Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
He did not slip and fall down three flights of stairs by accident. | 0:00:06 | 0:00:11 | |
And you were the only person who knew he was there, Mr Huntley. | 0:00:11 | 0:00:14 | |
You're linked to the near-death of an anti-corruption detective. | 0:00:16 | 0:00:19 | |
And You were hanging around outside a crime scene. | 0:00:19 | 0:00:22 | |
Is there any chance that this could be Nick Huntley? | 0:00:23 | 0:00:26 | |
I'm not sure if he's the one attacked me or... | 0:00:26 | 0:00:29 | |
maybe I'm remembering an old case. | 0:00:29 | 0:00:32 | |
I'm sorry, sir. | 0:00:32 | 0:00:33 | |
What have you got against Michael Farmer, | 0:00:35 | 0:00:37 | |
-except him being retarded enough for you to frame?! -SHE CRIES OUT | 0:00:37 | 0:00:40 | |
That sample, KRG-13, was tampered with. | 0:00:42 | 0:00:46 | |
He was one of our own. | 0:00:49 | 0:00:51 | |
I'm going to get on with finding the bastard who did this. | 0:00:51 | 0:00:54 | |
Hana Reznikova was the last person known to have had contact | 0:00:54 | 0:00:56 | |
with the victim. | 0:00:56 | 0:00:58 | |
Hana Reznikova, I am arresting you in connection with the murder | 0:00:58 | 0:01:00 | |
of Timothy Ifield. | 0:01:00 | 0:01:02 | |
You cut yourself? | 0:01:06 | 0:01:07 | |
It's fine. I just caught it on some brickwork. | 0:01:07 | 0:01:10 | |
We're going to take a swab. | 0:01:10 | 0:01:12 | |
Is that necessary? | 0:01:12 | 0:01:14 | |
You should see a specialist. | 0:01:14 | 0:01:16 | |
I have the authority to charge you with the following offences. | 0:01:19 | 0:01:23 | |
Namely for the murder of Baswinder Kaur, | 0:01:23 | 0:01:25 | |
the murder of Leonie Collisdale, | 0:01:25 | 0:01:27 | |
-the kidnapping and attempted murder of Hana Reznikova. -HE WEEPS | 0:01:27 | 0:01:30 | |
Michael, the charges against you are going to be hard to fight. | 0:01:30 | 0:01:33 | |
Or we can consider the best way to reduce the overall time | 0:01:33 | 0:01:36 | |
you end up serving in prison. | 0:01:36 | 0:01:37 | |
Come on, he'd change his story if he thought it'd help. | 0:01:40 | 0:01:42 | |
You're claiming the FI says | 0:01:42 | 0:01:43 | |
whatever the investigating police officer wants to hear? | 0:01:43 | 0:01:46 | |
You're putting words in my mouth. | 0:01:46 | 0:01:47 | |
-Say that again, DC Desford. -You're put... | 0:01:47 | 0:01:50 | |
Is DS Flynn an undercover AC-12 officer? | 0:01:52 | 0:01:54 | |
SHE SIGHS | 0:01:54 | 0:01:55 | |
You see the pattern here? Sexism, undercover operations, | 0:01:55 | 0:02:00 | |
and questionable evidence. | 0:02:00 | 0:02:01 | |
You should have seen his face. | 0:02:03 | 0:02:06 | |
He had no idea where I was getting the ammunition. | 0:02:06 | 0:02:08 | |
This is a signed authority from Assistant Chief Constable Hilton, | 0:02:08 | 0:02:12 | |
recusing AC-12 from your inquiry into me, | 0:02:12 | 0:02:15 | |
my team and the above offences. | 0:02:15 | 0:02:17 | |
-Ted. -Sir. | 0:02:31 | 0:02:33 | |
There's an institutional failure to admit error here, sir. | 0:02:33 | 0:02:36 | |
Actually, it's a wilful effort to bury allegations of wrongdoing, | 0:02:36 | 0:02:40 | |
and, to cap it all, the only department that's trying to | 0:02:40 | 0:02:42 | |
get to the truth, mine, is the one that's been recused! | 0:02:42 | 0:02:45 | |
You're right, Ted. There has been a failure - | 0:02:47 | 0:02:50 | |
to provide sufficient evidence against Roz Huntley. | 0:02:50 | 0:02:52 | |
Plus she's levelled credible accusations | 0:02:52 | 0:02:54 | |
against your undercover officer of entrapment, of coaching witnesses, | 0:02:54 | 0:02:58 | |
possibly even of manipulating charges. | 0:02:58 | 0:03:00 | |
My officers conduct themselves to the letter of the law, sir, the letter! | 0:03:00 | 0:03:03 | |
So you didn't have a deeply corrupt officer | 0:03:03 | 0:03:05 | |
embedded in your department for two years? | 0:03:05 | 0:03:08 | |
No-one regrets more than me, sir, | 0:03:09 | 0:03:11 | |
not seeing through Matthew Cottan's deception. | 0:03:11 | 0:03:13 | |
Cottan's dying declaration, | 0:03:13 | 0:03:15 | |
I want the full recording handed over to me. | 0:03:15 | 0:03:17 | |
-Morning, Jan. -Morning, sir. | 0:03:19 | 0:03:21 | |
Sir, my department operates under the protection | 0:03:21 | 0:03:23 | |
of no reciprocity, as well you know. | 0:03:23 | 0:03:25 | |
That part of the recording was released | 0:03:25 | 0:03:27 | |
because it pertained to court proceedings. | 0:03:27 | 0:03:29 | |
The rest was withheld, and will continue to be withheld, | 0:03:29 | 0:03:32 | |
in case it alerts those officers who are subject to our ongoing | 0:03:32 | 0:03:34 | |
lines of inquiry. | 0:03:34 | 0:03:36 | |
You've had a year to pursue the claims | 0:03:36 | 0:03:38 | |
made in Cottan's dying declaration. Where are all the suspects, hmm? | 0:03:38 | 0:03:42 | |
This alleged clandestine network of corrupt police officers | 0:03:42 | 0:03:45 | |
in league with organised crime? | 0:03:45 | 0:03:48 | |
Arrests? None. Charges? None. | 0:03:48 | 0:03:50 | |
Yes, well it's not without the want of trying, sir, believe you me! | 0:03:50 | 0:03:54 | |
It's clear to me, sir, that there are officers, | 0:03:54 | 0:03:56 | |
and possibly some senior officers, still active, who were aware | 0:03:56 | 0:04:00 | |
of and/or complicit with Matthew Cottan's offences, | 0:04:00 | 0:04:03 | |
who were aware of and/or complicit with an institutional cover-up. | 0:04:03 | 0:04:08 | |
AC-12 is being met with a conspiracy of silence. | 0:04:08 | 0:04:11 | |
We're not in on it, we're trying to break it! | 0:04:11 | 0:04:13 | |
Failing to break it. | 0:04:13 | 0:04:16 | |
Roz Huntley's proved you're an ineffectual organisation. | 0:04:16 | 0:04:18 | |
-A corrupt organisation. -Sir, I must protest! | 0:04:18 | 0:04:21 | |
Do you know, Ted, my guess is that | 0:04:21 | 0:04:22 | |
we don't know the half of Matthew Cottan's activities | 0:04:22 | 0:04:25 | |
and the real reason you're keeping that full recording secret | 0:04:25 | 0:04:27 | |
is because of the ammunition it'll give AC-12's critics. | 0:04:27 | 0:04:30 | |
Untrue, categorically untrue! | 0:04:30 | 0:04:32 | |
Now, you can't say I didn't give you a chance, Ted. | 0:04:32 | 0:04:34 | |
I'll be reporting to the DCC and the Chief Constable | 0:04:34 | 0:04:37 | |
that AC-12 is more damaging to the Police Service | 0:04:37 | 0:04:40 | |
than the officers you're meant to be investigating. | 0:04:40 | 0:04:43 | |
STRAINED BREATHING | 0:04:45 | 0:04:47 | |
Just hold your back straight. | 0:04:47 | 0:04:51 | |
OK. | 0:04:51 | 0:04:53 | |
Keep your head up. | 0:04:53 | 0:04:55 | |
-Good. -HE GRUNTS | 0:04:57 | 0:05:00 | |
You're doing great. Take it nice and slowly. | 0:05:00 | 0:05:03 | |
That's it. Keep the back straight. Keep it going. | 0:05:05 | 0:05:09 | |
I'm all right. | 0:05:09 | 0:05:11 | |
Your injuries were extremely serious. | 0:05:11 | 0:05:14 | |
The X-rays showed that we've done a good job | 0:05:14 | 0:05:16 | |
with your legs and pelvis, | 0:05:16 | 0:05:18 | |
