42:00 | 0:42:02 | |
It's definitely gone over the threshold | 0:42:04 | 0:42:07 | |
for our friend, PC Hari Bains. Bring him in, Steve. | 0:42:07 | 0:42:09 | |
-Good call, Gaffer. -Sir. | 0:42:09 | 0:42:11 | |
What happened with the postmortem? Weren't you supposed to organise it? | 0:42:14 | 0:42:17 | |
Yeah, listen, I sent the e-mail, but I only just saw this morning, | 0:42:17 | 0:42:21 | |
-it bounced back from the pathologist's office. -Right. | 0:42:21 | 0:42:25 | |
Steve, you're a life-saver. | 0:42:25 | 0:42:26 | |
PHONE RINGS | 0:42:30 | 0:42:32 | |
Maneet, get me a update on Hari Bain's whereabouts. Urgent. | 0:42:32 | 0:42:37 | |
-KEYS CLACK -Telecoms. | 0:42:38 | 0:42:39 | |
I'll get hold of Kate and see if she's on his tail. | 0:42:39 | 0:42:42 | |
We need an urgent triangulation on a suspect's mobile phone. | 0:42:42 | 0:42:45 | |
Telephone number, 07591 152 689. | 0:42:45 | 0:42:50 | |
PHONE RINGS | 0:42:56 | 0:42:58 | |
-Yeah. -He's at or near home. | 0:42:58 | 0:43:00 | |
Right, could I have concealed firearms. Organise armed backup. | 0:43:00 | 0:43:03 | |
Telecoms triangulation places Hari Bains at his home address. | 0:43:03 | 0:43:05 | |
We understand that his wife and one child reside at this same address. | 0:43:05 | 0:43:10 | |
-What? -PC Francis is in Bains's squad. She shouldn't be here. | 0:43:10 | 0:43:14 | |
Correct. | 0:43:15 | 0:43:17 | |
Thank you. | 0:43:17 | 0:43:18 | |
Francis? | 0:43:18 | 0:43:19 | |
Sir. | 0:43:22 | 0:43:23 | |
-PHONE RINGS -DI Cottan. | 0:43:33 | 0:43:36 | |
I've been bumped off the op. Too close to Bains. | 0:43:36 | 0:43:39 | |
-I need to be in on this, Dot. Can you make a call? -'No.' | 0:43:39 | 0:43:42 | |
This is too dangerous. I want you out of it. | 0:43:42 | 0:43:44 | |
-Oh, for Christ's sake, Dot! -Sorry, Kate. | 0:43:44 | 0:43:47 | |
Set aside that this is one of our own. | 0:43:48 | 0:43:51 | |
Hari Bains is potentially armed | 0:43:51 | 0:43:53 | |
and is considered to be extremely dangerous. | 0:43:53 | 0:43:55 | |
ALARMS RING | 0:43:55 | 0:43:57 | |
Let's get this done. | 0:44:00 | 0:44:02 | |
SIRENS WAIL | 0:44:02 | 0:44:04 | |
Hello. | 0:44:16 | 0:44:18 | |
Kate, you were right about the PM. Rod Kennedy, he was murdered. | 0:44:18 | 0:44:23 | |
MOBILE RINGS | 0:44:23 | 0:44:25 | |
-Hello? -'You're being fitted up for murdering Rod Kennedy.' | 0:44:29 | 0:44:32 | |
No, he was fine when I left him. | 0:44:32 | 0:44:34 | |
'Do you hear how guilty you sound already?' | 0:44:34 | 0:44:36 | |
-I don't know what to do. -'Well, I do this for a living.' | 0:44:36 | 0:44:39 | |
If you want a way out, you'll listen to me. | 0:44:39 | 0:44:41 | |
SIRENS WAIL | 0:44:44 | 0:44:46 | |
-Where's your DI? -On his way. -Then I'm the ranking officer. | 0:45:01 | 0:45:04 | |
We need Bains alive for information on the murder of Danny Waldron. | 0:45:04 | 0:45:07 | |
Armed police! Come out with your hands above your head! | 0:45:07 | 0:45:10 | |
Coming out! | 0:45:10 | 0:45:11 | |
