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What have you got against Michael Farmer | 0:00:02 | 0:00:03 | |
except him being retarded enough for you to frame?! | 0:00:03 | 0:00:06 | |
Is this you, Michael? | 0:00:15 | 0:00:18 | |
I'm not sure | 0:00:18 | 0:00:19 | |
DC Desford, for what reason have you been accessing highly sensitive | 0:00:24 | 0:00:28 | |
AC-12 files, namely DI Matthew Cottan's Dying Declaration? | 0:00:28 | 0:00:32 | |
This wasn't me, sir. | 0:00:32 | 0:00:34 | |
But I don't want to be somewhere I'm not wanted, | 0:00:34 | 0:00:36 | |
so I'll take a transfer | 0:00:36 | 0:00:37 | |
And obviously the person with the opportunity and means to frame both | 0:00:39 | 0:00:42 | |
Michael Farmer and Timothy Ifield is DCI Roz Huntley. | 0:00:42 | 0:00:45 | |
Your files should be handed over to a new, more impartial authority. | 0:00:45 | 0:00:50 | |
What are friends for? | 0:00:50 | 0:00:53 | |
Let me give you a different phone number. | 0:00:53 | 0:00:54 | |
There's a network of corrupt police officers doing | 0:00:59 | 0:01:01 | |
the bidding of organised crime. | 0:01:01 | 0:01:03 | |
"H?" His name begins with H. | 0:01:03 | 0:01:05 | |
"H." | 0:01:05 | 0:01:06 | |
Superintendent Hastings, you will be served with a Regulation 15 notice. | 0:01:06 | 0:01:10 | |
The wound was very deep. If they didn't operate, you could've died. | 0:01:12 | 0:01:17 | |
-No! -Shh! | 0:01:22 | 0:01:24 | |
We've learnt Mr Huntley shares a solicitor with Michael Farmer. | 0:01:26 | 0:01:30 | |
I represented Michael. | 0:01:30 | 0:01:32 | |
What went on between myself and my client is privileged. | 0:01:32 | 0:01:35 | |
I've got tangible concerns that she's involved in a serious crime. | 0:01:37 | 0:01:41 | |
You were at the crime scene the night Tim Ifield was murdered. | 0:01:41 | 0:01:44 | |
Nicholas Huntley, I'm arresting you on suspicion of | 0:01:51 | 0:01:54 | |
the murder of Timothy Ifield. | 0:01:54 | 0:01:56 | |
You're hurting me. | 0:01:56 | 0:01:57 | |
That was incredibly brave and honest of you, ma'am. | 0:01:57 | 0:02:00 | |
It was Roz, she's lying about everything. Everything. | 0:02:02 | 0:02:06 | |
The hotel wasn't able to provide an adjoining room... | 0:02:26 | 0:02:29 | |
on such short notice... | 0:02:29 | 0:02:31 | |
..but the other one's just down the hall. | 0:02:32 | 0:02:35 | |
I know it's difficult. | 0:02:36 | 0:02:37 | |
It's just while the officers are at the house. | 0:02:40 | 0:02:42 | |
Is Dad going to come here too? | 0:02:42 | 0:02:44 | |
These things take time. | 0:02:45 | 0:02:47 | |
Why aren't you doing anything, why aren't you helping him? | 0:02:47 | 0:02:51 | |
It's complicated. | 0:02:51 | 0:02:53 | |
I want the other room. | 0:02:53 | 0:02:54 | |
You think Nick Huntley would've risked leaving evidence here, | 0:03:08 | 0:03:11 | |
his missus a copper? | 0:03:11 | 0:03:13 | |
-OVER RADIO: -Message for DS Twyler. There's a DS out here to see him. | 0:03:13 | 0:03:17 | |
Received. | 0:03:17 | 0:03:18 | |
-DS Twyler? -DS Railston, DC Antonioni, Murder Squad. | 0:03:22 | 0:03:27 | |
What can I do for you? | 0:03:27 | 0:03:28 | |
Nick Huntley's solicitor's kicking up a stink. | 0:03:28 | 0:03:31 | |
He's accusing Polk Avenue officers | 0:03:31 | 0:03:32 | |
of favouring their own DCI's story over his. | 0:03:32 | 0:03:35 | |
Your Chief Super's worried the defence could use it in court. | 0:03:35 | 0:03:38 | |
You're taking over? | 0:03:38 | 0:03:40 | |
Sorry. | 0:03:40 | 0:03:42 | |
Kate. | 0:03:48 | 0:03:50 | |
Polk Avenue is starting the first round of interviews. | 0:03:50 | 0:03:52 | |
There's no news yet. | 0:03:52 | 0:03:54 | |
Dammit! She's done it again. | 0:03:54 | 0:03:55 | |
We had that case in the palm of our hands, | 0:03:55 | 0:03:57 | |
and she's thrown everybody off the scent! Who's on it? | 0:03:57 | 0:03:59 | |
Murder Squad, plus AC-9 observing - Jamie Desford. | 0:03:59 | 0:04:03 | |
AC-9 - Desford. God give me strength. | 0:04:03 | 0:04:05 | |
The whole thing's kicking off! We're not even in the game! | 0:04:05 | 0:04:08 | |
Kate. | 0:04:13 | 0:04:14 | |
Who from Murder Squad? | 0:04:16 | 0:04:17 | |
Mr Huntley, I'm Detective Sergeant Railston, this is my boss, | 0:04:17 | 0:04:20 | |
Detective Chief Superintendent Hargreaves. | 0:04:20 | 0:04:23 | |
We're Murder Squad out of Fourth Street Station. | 0:04:23 | 0:04:25 | |
None of us have any previous work connection with DCI Huntley. | 0:04:25 | 0:04:28 | |
However, detectives from AC-9 will be observing | 0:04:28 | 0:04:31 | |
'in connection with ongoing anti-corruption inquiries.' | 0:04:31 | 0:04:34 | |
'Noted.' | 0:04:34 | 0:04:36 | |
'What you were doing at Tim Ifield's flat?' | 0:04:36 | 0:04:38 | |
My wife, Roz... | 0:04:42 | 0:04:43 | |
DCI Huntley, she... | 0:04:45 | 0:04:47 | |
I was following her. | 0:04:51 | 0:04:53 | |
All right. Why was that, then? | 0:04:53 | 0:04:56 | |
I suspected that she was seeing someone else, an affair. | 0:04:57 | 0:05:01 | |
Was she? | 0:05:02 | 0:05:03 | |
I believe so, that's what she told me, with another police officer, | 0:05:03 | 0:05:07 | |
a married man. | 0:05:07 | 0:05:08 | |
Mrs Huntley denies an affair, | 0:05:08 | 0:05:10 | |
and our inquiries find there was no other officer present that night. | 0:05:10 | 0:05:13 | |
So you thought Tim Ifield was having sex with your wife? | 0:05:13 | 0:05:17 | |
No. I don't know... | 0:05:17 | 0:05:18 | |
How would you describe your emotional state that evening, | 0:05:18 | 0:05:21 | |
Mr Huntley? | 0:05:21 | 0:05:22 | |
Were you in a frame of mind to control your wife's behaviour, | 0:05:22 | 0:05:25 | |
Mr Huntley, to coerce her? | 0:05:25 | 0:05:26 | |
No, no, no... She was the one that went to the flat. | 0:05:26 | 0:05:29 | |
She went inside! | 0:05:29 | 0:05:30 | |
There are no witnesses to your wife entering Timothy Ifield's flat. | 0:05:30 | 0:05:33 | |
No CCTV. No traffic cameras. No mobile phone GPS data. | 0:05:33 | 0:05:36 | |
Well, she'd left her mobile phone at home. | 0:05:36 | 0:05:38 | |
So did you, pal. | 0:05:38 | 0:05:39 | |
I was in a rush. I'd forgotten it. | 0:05:39 | 0:05:42 | |
So this fella, this Timothy Ifield, | 0:05:42 | 0:05:44 | |
who you may or may not have thought was having sex with your wife, | 0:05:44 | 0:05:47 | |
-what did you plan to do to the pair of them? -Nothing. | 0:05:47 | 0:05:49 | |
Nothing. Why would I kill Timothy Ifield? | 0:05:49 | 0:05:53 | |
How would I? | 0:05:53 | 0:05:55 | |
-We look at three things. -Opportunity. | 0:05:55 | 0:05:57 | |
-You were there. -Means. | 0:05:57 | 0:05:59 | |
Tim's not a big fella, not a fighter, | 0:05:59 | 0:06:01 | |
-there were knives in the flat. -Motive. | 0:06:01 | 0:06:03 | |
You believed he was having an affair with your wife. | 0:06:03 | 0:06:05 | |
No. No. Look. No! This is all Roz. She's trying to frame me! | 0:06:05 | 0:06:09 | |
"So it wasn't me, it was the one-armed woman." Eh? | 0:06:11 | 0:06:15 | |
'Is that it?' | 0:06:15 | 0:06:17 | |
My gaffer wants the 18-search of Huntley's home completed | 0:06:18 | 0:06:20 | |
by first thing in the morning. | 0:06:20 | 0:06:22 | |
Hi. | 0:06:25 | 0:06:27 | |
Hi. | 0:06:27 | 0:06:28 | |
How's it going? | 0:06:29 | 0:06:31 | |
All right. | 0:06:31 | 0:06:33 | |
-I heard about your accident. How are you doing? -I'm fine. | 0:06:34 | 0:06:37 | |
So what's Nick Huntley been saying? | 0:06:38 | 0:06:40 | |
She's not at liberty to disclose. | 0:06:40 | 0:06:42 | |
And this was our case. | 0:06:42 | 0:06:43 | |
Not according to Assistant Chief Constable Hilton. | 0:06:43 | 0:06:46 | |