but your MRI showed that there's still significant swelling | 0:05:18 | 0:05:21 | |
at the site of your vertebral fracture. | 0:05:21 | 0:05:23 | |
I'll be walking, though? | 0:05:27 | 0:05:29 | |
At this stage it's not possible to rule out | 0:05:30 | 0:05:32 | |
long-term mobility problems. | 0:05:32 | 0:05:35 | |
I wish we could be more positive. | 0:05:35 | 0:05:38 | |
Thank you. | 0:05:39 | 0:05:41 | |
DS Arnott's attacker. | 0:05:43 | 0:05:46 | |
The thing is, boss, the lab's put the images through the software | 0:05:46 | 0:05:49 | |
and there's a decent chance Arnott's attacker is the same person captured | 0:05:49 | 0:05:54 | |
in the original sighting, | 0:05:54 | 0:05:55 | |
the night of Leonie Collisdale's disappearance. | 0:05:55 | 0:05:57 | |
Thanks, Neil. | 0:05:57 | 0:05:58 | |
Well, it's possible. Of course it is. | 0:06:02 | 0:06:05 | |
But it calls into question Michael Farmer's guilt. | 0:06:05 | 0:06:08 | |
And what we're hearing is that Farmer's on the verge | 0:06:09 | 0:06:12 | |
of changing his plea to guilty. | 0:06:12 | 0:06:14 | |
And regarding Timothy Ifield's murder, | 0:06:14 | 0:06:17 | |
still the only person we can actually place at Tim's murder | 0:06:17 | 0:06:21 | |
is Hana Reznikova. | 0:06:21 | 0:06:22 | |
Thank you, everyone. | 0:06:25 | 0:06:26 | |
Sarge? | 0:06:34 | 0:06:37 | |
The boss is so keen to pin Tim's murder on Hana, | 0:06:37 | 0:06:41 | |
whilst Balaclava Man's still out there. | 0:06:41 | 0:06:44 | |
You know AC-12 interviewed her husband over Arnott's fall. | 0:06:44 | 0:06:47 | |
And who's seen in the vicinity? | 0:06:47 | 0:06:50 | |
Balaclava Man. | 0:06:50 | 0:06:51 | |
-Sir. -Remain at attention. | 0:07:02 | 0:07:05 | |
DS Fleming here, someone blew her cover. | 0:07:08 | 0:07:10 | |
Thanks to whoever that was, | 0:07:10 | 0:07:12 | |
Huntley's entrapped me into discrediting the investigation. | 0:07:12 | 0:07:14 | |
Yeah. Now I told you, fella, | 0:07:14 | 0:07:16 | |
if ever there was a leak, we'd know it was you. | 0:07:16 | 0:07:18 | |
Do you have any evidence? | 0:07:20 | 0:07:22 | |
You've got a bloody nerve. | 0:07:22 | 0:07:24 | |
See, undercover officers have a life span. | 0:07:25 | 0:07:27 | |
There comes a time when they've been deployed once too often, | 0:07:27 | 0:07:30 | |
they get recognised, or they lose their touch. | 0:07:30 | 0:07:32 | |
She knew stuff about my personal life. She got that from someone. | 0:07:32 | 0:07:35 | |
How the hell would I know anything about your personal life? | 0:07:35 | 0:07:38 | |
Wasn't me, sir. | 0:07:38 | 0:07:40 | |
Get out! Get out of my sight! Go on! | 0:07:40 | 0:07:43 | |
You lot treat everyone like mugs. | 0:07:47 | 0:07:49 | |
-Who's the mug now? -Get out! | 0:07:49 | 0:07:52 | |
HASTINGS MUTTERS UNDER HIS BREATH | 0:07:54 | 0:07:57 | |
It's worse than I thought, sir. | 0:07:58 | 0:08:00 | |
How? | 0:08:00 | 0:08:02 | |
They're not scared of us any more. | 0:08:02 | 0:08:04 | |
Not only that, Buckells is right. | 0:08:06 | 0:08:08 | |
Fat chance he knew anything about my personal life. | 0:08:08 | 0:08:11 | |
What? Somebody in here? | 0:08:11 | 0:08:14 | |
No. Never. | 0:08:17 | 0:08:20 | |
PHONE RINGS | 0:08:23 | 0:08:25 | |
Polk Avenue, Major Violent Crime Unit, PC Jatri. | 0:08:25 | 0:08:27 | |
Could you hold the line please? | 0:08:31 | 0:08:33 | |
-What is it? -A woman's remains have been found. | 0:08:44 | 0:08:47 | |
DCI Huntley. | 0:08:52 | 0:08:55 | |
-Hi, Roz. -So what have we got so far? | 0:08:55 | 0:08:58 | |
Body parts wrapped in plastic bin-liners. | 0:08:58 | 0:09:01 | |
We're only a quarter of a mile away from where the body parts | 0:09:01 | 0:09:04 | |
of Leonie Collisdale were found. | 0:09:04 | 0:09:07 | |
So this must be the rest of her, right? | 0:09:07 | 0:09:09 | |
Except these remains are nowhere near as decomposed as Leonie's. | 0:09:09 | 0:09:12 | |
The wrapping in bin-liners is also a contrasting feature. | 0:09:12 | 0:09:15 | |
Most likely this is someone else. | 0:09:15 | 0:09:17 | |
So far we appear to have a leg split in two sections, | 0:09:19 | 0:09:22 | |
an arm similarly disarticulated, | 0:09:22 | 0:09:24 | |
possibly more to come as we extend the dig. | 0:09:24 | 0:09:27 | |
First priority is to get an ID. | 0:09:27 | 0:09:30 | |
Sure. | 0:09:30 | 0:09:31 | |
Less decomposition, more recent. | 0:09:34 | 0:09:36 | |
And how long's Michael Farmer been in custody? | 0:09:38 | 0:09:41 | |
CLICKING OF CAMERAS AND CHATTER OF RADIOS | 0:09:41 | 0:09:44 | |
Sir. Someone to see you, in your office with Kate, if that's OK? | 0:09:46 | 0:09:50 | |
Yeah. Who? | 0:09:50 | 0:09:52 | |
-He wanted to introduce himself, sir. -Oh, right. | 0:09:52 | 0:09:55 | |
Steve! | 0:10:00 | 0:10:01 | |
I hope you'll forgive me if I don't get up, sir. | 0:10:01 | 0:10:04 | |
It's great to see you, but, you know, | 0:10:04 | 0:10:05 | |
you really shouldn't have put yourself out like this. | 0:10:05 | 0:10:08 | |
This isn't a social call, sir. | 0:10:08 | 0:10:09 | |
I'm returning to work. | 0:10:09 | 0:10:11 | |
I've tried to tell him it's too soon, sir. | 0:10:11 | 0:10:13 | |
Look, I've had an assessment with occupational health | 0:10:13 | 0:10:15 | |
and they've given me the all-clear to return to restricted duties. | 0:10:15 | 0:10:18 | |
This is just a precaution, sir. | 0:10:18 | 0:10:20 | |
The doctors have said I'll make a full recovery. | 0:10:20 | 0:10:22 | |
Great. | 0:10:22 | 0:10:23 | |
Well, I can't say that I'm not glad to see you. | 0:10:23 | 0:10:26 | |
There's been a few developments since you've been away. | 0:10:26 | 0:10:28 | |
Yeah. I've brought him up to speed, sir. | 0:10:28 | 0:10:30 | |
Roz Huntley can't be allowed to mislead the investigation. | 0:10:30 | 0:10:33 | |
And ACC Hilton never said anything about not investigating | 0:10:33 | 0:10:35 | |
Tim Ifield's murder or Nick Huntley's movements that night. | 0:10:35 | 0:10:38 | |
If Nick Huntley's involved, we'll be the ones to catch him. | 0:10:38 | 0:10:41 | |
And if he's involved, you can bet Roz Huntley is too. | 0:10:41 | 0:10:44 | |
Well, what are yous waiting on then, the number 19 bus? | 0:10:44 | 0:10:47 | |
Sir. | 0:10:47 | 0:10:48 | |
Take your time, Nick. | 0:11:00 | 0:11:01 | |
The 25th. | 0:11:01 | 0:11:02 | |
Yes, I was at a work function in Northampton that evening. | 0:11:04 | 0:11:09 | |
Yes. | 0:11:09 | 0:11:10 | |
And I bet there are loads of witnesses to corroborate that? | 0:11:10 | 0:11:13 | |
-Yes. -Great, thanks. I hope that's covered. | 0:11:13 | 0:11:16 | |
Anything else? | 0:11:16 | 0:11:17 | |
Do you have any of your officer's DNA on my client? | 0:11:17 | 0:11:20 | |
You all right? Do you want a tea or coffee? | 0:11:20 | 0:11:22 | |
No, I'm fine. Thanks for asking. | 0:11:22 | 0:11:24 | |
All right, well, if you need anything, | 0:11:24 | 0:11:26 | |
just call me on the mobile, save you having to...you know. | 0:11:26 | 0:11:29 | |
Kate. Nick Huntley's alibi - | 0:11:29 | 0:11:31 | |
has someone actually checked that out? | 0:11:31 | 0:11:32 | |
No, while you was away we stopped being capable of basic police work. | 0:11:32 | 0:11:36 | |
