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-He was murdered. -He was murdered, Claire. | 0:00:02 | 0:00:06 | |
Who murdered him? | 0:00:09 | 0:00:10 | |
I don't know. | 0:00:10 | 0:00:12 | |
British MI6, the Chinese Ministry for State Security, | 0:00:12 | 0:00:15 | |
American CIA, Israeli Mossad... | 0:00:15 | 0:00:18 | |
We're not up against one intelligence agency, | 0:00:18 | 0:00:21 | |
we're up against them all. | 0:00:21 | 0:00:23 | |
That conversation took place in my bedroom. | 0:00:23 | 0:00:26 | |
We were face to face! | 0:00:26 | 0:00:28 | |
Why did they murder him? | 0:00:29 | 0:00:31 | |
Alex decided to apply his concept to speech. | 0:00:31 | 0:00:35 | |
A lie detector. | 0:00:35 | 0:00:37 | |
He did it for me! | 0:00:37 | 0:00:38 | |
He knew you'd find out that he had lied about much of his life. | 0:00:38 | 0:00:42 | |
He must have worried that you'd end up hating him. | 0:00:42 | 0:00:44 | |
He must have worried about that moment every day. | 0:00:44 | 0:00:47 | |
I would like to finish this particular adventure | 0:00:47 | 0:00:49 | |
with you, Daniel Edward Holt, if you'll have me? | 0:00:49 | 0:00:53 | |
PHONE RINGS | 0:00:53 | 0:00:54 | |
Scottie? | 0:00:54 | 0:00:56 | |
Danny... | 0:00:56 | 0:00:58 | |
there will be a note. | 0:00:58 | 0:01:00 | |
This programme contains some strong language and scenes which some viewers may find upsetting | 0:01:10 | 0:01:16 | |
I have a question. | 0:02:17 | 0:02:18 | |
How do we live without the people that we love? | 0:02:21 | 0:02:24 | |
I can hear his reply. | 0:02:37 | 0:02:38 | |
"We must figure this question out for ourselves." | 0:02:44 | 0:02:47 | |
He's right. | 0:02:52 | 0:02:53 | |
He was always right. | 0:02:55 | 0:02:56 | |
Except, my friend... | 0:03:00 | 0:03:01 | |
..I don't want to know. | 0:03:05 | 0:03:07 | |
I don't want to know how to live without you. | 0:03:14 | 0:03:17 | |
I don't want to figure out how to stop feeling this sad. | 0:03:21 | 0:03:24 | |
INAUDIBLE | 0:03:44 | 0:03:47 | |
-Marcus, this isn't the time... -Yes, it is, Claire. | 0:04:16 | 0:04:19 | |
It's exactly the right time. | 0:04:19 | 0:04:20 | |
I have destroyed my copy of Alex's research. | 0:04:22 | 0:04:25 | |
You should destroy yours. | 0:04:27 | 0:04:29 | |
You asked for my advice. There it is. | 0:04:29 | 0:04:32 | |
You can take it, or not. | 0:04:32 | 0:04:35 | |
-But I won't help you... -That's enough. | 0:04:35 | 0:04:37 | |
It was...a nice idea. | 0:04:47 | 0:04:51 | |
Danny! | 0:06:41 | 0:06:43 | |
Come on! | 0:06:43 | 0:06:44 | |
OK. | 0:06:59 | 0:07:00 | |
Sorry. Goodbye. | 0:07:03 | 0:07:05 | |
BIG BEN TOLLS | 0:07:40 | 0:07:42 | |
SEAGULLS CAW | 0:07:42 | 0:07:44 | |
This is where you two met. | 0:07:51 | 0:07:53 | |
I visited the nurse who took your blood sample. | 0:07:57 | 0:07:59 | |
I was curious, because it's not procedure. | 0:07:59 | 0:08:03 | |
So, I asked a straightforward question. | 0:08:03 | 0:08:05 | |
"Why did you do it?" | 0:08:05 | 0:08:06 | |
This man was afraid. | 0:08:08 | 0:08:10 | |
Afterwards, I'd barely left the room, my phone rings. | 0:08:12 | 0:08:16 | |
