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I was born with a silver spoon in my mouth. | 0:00:02 | 0:00:03 | |
I was educated at a private school in England, | 0:00:03 | 0:00:05 | |
business school in America. | 0:00:05 | 0:00:07 | |
I run my own firm in the City. | 0:00:07 | 0:00:09 | |
I'm very happy with my life. | 0:00:10 | 0:00:13 | |
I have a friend in Israel. He's very interested in investing. | 0:00:13 | 0:00:17 | |
Vadim is still alive. | 0:00:20 | 0:00:22 | |
IN RUSSIAN: | 0:00:22 | 0:00:24 | |
The funds under investigation include Drake Clayterman, | 0:00:29 | 0:00:32 | |
Walkers Naylor, Cotton Capital. | 0:00:32 | 0:00:34 | |
Where the hell is this coming from? | 0:00:34 | 0:00:36 | |
What does it take to corrupt you? | 0:00:42 | 0:00:44 | |
Are you afraid? | 0:00:44 | 0:00:45 | |
This programme contains some scenes of a sexual nature | 0:00:45 | 0:00:49 | |
and some scenes which some viewers may find upsetting. | 0:00:49 | 0:00:53 | |
Get away from the door, Mama. | 0:00:53 | 0:00:54 | |
Vadim assumes that your father tried to kill him, too. | 0:00:54 | 0:00:57 | |
Neither you, your family, nor your father are safe. | 0:00:57 | 0:01:02 | |
I'm a banker, not a gangster. | 0:01:02 | 0:01:04 | |
These wars are fought in the boardrooms, not on the street. | 0:01:04 | 0:01:07 | |
And you, Mr Godman, are you harmless? | 0:01:07 | 0:01:10 | |
Next. | 0:01:21 | 0:01:22 | |
Purpose of your visit? | 0:01:28 | 0:01:30 | |
Hotel work. I'm a beauty therapist. | 0:01:30 | 0:01:32 | |
STAMPS PASSPORT | 0:01:37 | 0:01:38 | |
Hi. | 0:01:52 | 0:01:53 | |
Lyudmilla? | 0:01:53 | 0:01:55 | |
Tarek. | 0:01:55 | 0:01:56 | |
I work with Elena. | 0:01:56 | 0:01:58 | |
-Nice to meet you. -To meet you. This is Mido. | 0:01:58 | 0:02:00 | |
Did you get her message? | 0:02:03 | 0:02:04 | |
I haven't checked my phone. | 0:02:04 | 0:02:06 | |
It's OK. She's working late tonight, so you'll meet her at the hotel. | 0:02:06 | 0:02:10 | |
Mido, take... | 0:02:10 | 0:02:11 | |
So, you had a long flight? | 0:02:13 | 0:02:16 | |
-Four hours. -That's OK. | 0:02:17 | 0:02:19 | |
It's much warmer here than Moscow. | 0:02:19 | 0:02:21 | |
So, you see over there? | 0:02:25 | 0:02:27 | |
That's the pyramids. So we're in Giza now. | 0:02:27 | 0:02:30 | |
It's very small, no? | 0:02:30 | 0:02:32 | |
Is the hotel far? | 0:02:59 | 0:03:00 | |
15 minutes. | 0:03:00 | 0:03:01 | |
We're here. | 0:03:28 | 0:03:29 | |
You go with these men now. | 0:03:31 | 0:03:32 | |
Where? | 0:03:34 | 0:03:35 | |
SHOUTING | 0:03:38 | 0:03:40 | |
HE COUGHS | 0:05:22 | 0:05:24 | |
Papa, do you think maybe Frank should drive? | 0:05:25 | 0:05:28 | |
Do you see car behind us? | 0:05:28 | 0:05:30 | |
They've been there since Windsor. | 0:05:32 | 0:05:33 | |
-Papa, this is our exit. -Yeah. | 0:05:40 | 0:05:42 | |
-WOMAN: -We'll need to disclose the property's history. | 0:05:58 | 0:06:01 | |
It shouldn't affect the price, but some buyers may be put off. | 0:06:01 | 0:06:04 | |
Yeah, of course. | 0:06:04 | 0:06:05 | |
We've had the room professionally cleaned. | 0:06:10 | 0:06:13 | |
We've left the furniture where it was. | 0:06:13 | 0:06:15 | |
We weren't quite sure what you wanted to do with it. | 0:06:15 | 0:06:18 | |
Papa, do you have the key? | 0:06:33 | 0:06:34 | |
-Da? -Da. | 0:08:20 | 0:08:21 | |
With half a million, I can bribe officials in Chembur, Versova, | 0:09:12 | 0:09:16 | |
