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This programme contains some violent scenes | 0:00:02 | 0:00:04 | |
and some scenes which some viewers may find upsetting from the start. | 0:00:04 | 0:00:06 | |
Sorry to trouble you at home, but we picked up a triple-9 | 0:00:06 | 0:00:08 | |
on an active abduction of a young female in the Moss Heath area. | 0:00:08 | 0:00:11 | |
Been looking for him for months. We'll get this bastard, yeah? | 0:00:11 | 0:00:13 | |
Michael Farmer, I'm arresting you on suspicion of abduction | 0:00:13 | 0:00:16 | |
and attempted murder. | 0:00:16 | 0:00:18 | |
Is this you, Michael? | 0:00:18 | 0:00:19 | |
The 24-year-old man has been charged. | 0:00:19 | 0:00:21 | |
There's a young boy might go to prison | 0:00:23 | 0:00:25 | |
because of a crime he didn't commit. | 0:00:25 | 0:00:26 | |
Huntley's definitely hiding something | 0:00:26 | 0:00:28 | |
about how the case against Farmer was handled. | 0:00:28 | 0:00:30 | |
What, I don't know. | 0:00:30 | 0:00:31 | |
No. There's the man you should be looking for up there. | 0:00:31 | 0:00:34 | |
New gaffer's ready. | 0:00:36 | 0:00:38 | |
For those who don't know me, I'm DCI Ian Buckells. | 0:00:38 | 0:00:41 | |
I'm now running Operation Trapdoor. | 0:00:41 | 0:00:42 | |
I do not want to pull my officer off this job. | 0:00:42 | 0:00:45 | |
The world and his wife would know who's to blame. | 0:00:45 | 0:00:48 | |
That's me, sir, if you're interested. | 0:00:50 | 0:00:52 | |
Don't leave before you make an appointment. | 0:00:52 | 0:00:55 | |
You all right? | 0:00:57 | 0:00:58 | |
I need to go back to work. | 0:00:58 | 0:01:00 | |
What have you got against Michael Farmer, | 0:01:07 | 0:01:08 | |
except him being retarded enough for you to frame?! | 0:01:08 | 0:01:10 | |
SHE YELLS | 0:01:10 | 0:01:11 | |
HEAVY THUD | 0:01:11 | 0:01:12 | |
SAW BUZZES | 0:01:22 | 0:01:23 | |
Fingertips were amputated postmortem. | 0:01:28 | 0:01:30 | |
So we're surmising that Tim tried to grab a handful of his assailant. | 0:01:30 | 0:01:33 | |
A swab of worktop blood spatter. Item Reference KRG-13. | 0:01:33 | 0:01:37 | |
A trace of foreign DNA was found on Leonie Collersdale's partial torso. | 0:01:45 | 0:01:49 | |
It matches to Tim Ifield. | 0:01:49 | 0:01:52 | |
Team briefing, one minute. | 0:01:59 | 0:02:00 | |
Team briefing. | 0:02:05 | 0:02:06 | |
Office or meeting room, boss? | 0:02:06 | 0:02:07 | |
Incident Room. | 0:02:07 | 0:02:09 | |
I've been thinking we should appeal for more witnesses | 0:02:09 | 0:02:12 | |
in the Michael Farmer case. | 0:02:12 | 0:02:13 | |
As he's been charged, | 0:02:13 | 0:02:14 | |
perhaps they've decided it's not necessary coming forward... | 0:02:14 | 0:02:17 | |
Um, sorry...? | 0:02:17 | 0:02:18 | |
Ah, Ian, join us. Joint team briefing. | 0:02:18 | 0:02:21 | |
Operation Trapdoor and Tim Ifield's murder. | 0:02:21 | 0:02:24 | |
I'm not being funny, Roz, but what you up to? | 0:02:24 | 0:02:26 | |
I've cleared this with Assistant Chief Constable Hilton. | 0:02:26 | 0:02:28 | |
-Well, no-one said a word to me. -Sorry. | 0:02:28 | 0:02:30 | |
Kate. I've promised ACC Hilton complete discretion. | 0:02:33 | 0:02:37 | |
I don't want him being embarrassed | 0:02:37 | 0:02:38 | |
by any of this getting back to East Mids. | 0:02:38 | 0:02:40 | |
Op Trapdoor - although Michael Farmer's been charged, | 0:02:46 | 0:02:51 | |
we're still dealing with recent developments... | 0:02:51 | 0:02:53 | |
Just there, guys. | 0:02:53 | 0:02:55 | |
..namely the finding of body parts | 0:02:56 | 0:02:59 | |
that have been matched to our second victim, Leonie Collersdale. | 0:02:59 | 0:03:02 | |
I cannot emphasise confidentiality enough. | 0:03:08 | 0:03:11 | |
You are not to discuss outside of this inquiry | 0:03:13 | 0:03:16 | |
that Leonie Collersdale's body parts bore traces of Tim Ifield's DNA. | 0:03:16 | 0:03:20 | |
We've never found any connection in the phone records | 0:03:20 | 0:03:22 | |
between Tim Ifield and Leonie Collersdale. | 0:03:22 | 0:03:25 | |
So we're looking for one between Tim and Michael Farmer. | 0:03:25 | 0:03:29 | |
Maybe they were accomplices. | 0:03:29 | 0:03:30 | |
Or maybe Farmer had nothing to do with Leonie Collersdale's murder, | 0:03:30 | 0:03:33 | |
despite being charged with it. | 0:03:33 | 0:03:34 | |
Ian, there's mountains of evidence. | 0:03:34 | 0:03:36 | |
Ma'am, I've been running a check on the tools found in the flat. | 0:03:36 | 0:03:40 | |
May I? Sorry. | 0:03:40 | 0:03:42 | |
No, please. Thank you, Jodie. | 0:03:42 | 0:03:44 | |
They appeared brand-new. The tools. | 0:03:45 | 0:03:47 | |
So I've been looking into recent purchases in the local area... | 0:03:47 | 0:03:51 | |
and I found this on CCTV... | 0:03:51 | 0:03:54 | |
..from the night of Tim's murder. | 0:03:56 | 0:03:58 | |
Sir. | 0:04:07 | 0:04:08 | |
God's sake, I'm busting. | 0:04:08 | 0:04:10 | |
Tie a knot in it. | 0:04:10 | 0:04:11 | |
What went on in there? | 0:04:11 | 0:04:13 | |
Since when's it my job to do yours? | 0:04:13 | 0:04:15 | |
If you put the report on my desk, DS Flynn, | 0:04:15 | 0:04:17 | |
I'll be sure to take a look at it. | 0:04:17 | 0:04:18 | |
Don't do that, sir. You sound like a dick. | 0:04:18 | 0:04:20 | |
Yeah, well, this dick's no grass for AC-12 - he's a DCI, | 0:04:20 | 0:04:23 | |
and I didn't get there by sticking my neck out. | 0:04:23 | 0:04:25 | |
I got there by letting the other buggers. | 0:04:25 | 0:04:28 | |
Maybe that's why you're still a DS. | 0:04:28 | 0:04:30 | |
Well, I wish I could shed more light, | 0:04:32 | 0:04:33 | |
but I'm a bit stuck at the moment. | 0:04:33 | 0:04:35 | |
I don't want to push Huntley too hard and make her suspicious. | 0:04:35 | 0:04:37 | |
No disrespect to Kate, sir, it's no fault of hers, | 0:04:37 | 0:04:40 | |
but we can't sit on our hands. | 0:04:40 | 0:04:41 | |
Tim Ifield was police staff, was implicated in a murder, | 0:04:41 | 0:04:43 | |
and got murdered himself. | 0:04:43 | 0:04:44 | |
Roz Huntley's reinstatement puts her in the box seat | 0:04:44 | 0:04:47 | |
to manipulate the inquiry just like she did with Michael Farmer. | 0:04:47 | 0:04:49 | |
-We've got to get in the game. -Which will put Huntley on her guard. | 0:04:49 | 0:04:52 | |
My undercover's a much more subtle approach, sir. | 0:04:52 | 0:04:54 | |
I've never disputed I'm the blunt instrument. | 0:04:54 | 0:04:55 | |
But this is bigger now than just being about Huntley. | 0:04:55 | 0:04:59 | |
I'm sorry, Kate, but Steve's right. | 0:04:59 | 0:05:00 | |
We can't exist off the crumbs off Huntley's table. | 0:05:00 | 0:05:03 | |
Our informant has been killed. | 0:05:03 | 0:05:04 | |
I won't rest until I find out the who, the how and the why. | 0:05:04 | 0:05:08 | |
Sir. | 0:05:08 | 0:05:09 | |
Opening a wider inquiry will give us access | 0:05:09 | 0:05:11 | |
-to all the evidence Huntley's team's been gathering. -Right. | 0:05:11 | 0:05:13 | |
Well, back to the coal face, the pair of you, | 0:05:13 | 0:05:15 | |
-unless you've got more egg-sucking tips for your granny? -Sir. | 0:05:15 | 0:05:19 | |
HE CLICKS HIS HEELS | 0:05:27 | 0:05:28 | |
Really, Ted, there's no need. As you were. | 0:05:28 | 0:05:32 | |
Thank you, sir. I'll come straight to the point, if I may. | 0:05:32 | 0:05:34 | |
I'm opening a full-spectrum inquiry into the murder of Timothy Ifield | 0:05:34 | 0:05:38 | |
and, as per protocol, there will be no reciprocity | 0:05:38 | 0:05:41 | |
regarding DCI Huntley's investigation. | 0:05:41 | 0:05:44 | |
I also register that my considered counsel | 0:05:44 | 0:05:46 | |
in respect of DCI Roseanne Huntley has been, er, disregarded. | 0:05:46 | 0:05:51 | |
Now I see why you're upping the ante. | 0:05:51 | 0:05:54 | |
-Challenge AC-12 at your peril. -What? | 0:05:54 | 0:05:58 | |
You didn't reinstate Huntley because you were worried | 0:05:58 | 0:06:00 | |
that Michael Farmer's defence would make capital of the fact | 0:06:00 | 0:06:03 | |