It's my superiors, demanding to know why I'm interrogating him. | 0:08:16 | 0:08:21 | |
You know what I said? | 0:08:21 | 0:08:22 | |
"No reason." | 0:08:23 | 0:08:25 | |
It wasn't much. | 0:08:29 | 0:08:30 | |
But it's as far as I'm prepared to go. | 0:08:32 | 0:08:34 | |
Why? | 0:08:34 | 0:08:35 | |
Listen, this is what's going to happen. | 0:08:35 | 0:08:37 | |
You'll be the early, innocent suspect | 0:08:39 | 0:08:42 | |
and I'll be the simple-minded copper. | 0:08:42 | 0:08:45 | |
That's the account that's going to be written. | 0:08:47 | 0:08:49 | |
With Scottie, we had a chance. Without him, we haven't. | 0:08:59 | 0:09:01 | |
I don't accept that. | 0:09:01 | 0:09:02 | |
We knew him better than anyone. | 0:09:04 | 0:09:07 | |
What would he do? | 0:09:07 | 0:09:09 | |
You're confused, Danny... | 0:09:09 | 0:09:10 | |
..between trying to prove how much you loved him | 0:09:11 | 0:09:14 | |
and trying to prove a conspiracy. | 0:09:14 | 0:09:17 | |
You're confused, and I wonder if you haven't always been. | 0:09:17 | 0:09:20 | |
What does that mean? | 0:09:20 | 0:09:21 | |
Scottie was... | 0:09:23 | 0:09:24 | |
..sentimental about you. | 0:09:25 | 0:09:28 | |
You're doing this for him. | 0:09:28 | 0:09:30 | |
He was doing it for you. | 0:09:30 | 0:09:31 | |
Maybe I was doing it for him. | 0:09:33 | 0:09:35 | |
But it's not real, Danny. It won't work. | 0:09:37 | 0:09:39 | |
Whatever you do, whatever you try, it won't work. | 0:09:39 | 0:09:42 | |
He sent me this. | 0:09:54 | 0:09:55 | |
There was a letter. It read, "Ambition, but no conviction. | 0:09:58 | 0:10:02 | |
"Love, Scottie". | 0:10:02 | 0:10:03 | |
Walk with me. | 0:10:04 | 0:10:06 | |
I'll be here, when you're ready. | 0:10:27 | 0:10:30 | |
SLAM | 0:11:53 | 0:11:54 | |
DOGS BARK | 0:11:54 | 0:11:56 | |
CLANGING | 0:12:13 | 0:12:16 | |
CLANGING | 0:12:27 | 0:12:30 | |
VEHICLE APPROACHES OUTSIDE | 0:14:09 | 0:14:12 | |
DOORBELL RINGS | 0:14:41 | 0:14:43 | |
DOORBELL RINGS | 0:14:49 | 0:14:50 | |
DOORBELL RINGS | 0:15:01 | 0:15:07 | |
How did you find me? | 0:15:09 | 0:15:11 | |
You gave us this address. | 0:15:11 | 0:15:13 | |
11 years. | 0:15:15 | 0:15:16 | |
A long time. | 0:15:18 | 0:15:19 | |
And now? | 0:15:23 | 0:15:24 | |
Dan, your dad's dying. | 0:15:27 | 0:15:29 | |
We weren't much as parents... | 0:15:31 | 0:15:33 | |
You read about me in the paper? | 0:15:41 | 0:15:42 | |
We read about you. | 0:15:44 | 0:15:45 | |
But that's not why you're here? | 0:15:47 | 0:15:49 | |
You need money? | 0:15:52 | 0:15:53 | |
No. | 0:15:54 | 0:15:55 | |
No? | 0:15:55 | 0:15:57 | |
No! | 0:15:57 | 0:15:58 | |
This was a mistake. | 0:16:00 | 0:16:02 | |
Tell me why. | 0:16:15 | 0:16:16 | |
Why now? Why today? | 0:16:17 | 0:16:19 | |
Weeks - | 0:16:19 | 0:16:21 | |
that's all he's got left. | 0:16:21 | 0:16:23 | |
We've said goodbye. | 0:16:26 | 0:16:27 | |
Want to do a better job of it? | 0:16:27 | 0:16:29 | |
There's something we'd like to show you. | 0:16:29 | 0:16:32 | |
If this is a lie, please stop the car and let me out. | 0:16:42 | 0:16:45 | |
