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This programme contains some strong language | 0:00:02 | 0:00:04 | |
A specialist escort agency for the very rich. | 0:00:04 | 0:00:06 | |
Alex didn't use escorts. | 0:00:06 | 0:00:07 | |
I have to buy a battery for my laptop. | 0:00:07 | 0:00:10 | |
'I stole something...from the attic.' | 0:00:10 | 0:00:13 | |
It's a locked cylinder. | 0:00:13 | 0:00:15 | |
-It needs a code. -Which you don't know? -No. | 0:00:15 | 0:00:19 | |
I've gone over every conversation, every word. | 0:00:19 | 0:00:22 | |
Danny, you've got to figure it out, you're the only one who can. | 0:00:22 | 0:00:25 | |
Did you know that I suffer from depression?! | 0:00:27 | 0:00:30 | |
Did you know that in the past I drank?! | 0:00:30 | 0:00:32 | |
I didn't know Alex well personally. | 0:00:32 | 0:00:35 | |
There are not many students who start their degree at 15. | 0:00:35 | 0:00:38 | |
He was murdered. | 0:00:38 | 0:00:39 | |
So I take it you want to speak to his professor? | 0:00:41 | 0:00:43 | |
Marcus Shore. | 0:00:43 | 0:00:45 | |
Why did they murder him? | 0:00:45 | 0:00:47 | |
I don't know. | 0:00:47 | 0:00:48 | |
Whatever Alex discovered, | 0:00:48 | 0:00:50 | |
whatever it was, whatever it is, no-one wants in the open. | 0:00:50 | 0:00:54 | |
We're not up against one intelligence agency, | 0:00:54 | 0:00:56 | |
we're up against them all. | 0:00:56 | 0:00:58 | |
I need information. | 0:01:00 | 0:01:02 | |
What does it mean? It means we are quite alone. | 0:01:02 | 0:01:05 | |
Get in the car. | 0:01:05 | 0:01:07 | |
It's for you. | 0:01:08 | 0:01:09 | |
Not here! | 0:01:11 | 0:01:12 | |
MOBILE PHONE RINGS | 0:01:15 | 0:01:18 | |
-DISTORTED VOICE: -'You're looking for answers. | 0:01:26 | 0:01:29 | |
'But are you ready for them? | 0:01:32 | 0:01:33 | |
'Get in the hotel. | 0:01:36 | 0:01:38 | |
'Room 116.' | 0:01:42 | 0:01:44 | |
'The bathroom. | 0:02:09 | 0:02:11 | |
'Get in. | 0:02:20 | 0:02:22 | |
'Clothes on.' | 0:02:22 | 0:02:24 | |
'Now you're clean, | 0:02:43 | 0:02:45 | |
'we can talk a little freer. | 0:02:45 | 0:02:46 | |
'Get changed. | 0:02:49 | 0:02:50 | |
'Outside.' | 0:03:00 | 0:03:01 | |
Where are we going? | 0:03:04 | 0:03:05 | |
'Do you want to know who Alex was or not?' | 0:03:07 | 0:03:09 | |
'The doors are locked, Danny. | 0:03:16 | 0:03:18 | |
'No way out. | 0:03:18 | 0:03:20 | |
'No way back. | 0:03:22 | 0:03:23 | |
'I want to take you on a journey... into Alex's past.' | 0:03:30 | 0:03:35 | |
'Remember this place? | 0:03:42 | 0:03:44 | |
'Are you sure you know what really happened in there? | 0:03:50 | 0:03:53 | |
'Walk.' | 0:03:59 | 0:04:00 | |
DISTANT LAUGHTER | 0:04:09 | 0:04:13 | |
'A reservation. | 0:04:15 | 0:04:16 | |
-'For two.' -PHONE BEEPS | 0:04:16 | 0:04:19 | |
There you go. | 0:04:33 | 0:04:35 | |
Menu. | 0:04:35 | 0:04:36 | |
Here I am. | 0:05:09 | 0:05:11 | |
Alex's past. | 0:05:14 | 0:05:15 | |
Well...this is weird. | 0:06:10 | 0:06:13 | |
Never done anything like this before. | 0:06:26 | 0:06:28 | |
Like this? | 0:06:28 | 0:06:29 | |
What is this? | 0:06:32 | 0:06:33 | |
Being paid | 0:06:35 | 0:06:37 | |
to tell someone how I... | 0:06:37 | 0:06:39 | |
..their boyfriend. | 0:06:42 | 0:06:44 | |
They said you wouldn't believe me. | 0:06:48 | 0:06:50 | |
Who are they? | 0:06:52 | 0:06:53 | |
Who are they? | 0:06:53 | 0:06:54 | |
They are the people pulling my strings. | 0:06:57 | 0:07:00 | |
I have no control over what I'm about to do. | 0:07:01 | 0:07:04 | |
Like this... | 0:07:06 | 0:07:07 | |
No control. | 0:07:26 | 0:07:28 | |
Alex...ate breakfast here... | 0:07:31 | 0:07:33 | |
..almost every morning. | 0:07:35 | 0:07:36 | |
You can even tell me what he liked to order? | 0:07:36 | 0:07:39 | |
What? | 0:07:39 | 0:07:40 | |
Oh, to be convincing, you mean? | 0:07:40 | 0:07:42 | |
-You watched him? -Serving. | 0:07:42 | 0:07:44 | |
-A waiter? -Me? No. | 0:07:45 | 0:07:48 | |
Please. I was pretending. | 0:07:48 | 0:07:51 | |
The service... | 0:08:01 | 0:08:03 | |
..it's very expensive because the people, we... | 0:08:04 | 0:08:07 | |