Sorry. | 0:11:36 | 0:11:38 | |
Actually, with all the files being recalled, | 0:11:38 | 0:11:40 | |
it could've fallen through the cracks. I'll double check. | 0:11:40 | 0:11:42 | |
Cheers, appreciate it. | 0:11:42 | 0:11:44 | |
There's no evidence he's the man who attacked you. | 0:11:45 | 0:11:48 | |
I know. | 0:11:48 | 0:11:49 | |
OK. | 0:11:51 | 0:11:52 | |
Nick Huntley claimed, via his solicitor, that he attended | 0:11:56 | 0:11:59 | |
the legal conference's closing drinks reception | 0:11:59 | 0:12:02 | |
and didn't leave till around 8pm. | 0:12:02 | 0:12:04 | |
However, no records were kept of attendance at the drinks function, | 0:12:04 | 0:12:07 | |
so there's no independent corroboration | 0:12:07 | 0:12:09 | |
of Nick Huntley's whereabouts at that time. | 0:12:09 | 0:12:11 | |
But ANPR detected the car registered to Nick Huntley on the M6 at 18.15. | 0:12:13 | 0:12:20 | |
He's been lying. | 0:12:20 | 0:12:21 | |
And the motorways were clear that evening. | 0:12:21 | 0:12:23 | |
He had plenty of time to carry out the offence. | 0:12:23 | 0:12:26 | |
Great. | 0:12:26 | 0:12:28 | |
-Great, cheers, Maneet. -That's great. Thanks, Maneet. | 0:12:28 | 0:12:31 | |
Great work. | 0:12:31 | 0:12:32 | |
So he was under pressure to come up with an alibi and he took a risk. | 0:12:32 | 0:12:35 | |
All we've actually got though is he's been caught out in a lie. | 0:12:35 | 0:12:38 | |
Cheers, Jamie, we've got this. | 0:12:38 | 0:12:40 | |
That wasn't his fault the Roz Huntley interview went pear-shaped. | 0:12:51 | 0:12:54 | |
The gaffer brought him in while I was undercover. | 0:12:54 | 0:12:56 | |
I'm back now, and so are you. | 0:12:56 | 0:12:58 | |
I need to get ready for work. | 0:13:28 | 0:13:30 | |
Have you been to the doctor? | 0:13:30 | 0:13:32 | |
Yes, and I'm fine. | 0:13:32 | 0:13:34 | |
It's starting to stink, you know, that thing on your wrist. | 0:13:36 | 0:13:39 | |
That thing is just a graze... | 0:13:39 | 0:13:41 | |
..and it's fine. | 0:13:42 | 0:13:43 | |
Jamie, sorry, just had a message from IT. | 0:13:56 | 0:13:59 | |
We need to reset usernames and passwords, again. | 0:13:59 | 0:14:01 | |
Yeah, sure. | 0:14:02 | 0:14:03 | |
PHONE VIBRATES | 0:14:49 | 0:14:50 | |
The FC's on her way down. | 0:15:03 | 0:15:05 | |
Looks like she's got the first results on the new remains. | 0:15:05 | 0:15:08 | |
Good. Just give me a minute. | 0:15:09 | 0:15:11 | |
All right, boss. | 0:15:13 | 0:15:14 | |
Everyone in the incident room. | 0:15:19 | 0:15:21 | |
-Go ahead, Rupal. -Thank you, DCI Huntley. | 0:15:51 | 0:15:54 | |
Forensic report regarding human remains detected on the | 0:15:54 | 0:15:57 | |
Queen's Chase woodland on the 23rd of April. | 0:15:57 | 0:16:00 | |
Remains have been examined by the pathologist... | 0:16:00 | 0:16:03 | |
ROZ DRIFTS OUT OF SPEECH | 0:16:03 | 0:16:07 | |
And matched control samples relating to... | 0:16:16 | 0:16:18 | |
..Leonie Collersdale. | 0:16:20 | 0:16:22 | |
-It's Leonie? -Yeah. | 0:16:24 | 0:16:26 | |
Well, that's great news. Thank you. | 0:16:31 | 0:16:33 | |
This is not a new victim. | 0:16:37 | 0:16:39 | |
So another family doesn't have to deal with a terrible tragedy. | 0:16:39 | 0:16:42 | |
And also, we do not need to consider another suspect. | 0:16:43 | 0:16:46 | |
OK. Thanks. | 0:16:47 | 0:16:48 | |
Sorry, boss. Rupal, question. | 0:16:49 | 0:16:52 | |
At the crime scene, you said the degree of decomposition | 0:16:52 | 0:16:55 | |
was different from the rest of Leonie's body parts? | 0:16:55 | 0:16:58 | |
DS Twyler's correct. | 0:16:58 | 0:16:59 | |
The pathologist found evidence of deep-freezing of the remains. | 0:16:59 | 0:17:03 | |
The body parts must've been kept in cold storage before being buried. | 0:17:03 | 0:17:06 | |
And weren't there other differences? | 0:17:06 | 0:17:08 | |
Yes, the remains were wrapped in paper and then sealed inside | 0:17:08 | 0:17:11 | |
of plastic bin liners. | 0:17:11 | 0:17:13 | |
We've taken samples, and studies are ongoing to see if these materials | 0:17:13 | 0:17:17 | |
can provide any leads on who might have handled them or where. | 0:17:17 | 0:17:20 | |
-OK. Thank you. -Thanks, everyone. | 0:17:22 | 0:17:24 | |
Michael Farmer's legal team have made an application to change | 0:17:39 | 0:17:41 | |
-his plea to guilty. -For Christ's sake. | 0:17:41 | 0:17:44 | |
From his viewpoint, the evidence just keeps stacking up. | 0:17:46 | 0:17:48 | |
I know, I know. His solicitor must have told him to cut his losses | 0:17:48 | 0:17:51 | |
and go for a reduced sentence. | 0:17:51 | 0:17:52 | |
But one of you have got to visit that prison | 0:17:52 | 0:17:54 | |
and tell Michael Farmer that we are fighting his corner. | 0:17:54 | 0:17:57 | |
Sir, sorry, after everything that's happened, | 0:17:57 | 0:17:59 | |
why would Farmer trust a word either of us say? | 0:17:59 | 0:18:01 | |
The word of any police officer. | 0:18:01 | 0:18:04 | |
We're just waiting on your solicitor. | 0:18:18 | 0:18:20 | |
You know, Michael, there are other solicitors, | 0:18:24 | 0:18:26 | |
better ones. | 0:18:26 | 0:18:28 | |
The first time, about Jade... | 0:18:30 | 0:18:33 | |
..I liked him. | 0:18:34 | 0:18:35 | |
Your solicitor for your first conviction? | 0:18:37 | 0:18:39 | |
OK. | 0:18:41 | 0:18:42 | |
He might not be the best person, but I can check him out for you, | 0:18:43 | 0:18:45 | |
if you'd like to see him? | 0:18:45 | 0:18:47 | |
Sorry, sorry. | 0:18:50 | 0:18:51 | |
Michael, I've arranged for you to have a visitor. | 0:19:05 | 0:19:08 | |
Nana. | 0:19:13 | 0:19:15 | |
Hello, Michael. It's lovely to see you. | 0:19:15 | 0:19:17 | |
I've missed you, Nana. | 0:19:17 | 0:19:19 | |
Michael, I'll see you after. | 0:19:21 | 0:19:23 | |
I'll leave you all to catch up. | 0:19:31 | 0:19:32 | |
How are you managing, Michael? | 0:19:37 | 0:19:39 | |
It's horrible in here, Nana. | 0:19:41 | 0:19:43 | |
I've always cared for you. | 0:19:43 | 0:19:45 | |
That won't change, no matter what. | 0:19:47 | 0:19:49 | |
You can tell me the truth. | 0:19:50 | 0:19:52 | |
You can tell me, and I won't stop loving you. | 0:19:53 | 0:19:55 | |
I know. | 0:19:57 | 0:19:58 | |
Did you do it, Michael? | 0:20:00 | 0:20:02 | |
Did you? | 0:20:02 | 0:20:03 | |
No, Nana. | 0:20:04 | 0:20:06 | |
No. | 0:20:06 | 0:20:07 | |
Then tell the truth, Michael. | 0:20:07 | 0:20:09 | |
Don't say you're guilty if you're not. | 0:20:10 | 0:20:13 | |
OK, Nana. | 0:20:16 | 0:20:17 | |
Say it, Michael. | 0:20:19 | 0:20:20 | |
Not guilty, Nana. | 0:20:23 | 0:20:24 | |
Not guilty. | 0:20:26 | 0:20:27 | |
PC Jatri. | 0:20:31 | 0:20:32 | |
-VOICEMAIL: -Roz, this is Dr Patel from Starbrook Road Surgery. | 0:20:34 | 0:20:38 | |
I need you to call me back urgently regarding the swab I took | 0:20:38 | 0:20:41 | |
from the wound on your arm. | 0:20:41 | 0:20:42 | |
Please go straight to your nearest A&E immediately. | 0:20:45 | 0:20:48 | |
I'm sorry to interrupt, ma'am. The application from Michael Farmer | 0:20:48 | 0:20:51 | |
-hasn't gone to the court. -What's the delay? | 0:20:51 | 0:20:53 | |