He assigned you? | 0:06:46 | 0:06:48 | |
Hastings didn't appreciate my ability. Hilton does. | 0:06:48 | 0:06:51 | |
I'm sorry. | 0:06:58 | 0:06:59 | |
You know what, you dumped Steve at the first sign of trouble. | 0:06:59 | 0:07:02 | |
I think it's a bit late for apologies. | 0:07:02 | 0:07:04 | |
Night. | 0:07:10 | 0:07:11 | |
Wait. | 0:07:14 | 0:07:16 | |
This has to be totally off the record. | 0:07:19 | 0:07:21 | |
Yeah. Yeah, of course. | 0:07:23 | 0:07:24 | |
'And then I saw her' | 0:07:25 | 0:07:27 | |
stop off at a minicab office. | 0:07:27 | 0:07:30 | |
So she took a minicab | 0:07:30 | 0:07:31 | |
'part of the way and then she carried on on foot.' | 0:07:31 | 0:07:34 | |
-To Tim's flat? -Yes. | 0:07:34 | 0:07:35 | |
-She went inside? -Yes. | 0:07:35 | 0:07:37 | |
Roz got out of the cab to avoid the traffic cameras. | 0:07:38 | 0:07:43 | |
She was inside Tim's flat while Nick was waiting outside | 0:07:43 | 0:07:45 | |
in his car, like Marion and Geoff. | 0:07:45 | 0:07:47 | |
And then he sees something. | 0:07:47 | 0:07:49 | |
Uh...around... | 0:07:51 | 0:07:54 | |
seven... | 0:07:54 | 0:07:56 | |
'a man came out of the flat. And then... | 0:07:56 | 0:07:59 | |
'an hour later he came back with a couple of shopping bags.' | 0:07:59 | 0:08:04 | |
All right, what was in these bags? | 0:08:04 | 0:08:07 | |
I don't know. | 0:08:07 | 0:08:08 | |
All I remember is there was a big tube sticking out of one of them, like a... | 0:08:08 | 0:08:13 | |
Like a roll of something. | 0:08:13 | 0:08:14 | |
That fits with the security cameras at the DIY store that evening. | 0:08:16 | 0:08:19 | |
A large roll of plastic sheeting. | 0:08:21 | 0:08:23 | |
Can you describe this man? | 0:08:25 | 0:08:27 | |
Medium height, medium build. Receding hair. Fair hair. | 0:08:27 | 0:08:31 | |
Tim Ifield. | 0:08:31 | 0:08:33 | |
And then there's this. | 0:08:34 | 0:08:35 | |
When did you leave Tim's flat? | 0:08:35 | 0:08:37 | |
Uh... | 0:08:38 | 0:08:40 | |
about 11. | 0:08:40 | 0:08:42 | |
A woman came out of the flat, and she was looking at my car. | 0:08:43 | 0:08:46 | |
She'd arrived a few minutes earlier, in a nurse's uniform. | 0:08:46 | 0:08:51 | |
Tim's downstairs neighbour, | 0:08:51 | 0:08:52 | |
who told us she mistook Nick's car for a minicab. | 0:08:52 | 0:08:55 | |
'I thought she might' | 0:08:56 | 0:08:57 | |
get suspicious, so I left. I drove home. | 0:08:57 | 0:09:02 | |
Your wife says different. | 0:09:02 | 0:09:03 | |
'She was at home, off sick from work.' | 0:09:03 | 0:09:07 | |
You didn't come rolling in till nine the following morning. | 0:09:07 | 0:09:09 | |
No! No! That was her! | 0:09:09 | 0:09:11 | |
She was the one that was out all night! | 0:09:11 | 0:09:12 | |
It's hard to know who to believe, Nick or Roz. | 0:09:13 | 0:09:17 | |
A traffic camera spotted Nick's car leaving the area at just after 11, | 0:09:17 | 0:09:21 | |
exactly as he's stated in his interview. | 0:09:21 | 0:09:23 | |
Maybe he's telling the truth - he went home. | 0:09:23 | 0:09:25 | |
Roz hired a minicab to avoid the traffic cameras. | 0:09:25 | 0:09:29 | |
According to Nick, she was still in the flat when he left. | 0:09:29 | 0:09:31 | |
Unfortunately no-one saw her leave. | 0:09:31 | 0:09:33 | |
But we know she was on foot. | 0:09:33 | 0:09:35 | |
That's a hell of a distance to walk all the way home. | 0:09:35 | 0:09:38 | |
Her car was at the minicab firm, that's much nearer. | 0:09:38 | 0:09:41 | |
I'll check it out. | 0:09:41 | 0:09:43 | |
Roz Huntley pitched up at the minicab firm as a walk-in. | 0:09:52 | 0:09:55 | |
No name given, no contact information | 0:09:55 | 0:09:58 | |
and the place doesn't have security cameras. | 0:09:58 | 0:10:01 | |
Yeah, well, she knew the one to pick, all right. | 0:10:01 | 0:10:03 | |
One of the drivers recalled a woman as being dark-skinned, | 0:10:03 | 0:10:06 | |
but that was all, | 0:10:06 | 0:10:07 | |
and no-one saw her return the next day for her car. | 0:10:07 | 0:10:10 | |
Sorry, sir. | 0:10:10 | 0:10:12 | |
That's it. We've lost her. The trail's gone cold. | 0:10:12 | 0:10:14 | |
No, it hasn't. | 0:10:18 | 0:10:19 | |
Tim Ifield died of severe blood loss. | 0:10:21 | 0:10:23 | |
There's no way anyone managed to kill him and clear up the | 0:10:23 | 0:10:26 | |
whole crime scene without getting bloodstains on their clothing. | 0:10:26 | 0:10:29 | |
A search of the crime scene uncovered spare hangers in Tim's wardrobe | 0:10:29 | 0:10:33 | |
that bore grey synthetic fibres probably from a tracksuit. | 0:10:33 | 0:10:36 | |
This item of clothing has never been found. | 0:10:36 | 0:10:39 | |
The killer took the tracksuit. | 0:10:39 | 0:10:42 | |
It'd be a perfect choice. | 0:10:42 | 0:10:43 | |
It's loose-fitting and it's also unisex. | 0:10:43 | 0:10:45 | |
I mean, it could've been worn by Roz just as easily by Nick. | 0:10:45 | 0:10:48 | |
Yeah, well, that's all very good, | 0:10:48 | 0:10:49 | |
but it doesn't really tell us what either of them were doing next. | 0:10:49 | 0:10:52 | |
Actually, it does, sir. | 0:10:52 | 0:10:54 | |
Tim's murderer couldn't risk being seen in a new outfit. | 0:10:54 | 0:10:57 | |
By wearing it, the tracksuit could've become contaminated | 0:10:57 | 0:10:59 | |
with his or her DNA, so he or she had to dispose of it. | 0:10:59 | 0:11:02 | |
Their next move had to be to return home | 0:11:02 | 0:11:04 | |
to pick up another change of clothes. | 0:11:04 | 0:11:06 | |
Roz Huntley knows inside out all the mistakes offenders make in | 0:11:06 | 0:11:09 | |
the hours following a crime. | 0:11:09 | 0:11:11 | |
And, as SIO, she was aware that nobody even knew Tim was dead yet. | 0:11:11 | 0:11:14 | |
And she knows when his body's found, those 24 hours around | 0:11:14 | 0:11:17 | |
the time of death are going to be the main focus of the efforts | 0:11:17 | 0:11:19 | |
to pick up the evidence trail. | 0:11:19 | 0:11:21 | |
If they'd have had the guts, | 0:11:21 | 0:11:22 | |
they'd have sat tight on that evidence before finally | 0:11:22 | 0:11:24 | |
disposing of it as far away as possible from their known haunts. | 0:11:24 | 0:11:28 | |
Right. Well, let's see what they were up to on the days following | 0:11:28 | 0:11:31 | |
-Tim Ifield's murder. -Listen up. | 0:11:31 | 0:11:33 | |
We're to conduct a citywide security camera survey for | 0:11:33 | 0:11:36 | |
the period beginning the 19th of March. | 0:11:36 | 0:11:39 | |
The suspects are Nicholas Huntley and DCI Roseanne Huntley. | 0:11:39 | 0:11:42 | |
ANPR survey targets their registered vehicles. | 0:11:42 | 0:11:45 | |
If either of them made a false move, we need to find it. Let's go. | 0:11:45 | 0:11:49 | |
On the medical side, | 0:11:49 | 0:11:50 | |
we'll make sure you get the best treatment, no matter what. | 0:11:50 | 0:11:53 | |
Thank you very much, sir. | 0:11:53 | 0:11:55 | |
Now, I wish they could be, particularly in the circumstances, | 0:11:55 | 0:11:58 | |
but certain things can't be ignored. | 0:11:58 | 0:12:00 | |
My husband. | 0:12:00 | 0:12:02 | |
I understand, sir. | 0:12:02 | 0:12:03 | |
Hence I've recused myself from leading the inquiry. | 0:12:04 | 0:12:08 | |
I wish it were enough. | 0:12:08 | 0:12:09 | |
There are unresolved allegations against you. | 0:12:11 | 0:12:15 | |
I'm sure I can persuade everyone to conclude proceedings quietly... | 0:12:15 | 0:12:19 | |
..if you intend to resign. | 0:12:21 | 0:12:23 | |
It's the only way you take back control, | 0:12:23 | 0:12:25 | |
and it's the only way to avoid further challenges to | 0:12:25 | 0:12:28 | |