..don't know that we are...escorts. | 0:08:09 | 0:08:12 | |
How is that possible? | 0:08:15 | 0:08:16 | |
We pretend. | 0:08:18 | 0:08:19 | |
We pretend to meet them by chance, | 0:08:19 | 0:08:22 | |
we pretend to be won over by their charms... | 0:08:22 | 0:08:25 | |
..we pretend to... | 0:08:26 | 0:08:29 | |
for pleasure... | 0:08:29 | 0:08:31 | |
-which takes some serious pretending. -Who pays you? | 0:08:31 | 0:08:34 | |
Our clients aren't the people we... | 0:08:34 | 0:08:36 | |
We report back. | 0:08:38 | 0:08:40 | |
So and so... | 0:08:40 | 0:08:41 | |
..likes it like this. | 0:08:43 | 0:08:45 | |
So and so... | 0:08:46 | 0:08:48 | |
likes a little of this. | 0:08:48 | 0:08:50 | |
HE SNIFFS | 0:08:50 | 0:08:52 | |
Blackmail? | 0:08:57 | 0:08:58 | |
But that's not my business. | 0:08:59 | 0:09:01 | |
You just do the fucking. | 0:09:01 | 0:09:03 | |
I just do the fucking. | 0:09:04 | 0:09:06 | |
ALEX GASPS | 0:09:16 | 0:09:18 | |
'They told me to meet him... | 0:09:18 | 0:09:19 | |
'in the way you met him.' | 0:09:19 | 0:09:21 | |
I'm sorry... 'An accident. | 0:09:21 | 0:09:24 | |
'They told me to be like you. | 0:09:27 | 0:09:29 | |
'They told me to act like you.' | 0:09:31 | 0:09:32 | |
In the end, Alex wasn't so tricky. | 0:09:35 | 0:09:38 | |
He just needed to believe... | 0:09:39 | 0:09:41 | |
..he was being good | 0:09:42 | 0:09:43 | |
..all the way up until he was being... | 0:09:44 | 0:09:47 | |
a little bit bad. | 0:09:47 | 0:09:49 | |
How do you seduce a good man? | 0:09:51 | 0:09:54 | |
'My approach was simple. | 0:09:55 | 0:09:57 | |
'I told him a sad story.' | 0:09:57 | 0:09:59 | |
I tell him it's the will and last testament of my mother. | 0:09:59 | 0:10:04 | |
And my mother, she never loved me, bitch. | 0:10:04 | 0:10:07 | |
In her will, the bitch leaves just three things to me. | 0:10:07 | 0:10:11 | |
Just three paintings. That's all. | 0:10:11 | 0:10:13 | |
And Alex, listening like a puppy dog. | 0:10:13 | 0:10:17 | |
And I tell him, heartbroken... | 0:10:17 | 0:10:19 | |
..they are the three paintings I painted for her. | 0:10:20 | 0:10:23 | |
I'm an artist, I say... | 0:10:23 | 0:10:25 | |
No, not yet an artist, | 0:10:25 | 0:10:29 | |
-aspiring to be. -Pretending to be. | 0:10:29 | 0:10:31 | |
That's a true story. | 0:10:33 | 0:10:35 | |
I am an artist. | 0:10:35 | 0:10:36 | |
What? | 0:10:36 | 0:10:37 | |
What do you think? I grew up wanting to be an escort? | 0:10:40 | 0:10:43 | |
Enough, Danny. | 0:10:45 | 0:10:46 | |
Enough with not believing. | 0:10:46 | 0:10:48 | |
What do you need? | 0:10:50 | 0:10:51 | |
I'll give it to you? Hmm? | 0:10:51 | 0:10:53 | |
You need those little details? | 0:10:53 | 0:10:56 | |
A birthmark on the inside of his thigh? | 0:10:56 | 0:10:59 | |
Something whispered? | 0:11:00 | 0:11:02 | |
Something moaned? | 0:11:02 | 0:11:03 | |
He had a thirst, I can tell you that. | 0:11:05 | 0:11:07 | |
Like a man crawling out of the desert. | 0:11:08 | 0:11:12 | |
Yeah? | 0:11:12 | 0:11:13 | |
Throat dry. | 0:11:13 | 0:11:15 | |
Lips dry. | 0:11:15 | 0:11:16 | |
Gulping up all those missed years. | 0:11:17 | 0:11:19 | |
Where? | 0:11:24 | 0:11:26 | |
My place. | 0:11:26 | 0:11:27 | |
Your place? | 0:11:29 | 0:11:30 | |
My fake place. | 0:11:30 | 0:11:32 | |
Why did he come round? | 0:11:32 | 0:11:33 | |
To see my paintings, of course. | 0:11:34 | 0:11:36 | |
What did you do? | 0:11:42 | 0:11:43 | |
'You hate yourself for asking.' | 0:11:45 | 0:11:47 | |
So... 'But you had to know.' | 0:11:47 | 0:11:49 | |
I'll be right back, OK? Give me a second. | 0:11:49 | 0:11:51 | |
'You had to ask... | 0:11:51 | 0:11:52 | |
'what did we do?' | 0:11:52 | 0:11:54 | |
We played a game. | 0:11:56 | 0:11:57 | |
How long can we talk without mentioning | 0:11:58 | 0:12:01 | |
the only thing we were both thinking about? | 0:12:01 | 0:12:03 | |
The first game lasted an hour. | 0:12:06 | 0:12:08 | |
The second game... | 0:12:10 | 0:12:11 | |
-..lasted a little longer... -ALEX PANTS | 0:12:13 | 0:12:16 | |
I rang him afterwards, | 0:12:29 | 0:12:31 | |
but he didn't answer. | 0:12:31 | 0:12:34 | |
The client wanted more. | 0:12:34 | 0:12:36 | |
