Browse content similar to Case 2, Part 1. Check below for episodes and series from the same categories and more!
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-You were out late last night. -Yes. | 0:00:14 | 0:00:16 | |
I was at the club. Did I disturb you? | 0:00:16 | 0:00:19 | |
I heard you come in, but that's OK. | 0:00:19 | 0:00:22 | |
-Is this yours? -Yes. | 0:00:22 | 0:00:24 | |
-When did you get it? -Yesterday. | 0:00:24 | 0:00:27 | |
Out partying, new phone, | 0:00:27 | 0:00:30 | |
-did you get a pay rise? -Yes... | 0:00:30 | 0:00:33 | |
something like that. | 0:00:33 | 0:00:36 | |
-I have to go. -See you. | 0:00:36 | 0:00:38 | |
Oh! Your phone! | 0:00:39 | 0:00:41 | |
Not on the building site, security. | 0:00:41 | 0:00:44 | |
-DOOR CLOSES -Bye, Adam. | 0:00:46 | 0:00:48 | |
DOOR CLOSES | 0:00:56 | 0:00:57 | |
It's a charity event. 54 miles. | 0:01:43 | 0:01:45 | |
You've got to get sponsors. | 0:01:45 | 0:01:47 | |
That's easy. | 0:01:47 | 0:01:49 | |
Getting sponsors? | 0:01:49 | 0:01:51 | |
54 miles. | 0:01:51 | 0:01:53 | |
-So, will you do it? -Is it a race? | 0:02:02 | 0:02:04 | |
No, it's not, it's for charity. | 0:02:04 | 0:02:07 | |
-It's boring. -Why has everything got to be competitive with you? | 0:02:07 | 0:02:11 | |
It doesn't. | 0:02:11 | 0:02:12 | |
Race you to the river. | 0:02:12 | 0:02:15 | |
STEFAN LAUGHS | 0:02:15 | 0:02:16 | |
Come on, old man. | 0:02:16 | 0:02:18 | |
-MEN SPEAK POLISH -Excuse me. Sorry. | 0:02:37 | 0:02:40 | |
Excuse me, fellas. | 0:02:40 | 0:02:42 | |
BOTH SPEAK POLISH | 0:02:42 | 0:02:45 | |
# I don't want to drown no more | 0:02:50 | 0:02:53 | |
# Sick of the same old people | 0:02:53 | 0:02:55 | |
# The kind that'll sell your soul | 0:02:55 | 0:02:57 | |
# Trade it for a shining stone | 0:02:57 | 0:03:00 | |
# Ain't nothing in this life for free | 0:03:00 | 0:03:02 | |
# Running from the greatest evil | 0:03:02 | 0:03:04 | |
# It finally dawned on me | 0:03:04 | 0:03:07 | |
# A man's got to fight temptation | 0:03:07 | 0:03:09 | |
# Keep the wolves from the door | 0:03:09 | 0:03:13 | |
# I hear them scratching like I don't know better | 0:03:13 | 0:03:17 | |
# Won't you keep the wolves from the door | 0:03:17 | 0:03:22 | |
# It won't be long before I cave in and open up the door. # | 0:03:22 | 0:03:29 | |
SIREN | 0:03:30 | 0:03:32 | |
No! | 0:03:36 | 0:03:38 | |
What's wrong? | 0:03:38 | 0:03:39 | |
I'm not going to share your bottle, I don't know where it's been. | 0:03:39 | 0:03:42 | |
OK. | 0:03:42 | 0:03:44 | |
-What's the charity? -You're not interested. | 0:03:46 | 0:03:49 | |
I might be. | 0:03:49 | 0:03:50 | |
Streatham Hospital. It's where Leila works. | 0:03:52 | 0:03:55 | |
-Hi. -Hi. | 0:03:57 | 0:03:58 | |
Leila? | 0:03:58 | 0:04:00 | |
Is she going to be there? | 0:04:03 | 0:04:06 | |
Of course. | 0:04:06 | 0:04:08 | |
Well, it is for a good...cause, | 0:04:08 | 0:04:10 | |
a hospital. Yeah, I'll do it. | 0:04:10 | 0:04:12 | |
-You said you were busy. -I can move things around. | 0:04:12 | 0:04:15 | |
-Is this about helping the hospital or is this about Leila? -Oh. | 0:04:15 | 0:04:18 | |
All right, calm down. All right? | 0:04:18 | 0:04:21 | |
-I might give her a call. -Why? | 0:04:23 | 0:04:25 | |
-To enrol. -She's not organising it, she's just taking part. | 0:04:25 | 0:04:28 | |
I might give her a call anyway. What's her number? | 0:04:28 | 0:04:31 | |
07779... | 0:04:31 | 0:04:34 | |
-325774. -What? | 0:04:34 | 0:04:36 | |
07779 3257...44. | 0:04:36 | 0:04:41 | |
-You made that up. -Well, I don't know her number. I've forgotten it. | 0:04:43 | 0:04:46 | |
-I've got to get to work. -See ya. | 0:04:48 | 0:04:51 | |
See you tomorrow at the gym. | 0:04:51 | 0:04:53 | |
-This is quite a view. -Thank you. -You've done very well for yourself. | 0:05:02 | 0:05:06 | |
I could say the same for you, Eleanor. | 0:05:06 | 0:05:08 | |
-Government intelligence, serious fraud. -Why have you asked me here? | 0:05:08 | 0:05:11 | |
And always straight to the point. | 0:05:11 | 0:05:14 | |
-I've asked you to come to my home... -Because you're up to something | 0:05:14 | 0:05:17 | |
you don't want anyone at Westminster to know. | 0:05:17 | 0:05:19 | |
-I'd have invited you to lunch. -I wouldn't have accepted. | 0:05:19 | 0:05:22 | |
-You know very well we don't do lunch at the SFO. -Hmm. | 0:05:22 | 0:05:25 | |
I do sometimes think you take probity a little too far. | 0:05:25 | 0:05:28 | |
-I'm busy, Peter, so... -Charles Matherson. | 0:05:28 | 0:05:32 | |
-The minister? -Hmm. | 0:05:32 | 0:05:34 | |
Under Secretary of State for Planning. | 0:05:34 | 0:05:36 | |
PETER: 'Very much a high-flyer.' | 0:05:42 | 0:05:44 | |
Peter. | 0:05:44 | 0:05:46 | |
'Spoken of as future PM.' | 0:05:46 | 0:05:48 | |
-Go on. -It's not my place to tell the SFO its business, but he's corrupt | 0:05:48 | 0:05:54 | |
and I'd like you to nail him. | 0:05:54 | 0:05:57 | |
In the past three years, | 0:06:00 | 0:06:02 | |
Matherson has greenlit two skyscrapers, | 0:06:02 | 0:06:04 | |
The Iron and The Fridge. | 0:06:04 | 0:06:06 | |
This is the third. It's the biggest yet, it's called The Scimitar. | 0:06:06 | 0:06:11 | |
-WOMAN: -So, where's the problem? -The problem is... | 0:06:11 | 0:06:15 | |
his wife. | 0:06:15 | 0:06:16 | |
She has connections in the construction industry. | 0:06:16 | 0:06:18 | |
Her father owns a quarry in Yorkshire | 0:06:18 | 0:06:20 | |
supplying high-quality ragstone | 0:06:20 | 0:06:22 | |
to each of the buildings Matherson has approved. | 0:06:22 | 0:06:25 | |
-The Iron, The Fridge, The Scimitar. -Wait a minute. | 0:06:25 | 0:06:28 | |
He's a minister for planning, how can he do that? | 0:06:28 | 0:06:31 | |
It's not him, it's not his wife, it's his father-in-law. | 0:06:31 | 0:06:34 | |
It's all...very transparent, but... | 0:06:34 | 0:06:37 | |
PETER: Everyone was against The Scimitar, | 0:06:37 | 0:06:39 | |
English Heritage, the Royal Parks Foundation, | 0:06:39 | 0:06:42 | |
the Commission for Architecture. | 0:06:42 | 0:06:44 | |
Half a million Londoners even signed a petition to stop it being built, | 0:06:44 | 0:06:47 | |
-but he still managed to steer it through. -You think he's being bribed? | 0:06:47 | 0:06:50 | |
Well, that's what I'm hoping you can tell me. | 0:06:50 | 0:06:53 | |
