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This programme contains some violent scenes and scenes which some viewers may find upsetting. | 0:00:02 | 0:00:08 | |
-Now what? -I'd like to run through it one more time, if I may. Who is this? | 0:00:08 | 0:00:14 | |
That's John. | 0:00:17 | 0:00:19 | |
-John? -Luther. | 0:00:19 | 0:00:22 | |
And who is John Luther? | 0:00:24 | 0:00:27 | |
My friend. | 0:00:27 | 0:00:29 | |
How did you and John meet? | 0:00:33 | 0:00:34 | |
When I was suspected of killing my parents. | 0:00:36 | 0:00:39 | |
-And, after that, you became friends? -We grew close. | 0:00:39 | 0:00:44 | |
And how exactly would you characterise this closeness? | 0:00:44 | 0:00:49 | |
Well, we were...simpatico. | 0:00:49 | 0:00:52 | |
And I pitied him. | 0:00:53 | 0:00:55 | |
How so? | 0:00:55 | 0:00:56 | |
He always seemed lost to me. | 0:00:58 | 0:01:00 | |
Paddling furiously, just to keep afloat. | 0:01:00 | 0:01:03 | |
I wanted to help him. | 0:01:06 | 0:01:08 | |
And what form did this help take? | 0:01:08 | 0:01:12 | |
Well, John had any number of vexations, and I helped him in several ways. | 0:01:12 | 0:01:18 | |
Tell me about Ian Reed. | 0:01:18 | 0:01:20 | |
He was a friend who betrayed John and hurt him very badly. | 0:01:22 | 0:01:25 | |
So I killed him, two barrels of his own shotgun. | 0:01:25 | 0:01:30 | |
Boom, boom. | 0:01:32 | 0:01:34 | |
And did John...? | 0:01:35 | 0:01:37 | |
And this is very important, Alice... | 0:01:39 | 0:01:42 | |
Did John ask you to do this? | 0:01:43 | 0:01:45 | |
Good heavens, no. | 0:01:48 | 0:01:50 | |
He was absolutely livid. | 0:01:51 | 0:01:52 | |
We had quite a tiff. | 0:01:52 | 0:01:54 | |
Things were said. | 0:01:54 | 0:01:56 | |
GUN COCKED | 0:02:06 | 0:02:07 | |
TRIGGER CLICKS | 0:02:10 | 0:02:12 | |
You're not going to penalise John for my misdeeds... | 0:02:16 | 0:02:19 | |
-..are you? -No, Miss Morgan. | 0:02:20 | 0:02:24 | |
Is he still a police officer? | 0:02:25 | 0:02:27 | |
Yes, he's one of ours. | 0:02:29 | 0:02:31 | |
# Love is like a sin, my love | 0:02:36 | 0:02:43 | |
# For the ones that feel it the most | 0:02:43 | 0:02:49 | |
# Look at her with her eyes like a flame | 0:02:50 | 0:02:55 | |
# She will love you like a fly will never love you. # | 0:02:58 | 0:03:02 | |
RADIO: THE TOURISTS "I Only Want To be With You" | 0:03:22 | 0:03:26 | |
How are you sleeping? | 0:03:34 | 0:03:35 | |
Better. | 0:03:40 | 0:03:41 | |
Mostly. | 0:03:42 | 0:03:43 | |
What about you? | 0:03:45 | 0:03:47 | |
Ah, a bit better. | 0:03:47 | 0:03:48 | |
Mostly. | 0:03:50 | 0:03:51 | |
I'm going back to work. | 0:03:53 | 0:03:56 | |
You ready? | 0:03:56 | 0:03:57 | |
SINISTER MUSIC | 0:04:02 | 0:04:04 | |
FOOTSTEPS ECHO | 0:04:07 | 0:04:09 | |
SHE SCREAMS | 0:05:17 | 0:05:18 | |
Attempted burglary, resisting arrest, assaulting a police officer. | 0:05:41 | 0:05:45 | |
What's your name? | 0:05:45 | 0:05:47 | |
HE SLURS UNINTELLIGIBLY | 0:05:47 | 0:05:49 | |
-He tried to rob a house in this state? -Not a house, a dojo. | 0:05:51 | 0:05:55 | |
He tried to rob a karate school? | 0:05:55 | 0:05:58 | |
Right, let's get him interviewed. | 0:05:58 | 0:06:00 | |
We thank you for your custom. We know other police stations are available. | 0:06:00 | 0:06:03 | |
The thing they don't tell you about the drugs | 0:06:03 | 0:06:06 | |
is that it makes you smell like a dog's arse. | 0:06:06 | 0:06:07 | |
It's not very Keith Richards, is it? Not very rock 'n' roll. | 0:06:07 | 0:06:11 | |
Justin. | 0:06:12 | 0:06:14 | |
I've never seen you in your uniform. | 0:06:17 | 0:06:18 | |
-Look like you're on work experience. -Yeah, well, my good uniform got vomited on. | 0:06:18 | 0:06:25 | |
It's all very soul-destroying, isn't it? Actual police work. | 0:06:25 | 0:06:29 | |
-Burglars, junkies. -Well, I'm working off my sins, aren't I? | 0:06:29 | 0:06:33 | |
Your major sin being that you, er, were loyal to me. | 0:06:33 | 0:06:36 | |
That'd be the one. | 0:06:36 | 0:06:37 | |
So, what, you're in here because you picked up a shoplifter? | 0:06:39 | 0:06:42 | |
They set up a new unit. | 0:06:42 | 0:06:44 | |
Serious and Serial. | 0:06:44 | 0:06:47 | |
You not fancy staying in Cold Case? Revealing the identity of Jack The Ripper. | 0:06:47 | 0:06:50 | |
Let's just see if you're going to be as cheeky as that | 0:06:50 | 0:06:54 | |
when you have to pick me up at 8.00 in the morning. | 0:06:54 | 0:06:56 | |
Cos at 8.00 in the morning, I am grizzly. | 0:06:56 | 0:06:59 | |
I was told I'd be in uniform for two years, minimum. | 0:07:00 | 0:07:04 | |
Tried to make you resign, didn't they? | 0:07:04 | 0:07:06 | |
Humiliated you. Bullied you. | 0:07:07 | 0:07:10 | |
You're a bit of an embarrassment. | 0:07:10 | 0:07:12 | |
But you didn't leave. | 0:07:14 | 0:07:16 | |
No... No, you didn't. | 0:07:16 | 0:07:19 | |
See you in the morning. | 0:07:21 | 0:07:23 | |
See you in the morning. | 0:07:25 | 0:07:27 | |
PHONE BUZZES | 0:07:41 | 0:07:42 | |
Justin. | 0:07:44 | 0:07:45 | |
DS Ripley. Morning. | 0:07:56 | 0:07:58 | |
GRUNTS | 0:07:58 | 0:08:00 | |
Excuse me. | 0:08:05 | 0:08:06 | |
Martin. | 0:08:08 | 0:08:09 | |
-Or is it Guv'nor? -Whichever you prefer. | 0:08:09 | 0:08:13 | |
Sergeant Ripley. My old comrade-in-arms. | 0:08:13 | 0:08:16 | |
-Good to see you back where you belong. -Sir. | 0:08:16 | 0:08:18 | |
I fancy DCI Luther forgot to tell you I'm heading up this unit. | 0:08:18 | 0:08:22 | |
Er, he may have omitted that detail, sir, yes. | 0:08:22 | 0:08:24 | |