Because I've been through too much for this to be another lie. | 0:16:47 | 0:16:51 | |
I won't be angry. | 0:16:55 | 0:16:57 | |
I know it's not your fault, | 0:16:57 | 0:17:00 | |
but just stop the car and let me out. | 0:17:00 | 0:17:03 | |
But if you drive me home, after I've given you this chance, I... | 0:17:07 | 0:17:11 | |
Mum? | 0:17:11 | 0:17:13 | |
LABOURED BREATHING/ CAMERA TURNS ON | 0:17:38 | 0:17:40 | |
All right if I...? | 0:17:40 | 0:17:42 | |
CAMERA BEEPS | 0:17:57 | 0:17:59 | |
CAMERA CLICKS | 0:18:02 | 0:18:04 | |
I wish this could be true. | 0:18:40 | 0:18:42 | |
Shh. | 0:19:21 | 0:19:22 | |
People can change this much, you know? | 0:19:25 | 0:19:27 | |
For real, I mean. | 0:19:29 | 0:19:31 | |
LABOURED BREATHING | 0:19:40 | 0:19:42 | |
You're not dying. | 0:19:42 | 0:19:45 | |
Not today, not next week. | 0:19:45 | 0:19:47 | |
They're scary people, Dan. | 0:19:47 | 0:19:49 | |
They know everything about us. | 0:19:49 | 0:19:51 | |
Everything we've ever done wrong. | 0:19:51 | 0:19:53 | |
What did you do? | 0:19:55 | 0:19:56 | |
This isn't like pinching stuff from the shops. | 0:19:58 | 0:20:00 | |
-Why am I here? -Why are WE here? | 0:20:03 | 0:20:05 | |
Being made to do this? Being threatened? | 0:20:05 | 0:20:09 | |
What have you dragged us into? | 0:20:09 | 0:20:11 | |
How could you do this to us? To your father? | 0:20:11 | 0:20:15 | |
HER VOICE FADES TO ECHOES | 0:20:15 | 0:20:19 | |
They gave you this, didn't they? | 0:20:33 | 0:20:35 | |
They told you to take a photo. | 0:20:35 | 0:20:38 | |
Why? | 0:20:38 | 0:20:39 | |
CAMERA WHIRRS, BEEPS | 0:20:41 | 0:20:43 | |
I always wanted to know... | 0:20:53 | 0:20:55 | |
..wouldn't it have been easier to have loved me? | 0:20:57 | 0:20:59 | |
I can't say why we never did. | 0:21:03 | 0:21:05 | |
I'm not angry anymore. | 0:21:20 | 0:21:21 | |
DOOR OPENS, SHUTS | 0:21:34 | 0:21:35 | |
BEEPING | 0:22:03 | 0:22:06 | |
COMPUTER BEEPS | 0:22:25 | 0:22:27 | |
PRINTER WHIRRS | 0:22:33 | 0:22:36 | |
Have you been to any forums on living with HIV before? | 0:23:07 | 0:23:10 | |
-No. -If you take a seat, maybe over there. | 0:23:10 | 0:23:13 | |
All right? Hi, guys. | 0:23:13 | 0:23:14 | |
I'd like us to welcome Ryan. | 0:23:22 | 0:23:25 | |
APPLAUSE | 0:23:26 | 0:23:28 | |
A lot of people don't speak until they've been a few times, | 0:23:31 | 0:23:34 | |
so you shouldn't feel any pressure. | 0:23:34 | 0:23:36 | |
But I wanted to give you the chance. | 0:23:36 | 0:23:38 | |
And remember, there's no point talking | 0:23:40 | 0:23:43 | |
unless you feel able to tell the truth. | 0:23:43 | 0:23:45 | |
Maybe you're not ready? | 0:23:53 | 0:23:55 | |
-I'll go. -Danny. | 0:24:00 | 0:24:03 | |
My partner, his name was Alex. | 0:24:13 | 0:24:15 | |
He died some months ago | 0:24:15 | 0:24:19 | |
and I've been trying to find out why he was killed... | 0:24:19 | 0:24:24 | |
Are you OK? | 0:24:36 | 0:24:38 | |
..and he was working as a spy for MI6. | 0:24:38 | 0:24:43 | |
Although, when we were together... | 0:24:43 | 0:24:45 | |
-Get down! -SIRENS BLARE | 0:24:56 | 0:24:58 | |
