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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:08 | |
'What makes you think she's dead?' | 0:00:08 | 0:00:10 | |
-I felt her leave me. -You'd know if your dad was a killer. | 0:00:10 | 0:00:13 | |
I told you not to look in that bag! | 0:00:13 | 0:00:15 | |
'It's just a shift that went bad. That's all.' | 0:00:15 | 0:00:18 | |
-I need you on my side, Fi. -I'm always on your side. | 0:00:18 | 0:00:22 | |
-Fine. I'll find the little bitch. -She's a child. | 0:00:22 | 0:00:24 | |
You have no idea. You want to search the woods? | 0:00:24 | 0:00:28 | |
-We're going to find the Magic Circle. -Hattie's? -It's a May Queen crown. | 0:00:28 | 0:00:32 | |
-Seth? What have you done? -You know what I've done. | 0:00:32 | 0:00:37 | |
NEWS REPORTER: 'The search continues for missing May Queen, | 0:01:24 | 0:01:27 | |
'Hattie Sutton. The 14-year-old schoolgirl has not been seen since she left home | 0:01:27 | 0:01:32 | |
'on Monday morning, to take part in the local May Day celebrations. Hattie was last seen...' | 0:01:32 | 0:01:36 | |
-Hattie! -'..riding a red bicycle, wearing a May Queen costume with a floral headdress. | 0:01:36 | 0:01:41 | |
'The family have urged anyone with any information to get in touch.' | 0:01:41 | 0:01:44 | |
Hattie! | 0:01:44 | 0:01:45 | |
Hattie! | 0:01:47 | 0:01:49 | |
ECHOING WHISPERS | 0:01:51 | 0:01:56 | |
The crown of flowers is definitely hers. | 0:02:19 | 0:02:22 | |
-But why would she be out there? -Doing what kids do. | 0:02:22 | 0:02:24 | |
No, not Hattie. No. | 0:02:26 | 0:02:27 | |
Seth... | 0:02:29 | 0:02:30 | |
He spends a lot of time in the woods, doesn't he? | 0:02:30 | 0:02:34 | |
Not really. He's got his own flat now. He's sorted. | 0:02:36 | 0:02:41 | |
Anyway, he was at the parade, I doubt if he knows anything. | 0:02:41 | 0:02:45 | |
Course he was, yeah. | 0:02:45 | 0:02:46 | |
-DISTANT SEARCHER: -Hattie! | 0:02:54 | 0:02:55 | |
KNOCKS AT DOOR | 0:03:02 | 0:03:03 | |
WHISPERING | 0:03:05 | 0:03:06 | |
FURTHER KNOCKING | 0:03:06 | 0:03:07 | |
(Come on.) | 0:03:09 | 0:03:11 | |
Seth's not here. | 0:03:13 | 0:03:15 | |
Oh, shut up. | 0:03:15 | 0:03:16 | |
Hattie! | 0:03:18 | 0:03:20 | |
Where have you been? | 0:03:20 | 0:03:21 | |
Who are they? And why have you got it? | 0:03:30 | 0:03:31 | |
Where'd this come from? | 0:03:41 | 0:03:42 | |
(Bloody hell.) | 0:03:49 | 0:03:51 | |
None of this stuff is yours. | 0:03:57 | 0:03:59 | |
You hate seeing other families happy, don't you? | 0:04:08 | 0:04:11 | |
They're only happy on the surface. All I do is scratch it. | 0:04:15 | 0:04:19 | |
MUFFLED NOISES AND SCRATCHING | 0:04:21 | 0:04:22 | |
SCRABBLING AND YELPING | 0:04:25 | 0:04:26 | |
What the hell was that? | 0:04:26 | 0:04:27 | |
FURTHER SCRATCHING | 0:04:29 | 0:04:31 | |
-KNOCK AT DOOR -Hello? Police. | 0:04:31 | 0:04:33 | |
It's the police, can you open up, please? | 0:04:34 | 0:04:37 | |
-Police! -FURTHER KNOCKING | 0:04:37 | 0:04:39 | |
Can you open up, please? | 0:04:40 | 0:04:41 | |
KNOCKING CONTINUES | 0:04:43 | 0:04:45 | |
Hello, police! | 0:04:45 | 0:04:46 | |
-I'll get the door, then. -(Don't move!) | 0:04:46 | 0:04:49 | |
SCRATCHING CONTINUES | 0:04:49 | 0:04:50 | |
HE LAUGHS | 0:04:50 | 0:04:53 | |
(Don't say anything, just shut up.) | 0:04:53 | 0:04:55 | |
Hello, police! Can you hear me? Is there anyone there? | 0:04:55 | 0:04:57 | |
Can you open up, please? | 0:04:57 | 0:04:59 | |
WHISPERING | 0:04:59 | 0:05:01 | |
Happy now? | 0:05:13 | 0:05:14 | |
Far from it. What have you done to her? | 0:05:14 | 0:05:16 | |
Her? | 0:05:16 | 0:05:18 | |
You take her away and you make the whole town unhappy. | 0:05:18 | 0:05:22 | |
It's all right, love. | 0:05:22 | 0:05:24 | |
You're mad, Steve. | 0:05:24 | 0:05:26 | |
I'll get you out, I'm here! | 0:05:26 | 0:05:29 | |
Ow! Hattie?! Hattie. | 0:05:29 | 0:05:31 | |
MIAOW | 0:05:31 | 0:05:32 | |
HE LAUGHS | 0:05:32 | 0:05:35 | |
You stole a cat? | 0:05:35 | 0:05:36 | |
I saw you yesterday wearing a crown of flowers. Where is she? | 0:05:39 | 0:05:43 | |
Are you keeping her in the woods? | 0:05:43 | 0:05:45 | |
Have you ever been buried alive? | 0:05:49 | 0:05:51 | |
I have. | 0:05:53 | 0:05:54 | |
I've lain under the leaves... and listened to the worms. | 0:05:54 | 0:05:58 | |
Stay here. And don't move. | 0:06:01 | 0:06:04 | |
PHONE DIALS | 0:06:05 | 0:06:06 | |
Hello, my name is Steve Docker and I'm calling regarding my brother, | 0:06:10 | 0:06:14 | |
'Seth Docker. He's having a major episode. | 0:06:14 | 0:06:18 | |
'I need someone from the Crisis Team here - now.' | 0:06:18 | 0:06:21 | |
Malcolm? | 0:06:26 | 0:06:28 | |
Malcolm? | 0:06:38 | 0:06:39 | |
'James, is your father there?' | 0:06:46 | 0:06:48 | |
-'No.' -Well, you're going to have to come over, now. | 0:06:48 | 0:06:53 | |
'I can't, I've got appointments.' | 0:06:53 | 0:06:55 | |
-No, you'll have to cancel your appointments. This is important. -'Why? What's going on?' | 0:06:55 | 0:06:58 | |
Well, he went out looking for a missing child last night | 0:06:58 | 0:07:01 | |
and I haven't seen hide nor hair of him since. | 0:07:01 | 0:07:03 | |
'Have you tried calling him?' | 0:07:03 | 0:07:04 | |
Yeah, of course I have, but I just keep getting voicemail. | 0:07:04 | 0:07:07 | |
-'Who's missing?' -Hattie Sutton. | 0:07:07 | 0:07:09 | |
'Oh, no.' | 0:07:09 | 0:07:10 | |
