Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Sorry to trouble you at home, ma'am, but we've picked up a bystander | 0:00:03 | 0:00:06 | |
999 on an active abduction of a young female in the Moss Heath area. | 0:00:06 | 0:00:09 | |
We've being looking for him for months. | 0:00:09 | 0:00:11 | |
We're going to get this bastard, yeah! | 0:00:11 | 0:00:14 | |
A 24-year-old man has been charged. | 0:00:14 | 0:00:16 | |
Huntley's definitely hiding something about how the case | 0:00:16 | 0:00:18 | |
against Farmer was handled. What, I don't know. | 0:00:18 | 0:00:20 | |
There's the man you should be looking for up there. | 0:00:22 | 0:00:24 | |
Not Michael Farmer. | 0:00:24 | 0:00:25 | |
-You all right? -I need to go back to work. | 0:00:28 | 0:00:30 | |
What have you got against Michael Farmer, | 0:00:34 | 0:00:36 | |
except him being retarded enough for you to frame?! | 0:00:36 | 0:00:38 | |
He was one of our own. I'm going to get on with finding the bastard that did this. | 0:00:42 | 0:00:46 | |
I'm the senior ranking officer here, darling. | 0:00:46 | 0:00:48 | |
I'm only putting you back where you belong. What are friends for? | 0:00:48 | 0:00:52 | |
Hmm? | 0:00:52 | 0:00:53 | |
Hana Reznikova was the last person known to have had contact | 0:00:57 | 0:00:59 | |
with the victim. | 0:00:59 | 0:01:01 | |
Hana Reznikova, I am arresting you in connection with the murder | 0:01:01 | 0:01:03 | |
of Timothy Ifield. | 0:01:03 | 0:01:05 | |
Fingertips were amputated postmortem. | 0:01:09 | 0:01:11 | |
So, we're surmising that Tim tried to grab a handful of his assailant. | 0:01:11 | 0:01:14 | |
To get some skin cells under his fingernails. | 0:01:14 | 0:01:16 | |
A swab of worktop blood spatter. | 0:01:16 | 0:01:18 | |
Item reference KRG-13. | 0:01:20 | 0:01:23 | |
I'm just after some background info on an item of evidence | 0:01:23 | 0:01:26 | |
from Tim Ifield's flat. KRG-13. | 0:01:26 | 0:01:29 | |
-She went to the forensic office. -What is she up to? | 0:01:29 | 0:01:32 | |
You witnessed a cab outside the flats around 11pm | 0:01:41 | 0:01:43 | |
on the night of the 17th? | 0:01:43 | 0:01:44 | |
I think it was a cab. | 0:01:44 | 0:01:45 | |
Can you describe the driver? | 0:01:45 | 0:01:47 | |
Image enhancement got a reg number on the vehicle seen near Tim's flat. | 0:01:47 | 0:01:51 | |
It belongs to a Nicholas Huntley. | 0:01:51 | 0:01:53 | |
Nick Huntley could be dangerous. Call in. | 0:01:57 | 0:02:00 | |
-I didn't know what else to do. -Just tell me what happened. | 0:02:16 | 0:02:18 | |
-DS Arnold came to see me... -Arnott. | 0:02:18 | 0:02:21 | |
Arnott, came to see me, and, well... | 0:02:21 | 0:02:24 | |
he ended up falling down the stairs. | 0:02:24 | 0:02:26 | |
Oh, my God. | 0:02:30 | 0:02:31 | |
Jesus Christ! | 0:02:32 | 0:02:34 | |
-He's still alive? -I don't know. | 0:02:34 | 0:02:36 | |
At least you had the presence of mind to go out and use | 0:02:36 | 0:02:38 | |
-a pay phone to call me. -Yes. | 0:02:38 | 0:02:40 | |
I thought maybe I should, because he mentioned telephone calls, | 0:02:40 | 0:02:43 | |
DS Arnott, between us that he was investigating. | 0:02:43 | 0:02:46 | |
What calls? | 0:02:46 | 0:02:48 | |
On the night you told me you were working and you left | 0:02:48 | 0:02:50 | |
your phone at home. | 0:02:50 | 0:02:52 | |
He called me, Roz, and so I called Jimmy Lakewell straight away. | 0:02:53 | 0:02:57 | |
And he said not to make any further comment to him. | 0:02:57 | 0:03:01 | |
About what? | 0:03:01 | 0:03:02 | |
Come on, Nick! | 0:03:04 | 0:03:05 | |
He wanted to know your whereabouts on the night that you said | 0:03:05 | 0:03:08 | |
that you were working. | 0:03:08 | 0:03:10 | |
-Why? -I don't know, I can't remember. He was... | 0:03:13 | 0:03:17 | |
He was pressuring me and he was coming up and then I thought, | 0:03:17 | 0:03:21 | |
-maybe, he'd gone to the old floor. I don't know. -Pressuring you how? | 0:03:21 | 0:03:24 | |
Well, he was saying stuff. He was pushing me. | 0:03:24 | 0:03:26 | |
-"He was saying stuff." -Don't start, Roz! | 0:03:26 | 0:03:29 | |
You're the one who's started and I'm left with the mess to clear up! | 0:03:29 | 0:03:32 | |
Is there a way to get into your building avoiding CCTV? | 0:03:35 | 0:03:38 | |
Yes. That's the one I've just used. | 0:03:38 | 0:03:39 | |
Good. Get up to whatever floor you're meant to be on. | 0:03:39 | 0:03:42 | |
Phone security, tell them to go and look for DS Arnott. | 0:03:42 | 0:03:45 | |
You're worried he's got lost somewhere in the building. | 0:03:45 | 0:03:48 | |
What if somebody sees us? | 0:03:48 | 0:03:49 | |
This is not an abstruse point of corporate law, Nick. | 0:03:49 | 0:03:51 | |
This is real crime and I do this for a living. | 0:03:51 | 0:03:54 | |
Go on. | 0:03:55 | 0:03:57 | |
Go! | 0:03:58 | 0:03:59 | |
SIREN BLARES | 0:04:28 | 0:04:29 | |
I'm his gaffer. How is he? | 0:04:34 | 0:04:35 | |
Too early to say for certain. He's in a bad way. | 0:04:35 | 0:04:38 | |
Yes. So what happened? | 0:04:38 | 0:04:39 | |
Security guard found him at the bottom of the stairs. | 0:04:39 | 0:04:42 | |
Didn't see anyone else around. Injuries are consistent with a fall. | 0:04:42 | 0:04:46 | |
Mother of God. | 0:04:47 | 0:04:49 | |
That's him, sir, that's her husband. | 0:04:49 | 0:04:50 | |
Right. This is no accident, until proven otherwise! | 0:04:50 | 0:04:53 | |
OK. I want this place locked down as a crime scene! | 0:04:53 | 0:04:55 | |
Full forensic deployment! | 0:04:55 | 0:04:57 | |
-Nicholas Huntley? -Yes. | 0:04:57 | 0:04:59 | |
You're a material witness to the events surrounding the | 0:04:59 | 0:05:01 | |
serious injury of a serving police officer going about his lawful duty. | 0:05:01 | 0:05:04 | |
-I don't know anything. -Save it, fella. Look, you know, | 0:05:04 | 0:05:06 | |
you can do this voluntarily or we can do it the hard way. | 0:05:06 | 0:05:08 | |
Right. I want him detained for forensics. | 0:05:08 | 0:05:10 | |
And, James, you're in charge. Right, you lot. I'm with you. | 0:05:10 | 0:05:13 | |
We'll need your clothes, Mr Huntley. | 0:05:13 | 0:05:15 | |
Come with me. | 0:05:18 | 0:05:19 | |
ALARM BLARES | 0:05:26 | 0:05:27 | |
En route with P1, GCS 9. ETA five minutes. | 0:05:38 | 0:05:42 | |
Thank you. | 0:05:52 | 0:05:54 | |
Jimmy, thanks for the change of clothes, mate. | 0:05:54 | 0:05:56 | |
There's no way am I letting you go round looking like you're | 0:05:56 | 0:05:58 | |
already convicted. | 0:05:58 | 0:06:00 | |
Detective Sergeant Arnott | 0:06:02 | 0:06:04 | |
phoned me to arrange a follow-up interview. | 0:06:04 | 0:06:08 | |
He informed me that he was outside my firm's building, | 0:06:08 | 0:06:12 | |
and that he was on his way to up to my office and then he hung up. | 0:06:12 | 0:06:16 | |
And when he didn't arrive, it was at that moment that I realised | 0:06:16 | 0:06:19 | |
that he must have gone to our old floor. | 0:06:19 | 0:06:21 | |
As soon as I realised DS Arnott's mistake... | 0:06:21 | 0:06:23 | |
My officer made no mistake. He was on to you. | 0:06:23 | 0:06:26 | |
You were the only person who knew where he was. | 0:06:26 | 0:06:29 | |
We weren't born yesterday, fella! | 0:06:29 | 0:06:30 | |
We all appreciate that you're concerned for your officer's | 0:06:30 | 0:06:33 | |
condition, but, come on, let's dial down the Ian Paisley! | 0:06:33 | 0:06:36 | |
You fancy yourself as a bit of a comedian, do you? | 0:06:38 | 0:06:41 | |
I have a man in the hospital. That's no laughing matter. | 0:06:41 | 0:06:45 | |
Nick and I are old colleagues, so I've got more than | 0:06:45 | 0:06:47 | |