..An attic in his apartment, | 0:25:01 | 0:25:03 | |
and one of the ways they did that was to... | 0:25:03 | 0:25:07 | |
inject me with HIV virus. | 0:25:07 | 0:25:11 | |
You have to believe me! | 0:25:15 | 0:25:17 | |
If you don't believe me, I don't have anyone else, Scottie. | 0:25:17 | 0:25:20 | |
I don't have anyone else. | 0:25:20 | 0:25:22 | |
What are you going to do now? | 0:25:40 | 0:25:42 | |
I'm going to do nothing. | 0:25:46 | 0:25:48 | |
You OK? | 0:25:59 | 0:26:01 | |
'I wish this could be true.' | 0:26:54 | 0:26:56 | |
KNOCKS AT DOOR | 0:27:45 | 0:27:47 | |
I rather thought it might be you. | 0:28:07 | 0:28:09 | |
Is it too late to talk? | 0:28:10 | 0:28:12 | |
Too late? | 0:28:13 | 0:28:14 | |
Perhaps it is. | 0:28:15 | 0:28:17 | |
THUD | 0:28:31 | 0:28:33 | |
What harm can it do? | 0:28:35 | 0:28:37 | |
What good can it do? | 0:28:37 | 0:28:41 | |
"What good"? What possible good? | 0:28:41 | 0:28:44 | |
What good can any of us do? | 0:28:46 | 0:28:48 | |
Better leave him be. He's just a boy. | 0:28:50 | 0:28:53 | |
CHARLES LAUGHS | 0:28:53 | 0:28:55 | |
Just a stupid boy. | 0:28:55 | 0:28:58 | |
I take it you have something you wish to discuss? | 0:29:06 | 0:29:10 | |
More than that - you intend to accuse me? | 0:29:10 | 0:29:12 | |
I have a question. | 0:29:14 | 0:29:15 | |
A question. I'll permit a question. | 0:29:15 | 0:29:18 | |
But just one. | 0:29:20 | 0:29:21 | |
That will be all. | 0:29:44 | 0:29:45 | |
We both loved him. | 0:29:47 | 0:29:48 | |
Yes. | 0:29:50 | 0:29:51 | |
Can't we pretend, for a while, that's all we need to say? | 0:29:53 | 0:29:56 | |
There was always something of the mystic about you. | 0:30:16 | 0:30:19 | |
Fortune teller-soothsayer, | 0:30:19 | 0:30:21 | |
a person who knows nothing, yet sees everything. | 0:30:21 | 0:30:24 | |
Alex was the last person to hold your hand. | 0:30:30 | 0:30:33 | |
Question? | 0:30:33 | 0:30:35 | |
Statement. | 0:30:35 | 0:30:36 | |
Yes. | 0:30:38 | 0:30:40 | |
Yes, he was. | 0:30:40 | 0:30:41 | |
You blame me for his death. | 0:30:50 | 0:30:52 | |
-Question? -Statement. | 0:30:53 | 0:30:56 | |
Yes. | 0:30:56 | 0:30:57 | |
Yes, I do. | 0:30:59 | 0:31:00 | |
How can you blame me... | 0:31:03 | 0:31:04 | |
..unless you know why he was killed? | 0:31:06 | 0:31:08 | |
It is a good question. | 0:31:09 | 0:31:11 | |
For all your efforts, | 0:31:41 | 0:31:43 | |
all your loss, all your grief and sacrifice... | 0:31:43 | 0:31:47 | |
..you have nothing. | 0:31:49 | 0:31:50 | |
You accept I'm continuing this conversation | 0:31:54 | 0:31:57 | |
solely for my own personal reasons? | 0:31:57 | 0:32:00 | |
Which are? | 0:32:00 | 0:32:02 | |
It's very important to me that you understand how much I loved my son. | 0:32:02 | 0:32:05 | |
Show me his room. | 0:32:07 | 0:32:08 | |
Alistair spent more time in this room than any other. | 0:33:11 | 0:33:14 | |
How do you know? | 0:33:32 | 0:33:34 | |
How? | 0:33:37 | 0:33:38 | |
No! No, no, no! Stop... | 0:33:41 | 0:33:44 | |
No! No, no, no, no! | 0:33:46 | 0:33:50 | |
FRANCES SOBS | 0:33:50 | 0:33:52 | |
Please... | 0:33:55 | 0:33:56 | |