I can't make them wait more than an hour, Mum. | 0:07:21 | 0:07:23 | |
Where've you been? You make me wait more than an hour. | 0:07:23 | 0:07:27 | |
Thanks, Mum. | 0:07:40 | 0:07:41 | |
Mum, do you have to watch me eat? | 0:07:55 | 0:07:57 | |
Oh, no, I just like seeing you happy. | 0:07:57 | 0:08:00 | |
-Can't you have something, as well? -Oh, no. | 0:08:00 | 0:08:03 | |
No, I'm too tense to eat, I'm living on my nerves. | 0:08:03 | 0:08:07 | |
So Dad's out looking for Hattie Sutton? | 0:08:07 | 0:08:10 | |
-Yes. -After all she did? -Well, I told him that he had to go. | 0:08:10 | 0:08:14 | |
-He had to be seen to be doing the right thing. -Bet he was thrilled(!) | 0:08:14 | 0:08:17 | |
James... | 0:08:26 | 0:08:28 | |
SHE LAUGHS | 0:08:28 | 0:08:29 | |
..there's something on your dad's computer | 0:08:31 | 0:08:34 | |
he doesn't want me to see. | 0:08:34 | 0:08:36 | |
What would that be? | 0:08:36 | 0:08:38 | |
Well, I don't know, do I? | 0:08:38 | 0:08:39 | |
If I knew, then I wouldn't have to look. | 0:08:39 | 0:08:43 | |
Just ask him when he gets back. | 0:08:43 | 0:08:44 | |
Look, I'm-I'm...I'm trying to protect your father from himself. | 0:08:46 | 0:08:52 | |
I'm not asking you to get involved or to take sides. | 0:08:52 | 0:08:55 | |
I just need his password. | 0:08:55 | 0:08:58 | |
Un-bloody-believable, Mum. | 0:09:03 | 0:09:05 | |
Come on, Linus, open up, will you? | 0:09:17 | 0:09:20 | |
I'm sorry, I shouldn't have done it, but it was a gut thing, | 0:09:20 | 0:09:22 | |
a reaction, you know? Like a reflex. | 0:09:22 | 0:09:26 | |
Look, I don't know what happened there, | 0:09:26 | 0:09:28 | |
but I promise, it'll never happen again. | 0:09:28 | 0:09:29 | |
Can you open the door? | 0:09:31 | 0:09:33 | |
I want to see your face. | 0:09:35 | 0:09:38 | |
Just open it, just a crack. | 0:09:38 | 0:09:39 | |
Can you do that, Linus? Please? | 0:09:40 | 0:09:44 | |
Hey, look, I've made breakfast for you. Don't let it get cold. | 0:09:46 | 0:09:49 | |
I'll see you later, mate, all right? | 0:09:51 | 0:09:53 | |
All right. | 0:09:56 | 0:09:57 | |
DOOR SHUTS | 0:10:05 | 0:10:06 | |
Hi...Linus, right? DS Mills. | 0:10:30 | 0:10:35 | |
Can we talk about Hattie Sutton? | 0:10:35 | 0:10:36 | |
My dad's at work. | 0:10:39 | 0:10:40 | |
Well, that's all right. We can have a chat, can't we? | 0:10:40 | 0:10:43 | |
-So, how long you been neighbours? -Since I was born. | 0:10:50 | 0:10:54 | |
-Do you know Hattie well? -No. | 0:10:56 | 0:10:59 | |
Do you know Caitlin? | 0:10:59 | 0:11:01 | |
A bit. | 0:11:02 | 0:11:04 | |
Was she happy at home? | 0:11:06 | 0:11:08 | |
Come on, you must be able to hear everything through these walls. | 0:11:11 | 0:11:14 | |
I mean...any arguments, any fights? | 0:11:14 | 0:11:16 | |
So, how about you? Any fights? | 0:11:20 | 0:11:24 | |
A disagreement. | 0:11:27 | 0:11:28 | |
At home? | 0:11:28 | 0:11:30 | |
School. | 0:11:31 | 0:11:33 | |
So why's that, then? Lunch money? | 0:11:33 | 0:11:37 | |
A girl? | 0:11:37 | 0:11:38 | |
They think I'm gay. | 0:11:40 | 0:11:41 | |
Oh. | 0:11:43 | 0:11:44 | |
OK, well, thank you for your time. Erm, you've got school now, right? | 0:11:47 | 0:11:51 | |
-Yeah. -OK, sorry if I've made you late. | 0:11:51 | 0:11:53 | |
If you don't mind me asking, is that your mum? | 0:11:53 | 0:11:56 | |
I was on duty the night she died. Really tragic. | 0:11:57 | 0:12:01 | |
OK, well, erm...I'll drop by this evening, | 0:12:07 | 0:12:10 | |
and see if I can catch your dad. | 0:12:10 | 0:12:12 | |
DISTANT VOICE: Hattie! | 0:12:39 | 0:12:40 | |
OPERATOR: 'Emergency. What service do you require?' | 0:12:52 | 0:12:54 | |
Police. | 0:12:54 | 0:12:57 | |
'Hello, police, how can I help?' | 0:12:57 | 0:12:59 | |
-It's about my dad. -'Do you have an incident to report?' | 0:12:59 | 0:13:02 | |
-'Hello?' -Mum... | 0:13:06 | 0:13:08 | |
'Hello, can you hear me?' | 0:13:08 | 0:13:10 | |
'Hello?' | 0:13:17 | 0:13:18 | |
ECHOING WHISPERS | 0:13:32 | 0:13:33 | |
INFANT YELLS | 0:13:51 | 0:13:54 | |
-Good morning. -Coffee. | 0:13:54 | 0:13:56 | |
Thank you. | 0:13:56 | 0:13:58 | |
Oi, what's the matter with Charli? | 0:13:58 | 0:14:00 | |
Oh, it's her lost rabbit. | 0:14:00 | 0:14:03 | |
-I'll have a look for it. -It's not the toy she's upset about. | 0:14:03 | 0:14:05 | |
-I mean, she is, but she's worried about Hattie. -OK. | 0:14:05 | 0:14:09 | |
I wonder how Richard and Jo are getting on? | 0:14:11 | 0:14:14 | |
You smell so good. | 0:14:15 | 0:14:18 | |
-They must be praying she's going to come back any minute. -She will. | 0:14:18 | 0:14:22 | |
I can't imagine how... how awful it must be for them. | 0:14:22 | 0:14:25 | |
-It's unimaginable. -Yeah. | 0:14:28 | 0:14:31 | |
Mmm. Hey, it's all right. | 0:14:31 | 0:14:35 | |
Why don't we go upstairs for a minute? | 0:14:40 | 0:14:42 | |
PHONE BEEPS | 0:14:47 | 0:14:49 | |
Alan? Just got a text from Meg. | 0:14:53 | 0:14:57 | |
There's a search in the woods for Hattie this morning. | 0:14:57 | 0:15:00 | |
-You're not thinking of going? -All my friends are. | 0:15:00 | 0:15:04 | |
Fi, a hundred amateurs trampling all over a possible crime scene? | 0:15:04 | 0:15:09 | |
Well, I'm not a bloody amateur. I can make sure it's done properly. | 0:15:09 | 0:15:12 | |
I might even find her. | 0:15:12 | 0:15:14 | |
Look, I know you want to go and you think it's your job, but... | 0:15:16 | 0:15:22 | |