that the Senior Investigating Officer was replaced? | 0:06:03 | 0:06:05 | |
It was thanks to Roz Huntley's diligence | 0:06:05 | 0:06:08 | |
we detected Ifield's involvement in one of the prostitute murders. | 0:06:08 | 0:06:11 | |
I'd say she's earned a second chance. | 0:06:11 | 0:06:13 | |
And my team is intent to give Michael Farmer a second chance. | 0:06:13 | 0:06:17 | |
And we shall see which one of us is right, sir, | 0:06:17 | 0:06:20 | |
when we have access to all the evidence. | 0:06:20 | 0:06:24 | |
All. | 0:06:24 | 0:06:25 | |
-AC-12. Open the gate. -Right. Thank you. | 0:06:30 | 0:06:33 | |
Sorry. | 0:07:06 | 0:07:07 | |
-Ma'am... -It's OK, Jodie. | 0:07:11 | 0:07:13 | |
Keep calm, everyone. | 0:07:14 | 0:07:15 | |
KEYPAD BEEPS | 0:07:18 | 0:07:20 | |
All officers go to your desks. | 0:07:20 | 0:07:23 | |
You'll each be questioned by an AC-12 case worker. | 0:07:23 | 0:07:26 | |
You'll each be obliged to surrender | 0:07:26 | 0:07:28 | |
all materials relating to Operation Trapdoor | 0:07:28 | 0:07:30 | |
and the investigation into the murder of Timothy Ifield. | 0:07:30 | 0:07:32 | |
Failure to comply will be a breach of your duties and responsibilities | 0:07:32 | 0:07:35 | |
under Police Conduct Regulations and may lead to a misconduct charge | 0:07:35 | 0:07:39 | |
under said regulations. | 0:07:39 | 0:07:41 | |
If you've got plans, cancel them. | 0:07:42 | 0:07:45 | |
This takes as long as it takes. | 0:07:45 | 0:07:47 | |
File keywords are Trapdoor and Ifield. | 0:07:49 | 0:07:51 | |
Guard the door. No-one goes in or out without my say-so. | 0:07:51 | 0:07:54 | |
Thank you for your cooperation. | 0:07:54 | 0:07:57 | |
All relevant files are to be surrendered | 0:07:57 | 0:07:59 | |
for copying by AC-12 officers. | 0:07:59 | 0:08:01 | |
-T-10. Cheers. -OK. | 0:08:04 | 0:08:06 | |
-T-11. On you go. -Thanks. | 0:08:06 | 0:08:10 | |
Right, you're all familiar with this image. | 0:08:13 | 0:08:15 | |
This is what Huntley's team's been keeping from you. | 0:08:18 | 0:08:21 | |
CCTV vidcap of the car park of a DIY superstore | 0:08:21 | 0:08:24 | |
at 19:33 on the 17th of March. | 0:08:24 | 0:08:27 | |
That's the night before Tim Ifield sent his final text message. | 0:08:27 | 0:08:29 | |
Inside the store, 19:49 the same evening. | 0:08:31 | 0:08:34 | |
He's got rid of the balaclava so as not to arouse suspicion | 0:08:34 | 0:08:37 | |
but he keeps his head down at all times, he's put on a baseball cap. | 0:08:37 | 0:08:41 | |
Unfortunately, this is the best image they've got. | 0:08:41 | 0:08:44 | |
Crime scene photograph from Timothy Ifield's flat, | 0:08:44 | 0:08:46 | |
showing tools that resemble those being purchased | 0:08:46 | 0:08:49 | |
on the evening of 17th of March. | 0:08:49 | 0:08:50 | |
This DIY store's located less than half a mile from Tim's flat. | 0:08:50 | 0:08:53 | |
So this is Tim Ifield's murderer? | 0:08:53 | 0:08:56 | |
Or...one detail from Tim's postmortem that was overlooked - | 0:08:56 | 0:09:00 | |
I reckoned at the time it was an incidental find - | 0:09:00 | 0:09:02 | |
is a number of dark wool fibres were detected in Tim's hair and nose. | 0:09:02 | 0:09:05 | |
He was wearing the balaclava? | 0:09:07 | 0:09:08 | |
Unfortunately, none of these items of clothing - | 0:09:08 | 0:09:10 | |
the balaclava, the jacket or gloves - | 0:09:10 | 0:09:12 | |
were found in the search of Tim's flat, | 0:09:12 | 0:09:13 | |
so we can't link them to Tim with 100% certainty. | 0:09:13 | 0:09:16 | |
What's our level of certainty regarding this person's ID? | 0:09:16 | 0:09:19 | |
Well, his head's down in all the images, | 0:09:19 | 0:09:21 | |
so facial recognition software | 0:09:21 | 0:09:22 | |
hasn't been able to provide us with a match, | 0:09:22 | 0:09:24 | |
but body matching gives a 90% probability it's Tim Ifield. | 0:09:24 | 0:09:28 | |
So Balaclava Man could be Tim Ifield? | 0:09:28 | 0:09:31 | |
Yes, sir. That's what we now have to consider. | 0:09:31 | 0:09:34 | |
For the DIR, I am showing Michael Farmer | 0:09:36 | 0:09:39 | |
a photograph of Timothy Ifield. | 0:09:39 | 0:09:41 | |
Michael, do you recognise this gentleman? | 0:09:42 | 0:09:44 | |
For the DIR, the interviewee is not responding. | 0:09:53 | 0:09:56 | |
Michael, are you sure? | 0:09:58 | 0:10:00 | |
Farmer denied any connection with Tim Ifield. | 0:10:13 | 0:10:16 | |
Also we looked through all of Farmer's phone records | 0:10:16 | 0:10:18 | |
and there's never been any contact between the two of them. | 0:10:18 | 0:10:21 | |
Sorry, boss. | 0:10:21 | 0:10:22 | |
I was wondering - could there be another explanation, a simpler one? | 0:10:26 | 0:10:29 | |
What could that be? | 0:10:29 | 0:10:30 | |
That Tim was framing Michael Farmer. | 0:10:30 | 0:10:32 | |
It's a valid thought, Neil, don't get me wrong. | 0:10:34 | 0:10:36 | |
I just think it's a bit much to ask us | 0:10:36 | 0:10:38 | |
to discount the mass of evidence against Michael Farmer. | 0:10:38 | 0:10:41 | |
-It's mad to think Farmer's not guilty. -Yes. | 0:10:43 | 0:10:45 | |
There is one thing we can be sure of. | 0:10:50 | 0:10:53 | |
What's that, Neil? | 0:10:53 | 0:10:54 | |
Whoever killed Tim Ifield, it wasn't Michael Farmer. He was in prison. | 0:10:54 | 0:10:58 | |
We find Tim Ifield's murderer, we crack this case. | 0:10:58 | 0:11:02 | |
Absolutely. | 0:11:02 | 0:11:03 | |
Thanks, Neil, Jodie. | 0:11:03 | 0:11:06 | |
You're on shift at Polk Avenue in the morning. | 0:11:20 | 0:11:22 | |
You need to get some kip, mate. | 0:11:22 | 0:11:24 | |
I could say the same. | 0:11:24 | 0:11:26 | |
If Tim's Balaclava Man, | 0:11:26 | 0:11:28 | |
why would he come to us saying Michael Farmer's not guilty? | 0:11:28 | 0:11:31 | |
He wouldn't. | 0:11:31 | 0:11:33 | |
He'd be content to let Roz Huntley send down Michael Farmer | 0:11:35 | 0:11:38 | |
for the crimes he was committing. | 0:11:38 | 0:11:41 | |
Instead, he came to us worried Huntley got the wrong man. | 0:11:41 | 0:11:43 | |
More than that, he accused her | 0:11:43 | 0:11:45 | |
of deliberately protecting the real offender. | 0:11:45 | 0:11:47 | |
What? | 0:11:49 | 0:11:51 | |
This CCTV gives us Tim's murder timeline. | 0:11:51 | 0:11:54 | |
Tim's alive and kicking, out and about on the night of the 17th. | 0:11:54 | 0:11:57 | |
The following morning was when Hana Reznikova | 0:11:57 | 0:11:58 | |
-called round the flat for cleaning and wasn't let in. -Correct. | 0:11:58 | 0:12:02 | |
Didn't you report Huntley called in sick one morning? | 0:12:02 | 0:12:04 | |
-That no-one could get hold of her? -Yeah. | 0:12:04 | 0:12:07 | |
That was the morning of the 18th. | 0:12:07 | 0:12:09 | |
The morning after the last time Tim was seen alive. | 0:12:09 | 0:12:11 | |
It's a bit of a coincidence Huntley goes AWOL | 0:12:11 | 0:12:13 | |
-right on the murder timeline. -What are you saying, exactly? | 0:12:13 | 0:12:16 | |
That it makes no sense for Tim to be Balaclava Man. | 0:12:16 | 0:12:19 | |
That his accusation that Huntley was protecting the real offender | 0:12:19 | 0:12:22 | |
could still be true. That Huntley's conduct was suspicious | 0:12:22 | 0:12:24 | |
around the time of Tim's murder. | 0:12:24 | 0:12:27 | |
-HE SIGHS -Look... | 0:12:27 | 0:12:28 | |
..I don't know how it all fits. | 0:12:30 | 0:12:32 | |
But the timing does. | 0:12:32 | 0:12:34 | |
So maybe we should start thinking the unthinkable. | 0:12:34 | 0:12:36 | |
Roz Huntley isn't just involved in framing Michael Farmer. | 0:12:36 | 0:12:40 | |
She's also somehow involved in Tim's murder. | 0:12:40 | 0:12:42 | |
Well, you're right about one thing. | 0:12:45 | 0:12:47 | |
That is the unthinkable. | 0:12:47 | 0:12:48 | |
This is starting to feel like harassment, DS Arnott. | 0:12:56 | 0:12:59 | |
Harassment, anti-corruption inquiry. To-may-to, to-mah-to. | 0:12:59 | 0:13:03 | |
PC Bindra. | 0:13:03 | 0:13:05 | |
Ma'am, if we may, we're taking your mobile phone in evidence. | 0:13:05 | 0:13:08 | |
-You can't do that without an authority... -Jodie. | 0:13:08 | 0:13:11 | |