-Thane Creek, but the main port is... -No, it has to be the main port. | 0:09:16 | 0:09:20 | |
That's Chopra's supply route to Vadim. | 0:09:20 | 0:09:23 | |
I piss on Benny Chopra's mother, | 0:09:23 | 0:09:25 | |
but without cash I can't take the port away from him. | 0:09:25 | 0:09:27 | |
How much would you need? | 0:09:27 | 0:09:29 | |
I'm a Muslim. | 0:09:29 | 0:09:31 | |
In this country, every dollar is 50 cents for me. | 0:09:31 | 0:09:34 | |
He has the police in his pocket, City Hall, the Shiv Sena and the... | 0:09:36 | 0:09:40 | |
I'll give you 500,000 a month to bribe those same officials | 0:09:40 | 0:09:45 | |
and to disrupt Chopra's operations at the port. | 0:09:45 | 0:09:48 | |
I want his consignments checked, his contraband seized | 0:09:48 | 0:09:53 | |
and his cargo stolen. | 0:09:53 | 0:09:54 | |
I respect you very much, Semiyon Bhai. | 0:09:58 | 0:10:00 | |
-And would like us to part as friends. -Mmm-hmm? | 0:10:01 | 0:10:05 | |
But I can't fight Benny Chopra without more money. | 0:10:05 | 0:10:08 | |
Thank you for taking the time to see me. | 0:10:11 | 0:10:13 | |
What? You should have some fun. | 0:10:36 | 0:10:38 | |
Everything OK? | 0:10:41 | 0:10:42 | |
Let's hope Prague is easier. | 0:10:44 | 0:10:46 | |
This is the land of the no. | 0:10:47 | 0:10:50 | |
They haggle, they "No, no, no," they walk away, | 0:10:50 | 0:10:53 | |
then return to the table to renegotiate. | 0:10:53 | 0:10:56 | |
He forgot his phone. | 0:10:58 | 0:11:00 | |
Of course he did. | 0:11:00 | 0:11:01 | |
Forgive me, I was talking so much I forgot my phone. | 0:11:09 | 0:11:13 | |
Dilly, please, sit down. | 0:11:17 | 0:11:20 | |
I've been thinking, perhaps I can give you better terms | 0:11:20 | 0:11:23 | |
and help you with your cash flow. | 0:11:23 | 0:11:25 | |
Kleiman's casinos and nightclubs are a concern. | 0:11:29 | 0:11:32 | |
His position in the Knesset means | 0:11:32 | 0:11:34 | |
we need to be vigilant about any conflict of interest. | 0:11:34 | 0:11:37 | |
But we can sign off on him? | 0:11:37 | 0:11:39 | |
It will make a big difference. | 0:11:41 | 0:11:43 | |
He'll replace all the capital we've lost | 0:11:43 | 0:11:45 | |
and invest in a new fund, as well. | 0:11:45 | 0:11:46 | |
Just something small. | 0:11:48 | 0:11:50 | |
He has some investment ideas | 0:11:50 | 0:11:51 | |
that aren't the right fit for the main fund, | 0:11:51 | 0:11:54 | |
so I thought we'd set up something separate. | 0:11:54 | 0:11:57 | |
If it pans out, we can open it up to new capital. | 0:11:57 | 0:12:01 | |
OK. Send me the details. | 0:12:01 | 0:12:04 | |
Shukran. | 0:13:10 | 0:13:12 | |
SPEAKS OWN LANGUAGE | 0:13:30 | 0:13:32 | |
THEY CONVERSE IN OWN LANGUAGE | 0:13:35 | 0:13:37 | |
HE SIGHS | 0:14:16 | 0:14:17 | |
VAN STOPS, DOOR SLAMS | 0:14:30 | 0:14:32 | |
MAN SHOUTS | 0:14:32 | 0:14:33 | |
Mido. | 0:14:53 | 0:14:54 | |
-Good evening, Mr Godman. -Good evening, Daniel. -Forgive me, sir, | 0:15:10 | 0:15:13 | |
but could you please have a word with your father about his music? | 0:15:13 | 0:15:16 | |
Mr Al-Majid's complained again. | 0:15:16 | 0:15:17 | |
Sure. | 0:15:18 | 0:15:19 | |
LOUD MUSIC THROUGH WALL: Whatever You Want by Status Quo | 0:15:22 | 0:15:25 | |
DOORBELL | 0:15:33 | 0:15:35 | |
MUSIC PLAYS VERY LOUDLY | 0:15:49 | 0:15:51 | |
MUSIC STOPS | 0:16:03 | 0:16:05 | |
Hi, Papa. | 0:16:06 | 0:16:07 | |
Rebecca. I'm very glad to see you. | 0:16:16 | 0:16:19 | |