They're saying he's not planning to change to a guilty plea. | 0:20:53 | 0:20:56 | |
OK. Thanks, Farida. | 0:20:58 | 0:21:00 | |
Ma'am. | 0:21:00 | 0:21:01 | |
Framing Michael Farmer couldn't have been random. | 0:21:16 | 0:21:19 | |
It's no coincidence Michael had been on the sex offenders' register. | 0:21:19 | 0:21:22 | |
A loner with no-one to provide an alibi, | 0:21:22 | 0:21:24 | |
who follows a predictable routine - | 0:21:24 | 0:21:25 | |
out every night to visit his grandma, | 0:21:25 | 0:21:27 | |
then clocks in on the night shift. | 0:21:27 | 0:21:28 | |
Yeah, but we went through the records way back. | 0:21:28 | 0:21:30 | |
Roz Huntley never had anything to do with Michael's prior conviction, | 0:21:30 | 0:21:33 | |
she never even worked with anyone who did. | 0:21:33 | 0:21:35 | |
So how could she have picked Michael? | 0:21:35 | 0:21:37 | |
You know what they're going to say, don't you? | 0:21:38 | 0:21:40 | |
Because we couldn't pin your fall on Nick Huntley, | 0:21:40 | 0:21:42 | |
we're going after the pair of them for something else. | 0:21:42 | 0:21:46 | |
Yeah. | 0:21:46 | 0:21:47 | |
-Thanks, mate. -It's all right. | 0:21:56 | 0:21:57 | |
-Getting good at this. -Cheers. | 0:21:59 | 0:22:02 | |
-I'll come up. -No, you're all right. My building's got a lift. | 0:22:07 | 0:22:10 | |
You sure? | 0:22:10 | 0:22:11 | |
Yeah. I'm fine. Night, Kate. | 0:22:11 | 0:22:13 | |
Night, Steve. | 0:22:13 | 0:22:14 | |
Sarge, you asked me to track down Michael Farmer's solicitor | 0:22:32 | 0:22:35 | |
from his conviction when he was 16? | 0:22:35 | 0:22:37 | |
Yeah, for whatever reason, Michael seemed to like him. | 0:22:37 | 0:22:39 | |
You'll never guess who it was. | 0:22:39 | 0:22:41 | |
Kate. | 0:22:46 | 0:22:47 | |
What did I say about there being no such thing as coincidence? | 0:22:50 | 0:22:53 | |
Mr Lakewell, you're Nick Huntley's solicitor, is that correct? | 0:22:57 | 0:23:00 | |
No. I just provided him with a bit of legal advice, as a favour. | 0:23:00 | 0:23:04 | |
How would you describe your relationship with Nick Huntley? | 0:23:04 | 0:23:07 | |
We were at law school together. Old mates. | 0:23:07 | 0:23:11 | |
You socialised? | 0:23:11 | 0:23:12 | |
Yes. | 0:23:12 | 0:23:13 | |
Your wives socialise with you? | 0:23:13 | 0:23:15 | |
I'm divorced, but, yes, we mix socially. | 0:23:15 | 0:23:18 | |
What's behind this line of inquiry? | 0:23:19 | 0:23:21 | |
Do you know the name Jade Hopkirk? | 0:23:21 | 0:23:23 | |
Nope. Doesn't ring a bell. | 0:23:24 | 0:23:26 | |
"Mr Lakewell denies knowing Jade Hopkirk." | 0:23:28 | 0:23:32 | |
"Detective attempts rudimentary interview technique on | 0:23:32 | 0:23:36 | |
"seasoned criminal solicitor. | 0:23:36 | 0:23:38 | |
"Makes a bit of a tit of herself." | 0:23:38 | 0:23:39 | |
We're looking into who knew about Michael Farmer's past, who might | 0:23:42 | 0:23:46 | |
have considered him a likely suspect for offences against young women. | 0:23:46 | 0:23:50 | |
Jade Hopkirk was the alleged victim | 0:23:50 | 0:23:51 | |
when Michael Farmer was convicted of rape in 2009. | 0:23:51 | 0:23:54 | |
Yes, of course, now I recall exactly who you mean. | 0:23:56 | 0:23:59 | |
I represented Michael. | 0:23:59 | 0:24:01 | |
He pleaded guilty. | 0:24:01 | 0:24:03 | |
He had sex with a 15-year-old girl, without her consent. | 0:24:03 | 0:24:06 | |
That's rape. He pleaded guilty because he was guilty. | 0:24:06 | 0:24:10 | |
Was it your idea not to test that out on a jury? | 0:24:10 | 0:24:13 | |
What went on between myself and my client is privileged. | 0:24:13 | 0:24:16 | |
So you never discussed the case with Nick Huntley? | 0:24:16 | 0:24:18 | |
Or Roz Huntley? | 0:24:18 | 0:24:19 | |
Exactly. | 0:24:21 | 0:24:22 | |
As you'll recall, sir, at his interview with AC-12, | 0:24:22 | 0:24:26 | |
Mr Huntley declined to answer questions regarding his whereabouts | 0:24:26 | 0:24:28 | |
for parts of the evening of the 18th of March - | 0:24:28 | 0:24:31 | |
the night of Timothy Ifield's murder. | 0:24:31 | 0:24:33 | |
Can you vouch for his whereabouts? | 0:24:35 | 0:24:37 | |
Listen, Ironside, | 0:24:37 | 0:24:39 | |
you've got no evidence against Nick, so I don't have to. | 0:24:39 | 0:24:42 | |
Fine. Come on, Steve. | 0:24:45 | 0:24:47 | |
PHONE VIBRATES | 0:25:16 | 0:25:19 | |
Jimmy? | 0:25:25 | 0:25:27 | |
I've just had AC-12 turn up at my office, asking questions | 0:25:27 | 0:25:29 | |
about Nick's whereabouts on the night of Timothy Ifield's murder. | 0:25:29 | 0:25:33 | |
What did you tell them? | 0:25:34 | 0:25:35 | |
Nothing, obviously. I thought you and Nick should know. | 0:25:35 | 0:25:38 | |
Good. Thank you, Jimmy, and no need to tell Nick. | 0:25:38 | 0:25:42 | |
I'll let him know. | 0:25:42 | 0:25:43 | |
I've already sent him a voicemail. | 0:25:43 | 0:25:45 | |
Should I not have? | 0:25:46 | 0:25:48 | |
No, that's fine. | 0:25:48 | 0:25:49 | |
Thanks. Thanks again, Jimmy. | 0:25:49 | 0:25:51 | |
PHONE RINGS | 0:26:02 | 0:26:06 | |
You've reached the personal voicemail of | 0:26:17 | 0:26:19 | |
Assistant Chief Constable Derek Hilton. | 0:26:19 | 0:26:21 | |
You said AC-12 were finished. You said their witch-hunt was finished, | 0:26:23 | 0:26:27 | |
but they're still after me. | 0:26:27 | 0:26:29 | |
My husband, his solicitor, any backdoor route they can find. | 0:26:29 | 0:26:32 | |
You don't know what this is doing to my marriage. | 0:26:33 | 0:26:36 | |
Well done. | 0:26:53 | 0:26:54 | |
I'm finished. | 0:26:55 | 0:26:56 | |
I feel drained, sir. | 0:27:01 | 0:27:03 | |
It's not long till the start of my maternity leave. | 0:27:03 | 0:27:07 | |
I see. | 0:27:07 | 0:27:08 | |
Things are beginning to get on top of me. | 0:27:08 | 0:27:11 | |
And the timing couldn't be worse. | 0:27:12 | 0:27:14 | |
I really need all my best people, you know. | 0:27:14 | 0:27:16 | |
The last thing I want to do is let you and the department down. | 0:27:16 | 0:27:19 | |
I see. | 0:27:20 | 0:27:21 | |
Well, if your mind's made up. | 0:27:21 | 0:27:24 | |
I wish you all the best, darling. | 0:27:24 | 0:27:26 | |
-Thank you, sir. -Yeah. | 0:27:26 | 0:27:28 | |
I'd appreciate if you don't say too much to the team. | 0:27:30 | 0:27:33 | |
I don't want anyone making a fuss. | 0:27:33 | 0:27:35 | |
Listen, thanks for meeting me outside the office. | 0:27:59 | 0:28:02 | |
Yeah, any time, mate. | 0:28:02 | 0:28:03 | |
Oh, and thank you for the voicemail last night. | 0:28:03 | 0:28:06 | |
I don't know where AC-12 are going with this, | 0:28:06 | 0:28:08 | |
but I had to let you and Roz know. | 0:28:08 | 0:28:10 | |
Did you get chance to talk it through last night? | 0:28:10 | 0:28:14 | |
Actually, no. | 0:28:14 | 0:28:15 | |
Oh? | 0:28:16 | 0:28:17 | |
No, this is why I wanted to meet you outside the office. | 0:28:19 | 0:28:22 | |
Me and Roz... | 0:28:22 | 0:28:23 | |
..it's a bit messed up right now. | 0:28:26 | 0:28:28 | |
It's a lot messed up. | 0:28:29 | 0:28:30 | |
I've been there, the divorce. | 0:28:34 | 0:28:36 | |
Sorry to hear that, mate. | 0:28:36 | 0:28:38 | |
It's more than that. | 0:28:38 | 0:28:39 | |