It's a police-issue device, not my own personal property. | 0:13:11 | 0:13:14 | |
They're at liberty to examine it without authority. | 0:13:14 | 0:13:16 | |
Thank you, ma'am. | 0:13:16 | 0:13:17 | |
I've got nothing to hide. | 0:13:25 | 0:13:26 | |
Thank you very much, ma'am. You're at liberty to collect | 0:13:29 | 0:13:31 | |
a replacement device at your convenience. | 0:13:31 | 0:13:33 | |
Sorry, ma'am. | 0:14:03 | 0:14:04 | |
No. No problem, Farida. | 0:14:04 | 0:14:06 | |
Someone's come forward. | 0:14:06 | 0:14:08 | |
From the appeal you asked us to put out. | 0:14:08 | 0:14:10 | |
She didn't at the time cos she didn't realise the significance. | 0:14:10 | 0:14:12 | |
She's got a story that fits Michael Farmer's offences | 0:14:12 | 0:14:15 | |
for location and date. | 0:14:15 | 0:14:16 | |
Great. | 0:14:16 | 0:14:18 | |
Brilliant. Is Jodie still here? | 0:14:18 | 0:14:19 | |
She's finished for the day, ma'am. Shall I get Neil? | 0:14:19 | 0:14:22 | |
It needs to be a female detective. | 0:14:22 | 0:14:24 | |
Sorry, ma'am. | 0:14:24 | 0:14:25 | |
Couldn't help overhearing but I'm PIP level 2 | 0:14:25 | 0:14:27 | |
and video interview trained, re: vulnerable victims of crime. | 0:14:27 | 0:14:31 | |
OK. Let's see what you're made of. | 0:14:31 | 0:14:33 | |
Melanie, my name's Detective Sergeant Kate Flynn. | 0:14:38 | 0:14:41 | |
I'm one of the detectives looking into the attacks | 0:14:41 | 0:14:43 | |
on a number of local women. | 0:14:43 | 0:14:45 | |
Farida says you might have some new information | 0:14:45 | 0:14:47 | |
that can help with our inquiries? | 0:14:47 | 0:14:49 | |
This happened a while ago. | 0:14:49 | 0:14:51 | |
That's OK. What happened? | 0:14:51 | 0:14:53 | |
I was walking home from college through the estate. | 0:14:55 | 0:14:58 | |
What happened to you, Melanie? | 0:14:59 | 0:15:01 | |
A weird guy started talking to me. | 0:15:01 | 0:15:04 | |
Weird how? | 0:15:05 | 0:15:07 | |
He kept talking even though I wasn't answering. | 0:15:07 | 0:15:09 | |
I just kept walking faster. | 0:15:09 | 0:15:11 | |
Then he grabbed hold of me. | 0:15:13 | 0:15:15 | |
I'm sorry we have to keep asking you these questions. | 0:15:16 | 0:15:19 | |
But what else did he do to you? | 0:15:19 | 0:15:21 | |
He said I was pretty and he wanted to kiss me, | 0:15:21 | 0:15:25 | |
wanted me to come back to his house. | 0:15:25 | 0:15:27 | |
What did you do? | 0:15:29 | 0:15:30 | |
I just ran as fast as I could. | 0:15:30 | 0:15:33 | |
And then when I looked back, he wasn't there any more. | 0:15:33 | 0:15:36 | |
Did he give a name? | 0:15:38 | 0:15:40 | |
I don't remember any name. | 0:15:41 | 0:15:43 | |
Why didn't you report this at the time? | 0:15:44 | 0:15:47 | |
I suppose I just wanted to put it all behind me. | 0:15:47 | 0:15:50 | |
I know this has been really difficult for you. | 0:15:50 | 0:15:53 | |
You've been a big help. | 0:15:53 | 0:15:55 | |
What we need next from you is to help identify who this man was. | 0:15:55 | 0:15:59 | |
I've told you, I don't know who he is. | 0:15:59 | 0:16:02 | |
We'd set up an identity parade where we can show you video footage. | 0:16:02 | 0:16:07 | |
We need a positive ID that can stand up in court. | 0:16:07 | 0:16:10 | |
I'd have to go to court? | 0:16:10 | 0:16:12 | |
No. No way. | 0:16:15 | 0:16:17 | |
I know it's a really big thing for you to have to do. | 0:16:17 | 0:16:19 | |
No, I'm not doing it. No way. | 0:16:19 | 0:16:20 | |
Listen. We'll start with an identity parade. | 0:16:20 | 0:16:23 | |
I can't. No way. I can't. | 0:16:23 | 0:16:24 | |
It's all done by video. He can't see you. | 0:16:24 | 0:16:26 | |
I never would have come in if anyone had told me. | 0:16:26 | 0:16:28 | |
He could do this to someone else. | 0:16:28 | 0:16:29 | |
We...we need your help. | 0:16:29 | 0:16:31 | |
I wasn't expecting all this. | 0:16:31 | 0:16:32 | |
Melanie, he's a very dangerous man. | 0:16:32 | 0:16:35 | |
He has to be stopped. | 0:16:35 | 0:16:36 | |
And the only way is for a court to put him behind bars. | 0:16:36 | 0:16:39 | |
Please can you help us do that, Melanie? | 0:16:40 | 0:16:43 | |
Brave girl. Well done. | 0:16:52 | 0:16:53 | |
-Maneet. -Sarge. | 0:17:00 | 0:17:02 | |
There are no suspicious entries in DCI Huntley's call history | 0:17:02 | 0:17:06 | |
or any suspicious texts or e-mails during the murder timeline. | 0:17:06 | 0:17:09 | |
All the calls from when she left Polk Avenue Station | 0:17:09 | 0:17:12 | |
are from family members in her contact list. | 0:17:12 | 0:17:14 | |
What about GPS data? | 0:17:14 | 0:17:16 | |
Unfortunately, the phone was switched off | 0:17:16 | 0:17:19 | |
for a large chunk of time. | 0:17:19 | 0:17:20 | |
But the last GPS location on the 17th and first on the 18th | 0:17:20 | 0:17:25 | |
are DCI Huntley's home address, | 0:17:25 | 0:17:26 | |
consistent with her story of being off sick. | 0:17:26 | 0:17:30 | |
Sorry, Sarge. | 0:17:30 | 0:17:31 | |
Every piece of evidence that Roz Huntley's got | 0:17:31 | 0:17:33 | |
on Tim Ifield's murder - we go through it. | 0:17:33 | 0:17:36 | |
Every piece, no matter how small. | 0:17:36 | 0:17:38 | |
Funnily enough, that's what we've all been doing, Sarge. | 0:17:38 | 0:17:42 | |
Hi, Melanie. This way, please. Thanks for coming in again. | 0:18:11 | 0:18:16 | |
PC Nayar's going to take you through the video identification process. | 0:18:16 | 0:18:19 | |
You'll see nine unrelated men of a similar age and appearance. | 0:18:19 | 0:18:22 | |
All the videos are pre-recorded | 0:18:22 | 0:18:24 | |
and none of the men are in the police station. | 0:18:24 | 0:18:26 | |
They can't see you, can't hear you - | 0:18:26 | 0:18:28 | |
none of them know about who's going to watch the videos. | 0:18:28 | 0:18:31 | |
Any resemble the man that attacked you, tell PC Nayar. | 0:18:31 | 0:18:34 | |
OK. | 0:18:34 | 0:18:35 | |
-Ready to start? -Mm-hm. | 0:18:35 | 0:18:37 | |
Melanie, as we explained earlier, | 0:18:37 | 0:18:39 | |
we're not allowed to stay in the room with you - | 0:18:39 | 0:18:41 | |
it has to be an officer unfamiliar with the suspect. | 0:18:41 | 0:18:44 | |
OK. | 0:18:44 | 0:18:45 | |
Each suspect is numbered and you'll be shown each suspect twice. | 0:18:49 | 0:18:53 | |
At the end, I'll ask you if you can make a positive identification. | 0:18:53 | 0:18:56 | |
Please, take a seat. | 0:18:56 | 0:18:58 | |
This one seems dead nervous. | 0:19:27 | 0:19:29 | |
DOOR OPENS | 0:19:42 | 0:19:43 | |
Melanie was able to make a positive ID. | 0:19:46 | 0:19:50 | |
-That's brilliant, Melanie. Well done. -Well done. | 0:19:50 | 0:19:52 | |
Ma'am. Melanie. | 0:19:52 | 0:19:54 | |
It's really great work, Kate. You delivered. | 0:20:07 | 0:20:10 | |
If there's one reason why we do this job, that is it. | 0:20:12 | 0:20:16 | |
We protect life. | 0:20:16 | 0:20:17 | |
I have to inform you, Michael, that the witness was able | 0:20:25 | 0:20:27 | |
to positively identify you from the video. | 0:20:27 | 0:20:30 | |
Prior to the video identification, | 0:20:30 | 0:20:33 | |
you denied the witness's allegations. | 0:20:33 | 0:20:35 | |
I didn't mean to upset her. | 0:20:37 | 0:20:39 | |
You're now admitting the allegations? | 0:20:43 | 0:20:45 | |
Michael. | 0:20:47 | 0:20:49 | |
Sorry. | 0:20:49 | 0:20:51 | |
Yes. | 0:20:51 | 0:20:53 | |
I'm sorry. | 0:20:53 | 0:20:54 | |
Will you tell her I'm sorry? | 0:20:55 | 0:20:57 | |
Yes, we can do that, Michael, | 0:20:58 | 0:21:00 | |
but first I need to ask you what you intended to do to this woman. | 0:21:00 | 0:21:02 | |
Why did you want her to come back to your house? | 0:21:02 | 0:21:05 | |
I was lonely. | 0:21:07 | 0:21:08 | |
Following a conversation with the Senior Prosecutor, | 0:21:13 | 0:21:16 | |
I have the authority to charge you with the following offence - | 0:21:16 | 0:21:19 | |
attempting to cause a person | 0:21:19 | 0:21:21 | |
to engage in sexual activity without consent. | 0:21:21 | 0:21:24 | |