..it's not any more. | 0:15:24 | 0:15:25 | |
No. You're right. | 0:15:28 | 0:15:31 | |
I'm sorry. | 0:15:34 | 0:15:36 | |
Well, it's all right. | 0:15:38 | 0:15:39 | |
-DISTANT SEARCHER: -Hattie! | 0:15:45 | 0:15:47 | |
Everett... Hi. | 0:16:23 | 0:16:26 | |
-Fiona. -Yeah. | 0:16:29 | 0:16:32 | |
-You're looking well. -Thanks. | 0:16:32 | 0:16:35 | |
-Must have been very dirty. -Just needed doing. | 0:16:41 | 0:16:45 | |
You live next door to the Suttons, don't you? | 0:16:46 | 0:16:48 | |
-Yeah. -How are they coping? | 0:16:50 | 0:16:53 | |
I could hear Jo wailing all night, right through the wall. | 0:16:57 | 0:17:01 | |
-That's awful. -Didn't get a wink of sleep. | 0:17:01 | 0:17:06 | |
Poor you(!) | 0:17:06 | 0:17:07 | |
BRIEF ABRUPT HISSING | 0:17:18 | 0:17:20 | |
Um, do you mind? | 0:17:20 | 0:17:22 | |
Sorry. | 0:17:22 | 0:17:23 | |
HE SIGHS | 0:17:25 | 0:17:26 | |
Oh, I'll let you get on, sorry. | 0:17:30 | 0:17:32 | |
-We're tooled up. -What for? | 0:17:53 | 0:17:56 | |
Richard said the police think that Hattie might have run off with some older bloke she met online. | 0:17:56 | 0:18:01 | |
-Do they know who he is? -No, they're not saying. | 0:18:01 | 0:18:03 | |
But if we find him, Richard wants us to give him a slap. | 0:18:03 | 0:18:06 | |
Right. OK. | 0:18:08 | 0:18:10 | |
-Right, what am I looking for? -Anything to do with Carroll's Field. | 0:18:10 | 0:18:13 | |
No, you'll have to be more specific. | 0:18:17 | 0:18:19 | |
Erm...that Village Green Campaign that Hattie Sutton organised. | 0:18:19 | 0:18:24 | |
OK, Village Green Campaign. Here's their website. | 0:18:24 | 0:18:28 | |
Forum. It's all old. | 0:18:29 | 0:18:32 | |
Any abusive messages? | 0:18:32 | 0:18:34 | |
Yeah. And they're all about Dad. | 0:18:35 | 0:18:37 | |
I don't think you should read this, Mum, you'll only get upset. | 0:18:37 | 0:18:40 | |
No, I want to see if anything might have set him off. | 0:18:40 | 0:18:42 | |
-What do you mean, "set him off"? -I don't know. | 0:18:42 | 0:18:45 | |
Maybe he saw Hattie on her bike and he gave her a little nudge, | 0:18:45 | 0:18:48 | |
you know, just to give her a fright, and she fell badly, | 0:18:48 | 0:18:51 | |
he panicked... I don't know. An accident that went wrong. | 0:18:51 | 0:18:54 | |
Why do you always have to imagine | 0:18:54 | 0:18:56 | |
the worst-case scenario for everything? | 0:18:56 | 0:18:58 | |
Is your life really so boring that you have to see death and horror | 0:18:58 | 0:19:00 | |
around every corner? It's not normal, Mum. | 0:19:00 | 0:19:03 | |
Is this normal? | 0:19:08 | 0:19:09 | |
Oh. | 0:19:16 | 0:19:18 | |
Bit of hush, please. | 0:19:24 | 0:19:26 | |
18 hours missing. | 0:19:29 | 0:19:32 | |
We found a crown of flowers in the woods last night. | 0:19:32 | 0:19:35 | |
She could still be out there. | 0:19:35 | 0:19:38 | |
Is she trapped? Is she injured, is she hiding? | 0:19:38 | 0:19:41 | |
Does she not want to come home because of all the fuss? | 0:19:43 | 0:19:47 | |
We need her to know that we don't care about that, | 0:19:47 | 0:19:49 | |
we just want her home with her family. | 0:19:49 | 0:19:51 | |
CROWD MUTTERS AGREEMENT | 0:19:51 | 0:19:53 | |
Now, I hope you've all checked | 0:19:53 | 0:19:54 | |
your gardens and your sheds and your outbuildings? | 0:19:54 | 0:19:57 | |
CROWD MUTTERS That's great. Thank you for that. | 0:19:57 | 0:19:59 | |
-Hi, guys. -Hi. You're just in time. | 0:19:59 | 0:20:01 | |
-We've got a lot of land out here. -Oh, no. -A lot of ground to cover. -Who put him in charge? | 0:20:01 | 0:20:05 | |
-He's an idiot. -He seems to be doing all right. | 0:20:05 | 0:20:08 | |
-It's a good turn-out. -I arrested him once. | 0:20:08 | 0:20:10 | |
But I wouldn't be sending any of you out there... | 0:20:10 | 0:20:12 | |
He was in dispute over a parking permit. | 0:20:12 | 0:20:14 | |
-He pissed in the Council letterbox. -No! | 0:20:15 | 0:20:18 | |
We got it all on CCTV. | 0:20:18 | 0:20:20 | |
..but just stick to the paths. | 0:20:20 | 0:20:21 | |
And if you see anything, anything at all, you tell me first. | 0:20:21 | 0:20:25 | |
Make sure you've got the command number before you go. | 0:20:25 | 0:20:28 | |
-What an idiot. -Let's move out. | 0:20:28 | 0:20:31 | |
-Let's go! -Let's go! | 0:20:31 | 0:20:32 | |
We should be going in lines, taking our time, covering every inch. | 0:20:35 | 0:20:38 | |
It's a shambles. | 0:20:38 | 0:20:39 | |
Come on. | 0:20:41 | 0:20:42 | |
Hattie! | 0:20:43 | 0:20:44 | |
Hattie! | 0:20:45 | 0:20:47 | |
Hattie! | 0:20:47 | 0:20:48 | |
Hattie! | 0:20:50 | 0:20:51 | |
Prime suspect. | 0:21:02 | 0:21:04 | |
There you are, living next door, | 0:21:08 | 0:21:13 | |
knowing she's only on the other side of the wall, | 0:21:13 | 0:21:16 | |
pulling down her panties, | 0:21:16 | 0:21:19 | |
showering... | 0:21:19 | 0:21:20 | |
And you're weird. | 0:21:22 | 0:21:24 | |
Living in your own bubble, keeping to yourself.... | 0:21:24 | 0:21:27 | |
What's your point, Sherlock? | 0:21:27 | 0:21:29 | |
That you couldn't take the tease any more. | 0:21:30 | 0:21:33 | |
You had to do it. | 0:21:33 | 0:21:34 | |
I get that. | 0:21:34 | 0:21:36 | |
She was a bitch. | 0:21:36 | 0:21:37 | |
It was due. | 0:21:37 | 0:21:39 | |
If you tell me, I can help you. I'll get your back. | 0:21:41 | 0:21:46 | |
Thanks. | 0:21:47 | 0:21:48 | |