Roz has been lying to me about where she was when Tim Ifield was killed. | 0:28:47 | 0:28:51 | |
She has this wound on her arm from the same night. | 0:28:51 | 0:28:55 | |
I've got tangible concerns that she's involved in a serious crime. | 0:28:58 | 0:29:03 | |
My God. | 0:29:07 | 0:29:09 | |
I'm at my wits' end, mate. | 0:29:09 | 0:29:10 | |
God, of course. | 0:29:12 | 0:29:13 | |
Really sorry. | 0:29:13 | 0:29:15 | |
If you want me to, I can sort it. | 0:29:16 | 0:29:17 | |
Voluntary interview, anonymity, independent police station... | 0:29:19 | 0:29:22 | |
immunity. | 0:29:22 | 0:29:24 | |
If - big if - you want me to. | 0:29:24 | 0:29:26 | |
That was the solicitor talking. | 0:29:28 | 0:29:29 | |
As your friend, I'd warn you that even if your concerns | 0:29:29 | 0:29:31 | |
turn out to be baseless... | 0:29:31 | 0:29:33 | |
..this could mean the end of your marriage, | 0:29:34 | 0:29:36 | |
the end of your family. | 0:29:36 | 0:29:37 | |
No happy ending. | 0:29:39 | 0:29:40 | |
Come in. | 0:29:51 | 0:29:53 | |
Ah, Kate. | 0:29:53 | 0:29:54 | |
Sir, this is an IT report. | 0:29:57 | 0:29:59 | |
I asked them to detail any searches or downloads of any sensitive | 0:29:59 | 0:30:02 | |
case material carried out by AC-12 staff in relation | 0:30:02 | 0:30:05 | |
to undercover operations, in the last two weeks. | 0:30:05 | 0:30:08 | |
If you go to the entry on page six, sir, | 0:30:09 | 0:30:12 | |
I found this instead. | 0:30:12 | 0:30:13 | |
I'm very sorry, sir. | 0:30:25 | 0:30:26 | |
No, no, no, no, you did the right thing, absolutely. | 0:30:29 | 0:30:32 | |
-Thank you, Kate. -Sir. -Thank you. | 0:30:32 | 0:30:33 | |
DC Desford. | 0:30:41 | 0:30:43 | |
-Sir? -Yeah, come in. Shut the door. | 0:30:55 | 0:30:56 | |
Sir. | 0:30:58 | 0:30:59 | |
Now, tell me, for what reason have you been... | 0:31:04 | 0:31:06 | |
accessing highly sensitive AC-12 files, | 0:31:06 | 0:31:10 | |
namely DI Matthew Cottan's dying declaration? | 0:31:10 | 0:31:14 | |
-I haven't, sir. -No? | 0:31:15 | 0:31:17 | |
No, sir. This wasn't me, sir. | 0:31:24 | 0:31:26 | |
For years, the security in this department | 0:31:26 | 0:31:29 | |
has been watertight, fella. | 0:31:29 | 0:31:30 | |
Absolutely watertight. | 0:31:30 | 0:31:32 | |
Then you come along, suddenly we're leaking like a colander. | 0:31:32 | 0:31:36 | |
I know what this is about. | 0:31:36 | 0:31:38 | |
First I'm scapegoated over the Huntley interview, now this. | 0:31:38 | 0:31:41 | |
I could fight this, but I don't want to be somewhere I'm not wanted. | 0:31:43 | 0:31:46 | |
So I'll take a transfer, sir. | 0:31:46 | 0:31:48 | |
It's definitely the smartest move right now. | 0:31:49 | 0:31:51 | |
And I hope you'll approve my request, sir, | 0:31:51 | 0:31:53 | |
so I won't need to lodge a complaint. | 0:31:53 | 0:31:55 | |
Are you threatening me? | 0:31:56 | 0:31:58 | |
No, I've been treated unfairly, sir. | 0:31:58 | 0:32:00 | |
And just for the record, I had absolutely nothing to do with | 0:32:00 | 0:32:03 | |
any security breach. | 0:32:03 | 0:32:05 | |
KNOCK ON DOOR | 0:32:30 | 0:32:31 | |
Sorry, I didn't mean to startle you. | 0:32:33 | 0:32:35 | |
No, I was miles away. Come on in. | 0:32:35 | 0:32:37 | |
I thought you should see this first. | 0:32:40 | 0:32:41 | |
The material wrapped round the body parts was newspaper. | 0:32:44 | 0:32:47 | |
-Mm-hm. -Some fragments survived sufficiently | 0:32:47 | 0:32:50 | |
for the print to be legible. | 0:32:50 | 0:32:52 | |
We were able to run sections of text through | 0:32:52 | 0:32:54 | |
a search engine to find matches with online editions. | 0:32:54 | 0:32:59 | |
All were nationals, so there's no localising information. | 0:32:59 | 0:33:02 | |
However, the dates are significant. | 0:33:02 | 0:33:05 | |
Some text related to news reports that only went to press | 0:33:06 | 0:33:09 | |
at the end of March. | 0:33:09 | 0:33:10 | |
As you know, Michael Farmer was remanded in custody | 0:33:12 | 0:33:14 | |
and Tim Ifield was already dead. | 0:33:14 | 0:33:16 | |
Right. | 0:33:18 | 0:33:20 | |
Shall we go through all this in a team briefing? | 0:33:20 | 0:33:23 | |
We've got something else on just now. | 0:33:23 | 0:33:25 | |
Will you leave it with me? | 0:33:25 | 0:33:27 | |
Sure, no problem. | 0:33:27 | 0:33:28 | |
Let me know if there's anything else I can do. | 0:33:35 | 0:33:37 | |
Right. | 0:33:37 | 0:33:38 | |
-NICK: -Roz? | 0:34:14 | 0:34:16 | |
-HE KNOCKS -You OK? | 0:34:16 | 0:34:17 | |
Nick? | 0:34:19 | 0:34:20 | |
Lying on a beach? | 0:34:24 | 0:34:26 | |
Lying on a beach... | 0:34:28 | 0:34:29 | |
Lying bitch. | 0:34:34 | 0:34:35 | |
Hi, Rupal. Anything I help you with? | 0:35:01 | 0:35:04 | |
-Roz not in? -Not seen her yet. | 0:35:04 | 0:35:06 | |
Well, I'm only around this morning. | 0:35:06 | 0:35:08 | |
I didn't want to miss the team briefing. | 0:35:08 | 0:35:10 | |
What team briefing? | 0:35:10 | 0:35:12 | |
About the new findings. | 0:35:12 | 0:35:13 | |
Leonie Collersdale's remains having been disposed | 0:35:15 | 0:35:17 | |
of after Michael Farmer was remanded. | 0:35:17 | 0:35:19 | |
I see. | 0:35:24 | 0:35:25 | |
Neil? | 0:36:09 | 0:36:10 | |
I've got one thing to say, and we don't ever meet again. | 0:36:10 | 0:36:13 | |
And no-one... | 0:36:15 | 0:36:16 | |
..no-one ever hears my name. | 0:36:18 | 0:36:19 | |
Sorry to call you back in so late, sir. | 0:36:30 | 0:36:32 | |
I've got a source at Polk Avenue. | 0:36:32 | 0:36:33 | |
Now we're sucking diesel. Go on. | 0:36:34 | 0:36:36 | |
OK, so, he, or she, insists on anonymity. | 0:36:36 | 0:36:39 | |
They won't go on record and they won't cooperate with any inquiry. | 0:36:39 | 0:36:42 | |
But what they did say is they've received new forensic evidence | 0:36:42 | 0:36:45 | |
showing Leonie's remains were buried after Michael Farmer was arrested. | 0:36:45 | 0:36:48 | |
There's no way Hilton can still back Huntley after this. | 0:36:48 | 0:36:51 | |
Yeah, and erm... | 0:36:52 | 0:36:54 | |
Yes, what else do we know about these new forensics, Kate? | 0:36:54 | 0:36:57 | |
Well, it appears they've been held in cold storage, | 0:36:57 | 0:36:59 | |
probably a deep freeze, for some time before being buried. | 0:36:59 | 0:37:02 | |
But this new evidence gives us a clear reason to reopen the inquiry | 0:37:02 | 0:37:04 | |
into Huntley and get the charges against Michael Farmer dropped. | 0:37:04 | 0:37:09 | |
Steve? | 0:37:09 | 0:37:10 | |
Steve, are you OK? | 0:37:10 | 0:37:12 | |
Body parts held in cold storage. | 0:37:12 | 0:37:14 | |
Jackie Laverty, a property developer with ties to organised crime, | 0:37:16 | 0:37:20 | |
last seen 2012. | 0:37:20 | 0:37:21 | |
Yeah, the piece of work that Tony Gates was hanging out with. | 0:37:21 | 0:37:24 | |
According to Gates, Jackie's body was kept in cold storage, | 0:37:24 | 0:37:26 | |
with incriminating DNA. | 0:37:26 | 0:37:28 | |
A means of blackmailing an officer into manipulating | 0:37:28 | 0:37:30 | |
criminal investigations. | 0:37:30 | 0:37:32 | |
Exactly what's been done with Leonie Collersdale's body. | 0:37:32 | 0:37:34 | |
