Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:06 | |
HE SCOFFS | 0:00:08 | 0:00:09 | |
You're welcome. | 0:00:15 | 0:00:17 | |
Everything points to a single individual being behind all this. | 0:00:24 | 0:00:28 | |
Troy, the man in the wooden horse. | 0:00:28 | 0:00:32 | |
Woman. | 0:00:32 | 0:00:34 | |
I think someone's trying to direct our attention | 0:00:34 | 0:00:36 | |
towards your time here in Sweden. | 0:00:36 | 0:00:38 | |
It's been 17 years since we left here. | 0:00:38 | 0:00:40 | |
He used to work at the same institute as your father | 0:00:40 | 0:00:43 | |
at Stockholm University. | 0:00:43 | 0:00:45 | |
Do you know my mother, too? | 0:00:45 | 0:00:46 | |
HE WHISTLES | 0:00:57 | 0:00:59 | |
I'm here! I'm here! | 0:00:59 | 0:01:02 | |
VEHICLE APPROACHES | 0:01:22 | 0:01:24 | |
ENGINE STOPS | 0:01:35 | 0:01:37 | |
CAR DOORS OPEN | 0:01:37 | 0:01:40 | |
KING WHINES | 0:02:19 | 0:02:21 | |
BARKING | 0:02:24 | 0:02:26 | |
KING BARKS | 0:02:31 | 0:02:33 | |
SCRABBLING AND BARKING | 0:02:36 | 0:02:38 | |
ENGINE STARTS | 0:02:50 | 0:02:51 | |
KING BARKS | 0:02:58 | 0:02:59 | |
DOOR CLANKS | 0:03:05 | 0:03:08 | |
# Darkness | 0:04:11 | 0:04:16 | |
# So much darkness | 0:04:16 | 0:04:20 | |
# Once I knew what love was all about | 0:04:22 | 0:04:30 | |
# Inside me | 0:04:34 | 0:04:36 | |
# A mountain of shame | 0:04:36 | 0:04:41 | |
# Who is to blame? | 0:04:42 | 0:04:47 | |
# Still no replies | 0:04:47 | 0:04:50 | |
# The ifs and whys | 0:04:50 | 0:04:53 | |
# Secrets and lies | 0:04:53 | 0:04:56 | |
# Don't wanna die. # | 0:04:56 | 0:05:01 | |
DOORBELL RINGS | 0:05:23 | 0:05:26 | |
LIGHTS BUZZ | 0:08:55 | 0:08:57 | |
MOBILE RINGS | 0:10:14 | 0:10:16 | |
SHE YAWNS | 0:10:52 | 0:10:54 | |
SHE SIGHS | 0:10:54 | 0:10:56 | |
THEY SHOUT | 0:13:06 | 0:13:08 | |
INAUDIBLE | 0:13:08 | 0:13:11 | |
ALARM BLARES | 0:14:08 | 0:14:10 | |
PARAMEDIC ADMINISTERS CPR | 0:14:10 | 0:14:12 | |
INDISTINCT CONVERSATION | 0:14:30 | 0:14:33 | |
BEEPING OUTSIDE | 0:15:39 | 0:15:42 | |
SHUFFLING PAPERS | 0:16:02 | 0:16:04 | |
..He'd seen a man in a cowboy hat. | 0:16:15 | 0:16:18 | |
It was close to a place he said reminded him of his childhood home. | 0:16:18 | 0:16:22 | |
WATER SPLASHES | 0:18:39 | 0:18:41 | |
GRUNTING | 0:18:41 | 0:18:44 | |
WOMAN MOANS | 0:18:44 | 0:18:46 | |
KNOCK AT DOOR, WOMAN MOANS | 0:18:52 | 0:18:54 | |
No... | 0:18:54 | 0:18:57 | |
INSISTENT KNOCKING, HE GROANS | 0:18:58 | 0:19:00 | |
-Just wait. -Yeah. | 0:19:05 | 0:19:07 | |
-Early bird. -Catches the worm. | 0:19:22 | 0:19:24 | |
What do you want? | 0:19:26 | 0:19:28 | |
Inger Johanne Vik was at the Embassy yesterday. | 0:19:30 | 0:19:34 | |
Yeah, talking to the President's husband. I know. | 0:19:34 | 0:19:38 | |
I was there for the duration of the conversation, | 0:19:38 | 0:19:40 | |
after which, I was asked to run an extra security check on her. | 0:19:40 | 0:19:44 | |