But I'm not a murderer. | 0:21:50 | 0:21:51 | |
And I don't want to join your... | 0:21:53 | 0:21:55 | |
gang. | 0:21:55 | 0:21:56 | |
HE SPITS | 0:21:59 | 0:22:01 | |
WOMAN SCREAMS ON TV | 0:22:03 | 0:22:05 | |
GUNSHOTS ON TV | 0:22:05 | 0:22:07 | |
TV OFF | 0:22:09 | 0:22:10 | |
Quiet day? | 0:22:12 | 0:22:15 | |
Everyone's out searching. I've been watching them go by all morning. | 0:22:15 | 0:22:19 | |
Mothers with their kids. I mean, how messed up is that? | 0:22:19 | 0:22:23 | |
"C'mon, son, let's go find a body!" | 0:22:23 | 0:22:26 | |
I'll tell you something else - | 0:22:26 | 0:22:28 | |
none of them are going to get their rentals back on time today. | 0:22:28 | 0:22:31 | |
And I'm offering no amnesty. | 0:22:31 | 0:22:33 | |
Except for the Suttons. I mean, you know, | 0:22:33 | 0:22:36 | |
they've had Meet The Parents for two days, | 0:22:36 | 0:22:38 | |
but I'm going to let that slide... | 0:22:38 | 0:22:40 | |
because of the circumstances. | 0:22:40 | 0:22:42 | |
My dad wouldn't give a shit if I went missing. | 0:22:44 | 0:22:46 | |
That's a bit harsh. | 0:22:46 | 0:22:47 | |
I don't know him, at all. | 0:22:47 | 0:22:49 | |
Seriously. I don't know what he does, | 0:22:49 | 0:22:52 | |
where he goes every day. | 0:22:52 | 0:22:54 | |
I don't know who his friends are. | 0:22:54 | 0:22:56 | |
I've no idea who he is. | 0:22:58 | 0:23:00 | |
Well, hey, he probably feels the same way about you, man. | 0:23:00 | 0:23:03 | |
I mean... | 0:23:03 | 0:23:05 | |
how often do you tell him about YOUR life? | 0:23:05 | 0:23:07 | |
He lies to me. I know he does. | 0:23:07 | 0:23:11 | |
He doesn't answer properly, if I ask him anything. | 0:23:11 | 0:23:13 | |
I always feel like he's hiding something from me. | 0:23:14 | 0:23:18 | |
The man has got his problems like everyone else. | 0:23:18 | 0:23:21 | |
Get to know him. | 0:23:21 | 0:23:22 | |
Yeah. | 0:23:25 | 0:23:27 | |
Or die trying. | 0:23:27 | 0:23:29 | |
CAMERA CLICKING | 0:23:36 | 0:23:38 | |
Late book, please, Tina. | 0:23:59 | 0:24:01 | |
Linus, your face. | 0:24:05 | 0:24:08 | |
I'm fine. I can still sing and dance. | 0:24:09 | 0:24:12 | |
Has anyone had a look at it? | 0:24:12 | 0:24:13 | |
I have. I gave myself a clean bill of health. | 0:24:13 | 0:24:17 | |
No, that won't do. Medical room. | 0:24:17 | 0:24:19 | |
-Now. -I'll miss biology. | 0:24:19 | 0:24:22 | |
Excuse me, I'm going to need the details | 0:24:22 | 0:24:24 | |
of every member of staff and pupil with the initials NDN. | 0:24:24 | 0:24:28 | |
Um...Linda will sort that out for you. | 0:24:30 | 0:24:32 | |
You, follow me. | 0:24:33 | 0:24:36 | |
Who did this to you? | 0:24:36 | 0:24:38 | |
Oh, don't worry about me, worry about the other guy. | 0:24:38 | 0:24:40 | |
The state he's in... Phew, touch and go. | 0:24:40 | 0:24:44 | |
Look at your hands. Not a mark on them. | 0:24:44 | 0:24:48 | |
Still watching those cop shows, eh? | 0:24:49 | 0:24:51 | |
Who hit you? | 0:24:53 | 0:24:54 | |
You have soft, warm, hands, Tina. | 0:25:00 | 0:25:03 | |
You know, I have other bruises I could show you, | 0:25:07 | 0:25:11 | |
but not here. | 0:25:11 | 0:25:12 | |
Bump on the head hasn't changed you, then. | 0:25:12 | 0:25:15 | |
You're both still beautiful. | 0:25:15 | 0:25:17 | |
I want you to wait outside, OK? | 0:25:17 | 0:25:19 | |
I'm going to sort this out. | 0:25:19 | 0:25:22 | |
Sort what out? | 0:25:22 | 0:25:24 | |
What colour was Hattie Sutton's bike? | 0:25:41 | 0:25:44 | |
I've no idea. | 0:25:44 | 0:25:46 | |
It looks new. | 0:25:54 | 0:25:56 | |
Yeah. Could be. | 0:25:56 | 0:25:57 | |
SHE SIGHS | 0:25:58 | 0:26:00 | |
It might be nothing. We can't jump to conclusions. | 0:26:00 | 0:26:03 | |
People scrape their cars all the time. | 0:26:03 | 0:26:06 | |
PHONE RINGS | 0:26:08 | 0:26:09 | |
SHE SIGHS Oh. | 0:26:09 | 0:26:11 | |
Hello, Sandra. | 0:26:12 | 0:26:14 | |
Yeah, yeah, it's tragic. Poor girl. | 0:26:16 | 0:26:20 | |
Yeah, no, I'd be happy to help. Yeah, it'd be a pleasure. Bye. | 0:26:20 | 0:26:24 | |
Bye, bye. | 0:26:24 | 0:26:25 | |
You'll have to get your own lunch. | 0:26:27 | 0:26:28 | |
I've got to go and make teas for the Rotary Club. | 0:26:28 | 0:26:31 | |
They're all staring at me. | 0:26:39 | 0:26:41 | |
Staring and whispering. | 0:26:41 | 0:26:44 | |
Some of them are actually taking pictures. | 0:26:44 | 0:26:46 | |
And they're all waiting for me to cry or freak out. | 0:26:47 | 0:26:51 | |
I'm like something in a zoo. And I'M the one who gets sent out, | 0:26:51 | 0:26:55 | |
because, apparently, I'M causing a distraction. | 0:26:55 | 0:26:58 | |
The same thing happened to me when my mum died. | 0:27:00 | 0:27:03 | |
Tragedy sticks to you. | 0:27:05 | 0:27:08 | |
It makes people stare, | 0:27:08 | 0:27:10 | |
it makes your friends avoid you. | 0:27:10 | 0:27:12 | |
And you can never shake it off. | 0:27:14 | 0:27:16 | |
I don't even feel like I live in the same world as them now. | 0:27:18 | 0:27:22 | |
You don't. | 0:27:22 | 0:27:23 | |
DOOR CLOSES | 0:27:23 | 0:27:25 | |
FOOTSTEPS APPROACH | 0:27:25 | 0:27:26 | |
Who's NDN? | 0:27:35 | 0:27:37 | |
Dunno. Why? | 0:27:37 | 0:27:39 | |
Hattie! | 0:27:40 | 0:27:42 | |
DOG BARKS | 0:27:42 | 0:27:43 | |
I saw Everett Newcombe at the petrol station this morning. | 0:27:45 | 0:27:48 | |
Oh? How did he look? He used to be pretty fit. | 0:27:48 | 0:27:50 | |
-MAN: -Hattie! | 0:27:50 | 0:27:51 | |
