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This programme contains some violent scenes and scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
Did you ever hear of necro-porn? | 0:00:07 | 0:00:09 | |
This is what they're going to do to Jenny. You owe me. | 0:00:09 | 0:00:12 | |
-I am arresting you... -Get off me! | 0:00:12 | 0:00:14 | |
If he doesn't keep on doing what they tell him, they'll hurt me. | 0:00:14 | 0:00:18 | |
I gather you're the policeman that stole my property. | 0:00:21 | 0:00:24 | |
This is Toby. | 0:00:24 | 0:00:27 | |
No! No! Agh! | 0:00:28 | 0:00:30 | |
Where am I supposed to go? | 0:00:30 | 0:00:32 | |
Pump number two, that's £64.19, please. | 0:00:55 | 0:00:59 | |
-Can I interest you in one...? -Just the petrol, ta. | 0:00:59 | 0:01:02 | |
What's he doing? | 0:01:32 | 0:01:34 | |
He's on something. Look at him. | 0:01:41 | 0:01:44 | |
You might want to give the police a call, mate. | 0:01:45 | 0:01:48 | |
What's he doing exactly? | 0:01:48 | 0:01:49 | |
Dunno. | 0:01:49 | 0:01:51 | |
Look, just dial 999. | 0:01:56 | 0:01:59 | |
And say what? "Hello, I'm calling from a petrol station, | 0:01:59 | 0:02:03 | |
"there's a man on the forecourt looking at cars"? | 0:02:03 | 0:02:06 | |
Just do it, mate. | 0:02:06 | 0:02:07 | |
What's he doing? | 0:02:07 | 0:02:08 | |
-That's my car! Hey! Oi! -Police, please. | 0:02:12 | 0:02:14 | |
-They're on their way. Five minutes. -What's he on, do you think? | 0:02:17 | 0:02:22 | |
Excuse me, did we lock the door? Because I think we should lock the door! | 0:02:23 | 0:02:27 | |
That's a very good idea. | 0:02:27 | 0:02:28 | |
-Hey! -Lock the door! Hurry up! | 0:02:50 | 0:02:51 | |
-Lock the door! -I'm trying! | 0:02:51 | 0:02:53 | |
-Let me out! Hey! Hey! That's my car! -The police will be here in a minute! | 0:02:53 | 0:02:56 | |
But look at my car! Look at my car! | 0:02:56 | 0:03:00 | |
-Unlock this door! -The police will be here in a minute. | 0:03:07 | 0:03:10 | |
But look at my car! | 0:03:10 | 0:03:11 | |
Oh, no, mate. | 0:03:11 | 0:03:14 | |
-Is he opening...? -I'm not letting him do that. | 0:03:14 | 0:03:16 | |
-No, wait! Nobody leaves. -He's going to torch the car. | 0:03:16 | 0:03:19 | |
-Just wait for the police. -He's going to torch the car! | 0:03:19 | 0:03:21 | |
Right, open the door. Just do as he says and open the bloody door! | 0:03:21 | 0:03:24 | |
-Be careful. -Oi! Hey! Hey! You stop! | 0:03:24 | 0:03:27 | |
Ah! Agh! Christ! My eyes! | 0:03:27 | 0:03:32 | |
-Put down the bat. Put down the bat. -Argh! | 0:03:32 | 0:03:36 | |
Fire bucket! Fire bucket! | 0:03:37 | 0:03:39 | |
SCREAMING | 0:03:43 | 0:03:45 | |
THUDS AND YELLS | 0:03:45 | 0:03:49 | |
Have you locked the door? Quick! Quick! | 0:03:49 | 0:03:51 | |
Take the keys. Lock it. | 0:03:53 | 0:03:55 | |
-Brace it! Brace it! -I'm trying! | 0:03:55 | 0:03:57 | |
ENGINE REVS | 0:04:39 | 0:04:43 | |
# Love is like a sin, my love | 0:05:15 | 0:05:22 | |
# For the ones that feel it the most | 0:05:22 | 0:05:28 | |
# Look at her with her eyes like a flame | 0:05:29 | 0:05:34 | |
# She will love you like a fly will never love you. # | 0:05:35 | 0:05:41 | |
BANGING LUTHER: Wakey, wakey! | 0:06:03 | 0:06:05 | |
Come on, wake up. The day's half over. | 0:06:05 | 0:06:09 | |
But it's nothing o'clock. | 0:06:09 | 0:06:11 | |
Are you hungry? | 0:06:11 | 0:06:12 | |
-Do you like reading books? -I'm partial to a graphic novel. | 0:06:31 | 0:06:34 | |
-Comics? How old are you? -Graphic novels. How old are you? | 0:06:34 | 0:06:40 | |
You look normal. | 0:06:47 | 0:06:49 | |
Ta. | 0:06:50 | 0:06:51 | |
-You look weird when you look normal. -You think I sleep in a tie? | 0:06:53 | 0:06:57 | |
Hmm, pretty much. Except you don't so much sleep as, | 0:06:57 | 0:07:00 | |
you know, power down, go into stand-by mode. | 0:07:00 | 0:07:04 | |
Yeah, well... | 0:07:04 | 0:07:06 | |
I took the day off. | 0:07:06 | 0:07:08 | |
Why? | 0:07:09 | 0:07:11 | |
Cos we've got to think about getting you...a job. | 0:07:11 | 0:07:15 | |
What sort of job? | 0:07:20 | 0:07:21 | |