But Alex wasn't interested. | 0:12:36 | 0:12:39 | |
Why wouldn't you tell me that he kept coming back? | 0:12:39 | 0:12:42 | |
Because I can see you're good at sniffing a lie. | 0:12:42 | 0:12:45 | |
So, I told you the truth. | 0:12:45 | 0:12:48 | |
Why did they hire you? | 0:12:48 | 0:12:50 | |
I don't know, I don't care. | 0:12:50 | 0:12:52 | |
It's just a job. | 0:12:52 | 0:12:54 | |
He's dead. | 0:12:55 | 0:12:57 | |
Your job. He was murdered. | 0:12:58 | 0:13:00 | |
You think you're not involved? | 0:13:01 | 0:13:03 | |
Because you seem like a loose end to me. | 0:13:03 | 0:13:06 | |
I was told to pay for our dinner. | 0:13:10 | 0:13:12 | |
Hey? | 0:13:15 | 0:13:16 | |
How else are you going to let them know what a great job you did? | 0:13:17 | 0:13:21 | |
I can see strings on you too. | 0:13:21 | 0:13:23 | |
What are you thinking? | 0:13:43 | 0:13:44 | |
Say it again. | 0:13:52 | 0:13:53 | |
What are you thinking? | 0:13:56 | 0:13:57 | |
Nothing. | 0:14:16 | 0:14:17 | |
You were Alex's first experience of love. | 0:14:22 | 0:14:25 | |
If he enjoyed a second, would you seem less important? | 0:14:25 | 0:14:28 | |
Could the thrill of the new replace the comfort of the old? | 0:14:30 | 0:14:34 | |
Watergate wasn't just about bugging the opposition. | 0:14:37 | 0:14:40 | |
They used prostitutes to collect information on rival candidates | 0:14:40 | 0:14:43 | |
to shame them, manipulate them, destroy them. | 0:14:43 | 0:14:48 | |
Sex has always been a means of control. | 0:14:48 | 0:14:50 | |
In the end, your relationship became a threat | 0:14:51 | 0:14:55 | |
to their relationship with him. | 0:14:55 | 0:14:58 | |
He changed you, you changed him, | 0:14:58 | 0:15:00 | |
priorities altered, loyalties altered. | 0:15:00 | 0:15:03 | |
I noticed it in our friendship. | 0:15:03 | 0:15:05 | |
The two of you were besotted. | 0:15:07 | 0:15:09 | |
The rest of the world ceased to exist, | 0:15:11 | 0:15:13 | |
but Alex was one of their most important minds. | 0:15:13 | 0:15:16 | |
Did you imagine they'd just allow him to drift away? | 0:15:17 | 0:15:20 | |
I didn't think about it. | 0:15:21 | 0:15:23 | |
It's all THEY would've thought about. | 0:15:23 | 0:15:25 | |
What binds this brilliant young man to us? | 0:15:25 | 0:15:29 | |
The Queen? Our history? His parents? | 0:15:29 | 0:15:31 | |
I accept that I didn't know anything about his...work. | 0:15:36 | 0:15:39 | |
His job. | 0:15:39 | 0:15:41 | |
The truth is, I didn't really know him as a person either. | 0:15:42 | 0:15:46 | |
I didn't know him. | 0:15:48 | 0:15:49 | |
Of all the attacks they've used, including your health, | 0:15:52 | 0:15:56 | |
the one that has proved most effective is smut. | 0:15:56 | 0:16:00 | |
For you, of all people. | 0:16:00 | 0:16:01 | |
He made a mistake, that's not it. | 0:16:03 | 0:16:05 | |
But why didn't he tell me? | 0:16:07 | 0:16:08 | |
Some of it? Any of it? | 0:16:10 | 0:16:11 | |
Because you wanted him to be perfect. | 0:16:13 | 0:16:15 | |
He saw that more clearly than you. | 0:16:15 | 0:16:17 | |
It was his funeral last week. | 0:16:20 | 0:16:23 | |
Do you know how I found out? | 0:16:23 | 0:16:26 | |
I heard about it on the news. | 0:16:26 | 0:16:27 | |
He was buried at a private ceremony for...close friends and family. | 0:16:29 | 0:16:34 | |
I can't count how many men I've comforted | 0:16:35 | 0:16:37 | |
when their partners were dying | 0:16:37 | 0:16:40 | |
and the family wouldn't allow them into the hospital, | 0:16:40 | 0:16:43 | |
or the church where they're buried. | 0:16:43 | 0:16:46 | |
I'm tired of it... | 0:16:47 | 0:16:49 | |
tired of hearing about it. | 0:16:49 | 0:16:51 | |
He wasn't close to his parents, he was close to you. | 0:16:52 | 0:16:55 | |
Hold your own funeral, say your own goodbye. | 0:16:55 | 0:16:58 | |
That's what I should be doing. | 0:17:00 | 0:17:02 | |
Saying goodbye. | 0:17:03 | 0:17:04 | |
What am I doing all this other stuff for? | 0:17:14 | 0:17:16 | |
Because Alex discovered some government secret? So what? | 0:17:16 | 0:17:20 | |
Cos they lied about a war? | 0:17:22 | 0:17:24 | |