Well, she's a bit rough around the edges, but 100% loyal. | 0:19:45 | 0:19:49 | |
I have nothing but good things to say about her. | 0:19:49 | 0:19:52 | |
As you know, our security checks give us | 0:19:53 | 0:19:57 | |
full access to all her files. | 0:19:57 | 0:19:59 | |
December 14, 2013, Inger Johanne Vik was in New York | 0:19:59 | 0:20:04 | |
attending a conference on violence against women. | 0:20:04 | 0:20:07 | |
As my assistant, yeah. | 0:20:07 | 0:20:09 | |
The same night, she filed charges with the NYPD. Assault. | 0:20:09 | 0:20:14 | |
Rape. | 0:20:15 | 0:20:16 | |
False imprisonment. | 0:20:16 | 0:20:18 | |
Eight hours later, | 0:20:18 | 0:20:21 | |
she dropped all the charges. | 0:20:21 | 0:20:24 | |
Your wife at the time managed to arrange a place at Berkeley | 0:20:24 | 0:20:26 | |
for the daughter of the officer who briefed Inger Johanne Vik | 0:20:26 | 0:20:30 | |
on the consequences of a rape accusation. | 0:20:30 | 0:20:32 | |
The attitudes an abused woman can face, victim blaming. | 0:20:32 | 0:20:35 | |
Wasn't that the subject of your joint article? | 0:20:35 | 0:20:37 | |
How women can often be shamed into silence? | 0:20:37 | 0:20:40 | |
Exactly what are ou trying to do here? | 0:20:43 | 0:20:46 | |
I suggest you recuse yourself from this investigation. | 0:20:46 | 0:20:50 | |
Before anyone else hears about this. | 0:20:52 | 0:20:54 | |
I...suggest... | 0:20:56 | 0:20:58 | |
you think about how close you're coming to ruining your career. | 0:20:58 | 0:21:03 | |
We'll see about that. | 0:21:05 | 0:21:07 | |
< DOOR OPENS AND CLOSES | 0:21:13 | 0:21:15 | |
DOOR OPENS > | 0:21:18 | 0:21:20 | |
DOOR CLOSES > | 0:21:20 | 0:21:21 | |
-Where were we? -I really need to go to work. -Really? -Yes, really. | 0:21:48 | 0:21:53 | |
Stop it! | 0:21:55 | 0:21:56 | |
SHOP BELL RINGS | 0:22:26 | 0:22:28 | |
INDISTINCT CONVERSATIONS | 0:22:28 | 0:22:29 | |
Cola? | 0:22:29 | 0:22:31 | |
SHE SIGHS | 0:22:34 | 0:22:36 | |
SHOP BELL RINGS | 0:22:41 | 0:22:43 | |
-ECHOING: -He said... He'd seen a man in a cowboy hat...cowboy hat... | 0:23:02 | 0:23:07 | |
Sitting on the hood of his Chevy C10, | 0:23:07 | 0:23:10 | |
sharing an ice cream with this shepherd...shepherd... | 0:23:10 | 0:23:13 | |
ENGINE REVS | 0:23:15 | 0:23:17 | |
KNOCK AT DOOR | 0:24:38 | 0:24:40 | |
-Is she dead? -No. -So, you found her? -No. | 0:24:51 | 0:24:54 | |
-So, what? -I need to talk to you. | 0:24:55 | 0:24:59 | |
OK. | 0:25:02 | 0:25:04 | |
-How is it going with you and Inger Johanne? -About the investigation! | 0:25:07 | 0:25:12 | |
KNOCK AT DOOR | 0:25:12 | 0:25:13 | |
Thank you. Just bring it in. | 0:25:16 | 0:25:18 | |
What's the, er... The tipping situation in Sweden? | 0:25:21 | 0:25:24 | |
Yeah, my greatest weakness. | 0:25:28 | 0:25:30 | |
Women. | 0:25:31 | 0:25:32 | |
When I lie awake at night and think of all the mistakes I've made, | 0:25:32 | 0:25:36 | |
they all have something to do with women. | 0:25:36 | 0:25:39 | |