-A job job. -Like flipping burgers? | 0:07:21 | 0:07:24 | |
Well, them burgers are not going to flip themselves, are they? | 0:07:24 | 0:07:27 | |
It's, like, 2p an hour. Who am I, SpongeBob? | 0:07:29 | 0:07:31 | |
-I don't know what that is. -He's a sponge. He flips burgers. | 0:07:31 | 0:07:35 | |
Right. Well, why don't we keep flipping burgers to plan B? | 0:07:35 | 0:07:39 | |
If you could do any job in the world, what would you do? | 0:07:41 | 0:07:43 | |
-I'd be a cool hunter. -A what? | 0:07:43 | 0:07:46 | |
Cool hunter. Go to seriously sick places, clubs, whatever. | 0:07:46 | 0:07:50 | |
Underground, not mainstream. | 0:07:50 | 0:07:52 | |
You kind of take note of what people are wearing, what slang they're using, | 0:07:52 | 0:07:56 | |
what they're drinking, that sort of thing. | 0:07:56 | 0:07:58 | |
It's a lot more complicated than it sounds. | 0:08:00 | 0:08:04 | |
Cup of tea. | 0:08:10 | 0:08:11 | |
Totally lushalicious. | 0:08:18 | 0:08:20 | |
So... | 0:08:25 | 0:08:26 | |
what are you going to do about the other thing? | 0:08:26 | 0:08:28 | |
Being on the hook and that? | 0:08:28 | 0:08:30 | |
Is that what I am? On the hook? | 0:08:31 | 0:08:33 | |
Well, yeah. | 0:08:34 | 0:08:35 | |
Toby won't just let us go, you know. | 0:08:37 | 0:08:39 | |
I'll think of something. | 0:08:42 | 0:08:43 | |
BANGING AT DOOR | 0:08:43 | 0:08:45 | |
Morning. Your phone was off. | 0:09:06 | 0:09:07 | |
Right. Well, keep the phone on, all it does is ring. | 0:09:07 | 0:09:10 | |
Yeah. Sorry. The boss sent me. We've got a really weird one. | 0:09:10 | 0:09:13 | |
Um, OK. All right, um, just wait in the car and I'll get changed. | 0:09:13 | 0:09:17 | |
Why wait in the car? | 0:09:17 | 0:09:19 | |
Two minutes. Two minutes. | 0:09:19 | 0:09:20 | |
I've got to go to work. | 0:09:25 | 0:09:26 | |
So, you, whatever you do today, make sure you hit the Jobcentre, right? | 0:09:29 | 0:09:34 | |
Hand. | 0:09:34 | 0:09:35 | |
-What? -Hand, please. | 0:09:35 | 0:09:37 | |
Completely bomb dot com. | 0:09:44 | 0:09:46 | |
Now, you want to keep it clean and dry and clear of infection. | 0:09:46 | 0:09:50 | |
All right, Mum. | 0:09:52 | 0:09:54 | |
So the stolen car belonged to the dead man, Adewale Omotoso. | 0:09:57 | 0:10:02 | |
Jesus. | 0:10:13 | 0:10:14 | |
White van belongs to a Steven Kimble. | 0:10:16 | 0:10:18 | |
-Is that the man that was blinded? -Yeah, that's him. | 0:10:18 | 0:10:21 | |
Acid in the water pistol. Probably hydrochloric. | 0:10:21 | 0:10:24 | |
Witnesses? | 0:10:24 | 0:10:26 | |
Sally Thomas and Depak Chandrapal, who locked themselves inside the shop. | 0:10:26 | 0:10:30 | |
Thing is, both claim that they reckon | 0:10:30 | 0:10:32 | |
the attacker intended to ram the window | 0:10:32 | 0:10:34 | |
-but changed his mind last minute and drove away. -We know why? | 0:10:34 | 0:10:37 | |
Dunno. Uniform were dealing with an altercation outside a pub | 0:10:37 | 0:10:40 | |
called the Prince Regent, which is about half a mile up there. | 0:10:40 | 0:10:42 | |
So they were Johnny-on-the-spot. | 0:10:42 | 0:10:44 | |
They were here two minutes after the 999 call came in, | 0:10:44 | 0:10:47 | |
so maybe he's heard the sirens and, you know, just ran away. | 0:10:47 | 0:10:52 | |
Maybe. | 0:10:52 | 0:10:53 | |
So, er, timeline. He gets here. What's the first thing he does? | 0:10:54 | 0:10:59 | |
Graffitis the Corolla. | 0:10:59 | 0:11:01 | |
-Corolla? Where? -On the roof. | 0:11:01 | 0:11:03 | |
-Have you done here, SOCO? -Yeah. | 0:11:03 | 0:11:05 | |
A compass, maybe? | 0:11:11 | 0:11:12 | |
Run it by intel, see if there's any gang association. | 0:11:12 | 0:11:16 | |
I was thinking - four people, | 0:11:16 | 0:11:18 | |
two black, including the dead man, one white, one Asian. | 0:11:18 | 0:11:22 | |
You think it was racial? | 0:11:22 | 0:11:24 | |
Well, Nazis do love an insignia. | 0:11:24 | 0:11:27 | |
But Kimble's white. | 0:11:27 | 0:11:29 | |
He got in the way. | 0:11:29 | 0:11:31 | |
Yeah. Well, look into it. | 0:11:32 | 0:11:34 | |
See if there's any white-power faction affiliated with that. | 0:11:34 | 0:11:41 | |
