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This programme contains some strong language | 0:00:03 | 0:00:10 | |
Where is Madam President? | 0:00:10 | 0:00:12 | |
I lost my dignity, my house, my children, my wife - | 0:00:13 | 0:00:17 | |
all thanks to your lies. | 0:00:17 | 0:00:19 | |
We agree you never tell anyone about what happened. | 0:00:19 | 0:00:23 | |
Was there any unusual activity on the New York Stock Exchange | 0:00:26 | 0:00:31 | |
just before closing yesterday? | 0:00:31 | 0:00:33 | |
That's Hunter Russell. | 0:00:42 | 0:00:43 | |
He's one of the President's most seasoned bodyguards. | 0:00:43 | 0:00:46 | |
We need to put some pressure on Hunter's wife. | 0:00:46 | 0:00:50 | |
-It's a trap. -A what? | 0:00:50 | 0:00:53 | |
Send me the coordinates of Hunter's cell. | 0:00:53 | 0:00:55 | |
GUNSHOT | 0:00:57 | 0:00:59 | |
I shot the guy who knows where my president is. | 0:00:59 | 0:01:05 | |
DOG BARKS | 0:01:24 | 0:01:26 | |
POLICE RADIO CHATTER | 0:01:26 | 0:01:29 | |
Little piece of shit. | 0:02:03 | 0:02:05 | |
Ingvar? | 0:03:00 | 0:03:02 | |
Has Inger Johanne ever told you really how we know each other? | 0:03:03 | 0:03:09 | |
No. Why? | 0:03:10 | 0:03:13 | |
Why would she? | 0:03:14 | 0:03:16 | |
Careful, sir. | 0:03:16 | 0:03:17 | |
# Darkness | 0:03:34 | 0:03:38 | |
# So much darkness | 0:03:38 | 0:03:42 | |
# Once I knew what love was all about | 0:03:45 | 0:03:52 | |
# Inside me | 0:03:56 | 0:03:59 | |
# A mountain of shame | 0:03:59 | 0:04:04 | |
# Who is to blame? | 0:04:05 | 0:04:09 | |
# Still no replies | 0:04:09 | 0:04:13 | |
# The ifs and whys | 0:04:13 | 0:04:16 | |
# Secrets and lies | 0:04:16 | 0:04:18 | |
# Don't wanna die. # | 0:04:18 | 0:04:23 | |
SEVERAL NEWS REPORTS PLAY AT ONCE | 0:05:29 | 0:05:32 | |
Mr Vice President? | 0:06:34 | 0:06:36 | |
Yes, yes. Hello. | 0:06:36 | 0:06:38 | |
Yes, it's awful. | 0:06:40 | 0:06:42 | |
Absolutely awful. I don't know... | 0:06:42 | 0:06:45 | |
Yes, indeed, it's awful, yes. I totally agree with you. | 0:06:48 | 0:06:52 | |
I can assure you we're putting every effort we have into this. | 0:06:54 | 0:06:57 | |
We'll be in touch, Mr Secretary. | 0:07:00 | 0:07:02 | |
Of course, sir. | 0:07:04 | 0:07:05 | |
Yes. Bye-bye. Bye. | 0:07:05 | 0:07:07 | |
I already admitted to firing the gun. | 0:08:03 | 0:08:05 | |
It's common knowledge that if I'm the shooter, | 0:08:05 | 0:08:09 | |
the back of my hand will test positive for gunshot residue. | 0:08:09 | 0:08:13 | |
The palm won't. | 0:08:13 | 0:08:15 | |
Remove your hand. | 0:08:23 | 0:08:25 | |
What your analysis won't tell you, however, | 0:08:38 | 0:08:42 | |
is whether my firing of it was an act of aggression or self-defence. | 0:08:42 | 0:08:50 | |
We're done. | 0:08:51 | 0:08:52 | |
Already? | 0:08:52 | 0:08:54 | |
RUSTLING | 0:09:48 | 0:09:50 | |
ROTOR BLADE WHIRS | 0:11:36 | 0:11:38 | |
RADIO CHATTER | 0:11:41 | 0:11:44 | |
The First Gentleman, Dale Tyler. | 0:12:05 | 0:12:07 | |
Hey. Welcome. | 0:12:09 | 0:12:12 | |
How is Zoe taking this whole mess? | 0:12:17 | 0:12:19 | |
Very impressively. She's strong. | 0:12:19 | 0:12:22 | |
She's Helen's daughter. | 0:12:22 | 0:12:25 | |
Did Mom seem worried or particularly stressed before she was... | 0:12:27 | 0:12:32 | |
No. | 0:12:32 | 0:12:34 | |
She joked about my being Cinderella. | 0:12:36 | 0:12:38 | |
I mean, maybe she was stressed. | 0:12:41 | 0:12:45 | |
She would do that thing she does, you know - | 0:12:46 | 0:12:49 | |
closing her eyes real tight, | 0:12:49 | 0:12:51 | |
just before she gets a migraine. | 0:12:51 | 0:12:53 | |
Are those from Muntasir? | 0:12:57 | 0:12:59 | |
Yeah, he said to call if we need anything. | 0:12:59 | 0:13:03 | |
You spoke with him? | 0:13:03 | 0:13:06 | |
-Of course. I called to thank him. -You listen to me. | 0:13:06 | 0:13:09 | |
You do not speak with anyone without clearing it with me first. | 0:13:09 | 0:13:13 | |
Do you understand? | 0:13:13 | 0:13:15 | |
I understand. | 0:13:16 | 0:13:18 | |
Come here. | 0:13:19 | 0:13:21 | |
PAPER IS SNIPPED | 0:13:37 | 0:13:39 | |
SCHIFFORD: Did Inger Johanne really tell you how we knew each other? | 0:14:48 | 0:14:51 | |
Did Inger Johanne really tell you how we knew each other? | 0:15:08 | 0:15:12 | |
Can I come in? | 0:16:50 | 0:16:52 | |
Does it bother you that I'm half-naked? | 0:17:12 | 0:17:15 | |
I assume you're not here to debrief me. | 0:17:17 | 0:17:21 | |
How are you feeling? | 0:17:22 | 0:17:23 | |
What, are you going to give me a psych evaluation? | 0:17:24 | 0:17:28 | |
How miserable and desperate should I be, do you think? | 0:17:28 | 0:17:33 | |
I'm actually here to give you an apology. | 0:17:33 | 0:17:37 | |
Well, I'll be! | 0:17:41 | 0:17:42 | |
An apology! | 0:17:44 | 0:17:46 | |
You could just accept it. | 0:17:46 | 0:17:48 | |
I assume you're also going to apologise to my four children? | 0:17:50 | 0:17:54 | |
Especially Elliott, who, like Stina, | 0:17:54 | 0:17:58 | |
doesn't handle big changes that well, | 0:17:58 | 0:18:00 | |
and to my now ex-wife. | 0:18:00 | 0:18:05 | |
Did you hear she's moved to London to stop me from seeing the children? | 0:18:05 | 0:18:08 | |
Or what about the Research Council, where you had me discredited? | 0:18:08 | 0:18:14 | |
I'm talking about an apology | 0:18:14 | 0:18:16 | |
for still letting my emotions get the better of me. | 0:18:16 | 0:18:19 | |
Isn't that what you said this morning? | 0:18:19 | 0:18:21 | |
We're in the middle of a crisis that's about to blow up | 0:18:22 | 0:18:25 | |
and become global. | 0:18:25 | 0:18:26 | |
We need to be professional and work together. | 0:18:26 | 0:18:30 | |
So I'm sorry if I've created a toxic environment. | 0:18:32 | 0:18:36 | |
Apology accepted. | 0:18:42 | 0:18:44 | |
Oh, that is a beautiful pendant. Did Ingvar give that to you? | 0:18:48 | 0:18:53 | |
KNOCK AT DOOR | 0:19:00 | 0:19:02 | |
Come in. | 0:19:02 | 0:19:04 | |
Excuse me. I was told I could find you here, Miss Vik. | 0:19:08 | 0:19:12 | |
Find it! | 0:19:12 | 0:19:15 | |
Normally, the relationship between the Secret Service | 0:19:22 | 0:19:25 | |
and the FBI is airtight, but I should warn you, | 0:19:25 | 0:19:28 | |
Warren Schifford has a certain reputation when it comes to women. | 0:19:28 | 0:19:32 | |
His reputation precedes him and I can resist. | 0:19:32 | 0:19:36 | |
You said you had a file on Hunter? | 0:19:38 | 0:19:40 | |
Yeah, I put together different kinds of intel so you can get | 0:19:40 | 0:19:43 | |
a full impression of him from when he was a child, young man, etc. | 0:19:43 | 0:19:46 | |
Great. | 0:19:46 | 0:19:49 | |
Thanks, Peter. So, this is Hunter's room, | 0:19:49 | 0:19:53 | |
a bit less ostentatious. | 0:19:53 | 0:19:56 | |
Could I take pictures of the bags? | 0:19:59 | 0:20:01 | |
It must have come as a total shock for you... | 0:20:08 | 0:20:11 | |
-CAMERA CLICKS -..being betrayed by one of your own. | 0:20:11 | 0:20:14 | |
You wrote in the morning report that you believed | 0:20:18 | 0:20:20 | |
that Hunter was acting on orders from the President - | 0:20:20 | 0:20:24 | |
that Helen Tyler had asked him to get her out of there. | 0:20:24 | 0:20:27 | |
Hunter was a model agent. | 0:20:27 | 0:20:29 | |
He's been close to the President ever since she took office. | 0:20:29 | 0:20:32 | |
But something went wrong. He had no choice but to get himself killed. | 0:20:33 | 0:20:39 | |
That's what I wrote, yeah. | 0:20:40 | 0:20:42 | |
And now you're not sure? | 0:20:44 | 0:20:45 | |
Does it have something to do with his family? | 0:20:50 | 0:20:53 | |
It didn't raise any red flags at the time, but in the light of this... | 0:20:55 | 0:21:00 | |
His kids were abducted - twice in the last year. | 0:21:02 | 0:21:07 | |
On both occasions, they were found before the alarm was raised. | 0:21:07 | 0:21:10 | |
-And who was behind the abductions? -We don't know. | 0:21:10 | 0:21:13 | |
But with hindsight, the message seems pretty clear. | 0:21:13 | 0:21:18 | |
"Hunter Russell, do as you're told or your children die." | 0:21:18 | 0:21:22 | |
Excuse me. Sir. | 0:23:40 | 0:23:44 | |
I am Bo Sundberg. | 0:23:46 | 0:23:48 | |
I am the senior ranking police officer at the airport. | 0:23:48 | 0:23:51 | |
I need you to form a line. | 0:23:51 | 0:23:53 | |
Put your weapons here on the table and you'll get a receipt. | 0:23:53 | 0:23:56 | |
Our arrival's already been cleared by Swedish authorities. | 0:23:56 | 0:24:00 | |
We are the Swedish authorities. You have papers for the guns? | 0:24:00 | 0:24:04 | |
-Papers? -No papers, no guns. | 0:24:04 | 0:24:08 | |
Er, miss? | 0:24:08 | 0:24:09 | |
No phones. | 0:24:09 | 0:24:11 | |
So, let's form a line and get this over with. | 0:24:11 | 0:24:15 | |
-Officer...? -Sundberg. | 0:24:15 | 0:24:19 | |
Now, there's been a lot of failures here, Officer. | 0:24:19 | 0:24:22 | |
Mm-hmm. | 0:24:22 | 0:24:23 | |
We are supposed to be picked up by our US counterparts on arrival | 0:24:23 | 0:24:27 | |
and they're not here and now we're in this hangar, | 0:24:27 | 0:24:29 | |
we're talking to you about our guns. | 0:24:29 | 0:24:32 | |
This is embarrassing. | 0:24:32 | 0:24:33 | |
It's forbidden to bring firearms into my country | 0:24:33 | 0:24:35 | |
without proper clearance. | 0:24:35 | 0:24:37 | |
Please, form a line. | 0:24:39 | 0:24:41 | |
There's going to be serious consequences for this. | 0:24:47 | 0:24:49 | |
I'm just doing my job, sir. | 0:24:49 | 0:24:51 | |
DOOR OPENS | 0:26:08 | 0:26:09 | |
I'm Agent Max Cain, FBI. | 0:26:13 | 0:26:16 | |
We're here to collect the body of Hunter Russell | 0:26:16 | 0:26:18 | |
and we're taking him back to Washington. | 0:26:18 | 0:26:21 | |
The requisition has been approved. | 0:26:21 | 0:26:22 | |
Just doing my job, ma'am. | 0:26:22 | 0:26:25 | |
And his phone. | 0:26:39 | 0:26:42 | |
This is strictly confidential. | 0:26:51 | 0:26:52 | |
Thank you. | 0:27:37 | 0:27:39 | |
KNOCK AT DOOR | 0:29:28 | 0:29:29 | |
Yes, this is Ambassador Reed. | 0:31:12 | 0:31:14 | |
I'm calling to see if there's any new information. | 0:31:14 | 0:31:18 | |
Yes, the First Gentleman is here. | 0:31:19 | 0:31:22 | |
Hunter Russell. | 0:31:22 | 0:31:24 | |
I've never spoken to the man. | 0:31:24 | 0:31:26 | |
There were so many people looking after us. | 0:31:26 | 0:31:28 | |
Why he should turn out to be the traitor, I have no idea. | 0:31:28 | 0:31:31 | |
Suicide by cop. | 0:31:34 | 0:31:35 | |
That must have been unpleasant. | 0:31:36 | 0:31:38 | |
But why you didn't shoot him in the knee or, hell, somewhere, Warren, | 0:31:38 | 0:31:42 | |
so that he could tell us what he's done with my wife? | 0:31:42 | 0:31:44 | |
I just don't get that. | 0:31:44 | 0:31:46 | |
Sir, I have asked myself that very same question. | 0:31:46 | 0:31:49 | |
-You served in Iraq. -Yeah, and Afghanistan. | 0:31:49 | 0:31:51 | |
Well, then you know the meaning of the term "fubar". | 0:31:51 | 0:31:54 | |
Fucked up beyond any repair. | 0:31:54 | 0:31:57 | |
What do you think has happened to Helen? | 0:32:01 | 0:32:04 | |
Well... | 0:32:05 | 0:32:06 | |
..what I think goes against the general consensus of the FBI. | 0:32:07 | 0:32:11 | |
Your wife disappeared shortly after | 0:32:13 | 0:32:17 | |
the New York Stock Exchange closed Friday. | 0:32:17 | 0:32:19 | |
-And? -Just before the closing bell, | 0:32:19 | 0:32:22 | |
one player purchased huge quantities of gold and commodities. | 0:32:22 | 0:32:27 | |
-Someone looking for a safe haven. -Right. | 0:32:27 | 0:32:29 | |
When I say huge, we're talking billions. | 0:32:29 | 0:32:33 | |
-Have we identified the player? -Not yet. | 0:32:34 | 0:32:37 | |
Could be a coincidence. | 0:32:40 | 0:32:42 | |
Yeah. | 0:32:42 | 0:32:43 | |
But... | 0:32:43 | 0:32:45 | |
..if we don't find your wife soon and this chaos continues, | 0:32:46 | 0:32:48 | |
said player stands to become jawdroppingly rich | 0:32:48 | 0:32:54 | |
when Wall Street opens Monday. | 0:32:54 | 0:32:57 | |
-Dad? Are you ready to go running? -Yeah, baby. | 0:32:57 | 0:33:02 | |
But just inside the compound. | 0:33:04 | 0:33:05 | |
Have a good run. | 0:33:08 | 0:33:10 | |
Dad, is something wrong? Are you OK? | 0:33:31 | 0:33:35 | |
Dad, who was that? | 0:33:39 | 0:33:41 | |
No idea. | 0:33:42 | 0:33:44 | |
RINGING TONE THROUGH LAPTOP | 0:33:48 | 0:33:50 | |
-Hello, Mrs Russell. -Hello. | 0:33:58 | 0:34:01 | |
I'm so sorry for your loss. | 0:34:01 | 0:34:04 | |
Are you OK to talk? | 0:34:04 | 0:34:05 | |
As I wrote, I'm trying to create a profile on your husband. | 0:34:08 | 0:34:13 | |
I don't know if I know anything you don't already know. | 0:34:13 | 0:34:17 | |
I thought I knew everything. | 0:34:17 | 0:34:19 | |
Hunter came to Stockholm 16 days prior to the President's visit. | 0:34:24 | 0:34:29 | |
Did he mention any places that he'd visited? | 0:34:29 | 0:34:33 | |
The only thing he said was Sweden sometimes resembles | 0:34:33 | 0:34:36 | |
the countryside over here. | 0:34:36 | 0:34:38 | |
He'd seen a man in a cowboy hat sitting on the hood | 0:34:38 | 0:34:43 | |
of his Chevy C10, sharing an ice cream with his shepherd. | 0:34:43 | 0:34:48 | |
His what? | 0:34:48 | 0:34:50 | |
-His dog. -OK. | 0:34:50 | 0:34:53 | |
It was close to a place he said reminded him of his childhood home. | 0:34:53 | 0:34:58 | |
What did his childhood home look like? Do you know? | 0:34:58 | 0:35:01 | |
They moved out of there before we met. | 0:35:01 | 0:35:03 | |
It was repossessed. | 0:35:03 | 0:35:05 | |
-What part of the States? -Minnesota. -Minnesota. | 0:35:07 | 0:35:10 | |
I'm going to ask you about something else. | 0:35:10 | 0:35:13 | |
Your boys, they were taken at one point. How did your husband react? | 0:35:13 | 0:35:18 | |
How did he take it? | 0:35:18 | 0:35:19 | |
If you take someone's kids, that's like killing. | 0:35:19 | 0:35:24 | |
To take children from their parents... | 0:35:24 | 0:35:25 | |
DOOR OPENS | 0:35:25 | 0:35:27 | |
Hello? No! What are you doing? | 0:35:27 | 0:35:30 | |
STOP! | 0:35:30 | 0:35:32 | |
SLAM | 0:36:22 | 0:36:24 | |
INCOMING TEXT ALERT | 0:42:08 | 0:42:10 | |
Don't you see? This is exactly what he wants. | 0:42:56 | 0:42:59 | |
-He? -Everything points to a single individual being behind all this. | 0:42:59 | 0:43:04 | |
I think someone's trying to direct our attention | 0:43:04 | 0:43:06 | |
towards your time here in Sweden. | 0:43:06 | 0:43:08 | |
-What do you mean? -To the President's past. To your past. | 0:43:08 | 0:43:11 | |
Would you like me to tell Ingvar? | 0:43:18 | 0:43:20 | |
No, thanks. | 0:43:20 | 0:43:22 | |
You're welcome. | 0:43:24 | 0:43:25 |