-If he's being bribed, the money's got to show up somewhere. -Exactly. | 0:06:54 | 0:06:58 | |
Are we taking this on? | 0:06:58 | 0:07:00 | |
I don't know. What do you think? | 0:07:02 | 0:07:04 | |
I hate these buildings. London doesn't need 'em. | 0:07:04 | 0:07:07 | |
80% of them are owned by foreign investors. | 0:07:07 | 0:07:09 | |
They buy 'em off plan in Singapore and they never live in them. | 0:07:09 | 0:07:12 | |
-The whole thing's a racket. -That's not exactly the point. | 0:07:12 | 0:07:16 | |
Well, that's just how I feel. | 0:07:16 | 0:07:18 | |
Well, it's certainly worth some initial scoping. | 0:07:18 | 0:07:21 | |
We'll need to look into his private life. | 0:07:21 | 0:07:23 | |
I'll find a way in. | 0:07:23 | 0:07:25 | |
HEAVY HAMMERING | 0:07:28 | 0:07:29 | |
VEHICLE REVERSING ALARM | 0:07:30 | 0:07:32 | |
-MAN: -Whoa! | 0:07:43 | 0:07:44 | |
HE SPEAKS POLISH | 0:07:49 | 0:07:51 | |
Hey, you two. You know what the rule is on this site, yeah? | 0:07:57 | 0:08:00 | |
English only. | 0:08:00 | 0:08:02 | |
-I told him about you. -What, my name? -No, nothing. -Good. | 0:08:04 | 0:08:09 | |
But Gulliver, he's OK. | 0:08:09 | 0:08:11 | |
He'll pay you the same. | 0:08:11 | 0:08:13 | |
-1,000? -Yeah. | 0:08:13 | 0:08:16 | |
If he gave you that, it was worth more. | 0:08:16 | 0:08:19 | |
All right? | 0:08:28 | 0:08:30 | |
DRILLING DROWNS OUT CONVERSATION | 0:08:30 | 0:08:32 | |
We should hang soon. When's good? | 0:08:49 | 0:08:51 | |
Can't wait to see you, babe. | 0:08:51 | 0:08:53 | |
Look, I know going through hundreds of phones | 0:08:56 | 0:08:58 | |
isn't the most exciting job, but have you found anything yet? | 0:08:58 | 0:09:02 | |
No, Sarge. | 0:09:03 | 0:09:06 | |
There could be some useful intel on these, you never know. | 0:09:06 | 0:09:09 | |
Listen, er, I might have something a bit different for you, | 0:09:14 | 0:09:18 | |
if you're up for it? | 0:09:18 | 0:09:20 | |
-What's that? -It's an undercover job. | 0:09:20 | 0:09:22 | |
I need something collected. | 0:09:22 | 0:09:24 | |
OK, it's hot, there's money involved | 0:09:24 | 0:09:27 | |
and it'll affect the whole squad. What do you think? | 0:09:27 | 0:09:29 | |
Yes, Sarge. | 0:09:29 | 0:09:31 | |
Two cappuccinos, two flat whites, | 0:09:33 | 0:09:35 | |
three breakfast teas and a hot chocolate. | 0:09:35 | 0:09:37 | |
I want the change and bring back a receipt, all right? | 0:09:37 | 0:09:40 | |
LAUGHTER Go on, then, get on with it. | 0:09:41 | 0:09:44 | |
MUSIC: Le Nozze Di Figaro by Mozart | 0:09:46 | 0:09:49 | |
-I'm off. -Where are you going? | 0:09:58 | 0:10:01 | |
-The Wesleys. -Oh, God! | 0:10:01 | 0:10:03 | |
-I know. -What is it this time? | 0:10:03 | 0:10:06 | |
The launch of The Scimitar dressed up as some sort of charity do. | 0:10:06 | 0:10:09 | |
-Art in prisons or something. -Which is where they'll probably end up. | 0:10:09 | 0:10:13 | |
BOTH LAUGH | 0:10:13 | 0:10:14 | |
-DOORBELL -There's my driver now. | 0:10:14 | 0:10:16 | |
-Are you in tonight? -I'm not moving. | 0:10:16 | 0:10:18 | |
-Dinner in front of the TV. -Oh, God! Lucky you. | 0:10:18 | 0:10:22 | |
Mmm! I'll see you later. | 0:10:22 | 0:10:24 | |
You're not my usual driver. What's happened to Ivan? | 0:10:31 | 0:10:34 | |
-Ivan's not well, sir. They sent me. -Hmm. I'm very sorry to hear that. | 0:10:34 | 0:10:37 | |
-What's the matter with him? -They did not say, sir. | 0:10:37 | 0:10:40 | |
-They said he'd be away for two weeks. -It's a nuisance. | 0:10:40 | 0:10:43 | |
-What's your name? -Stefan, sir. | 0:10:43 | 0:10:46 | |
-How long have you been with the car service? -Erm, six months. | 0:10:46 | 0:10:49 | |
Hmm. I hope you know your way around. | 0:10:49 | 0:10:51 | |
I'm going to Parliament now, then to the City Garden Space. | 0:10:51 | 0:10:54 | |
-Do you know it? -It's in the satnav, sir. -Yes, of course. | 0:10:54 | 0:10:57 | |
I, er, take it you know who I am? | 0:10:57 | 0:11:00 | |
-Yes, sir. -Right. | 0:11:00 | 0:11:02 | |
You never speed, you never go through a yellow light, | 0:11:02 | 0:11:04 | |
and if ever you keep me waiting, even for a minute, | 0:11:04 | 0:11:06 | |
-I'll ask for a new driver. Is that understood? -Yes, sir. -Good. | 0:11:06 | 0:11:09 | |
Let's go. | 0:11:11 | 0:11:13 | |
Oh. | 0:11:13 | 0:11:14 | |
DRILLING | 0:11:35 | 0:11:36 | |
MAN WHISTLES | 0:12:01 | 0:12:03 | |
Adam? | 0:12:03 | 0:12:04 | |
See you tonight. The Golabki. You're buying. | 0:12:04 | 0:12:07 | |
ADAM LAUGHS | 0:12:07 | 0:12:08 | |
Listen, er, the lights have gone down in section one. | 0:12:08 | 0:12:11 | |
You know, it's going to get dark pretty soon. | 0:12:11 | 0:12:13 | |
-I need you to go and check the generator. -Now? | 0:12:13 | 0:12:16 | |
Yeah, now. I mean, the rig's about to arrive. | 0:12:16 | 0:12:19 | |
Yeah, we're going to be drilling all night. | 0:12:19 | 0:12:22 | |
-Well, crack on. Get on with it. -OK. | 0:12:22 | 0:12:25 | |
ENGINE SHUDDERS TO A HALT | 0:12:49 | 0:12:51 | |
HUBBUB | 0:13:01 | 0:13:03 | |
'The Scimitar. | 0:13:45 | 0:13:46 | |
'A stunning new development set to transform the London skyline. | 0:13:48 | 0:13:51 | |
'State-of-the-art offices, | 0:13:51 | 0:13:54 | |
'a luxurious five-star hotel, | 0:13:54 | 0:13:57 | |
'and breathtaking apartments, | 0:13:57 | 0:14:00 | |
'brought to life by visionary developers the Wesley Brothers. | 0:14:00 | 0:14:04 | |
'This complex is already destined to become... | 0:14:04 | 0:14:08 | |
'London's most exciting landmark.' | 0:14:08 | 0:14:11 | |
The City Garden Space, sir. | 0:14:13 | 0:14:15 | |
All right, wait for me here. I shouldn't be more than an hour. | 0:14:15 | 0:14:19 | |
I'll let myself out. | 0:14:23 | 0:14:25 | |
'Rising 250 metres above the city, | 0:14:25 | 0:14:28 | |
'no building can compare in terms of ambition, scale and prestige. | 0:14:28 | 0:14:34 | |
'This incredible investment opportunity | 0:14:34 | 0:14:37 | |
'has complete government backing. | 0:14:37 | 0:14:40 | |
'Be part of the future, be part of the name, | 0:14:40 | 0:14:43 | |
'be part of...The Scimitar.' | 0:14:43 | 0:14:47 | |
APPLAUSE | 0:14:47 | 0:14:48 | |
Ladies and gentlemen, thank you very much. | 0:14:52 | 0:14:54 | |
We want to thank you all for being here tonight, | 0:14:54 | 0:14:56 | |
in particular our wonderful architect Paolo. | 0:14:56 | 0:15:00 | |
And of course, the Under Secretary of State, Charles Matherson. | 0:15:00 | 0:15:02 | |