This charge will be included in the charges against you | 0:21:24 | 0:21:27 | |
when you appear in court, namely for the murder of Baswinder Kaur, | 0:21:27 | 0:21:32 | |
the murder of Leonie Collersdale, | 0:21:32 | 0:21:34 | |
the kidnapping and attempted murder of Hana Reznikova. | 0:21:34 | 0:21:37 | |
Do you understand these charges against you? | 0:21:39 | 0:21:41 | |
Please answer. | 0:21:44 | 0:21:45 | |
HE SOBS | 0:21:45 | 0:21:47 | |
Yes. | 0:21:47 | 0:21:48 | |
Time is now 10:20 and we're switching off the machine. | 0:21:51 | 0:21:54 | |
I'd like some time alone with my client. | 0:21:58 | 0:22:00 | |
I think we need to discuss the best way forward. | 0:22:00 | 0:22:04 | |
Yes, of course. | 0:22:04 | 0:22:05 | |
Michael. | 0:22:09 | 0:22:10 | |
The charges against you are going to be hard to fight. | 0:22:10 | 0:22:14 | |
We can try and fight them. | 0:22:14 | 0:22:16 | |
Or we can consider the best way | 0:22:16 | 0:22:17 | |
to reduce the overall time you end up serving in prison. | 0:22:17 | 0:22:21 | |
-For Christ's sake! -All right, everybody. Look, just calm down, OK? | 0:22:21 | 0:22:25 | |
Steve, I get why you're pissed off, but the ID process was by the book. | 0:22:25 | 0:22:28 | |
Witnesses are eager to please. | 0:22:28 | 0:22:29 | |
Non-verbal cues from the officers involved led the witness | 0:22:29 | 0:22:32 | |
to identify Michael Farmer, whether she recognised him or not. | 0:22:32 | 0:22:34 | |
Yeah, well, she did recognise him. | 0:22:34 | 0:22:36 | |
Throw an accusation at someone like Michael, | 0:22:36 | 0:22:37 | |
the poor bastard starts to believe he's guilty! | 0:22:37 | 0:22:39 | |
All right, you made your point. | 0:22:39 | 0:22:41 | |
We're supposed to be exonerating Farmer, | 0:22:41 | 0:22:42 | |
-not sending him down for longer! -No, we're meant to be investigating | 0:22:42 | 0:22:45 | |
Roz Huntley, Operation Trapdoor and the murder of Tim Ifield. | 0:22:45 | 0:22:47 | |
Huntley shut you out, | 0:22:47 | 0:22:48 | |
-so you played up to her to get your undercover back. -What?! | 0:22:48 | 0:22:51 | |
-That's not what happened at all! -All right. Enough, the both of you. | 0:22:51 | 0:22:53 | |
Now look. | 0:22:53 | 0:22:54 | |
If there are concerns regarding the accuracy of this identification - | 0:22:54 | 0:22:58 | |
legitimate concerns, Kate, I might add - then we can take you out, | 0:22:58 | 0:23:01 | |
reveal you as an undercover officer | 0:23:01 | 0:23:03 | |
and we can make them repeat the ID parade. | 0:23:03 | 0:23:05 | |
Sir, what's happened's happened. | 0:23:05 | 0:23:07 | |
The fact is I've finally gained Huntley's trust. | 0:23:07 | 0:23:09 | |
By colluding in the framing of an innocent man! | 0:23:09 | 0:23:11 | |
DS Arnott, whether this undercover continues or not | 0:23:11 | 0:23:13 | |
is a matter entirely between DS Fleming and myself. | 0:23:13 | 0:23:16 | |
Therefore you are dismissed. | 0:23:16 | 0:23:19 | |
Sir. | 0:23:19 | 0:23:20 | |
Kate... | 0:23:27 | 0:23:28 | |
Sir, I don't know if Michael Farmer's guilty or innocent - | 0:23:28 | 0:23:30 | |
none of us do. | 0:23:30 | 0:23:31 | |
My job is to find out if Roz Huntley has committed process corruption, | 0:23:31 | 0:23:34 | |
and I've just had a massive breakthrough. | 0:23:34 | 0:23:37 | |
I was shut out and now I'm in. | 0:23:37 | 0:23:38 | |
All right. | 0:23:40 | 0:23:41 | |
-Very good. Carry on. -Thank you, sir. | 0:23:41 | 0:23:43 | |
See ya. | 0:23:54 | 0:23:55 | |
How long we reckon before Farmer changes his plea to guilty? | 0:24:01 | 0:24:04 | |
I've got a tenner says within the week. | 0:24:04 | 0:24:06 | |
Ooh. Don't count your chickens. | 0:24:06 | 0:24:08 | |
-THEY LAUGH -She's counting. | 0:24:08 | 0:24:09 | |
Hi. I hope you don't mind, ma'am. I was on the e-mail. | 0:24:09 | 0:24:12 | |
You're very welcome. And thanks for your contribution. | 0:24:12 | 0:24:14 | |
-Kate. -ALL: -Kate. | 0:24:14 | 0:24:16 | |
I'm glad I could help. | 0:24:16 | 0:24:17 | |
And listen, ma'am, I just want to apologise again | 0:24:17 | 0:24:19 | |
for how things started with us. | 0:24:19 | 0:24:21 | |
I was a bit of a bull in a china shop. | 0:24:21 | 0:24:23 | |
I'm not quite that delicate. | 0:24:23 | 0:24:24 | |
All right? | 0:24:29 | 0:24:31 | |
What have I missed? | 0:24:31 | 0:24:33 | |
JODIE AND ROZ: Getting a round in. | 0:24:33 | 0:24:34 | |
Oh, great(!) Fancy another? | 0:24:34 | 0:24:36 | |
No, I'm driving. | 0:24:36 | 0:24:37 | |
Oh, shame. | 0:24:37 | 0:24:38 | |
I'll just get mine then. | 0:24:38 | 0:24:40 | |
Give us a shout if anyone wants one. | 0:24:40 | 0:24:41 | |
I would. | 0:24:41 | 0:24:43 | |
Now, Kate, could I ask you a deeply personal question? | 0:24:43 | 0:24:48 | |
Do you like curry? | 0:24:48 | 0:24:49 | |
THEY LAUGH | 0:24:49 | 0:24:50 | |
Yeah. Of course I like curry. | 0:24:50 | 0:24:52 | |
I'm going to book the Dilshad. Are you in? | 0:24:52 | 0:24:54 | |
Yeah. Definitely. | 0:24:54 | 0:24:55 | |
Unfortunately, this means you're going back. | 0:24:55 | 0:24:58 | |
Sorry, ma'am? | 0:24:58 | 0:24:59 | |
Despite all the leads we've shared, | 0:24:59 | 0:25:00 | |
there's no link to your East Mids missing person. | 0:25:00 | 0:25:03 | |
I don't see much point in you continuing your secondment. | 0:25:03 | 0:25:06 | |
Yeah, but... | 0:25:06 | 0:25:07 | |
-STEVE: -Enjoying the party? | 0:25:07 | 0:25:08 | |
How can I help you, DS Arnott? | 0:25:13 | 0:25:15 | |
Tim Ifield's DNA was found on Leonie Collersdale's body. | 0:25:15 | 0:25:18 | |
You disclosed that to Farmer's solicitor yet? | 0:25:18 | 0:25:21 | |
As you know, DS Arnott, | 0:25:21 | 0:25:23 | |
we're only obliged to carry out full disclosure prior to the trial. | 0:25:23 | 0:25:26 | |
Meaning you're counting on there not being one. | 0:25:26 | 0:25:28 | |
-What, are we doing the defence's job now? -Kate. | 0:25:28 | 0:25:31 | |
No. Just your own. | 0:25:31 | 0:25:32 | |
Night, ma'am. | 0:25:32 | 0:25:34 | |
You sleeping well while an innocent man rots in jail? | 0:25:34 | 0:25:37 | |
Wanker. Who does he think he is? | 0:25:41 | 0:25:44 | |
A tosser, that's who. | 0:25:44 | 0:25:45 | |
THEY CHUCKLE | 0:25:45 | 0:25:46 | |
Night, Sarge. | 0:25:49 | 0:25:51 | |
All right? | 0:25:59 | 0:26:01 | |
All right. | 0:26:01 | 0:26:03 | |
Roz didn't come for the curry so I did an early swerve. | 0:26:03 | 0:26:05 | |
Got your favourite, though - lamb madras. | 0:26:05 | 0:26:08 | |
I'll get the plates. | 0:26:09 | 0:26:11 | |
What's the state of Huntley's marriage? | 0:26:21 | 0:26:23 | |
I get the impression she's a boring suburban mum. | 0:26:24 | 0:26:27 | |
All the calls to Huntley's phone on the night of the 17th, | 0:26:32 | 0:26:34 | |
morning of the 18th, were from family members. | 0:26:34 | 0:26:37 | |
Her phone was off, | 0:26:37 | 0:26:38 | |
and they eventually came through as voicemails. | 0:26:38 | 0:26:41 | |
On the 17th, there's a call from the home landline at 18:06 | 0:26:41 | 0:26:44 | |
to her mobile. | 0:26:44 | 0:26:46 | |
Only lasts a few seconds. A misdial, maybe? | 0:26:46 | 0:26:48 | |
Yeah, but then they try again a couple of hours later. | 0:26:48 | 0:26:51 | |
One of her kids, asking if it's OK to order in a Domino's. | 0:26:51 | 0:26:54 | |
If she's telling the truth, | 0:26:56 | 0:26:57 | |
by then her family should've known her whereabouts. | 0:26:57 | 0:27:00 | |
The phone's home. She isn't. | 0:27:00 | 0:27:02 | |
SHE GASPS | 0:27:16 | 0:27:17 | |
SHE INHALES SHARPLY | 0:27:28 | 0:27:29 | |
SHE SIGHS | 0:27:32 | 0:27:34 | |
DOOR OPENS | 0:27:36 | 0:27:38 | |
-Is everything OK? -Oh... | 0:27:42 | 0:27:44 | |
I've just got to keep it protected while it heals. | 0:27:44 | 0:27:46 | |
-Keep reading if you like. -No, no, it's fine. | 0:27:52 | 0:27:54 | |
I saw the Italian's reopened. | 0:27:55 | 0:27:57 | |
-That's good. -Yeah. | 0:27:59 | 0:28:00 | |
We could go there on Friday or Saturday night if you fancied. | 0:28:00 | 0:28:04 | |
I'm working Friday. | 0:28:04 | 0:28:06 | |