a professional interest in my client's fair treatment, | 0:06:47 | 0:06:50 | |
so no-one would be happier than me if your whole department | 0:06:50 | 0:06:53 | |
stopped looking like they want to blame Nick and started realising | 0:06:53 | 0:06:56 | |
that your officer's fall resulted from an unfortunate accident. | 0:06:56 | 0:07:00 | |
My officer was highly trained. | 0:07:00 | 0:07:01 | |
He's a former counter-terrorism team leader. | 0:07:01 | 0:07:04 | |
He did not slip and fall down three flights of stairs by "accident". | 0:07:04 | 0:07:08 | |
He was pushed. | 0:07:08 | 0:07:10 | |
And you were the only person who knew he was there, Mr Huntley. | 0:07:10 | 0:07:12 | |
Coincidence. A complete coincidence. | 0:07:12 | 0:07:15 | |
The security guard, he's got no idea how DS Arnott's attacker | 0:07:15 | 0:07:19 | |
could have accessed the building without him knowing. | 0:07:19 | 0:07:22 | |
Unless he was in there already. | 0:07:22 | 0:07:24 | |
You can't be suggesting that Nick was responsible for your | 0:07:24 | 0:07:27 | |
officer's fall. | 0:07:27 | 0:07:28 | |
He was two flights up in an office full of colleagues. | 0:07:28 | 0:07:31 | |
The office manager told us Mr Huntley left the office for | 0:07:31 | 0:07:34 | |
approximately 15 minutes around the time DS Arnott sustained his | 0:07:34 | 0:07:36 | |
-injuries. -I went to the toilet. | 0:07:36 | 0:07:39 | |
Yeah. I thought you were waiting for DS Arnott? | 0:07:39 | 0:07:41 | |
He didn't appear. I got butterflies. | 0:07:41 | 0:07:44 | |
Do you have any evidence to the contrary? | 0:07:45 | 0:07:48 | |
We're looking at the whole picture, the whole picture. DC Desford. | 0:07:48 | 0:07:52 | |
Uh, yeah... erm... | 0:07:54 | 0:07:55 | |
Traffic camera video capture... | 0:08:00 | 0:08:02 | |
March 17th. | 0:08:02 | 0:08:04 | |
Good. You recognise this vehicle, Mr Huntley? | 0:08:04 | 0:08:08 | |
Help him, DC Desford. | 0:08:10 | 0:08:12 | |
For the tape, the interviewee is being shown | 0:08:12 | 0:08:15 | |
a vehicle registration number. | 0:08:15 | 0:08:17 | |
That's my car. | 0:08:19 | 0:08:20 | |
So we have this vehicle crossing this junction and then coming | 0:08:20 | 0:08:22 | |
back a few hours later. | 0:08:22 | 0:08:24 | |
Now, the reason we're interested in this particular junction is | 0:08:24 | 0:08:26 | |
because it serves an address just a few hundred yards away where, on the | 0:08:26 | 0:08:31 | |
night in question, a member of the police forensic staff was murdered. | 0:08:31 | 0:08:35 | |
Timothy Ifield. | 0:08:39 | 0:08:40 | |
I... I've got nothing to do with any murder. | 0:08:45 | 0:08:48 | |
We also have a witness saying a vehicle matching this | 0:08:48 | 0:08:52 | |
description and a driver matching your description was seen | 0:08:52 | 0:08:55 | |
outside the address where the murder took place. | 0:08:55 | 0:08:57 | |
Are you seriously suggesting that Nick is a suspect? | 0:08:57 | 0:09:01 | |
No. One step at a time. | 0:09:01 | 0:09:02 | |
I'd just like to know if Mr Huntley saw anything on the night | 0:09:02 | 0:09:05 | |
in question that might help us with our inquiries? | 0:09:05 | 0:09:08 | |
No, I didn't. No. Sorry. | 0:09:08 | 0:09:10 | |
You see, normally in a situation like this someone's mobile phone | 0:09:10 | 0:09:14 | |
would give us their location every second of the night. | 0:09:14 | 0:09:16 | |
However, you conveniently left yours at home. | 0:09:16 | 0:09:19 | |
The man forgot his phone. It's simple as that, nothing sinister. | 0:09:19 | 0:09:22 | |
Right. Well, perhaps Mr Huntley can tell us where he was, exactly, | 0:09:22 | 0:09:26 | |
on that night? | 0:09:26 | 0:09:28 | |
Nick isn't obliged to give you that information. | 0:09:28 | 0:09:31 | |
Very well. | 0:09:33 | 0:09:35 | |
Let's move on to your wife, Detective Chief Inspector Huntley. | 0:09:36 | 0:09:40 | |
Now, on the night in question, the 17th, | 0:09:40 | 0:09:42 | |
when you were out for that drive, she's claimed she was at home, sick. | 0:09:42 | 0:09:46 | |
DC Desford. | 0:09:46 | 0:09:48 | |
Yeah. Um... | 0:09:49 | 0:09:50 | |
A call to your wife's mobile was made at around 8pm. | 0:09:55 | 0:09:59 | |
So, why the call, when she said she was home? | 0:09:59 | 0:10:04 | |
Our kids made that call. | 0:10:05 | 0:10:07 | |
They didn't realise that she was asleep in the spare room. | 0:10:07 | 0:10:10 | |
In the spare room? | 0:10:12 | 0:10:14 | |
Yes. So, she wouldn't give me her illness or disturb me, | 0:10:14 | 0:10:19 | |
if she had a sleepless night. | 0:10:19 | 0:10:20 | |
DC Desford. | 0:10:23 | 0:10:24 | |
Yeah... Um... | 0:10:26 | 0:10:27 | |
Image 47. | 0:10:33 | 0:10:35 | |
This is a frame of CCTV captured on the evening of January 25th | 0:10:35 | 0:10:39 | |
in the Moss Heath area. | 0:10:39 | 0:10:40 | |
You wouldn't happen to be able to help us identify this | 0:10:41 | 0:10:44 | |
particular individual? | 0:10:44 | 0:10:46 | |
Mr Huntley? | 0:10:48 | 0:10:50 | |
Take your time, Nick. | 0:10:50 | 0:10:53 | |
The 25th. | 0:10:55 | 0:10:56 | |
Yes. | 0:11:00 | 0:11:01 | |
Yes. I was at a work function in Northampton that evening. | 0:11:01 | 0:11:06 | |
So, I can't help you. | 0:11:06 | 0:11:07 | |
And I bet there are loads of witnesses to corroborate that? | 0:11:09 | 0:11:11 | |
-Yes. -Great. Thanks, I hope that's covered. Anything else? | 0:11:11 | 0:11:16 | |
Do you have any of your officer's DNA on my client? | 0:11:16 | 0:11:19 | |
Any of his clothes fibres? | 0:11:19 | 0:11:21 | |
I can ask the same regarding the murder of this Timothy Ifield. | 0:11:21 | 0:11:25 | |
Inquiries are ongoing. | 0:11:26 | 0:11:28 | |
They've got no witnesses. No CCTV. | 0:11:30 | 0:11:33 | |
No forensics. | 0:11:33 | 0:11:35 | |
My client's given full cooperation. | 0:11:35 | 0:11:37 | |
Either you arrest him under Code G or he's free to go. | 0:11:37 | 0:11:41 | |
This inquiry isn't finished, not by a long chalk. | 0:11:41 | 0:11:45 | |
Don't you kid yourselves, fellas. DC Desford. | 0:11:45 | 0:11:48 | |
When my officer wakes up, he'll have a tale to tell. | 0:11:48 | 0:11:52 | |
Then we'll see what's what. | 0:11:54 | 0:11:56 | |
You want to sharpen up your act there, James. | 0:12:05 | 0:12:08 | |
Sir. | 0:12:09 | 0:12:11 | |
Kate, what are you doing here? You could be seen. | 0:12:19 | 0:12:21 | |
I had to come, sir. How is he? | 0:12:21 | 0:12:23 | |
He's got fractures of his right leg, pelvis, vertebrae, | 0:12:23 | 0:12:26 | |
fractured skull, some busted ribs. | 0:12:26 | 0:12:28 | |
I mean, they've operated, but the nurse says it's too early | 0:12:28 | 0:12:31 | |
to say anything, so... | 0:12:31 | 0:12:32 | |
You can never find a bloody doctor when you want one. | 0:12:32 | 0:12:35 | |
You ought to look at this. CCTV from Steve's fall. | 0:12:44 | 0:12:50 | |
I thought we'd drawn a blank? | 0:12:50 | 0:12:52 | |
I got this from neighbouring premises overlooking an alleyway. | 0:12:52 | 0:12:56 | |
Good God. | 0:13:01 | 0:13:02 | |
Timing fits with Steve's fall, sir. | 0:13:02 | 0:13:04 | |
-This was just a few minutes after. -Well, there you have it. | 0:13:04 | 0:13:06 | |
Balaclava Man, he can't be Michael Farmer, he can't be Tim Ifield. | 0:13:06 | 0:13:09 | |
It's looking like he could be Nick Huntley. | 0:13:09 | 0:13:11 | |
No traces of Steve's blood or DNA were found on Nick Huntley. | 0:13:11 | 0:13:13 | |
No clothes fibres, either. | 0:13:13 | 0:13:14 | |
Nor any fibres that might relate to the Balaclava Man outfit. | 0:13:14 | 0:13:17 | |
Yeah, but this is no coincidence. Huntley's definitely involved. | 0:13:17 | 0:13:19 | |
He's the only person who knew where Steve was. | 0:13:19 | 0:13:21 | |