Thanks to the agreement reached with the minister, | 0:15:02 | 0:15:05 | |
The Scimitar will be making a section 106 contribution | 0:15:05 | 0:15:08 | |
of £16 million going to the local community. | 0:15:08 | 0:15:11 | |
Louis and I are determined that The Scimitar should benefit all London | 0:15:11 | 0:15:15 | |
and working with the government, that's what we intend to achieve. | 0:15:15 | 0:15:18 | |
APPLAUSE | 0:15:18 | 0:15:19 | |
I'm sorry, sir, I'm afraid this venue's closed | 0:15:27 | 0:15:30 | |
-for a private function this evening. -I'd like to see the Wesleys. | 0:15:30 | 0:15:33 | |
-I'm sorry, I can't let you in if you're not on the list. -Listen, darling. | 0:15:33 | 0:15:37 | |
Tell them John Gulliver is here. | 0:15:37 | 0:15:40 | |
They'll see me. | 0:15:40 | 0:15:41 | |
Just between you and me, I don't like your snotty attitude, OK? | 0:15:43 | 0:15:47 | |
So why don't you shove it - along with your clipboard - | 0:15:47 | 0:15:51 | |
-and tell them that I'm here. -Let her go. | 0:15:51 | 0:15:54 | |
Who are you? | 0:15:59 | 0:16:01 | |
-I'm a driver. -Well, get back in your car...and mind your own business. | 0:16:01 | 0:16:07 | |
I'm OK. I don't want any trouble. | 0:16:08 | 0:16:11 | |
You heard her, she's OK. | 0:16:11 | 0:16:13 | |
There won't be any trouble, | 0:16:13 | 0:16:16 | |
I just need to speak to him. | 0:16:16 | 0:16:18 | |
But tonight isn't just about The Scimitar, | 0:16:18 | 0:16:21 | |
downstairs and all around us you'll find original artwork | 0:16:21 | 0:16:25 | |
created by young offenders under our artistic licence scheme. | 0:16:25 | 0:16:30 | |
It's all for sale. So, please, dig deep and enjoy yourselves. | 0:16:30 | 0:16:34 | |
APPLAUSE | 0:16:34 | 0:16:36 | |
Thanks for coming. | 0:16:40 | 0:16:42 | |
Mr Wesley. | 0:16:51 | 0:16:53 | |
What are you doing here? | 0:16:58 | 0:16:59 | |
I gave you two days, I still haven't heard from you. | 0:17:03 | 0:17:06 | |
-I needed to think about it. -I wouldn't say there was much to think about, | 0:17:06 | 0:17:09 | |
-unless you want all this to come crashing down. -Look... | 0:17:09 | 0:17:11 | |
..I'll pay. | 0:17:13 | 0:17:15 | |
It will just take me time to raise the money. | 0:17:15 | 0:17:17 | |
Tell me where I can find you. | 0:17:18 | 0:17:20 | |
HE SIGHS | 0:17:48 | 0:17:49 | |
SHE SPEAKS POLISH | 0:17:49 | 0:17:52 | |
Adam's dead. | 0:17:55 | 0:17:57 | |
What?! | 0:17:57 | 0:17:59 | |
He was killed on the site today. | 0:18:10 | 0:18:12 | |
It was an accident. | 0:18:14 | 0:18:16 | |
An accident?! | 0:18:17 | 0:18:19 | |
That's what they say. | 0:18:21 | 0:18:23 | |
-Does anyone know? -What? | 0:18:25 | 0:18:28 | |
You know what I'm talking about. | 0:18:28 | 0:18:30 | |
Did you tell them? | 0:18:30 | 0:18:31 | |
-No. -You mustn't. | 0:18:32 | 0:18:34 | |
Eva...Adam's dead. | 0:18:34 | 0:18:37 | |
He sold it to them and they killed him. | 0:18:39 | 0:18:42 | |
I have to go to the police. | 0:18:42 | 0:18:44 | |
No! | 0:18:44 | 0:18:46 | |
SHE SPEAKS POLISH | 0:18:47 | 0:18:49 | |
Yeah. | 0:19:08 | 0:19:10 | |
No, it's not a problem. | 0:19:10 | 0:19:11 | |
Bye. | 0:19:12 | 0:19:14 | |
Accident on a building site. | 0:19:16 | 0:19:18 | |
Happened yesterday. | 0:19:18 | 0:19:19 | |
Builder was killed when a generator exploded in his face. | 0:19:19 | 0:19:23 | |
Adam Jannsen? What's that, German? | 0:19:23 | 0:19:26 | |
Polish, I think. Does it make any difference? | 0:19:26 | 0:19:30 | |
-Not to him any more. -Anyway, it's a big deal. | 0:19:30 | 0:19:33 | |
It's The Scimitar. | 0:19:33 | 0:19:35 | |
You know, maybe you should read the papers a bit more, Derek. | 0:19:37 | 0:19:40 | |
It's a £500-million development. | 0:19:40 | 0:19:42 | |
It's controversial - it's got government backing, anyway. | 0:19:42 | 0:19:44 | |
Press are all over it, that's why it's been passed up to us. | 0:19:44 | 0:19:47 | |
-What about Health and Safety? -No, they've been told to wait. | 0:19:47 | 0:19:51 | |
I want you to go down there and make a preliminary report. | 0:19:51 | 0:19:54 | |
And take Sayyad with you. | 0:19:54 | 0:19:57 | |
-Why? -Cos he's a TDC, Derek. | 0:19:57 | 0:20:00 | |
"T" stands for trainee, | 0:20:00 | 0:20:02 | |
not something you send him out to buy, all right? | 0:20:02 | 0:20:06 | |
Right, come on. | 0:20:08 | 0:20:11 | |
Get your coat. | 0:20:15 | 0:20:17 | |
The new building, known as The Scimitar, | 0:20:20 | 0:20:23 | |
has been controversial since it was given the go-ahead earlier this year. | 0:20:23 | 0:20:27 | |
'Police and health and safety officials have closed down the entire project | 0:20:27 | 0:20:31 | |
'following the death of an unnamed construction worker yesterday.' | 0:20:31 | 0:20:34 | |
-Where's the foreman? -In the office. | 0:20:35 | 0:20:38 | |
Well, well, well! | 0:20:49 | 0:20:51 | |
Raymond Keane! | 0:20:51 | 0:20:53 | |
-I've not seen you in a while. -Hi, Derek. | 0:20:53 | 0:20:57 | |
-You work here, do ya? -Yeah. | 0:20:57 | 0:20:59 | |
-Site foreman. -Wonders will never cease. | 0:20:59 | 0:21:03 | |
So, what happened? | 0:21:03 | 0:21:05 | |
It was an accident. | 0:21:07 | 0:21:09 | |
Checked the generator and... | 0:21:09 | 0:21:11 | |
..the thing just blew. | 0:21:13 | 0:21:15 | |
His bad luck, eh? | 0:21:15 | 0:21:17 | |
Let's have a look, shall we? | 0:21:18 | 0:21:21 | |
We had a power short, so I sent Jannsen to look at the generator. | 0:21:23 | 0:21:26 | |
-You sent him? -He was the first person I saw. I hardly knew him. | 0:21:26 | 0:21:29 | |
From Adam, yeah. So, what happened? | 0:21:29 | 0:21:32 | |
I dunno. I think there was a leak in the tank. | 0:21:32 | 0:21:34 | |
No-one had been near it for days. | 0:21:36 | 0:21:38 | |
-I haven't a clue. -Just like old times, eh? | 0:21:39 | 0:21:43 | |
-Was anyone else here? -No, he was on his own. | 0:21:57 | 0:22:00 | |
Sarge. | 0:22:00 | 0:22:02 | |
There's chewing gum. | 0:22:05 | 0:22:06 | |
That could've been left there a week ago. | 0:22:06 | 0:22:09 | |
Looks fresh. Then there's boot prints around the fuel tanker. | 0:22:12 | 0:22:15 | |
Right. Some of the lads came over, you know, after it happened. | 0:22:15 | 0:22:19 | |
It was probably one of them. | 0:22:19 | 0:22:21 | |
'There will, I'm sure, be a full investigation | 0:22:33 | 0:22:35 | |
