
Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some scenes of a sexual nature. | 0:00:02 | 0:00:07 | |
MUTED SHOUTS | 0:01:06 | 0:01:09 | |
GIRL WHIMPERS | 0:02:00 | 0:02:01 | |
SHE PANTS HEAVILY | 0:02:04 | 0:02:06 | |
SHE SHRIEKS AND YELLS | 0:02:08 | 0:02:11 | |
DOG BARKS IN BACKGROUND | 0:02:16 | 0:02:18 | |
BARKING CONTINUES | 0:02:20 | 0:02:22 | |
'The X-rays are clear. Thyroid function is good.' | 0:02:24 | 0:02:27 | |
Nothing's wrong with Duke, Mrs Spicer. | 0:02:27 | 0:02:29 | |
Then why is he so fat? | 0:02:29 | 0:02:32 | |
I think we have to consider lifestyle factors now. | 0:02:32 | 0:02:34 | |
No, look, we've been through this. | 0:02:34 | 0:02:36 | |
Duke gets a long walk, every evening, right through the woods. | 0:02:36 | 0:02:39 | |
-And who walks him? -Malcolm. My husband. | 0:02:39 | 0:02:42 | |
-Every day? -Yes! Two hours. | 0:02:42 | 0:02:44 | |
Wow. That just seems strange. | 0:02:44 | 0:02:47 | |
Why is a walk strange? | 0:02:47 | 0:02:50 | |
If Duke was walking for two hours every day, | 0:02:50 | 0:02:54 | |
he wouldn't be so overweight. | 0:02:54 | 0:02:57 | |
Why would my husband lie to me about walking the dog? | 0:02:58 | 0:03:01 | |
I have no idea, Mrs Spicer. | 0:03:01 | 0:03:04 | |
BUSY CHATTERING | 0:03:10 | 0:03:13 | |
PHONE RINGS | 0:03:38 | 0:03:41 | |
-Who is it? -My sister. | 0:03:43 | 0:03:45 | |
Please. Just ask her out. I can't stand all this yearning. | 0:03:49 | 0:03:55 | |
You've got to put yourself on the other side, man. | 0:03:55 | 0:03:58 | |
No. Can't do that. | 0:03:58 | 0:03:59 | |
You've liked her for too long. | 0:03:59 | 0:04:01 | |
If you're not going to do anything about it, you should just move on. | 0:04:01 | 0:04:05 | |
-I have a plan. -Really? | 0:04:05 | 0:04:07 | |
Does it involve coming in here every day | 0:04:07 | 0:04:09 | |
and watching her tuck into someone who's not you? | 0:04:09 | 0:04:11 | |
How long do those guys last with her? | 0:04:13 | 0:04:15 | |
With Caitlin? Days, man. | 0:04:15 | 0:04:18 | |
Exactly. | 0:04:18 | 0:04:19 | |
If I ask her out now, even if it works out, we're doomed to fail. | 0:04:19 | 0:04:22 | |
We're too young to make a relationship work. | 0:04:22 | 0:04:24 | |
You could just have fun. | 0:04:24 | 0:04:26 | |
This is important. I'm keeping my powder dry. | 0:04:26 | 0:04:30 | |
She goes out with the goofs, has her heart broken, blah, blah. | 0:04:30 | 0:04:33 | |
And then, when she's in her 20s, I'll ask her out. | 0:04:33 | 0:04:38 | |
And she'll realise Linus is the one. | 0:04:38 | 0:04:42 | |
And I'll marry her. | 0:04:48 | 0:04:49 | |
Mum, look, someone's dumped their bike. | 0:05:05 | 0:05:08 | |
They'll be back for it. | 0:05:08 | 0:05:10 | |
But they've just left it. | 0:05:10 | 0:05:12 | |
Leave it, come on. | 0:05:15 | 0:05:17 | |
Oi, psycho! | 0:05:28 | 0:05:30 | |
CARNIVAL MUSIC PLAYS | 0:05:35 | 0:05:37 | |
We're not ready yet! | 0:05:39 | 0:05:41 | |
We're not ready yet! | 0:05:41 | 0:05:43 | |
MUSIC CONTINUES | 0:05:43 | 0:05:46 | |
This is useless. | 0:05:48 | 0:05:49 | |
-DOGS BARKS -Duke... | 0:06:01 | 0:06:04 | |
I'm sorry, Duke, we're stuck. | 0:06:04 | 0:06:07 | |
CARNIVAL MUSIC RESUMES | 0:06:07 | 0:06:09 | |
Why has the parade started? The May Queen isn't here yet. | 0:06:19 | 0:06:22 | |
You can't start without the May Queen. | 0:06:22 | 0:06:25 | |
There, there, there. Look! | 0:06:28 | 0:06:30 | |
Where's Hattie?! | 0:06:34 | 0:06:35 | |
Where is she? | 0:06:38 | 0:06:39 | |
FAINT SCREAMS | 0:06:57 | 0:06:59 | |
Oh! Ugh! | 0:07:12 | 0:07:14 | |
Come on, Duke. Oh! | 0:07:14 | 0:07:16 | |
-SHE SIGHS -Go on. | 0:07:18 | 0:07:21 | |
Oh! | 0:07:21 | 0:07:23 | |
In your basket. | 0:07:26 | 0:07:29 | |
Malcolm! | 0:07:29 | 0:07:31 | |
OPERA MUSIC PLAYS FAINTLY | 0:07:33 | 0:07:36 | |
Malcolm! | 0:07:36 | 0:07:37 | |
Malcolm! | 0:07:44 | 0:07:46 | |
OPERA MUSIC CONTINUES | 0:07:46 | 0:07:48 | |
-GAIL: -'Malcolm!' | 0:08:10 | 0:08:11 | |
It's not thyroid. | 0:08:18 | 0:08:20 | |
It's lack of exercise. The dog is NOT getting walked. | 0:08:20 | 0:08:24 | |
So, what exactly do you do in the woods? | 0:08:24 | 0:08:28 | |
I'm walking the bloody dog! | 0:08:28 | 0:08:31 | |