Because he was my spy. | 0:34:09 | 0:34:12 | |
I made him a spy. | 0:34:15 | 0:34:18 | |
I told you, my husband was an important man. | 0:34:31 | 0:34:35 | |
An important man, with a second-rate mind. | 0:34:36 | 0:34:39 | |
We were together at Cambridge. | 0:34:41 | 0:34:42 | |
The tutor who recruited him was as blind to my talents... | 0:34:45 | 0:34:50 | |
..as he was to Charles' flaws. | 0:34:51 | 0:34:56 | |
Nonetheless, in the gentlemen's club of MI5, | 0:34:56 | 0:35:00 | |
Charles flourished, while I was relegated to... | 0:35:00 | 0:35:03 | |
..hosting dinners and cocktail parties for his spies. | 0:35:06 | 0:35:10 | |
GENTLE CONVERSATION | 0:35:11 | 0:35:13 | |
LAUGHTER | 0:35:17 | 0:35:19 | |
'Three moles at the heart of his organization... | 0:35:27 | 0:35:30 | |
'..and Charles didn't see them.' | 0:35:31 | 0:35:33 | |
They were men like him - | 0:35:33 | 0:35:35 | |
talked like him, dressed like him, | 0:35:35 | 0:35:37 | |
fucked like him. | 0:35:37 | 0:35:39 | |
Well, two did, anyway. | 0:35:39 | 0:35:40 | |
They were his friends. | 0:35:43 | 0:35:45 | |
Agents were lost, operations compromised. | 0:35:47 | 0:35:50 | |
When the three finally defected, | 0:35:50 | 0:35:52 | |
we were disgraced, removed from the service, | 0:35:52 | 0:35:55 | |
exiled from power, | 0:35:55 | 0:35:57 | |
left to rot in this place, guarded night and day by agents, | 0:35:57 | 0:36:03 | |
for fear that we too might be traitors. | 0:36:03 | 0:36:06 | |
I took to drink, for a while. | 0:36:09 | 0:36:12 | |
I became promiscuous, for a while. | 0:36:12 | 0:36:14 | |
Scandal engulfed me. | 0:36:14 | 0:36:16 | |
I couldn't go on behaving that way. | 0:36:18 | 0:36:20 | |
You either step into the abyss... | 0:36:21 | 0:36:24 | |
..or step back from it. | 0:36:26 | 0:36:28 | |
You cannot walk along its edge for long. | 0:36:28 | 0:36:30 | |
You know this edge? | 0:36:34 | 0:36:36 | |
Don't you? | 0:36:36 | 0:36:38 | |
-Yes. -Yes. | 0:36:38 | 0:36:40 | |
Alex was your step back? | 0:36:41 | 0:36:43 | |
He was mine, too. | 0:36:45 | 0:36:47 | |
I decided to have a child. | 0:36:48 | 0:36:50 | |
He'd be my future, my saviour, my second chance. | 0:36:50 | 0:36:54 | |
I'd make him into the spy I should've been. | 0:36:54 | 0:36:57 | |
My spy, made by me... | 0:36:59 | 0:37:00 | |
It was a mistake. | 0:37:05 | 0:37:06 | |
Not a lie. Not the truth. | 0:37:10 | 0:37:12 | |
For once, your intuitions let you down. | 0:37:12 | 0:37:15 | |
You decided to have a child? | 0:37:15 | 0:37:17 | |
What, fuck old Charles and see what happens? | 0:37:19 | 0:37:22 | |
Not much of a plan, considering how stupid you think he is. | 0:37:23 | 0:37:27 | |
But luck was on your side. | 0:37:27 | 0:37:31 | |
Your child was a genius. | 0:37:31 | 0:37:33 | |
Be very careful what you say next. | 0:37:33 | 0:37:35 | |
I want to tell you a story... | 0:37:37 | 0:37:39 | |
..about a man. | 0:37:45 | 0:37:47 | |
While other people were laughing and drinking ... | 0:37:51 | 0:37:54 | |
..this man would just walk. | 0:37:55 | 0:37:57 | |
'..Until he reached the exact same spot - | 0:37:59 | 0:38:03 | |