'by the police and the Health and Safety Executive. | 0:22:35 | 0:22:38 | |
'But we cannot allow an accident like this, albeit a tragic one, | 0:22:38 | 0:22:43 | |
'to distract us. | 0:22:43 | 0:22:45 | |
-WOMAN: -'Minister, how do you feel about | 0:22:45 | 0:22:47 | |
'the opposition to The Scimitar both local and national?' | 0:22:47 | 0:22:49 | |
-Louis, have you seen this? -Shh. | 0:22:49 | 0:22:51 | |
My thoughts are with the family and friends of the | 0:22:51 | 0:22:54 | |
'man who was sadly killed. | 0:22:54 | 0:22:56 | |
'But I would like to say this. We need...' | 0:22:56 | 0:22:58 | |
We're all over the news. | 0:23:00 | 0:23:02 | |
Yes, I've seen. | 0:23:02 | 0:23:04 | |
-It's terrible. -I tell you what's terrible, Elias, | 0:23:04 | 0:23:07 | |
we've just been shut down. | 0:23:07 | 0:23:08 | |
There'll be a full investigation by HSE, | 0:23:08 | 0:23:11 | |
prohibition notices, God knows! | 0:23:11 | 0:23:14 | |
Why did he have to die on the bloody building site? | 0:23:16 | 0:23:19 | |
He could have...fallen under a bus, | 0:23:19 | 0:23:22 | |
-he could've been knocked down by a train. -Louis! | 0:23:22 | 0:23:25 | |
It's just a bloody shame, that's all. | 0:23:27 | 0:23:30 | |
KNOCK AT DOOR | 0:23:32 | 0:23:34 | |
-Yes? -I understand you have an Adam Jannsen living here? | 0:23:34 | 0:23:38 | |
-That's right. -Your name is? | 0:23:38 | 0:23:41 | |
Karen Andrews. | 0:23:41 | 0:23:42 | |
I'm Detective Sergeant Sands, this is Detective Constable Sayyad. | 0:23:42 | 0:23:46 | |
-Can we come in? -It's not a good time. | 0:23:46 | 0:23:49 | |
Not for Adam, not for us, not for anybody, really, | 0:23:49 | 0:23:52 | |
but we'd still like to come in. | 0:23:52 | 0:23:54 | |
It's my house. | 0:23:55 | 0:23:56 | |
Adam's been renting a room from me for the last three months. | 0:23:56 | 0:23:59 | |
-So how did the two of you meet? -Internet. | 0:23:59 | 0:24:03 | |
There's a renting agency. | 0:24:03 | 0:24:05 | |
But he just walked through the door. | 0:24:05 | 0:24:07 | |
So what can you tell us about Adam? | 0:24:09 | 0:24:12 | |
He was very quiet, very hard-working, he didn't go out much. | 0:24:12 | 0:24:18 | |
So, nothing unusual's happened over the last few days, weeks? | 0:24:18 | 0:24:23 | |
Apart from Adam getting himself killed, I mean. | 0:24:23 | 0:24:26 | |
He didn't say or do anything that made you think twice? | 0:24:26 | 0:24:30 | |
-No. Are you suggesting...? -I'm not suggesting anything, Ms Andrews, | 0:24:30 | 0:24:33 | |
I'm just asking you some questions, | 0:24:33 | 0:24:35 | |
and if you could answer them, that'd be a real help. | 0:24:35 | 0:24:38 | |
I didn't see that much of him. | 0:24:39 | 0:24:41 | |
He seemed completely normal. | 0:24:41 | 0:24:43 | |
In fact, he was very cheerful. | 0:24:44 | 0:24:47 | |
He'd made some money. | 0:24:47 | 0:24:49 | |
That's his. He'd just bought it. | 0:24:49 | 0:24:52 | |
Er, did he tell you HOW he made the money? | 0:24:52 | 0:24:55 | |
No. He must've done another job. | 0:24:55 | 0:24:56 | |
Moonlighting. He never stopped. | 0:24:56 | 0:24:59 | |
It was an accident. A piece of kit that should have been inspected. | 0:25:00 | 0:25:03 | |
Poor bastard turned it on and it blew him apart. | 0:25:03 | 0:25:06 | |
-Let's leave it to Health and Safety. -I don't agree. | 0:25:06 | 0:25:09 | |
Er, excuse me, who asked you? | 0:25:09 | 0:25:11 | |
Adam Jannsen was a casual labourer, | 0:25:11 | 0:25:14 | |
no record here or abroad, | 0:25:14 | 0:25:16 | |
wife, daughter, no enemies, nothing. | 0:25:16 | 0:25:18 | |
-You ran into Raymond Keane? -Yes. -He was your informant, wasn't he? | 0:25:18 | 0:25:22 | |
On and off back in the '90s, then he disappeared. | 0:25:22 | 0:25:24 | |
Are you going to talk to him? | 0:25:24 | 0:25:25 | |
I might, but he doesn't know anything, he was nowhere near the generator when it happened. | 0:25:25 | 0:25:29 | |
-Adam Jannsen made money the week before he died. -Moonlighting. | 0:25:29 | 0:25:32 | |
And there may have been someone there when it happened. | 0:25:32 | 0:25:35 | |
I found chewing gum. | 0:25:36 | 0:25:38 | |
I know it's not much, but when I mentioned it, Keane looked nervous. | 0:25:38 | 0:25:42 | |
All right. Talk to Keane again. | 0:25:42 | 0:25:44 | |
But I think you're right, let's leave this to HSE unless something else comes up. | 0:25:44 | 0:25:48 | |
And you...don't argue with your senior officer, | 0:25:48 | 0:25:51 | |
especially not in front of me. | 0:25:51 | 0:25:53 | |
-Why am I doing this? -Muay Thai. | 0:26:00 | 0:26:03 | |
-Thai boxing. -Yeah, I know what it is, why am I doing it? | 0:26:03 | 0:26:06 | |
Well, it's good for leg strength, core muscles, | 0:26:06 | 0:26:10 | |
cardiovascular, and it helps you de-stress. | 0:26:10 | 0:26:14 | |
He was a builder, a general labourer. His name was Adam Jannsen. | 0:26:14 | 0:26:18 | |
They're saying it was an accident, but I'm not so sure. | 0:26:18 | 0:26:22 | |
-Where was he from? -Er...Bizgozca. | 0:26:22 | 0:26:25 | |
-Hmm. Bydgoszcz. -All right, somewhere with two Zs in it. | 0:26:25 | 0:26:30 | |
-Bydgoszcz. -What, you been there? | 0:26:30 | 0:26:33 | |
No, I just know how to pronounce it. | 0:26:33 | 0:26:35 | |
Five. Six. | 0:26:35 | 0:26:38 | |
-Six. -That was seven! | 0:26:39 | 0:26:41 | |
-Seven. -Eight! | 0:26:44 | 0:26:47 | |
So, what you doing? | 0:26:47 | 0:26:48 | |
-Can't tell ya. -You always say that. | 0:26:48 | 0:26:51 | |
It is really annoying. | 0:26:51 | 0:26:53 | |
-Look, it's SF0 business. -You can tell me because we're mates. | 0:26:53 | 0:26:56 | |
I'm not interested anyway. | 0:26:58 | 0:27:00 | |
Look, I need your help. Adam was Polish, he has a mate who's Polish. | 0:27:00 | 0:27:04 | |
You know these people. | 0:27:04 | 0:27:06 | |
What, because I'm...Polish? | 0:27:08 | 0:27:12 | |
-That's racist. -No, it's not. | 0:27:12 | 0:27:14 | |
-Yes, it is. -How is that possibly racist? | 0:27:14 | 0:27:18 | |
I'm amazed you've never done this before. | 0:27:20 | 0:27:22 | |
I didn't want to do it before. I don't think I want to do it now. | 0:27:22 | 0:27:26 | |
Charles Matherson. | 0:27:26 | 0:27:28 | |
Who's Charles Matherson? | 0:27:28 | 0:27:29 | |
-What's the point of telling if you don't even know who he is? -Just tell me! -He's a big shot. | 0:27:29 | 0:27:33 | |
He's in government. | 0:27:33 | 0:27:35 | |