Hold it there. | 0:11:47 | 0:11:48 | |
What's he doing? | 0:11:50 | 0:11:51 | |
-Is he tying a shoelace or something? -Could be. Or reading a text? | 0:11:53 | 0:11:57 | |
Kneeling down? | 0:11:57 | 0:11:59 | |
Is that a thing? | 0:12:00 | 0:12:01 | |
Could be getting something out of his sock? | 0:12:01 | 0:12:04 | |
-What could Benny do with that? -Probably not much. | 0:12:04 | 0:12:07 | |
-Resolution's pretty low. -Let me see the rest. | 0:12:07 | 0:12:10 | |
I tell you what, if they hadn't have stopped him, | 0:12:18 | 0:12:20 | |
he would have blown this whole place to the moon. | 0:12:20 | 0:12:24 | |
PHONE BEEPS | 0:12:24 | 0:12:26 | |
Hang on, they've found the car. | 0:12:26 | 0:12:28 | |
All right, | 0:12:34 | 0:12:35 | |
-what've we got? -Not much. | 0:12:35 | 0:12:38 | |
He's torched it, obviously, and that's it. | 0:12:38 | 0:12:42 | |
Listen, this is taken from CCTV at the garage. Get on to uniform, | 0:12:42 | 0:12:45 | |
get them to canvass the area, see if we can't put a name to that face. | 0:12:45 | 0:12:49 | |
-Will do. -PHONE VIBRATES | 0:12:49 | 0:12:52 | |
-Is everything all right, guv? -Ah...Yeah. Yeah. | 0:12:53 | 0:12:57 | |
So you handle door-to-door. | 0:12:57 | 0:12:59 | |
Justin...get onto intel, see if they can ID that compass. | 0:12:59 | 0:13:03 | |
I'll meet you back at the factory, all right? I've got a meeting. | 0:13:03 | 0:13:07 | |
-You all right? -Yeah, great. | 0:13:07 | 0:13:09 | |
It's just...you know. | 0:13:11 | 0:13:13 | |
Just what? | 0:13:14 | 0:13:16 | |
I just... | 0:13:16 | 0:13:17 | |
...want to do it right, you know? | 0:13:18 | 0:13:21 | |
Listen, if he asks you to do something and you're not sure, | 0:13:21 | 0:13:23 | |
don't butt heads with him. OK? Just, well, come and see me. | 0:13:23 | 0:13:28 | |
Right. Better get canvassing. Nazis, nutters, jugglers and the clowns. | 0:13:30 | 0:13:36 | |
I like this bit. Watch. | 0:13:55 | 0:13:57 | |
-LUTHER ON VIDEO: All right, show's over! -Wait for it...there! | 0:13:57 | 0:14:02 | |
I am arresting you... | 0:14:02 | 0:14:04 | |
It's brilliant! | 0:14:04 | 0:14:05 | |
Oh, and it never gets old. Honestly. | 0:14:07 | 0:14:10 | |
I hear that, um... she's living with you now. | 0:14:10 | 0:14:14 | |
How is... How's that working out? | 0:14:16 | 0:14:18 | |
Let's not talk about Jenny, eh? | 0:14:18 | 0:14:20 | |
Good for you. You can't beat a nice warm mouth to come home to. | 0:14:20 | 0:14:25 | |
She did live with another man for a while. | 0:14:26 | 0:14:28 | |
And he was a depraved old monster, really. | 0:14:28 | 0:14:31 | |
I think she liked it, in a way. | 0:14:31 | 0:14:33 | |
Being his dirty little servant. | 0:14:33 | 0:14:36 | |
Daddy issues. | 0:14:36 | 0:14:39 | |
-Do you know why she left him? -Thing is, I don't care. | 0:14:39 | 0:14:41 | |
He asked how much it would cost to buy her outright, | 0:14:41 | 0:14:44 | |
thereafter to do as his will dictated, one presumes. | 0:14:44 | 0:14:49 | |
I've still got his number somewhere. | 0:14:50 | 0:14:53 | |
Michael Saroyan. Armenian imports. | 0:14:57 | 0:15:00 | |
Making aggressive moves in the local market. | 0:15:00 | 0:15:03 | |
He's merging smaller operations - clubs, trafficking, girls, protection, | 0:15:03 | 0:15:08 | |
all the rest of it. Another job for you - | 0:15:08 | 0:15:12 | |
I'd like to know the extent of his market penetration. | 0:15:12 | 0:15:14 | |
Your turf wars are your business. If that sort of thing | 0:15:14 | 0:15:17 | |
-ever got traced back to me... -Make sure it's not. A list | 0:15:17 | 0:15:20 | |
of his capital assets. | 0:15:20 | 0:15:22 | |
I'd tread carefully with that sort of thing. | 0:15:22 | 0:15:24 | |
No, you'll tread exactly where and how I tell you. | 0:15:24 | 0:15:27 | |
A list of Saroyan's personnel today. Are we clear? | 0:15:27 | 0:15:33 | |
What, do I have to ask more politely? | 0:15:33 | 0:15:37 | |
HE YAWNS | 0:15:37 | 0:15:38 | |
I'm sick of this. Just do as you're told. | 0:15:38 | 0:15:41 | |
John. | 0:15:46 | 0:15:47 | |
I need what I asked for...today. | 0:15:51 | 0:15:54 | |
Or we'll pop round, pay Jenny a visit. | 0:16:00 | 0:16:02 | |