'where he'd sit, with his back to all those people.' | 0:38:03 | 0:38:06 | |
And while he did everything to signal to the world | 0:38:08 | 0:38:11 | |
that he wanted to be left alone... | 0:38:11 | 0:38:13 | |
'More than anything, | 0:38:13 | 0:38:15 | |
'he hoped that someone passing would understand | 0:38:15 | 0:38:18 | |
'that what he really wanted was the exact opposite.' | 0:38:18 | 0:38:21 | |
And that this someone would sit next to him... | 0:38:21 | 0:38:26 | |
..Strike up a conversation. | 0:38:28 | 0:38:30 | |
'I was that man.' | 0:38:36 | 0:38:37 | |
You were that someone. | 0:38:40 | 0:38:42 | |
Why was he so lonely? | 0:38:45 | 0:38:46 | |
I put too much pressure on him. | 0:38:50 | 0:38:52 | |
I made him too important in my life. | 0:38:54 | 0:38:56 | |
It was unfair. | 0:38:57 | 0:38:59 | |
I see that now. | 0:39:01 | 0:39:02 | |
No child can redeem their parents. | 0:39:04 | 0:39:07 | |
Hard to connect to people. | 0:39:14 | 0:39:15 | |
Especially when you're not sure how they're connected to you. | 0:39:18 | 0:39:22 | |
For an hour or so, I hoped that my real parents were real parents. | 0:39:42 | 0:39:46 | |
Daniel! | 0:39:58 | 0:39:59 | |
I was in a state. | 0:40:19 | 0:40:20 | |
I didn't deserve to be his mum. | 0:40:22 | 0:40:24 | |
Surely you can't be so conventional as to think | 0:40:28 | 0:40:30 | |
there's only one way to bring up a child? | 0:40:30 | 0:40:32 | |
We are both his mother. | 0:40:38 | 0:40:40 | |
Neither one less nor more real than the other. | 0:40:42 | 0:40:45 | |
I took care of his mind and she took care of his other needs. | 0:40:47 | 0:40:51 | |
He didn't know? | 0:40:51 | 0:40:52 | |
No. | 0:40:55 | 0:40:56 | |
Except he did. | 0:40:57 | 0:41:00 | |
Didn't he? He knew. | 0:41:00 | 0:41:01 | |
On some level, maybe. | 0:41:03 | 0:41:06 | |
He was very young when it happened. | 0:41:06 | 0:41:09 | |
At the time, she was working for me and stealing. | 0:41:09 | 0:41:13 | |
I went to her house, to threaten her with the police | 0:41:13 | 0:41:15 | |
if she didn't return the items. | 0:41:15 | 0:41:17 | |
I've never seen anything like it. | 0:41:22 | 0:41:25 | |
TAP DRIPS WATER/ FLY BUZZES | 0:41:28 | 0:41:31 | |
No father, no mother to speak of ... | 0:41:35 | 0:41:37 | |
She thought the boy disturbed, damaged by her drink and drugs. | 0:41:39 | 0:41:43 | |
I saw how precious he really was. | 0:41:45 | 0:41:47 | |
We came to an arrangement. | 0:41:56 | 0:41:57 | |
"An arrangement?" | 0:41:57 | 0:42:00 | |
I would be his mother. | 0:42:00 | 0:42:01 | |
I'd be his nanny. | 0:42:06 | 0:42:07 | |
He would be provided for in every way - | 0:42:08 | 0:42:11 | |
every opportunity, every comfort. | 0:42:11 | 0:42:13 | |
-And Charles agreed? -He resisted, initially. | 0:42:15 | 0:42:18 | |
Then, he was persuaded. | 0:42:21 | 0:42:23 | |
You could persuade anyone... | 0:42:23 | 0:42:25 | |
..of anything. Couldn't you? | 0:42:27 | 0:42:29 | |
In this society, it's not enough to be born brilliant. | 0:42:30 | 0:42:34 | |
I opened up a world that would've been closed to him. | 0:42:34 | 0:42:37 | |