I'm his driver. | 0:27:35 | 0:27:37 | |
-You're driving him? -It's what I do. | 0:27:39 | 0:27:42 | |
Well, that's cool. Do you have to wear a cap? | 0:27:43 | 0:27:47 | |
Yeah, just...keep going. | 0:27:48 | 0:27:51 | |
Relax. | 0:27:51 | 0:27:53 | |
You ready? | 0:27:56 | 0:27:58 | |
-Yeah. -OK. We can do something fairly basic just to start with. | 0:27:58 | 0:28:03 | |
All right. | 0:28:03 | 0:28:05 | |
Hah! | 0:28:05 | 0:28:06 | |
RASH GROANS | 0:28:13 | 0:28:15 | |
I'm sorry. | 0:28:15 | 0:28:16 | |
You kicked me... in the balls. | 0:28:16 | 0:28:19 | |
It wasn't a kick, it was te chiang. | 0:28:19 | 0:28:21 | |
You should learn it, you don't know when you might need it. | 0:28:22 | 0:28:25 | |
I don't need it, in any sense. | 0:28:25 | 0:28:27 | |
-I've got to get home. -Me, too. | 0:28:30 | 0:28:32 | |
-I've got an early start. -Are you seeing any...more flats? | 0:28:32 | 0:28:36 | |
Perhaps. | 0:28:37 | 0:28:40 | |
-Yeah? -Yeah. | 0:28:40 | 0:28:42 | |
Actually, I saw one today. | 0:28:45 | 0:28:47 | |
I wasn't looking, but I stumbled on a room to rent. | 0:28:47 | 0:28:50 | |
Nice house. | 0:28:50 | 0:28:52 | |
Owned by a girl. | 0:28:52 | 0:28:55 | |
Are you...going to take it? | 0:28:55 | 0:28:57 | |
It's complicated. | 0:28:59 | 0:29:01 | |
I haven't asked. | 0:29:03 | 0:29:05 | |
You shouldn't rent, you should buy. | 0:29:06 | 0:29:09 | |
I can't afford to buy, not in London. | 0:29:09 | 0:29:12 | |
-We could go halves. -We still couldn't afford it. | 0:29:12 | 0:29:14 | |
Besides, I'm not sure it's a good idea. | 0:29:14 | 0:29:17 | |
-Why not? -Well, I hardly even know you. Anyway... | 0:29:17 | 0:29:22 | |
-What?! -You just kicked me! | 0:29:22 | 0:29:24 | |
Oh... I said I was sorry. | 0:29:24 | 0:29:27 | |
Yeah. | 0:29:27 | 0:29:29 | |
Well, it's not exactly a recommendation. | 0:29:29 | 0:29:32 | |
Oh, erm... | 0:29:32 | 0:29:34 | |
..see you, then. | 0:29:35 | 0:29:37 | |
-See ya. -Say hello to Leila for me. | 0:29:37 | 0:29:40 | |
So...you live here, do you? | 0:29:43 | 0:29:46 | |
I have a bedsit on the top floor. | 0:29:46 | 0:29:49 | |
-You don't drink? -I gave it up. | 0:29:49 | 0:29:52 | |
Booze is what got me into trouble in the first place. | 0:29:52 | 0:29:56 | |
You were a...alcoholic? | 0:29:56 | 0:30:00 | |
Shoplifting in an off-licence, that was the first time I got nicked. | 0:30:00 | 0:30:04 | |
I thought I was your first time? | 0:30:04 | 0:30:07 | |
-No, you were the first one who put me inside. -BOTH LAUGH | 0:30:07 | 0:30:09 | |
-So where have you been all these years? -Back up north. | 0:30:09 | 0:30:13 | |
You know, Manchester, Leeds. | 0:30:13 | 0:30:15 | |
I needed to work. | 0:30:15 | 0:30:16 | |
-I gave you work. -Yeah, but I moved on. | 0:30:16 | 0:30:20 | |
How's Eda? How's the kids? | 0:30:24 | 0:30:26 | |
They moved on too. | 0:30:26 | 0:30:29 | |
I'm sorry. | 0:30:30 | 0:30:31 | |
So this business with Jannsen? | 0:30:34 | 0:30:37 | |
What happened, Raymond, at the building site? | 0:30:37 | 0:30:40 | |
It was an accident. | 0:30:43 | 0:30:44 | |
Why would I lie to ya? I didn't even know the guy. | 0:30:47 | 0:30:49 | |
-You sent him over there. -He was in the wrong place, wrong time. | 0:30:49 | 0:30:54 | |
It was just bad luck. | 0:30:54 | 0:30:56 | |
SIREN WAILS | 0:31:01 | 0:31:02 | |
BIRDSONG | 0:31:05 | 0:31:08 | |
-Oh, I was just about to leave for work. -Can I just talk to you? | 0:31:10 | 0:31:13 | |
It'll only be a few minutes. | 0:31:13 | 0:31:15 | |
-This really is a nice place. -Thank you. | 0:31:20 | 0:31:23 | |
Will you be renting the room again? | 0:31:23 | 0:31:26 | |
I haven't really thought about it. | 0:31:26 | 0:31:28 | |
-Why do you ask? -Oh, I just wondered. | 0:31:28 | 0:31:31 | |
I suppose I'll have to. I mean, I can't afford not to. | 0:31:31 | 0:31:35 | |
Anyway, what do you want to know? | 0:31:35 | 0:31:38 | |
Is there anything else you can tell me about Adam? | 0:31:39 | 0:31:42 | |
Erm... | 0:31:42 | 0:31:44 | |
-did you know any of his friends? -They were mainly Eastern European. | 0:31:44 | 0:31:48 | |
Polish. | 0:31:48 | 0:31:50 | |
If you want to talk to them, they'll be at the Golabki. | 0:31:50 | 0:31:53 | |
-What's that? -It's a club. | 0:31:53 | 0:31:56 | |
They're having drinks in his memory tonight at nine. | 0:31:56 | 0:32:00 | |
-Look, you said he earned extra cash moonlighting? -That's right. | 0:32:00 | 0:32:05 | |
Do you know how much cash? | 0:32:05 | 0:32:07 | |
Well, he'd paid two months rent in advance. | 0:32:07 | 0:32:10 | |
-How much was that? -£800. | 0:32:10 | 0:32:13 | |
That's good value. | 0:32:13 | 0:32:15 | |
-I might put it up. -No. | 0:32:15 | 0:32:17 | |
Er, that's... Yeah, that's about right. Yeah. | 0:32:18 | 0:32:22 | |
I know I said he was moonlighting, | 0:32:24 | 0:32:25 | |
but now that I think about it, I don't think he had the time. | 0:32:25 | 0:32:29 | |
Er, well, did he gamble? | 0:32:29 | 0:32:31 | |
Or could he have sold something or borrowed the money? | 0:32:31 | 0:32:34 | |
There's one thing. | 0:32:34 | 0:32:36 | |
A few days before he died, | 0:32:36 | 0:32:38 | |
he went to see someone. | 0:32:38 | 0:32:40 | |
An antiques dealer. | 0:32:41 | 0:32:43 | |
His name was Gulliver. | 0:32:43 | 0:32:45 | |
-How do you know that? -He asked me about the spelling. | 0:32:45 | 0:32:48 | |
He Googled the address. | 0:32:48 | 0:32:50 | |
This was his? | 0:32:52 | 0:32:55 | |
I'll need to take it as evidence. | 0:32:55 | 0:32:58 | |
Stefan, would you do me a favour? | 0:33:15 | 0:33:17 | |
There's a box in the boot that weighs a tonne, do you think you could bring it in? | 0:33:17 | 0:33:20 | |
Yes, sir, is pleasure. | 0:33:20 | 0:33:23 | |
I'm just going to be ten minutes and then straight to Westminster. | 0:33:27 | 0:33:29 | |
And this afternoon my wife needs to go to King's Cross station. | 0:33:29 | 0:33:32 | |
-Have you met her? -No, sir. | 0:33:32 | 0:33:34 | |
I'll introduce you. | 0:33:34 | 0:33:36 | |
Just put it down there. | 0:33:38 | 0:33:40 | |
Call the boss. We've got company. | 0:33:52 | 0:33:54 | |
BOX THUDS | 0:34:03 | 0:34:04 | |
Helen? | 0:34:04 | 0:34:05 | |
I wasn't expecting you. | 0:34:05 | 0:34:08 | |
Just looking in on my way to B&Q's and dropped off those samples. | 0:34:08 | 0:34:12 | |
Thank you. | 0:34:12 | 0:34:13 | |
HI-YAH! | 0:34:57 | 0:34:59 | |