I think Soph's got something Saturday. | 0:28:06 | 0:28:09 | |
Saturday, then - just me and you. | 0:28:09 | 0:28:13 | |
Sounds great. | 0:28:15 | 0:28:17 | |
Haven't been there for ages. | 0:28:17 | 0:28:18 | |
Sorry. | 0:28:22 | 0:28:23 | |
I'm shattered. | 0:28:25 | 0:28:26 | |
No, I'm sorry. | 0:28:28 | 0:28:30 | |
You've been under so much pressure at work. | 0:28:33 | 0:28:35 | |
Do you want to talk about it? | 0:28:38 | 0:28:40 | |
Thanks. I just want to nod off. | 0:28:40 | 0:28:42 | |
OK. | 0:28:42 | 0:28:44 | |
Yes. DCI Buckells. | 0:28:51 | 0:28:53 | |
RECORDING: 'Doors opening.' | 0:29:21 | 0:29:23 | |
Mr Arnold. Nick Huntley. | 0:29:28 | 0:29:31 | |
Come on through. Have you been offered a tea or a coffee? | 0:29:31 | 0:29:33 | |
I'm fine, thank you. | 0:29:33 | 0:29:35 | |
Excuse the state, we're in the process of moving floors. | 0:29:35 | 0:29:39 | |
No worries. | 0:29:39 | 0:29:40 | |
Right. | 0:29:42 | 0:29:43 | |
How can I help you? | 0:29:44 | 0:29:45 | |
Legal advice. | 0:29:45 | 0:29:46 | |
Well, you've come to the right place. | 0:29:46 | 0:29:49 | |
Suppose a man was found dead and a suspect in the murder inquiry | 0:29:49 | 0:29:52 | |
deliberately left their phone at home to avoid GPS tracking. | 0:29:52 | 0:29:56 | |
What would you advise the suspect? | 0:29:56 | 0:29:58 | |
We practise corporate law. | 0:29:58 | 0:30:01 | |
Hypothetically. What would you advise the suspect? | 0:30:01 | 0:30:04 | |
I can refer you to a colleague at a criminal law firm. | 0:30:04 | 0:30:08 | |
It's not me I'm talking about, it's your wife. | 0:30:08 | 0:30:10 | |
DS Arnott. | 0:30:12 | 0:30:13 | |
Where was your wife on the night of the 17th through to | 0:30:14 | 0:30:17 | |
the morning of the 18th of March? | 0:30:17 | 0:30:19 | |
-Erm... -HE CLEARS THROAT | 0:30:19 | 0:30:21 | |
Right. | 0:30:21 | 0:30:23 | |
Presumably you are aware of the law regarding | 0:30:25 | 0:30:27 | |
the compellability of a spouse? | 0:30:27 | 0:30:29 | |
Normally the spouse is the one corroborating the alibi, | 0:30:29 | 0:30:32 | |
-not undermining it. -Right. | 0:30:32 | 0:30:34 | |
-I mean, you are disputing your wife's alibi? -Wait. No... | 0:30:34 | 0:30:37 | |
Your wife claims she was home the 17th and 18th | 0:30:37 | 0:30:39 | |
recovering from illness. | 0:30:39 | 0:30:41 | |
Before I talk to you any more | 0:30:41 | 0:30:43 | |
I would like to have a chat with my wife. | 0:30:43 | 0:30:45 | |
Is there anything else I can help you with today, Officer? | 0:30:45 | 0:30:48 | |
"Mr Huntley unable to confirm wife's whereabouts on the 17th/18th." | 0:30:48 | 0:30:53 | |
No, I didn't say that. | 0:30:53 | 0:30:54 | |
"Mr Huntley denies the above." | 0:30:54 | 0:30:56 | |
I need to talk to Roz. | 0:30:56 | 0:30:58 | |
I need you to talk to me, sir. Within 48 hours. | 0:31:00 | 0:31:04 | |
Better it's voluntary than I have to come looking. | 0:31:04 | 0:31:06 | |
This DS Arnold... | 0:31:35 | 0:31:37 | |
why is he asking these questions? | 0:31:37 | 0:31:38 | |
Arnott. It's a work thing. It's routine. | 0:31:38 | 0:31:42 | |
Well, he said somebody had died. | 0:31:42 | 0:31:46 | |
It didn't seem like routine. | 0:31:46 | 0:31:49 | |
It's my work, Nick. | 0:31:49 | 0:31:50 | |
So we're not discussing it? Hm, since when? | 0:31:53 | 0:31:55 | |
There are certain sensitive aspects of my work that are | 0:31:55 | 0:31:58 | |
inappropriate to share outside the service communication loop. | 0:31:58 | 0:32:00 | |
You know that. | 0:32:00 | 0:32:02 | |
Well, it didn't stop him interviewing me. | 0:32:02 | 0:32:06 | |
They're anti-corruption. They make a mountain out of every molehill. | 0:32:06 | 0:32:10 | |
Anti-corruption? What have you done? | 0:32:12 | 0:32:15 | |
Nothing. | 0:32:17 | 0:32:19 | |
Why, erm... | 0:32:26 | 0:32:28 | |
Why didn't you let me know where you were? | 0:32:28 | 0:32:31 | |
I told you, I left my phone at home and I couldn't call. | 0:32:33 | 0:32:37 | |
You were at work? | 0:32:37 | 0:32:38 | |
It was a specialist op, not many people knew about it. | 0:32:40 | 0:32:44 | |
Well, it seems like no-one knew about it. | 0:32:45 | 0:32:48 | |
He had the impression that you were at home ill. | 0:32:52 | 0:32:54 | |
Roz, were you with someone? | 0:33:03 | 0:33:05 | |
I love you and I've always trusted you, | 0:33:18 | 0:33:21 | |
but for the sake of our marriage | 0:33:21 | 0:33:23 | |
and for the sake of our kids... | 0:33:23 | 0:33:25 | |
I need the truth. | 0:33:25 | 0:33:27 | |
OK. | 0:33:31 | 0:33:32 | |
AC-12 are investigating one of my cases. | 0:33:37 | 0:33:40 | |
Looking for an angle to discredit me. | 0:33:41 | 0:33:43 | |
Internal politics, 100% total bollocks. | 0:33:44 | 0:33:47 | |
I'm sorry they involved you, but that is their kind of mind game. | 0:33:50 | 0:33:54 | |
And the bastards get away with it | 0:33:55 | 0:33:57 | |
cos they claim they're enforcing professional standards. | 0:33:57 | 0:34:00 | |
You still haven't answered my question. | 0:34:01 | 0:34:04 | |
I was working. | 0:34:06 | 0:34:10 | |
And there ends this crappy day. | 0:34:14 | 0:34:16 | |
I need a bath. | 0:34:19 | 0:34:20 | |
I love you. | 0:34:23 | 0:34:25 | |
DOOR CLOSES | 0:34:37 | 0:34:38 | |
'Steve.' | 0:35:09 | 0:35:11 | |
I'll call you back. | 0:35:11 | 0:35:12 | |
DS Steve Arnott, DC James Desford. | 0:35:12 | 0:35:14 | |
I'm putting you two together on the Huntley inquiry. Is that OK? | 0:35:14 | 0:35:17 | |
Any questions? No. Good. Carry on. | 0:35:17 | 0:35:20 | |
Actually, it's Jamie, not James. | 0:35:24 | 0:35:27 | |
Great. | 0:35:27 | 0:35:29 | |
Well, it's good to be working with you, Steve. | 0:35:29 | 0:35:31 | |
-All right to call you Steve? -We'll see. | 0:35:31 | 0:35:33 | |
Hi. | 0:35:44 | 0:35:45 | |
KNOCK ON DOOR Yeah. | 0:35:45 | 0:35:47 | |
-I thought me and Kate were doing fine, sir. -Well, of course you are, | 0:35:47 | 0:35:50 | |
but there's just so much more ground to cover now. | 0:35:50 | 0:35:52 | |
-And you know, the less Kate is here, the safer it is for her. -Sir. | 0:35:52 | 0:35:54 | |
Besides, if you're going to step up, | 0:35:54 | 0:35:56 | |
I'm going to need you to train up a new investigator. | 0:35:56 | 0:35:58 | |
I can't have one of my inspectors gallivanting all over town | 0:35:58 | 0:36:01 | |
chasing every last lead that's going. Go on. | 0:36:01 | 0:36:03 | |
-Jamie. -Hi. Maneet. | 0:36:06 | 0:36:08 | |
-Nice to meet you. -Nice to meet you. | 0:36:08 | 0:36:10 | |
-My first day. -Yeah, how you getting on? | 0:36:10 | 0:36:12 | |
Yeah, good. | 0:36:12 | 0:36:14 | |
So when's it due? | 0:36:14 | 0:36:15 | |
What? You're saying I look pregnant? | 0:36:16 | 0:36:19 | |
No, no, I was... | 0:36:20 | 0:36:22 | |
Of course I am. End of June. | 0:36:22 | 0:36:24 | |
Tim's downstairs neighbour, the nurse, we ought to have another go | 0:36:35 | 0:36:38 | |
at finding out if she saw anyone suspicious. | 0:36:38 | 0:36:41 | |
What's going on here? | 0:36:41 | 0:36:43 | |
Just getting on with things while you were out. | 0:36:43 | 0:36:45 | |
Great. | 0:36:45 | 0:36:46 | |
Ma'am, we've looked right back over all cases Tim was involved in, | 0:36:46 | 0:36:49 | |
convictions that hinged on forensic evidence | 0:36:49 | 0:36:51 | |
where maybe the offender held a grudge. | 0:36:51 | 0:36:53 | |
-A violent offender, recently released. -And? -Nothing. -Nothing. | 0:36:53 | 0:36:56 | |
PHONE BEEPS | 0:36:56 | 0:36:58 | |
HE CHUCKLES | 0:36:58 | 0:37:00 | |
Can you stop that?! | 0:37:00 | 0:37:02 | |
See, there's a lot of theories kicking around here, | 0:37:04 | 0:37:07 | |
and a lack of basic coppering. | 0:37:07 | 0:37:09 | |
Tim's killer had to get in that flat and he had to get out. | 0:37:09 | 0:37:12 | |
Who was in the area? Who was in that street? | 0:37:12 | 0:37:15 | |
Who was hanging around outside that flat? | 0:37:16 | 0:37:19 | |
Find him, and that's the whole case. | 0:37:19 | 0:37:21 | |
It's not bleeding rocket science. | 0:37:23 | 0:37:25 | |