He didn't belong there. | 0:42:40 | 0:42:42 | |
He's not you. | 0:42:42 | 0:42:44 | |
He wasn't like you. | 0:42:45 | 0:42:47 | |
Just a few years, that's all I asked, | 0:42:47 | 0:42:50 | |
then he would be free to do whatever he wanted. | 0:42:50 | 0:42:52 | |
Such as end all lies? | 0:42:52 | 0:42:54 | |
Oh, such a sentimental, ridiculous notion. | 0:42:54 | 0:42:57 | |
I warned him. | 0:42:57 | 0:42:58 | |
I tried to save him. | 0:43:01 | 0:43:03 | |
I tried... | 0:43:06 | 0:43:07 | |
BUZZER | 0:43:31 | 0:43:33 | |
Sir. | 0:43:54 | 0:43:55 | |
KNOCKS AT DOOR | 0:44:16 | 0:44:18 | |
Mrs Turner. | 0:44:33 | 0:44:34 | |
HE HYPERVENTILATES | 0:45:54 | 0:45:56 | |
Alistair? HE CRIES OUT | 0:46:03 | 0:46:07 | |
Shh. | 0:46:07 | 0:46:09 | |
Frances! | 0:46:09 | 0:46:10 | |
-Shh. -Aghh! | 0:46:10 | 0:46:13 | |
Shh... Alistair. | 0:46:13 | 0:46:16 | |
Shh... | 0:46:17 | 0:46:19 | |
Listen, we have very little time. | 0:46:22 | 0:46:25 | |
Listen to me. | 0:46:25 | 0:46:27 | |
You're in a great deal of trouble, but there is a way out. | 0:46:30 | 0:46:33 | |
Do you understand? | 0:46:33 | 0:46:35 | |
I understand. | 0:46:43 | 0:46:46 | |
It's all been arranged. This is a warning. | 0:46:46 | 0:46:49 | |
You'll go to America, for a few years, to work. | 0:46:49 | 0:46:53 | |
A new identity. A new life. A new name. | 0:46:54 | 0:46:57 | |
But you must leave everything behind. | 0:46:57 | 0:47:00 | |
This project - what were you thinking? | 0:47:02 | 0:47:05 | |
All you have to do is say yes. | 0:47:07 | 0:47:10 | |
You'll be flown out tonight. No belongings. No bags. | 0:47:10 | 0:47:13 | |
Alistair, all you have to do is agree. | 0:47:18 | 0:47:21 | |
All you have to do is agree. | 0:47:22 | 0:47:25 | |
HE YELLS | 0:47:25 | 0:47:27 | |
HE SOBS | 0:47:31 | 0:47:33 | |
Alistair? | 0:47:33 | 0:47:34 | |
All you have to do is agree. | 0:47:38 | 0:47:39 | |
I agree. | 0:47:47 | 0:47:49 | |
You will go to America? | 0:47:49 | 0:47:50 | |
I'll go. | 0:47:53 | 0:47:54 | |
You must speak clearly. | 0:47:54 | 0:47:56 | |
I will go to America. | 0:47:56 | 0:47:58 | |
You will destroy your research? | 0:47:59 | 0:48:02 | |
I will destroy it. | 0:48:02 | 0:48:03 | |
You'll never work on it again? | 0:48:03 | 0:48:06 | |
I'll never work on it again. | 0:48:06 | 0:48:08 | |
You'll leave it all behind? | 0:48:08 | 0:48:10 | |
Alistair, you must never make contact with anyone from this life again. | 0:48:16 | 0:48:20 | |
Alistair? | 0:48:28 | 0:48:30 | |
His name is Danny. | 0:48:33 | 0:48:35 | |
Danny. | 0:48:37 | 0:48:38 | |
I'll never speak to him again. | 0:48:47 | 0:48:49 | |
This can be a new start for us, too. | 0:49:03 | 0:49:05 | |
You'll hate me for a while. | 0:49:05 | 0:49:07 | |
But I love you so much. | 0:49:08 | 0:49:10 | |
I love you too. | 0:49:15 | 0:49:16 | |
Get me out of here! | 0:49:29 | 0:49:31 | |
Get me out! Get me out! | 0:49:43 | 0:49:46 | |
'You must be clearer. | 0:49:50 | 0:49:52 | |
'I'll go to America. | 0:49:52 | 0:49:54 | |
'You will destroy your research? | 0:49:54 | 0:49:56 | |
'I'll destroy it. | 0:49:56 | 0:49:58 | |