No. No. Just look at him. The vet said you can't be. | 0:08:31 | 0:08:35 | |
The problem isn't exercise, Gail. | 0:08:35 | 0:08:37 | |
I could walk the dog to kingdom come. | 0:08:37 | 0:08:39 | |
It would still be fat because of all the crap you feed it. | 0:08:39 | 0:08:43 | |
I beg your pardon? | 0:08:43 | 0:08:45 | |
Same with those poor sodding sparrows you gave the Battenberg to. | 0:08:45 | 0:08:49 | |
Pink shit all over the car and six dead birds in the drive. | 0:08:49 | 0:08:53 | |
I DO NOT mistreat the dog. | 0:08:53 | 0:08:56 | |
No, you don't. You give him pate. | 0:08:56 | 0:08:58 | |
Tesco's Finest pate. | 0:08:58 | 0:09:00 | |
And then you wonder why his gut is dragging on the carpet. | 0:09:00 | 0:09:03 | |
By the way, he shat in the car, and I'm not bloody cleaning it up! | 0:09:06 | 0:09:10 | |
EVERETT GRUNTS | 0:09:32 | 0:09:34 | |
DOOR CLOSES | 0:09:34 | 0:09:35 | |
Why aren't you at work, Dad? | 0:09:38 | 0:09:40 | |
Too busy to be at work. | 0:09:43 | 0:09:45 | |
-Do you need help? -Me? No. | 0:09:45 | 0:09:48 | |
-It looks heavy. -I got it. | 0:09:48 | 0:09:50 | |
You'll do your back, old man. | 0:09:50 | 0:09:52 | |
Jesus. | 0:09:56 | 0:09:58 | |
What have you got in it? | 0:09:58 | 0:10:00 | |
It's just work stuff. | 0:10:00 | 0:10:01 | |
What kind of work stuff? | 0:10:03 | 0:10:05 | |
What you don't know won't hurt you. | 0:10:11 | 0:10:14 | |
Yeah, but what do you do? | 0:10:14 | 0:10:17 | |
You're either here all day playing Xbox or you disappear for days. | 0:10:17 | 0:10:20 | |
I pay the bills, yeah? | 0:10:20 | 0:10:23 | |
And how I do that is my business. | 0:10:23 | 0:10:25 | |
That's all you need to know. | 0:10:25 | 0:10:27 | |
I want to know what's in that bag. | 0:10:29 | 0:10:31 | |
Oh? OK. | 0:10:31 | 0:10:34 | |
You know what it is? | 0:10:38 | 0:10:40 | |
It's, erm... | 0:10:42 | 0:10:44 | |
It's none of your damn business. | 0:10:44 | 0:10:46 | |
I'm going for a record score. | 0:10:52 | 0:10:55 | |
I've got glucose tablets and a bottle to piss in. | 0:10:55 | 0:10:58 | |
You can watch me play if you like. | 0:10:58 | 0:11:00 | |
GUNFIRE ON TV | 0:11:01 | 0:11:03 | |
Get some! Get! | 0:11:03 | 0:11:05 | |
And how are you doing today? | 0:11:15 | 0:11:17 | |
'Did you get your birthday present? | 0:11:17 | 0:11:19 | |
'It was a real hassle getting it to you.' | 0:11:19 | 0:11:21 | |
Yeah, thanks. | 0:11:21 | 0:11:23 | |
'Let me know if you need anything else.' | 0:11:23 | 0:11:25 | |
-WOMAN SHOUTS OUTSIDE -Hang on a minute, mate. | 0:11:25 | 0:11:28 | |
-WOMAN: -'..contact us directly. | 0:11:28 | 0:11:31 | |
'You have to help me! | 0:11:31 | 0:11:32 | |
'Please!' | 0:11:32 | 0:11:34 | |
You know how important this is. Please think! | 0:11:34 | 0:11:36 | |
'You must have known. She was the May Queen!' | 0:11:36 | 0:11:39 | |
-SHE SCREAMS -I told you to call the police! | 0:11:58 | 0:12:01 | |
Jesus Christ! You wouldn't let me, would you? | 0:12:01 | 0:12:04 | |
'You wouldn't let me call them! Oh, my God!' | 0:12:04 | 0:12:07 | |
-SHE SCREAMS -Where's my baby?! | 0:12:09 | 0:12:11 | |
SHE SOBS HYSTERICALLY | 0:12:13 | 0:12:15 | |
Police. Police. | 0:12:15 | 0:12:17 | |
'Yeah, er, my daughter. | 0:12:20 | 0:12:23 | |
'She's been missing for six hours now, yeah. | 0:12:23 | 0:12:29 | |
'My name is Richard Sutton. | 0:12:29 | 0:12:32 | |
'Hattie, Hattie Sutton. Hattie.' | 0:12:32 | 0:12:34 | |
Why wasn't Dad at the parade? | 0:12:37 | 0:12:38 | |
He must've got stuck at work. | 0:12:40 | 0:12:42 | |
Did he catch a bad guy? | 0:12:42 | 0:12:44 | |
Yeah. Course. | 0:12:44 | 0:12:46 | |
'Charlotte! | 0:12:52 | 0:12:55 | |
'Come and wash your hands or there's no snacks!' | 0:12:55 | 0:12:57 | |
Charlotte! | 0:13:00 | 0:13:02 | |
-'What?' -Hands! | 0:13:02 | 0:13:04 | |
'There's no soap.' | 0:13:12 | 0:13:14 | |
Yes, there is. I put one in yesterday. | 0:13:14 | 0:13:17 | |
'Well, I can't see it.' | 0:13:17 | 0:13:18 | |
See? Told you. | 0:13:25 | 0:13:28 | |
No-one likes a smarty-pants. | 0:13:28 | 0:13:30 | |
SHOWER RUNNING | 0:13:37 | 0:13:40 | |
-Come on. -Alan, where have you been? | 0:13:46 | 0:13:49 | |