-What, you think they're connected? -Well, there's more, sir. | 0:37:34 | 0:37:37 | |
The man who attacked me, he was wearing a balaclava | 0:37:37 | 0:37:39 | |
and he struck me over the head with a baseball bat. | 0:37:39 | 0:37:41 | |
Now, I wasn't sure if that was a real memory | 0:37:41 | 0:37:43 | |
or I was confused with an old case. | 0:37:43 | 0:37:45 | |
That old case was the men involved with Jackie Laverty's murder. | 0:37:45 | 0:37:48 | |
If you remember, I was attacked by some of them. | 0:37:48 | 0:37:50 | |
They wore balaclavas and they used baseball bats. | 0:37:50 | 0:37:52 | |
And Tony Gates, the only witness to Jackie Laverty's murder, | 0:37:52 | 0:37:55 | |
told me men wearing balaclavas broke into Jackie's house | 0:37:55 | 0:37:58 | |
and knocked him out cold with a baseball bat. | 0:37:58 | 0:37:59 | |
The MO's the same, sir. | 0:37:59 | 0:38:01 | |
It raises the question as to whether these organised criminals | 0:38:01 | 0:38:03 | |
are involved in the murders, | 0:38:03 | 0:38:05 | |
or are manipulating the investigation somehow. | 0:38:05 | 0:38:08 | |
Whether or not they're protecting guilty parties... | 0:38:08 | 0:38:10 | |
That's what we don't know. | 0:38:10 | 0:38:11 | |
Anyway, thanks, Steve. | 0:38:16 | 0:38:18 | |
And, Kate, you better get home and get some kip. | 0:38:18 | 0:38:20 | |
Look, wait, sir. | 0:38:20 | 0:38:21 | |
Jackie's disappearance - this was our case and it remains unsolved. | 0:38:22 | 0:38:27 | |
We've got every right to reopen it. | 0:38:27 | 0:38:28 | |
And as they may be connected, that might give us leeway to | 0:38:28 | 0:38:31 | |
examine the forensics on Leonie Collersdale's body. | 0:38:31 | 0:38:34 | |
It's your call, sir. | 0:38:36 | 0:38:37 | |
Hilton may use this to shut us down. | 0:38:37 | 0:38:39 | |
He may. | 0:38:41 | 0:38:42 | |
But if we go down... | 0:38:44 | 0:38:46 | |
..we go down fighting. | 0:38:47 | 0:38:50 | |
-BOTH: -Sir. | 0:38:50 | 0:38:51 | |
What are you doing? | 0:39:08 | 0:39:10 | |
Just making sure everything's as it should be. | 0:39:13 | 0:39:15 | |
Why am I here? | 0:39:17 | 0:39:18 | |
Your husband wants to explain everything. | 0:39:20 | 0:39:22 | |
I'll be back with an antibiotic injection. | 0:39:22 | 0:39:25 | |
How are you feeling? | 0:39:28 | 0:39:29 | |
What's going on? | 0:39:32 | 0:39:33 | |
Roz, they had to operate. | 0:39:35 | 0:39:37 | |
I just want to go home. | 0:39:38 | 0:39:39 | |
-Hey, listen, listen, come on. -I just want to go home! | 0:39:39 | 0:39:42 | |
You're going to hurt yourself, Roz. Just listen to me. | 0:39:42 | 0:39:44 | |
The wound was very deep. | 0:39:44 | 0:39:46 | |
The tissue was dead | 0:39:47 | 0:39:51 | |
and the infection had gotten into your bloodstream. | 0:39:51 | 0:39:53 | |
They call it septic shock. | 0:39:53 | 0:39:55 | |
If they didn't operate, you could've died. | 0:39:58 | 0:40:00 | |
There was no choice. | 0:40:02 | 0:40:03 | |
Oh, no! | 0:40:14 | 0:40:15 | |
Shh, shh! | 0:40:15 | 0:40:16 | |
Hey, hey, hey. | 0:40:18 | 0:40:20 | |
-Shh. -Why didn't you stop them? | 0:40:20 | 0:40:22 | |
They had to operate, to save your life, Roz. | 0:40:22 | 0:40:25 | |
Why didn't you stop them?! | 0:40:25 | 0:40:27 | |
She's still very woozy, poor thing. | 0:40:31 | 0:40:33 | |
It's a lot to take in, no wonder. | 0:40:34 | 0:40:36 | |
-Steve. -Oh, cheers. | 0:40:41 | 0:40:42 | |
(Jesus Christ.) | 0:40:50 | 0:40:52 | |
Kate! Kate! | 0:40:52 | 0:40:54 | |
Our independent forensic scientists confirm the second set of body parts | 0:40:54 | 0:40:57 | |
relating to Leonie Collersdale shows cellular freeze-thaw damage | 0:40:57 | 0:41:00 | |
similar to what we believe was done to Jackie Laverty's body, | 0:41:00 | 0:41:04 | |
and also that the newspaper found wrapping the body parts has been | 0:41:04 | 0:41:07 | |
dated to after Michael Farmer was remanded and Tim Ifield was killed. | 0:41:07 | 0:41:11 | |
Great. That's in the bag. Confirmation. | 0:41:11 | 0:41:13 | |
But what's even more significant, sir, | 0:41:13 | 0:41:16 | |
is he was also able to examine the deposit of Timothy Ifield's blood | 0:41:16 | 0:41:19 | |
supposedly detected on the first set of Leonie Collersdale's remains. | 0:41:19 | 0:41:23 | |
An item of evidence we've not had direct access to before now. | 0:41:23 | 0:41:26 | |
And? | 0:41:26 | 0:41:28 | |
That blood deposit's contaminated with the same high-density | 0:41:28 | 0:41:31 | |
polythene fibres from a forensic oversuit as the blood found | 0:41:31 | 0:41:34 | |
at Tim Ifield's flat, despite the samples being obtained weeks | 0:41:34 | 0:41:37 | |
apart by different investigators. | 0:41:37 | 0:41:38 | |
Mother of God. They've both been falsified. | 0:41:40 | 0:41:42 | |
In my view, sir, there's a very real possibility Roz Huntley's | 0:41:42 | 0:41:45 | |
been misleading the inquiry to protect her husband. | 0:41:45 | 0:41:48 | |
Right. Well, to hell with ACC Hilton. This is our vindication. | 0:41:51 | 0:41:54 | |
This puts us back in business. Steve, you run things from here. | 0:41:54 | 0:41:57 | |
Kate, take a couple of uniforms. | 0:41:57 | 0:41:59 | |
-Get out and pick up Roz and Nick Huntley. -Sir. | 0:41:59 | 0:42:02 | |
Diane, get me a car out front immediately. | 0:42:02 | 0:42:05 | |
Everyone, we need to find Nick and Roz Huntley, now! | 0:42:05 | 0:42:07 | |
Get on the phones. | 0:42:07 | 0:42:08 | |
Get me Polk Avenue Station. | 0:42:13 | 0:42:15 | |
PHONE RINGS | 0:42:16 | 0:42:19 | |
-Steve? -Roz Huntley hasn't reported for work. | 0:42:19 | 0:42:21 | |
She was admitted to City General two nights ago. | 0:42:21 | 0:42:25 | |
What's wrong with her? | 0:42:25 | 0:42:26 | |
They won't disclose the reason for her admission, | 0:42:26 | 0:42:28 | |
patient confidentiality. | 0:42:28 | 0:42:29 | |
Received. | 0:42:29 | 0:42:31 | |
City General Hospital. | 0:42:35 | 0:42:36 | |
Mr Huntley. | 0:42:48 | 0:42:49 | |
Where's my wife? | 0:42:51 | 0:42:53 | |
She discharged herself, against medical advice. | 0:42:54 | 0:42:56 | |
-But why didn't you stop her? -We did our best. | 0:42:58 | 0:43:00 | |
We made sure she waited for antibiotics and painkillers. | 0:43:00 | 0:43:02 | |
You should have called me. | 0:43:02 | 0:43:04 | |
Mrs Huntley was very clear that you shouldn't be called. | 0:43:04 | 0:43:07 | |
Keep the change. Thanks. | 0:43:15 | 0:43:16 | |
You must be in a lot of pain. | 0:43:16 | 0:43:19 | |
I won't lie. | 0:43:19 | 0:43:20 | |
Come on. | 0:43:20 | 0:43:21 | |
Let's just get you straight home to bed, ma'am. | 0:43:31 | 0:43:34 | |
No, just fill me in on everything. | 0:43:34 | 0:43:35 | |
Tell me. | 0:43:37 | 0:43:38 | |
This is strictly off the record, ma'am. | 0:43:41 | 0:43:44 | |
I don't want to get anyone in any trouble. | 0:43:44 | 0:43:46 | |
It's OK. Tell me. | 0:43:46 | 0:43:47 | |
A solicitor has requested an appointment for his anonymous client | 0:43:49 | 0:43:52 | |
to give a voluntary interview to an independent team of detectives. | 0:43:52 | 0:43:55 | |
What about? | 0:43:56 | 0:43:58 | |
The murder of Timothy Ifield. | 0:43:58 | 0:44:00 | |