Yeah, open her up. See what's inside. | 0:16:03 | 0:16:05 | |
Look at yourself, Frank. | 0:16:14 | 0:16:16 | |
-What? -You know what. | 0:16:30 | 0:16:32 | |
No, I don't know what. What? Tell me what. | 0:16:32 | 0:16:34 | |
You don't think I can do it, do you? You actually don't think I'm capable | 0:16:34 | 0:16:38 | |
of squeezing a couple of addresses out of a dirty copper. | 0:16:38 | 0:16:41 | |
He's not a dirty copper. He's a man over a barrel. | 0:16:41 | 0:16:45 | |
That's a completely different thing, and you handle it a completely different way. | 0:16:45 | 0:16:51 | |
SLOW CLICKING | 0:17:16 | 0:17:20 | |
What have we got, Gray? | 0:18:39 | 0:18:41 | |
Um, there are one or two white-power psychos in the estate, | 0:18:41 | 0:18:44 | |
namely one Ryan Hayfield. | 0:18:44 | 0:18:47 | |
Do we like him? | 0:18:47 | 0:18:48 | |
Well, he's unemployed, long history of mental illness, | 0:18:48 | 0:18:51 | |
interest in various right-of-right-wing groups. | 0:18:51 | 0:18:54 | |
Lives with his mum, always a good sign in a man of 35. And that's him. | 0:18:54 | 0:18:57 | |
Nah. Definitely not. | 0:18:57 | 0:19:00 | |
Eliminate him. What have you got? | 0:19:00 | 0:19:02 | |
I checked the compass design against local gang insignia - | 0:19:02 | 0:19:05 | |
A-Road, Mothers' Square Boys, Gravehouse Boys, Hindle Street Gangs... | 0:19:05 | 0:19:09 | |
-Any joy? -Completely joyless. | 0:19:09 | 0:19:12 | |
Yeah. It never felt like tagging to me. | 0:19:12 | 0:19:16 | |
Why put it on the roof, | 0:19:16 | 0:19:18 | |
-where no-one can see it? -I don't think it's a compass. | 0:19:18 | 0:19:21 | |
Oh, yeah? | 0:19:21 | 0:19:22 | |
See, in my spare time, I like to read a lot of fantasy fiction. | 0:19:22 | 0:19:25 | |
I think it's the Bedlam Axis. | 0:19:25 | 0:19:28 | |
What's a Bedlam Axis when it's at home? | 0:19:28 | 0:19:30 | |
Yeah. Bedlam Axis has been around since the 1960s. | 0:19:30 | 0:19:33 | |
It's used a lot in RPG - role-playing games. | 0:19:33 | 0:19:37 | |
So, the arrow going upwards indicates predictability, law and order. | 0:19:37 | 0:19:41 | |
The arrow going across indicates unpredictably. | 0:19:41 | 0:19:44 | |
Chaos. | 0:19:44 | 0:19:46 | |
Can we see that CCTV footage of him kneeling down? | 0:19:47 | 0:19:51 | |
Yeah, I... | 0:19:54 | 0:19:55 | |
I don't think he's tying up his shoelace. | 0:19:55 | 0:19:58 | |
You know, I tie my shoelace like this. | 0:19:58 | 0:20:01 | |
I don't think he's texting either. | 0:20:02 | 0:20:06 | |
I think he's making his decisions on a roll of a dice. | 0:20:13 | 0:20:16 | |
Who to kill, when to kill, whether or not to kill. | 0:20:16 | 0:20:19 | |
Have you come across anything like this ever before? | 0:20:19 | 0:20:24 | |
No. You? | 0:20:24 | 0:20:26 | |
No. | 0:20:26 | 0:20:27 | |
Judging by his demeanour last night, the man was enjoying himself immensely. | 0:20:27 | 0:20:31 | |
So what are the chances of there being more to come? | 0:20:31 | 0:20:34 | |
Think of this as a spree that's only just started. | 0:20:34 | 0:20:37 | |
Yeah, well, that may be true, but one crime does not a pattern make. | 0:20:37 | 0:20:42 | |
We don't know which aspects of it he may choose to repeat. | 0:20:42 | 0:20:47 | |
If any. | 0:20:47 | 0:20:49 | |
I mean, if he's doing all this at the roll of a dice, | 0:20:49 | 0:20:52 | |
his next kill could be any time, anywhere, any place. | 0:20:52 | 0:20:55 | |
-So, how do we catch him? -Well, we get lucky. | 0:20:57 | 0:21:01 | |
PHONE VIBRATES Or he gets unlucky. | 0:21:01 | 0:21:03 | |
Or a combination of the two. | 0:21:03 | 0:21:06 | |
Listen to me, Toby. Yeah. Listen, listen. | 0:21:21 | 0:21:24 | |
I know you want to be a big boy and impress Frank, all right, | 0:21:24 | 0:21:28 | |
but you need to calm down. You'll get it when I get it. | 0:21:28 | 0:21:30 | |
-No, no. Today. -I can't. | 0:21:30 | 0:21:32 | |
Yes. Yes, you can. You'll do it now. | 0:21:32 | 0:21:34 | |
Listen, if that stuff isn't in my hands in the next two hours, | 0:21:34 | 0:21:38 | |
do I have to tell you what'll happen? | 0:21:38 | 0:21:39 | |