the charging of Michael Farmer. | 0:12:28 | 0:12:29 | |
I've given everything to this job. Everything. | 0:12:29 | 0:12:33 | |
No. | 0:12:33 | 0:12:36 | |
I'm not bent, sir. | 0:12:36 | 0:12:38 | |
I'm a diligent, dedicated officer, a loyal officer. | 0:12:38 | 0:12:41 | |
-Of course you are. -Why aren't you backing me, sir? -I am. | 0:12:41 | 0:12:45 | |
But AC-12's findings extend further, to your husband's solicitor and you. | 0:12:45 | 0:12:50 | |
Jimmy Lakewell and me? How? | 0:12:53 | 0:12:55 | |
They claim between you you had prior knowledge of Michael Farmer's | 0:12:55 | 0:12:58 | |
criminal record. | 0:12:58 | 0:13:00 | |
It's going to be such an uphill struggle to fight. | 0:13:00 | 0:13:04 | |
Resign and it'll all be behind you. | 0:13:04 | 0:13:07 | |
'She blames me for' | 0:13:32 | 0:13:34 | |
the operation on her arm. | 0:13:34 | 0:13:35 | |
'The doctors tried to save it, but it was already dead. | 0:13:35 | 0:13:39 | |
'The infection had spread into her bloodstream.' | 0:13:39 | 0:13:42 | |
But she was the one that was trying to hide all of this. | 0:13:42 | 0:13:44 | |
'She was the one that was avoiding seeing our GP.' | 0:13:44 | 0:13:47 | |
Why was she trying to hide it? | 0:13:47 | 0:13:49 | |
She said that she'd grazed her hand on some brickwork. | 0:13:51 | 0:13:55 | |
'Now, I was doubting that, and so was the doctor, because...' | 0:13:55 | 0:13:58 | |
Because they found that it was infected with MRSA, | 0:13:58 | 0:14:00 | |
'which must have come from another person.' | 0:14:00 | 0:14:03 | |
What is it, sir? | 0:14:09 | 0:14:11 | |
Well, the hospital was forced to disclose the details of | 0:14:11 | 0:14:13 | |
Roz Huntley's medical condition and, er... | 0:14:13 | 0:14:15 | |
Apparently it started with a cut on her arm that then became infected. | 0:14:15 | 0:14:19 | |
But look at the date. | 0:14:19 | 0:14:20 | |
Nick Huntley says he first noticed his wife | 0:14:20 | 0:14:22 | |
was wearing a plaster on her arm... | 0:14:22 | 0:14:24 | |
..the day after Tim Ifield's murder. | 0:14:28 | 0:14:30 | |
It's not possible to examine the patient's amputated hand. | 0:14:32 | 0:14:36 | |
It was incinerated. Standard practice. | 0:14:36 | 0:14:39 | |
But the samples that the surgeons took, the infection swabs | 0:14:39 | 0:14:43 | |
and tissue biopsies and stuff, they'd still have those. | 0:14:43 | 0:14:47 | |
How specific can you get about the infection? | 0:14:47 | 0:14:50 | |
Well, erm... Caroline... | 0:14:50 | 0:14:52 | |
The laboratory can do whole genome sequencing of the bacteria. | 0:14:52 | 0:14:56 | |
I think it's about as specific as DNA profiling the person. | 0:14:56 | 0:14:59 | |
From the victim's body, | 0:14:59 | 0:15:01 | |
could the bacteria be matched to the bacteria that came from him? | 0:15:01 | 0:15:04 | |
-How old's the body? -He died seven weeks ago. | 0:15:04 | 0:15:08 | |
I'm no expert, but I imagine by now | 0:15:08 | 0:15:10 | |
he'll be like a garden overrun with weeds. Sorry. | 0:15:10 | 0:15:13 | |
I'll just get your medication. | 0:15:16 | 0:15:18 | |
Sorry. | 0:15:20 | 0:15:22 | |
Can you just explain how MRSA from one person can get into | 0:15:22 | 0:15:25 | |
the wound of another person? | 0:15:25 | 0:15:27 | |
MRSA is a commensal organism - it lives naturally | 0:15:27 | 0:15:31 | |
and harmlessly on the carrier, usually inside the nose. | 0:15:31 | 0:15:34 | |
You can imagine how easily the bacteria can transfer to | 0:15:34 | 0:15:38 | |
the carrier's own hands and then infect a wound or... | 0:15:38 | 0:15:40 | |
-Sorry. It lives in the carrier's nose? -Yeah. | 0:15:40 | 0:15:42 | |
OK. You've been a great help. Thank you. | 0:15:43 | 0:15:46 | |
PHONE RINGS | 0:15:50 | 0:15:52 | |
-Yeah. -'Hi, sir, it's Kate.' | 0:15:52 | 0:15:55 | |
Weren't there fibres removed at postmortem from Tim Ifield's nose? | 0:15:55 | 0:15:58 | |
They were believed to be from a balaclava | 0:15:58 | 0:16:00 | |
-he wore shortly before his death. -'Yes, that's right.' | 0:16:00 | 0:16:02 | |
Right, well, the fibres were sampled just a few days after his death. | 0:16:02 | 0:16:05 | |
There is a chance it's still infected with the MRSA bacteria | 0:16:05 | 0:16:08 | |
'if Tim was a carrier.' | 0:16:08 | 0:16:10 | |
Right, OK, leave that with me, I'll get on to the labs. | 0:16:10 | 0:16:13 | |
I'll make it a matter of priority. | 0:16:13 | 0:16:15 | |
Thanks so much for this, Jodie. | 0:16:22 | 0:16:25 | |
I'm happy to help, ma'am. | 0:16:25 | 0:16:26 | |
-You said you found something? -Oh, yes, ma'am. | 0:16:27 | 0:16:30 | |
I, erm... | 0:16:30 | 0:16:31 | |
I ran a database check, | 0:16:31 | 0:16:33 | |
to see why AC-12 might question a link between you and Mr Lakewell. | 0:16:33 | 0:16:37 | |
Nothing turned up regarding a professional connection, | 0:16:37 | 0:16:40 | |
as you've said, you only know him socially, through your husband. | 0:16:40 | 0:16:43 | |
So I ran Mr Lakewell's name as a cross-check | 0:16:43 | 0:16:47 | |
with other case keywords. | 0:16:47 | 0:16:50 | |
Lakewell was Michael Farmer's solicitor | 0:16:50 | 0:16:53 | |
when Farmer was convicted of rape as a 16-year-old. | 0:16:53 | 0:16:57 | |
What? What does that mean exactly? | 0:16:59 | 0:17:02 | |
I'm not sure, Jodie. | 0:17:08 | 0:17:09 | |
I need you to do one more thing for me. | 0:17:12 | 0:17:14 | |
Yeah, sure, no problem. | 0:17:14 | 0:17:17 | |
I need you to carry out some telecoms inquiries. | 0:17:17 | 0:17:19 | |
Will you do that for me, please? | 0:17:19 | 0:17:22 | |
Yeah. | 0:17:22 | 0:17:23 | |
How are you getting on, son? | 0:17:23 | 0:17:25 | |
Both Roz and Nick Huntley's cars have shown up all over town, | 0:17:25 | 0:17:28 | |
but both their movements check out only with their known haunts - | 0:17:28 | 0:17:32 | |
home, work. | 0:17:32 | 0:17:34 | |
I reckon Roz knows the locations of the ANPR cameras. | 0:17:34 | 0:17:36 | |
Yeah. And avoided them all, the wee witch. | 0:17:36 | 0:17:40 | |
We're now going through all the CCTV and traffic cameras ourselves. | 0:17:40 | 0:17:44 | |
God. A bit of a tall order given the time we've got. | 0:17:44 | 0:17:46 | |
PHONE VIBRATES | 0:17:51 | 0:17:54 | |
Jodie. | 0:17:58 | 0:17:59 | |
They're still after you, ma'am. | 0:18:00 | 0:18:02 | |
'I thought you should know that AC-12...' | 0:18:02 | 0:18:04 | |
have just requested access to Tim's flat. | 0:18:04 | 0:18:08 | |
Thank you, Jodie. | 0:18:10 | 0:18:11 | |
Right... | 0:18:13 | 0:18:14 | |
This is where Tim's body was found. | 0:18:14 | 0:18:16 | |
There was that one interesting piece of forensics the, er... | 0:18:17 | 0:18:21 | |
Here. The isolated blood spatter. | 0:18:21 | 0:18:24 | |
Someone went to a lot of trouble to make that appear it was Tim's blood. | 0:18:25 | 0:18:29 | |
I mean, why not just wipe it up like the rest? | 0:18:29 | 0:18:31 | |
Yeah, it's a tiny speck of blood. | 0:18:31 | 0:18:32 | |
I mean, on the night of the murder, the killer, | 0:18:32 | 0:18:34 | |
he mops up all these pools of blood, but mind you, this is easily missed. | 0:18:34 | 0:18:37 | |
Yeah, then maybe Huntley spotted it when she returned to the crime scene | 0:18:37 | 0:18:40 | |
a few days later to investigate the murder. | 0:18:40 | 0:18:42 | |
When she saw it, she got scared that it could have been | 0:18:42 | 0:18:45 | |
-her husband's blood, or hers. -I was here on the day. | 0:18:45 | 0:18:47 | |
The place was crawling with FIs and coppers. | 0:18:47 | 0:18:51 | |
And the only way she could have tampered with this particular evidence | 0:18:51 | 0:18:55 | |
-is when it got back to the station. -Yeah. | 0:18:55 | 0:18:58 | |
