Browse content similar to Part Two. Check below for episodes and series from the same categories and more!
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It's too ridiculous! I haven't been | 0:01:26 | 0:01:30 | |
Now, instead of doing whatever it is | 0:01:30 | 0:01:33 | |
here I am, sleuthing like mad, trying to clear my husband's name. | 0:01:33 | 0:01:37 | |
a perfectly strange young girl was found dead in our library? | 0:01:44 | 0:01:49 | |
at a five-star seaside hotel. | 0:01:51 | 0:01:55 | |
Ah. Well, then. I'll be quiet. | 0:02:02 | 0:02:05 | |
Oh, I don't know. I just wondered... | 0:02:19 | 0:02:23 | |
MAN: I suppose the key to it all | 0:02:41 | 0:02:43 | |
was that eight years of mourning | 0:02:43 | 0:02:47 | |
I've only just realised it. | 0:02:48 | 0:02:50 | |
little this holiday, then I doubt... | 0:02:55 | 0:03:00 | |
VOICE BREAKING: Poor little Ruby. | 0:03:04 | 0:03:06 | |
Yes, I'm sorry, Mr Jefferson. | 0:03:13 | 0:03:16 | |
We policeman can rarely leave | 0:03:16 | 0:03:21 | |
But I want to help, Chief Constable. | 0:03:21 | 0:03:24 | |
eight years ago in the plane crash, you lost not only your wife | 0:03:28 | 0:03:31 | |
Yes. We were very much thrown | 0:03:41 | 0:03:45 | |
If you'll excuse me, Colonel. I ought to find my son, Peter. | 0:04:08 | 0:04:15 | |
of Mrs Jefferson and Mark Gaskell? | 0:04:31 | 0:04:35 | |
They weren't tremendously pleased, but they took it all right. Was that the reaction you expected? | 0:04:35 | 0:04:40 | |
I had made healthy provision for both of them when they married | 0:04:46 | 0:04:50 | |
Yes? So I didn't expect them | 0:04:50 | 0:04:54 | |
But we'd shared a lot, don't forget. | 0:04:59 | 0:05:03 | |
And they had no blood claim on me. | 0:05:04 | 0:05:08 | |
you were going to leave her? | 0:05:10 | 0:05:13 | |
They'd have made educated guesses. | 0:05:15 | 0:05:18 | |
I don't envy you trying to prove | 0:05:29 | 0:05:34 | |
I want my lunch! Oh, yes. Of course you do, dear. You run along. | 0:05:48 | 0:05:53 | |
Oh, come along, Jane. Are you going | 0:05:57 | 0:06:01 | |
I'm sorry? Well, for heaven's sake! | 0:06:01 | 0:06:04 | |
Who strangled Ruby Keene and why did they leave her body in our library? | 0:06:04 | 0:06:08 | |
Isn't that what you've been thinking about? Well, not really. | 0:06:10 | 0:06:14 | |
Yes. Of course, it's obvious | 0:06:14 | 0:06:18 | |
MAN: ..my direct line for HQ. | 0:06:40 | 0:06:44 | |
Inspector Slack's table there. Back-up tables here. Get on with it. | 0:06:44 | 0:06:48 | |
Got you. Ah, yes. Mr Bartlett. | 0:06:48 | 0:06:51 | |
Ruby Keene seemed happy enough | 0:06:51 | 0:06:58 | |
I dance quite decently, you know. | 0:06:58 | 0:07:01 | |
You finished dancing when? Gosh, sorry. Couldn't say. | 0:07:01 | 0:07:07 | |
What did you do after you stopped dancing? You know how it is. | 0:07:07 | 0:07:32 | |
Could have been anything, really. | 0:07:32 | 0:07:35 | |
Usually drink after waggling a leg. | 0:07:35 | 0:07:38 | |
and strolled about outside. | 0:07:38 | 0:07:51 | |
Sorry, I reported it to the chaps at the station at Thingummy Road. | 0:07:54 | 0:07:58 | |