Unless you want me to dismember your whore. | 0:21:39 | 0:21:42 | |
So just do as you're told. | 0:21:44 | 0:21:46 | |
SMASH | 0:22:15 | 0:22:16 | |
FIRE ALARM BLARES | 0:22:16 | 0:22:20 | |
-Who's fire picket? -Guv, that's me. | 0:22:24 | 0:22:26 | |
Well, clear the floor, then, please. | 0:22:26 | 0:22:28 | |
OK, everyone. You know the drill. Let's all meet at the assembly point, please! | 0:22:28 | 0:22:34 | |
Sorry, sorry, sorry! Quick as you can. | 0:22:34 | 0:22:36 | |
PHONE RINGS | 0:22:43 | 0:22:47 | |
Password...? | 0:23:22 | 0:23:24 | |
All right? | 0:25:43 | 0:25:45 | |
OK, everyone. We need to do a quick head-count. Sorry about this. | 0:25:46 | 0:25:50 | |
Right, let's go. | 0:25:50 | 0:25:51 | |
CAR ALARM BLARES | 0:27:01 | 0:27:05 | |
SECOND ALARM GOES OFF | 0:27:05 | 0:27:07 | |
THIRD ALARM | 0:27:11 | 0:27:13 | |
FOURTH ALARM | 0:27:17 | 0:27:20 | |
Tossers. | 0:27:54 | 0:27:56 | |
Yo, John Luther, it's me. | 0:28:04 | 0:28:06 | |
So I went to the Jobcentre, and they weren't amazingly pleasant to me. | 0:28:06 | 0:28:11 | |
Turns out there's been this global downturn, whatever. | 0:28:14 | 0:28:17 | |
So it's all quiet on the job front. | 0:28:19 | 0:28:22 | |
Hello, Mum? | 0:28:56 | 0:28:57 | |
You fancy meeting up for coffee or something? | 0:29:00 | 0:29:03 | |
Right, it's our man. | 0:29:16 | 0:29:17 | |
Definitely our man. We just don't know who he is, | 0:29:19 | 0:29:22 | |
and we can't tell what he's going to do next, so... | 0:29:22 | 0:29:25 | |
We've got to know where he's at. | 0:29:25 | 0:29:27 | |
-How do we do that? -I say we get CO19 ready, monitor the emergency lines. | 0:29:27 | 0:29:32 | |
If we hear anything that sounds unusual, we think it's him, | 0:29:32 | 0:29:35 | |
we send in armed response. | 0:29:35 | 0:29:38 | |
-See if we can't catch him in the act. -London's got, what, | 0:29:39 | 0:29:42 | |
6,000 999 calls a day. | 0:29:42 | 0:29:44 | |
Yeah, but 70% of them are time-wasters, cats up trees. | 0:29:44 | 0:29:47 | |
Most of the rest is meat and potatoes. It shouldn't be too hard to set up a filter. | 0:29:47 | 0:29:50 | |
Right. | 0:29:50 | 0:29:51 | |
If we think it's him, we make a judgment call. | 0:29:51 | 0:29:55 | |
We go in loud and heavy. | 0:29:55 | 0:29:57 | |
What do you think of that plan? | 0:29:58 | 0:30:00 | |
-Let's do it. -Sounds good. | 0:30:00 | 0:30:02 | |
VOICES AND STATIC | 0:30:04 | 0:30:08 | |
-'Police emergency.' -'..threatening to kill herself...' | 0:30:11 | 0:30:14 | |
'Covered in blood. I don't know what to do...' | 0:30:14 | 0:30:16 | |
'..just running around with blood all over his face...' | 0:30:16 | 0:30:19 | |
-'I dunno, a knife or something.' -'My son, he's schizophrenic. | 0:30:19 | 0:30:23 | |
'He's off his medication...' | 0:30:23 | 0:30:25 | |
'I'm not being funny, but there's this really mean dog running around. | 0:30:27 | 0:30:30 | |
'I know it sounds a bit... | 0:30:30 | 0:30:31 | |
'But I'm just worried it's going to bite a baby or something.' | 0:30:31 | 0:30:34 | |
'A woman's just been mugged. Yeah. An old lady. | 0:30:55 | 0:30:58 | |
'Two blokes came up to her and just, bang, they just ran off with her bag.' | 0:30:58 | 0:31:02 | |
'An inmate. I'm all covered in blood. I don't know what to do.' | 0:31:12 | 0:31:16 | |
SCREAMING | 0:31:56 | 0:31:59 | |
Sir. OK, boys and girls, we've got ourselves a weird one. | 0:32:10 | 0:32:13 | |
-Here we go. Benny, what you got for me? -Random attack. Three people stabbed. | 0:32:13 | 0:32:17 | |
Killer has stolen a motorcycle courier's bike, bag, helmet and jacket. | 0:32:17 | 0:32:22 | |
He left the scene three minutes ago on the bike, dressed as a courier. | 0:32:22 | 0:32:25 | |
All right. Here's the plan. Contact that courier's delivery company, | 0:32:25 | 0:32:30 | |
find out what his next scheduled delivery is, scramble ARV, | 0:32:30 | 0:32:33 | |
see if we can't get there before he does. That's him. That's him. | 0:32:33 | 0:32:38 | |
SCREAMING | 0:34:17 | 0:34:20 | |
Susie! Susie! Come on! | 0:34:43 | 0:34:46 | |
FAINT SOBBING | 0:35:07 | 0:35:11 | |