And she needed access to the evidence that she'd disposed of | 0:18:58 | 0:19:01 | |
because that is the only source of Tim's blood. | 0:19:01 | 0:19:03 | |
-Yeah, Steve. -'Sir.' | 0:19:03 | 0:19:05 | |
Roz Huntley's movements. | 0:19:05 | 0:19:06 | |
-Concentrate on the day you found Tim Ifield's body. -The 23rd. | 0:19:06 | 0:19:09 | |
'Yeah, the 23rd straight through to the early hours of the morning' | 0:19:09 | 0:19:12 | |
of the 24th, that's the window, | 0:19:12 | 0:19:14 | |
that's when she had to play her hand. | 0:19:14 | 0:19:16 | |
The 23rd of March, 15.00 onwards, | 0:19:17 | 0:19:19 | |
through to the early hours of the 24th. | 0:19:19 | 0:19:22 | |
Roz Huntley's car, Tim Ifield's flat. Find it. | 0:19:22 | 0:19:24 | |
Come in. | 0:19:37 | 0:19:39 | |
Thank you for coming to me. | 0:19:41 | 0:19:44 | |
There are restrictions on you visiting Polk Avenue | 0:19:44 | 0:19:46 | |
while inquiries are ongoing. | 0:19:46 | 0:19:49 | |
I hope you're not too uncomfortable here, ma'am. | 0:19:49 | 0:19:52 | |
The searches are nearly done, so you should be able to go home soon. | 0:19:52 | 0:19:56 | |
You told me to contact you if I remembered anything unusual | 0:19:56 | 0:19:59 | |
-about my husband's behaviour the night of Tim's murder. -Yes. | 0:19:59 | 0:20:02 | |
The following morning he was unloading the washing machine. | 0:20:06 | 0:20:10 | |
But there was only one item that I could make out. | 0:20:12 | 0:20:15 | |
A navy jumper. | 0:20:18 | 0:20:20 | |
We've seized all your husband's clothing from your address, | 0:20:21 | 0:20:24 | |
so we'll see if we can track down this navy jumper. | 0:20:24 | 0:20:27 | |
Thank you. That's all. | 0:20:29 | 0:20:32 | |
Thanks, ma'am. | 0:20:32 | 0:20:33 | |
Steve, you're going to want to hear this - | 0:20:37 | 0:20:39 | |
we've got the results from the lab. | 0:20:39 | 0:20:41 | |
Examination of the wool fibres detected postmortem in | 0:20:43 | 0:20:46 | |
Tim Ifield's nose found they were overgrown with MRSA. | 0:20:46 | 0:20:49 | |
Whole genome sequencing proves the organism is indistinguishable from | 0:20:49 | 0:20:52 | |
the strain of MRSA swabbed from Roz Huntley's infected wound. | 0:20:52 | 0:20:56 | |
Sorry, but this only provides evidence that Roz Huntley | 0:20:56 | 0:20:58 | |
was involved in a struggle with Tim on some occasion before he died. | 0:20:58 | 0:21:01 | |
What if Nick Huntley walked in on their struggle? | 0:21:01 | 0:21:03 | |
I mean, he could still be the killer. | 0:21:03 | 0:21:05 | |
-We're closer, but we're not there yet. -Yeah. | 0:21:05 | 0:21:07 | |
PHONE RINGS | 0:21:07 | 0:21:08 | |
Hello. | 0:21:08 | 0:21:10 | |
Yes, superintendent, yes, yes. | 0:21:10 | 0:21:11 | |
Yes, thank you. Thank you. | 0:21:13 | 0:21:15 | |
What is it, sir? | 0:21:17 | 0:21:18 | |
Murder Squad have just sent a piece of Nick Huntley's clothing in | 0:21:18 | 0:21:22 | |
for urgent forensic analysis. | 0:21:22 | 0:21:24 | |
They've got another 12 hours to hold him. | 0:21:24 | 0:21:26 | |
This is it, guys, make or break. | 0:21:26 | 0:21:28 | |
Sir. | 0:21:28 | 0:21:29 | |
They don't need to be able to fully prove you're guilty, that's for trial. | 0:21:29 | 0:21:32 | |
They just need to cross a threshold of credible evidence, | 0:21:32 | 0:21:35 | |
and in their eyes Roz is a credible witness. | 0:21:35 | 0:21:37 | |
They're all on her side, the lot of them. | 0:21:37 | 0:21:39 | |
I got them to bring in an independent team, Nick. | 0:21:39 | 0:21:42 | |
There were anti-corruption officers, | 0:21:42 | 0:21:44 | |
-Roz was scared of them, they kept coming after her. -What, AC-12? -Yeah. | 0:21:44 | 0:21:49 | |
Get them involved, please, Jimmy, just get them on the case. | 0:21:49 | 0:21:51 | |
OK. | 0:21:51 | 0:21:53 | |
-I'm going to lose everything. I'm going to lose everything, my kids... -Nick. Nick! I'll do my best. | 0:21:53 | 0:21:57 | |
Sorry. | 0:21:58 | 0:22:00 | |
Re impartiality, I could speak to my Chief Super if you think | 0:22:13 | 0:22:17 | |
there's anything else we could be doing? | 0:22:17 | 0:22:19 | |
No. We're all good. Thank you. | 0:22:19 | 0:22:21 | |
Great. | 0:22:21 | 0:22:23 | |
KNOCK ON DOOR | 0:22:32 | 0:22:33 | |
Yeah. | 0:22:33 | 0:22:35 | |
Sir? | 0:22:35 | 0:22:36 | |
Switch the light on there. Yeah, I lost track of time there. | 0:22:38 | 0:22:41 | |
What is it? | 0:22:41 | 0:22:42 | |
-We've got something else, sir. -Oh, right. | 0:22:42 | 0:22:44 | |
Sir. | 0:22:49 | 0:22:51 | |
Roz Huntley's car on the afternoon of the 23rd of March. | 0:22:52 | 0:22:55 | |
And this is after she'd left the crime scene | 0:22:55 | 0:22:57 | |
when Tim Ifield's body was first discovered. | 0:22:57 | 0:22:59 | |
And she's heading in the direction of home. | 0:22:59 | 0:23:01 | |
That's Roz Huntley at Polk Avenue. | 0:23:04 | 0:23:06 | |
And for some reason she's decided to come in to the station late that night. | 0:23:06 | 0:23:09 | |
Sir, you remember we impounded Roz Huntley's phone to look for | 0:23:09 | 0:23:12 | |
GPS data the night of Tim Ifield's murder? | 0:23:12 | 0:23:14 | |
Well, she switched off her phone at a crucial period, | 0:23:14 | 0:23:16 | |
so we couldn't place her at Tim's flat. | 0:23:16 | 0:23:18 | |
Now, fortunately we got access to the phone after the 24th, | 0:23:18 | 0:23:21 | |
so the movements we've just seen here are stored on the phone. | 0:23:21 | 0:23:25 | |
And? | 0:23:25 | 0:23:26 | |
And GPS data confirms that she went home after leaving Tim's flat. | 0:23:26 | 0:23:29 | |
It also confirms that she travelled from home to Polk Avenue | 0:23:29 | 0:23:32 | |
as seen here. | 0:23:32 | 0:23:34 | |
However, Huntley switched off her phone at 01.00 on | 0:23:34 | 0:23:38 | |
the 24th to 04.00 when she set off from home to Polk Avenue. | 0:23:38 | 0:23:42 | |
And that's the exact same precaution she took to cover her tracks | 0:23:42 | 0:23:45 | |
-when she went to Tim's flat on the night of the murder. -Right. | 0:23:45 | 0:23:48 | |
A body's been found, you're the SIO, | 0:23:48 | 0:23:50 | |
you wouldn't switch off your phone, not in a million years. | 0:23:50 | 0:23:52 | |
She was definitely up to something. | 0:23:52 | 0:23:54 | |
Yeah. And whatever it was was between 01.00 and 04.00. | 0:23:54 | 0:23:57 | |
Sir, we've got a window of only three hours to look at. | 0:23:57 | 0:24:00 | |
I mean, there's a chance we'll spot where she went to in that time. | 0:24:00 | 0:24:02 | |
Good work. All right, everybody. Listen up. | 0:24:02 | 0:24:05 | |
We've got a new window between 01.00 and 04.00 hours on the 24th. | 0:24:05 | 0:24:10 | |
We're looking for any sightings of DCI Huntley's vehicle. | 0:24:10 | 0:24:12 | |
What she did, where she went. | 0:24:12 | 0:24:14 | |
This is the final push. Come on. We cannot fail. | 0:24:14 | 0:24:17 | |
For the DIR, DC Antonioni is showing | 0:24:20 | 0:24:23 | |
the interviewee item reference TRH-7. | 0:24:23 | 0:24:26 | |
TRH-7 is a man's navy blue jumper. | 0:24:26 | 0:24:28 | |
Whose clothing is this, Mr Huntley? | 0:24:31 | 0:24:33 | |
It could be mine, I don't know, it could be someone else's. | 0:24:39 | 0:24:42 | |
'Sweat deposits and skin cells detected on the collar match your DNA.' | 0:24:42 | 0:24:46 | |
Like I said, it could be... | 0:24:48 | 0:24:51 | |
It could be mine... | 0:24:52 | 0:24:54 | |
I'm going to read from a report | 0:24:54 | 0:24:56 | |
just received from our forensic scientist. | 0:24:56 | 0:24:58 | |
"In addition, human hair bearing follicular cells | 0:24:59 | 0:25:02 | |