They spy on us? Who..? What's it got to do with me? | 0:17:24 | 0:17:28 | |
And you know, I don't know any code. I don't. | 0:17:37 | 0:17:41 | |
'So, I don't know...' | 0:17:47 | 0:17:49 | |
Maybe, whatever those secrets are, maybe they weren't meant for me. | 0:17:50 | 0:17:55 | |
Then, that's that. | 0:17:57 | 0:17:58 | |
DISTANT SEAGULLS | 0:18:41 | 0:18:45 | |
Do you believe in soul mates? | 0:19:03 | 0:19:05 | |
No. | 0:19:09 | 0:19:10 | |
Not only do I not believe in them... | 0:19:14 | 0:19:16 | |
..it's not even a nice idea. | 0:19:17 | 0:19:19 | |
Not a nice idea? | 0:19:20 | 0:19:22 | |
That there's only just one other person out there for you. | 0:19:22 | 0:19:26 | |
What are the odds this person would be in the same country? | 0:19:26 | 0:19:30 | |
Or the same city? | 0:19:30 | 0:19:31 | |
That their paths would even cross? | 0:19:31 | 0:19:33 | |
It would mean almost everyone in the world is with the wrong person. | 0:19:33 | 0:19:37 | |
If it's a way of saying, "we're good together", why not just say... | 0:19:39 | 0:19:42 | |
"we're good together"? | 0:19:42 | 0:19:43 | |
But if you mean it literally... | 0:19:45 | 0:19:46 | |
-You think there are better people out there for you? -There might be. | 0:19:46 | 0:19:49 | |
For both of us. | 0:19:51 | 0:19:53 | |
But since we don't know them, it's just a theoretical. | 0:19:56 | 0:19:59 | |
Yes. It's... | 0:20:00 | 0:20:02 | |
a sentimental idea. | 0:20:02 | 0:20:04 | |
The maths doesn't add up. | 0:20:07 | 0:20:09 | |
But... | 0:20:09 | 0:20:12 | |
we're by the fire, we're under a night sky. | 0:20:12 | 0:20:15 | |
Couldn't you just have said "yes"? | 0:20:15 | 0:20:17 | |
Is that what your soul mate would've done? | 0:20:18 | 0:20:21 | |
Can it be opened? | 0:22:48 | 0:22:50 | |
If you know the code. | 0:22:50 | 0:22:51 | |
This is us. | 0:23:09 | 0:23:10 | |
Oh, I've done a lot of things with a lot of different people and... | 0:24:02 | 0:24:06 | |
that's part of the reason I'm sure... | 0:24:06 | 0:24:08 | |
that we're something special. | 0:24:08 | 0:24:11 | |
But, for you, it... | 0:24:12 | 0:24:13 | |
I don't want you to stay with me just because I'm the first. | 0:24:18 | 0:24:21 | |
So, you should see other people. | 0:24:22 | 0:24:25 | |
You should. | 0:24:25 | 0:24:26 | |
-I don't want to. -I only meant... -I don't need to. | 0:24:28 | 0:24:31 | |
..that there's only just one other person out there for you. | 0:24:40 | 0:24:43 | |
DOG BARKS | 0:26:03 | 0:26:04 | |
DOORBELL RINGS | 0:26:09 | 0:26:10 | |
Scottie? | 0:26:35 | 0:26:37 | |
Scottie?! | 0:26:41 | 0:26:42 | |
Scottie? | 0:26:46 | 0:26:48 | |
FAINT MURMURING | 0:26:53 | 0:26:54 | |
Scottie?! | 0:26:54 | 0:26:57 | |
Scottie? | 0:26:57 | 0:26:58 | |
-I was just remembering. -Huh? | 0:27:04 | 0:27:07 | |
A place. | 0:27:11 | 0:27:13 | |
I was remembering... | 0:27:20 | 0:27:21 | |
..a place. | 0:27:22 | 0:27:24 | |
Right, we need to get you to the hospital. | 0:27:26 | 0:27:28 | |
Will you just listen to me, for once, Danny?! | 0:27:28 | 0:27:31 | |
You were remembering...a place. | 0:27:37 | 0:27:40 | |
A place where no-one cares. | 0:27:57 | 0:27:58 | |
Pathetic. | 0:28:18 | 0:28:19 | |
Thank you. | 0:28:24 | 0:28:25 | |
My parents used to chide me. | 0:28:32 | 0:28:34 | |
"You were such a happy child." | 0:28:34 | 0:28:36 | |
How long? | 0:28:39 | 0:28:40 | |
Like this? | 0:28:42 | 0:28:43 | |
Three weeks. | 0:28:45 | 0:28:47 | |
Worse and worse each day. | 0:28:50 | 0:28:51 | |
Now as bad as it's ever been. | 0:28:54 | 0:28:56 | |
It can't be coincidence, can it? | 0:29:00 | 0:29:03 | |
30 years I've been OK and, now, like this? | 0:29:03 | 0:29:06 | |
Why might someone who's managed depression for 30 years | 0:29:10 | 0:29:13 | |
suddenly suffer a relapse? | 0:29:13 | 0:29:15 | |
For no reason? | 0:29:16 | 0:29:17 | |
This is what we're going to do. | 0:29:21 | 0:29:23 | |
We'll get new pills. | 0:29:23 | 0:29:25 | |
Real pills from a different doctor. | 0:29:25 | 0:29:28 | |
You can keep them on you at all... | 0:29:28 | 0:29:31 | |
Unless they switch them before they give them to you. | 0:29:31 | 0:29:35 | |