-How many? -Four confirmed dead. | 0:35:49 | 0:35:51 | |
Many injured. | 0:35:52 | 0:35:55 | |
We missed him by...minutes. | 0:35:55 | 0:35:57 | |
We don't have him and we don't know where he's going to go next. | 0:35:57 | 0:36:01 | |
He'd have dumped the courier rig and moved on. | 0:36:01 | 0:36:04 | |
Escape route? | 0:36:04 | 0:36:06 | |
Through the car park. | 0:36:06 | 0:36:08 | |
Boss, what's up? | 0:37:18 | 0:37:19 | |
Justin, he's still in the building! Dressed as an employee. | 0:37:19 | 0:37:23 | |
OK. Erin. | 0:37:23 | 0:37:25 | |
-He's still here. Make sure no-one else leaves. -OK. | 0:37:27 | 0:37:29 | |
Put the phone down. | 0:38:51 | 0:38:52 | |
RINGING TONE | 0:39:11 | 0:39:13 | |
'This is John Luther. Leave a message.' | 0:39:17 | 0:39:19 | |
Come on, come on, come on, come on, come on, come on, come on... | 0:39:23 | 0:39:27 | |
All right, Mum? | 0:40:06 | 0:40:08 | |
All right, Mum? | 0:40:17 | 0:40:19 | |
Coffee shop closed? | 0:40:19 | 0:40:21 | |
So are you sleeping with him? | 0:40:21 | 0:40:24 | |
"Hello, Jen! How are you? | 0:40:26 | 0:40:28 | |
"Can I tell you, you look utterly mint?" | 0:40:28 | 0:40:31 | |
-Are you? -Utterly mint? Totally. | 0:40:31 | 0:40:34 | |
Sleeping with him? | 0:40:34 | 0:40:37 | |
Whatever. He's, like, 55. | 0:40:37 | 0:40:39 | |
So how are you paying the rent? | 0:40:41 | 0:40:43 | |
He doesn't want rent, actually. | 0:40:44 | 0:40:47 | |
I bet he doesn't. | 0:40:47 | 0:40:50 | |
If you knew how that man tortured your dad. | 0:40:53 | 0:40:57 | |
-Because you loved Dad so much, right?! -Yes. | 0:41:00 | 0:41:03 | |
I did. | 0:41:03 | 0:41:05 | |
So you didn't try to screw John the minute Dad was cold in the ground? | 0:41:07 | 0:41:13 | |
Is that what he told you? | 0:41:13 | 0:41:16 | |
-That's what I saw. -What you think you saw. | 0:41:16 | 0:41:21 | |
Mum. I saw. | 0:41:21 | 0:41:22 | |
-Just come home. Please. -No. | 0:41:22 | 0:41:27 | |
-I just want us to be... -What? | 0:41:27 | 0:41:28 | |
"Hello, world! Hello, neighbours! Here we are! | 0:41:28 | 0:41:32 | |
"Jenny and Caroline! We're normal! Look how normal we are!" | 0:41:32 | 0:41:36 | |
-You really are one evil little bitch. -Yeah, well... | 0:41:36 | 0:41:41 | |
...the apple didn't fall far from the tree. | 0:41:41 | 0:41:44 | |
What? | 0:41:44 | 0:41:46 | |
You going to start smacking me about a bit now? Do you know what? | 0:41:46 | 0:41:51 | |
Go ahead. | 0:41:51 | 0:41:52 | |
I've been hit by animals a lot meaner than you. | 0:41:53 | 0:41:56 | |
Take it. | 0:42:02 | 0:42:03 | |
Keep it. | 0:42:03 | 0:42:04 | |
Just take it. For food. For rent. | 0:42:06 | 0:42:08 | |
I don't want your money. | 0:42:08 | 0:42:10 | |
I'm getting a job. | 0:42:10 | 0:42:12 | |
Have you got one yet? | 0:42:12 | 0:42:14 | |
Not yet, no. | 0:42:14 | 0:42:15 | |
-Then take it. -I don't want your money. | 0:42:15 | 0:42:17 | |
But if I was a strange man with an erection and a video camera, | 0:42:18 | 0:42:22 | |
then you'd take it, wouldn't you? | 0:42:22 | 0:42:24 | |
Erin, what's up? | 0:43:07 | 0:43:09 | |
You said I could come to you. | 0:43:09 | 0:43:11 | |
Yeah, absolutely. | 0:43:11 | 0:43:14 | |
I don't know what to do, Justin. | 0:43:14 | 0:43:17 | |
-What about? -Luther. | 0:43:19 | 0:43:22 | |
Today, during the fire alarm, he breaks into Schenk's office, | 0:43:22 | 0:43:24 | |
accesses his computer. | 0:43:24 | 0:43:26 | |
And don't say it, because I'm sure. I wish I wasn't, but I am. | 0:43:26 | 0:43:30 | |
He's got no need to. | 0:43:30 | 0:43:32 | |
Access to the database is audited. | 0:43:32 | 0:43:36 | |
I mean, why else use Schenk's computer? | 0:43:36 | 0:43:40 | |
Whatever he was doing, he didn't want anyone else to know he was doing it. | 0:43:40 | 0:43:43 | |
Tell me that's not dirty. | 0:43:43 | 0:43:44 | |
OK, yeah, on the face of it, it looks odd. | 0:43:47 | 0:43:51 | |
But there'll be a reason. | 0:43:51 | 0:43:53 | |
Oh, come on(!) | 0:43:53 | 0:43:55 | |
There's loyalty and then there's... naivety. | 0:43:55 | 0:43:58 | |
There's also a difference | 0:43:58 | 0:43:59 | |