Jez, how are you? | 0:37:26 | 0:37:28 | |
LAUGHTER | 0:37:28 | 0:37:29 | |
Hilarious, mate. | 0:37:29 | 0:37:31 | |
We already know who was there. | 0:37:31 | 0:37:33 | |
Who? | 0:37:33 | 0:37:35 | |
Hana Reznikova was the last person known to have had contact | 0:37:36 | 0:37:39 | |
with the victim. We need to talk to her again. | 0:37:39 | 0:37:42 | |
-Please, do it. -Ma'am. -Boss. | 0:37:46 | 0:37:48 | |
I'll make a note of that. | 0:37:58 | 0:38:00 | |
I hope it's not too much hassle coming in, | 0:38:03 | 0:38:05 | |
-the hours you work. -Day off. | 0:38:05 | 0:38:07 | |
It's a good job you didn't come in in your uniform. | 0:38:07 | 0:38:10 | |
HE WHISPERS: Some of that lot, you know. | 0:38:10 | 0:38:11 | |
All right. | 0:38:11 | 0:38:13 | |
You all right, Sarge. Er, did you meet Gemma? | 0:38:13 | 0:38:15 | |
Tim's downstairs neighbour. | 0:38:15 | 0:38:17 | |
-Yeah. Hi, again. -Hi. -You OK? -I'm fine. | 0:38:17 | 0:38:20 | |
Sir, we're just going over some details now we've got | 0:38:20 | 0:38:22 | |
-a better handle on Tim's timeline. -Right. | 0:38:22 | 0:38:25 | |
Polk Avenue interviewed Gemma immediately after Tim's body | 0:38:30 | 0:38:33 | |
was found, but she said they haven't been in touch since, so... | 0:38:33 | 0:38:36 | |
OK. | 0:38:36 | 0:38:38 | |
As we were saying, we're now focusing our inquiry on | 0:38:40 | 0:38:43 | |
-the night of the 17th, morning of the 18th. -OK. | 0:38:43 | 0:38:47 | |
We're hoping the fact we can be more precise will help focus your memory. | 0:38:47 | 0:38:52 | |
Erm, the 17th I was on a late, | 0:38:52 | 0:38:54 | |
so I would have got home around 11, if we didn't go on somewhere. | 0:38:54 | 0:38:58 | |
-We do Malibu a couple of times a month. -That's a cool club. | 0:38:58 | 0:39:03 | |
I got in around 11. | 0:39:03 | 0:39:05 | |
And when did you next leave your flat? | 0:39:05 | 0:39:07 | |
The next day I had a late, | 0:39:07 | 0:39:09 | |
so I would have had a lie-in maybe till lunchtime. | 0:39:09 | 0:39:12 | |
Did you hear any kind of disturbance that night? | 0:39:12 | 0:39:15 | |
No. | 0:39:15 | 0:39:17 | |
Right. | 0:39:17 | 0:39:19 | |
Go back to when you got in, 11pm, the night of the 17th. | 0:39:19 | 0:39:22 | |
No, actually, I did go out, | 0:39:22 | 0:39:23 | |
but I came home first because I forgot to bring a change of clothes. | 0:39:23 | 0:39:26 | |
And I called a taxi and I thought he was already there, | 0:39:26 | 0:39:29 | |
but they normally send a text, so I realised that it couldn't be mine. | 0:39:29 | 0:39:33 | |
Great. Great. | 0:39:33 | 0:39:35 | |
So you witnessed a cab outside the flats around 11pm | 0:39:35 | 0:39:38 | |
-on the night of the 17th? -I think it was a cab. | 0:39:38 | 0:39:40 | |
Can you describe the driver? | 0:39:40 | 0:39:42 | |
Erm, no. It was dark and I didn't really look, I'm sorry. | 0:39:46 | 0:39:49 | |
Come on, you kidding? You've been a star. | 0:39:49 | 0:39:51 | |
Look, anything else jogs your memory, you give me a call, OK? | 0:39:51 | 0:39:54 | |
-Any time. -Sure. | 0:39:54 | 0:39:56 | |
I'll show you out. | 0:39:56 | 0:39:57 | |
Just down there. | 0:40:00 | 0:40:02 | |
Maybe I'll see you in Malibu. | 0:40:02 | 0:40:03 | |
If this lead pans out, I'll buy you a drink. | 0:40:03 | 0:40:05 | |
Cheers, Gemma. | 0:40:05 | 0:40:07 | |
-SHE WHISPERS: -Do you have a second? | 0:40:07 | 0:40:08 | |
Yeah. | 0:40:08 | 0:40:10 | |
The cab driver, he was white. That's all I could tell. | 0:40:12 | 0:40:16 | |
I just didn't want to say it in front of Jamie just in case | 0:40:16 | 0:40:18 | |
it sounded like I thought all cabbies had to be black. | 0:40:18 | 0:40:21 | |
That's fine. Thank you. | 0:40:21 | 0:40:22 | |
It's a bit crap Huntley's team never re-interviewed Gemma. | 0:40:29 | 0:40:32 | |
Huntley's deliberately leading the inquiry in the wrong direction. | 0:40:32 | 0:40:35 | |
If Tim Ifield isn't Balaclava Man, | 0:40:35 | 0:40:37 | |
there's another suspect, and he's still out there. | 0:40:37 | 0:40:40 | |
So let's be the ones to find him. | 0:40:40 | 0:40:42 | |
Good. | 0:40:42 | 0:40:43 | |
Gemma said the driver was white. | 0:40:43 | 0:40:45 | |
I'll get Maneet to run cab companies for bookings round that time | 0:40:45 | 0:40:48 | |
and rule out any ME-sounding names. | 0:40:48 | 0:40:50 | |
Here's hoping you'll owe her a drink. | 0:40:50 | 0:40:53 | |
That's an interview technique. I'd never mess about with a witness. | 0:40:53 | 0:40:56 | |
I know some of the blokes do, but it's a bit desperate, | 0:40:56 | 0:41:00 | |
do you know what I mean? Cheers, Sarge. | 0:41:00 | 0:41:03 | |
Am I in trouble? | 0:41:05 | 0:41:06 | |
'Thank you for coming in to talk to us again, Hana. | 0:41:06 | 0:41:08 | |
'This is a voluntary interview, you're free to leave at any time.' | 0:41:08 | 0:41:12 | |
But I've told you everything I know. | 0:41:12 | 0:41:14 | |
'Since your previous interview, | 0:41:14 | 0:41:15 | |
'we've uncovered some new evidence we'd like to put to you.' | 0:41:15 | 0:41:18 | |
For the DIR, I'm showing Ms Reznikova item reference JHF-9, | 0:41:18 | 0:41:21 | |
showing a DIY store car park and a figure wearing a balaclava. | 0:41:21 | 0:41:25 | |
Yes. He looks like the man who attacked me. | 0:41:25 | 0:41:28 | |
According to your witness statement, | 0:41:28 | 0:41:29 | |
on the evening of the 9th of March, you were set upon by | 0:41:29 | 0:41:32 | |
a man wearing a balaclava who forced you into his vehicle and transported | 0:41:32 | 0:41:36 | |
you to an address on the Borogrove Estate belonging to Michael Farmer. | 0:41:36 | 0:41:39 | |
Yes, Michael Farmer. | 0:41:39 | 0:41:41 | |
'We know this can't be Michael Farmer.' | 0:41:41 | 0:41:43 | |
He was in custody at the time. | 0:41:43 | 0:41:45 | |
We believe this must be Timothy Ifield. | 0:41:45 | 0:41:48 | |
For the DIR, I'm showing Ms Reznikova item reference JHF-10, | 0:41:49 | 0:41:53 | |
showing the same man purchasing a number of power tools. | 0:41:53 | 0:41:57 | |
No, I don't know anything about this at all. | 0:41:57 | 0:41:59 | |
Hana, we wonder if you have any idea at all why Timothy Ifield | 0:41:59 | 0:42:04 | |
would be dressed exactly as you've described the man | 0:42:04 | 0:42:06 | |
who abducted you five nights earlier? | 0:42:06 | 0:42:08 | |
I don't know. | 0:42:08 | 0:42:10 | |
'Tim Ifield was the Police Forensic Coordinator present on the scene' | 0:42:10 | 0:42:14 | |
when you were rescued from Michael Farmer's house. | 0:42:14 | 0:42:16 | |
You told us he came into the cafe where you worked | 0:42:16 | 0:42:19 | |
and asked you to become his cleaner. | 0:42:19 | 0:42:21 | |
Are you certain you didn't recognise him? | 0:42:21 | 0:42:23 | |
I had never seen him before. | 0:42:23 | 0:42:25 | |
He'd seen you. He knew exactly who you were. | 0:42:25 | 0:42:27 | |
No alarm bells rang? | 0:42:29 | 0:42:31 | |
-No. -"No." | 0:42:31 | 0:42:33 | |
Come on. | 0:42:33 | 0:42:35 | |
'When you do go into the flat,' | 0:42:35 | 0:42:36 | |
you get a weird text telling you not to come in. | 0:42:36 | 0:42:39 | |
Still you don't think there's something funny going on? | 0:42:39 | 0:42:42 | |
-No. -"No." | 0:42:42 | 0:42:44 | |
I am telling the truth. | 0:42:45 | 0:42:47 | |
'Would you like to take a break, Hana?' | 0:42:47 | 0:42:49 | |
No, I'm not a criminal. | 0:42:49 | 0:42:51 | |
'No-one's saying you are, Hana.' | 0:42:51 | 0:42:54 | |
'A waitress doesn't earn very much. Neither does a cleaner. | 0:42:54 | 0:42:58 | |
'You needed the job, so maybe you set your suspicions aside?' | 0:42:58 | 0:43:01 | |
No. | 0:43:01 | 0:43:02 | |
-But you needed the job? -Yes. | 0:43:02 | 0:43:04 | |
Hana, our inquiries say you didn't chase him up at all. | 0:43:04 | 0:43:07 | |
Not one call or text from you to Timothy Ifield's | 0:43:07 | 0:43:10 | |
registered mobile phone after the 18th. | 0:43:10 | 0:43:12 | |
Why were you so happy to lose his business? | 0:43:12 | 0:43:15 | |
I just didn't know what to do, OK? | 0:43:15 | 0:43:16 | |