I'll get them illegally. | 0:29:36 | 0:29:37 | |
I know someone. He can get anything. | 0:29:38 | 0:29:41 | |
On your shell. | 0:29:48 | 0:29:49 | |
Until they find a crack. | 0:29:52 | 0:29:53 | |
A frailty. | 0:29:56 | 0:29:57 | |
A vulnerability. | 0:29:59 | 0:30:01 | |
No matter how small. | 0:30:02 | 0:30:04 | |
And then they pick away. | 0:30:07 | 0:30:09 | |
How do you kill an alcoholic? | 0:30:17 | 0:30:18 | |
With alcohol. | 0:30:20 | 0:30:22 | |
How do you kill a drug addict? | 0:30:22 | 0:30:23 | |
With drugs. | 0:30:24 | 0:30:26 | |
How do you kill a depressive? | 0:30:26 | 0:30:28 | |
Where'd you get them? | 0:30:31 | 0:30:33 | |
People tell the doctor whatever story, | 0:30:33 | 0:30:36 | |
collect a prescription, sell it to me. | 0:30:36 | 0:30:38 | |
They're good. It's all good. Always good from me. | 0:30:38 | 0:30:42 | |
Do you want something else? | 0:30:43 | 0:30:45 | |
No. | 0:30:45 | 0:30:46 | |
Nothing else. | 0:30:46 | 0:30:48 | |
Thank you. | 0:30:57 | 0:30:58 | |
Have you examined the contents? | 0:31:37 | 0:31:39 | |
We're going to need help. | 0:31:40 | 0:31:42 | |
With help comes risk. | 0:31:44 | 0:31:45 | |
The more people you involve... | 0:31:47 | 0:31:50 | |
Look what they've done to us. | 0:31:50 | 0:31:52 | |
That was before they knew we had this. | 0:31:53 | 0:31:56 | |
I can do this alone. | 0:32:01 | 0:32:03 | |
There are rumours. | 0:32:11 | 0:32:12 | |
About how the...Kremlin | 0:32:14 | 0:32:16 | |
guarantees the loyalty of its most important citizens. | 0:32:16 | 0:32:19 | |
Under the pretext of celebrating an election to the State Duma, | 0:32:21 | 0:32:26 | |
the individual is treated to the finest meal Moscow has to offer. | 0:32:26 | 0:32:32 | |
At some point during that night... | 0:32:32 | 0:32:35 | |
..this prized individual blacks out... | 0:32:36 | 0:32:38 | |
..waking in a hotel suite, | 0:32:39 | 0:32:41 | |
on a bed, beside a terrified naked child. | 0:32:41 | 0:32:45 | |
Before he can say anything, the FSB storm the room, arrest him, | 0:32:46 | 0:32:51 | |
and take him to an interrogation cell in Moscow's Butyrka prison, | 0:32:51 | 0:32:55 | |
where the individual swears he is not a paedophile. | 0:32:55 | 0:32:58 | |
"My drink must have been spiked!" | 0:32:58 | 0:33:01 | |
"I, I've been framed by my enemies!" He doesn't know. | 0:33:01 | 0:33:04 | |
He can't explain. "But it is a mistake!" | 0:33:04 | 0:33:06 | |
And, to his surprise... | 0:33:07 | 0:33:10 | |
the FSB officer agrees that it is a mistake, | 0:33:10 | 0:33:13 | |
but it is a mistake they will hold on record forever, | 0:33:13 | 0:33:17 | |
a mistake no-one will ever see, unless... | 0:33:17 | 0:33:20 | |
the individual makes a mistake of a political kind. | 0:33:20 | 0:33:24 | |
And, with that, the man's choice is clear - | 0:33:24 | 0:33:27 | |
privilege or disgrace. | 0:33:27 | 0:33:29 | |
Destruction or survival. | 0:33:29 | 0:33:31 | |
The FSB officer believes he's won. | 0:33:31 | 0:33:34 | |
The individual believes he's lost. | 0:33:34 | 0:33:36 | |
But those systems of oppression... | 0:33:36 | 0:33:38 | |
..as ruthless as they appear, | 0:33:40 | 0:33:43 | |
as unbeatable as they seem, never hold, | 0:33:43 | 0:33:45 | |
never last, never survive, | 0:33:45 | 0:33:48 | |
for we will not live in fear. | 0:33:48 | 0:33:50 | |
I would like to finish this particular adventure with you, | 0:33:54 | 0:33:57 | |
Daniel Edward Holt. | 0:33:57 | 0:33:59 | |
If you'll have me. | 0:33:59 | 0:34:01 | |
We're being watched. | 0:34:06 | 0:34:08 | |
We will be followed. | 0:34:09 | 0:34:10 | |
So we separate. | 0:34:12 | 0:34:14 | |
Shake them off. | 0:34:14 | 0:34:16 | |
And meet up at a place... | 0:34:16 | 0:34:19 | |
where no-one can follow us without revealing themselves. | 0:34:19 | 0:34:22 | |
The place where no-one cares? | 0:34:56 | 0:34:57 | |
I've always taken comfort from the idea that people don't care. | 0:35:00 | 0:35:04 | |
That they have better things to think about, | 0:35:04 | 0:35:06 | |
that there are more important matters to worry about. | 0:35:06 | 0:35:09 | |