Thank you, sir. | 0:25:43 | 0:25:45 | |
DOOR CLOSES | 0:25:48 | 0:25:50 | |
And even now, a woman holds my fate in her hands. | 0:25:50 | 0:25:54 | |
If Madam President isn't found alive, my career dies with her. | 0:25:54 | 0:26:00 | |
-Did you eat yet? -Are you surveilling us? | 0:26:02 | 0:26:05 | |
Me and Inger Johanne? | 0:26:05 | 0:26:07 | |
I would be very surprised | 0:26:07 | 0:26:10 | |
if at least one of our 17 intelligence agencies | 0:26:10 | 0:26:14 | |
weren't watching your every move. | 0:26:14 | 0:26:17 | |
Not to mention our seemingly invincible enemy. | 0:26:19 | 0:26:22 | |
Modern times, you know? | 0:26:23 | 0:26:25 | |
We had another death last night. | 0:26:27 | 0:26:29 | |
-What? -Oscar, the guy driving around the fake president. | 0:26:30 | 0:26:35 | |
He finally wanted to talk to me, | 0:26:35 | 0:26:37 | |
but when I got there, he was dead in his cell. | 0:26:37 | 0:26:40 | |
Well, that must've been tough. | 0:26:40 | 0:26:42 | |
-"Tough"? -Having to face your monumental incompetence. | 0:26:42 | 0:26:49 | |
You guys had one job - keep him alive so we could question him. | 0:26:49 | 0:26:54 | |
On the wall of his cell, he made a small drawing. | 0:26:57 | 0:27:01 | |
A few years ago, one of Munch's versions of The Scream | 0:27:01 | 0:27:05 | |
was stolen from an exhibition in Stockholm. | 0:27:05 | 0:27:07 | |
Oscar was convicted of the theft, | 0:27:07 | 0:27:10 | |
but kept his mouth shut about who he delivered the painting to. | 0:27:10 | 0:27:14 | |
There was a huge investigation. One name kept popping up. | 0:27:14 | 0:27:18 | |
Mahmoud Muntasir, an oil billionaire of Saudi and Persian descent. | 0:27:18 | 0:27:23 | |
Owner of a company called SAFE Inc. | 0:27:24 | 0:27:27 | |
Ring a bell? | 0:27:29 | 0:27:32 | |
I really don't know what you want from me. | 0:27:32 | 0:27:34 | |
Co-operation, I thought that was the whole fucking point! | 0:27:34 | 0:27:37 | |
HE SIGHS | 0:27:39 | 0:27:41 | |
Troy. | 0:27:41 | 0:27:43 | |
-We believe Troy is the codename for the attack on the President. -"We"? | 0:27:45 | 0:27:51 | |
My behavioural unit staff and I. | 0:27:51 | 0:27:56 | |
We are convinced that behind all this isn't a big organisation, | 0:27:59 | 0:28:06 | |
but a single individual. | 0:28:06 | 0:28:10 | |
-You think he could be the one? -Well, I don't know. | 0:28:10 | 0:28:13 | |
They are old friends. | 0:28:16 | 0:28:19 | |
He even donated 20 million to her campaign. | 0:28:19 | 0:28:22 | |
-He donated money to get her elected? -Yeah. | 0:28:22 | 0:28:25 | |
But... | 0:28:28 | 0:28:30 | |
I don't think they're friends any more. | 0:28:31 | 0:28:34 | |
-Why not? -At one point, it looked like Helen might lose the election. | 0:28:34 | 0:28:39 | |
It was leaked that she promised Muntasir government contracts | 0:28:39 | 0:28:44 | |
to secure American ports if she got elected. | 0:28:44 | 0:28:47 | |