Can I help you? | 0:34:59 | 0:35:01 | |
Would you mind putting that down? | 0:35:03 | 0:35:05 | |
It's not a toy and it's expensive. | 0:35:05 | 0:35:07 | |
Were you looking for anything in particular? | 0:35:09 | 0:35:11 | |
Actually, I'm a police officer. | 0:35:11 | 0:35:14 | |
I'm making enquiries about a man called Adam Jannsen. | 0:35:16 | 0:35:19 | |
Do you remember him? | 0:35:19 | 0:35:21 | |
Why would I remember him when I have never met him? | 0:35:21 | 0:35:24 | |
He had your address on his phone. | 0:35:24 | 0:35:27 | |
So what? | 0:35:27 | 0:35:28 | |
When he left here, he had money in his pocket. | 0:35:30 | 0:35:33 | |
I think he sold something to you. | 0:35:33 | 0:35:35 | |
I don't buy from the public, only from people I know. | 0:35:35 | 0:35:39 | |
So, why are you wasting my time? | 0:35:39 | 0:35:41 | |
Three days later he was dead. | 0:35:44 | 0:35:46 | |
My heart bleeds. | 0:35:46 | 0:35:48 | |
People die all the time, even policemen. | 0:35:48 | 0:35:51 | |
Are you threatening me? | 0:35:53 | 0:35:55 | |
Everything all right, John? | 0:35:55 | 0:35:58 | |
I don't know, JC. | 0:35:58 | 0:36:00 | |
Maybe. | 0:36:00 | 0:36:01 | |
Maybe not. | 0:36:02 | 0:36:05 | |
You were just leaving, weren't you? | 0:36:05 | 0:36:07 | |
All right. | 0:36:11 | 0:36:13 | |
-You weren't worried last night, were you? -What? | 0:36:25 | 0:36:28 | |
-The Wesleys. -What, you think they've got problems? | 0:36:28 | 0:36:31 | |
Well, they've borrowed through the roof at the worst possible time. | 0:36:31 | 0:36:34 | |
And now they've put all their eggs in one very rickety basket. | 0:36:34 | 0:36:38 | |
You're not telling me they're going under? | 0:36:38 | 0:36:40 | |
I very much hope not, Charles. | 0:36:40 | 0:36:42 | |
I never wanted to do business with them in the first place. | 0:36:42 | 0:36:45 | |
DOG GROWLS | 0:37:15 | 0:37:17 | |
OK... | 0:37:20 | 0:37:23 | |
Good dog. Good dog. | 0:37:23 | 0:37:26 | |
Good dog. | 0:37:28 | 0:37:30 | |
Shhh, good dog. | 0:37:32 | 0:37:35 | |
Good dog. | 0:37:37 | 0:37:39 | |
DOG BARKS | 0:37:42 | 0:37:43 | |
Argh! | 0:37:44 | 0:37:46 | |
DOG SNARLS | 0:38:09 | 0:38:11 | |
Who's that? | 0:38:14 | 0:38:16 | |
The driver. | 0:38:16 | 0:38:18 | |
Oi, you! | 0:38:19 | 0:38:20 | |
Stop! | 0:38:22 | 0:38:24 | |
CAR BRAKES SCREECH | 0:38:28 | 0:38:30 | |
Stop! | 0:38:30 | 0:38:32 | |
Stop! Stop it right there. | 0:38:35 | 0:38:37 | |
We're police officers. | 0:38:37 | 0:38:38 | |
Max! Max, get off him! | 0:38:45 | 0:38:47 | |
Get out! | 0:38:47 | 0:38:48 | |
Are you all right? | 0:38:48 | 0:38:49 | |
No, sir, I'm hurt. | 0:38:49 | 0:38:51 | |
-Can you get up? -No, the dog bite me. | 0:38:51 | 0:38:54 | |
-Well, what are you doing in here? -I look for Mrs Matherson, you say. | 0:38:54 | 0:38:57 | |
Oh, God. Helen. Helen! | 0:38:57 | 0:39:00 | |
Listen, don't move. | 0:39:00 | 0:39:01 | |
I'll call an ambulance. Helen! | 0:39:01 | 0:39:04 | |
-Did Max bite him? -Yes. | 0:39:07 | 0:39:10 | |
-He was in the office. -What was he doing in there? | 0:39:10 | 0:39:13 | |
I've no idea. | 0:39:13 | 0:39:14 | |
I mean, he said he was looking for you. | 0:39:14 | 0:39:16 | |
HE SIGHS | 0:39:16 | 0:39:18 | |
Listen, I'm going to call an ambulance. | 0:39:18 | 0:39:20 | |
Put the dog outside. | 0:39:20 | 0:39:22 | |
Good news from the doctors... | 0:39:39 | 0:39:41 | |
the dog's going to be fine. | 0:39:41 | 0:39:43 | |
What, you think that's funny? It bit me. | 0:39:43 | 0:39:45 | |
-Leila? -How are you feeling? | 0:39:48 | 0:39:50 | |
Better. | 0:39:52 | 0:39:53 | |
You two know each other? | 0:39:53 | 0:39:55 | |
Well, I'd better leave. | 0:39:57 | 0:39:59 | |
You did really well, Stefan. This is amazing. | 0:40:01 | 0:40:05 | |
It could give us everything we need to know. | 0:40:05 | 0:40:07 | |
So... | 0:40:10 | 0:40:12 | |
You're pretending to be a chauffeur? | 0:40:12 | 0:40:15 | |
Get bitten by a dog, you steal a memory stick. | 0:40:15 | 0:40:19 | |
I won't ask. | 0:40:19 | 0:40:20 | |
You want to go out tonight? | 0:40:20 | 0:40:23 | |
-I'm working tonight. -Well, tomorrow, then. | 0:40:23 | 0:40:25 | |
-How did you know I was here? -The doctor told me. | 0:40:28 | 0:40:31 | |
Actually, I've got something for you. | 0:40:31 | 0:40:33 | |
What's that? | 0:40:33 | 0:40:35 | |
This. | 0:40:35 | 0:40:36 | |
We've had John Gulliver under 24-hour surveillance for the last | 0:40:39 | 0:40:42 | |
three weeks and all was going very nicely until your boy walked in. | 0:40:42 | 0:40:45 | |
How did you know he was with us? | 0:40:45 | 0:40:46 | |
I was in the building a couple of days ago, saw him by the stairs. | 0:40:46 | 0:40:49 | |
And then you decided to pick him up before he did any more damage, | 0:40:49 | 0:40:52 | |
was that the idea? | 0:40:52 | 0:40:54 | |
I wanted to know what he was doing there. | 0:40:54 | 0:40:55 | |
I think we're all of that persuasion. | 0:40:55 | 0:40:58 | |
If you don't mind my asking, what's your interest in Gulliver? | 0:40:58 | 0:41:01 | |
Public sculptures. | 0:41:03 | 0:41:05 | |
Three of them have been stolen from different London | 0:41:06 | 0:41:09 | |
parks in the past three months. | 0:41:09 | 0:41:11 | |
We've been getting nowhere, until last week. | 0:41:15 | 0:41:17 | |
There was a witness. | 0:41:17 | 0:41:19 | |
Excuse me, can I ask what you're doing? | 0:41:21 | 0:41:23 | |
Did he see the van? | 0:41:25 | 0:41:27 | |
Yeah, and he got the registration. | 0:41:27 | 0:41:29 | |
And that didn't help? | 0:41:32 | 0:41:33 | |
Well, it helped us trace the vehicle back to the company that rented it. | 0:41:33 | 0:41:37 | |
4 Boys Van Hire. As far as it went. | 0:41:37 | 0:41:39 | |
It's a cowboy operation - cash on the counter and off you go. | 0:41:40 | 0:41:43 | |
They gave us descriptions of the two men who hired it, | 0:41:43 | 0:41:46 | |
-could have been anyone. -So, where's the van? | 0:41:46 | 0:41:49 | |
Forensics, nothing so far. | 0:41:49 | 0:41:50 | |
And Gulliver? | 0:41:50 | 0:41:52 | |
Gulliver's a handler, he's well known to us. | 0:41:52 | 0:41:54 | |
A lot of stuff goes in and out of that place. | 0:41:54 | 0:41:56 | |
And you're waiting for your statues to turn up. | 0:41:56 | 0:41:59 | |
That was the idea. | 0:41:59 | 0:42:01 | |
He doesn't know anything about your investigation, all right? | 0:42:01 | 0:42:04 | |