-Blitz attack, last night. -PHONE RINGS | 0:08:24 | 0:08:27 | |
The victim is Sadie Buckingham. | 0:08:27 | 0:08:29 | |
Schenk. | 0:08:29 | 0:08:30 | |
I'm listening. | 0:08:30 | 0:08:32 | |
LUTHER GROANS She was strangled...and... | 0:08:32 | 0:08:36 | |
Throat slashed. From right to left, very sharp blade. | 0:08:36 | 0:08:41 | |
Do you think he's having a joke? | 0:08:42 | 0:08:44 | |
-What do you think? -What kind of joke? | 0:08:44 | 0:08:46 | |
Well...slaughtered like cattle, right next to a meat market. | 0:08:46 | 0:08:51 | |
Let's have a look at him. | 0:08:53 | 0:08:54 | |
Mr Punch. | 0:08:56 | 0:08:58 | |
-Welcome on board, sir. -Cheers. | 0:09:19 | 0:09:21 | |
Good to see you, sir. | 0:09:24 | 0:09:26 | |
- Hello. - Sir. | 0:09:28 | 0:09:31 | |
-Sir. -Morning, all. | 0:09:31 | 0:09:33 | |
Morning, guv. | 0:09:33 | 0:09:35 | |
DS Gray. | 0:09:35 | 0:09:36 | |
-Oh, er, DS Ripley. Justin. -Nice to meet you. | 0:09:36 | 0:09:39 | |
Benny, can you play back those phone calls? | 0:09:39 | 0:09:42 | |
The victim first managed to dial 999... | 0:09:42 | 0:09:45 | |
All right. | 0:10:01 | 0:10:03 | |
..after which, the killer made this call to the victim's mother. | 0:10:03 | 0:10:06 | |
'He is the sunrise. He loves everyone.' | 0:10:06 | 0:10:09 | |
He then called several of her contacts, | 0:10:09 | 0:10:13 | |
her sisters, her friends, her colleagues, her vet! | 0:10:13 | 0:10:16 | |
'He...is...the sunrise. | 0:10:18 | 0:10:21 | |
'He...loves...everyone.' | 0:10:21 | 0:10:23 | |
All right. First thing we need to do, Justin, is run background | 0:10:25 | 0:10:28 | |
on the victim's friends, acquaintances. | 0:10:28 | 0:10:31 | |
Make sure this isn't an ex-boyfriend that's gone nuts. Erin... | 0:10:31 | 0:10:33 | |
I'll source the sunrise chant, see if it ties in with a specific belief system. | 0:10:33 | 0:10:36 | |
-Good place to start, but this... -SIGHS | 0:10:36 | 0:10:39 | |
..this isn't a cult murder. | 0:10:39 | 0:10:41 | |
Guv? | 0:10:41 | 0:10:42 | |
All of this is for effect. Murder by theatre. | 0:10:42 | 0:10:46 | |
I bet the same goes for "I am the sun that shines". | 0:10:46 | 0:10:49 | |
-It's designed it to give him prestige. -People are already talking about him. | 0:10:49 | 0:10:52 | |
That's right, and if he's that desperate to be noticed, | 0:10:52 | 0:10:55 | |
then this was opening night. | 0:10:55 | 0:10:56 | |
There'll be a lot more where this comes from. | 0:10:56 | 0:10:58 | |
I'll source the chant and the mask, check websites, collectors. | 0:10:58 | 0:11:01 | |
-See who's is buying, who's selling. -All right. | 0:11:01 | 0:11:04 | |
How's this looking? | 0:11:08 | 0:11:09 | |
It's early doors. We'll get him. | 0:11:09 | 0:11:12 | |
Yeah. | 0:11:12 | 0:11:13 | |
John, I, um... | 0:11:15 | 0:11:17 | |
I know you had great loyalty to Rose Teller, | 0:11:18 | 0:11:21 | |
and rightly so, | 0:11:21 | 0:11:23 | |
but often it's the good coppers who shoulder the blame for the bad. | 0:11:23 | 0:11:27 | |
Things between us...historically, have sometimes been... | 0:11:28 | 0:11:33 | |
You had a job to do. | 0:11:33 | 0:11:35 | |
You did it well. | 0:11:36 | 0:11:37 | |
If I was your adversary then... I'm not your adversary now. | 0:11:40 | 0:11:44 | |
I have a new job to do, and part of that job is to police you | 0:11:46 | 0:11:50 | |
and to do that properly, I need your trust...and your candour. | 0:11:50 | 0:11:56 | |
No secrets. | 0:11:58 | 0:12:00 | |
No agendas. | 0:12:00 | 0:12:02 | |
And no Alice Morgan. | 0:12:03 | 0:12:04 | |
-No secrets. -SIGHS | 0:12:07 | 0:12:09 | |
No agendas. | 0:12:10 | 0:12:12 | |
So, what was it like being bumped back to uniform? | 0:12:12 | 0:12:14 | |
I was never ashamed to wear a uniform. | 0:12:16 | 0:12:18 | |
What about working for His Satanic Majesty? | 0:12:18 | 0:12:20 | |
-Sorry, who? -Luther. | 0:12:22 | 0:12:24 | |
Is he really as dirty as they say? | 0:12:24 | 0:12:25 | |
Who? | 0:12:25 | 0:12:27 | |
They! | 0:12:28 | 0:12:29 | |
All the people who've never worked with him? | 0:12:29 | 0:12:31 | |
I'm just saying - you know the pitfalls, you can tell me what to look out for. | 0:12:31 | 0:12:34 | |
Where are we, Justin? | 0:12:34 | 0:12:36 | |
Nothing of interest, so far. | 0:12:36 | 0:12:38 | |
She's got an ex-boyfriend, was done for affray, | 0:12:38 | 0:12:40 | |
but that was back during the G7 riots. | 0:12:40 | 0:12:42 | |
-No restraining orders. Nothing, really. -What about the sunrise stuff? | 0:12:42 | 0:12:46 | |
You were right. No specific reference. | 0:12:46 | 0:12:48 | |
Sunrise imagery seems general to just about every religion or cult. | 0:12:48 | 0:12:51 | |
What about the mask? | 0:12:51 | 0:12:52 | |
It looks antique, maybe theatrical. | 0:12:52 | 0:12:54 | |
If that's the case, there's a market for it, which is good. | 0:12:54 | 0:12:57 | |
Problem is the internet. Collectables flow back and forth over international borders, | 0:12:57 | 0:13:01 | |
barely leave a trace, so I'm hitting the talk-boards, see if anybody can ID it. | 0:13:01 | 0:13:05 | |
Well, stick with it, see what comes up. | 0:13:05 | 0:13:07 | |
Guv! | 0:13:09 | 0:13:10 | |
DCI Luther. | 0:13:11 | 0:13:13 | |
Caroline. | 0:13:13 | 0:13:15 | |
Um, DS Ripley. | 0:13:15 | 0:13:16 | |
Caroline Jones. | 0:13:17 | 0:13:19 | |
Caroline, now's not a good time for me. | 0:13:19 | 0:13:21 | |
It's all right, boss. We can give you a minute. | 0:13:21 | 0:13:22 | |
How long have you and DCI Luther known one another? | 0:13:24 | 0:13:27 | |