"was detected on TRH-7. | 0:25:02 | 0:25:04 | |
"DNA matched a control sample relating to Timothy Ifield..." | 0:25:04 | 0:25:07 | |
No! No! | 0:25:07 | 0:25:08 | |
"..with greater than 99.9% probability." | 0:25:08 | 0:25:11 | |
I never met Timothy Ifield! I've never been anywhere near him! | 0:25:11 | 0:25:15 | |
So you're admitting it's your clothing? | 0:25:15 | 0:25:17 | |
I'd like some time in private to confer with my client. | 0:25:19 | 0:25:23 | |
21.25, stopping the tape. | 0:25:23 | 0:25:26 | |
What is it? | 0:25:32 | 0:25:34 | |
We've found Roz Huntley's car in the early hours of the 24th. | 0:25:34 | 0:25:38 | |
2.45am. She's coming off the A38 heading north on the A51. | 0:25:38 | 0:25:43 | |
Out towards the Chase. | 0:25:43 | 0:25:45 | |
No cameras out there. | 0:25:45 | 0:25:47 | |
No cameras, and a huge radius for the search area. | 0:25:47 | 0:25:52 | |
It's an impossibly large area, sir. | 0:25:52 | 0:25:54 | |
If she disposed of evidence, we can't prove it. | 0:25:54 | 0:25:56 | |
And without that evidence, we don't know if Roz really was the killer. | 0:25:56 | 0:26:00 | |
-Sorry, sir. -Don't be daft. | 0:26:03 | 0:26:05 | |
I'm proud of both of you. | 0:26:07 | 0:26:09 | |
Thank you. Thank you, everybody. | 0:26:11 | 0:26:13 | |
Right, everyone. Time to go home. | 0:26:20 | 0:26:22 | |
PHONE RINGS | 0:26:36 | 0:26:39 | |
Jodie? | 0:26:45 | 0:26:47 | |
I'm afraid so, ma'am. | 0:26:47 | 0:26:50 | |
The CPS agreed that the threshold test had been met. | 0:26:50 | 0:26:53 | |
Your husband's been charged with Tim Ifield's murder | 0:26:54 | 0:26:57 | |
and he's going to be remanded. | 0:26:57 | 0:26:59 | |
And they're also looking at him in connection with | 0:26:59 | 0:27:01 | |
Leonie Collersdale's disappearance and Hana Reznikova's abduction. | 0:27:01 | 0:27:04 | |
'You still there, ma'am?' | 0:27:08 | 0:27:09 | |
Thank you, Jodie. | 0:27:12 | 0:27:14 | |
I have to be strong, for my children. | 0:27:17 | 0:27:19 | |
Gate, please. | 0:27:55 | 0:27:57 | |
-Kate. -Yeah? Sorry. | 0:28:05 | 0:28:08 | |
Roz Huntley ventured miles from home, | 0:28:08 | 0:28:10 | |
but we know she still made it back by four am. | 0:28:10 | 0:28:13 | |
That's massive travel time. | 0:28:14 | 0:28:16 | |
She only gave herself a few minutes to actually dispose of the evidence. | 0:28:16 | 0:28:19 | |
-And it's three am. It's pitch dark. -Yeah, she's not going to risk | 0:28:19 | 0:28:23 | |
dumping it somewhere random only for | 0:28:23 | 0:28:25 | |
-the evidence to be an easy find in broad daylight. -Exactly. | 0:28:25 | 0:28:28 | |
The only reason she'd risk travelling so far | 0:28:28 | 0:28:31 | |
is if she knows precisely where she's going. | 0:28:31 | 0:28:33 | |
I doubt she's ever dumped evidence before. | 0:28:33 | 0:28:36 | |
But she's searched for it. | 0:28:36 | 0:28:38 | |
We're looking for a search Roz Huntley's team carried out where | 0:28:41 | 0:28:43 | |
the evidence was so well-hidden it took a very long time to find. | 0:28:43 | 0:28:46 | |
But concentrate in and around the Chase, within a 20-mile radius | 0:28:46 | 0:28:50 | |
of Roz Huntley's last known position at 03.00 on the 24th. | 0:28:50 | 0:28:53 | |
Find Huntley's destination. | 0:28:53 | 0:28:55 | |
So the searches are all complete. | 0:29:01 | 0:29:02 | |
You can have your own rooms again, that's better, isn't it? | 0:29:02 | 0:29:05 | |
Right, that's yours. | 0:29:08 | 0:29:10 | |
I'll make us a nice breakfast, yeah? | 0:29:12 | 0:29:15 | |
They still love their dad. | 0:29:28 | 0:29:30 | |
Ma'am... | 0:29:33 | 0:29:34 | |
..I found the information you were requesting. | 0:29:35 | 0:29:37 | |
The telecoms activity around the time of the attack on DS Arnott. | 0:29:37 | 0:29:41 | |
I doubt it matters any more. | 0:29:44 | 0:29:45 | |
Is there anything else I can do? | 0:29:48 | 0:29:50 | |
Thanks, Jodie | 0:29:52 | 0:29:53 | |
Two years ago, Roz Huntley's team investigated a domestic murder. | 0:29:59 | 0:30:02 | |
The boyfriend always denied involvement and it was looking like | 0:30:02 | 0:30:05 | |
he was going to get away with it due to lack of evidence, | 0:30:05 | 0:30:07 | |
until his bloodstained clothing was found in this area. | 0:30:07 | 0:30:10 | |
All PolSA searches had failed. | 0:30:10 | 0:30:11 | |
It was a chance finding by a member of the public. | 0:30:11 | 0:30:14 | |
The murderer confessed to dumping the evidence in this area. | 0:30:14 | 0:30:16 | |
Right. OK, everybody, we're going to start from here and fan out! OK? | 0:30:16 | 0:30:21 | |
Sir. Diane, you're with me up top. | 0:30:21 | 0:30:23 | |
Oh, right. | 0:30:28 | 0:30:29 | |
Leave this to me. You keep at it. Go on. | 0:30:31 | 0:30:34 | |
I have to remind you, sir, you've been served a Regulation 15 notice. | 0:30:42 | 0:30:45 | |
I was aware of that. We're following a legitimate lead. | 0:30:45 | 0:30:49 | |
Sir, if I've been insubordinate, I've acted alone. | 0:30:54 | 0:30:58 | |
My officers are simply following orders. | 0:30:58 | 0:31:01 | |
Round up your team and leave this to Murder Squad. | 0:31:01 | 0:31:03 | |
Sir! | 0:31:06 | 0:31:08 | |
There's a patch of ground, it looks like it's recently been dug up. | 0:31:08 | 0:31:11 | |
-Put a cordon around it. -Establish an inner cordon. | 0:31:11 | 0:31:13 | |
-Carry on. -Sir. | 0:31:16 | 0:31:18 | |
I'll see you at the hearing. | 0:31:23 | 0:31:25 | |
Don't expect it to go well...H. | 0:31:27 | 0:31:30 | |
KNOCK ON DOOR | 0:31:57 | 0:31:59 | |
Roseanne Huntley, you're under arrest. | 0:32:17 | 0:32:19 | |
You do not have to say anything, but it may harm your defence | 0:32:19 | 0:32:21 | |
-if you do not mention... -Stop. | 0:32:21 | 0:32:23 | |
Anything I say, I say to AC-12. | 0:32:24 | 0:32:27 | |
Are you expecting someone else? | 0:32:37 | 0:32:39 | |
Erm... | 0:32:39 | 0:32:40 | |
DC Jodie Taylor. I asked her to call you. | 0:32:40 | 0:32:44 | |
I was worried that if you knew it was me, | 0:32:44 | 0:32:46 | |
you would have turned me down. | 0:32:46 | 0:32:48 | |
I'm under arrest. | 0:32:50 | 0:32:51 | |
Oh, my God! | 0:32:54 | 0:32:55 | |
I want you to represent me. | 0:32:57 | 0:32:59 | |
I would have turned you down, Roz. | 0:33:02 | 0:33:05 | |
There's a clear conflict of interest with Nick. | 0:33:05 | 0:33:07 | |
Please, Jimmy... | 0:33:07 | 0:33:08 | |
..just for a few hours. | 0:33:10 | 0:33:11 | |
You're the only person I trust right now. | 0:33:13 | 0:33:15 | |
'We'll be referring to evidence uncovered on the Queen's Chase woodland, | 0:33:21 | 0:33:25 | |
'in a remote area excavated in conjunction with Murder Squad.' | 0:33:25 | 0:33:28 | |
Item reference YLM-1. | 0:33:30 | 0:33:32 | |
YLM-1 is a rucksack found buried in a shallow pit. | 0:33:32 | 0:33:36 | |
Skin cells detected on the zip fasteners of YLM-1 | 0:33:36 | 0:33:39 | |
and follicular hair cells found in the front compartment | 0:33:39 | 0:33:42 | |
both match control samples relating to Timothy Ifield. | 0:33:42 | 0:33:46 | |
We believe YLM-1 belonged to Timothy Ifield. | 0:33:46 | 0:33:49 | |
Image 25 shows item reference YLM-5 to YLM-8, items of | 0:33:49 | 0:33:54 | |
bloodstained female clothing found in a rucksack buried on the Chase. | 0:33:54 | 0:33:58 | |
The bloodstains match control samples relating to Timothy Ifield. | 0:33:58 | 0:34:02 | |
The quantity of blood deposited indicates these items of clothing | 0:34:02 | 0:34:05 | |
were in close contact with Timothy Ifield as he bled to death. | 0:34:05 | 0:34:08 | |
These items of clothing bear DNA deposits matching an individual | 0:34:08 | 0:34:12 | |