I like it when people walk past me | 0:35:10 | 0:35:12 | |
and couldn't care less what I'm wearing, or whose hand I'm holding. | 0:35:12 | 0:35:16 | |
The place where no-one cares. | 0:35:16 | 0:35:19 | |
When I was young, I spent a lot of time searching for it, | 0:35:19 | 0:35:22 | |
and I promised myself, if I ever found it, | 0:35:22 | 0:35:25 | |
if it ever existed, that's where I'd make my home. | 0:35:25 | 0:35:28 | |
What do you think? | 0:36:03 | 0:36:04 | |
Ambition. | 0:36:07 | 0:36:09 | |
But no conviction. | 0:36:09 | 0:36:10 | |
You skip from short stories to lyrics, | 0:36:12 | 0:36:16 | |
from poems to sketches, | 0:36:16 | 0:36:18 | |
hoping the world will tell you who you are. | 0:36:18 | 0:36:20 | |
You must tell the world. | 0:36:20 | 0:36:22 | |
There you are. | 0:36:38 | 0:36:39 | |
Well done. | 0:36:39 | 0:36:41 | |
You weren't followed? | 0:36:41 | 0:36:43 | |
Well, I hope not. | 0:36:43 | 0:36:44 | |
So, will Marcus help us? | 0:36:44 | 0:36:47 | |
He didn't say. | 0:36:48 | 0:36:49 | |
Keep back, | 0:36:54 | 0:36:55 | |
and then that gives you your 'B' for 'Baritone'. | 0:36:55 | 0:36:59 | |
-Oh, I see - no, four, of course. -Yes. | 0:37:00 | 0:37:02 | |
-And that's got... -Where did you two meet? | 0:37:04 | 0:37:07 | |
Cambridge. | 0:37:07 | 0:37:09 | |
We shared a flat. | 0:37:09 | 0:37:10 | |
I was the first person he shared the secret of his sexuality with. | 0:37:13 | 0:37:18 | |
At that time, it was illegal. | 0:37:18 | 0:37:20 | |
And there were rumours. | 0:37:20 | 0:37:22 | |
So, then, I...agreed to play the part of...his lover. | 0:37:22 | 0:37:26 | |
And we walked around arm in arm, and we... | 0:37:27 | 0:37:31 | |
had picnics in the scholar's garden and... | 0:37:31 | 0:37:33 | |
..it was supposed to last about two months or so. | 0:37:36 | 0:37:39 | |
It lasted two years. | 0:37:39 | 0:37:41 | |
Are you gay? | 0:37:42 | 0:37:44 | |
No. | 0:37:45 | 0:37:46 | |
Did you see other people? | 0:37:48 | 0:37:51 | |
No. | 0:37:51 | 0:37:53 | |
I tried to become the man I was pretending to be. | 0:37:53 | 0:37:55 | |
You know, I prayed for the right kind of desire? | 0:38:00 | 0:38:03 | |
-A sham romance, you might say. -No. | 0:38:06 | 0:38:08 | |
No, no. | 0:38:11 | 0:38:12 | |
We're friends. We have been ever since. | 0:38:15 | 0:38:18 | |
We can't be sad about that. I refuse to be sad about that. | 0:38:18 | 0:38:21 | |
It's all very touching. | 0:38:21 | 0:38:23 | |
Marcus... | 0:38:26 | 0:38:28 | |
This is Danny, Alex's partner. And Scottie. | 0:38:28 | 0:38:31 | |
Where is it? | 0:38:31 | 0:38:32 | |
Cheers. | 0:39:49 | 0:39:50 | |
You didn't know, did you? How smart he was? | 0:40:05 | 0:40:09 | |
I knew. | 0:40:10 | 0:40:11 | |
But not really. | 0:40:11 | 0:40:12 | |
Not in the way you did, no. | 0:40:16 | 0:40:17 | |
His partner... | 0:40:21 | 0:40:23 | |
without any appreciation of his intellect. | 0:40:23 | 0:40:26 | |
Beyond some generalised idea that he was good with numbers. | 0:40:26 | 0:40:30 | |
Love without knowledge. | 0:40:31 | 0:40:33 | |
Popular culture might depict that as a romantic notion, I suppose. | 0:40:34 | 0:40:38 | |
He never spoke about his work. | 0:40:40 | 0:40:43 | |
What did you talk about? | 0:40:43 | 0:40:44 | |
Everything else. | 0:40:44 | 0:40:45 | |
I see. | 0:40:47 | 0:40:49 | |
No, I don't. I don't see at all. | 0:40:49 | 0:40:51 | |
Well, what did you two talk about? | 0:40:56 | 0:40:58 | |
-Outside of work? -We didn't. | 0:40:58 | 0:41:01 | |
Look, try to understand, | 0:41:02 | 0:41:04 | |
I was sure, | 0:41:04 | 0:41:06 | |
absolutely certain that he was going to change the world in some way. | 0:41:06 | 0:41:11 | |
Not my world. THE world. | 0:41:11 | 0:41:15 | |
Can you imagine the enormity of that feeling? | 0:41:15 | 0:41:18 | |
Being in the company of someone like that? | 0:41:18 | 0:41:21 | |
We knew different people. | 0:41:27 | 0:41:28 | |
Hmm. | 0:41:29 | 0:41:31 | |
The man I knew was exceptional. | 0:41:31 | 0:41:33 | |
-The man you knew was not. -The... -Unless you're going to tell me | 0:41:34 | 0:41:36 | |