between getting your hands dirty and being dirty. | 0:43:59 | 0:44:02 | |
This is what I get, is it? | 0:44:05 | 0:44:07 | |
I've come to you for help. | 0:44:07 | 0:44:08 | |
And this is it? Platitudes and denials and puppy-dog eyes? | 0:44:08 | 0:44:12 | |
Right. Just leave it with me. | 0:44:17 | 0:44:19 | |
-Right? -Thank you. | 0:44:19 | 0:44:22 | |
DOOR OPENS | 0:44:33 | 0:44:34 | |
I'm DCI John Luther. | 0:44:37 | 0:44:40 | |
Question is, who are you? | 0:44:40 | 0:44:42 | |
Your fingerprints didn't show up on the records. | 0:44:46 | 0:44:50 | |
You're not carrying any ID. | 0:44:51 | 0:44:53 | |
Just this. | 0:44:53 | 0:44:54 | |
And these. | 0:45:00 | 0:45:01 | |
What? | 0:45:14 | 0:45:15 | |
Well, I've been using our quiet time... | 0:45:23 | 0:45:26 | |
...to think about this. | 0:45:28 | 0:45:30 | |
What is it? | 0:45:30 | 0:45:31 | |
What could it be? | 0:45:31 | 0:45:33 | |
Do you know what I think? | 0:45:33 | 0:45:34 | |
I reckon it's a scorecard. | 0:45:34 | 0:45:38 | |
How many points, what, ten points for killing someone with a baseball bat? | 0:45:38 | 0:45:43 | |
20 points for, I don't know, | 0:45:44 | 0:45:46 | |
stabbing a stranger to death. Am I right? | 0:45:46 | 0:45:51 | |
Is that what this is? | 0:45:51 | 0:45:52 | |
Who were you trying to call | 0:46:09 | 0:46:12 | |
at the office? Who was that? | 0:46:12 | 0:46:15 | |
The wife? | 0:46:15 | 0:46:16 | |
Girlfriend, boyfriend? | 0:46:19 | 0:46:20 | |
Boyfriend. | 0:46:20 | 0:46:22 | |
I didn't think it was your mum and dad. | 0:46:23 | 0:46:26 | |
No, we checked the records, and it was a disposable phone, | 0:46:26 | 0:46:29 | |
the only time that number has been called, | 0:46:29 | 0:46:32 | |
so doesn't say Mum and Dad to me. Does it say Mum and Dad to you? | 0:46:32 | 0:46:36 | |
So who was it? | 0:46:38 | 0:46:40 | |
Who was it? | 0:46:40 | 0:46:42 | |
Who was it? | 0:46:45 | 0:46:47 | |
You know, I've been a police officer since God was a boy. | 0:46:53 | 0:46:57 | |
I don't think I've sat across a table from someone | 0:46:58 | 0:47:04 | |
who takes their right to silence so seriously. | 0:47:04 | 0:47:08 | |
Want to say something? | 0:47:15 | 0:47:18 | |
No? | 0:47:23 | 0:47:24 | |
Who are you? | 0:47:32 | 0:47:33 | |
We'll find out, won't we? | 0:47:34 | 0:47:36 | |
BANGING AT DOOR | 0:48:02 | 0:48:06 | |
John? | 0:48:07 | 0:48:09 | |
Oh! | 0:48:13 | 0:48:14 | |
-Agh! -Hello. | 0:48:15 | 0:48:17 | |
You remember me? | 0:48:21 | 0:48:22 | |
Of course you do. | 0:48:22 | 0:48:24 | |
And what an evening that was! | 0:48:26 | 0:48:27 | |
Well, I do apologise for any | 0:48:29 | 0:48:31 | |
work-related injuries that you sustained. Where is he? | 0:48:31 | 0:48:35 | |
-The man of the house. -Working. | 0:48:36 | 0:48:38 | |
Bringing home the bacon, as it were. | 0:48:38 | 0:48:42 | |
When will he be back? | 0:48:42 | 0:48:44 | |
Whenever he can. | 0:48:44 | 0:48:46 | |
-And when's that? -Do I look like his wife? | 0:48:46 | 0:48:47 | |
Darling, you don't look like anybody's wife. | 0:48:47 | 0:48:50 | |
So, anyway, door's that way. | 0:48:50 | 0:48:52 | |
No, er, I can't leave. | 0:48:54 | 0:48:57 | |
Not before the Big Bad John shows up | 0:48:57 | 0:49:01 | |
and gives me what I'm waiting for. | 0:49:01 | 0:49:03 | |
You know, I really must say, he's being disappointingly tardy. | 0:49:16 | 0:49:20 | |
Yeah, definitely more dial-up than broadband. | 0:49:22 | 0:49:26 | |
So you'd better be off, then. | 0:49:26 | 0:49:27 | |
Did I hurt you that badly? | 0:49:30 | 0:49:33 | |
I... I can't help it. | 0:49:37 | 0:49:40 | |
It's the screams. | 0:49:43 | 0:49:45 | |
See? | 0:49:47 | 0:49:48 | |
I think they're rather like watches. | 0:49:48 | 0:49:51 | |
-On one level... -CLATTERING | 0:49:51 | 0:49:53 | |
..the fake ones are convincing enough... | 0:49:53 | 0:49:56 | |
..until you've tried the genuine article. | 0:49:59 | 0:50:01 | |
What's that? | 0:50:08 | 0:50:10 | |
-It's not yours! -Ooh. | 0:50:15 | 0:50:18 | |
Ooh. | 0:50:18 | 0:50:20 | |
David Bowie. | 0:50:23 | 0:50:25 | |
Oh, my God. That is so sweet. | 0:50:25 | 0:50:29 | |