whose DNA profile is held on the police database. | 0:34:12 | 0:34:15 | |
Do you have anything to say at this point, DCI Huntley? | 0:34:16 | 0:34:21 | |
LAKEWELL WHISPERS | 0:34:21 | 0:34:23 | |
No comment. | 0:34:23 | 0:34:24 | |
-DS ARNOTT: -Image 32. Image 32 shows item reference YLM-9. | 0:34:24 | 0:34:29 | |
YLM-9 and 10, a grey tracksuit composed of fibres matching those | 0:34:29 | 0:34:33 | |
detected on a hanger found at Tim Ifield's flat. | 0:34:33 | 0:34:36 | |
It also bears traces of DNA matching the same individual as | 0:34:36 | 0:34:39 | |
the set of bloodstained clothing. | 0:34:39 | 0:34:42 | |
And this grey tracksuit was stolen by the killer at the scene of | 0:34:42 | 0:34:45 | |
the crime and then worn to dump the bloodstained clothing | 0:34:45 | 0:34:49 | |
that would have connected him... | 0:34:49 | 0:34:51 | |
or her to the murder. | 0:34:51 | 0:34:55 | |
On screen, image 19, showing item reference MRT-6. | 0:34:55 | 0:35:00 | |
MRT-6 is a forensic oversuit. | 0:35:00 | 0:35:03 | |
Blood deposited on MRT-6 matches control samples relating to | 0:35:03 | 0:35:07 | |
Timothy Ifield. | 0:35:07 | 0:35:08 | |
Only one other person's DNA was detected on this item. | 0:35:08 | 0:35:12 | |
MRT-3, a balaclava, MRT-4, a jacket, MRT-5, gloves - | 0:35:12 | 0:35:20 | |
all these items bear traces of Timothy Ifield's DNA. | 0:35:20 | 0:35:23 | |
It would appear Ifield was also equipping himself to simulate | 0:35:23 | 0:35:26 | |
the appearance of Balaclava Man. | 0:35:26 | 0:35:28 | |
Or Occam's Razor - he was Balaclava Man. | 0:35:28 | 0:35:31 | |
Image 51 and 52, items BTW-1 and BTW-2, | 0:35:31 | 0:35:36 | |
a mobile phone and a laptop computer. | 0:35:36 | 0:35:39 | |
Both match models registered to Timothy Ifield. | 0:35:39 | 0:35:42 | |
Both severely corroded by acid, | 0:35:42 | 0:35:44 | |
rendering their hard drives unreadable. | 0:35:44 | 0:35:46 | |
Skin cells matching to Timothy Ifield were detected on | 0:35:46 | 0:35:49 | |
the phone's touch ID sensor. | 0:35:49 | 0:35:51 | |
Some of these cells show a chemical profile suggesting | 0:35:51 | 0:35:54 | |
they'd been deposited after his death. | 0:35:54 | 0:35:56 | |
It seems the murderer used the amputated fingers to work the phone. | 0:35:56 | 0:36:01 | |
Image 88. RN-1. | 0:36:01 | 0:36:04 | |
RN-1 was recovered from the cache of evidence | 0:36:04 | 0:36:06 | |
found buried on Queen's Chase. | 0:36:06 | 0:36:08 | |
RN-1 is a power saw. | 0:36:08 | 0:36:10 | |
Deposits of Timothy Ifield's blood were detected on the blade. | 0:36:10 | 0:36:14 | |
So the killer did not go armed to Tim's flat. | 0:36:14 | 0:36:16 | |
That saw was already there, | 0:36:17 | 0:36:19 | |
and we know that because Tim had bought some power tools | 0:36:19 | 0:36:22 | |
at a DIY store. | 0:36:22 | 0:36:24 | |
Image 93. CED-2. | 0:36:24 | 0:36:26 | |
CED-2 are the amputated fingertips of the second, | 0:36:26 | 0:36:29 | |
third and fourth digits of the right hand. | 0:36:29 | 0:36:32 | |
They're a DNA match to Timothy Ifield. | 0:36:32 | 0:36:34 | |
The saw blade bears cells matching these fingers. | 0:36:34 | 0:36:38 | |
It was used to amputate the fingers | 0:36:38 | 0:36:40 | |
shortly after Tim Ifield's death. | 0:36:40 | 0:36:43 | |
Biological material detected under the nails of the amputated fingers | 0:36:43 | 0:36:46 | |
matches the DNA of the same person whose DNA was found on | 0:36:46 | 0:36:50 | |
the bloodstained female clothing. | 0:36:50 | 0:36:52 | |
Tim was dying. | 0:36:53 | 0:36:55 | |
His last act was to claw at the murderer's hand | 0:36:55 | 0:36:58 | |
to capture their DNA under his fingernails. | 0:36:58 | 0:37:01 | |
So not only do we have the murderer's DNA... | 0:37:01 | 0:37:05 | |
..but we have the exact strain of bacteria detected on Tim | 0:37:06 | 0:37:10 | |
that was grown from the wound that he inflicted on his killer. | 0:37:10 | 0:37:15 | |
Now, do you have anything to say now, DCI Huntley? | 0:37:15 | 0:37:20 | |
At this point, I have to declare a conflict of interest. | 0:37:22 | 0:37:25 | |
As Mrs Huntley is likely to state she was present, | 0:37:25 | 0:37:27 | |
possibly unwillingly, and that the actual murder was committed | 0:37:27 | 0:37:31 | |
by my client, Nicholas Huntley, | 0:37:31 | 0:37:33 | |
in which case Mrs Huntley requires alternative legal representation. | 0:37:33 | 0:37:37 | |
I'm afraid you'll have to pause the interview there. | 0:37:37 | 0:37:40 | |
I confess to accidently killing Timothy Ifield. | 0:37:52 | 0:37:54 | |
Roz... | 0:37:59 | 0:38:00 | |
'you don't have to say anything.' | 0:38:00 | 0:38:02 | |
'His blood's all over my clothes.' | 0:38:02 | 0:38:05 | |
My DNA in his fingernails. | 0:38:06 | 0:38:08 | |
Our children will need a parent. | 0:38:11 | 0:38:13 | |
I acted alone. | 0:38:15 | 0:38:16 | |
My husband took no part. | 0:38:18 | 0:38:20 | |
My witness testimony was false | 0:38:20 | 0:38:23 | |
'and I withdraw it.' | 0:38:23 | 0:38:25 | |
Tim's DNA found on my husband's clothes was planted by me | 0:38:26 | 0:38:30 | |
a few minutes after my husband's arrest using a hair brush | 0:38:30 | 0:38:33 | |
that I stole from Tim Ifield's flat the morning after his death. | 0:38:33 | 0:38:38 | |
All proceedings against Nick Huntley should be stopped. | 0:38:39 | 0:38:42 | |
So Tim Ifield blew the whistle on you, | 0:38:47 | 0:38:50 | |
but you concealed your movements that night. | 0:38:50 | 0:38:53 | |
Was it your pre-meditated intention to harm Timothy Ifield? | 0:38:55 | 0:39:00 | |
I went to Tim's flat to challenge him, that's all. | 0:39:00 | 0:39:03 | |
I covered my tracks purely in case | 0:39:03 | 0:39:05 | |
he decided to raise an official complaint. | 0:39:05 | 0:39:08 | |
Things became heated. | 0:39:10 | 0:39:12 | |
There was a struggle. | 0:39:12 | 0:39:14 | |
I hit my head. Blacked out. | 0:39:14 | 0:39:16 | |
And when I came round, he was in his forensic oversuit. | 0:39:16 | 0:39:20 | |
I was laid out on plastic sheeting... | 0:39:21 | 0:39:23 | |
..and he had tools to dismember my body. | 0:39:26 | 0:39:28 | |
Are you telling me that one of our most experienced FIs | 0:39:30 | 0:39:34 | |
didn't know that you weren't dead? | 0:39:34 | 0:39:37 | |
He must have tried to find a pulse and, when he failed, | 0:39:37 | 0:39:40 | |
he jumped to the conclusion that it wasn't there. | 0:39:40 | 0:39:43 | |
And when I came round, he panicked, and when I tried to fight back, | 0:39:46 | 0:39:50 | |
he panicked even more. | 0:39:50 | 0:39:52 | |
He knew I'd be able to accuse him of attempted murder. | 0:39:52 | 0:39:56 | |
And we struggled over the saw. | 0:40:00 | 0:40:02 | |
It was an accident. | 0:40:05 | 0:40:06 | |
I was trying to wrestle it free... | 0:40:08 | 0:40:10 | |
..when it nicked his neck. | 0:40:14 | 0:40:16 | |
It was like slow-motion. | 0:40:18 | 0:40:20 | |
That first trickle of blood and then a surge. | 0:40:23 | 0:40:27 | |
He bled out all over himself, all over me. | 0:40:27 | 0:40:30 | |
He clawed at my hand and then he was dead. | 0:40:32 | 0:40:34 | |
As a police officer, it was your lawful duty to report that death. | 0:40:36 | 0:40:40 | |
I honestly did think about calling it in and telling the truth. | 0:40:41 | 0:40:45 | |
But I know the law. | 0:40:45 | 0:40:47 | |
How hard it is to prove self-defence. | 0:40:47 | 0:40:50 | |
I've seen a thousand crime scenes and no-one, | 0:40:50 | 0:40:52 | |
no-one leaves that with their life intact. | 0:40:52 | 0:40:55 | |
Tim was gone. | 0:40:57 | 0:40:58 | |
I couldn't save his life, but I could try to save mine. | 0:41:00 | 0:41:03 | |