Get out! | 0:13:49 | 0:13:50 | |
You're scaring me, sweetheart. | 0:13:52 | 0:13:53 | |
-HE SHOUTS -I said, get out! | 0:13:53 | 0:13:56 | |
Seth! Seth! | 0:14:16 | 0:14:18 | |
I've got to get back to the woods. | 0:14:18 | 0:14:22 | |
Listen! Come inside, yeah? | 0:14:22 | 0:14:26 | |
Have some food. Wash that shit off your face. | 0:14:26 | 0:14:29 | |
And take those flowers off your head! | 0:14:29 | 0:14:31 | |
The woods don't care about the way I look! | 0:14:31 | 0:14:34 | |
You've got to sleep in your flat or they'll take it away from you! | 0:14:34 | 0:14:37 | |
I worked hard to get you that flat. I made promises. | 0:14:37 | 0:14:40 | |
It's not safe there. | 0:14:40 | 0:14:43 | |
How can I look after you if you won't listen to me? | 0:14:43 | 0:14:46 | |
Seth! | 0:14:46 | 0:14:49 | |
That's a shame. | 0:14:49 | 0:14:50 | |
Your own brother. | 0:14:50 | 0:14:52 | |
THEY LAUGH | 0:14:52 | 0:14:53 | |
Yeah, well, it's none of your business. | 0:14:59 | 0:15:01 | |
There's someone at the door! | 0:15:11 | 0:15:14 | |
CHILD'S TOY SQUEAKS | 0:15:14 | 0:15:16 | |
KNOCK ON DOOR | 0:15:16 | 0:15:18 | |
Alan! | 0:15:18 | 0:15:20 | |
BABY GURGLES | 0:15:20 | 0:15:22 | |
Ooh, who's at the door, Monty, hmm? | 0:15:22 | 0:15:24 | |
'Don't play with it, eat it, please.' | 0:15:26 | 0:15:28 | |
-THEY LAUGH My boys! -Hello, trouble. | 0:15:38 | 0:15:41 | |
-Ooh, look at that. -Oh, he's lovely. Kettle on? | 0:15:41 | 0:15:43 | |
-I thought you'd forgotten about me. -Never! | 0:15:43 | 0:15:46 | |
'Ooh, something's cooking.' | 0:15:46 | 0:15:49 | |
To think she used to throw pissheads in the back of the van. | 0:15:51 | 0:15:54 | |
-Language! -What? | 0:15:54 | 0:15:56 | |
-Yeah, kids. -How things change. | 0:15:56 | 0:15:58 | |
Bit soggier than I remember. | 0:15:58 | 0:16:00 | |
-Hey, that is muscle. -It's his paperwork muscle. | 0:16:00 | 0:16:03 | |
Fat muscle! | 0:16:03 | 0:16:06 | |
So when are you coming back then? | 0:16:06 | 0:16:07 | |
Well, I'm a bit busy at the moment. | 0:16:07 | 0:16:10 | |
Seriously, you can't be wiping arses for the rest of your life. | 0:16:10 | 0:16:13 | |
Excuse me, look at my beautiful family. Aww! | 0:16:13 | 0:16:17 | |
-Why would I want to leave them? -You'll always be one of us. | 0:16:17 | 0:16:20 | |
Nope. I am just a mum. | 0:16:20 | 0:16:23 | |
So, hand on heart, you're a civvy now? | 0:16:23 | 0:16:26 | |
Shouldn't you be somewhere? | 0:16:27 | 0:16:29 | |
Yeah, we should be going. See a woman about a stop out. | 0:16:29 | 0:16:32 | |
Who's missing? | 0:16:32 | 0:16:34 | |
Hattie Sutton, number 22. | 0:16:34 | 0:16:35 | |
She's still gone? | 0:16:37 | 0:16:38 | |
She was supposed to be May Queen, but she didn't turn up. | 0:16:38 | 0:16:41 | |
-She's probably just with her boyfriend. -Yeah, same old, same old. | 0:16:41 | 0:16:44 | |
No. She's not that type. | 0:16:44 | 0:16:46 | |
She's... She's a little girl. | 0:16:46 | 0:16:49 | |
You know her well, do you? | 0:16:49 | 0:16:51 | |
Yeah. She baby-sits sometimes. The kids love her. | 0:16:51 | 0:16:53 | |
What, you reckon she's been snatched? | 0:16:53 | 0:16:56 | |
If I was her mum, I'd be very, very worried. | 0:16:56 | 0:16:59 | |
Right, we shan't muck about, then. Come on. | 0:16:59 | 0:17:03 | |
-Bet you'd love to come with us. -Just...find her. | 0:17:03 | 0:17:06 | |
GUNFIRE ON TELEVISION | 0:17:26 | 0:17:29 | |
POLICE RADIO TALKBACK | 0:17:55 | 0:17:58 | |
DOORBELL CHIMES | 0:18:05 | 0:18:07 | |
Steve, this is not a good time. | 0:18:11 | 0:18:13 | |
-I've heard. -Not now, Steve. | 0:18:13 | 0:18:16 | |
The past is the past. | 0:18:16 | 0:18:18 | |
That's not why I'm here. I want to help find Hattie. | 0:18:18 | 0:18:21 | |
Let him in. | 0:18:21 | 0:18:23 | |
POLICE CHATTER IN BACKGROUND | 0:18:26 | 0:18:30 | |
'There were a lot of strong feelings. Who was that?' | 0:18:30 | 0:18:33 | |
Bet you're happy to have an excuse to come back. | 0:18:37 | 0:18:39 | |
They seem to think that Hattie is in the house somewhere. | 0:18:53 | 0:18:55 | |
They keep looking up in the loft, like she'll suddenly pop up from behind the water tank. | 0:18:55 | 0:18:59 | |