-What? Do you think he tipped somebody off? -No. | 0:13:21 | 0:13:23 | |
Huntley only made one phone call after Steve's initial | 0:13:23 | 0:13:25 | |
voicemail, which was to his solicitor, seeking legal advice. | 0:13:25 | 0:13:28 | |
Right, so it's all down to Steve identifying Huntley as his | 0:13:28 | 0:13:30 | |
-assailant. -Sir. | 0:13:30 | 0:13:32 | |
What about the Tim Ifield murder? | 0:13:33 | 0:13:34 | |
Any more connections with Nick Huntley there? | 0:13:34 | 0:13:36 | |
Maneet's studied all the traffic cameras in the vicinity | 0:13:36 | 0:13:39 | |
of Tim Ifield's flat. | 0:13:39 | 0:13:40 | |
There were no other sightings of Nick Huntley's vehicle | 0:13:40 | 0:13:43 | |
-for the night of Tim's murder. -Come on, son. | 0:13:43 | 0:13:45 | |
Steve Arnott's up in intensive care and you've gone into | 0:13:45 | 0:13:47 | |
full steam reverse! | 0:13:47 | 0:13:49 | |
If they had anything, they'd have held you. Trust me. | 0:13:54 | 0:13:57 | |
-It's fine. -Hey, hey! | 0:13:57 | 0:14:00 | |
They showed me a CCTV picture of some scary bloke in a balaclava. | 0:14:00 | 0:14:05 | |
It's to do with this death, this murder. | 0:14:05 | 0:14:08 | |
Why were they asking you questions about Timothy Ifield's murder? | 0:14:11 | 0:14:15 | |
What haven't you told me? | 0:14:16 | 0:14:18 | |
Jesus Christ, Roz, you've got a nerve. | 0:14:18 | 0:14:20 | |
You're the one that's doing all the lying, not me. | 0:14:20 | 0:14:24 | |
I'm going to ask you again. Why were | 0:14:24 | 0:14:27 | |
they asking you questions about Timothy Ifield's murder? | 0:14:27 | 0:14:29 | |
Because I was there... | 0:14:29 | 0:14:31 | |
..that night. | 0:14:33 | 0:14:35 | |
They've got my car on a traffic camera | 0:14:35 | 0:14:37 | |
a few hundred yards away from his flat. | 0:14:37 | 0:14:40 | |
You still don't get it, do you? The late nights. The excuses. | 0:14:44 | 0:14:48 | |
The brush-off in bed. | 0:14:48 | 0:14:49 | |
I knew that you had to be with someone. | 0:14:49 | 0:14:51 | |
You followed me? | 0:14:53 | 0:14:54 | |
I didn't intend to. | 0:14:56 | 0:14:58 | |
But you left your phone at home when you said that you were going | 0:14:58 | 0:15:01 | |
to work. So I picked it up and I tried to catch you. | 0:15:01 | 0:15:04 | |
I saw you take a different turn to some dodgy mini-cab firm. | 0:15:05 | 0:15:10 | |
Jesus Christ, Nick. | 0:15:10 | 0:15:11 | |
So, I followed that cab until you got out. | 0:15:11 | 0:15:13 | |
I realise now it was to avoid the traffic camera that captured my car. | 0:15:13 | 0:15:18 | |
And I saw you walk down a side street and I got to the end | 0:15:18 | 0:15:21 | |
just in time to see you go into those flats. | 0:15:21 | 0:15:24 | |
And every minute I wanted to bang on that door | 0:15:28 | 0:15:31 | |
and catch the pair of you at it. | 0:15:31 | 0:15:32 | |
But I didn't. I gave up and I came here, I came home. | 0:15:35 | 0:15:38 | |
To our house. To our kids. | 0:15:38 | 0:15:39 | |
To the life that we've built. | 0:15:41 | 0:15:43 | |
For God's sake, Nick. I had this under control. Instead... | 0:15:45 | 0:15:50 | |
my husband was prowling the area that night and now they're | 0:15:50 | 0:15:54 | |
wondering if you set up one of their officers to be killed. | 0:15:54 | 0:15:57 | |
That's conspiracy to murder. | 0:15:58 | 0:16:00 | |
OK, so, what did you tell AC-12? | 0:16:02 | 0:16:06 | |
Give me some credit, | 0:16:06 | 0:16:07 | |
Roz, I didn't say that my wife was with another man, OK? | 0:16:07 | 0:16:10 | |
I covered for you. I said that you were at home. | 0:16:10 | 0:16:14 | |
Unwell, like you'd told them. | 0:16:14 | 0:16:18 | |
Good. | 0:16:18 | 0:16:19 | |
What happened in those flats that night? Was it him? | 0:16:20 | 0:16:23 | |
-Him? -Was it him? Him? Him? | 0:16:23 | 0:16:25 | |
The one that was...that was killed? | 0:16:25 | 0:16:27 | |
No. No more lies, Roz. I want the truth. | 0:16:29 | 0:16:32 | |
I was with someone that night. | 0:16:39 | 0:16:40 | |
-And? -And what? -And what happened? | 0:16:46 | 0:16:49 | |
We had feelings for each other. And we spent the night together. | 0:16:50 | 0:16:54 | |
A crime took place nearby. We had nothing to do with it, | 0:16:55 | 0:16:59 | |
we weren't even witnesses, | 0:16:59 | 0:17:01 | |
but neither of us can admit to work that we were in the area that night. | 0:17:01 | 0:17:05 | |
So, he's a policeman? | 0:17:09 | 0:17:10 | |
Married? | 0:17:12 | 0:17:13 | |
Who? | 0:17:13 | 0:17:16 | |
No-one you know. And it's over. | 0:17:16 | 0:17:19 | |
HE KNOCKS | 0:17:40 | 0:17:41 | |
Yeah, come in. Come in. | 0:17:41 | 0:17:43 | |
Sorry to bother you, sir. I've been looking at finding a way to place | 0:17:43 | 0:17:46 | |
-a suspect inside of Tim's flat. -Good. | 0:17:46 | 0:17:48 | |
There was an item of evidence, sir, KRG-13, | 0:17:48 | 0:17:50 | |
the isolated blood spatter from Tim Ifield's flat. | 0:17:50 | 0:17:53 | |
Yes, there was some question about the label being overwritten, | 0:17:53 | 0:17:55 | |
but Steve and Kate didn't think it was significant. | 0:17:55 | 0:17:57 | |
Meaning no disrespect, sir, but that was before we knew | 0:17:57 | 0:18:00 | |
Nick Huntley was in the neighbourhood that night. | 0:18:00 | 0:18:02 | |
That raises a distinct possibility DCI Huntley could've been | 0:18:02 | 0:18:05 | |
deliberately misleading the inquiry away from her husband. | 0:18:05 | 0:18:08 | |
Look, I was thinking of sequestering the original sample to be | 0:18:08 | 0:18:11 | |
re-examined by an independent lab. | 0:18:11 | 0:18:12 | |
Great. That's more like it, good. | 0:18:12 | 0:18:14 | |
Sir, hospital just called. Steve's regained consciousness. | 0:18:14 | 0:18:16 | |
Thank you, Maneet. Meet me at the lift, James. | 0:18:16 | 0:18:19 | |
Maneet, there's a couple of things the gaffer wants me | 0:18:22 | 0:18:24 | |
-to look into. -Yeah, no probs. | 0:18:24 | 0:18:25 | |
And could you please find a way of telling him my name's not James? | 0:18:25 | 0:18:28 | |
Easier to turn an oil tanker. | 0:18:28 | 0:18:31 | |
Your son showed signs of coming round of his own accord. | 0:18:31 | 0:18:34 | |
We lightened the sedation, | 0:18:34 | 0:18:35 | |
he was appropriate, so we removed the tube from Steven's throat. | 0:18:35 | 0:18:39 | |
It's a good sign. | 0:18:39 | 0:18:41 | |
Mr and Mrs Arnott? Superintendent Hastings. | 0:18:41 | 0:18:43 | |
Look, I'm very sorry, this must be a very difficult time for you. | 0:18:43 | 0:18:46 | |
But I've got to crack on and talk to your son, but we'll speak later, | 0:18:46 | 0:18:49 | |
all right? | 0:18:49 | 0:18:50 | |
How are you, son? How are you feeling? | 0:18:59 | 0:19:02 | |
Awful. | 0:19:02 | 0:19:04 | |
That's the spirit. | 0:19:04 | 0:19:05 | |
-All right. -All right. | 0:19:05 | 0:19:07 | |
They looking after you, anybody needing shaking up? | 0:19:07 | 0:19:11 | |
I'm in good hands, sir. | 0:19:11 | 0:19:13 | |
Good. Now, if you don't mind, we'll just get straight to it? | 0:19:13 | 0:19:17 | |
I'll do my best. | 0:19:17 | 0:19:18 | |
Good man. | 0:19:18 | 0:19:19 | |
Do you remember much at all about what happened to you? | 0:19:21 | 0:19:23 | |
Talking on the phone | 0:19:26 | 0:19:28 | |
to Nick Huntley, going up in the lift... | 0:19:28 | 0:19:31 | |
..someone jumped me, hit me over the head. After that, it's all hazy. | 0:19:33 | 0:19:37 | |
Right. OK. | 0:19:42 | 0:19:43 | |
Well, we have a CCTV image here that we'd like you to look at. | 0:19:43 | 0:19:47 | |
Now, do you think that could be your attacker? | 0:19:56 | 0:19:59 | |
A lot of it's blank, sir. | 0:19:59 | 0:20:01 | |
I'm not sure if he's the one attacked me or... | 0:20:08 | 0:20:10 | |