So you cleaned up the crime scene? | 0:41:04 | 0:41:06 | |
Yes. | 0:41:07 | 0:41:08 | |
But you were disturbed the next morning by Hana Reznikova? | 0:41:08 | 0:41:11 | |
I saw her on Tim's computer. | 0:41:13 | 0:41:15 | |
He had that stupid surveillance system of his. | 0:41:15 | 0:41:18 | |
How could you access the computer? | 0:41:18 | 0:41:20 | |
It was just an automatic feed. The image, it came up. | 0:41:20 | 0:41:23 | |
So you used his finger to activate the fingerprint ID on his phone? | 0:41:24 | 0:41:28 | |
One of the amputated fingers. | 0:41:28 | 0:41:30 | |
That enabled me to text Hana. | 0:41:31 | 0:41:34 | |
Tell her to go away. | 0:41:35 | 0:41:37 | |
I found a notes file on his phone, with passwords, and that meant | 0:41:37 | 0:41:42 | |
that I could use those to take control of his phone and computer. | 0:41:42 | 0:41:46 | |
You waited before disposing of the evidence? | 0:41:46 | 0:41:49 | |
Rash actions in the first few hours are the downfall of most offenders. | 0:41:50 | 0:41:54 | |
I thought I could think of everything. | 0:41:55 | 0:41:57 | |
What you did think of was blaming everybody else, but yourself, | 0:41:57 | 0:42:01 | |
including your own husband. | 0:42:01 | 0:42:02 | |
You've tried to frame Michael Farmer, | 0:42:02 | 0:42:05 | |
an innocent, vulnerable suspect, not to mention Hana Reznikova. | 0:42:05 | 0:42:10 | |
And you've cast unwarranted aspersions on | 0:42:10 | 0:42:12 | |
the integrity of AC-12, and myself. | 0:42:12 | 0:42:16 | |
Justice could not have been further from your thoughts. | 0:42:16 | 0:42:19 | |
Well, here's justice... | 0:42:19 | 0:42:20 | |
Roseanne Huntley... | 0:42:21 | 0:42:23 | |
..I shall now be seeking the authority of the Crown Prosecutor | 0:42:24 | 0:42:27 | |
to charge you with these offences - | 0:42:27 | 0:42:29 | |
the murder of Timothy Ifield | 0:42:29 | 0:42:31 | |
and perverting the course of justice. Do you understand? | 0:42:31 | 0:42:33 | |
Yes, sir, I do. | 0:42:34 | 0:42:37 | |
At this point, I'd like to stress that on the night of | 0:42:37 | 0:42:39 | |
Timothy Ifield's death, Mrs Huntley was in a state of shock | 0:42:39 | 0:42:43 | |
and fear and experienced a momentary loss of control. | 0:42:43 | 0:42:47 | |
I'll be recommending a plea of manslaughter based on those grounds. | 0:42:47 | 0:42:50 | |
-Trust me, Roz. -I do... | 0:42:52 | 0:42:55 | |
and so did Nick. | 0:42:55 | 0:42:57 | |
In fact, when DS Arnott informed Nick that | 0:43:00 | 0:43:02 | |
he was going to interview him in connection with Tim's death, | 0:43:02 | 0:43:06 | |
who was the first person that Nick called? | 0:43:06 | 0:43:08 | |
Not me. | 0:43:10 | 0:43:12 | |
Am I still a police officer? | 0:43:14 | 0:43:16 | |
Yes, for the moment. | 0:43:18 | 0:43:20 | |
Thank you, sir. | 0:43:21 | 0:43:22 | |
James Lakewell, you do not have to say anything, | 0:43:23 | 0:43:27 | |
but it may harm your defence if you fail to mention | 0:43:27 | 0:43:30 | |
when questioned something you later rely on in court. | 0:43:30 | 0:43:33 | |
Anything you do say may be used in evidence. | 0:43:33 | 0:43:36 | |
Now... Wait a minute... | 0:43:36 | 0:43:39 | |
'My colleague, DC Taylor, | 0:43:40 | 0:43:42 | |
'sourced telecommunications records from the 6th of April.' | 0:43:42 | 0:43:45 | |
The day that DS Arnott was assaulted at my husband's office building. | 0:43:45 | 0:43:50 | |
Nick received an incoming call to his registered mobile | 0:43:50 | 0:43:53 | |
from DS Arnott. | 0:43:53 | 0:43:55 | |
Immediately afterwards he made a call to Mr Lakewell's | 0:43:55 | 0:43:57 | |
registered phone. | 0:43:57 | 0:43:59 | |
This call lasted approximately five minutes. | 0:43:59 | 0:44:01 | |
Nick was seeking my legal advice. | 0:44:01 | 0:44:03 | |
I asked DC Taylor to look into calls made between unregistered mobiles - | 0:44:06 | 0:44:10 | |
burner phones of the type used for illicit activity | 0:44:10 | 0:44:12 | |
in the vicinity of your office. | 0:44:12 | 0:44:14 | |
She identified the following call | 0:44:15 | 0:44:19 | |
made from this unregistered mobile, | 0:44:19 | 0:44:22 | |
just a few minutes after the call between you and Nick. | 0:44:22 | 0:44:26 | |
I'm sorry, I'm afraid I don't see the relevance. | 0:44:26 | 0:44:28 | |
I'm sure you will once AC-12 have had a chance to analyse the calls | 0:44:28 | 0:44:32 | |
and movements made by the burner phone detected at your office. | 0:44:32 | 0:44:35 | |
It's going to match your known movements and activities. | 0:44:35 | 0:44:38 | |
I think I should leave. | 0:44:38 | 0:44:40 | |
I think you should sit down, fella, or I'll handcuff you to that desk. | 0:44:40 | 0:44:44 | |
Sit down. | 0:44:44 | 0:44:46 | |
The call James Lakewell made was received by another burner phone. | 0:44:46 | 0:44:50 | |
This second burner phone made a call immediately afterwards | 0:44:51 | 0:44:54 | |
to a third burner phone. | 0:44:54 | 0:44:56 | |
Please, let's look at this third burner phone. | 0:44:56 | 0:44:59 | |
Said phone is no longer active, but using historical triangulation data | 0:44:59 | 0:45:03 | |
we were able to track the phone's movements. | 0:45:03 | 0:45:06 | |
The call was received in the Moss Heath area and the phone | 0:45:06 | 0:45:09 | |
proceeded directly to the location where DS Arnott was assaulted | 0:45:09 | 0:45:12 | |
a few minutes later. | 0:45:12 | 0:45:13 | |
The third burner phone belonged to the man who abducted Hana, | 0:45:13 | 0:45:17 | |
who planted evidence in Michael Farmer's house | 0:45:17 | 0:45:20 | |
and who assaulted DS Arnott. | 0:45:20 | 0:45:22 | |
Balaclava Man. | 0:45:22 | 0:45:24 | |
James Lakewell defended Michael Farmer at his first offence. | 0:45:25 | 0:45:30 | |
I knew nothing about it, you've got to believe me. | 0:45:30 | 0:45:32 | |
It was Jimmy who served up Michael Farmer to be framed, | 0:45:32 | 0:45:35 | |
not by me, but by the people who are really behind this cover-up. | 0:45:35 | 0:45:38 | |
Which brings us to the second burner phone, the one that received | 0:45:38 | 0:45:42 | |
Jimmy Lakewell's call on the 6th of April and contacted Balaclava Man. | 0:45:42 | 0:45:46 | |
Item reference RH-1. | 0:45:46 | 0:45:48 | |
This is a napkin from the Kingsgate Hotel. | 0:45:52 | 0:45:55 | |
The man who gave it to me used the number for what I believed at | 0:45:56 | 0:45:59 | |
the time was limited to illicit sexual activity. | 0:45:59 | 0:46:03 | |
This is the number that got the call from James Lakewell | 0:46:03 | 0:46:06 | |
and passed the information to Balaclava Man. | 0:46:06 | 0:46:08 | |
It belongs to Assistant Chief Constable Derek Hilton. | 0:46:10 | 0:46:13 | |
Jesus Christ. | 0:46:18 | 0:46:20 | |
'James Lakewell, you are under arrest for' | 0:46:25 | 0:46:28 | |
perverting the course of justice. | 0:46:28 | 0:46:31 | |
This interview is now terminated. | 0:46:31 | 0:46:33 | |
Steve, hold him until we can arrange custody. Kate, you're with me. | 0:46:33 | 0:46:37 | |
-Secure these exits. -Sir. | 0:46:42 | 0:46:44 | |
All right. OK, got it, thanks. Hilton is in his office alone. | 0:46:52 | 0:46:55 | |
Door shut. His PA says she'll hold him there if he tries to leave. | 0:46:55 | 0:46:59 | |
Yeah. AC-12. Stand down. | 0:46:59 | 0:47:01 | |
There was a conspiracy. | 0:47:01 | 0:47:02 | |
I was never in on it. | 0:47:02 | 0:47:04 | |
I thought I was playing them, but I was the one being played. | 0:47:04 | 0:47:07 | |
That's half the story. | 0:47:07 | 0:47:09 | |
Hilton counted on you putting your career ahead of the truth. | 0:47:09 | 0:47:13 | |