-Where's Hari? -I don't know. He went into the garage. -Can you open it? | 0:45:13 | 0:45:17 | |
-The keys are on the side. -Get her out of here. -Hari, it's McAndrew! | 0:45:17 | 0:45:20 | |
-We're opening the garage door. -LOCK BEEPS | 0:45:22 | 0:45:24 | |
RUMBLING | 0:45:24 | 0:45:27 | |
It's jammed. | 0:45:27 | 0:45:28 | |
Wait! | 0:45:28 | 0:45:29 | |
Clear! | 0:45:37 | 0:45:38 | |
Open it. | 0:45:38 | 0:45:40 | |
Don't touch the phone. | 0:45:41 | 0:45:43 | |
MOBILE RINGS | 0:45:52 | 0:45:54 | |
-Arnott. DOT: -'I've got eyes on Hari Bains. | 0:45:54 | 0:45:56 | |
'He's just entered the industrial unit | 0:45:56 | 0:45:58 | |
'where Rod Kennedy's body was found.' | 0:45:58 | 0:46:00 | |
Look, he's probably armed. Don't move until I bring backup. | 0:46:00 | 0:46:02 | |
'I'm not daft. I'm going to stay well out of it.' | 0:46:02 | 0:46:04 | |
Thanks, they're on their way. Come here, come here. | 0:46:04 | 0:46:07 | |
Secure that phone. I've got obs on Bains. Follow me! | 0:46:07 | 0:46:09 | |
Kate, I got obs on Bains. | 0:46:15 | 0:46:17 | |
I'm en route to the industrial unit where Rod Kennedy was found. | 0:46:17 | 0:46:20 | |
Cheers, Steve, I'm on my way. | 0:46:20 | 0:46:22 | |
Seriously? | 0:47:08 | 0:47:09 | |
Of all the places to run, mate. | 0:47:09 | 0:47:11 | |
Where are you going, now? | 0:47:12 | 0:47:14 | |
-What are you doing here? -I'm just minding my own business. | 0:47:19 | 0:47:22 | |
Re-examining an old crime scene. | 0:47:24 | 0:47:25 | |
You expecting someone else? | 0:47:27 | 0:47:29 | |
-Who? -Don't know what you're on about, mate. | 0:47:30 | 0:47:34 | |
Well, have it your own way. | 0:47:35 | 0:47:37 | |
I was just trying to give you a chance before the circus arrives! | 0:47:37 | 0:47:40 | |
A chance of what? | 0:47:47 | 0:47:49 | |
The way I see it, it's your word against Jackie Brickford's. | 0:47:56 | 0:48:01 | |
Now, if you're seen to be cooperating with the enquiry, then... | 0:48:01 | 0:48:04 | |
it doesn't take a genius to figure out who they'll believe, eh? | 0:48:04 | 0:48:08 | |
Listen, boy, I don't trust you as far as I can throw you. | 0:48:08 | 0:48:11 | |
This is where your mate Rod died. | 0:48:11 | 0:48:14 | |
We've just had the postmortem report in. | 0:48:15 | 0:48:17 | |
He was murdered. | 0:48:17 | 0:48:19 | |
You see, that's what I'm doing here. | 0:48:21 | 0:48:22 | |
You...? | 0:48:22 | 0:48:23 | |
Well, that's not very clever, is it? | 0:48:25 | 0:48:26 | |
Returning to the scene of the crime. | 0:48:27 | 0:48:30 | |
-I had nothing to do with that. -I believe you, mate. | 0:48:30 | 0:48:33 | |
I do. | 0:48:33 | 0:48:35 | |
And frankly, between the two of us, | 0:48:35 | 0:48:37 | |
the forensics aren't that strong. | 0:48:37 | 0:48:39 | |
But will Hastings? | 0:48:41 | 0:48:43 | |
Hm? Will the CPS? | 0:48:43 | 0:48:45 | |
See, this is that chance I was talking about. | 0:48:48 | 0:48:50 | |
Now, starting with Danny Waldron, before he died, | 0:48:53 | 0:48:56 | |