How long has she been missing? | 0:18:59 | 0:19:02 | |
She left here at ten to go to the parade, but she never got there. | 0:19:02 | 0:19:06 | |
Jesus. That's nine hours. | 0:19:06 | 0:19:09 | |
I know, I know. | 0:19:11 | 0:19:14 | |
The police just want to know who she talked to online. | 0:19:14 | 0:19:16 | |
They can't get past MSN when they should be out there, bloody knocking on doors! | 0:19:16 | 0:19:20 | |
-So let's go, then. -I can't. The police won't let me. | 0:19:20 | 0:19:23 | |
They're treating me like I'm a bloody suspect, | 0:19:23 | 0:19:26 | |
when they know I was with Jo all morning and there's 30 people | 0:19:26 | 0:19:28 | |
in the Wolf's Head can vouch for me. | 0:19:28 | 0:19:31 | |
Give me the nod and I'll round up an army for you. | 0:19:31 | 0:19:33 | |
We'll knock on every door and rattle every perv until we find her. | 0:19:33 | 0:19:37 | |
No stone unturned, Rich. I promise. | 0:19:37 | 0:19:40 | |
HE GRUNTS | 0:19:49 | 0:19:51 | |
What the hell's going on? | 0:19:51 | 0:19:53 | |
Nothing. | 0:19:55 | 0:19:57 | |
Has something happened on your shift? | 0:19:57 | 0:20:00 | |
I'm going to the pub. | 0:20:02 | 0:20:04 | |
But dinner will be ready in an hour. | 0:20:04 | 0:20:06 | |
Alan! | 0:20:06 | 0:20:08 | |
-Where do you think you're going? -Taking him for a proper walk. | 0:20:32 | 0:20:35 | |
In the woods? | 0:20:35 | 0:20:37 | |
You'd better get a dustpan and brush. | 0:20:37 | 0:20:39 | |
Good boy. | 0:20:41 | 0:20:43 | |
Mum, my toy's broken. | 0:21:30 | 0:21:33 | |
Oh. Aww! | 0:21:33 | 0:21:36 | |
There, Mummy will fix it for you. | 0:21:36 | 0:21:39 | |
How's that? Better? | 0:21:39 | 0:21:41 | |
Oh! Stop pulling, Duke! | 0:22:01 | 0:22:05 | |
SHE SIGHS | 0:22:05 | 0:22:07 | |
Come here! | 0:22:10 | 0:22:11 | |
No, Duke, come here! | 0:22:13 | 0:22:16 | |
Duke! | 0:22:16 | 0:22:18 | |
-SHE SIGHS -Duke, come back here! | 0:22:18 | 0:22:20 | |
Duke! | 0:22:21 | 0:22:23 | |
Duke, you naughty boy! | 0:22:24 | 0:22:26 | |
Duke, come here! Oh! | 0:22:29 | 0:22:32 | |
Duke, where...where are you going? | 0:22:34 | 0:22:37 | |
Oh! | 0:22:43 | 0:22:45 | |
What's this? | 0:22:49 | 0:22:50 | |
CHURCH BELL CHIMES | 0:24:02 | 0:24:04 | |
Linus. How are you? | 0:24:10 | 0:24:12 | |
Yeah, I'm good. | 0:24:12 | 0:24:14 | |
You know, Linus, you are my best customer, | 0:24:14 | 0:24:17 | |
and your tips are generous, so I am speaking from my heart | 0:24:17 | 0:24:21 | |
when I tell you this, huh? You eat here too much. | 0:24:21 | 0:24:24 | |
Your food's great. What can I do? | 0:24:24 | 0:24:27 | |
HE LAUGHS I know my food is good! | 0:24:27 | 0:24:29 | |
It's not healthy to eat here every night. Let me tell you something. | 0:24:29 | 0:24:32 | |
I spend two hours here every Sunday cleaning that bloody grease trap. | 0:24:32 | 0:24:37 | |
Please, huh? Think about what's happening to your inside. | 0:24:37 | 0:24:42 | |
You don't have to worry about me. | 0:24:45 | 0:24:47 | |
But somebody has to. | 0:24:47 | 0:24:50 | |
This way. Come on, lads. | 0:24:52 | 0:24:54 | |
Just straight up. | 0:24:56 | 0:24:57 | |
OPERA MUSIC PLAYS | 0:25:19 | 0:25:22 | |
You've been drinking. | 0:25:27 | 0:25:29 | |
Oh, yes. | 0:25:29 | 0:25:31 | |
Enjoy your walk? | 0:25:36 | 0:25:38 | |
Well, I know where you go. | 0:25:42 | 0:25:45 | |
And I saw what you built. | 0:25:45 | 0:25:48 | |
You'll have to demolish it first thing tomorrow. | 0:25:48 | 0:25:51 | |
Why? | 0:25:51 | 0:25:52 | |
You know why. | 0:25:52 | 0:25:54 | |
I'm sorry, Gail, I don't. | 0:25:57 | 0:26:00 | |
Why? | 0:26:00 | 0:26:01 | |
I ask you to walk the dog, and what do you do instead? | 0:26:03 | 0:26:07 | |
Bird-watching. | 0:26:09 | 0:26:11 | |
You selfish, selfish bastard! | 0:26:11 | 0:26:17 | |
You were the one who took my shed | 0:26:19 | 0:26:23 | |
so that you could have a pottery workshop! | 0:26:23 | 0:26:26 | |
My one piece of privacy, and you stole it so you that could build | 0:26:29 | 0:26:33 | |
ten stone mugs which no-one can even lift, let alone drink tea out of! | 0:26:33 | 0:26:37 | |
What do you need privacy for? | 0:26:37 | 0:26:39 | |
To think! | 0:26:39 | 0:26:40 | |
What about? | 0:26:40 | 0:26:42 | |