Jimmy set me up with Hilton. | 0:47:13 | 0:47:14 | |
He knew how desperate I was to close the case, | 0:47:16 | 0:47:19 | |
and how open I was to being pressurised. | 0:47:19 | 0:47:21 | |
No-one needed me to point that out. | 0:47:21 | 0:47:23 | |
Tim Ifield dead, Michael Farmer and Hana Reznikova in prison. | 0:47:25 | 0:47:30 | |
From where I'm sitting, | 0:47:30 | 0:47:31 | |
it looked like you made those choices all by yourself. | 0:47:31 | 0:47:34 | |
I'm not a bad person. | 0:47:34 | 0:47:36 | |
Maybe you would have done the same if you'd been in my situation. | 0:47:39 | 0:47:42 | |
I'd have stopped sooner. | 0:47:42 | 0:47:44 | |
I'd be able to walk and you'd have two hands. | 0:47:45 | 0:47:47 | |
Remain seated. | 0:47:51 | 0:47:52 | |
-Four, go. -OVER RADIO: -Six, go. | 0:47:54 | 0:47:57 | |
So who's Balaclava Man? | 0:48:05 | 0:48:07 | |
Balaclava Men, plural. | 0:48:07 | 0:48:09 | |
If you don't do their bidding, | 0:48:09 | 0:48:11 | |
a body gets taken out of cold storage with your DNA all over it. | 0:48:11 | 0:48:15 | |
You think Hilton's top dog? | 0:48:15 | 0:48:16 | |
How come he bricks it every time a new body's found? | 0:48:16 | 0:48:19 | |
Tell us who he is. We'll give you immunity. | 0:48:19 | 0:48:22 | |
There are some people there's no immunity from. | 0:48:22 | 0:48:25 | |
Thanks for holding them. We're taking it from here. | 0:48:25 | 0:48:27 | |
Taking him where? | 0:48:27 | 0:48:29 | |
Protective custody. Assumed name. Undisclosed location. | 0:48:29 | 0:48:32 | |
I'll need to run that by the gaffer. | 0:48:36 | 0:48:38 | |
Yeah, sure. | 0:48:38 | 0:48:39 | |
Yeah, good to go up here. You set downstairs? | 0:48:40 | 0:48:43 | |
PHONE RINGS Steve. | 0:48:47 | 0:48:49 | |
Sir, just to let you know, | 0:48:49 | 0:48:50 | |
AC-9 are here to take Lakewell into protective custody. | 0:48:50 | 0:48:52 | |
Hilton's been tipped off. Do not comply. | 0:48:52 | 0:48:56 | |
Will do. Thanks, sir. | 0:48:56 | 0:48:58 | |
AC-12. Urgent lockdown! | 0:48:58 | 0:49:00 | |
Yeah, all good. | 0:49:02 | 0:49:05 | |
Good. | 0:49:05 | 0:49:06 | |
Yeah, we're on our way down. | 0:49:06 | 0:49:09 | |
Turn around, please. | 0:49:09 | 0:49:11 | |
Where am I going exactly? | 0:49:17 | 0:49:19 | |
I am not at liberty to disclose. | 0:49:19 | 0:49:22 | |
What about me? | 0:49:22 | 0:49:23 | |
A different custody location. Another team's coming for you. | 0:49:23 | 0:49:26 | |
You'll want the DIR disk. I'll run off a copy. | 0:49:26 | 0:49:28 | |
No. No, you're all right, mate, I don't want to hang about. | 0:49:28 | 0:49:31 | |
Standby for further instructions, yeah? | 0:49:31 | 0:49:33 | |
What's wrong with this thing, man? | 0:49:55 | 0:49:57 | |
Slow this time of night. | 0:49:57 | 0:49:58 | |
What the hell are you trying to do? | 0:50:05 | 0:50:06 | |
Listen to me, Jamie, we know someone tipped off Hilton. | 0:50:06 | 0:50:09 | |
He sent you, didn't he? | 0:50:10 | 0:50:12 | |
-I just need this lift working, mate. -The lifts have been disabled. | 0:50:13 | 0:50:17 | |
And you need to wake up, mate. Lakewell isn't going into custody. | 0:50:17 | 0:50:20 | |
Hilton's never going to let that happen. | 0:50:20 | 0:50:22 | |
I bet you he even told you what route to take, didn't he? | 0:50:22 | 0:50:24 | |
No prizes for guessing what's going to happen in transit. | 0:50:24 | 0:50:27 | |
You'll just be collateral damage. | 0:50:27 | 0:50:29 | |
I'm not going anywhere. | 0:50:35 | 0:50:37 | |
Come on, we're taking the stairs. | 0:50:38 | 0:50:40 | |
And you're talking bollocks. | 0:50:40 | 0:50:42 | |
Right, Hilton's got my back, 110%. | 0:50:42 | 0:50:44 | |
That's exactly what he said to me. | 0:50:44 | 0:50:46 | |
You walk out of here, you're a dead man. | 0:50:48 | 0:50:50 | |
Hello! | 0:50:50 | 0:50:52 | |
Something's not right, sir. | 0:50:55 | 0:50:57 | |
Armed Police! | 0:50:57 | 0:50:59 | |
-Come on! -Stop him! Stop him! | 0:50:59 | 0:51:01 | |
Don't do this, Jamie! | 0:51:03 | 0:51:06 | |
Jamie, don't... | 0:51:06 | 0:51:08 | |
Jamie, there's still a way out for you. | 0:51:08 | 0:51:10 | |
Don't trust the wrong man. Don't make the same mistake I did. | 0:51:10 | 0:51:13 | |
Back! Back off! | 0:51:15 | 0:51:18 | |
Cooperate with our inquiry into Hilton and you're in the clear, | 0:51:21 | 0:51:23 | |
but that's only if no-one gets hurt! | 0:51:23 | 0:51:25 | |
-There's no way out! Drop the gun! -Back off! | 0:51:25 | 0:51:28 | |
Drop it! | 0:51:30 | 0:51:31 | |
All you've got to do is give me the firearm. | 0:51:33 | 0:51:35 | |
Right. Secure the exits. You three with me up the stairs. | 0:51:37 | 0:51:40 | |
Get the medics to that man. | 0:51:40 | 0:51:42 | |
Just give me the firearm. | 0:51:42 | 0:51:44 | |
-Armed Police! -Armed Police! | 0:51:44 | 0:51:45 | |
-Don't shoot! -Armed police! | 0:51:45 | 0:51:48 | |
Drop the firearm, Jamie. | 0:51:51 | 0:51:53 | |
Do as he says, Jamie. Listen to him, Jamie. | 0:51:53 | 0:51:56 | |
There's a fella lying dead downstairs cos he didn't cooperate. | 0:51:58 | 0:52:01 | |
Don't test us, Jamie. | 0:52:01 | 0:52:04 | |
Come on, mate, give me the gun. | 0:52:13 | 0:52:16 | |
All right. | 0:52:16 | 0:52:18 | |
Just give me the gun. | 0:52:18 | 0:52:20 | |
Cuff him. | 0:52:28 | 0:52:30 | |
No sign of a struggle, no evidence anyone else was here, sir. | 0:53:10 | 0:53:14 | |
Suicide. | 0:53:15 | 0:53:17 | |
Well, you might not recognise this location, | 0:53:19 | 0:53:22 | |
but a body was found here, Oliver Stephens-Lloyd, a social worker | 0:53:22 | 0:53:25 | |
trying to blow the whistle on child sexual exploitation. | 0:53:25 | 0:53:28 | |
His death was made to look like suicide too. | 0:53:28 | 0:53:30 | |
We know Hilton had been tipped off. | 0:53:31 | 0:53:33 | |
He could have easily have made a run for it. | 0:53:33 | 0:53:35 | |
Or he knew the game was up. | 0:53:36 | 0:53:38 | |
Right. Who's in charge here? | 0:53:41 | 0:53:43 | |
The man you shot in the lobby, sir, | 0:53:54 | 0:53:56 | |
he's been identified as a known violent criminal | 0:53:56 | 0:53:58 | |
with long-term associations going all the way back to Tommy Hunter. | 0:53:58 | 0:54:02 | |
Activity on Balaclava Man's burner phone matches all his known haunts. | 0:54:02 | 0:54:06 | |
His biometrics are an exact match to the images of Balaclava Man | 0:54:06 | 0:54:09 | |
captured on the night of Leonie Collersdale's disappearance | 0:54:09 | 0:54:12 | |
and the day of the attack on Steve. | 0:54:12 | 0:54:14 | |
Even down to his boot print. | 0:54:14 | 0:54:15 | |
You got him, sir. | 0:54:17 | 0:54:18 | |
I got one of them. | 0:54:18 | 0:54:20 | |
There may be others still at large. God knows what they're up to. | 0:54:20 | 0:54:23 | |
And the consistent method has been to exploit vulnerable young women | 0:54:23 | 0:54:26 | |
to blackmail officers into fearing they'd be incriminated | 0:54:26 | 0:54:29 | |
in serious offences. | 0:54:29 | 0:54:30 | |
They had that hold over Hilton too. | 0:54:30 | 0:54:33 | |
Whether or not he was "H." | 0:54:33 | 0:54:35 | |
Meaning he wasn't top dog. | 0:54:35 | 0:54:37 | |
Top in the police. | 0:54:37 | 0:54:38 | |
But not among the real criminals. | 0:54:38 | 0:54:40 | |
What, bent coppers not criminal enough for you, son? | 0:54:40 | 0:54:43 | |
Sir. | 0:54:43 | 0:54:44 | |
I'm satisfied "H" was ACC Hilton. | 0:54:46 | 0:54:48 | |
Take my photograph down off that board, Kate. | 0:54:50 | 0:54:52 | |
This is beginning to feel like a life's work. | 0:55:09 | 0:55:11 | |
Left. | 0:55:39 | 0:55:41 | |
Stop. | 0:55:43 | 0:55:45 | |
Turn. | 0:56:19 | 0:56:20 |