how many sugars he took in his tea, or how he liked to be fucked. | 0:41:36 | 0:41:40 | |
Are these the details that define us? | 0:41:42 | 0:41:45 | |
I think that... | 0:41:45 | 0:41:46 | |
..being admired is lonely. | 0:41:47 | 0:41:50 | |
You're right, I'm sure. | 0:41:50 | 0:41:52 | |
But that was the price he had to pay. | 0:41:52 | 0:41:55 | |
The ordinary world wasn't for him. | 0:41:55 | 0:41:57 | |
And his flirtation with it... | 0:41:57 | 0:42:00 | |
was always going to end badly. | 0:42:00 | 0:42:02 | |
Professor? | 0:42:08 | 0:42:09 | |
I miss him, too. | 0:42:11 | 0:42:13 | |
He did it. | 0:42:47 | 0:42:49 | |
The 9/11 attackers sent e-mails | 0:42:49 | 0:42:52 | |
using pre-arranged code words. | 0:42:52 | 0:42:55 | |
"The Faculty Of Urban Planning" was the World Trade Center. | 0:42:55 | 0:42:58 | |
The, uh, The Pentagon was "The Faculty Of Fine Arts". | 0:42:58 | 0:43:01 | |
Mohammed Atta's final message to the other terrorists | 0:43:01 | 0:43:05 | |
referred to their semesters beginning | 0:43:05 | 0:43:08 | |
in three weeks at the faculties of Urban Planning and Fine Arts. | 0:43:08 | 0:43:12 | |
Two e-mails. | 0:43:23 | 0:43:24 | |
In this one, | 0:43:27 | 0:43:29 | |
"zoo" means zoo. | 0:43:29 | 0:43:31 | |
In this one, it means airport. | 0:43:31 | 0:43:34 | |
How do you tell them apart? | 0:43:34 | 0:43:35 | |
When... | 0:43:37 | 0:43:39 | |
people... | 0:43:39 | 0:43:41 | |
who go to the zoo | 0:43:41 | 0:43:43 | |
also visit... | 0:43:43 | 0:43:45 | |
..museums. | 0:43:46 | 0:43:47 | |
They watch animated movies. | 0:43:49 | 0:43:51 | |
Buy children's clothes. | 0:43:51 | 0:43:54 | |
And donate...to animal charities. | 0:43:54 | 0:43:58 | |
Convert our entire online history into numbers, | 0:43:58 | 0:44:03 | |
and a visit to the zoo... | 0:44:03 | 0:44:05 | |
looks... | 0:44:05 | 0:44:08 | |
like this. | 0:44:08 | 0:44:09 | |
A coded message looks... | 0:44:11 | 0:44:14 | |
..like this. | 0:44:18 | 0:44:19 | |
The 9/11 terrorists used innocent words, | 0:44:23 | 0:44:27 | |
but they didn't use them like the rest of us. | 0:44:27 | 0:44:29 | |
We like to think of ourselves as individuals. | 0:44:29 | 0:44:33 | |
But we're not. | 0:44:36 | 0:44:37 | |
We're a pattern. | 0:44:37 | 0:44:39 | |
We are... | 0:44:39 | 0:44:40 | |
married, gay... | 0:44:40 | 0:44:42 | |
..straight, professional, | 0:44:44 | 0:44:46 | |
rich, poor. | 0:44:46 | 0:44:48 | |
Our online DNA, | 0:44:51 | 0:44:53 | |
revealing...our true nature... | 0:44:53 | 0:44:56 | |
..even... | 0:44:57 | 0:44:59 | |
when we lie. | 0:44:59 | 0:45:00 | |
I told him he would change the world. | 0:45:03 | 0:45:05 | |
I just didn't tell him how dangerous it would be. | 0:45:08 | 0:45:10 | |
Alex decided to apply his concept to speech. | 0:45:15 | 0:45:18 | |
Words don't occur in isolation. | 0:45:19 | 0:45:22 | |
They're part of a series of actions. | 0:45:22 | 0:45:24 | |
Your intake of breath, | 0:45:24 | 0:45:26 | |
facial gestures, pupil dilation, hand movements. | 0:45:26 | 0:45:30 | |
Alex theorised they formed patterns, | 0:45:30 | 0:45:33 | |
and these patterns would be different | 0:45:33 | 0:45:36 | |
if we were telling the truth or telling a lie. | 0:45:36 | 0:45:38 | |
A lie detector? | 0:45:38 | 0:45:40 | |
Important lies are told by important people. | 0:45:40 | 0:45:42 | |
They'd never consent to a test of any kind. | 0:45:42 | 0:45:45 | |
Alex didn't need their consent. | 0:45:45 | 0:45:47 | |
They've already provided all the information. | 0:45:47 | 0:45:49 | |
The most important people in the world are also the most documented. | 0:45:49 | 0:45:53 | |
Study every word they've ever spoken. | 0:45:53 | 0:45:56 | |
Mundane, profound - it doesn't matter. | 0:45:56 | 0:45:59 | |
Analyse every variable possible. | 0:45:59 | 0:46:02 | |
Translate that information into numbers, | 0:46:02 | 0:46:04 | |
and identify the patterns. | 0:46:04 | 0:46:06 | |
A fingerprint... | 0:46:06 | 0:46:08 | |
for our truths and our lies. | 0:46:08 | 0:46:11 | |
We'd be able to analyse every statement. | 0:46:11 | 0:46:14 | |
Every political claim. | 0:46:14 | 0:46:16 | |