The same, really, just older. | 0:27:51 | 0:27:54 | |
How come my husband gains two stone and goes bald | 0:27:54 | 0:27:57 | |
and Everett gets to look exactly the same? | 0:27:57 | 0:27:59 | |
Something about him really put me on edge. | 0:27:59 | 0:28:02 | |
He probably fancied you. | 0:28:02 | 0:28:04 | |
Oh. | 0:28:04 | 0:28:05 | |
Do you think? | 0:28:05 | 0:28:06 | |
Well, if Alan still isn't up for it... | 0:28:06 | 0:28:08 | |
Actually, um...he is up for it, all of a sudden. | 0:28:08 | 0:28:12 | |
Oh, well, that's great. What fixed him? | 0:28:12 | 0:28:15 | |
I don't know. | 0:28:15 | 0:28:16 | |
I think maybe it was...it was stress. | 0:28:17 | 0:28:20 | |
Well...in the nick of time. | 0:28:20 | 0:28:23 | |
We wouldn't want you running off with Everett, would we? | 0:28:23 | 0:28:26 | |
No offence, Fi, but you're way too old for him. | 0:28:26 | 0:28:29 | |
We were in the same year at college, actually. | 0:28:29 | 0:28:31 | |
No, he hasn't had a serious relationship since Lisa died. | 0:28:31 | 0:28:33 | |
That's really sad. Their little boy was so young when it happened. | 0:28:33 | 0:28:37 | |
Fell down the stairs. | 0:28:37 | 0:28:39 | |
Terrible accident. | 0:28:39 | 0:28:41 | |
No such thing as an accident. There's always someone to blame. | 0:28:41 | 0:28:44 | |
-You think everyone's guilty of something. -Because they usually are. | 0:28:44 | 0:28:47 | |
Well, he's not a lonely widower. Lots of flings. | 0:28:47 | 0:28:50 | |
-Usually with girls a lot younger than him. -How young? | 0:28:50 | 0:28:53 | |
I saw him with a girl in the pub last summer. | 0:28:53 | 0:28:55 | |
She can't have been more than 20. | 0:28:55 | 0:28:57 | |
Blonde? | 0:28:57 | 0:28:59 | |
Always. | 0:28:59 | 0:29:00 | |
Well, we both know who did this to you. | 0:29:04 | 0:29:07 | |
We do? | 0:29:07 | 0:29:09 | |
Just tell me. | 0:29:09 | 0:29:10 | |
OK, I appreciate your concern, but this is a private matter. | 0:29:13 | 0:29:18 | |
Why are you protecting them? | 0:29:18 | 0:29:20 | |
Them? | 0:29:22 | 0:29:23 | |
The only way to stop Jaden and Leon is by speaking out. | 0:29:23 | 0:29:27 | |
It wasn't Jaden and Leon. | 0:29:28 | 0:29:30 | |
Come on, Linus, I'm not stupid. | 0:29:30 | 0:29:32 | |
FAINT VOICES | 0:29:47 | 0:29:49 | |
You're a good form tutor, Miss Navarre. | 0:30:07 | 0:30:09 | |
You try your best and I respect that. | 0:30:09 | 0:30:12 | |
But, honestly, you have shitty instincts. | 0:30:12 | 0:30:15 | |
No-one sees what we see, | 0:30:25 | 0:30:27 | |
so no-one can help us. | 0:30:27 | 0:30:29 | |
We're on our own. | 0:30:31 | 0:30:33 | |
-MAN: -Hattie! | 0:30:52 | 0:30:54 | |
I hope that WE find whoever has taken her - and not the police. | 0:30:57 | 0:31:01 | |
What are you talking about? | 0:31:02 | 0:31:03 | |
If the police find him, | 0:31:05 | 0:31:06 | |
-the first thing they do is give him his rights and a cup of tea. -Hattie! | 0:31:06 | 0:31:09 | |
I tell you what, Gail, I don't want £40,000 of taxpayers' money | 0:31:09 | 0:31:12 | |
spent on keeping him in a private cell, with TV and internet. | 0:31:12 | 0:31:16 | |
Well, what would you suggest? | 0:31:22 | 0:31:24 | |
If they find him in the woods, and... | 0:31:27 | 0:31:29 | |
he never leaves the woods... | 0:31:33 | 0:31:35 | |
..I won't mind, at all... | 0:31:36 | 0:31:38 | |
..if you know what I mean. | 0:31:40 | 0:31:41 | |
How very...medieval of you, Sandra. | 0:31:44 | 0:31:46 | |
Biblical, actually. | 0:31:48 | 0:31:49 | |
FAINT, WHISPERING VOICES | 0:31:56 | 0:31:58 | |
-MAN: -Hattie! | 0:32:02 | 0:32:04 | |
DOG BARKS IN THE DISTANCE | 0:32:04 | 0:32:05 | |
-MAN: -Hattie! | 0:32:18 | 0:32:21 | |
My son's been missing for three and a half years, | 0:32:21 | 0:32:23 | |
so I know what Richard's going through. | 0:32:23 | 0:32:25 | |
What happened to him? | 0:32:25 | 0:32:27 | |
-Remember Angie? -Yeah. | 0:32:27 | 0:32:30 | |
It's his mother. | 0:32:30 | 0:32:32 | |
She left me and...took him. | 0:32:32 | 0:32:34 | |
I can't find 'em anywhere and the family won't tell me anything. | 0:32:36 | 0:32:39 | |
What did you do that was so bad? | 0:32:39 | 0:32:40 | |
No idea, mate. | 0:32:40 | 0:32:42 | |
So it's not the same, then, is it? | 0:32:43 | 0:32:45 | |
You know your son's alive and well, you just don't know his address. | 0:32:45 | 0:32:49 | |
It IS the same, because you'd do anything to get 'em back. | 0:32:49 | 0:32:53 | |
Hattie! | 0:32:57 | 0:32:58 | |
I can't work out who NDN is. | 0:32:58 | 0:33:01 | |
No, me, neither. | 0:33:01 | 0:33:03 | |
Really? | 0:33:03 | 0:33:05 | |
It was clearly none of my business. | 0:33:05 | 0:33:08 | |
I thought twins talked about everything. | 0:33:09 | 0:33:12 | |
We used to, when we were little, but... | 0:33:13 | 0:33:17 | |
last year she got into Carroll's Field and I didn't. | 0:33:17 | 0:33:20 | |
We stopped talking after that. | 0:33:20 | 0:33:22 | |
So, I didn't even know she was interested in someone. | 0:33:22 | 0:33:26 | |
Who do you think she'd like? | 0:33:26 | 0:33:27 | |
Someone really perfect... who wants to save the world. | 0:33:27 | 0:33:32 | |
What about the opposite? | 0:33:35 | 0:33:36 | |
A dirty secret? Something she had to hide? | 0:33:36 | 0:33:40 | |
You know like... someone she shouldn't like. | 0:33:40 | 0:33:42 | |
Nathan Naismith? | 0:33:44 | 0:33:46 | |
No. | 0:33:47 | 0:33:49 | |