Everything. | 0:26:44 | 0:26:45 | |
You lied to me. | 0:26:46 | 0:26:49 | |
You let me believe you were walking the dog. | 0:26:49 | 0:26:51 | |
If Duke has a heart attack, it will be your fault. | 0:26:51 | 0:26:54 | |
You are insane, Gail. | 0:26:54 | 0:26:56 | |
I don't know if it's the HRT, but you've lost your mind. | 0:26:56 | 0:27:00 | |
Please don't piss in the bottle when you're done. | 0:27:17 | 0:27:20 | |
I will if I have to. | 0:27:20 | 0:27:22 | |
Hattie Sutton's gone missing. | 0:27:35 | 0:27:37 | |
Yeah, I know. | 0:27:37 | 0:27:40 | |
And? | 0:27:42 | 0:27:43 | |
Why aren't you out helping to look for her? | 0:27:43 | 0:27:46 | |
All the other dads have volunteered. | 0:27:46 | 0:27:49 | |
She's 14. It's spring. | 0:27:49 | 0:27:52 | |
It doesn't take a genius to put the hormones together | 0:27:52 | 0:27:54 | |
and work out what she's up to. | 0:27:54 | 0:27:56 | |
So why should I waste my evening with a bunch of slap-headed | 0:27:56 | 0:27:59 | |
local heroes just to stop a girl from getting nailed? | 0:27:59 | 0:28:03 | |
She's not like that. | 0:28:03 | 0:28:04 | |
Oh, really? | 0:28:04 | 0:28:06 | |
She didn't want to be May Queen. | 0:28:06 | 0:28:09 | |
She was fed up of being the local saint with her little halo on, | 0:28:09 | 0:28:13 | |
so if today's the day that she decided to escape from of all of that, then good for her. | 0:28:13 | 0:28:17 | |
I'm not going to be the one to drag her back. | 0:28:17 | 0:28:20 | |
When did you ever talk to her? | 0:28:24 | 0:28:27 | |
I look at people and I know how they're feeling. | 0:28:35 | 0:28:38 | |
Like you, right now. | 0:28:38 | 0:28:41 | |
You're thinking, if you go out searching, | 0:28:41 | 0:28:44 | |
throw down some action man moves, | 0:28:44 | 0:28:46 | |
then maybe the sulky twin will drop her grateful pants for you. | 0:28:46 | 0:28:50 | |
KNOCK ON DOOR | 0:29:22 | 0:29:24 | |
OPERA PLAYS | 0:29:28 | 0:29:31 | |
KNOCK ON DOOR | 0:29:31 | 0:29:35 | |
-SHE SHOUTS: -You'll have to get the door! | 0:29:40 | 0:29:42 | |
I'm in no fit state to see visitors. | 0:29:45 | 0:29:48 | |
Malcolm. | 0:30:08 | 0:30:09 | |
My niece, Hattie Sutton, is missing, | 0:30:10 | 0:30:13 | |
and I'm organising a search. | 0:30:13 | 0:30:16 | |
If you don't want to be part of it | 0:30:16 | 0:30:18 | |
because of Carroll's Field, then I totally understand, | 0:30:18 | 0:30:22 | |
but no-one knows the woods like you. | 0:30:22 | 0:30:24 | |
You want to search the woods? | 0:30:26 | 0:30:28 | |
We're going to be knocking on doors, checking on outbuildings | 0:30:28 | 0:30:31 | |
and barns first. | 0:30:31 | 0:30:33 | |
But if we don't have any luck, we have to try the woods, and with | 0:30:33 | 0:30:36 | |
it being dark soon, I need someone who really knows the terrain. | 0:30:36 | 0:30:40 | |
No. I think it's best I don't get involved. | 0:30:43 | 0:30:47 | |
You're not going to help us? | 0:30:47 | 0:30:49 | |
You said you'd understand. | 0:30:49 | 0:30:50 | |
I didn't think you'd refuse. | 0:30:50 | 0:30:52 | |
Tell the family - I'm sorry. I'm sure she'll be fine. | 0:30:52 | 0:30:57 | |
Selfish git! | 0:31:06 | 0:31:08 | |
'Come on, lads. I don't think he gives a monkey's.' | 0:31:10 | 0:31:13 | |
You should have volunteered. | 0:31:13 | 0:31:15 | |
I'm half-way through my second bottle of wine, I'm tired | 0:31:15 | 0:31:18 | |
-and I don't want to go. -You have to go. | 0:31:18 | 0:31:20 | |
Why don't YOU go? You're so fond of sniffing things out. | 0:31:20 | 0:31:23 | |
If you don't go, word will get around, | 0:31:23 | 0:31:25 | |
-and we'll look like we don't care. -I don't care. | 0:31:25 | 0:31:29 | |
I know, but you don't have to broadcast it to | 0:31:29 | 0:31:31 | |
everyone in the Chamber of Commerce. | 0:31:31 | 0:31:33 | |
And God knows you need allies in the council, | 0:31:33 | 0:31:35 | |
-so put on your boots and find her. -Fine. Fine. I'll go, all right? | 0:31:35 | 0:31:38 | |
I'll find the little bitch. | 0:31:38 | 0:31:40 | |
She's a child, Malcolm. | 0:31:41 | 0:31:43 | |
You have no idea. | 0:31:45 | 0:31:46 | |
'Hey Geoff! Leave those!' | 0:32:51 | 0:32:53 | |