A favour between friends? | 0:28:47 | 0:28:49 | |
Well, if you want to put a negative spin on it, yeah. | 0:28:49 | 0:28:52 | |
But her assessment was that his company | 0:28:53 | 0:28:56 | |
was the best one for the job. | 0:28:56 | 0:28:59 | |
So, what happened? | 0:28:59 | 0:29:01 | |
Well, just before the last debate, | 0:29:01 | 0:29:03 | |
I suggested that she should make it absolutely clear | 0:29:03 | 0:29:09 | |
that the security of American | 0:29:09 | 0:29:12 | |
ports must always remain in American hands. | 0:29:12 | 0:29:16 | |
And not...Arabian. | 0:29:18 | 0:29:21 | |
CLANKING | 0:30:44 | 0:30:46 | |
SHE PANTS WITH EFFORT | 0:30:52 | 0:30:55 | |
CLUNK! | 0:30:55 | 0:30:58 | |
LATCH CLICKS | 0:30:58 | 0:31:00 | |
WATER DRIPS | 0:31:02 | 0:31:06 | |
THUDDING | 0:31:09 | 0:31:11 | |
THUDDING NEARBY | 0:31:16 | 0:31:19 | |
SHE GRUNTS | 0:31:25 | 0:31:28 | |
SHE GASPS | 0:31:32 | 0:31:35 | |
SHE PANTS | 0:31:35 | 0:31:37 | |
SHE STRAINS | 0:31:52 | 0:31:55 | |
Madam President? | 0:32:16 | 0:32:18 | |
-Where's my daughter? -No, she's safe. She's at the Embassy. | 0:32:18 | 0:32:22 | |
-Who are you? -My name is Inger Johanne Vik. | 0:32:25 | 0:32:28 | |
I'm with the Task Force. | 0:32:28 | 0:32:30 | |
-Police? -No, I'm a psychologist. | 0:32:31 | 0:32:34 | |
Where's my bodyguard? | 0:32:38 | 0:32:41 | |
Andrew Russell? He's dead. | 0:32:41 | 0:32:44 | |
-Do they think I'm dead, too? -No-one knows. | 0:32:45 | 0:32:49 | |
We need to get you some water and an ambulance. | 0:32:49 | 0:32:53 | |
Nobody can know that you have found me. | 0:32:53 | 0:32:56 | |
More than my life depends on it. | 0:32:56 | 0:32:59 | |
Promise me. | 0:33:02 | 0:33:03 | |
I promise. | 0:33:06 | 0:33:07 | |
Why you, a very pregnant psychologist, | 0:37:35 | 0:37:40 | |
is the one who finds me? | 0:37:40 | 0:37:42 | |
-Is it your first? -No, I have two daughters. | 0:37:55 | 0:38:01 | |
You're very lucky. | 0:38:03 | 0:38:05 | |
CLATTERING > | 0:38:09 | 0:38:11 | |
RATTLING AT DOOR | 0:38:18 | 0:38:21 | |
-We have to get away. -My legs won't move. | 0:38:21 | 0:38:25 | |
We need to get out of here. | 0:38:25 | 0:38:27 | |
HELEN GROANS | 0:38:27 | 0:38:29 | |
FAINT TAPPING | 0:38:35 | 0:38:37 | |
SWITCH CLICKS | 0:40:24 | 0:40:26 | |
OK. Here, watch your step. | 0:41:21 | 0:41:25 | |
HELEN GROANS | 0:41:28 | 0:41:30 | |
I can't walk any longer. | 0:41:37 | 0:41:40 | |
HELEN GROANS AND SOBS | 0:41:43 | 0:41:45 | |
HELEN MOANS | 0:41:54 | 0:41:56 | |
SHE SPITS | 0:41:59 | 0:42:01 | |
VEHICLES APPROACH | 0:42:09 | 0:42:12 | |
-You have a fever. We need to get help. -No. | 0:42:43 | 0:42:47 | |
I don't trust the FBI. | 0:42:47 | 0:42:49 | |
Warren Schifford, I'm going to need your gun and your phone. | 0:42:49 | 0:42:53 | |
You're going home. | 0:42:53 | 0:42:55 | |
What was it that you wanted me to help you with? | 0:43:02 | 0:43:06 | |
You know him? You worked with him at the FBI in DC. | 0:43:06 | 0:43:11 |