Neil Dewan. | 0:33:49 | 0:33:50 | |
Mr Dewan? Geography? No! | 0:33:52 | 0:33:54 | |
Natalie Nixon. | 0:33:58 | 0:33:59 | |
Yeah, wouldn't be a girl. That much I do know about her. | 0:33:59 | 0:34:03 | |
Hmm. | 0:34:03 | 0:34:04 | |
Not someone from our school, then. | 0:34:06 | 0:34:08 | |
Maybe someone from the protests? | 0:34:09 | 0:34:11 | |
James? Is he home? | 0:34:26 | 0:34:28 | |
'No. And I really need to speak to him.' | 0:34:28 | 0:34:31 | |
Why? What have you found? | 0:34:31 | 0:34:33 | |
I'm sure it's nothing. | 0:34:33 | 0:34:36 | |
I'm sure Dad can explain it. | 0:34:36 | 0:34:38 | |
'Just...just try and find him, please, Mum?' | 0:34:38 | 0:34:41 | |
Yeah, yeah, OK. | 0:34:41 | 0:34:43 | |
-'Bye.' -Yeah, bye. | 0:34:43 | 0:34:45 | |
Malcolm! | 0:34:57 | 0:34:59 | |
Malcolm! | 0:35:06 | 0:35:07 | |
Malcolm? Are you there? | 0:35:11 | 0:35:12 | |
Oh. What the hell... | 0:35:25 | 0:35:27 | |
Dear Lord, baby Jesus... | 0:35:33 | 0:35:35 | |
..guardian angels, earth spirits, | 0:35:37 | 0:35:39 | |
whoever is out there, please! | 0:35:39 | 0:35:41 | |
Please, if you help me this time, I promise...I'll never... | 0:35:42 | 0:35:45 | |
I'll never ask for anything again. | 0:35:45 | 0:35:47 | |
You don't want to go this way. | 0:36:10 | 0:36:12 | |
We do, actually. | 0:36:14 | 0:36:16 | |
We're looking for Hattie Sutton. | 0:36:18 | 0:36:20 | |
Well, I can tell you, she's not down here. | 0:36:20 | 0:36:22 | |
-You've looked, have you? -Yes. | 0:36:24 | 0:36:26 | |
Besides, it's not safe. | 0:36:28 | 0:36:30 | |
There are badger setts and they don't need you disturbing them. | 0:36:30 | 0:36:33 | |
Off you go. | 0:36:33 | 0:36:35 | |
Come on, Fi! | 0:36:42 | 0:36:43 | |
-Actually, I'm going to go back there. -No, he said it's not safe. | 0:37:05 | 0:37:08 | |
I don't believe him. | 0:37:08 | 0:37:10 | |
Shit. | 0:37:21 | 0:37:22 | |
Oh, shit. | 0:37:36 | 0:37:38 | |
Yeah, it's PC Hill. I need assistance at the Moon Pond. | 0:37:49 | 0:37:53 | |
-MAN: -We're on our way. | 0:38:03 | 0:38:04 | |
-Where are they going? -Something's happened. | 0:38:05 | 0:38:07 | |
Oi! | 0:38:07 | 0:38:09 | |
Jesus, is that her? | 0:38:17 | 0:38:19 | |
You'll need to create a perimeter. It's a crime scene. | 0:38:19 | 0:38:21 | |
-What made you think to look in there? -I was told not to. | 0:38:21 | 0:38:23 | |
-By who? -Malcolm Spicer. | 0:38:23 | 0:38:25 | |
Malcolm Spicer? | 0:38:27 | 0:38:28 | |
That's what I thought. | 0:38:30 | 0:38:32 | |
Good work, PC Hill. | 0:38:32 | 0:38:35 | |
Like the old days. | 0:38:35 | 0:38:36 | |
-What's happened? Why are there police? -They found Hattie in the Moon Pond. | 0:38:48 | 0:38:51 | |
Oh, no. | 0:38:51 | 0:38:53 | |
She's dead? | 0:38:53 | 0:38:54 | |
Poor girl. Her poor family! | 0:38:55 | 0:38:58 | |
It's our job to comfort, Sandra, not to need comforting. | 0:38:58 | 0:39:02 | |
What kind of a man would drown a child like that? | 0:39:06 | 0:39:10 | |
It's evil, Gail. | 0:39:14 | 0:39:15 | |
Pure evil. | 0:39:17 | 0:39:18 | |
-POLICEMAN: -Stay back, please. | 0:39:20 | 0:39:22 | |
Keep behind the yellow line. | 0:39:22 | 0:39:24 | |
-What's going on? -Nothing that concerns you, sir. I suggest you go home. | 0:39:24 | 0:39:28 | |
Nah, mate. I'm in charge of the searches for Hattie Sutton. | 0:39:28 | 0:39:30 | |
Right. Well, we're in charge now. | 0:39:30 | 0:39:33 | |
If she's in there, I've a right to know. | 0:39:33 | 0:39:35 | |
If she's in there, there's nothing you can do. | 0:39:35 | 0:39:37 | |
Let us take care of it. | 0:39:37 | 0:39:39 | |
Did you watch her grow up? Have you spent time with her at Christmas? | 0:39:39 | 0:39:42 | |
-How will you take care of her? -I'm going to have to ask you to leave. | 0:39:42 | 0:39:45 | |
-Don't bloody touch me! -Watch your language, sir. -I'll say what I like! Do what I like. | 0:39:45 | 0:39:48 | |
Hey, come here! | 0:39:48 | 0:39:49 | |
Hey, hey! | 0:39:49 | 0:39:51 | |
OVERLAPPING SHOUTING | 0:39:51 | 0:39:53 | |
Calm down! | 0:39:53 | 0:39:54 | |
Aaaagh! | 0:39:54 | 0:39:56 | |
Aaagh! Aaagh! | 0:39:56 | 0:39:57 | |
SCREAMING CONTINUES | 0:39:57 | 0:39:59 | |
I'll have to go. | 0:40:07 | 0:40:08 | |
Malcolm! Malcolm! | 0:40:15 | 0:40:16 | |
I've been out of my mind... | 0:40:17 | 0:40:19 | |
I'm sorry... | 0:40:22 | 0:40:23 | |
POLICEMAN: Thank God, it's not her. | 0:41:16 | 0:41:18 | |
Yeah, but the clothing could still be significant. | 0:41:18 | 0:41:21 | |
No, I don't want to go home. | 0:41:33 | 0:41:34 | |
Neither do I. | 0:41:40 | 0:41:41 | |
MAN: Are you stuck? | 0:41:59 | 0:42:00 | |
CHILD: I'm stuck! | 0:42:00 | 0:42:02 | |
-Ohhh! -Hi, Mum. | 0:42:02 | 0:42:03 | |
You're stuck, aren't you? | 0:42:03 | 0:42:05 | |
Look, right, my ball. No! | 0:42:05 | 0:42:07 | |
Dad! I can kick it! | 0:42:07 | 0:42:09 | |
I got your message. Where did you go? | 0:42:13 | 0:42:15 | |
I went on the search. Sorry. Thanks for picking up the kids. | 0:42:15 | 0:42:19 | |
It's all right. Did you find something? | 0:42:19 | 0:42:23 | |
I found clothes...at the Moon Pond. | 0:42:23 | 0:42:27 | |
-Is it hers? -The family are coming to identify them. | 0:42:28 | 0:42:31 | |
We're not going to find her alive. | 0:42:31 | 0:42:33 | |
You OK? | 0:42:36 | 0:42:38 | |
No. | 0:42:38 | 0:42:39 | |
Come here. | 0:42:41 | 0:42:42 | |
It's all right. | 0:42:43 | 0:42:44 | |