Since my husband accidentally killed a prostitute. | 0:13:27 | 0:13:30 | |
How is she? | 0:13:30 | 0:13:33 | |
She was self-mutilating at 14. | 0:13:33 | 0:13:35 | |
She cut herself with a razor. | 0:13:37 | 0:13:39 | |
Top of the arms, top of the thighs. | 0:13:40 | 0:13:43 | |
Places I couldn't see. | 0:13:45 | 0:13:47 | |
Before you know, she's stealing from me. Lying. | 0:13:48 | 0:13:52 | |
Threatening me with a knife. | 0:13:53 | 0:13:55 | |
And she just runs away. | 0:13:58 | 0:13:59 | |
-Gone. -Caroline... | 0:14:02 | 0:14:04 | |
OK, listen, I'm going to stop you here, cos what...what you're going to tell me... | 0:14:06 | 0:14:11 | |
I can't help. | 0:14:11 | 0:14:12 | |
She was selling herself at 17. | 0:14:12 | 0:14:14 | |
I might not like it, you might not like it, but... | 0:14:14 | 0:14:17 | |
Well, Jenny's made her choices. | 0:14:17 | 0:14:20 | |
You ever hear of necro-porn? | 0:14:28 | 0:14:29 | |
This is what they're going to do to Jenny. This afternoon. | 0:14:32 | 0:14:36 | |
Explain to me how this isn't rape. | 0:14:36 | 0:14:38 | |
Men who do this aren't actors. They pay for it. | 0:14:38 | 0:14:42 | |
Do you understand what that means? | 0:14:42 | 0:14:45 | |
Men are paying to rape my daughter. | 0:14:45 | 0:14:48 | |
So many times I've tried to help people by doing things I shouldn't have done, and... | 0:14:48 | 0:14:53 | |
-SIGHS -..it's only made it worse. | 0:14:54 | 0:14:57 | |
You think? | 0:14:57 | 0:14:58 | |
-SIGHS -You didn't need to treat her dad the way you did. | 0:14:59 | 0:15:02 | |
Degrading him in public, humiliating him. | 0:15:02 | 0:15:04 | |
It was the only way I knew how to stop him. | 0:15:04 | 0:15:07 | |
Look what you did to me, | 0:15:07 | 0:15:09 | |
to her dad... | 0:15:09 | 0:15:11 | |
..it messed her up. | 0:15:13 | 0:15:14 | |
So this is your fault. | 0:15:15 | 0:15:18 | |
As much as her dad's, this is your fault. | 0:15:18 | 0:15:21 | |
-For what you did to us. -I'm a policeman. | 0:15:21 | 0:15:24 | |
What did you want me to do? | 0:15:26 | 0:15:28 | |
And your wife? | 0:15:29 | 0:15:30 | |
Is she proud? | 0:15:32 | 0:15:34 | |
INHALES DEEPLY | 0:15:39 | 0:15:41 | |
All right, I'll talk to her. | 0:15:45 | 0:15:47 | |
Can't promise I'll change her mind. | 0:15:47 | 0:15:49 | |
Got an address? | 0:15:51 | 0:15:53 | |
No... This is all I've got. | 0:15:55 | 0:15:57 | |
GRUNTING | 0:16:00 | 0:16:01 | |
All right. | 0:16:04 | 0:16:06 | |
No jokes, OK? | 0:16:06 | 0:16:07 | |
There's no joking about this sort of thing. | 0:16:09 | 0:16:11 | |
Is that wee girl OK? | 0:16:11 | 0:16:13 | |
She is now, apparently. | 0:16:13 | 0:16:15 | |
But, Benny, I need to find her today or that is going to happen to her, or worse. | 0:16:17 | 0:16:21 | |
You've worked vice. | 0:16:21 | 0:16:23 | |
Any laws you have to break to help me do that? | 0:16:23 | 0:16:26 | |
Well, people like this like to keep a low profile, for obvious reasons. | 0:16:27 | 0:16:32 | |
But if there's a revenue stream, there's a paper trail. | 0:16:32 | 0:16:35 | |
So I'll make a few phone calls, see what I can dig out for you. | 0:16:35 | 0:16:38 | |
All right. Just let me know as soon as you know anything, all right? | 0:16:38 | 0:16:41 | |
No problem. | 0:16:41 | 0:16:42 | |
CAMERA CLICKING | 0:17:02 | 0:17:05 | |
Excuse me. | 0:17:07 | 0:17:08 | |
Are you an art student? | 0:17:08 | 0:17:10 | |
-Am I that obvious? -No, no, no. LAUGHS | 0:17:10 | 0:17:14 | |
-Where do you go? -Um, Saint Martin's. | 0:17:14 | 0:17:16 | |
No?! LAUGHS | 0:17:16 | 0:17:19 | |
-Me too. I went to Saint Martin's. -Really? | 0:17:19 | 0:17:21 | |
-Yeah. It's a small world, or what? -Um... | 0:17:21 | 0:17:25 | |
What are you doing? Um... Fine art...or...? | 0:17:25 | 0:17:29 | |
-No, textiles. -Oh! | 0:17:29 | 0:17:31 | |
Yeah, we have to, um, design a print that somehow evokes London. | 0:17:31 | 0:17:35 | |
Oh, well... | 0:17:35 | 0:17:36 | |
..you came to the right place for that, eh? | 0:17:37 | 0:17:39 | |
I mean this, this is...is...London. | 0:17:39 | 0:17:43 | |
It used to be a quiet little lane, lined with elm trees and so on, | 0:17:44 | 0:17:47 | |
but they've been selling stuff here since 1608. | 0:17:47 | 0:17:50 | |
Then in the 17th century, the Huguenots arrived. | 0:17:50 | 0:17:52 | |
18th century, it becomes, like, a centre for cloth-making, | 0:17:52 | 0:17:56 | |
and then in 1830, they tried to change the name. | 0:17:56 | 0:17:59 | |
"Petticoat" was considered too raunchy for the Victorians. But it didn't work! | 0:17:59 | 0:18:03 | |
-Petticoat Lane endures. -Are you, like, a local historian? | 0:18:03 | 0:18:07 | |
No, no, no, no. I just... I love the place. You can feel the time, | 0:18:07 | 0:18:11 | |
like layers of time, strata of time, a big cake of time. | 0:18:11 | 0:18:15 | |
No, it's magic. It's got magic to it. | 0:18:15 | 0:18:17 | |
Hey... | 0:18:17 | 0:18:19 | |
do you want to see something really cool? | 0:18:19 | 0:18:21 | |
No. Um, no, I'm fine, thanks. | 0:18:21 | 0:18:25 | |
-The most London thing ever. -No. | 0:18:25 | 0:18:27 | |
-Most London thing you'll ever see. -I'm fine! Thank you. | 0:18:27 | 0:18:30 | |
SHE GASPS AND SCREAMS | 0:18:41 | 0:18:43 | |
SPLUTTERING | 0:18:46 | 0:18:48 | |
DISTORTED VOICE He is the sunrise. He loves everyone. | 0:19:04 | 0:19:08 | |
He is the sunrise. He loves everyone. | 0:19:08 | 0:19:10 | |
He is the sunrise. | 0:19:10 | 0:19:12 | |
He loves everyone. | 0:19:12 | 0:19:14 | |
Smithfields. Petticoat Lane. | 0:19:20 | 0:19:22 | |