I've done those already! | 0:32:53 | 0:32:55 | |
-Bed! -I want to see. | 0:32:55 | 0:32:58 | |
There's nothing to see. | 0:32:58 | 0:33:00 | |
-But where is she? -I don't know. Come on. | 0:33:00 | 0:33:05 | |
-Story time. -I really want to see. | 0:33:05 | 0:33:09 | |
Let's have a story, naughty, naughty. | 0:33:09 | 0:33:12 | |
What if they don't find her? | 0:33:15 | 0:33:17 | |
They'll find her. | 0:33:17 | 0:33:19 | |
-Yeah, but what if they don't? -They will. | 0:33:19 | 0:33:22 | |
Come on! | 0:33:26 | 0:33:28 | |
ALL: Hattie! Hattie! | 0:33:40 | 0:33:44 | |
ALL: Hattie! Hattie! Hattie! | 0:33:47 | 0:33:51 | |
Hattie! | 0:33:53 | 0:33:55 | |
He lives here! Where's Hattie Sutton, you perv? | 0:33:55 | 0:33:57 | |
We know you've got her! | 0:33:57 | 0:33:58 | |
We know you like looking at girls in the park! | 0:33:58 | 0:34:01 | |
-Where is she? -This is not the way to do it... -Where is she?! -Steve! | 0:34:01 | 0:34:03 | |
-Shut up! Where is she? You tell me where she is! Where is she? -Steve! | 0:34:03 | 0:34:07 | |
I've done nothing. | 0:34:10 | 0:34:11 | |
How do you live like this? It's a disgrace. | 0:34:13 | 0:34:18 | |
Come on, boys! | 0:34:22 | 0:34:24 | |
We're supposed to be a search party, not a lynch mob. | 0:34:24 | 0:34:26 | |
If you want people to help, you have to get them on your side. | 0:34:26 | 0:34:28 | |
I get a bit emotional because they're family. | 0:34:28 | 0:34:30 | |
This isn't about strength of feeling. | 0:34:30 | 0:34:32 | |
It's about assaulting people. | 0:34:32 | 0:34:33 | |
You can't hit people, Steve, it won't get you anywhere. | 0:34:33 | 0:34:36 | |
I'm not here to ponce about, mate. | 0:34:36 | 0:34:38 | |
It's a good thing that ordinary people | 0:34:46 | 0:34:48 | |
are prepared to go the extra mile, | 0:34:48 | 0:34:49 | |
do the right thing, cos the police obviously can't be bothered. | 0:34:49 | 0:34:52 | |
Are you talking to me? | 0:34:56 | 0:34:58 | |
Didn't see you there, mate. | 0:34:58 | 0:34:59 | |
My family knows Hattie. We care about her, too. | 0:35:03 | 0:35:06 | |
What makes us different is that we've done a day's work and | 0:35:06 | 0:35:10 | |
instead of going home and saying, that's me done, I'm knackered, we've | 0:35:10 | 0:35:13 | |
put our shoes straight back on and committed ourselves to finding her. | 0:35:13 | 0:35:18 | |
No clocking off for us. The shift ends when the job's done. | 0:35:18 | 0:35:22 | |
Thanks, mate. | 0:35:22 | 0:35:24 | |
Steven Docker, right? | 0:35:27 | 0:35:29 | |
Yeah? | 0:35:31 | 0:35:34 | |
Excuse me. | 0:35:38 | 0:35:40 | |
After we close the shop, we will help you find your niece, huh? | 0:35:43 | 0:35:47 | |
You're all right mate, nice one, cheers. | 0:35:47 | 0:35:49 | |
Large chicken pitta, extra chilli. | 0:35:49 | 0:35:51 | |
We're searching the woods next, it's gonna take hours. | 0:35:52 | 0:35:55 | |
No, no, no. No money. | 0:35:58 | 0:36:00 | |
I'll have a large Coke then, too, please, mate. Result! | 0:36:02 | 0:36:05 | |
Hattie! | 0:36:10 | 0:36:12 | |
There's a place where all the teenagers go called | 0:36:15 | 0:36:18 | |
the Magic Circle. Do you know it? | 0:36:18 | 0:36:20 | |
Never heard of it. | 0:36:20 | 0:36:21 | |
Really? You come here all the time. | 0:36:22 | 0:36:24 | |
I know where the badger setts are, and where to find the lesser | 0:36:24 | 0:36:27 | |
spotted woodpecker, but I don't spend my time looking for teenagers. | 0:36:27 | 0:36:30 | |
Jesus, I haven't been in these woods since I was a Cub Scout. | 0:36:30 | 0:36:33 | |
I was going for my map reading badge and something was following me. | 0:36:33 | 0:36:36 | |
-Yeah - the Scoutmaster. -No. Something ancient. | 0:36:36 | 0:36:39 | |
It wasn't something I could see, I just felt it. | 0:36:39 | 0:36:43 | |
Balls. | 0:36:43 | 0:36:45 | |
I'm not the only one to have sensed it, you know. | 0:36:45 | 0:36:47 | |
Go and ask in the Wolf's Head. | 0:36:47 | 0:36:49 | |
Everyone in the Wolf's Head feels strange after six pints. | 0:36:49 | 0:36:51 | |
This path's blocked. | 0:36:53 | 0:36:54 | |
You're meant to know your way around here. | 0:36:58 | 0:37:00 | |
I normally come this way. I don't understand it. | 0:37:00 | 0:37:02 | |