-You, too. -Darling. Flowers for me? | 0:16:19 | 0:16:23 | |
-Of course. And chocolates, too. -OK. | 0:16:23 | 0:16:25 | |
Why are you here? | 0:16:30 | 0:16:31 | |
You invited us. For dinner. | 0:16:32 | 0:16:34 | |
Your mother never tells me anything. | 0:16:37 | 0:16:40 | |
Ssh. Where is Mama? | 0:16:40 | 0:16:41 | |
IN RUSSIAN: | 0:16:41 | 0:16:43 | |
Sit down, Rebecca. | 0:16:46 | 0:16:47 | |
KNOCKING | 0:16:50 | 0:16:52 | |
It's me, Mama. | 0:16:54 | 0:16:56 | |
I've had enough of the stupid man. | 0:17:07 | 0:17:09 | |
I'm sorry. | 0:17:25 | 0:17:26 | |
He lost his brother, but I can't go on like this. | 0:17:26 | 0:17:30 | |
Ssh. Mama, it's OK. | 0:17:30 | 0:17:32 | |
He has to be a man. | 0:17:36 | 0:17:37 | |
He can't be a child all the time. | 0:17:37 | 0:17:39 | |
Masha, you went out with Alex years ago. | 0:17:45 | 0:17:49 | |
You have to move on. | 0:17:49 | 0:17:51 | |
I know... But what does he see in her? | 0:17:51 | 0:17:53 | |
-She's so bloody British! -KATYA CHUCKLES | 0:17:53 | 0:17:55 | |
I bolted the window so he couldn't get up here. | 0:17:57 | 0:18:00 | |
I found the key. | 0:18:02 | 0:18:03 | |
You have to help me with Papa. | 0:18:03 | 0:18:05 | |
It's my fault. | 0:18:05 | 0:18:06 | |
Are you coming for dinner? | 0:18:08 | 0:18:10 | |
Speak in English. | 0:18:26 | 0:18:27 | |
Becky doesn't understand Russian. It's rude. | 0:18:29 | 0:18:31 | |
Papa, did Uncle Boris ever ask you advice on his business? | 0:18:41 | 0:18:44 | |
Niet. | 0:19:01 | 0:19:02 | |
No-one's going to come after you, Papa. | 0:20:01 | 0:20:03 | |
Papa, did you know a Semiyon Kleiman when you were in Russia? | 0:20:14 | 0:20:17 | |
Semiyon? | 0:20:19 | 0:20:20 | |
Nothing. | 0:20:36 | 0:20:38 | |
Uncle Boris mentioned him. | 0:20:38 | 0:20:39 | |
-A cobra. -Cobra! | 0:20:47 | 0:20:48 | |
Cobra. | 0:20:50 | 0:20:52 | |
-SEMIYON: -Prague is the gateway to the Russian market. | 0:21:05 | 0:21:07 | |
That's why it interests me | 0:21:07 | 0:21:09 | |
So far, there's only one-way traffic through the gate. | 0:21:09 | 0:21:12 | |
All this is Russian controlled. | 0:21:12 | 0:21:13 | |
We can't even operate in our own city. | 0:21:13 | 0:21:15 | |
The clubs, bars, girls... | 0:21:17 | 0:21:18 | |
Everything from here to the river is Klimov's. | 0:21:19 | 0:21:24 | |
-And Vadim's. -Of course. | 0:21:24 | 0:21:25 | |
Russians. | 0:21:28 | 0:21:29 | |
Drinking our beer. | 0:21:29 | 0:21:30 | |
Pimping our women. | 0:21:30 | 0:21:32 | |
Like '89 never happened. | 0:21:32 | 0:21:33 | |
How long have you worked for Mr Reznik? | 0:21:35 | 0:21:38 | |
Since I left the police. | 0:21:38 | 0:21:39 | |
2005. | 0:21:41 | 0:21:42 | |
Are you happy? | 0:21:48 | 0:21:49 | |
I'm Czech. | 0:21:53 | 0:21:54 | |
We're never happy with the boss. | 0:21:57 | 0:21:58 | |
Smell. Real stuff, fake stuff. | 0:22:08 | 0:22:11 | |
Tell me the difference. | 0:22:12 | 0:22:13 | |
This used to be tractor factory and now Chinese make tractor, | 0:22:14 | 0:22:19 | |
I make perfumes. | 0:22:19 | 0:22:21 | |
Mr Chanel No.5, that's me. | 0:22:21 | 0:22:24 | |
Come. | 0:22:24 | 0:22:25 | |
La Liga, Serie A, Premiership. | 0:22:25 | 0:22:29 | |
You like football? | 0:22:29 | 0:22:30 | |
Maccabi Tel Aviv. | 0:22:31 | 0:22:33 | |
I find you. | 0:22:33 | 0:22:34 | |
Sometimes they make mistake so Messi play for Madrid. | 0:22:36 | 0:22:40 | |
Free transfer. | 0:22:40 | 0:22:41 | |