intelligent than those chaps. | 0:08:00 | 0:08:04 | |
Ours is a murder inquiry. Oh, yah. | 0:08:07 | 0:08:10 | |
Not at all. We need to estab... | 0:08:53 | 0:08:57 | |
We need to establish the actual times of your cousin's movements. | 0:09:12 | 0:09:16 | |
And, of course, the movements of others involved. Yes, of course. | 0:09:16 | 0:09:19 | |
You said in your previous statement | 0:09:19 | 0:09:22 | |
that she did her exhibition dance | 0:09:22 | 0:09:25 | |
Sorry, sorry. Writing letters. | 0:09:57 | 0:10:00 | |
Ruby's just starting to dance. | 0:10:00 | 0:10:03 | |
Just after that, Ray came over | 0:11:16 | 0:11:20 | |
Josie, Ruby hasn't turned up. | 0:11:35 | 0:11:37 | |
She was dancing with poor little rich boy... George Bartlett hasn't seen her for half an hour. | 0:11:39 | 0:11:45 | |
I wish she wouldn't do this. | 0:11:45 | 0:11:48 | |
We're supposed to be on NOW. | 0:11:55 | 0:11:59 | |
Listen, Ray. We'll have to do | 0:12:01 | 0:12:05 | |
I'll buzz upstairs and change. with plenty of the slow spectacular. | 0:12:05 | 0:12:10 | |
Not too much of the athletic flash! | 0:12:10 | 0:12:13 | |
You'll probably put that ankle | 0:12:13 | 0:12:16 | |
Mr Starr persuaded me to go to bed, | 0:12:38 | 0:12:42 | |
10.30. We would have started earlier but Mr Gaskell had letters to write. | 0:12:44 | 0:12:48 | |
At least, that's what he said. | 0:12:48 | 0:12:50 | |
I think it was an excuse, actually. He's not that keen on bridge. | 0:12:50 | 0:12:54 | |
And did anyone leave the table before Ruby was reported missing? | 0:12:57 | 0:13:02 | |
It was more than that. To an extent, of course, she was performing. | 0:13:10 | 0:13:15 | |
She had that from her background. Her parents were both theatricals. | 0:13:18 | 0:13:23 | |
Catching the train on Sundays | 0:13:29 | 0:13:35 | |
You know, even the most horrifying anecdotes always ended in laughter. | 0:13:40 | 0:13:45 | |
No complaints, no comments. | 0:13:48 | 0:13:50 | |
Just clear-headed amusement. | 0:13:50 | 0:14:02 | |
Have you talked to Sir Henry yet? | 0:14:43 | 0:14:47 | |
I haven't spoken to Sir Henry, sir, because he was not at home. | 0:14:50 | 0:14:54 | |
I did, however, leave a message | 0:14:54 | 0:14:58 | |
I have no doubt that he will be here | 0:15:00 | 0:15:03 | |
If you'll excuse me, sir, I shall go and confirm the arrangements. | 0:15:03 | 0:15:07 | |
I say, are you from Scotland Yard? | 0:15:16 | 0:15:20 | |
because Mummy was married before. | 0:15:20 | 0:15:24 | |
Do you like detective stories? | 0:15:27 | 0:15:30 | |
I've got lots of autographs - | 0:15:30 | 0:15:34 | |
Will the murder be in the papers? | 0:15:34 | 0:15:37 | |
I'm back at school next week. I'll be able to tell the chaps | 0:15:37 | 0:15:42 | |
Mummy and Uncle Mark didn't like her | 0:15:48 | 0:15:51 | |
glad she's dead. How do you know? | 0:15:51 | 0:15:55 | |
one way out, anyway, and Mummy said, "Yes, but it was so horrible." | 0:15:55 | 0:16:00 | |
And Uncle Mark said he didn't see | 0:16:00 | 0:16:03 | |
Thought I should take a look at Ruby Keene's room. Of course, sir. | 0:16:10 | 0:16:15 | |
That was Mrs Jefferson's boy, | 0:16:16 | 0:16:19 | |
Did he have anything to say? He thinks his mother did it. | 0:16:19 | 0:16:23 | |
Chamber maids do the staff rooms once a week, so nothing was touched. | 0:16:29 | 0:16:33 | |
Is this the dress she was wearing for the exhibition dance? Yes, sir. | 0:16:35 | 0:16:39 | |
As far as we can tell, she left | 0:16:39 | 0:16:45 | |
Presumably, she came up here, | 0:16:45 | 0:16:47 | |
into the white dress she was wearing when she was found? Yes, sir. | 0:16:47 | 0:16:51 | |
Who occupies the other rooms on this floor? Josie Turner opposite. | 0:16:51 | 0:16:55 | |
The other rooms are empty. The extra summer staff use them later. | 0:16:55 | 0:16:58 | |
There was no-one to see her. | 0:16:58 | 0:17:00 | |
The fire escape's hardly lit. | 0:17:04 | 0:17:06 | |
She could climb down and practically guarantee not to be noticed. Yes. | 0:17:06 | 0:17:11 | |
why a girl changes her dress. Why? | 0:17:11 | 0:17:14 | |
She was going to meet someone? | 0:17:14 | 0:17:16 | |
I'm sorry you had to cancel | 0:17:18 | 0:17:21 | |
Everyone's catching it. The Nailors rang last night to cancel their do. | 0:17:21 | 0:17:25 | |
Come on, Malcolm. Come on. You said you wanted to see the Colonel. | 0:17:51 | 0:17:56 | |
Malcolm has made a discovery, sir. | 0:18:11 | 0:18:14 | |
to meet somebody, suppose it was her boyfriend, a bit of a hard case. | 0:18:50 | 0:18:55 | |
The sort of person she'd want to keep dark, so as not to foul up her chances with Jefferson. | 0:18:55 | 0:19:00 | |
Suppose she tells him that Jefferson | 0:19:05 | 0:19:09 | |
He doesn't like this a bit. Going to take her out of his class. | 0:19:09 | 0:19:12 | |
Doesn't know his own strength. | 0:19:17 | 0:19:20 | |
Big house, easy to break into. | 0:19:31 | 0:19:34 | |
Dumps her there to divert attention | 0:19:34 | 0:19:38 | |
the best line we have at the moment. | 0:19:38 | 0:19:43 | |
There is the financial motive, | 0:19:43 | 0:19:46 | |
it looks as if Mrs Jefferson and Gaskell have a cast-iron alibi. | 0:19:46 | 0:19:50 | |
Slack? I want you to report to me | 0:20:01 | 0:20:05 | |
The Bantrys are neighbours of mine. | 0:20:07 | 0:20:11 | |
Bridget, pop down to the tennis | 0:20:30 | 0:20:35 | |
There. I'll send Mr Starr along to the room that we've given you. | 0:20:35 | 0:20:39 | |
TO HERSELF: Something I've seen and I don't know what it is. | 0:21:15 | 0:21:18 | |
I sometimes feel we have no control over what our eyes decide to see. | 0:21:24 | 0:21:28 | |
Oh, that's it! I should like | 0:21:31 | 0:21:34 | |
No, no. Compliments of the house. | 0:21:34 | 0:21:38 | |
For what it's worth, I always | 0:21:42 | 0:21:47 | |
with the Jeffersons. I assumed she was missing her family. | 0:21:47 | 0:21:52 | |
Did you know that Mr Jefferson planned to adopt her, legally? | 0:21:52 | 0:21:55 | |
Good morning. My name's Clithering. | 0:22:05 | 0:22:07 | |
room? He is expecting me. Indeed. | 0:22:07 | 0:22:12 | |
Sir Henry Clithering. I'll phone his suite now, sir. Thank you. | 0:22:12 | 0:22:16 | |
Sir Henry Clithering is downstairs. | 0:22:18 | 0:22:21 | |
is on the first floor, sir. | 0:22:24 | 0:22:27 | |
His man will meet you at the stairs. | 0:22:27 | 0:22:30 | |
Do you think Josie Turner knew about the adoption business? I don't know. | 0:22:50 | 0:22:54 | |
that Josie planned it and little Ruby sized it up for herself. | 0:22:56 | 0:23:02 | |
Josie was as cross as I was when Ruby didn't turn up for the dance. | 0:23:02 | 0:23:06 | |
It would make sense if Josie had told her to keep her nose clean. | 0:23:08 | 0:23:12 | |
If you can give me one moment, | 0:23:13 | 0:23:17 | |
Excuse me, sir. There's a lady outside. I'm busy, Lake! | 0:23:17 | 0:23:20 | |
What's the matter? She won't | 0:23:24 | 0:23:33 | |
Let her in. This way, madam. | 0:23:33 | 0:23:35 | |
I thought you ought to know. | 0:23:39 | 0:23:53 | |
I'm afraid I'm not putting this | 0:23:53 | 0:23:56 | |
And the girl! Why do I keep thinking | 0:24:01 | 0:24:04 | |
Do you know her, Miss Marple? | 0:24:04 | 0:24:07 | |
No-one seems to know anyone else in this business. "This business"? | 0:24:07 | 0:24:11 | |
the missing schoolgirl is connected with the death of Ruby Keene? | 0:24:11 | 0:24:16 | |
Well, it's probably too late, | 0:24:39 | 0:24:42 | |
I didn't notice what happened then. | 0:25:15 | 0:25:19 | |
by midnight, I saw George Bartlett. | 0:25:21 | 0:25:26 | |
He said that he hadn't seen her | 0:25:26 | 0:25:29 | |
'So I went to look for Josie.' | 0:25:31 | 0:25:33 | |
Josie, Ruby hasn't turned up. | 0:25:37 | 0:25:39 | |
George Bartlett hasn't seen her | 0:25:39 | 0:25:42 | |
this sort of thing. Excuse me. | 0:25:42 | 0:25:45 | |
Damn fool! She can't do this sort of thing. It'll ruin all her chances. | 0:25:50 | 0:25:54 | |
be with someone, little idiot. | 0:25:59 | 0:26:04 | |
The Jeffersons? Never mind. Come on. | 0:26:07 | 0:26:10 | |
Lake here... Who do you think | 0:26:18 | 0:26:22 | |
occasionally. Basil somebody. | 0:26:22 | 0:26:26 | |
Well? HQ, sir. They think they found | 0:26:32 | 0:26:36 | |
She's in a burnt-out car in a disused quarry five miles from here. | 0:26:38 | 0:26:42 | |
The car's a Vauxhall Coaster, sir. | 0:26:43 | 0:26:46 | |
it has all the bizarre ingredients | 0:27:22 | 0:27:34 | |
I can nose around a bit without | 0:27:56 | 0:28:00 | |
Did you know that downstairs in the foyer is one of the most formidable | 0:28:05 | 0:28:11 | |
I can lay you almost any odds you would never recognise her as such. | 0:28:13 | 0:28:17 | |
There she sits, an elderly spinster. | 0:28:21 | 0:28:25 | |
Yet her mind has plumbed the depths | 0:28:28 | 0:28:32 | |
and taken it all in a day's work. | 0:28:32 | 0:28:34 | |
from Arthur and Dolly's place. | 0:28:38 | 0:28:43 | |
of that village and its daily life. | 0:28:48 | 0:28:51 | |
By knowing the village so thoroughly she seems to know the world. | 0:28:51 | 0:28:54 | |
Oh, how kind of you to say so. | 0:29:10 | 0:29:12 | |
Well, I was trying to account for Mr Jefferson's infatuation | 0:29:26 | 0:29:29 | |
I knew you wouldn't fail me. | 0:29:36 | 0:29:39 | |
Miss Marple, Conway Jefferson has asked me to keep an eye on the case, | 0:29:39 | 0:29:43 | |
May I call you in for consultation? | 0:29:45 | 0:29:47 | |
If you think my little ramblings will be to the purpose. Good. | 0:29:51 | 0:29:55 | |
Then may I ask you and Mrs Bantry to dine with me this evening? | 0:29:55 | 0:29:59 | |
the Harbottle-Badger thesis. | 0:29:59 | 0:30:01 | |
What was the name again? Major Reeve. The girl was called Pamela. | 0:30:11 | 0:30:16 | |
No, certainly not. I wasn't implying | 0:31:15 | 0:31:19 | |
No, I simply think he was looking to take his dead daughter's place. | 0:31:19 | 0:31:25 | |
This girl saw her opportunity and fed it for all she was worth. | 0:31:25 | 0:31:29 | |
and went to nurse a dying relative. | 0:31:36 | 0:31:41 | |
When she returned, she found the girl completely above herself, | 0:31:41 | 0:31:44 | |
sitting down in the drawing room, laughing, not wearing her uniform. | 0:31:44 | 0:31:48 | |
People said things, but I don't | 0:31:48 | 0:31:53 | |
the old man found it much pleasanter | 0:31:53 | 0:31:57 | |
how amusing and clever he was | 0:31:57 | 0:32:01 | |
than Miss Harbottle continually pointing out his faults. Yes. | 0:32:01 | 0:32:05 | |
You think it was foul play? | 0:32:10 | 0:32:13 | |
placed in the car and that somebody tried to destroy the evidence. | 0:32:13 | 0:32:18 | |
for several gallons of fuel. I see. | 0:32:18 | 0:32:21 | |
You don't think she was...? | 0:32:23 | 0:32:25 | |
We think she was killed because she was a witness to another crime. | 0:32:27 | 0:32:31 | |
We don't believe the motive | 0:32:33 | 0:32:37 | |
You mean "sexual"? Yes, sir. Another girl has been killed. | 0:32:37 | 0:32:41 | |
We think Pamela may have stumbled across something that made her | 0:32:41 | 0:32:46 | |
Do you think you feel up to answering some questions, sir? | 0:32:48 | 0:32:51 | |
We want to catch this person and we need all the help we can get. | 0:32:53 | 0:32:56 | |
According to your first statement, | 0:32:56 | 0:33:00 | |
when you reported her missing | 0:33:00 | 0:33:03 | |
Pamela left Westcliff to attend a Guide's rally in Danemouth | 0:33:03 | 0:33:06 | |
The local station questioned | 0:33:13 | 0:33:17 | |
They agreed that Pamela said she was going to Woolworth's and would catch the bus from the depot. | 0:33:17 | 0:33:22 | |
She hadn't got a real boyfriend | 0:33:30 | 0:33:34 | |
that Miss Hart was carrying on | 0:33:51 | 0:33:54 | |
with a very undesirable man connected with race courses | 0:33:54 | 0:33:57 | |
Well, he was certainly disgusted. | 0:34:00 | 0:34:15 | |
Conway? You don't really think that? | 0:34:30 | 0:34:33 | |
I merely say that your friend | 0:34:41 | 0:34:44 | |
What a wonderful prosecuting counsel you'd have made. She would! | 0:34:57 | 0:35:01 | |
I want everything you can find on Bartlett. I can't believe anyone | 0:35:13 | 0:35:17 | |
"this film bloke" is Basil Blake. | 0:35:17 | 0:35:21 | |
If it is, I want as much as possible about his visits to Danemouth. Check him out with the film studio. | 0:35:21 | 0:35:27 | |
Was there a long-haired rug | 0:35:35 | 0:35:38 | |
That dress she was wearing had some long hairs stuck to it, apparently. | 0:35:45 | 0:35:50 | |
Mountain goat, something like that. | 0:35:59 | 0:36:02 | |
Don't reckon I've seen one. Whose house would you find one in? | 0:36:02 | 0:36:06 | |
How about an ex colonial type? | 0:36:06 | 0:36:08 | |
Favourite occupation when bored with safeguarding the Empire? | 0:36:08 | 0:36:12 | |
Shoot a Himalayan goat or two. | 0:36:12 | 0:36:15 | |
Was at the Majestic last week. | 0:36:23 | 0:36:26 | |
And the young man might have resented it. That's plausible. | 0:36:59 | 0:37:03 | |
It struck me when her cousin Miss Turner was at Gossington yesterday | 0:37:03 | 0:37:07 | |
that she was angry with the girl. | 0:37:07 | 0:37:13 | |
what do you suppose sparked off | 0:37:16 | 0:37:19 | |
From what I can gather, the bond between and his young in-laws | 0:37:19 | 0:37:24 | |
was not so much respect and love | 0:37:24 | 0:37:27 | |
Mr Gaskell and Mrs Jefferson | 0:37:27 | 0:37:29 | |
less sorrowful, that's all. | 0:37:29 | 0:37:42 | |
Yes, I think, if you'll excuse me, I'll just telephone to Arthur. | 0:37:42 | 0:37:47 | |
Oh, Dolly, dear. Indeed, of course. | 0:37:52 | 0:37:57 | |
Good night, Sir Henry. Good night. | 0:37:57 | 0:38:00 | |
Why did you refer to Mrs Bantry | 0:38:06 | 0:38:11 | |
It seems to me that this may be | 0:38:11 | 0:38:14 | |
there's no smoke without fire. | 0:38:20 | 0:38:22 | |
Some will even say it, too. They'll be quietly shunned. | 0:38:22 | 0:38:26 | |
Colonel Bantry is very sensitive. He'll turn in and in upon himself. | 0:38:26 | 0:38:31 | |
He's probably started already. | 0:38:31 | 0:38:33 | |
we have got to find out the truth. | 0:38:36 | 0:38:41 | |
It's 15 miles to Gossington. | 0:38:44 | 0:38:46 | |
Ruby Keene was last seen here | 0:38:47 | 0:38:51 | |
Almost any type of car could have made the journey in that time, | 0:38:55 | 0:38:59 | |
But why anyone should kill her here | 0:39:02 | 0:39:08 | |
and kill her there - beats me. | 0:39:08 | 0:39:15 | |
I don't think anything of the kind. | 0:39:22 | 0:39:25 | |
I think that a very careful plan was made and what happened was | 0:39:25 | 0:39:29 | |
Dolly was humming it this morning. | 0:39:46 | 0:39:49 | |
and here they are playing it. | 0:39:49 | 0:39:53 | |
I'm not very up on the latest thing. | 0:39:53 | 0:39:57 | |
Now, why do I keep thinking of it? | 0:40:01 | 0:40:06 | |
Ah. It's the police again, hm? | 0:41:17 | 0:41:21 | |
There's no need to be afraid, | 0:41:21 | 0:41:25 | |
Have you seen any tobacco? No, sir. | 0:41:26 | 0:41:29 | |
I think I'll go and get some. | 0:41:30 | 0:41:33 | |
They're asking if we have any long-haired white rugs in the house. | 0:41:33 | 0:41:38 | |
Not white, I believe, sir. | 0:41:38 | 0:41:41 | |
Of the hairs in the rug, sir. | 0:41:46 | 0:41:48 | |
Turn the place upside down. | 0:42:00 | 0:42:03 | |
What can I get you? I'll take a two-ounce tin of my usual, please. | 0:42:40 | 0:42:44 | |
Thank you. Put it down, will you? | 0:42:53 | 0:42:55 | |
You were going to refuse him tick. | 0:43:19 | 0:43:24 | |
What is it, Blake? I just wanted to say how sorry I am, sir. | 0:43:41 | 0:43:45 | |
You are? About what? This business of the...body in your house. | 0:43:45 | 0:43:59 | |
Something so...inexplicable. | 0:43:59 | 0:44:09 | |
Look, Blake. You and I have never got on well in the past, have we? | 0:44:11 | 0:44:15 | |