Er, every case for war. | 0:46:16 | 0:46:18 | |
Every court case verdict. | 0:46:18 | 0:46:20 | |
The end of lies. | 0:46:20 | 0:46:21 | |
If the four of us survive a week, | 0:46:31 | 0:46:34 | |
I'd be very surprised. | 0:46:34 | 0:46:35 | |
You're a thoroughly nice guy, aren't you, Danny? | 0:46:51 | 0:46:54 | |
So was Alex. | 0:46:56 | 0:46:58 | |
For all his intellect, an innocent, really. | 0:46:58 | 0:47:01 | |
When he told me he was going to work for GCHQ, I knew it was a mistake. | 0:47:03 | 0:47:07 | |
He didn't belong in that world. | 0:47:07 | 0:47:09 | |
And I could feel him wanting me to tell him so. | 0:47:09 | 0:47:12 | |
Why didn't you say something? | 0:47:14 | 0:47:17 | |
We didn't have that kind of a relationship. | 0:47:17 | 0:47:21 | |
I take it you have some kind of plan? | 0:47:21 | 0:47:24 | |
We must prove it works. | 0:47:24 | 0:47:26 | |
You don't have a plan, do you? | 0:47:36 | 0:47:37 | |
No. | 0:47:37 | 0:47:39 | |
He needed to believe I did. And we need him. | 0:47:39 | 0:47:41 | |
You see? | 0:47:43 | 0:47:44 | |
Proof - the orderly functioning of society | 0:47:44 | 0:47:47 | |
depends on our ability to lie. | 0:47:47 | 0:47:49 | |
Given the choice of no lies, or lies, every organization, | 0:47:49 | 0:47:53 | |
every person of power, without exception, will choose lies. | 0:47:53 | 0:47:57 | |
Maybe Alex imagined a better way of doing things. | 0:47:58 | 0:48:01 | |
I wonder when he began work on this project. | 0:48:03 | 0:48:06 | |
Why does that matter? | 0:48:07 | 0:48:09 | |
Maybe he was ashamed of the lies he'd told you. | 0:48:09 | 0:48:13 | |
Ashamed that your relationship was built on lies. | 0:48:13 | 0:48:16 | |
Maybe on some level, | 0:48:16 | 0:48:18 | |
he thought he was making amends. | 0:48:18 | 0:48:20 | |
-To who? -To you. | 0:48:20 | 0:48:22 | |
Danny! | 0:48:30 | 0:48:32 | |
-I'm to blame. -I'm sorry. | 0:48:43 | 0:48:46 | |
I'm to blame. | 0:48:47 | 0:48:49 | |
I never said "to blame". | 0:48:49 | 0:48:50 | |
He did it for me? | 0:48:53 | 0:48:54 | |
It's possible. | 0:48:55 | 0:48:57 | |
I never asked for it. | 0:48:59 | 0:49:01 | |
He knew you'd find out that he'd lied about much of his life. | 0:49:01 | 0:49:05 | |
He must have worried that you'd end up hating him. | 0:49:05 | 0:49:08 | |
He must have worried about that moment every day. | 0:49:08 | 0:49:10 | |
Would you still love him if you knew? | 0:49:10 | 0:49:12 | |
Could you still love him if you knew? | 0:49:12 | 0:49:15 | |
Would you re-examine your love story - Alex's only love story... | 0:49:15 | 0:49:20 | |
..and decide, in the end, it was nothing but a lie? | 0:49:21 | 0:49:25 | |
He was never sure. | 0:49:25 | 0:49:27 | |
How could he be? | 0:49:28 | 0:49:29 | |
I wish I could've told him. | 0:49:34 | 0:49:36 | |
That none of it mattered. | 0:49:36 | 0:49:38 | |
The lies, the mistakes. | 0:49:39 | 0:49:41 | |
That I loved him, just the same. | 0:49:43 | 0:49:45 | |
That I, I love him. Still. Now. Knowing it all. | 0:49:46 | 0:49:50 | |
I wish he could've heard me say it. | 0:49:53 | 0:49:54 | |
Yes. | 0:49:56 | 0:49:57 | |
He'll never know. | 0:50:02 | 0:50:03 | |
No. | 0:50:04 | 0:50:05 | |
This is going to sound a, a bit... | 0:50:53 | 0:50:55 | |
But...it occurred to me I'd never said it out loud before. | 0:50:57 | 0:51:00 | |
I love you. | 0:51:03 | 0:51:04 | |
Very much. | 0:51:06 | 0:51:07 | |
You're not going to be charged. | 0:51:52 | 0:51:54 | |
Is that it? | 0:52:02 | 0:52:03 | |
You're free to go. | 0:52:05 | 0:52:06 | |
You brought me here like this to tell me that? | 0:52:10 | 0:52:12 | |
Will anyone be charged? | 0:52:17 | 0:52:18 | |
Danny... | 0:52:24 | 0:52:25 | |
..for you... | 0:52:27 | 0:52:28 | |
..this is over. | 0:52:30 | 0:52:31 | |
This isn't over. | 0:52:32 | 0:52:34 | |
This isn't over. | 0:52:45 | 0:52:47 | |
APPLAUSE | 0:53:29 | 0:53:31 | |
PHONE RINGS | 0:54:11 | 0:54:13 | |
-Scottie? -Danny. | 0:54:26 | 0:54:27 | |
-Danny... -Scottie? | 0:54:36 | 0:54:38 | |
There will be a note. | 0:54:38 | 0:54:40 | |
APPLAUSE | 0:55:04 | 0:55:06 | |
HE BEGINS TO CRY | 0:55:33 | 0:55:35 |