We're not welcome. That's what it is. | 0:37:02 | 0:37:04 | |
-No, we just must have taken a wrong turn. -We're lost! | 0:37:04 | 0:37:07 | |
Everything looks different in the dark. | 0:37:07 | 0:37:09 | |
Let's come back in the morning. Or look back in town? | 0:37:09 | 0:37:12 | |
No. | 0:37:12 | 0:37:13 | |
We're going to find the Magic Circle. | 0:37:15 | 0:37:18 | |
This way, lads. We've got to re-trace our steps. | 0:37:18 | 0:37:21 | |
FLOORBOARDS CREAK | 0:37:30 | 0:37:33 | |
FAINT BANGING | 0:38:20 | 0:38:22 | |
'Mum!' | 0:38:40 | 0:38:41 | |
'Mum!' | 0:38:43 | 0:38:45 | |
-What is it? -Someone stole Mr Johnson! | 0:38:47 | 0:38:51 | |
Oh...he's just...probably in your bed or something. | 0:38:51 | 0:38:55 | |
He's not here! | 0:38:55 | 0:38:56 | |
I don't know. He's just slipped behind the bed. | 0:38:56 | 0:38:58 | |
Let's have a look for him in the morning. OK? | 0:38:58 | 0:39:00 | |
I'll pop you back into your bed when you're sleeping. | 0:39:04 | 0:39:07 | |
Well, now, that depends on how much you want. | 0:39:31 | 0:39:34 | |
But I'm not giving it away, you know, it's quality... | 0:39:34 | 0:39:36 | |
Come on! How much have you had out of me? | 0:39:36 | 0:39:39 | |
DOOR SLAMS | 0:39:39 | 0:39:41 | |
'What? Where are you going?' | 0:39:41 | 0:39:43 | |
Hey. | 0:40:39 | 0:40:41 | |
Hey, yourself. | 0:40:41 | 0:40:43 | |
What are you doing? | 0:40:46 | 0:40:47 | |
Nothing. | 0:40:49 | 0:40:50 | |
OK. | 0:40:51 | 0:40:53 | |
You cold? | 0:40:57 | 0:40:58 | |
The police are acting like they think my dad's done something. | 0:41:03 | 0:41:07 | |
But I know he hasn't. | 0:41:08 | 0:41:09 | |
If someone you love goes and kills someone, | 0:41:12 | 0:41:15 | |
you'd know straight away, wouldn't you? | 0:41:15 | 0:41:17 | |
You can't hide something like that. | 0:41:17 | 0:41:19 | |
Yeah. You'd know if your dad was a killer. | 0:41:21 | 0:41:25 | |
He loves us. | 0:41:28 | 0:41:29 | |
Hattie more than me. So if he was | 0:41:31 | 0:41:33 | |
going to kill one of us, he wouldn't have picked her. | 0:41:33 | 0:41:36 | |
What makes you think she's dead? | 0:41:38 | 0:41:40 | |
I'm a twin. | 0:41:40 | 0:41:42 | |
I felt her leave me. | 0:41:47 | 0:41:48 | |
If someone really loves you, they never completely leave. | 0:42:01 | 0:42:06 | |
I still see my mum sometimes. | 0:42:09 | 0:42:12 | |
Usually, just as I'm about to do something wrong, | 0:42:12 | 0:42:16 | |
I'll catch a glimpse out of the corner of my eye. | 0:42:16 | 0:42:18 | |
I guess she's still worried about me. | 0:42:21 | 0:42:23 | |
But the thing is, I like seeing her, you know. | 0:42:27 | 0:42:30 | |
So, I have to be bad. | 0:42:33 | 0:42:35 | |
DOG PANTS | 0:42:41 | 0:42:43 | |
Hattie! | 0:44:07 | 0:44:09 | |
-I was wrong about you. -Really? In what way? | 0:44:14 | 0:44:18 | |
Well, seeing you here, | 0:44:18 | 0:44:19 | |
looking for Hattie after she stopped you developing Carroll's Field... | 0:44:19 | 0:44:23 | |
You're not such a bastard after all. | 0:44:23 | 0:44:26 | |
Actually, I am a complete bastard. | 0:44:26 | 0:44:28 | |
An hour in these woods isn't going to change that. | 0:44:28 | 0:44:31 | |
This is it. It's the Magic Circle. | 0:45:04 | 0:45:07 | |
Look, there's a fire... It's still going. | 0:45:17 | 0:45:20 | |
Whoever was here is long gone. | 0:45:22 | 0:45:24 | |
Who'd be out here at this time of night? | 0:45:25 | 0:45:28 | |
Lots of people come up here. | 0:45:28 | 0:45:29 | |
PHONE RINGS | 0:45:31 | 0:45:34 | |
-Yes? -I want the password to your computer. | 0:45:37 | 0:45:40 | |
-Whatever for? -Because I want to see if there's | 0:45:41 | 0:45:43 | |
anything about Carroll's Field | 0:45:43 | 0:45:45 | |
or Hattie Sutton that might reflect badly on us. | 0:45:45 | 0:45:48 | |
Gail, take a pill and go to bed. | 0:45:48 | 0:45:51 | |
I'm not letting this go, it's important. | 0:45:51 | 0:45:55 | |
'Oh, I know you won't let go till you get what you want.' | 0:45:55 | 0:45:57 | |
That's right. | 0:45:57 | 0:45:59 | |
Goodbye, Gail. | 0:46:03 | 0:46:04 | |
Look. | 0:46:22 | 0:46:24 | |
No, don't touch it. We should take it to the police. | 0:46:25 | 0:46:28 | |