This is all very impressive, Mr Reznik. | 0:22:42 | 0:22:45 | |
Have you had a chance to consider my offer? | 0:22:45 | 0:22:48 | |
Sure. | 0:22:49 | 0:22:51 | |
I'd like to finance your operation | 0:22:51 | 0:22:53 | |
so you can compete with the Russians. | 0:22:53 | 0:22:56 | |
With Vadim Kalyagin. | 0:22:56 | 0:22:58 | |
I don't like Russians, but they run this country. | 0:22:58 | 0:23:02 | |
Before war, after war, now. | 0:23:02 | 0:23:05 | |
It is big risk. | 0:23:05 | 0:23:07 | |
I need deposit. | 0:23:08 | 0:23:10 | |
Five million euros. | 0:23:10 | 0:23:13 | |
So I know you have money, | 0:23:13 | 0:23:16 | |
and I have serious partner. | 0:23:16 | 0:23:18 | |
Then we talk. | 0:23:20 | 0:23:21 | |
DOOR OPENS | 0:23:43 | 0:23:44 | |
Hey. | 0:23:48 | 0:23:49 | |
You haven't sent the details on the Global Fund. | 0:23:49 | 0:23:52 | |
The fund you set up for Kleiman? | 0:23:52 | 0:23:54 | |
Oh, don't worry. There's nothing going on with it right now. | 0:23:54 | 0:23:56 | |
I'll send you something as soon as there is. | 0:23:56 | 0:23:59 | |
Are you OK? | 0:24:00 | 0:24:01 | |
Yeah, sure. We're back on track. | 0:24:02 | 0:24:05 | |
I meant you, not the fund. | 0:24:05 | 0:24:07 | |
I'm fine. | 0:24:07 | 0:24:08 | |
SHE LAUGHS | 0:24:24 | 0:24:26 | |
THEY GREET EACH OTHER | 0:24:44 | 0:24:46 | |
THE MEN SHOUT | 0:26:02 | 0:26:03 | |
SHE SCREAMS | 0:26:12 | 0:26:13 | |
HE SHOUTS | 0:26:16 | 0:26:18 | |
You never got back to me. | 0:26:54 | 0:26:56 | |
I'm sorry. I should have called. | 0:26:58 | 0:26:59 | |
Still landed on your feet anyway. | 0:27:01 | 0:27:02 | |
For now. | 0:27:03 | 0:27:05 | |
Don't even have to change the name of your company. | 0:27:05 | 0:27:07 | |
PHONE BUZZES | 0:27:07 | 0:27:09 | |
So, Mr Godman, who did you persuade to invest? | 0:27:11 | 0:27:14 | |
A couple of investors who saw through the rumours. | 0:27:17 | 0:27:20 | |
But we'd always welcome more. | 0:27:20 | 0:27:22 | |
Sydney Bloom. The ethical face of capitalism. | 0:27:26 | 0:27:30 | |
Do you know how he made his money? | 0:27:30 | 0:27:32 | |
Stripping down African ports. | 0:27:33 | 0:27:35 | |
Time to circulate. | 0:27:39 | 0:27:40 | |
PHONES BUZZES | 0:27:42 | 0:27:44 | |
Well, the Sydney Bloom Foundation is setting up a guarantee facility | 0:27:47 | 0:27:50 | |
of 3 billion for small businesses in developing markets. | 0:27:50 | 0:27:54 | |
Of course, some of those funds will be siphoned off | 0:27:54 | 0:27:57 | |
through corruption, but that's a risk we have to bear. | 0:27:57 | 0:28:00 | |
PHONE BUZZES | 0:28:16 | 0:28:18 | |
Hello? | 0:28:23 | 0:28:24 | |
I need you to meet me in Prague next week. | 0:28:24 | 0:28:26 | |
What for? | 0:28:27 | 0:28:28 | |
I'm having issues with the Czechs. | 0:28:28 | 0:28:31 | |
I need you to explain our business proposal to them more clearly. | 0:28:31 | 0:28:35 | |
What issues? | 0:28:36 | 0:28:37 | |
They've withdrawn the token of goodwill we sent them | 0:28:37 | 0:28:40 | |
and now they won't return my calls. | 0:28:40 | 0:28:43 | |
Just keep an eye on everything for a minute. | 0:28:44 | 0:28:46 | |
-I'll be right back. -Yes, sure. | 0:28:46 | 0:28:48 | |
It's a test. The man in charge is a gambler. | 0:28:48 | 0:28:51 | |
He's seeing what he can get away with. | 0:28:51 | 0:28:54 | |
There are two ways I can deal with this. | 0:28:54 | 0:28:57 | |
Either I take the money back by force, or we convince them | 0:28:57 | 0:29:00 | |