He's a London boy, ain't he? | 0:19:24 | 0:19:25 | |
We know he likes the attention, so, erm... | 0:19:26 | 0:19:29 | |
Do me a favour, confiscate every one of those mobile phones. | 0:19:29 | 0:19:32 | |
-On what grounds, legally? -Find grounds. | 0:19:32 | 0:19:36 | |
We need to start collecting data | 0:19:37 | 0:19:39 | |
on all the crowds that show up at the crime scenes. | 0:19:39 | 0:19:41 | |
Comparing faces, see if the same face doesn't show up more than once. | 0:19:41 | 0:19:44 | |
Sometimes serial offenders return to the scene, enjoy the chaos they've caused. | 0:19:44 | 0:19:48 | |
-Makes them feel omnipotent. -I know, it's just... | 0:19:48 | 0:19:50 | |
When he says "confiscate", he means appeal to the owners of the phones, OK? | 0:19:50 | 0:19:55 | |
Fine, but that's not what he said, is it? | 0:19:55 | 0:19:58 | |
..I'd like you to speak to my detectives. Anyone else, | 0:19:58 | 0:20:01 | |
can you just give us a little room, please, er, so we can work. All right. | 0:20:01 | 0:20:06 | |
You can go home, if you can, please. | 0:20:06 | 0:20:08 | |
RIPLEY: Move back and make some space. | 0:20:10 | 0:20:11 | |
-GRAY: -Move back, everyone, please. -RIPLEY: No more photos. | 0:20:11 | 0:20:14 | |
Thank you. | 0:20:14 | 0:20:15 | |
Excuse me. | 0:20:15 | 0:20:16 | |
Message for DS Ripley. Chasing suspect, Northbirch Estate, south side. | 0:20:47 | 0:20:51 | |
Thin, IC1, brown hair. Hurry up. | 0:20:51 | 0:20:55 | |
Where? | 0:21:08 | 0:21:09 | |
SIGHS | 0:21:22 | 0:21:23 | |
ELECTRIC TASER FIRE LUTHER CRIES OUT | 0:23:10 | 0:23:13 | |
HE MOANS | 0:23:13 | 0:23:15 | |
HE SPUTTERS | 0:23:19 | 0:23:20 | |
Aargh! | 0:23:28 | 0:23:30 | |
LUTHER GROWLS Don't ruin it! | 0:23:33 | 0:23:35 | |
Aaargh! | 0:23:37 | 0:23:38 | |
Aaargh! | 0:23:39 | 0:23:41 | |
SIRENS | 0:23:41 | 0:23:42 | |
HE MOANS DISTANT VOICES | 0:23:49 | 0:23:51 | |
Boss? | 0:23:52 | 0:23:54 | |
-Go, go, go. Check it outside. -Through there. | 0:23:56 | 0:23:58 | |
What, what do you want? | 0:23:58 | 0:23:59 | |
Evidence bag. | 0:24:00 | 0:24:02 | |
-THROUGH WALKIE-TALKIE -He must be coming your way. | 0:24:04 | 0:24:06 | |
-Here. In here. -Yeah, DNA. | 0:24:07 | 0:24:10 | |
HE MOANS | 0:24:10 | 0:24:11 | |
HE GROANS | 0:24:12 | 0:24:14 | |
SIRENS, WALKIE-TALKIE | 0:24:14 | 0:24:16 | |
HE GROANS | 0:24:17 | 0:24:18 | |
Helicopter's after him. Uniform, dogs, the lot, but he got away. | 0:24:20 | 0:24:24 | |
-Yeah. He's fast. -He's more than fast. | 0:24:24 | 0:24:27 | |
-Had a getaway route scouted out. -Bet he did. | 0:24:27 | 0:24:30 | |
-DNA? -It's been expedited, imminent danger to life and so on. | 0:24:31 | 0:24:35 | |
Can you even see anything? | 0:24:37 | 0:24:38 | |
Cheers, mate. Erm, listen, call me as soon as that DNA result comes in, all right? | 0:24:38 | 0:24:44 | |
Where are you going? | 0:24:44 | 0:24:45 | |
To hospital. | 0:24:46 | 0:24:47 | |
Do you have permission to be here, sir? Thank you. | 0:25:14 | 0:25:17 | |
Alice. | 0:25:31 | 0:25:33 | |
What's this? | 0:25:42 | 0:25:43 | |
Permanent solution to a temporary problem. | 0:25:44 | 0:25:47 | |
-How many times have you tried it? -Fewer than a hundred. | 0:25:49 | 0:25:51 | |
Sadly, each attempt ended in failure. | 0:25:51 | 0:25:54 | |
So they gave me no choice, but just to...phhh...keep on living. | 0:25:54 | 0:25:58 | |
And to keep you safe, they put you in here. | 0:25:58 | 0:26:03 | |
Well, it is a secure hospital, John. | 0:26:03 | 0:26:06 | |
As secure as a prison? | 0:26:06 | 0:26:08 | |
One can only assume so. | 0:26:08 | 0:26:10 | |
You seeing anyone? | 0:26:12 | 0:26:13 | |
-None of your business. -Because I'm not. | 0:26:13 | 0:26:16 | |
Most of the people in here are women. | 0:26:16 | 0:26:19 | |
Not that I mind per se. | 0:26:19 | 0:26:21 | |
Needs must. | 0:26:21 | 0:26:23 | |
But they do tend to veer on the mentally ill. | 0:26:23 | 0:26:26 | |
Child abuse, spouse abuse, alcohol abuse. | 0:26:27 | 0:26:30 | |
It's all just breathtakingly unerotic. | 0:26:30 | 0:26:34 | |
-What about you? -What about me? -Have you left yet? | 0:26:35 | 0:26:38 | |
-Left where? -Police force. | 0:26:38 | 0:26:40 | |
No. | 0:26:40 | 0:26:42 | |
Will you? | 0:26:42 | 0:26:43 | |
Yeah. Yeah, I'm leaving. | 0:26:47 | 0:26:50 | |
-When? -Soon. | 0:26:50 | 0:26:52 | |
Just got a couple of things to take care of. | 0:26:52 | 0:26:55 | |
Getting Ripley back on track. | 0:26:55 | 0:26:57 | |
And there's this girl... | 0:26:59 | 0:27:00 | |
What girl? | 0:27:00 | 0:27:02 | |
Just a girl. | 0:27:02 | 0:27:04 | |
-I said I'd help. -Which is exactly the problem. | 0:27:04 | 0:27:09 | |
Yeah. | 0:27:10 | 0:27:11 | |
But then I'm done. | 0:27:11 | 0:27:13 | |
Good, because the people around you are vampires. | 0:27:13 | 0:27:16 | |
They'll suck your veins dry, | 0:27:16 | 0:27:18 | |
crack open your bones and lick out the marrow. | 0:27:18 | 0:27:21 | |
You've done enough for them, so step away | 0:27:22 | 0:27:24 | |
and find yourself a life worth living. | 0:27:24 | 0:27:27 | |
Well, that's the plan, anyway. | 0:27:30 | 0:27:33 | |
-Where will you go? -I don't know. | 0:27:33 | 0:27:36 | |
-I always wanted to see somewhere hot. -Mm. | 0:27:36 | 0:27:39 | |
I've never seen the desert. Perhaps see some sharks. | 0:27:40 | 0:27:43 | |
Oh, I'm a great fan of sharks. | 0:27:43 | 0:27:46 | |
Daddy took me snorkelling once for my birthday | 0:27:46 | 0:27:49 | |
to see them in their natural habitat. | 0:27:49 | 0:27:51 | |
Did you see many? | 0:27:51 | 0:27:52 | |