..or I'm getting mixed up with the images of Balaclava Man. | 0:20:13 | 0:20:16 | |
I thought there was a baseball bat, but he doesn't have one. | 0:20:17 | 0:20:21 | |
Maybe I'm remembering an old case. | 0:20:23 | 0:20:25 | |
Is there any chance that this could be Nick Huntley? | 0:20:29 | 0:20:32 | |
I don't know. | 0:20:32 | 0:20:33 | |
Well, full marks for honesty, son. | 0:20:34 | 0:20:37 | |
-Ma'am. -Something up? | 0:20:56 | 0:20:58 | |
I just heard something from a mate in Forensics. | 0:20:58 | 0:21:02 | |
AC-12 are asking to examine evidence from Tim's flat. | 0:21:02 | 0:21:06 | |
What evidence? | 0:21:08 | 0:21:11 | |
KRG-13, the blood spatter that Kate was interested in. | 0:21:11 | 0:21:15 | |
I'm sorry, I wasn't sure if I should say anything... | 0:21:16 | 0:21:19 | |
Night, Jodie. | 0:21:19 | 0:21:20 | |
OK. | 0:21:22 | 0:21:25 | |
LINE RINGS | 0:21:42 | 0:21:44 | |
I realise this wasn't purely a social invitation. | 0:21:52 | 0:21:55 | |
I'm aware of the pitfalls of making an official complaint. | 0:21:59 | 0:22:02 | |
But you ought to know what AC-12 are up to. | 0:22:04 | 0:22:06 | |
They're trying to discredit my inquiry. | 0:22:08 | 0:22:10 | |
I cannot imagine a more damaging climb-down for this force. | 0:22:13 | 0:22:17 | |
There is a solution. | 0:22:22 | 0:22:24 | |
There is? | 0:22:25 | 0:22:26 | |
Closing the case against Michael Farmer, | 0:22:26 | 0:22:29 | |
securing a conviction for his awful crimes | 0:22:29 | 0:22:32 | |
and keeping Timothy Ifield's offences an internal matter. | 0:22:32 | 0:22:36 | |
He's dead, there won't be a trial, only a coroner's inquest. | 0:22:36 | 0:22:40 | |
Why give AC-12 reign to destroy public trust? | 0:22:42 | 0:22:45 | |
All I need is your backing, sir. | 0:22:47 | 0:22:50 | |
AC-12 have a habit of using underhand tactics. | 0:22:55 | 0:22:58 | |
It's never a fair fight. | 0:22:59 | 0:23:01 | |
There are one or two things I could tell you that would even things up. | 0:23:03 | 0:23:07 | |
Thank you very much, sir. | 0:23:08 | 0:23:10 | |
We're off duty. There's no need for "sir". | 0:23:10 | 0:23:13 | |
This is a nice place. Are you a regular, sir? | 0:23:18 | 0:23:21 | |
Are you a regular? | 0:23:21 | 0:23:23 | |
It's a convenient pit stop. I live out of town. | 0:23:23 | 0:23:27 | |
When it's a late finish, the rooms aren't too shabby. | 0:23:27 | 0:23:31 | |
I'm booked in for tonight. | 0:23:32 | 0:23:34 | |
Am I keeping you from something? | 0:23:38 | 0:23:40 | |
No. No. The kids help themselves to a ready meal | 0:23:42 | 0:23:46 | |
on a school night, when I'm on duty. | 0:23:46 | 0:23:49 | |
And Nick's often late, too. My husband, Nick. | 0:23:49 | 0:23:52 | |
Yes. Lucky Nick. | 0:23:53 | 0:23:55 | |
-Would you like another drink? -No, I shouldn't. | 0:24:00 | 0:24:03 | |
We're just two old friends having a drink. | 0:24:03 | 0:24:06 | |
Tonight's just too difficult. It's boring domestic reasons. But we... | 0:24:07 | 0:24:12 | |
We could pick this up another evening. | 0:24:12 | 0:24:15 | |
I'll look at my diary. | 0:24:18 | 0:24:20 | |
Let me give you a different phone number. Just to be discreet. | 0:24:20 | 0:24:24 | |
This piece of evidence that AC-12 want to pull from forensics... | 0:24:42 | 0:24:47 | |
KRG-13. | 0:24:47 | 0:24:49 | |
..which FI's initials are those? | 0:24:49 | 0:24:51 | |
Kevin R Gill. | 0:24:56 | 0:24:59 | |
Ta. | 0:24:59 | 0:25:00 | |
I know it's a bit parky out here. | 0:25:15 | 0:25:16 | |
No, thanks. It's easier to talk outside the office. | 0:25:16 | 0:25:20 | |
Listen, AC-12 have been poking their noses in about one | 0:25:23 | 0:25:26 | |
of your forensic samples. | 0:25:26 | 0:25:28 | |
The label was overwritten. | 0:25:28 | 0:25:30 | |
It looks like you wrote KRG-30 and then corrected it to KRG-13. | 0:25:30 | 0:25:35 | |
Look, Kevin, I'm the last person to point the finger. | 0:25:37 | 0:25:40 | |
But AC-12, they're a different story. | 0:25:40 | 0:25:42 | |
Look, I'm not saying I'm 100% sure, | 0:25:43 | 0:25:46 | |
but I don't remember overwriting any label. | 0:25:46 | 0:25:48 | |
Well, percentages help. What would you say? 75... | 0:25:48 | 0:25:52 | |
-50...? -80. 90. | 0:25:52 | 0:25:55 | |
Then, how was it overwritten? | 0:25:56 | 0:25:58 | |
-Look, I've got no angle here, Kev. -Kevin. | 0:26:01 | 0:26:03 | |
I'm the SIO, Kevin, and I want to catch the bastard who killed | 0:26:05 | 0:26:09 | |
Timothy Ifield. | 0:26:09 | 0:26:10 | |
If there's a question mark hanging over | 0:26:11 | 0:26:13 | |
a crucial piece of forensic evidence, I need to know. | 0:26:13 | 0:26:15 | |
Yeah, right. I've got to work with you lot. | 0:26:15 | 0:26:17 | |
No way am I going to turn round and say that somebody's been | 0:26:17 | 0:26:20 | |
tampering with evidence. Cos that'll make me a whistle-blower. | 0:26:20 | 0:26:22 | |
-And we all know what happens to them. -Kevin... | 0:26:22 | 0:26:24 | |
This is my fag break. | 0:26:24 | 0:26:26 | |
You should have come to see me sooner. | 0:26:51 | 0:26:52 | |
Yeah, sorry I... Work. | 0:26:52 | 0:26:54 | |
We're going to take a swab. | 0:26:57 | 0:26:59 | |
-Is that necessary? -It won't delay anything. | 0:27:00 | 0:27:03 | |
I'll give you a painkiller, start you on some antibiotics. | 0:27:03 | 0:27:06 | |
You should see a specialist. | 0:27:09 | 0:27:11 | |
You're running a fever. | 0:27:14 | 0:27:16 | |
I think I should sign you off on sick leave, | 0:27:16 | 0:27:18 | |
until the specialist sees you. | 0:27:18 | 0:27:20 | |
There's no way I can take time off work, I'm sorry. | 0:27:20 | 0:27:22 | |
I just can't. | 0:27:22 | 0:27:23 | |
DOOR SHUTS | 0:27:30 | 0:27:32 | |
Where are the kids? | 0:27:47 | 0:27:48 | |
The high street youth club, with a tenner between them. | 0:27:48 | 0:27:51 | |
Nando's. | 0:27:53 | 0:27:55 | |
On a school night? | 0:27:55 | 0:27:57 | |
You don't want to talk to me, Roz? | 0:27:58 | 0:28:00 | |
Of course I do. | 0:28:02 | 0:28:04 | |
I've had a crap day, I've got another bloody fever. | 0:28:04 | 0:28:07 | |
I just want to take a couple of paracetamol and zonk out. | 0:28:07 | 0:28:10 | |
What really happened that night, Roz? | 0:28:17 | 0:28:19 | |
The night of the murder? | 0:28:21 | 0:28:23 | |
Because the more I think about it, | 0:28:25 | 0:28:28 | |
the more holes there are in your story. | 0:28:28 | 0:28:30 | |
Would you really risk so much to hide a fling? | 0:28:33 | 0:28:37 | |
I know I hurt you, Nick. And I am sorry. | 0:28:41 | 0:28:44 | |
You don't seem sorry, Roz. | 0:28:44 | 0:28:46 | |
What do I seem? | 0:28:47 | 0:28:48 | |
Like you're still hiding something. | 0:28:51 | 0:28:53 | |
I've stopped believing a word you say. | 0:28:59 | 0:29:03 | |
Look at what I do, Nick, not what I say. What I actually do. | 0:29:03 | 0:29:08 | |
Everything is for us, for this family. | 0:29:08 | 0:29:11 | |
No, it's all for yourself. | 0:29:11 | 0:29:13 | |
And you had better start treating me better. | 0:29:13 | 0:29:17 | |
I know you were in those flats where the murder happened. | 0:29:19 | 0:29:22 | |
What are you trying to say? | 0:29:23 | 0:29:24 | |
I'm saying I've had it with being taken for a fool. | 0:29:24 | 0:29:27 | |
Were you not listening? Look at what I do. | 0:29:30 | 0:29:32 | |
You're linked to the near-death of an anti-corruption detective. | 0:29:34 | 0:29:38 | |
And you were hanging around outside a crime scene. | 0:29:38 | 0:29:41 | |
You are the fool. | 0:29:41 | 0:29:42 | |
I'm the one protecting you. | 0:29:45 | 0:29:46 | |
HE SOBS | 0:29:52 | 0:29:54 | |
It's OK. | 0:30:02 | 0:30:03 | |
It's OK. | 0:30:08 | 0:30:09 | |
Come in. | 0:30:11 | 0:30:14 | |