I didn't know what was happening. | 0:43:16 | 0:43:18 | |
You were the last person we know of to visit Tim's flat. | 0:43:18 | 0:43:21 | |
'Maybe that's when you recognised him?' | 0:43:21 | 0:43:23 | |
No. | 0:43:23 | 0:43:24 | |
'Hana, are you sure you wouldn't prefer to take a break? | 0:43:24 | 0:43:27 | |
'We don't mind.' | 0:43:27 | 0:43:29 | |
We're just confused. | 0:43:29 | 0:43:31 | |
For the DIR, DCI Huntley has entered the room. | 0:43:35 | 0:43:38 | |
-Farida. -Ma'am. | 0:43:38 | 0:43:40 | |
For the DIR, DCI Huntley, I've taken PC Jatri's seat. | 0:43:42 | 0:43:47 | |
The interviewee does not appear oppressed by my arrival. | 0:43:49 | 0:43:53 | |
-Hana? -Yes, I'm fine. | 0:43:53 | 0:43:55 | |
Thank you, Hana. Let me explain. | 0:43:55 | 0:43:58 | |
Since we first interviewed you, | 0:43:58 | 0:44:00 | |
certain things have become part of our working hypothesis | 0:44:00 | 0:44:03 | |
regarding how Timothy Ifield met his death. | 0:44:03 | 0:44:06 | |
Forensic evidence very strongly suggests he was wearing | 0:44:06 | 0:44:09 | |
a white forensic oversuit at the time of his death. | 0:44:09 | 0:44:12 | |
Fibres in his hair and nose suggest he'd been wearing a balaclava. | 0:44:12 | 0:44:17 | |
He was in possession of not only a number of power tools, | 0:44:18 | 0:44:22 | |
but also a set of kitchen knives. | 0:44:22 | 0:44:24 | |
As a woman, I can well imagine the level of terror | 0:44:26 | 0:44:30 | |
if I were to encounter that situation. | 0:44:30 | 0:44:33 | |
I wonder if a woman went to Tim's flat...she entered... | 0:44:33 | 0:44:38 | |
..Tim appeared as I've described. | 0:44:40 | 0:44:42 | |
This woman would quite rightly be in fear for her life. | 0:44:42 | 0:44:46 | |
This man clearly intended to assault her, | 0:44:46 | 0:44:50 | |
kill her, dismember her body. | 0:44:50 | 0:44:54 | |
If she put up a fight, she would not have committed a crime. | 0:44:54 | 0:44:57 | |
This woman was already traumatised by a recent abduction. | 0:44:57 | 0:45:02 | |
It was self-defence. | 0:45:02 | 0:45:05 | |
I didn't do what you say. | 0:45:05 | 0:45:06 | |
This woman was terrified. | 0:45:06 | 0:45:08 | |
If she confessed, would a court believe her? | 0:45:08 | 0:45:11 | |
She didn't have long to make up her mind. | 0:45:11 | 0:45:14 | |
She could lose her job, her family. | 0:45:14 | 0:45:17 | |
She might be deported. | 0:45:18 | 0:45:20 | |
But she knows how to clean. | 0:45:20 | 0:45:22 | |
I didn't do it. | 0:45:24 | 0:45:26 | |
Help us to help you, Hana. | 0:45:26 | 0:45:29 | |
Let us search your home. | 0:45:29 | 0:45:31 | |
Let us rule you out as a suspect. | 0:45:31 | 0:45:33 | |
You want to search my flat? | 0:45:34 | 0:45:36 | |
It's done by a specialist team. They won't damage anything. | 0:45:36 | 0:45:39 | |
-Anything they need to take away will be returned to you. -No! | 0:45:39 | 0:45:43 | |
You're refusing to permit us entry to your flat? | 0:45:43 | 0:45:45 | |
I haven't done anything wrong. | 0:45:45 | 0:45:47 | |
I'm sorry, Hana, we really need to search your flat. | 0:45:47 | 0:45:51 | |
Jodie, Section 18. Do it. | 0:45:52 | 0:45:55 | |
DCI Huntley leaving the room. | 0:45:55 | 0:45:58 | |
Hana Reznikova, I am arresting you in connection with the murder | 0:45:58 | 0:46:00 | |
of Timothy Ifield. | 0:46:00 | 0:46:02 | |
This arrest meets the necessity test under Code G of | 0:46:02 | 0:46:05 | |
the Police and Criminal Evidence Act, | 0:46:05 | 0:46:07 | |
namely the prompt and effective investigation of an offence, | 0:46:07 | 0:46:09 | |
permitting a lawful search of your address as part of our inquiry. | 0:46:09 | 0:46:13 | |
Interview them, asked them what they saw. | 0:46:51 | 0:46:53 | |
PHONE BEEPS | 0:46:53 | 0:46:55 | |
One sec. | 0:46:56 | 0:46:57 | |
I'm just after some background info on an item of evidence | 0:47:18 | 0:47:20 | |
from Tim Ifield's flat. | 0:47:20 | 0:47:22 | |
KRG-13. Forensic samples were taken on the 23rd March. | 0:47:22 | 0:47:27 | |
Stored overnight and then sent to the lab the following morning. | 0:47:27 | 0:47:29 | |
She went to the Forensic Office. | 0:47:36 | 0:47:38 | |
What's she up to? | 0:47:40 | 0:47:41 | |
I spoke to an FI after she'd gone. | 0:47:41 | 0:47:43 | |
Kate was asking for details about item reference KRG-13. | 0:47:43 | 0:47:48 | |
You know what that is? | 0:47:48 | 0:47:50 | |
It's the isolated blood spatter deposit found at Tim's flat. | 0:47:50 | 0:47:53 | |
The FI who had handled it had mistakenly wrote KRG-30 | 0:47:53 | 0:47:56 | |
and then corrected it to KRG-13. | 0:47:56 | 0:47:58 | |
And what did they make of that? | 0:47:59 | 0:48:01 | |
Oh, it was noted, but no concerns have been raised. | 0:48:01 | 0:48:03 | |
Sounds like a slip of the pen. | 0:48:03 | 0:48:05 | |
Yeah. What do you reckon she's up to, ma'am? | 0:48:05 | 0:48:08 | |
Ambitious DS, that's all, | 0:48:09 | 0:48:12 | |
wants to impress her gaffer back at East Mids. | 0:48:12 | 0:48:16 | |
-Not that there's anything wrong with ambition. -No, ma'am. | 0:48:16 | 0:48:19 | |
We should do a drink soon. | 0:48:21 | 0:48:23 | |
It'd be good to have a natter about your plans for the future. | 0:48:23 | 0:48:26 | |
I'd really appreciate that, ma'am, thank you. | 0:48:26 | 0:48:29 | |
-Bye, ma'am. -Bye, Jodie. | 0:48:32 | 0:48:34 | |
-Kate. -Ma'am? | 0:48:46 | 0:48:48 | |
Relax, Kate, it's good news, I hope. | 0:48:48 | 0:48:51 | |
I've been reviewing your secondment here. | 0:48:52 | 0:48:53 | |
We need manpower and you're a fully trained detective. | 0:48:53 | 0:48:57 | |
I think I can make a case for extending your stay with us. | 0:48:57 | 0:48:59 | |
Assuming that appeals? | 0:48:59 | 0:49:01 | |
Yeah, absolutely, ma'am. Thank you. | 0:49:01 | 0:49:04 | |
-It's great working with you. -Likewise, ma'am. | 0:49:04 | 0:49:06 | |
-Night. -Night. | 0:49:08 | 0:49:10 | |
The overwriting was noted at every stage of the evidence being handled. | 0:49:17 | 0:49:21 | |
It doesn't appear anyone was trying to cover it up. | 0:49:21 | 0:49:23 | |
Still we should make a confidential request to examine | 0:49:23 | 0:49:26 | |
the original samples ourselves. | 0:49:26 | 0:49:27 | |
It's a crucial item and any irregularity... | 0:49:27 | 0:49:29 | |
Is something to throw in Huntley's face? | 0:49:29 | 0:49:32 | |
This isn't personal. | 0:49:32 | 0:49:35 | |
She's at the centre of everything. | 0:49:35 | 0:49:37 | |
I just want to get to the truth. | 0:49:37 | 0:49:39 | |
Me too, mate. | 0:49:39 | 0:49:40 | |
See you soon. | 0:49:41 | 0:49:43 | |
Kate, Roz is asking for you. | 0:49:52 | 0:49:54 | |
What's going on? | 0:49:55 | 0:49:56 | |
Just got the report on the search of Hana Reznikova's flat. | 0:49:56 | 0:49:59 | |
Item reference AS-9. | 0:50:04 | 0:50:06 | |
The search of your flat detected banknotes in the sum of £5,900 | 0:50:06 | 0:50:10 | |
concealed in a kitchen cupboard. | 0:50:10 | 0:50:13 | |
Item reference MHM-27. | 0:50:13 | 0:50:16 | |
Search of your household waste detected multiple used condoms | 0:50:16 | 0:50:20 | |
containing semen from multiple males. | 0:50:20 | 0:50:23 | |
'How do you account for these findings?' | 0:50:23 | 0:50:26 | |
-HE WHISPERS: -No comment. | 0:50:26 | 0:50:28 | |
No comment. | 0:50:28 | 0:50:30 | |
'Items referenced JF-3 to JF-7.' | 0:50:31 | 0:50:34 | |
Examination of bed linen and bath towels detected DNA from multiple | 0:50:36 | 0:50:40 | |
males one of which matched control samples held in the police database, | 0:50:40 | 0:50:45 | |
said DNA belonged to Timothy Ifield. | 0:50:45 | 0:50:48 | |
What was Timothy Ifield doing in your bed, Hana? | 0:50:50 | 0:50:53 | |
-HE WHISPERS: -No comment. | 0:50:54 | 0:50:56 | |
No comment. | 0:50:56 | 0:50:57 | |
Item reference AS-24. | 0:50:59 | 0:51:01 | |
The search detected an unregistered mobile phone. | 0:51:01 | 0:51:04 | |
Unlocking of said phone provided a call history containing four calls | 0:51:04 | 0:51:08 | |
between you and a number whose user we've been unable to identify. | 0:51:08 | 0:51:12 | |