Enough to realise I prefer them in aquariums. | 0:27:52 | 0:27:54 | |
BOTH LAUGH | 0:27:54 | 0:27:56 | |
I've always wanted to see the Very Large Array in New Mexico. | 0:27:56 | 0:28:00 | |
It's not the biggest in the world, of course, | 0:28:00 | 0:28:02 | |
or the most modern, but it is iconic, and I grew up wanting to see it. | 0:28:02 | 0:28:06 | |
It's quite spectacular. | 0:28:09 | 0:28:11 | |
Out there in the desert. | 0:28:12 | 0:28:14 | |
We could go together. | 0:28:18 | 0:28:20 | |
HE SIGHS | 0:28:30 | 0:28:32 | |
HE SIGHS | 0:28:34 | 0:28:36 | |
Want some? | 0:28:38 | 0:28:40 | |
Uh-uh. | 0:28:40 | 0:28:41 | |
I've gotta go. | 0:28:45 | 0:28:47 | |
Madmen to catch. | 0:28:49 | 0:28:51 | |
Need any advice? | 0:28:52 | 0:28:54 | |
No. | 0:28:54 | 0:28:55 | |
Pretty up to speed with my...lunatics. | 0:28:55 | 0:28:59 | |
Well... | 0:29:00 | 0:29:01 | |
..don't be a stranger. | 0:29:03 | 0:29:05 | |
BEEPING | 0:29:14 | 0:29:16 | |
Benny? | 0:30:30 | 0:30:31 | |
The death porn is produced by a foreign registered offshoot of Hemina Films. | 0:30:32 | 0:30:37 | |
It's run out of Mile End. | 0:30:37 | 0:30:39 | |
So, bad news - for obvious reasons it's all kept a bit "entre nous". Good news - | 0:30:39 | 0:30:43 | |
that means they have to draw from a very small pool of technicians and locations. | 0:30:43 | 0:30:48 | |
So have you got an address? | 0:30:48 | 0:30:49 | |
Give me an hour. | 0:30:49 | 0:30:51 | |
-DS Gray, I've been thinking... -Yeah. | 0:30:54 | 0:30:57 | |
He said to me, "Don't ruin it." | 0:30:57 | 0:30:59 | |
"Don't ruin it." | 0:31:00 | 0:31:02 | |
What does that say to you? | 0:31:03 | 0:31:04 | |
-That he's on a mission? -Yeah, but what is that mission? | 0:31:04 | 0:31:08 | |
Celebrity. Infamy. | 0:31:08 | 0:31:10 | |
No, it's more than that, isn't it? | 0:31:10 | 0:31:12 | |
Something else he's trying to achieve. | 0:31:12 | 0:31:15 | |
-Erm, have you got that file for the... -Guv. | 0:31:18 | 0:31:22 | |
Can I have a word? | 0:31:23 | 0:31:25 | |
-Off the record, type thing? -Yeah, of course. | 0:31:25 | 0:31:27 | |
Ooh! | 0:31:31 | 0:31:32 | |
Erm, I'm guessing you've read my personal file? | 0:31:32 | 0:31:36 | |
So...you know how hard I have worked to get here. | 0:31:38 | 0:31:43 | |
Now, my point is, and please don't take this the wrong way... | 0:31:43 | 0:31:46 | |
Promise to try. | 0:31:46 | 0:31:47 | |
..but today you asked me to confiscate people's mobile phones | 0:31:47 | 0:31:51 | |
when there was no actual... | 0:31:51 | 0:31:52 | |
-Gray, Gray. -..no real legal grounds | 0:31:52 | 0:31:54 | |
-Gray, it was a figure of speech. -Yeah, I know, I get that...really. | 0:31:54 | 0:31:58 | |
It's just...well, if I had just confiscated them, would you have minded? | 0:31:58 | 0:32:03 | |
Honestly, no. | 0:32:03 | 0:32:04 | |
But I would have protected you from any circumstances. | 0:32:07 | 0:32:10 | |
That's my point. I don't want to have to need that kind of protection. | 0:32:11 | 0:32:15 | |
With the best will in the world, I don't want to end up like DS Ripley. | 0:32:15 | 0:32:18 | |
He was like this rising star. | 0:32:18 | 0:32:20 | |
-And now, he's... -He's what? | 0:32:20 | 0:32:22 | |
-Well... -What? | 0:32:23 | 0:32:25 | |
Tarnished, sort of. | 0:32:25 | 0:32:27 | |
-Tarnished. -Sorry. Erm... | 0:32:27 | 0:32:29 | |
I don't want to risk my career when it's only just getting started. | 0:32:29 | 0:32:33 | |
It's just... | 0:32:34 | 0:32:35 | |
This is my job, you know? | 0:32:36 | 0:32:39 | |
Noted. | 0:32:41 | 0:32:43 | |
SHE SIGHS | 0:32:43 | 0:32:44 | |
-Benny, have you got that address? -Surely do. Question is, do you want it? | 0:32:48 | 0:32:53 | |
Give it to me. | 0:32:53 | 0:32:55 | |
Can I help you? | 0:33:15 | 0:33:17 | |
Yeah. You can shut up. | 0:33:17 | 0:33:19 | |
MOANING | 0:33:23 | 0:33:24 | |
Who are you? | 0:33:29 | 0:33:30 | |
HALF-COUGH | 0:33:32 | 0:33:34 | |
So what you're telling me, is your mum has no right to be worried about you. Hmm. | 0:33:39 | 0:33:44 | |
Listen, Officer Whoever, | 0:33:44 | 0:33:45 | |
I see stuff you wouldn't even believe, so best not patronise me, eh? | 0:33:45 | 0:33:50 | |
Of course. | 0:33:50 | 0:33:51 | |
Of course. | 0:33:52 | 0:33:53 | |
I don't mean to. | 0:33:53 | 0:33:55 | |
Anyway, it's just sex. | 0:33:55 | 0:33:58 | |
Letting someone have sex with you while you're unconscious, | 0:33:58 | 0:34:01 | |
that's not sex only, is it? | 0:34:01 | 0:34:03 | |
I'm a sex worker. | 0:34:03 | 0:34:05 | |
So, yeah, I do some funny things, but at least I'm my own boss. | 0:34:05 | 0:34:08 | |
I don't have to believe a load of bullshit that people shove down | 0:34:08 | 0:34:11 | |
each others' throats about love and marriage and monogamy, blah, blah, blah. | 0:34:11 | 0:34:15 | |
You married? | 0:34:15 | 0:34:16 | |
I was. | 0:34:16 | 0:34:17 | |
Exactly - "was". | 0:34:19 | 0:34:21 | |
How long? | 0:34:22 | 0:34:23 | |
-SIGHS -18 years. | 0:34:25 | 0:34:27 | |
And how many times did you do the dirty on her? | 0:34:29 | 0:34:33 | |
Never. | 0:34:34 | 0:34:35 | |
Well, it's my life, and actually, I really like it. | 0:34:42 | 0:34:45 | |
Oh, yeah, so what about the drugs? The meth? | 0:34:46 | 0:34:49 | |
I think you've got one...maybe two months before your teeth start falling out. | 0:34:49 | 0:34:55 | |
Come on, Jenny. | 0:34:56 | 0:34:58 | |
Eh? | 0:34:59 | 0:35:00 | |
See, the thing is, I don't think you're doing this by choice. | 0:35:00 | 0:35:03 | |
Not really. | 0:35:06 | 0:35:08 | |