That wasn't why I was there. | 0:42:04 | 0:42:06 | |
So, why were you there? | 0:42:06 | 0:42:08 | |
Adam Jannsen visited Gulliver three days before he died. | 0:42:10 | 0:42:13 | |
Oh, come on! | 0:42:13 | 0:42:15 | |
Jannsen, the construction worker? His death is officially an accident. | 0:42:15 | 0:42:18 | |
I think he sold something to Gulliver. | 0:42:18 | 0:42:20 | |
He was paid money, then he died. | 0:42:20 | 0:42:22 | |
So, how did you find Gulliver? | 0:42:24 | 0:42:25 | |
It was in Adam's phone, he Googled the address. | 0:42:25 | 0:42:28 | |
-Why did you run? -Someone came chasing after me - | 0:42:28 | 0:42:30 | |
-I thought he was with Gulliver. -Yeah, that was my DC. | 0:42:30 | 0:42:32 | |
Now he's out of action with a concussion. | 0:42:32 | 0:42:34 | |
He's meant to have an observation post tonight watching | 0:42:34 | 0:42:37 | |
Gulliver midnight until six. | 0:42:37 | 0:42:38 | |
-Well, you've got cameras, haven't you? -Yeah. | 0:42:38 | 0:42:40 | |
But they've been unreliable. I need someone there. | 0:42:40 | 0:42:43 | |
And thanks to him, I've got no-one. | 0:42:43 | 0:42:45 | |
Maybe I can help. | 0:42:54 | 0:42:56 | |
We're still processing the document Stefan recovered from Matherson's, | 0:42:56 | 0:43:00 | |
but, so far, everything is in the wife's name - including the house. | 0:43:00 | 0:43:03 | |
She paid £3.5 million for it nine years ago. | 0:43:03 | 0:43:06 | |
But it's worth at least twice that now. | 0:43:06 | 0:43:08 | |
So, she's the wealthy one, not him. What else? | 0:43:08 | 0:43:11 | |
Creighton Quarries is very successful. | 0:43:11 | 0:43:14 | |
That's the family business run by her father. | 0:43:14 | 0:43:16 | |
The ragstone is a premium product and it costs a fortune. | 0:43:16 | 0:43:20 | |
What have you got on Matherson? | 0:43:20 | 0:43:22 | |
He has his ministerial salary, | 0:43:22 | 0:43:24 | |
£134,565 a year, but that's it. | 0:43:24 | 0:43:27 | |
One bank account, no unusual transactions. | 0:43:27 | 0:43:30 | |
So, there's no evidence of anything untoward? | 0:43:30 | 0:43:34 | |
I'm beginning to wonder if this is worth pursuing. | 0:43:34 | 0:43:36 | |
The corrupt minister? | 0:43:36 | 0:43:38 | |
Well, only according to Peter Mayhew. | 0:43:38 | 0:43:40 | |
-This came from Mayhew? -Why so surprised? | 0:43:41 | 0:43:45 | |
Well, he's in government. | 0:43:45 | 0:43:46 | |
Why would he brief against one of his own ministers? | 0:43:46 | 0:43:49 | |
That's a good point. | 0:43:49 | 0:43:50 | |
I've been asking myself the exact same question. | 0:43:50 | 0:43:53 | |
Is he using us? | 0:43:53 | 0:43:54 | |
And if so, why? | 0:43:55 | 0:43:58 | |
Alison. | 0:44:08 | 0:44:09 | |
What an unexpected pleasure. | 0:44:10 | 0:44:12 | |
SHE SIGHS | 0:44:15 | 0:44:17 | |
Would you care to join me? | 0:44:18 | 0:44:20 | |
I want to ask you about Charles Matherson. | 0:44:22 | 0:44:24 | |
What do you want to know? | 0:44:26 | 0:44:29 | |
Why are you so interested in him? | 0:44:29 | 0:44:31 | |
Do you really think he's corrupt? | 0:44:31 | 0:44:33 | |
Do you think I would have gone to the SFO if I didn't? | 0:44:33 | 0:44:36 | |
-How are you getting on? -What were your sources? | 0:44:36 | 0:44:39 | |
Well, common sense. | 0:44:39 | 0:44:40 | |
He's selling large quantities of ragstone to the very developers | 0:44:40 | 0:44:44 | |
-he's helping. -That's his father-in-law. | 0:44:44 | 0:44:47 | |
I think you'll find the business is now run by his wife. | 0:44:47 | 0:44:50 | |
Since when? | 0:44:51 | 0:44:53 | |
Since the father-in-law got dementia. | 0:44:53 | 0:44:55 | |
I hadn't seen that. | 0:44:58 | 0:45:01 | |
Well, glad to help. | 0:45:01 | 0:45:02 | |
Why are you really giving this to us, Uncle Peter? | 0:45:02 | 0:45:05 | |
What is it that you want? | 0:45:05 | 0:45:07 | |
Justice. | 0:45:07 | 0:45:08 | |
The same as you. | 0:45:09 | 0:45:11 | |
He's a Polish labourer. | 0:45:12 | 0:45:14 | |
How it happened is still a complete mystery. | 0:45:14 | 0:45:16 | |
I feel so sorry for you, | 0:45:16 | 0:45:18 | |
it must be the last thing you want on your plate right now. | 0:45:18 | 0:45:21 | |
We've got HSE all over us. | 0:45:21 | 0:45:24 | |
It could set us back two, maybe three weeks. | 0:45:24 | 0:45:27 | |
Which may slightly affect our business with you. | 0:45:27 | 0:45:30 | |
There can't be any question of a delay, Louis. | 0:45:30 | 0:45:33 | |
The order's already been confirmed. | 0:45:33 | 0:45:36 | |
I'm afraid the boat's already left. | 0:45:36 | 0:45:37 | |
It was just a thought. | 0:45:39 | 0:45:40 | |
As they say, you might have cut us a little slack. | 0:45:40 | 0:45:42 | |
Actually, now that I've taken over, | 0:45:42 | 0:45:44 | |
that's exactly the sort of business practice we're trying to avoid. | 0:45:44 | 0:45:48 | |
Yeah, I'm going to be late tonight. | 0:46:02 | 0:46:04 | |
Ooh, sorry. | 0:46:06 | 0:46:07 | |
Hey, this is Carrie. | 0:46:07 | 0:46:09 | |
Hello? | 0:46:12 | 0:46:13 | |
Yeah, I've got an OP. | 0:46:13 | 0:46:15 | |
Rash said some of Adam's friends don't speak English, | 0:46:15 | 0:46:17 | |
so he brought me with him. | 0:46:17 | 0:46:19 | |
-You're Polish? -Yeah, I was born there. | 0:46:19 | 0:46:22 | |
Hey, I've got to tell you, I can't stay long. | 0:46:24 | 0:46:26 | |
-Why not? -I'm working. | 0:46:26 | 0:46:29 | |
-Well, just a quick drink. -No, no, no. | 0:46:29 | 0:46:32 | |
No drink. | 0:46:32 | 0:46:33 | |
You want these people to talk to you, you drink with them. | 0:46:33 | 0:46:36 | |
He's right. | 0:46:37 | 0:46:39 | |
Over there. I saw him at the building site. | 0:46:59 | 0:47:02 | |
He worked with Adam. | 0:47:04 | 0:47:05 | |
Great. I'll get the beers. | 0:47:06 | 0:47:08 | |
Didn't you hear me? Just sit down and translate. | 0:47:08 | 0:47:11 | |
HE SPEAKS POLISH | 0:47:12 | 0:47:14 | |
He didn't know him. | 0:47:16 | 0:47:18 | |
They just worked together. | 0:47:18 | 0:47:20 | |
Oh, well, then why have you come here tonight? | 0:47:20 | 0:47:23 | |
STEFAN SPEAKS POLISH | 0:47:25 | 0:47:27 | |
They don't want to talk to you. | 0:47:36 | 0:47:38 | |
Well, do they want to be arrested for obstruction? | 0:47:41 | 0:47:44 | |
He wants to be arrested? | 0:47:56 | 0:47:58 | |
He wants to talk. | 0:47:58 | 0:48:00 | |
All right. | 0:48:01 | 0:48:03 | |