'You'll never work on it again? | 0:49:58 | 0:50:00 | |
'I'll never work on it again. | 0:50:00 | 0:50:02 | |
'You'll leave it all behind? | 0:50:02 | 0:50:03 | |
'Alistair, | 0:50:08 | 0:50:09 | |
'you must never make contact with anyone from this life again. | 0:50:09 | 0:50:13 | |
'His name is Danny. | 0:50:16 | 0:50:18 | |
'Danny. | 0:50:18 | 0:50:20 | |
'Alistair? | 0:50:21 | 0:50:23 | |
'I'll never speak to him again. | 0:50:24 | 0:50:28 | |
'Frances! Frances! | 0:50:28 | 0:50:30 | |
'This can be a new start for us too. | 0:50:30 | 0:50:33 | |
'You'll hate me for a while. | 0:50:33 | 0:50:35 | |
'But I love you so much. | 0:50:35 | 0:50:38 | |
'I love you too. | 0:50:38 | 0:50:39 | |
Get me out! Get me out! | 0:50:41 | 0:50:45 | |
'Get me out of here!' | 0:50:45 | 0:50:46 | |
Well, it's wrong. It's wrong! | 0:50:52 | 0:50:55 | |
I'll go back up there. I'll talk to him. I'll explain. | 0:50:57 | 0:51:00 | |
He'll listen to me. He didn't understand, that's all. | 0:51:00 | 0:51:04 | |
I can persuade him. Alistair, Alistair... | 0:51:04 | 0:51:07 | |
Listen to me. Listen to me... | 0:51:09 | 0:51:11 | |
Let me speak to him! Let me speak to my son! | 0:51:13 | 0:51:16 | |
Let me speak to him! Let me speak to my son... | 0:51:16 | 0:51:20 | |
FRANCES WEEPS | 0:52:05 | 0:52:07 | |
I know a police officer. | 0:52:44 | 0:52:46 | |
You fail to grasp what has been done to you. | 0:52:50 | 0:52:53 | |
The fact that you know the truth is irrelevant. | 0:52:54 | 0:52:57 | |
No-one is going to publish anything you say. | 0:53:00 | 0:53:03 | |
No-one is going to investigate your claims. | 0:53:05 | 0:53:08 | |
No-one will believe you. | 0:53:08 | 0:53:10 | |
But they'll believe you. You're his mother. | 0:53:12 | 0:53:15 | |
What do you owe them? | 0:53:18 | 0:53:20 | |
You gave them your son! | 0:53:24 | 0:53:26 | |
Tell me... | 0:53:30 | 0:53:32 | |
..were I to agree... | 0:53:33 | 0:53:34 | |
..what would we do? | 0:53:36 | 0:53:38 | |
We'd tell them the truth. | 0:53:38 | 0:53:39 | |
I can't. | 0:53:46 | 0:53:47 | |
She can't. | 0:53:50 | 0:53:52 | |
-I want to hear it from you. -You heard it from me. | 0:53:52 | 0:53:54 | |
His name is Alex. His real name. | 0:53:54 | 0:53:57 | |
-The name you gave him. -She won't help you. | 0:53:57 | 0:53:59 | |
She renamed him, but you let it slip. | 0:53:59 | 0:54:01 | |
-Deliberately? -She can't help you. | 0:54:01 | 0:54:03 | |
SOBBING | 0:54:03 | 0:54:05 | |
It's time you left. | 0:54:14 | 0:54:15 | |
She's gone. | 0:54:16 | 0:54:18 | |
FLAMES CRACKLE OUTSIDE | 0:54:49 | 0:54:51 | |
For her son. | 0:55:32 | 0:55:33 | |
For Alex. | 0:55:41 | 0:55:42 | |
All she can do. | 0:55:44 | 0:55:45 | |
It's all SHE can do! | 0:55:52 | 0:55:54 | |
DOOR OPENS | 0:56:02 | 0:56:04 | |
Just a stupid boy? | 0:56:15 | 0:56:17 | |
MUSIC: My Tears Are Becoming A Sea by M83 | 0:57:27 | 0:57:30 | |
DOOR OPENS | 0:57:41 | 0:57:43 | |
Let's burn them down for real. | 0:57:51 | 0:57:53 | |
We'd probably better hurry. | 0:57:58 | 0:58:00 | |
You understand we don't stand a chance? | 0:58:15 | 0:58:17 |