That's just a cuddly thought so you can sleep at night. | 0:35:13 | 0:35:17 | |
Nah. Need the coinage, rent to pay. | 0:35:18 | 0:35:21 | |
What do you want? | 0:35:23 | 0:35:24 | |
All right. I can tell I'm not going to change your mind, | 0:35:29 | 0:35:33 | |
so I'm going to just call your mum, let her hear your voice. | 0:35:33 | 0:35:36 | |
It's not my voice she wants to hear. | 0:35:36 | 0:35:38 | |
She's no different from the freaks that get off on these films. | 0:35:39 | 0:35:43 | |
It's not who I actually am that matters. | 0:35:43 | 0:35:45 | |
It's who they wish I was. | 0:35:46 | 0:35:49 | |
Jen! | 0:35:51 | 0:35:52 | |
Oi. | 0:36:00 | 0:36:01 | |
Tell her I'm fine. | 0:36:02 | 0:36:04 | |
All right, that's it, the show's over! Come on, show's over. | 0:36:41 | 0:36:44 | |
Oi, oi, oi. Jenny Jones... | 0:36:44 | 0:36:47 | |
-Get off me! -..I'm arresting you on suspicion | 0:36:47 | 0:36:49 | |
-of possessing a controlled substance. -Get off me! | 0:36:49 | 0:36:51 | |
You do not have to say anything, but if you do not mention... | 0:36:51 | 0:36:55 | |
Agh! Help! | 0:36:55 | 0:36:59 | |
SHE SHRIEKS | 0:37:02 | 0:37:03 | |
What did I do? Didn't find any drugs! Search me, I don't take drugs. | 0:37:05 | 0:37:09 | |
-I'm clean. -Can you do me a favour? | 0:37:09 | 0:37:10 | |
-MOBILE BUZZES -Can you shut up for one second? | 0:37:10 | 0:37:14 | |
-I'm clean! I'm clean! I'm clean! -Justin. | 0:37:14 | 0:37:15 | |
Did you get a beat on that DNA? | 0:37:15 | 0:37:18 | |
Er, yeah. Cameron Pell, artist. Well, failed artist. | 0:37:18 | 0:37:22 | |
A history of mental illness? | 0:37:22 | 0:37:23 | |
No. But the man's got serious issues. | 0:37:23 | 0:37:26 | |
Five years back he was arrested for gate-crashing some modern art exhibition. | 0:37:26 | 0:37:30 | |
He's burst in wearing a clown mask, | 0:37:30 | 0:37:32 | |
slashed a load of paintings with a flensing knife. | 0:37:32 | 0:37:34 | |
When they tried to throw him out he's gone completely tonto. | 0:37:34 | 0:37:37 | |
Cut up two doormen. Lucky to escape an attempted murder charge. | 0:37:37 | 0:37:40 | |
-Right. Did you get an address? -We'll send it to you now. | 0:37:40 | 0:37:43 | |
All right, erm... | 0:37:43 | 0:37:45 | |
-I'll see you there. -Yeah, see you there. | 0:37:46 | 0:37:48 | |
-You off to arrest someone? -Yeah. | 0:37:49 | 0:37:51 | |
You're screwed, I'll do you for false arrest. | 0:37:51 | 0:37:53 | |
I had reasonable and probable cause to think you were committing a crime. | 0:37:53 | 0:37:56 | |
-One more peep out of you, yeah... -LAUGHS | 0:37:56 | 0:37:58 | |
-..and it's with intent to supply. -You're a liar. | 0:37:58 | 0:38:01 | |
And you're a junkie hooker. I'm a copper. | 0:38:01 | 0:38:04 | |
Do that, would you? Stitch me up? | 0:38:04 | 0:38:06 | |
In a millisecond, just to shut you up. | 0:38:06 | 0:38:08 | |
Do you even know what they'll do to me for this? Break my ankles, if I'm lucky. | 0:38:08 | 0:38:13 | |
Listen. Look at me. Nothing's going to happen to you, all right? | 0:38:13 | 0:38:17 | |
Yeah, who says? You? | 0:38:17 | 0:38:18 | |
-Yeah, me. -They do know where I live, you know. | 0:38:18 | 0:38:23 | |
People like that, they always do. | 0:38:23 | 0:38:25 | |
Come on. | 0:38:40 | 0:38:42 | |
Mark, I wouldn't do this unless I absolutely had to. | 0:38:48 | 0:38:51 | |
Do what? | 0:38:51 | 0:38:52 | |
John, who is this? | 0:38:55 | 0:38:57 | |
Where am I? | 0:39:01 | 0:39:02 | |
What part of London is this? | 0:39:03 | 0:39:05 | |
Well, if I told you that... | 0:39:06 | 0:39:07 | |
..it wouldn't be a safe house, would it? | 0:39:09 | 0:39:11 | |
And you wouldn't be in protective custody. And besides, it's only for an hour. | 0:39:13 | 0:39:18 | |
HE GROANS | 0:39:19 | 0:39:21 | |
You do know what they'll do when they find me, don't you? | 0:39:25 | 0:39:28 | |
PHONE RINGS | 0:39:39 | 0:39:40 | |
BEEP | 0:39:51 | 0:39:52 | |
WOMAN: Pick up, come on, come on. Bitch, pick up! | 0:39:56 | 0:39:59 | |
All right, now listen. Now, have you done as you were asked? Have you? | 0:39:59 | 0:40:05 | |
HANGS UP | 0:40:05 | 0:40:06 | |
RIPLEY: No sign of Cameron. Flat's completely empty. | 0:40:19 | 0:40:21 | |
Why the empty flat? | 0:40:25 | 0:40:26 | |
It's almost like he's never been here before. | 0:40:35 | 0:40:38 | |
PHONE RINGS | 0:40:47 | 0:40:50 | |
'Hello, your call cannot be taken at the moment, | 0:40:55 | 0:40:58 | |
'so please leave me a message after the tone.' | 0:40:58 | 0:41:01 | |
BEEP | 0:41:01 | 0:41:02 | |
I know you're there. | 0:41:04 | 0:41:05 | |
Benny, it's Ripley, mate. I need you to trace a call going to this number. | 0:41:09 | 0:41:13 | |
Hello, Cameron. | 0:41:14 | 0:41:15 | |
How's your arm? | 0:41:16 | 0:41:18 | |
-DISTORTED -You think because you tasted my blood | 0:41:18 | 0:41:23 | |
that you know what I am. | 0:41:23 | 0:41:25 | |
Well, to be fair, I am standing in your flat. | 0:41:25 | 0:41:29 | |
You don't know what I am. | 0:41:29 | 0:41:32 | |
-And you don't know where I am. -Where are you? | 0:41:32 | 0:41:36 | |
-Everywhere! I can walk down any street. I can peer... -He's close, less than a mile. | 0:41:36 | 0:41:41 | |
I can knock on any door. I am the shape at the window. | 0:41:41 | 0:41:45 | |
I am the hand under the bed. | 0:41:45 | 0:41:47 | |
So what's the play, Cameron? Cos that's what it is, isn't it? It's a play. | 0:41:48 | 0:41:54 | |
With Cameron Pell starring as Mr Punch. | 0:41:54 | 0:41:58 | |
Do you know anything about this city? | 0:41:58 | 0:42:01 | |