that what they took is nothing compared to what they can make. | 0:29:00 | 0:29:04 | |
I agreed to move your capital for you. | 0:29:07 | 0:29:10 | |
That's it. | 0:29:10 | 0:29:11 | |
Alex, I wouldn't ask unless it was important. | 0:29:11 | 0:29:13 | |
This man Reznik knows nothing about finance, | 0:29:13 | 0:29:16 | |
but there are others around him who do. | 0:29:16 | 0:29:18 | |
I need you to convince them, like you convinced me. | 0:29:20 | 0:29:24 | |
I'll introduce you as my lawyer, you explain how they benefit. | 0:29:24 | 0:29:28 | |
There's nothing to worry about. | 0:29:28 | 0:29:31 | |
Prague is as important to Vadim as Mumbai. | 0:29:31 | 0:29:33 | |
The counterfeit and smuggling business are worth millions. | 0:29:35 | 0:29:39 | |
If you want to hurt him and protect your family, | 0:29:39 | 0:29:42 | |
this is what you have to do. | 0:29:42 | 0:29:44 | |
I have to go. | 0:29:49 | 0:29:51 | |
Give me a few days and I'll go over the numbers. | 0:29:51 | 0:29:53 | |
I'll give you an answer. OK. | 0:29:53 | 0:29:55 | |
Good to speak to you, too. Bye. | 0:29:55 | 0:29:57 | |
Sorry, I had to find a quiet place to take the call. | 0:29:59 | 0:30:03 | |
You certainly came a long way. | 0:30:03 | 0:30:04 | |
I could kill that arsehole. | 0:30:06 | 0:30:08 | |
-Who? -Alan Raynott. | 0:30:09 | 0:30:11 | |
You seemed to handle him pretty well. | 0:30:12 | 0:30:14 | |
I don't know why he gets to me so much. | 0:30:14 | 0:30:16 | |
Even the way he says my name... "GOD-man." | 0:30:16 | 0:30:18 | |
He's just pissed off you turned him down. | 0:30:20 | 0:30:23 | |
Come on, we should get you back in there. | 0:30:26 | 0:30:31 | |
Who was that on the phone? | 0:30:31 | 0:30:32 | |
It was just work. | 0:30:32 | 0:30:33 | |
PHONE RINGS | 0:30:41 | 0:30:43 | |
Hello? | 0:30:52 | 0:30:53 | |
Boss? | 0:31:05 | 0:31:06 | |
Boss, this is PJ. He's a security guard at Chopra's compound. | 0:31:06 | 0:31:09 | |
PJ. | 0:31:09 | 0:31:11 | |
You have something for me? | 0:31:11 | 0:31:12 | |
Just as you asked for it. | 0:31:13 | 0:31:15 | |
The office in Narimba Point. Anyone can get this map. | 0:31:16 | 0:31:20 | |
No, this is a different office in South Mumbai. | 0:31:20 | 0:31:22 | |
Very top secret, with lots of security. | 0:31:22 | 0:31:24 | |
Move! Move! | 0:32:00 | 0:32:02 | |
They've agreed to meet. That's progress. | 0:32:12 | 0:32:15 | |
Prague is Vadim's entry point into the EU. | 0:32:15 | 0:32:18 | |
Over half his business passes through this city. | 0:32:18 | 0:32:21 | |
It's good to see you again, my friend. | 0:32:26 | 0:32:28 | |
Nice to see you again. | 0:32:34 | 0:32:36 | |
Hi, how are you? | 0:32:36 | 0:32:37 | |
My lawyer, Mr Alexander. | 0:32:37 | 0:32:39 | |
Karel Benes. | 0:32:40 | 0:32:42 | |
Nice to meet you. | 0:32:42 | 0:32:43 | |
I'm afraid Mr Reznik has been held up. | 0:32:44 | 0:32:46 | |
For how long? | 0:32:49 | 0:32:50 | |
He'll meet us tonight. He apologises. | 0:32:51 | 0:32:54 | |
He's asked me to have preliminary discussions with you. | 0:32:55 | 0:32:58 | |
Please. | 0:33:00 | 0:33:01 | |
I'm willing to accept Mr Reznik not getting back to me | 0:33:03 | 0:33:07 | |
because of personal issues. | 0:33:07 | 0:33:09 | |
The money I advanced him was a gesture of goodwill, | 0:33:10 | 0:33:14 | |
so he's free to spend it as he wishes. | 0:33:14 | 0:33:17 | |
But I also believe that I have demonstrated | 0:33:17 | 0:33:19 | |