The first call occurring on the 16th March | 0:51:12 | 0:51:15 | |
and the last on the 18th March. | 0:51:15 | 0:51:18 | |
What was the nature of these calls? | 0:51:18 | 0:51:21 | |
-HE WHISPERS: -No comment. | 0:51:21 | 0:51:22 | |
No comment. | 0:51:22 | 0:51:23 | |
'Hana, we've got evidence strongly suggesting that you've been | 0:51:23 | 0:51:26 | |
'engaging in sexual activity for commercial gain.' | 0:51:26 | 0:51:29 | |
We've got calls on an unregistered phone that presumably you used | 0:51:29 | 0:51:33 | |
'to arrange these encounters. | 0:51:33 | 0:51:35 | |
'We've got evidence Timothy Ifield was present in your flat, | 0:51:35 | 0:51:38 | |
'presumably for sexual services.' | 0:51:38 | 0:51:41 | |
Now this unidentified unregistered phone that you had calls with | 0:51:41 | 0:51:45 | |
on four occasions... | 0:51:45 | 0:51:46 | |
..were these calls to and from Timothy Ifield? | 0:51:48 | 0:51:50 | |
-HE WHISPERS: -No comment. | 0:51:51 | 0:51:53 | |
Hana, wake up. | 0:51:53 | 0:51:55 | |
We're carrying out an investigation into an unsolved murder. | 0:51:55 | 0:51:58 | |
Now if you didn't kill Timothy Ifield, | 0:51:58 | 0:52:00 | |
telling us that this was a phone of his that we know nothing about yet, | 0:52:00 | 0:52:03 | |
that would really help us. | 0:52:03 | 0:52:05 | |
And it may help prove that you weren't his murderer. | 0:52:05 | 0:52:08 | |
'Hana, frankly, right now for you this is a lifeline.' | 0:52:10 | 0:52:13 | |
It was Timothy's phone. | 0:52:17 | 0:52:18 | |
'Brilliant. Thank you.' | 0:52:22 | 0:52:24 | |
'But I wasn't harming anyone.' | 0:52:24 | 0:52:26 | |
You have ruined my life. | 0:52:27 | 0:52:29 | |
'No, we protect life.' | 0:52:30 | 0:52:32 | |
Great. | 0:52:40 | 0:52:42 | |
It's good work, guys. | 0:52:42 | 0:52:44 | |
Just because they had sex doesn't mean Hana killed Tim. | 0:52:44 | 0:52:46 | |
True. | 0:52:46 | 0:52:48 | |
But he invited her back to his flat. | 0:52:48 | 0:52:50 | |
She hadn't been there before. | 0:52:50 | 0:52:51 | |
We know that because we didn't detect any of her DNA | 0:52:51 | 0:52:53 | |
or fingerprints in his flat. | 0:52:53 | 0:52:55 | |
He gained her trust, lured her there to kill her. | 0:52:55 | 0:52:58 | |
She killed him in self-defence. | 0:52:58 | 0:53:00 | |
We're a whisker away from finding the evidence | 0:53:00 | 0:53:02 | |
we'll need to charge her. It's all falling into place. | 0:53:02 | 0:53:05 | |
The only hole is proving that Michael Farmer and Tim Ifield | 0:53:05 | 0:53:10 | |
were accomplices and then we've cracked the whole damn case. | 0:53:10 | 0:53:12 | |
Yes, ma'am. | 0:53:12 | 0:53:14 | |
We've got this lead now on Tim's burner phone. | 0:53:14 | 0:53:16 | |
Chances are we're going to open up a whole new can of worms about | 0:53:16 | 0:53:19 | |
-what he was up to in the time round his death. -Hopefully. -Yeah. | 0:53:19 | 0:53:22 | |
I'm afraid I've drawn a blank on taxis picking up from | 0:53:29 | 0:53:32 | |
Tim Ifield's street on the night of the 17th. | 0:53:32 | 0:53:34 | |
-Right. -But... | 0:53:34 | 0:53:36 | |
I've been looking at traffic camera footage from that night. | 0:53:36 | 0:53:39 | |
This is a junction a quarter of a mile from Tim's flat. | 0:53:39 | 0:53:43 | |
I didn't spot a taxi, but I looked for vehicles resembling a minicab. | 0:53:43 | 0:53:46 | |
And this dark Mercedes E-class saloon passes through at 23:31 | 0:53:46 | 0:53:50 | |
heading in the direction away from Tim's flat. | 0:53:50 | 0:53:53 | |
And here it is earlier that evening at 18.36 heading towards Tim's flat. | 0:53:53 | 0:53:58 | |
Any chance we'll be able to read the reg? | 0:53:58 | 0:54:00 | |
I've sent the images for enhancement. | 0:54:00 | 0:54:02 | |
I'll let you know the moment I hear back. | 0:54:02 | 0:54:04 | |
Cheers, Maneet. Well done. | 0:54:04 | 0:54:06 | |
Holding. | 0:54:15 | 0:54:16 | |
Anyone had further contact from Huntley's husband? | 0:54:16 | 0:54:18 | |
Not that I know of. | 0:54:18 | 0:54:20 | |
He can't say I didn't give him a chance. | 0:54:20 | 0:54:22 | |
-VOICEMAIL: -'You've reached Nicholas Huntley of Webber and Barratt Partners LLP. | 0:54:31 | 0:54:34 | |
'Please leave a message.' | 0:54:34 | 0:54:35 | |
PHONE BEEPS | 0:54:35 | 0:54:37 | |
Mr Huntley, DS Arnott. AC-12. We need to talk. | 0:54:37 | 0:54:41 | |
You've excelled yourself, Roz. | 0:54:42 | 0:54:45 | |
Thank you, sir. | 0:54:45 | 0:54:46 | |
Trapdoor's been the toughest months of my life. | 0:54:48 | 0:54:51 | |
I appreciate the backing you've given me, sir. | 0:54:51 | 0:54:54 | |
You were a star in training college, then you put your family first. | 0:54:54 | 0:54:59 | |
I'm only putting you back where you belong. What are friends for? | 0:54:59 | 0:55:02 | |
Hm? | 0:55:02 | 0:55:04 | |
Thank you very much, sir. | 0:55:05 | 0:55:07 | |
PHONE VIBRATES | 0:55:07 | 0:55:10 | |
Sorry. | 0:55:10 | 0:55:12 | |
PHONE BEEPS | 0:55:23 | 0:55:25 | |
-VOICEMAIL: -'Mr Huntley, DS Arnott. AC-12. We need to talk.' | 0:55:29 | 0:55:33 | |
He's gone to see Huntley's husband. | 0:55:45 | 0:55:47 | |
Anything I can do? | 0:55:47 | 0:55:49 | |
Image enhancement got a reg number on the vehicle seen near Tim's flat. | 0:55:49 | 0:55:53 | |
I need to tell Steve right away. | 0:55:53 | 0:55:56 | |
Mr Huntley, DS Arnott, again. | 0:55:56 | 0:55:58 | |
'I was hoping you'd have come back to me by now' | 0:55:58 | 0:56:01 | |
on the matter we discussed. | 0:56:01 | 0:56:02 | |
I've spoken to a colleague of mine, a criminal solicitor, | 0:56:02 | 0:56:06 | |
called Jimmy Lakewell. | 0:56:06 | 0:56:07 | |
'I think it's best that you go through him. L-A-K-E...' | 0:56:07 | 0:56:10 | |
Mr Huntley, are you refusing to | 0:56:10 | 0:56:12 | |
'cooperate with a lawful police investigation?' | 0:56:12 | 0:56:14 | |
-VOICEMAIL: -'This is DS Arnott, please leave a message.' | 0:56:14 | 0:56:16 | |
Sarge, we got a reg on the car. | 0:56:16 | 0:56:20 | |
It belongs to a Nicholas Huntley - Roz's husband. | 0:56:20 | 0:56:24 | |
Maneet, just call him again. | 0:56:24 | 0:56:26 | |
-VOICEMAIL: -'This is DS Arnott, please leave a message.' | 0:56:29 | 0:56:31 | |
I'm outside your office. | 0:56:31 | 0:56:33 | |
'Wouldn't it be better to discuss all this face-to-face?' | 0:56:33 | 0:56:36 | |
Listen, Mr Huntley, with respect to the 17th of March, | 0:56:36 | 0:56:39 | |
we've got strong circumstantial evidence your wife wasn't at home | 0:56:39 | 0:56:42 | |
-'as she claims.' -Erm, I've got no comment to make. | 0:56:42 | 0:56:46 | |
I'm giving you the opportunity to say something now before this | 0:56:46 | 0:56:48 | |
gets extremely serious not just for your wife, | 0:56:48 | 0:56:51 | |
'but for you too, sir.' | 0:56:51 | 0:56:53 | |
Steve, we need you to call in. | 0:56:55 | 0:56:57 | |
Nick Huntley could be dangerous, OK. | 0:56:57 | 0:56:59 | |
Nick Huntley could be dangerous. Call in. | 0:56:59 | 0:57:01 | |
Please, you should talk to my solicitor. | 0:57:03 | 0:57:07 | |
I'm going up to the 5th floor. | 0:57:07 | 0:57:08 | |
'L-A-K-E-W-E-L-L.' | 0:57:08 | 0:57:11 | |
Where did she claim she was that night? | 0:57:12 | 0:57:14 | |
That night your kids left a voicemail on your wife's phone | 0:57:14 | 0:57:16 | |
asking permission to order a takeaway. | 0:57:16 | 0:57:18 | |
If they're calling her, where were you? | 0:57:18 | 0:57:21 | |
'I'm thinking you weren't where you said you were. | 0:57:21 | 0:57:24 | |
'Mr Huntley?' | 0:57:24 | 0:57:25 | |
Think about your answer. | 0:57:26 | 0:57:28 | |
You've got one minute. I'm on my way up. | 0:57:28 | 0:57:30 | |
LIFT: Doors closing. | 0:57:33 | 0:57:35 | |
PHONE RINGS | 0:57:35 | 0:57:38 | |
-VOICEMAIL: -'You have five new messages. Message one.' | 0:57:38 | 0:57:42 | |
'Sarge, we got a reg on the car. | 0:57:42 | 0:57:45 | |
It belongs to a Nicholas Huntley. | 0:57:45 | 0:57:47 | |
LIFT: Doors opening. | 0:57:47 | 0:57:49 | |
LIFT: Doors closing. | 0:57:58 | 0:57:59 |