Well, I know it smells a bit funny when it gets hot. | 0:42:01 | 0:42:06 | |
This, now, everything, this place, this time, this cretinised culture. | 0:42:06 | 0:42:13 | |
-We are the richest, most decadent... -(Less than three minutes.) | 0:42:13 | 0:42:16 | |
..people that ever lived. And still we're dissatisfied. | 0:42:16 | 0:42:20 | |
We have lost our history. We have lost our myths. | 0:42:20 | 0:42:24 | |
You see kids in Whitechapel | 0:42:24 | 0:42:27 | |
play video games in which they score points by killing prostitutes. | 0:42:27 | 0:42:31 | |
SIREN | 0:42:31 | 0:42:32 | |
They're totally indifferent to the spectre that walks past their window. | 0:42:32 | 0:42:37 | |
SIREN | 0:42:37 | 0:42:38 | |
This is a dead city. | 0:42:38 | 0:42:39 | |
-It's an unreal city. Do you know why? -MOUTHS | 0:42:39 | 0:42:42 | |
-No, why don't you tell me why? -We are so indifferent, we don't care. | 0:42:42 | 0:42:48 | |
-It's like we're medicated. -How are you going to make us wake up? | 0:42:48 | 0:42:52 | |
I'm going to remind people what it's like to be really scared. | 0:42:52 | 0:42:56 | |
Have you ever heard of Spring-Heeled Jack? | 0:42:56 | 0:42:58 | |
-LAUGHS -Spring-Heeled Jack? I've heard of Spring-Heeled Jack. | 0:42:58 | 0:43:03 | |
Victorian bogeyman. Mask, red eyes. | 0:43:03 | 0:43:05 | |
Are you cribbing your ideas from penny-dreadfuls? | 0:43:05 | 0:43:09 | |
They called him the Terror of London, and do you know what made him terrifying? | 0:43:09 | 0:43:13 | |
He could do whatever he liked to whomever he chose, | 0:43:13 | 0:43:16 | |
wherever he chose, whenever he chose, and he was never caught. | 0:43:16 | 0:43:19 | |
He just disappeared, passed into folklore. | 0:43:19 | 0:43:23 | |
Oh, yeah? | 0:43:23 | 0:43:24 | |
-Is that what you want to do, eh? -I've already done it. | 0:43:24 | 0:43:27 | |
You just don't know it yet. | 0:43:27 | 0:43:29 | |
Are you sure? Because the last time we spoke you were scared I was going to ruin it. | 0:43:29 | 0:43:33 | |
-(Thanks, mate.) -Yeah, I was, but not any more. | 0:43:33 | 0:43:37 | |
Why should I be scared? I can take anyone I choose. You can watch. | 0:43:37 | 0:43:41 | |
-Later tonight. -What do you mean? | 0:43:41 | 0:43:44 | |
I hope you're excited, because I am. | 0:43:44 | 0:43:45 | |
Watch what, Cameron? Hey, Cameron, what are you going to show me tonight? | 0:43:45 | 0:43:51 | |
Cameron! | 0:43:51 | 0:43:52 | |
-How long? -Less than a minute. -Too late. | 0:43:54 | 0:43:57 | |
He's gone. | 0:43:57 | 0:43:59 | |
PHONE CLATTERS ON FLOOR | 0:43:59 | 0:44:01 | |
What time is it? | 0:44:17 | 0:44:19 | |
Well, it's late. | 0:44:20 | 0:44:22 | |
-He said he'd only be an hour. -Yeah. | 0:44:22 | 0:44:24 | |
I need the loo. | 0:44:27 | 0:44:28 | |
No key. | 0:44:28 | 0:44:30 | |
SIGHS | 0:44:32 | 0:44:33 | |
Aren't you tired? | 0:44:36 | 0:44:37 | |
Opposite. You? | 0:44:39 | 0:44:41 | |
-I'm absolutely knackered. -Get some sleep. | 0:44:41 | 0:44:45 | |
Lie down, chill out, make yourself at home. | 0:44:45 | 0:44:49 | |
Yeah, wake up and find all my credit cards gone. | 0:44:49 | 0:44:52 | |
How do you know him? That gavver? | 0:44:56 | 0:44:59 | |
-Gavver? -Smurf. | 0:45:00 | 0:45:02 | |
Billy Filth. | 0:45:02 | 0:45:04 | |
-Cos you're obviously not one of them, no offence whatever. -No offence taken. | 0:45:04 | 0:45:09 | |
Well, erm...it's a long story. | 0:45:10 | 0:45:12 | |
So give me the edited highlights. | 0:45:12 | 0:45:14 | |
OK. | 0:45:15 | 0:45:16 | |
OK, long story, short version. | 0:45:16 | 0:45:20 | |
I was going to marry his ex-wife. | 0:45:22 | 0:45:25 | |
SHE CHUCKLES Seriously?! | 0:45:25 | 0:45:27 | |
What, and now you're mates, and everything? | 0:45:29 | 0:45:31 | |
-CHUCKLES -Well, "mates" is probably pushing it. | 0:45:31 | 0:45:35 | |
So where is she? His ex, your missus? | 0:45:35 | 0:45:37 | |
She died. | 0:45:40 | 0:45:41 | |
Ouch! Sorry. | 0:45:42 | 0:45:45 | |
Mouth on me sometimes. | 0:45:46 | 0:45:48 | |
That's all right. You weren't to know. | 0:45:48 | 0:45:50 | |
-What about you? How do you know him? -Don't. | 0:45:52 | 0:45:55 | |
Not really. | 0:45:56 | 0:45:57 | |
As far as I'm concerned, he's this random smurf popped up out of nowhere. | 0:45:58 | 0:46:03 | |
So why the...? | 0:46:03 | 0:46:05 | |
Long time ago... | 0:46:06 | 0:46:08 | |
..my dad killed this girl. | 0:46:12 | 0:46:14 | |
It was by accident and everything, but...he panicked. | 0:46:15 | 0:46:19 | |
Cut her up and whatnot. | 0:46:21 | 0:46:23 | |
-Put all the bits in wheelie bins. -Jesus. | 0:46:24 | 0:46:27 | |
I'm sorry. | 0:46:30 | 0:46:32 | |
So this bloke, Luther, was one of the coppers that put him away. | 0:46:32 | 0:46:35 | |
And your dad? | 0:46:37 | 0:46:38 | |
Killed himself in prison. | 0:46:40 | 0:46:42 | |
Jenny, listen, I know how hard... how hard it can be. | 0:46:46 | 0:46:51 | |
Losing someone that way. | 0:46:52 | 0:46:54 | |
TRAIN RATTLES BY | 0:47:03 | 0:47:05 | |
Where is Cameron? | 0:47:06 | 0:47:08 | |
I haven't seen Cameron for two years. | 0:47:10 | 0:47:12 | |
I don't know what you expect me to tell you. | 0:47:15 | 0:47:18 | |
No offence, but I think you do. | 0:47:18 | 0:47:19 | |
So, you were at art school together? | 0:47:21 | 0:47:23 | |
Well...I was at art school. | 0:47:23 | 0:47:27 | |
He'd hang around the refectory. | 0:47:28 | 0:47:31 | |
Sort of, you know... | 0:47:32 | 0:47:33 | |
..talking art. | 0:47:34 | 0:47:35 | |
Did he ever talk about... | 0:47:35 | 0:47:37 | |
..this? | 0:47:38 | 0:47:40 | |