You were right, I shouldn't have gone. | 0:42:46 | 0:42:48 | |
No! You had to go, it's who you are. | 0:42:48 | 0:42:52 | |
Look, I'm going to run you a nice hot bath, OK? | 0:42:56 | 0:43:00 | |
OK. | 0:43:00 | 0:43:01 | |
What have you got there? | 0:43:08 | 0:43:10 | |
Oh, this is George. | 0:43:11 | 0:43:13 | |
Is that Daddy's old bear? | 0:43:13 | 0:43:14 | |
Yeah, Dad gave it to me, to cheer me up. | 0:43:14 | 0:43:17 | |
Ah, that's sweet. | 0:43:17 | 0:43:18 | |
-No, it's not, it's horrible. It has no eyes. -SHE CHUCKLES | 0:43:18 | 0:43:22 | |
Where did he find it? | 0:43:22 | 0:43:23 | |
In the loft. | 0:43:23 | 0:43:24 | |
Poor George. | 0:43:26 | 0:43:27 | |
What are you doing up there? | 0:44:23 | 0:44:24 | |
I... | 0:44:29 | 0:44:30 | |
The light was on... | 0:44:32 | 0:44:34 | |
The light was on? | 0:44:34 | 0:44:36 | |
What's that? | 0:44:40 | 0:44:41 | |
It's hair. | 0:44:46 | 0:44:47 | |
No it's not, it's a bird's nest. | 0:44:52 | 0:44:54 | |
No. | 0:44:56 | 0:44:58 | |
Is it? | 0:44:59 | 0:45:00 | |
Yeah. What else could it be? | 0:45:00 | 0:45:02 | |
It's probably a sparrow's. Where did you find it? | 0:45:06 | 0:45:09 | |
It was just by the light. | 0:45:11 | 0:45:12 | |
It looks new. I'll put it back, shall I? | 0:45:15 | 0:45:18 | |
Are you all right? | 0:45:23 | 0:45:24 | |
Fine. | 0:45:24 | 0:45:26 | |
OK. | 0:45:27 | 0:45:28 | |
Yeah. There we go. | 0:45:36 | 0:45:37 | |
Yeah, they were just sweet girls, you know? | 0:45:50 | 0:45:53 | |
Average...happy, sweet girls. | 0:45:53 | 0:45:57 | |
Did you hear anything unusual about either of them? | 0:45:58 | 0:46:01 | |
I'm not a big fan of local gossip or chatting over the fence. | 0:46:01 | 0:46:05 | |
You've been neighbours for years, you must have heard something. | 0:46:05 | 0:46:08 | |
Not really, I mean, people know I'm not interested, | 0:46:08 | 0:46:10 | |
so...they don't tell me anything. | 0:46:10 | 0:46:13 | |
What about boyfriends? People hanging around? | 0:46:13 | 0:46:17 | |
No, not at all. But you never know with teenagers, do you? | 0:46:17 | 0:46:21 | |
And I think it's best not to. | 0:46:21 | 0:46:24 | |
Like, with my son, it's a case of a benign blind eye. | 0:46:24 | 0:46:28 | |
Yeah, I know what you mean. | 0:46:28 | 0:46:29 | |
But I'd say Hattie always struck me as a sensible girl. | 0:46:29 | 0:46:34 | |
Very grown up for her age. | 0:46:34 | 0:46:36 | |
She's more of an adult than me. | 0:46:36 | 0:46:38 | |
You know her well, then? | 0:46:38 | 0:46:39 | |
Erm...that's just the impression that she gave me. | 0:46:39 | 0:46:42 | |
I can't say I ever spoke to her, that often. | 0:46:44 | 0:46:46 | |
OK, well, thanks for your help. | 0:46:48 | 0:46:50 | |
Er...if you do think of anything, | 0:46:50 | 0:46:51 | |
please don't hesitate to give me a call. | 0:46:51 | 0:46:53 | |
How close are you to finding her? | 0:46:53 | 0:46:55 | |
Well, that's a rapidly developing situation. | 0:46:56 | 0:46:59 | |
Linus. Where have you been? | 0:47:02 | 0:47:05 | |
Out. | 0:47:05 | 0:47:06 | |
The school called me this morning and they said you'd walked out. | 0:47:06 | 0:47:09 | |
I've been worried about you all day. | 0:47:09 | 0:47:12 | |
Worried about me? | 0:47:12 | 0:47:13 | |
Hi, Linus. | 0:47:17 | 0:47:18 | |
Go and wash your hands, get yourself cleaned up. | 0:47:19 | 0:47:21 | |
He still gets himself filthy, like he's...like he's ten years old. | 0:47:21 | 0:47:25 | |
-Well, thanks for your time, Mr Newcombe. -No problem. | 0:47:25 | 0:47:28 | |
Don't run off like that again. | 0:47:35 | 0:47:37 | |
I thought you were never going to come back. | 0:47:40 | 0:47:42 | |
Then, don't hit me again. | 0:47:42 | 0:47:44 | |
Scout's honour. | 0:47:49 | 0:47:50 | |
You weren't a Scout. | 0:47:53 | 0:47:54 | |
HE CHUCKLES | 0:47:54 | 0:47:55 | |
Hey, I don't want to argue about it, OK? | 0:47:55 | 0:47:58 | |
I'm going to make us dinner. | 0:47:58 | 0:48:00 | |
Yeah? Kill the fatted calf and all that shit. | 0:48:00 | 0:48:04 | |
OK, so I got a call today. | 0:48:19 | 0:48:20 | |
The girl who spat blood at me... has made a complaint. | 0:48:23 | 0:48:27 | |
What? | 0:48:30 | 0:48:31 | |
She's claiming I used excessive force. | 0:48:33 | 0:48:35 | |
How much force? | 0:48:38 | 0:48:40 | |
Look, she sobered up in her cell... | 0:48:43 | 0:48:44 | |
..couldn't remember where all her cuts and bruises came from, | 0:48:46 | 0:48:49 | |
so she decided to lawyer up and blame me. | 0:48:49 | 0:48:52 | |
I don't want you to worry about it. | 0:48:55 | 0:48:57 | |
It won't...become a thing. | 0:49:01 | 0:49:05 | |
How can you be sure? | 0:49:05 | 0:49:07 | |
She's a little drunk, with a long history of previous. | 0:49:07 | 0:49:10 | |
Have you been suspended? | 0:49:13 | 0:49:16 | |
Yeah, of course. | 0:49:16 | 0:49:17 | |
I'll make the best of it. | 0:49:20 | 0:49:21 | |
Get a few jobs done round the house. | 0:49:21 | 0:49:23 | |
You've got goosebumps. | 0:49:26 | 0:49:29 | |
MAN LAUGHS | 0:49:52 | 0:49:54 | |
What, you don't find this funny any more? | 0:49:54 | 0:49:56 | |
You used to love this show. | 0:49:56 | 0:49:58 | |
-When I was eight. -People cracking their nuts is always funny. | 0:49:58 | 0:50:02 | |
Dad, why were you being interviewed by the police? | 0:50:05 | 0:50:08 | |
I wasn't being interviewed. They were just asking around. | 0:50:09 | 0:50:13 | |
He didn't ask me anything. | 0:50:13 | 0:50:16 | |