did he ever confide anything to you about those two pervs he killed? | 0:48:56 | 0:48:59 | |
-No, he never said owt. -You think carefully. | 0:48:59 | 0:49:02 | |
Ronan Murphy and Linus Murphy were the blokes he killed. | 0:49:02 | 0:49:05 | |
-Did he ever mention any other names? Politicians? Coppers? -No. -Think. | 0:49:05 | 0:49:10 | |
Tommy Hunter and Lindsay Denton. | 0:49:11 | 0:49:13 | |
What would Danny have to say about them? | 0:49:13 | 0:49:16 | |
All right. So, who are you here to meet? | 0:49:19 | 0:49:22 | |
I don't know. | 0:49:23 | 0:49:25 | |
I never met him. | 0:49:25 | 0:49:27 | |
I don't know anything about him. | 0:49:27 | 0:49:28 | |
Nothing. | 0:49:30 | 0:49:32 | |
No, nothing. | 0:49:32 | 0:49:33 | |
Have it your own way, mate. | 0:49:33 | 0:49:35 | |
Look, you don't understand. | 0:49:35 | 0:49:37 | |
What don't I understand?! | 0:49:37 | 0:49:38 | |
-Man, I'm just small fry. -Steady. | 0:49:38 | 0:49:41 | |
It's just my phone. | 0:49:41 | 0:49:43 | |
Look, it's unregistered. They can't trace it. | 0:49:44 | 0:49:46 | |
I'll call them for you now, yeah? | 0:49:48 | 0:49:50 | |
Yeah. | 0:49:51 | 0:49:52 | |
BEEPING | 0:50:00 | 0:50:02 | |
'The number you have called is not recognised. Please check the number. | 0:50:02 | 0:50:05 | |
'The number you have called is not recognised. Please check the number. | 0:50:05 | 0:50:10 | |
-'The number you have called...' -KEYPAD TONE | 0:50:10 | 0:50:12 | |
There is no bloke. | 0:50:15 | 0:50:16 | |
It's all you! | 0:50:17 | 0:50:19 | |
You killed Danny Waldron. | 0:50:20 | 0:50:22 | |
You persuaded your mates to lie about it, | 0:50:22 | 0:50:24 | |
and then, when Rod Kennedy wanted to come clean, you killed him? | 0:50:24 | 0:50:27 | |
No, none of that's true. | 0:50:27 | 0:50:29 | |
I never killed Rod. | 0:50:32 | 0:50:33 | |
SIRENS APPROACH | 0:50:33 | 0:50:35 | |
HE GRUNTS | 0:50:45 | 0:50:48 | |
HE GROANS | 0:50:48 | 0:50:50 | |
SIRENS WAIL | 0:50:52 | 0:50:55 | |
Go! | 0:51:00 | 0:51:02 | |
Armed police! | 0:51:02 | 0:51:03 | |
AC-12, don't shoot! | 0:51:03 | 0:51:05 | |
Stay down, hands behind your head! | 0:51:05 | 0:51:07 | |
-Cuff him! ..You OK, Dot? -Yeah. | 0:51:07 | 0:51:10 | |
Harinderpal Bains, I'm arresting you for the murder of Roderick Kennedy. | 0:51:16 | 0:51:19 | |
You do not have to say anything, but it may harm your defence | 0:51:19 | 0:51:22 | |
if you fail to mention, when questioned, | 0:51:22 | 0:51:24 | |
something you later rely on in court. | 0:51:24 | 0:51:26 | |
Anything you do say, may be used in evidence. Key. | 0:51:26 | 0:51:29 | |
What the hell are you doing here, Francis? | 0:51:29 | 0:51:31 | |
DC Fleming, Ma'am. AC-12. | 0:51:31 | 0:51:33 | |
What happened? | 0:51:33 | 0:51:35 | |
Just take a look. | 0:51:35 | 0:51:36 | |
When I got here, Bains jumped me. | 0:51:56 | 0:51:58 | |
You know, he was going to string me up the same way he did Rod Kennedy. | 0:51:58 | 0:52:02 | |
I shouldn't have gone in without backup, sir. | 0:52:02 | 0:52:04 | |