You do know you're ill? | 0:50:29 | 0:50:31 | |
There's something wrong with you. | 0:50:31 | 0:50:35 | |
Yeah, apparently, there is. | 0:50:42 | 0:50:43 | |
When I was eight, they caught me... | 0:50:45 | 0:50:49 | |
interfering with the corpse of a cat, and, er... | 0:50:49 | 0:50:52 | |
..I told them it was a scientific experiment. | 0:50:53 | 0:50:56 | |
I was just trying to see if there were any kittens inside. | 0:50:56 | 0:50:59 | |
There were no kittens. | 0:51:00 | 0:51:03 | |
How are you on the money front? | 0:51:07 | 0:51:10 | |
Don't you start. | 0:51:10 | 0:51:11 | |
Because I've got the money if you've got the time. | 0:51:11 | 0:51:14 | |
-I don't do that anymore. -Oh, what, cos you've found yourself? | 0:51:14 | 0:51:18 | |
What is it? Because you've found some kind of | 0:51:18 | 0:51:20 | |
pure core of strength and self-respect, | 0:51:20 | 0:51:23 | |
or because you're learning to love yourself as a woman? | 0:51:23 | 0:51:26 | |
You need to leave. If John comes back and hears you talking to me like this... | 0:51:26 | 0:51:30 | |
"Talking to me like this"? I think John will do as he's told. | 0:51:30 | 0:51:34 | |
I could have you bent over this table | 0:51:34 | 0:51:36 | |
and there'd be nothing he could do but stand back and watch. | 0:51:36 | 0:51:41 | |
Besides which, John's not here, is he? | 0:51:43 | 0:51:45 | |
Hmm? | 0:51:48 | 0:51:49 | |
I told him what I wanted. | 0:51:50 | 0:51:53 | |
I told him what I'd do. | 0:51:57 | 0:51:59 | |
But John's not here. He's not here for you, he's not here for me. | 0:51:59 | 0:52:04 | |
I think he's let the both of us down. | 0:52:05 | 0:52:09 | |
I'll, er, be very gentle. | 0:52:09 | 0:52:11 | |
Or not. | 0:52:11 | 0:52:13 | |
-Get out. -Come on. | 0:52:14 | 0:52:16 | |
-Get out! -What is it? | 0:52:16 | 0:52:18 | |
Has he got a thing for sullied goods? Is that what it is? | 0:52:18 | 0:52:20 | |
-Don't talk about him. -Or does he like to be the hero? | 0:52:20 | 0:52:22 | |
Putting pretty young things into his bed for gratitude? | 0:52:22 | 0:52:24 | |
Eh, what does he like? What's his scene? What does he like? Hey? | 0:52:24 | 0:52:28 | |
-Don't, please! -Does he like this? | 0:52:28 | 0:52:30 | |
Does he like this? | 0:52:30 | 0:52:31 | |
-JUSTIN: -Boss, have you got a minute? | 0:52:53 | 0:52:55 | |
Yeah. Walk... Walk out with me. | 0:52:55 | 0:52:59 | |
Everything all right? | 0:53:03 | 0:53:06 | |
Um, with me, yeah. | 0:53:06 | 0:53:09 | |
What does that mean? | 0:53:10 | 0:53:11 | |
Um... | 0:53:12 | 0:53:13 | |
Were you in Schenk's office? | 0:53:15 | 0:53:17 | |
-When? -Today, during the fire alarm. | 0:53:19 | 0:53:22 | |
Who's told you that? | 0:53:22 | 0:53:23 | |
No-one. It doesn't matter. | 0:53:23 | 0:53:25 | |
Were you, though? | 0:53:26 | 0:53:27 | |
-Justin, do you trust me? -Yeah. You know I do. | 0:53:29 | 0:53:31 | |
All right, well, don't say what you're about to say. | 0:53:31 | 0:53:33 | |
Are you in trouble? | 0:53:36 | 0:53:37 | |
Things are a little messy. | 0:53:45 | 0:53:48 | |
But I'm working it out. | 0:53:48 | 0:53:50 | |
Toby, I've got it and I'm ready to meet you, | 0:54:04 | 0:54:07 | |
so just call me and tell me where. | 0:54:07 | 0:54:09 | |
Jenny? | 0:55:10 | 0:55:11 | |
Jenny, where are you? | 0:55:15 | 0:55:16 | |
Are you home? | 0:55:17 | 0:55:18 | |
Where are you? SOBBING | 0:55:20 | 0:55:22 | |
I'm sorry. | 0:55:22 | 0:55:24 | |
I'm really, really sorry. | 0:55:24 | 0:55:26 | |
MUSIC: "Sweet Dreams" by Marilyn Manson | 0:56:51 | 0:56:55 | |
# Sweet dreams are made of this | 0:57:01 | 0:57:05 | |
# Who am I to disagree...? # | 0:57:05 | 0:57:09 | |
We've got another one. It's started again. There's two of them. | 0:57:11 | 0:57:15 | |
-Call her! -I'm trying, I don't know where she is! | 0:57:19 | 0:57:22 | |
# Some of them want to use you | 0:57:22 | 0:57:26 | |
# Some of them want to get used by you | 0:57:26 | 0:57:31 | |
# Some of them want to abuse you | 0:57:31 | 0:57:37 | |
# Some of them want to be abused... # | 0:57:37 | 0:57:43 | |
E-mail [email protected] | 0:57:49 | 0:57:52 |