that I am a serious partner. | 0:33:19 | 0:33:21 | |
I've had that discussion with him. | 0:33:23 | 0:33:25 | |
Mr Reznik is concerned any increased activity from us | 0:33:25 | 0:33:29 | |
will draw attention from the Russians. | 0:33:29 | 0:33:30 | |
I was led to believe Mr Reznik's ambitions | 0:33:30 | 0:33:33 | |
were to compete with the Russians. | 0:33:33 | 0:33:35 | |
Now I ask myself if he's a serious partner. | 0:33:36 | 0:33:40 | |
Klimov and the Russian gangs have the backing of Vadim. | 0:33:40 | 0:33:44 | |
Vadim has the backing of elements within the Russian state. | 0:33:44 | 0:33:47 | |
Our government is so busy trying to be a Western democracy | 0:33:48 | 0:33:51 | |
it wants nothing to do with us. | 0:33:51 | 0:33:53 | |
Then I'll have to take my business elsewhere. | 0:33:53 | 0:33:55 | |
With respect, we're here to persuade Mr Reznik that he doesn't | 0:33:55 | 0:33:59 | |
need state protection to further his business opportunities. | 0:33:59 | 0:34:02 | |
The world has moved on. | 0:34:05 | 0:34:06 | |
What we're offering you is a substantial investment | 0:34:09 | 0:34:12 | |
with very few strings attached. | 0:34:12 | 0:34:15 | |
All we ask is that you make life uncomfortable for Vadim | 0:34:15 | 0:34:18 | |
and his associates. | 0:34:18 | 0:34:20 | |
Bribes to officials, seizures of their contraband. | 0:34:20 | 0:34:24 | |
And we will pay for everything. | 0:34:24 | 0:34:26 | |
I'll leave Mr Alexander to talk you through the details. | 0:34:27 | 0:34:30 | |
I'll have the poultry menu, please. | 0:35:54 | 0:35:55 | |
The medieval menu for me. And to drink? | 0:35:55 | 0:35:58 | |
Just sparkling mineral water. | 0:35:58 | 0:36:00 | |
HE SPEAKS TO HER IN CZECH | 0:36:00 | 0:36:02 | |
THEY TOAST | 0:36:06 | 0:36:08 | |
The one thing your boss overlooks is stupidity. | 0:36:08 | 0:36:12 | |
He's a clever man, | 0:36:12 | 0:36:13 | |
but he thinks he's dealing with someone like himself. | 0:36:13 | 0:36:17 | |
Reznik has only three circuits in his brain - yes, no, later. | 0:36:17 | 0:36:22 | |
What should my boss have done? | 0:36:23 | 0:36:25 | |
Send a message before you came. | 0:36:26 | 0:36:28 | |
Maybe burn down one of our factories. | 0:36:29 | 0:36:31 | |
That way the negotiations would have been more serious. | 0:36:31 | 0:36:34 | |
So you think we're wasting our time? | 0:36:34 | 0:36:37 | |
There are better restaurants in Prague he could have taken you to. | 0:36:37 | 0:36:41 | |
If he's so stupid, why do you work for him? | 0:36:41 | 0:36:44 | |
Why does anybody work for a boss? | 0:36:44 | 0:36:45 | |
I was fired from my job and he offered me a good salary. | 0:36:50 | 0:36:53 | |
It's quite a leap. | 0:36:53 | 0:36:55 | |
From policeman to this. | 0:36:56 | 0:36:58 | |
Not in this country. | 0:36:59 | 0:37:01 | |
And you, Mr Alexander, | 0:37:03 | 0:37:04 | |
how does a lawyer like you get mixed up in a business like this? | 0:37:04 | 0:37:08 | |
I just sit behind a desk and read contracts. | 0:37:09 | 0:37:11 | |
HE REPEATS A SINGLE WORD | 0:37:13 | 0:37:15 | |
"Later." | 0:37:19 | 0:37:20 | |
Look, I don't want to bore you, | 0:37:22 | 0:37:24 | |
but Vadim and Klimov make more than 600 million annually | 0:37:24 | 0:37:27 | |
from their counterfeit and smuggling operations in this country. | 0:37:27 | 0:37:31 | |
Your boss makes 20. | 0:37:31 | 0:37:33 | |
Plus the five he stole from you. | 0:37:33 | 0:37:34 | |