Give it here. Let me see. | 0:46:28 | 0:46:30 | |
Is it Hattie's? | 0:46:31 | 0:46:33 | |
I don't know. It could be. | 0:46:35 | 0:46:38 | |
It looks like it's from May Day. | 0:46:39 | 0:46:41 | |
It's a crown. It's a May Queen crown. | 0:46:41 | 0:46:44 | |
Lots of people were wearing flowers. Span out and keep looking. | 0:46:46 | 0:46:50 | |
I'll take this to Richard, he'll know. | 0:46:51 | 0:46:53 | |
Hattie! | 0:47:08 | 0:47:09 | |
Where have you been? | 0:47:29 | 0:47:30 | |
I'm sorry about before. | 0:47:33 | 0:47:34 | |
I need to talk to you. | 0:47:38 | 0:47:40 | |
My shift went bad. | 0:47:55 | 0:47:57 | |
What happened? | 0:48:00 | 0:48:02 | |
She was a drunk girl... | 0:48:09 | 0:48:13 | |
behind a pub... | 0:48:13 | 0:48:15 | |
..having it off with her boyfriend. | 0:48:18 | 0:48:20 | |
They had a row... | 0:48:22 | 0:48:23 | |
..and I found her half-way down the seafront... | 0:48:26 | 0:48:28 | |
..with no knickers, barely able to stand. | 0:48:30 | 0:48:33 | |
I went to try and help her... | 0:48:37 | 0:48:38 | |
..and she spat blood at me. | 0:48:40 | 0:48:42 | |
Her blood. | 0:48:44 | 0:48:46 | |
All over my face. | 0:48:46 | 0:48:48 | |
My skin. My eyes. | 0:48:48 | 0:48:51 | |
I found your shirt. | 0:48:51 | 0:48:53 | |
I saw the blood. | 0:48:53 | 0:48:54 | |
I dunno... | 0:48:58 | 0:49:00 | |
What have you done? | 0:49:01 | 0:49:03 | |
Nothing. What? | 0:49:06 | 0:49:08 | |
You were really angry when you went out last night. We'd been rowing... | 0:49:08 | 0:49:12 | |
I never take personal stuff to work, you know that. | 0:49:12 | 0:49:15 | |
Of course. | 0:49:15 | 0:49:17 | |
I need you on my side, Fi. | 0:49:22 | 0:49:23 | |
I'm always on your side. | 0:49:25 | 0:49:27 | |
It's just...a shift that went bad. That's all. Doesn't mean anything. | 0:49:33 | 0:49:37 | |
You go in tomorrow and you'll make a difference. | 0:49:40 | 0:49:42 | |
You know what I love about you? | 0:49:48 | 0:49:50 | |
You manage to see the good in everything. | 0:49:53 | 0:49:55 | |
Even me. | 0:50:00 | 0:50:01 | |
HE MOANS AND GROANS | 0:50:54 | 0:50:57 | |
HE CRIES OUT | 0:50:59 | 0:51:01 | |
HE BREATHES HEAVILY | 0:51:10 | 0:51:13 | |
All these police remind me of your mum's accident. | 0:51:31 | 0:51:34 | |
I looked out the window and saw my dad trying to calm your dad down... | 0:51:39 | 0:51:43 | |
..and he was making this awful noise I'd never heard before. | 0:51:46 | 0:51:50 | |
He sounded like an animal. | 0:51:52 | 0:51:54 | |
He howled. | 0:51:57 | 0:51:58 | |
I don't remember much. | 0:52:03 | 0:52:04 | |
I was asleep and, erm...I woke up because he was shouting. | 0:52:06 | 0:52:10 | |
I felt scared, so I called out for my mum. | 0:52:13 | 0:52:16 | |
Then nothing. | 0:52:18 | 0:52:20 | |
I don't remember anything except being wrapped in a blanket | 0:52:24 | 0:52:28 | |
and taken to your house. | 0:52:28 | 0:52:29 | |
I've got to go in now. | 0:52:36 | 0:52:38 | |
I've missed this. | 0:53:59 | 0:54:00 | |
Seth? Seth? | 0:54:07 | 0:54:10 | |
What have you done? | 0:54:14 | 0:54:16 | |
Seth! | 0:54:16 | 0:54:17 | |
You know what I've done. | 0:54:24 | 0:54:26 | |
I told you not to look in that bag! | 0:55:27 | 0:55:29 | |
Hattie! | 0:55:48 | 0:55:49 | |
Hattie! | 0:55:51 | 0:55:52 | |
Malcolm? | 0:56:01 | 0:56:03 | |
18 hours missing. She could still be out there. | 0:57:17 | 0:57:20 | |
There's something on your dad's computer he doesn't want me to see. | 0:57:20 | 0:57:24 | |
I want to know how mum died. | 0:57:24 | 0:57:25 | |
I don't talk about it. And you don't ask about it. | 0:57:25 | 0:57:28 | |
-Have you ever been buried alive? -Are you keeping her in the woods? | 0:57:28 | 0:57:32 | |
You think everyone's guilty of something. | 0:57:32 | 0:57:33 | |
Yeah, it's PC Hill. I need assistance at the moon pond. | 0:57:33 | 0:57:37 | |
-Come here! -Eh, eh, eh! | 0:57:37 | 0:57:39 | |
Did you find something? | 0:57:39 | 0:57:40 | |
Sometimes you can be wrong about people. | 0:57:40 | 0:57:43 | |
Look into the abyss, | 0:57:43 | 0:57:45 | |
and the abyss looks back at you. | 0:57:45 | 0:57:49 | |
Subtitles by Red Bee Media Ltd | 0:58:09 | 0:58:13 |