Sir, the lab's analysed the original sample reference KRG-13. | 0:30:14 | 0:30:18 | |
They've found an anomaly. | 0:30:18 | 0:30:20 | |
Great. This gets better and better. Come in. | 0:30:20 | 0:30:23 | |
-Sorry. -That's OK. | 0:30:38 | 0:30:40 | |
I'm afraid it's bad news, Roz. | 0:30:40 | 0:30:42 | |
AC-12 have issued you with a second Reg 15. | 0:30:57 | 0:31:00 | |
On what grounds? | 0:31:00 | 0:31:01 | |
If they're issuing a second one, it means they're citing | 0:31:01 | 0:31:04 | |
a substantively different offence from last time. | 0:31:04 | 0:31:06 | |
OK. | 0:31:06 | 0:31:08 | |
I'll be honest, Roz. They're coming after you. | 0:31:09 | 0:31:12 | |
It's not just taking you off the case this time. | 0:31:12 | 0:31:14 | |
It could be suspension, dismissal from the service, | 0:31:14 | 0:31:16 | |
maybe even criminal charges. | 0:31:16 | 0:31:18 | |
Sorry. | 0:31:20 | 0:31:21 | |
Thanks, Maneet. | 0:31:56 | 0:31:57 | |
Thanks, Maneet. | 0:32:00 | 0:32:01 | |
BUZZING | 0:32:05 | 0:32:07 | |
Anti-corruption Unit 12 interview by Superintendent Hastings and | 0:32:16 | 0:32:19 | |
DC Desford of Detective Chief Inspector Roseanne Huntley, in the | 0:32:19 | 0:32:22 | |
presence of her Police Federation Representative DCI Mark Moffatt. | 0:32:22 | 0:32:26 | |
Please identify yourselves for the DIR. | 0:32:26 | 0:32:29 | |
-Hastings. -Huntley. -Moffatt. -Desford. | 0:32:29 | 0:32:32 | |
DCI Huntley, you do not have to say anything, but it may harm your | 0:32:32 | 0:32:34 | |
defence if you do not mention, when questioned, something | 0:32:34 | 0:32:37 | |
you later rely on in court. | 0:32:37 | 0:32:38 | |
Anything you do say may be used in evidence. | 0:32:38 | 0:32:40 | |
Questions will be put to you by Superintendent Hastings, as it | 0:32:40 | 0:32:43 | |
is your right to be questioned by an officer at least one rank senior. | 0:32:43 | 0:32:47 | |
I will furnish factual information only, starting with Image 47, from a | 0:32:47 | 0:32:51 | |
CCTV camera captured on the night of January 25th in the vicinity | 0:32:51 | 0:32:54 | |
of the last confirmed sighting of Leonie Collersdale | 0:32:54 | 0:32:57 | |
before she disappeared. | 0:32:57 | 0:32:58 | |
Now, this man is wearing a black jacket of the type worn | 0:32:58 | 0:33:01 | |
by Hana Reznikova's abductor. | 0:33:01 | 0:33:03 | |
What steps have you taken to find him? | 0:33:03 | 0:33:05 | |
We believe this is Michael Farmer. | 0:33:07 | 0:33:09 | |
Image 136, from a CCTV camera overlooking the car park | 0:33:11 | 0:33:16 | |
of a DIY Superstore, captured on the night of March 17th. | 0:33:16 | 0:33:19 | |
And we believe this is Timothy Ifield. | 0:33:19 | 0:33:22 | |
-Well, clearly there are some similarities. -Clearly. | 0:33:22 | 0:33:25 | |
However, Timothy Ifield was aware of Image 47. | 0:33:27 | 0:33:30 | |
He could have deliberately styled himself, in order to simulate | 0:33:30 | 0:33:34 | |
the suspect seen on January 25th. | 0:33:34 | 0:33:36 | |
Right. Well, let's see what you have to say about this... | 0:33:44 | 0:33:47 | |
DC Desford. | 0:33:47 | 0:33:48 | |
From a CCTV camera captured on the 6th of April, in an alley | 0:33:50 | 0:33:54 | |
adjacent to your husband's office building. | 0:33:54 | 0:33:57 | |
Now, Timothy Ifield, bless him, is six foot under, | 0:33:57 | 0:33:59 | |
so it can't be him styling himself to simulate Balaclava Man. | 0:33:59 | 0:34:04 | |
And Michael Farmer has been in custody for nearly a month. | 0:34:04 | 0:34:08 | |
Why haven't you shared this evidence? This is my investigation! | 0:34:08 | 0:34:12 | |
Clearly, DCI Huntley, I would have reservations, | 0:34:12 | 0:34:15 | |
regarding the connection to your husband. | 0:34:15 | 0:34:18 | |
DCI Huntley's spouse was released without charge by AC-12. | 0:34:18 | 0:34:21 | |
You're presuming guilt before innocence. | 0:34:21 | 0:34:24 | |
Document Seven, DC Desford. | 0:34:29 | 0:34:31 | |
Document Seven in your folders, | 0:34:31 | 0:34:34 | |
a photocopy made by this unit on April 7th of a form MG-6 | 0:34:34 | 0:34:39 | |
submitted electronically by you on April 5th to the Senior Prosecutor | 0:34:39 | 0:34:44 | |
in the Complex Case Unit in respect of evidence against Hana Reznikova. | 0:34:44 | 0:34:49 | |
Do you recognise the form, DCI Huntley? | 0:34:49 | 0:34:51 | |
Yes. | 0:34:51 | 0:34:53 | |
Timothy Ifield's killer left not a single strand of DNA | 0:34:53 | 0:34:55 | |
or a single fingerprint at the crime scene. | 0:34:55 | 0:34:58 | |
Now, you are saying that Hana Reznikova had the knowledge | 0:34:58 | 0:35:02 | |
and the skills to do that? | 0:35:02 | 0:35:04 | |
She is a cleaner, sir. | 0:35:05 | 0:35:07 | |
Timothy Ifield's killer amputated the second, | 0:35:07 | 0:35:09 | |
third and fourth digits of the victim's right hand postmortem. | 0:35:09 | 0:35:14 | |
And what? You think she's up to that too? | 0:35:14 | 0:35:17 | |
Yes, I do, sir, | 0:35:17 | 0:35:18 | |
to remove her DNA lodged under Timothy Ifield's fingernails. | 0:35:18 | 0:35:22 | |
Right. Well, tell me this, were there any corresponding wounds found | 0:35:22 | 0:35:24 | |
anywhere on Hana Reznikova body? | 0:35:24 | 0:35:27 | |
The wounds could have been superficial enough to have | 0:35:27 | 0:35:30 | |
healed by the time we charged her, | 0:35:30 | 0:35:31 | |
or she might have mistakenly assumed her DNA had contaminated the body. | 0:35:31 | 0:35:36 | |
Kindly answer the question, DCI Huntley. | 0:35:36 | 0:35:38 | |
Were there any corresponding wounds found on Hana Reznikova's body, | 0:35:38 | 0:35:41 | |
-yes or no? -No. -No. | 0:35:41 | 0:35:43 | |
You have not got the evidence to pass the threshold test | 0:35:43 | 0:35:47 | |
for charging and yet you seriously believe that that wee girl, | 0:35:47 | 0:35:50 | |
Hana Reznikova, murdered Timothy Ifield? | 0:35:50 | 0:35:53 | |
Yes, I do, sir. | 0:35:53 | 0:35:54 | |
What - and not this man? | 0:35:54 | 0:35:55 | |
Like I said, this needs to be investigated. | 0:35:57 | 0:35:59 | |
Yes, our point entirely. | 0:35:59 | 0:36:01 | |
-DC Desford. -Document Nine. | 0:36:02 | 0:36:05 | |
Forensic evidence log from the examination | 0:36:05 | 0:36:07 | |
of Timothy's Ifield's flat on the 23rd of March. | 0:36:07 | 0:36:09 | |
Do you recognise said log? | 0:36:09 | 0:36:11 | |
Yes, sir. | 0:36:12 | 0:36:13 | |
Item Reference KRG-13 is recorded in said log. | 0:36:13 | 0:36:17 | |
We would draw your attention to the labelling of said item KRG-13. | 0:36:17 | 0:36:21 | |
James. | 0:36:21 | 0:36:23 | |
I'm sorry. | 0:36:25 | 0:36:27 | |
On screen, image 12. | 0:36:27 | 0:36:28 | |
Image 12 is a photograph taken by this department of the label | 0:36:28 | 0:36:32 | |
on the evidence bag. | 0:36:32 | 0:36:33 | |
And what can you tell us about this label, DCI Huntley? | 0:36:33 | 0:36:37 | |
It's been overwritten. | 0:36:37 | 0:36:38 | |
Indeed, it has. Indeed, it has. | 0:36:38 | 0:36:40 | |
We interviewed the forensic investigator corresponding | 0:36:40 | 0:36:42 | |
to the designation K-R-G, Kevin R Gill. | 0:36:42 | 0:36:46 | |
Mr Gill was unable to account for the overwriting. | 0:36:46 | 0:36:49 | |
That doesn't mean there's anything suspicious here. | 0:36:49 | 0:36:51 | |
Yeah, but we also sequestered the original sample. | 0:36:51 | 0:36:54 | |
Image 22 on screen. | 0:36:54 | 0:36:56 | |
Image 22 is a crime scene photograph captured on the 23rd March of the | 0:36:56 | 0:37:01 | |
blood spatter detected in Timothy Ifield's flat. | 0:37:01 | 0:37:04 | |
Turn to document 15 in your folders. | 0:37:04 | 0:37:06 | |
I quote from the report made by the independent forensic scientist. | 0:37:08 | 0:37:13 | |