-You're not a responsible member of this community. -Oh, and you are? | 0:50:16 | 0:50:20 | |
HE CHUCKLES | 0:50:20 | 0:50:21 | |
I want to know how Mum died. | 0:50:32 | 0:50:33 | |
I don't talk about it. | 0:50:45 | 0:50:47 | |
And you don't ask about it. | 0:50:49 | 0:50:52 | |
I couldn't find your father. | 0:51:29 | 0:51:31 | |
The police have found Hattie's clothes in the Moon Pond. | 0:51:36 | 0:51:39 | |
Mum, you need to come upstairs. | 0:51:39 | 0:51:41 | |
Did you hear me? | 0:51:44 | 0:51:45 | |
Her clothes in a bloody pond. | 0:51:47 | 0:51:49 | |
In the woods. By the bird hide. | 0:51:49 | 0:51:52 | |
Upstairs. Now. | 0:51:52 | 0:51:53 | |
From the drinks cabinet. | 0:52:16 | 0:52:17 | |
The police found a raggy old slip | 0:52:42 | 0:52:44 | |
and brought it round to show Mum, thinking it was Hattie's. | 0:52:44 | 0:52:47 | |
Mum was so upset she couldn't look at it, so...I had to. | 0:52:49 | 0:52:52 | |
Is it hers? | 0:52:58 | 0:53:00 | |
Like she'd wear polyester. | 0:53:00 | 0:53:01 | |
It was such a horrible thing, | 0:53:04 | 0:53:06 | |
it was, kind of, hilarious they'd think it was hers. | 0:53:06 | 0:53:09 | |
And everyone's being so serious. | 0:53:11 | 0:53:13 | |
I started laughing, because Hattie would have found it funny, too. | 0:53:16 | 0:53:19 | |
I'm in disgrace again. | 0:53:25 | 0:53:26 | |
My parents think I'm this callous cow. | 0:53:27 | 0:53:30 | |
They think I don't care that she's gone. | 0:53:33 | 0:53:35 | |
I saw my mum today. | 0:53:46 | 0:53:47 | |
What were you doing wrong? | 0:53:49 | 0:53:50 | |
I'm not sure. | 0:53:55 | 0:53:57 | |
MAN: A long, long, long, long time ago... | 0:54:05 | 0:54:07 | |
..when this town was just a tiny village... | 0:54:08 | 0:54:10 | |
..and the woods were all around... | 0:54:12 | 0:54:14 | |
..the people who lived here believed in fairies and elves and goblins. | 0:54:16 | 0:54:23 | |
And the years went past, and the town grew bigger and bigger... | 0:54:28 | 0:54:32 | |
and we had houses and cars and electricity | 0:54:32 | 0:54:36 | |
and we forgot all about the fairies and the elves and the goblins. | 0:54:36 | 0:54:39 | |
But the fairies and the elves and the goblins like to remind us | 0:54:39 | 0:54:43 | |
that they're still here. | 0:54:43 | 0:54:46 | |
So, they steal my car keys, and they hide Mummy's scissors... | 0:54:48 | 0:54:52 | |
And they came here and took Mr Johnson? | 0:54:52 | 0:54:55 | |
I don't think so, Dad. | 0:54:55 | 0:54:57 | |
Oh, I think so. | 0:54:57 | 0:54:59 | |
Listen. | 0:54:59 | 0:55:00 | |
They're just playing a game with you. | 0:55:02 | 0:55:04 | |
So you don't have to be sad. | 0:55:05 | 0:55:06 | |
Just play along. | 0:55:09 | 0:55:10 | |
I didn't know you believed in magic. | 0:55:10 | 0:55:12 | |
Well, there's a lot of things you don't know about me. | 0:55:14 | 0:55:19 | |
Goodnight, Dad. | 0:55:19 | 0:55:21 | |
Goodnight, darling. | 0:55:21 | 0:55:23 | |
What am I looking at? | 0:55:24 | 0:55:26 | |
Dad's business accounts. Your joint accounts. | 0:55:26 | 0:55:28 | |
Your savings. | 0:55:30 | 0:55:31 | |
Well, what's this got to do with anything? | 0:55:31 | 0:55:33 | |
It's all gone, Mum. | 0:55:33 | 0:55:34 | |
All the money went into Carroll's Field - | 0:55:36 | 0:55:38 | |
the legal battles, the proposal. It's all gone. | 0:55:38 | 0:55:41 | |
But this is business money. | 0:55:41 | 0:55:43 | |
No, it's everything. The house, the boat, the car. It's gone. | 0:55:43 | 0:55:47 | |
You don't own a damn thing. | 0:55:47 | 0:55:50 | |
He gambled the lot on Carroll's Field. | 0:55:51 | 0:55:54 | |
And he knew it. | 0:55:54 | 0:55:55 | |
He's been trying to dig himself out of this hole for months, | 0:55:55 | 0:55:59 | |
but it's collapsed now. | 0:55:59 | 0:56:00 | |
All because of Hattie Sutton and the Village Green campaign. | 0:56:00 | 0:56:04 | |
She ruined him. | 0:56:06 | 0:56:08 | |
Seth? | 0:56:16 | 0:56:17 | |
What are you doing here? You should be at home. | 0:56:19 | 0:56:21 | |
-Did they give you rough justice in there? -No, they gave me a caution. | 0:56:21 | 0:56:25 | |
-I've got something to show you. -They found the clothes this afternoon. | 0:56:25 | 0:56:28 | |
It's not clothes. It's something bigger. | 0:56:28 | 0:56:30 | |
I just want to go home and have a shower and a pint. | 0:56:30 | 0:56:32 | |
It's in the woods. You have to see it! | 0:56:32 | 0:56:35 | |
Shhh! | 0:56:48 | 0:56:49 | |
Why? Is there someone out here? | 0:56:51 | 0:56:54 | |
Look into the abyss... | 0:57:34 | 0:57:35 | |
..and the abyss looks back at you. | 0:57:37 | 0:57:39 | |
A girl has gone missing and people are looking for someone to blame. | 0:57:55 | 0:57:59 | |
I do pray that, what happened to your father | 0:57:59 | 0:58:02 | |
has nothing to do with Hattie Sutton. | 0:58:02 | 0:58:04 | |
You know what he's done. You know where Hattie is. Let me in! | 0:58:04 | 0:58:07 | |
-How am I going to do this? -Just keep your answers simple, | 0:58:07 | 0:58:09 | |
and look them straight in the eye. | 0:58:09 | 0:58:11 | |
Everything you see here, it's all been an illusion. | 0:58:11 | 0:58:14 | |
-None of this is real. -It's you, Linus. | 0:58:14 | 0:58:16 | |
-Did you ever see Hattie talking to a guy called Everett? -Of course. | 0:58:16 | 0:58:20 | |
Hattie. | 0:58:20 | 0:58:21 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |