Browse content similar to Part Three. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's not my business. I've retired. | 0:01:35 | 0:01:39 | |
And what is more, I'm on holiday. | 0:01:39 | 0:01:41 | |
"Colonel Arthur Bantry, squire of the small village of St Mary Mead, | 0:02:08 | 0:02:12 | |
"cannot explain the presence | 0:02:12 | 0:02:17 | |
"glamorous nightclub chanteuse Ruby Keene, who was found strangled in the library of his house | 0:02:17 | 0:02:23 | |
Mrs Bantry, it is understood, | 0:02:23 | 0:02:29 | |
I must telephone to Arthur at once. Heaven knows what he'll think | 0:02:30 | 0:02:36 | |
Have you thought any further? Oh, yes. To any conclusion? | 0:02:47 | 0:02:52 | |
..whoever killed Ruby Keene | 0:03:01 | 0:03:06 | |
And I'm afraid that, very shortly, a third murder will be attempted. | 0:03:06 | 0:03:12 | |
Yes, Slack. Have the lab sent the | 0:03:15 | 0:03:21 | |
inconclusive. I think the rug was probably in the killer's car, sir. | 0:03:21 | 0:03:27 | |
Yes, I suppose that's fair enough. What did the Yard say about Blake? | 0:03:27 | 0:03:32 | |
The nightwatchman saw Blake drive | 0:03:32 | 0:03:37 | |
As the cars go past his hut, the light falls on the driver's side. And how far to St Mary Mead? | 0:03:37 | 0:03:43 | |
20 miles. So he could have done it. | 0:03:43 | 0:03:46 | |
Now we've had corroborated evidence that Blake was at the studio party | 0:03:47 | 0:03:52 | |
He could have gone back to establish | 0:03:52 | 0:04:06 | |
Slack, I retain the impression that you don't really take her seriously. | 0:04:08 | 0:04:13 | |
Let me give you a piece of advice. | 0:04:20 | 0:04:23 | |
more cynical and just plain cleverer | 0:04:23 | 0:04:38 | |
Oh, good morning, Mr Gaskell. | 0:04:59 | 0:05:03 | |
Good morning. No tennis today, Mrs Jefferson? Later on, actually. | 0:05:03 | 0:05:08 | |
and at the Girl Guide rally. | 0:05:21 | 0:05:25 | |
But Miss Marple's point is that one of them must know more, that the Reeve girl was an average child | 0:05:25 | 0:05:31 | |
and every average child has a special friend in whom she confides. | 0:05:31 | 0:05:35 | |
this is a great imposition. | 0:05:45 | 0:05:49 | |
- You must have an enormous amount - Nothing we're not abreast of, sir. | 0:05:49 | 0:05:54 | |
Oh, no, of course not. I was just going to suggest that if you could organise an afternoon of interviews, | 0:05:54 | 0:06:02 | |
perhaps one of your junior officers could preside and if Miss Marple | 0:06:02 | 0:06:09 | |
Very well, sir. I'll set that up. | 0:06:11 | 0:06:14 | |
Anything else, sir? Thank you, Inspector. Keep me informed. | 0:06:15 | 0:06:19 | |
Excuse me. Are you a detective? No. Somebody told me you were a rather | 0:06:42 | 0:06:48 | |
I can see that one person at least is enjoying this horrid business. | 0:06:53 | 0:06:58 | |
Yes, I am rather. I've been sniffing | 0:06:58 | 0:07:05 | |
I've got a souvenir, though. My mother wanted me to chuck it | 0:07:05 | 0:07:10 | |
Look at this. A fingernail. of the murdered woman. Ohhh! | 0:07:10 | 0:07:17 | |
What do you think? Good, isn't it? | 0:07:17 | 0:07:24 | |
she was going to be murdered then. | 0:07:24 | 0:07:40 | |
Do you think it's nearly lunchtime? | 0:07:40 | 0:07:45 | |
I daren't leave the building. | 0:07:59 | 0:08:03 | |
Peter... It had been worrying me, how to account for her nails. | 0:08:09 | 0:08:14 | |
Her nails? Well, they were so short. | 0:08:14 | 0:08:17 | |
usually has elegant little claws. | 0:08:17 | 0:08:21 | |
then she might have had to clip the others to match. I wonder. | 0:08:21 | 0:08:29 | |
Well, I... Oh, there's Slack. | 0:08:31 | 0:08:35 | |
Just a detail. Did you find any nail clippings in the girl's room? | 0:08:42 | 0:08:46 | |
Sir? Not only do we have a retired | 0:09:14 | 0:09:20 | |
Give me some straightforward robbery with violence. Anything more on Blake yet? Yes, sir. Quite a lot. | 0:09:20 | 0:09:27 | |
I don't want it. But, sir... | 0:09:40 | 0:09:43 | |
Oh, go to hell. Now, Jeff, would you like Adelaide to come up and have | 0:11:15 | 0:11:21 | |
And his weakness is that he needs people to dominate. How interesting. | 0:11:32 | 0:11:37 | |
Jeff gave us so much money, | 0:11:37 | 0:11:44 | |
that money was a way of denying Frank the means of becoming himself. | 0:11:46 | 0:11:51 | |
properly. Do you rather hate Jeff? | 0:11:51 | 0:11:55 | |
He lives his life on thin ice. He could die at any moment. | 0:12:08 | 0:12:12 | |
Are you going to get married again? | 0:12:18 | 0:12:23 | |
Yes, he wants to marry me. I suppose | 0:12:23 | 0:12:28 | |
Anyway, I haven't accepted. | 0:12:28 | 0:12:30 | |
Forgive my asking, Mrs Jefferson, | 0:12:35 | 0:12:41 | |
She was a vulgar, gold-digging simpleton. I didn't like her, no. | 0:12:41 | 0:12:45 | |
When I discovered what she was up to, I'm afraid I was very angry. | 0:12:46 | 0:12:50 | |
Right. So we know that Blake left | 0:13:00 | 0:13:05 | |
giving him time to carry out | 0:13:05 | 0:13:09 | |
We've established his presence in town on three separate occasions and at the Majestic at least once. | 0:13:09 | 0:13:15 | |
Blake lied about when he left lied about being at the Majestic. | 0:13:19 | 0:13:25 | |
I think it's time we had a look | 0:13:25 | 0:13:29 | |
can have a shufti at his automobile. | 0:13:29 | 0:13:33 | |
School and the Girl Guides. Right. | 0:13:33 | 0:13:38 | |
What about the financial inquiries? Mrs Jefferson and Mr Gaskell. | 0:13:38 | 0:13:44 | |
I thought we'd dropped them. Cast-iron alibis. 100,000 green ones | 0:13:44 | 0:13:51 | |
Now I think we'll have a look | 0:13:51 | 0:13:56 | |
You see, fork the thumb there and grip it nice and tight. | 0:14:46 | 0:14:50 | |
Keep square. Right the way through. | 0:14:57 | 0:15:02 | |
tomorrow. Is that all right? | 0:15:07 | 0:15:11 | |
I'm improving, don't you think? Hmph! | 0:15:23 | 0:15:26 | |
On time as usual. Off you go, then. | 0:15:35 | 0:15:40 | |
Oh, Hugo! Stop stuffing your shirt. | 0:15:46 | 0:15:49 | |
I can't help how I feel, Adelaide. | 0:15:49 | 0:15:54 | |
Did you know that Hugo McLean was staying over at Danebury Head | 0:15:55 | 0:16:01 | |
He hadn't far to come when he was | 0:16:01 | 0:16:05 | |
What a coincidence! Isn't it? | 0:16:05 | 0:16:08 | |
Not at all. I'll drive over | 0:16:18 | 0:16:22 | |
I mean, the police were bound | 0:16:35 | 0:16:39 | |
All right. Thank you, dear. | 0:16:51 | 0:16:59 | |
I must go back to Gossington. | 0:17:06 | 0:17:15 | |
That must mean that they think I believe all the horrible things | 0:17:15 | 0:17:20 | |
I'll keep this suite on, Jane. | 0:17:20 | 0:17:23 | |
Oh, Jane, you're so clever. Why haven't you solved this by now? | 0:17:29 | 0:17:33 | |
all. I thought you'd know at once. | 0:17:33 | 0:17:51 | |
It's a question of the others. | 0:17:53 | 0:17:57 | |
Jane...you're not to tease me. who it is and what you mean. | 0:17:58 | 0:18:05 | |
Oh, no, that would never do at all, | 0:18:05 | 0:18:10 | |
You'd go around telling everyone. | 0:18:10 | 0:18:15 | |
No, no, there's a long way to go that are still quite obscure. | 0:18:15 | 0:18:21 | |
Take it round the back, sir. There's spaces there. Rightio. | 0:18:26 | 0:18:30 | |
Let's start at the back of the car. When Slack says 10 minutes, | 0:18:52 | 0:18:58 | |
Once he got over his grief, | 0:19:06 | 0:19:11 | |
Anger against the gods I call it. | 0:19:15 | 0:19:18 | |
- May I be frank, Sir Henry? | 0:19:39 | 0:19:44 | |
You see, sir, the young woman that Mr Jefferson was so taken up with | 0:19:47 | 0:19:53 | |
She was, to put it bluntly, | 0:19:53 | 0:19:57 | |
she particularly liked him, even. | 0:19:57 | 0:20:01 | |
Miss Keene was with Mr Jefferson. | 0:20:07 | 0:20:10 | |
You'll never believe it - it was the same landlady as had the dog | 0:20:10 | 0:20:16 | |
Worst thing you can do. Here, let me. | 0:20:27 | 0:20:44 | |
What? I don't see how it could have. | 0:21:11 | 0:21:16 | |
"I'll be true, Sweet Ruby-Roo, | 0:21:16 | 0:21:18 | |
Oh, I know who it is! He comes here | 0:21:35 | 0:21:40 | |
Silly idiot. Must have stuck his photo in my bag. Honestly, Jeff. | 0:21:45 | 0:21:52 | |
They're always nicking my piccy | 0:21:52 | 0:21:56 | |
Nicking my piccy, of course. | 0:21:58 | 0:22:01 | |
He was on edge all that day. | 0:22:15 | 0:22:17 | |
Completely lost his temper later with his broker on the phone. | 0:22:17 | 0:22:22 | |
Things returned to normal, of course, but I fancy he was more watchful | 0:22:23 | 0:22:29 | |
He asked her more questions | 0:22:29 | 0:22:33 | |
- Did you see the photograph? | 0:22:33 | 0:22:36 | |
What do you think he would have done | 0:22:37 | 0:22:43 | |
I think it would have finished him. | 0:22:45 | 0:22:50 | |
Thanks very much for coming in, sir. | 0:22:55 | 0:22:59 | |
I hope you don't feel you've wasted | 0:22:59 | 0:23:04 | |
Drive carefully, then, sir. | 0:23:10 | 0:23:14 | |
Now you will tell the Inspector about the dress, won't you? | 0:23:32 | 0:23:37 | |
The idea is, isn't it, that she to meet someone, a man we suppose. | 0:23:42 | 0:23:49 | |
Well, it won't do. If Ruby was going to wear the kind of dress she wore, | 0:23:49 | 0:23:55 | |
the questions I've got for you now. | 0:24:14 | 0:24:19 | |
Miss Marple. I really don't think... | 0:24:45 | 0:24:51 | |
I should like to speak to Florrie Small. Did you notice her as she went out? She relaxed too soon. | 0:24:51 | 0:24:58 | |
It's all right. We just want to have another word with you. | 0:25:10 | 0:25:14 | |
You're sure then, Florrie, are you, | 0:25:36 | 0:25:40 | |
I'd rather hear you say it out loud, | 0:25:43 | 0:25:46 | |
and make a clean breast of things. | 0:25:50 | 0:25:55 | |
Florrie Small, if you refuse | 0:25:57 | 0:26:01 | |
it shall be a very serious matter | 0:26:01 | 0:26:06 | |
Florence, don't prevaricate. Tell me everything you know at once. Pamela was not going to Woolworths. | 0:26:17 | 0:26:24 | |
Something to do with films, | 0:26:26 | 0:26:29 | |
Oh, Miss, I've been ever so worried. | 0:26:38 | 0:26:41 | |
All Edwards could tell me was that Ruby Keene referred to the chap | 0:26:54 | 0:26:59 | |
as something to do with films. Inspector Slack's favourite. | 0:26:59 | 0:27:05 | |
we've found hairs in his car. | 0:27:05 | 0:27:27 | |
There's something I should like to suggest. Yes? Look here, you don't dress. We've... Miss Marple says | 0:27:27 | 0:27:45 | |
It was when we were walking | 0:27:45 | 0:27:49 | |
that she told me... Pammy asked me | 0:27:51 | 0:27:56 | |
Do you remember when we went | 0:28:03 | 0:28:08 | |
I didn't only do that. I met a man. | 0:28:08 | 0:28:10 | |
Nothing like that. What, then? | 0:28:10 | 0:28:15 | |
Well, he picked me up, all right, | 0:28:15 | 0:28:21 | |
A film test. I'm going to be tested | 0:28:29 | 0:28:35 | |
He says I mustn't be disappointed. | 0:28:35 | 0:28:39 | |
He's looking for a particular type and needs to see me on film. | 0:28:39 | 0:28:44 | |
But, Pammy, how do you know... | 0:28:44 | 0:28:47 | |
He was terribly business-like. | 0:28:47 | 0:28:50 | |
If there was a contract, he reckoned a solicitor should look at it. | 0:28:50 | 0:28:54 | |
And I'm going to be chaperoned at the test. A woman will be there | 0:28:54 | 0:29:00 | |
what's happening. That's amazing. | 0:29:00 | 0:29:04 | |
And where was Pamela supposed | 0:29:04 | 0:29:08 | |
And where was this supposed | 0:29:16 | 0:29:20 | |
He said they had a small studio | 0:29:20 | 0:29:25 | |
The hairs we found on the girl's dress are identical with those from Blake's car. Congratulations. | 0:29:44 | 0:29:50 | |
I had a feeling it would be ordinary police work that would crack this. | 0:29:52 | 0:29:57 | |
What about the second murder? | 0:29:57 | 0:30:01 | |
Only a matter of time. The lab says we can have something barrister-proof by morning. Then we'll pull Blake in. | 0:30:01 | 0:30:14 | |
I've checked him out a bit myself. | 0:30:14 | 0:30:20 | |
Par for the course. He joined the Fire Service Auxiliary. Got the George Medal. Good night, Slack. | 0:30:20 | 0:30:26 | |
Oh, I am so glad you're here. | 0:30:43 | 0:30:47 | |
Would you like to sit down? | 0:31:06 | 0:31:10 | |
the Bishop's appeal for deep sea | 0:31:23 | 0:31:29 | |
All right. Don't answer that. | 0:31:30 | 0:31:33 | |
I've taken to giving conducted tours and charging a couple of bob. | 0:31:33 | 0:31:39 | |
Where would you like to start? | 0:31:39 | 0:31:43 | |
in the difficult time ahead. What? | 0:31:49 | 0:31:54 | |
I want to advise you most strongly | 0:31:54 | 0:32:00 | |
In a short while you'll need all the a prejudice in country places | 0:32:00 | 0:32:06 | |
against people who are not married | 0:32:06 | 0:32:10 | |
Oh, it's amused you, no doubt, | 0:32:10 | 0:32:15 | |
and it has helped to keep all but the most curious at a distance, | 0:32:15 | 0:32:20 | |
but the time for such games is over. | 0:32:20 | 0:32:23 | |
How did you know we were married? My dear. The way you quarrel. | 0:32:27 | 0:32:31 | |
to each other by more than a mere | 0:32:31 | 0:32:38 | |
And the rest of it? I'm so sorry? | 0:32:50 | 0:32:56 | |
some time today your husband will be | 0:32:56 | 0:33:03 | |
But he didn't do it! I know, but that's not the point now. | 0:33:03 | 0:33:07 | |
What did he do with the rug? | 0:33:10 | 0:33:14 | |
But you didn't clear up properly. | 0:33:20 | 0:33:22 | |
I should like to know more. | 0:33:43 | 0:33:47 | |
I left the studio party early. | 0:33:52 | 0:33:56 | |
I had to get her out of the house. | 0:35:11 | 0:35:15 | |
'I had no idea where I was going. | 0:35:34 | 0:35:36 | |
'I just drove...and drove.' | 0:35:40 | 0:35:43 | |
'Then I found myself going past | 0:36:01 | 0:36:06 | |
that seemed to be the answer.' | 0:36:08 | 0:36:12 | |
but I thought it was rather a good joke. Bantry can be an appallingly | 0:37:27 | 0:37:42 | |
Didn't you know who it was? No! I hardly knew Ruby Keene. | 0:37:46 | 0:37:51 | |
And the face was... Yes, yes. | 0:37:52 | 0:37:55 | |
What are we going to do about this, | 0:37:55 | 0:37:59 | |
Well, may I suggest you engage | 0:37:59 | 0:38:03 | |
Jane! Thank goodness you're here. Come in. I can't stay, Dolly, | 0:38:32 | 0:38:38 | |
but I thought I'd bring the news. News? Basil Blake has been arrested for the murder of Ruby Keene. | 0:38:38 | 0:38:45 | |
He did, however, deposit the body | 0:38:49 | 0:38:53 | |
Well, like Tommy Bond and his frog. | 0:38:53 | 0:38:57 | |
I think he did it as a kind of joke. | 0:39:04 | 0:39:06 | |
I think the answer to that lies | 0:39:15 | 0:39:19 | |
Yes, now London. Inch, if we hurry, we can catch the 10 o'clock. | 0:39:19 | 0:39:26 | |
I'm not sure you should be seen with me, old man. How's that? | 0:39:32 | 0:39:36 | |
What is it? Certainly somebody I don't want to be seen with. Excuse me to the King of Wimbledon(!) | 0:39:40 | 0:39:47 | |
Not the subtlest of human beings, is he? I don't know why he has to be | 0:39:48 | 0:39:54 | |
I've hardly spoken to the man. What are you drinking? Look here, there's | 0:39:54 | 0:40:06 | |
What does that mean? Well, true Jeffersons aren't in the habit of marrying tennis players, old boy. | 0:40:06 | 0:40:13 | |
I wonder if we could have a word. | 0:41:05 | 0:41:07 | |
And I just thought perhaps... | 0:41:19 | 0:41:22 | |
Conway Jefferson has informed Mrs Jefferson and Mr Gaskell, | 0:41:27 | 0:41:32 | |
that as Ruby Keene is dead, he's he intended to settle on her. | 0:41:32 | 0:41:38 | |
The fund is to be used to establish | 0:41:38 | 0:41:44 | |
he's going to finalise the details with his solicitor tomorrow. | 0:41:44 | 0:41:50 | |
Now this is what I want done. | 0:41:50 | 0:41:53 | |
It'll be dark in a couple of hours. | 0:41:53 | 0:41:57 | |
George, put that in the boot for me. | 0:43:31 | 0:43:40 | |
Oh, if anybody should want me tonight, they can ring me at my flat. Back at lunchtime tomorrow. | 0:43:42 | 0:43:58 | |
Don't forget. Three o'clock | 0:44:55 | 0:44:59 | |
Now, Jane, before the Jeffersons | 0:46:50 | 0:47:00 | |
Well, yes, but Miss Marple should explain. There's one or two things | 0:47:00 | 0:47:07 | |
Well, I'm afraid you'll find | 0:47:07 | 0:47:12 | |
As we since discovered, Mark Gaskell was married to Josie Turner | 0:47:34 | 0:47:39 | |
and they were keeping it a secret until Mr Jefferson should die, | 0:47:39 | 0:47:47 | |
No, Miss Marple. I'm afraid | 0:47:47 | 0:47:51 | |
It was the nails that worried me. Although Ruby Keene cut hers quite short, the poor girl in the library | 0:47:51 | 0:47:58 | |
had bitten hers. It just wasn't right. Too like a book to be true. | 0:47:58 | 0:48:03 | |
Then, of course, I realised finally that the body in the library | 0:48:03 | 0:48:09 | |
Well, then, whose body was it? | 0:48:10 | 0:48:13 | |
And Pamela Reeve's fake movie | 0:48:13 | 0:48:19 | |
But the person behind it all | 0:48:19 | 0:48:23 | |
It was obvious from the first that she was a very capable woman, capable of engineering it all. | 0:48:23 | 0:48:29 | |
It was a very clear-sighted plan | 0:48:29 | 0:48:34 | |
Mark Gaskell was her ticket to wealth and a good position. | 0:48:34 | 0:48:38 | |
Nothing, certainly not little Ruby Keene, was going to stop her. | 0:48:38 | 0:48:44 | |
The double murder and the substitute body. She cold-bloodedly chose Basil Blake as chief murder suspect. | 0:48:44 | 0:48:51 | |
poor little Pamela's chaperone | 0:48:55 | 0:49:01 | |
for the film test. She bleached her hair, painted her bitten nails, | 0:49:01 | 0:49:06 | |
put her into one of Ruby's dresses | 0:49:06 | 0:49:10 | |
ready for the deadly attentions | 0:49:10 | 0:49:15 | |
Who then completed the plan by getting her to Blake's cottage, | 0:49:15 | 0:49:21 | |
and getting back to the hotel. | 0:49:21 | 0:49:24 | |
So at the time the doctor said she died, Gaskell and Josie had | 0:49:24 | 0:49:29 | |
They were sitting playing bridge, watching the real Ruby Keene dance. | 0:49:29 | 0:49:33 | |
After giving Ruby something to make | 0:49:33 | 0:49:38 | |
that is Josie's, room and lie down | 0:49:38 | 0:49:42 | |
knowing that the drug would shortly | 0:49:42 | 0:49:47 | |
It was when she went up to change | 0:49:47 | 0:49:52 | |
She strangled the poor child | 0:49:52 | 0:49:57 | |
Later that evening, she and Gaskell dressed her in the Guide uniform, | 0:49:57 | 0:50:03 | |
Tell me, that tune that was racketing around in your head. | 0:50:07 | 0:50:18 | |
Subtitles by Red Bee Media Ltd | 0:51:33 | 0:51:36 |