LAUGHS | 0:47:42 | 0:47:43 | |
Spring-Heeled Jack? | 0:47:44 | 0:47:46 | |
Yeah. | 0:47:47 | 0:47:48 | |
About ten zillion times. | 0:47:49 | 0:47:51 | |
Yes, it was his childhood obsession. | 0:47:52 | 0:47:54 | |
Spring-Heeled Jack's in the cupboard. | 0:47:54 | 0:47:57 | |
Spring-Heeled Jack's waiting at the bottom of the garden in the bushes. | 0:47:57 | 0:48:02 | |
He had to see somebody about it. | 0:48:03 | 0:48:05 | |
A psychologist or a psychoanalyst. | 0:48:05 | 0:48:08 | |
Anyway, they teased him about it. | 0:48:10 | 0:48:12 | |
Made him feel like a freak. | 0:48:13 | 0:48:16 | |
I suppose he was a freak, really. | 0:48:17 | 0:48:19 | |
Still is. | 0:48:21 | 0:48:22 | |
A freaky little freak. | 0:48:23 | 0:48:25 | |
Did Cameron ever hurt you? | 0:48:27 | 0:48:28 | |
No. | 0:48:33 | 0:48:34 | |
Why did you hesitate? | 0:48:34 | 0:48:35 | |
Because sometimes... he'd get this look in his eyes. | 0:48:35 | 0:48:39 | |
What look? | 0:48:41 | 0:48:42 | |
Like he wanted to. | 0:48:45 | 0:48:48 | |
KNOCK ON DOOR | 0:48:48 | 0:48:49 | |
-Boss? -Yes. -Sorry, this is urgent. | 0:48:49 | 0:48:51 | |
DOOR SLAMS | 0:48:56 | 0:48:57 | |
It's him. You're going to want to see this. | 0:48:57 | 0:49:00 | |
-What is it, Benny? -This has just come in. | 0:49:00 | 0:49:03 | |
Is this live? | 0:49:06 | 0:49:08 | |
Yep, it's happening right now. It's live. | 0:49:08 | 0:49:10 | |
Jesus, some sort of hand-held webcam, or something. | 0:49:10 | 0:49:13 | |
It's being sent to us directly. | 0:49:13 | 0:49:16 | |
He's taunting us. | 0:49:16 | 0:49:17 | |
-Do we know the street? -Can't tell. | 0:49:17 | 0:49:20 | |
I want everyone on this. We need to find that street. | 0:49:21 | 0:49:26 | |
-Partial plate. -Dig it up. Give me an address. | 0:49:26 | 0:49:29 | |
-Benny, can you send it over? -It's with you now. | 0:49:29 | 0:49:32 | |
Gray, quick as you can. Come on. Erin! | 0:49:32 | 0:49:35 | |
He's knocking on doors. | 0:49:37 | 0:49:39 | |
-Gray, come on! -It's coming! | 0:49:39 | 0:49:40 | |
There's 80 vehicles with that partial. Can you narrow down the model? | 0:49:40 | 0:49:44 | |
It's a light-brown...gold BMW 5 series. | 0:49:44 | 0:49:47 | |
-Please don't open that door. -Late '80s, early '90s. | 0:49:47 | 0:49:50 | |
-No answer. -BENNY: Thank God. | 0:49:51 | 0:49:54 | |
-Got it! Registered to Grant Morrison... -BENNY: He's gone to the other house. | 0:49:54 | 0:49:57 | |
-..37 Eastmead Street. -Wait, let me double-check. | 0:49:57 | 0:49:59 | |
-What? -He might be parked on the next street. | 0:49:59 | 0:50:01 | |
Could be outside his girlfriend's house, might have lent his car to a mate. | 0:50:01 | 0:50:05 | |
Eastmead Street runs alongside a canal. | 0:50:05 | 0:50:06 | |
Then where the hell is this? Come on, find it. | 0:50:06 | 0:50:09 | |
Check every street within half a mile north to southwest of Eastmead Street. | 0:50:09 | 0:50:12 | |
Don't open it. No! No, no! | 0:50:12 | 0:50:15 | |
No, no! | 0:50:31 | 0:50:32 | |
Erm, it's Egmont Terrace, two streets southwest. | 0:50:45 | 0:50:48 | |
All right, call it in. | 0:50:48 | 0:50:50 | |
This is DS Gray, SSU requesting urgent armed response to Egmont Terrace, E1. | 0:50:51 | 0:50:55 | |
And send an ambulance. | 0:50:56 | 0:50:58 | |
INHALES SHARPLY | 0:51:11 | 0:51:13 | |
Did something happen? | 0:51:23 | 0:51:24 | |
DS Gray... | 0:51:28 | 0:51:29 | |
..DS Ripley, please escort Miss Calvert home. | 0:51:31 | 0:51:34 | |
This way, please. | 0:51:40 | 0:51:41 | |
Right, this way, please. | 0:51:46 | 0:51:47 | |
How are you feeling? | 0:51:54 | 0:51:55 | |
I'm angry. | 0:51:58 | 0:51:59 | |
Too angry? | 0:52:01 | 0:52:02 | |
Just angry enough. | 0:52:04 | 0:52:06 | |
-I can't have the wheels coming off this thing, John. -They won't, Martin. | 0:52:07 | 0:52:11 | |
I fought tooth and nail to get you back into the fold. | 0:52:12 | 0:52:15 | |
I fought hard and I fought dirty. | 0:52:15 | 0:52:17 | |
Don't squander it now. | 0:52:18 | 0:52:20 | |
-I was just wondering... -Yeah? | 0:52:59 | 0:53:02 | |
Would you mind just coming up with me? Just to check under the bed, that sort of thing. | 0:53:03 | 0:53:07 | |
-I just keep thinking... -Of course, that's not silly at all. | 0:53:08 | 0:53:11 | |
OFFICER ON RADIO: All units, Sierra Oscar 52, IC1, | 0:53:13 | 0:53:17 | |
dark clothing, medium-length light-brown hair. | 0:53:17 | 0:53:20 | |
Suspect at large. | 0:53:20 | 0:53:21 | |
..in the town centre, please. | 0:53:22 | 0:53:24 | |
I live just upstairs. | 0:53:41 | 0:53:43 | |
-PHONE RINGS -It's the shop. | 0:53:55 | 0:53:57 | |
Do you want a cup of tea? | 0:54:49 | 0:54:50 | |
I'll just check upstairs. | 0:54:52 | 0:54:54 | |
CLICK | 0:55:27 | 0:55:28 | |
Sorry, it's just a fuse. | 0:55:30 | 0:55:32 | |
Oh! | 0:55:56 | 0:55:57 | |
CLEARS THROAT | 0:55:59 | 0:56:01 | |
-All clear on the house. I'm just going to make sure Miss Calvert's all right. -OK, copy that. | 0:56:06 | 0:56:11 | |
HEAVY BREATHING | 0:56:29 | 0:56:31 | |
It has come back on you like the hand of God! | 0:56:35 | 0:56:41 | |
# Come on, now | 0:56:42 | 0:56:44 | |
# With time slipping away, yeah | 0:56:54 | 0:56:58 | |
# How do you say what I do? | 0:56:59 | 0:57:05 | |
# You've got nothing to say | 0:57:05 | 0:57:07 | |
# Oh, no, no | 0:57:07 | 0:57:10 | |
# When I tell you who's who | 0:57:10 | 0:57:13 | |
-# Cos I'm the big, bad wolf -What you say? | 0:57:14 | 0:57:17 | |
-# I'm the big, bad wolf -What you say? | 0:57:17 | 0:57:20 | |
# I'm the big, bad wolf... # | 0:57:20 | 0:57:21 |