I just didn't want him to get away, you know? | 0:52:04 | 0:52:06 | |
Well, nobody's going to question your judgment. | 0:52:06 | 0:52:08 | |
You did a grand job, son. | 0:52:08 | 0:52:10 | |
Now, take yourself off to the hospital | 0:52:10 | 0:52:11 | |
and get yourself a checkup. Go on, off you go. | 0:52:11 | 0:52:13 | |
-Cheers, Gaffer. -Yeah. | 0:52:13 | 0:52:15 | |
Inspector, we're going to take this man into our custody, | 0:52:15 | 0:52:18 | |
but I'd like you to give us | 0:52:18 | 0:52:19 | |
-one of your crews to ride shotgun. -Yes, sir. | 0:52:19 | 0:52:22 | |
You're lucky AC-12 got to you first. | 0:52:24 | 0:52:26 | |
My team, we're following! The rest of you, back to the station. | 0:52:27 | 0:52:30 | |
< You heard the guv. | 0:52:30 | 0:52:32 | |
Have you anything to say? | 0:52:35 | 0:52:36 | |
Take him away. Steve... | 0:52:40 | 0:52:42 | |
-You OK, Dot? -Yeah, I'll live. | 0:52:46 | 0:52:48 | |
Minor facial injury... > | 0:52:56 | 0:52:58 | |
MUFFLED SIRENS WAIL | 0:53:04 | 0:53:08 | |
HUSHED CONVERSATION | 0:53:08 | 0:53:10 | |
Jury's coming back. You're free to come in, if you want. | 0:53:20 | 0:53:23 | |
I'll wait here. | 0:53:23 | 0:53:25 | |
DOOR OPENS | 0:53:37 | 0:53:39 | |
Will the defendant please stand? | 0:53:52 | 0:53:53 | |
Will the foreman of the jury please stand? | 0:53:57 | 0:53:59 | |
A search of Hari Bains' home uncovered a cache of mobile phones. | 0:54:04 | 0:54:08 | |
All of the unregistered, pay-as-you-go variety. | 0:54:08 | 0:54:10 | |
Finding these phones allowed us to examine their call history. | 0:54:10 | 0:54:14 | |
Hari Bains received a call the night before going to | 0:54:14 | 0:54:16 | |
Inspector McAndrew and volunteering to stay on Danny's squad. | 0:54:16 | 0:54:19 | |
And who was the call from? | 0:54:19 | 0:54:21 | |
Well, unfortunately, it was also an unregistered pay-as-you-go phone, | 0:54:21 | 0:54:25 | |
and said phone is no longer in history. | 0:54:25 | 0:54:27 | |
Same MO as the recent text Bains received, telling him to sit tight. | 0:54:27 | 0:54:31 | |
Three days later, there's another call from the same number. | 0:54:31 | 0:54:34 | |
That was the night before Bains murdered Danny Waldron. | 0:54:34 | 0:54:36 | |
-You think they're connected? -Well, if they are, sir, | 0:54:37 | 0:54:40 | |
it means somebody's been pulling the strings. | 0:54:40 | 0:54:42 | |
-Someone who ordered Danny's murder. -Well done, Dot! | 0:54:42 | 0:54:45 | |
CALLS OF ENCOURAGEMENT | 0:54:45 | 0:54:46 | |
-Welcome back, Dot! -Thanks, Gaffer. -Great work, sir. -Cheers. | 0:54:50 | 0:54:54 | |
On the charge of conspiracy to murder, | 0:54:54 | 0:54:56 | |
have you reached a verdict upon which at least ten of you agree? | 0:54:56 | 0:54:59 | |
-We have. -What is your verdict? | 0:54:59 | 0:55:00 | |
Not guilty. | 0:55:02 | 0:55:03 | |
On the charge of perverting the course of justice, | 0:55:03 | 0:55:06 | |
have you reached a verdict upon which at least ten of you agree? | 0:55:06 | 0:55:09 | |