"Swab sample shows staining with human blood. | 0:37:13 | 0:37:16 | |
"Analysis of the blood sample detected DNA matching the | 0:37:16 | 0:37:19 | |
"control sample for Timothy Ifield. | 0:37:19 | 0:37:21 | |
"The probability that this sample contains Timothy Ifield's | 0:37:21 | 0:37:24 | |
"blood is greater than 99.9%." | 0:37:24 | 0:37:27 | |
So far, so expected, wouldn't you say, DCI Huntley? | 0:37:29 | 0:37:33 | |
Yes, sir. | 0:37:34 | 0:37:36 | |
Yes, but our independent analysis does not end there. | 0:37:36 | 0:37:39 | |
We've been informed of an anomaly. | 0:37:40 | 0:37:44 | |
I quote, | 0:37:44 | 0:37:45 | |
"Present within the blood sample are a number of clothing fibres. | 0:37:45 | 0:37:48 | |
"All fibres are of the same type, | 0:37:48 | 0:37:50 | |
"suggesting they originate from the same source. | 0:37:50 | 0:37:53 | |
"Comparison with the reference database reveals | 0:37:53 | 0:37:56 | |
"a match with the white high-density polythene of over-suits worn | 0:37:56 | 0:38:00 | |
"by forensic investigators. | 0:38:00 | 0:38:02 | |
"The probability of this match is greater than 99.9%." | 0:38:02 | 0:38:06 | |
What do you make of that, DCI Huntley? | 0:38:08 | 0:38:11 | |
It's possible the FI taking the sample inadvertently made | 0:38:11 | 0:38:15 | |
contact with the swab or blood with his own white over-suit. | 0:38:15 | 0:38:18 | |
I mean really, do you seriously believe that an experienced | 0:38:18 | 0:38:21 | |
FI is going to be that clumsy? | 0:38:21 | 0:38:23 | |
I mean...who are you kidding? | 0:38:23 | 0:38:24 | |
Besides those suits are specifically designed not to shed fibres. | 0:38:24 | 0:38:28 | |
But, of course, you would know this, wouldn't you, DCI Huntley? | 0:38:28 | 0:38:32 | |
Being an experienced and, I'm told, highly skilled senior detective. | 0:38:32 | 0:38:36 | |
Superintendent Hastings, your tone is oppressive. | 0:38:36 | 0:38:40 | |
She's an SIO. 20 years on the force, fella. | 0:38:40 | 0:38:43 | |
If she can't take it, God help us all. | 0:38:43 | 0:38:46 | |
DCI Huntley? | 0:38:47 | 0:38:49 | |
For the DIR, the interviewee is not answering. | 0:38:54 | 0:38:57 | |
That swab had to be taken from the blood-stained over-suit that | 0:38:57 | 0:39:01 | |
Timothy Ifield was wearing at the time of his death. | 0:39:01 | 0:39:03 | |
And as said over-suit was not found at the scene of the crime, | 0:39:03 | 0:39:07 | |
it leads me to believe that the person who took the swab was | 0:39:07 | 0:39:11 | |
very closely connected to the killer himself. | 0:39:11 | 0:39:15 | |
Or...herself. | 0:39:15 | 0:39:17 | |
That sample, KRG-13, was tampered with. | 0:39:21 | 0:39:26 | |
DCI Huntley? | 0:39:28 | 0:39:30 | |
Possibly. | 0:39:31 | 0:39:33 | |
"Possibly." Look. | 0:39:33 | 0:39:34 | |
We all know under modern policing methods it's extremely difficult, | 0:39:34 | 0:39:38 | |
it's nigh on impossible to plant evidence once a crime scene | 0:39:38 | 0:39:41 | |
has been opened. However, it is conceivably possible to replace | 0:39:41 | 0:39:46 | |
evidence once it's in storage if one has access to said storage facility. | 0:39:46 | 0:39:51 | |
Unfortunately, there's no CCTV covering the evidence room | 0:39:51 | 0:39:54 | |
where the samples were stored, as it's a staff area. | 0:39:54 | 0:39:57 | |
Security cameras only cover areas where officers come into | 0:39:57 | 0:39:59 | |
contact with members of the public, for the protection of all parties. | 0:39:59 | 0:40:02 | |
Police officers have a right to go about their personal business | 0:40:02 | 0:40:05 | |
-in private. -I beg to differ. We're public servants. | 0:40:05 | 0:40:08 | |
Everything we do, everything, should stand up to public scrutiny. | 0:40:08 | 0:40:11 | |
So, let's see what we have. | 0:40:11 | 0:40:12 | |
We have the possibility of planting evidence in the case against | 0:40:12 | 0:40:15 | |
Michael Farmer and we have interference in forensic | 0:40:15 | 0:40:20 | |
evidence in the murder of Timothy Ifield. | 0:40:20 | 0:40:23 | |
It's a complex case, sir. In fact, two cases. | 0:40:23 | 0:40:26 | |
It sure is. | 0:40:26 | 0:40:28 | |
Did you investigate who had access to Michael Farmer's home | 0:40:28 | 0:40:32 | |
prior to his arrest? | 0:40:32 | 0:40:34 | |
Of course we have, sir. | 0:40:36 | 0:40:38 | |
Document 33, a copy of my Decision Log recorded on the night | 0:40:43 | 0:40:48 | |
of March 9th, regarding operations at Michael Farmer's home. | 0:40:48 | 0:40:52 | |
"21.25 FARS OIC clears property for entry. | 0:40:52 | 0:40:56 | |
"DCI Huntley clears FARS Investigator | 0:40:56 | 0:40:58 | |
"and FC to enter property." | 0:40:58 | 0:41:00 | |
The FC in this case being Timothy Ifield. | 0:41:01 | 0:41:04 | |
And Timothy Ifield's DNA was detected on | 0:41:04 | 0:41:06 | |
Leonie Collersdale's body. | 0:41:06 | 0:41:08 | |
Hence we are pursuing complicity between Timothy Ifield | 0:41:08 | 0:41:13 | |
and Michael Farmer. | 0:41:13 | 0:41:14 | |
Do you have any evidence connecting Michael Farmer to Timothy Ifield? | 0:41:17 | 0:41:22 | |
-Not yet, sir. -No. | 0:41:25 | 0:41:26 | |
No, so this complicity between them is just wild speculation | 0:41:26 | 0:41:30 | |
on your part, DCI Huntley. | 0:41:30 | 0:41:32 | |
Now, from what we know of Timothy Ifield | 0:41:32 | 0:41:34 | |
he was probably trying to do the exact opposite. | 0:41:34 | 0:41:37 | |
He was probably trying to prove Michael Farmer's innocence. | 0:41:37 | 0:41:39 | |
You see, Timothy Ifield stumbled upon a conspiracy to protect a | 0:41:39 | 0:41:44 | |
person or persons unknown, possibly the person in the CCTV footage | 0:41:44 | 0:41:48 | |
on the 25th of January, for which he was murdered for his silence. | 0:41:48 | 0:41:53 | |
Now have you or your inquiry, | 0:41:53 | 0:41:57 | |
made any effort whatsoever to explore this possibility? | 0:41:57 | 0:42:01 | |
We... | 0:42:04 | 0:42:05 | |
No, we haven't, sir. | 0:42:10 | 0:42:11 | |
No, DCI Huntley. YOU haven't. You alone. | 0:42:11 | 0:42:16 | |
DCI Huntley's been suffering from illness recently. | 0:42:20 | 0:42:22 | |
Perhaps we could take a break for a few minutes. | 0:42:22 | 0:42:25 | |
No. | 0:42:25 | 0:42:26 | |
I really wish that it all ended there, | 0:42:27 | 0:42:30 | |
but sadly, Timothy Ifield was murdered, and in respect of a prime | 0:42:30 | 0:42:34 | |
suspect, we're looking very close to home. Very close to home, indeed. | 0:42:34 | 0:42:40 | |
DC Desford. | 0:42:41 | 0:42:43 | |
Image 36. | 0:42:43 | 0:42:45 | |
Image 36 is a frame taken from traffic camera video recorded | 0:42:45 | 0:42:49 | |
at 11pm on the night of March 17th. | 0:42:49 | 0:42:51 | |
Image 36 captures a vehicle registered to your husband, | 0:42:51 | 0:42:55 | |
Nicholas Huntley, in the vicinity of Timothy Ifield's flat. | 0:42:55 | 0:42:58 | |
The night of March the 17th has been identified as the most likely | 0:42:58 | 0:43:03 | |
time for that murder to take place. | 0:43:03 | 0:43:05 | |
DCI Huntley, in my view there is a clear conflict of interest | 0:43:07 | 0:43:13 | |
regarding your position and the possible involvement of your husband | 0:43:13 | 0:43:18 | |
in these offences. Also now, | 0:43:18 | 0:43:20 | |
it is extremely difficult to exclude you as a suspect in tampering | 0:43:20 | 0:43:25 | |
with evidence that might implicate your husband in said murder. | 0:43:25 | 0:43:29 | |
Therefore I will be recommending to the Executive Officer, in the | 0:43:29 | 0:43:33 | |
strongest possible terms, that you be suspended from duty, | 0:43:33 | 0:43:38 | |