You've already convinced me of the benefits | 0:37:37 | 0:37:39 | |
of doing business with you this afternoon. | 0:37:39 | 0:37:41 | |
But unfortunately, people like you and I don't have much influence. | 0:37:42 | 0:37:48 | |
If we did, I'm sure we could reach an agreement. | 0:37:48 | 0:37:51 | |
I think you'll find my boss is a reasonable man, too. | 0:37:55 | 0:37:58 | |
You're being modest. | 0:37:58 | 0:38:00 | |
You forget, I'm a former policeman. | 0:38:00 | 0:38:03 | |
I still have contacts in the police. At the airport. | 0:38:03 | 0:38:06 | |
You shouldn't travel under your own passport. | 0:38:07 | 0:38:10 | |
You come from a distinguished family, Mr Godman. | 0:38:12 | 0:38:15 | |
Perhaps you should be sitting at that table instead of with me. | 0:38:16 | 0:38:19 | |
You are wasting my time tonight with this ridiculous display. | 0:38:19 | 0:38:23 | |
Do you think I would want to invest...? | 0:38:23 | 0:38:26 | |
-Perhaps we should both move tables. -It makes you look like a fool. | 0:38:26 | 0:38:29 | |
If you have nothing else to say to me, I would like to go home. | 0:38:42 | 0:38:45 | |
There is an earlier flight. | 0:38:48 | 0:38:50 | |
It gets you into Heathrow before ten. | 0:38:50 | 0:38:52 | |
That would be helpful. | 0:38:52 | 0:38:54 | |
If you could also arrange a connecting flight for Mr Kleiman. | 0:38:56 | 0:38:59 | |
Of course. | 0:39:01 | 0:39:02 | |
What are you going to do? | 0:39:07 | 0:39:08 | |
Put my money to better use than I did this time. | 0:39:08 | 0:39:11 | |
These pricks. | 0:39:12 | 0:39:13 | |
They have no idea how big a world will come down on them. | 0:39:13 | 0:39:16 | |
How does that help us in Prague? | 0:39:23 | 0:39:24 | |
Ah, forget Prague. | 0:39:25 | 0:39:27 | |
We concentrate on Mumbai. | 0:39:27 | 0:39:29 | |
Until I can find someone here I can do business with. | 0:39:29 | 0:39:31 | |
We don't have long, so I'll make this very clear. | 0:39:50 | 0:39:53 | |
You're someone we'd be very happy to do business with. | 0:39:53 | 0:39:57 | |
If he finds out I'm even talking to you, he could have me killed. | 0:40:00 | 0:40:04 | |
Then we're both caught between a rock and a hard place. | 0:40:04 | 0:40:07 | |
A partnership is good for everyone. | 0:40:13 | 0:40:15 | |
A disagreement isn't. | 0:40:15 | 0:40:17 | |
Please ask Mr Reznik to reconsider. | 0:40:17 | 0:40:19 | |
Only the Russian girls. | 0:41:08 | 0:41:09 | |
Who speaks English? | 0:41:24 | 0:41:26 | |
-Yes. -Yes. | 0:41:26 | 0:41:27 | |
Moskvy. | 0:41:30 | 0:41:31 | |
How old? | 0:41:33 | 0:41:34 | |
22. | 0:41:37 | 0:41:39 | |
You look younger. | 0:41:39 | 0:41:41 | |
No. | 0:41:41 | 0:41:42 | |
I like her face. | 0:41:43 | 0:41:44 | |
I'll take her. | 0:41:46 | 0:41:48 | |
DINNER PARTY CONVERSATION | 0:41:53 | 0:41:55 | |
-Oh, look! -Hey. | 0:42:03 | 0:42:05 | |
-Hey! -I didn't expect you till tomorrow. | 0:42:05 | 0:42:08 | |
The meeting finished early. | 0:42:08 | 0:42:09 | |
Well, have you eaten anything? | 0:42:12 | 0:42:14 | |
I'm fine. I ate on the plane. | 0:42:14 | 0:42:16 | |
Is Prague as beautiful as they say? | 0:42:16 | 0:42:19 | |
I didn't get to see much. | 0:42:19 | 0:42:20 | |
Pour me a wine. I'm going to go and dump this. | 0:42:25 | 0:42:27 | |
TURNS ON TAP | 0:42:44 | 0:42:46 | |
What kind of view is this? | 0:43:02 | 0:43:04 | |
You like sniffing ladies garments? | 0:43:04 | 0:43:07 | |
This way, Bhai. | 0:43:07 | 0:43:08 | |