Apparently, the solicitor's seeking immunity for whatever | 0:44:02 | 0:44:04 | |
his client's going to disclose. | 0:44:04 | 0:44:06 | |
Who's the solicitor? | 0:44:08 | 0:44:09 | |
James Lakewell. | 0:44:12 | 0:44:13 | |
Drive. | 0:44:20 | 0:44:22 | |
SIREN BLARES | 0:44:22 | 0:44:23 | |
PHONE RINGS | 0:44:24 | 0:44:26 | |
-Fleming. -I managed to get through to the ward. | 0:44:26 | 0:44:28 | |
Huntley's discharged herself. Nick Huntley came looking for her | 0:44:28 | 0:44:31 | |
and left separately just a few minutes ago. | 0:44:31 | 0:44:33 | |
The nurse reckoned he was going to their home address. | 0:44:33 | 0:44:35 | |
Received. Right, turn round, go, go, I'll direct you. | 0:44:35 | 0:44:38 | |
Roz? | 0:44:42 | 0:44:43 | |
Roz? | 0:44:46 | 0:44:47 | |
-Hi, Nick. -Roz, come on. | 0:44:52 | 0:44:54 | |
Let's be sensible. Let's get you back to hospital. Come on. | 0:44:57 | 0:45:00 | |
-I'm not going anywhere with you. -All right, OK. | 0:45:00 | 0:45:02 | |
Where are the kids? | 0:45:02 | 0:45:04 | |
They're fine. | 0:45:04 | 0:45:05 | |
Where are the kids? | 0:45:07 | 0:45:09 | |
It's being taken care of. | 0:45:09 | 0:45:11 | |
Roz, you're worrying me. | 0:45:11 | 0:45:12 | |
You don't have a right to know where they are. | 0:45:15 | 0:45:18 | |
We're getting a divorce. | 0:45:18 | 0:45:19 | |
Look, Roz. | 0:45:21 | 0:45:23 | |
OK, you're angry and you're upset, and I get that. | 0:45:23 | 0:45:26 | |
We're going to talk about this when you're feeling better, | 0:45:28 | 0:45:30 | |
but right now, I just need to know that the kids are safe. | 0:45:30 | 0:45:33 | |
Of course they're safe. | 0:45:33 | 0:45:35 | |
They're walking round to Claire's. | 0:45:35 | 0:45:37 | |
I'm just going to call them. | 0:45:38 | 0:45:40 | |
Don't think that you stand a chance of gaining custody? | 0:45:41 | 0:45:44 | |
Amputating my hand without my consent. | 0:45:45 | 0:45:48 | |
That's grievous bodily harm. | 0:45:49 | 0:45:52 | |
Look, Roz, it wasn't me. | 0:45:52 | 0:45:53 | |
It was the surgeons. | 0:45:53 | 0:45:56 | |
You were going to lose more than your hand. | 0:45:56 | 0:45:58 | |
You were going to lose your arm, or your life. | 0:45:58 | 0:46:01 | |
You did this to me... | 0:46:01 | 0:46:03 | |
because you'd thought I'd had an affair. | 0:46:03 | 0:46:05 | |
No, you did this to yourself. | 0:46:05 | 0:46:06 | |
All your lies. | 0:46:07 | 0:46:09 | |
And it was you, outside the bathroom. | 0:46:09 | 0:46:12 | |
You were the one calling me a lying bitch. | 0:46:12 | 0:46:15 | |
And you think doing this to me makes me less, | 0:46:17 | 0:46:20 | |
means no man will ever look at me? | 0:46:20 | 0:46:22 | |
Is this my punishment for being a "lying bitch"? | 0:46:22 | 0:46:25 | |
You've lied so much, Roz. | 0:46:25 | 0:46:27 | |
I've lost track of the truth. | 0:46:27 | 0:46:29 | |
You always said that you grazed your hand on some brickwork. | 0:46:31 | 0:46:37 | |
The infection they found was MRSA. | 0:46:37 | 0:46:39 | |
That's why it was so serious. | 0:46:39 | 0:46:41 | |
And it could never have happened the way that you said that it did! | 0:46:42 | 0:46:45 | |
I can just about live with you covering up your infidelity. | 0:46:47 | 0:46:52 | |
I can't live with you covering up a murder. | 0:46:52 | 0:46:55 | |
Is that what you're going to say to the detectives | 0:46:57 | 0:46:59 | |
at Fourth Street Station? | 0:46:59 | 0:47:01 | |
How did...? How did you know about that? | 0:47:06 | 0:47:08 | |
All this, to punish me. | 0:47:09 | 0:47:10 | |
Well, now it's your turn. | 0:47:12 | 0:47:14 | |
What? | 0:47:14 | 0:47:15 | |
You lied about where you were when Leonie Collersdale disappeared. | 0:47:15 | 0:47:19 | |
You were at the building when Steve Arnott was attacked. | 0:47:19 | 0:47:22 | |
I explained all of that. | 0:47:22 | 0:47:23 | |
And you were at the crime scene the night Tim Ifield was murdered. | 0:47:23 | 0:47:26 | |
Outside! | 0:47:26 | 0:47:28 | |
The only male suspect to be placed at the crime scene. | 0:47:28 | 0:47:31 | |
No, no, wait. No! | 0:47:31 | 0:47:33 | |
And you've lied about it to every police officer you've spoken to. | 0:47:33 | 0:47:35 | |
-To protect you! -No. | 0:47:35 | 0:47:37 | |
To protect yourself. | 0:47:38 | 0:47:39 | |
What are you talking about? | 0:47:39 | 0:47:41 | |
Nicholas Huntley, I'm arresting you on suspicion of the murder | 0:47:41 | 0:47:44 | |
of Timothy Ifield. | 0:47:44 | 0:47:45 | |
-You do not have to say anything... -This is insane! | 0:47:45 | 0:47:48 | |
-You do not have to say anything. -I'm going to get the kids. | 0:47:48 | 0:47:50 | |
It may harm your defence if you do not mention, when questioned, | 0:47:50 | 0:47:53 | |
something you later rely on in court. | 0:47:53 | 0:47:55 | |
Anything you do say may be used in evidence. | 0:47:55 | 0:47:58 | |
Mr Huntley, please don't make this any harder than it is already. | 0:47:58 | 0:48:02 | |
-Hands behind your back. -She's lying! She's lying! | 0:48:02 | 0:48:04 | |
Sir, please just calm down and let us take you to the station. | 0:48:04 | 0:48:07 | |
No! No! | 0:48:07 | 0:48:08 | |
-No! -Right, cuff him. Calm down, sir. | 0:48:08 | 0:48:10 | |
You're hurting me! | 0:48:11 | 0:48:13 | |
-Stop resisting then it won't hurt. -You're breaking my arm! | 0:48:13 | 0:48:15 | |
Stop resisting! | 0:48:15 | 0:48:17 | |
Polk Avenue Police, please move along! | 0:48:17 | 0:48:19 | |
Ma'am, it's done. | 0:48:20 | 0:48:21 | |
Sorry, ma'am. | 0:48:24 | 0:48:26 | |
Do you want a minute with him? | 0:48:26 | 0:48:27 | |
Just take him. | 0:48:29 | 0:48:31 | |
There was no need to make a scene. Look at your poor wife. | 0:48:36 | 0:48:39 | |
I'm not saying anything until I speak to my solicitor. | 0:48:39 | 0:48:42 | |
-Well, fair enough. -It's Jimmy Lakewell. L-A-K-E... | 0:48:42 | 0:48:44 | |
-What's going on? -It's all under control, it's all sorted. | 0:48:44 | 0:48:47 | |
SIREN BLARES | 0:49:00 | 0:49:02 | |
A delegation. I'm honoured. | 0:49:52 | 0:49:54 | |
My two investigators, sir, DS Arnott and DS Fleming. | 0:49:54 | 0:49:57 | |
I cannot believe I failed to make myself crystal clear. | 0:49:59 | 0:50:02 | |
AC-12 is recused from the Huntley case, | 0:50:02 | 0:50:05 | |
yet you still attempted to make arrests. | 0:50:05 | 0:50:07 | |
Yes, sir, but some new evidence has come to light, | 0:50:07 | 0:50:09 | |
which we think is vitally important to this inquiry. | 0:50:09 | 0:50:12 | |
DS Fleming. | 0:50:12 | 0:50:13 | |
We've learned Mr Huntley shares a solicitor with Michael Farmer, | 0:50:14 | 0:50:17 | |
and it's possible Mr Huntley was aware of Michael Farmer's | 0:50:17 | 0:50:20 | |
prior sexual offences, via this relationship. | 0:50:20 | 0:50:23 | |
-Right. -We also found that a deposit supposedly of Tim Ifield's | 0:50:25 | 0:50:28 | |
blood found at his flat was contaminated with fibres from | 0:50:28 | 0:50:31 | |
a forensic investigator's oversuit. | 0:50:31 | 0:50:33 | |
And that the blood deposit supposedly found on | 0:50:33 | 0:50:36 | |
Leonie Collersdale's body was contaminated | 0:50:36 | 0:50:38 | |