Thanks for the offer and all that, | 0:44:15 | 0:44:29 | |
Oh, yes, it was Addie's fault | 0:44:29 | 0:44:31 | |
with that good-looking young fellow. | 0:44:32 | 0:44:36 | |
Mark! Jeff felt neglected. No wonder | 0:44:36 | 0:44:39 | |
You weren't over attentive to him | 0:44:39 | 0:44:42 | |
No, but it's female company | 0:44:42 | 0:44:45 | |
As to everything else. But a girl like Ruby Keene... | 0:44:45 | 0:44:49 | |
Quite. Jeff's always been such | 0:44:49 | 0:44:53 | |
Gentlemen are sometimes not so level-headed as they seem. | 0:44:53 | 0:44:57 | |
How is Conway today? I thought | 0:45:05 | 0:45:10 | |
Yes, he's all right. | 0:45:10 | 0:45:13 | |
we shouldn't talk about her. | 0:45:19 | 0:45:22 | |
Oh, Mark! And she knew her stuff! | 0:45:22 | 0:45:27 | |
It's just a figure of speech, Addie. | 0:45:32 | 0:45:35 | |
We were mugs not to have tumbled | 0:45:35 | 0:45:39 | |
on the half-baked little sourpuss, | 0:45:43 | 0:45:47 | |
What an unscrupulous person you are, | 0:45:53 | 0:45:57 | |
Yes. Addie only has to whistle and along he comes, wagging his tail. | 0:46:06 | 0:46:10 | |
The most reliable man in England. He's hoping to marry her, of course. | 0:46:10 | 0:46:15 | |
"Do you take this sack of potatoes | 0:46:15 | 0:46:20 | |
Well, will you excuse me? | 0:46:20 | 0:46:22 | |
A quick burn up the corniche | 0:46:25 | 0:46:29 | |
What do you think of the principal beneficiaries of the murder? | 0:46:35 | 0:46:40 | |
No wonder Mr Jefferson missed her. | 0:46:45 | 0:46:48 | |
in having more done to their houses | 0:46:56 | 0:47:01 | |
Oh, yes. I think he's attractive, | 0:47:08 | 0:47:14 | |
Because if so... Well, Dolly, | 0:47:38 | 0:47:42 | |
..would not want to see her | 0:47:44 | 0:47:48 | |
So, where's there's a motive | 0:47:54 | 0:47:57 | |
and where there's opportunity | 0:47:57 | 0:48:01 | |
Mrs Jefferson and Mr Gaskell. | 0:48:03 | 0:48:06 | |
from Ruby Keene's exhibition dance until, well, after midnight. | 0:48:06 | 0:48:11 | |
What about Blake? He was at the studio party until the small hours. | 0:48:19 | 0:48:23 | |
He knew Ruby Keene, we think, but there's no discernible motive. | 0:48:23 | 0:48:27 | |
Well, he had the opportunity, true, | 0:48:29 | 0:48:32 | |
he can't account for his movements from the time when she was killed | 0:48:32 | 0:48:36 | |
and the Reeve girl was in his car, but everything else is against him. | 0:48:36 | 0:48:39 | |
Completely dim. We're following him up, but it's 1,000-to-1 that. | 0:48:43 | 0:48:47 | |
By the way, sir, I suppose Ruby Keene really was dead by midnight? | 0:48:50 | 0:48:55 | |
Ah. Now, I'd already asked myself | 0:48:55 | 0:48:59 | |
She was heavily drugged before she was killed, a barbiturate. | 0:49:10 | 0:49:15 | |
impromptu violence, does it, sir? | 0:49:15 | 0:49:18 | |
A random killing, you mean? | 0:49:18 | 0:49:21 | |
'Basil Blake was seen leaving the party around 11 o'clock.' | 0:49:28 | 0:49:33 | |
My old granny, as a matter of fact. | 0:50:27 | 0:50:31 | |
Subtitles by Red Bee Media Ltd | 0:51:13 | 0:51:16 | |
E-mail [email protected] | 0:51:16 | 0:51:19 |