You see? Perfect. | 0:43:11 | 0:43:13 | |
You can see everyone who goes in. | 0:43:14 | 0:43:15 | |
Chopra's lawyers, business partners, officials he bribes. | 0:43:15 | 0:43:19 | |
Benny Chopra. | 0:43:25 | 0:43:27 | |
Let's see who's God. | 0:43:27 | 0:43:28 | |
-DMITRI: -It's me. | 0:46:43 | 0:46:44 | |
I want just to talk to you. | 0:46:46 | 0:46:49 | |
DOORBELL | 0:48:15 | 0:48:17 | |
PHONE BUZZES | 0:49:41 | 0:49:43 | |
Mama? | 0:49:50 | 0:49:51 | |
Alex! | 0:49:56 | 0:49:57 | |
Is Katya with you? Hi, Becky. | 0:50:00 | 0:50:02 | |
-No. -No? | 0:50:02 | 0:50:04 | |
Where is she? | 0:50:04 | 0:50:06 | |
-Where the hell is she?! -Shh... | 0:50:06 | 0:50:07 | |
-She should be here! -Shh. | 0:50:07 | 0:50:10 | |
Hey. | 0:50:10 | 0:50:11 | |
Papa? | 0:50:16 | 0:50:17 | |
It's raining. | 0:50:31 | 0:50:32 | |
We're in London, Papa. | 0:50:34 | 0:50:36 | |
Where is she? | 0:50:39 | 0:50:40 | |
All she cares about is herself. | 0:50:42 | 0:50:44 | |
I can't reach her. | 0:50:48 | 0:50:51 | |
I've tried her friends she was out with, | 0:50:51 | 0:50:53 | |
but they're not answering either. | 0:50:53 | 0:50:55 | |
Did you leave a message? | 0:50:55 | 0:50:57 | |
I didn't want to tell her on the phone. I said it was urgent. | 0:50:57 | 0:51:00 | |
PHONE BUZZES | 0:51:00 | 0:51:02 | |
Is it her? | 0:51:04 | 0:51:05 | |
No. | 0:51:05 | 0:51:06 | |
Sorry, Femi. One second. | 0:51:08 | 0:51:10 | |
-Hi? SEMIYON: -Reznik is dead. | 0:51:13 | 0:51:15 | |
Yep. | 0:51:21 | 0:51:23 | |
It was an accident. | 0:51:23 | 0:51:25 | |
It seems he was drunk and fell off the balcony of his apartment. | 0:51:25 | 0:51:29 | |
What did you say to Benes at the airport? | 0:51:30 | 0:51:33 | |
That I hoped he was someone we could do business with. | 0:51:34 | 0:51:37 | |
It seems you were right. | 0:51:40 | 0:51:42 | |
Anything else? | 0:51:42 | 0:51:43 | |
No. | 0:51:43 | 0:51:45 | |
This is how it works, I'm afraid. | 0:51:45 | 0:51:47 | |
That's all you had to say. | 0:51:49 | 0:51:50 | |
I can't talk right now. | 0:51:54 | 0:51:55 | |
We got what we wanted, Alex. | 0:51:57 | 0:51:59 | |
This is good news. | 0:51:59 | 0:52:00 | |
I'll call you later. | 0:52:03 | 0:52:04 | |
You must be exhausted. | 0:52:31 | 0:52:32 | |
Here, have a chocolate. | 0:52:35 | 0:52:36 | |
It will get easier now. Please. | 0:52:39 | 0:52:41 | |
Tanya tells me that your mother is not well. | 0:52:52 | 0:52:55 | |
Her kidneys? | 0:52:56 | 0:52:57 | |
She needs an operation. | 0:53:01 | 0:53:03 | |
We will see to it. | 0:53:03 | 0:53:04 | |
We will help each other. | 0:53:05 | 0:53:07 | |
I have many friends who will like you. | 0:53:08 | 0:53:11 | |
Men I do business with. | 0:53:11 | 0:53:12 | |
No. | 0:53:14 | 0:53:16 | |
Don't worry. | 0:53:16 | 0:53:17 | |
I don't expect you to do anything you don't want to do. | 0:53:17 | 0:53:21 | |
Just talk to them, | 0:53:21 | 0:53:23 | |
listen to what they have to say, | 0:53:23 | 0:53:25 | |
and then we will send you home. | 0:53:25 | 0:53:27 | |
I'm sorry. I was out and my phone was off and I didn't know. | 0:53:48 | 0:53:51 | |
-I'm sorry. -Shh. | 0:53:51 | 0:53:52 | |
SHE REBUKES HER IN RUSSIAN | 0:53:53 | 0:53:55 | |
Are you not ashamed? | 0:53:56 | 0:53:58 | |
It's all right, Mama, she's here now. | 0:53:58 | 0:54:00 | |
Did he get out of the window? | 0:54:02 | 0:54:03 | |
I locked it again. It wasn't your fault. | 0:54:04 | 0:54:06 |