in exactly the same way. | 0:50:38 | 0:50:39 | |
Clear indication of evidence tampering, sir, pure and simple. | 0:50:39 | 0:50:41 | |
Our interpretation is that someone planted Timothy Ifield's blood | 0:50:41 | 0:50:44 | |
on Leonie Collersdale's body in order to falsely implicate | 0:50:44 | 0:50:47 | |
Tim in her murder. | 0:50:47 | 0:50:49 | |
Tim was onto a conspiracy, sir - | 0:50:49 | 0:50:51 | |
the framing of Michael Farmer to protect the real murderer. | 0:50:51 | 0:50:53 | |
And, obviously, the person with the opportunity and means to | 0:50:53 | 0:50:56 | |
frame both Michael Farmer and Timothy Ifield is DCI Roz Huntley. | 0:50:56 | 0:51:00 | |
By arresting him, she's acting as if she's been the one | 0:51:00 | 0:51:02 | |
to ID her husband as the murderer, while in reality | 0:51:02 | 0:51:05 | |
she's been protecting him all this time. | 0:51:05 | 0:51:07 | |
Also, she's just had surgery on her arm. | 0:51:07 | 0:51:09 | |
No-one knew she had a problem with it, and she's refusing | 0:51:09 | 0:51:12 | |
access to her medical records, so we've had to seek a court order. | 0:51:12 | 0:51:15 | |
Naturally, sir, we'd like to put things right straightaway. | 0:51:15 | 0:51:18 | |
We'd like to arrest her on suspicion of perverting the course of justice. | 0:51:18 | 0:51:21 | |
But Leonie Collersdale's and Tim Ifield's murders | 0:51:23 | 0:51:26 | |
are DCI Huntley's cases and, to reiterate, | 0:51:26 | 0:51:30 | |
you've been expressly forbidden from looking into it. | 0:51:30 | 0:51:33 | |
Yes, sir, but my team were investigating another case, | 0:51:33 | 0:51:36 | |
and our inquiries led us unexpectedly to these findings, | 0:51:36 | 0:51:39 | |
which I'm sure you'll agree, sir, put a completely new complexion | 0:51:39 | 0:51:41 | |
-on everything. -What other case? | 0:51:41 | 0:51:44 | |
That would be the disappearance of Jackie Laverty, sir. | 0:51:44 | 0:51:47 | |
A property developer, not seen since 2012. | 0:51:47 | 0:51:50 | |
Something troubling you, sir? | 0:51:53 | 0:51:55 | |
You'll recall, I was Station Chief at that time. | 0:51:57 | 0:52:01 | |
It's a difficult experience for us all. | 0:52:01 | 0:52:03 | |
Sir. | 0:52:03 | 0:52:05 | |
But this is great work. | 0:52:05 | 0:52:07 | |
All of you, great work. | 0:52:07 | 0:52:09 | |
But Roz Huntley had you recused and you accused Nick Huntley | 0:52:11 | 0:52:15 | |
of involvement in DS Arnott's injuries. | 0:52:15 | 0:52:17 | |
I can't risk your investigation | 0:52:17 | 0:52:19 | |
being tainted by accusations of bias. | 0:52:19 | 0:52:22 | |
In my view, your files should be handed over to a new, | 0:52:22 | 0:52:24 | |
more impartial authority, and they can decide the best way | 0:52:24 | 0:52:28 | |
to take these inquiries forward. | 0:52:28 | 0:52:30 | |
Sir, I must protest in the strongest possible terms! | 0:52:30 | 0:52:33 | |
Leave us. | 0:52:33 | 0:52:34 | |
Very well. | 0:52:37 | 0:52:38 | |
Paramedics are here. Let them at him. | 0:53:01 | 0:53:03 | |
Just give me a second! Dot, stay with me. | 0:53:03 | 0:53:05 | |
There's a network of corrupt police officers doing the bidding | 0:53:05 | 0:53:07 | |
of organised crime. | 0:53:07 | 0:53:09 | |
This is an unsustainable breach of protocol, sir. | 0:53:09 | 0:53:11 | |
Who's in charge, Dot? That's who we want, | 0:53:11 | 0:53:13 | |
the most senior officer in this corrupt network. | 0:53:13 | 0:53:15 | |
Who's top dog, Dot? | 0:53:15 | 0:53:17 | |
-Caddy. -You're the Caddy. We know that. | 0:53:19 | 0:53:21 | |
-Come on, Dot. -Told. -"Told". | 0:53:21 | 0:53:23 | |
You told someone? Someone very senior? | 0:53:25 | 0:53:27 | |
Prom. | 0:53:28 | 0:53:30 | |
Promotion? Someone promoted you? | 0:53:30 | 0:53:32 | |
Who? | 0:53:32 | 0:53:34 | |
Come on, Dot. Come in, he can't talk. | 0:53:34 | 0:53:36 | |
Blink twice with the first letter of his name. | 0:53:36 | 0:53:40 | |
A, B, C, D, | 0:53:40 | 0:53:43 | |
E, F, | 0:53:43 | 0:53:45 | |
G, H, I... | 0:53:45 | 0:53:47 | |
H. | 0:53:47 | 0:53:49 | |
His name begins with H. Right. | 0:53:49 | 0:53:51 | |
That's it, out of the way! | 0:53:51 | 0:53:52 | |
I'll start bagging. | 0:53:52 | 0:53:54 | |
Respiratory arrest. | 0:53:54 | 0:53:55 | |
I see why you didn't want anyone sharing. | 0:53:59 | 0:54:02 | |
H. | 0:54:04 | 0:54:05 | |
Sir, there are currently eight officers serving above the rank | 0:54:06 | 0:54:09 | |
of inspector whose surnames begin with an H, including yourself, sir. | 0:54:09 | 0:54:14 | |
Others, if you consider those who have relocated or retired. | 0:54:14 | 0:54:17 | |
There's only one who was Matthew Cottan's commanding officer | 0:54:17 | 0:54:19 | |
for two years, who recruited him and turned a blind eye to his offending. | 0:54:19 | 0:54:24 | |
Yes, I recruited him, but I did not promote him! | 0:54:24 | 0:54:26 | |
Superintendent Hastings, you will be served with a Regulation 15 notice. | 0:54:26 | 0:54:30 | |
You will have ten working days to answer these allegations | 0:54:30 | 0:54:33 | |
and, should the review board remain unsatisfied with your answers, | 0:54:33 | 0:54:38 | |
you will face a disciplinary hearing. | 0:54:38 | 0:54:40 | |
That is all. | 0:54:40 | 0:54:42 | |
Dismissed. | 0:54:42 | 0:54:43 | |
Sir. | 0:54:45 | 0:54:46 | |
-I'm coming up. -No, there's no need, honestly. I'm fine. | 0:55:10 | 0:55:13 | |
No, no. I just want to make sure you're doing all right. | 0:55:13 | 0:55:15 | |
I didn't want occupational health to know. | 0:55:26 | 0:55:29 | |
If I can't even look after myself, how can I do my job? | 0:55:29 | 0:55:32 | |
Steve, why don't you just...? | 0:55:36 | 0:55:39 | |
Just take a few weeks off, till you're stronger. | 0:55:39 | 0:55:43 | |
Michael Farmer doesn't have weeks. | 0:55:43 | 0:55:45 | |
It's his whole future on the line. | 0:55:45 | 0:55:47 | |
I'll put the kettle on. | 0:56:14 | 0:56:15 | |
You are going to get better, aren't you, Steve? | 0:56:44 | 0:56:46 | |
I don't know, Kate. | 0:56:49 | 0:56:50 | |
You should sit down, ma'am. | 0:57:11 | 0:57:13 | |
I can get you some more of your painkillers. | 0:57:13 | 0:57:15 | |
No, I'll be all right. | 0:57:15 | 0:57:16 | |
Jimmy. Thank God. | 0:57:16 | 0:57:18 | |
I want some time with my client before we go through disclosure, | 0:57:18 | 0:57:20 | |
-in a private room. -I'll see what I can do. | 0:57:20 | 0:57:23 | |
You'll do better than that, detective. | 0:57:23 | 0:57:25 | |
I'm glad to see you, mate. | 0:57:27 | 0:57:29 | |
Have you eaten? Do you need something to drink? | 0:57:34 | 0:57:36 | |
No, no, no, I'm fine. | 0:57:36 | 0:57:38 | |
All right, Roz. I'll take it from here. | 0:57:38 | 0:57:40 | |
Jimmy, this is insane! | 0:57:42 | 0:57:44 | |
I have nothing to do with it. | 0:57:45 | 0:57:47 | |
I don't know many that would have had the guts. | 0:57:48 | 0:57:51 | |
That was incredibly brave and honest of you, ma'am. | 0:57:51 | 0:57:54 | |
I've got no idea how this can be happening to me. | 0:57:54 | 0:57:57 | |
It was Roz. | 0:57:58 | 0:58:00 | |
She's lying about everything. | 0:58:00 | 0:58:02 | |
Everything. | 0:58:02 | 0:58:03 |