-We have. -What is your verdict? | 0:55:09 | 0:55:12 | |
Guilty. | 0:55:12 | 0:55:14 | |
Members of the jury, | 0:55:15 | 0:55:17 | |
thank you for your time and efforts in this complex case. | 0:55:17 | 0:55:20 | |
You are now dismissed. | 0:55:22 | 0:55:24 | |
I'm putting you in for a commendation. | 0:55:29 | 0:55:31 | |
-Sir, I don't deserve that. -Will you listen to this fella? | 0:55:31 | 0:55:34 | |
Single-handedly brings in an AFO, | 0:55:34 | 0:55:35 | |
who killed two coppers in cold blood, | 0:55:35 | 0:55:37 | |
and for all he knew, he could have been armed to the teeth. | 0:55:37 | 0:55:40 | |
-I'll give you, "Don't deserve it". -Thanks, sir. | 0:55:40 | 0:55:43 | |
'Lindsay Denton, | 0:55:46 | 0:55:48 | |
'for the offence of perverting the course of justice,' | 0:55:48 | 0:55:51 | |
I impose a sentence of 38 months' imprisonment. | 0:55:51 | 0:55:55 | |
Since you have already served the custodial term of that sentence, | 0:55:56 | 0:56:00 | |
your immediate release on licence will follow. | 0:56:00 | 0:56:03 | |
You are now free to go. | 0:56:03 | 0:56:05 | |
All rise. | 0:56:14 | 0:56:16 | |
SHE MOUTHS | 0:56:25 | 0:56:26 | |
I can't believe it. | 0:56:39 | 0:56:40 | |
They've let her out on licence. | 0:56:40 | 0:56:42 | |
-Lindsay! -Lindsay! -There she is! | 0:56:44 | 0:56:46 | |
CLAMOUR | 0:56:46 | 0:56:48 | |
Ladies and gentlemen, I would like to make a brief statement | 0:56:48 | 0:56:52 | |
on behalf of my client. | 0:56:52 | 0:56:53 | |
My client would like to thank the men and women of the jury, | 0:56:53 | 0:56:57 | |
who were faced with a complex case... | 0:56:57 | 0:57:00 | |
585 days, | 0:57:00 | 0:57:02 | |
and on every single one | 0:57:02 | 0:57:04 | |
I thought about what I would do when this moment finally came. | 0:57:04 | 0:57:07 | |
I forgive you. | 0:57:11 | 0:57:12 | |
..Unanswered about the tragic, shocking events | 0:57:12 | 0:57:16 | |
-of the 5th September 2013. -CLAMOUR | 0:57:16 | 0:57:19 | |
Who's the real guilty party, Lindsay? | 0:57:19 | 0:57:22 | |
I'd like to thank the jury. | 0:57:22 | 0:57:24 | |
Do you believe you were set up? Do you think you were framed, Lindsay? | 0:57:24 | 0:57:27 | |
I'd just like to get on with the rest of my life. | 0:57:27 | 0:57:29 | |
REPORTERS SHOUT | 0:57:29 | 0:57:33 | |
-TV: -'Lindsay, what is your...? | 0:57:37 | 0:57:39 | |
'Who set you up?' | 0:57:39 | 0:57:41 | |
I'd like to thank the jury for their decision. | 0:57:43 | 0:57:46 | |
'Who set you up?' | 0:57:46 | 0:57:48 | |
MOBILE RINGS | 0:57:48 | 0:57:51 | |
MOBILE BUZZES, VOLUME ON TV INCREASES | 0:57:52 | 0:57:55 | |
'Earlier today, the former detective inspector | 0:57:55 | 0:57:57 | |
'was acquitted of the charges of conspiracy to murder.' | 0:57:57 | 0:58:00 | |
LOUD RINGING FROM ALL SIDES | 0:58:00 | 0:58:02 | |
PHONES RING AND VIBRATE | 0:58:02 | 0:58:03 | |
REPORTERS SHOUT | 0:58:05 | 0:58:07 | |
'Lindsay! Lindsay!' | 0:58:07 | 0:58:09 | |
'I'd just like to get on with my life.' | 0:58:09 | 0:58:11 |