effective immediately. Now, you are not under arrest. | 0:43:38 | 0:43:42 | |
However, our inquiries are ongoing and you may subsequently be arrested | 0:43:42 | 0:43:48 | |
in connection with these offences. | 0:43:48 | 0:43:50 | |
Do you understand what I'm saying to you? | 0:43:50 | 0:43:52 | |
-I do. -And have you anything further to add? | 0:43:53 | 0:43:56 | |
I do. | 0:43:59 | 0:44:00 | |
Well, look...your Federation Rep said you might want a break now. | 0:44:02 | 0:44:06 | |
You said it yourself, Superintendent. | 0:44:06 | 0:44:09 | |
I'm an SIO, 20 years in, the tape's running, let's proceed. | 0:44:09 | 0:44:12 | |
How many detectives of the rank of inspector or above have you | 0:44:12 | 0:44:15 | |
investigated in the last five years? | 0:44:15 | 0:44:17 | |
I really don't see how that's relevant. | 0:44:17 | 0:44:19 | |
-Do you have an answer? -Not to hand. No. | 0:44:19 | 0:44:22 | |
You've investigated three, myself included. | 0:44:22 | 0:44:26 | |
Two of the three were female, that's 67%, | 0:44:26 | 0:44:30 | |
when the proportion of females in those ranks is 10%. | 0:44:30 | 0:44:33 | |
Who's giving you this information? | 0:44:33 | 0:44:35 | |
Am I wrong? | 0:44:35 | 0:44:37 | |
Well, that's a very small sample to be quoting percentages out of. | 0:44:37 | 0:44:39 | |
We've charged a Deputy Chief Constable and | 0:44:39 | 0:44:42 | |
a retired Chief Superintendent, both male. | 0:44:42 | 0:44:45 | |
We're only interested in one thing here and one thing only, and | 0:44:45 | 0:44:48 | |
that's bent coppers, irrespective of race, creed, colour, or gender. | 0:44:48 | 0:44:54 | |
-You're blind to gender? -Absolutely. | 0:44:54 | 0:44:57 | |
On the 23rd of March, in a conversation at the scene | 0:45:00 | 0:45:03 | |
of Timothy Ifield's murder, did you address me as "darling"? | 0:45:03 | 0:45:07 | |
Once again, I really don't see how this is relevant. | 0:45:10 | 0:45:12 | |
Yes or no, Superintendent, | 0:45:12 | 0:45:13 | |
did you address me using a non-gender-neutral term? | 0:45:13 | 0:45:16 | |
Yes. | 0:45:19 | 0:45:21 | |
How many female officers within AC-12 have been promoted | 0:45:21 | 0:45:24 | |
to the rank of inspector or above in the last five years? | 0:45:24 | 0:45:26 | |
Look, the internal workings of this unit have absolutely no relevance | 0:45:26 | 0:45:29 | |
to the matter in front of us now and frankly it's none of your business. | 0:45:29 | 0:45:32 | |
Your use of sexist language makes me raise the matter, | 0:45:32 | 0:45:35 | |
and, in respect of the promotion of female officers, | 0:45:35 | 0:45:38 | |
your unit lags behind the national average. | 0:45:38 | 0:45:40 | |
Yes, well, it's very specialist work we do here and I have to | 0:45:40 | 0:45:42 | |
think very carefully about who I promote to senior positions. | 0:45:42 | 0:45:45 | |
But where are you getting this information from? | 0:45:45 | 0:45:47 | |
Well, that's confidential. | 0:45:47 | 0:45:49 | |
Yes, well, in that case I think we should just terminate this | 0:45:49 | 0:45:51 | |
interview. DC Desford. | 0:45:51 | 0:45:53 | |
Are you a member of a Masonic organisation? | 0:45:54 | 0:45:57 | |
I wouldn't do that if I were you, DC Desford. | 0:46:01 | 0:46:03 | |
That makes you an active participant in denying me | 0:46:03 | 0:46:05 | |
my rights under police regulations to defend myself. | 0:46:05 | 0:46:08 | |
Are you or are you not a Mason? | 0:46:21 | 0:46:24 | |
I'm not at liberty to discuss the matter. | 0:46:25 | 0:46:28 | |
And whoever is feeding you this prejudicial information... | 0:46:28 | 0:46:30 | |
Masons are the mafia of the mediocre. | 0:46:30 | 0:46:33 | |
A network of officers linked to corruption | 0:46:33 | 0:46:36 | |
and an organisation that traditionally excludes women. | 0:46:36 | 0:46:39 | |
For the DIR, Superintendent Hastings has risen from his seat. | 0:46:39 | 0:46:43 | |
You have a record of excluding women from positions of authority | 0:46:43 | 0:46:46 | |
and what better way than to conduct | 0:46:46 | 0:46:47 | |
witch hunts against senior female officers? | 0:46:47 | 0:46:50 | |
You're just trying to wriggle off the hook. This won't wash. | 0:46:50 | 0:46:53 | |
DCI Huntley has raised valid concerns, regarding the treatment | 0:46:53 | 0:46:56 | |
of female Police Federation members by your department. | 0:46:56 | 0:46:59 | |
She's laid a foundation to explain why, in our view, | 0:46:59 | 0:47:01 | |
the investigation against her is malicious. | 0:47:01 | 0:47:03 | |
Please sit down, Superintendent, or it would seem you're denying | 0:47:03 | 0:47:08 | |
my colleague her lawful rights as a serving police officer. | 0:47:08 | 0:47:12 | |
Thank you. | 0:47:19 | 0:47:21 | |
For the DIR, Superintendent Hastings has retaken his seat. | 0:47:21 | 0:47:23 | |
The matter before us, Superintendent, | 0:47:23 | 0:47:26 | |
is whether DCI Huntley's carried out her duties | 0:47:26 | 0:47:28 | |
and responsibilities under police regulations. | 0:47:28 | 0:47:31 | |
The matter is whether she has been complicit in a criminal offence. | 0:47:31 | 0:47:35 | |
These are photocopies of a statement given to my team | 0:47:35 | 0:47:40 | |
by Forensic Investigator Kevin R Gill | 0:47:40 | 0:47:42 | |
after the statement he made to AC-12. | 0:47:42 | 0:47:45 | |
You'll see that Mr Gill accepts responsibility for | 0:47:45 | 0:47:48 | |
overwriting the label item reference KRG-13, the isolated blood | 0:47:48 | 0:47:52 | |
spatter found at the scene of Timothy Ifield's murder. | 0:47:52 | 0:47:54 | |
-Now, wait a minute... -Hold on, hold on. | 0:47:54 | 0:47:56 | |
Now FIs depend on good relations with police officers. | 0:47:56 | 0:48:00 | |
Come on, he'd change his story if he thought it would help. | 0:48:00 | 0:48:03 | |
That's a very interesting remark, DC Desford. | 0:48:03 | 0:48:06 | |
You're claiming the FI says whatever the investigating police | 0:48:06 | 0:48:09 | |
-officer wants to hear? -No, no, no, no... That's not... | 0:48:09 | 0:48:11 | |
So, that would mean the FI told AC-12 what you wanted to hear? | 0:48:11 | 0:48:14 | |
And in order to make the case against me, | 0:48:14 | 0:48:16 | |
you wanted to hear that he didn't overwrite the label. | 0:48:16 | 0:48:19 | |
That's not what I meant, OK? That's not what I meant. | 0:48:19 | 0:48:21 | |
I note your agitated tone, DC Desford. Why are you agitated? | 0:48:21 | 0:48:24 | |
Because you're putting words in my mouth. | 0:48:24 | 0:48:26 | |
Say that again, DC Desford. | 0:48:26 | 0:48:28 | |
For the DIR, Superintendent Hastings has given | 0:48:28 | 0:48:31 | |
a non-verbal gesture ordering DC Desford not to answer. | 0:48:31 | 0:48:34 | |
Stable door, horse bolted. | 0:48:36 | 0:48:38 | |
You, DC Desford, volunteered that you believe Kevin Gill | 0:48:39 | 0:48:42 | |
made the statement AC-12 wanted to hear, but you've accused me | 0:48:42 | 0:48:45 | |
of fabricating that same observation, when we all | 0:48:45 | 0:48:48 | |
recognise the DIR will support my version of the conversation. | 0:48:48 | 0:48:52 | |
The problem with AC-12 is you can never admit when you're in | 0:48:55 | 0:48:58 | |
the wrong. | 0:48:58 | 0:48:59 | |
And I wonder what lengths AC-12 would go to | 0:48:59 | 0:49:02 | |
to prove they're right, even when they're wrong? | 0:49:02 | 0:49:05 | |
This is a video capture of a lawful recording | 0:49:09 | 0:49:12 | |
of a police interview at Polk Avenue Police Station, | 0:49:12 | 0:49:14 | |
showing Hana Reznikova being interviewed by | 0:49:14 | 0:49:17 | |
'DS Flynn and DC Taylor. | 0:49:17 | 0:49:19 | |
'The interview formed the starting point to our inquiry | 0:49:21 | 0:49:24 | |
'into Hana Reznikova. | 0:49:24 | 0:49:25 | |
'At all stages of the investigation, DS Flynn was an active participant. | 0:49:25 | 0:49:29 | |
'In fact, she was instrumental in the charging of Hana Reznikova.' | 0:49:29 | 0:49:32 | |
The validity of which you challenged earlier in this interview. | 0:49:32 | 0:49:36 | |
This is a print of a digital photograph captured by | 0:49:38 | 0:49:42 | |
DC Jodie Taylor on the 4th of April. | 0:49:42 | 0:49:45 | |
'Who is the officer in the photograph?' | 0:49:49 | 0:49:51 | |
For the DIR, Superintendent Hastings and DC Desford | 0:49:53 | 0:49:56 | |
look extremely uneasy. | 0:49:56 | 0:49:58 | |
According to DC Taylor, this detective, | 0:49:59 | 0:50:01 | |
'DS Kate Flynn, made an inquiry at Polk Avenue Forensic Office,' | 0:50:01 | 0:50:07 | |
regarding item reference KRG-13. | 0:50:07 | 0:50:09 | |
This is a print of a digital photograph captured by | 0:50:12 | 0:50:15 | |
DC Taylor on the 7th of April, showing DS Flynn | 0:50:15 | 0:50:20 | |
'having an off the record conversation with | 0:50:20 | 0:50:22 | |
'Forensic Investigator Kevin Gill. | 0:50:22 | 0:50:24 | |
'Is DS Flynn an undercover AC-12 officer? | 0:50:26 | 0:50:29 | |
'In respect of undercover operations, | 0:50:29 | 0:50:31 | |
'I can neither confirm nor deny, as well you know. | 0:50:31 | 0:50:34 | |
'What we do know,' | 0:50:34 | 0:50:35 | |
Superintendent is if an undercover AC-12 officer is coaching witnesses | 0:50:35 | 0:50:39 | |
against DCI Huntley, it would substantially undermine your case. | 0:50:39 | 0:50:43 | |
My officers do not coach witnesses! | 0:50:43 | 0:50:46 | |
So, she is your officer? | 0:50:48 | 0:50:49 | |
We have Kevin Gill telling AC-12 one thing and my team another | 0:51:00 | 0:51:05 | |
and here we have an undercover AC-12 officer talking to Gill. | 0:51:05 | 0:51:08 | |
Let's go back to Gill's statement to me. | 0:51:12 | 0:51:14 | |
He took a swab sample from the blood spatter in Timothy Ifield's flat. | 0:51:16 | 0:51:20 | |
He sealed the sample in an evidence bag. | 0:51:20 | 0:51:23 | |
He labelled the bag overwriting a slip of the pen, KRG-13. | 0:51:23 | 0:51:27 | |
And despite all your theories, | 0:51:27 | 0:51:30 | |
you have zero evidence KRG-13 was tampered with thereafter. | 0:51:30 | 0:51:34 | |
If it was tampered with, who could have done it? | 0:51:34 | 0:51:37 | |
Here we have DS Flynn raising a query about KRG-13 at the | 0:51:40 | 0:51:43 | |
forensic office days before anyone else. | 0:51:43 | 0:51:46 | |
And then, as if by magic, AC-12 request the sample, | 0:51:46 | 0:51:48 | |
to carry out your own analysis. | 0:51:48 | 0:51:51 | |
As soon as AC-12 seized that sample, the chain of evidence was broken. | 0:51:52 | 0:51:56 | |
It raises the question who had access to it after you seized it. | 0:51:57 | 0:52:01 | |
-AC-12 do not tamper with evidence! -No? | 0:52:01 | 0:52:04 | |
A jury acquitted a female DI called Lindsay Denton of conspiracy | 0:52:06 | 0:52:09 | |
to murder at retrial, because they were sure that one of your | 0:52:09 | 0:52:12 | |
officers had engaged in an inappropriately intimate | 0:52:12 | 0:52:15 | |
relationship, in order to plant evidence in her home. | 0:52:15 | 0:52:17 | |
My officers do not plant evidence! | 0:52:17 | 0:52:19 | |
You see the pattern here? Sexism, | 0:52:19 | 0:52:22 | |
undercover operations, and questionable evidence. | 0:52:22 | 0:52:25 | |
All right. This circus is over. | 0:52:25 | 0:52:27 | |
Superintendent Hastings, did you authorise DS Flynn | 0:52:27 | 0:52:32 | |
to engineer charges against Hana Reznikova? | 0:52:32 | 0:52:35 | |
I did not. | 0:52:35 | 0:52:37 | |
'Did you authorise DS Flynn to tamper with evidence in regard' | 0:52:37 | 0:52:40 | |
to the investigation into the murder of Timothy Ifield from | 0:52:40 | 0:52:43 | |
the 23rd of March to today's date? | 0:52:43 | 0:52:45 | |
I did not. | 0:52:45 | 0:52:47 | |
Did you induce Forensic Investigator Kevin Gill to alter his | 0:52:47 | 0:52:50 | |
testimony, in regard to the handling of evidence item reference KRG-13? | 0:52:50 | 0:52:53 | |
I did not. | 0:52:53 | 0:52:55 | |
Superintendent Hastings, | 0:52:55 | 0:52:56 | |
at this time, I'm unable to exclude you, DC Desford, DS Arnott | 0:52:56 | 0:53:00 | |
and DS Flynn from a conspiracy to pervert the course of justice in | 0:53:00 | 0:53:04 | |
the actions you've brought against me, which I believe are unfounded, | 0:53:04 | 0:53:07 | |
vexatious and intended to obstruct my lawful inquiries | 0:53:07 | 0:53:11 | |
into the murders of Baswinder Kaur, | 0:53:11 | 0:53:13 | |
Leonie Collersdale and Timothy Ifield. | 0:53:13 | 0:53:17 | |
This is a signed authority from | 0:53:21 | 0:53:23 | |
Assistant Chief Constable Hilton, recusing AC-12 from your inquiry | 0:53:23 | 0:53:27 | |
into me, my team and the above offences. | 0:53:27 | 0:53:30 | |
DCI Huntley and DCI Moffatt are leaving the room. | 0:53:36 | 0:53:39 | |
Switch that bloody thing off, James. | 0:53:43 | 0:53:45 | |
Sorry, sir, I have to say. It's Jamie, not James. | 0:53:52 | 0:53:54 | |
Frankly, son, right now, I couldn't give a shit. | 0:53:54 | 0:53:57 | |
I never planted evidence. I never coached any witness and you know it. | 0:53:58 | 0:54:02 | |
Hilton might have fallen for your crap, but no-one else will. | 0:54:02 | 0:54:04 | |
How old are you, Kate? | 0:54:06 | 0:54:08 | |
31. | 0:54:08 | 0:54:10 | |
I'll tell you about my road to 31. | 0:54:10 | 0:54:13 | |
I'd been a DI two years already. | 0:54:13 | 0:54:15 | |
Then, I made life choices in the best interests of others. | 0:54:15 | 0:54:19 | |
Not in my best interests, at all, as it turned out. | 0:54:19 | 0:54:21 | |
And from what I know, you won't make that mistake. | 0:54:21 | 0:54:24 | |
You'd give up anything to get to the top. | 0:54:24 | 0:54:26 | |
But despite all your ambition, | 0:54:26 | 0:54:28 | |
you find yourself on the wrong side of the line. | 0:54:28 | 0:54:31 | |
What do you know? | 0:54:31 | 0:54:33 | |
That you've got a son you barely see. Hardly holier than thou. | 0:54:33 | 0:54:37 | |
You should have seen his face. | 0:54:46 | 0:54:49 | |
He had no idea where I was getting the ammunition. | 0:54:49 | 0:54:51 | |
Happy to help. AC-12 aren't fit for purpose. | 0:54:51 | 0:54:56 | |
You could go so far as to say corrupt. | 0:54:56 | 0:54:58 | |
It's high time someone shut them down. | 0:54:58 | 0:55:01 | |
I let their case play out. | 0:55:01 | 0:55:03 | |
I thought it was worth hearing everything they had, | 0:55:03 | 0:55:05 | |
just in case there were any surprises. | 0:55:05 | 0:55:07 | |
And were there? | 0:55:07 | 0:55:08 | |
None I couldn't handle. | 0:55:08 | 0:55:10 | |
My name didn't come up, at all? | 0:55:11 | 0:55:13 | |
No, they've stopped accusing me of succumbing to executive pressure. | 0:55:13 | 0:55:18 | |
This is the most agreeable solution. | 0:55:18 | 0:55:21 | |
Tim Ifield's peccadilloes out of the public eye. | 0:55:21 | 0:55:23 | |
Michael Farmer's crimes punished. | 0:55:23 | 0:55:25 | |
You've done a great job, Roz. | 0:55:25 | 0:55:26 | |
Thank you, sir, for backing me. | 0:55:26 | 0:55:28 | |
What are friends for? | 0:55:29 | 0:55:31 | |
Let's go up. Bring that with you. | 0:55:35 | 0:55:38 | |
I'm sorry. | 0:55:38 | 0:55:40 | |
I love my husband and I love my children. | 0:55:42 | 0:55:46 | |
I won't betray their trust. | 0:55:49 | 0:55:51 | |
It's a moral question. | 0:55:54 | 0:55:56 | |
I'm sorry. | 0:55:57 | 0:55:59 | |
Well done. | 0:56:37 | 0:56:39 | |
Good news. | 0:57:26 | 0:57:27 | |
No-one thinks you're a murderer any more. | 0:57:29 | 0:57:32 |