-He wants a drink first, though. -No, I can't drink. | 0:48:06 | 0:48:10 | |
-I've got to keep a clear head. -Why? | 0:48:10 | 0:48:13 | |
Cos I'm working. I've got an OP. | 0:48:13 | 0:48:16 | |
-When do you start? -Midnight. | 0:48:16 | 0:48:19 | |
Well, you've still got time. | 0:48:19 | 0:48:22 | |
You don't want to offend these guys. | 0:48:22 | 0:48:23 | |
All right, just the one. | 0:48:26 | 0:48:28 | |
THEY SPEAK POLISH | 0:48:29 | 0:48:31 | |
-What was that stuff? -SLURRING: Rectified spirit. | 0:48:45 | 0:48:48 | |
What does that mean? | 0:48:48 | 0:48:49 | |
95%. | 0:48:49 | 0:48:50 | |
Did you know that? | 0:48:51 | 0:48:53 | |
I didn't know. | 0:48:55 | 0:48:56 | |
Coffee! | 0:48:58 | 0:49:00 | |
CAR HORN BLARES | 0:49:00 | 0:49:02 | |
I want to come with you. | 0:49:06 | 0:49:08 | |
RASH SIGHS I'm your mate. | 0:49:08 | 0:49:10 | |
I'm going to be there with you. All night. | 0:49:10 | 0:49:14 | |
I don't want you there. | 0:49:16 | 0:49:18 | |
This is boring. | 0:49:20 | 0:49:22 | |
Nothing's happening. | 0:49:23 | 0:49:25 | |
We've only been here five minutes. | 0:49:25 | 0:49:28 | |
Your job is rubbish. | 0:49:29 | 0:49:31 | |
Then just...go. | 0:49:31 | 0:49:34 | |
If I go, | 0:49:35 | 0:49:37 | |
you'll fall asleep. | 0:49:37 | 0:49:38 | |
Mm. | 0:49:38 | 0:49:39 | |
Thanks to you. | 0:49:39 | 0:49:41 | |
You didn't have to drink it. | 0:49:41 | 0:49:43 | |
If Heywood finds out about this... | 0:49:45 | 0:49:47 | |
..I'm finished. | 0:49:49 | 0:49:51 | |
STEFAN SNORES | 0:49:51 | 0:49:53 | |
Wake up! | 0:49:53 | 0:49:54 | |
-I wasn't asleep. -You were asleep. | 0:49:54 | 0:49:57 | |
No, I was resting my eyes. | 0:49:57 | 0:49:58 | |
Then what was I saying? | 0:49:58 | 0:50:00 | |
I wasn't listening. | 0:50:02 | 0:50:03 | |
You go first. | 0:50:12 | 0:50:15 | |
You have the first sleep. | 0:50:15 | 0:50:17 | |
I'm not going to sleep. | 0:50:20 | 0:50:24 | |
THEY SNORE | 0:50:26 | 0:50:28 | |
Evening. | 0:50:52 | 0:50:53 | |
You're late. | 0:50:53 | 0:50:55 | |
Yeah, sorry. | 0:50:55 | 0:50:57 | |
This your place, then? | 0:51:01 | 0:51:02 | |
Yes, it's my name above the door. | 0:51:02 | 0:51:04 | |
How much would something like this set me back? | 0:51:07 | 0:51:10 | |
4,000. | 0:51:10 | 0:51:11 | |
4,000? | 0:51:12 | 0:51:14 | |
Quid? | 0:51:14 | 0:51:15 | |
You're not serious. | 0:51:17 | 0:51:18 | |
It's neoclassical. | 0:51:18 | 0:51:20 | |
I don't suppose you know what that means. | 0:51:23 | 0:51:26 | |
No, you're right. | 0:51:26 | 0:51:27 | |
I don't. | 0:51:29 | 0:51:30 | |
So, why don't you give me what I want and you can get out of here? | 0:51:30 | 0:51:33 | |
Well, I've got to see it first. | 0:51:33 | 0:51:35 | |
-That's it? -Yes. | 0:51:57 | 0:51:59 | |
Great. | 0:52:01 | 0:52:02 | |
Neoclassical... | 0:52:08 | 0:52:10 | |
THEY SNORE | 0:52:14 | 0:52:16 | |
RASH MURMURS | 0:52:18 | 0:52:20 | |
HE GASPS | 0:52:35 | 0:52:37 | |
All right, you bastard. | 0:52:48 | 0:52:50 | |
You've made your point. | 0:52:50 | 0:52:53 | |
You can have it for nothing and piss off. | 0:52:54 | 0:52:56 | |
Afraid not, mate. | 0:52:58 | 0:53:00 | |
They're not my instructions. | 0:53:00 | 0:53:03 | |
No-one likes being blackmailed. | 0:53:04 | 0:53:06 | |
I wasn't blackmailing anyone. | 0:53:06 | 0:53:08 | |
Well, that's not how they see it. | 0:53:11 | 0:53:14 | |
I told people about what I was doing. | 0:53:14 | 0:53:16 | |
People know. | 0:53:16 | 0:53:18 | |
Your word against ours, isn't it? | 0:53:18 | 0:53:21 | |
And you're not going to be talking to anyone. | 0:53:21 | 0:53:23 | |
Wait! | 0:53:23 | 0:53:25 | |
You're making a mistake. | 0:53:25 | 0:53:27 | |
There are two of them. | 0:53:27 | 0:53:29 | |
What? | 0:53:30 | 0:53:32 | |
What you came for, Jannsen had two. | 0:53:33 | 0:53:35 | |
So, where's the other one? | 0:53:35 | 0:53:37 | |
I won't tell you. | 0:53:37 | 0:53:39 | |
Not until you've let me go. | 0:53:39 | 0:53:41 | |
Let me make a phone call, ten minutes, you'll have it. | 0:53:42 | 0:53:46 | |
No. | 0:53:51 | 0:53:52 | |
I'm not going to do that. | 0:53:55 | 0:53:57 | |
I'm going to make you tell me. | 0:53:58 | 0:54:00 | |
Like this. | 0:54:06 | 0:54:08 | |
-No! -Where is it? | 0:54:15 | 0:54:18 | |
I don't know! I don't know! | 0:54:18 | 0:54:20 | |
But I can help you find it! The builder had it. | 0:54:20 | 0:54:23 | |
He asked me if I could use it, he didn't say where it was. | 0:54:23 | 0:54:27 | |
-The builder, Jannsen? -Yes! | 0:54:27 | 0:54:29 | |
-He's dead. -He's got it somewhere! | 0:54:30 | 0:54:33 | |
-I swear to you! -Shh! | 0:54:33 | 0:54:35 | |
I believe you. | 0:54:37 | 0:54:39 | |
All right, listen to me. | 0:54:43 | 0:54:46 | |
You're not stupid. | 0:54:46 | 0:54:47 | |
You know who I am. | 0:54:49 | 0:54:50 | |
Whatever you're being paid, I can double it. | 0:54:50 | 0:54:53 | |
I can triple it. | 0:54:53 | 0:54:55 | |
I can find it for you. I can help you. | 0:54:56 | 0:54:59 | |
-I know what it looks like! -Thanks. | 0:55:00 | 0:55:03 | |
But...you know... | 0:55:04 | 0:55:06 | |
..I can do that myself. | 0:55:09 | 0:55:11 | |
STEFAN YAWNS | 0:55:20 | 0:55:22 | |
FIRE ALARM RINGS | 0:55:41 | 0:55:44 | |
Rash. | 0:55:45 | 0:55:47 | |
FIRE ALARM RINGS Are you asleep? | 0:55:47 | 0:55:49 | |
-HE TAPS HIM Wake up. -Mm? | 0:55:55 | 0:55:57 | |
Wake up! WAKE UP! | 0:55:57 | 0:55:59 | |
Uh! Huh? | 0:55:59 | 0:56:01 | |
What happened? | 0:56:07 | 0:56:09 | |
I don't know. | 0:56:09 | 0:56:11 | |
JESUS! | 0:56:13 | 0:56:15 | |
-Is Gulliver still in there? -Well, I don't know. | 0:56:19 | 0:56:21 | |
-We have to go in! -If you go in there, you're going to get killed! | 0:56:21 | 0:56:24 | |
I'm going to get killed anyway! | 0:56:24 | 0:56:26 | |
-No, no, no! -Get off! | 0:56:26 | 0:56:29 | |
How did this happen? How COULD it happen? | 0:56:29 | 0:56:32 | |
SIREN BLARES | 0:56:32 | 0:56:33 | |
It wasn't your fault. | 0:56:33 | 0:56:34 | |
I know it's not my fault. It's YOUR fault! | 0:56:34 | 0:56:37 | |
Whoa! Whoa! | 0:56:37 | 0:56:38 | |
HE WHIMPERS | 0:56:42 | 0:56:43 | |
What are you doing? | 0:56:48 | 0:56:50 | |
You started it. | 0:56:50 | 0:56:52 | |
Somebody tied Gulliver to a chair and then set him on fire. | 0:57:02 | 0:57:04 | |
Jesus. | 0:57:04 | 0:57:06 | |
Eleanor shut down the investigation, she sent me home. | 0:57:06 | 0:57:08 | |
Then she won't know what you're up to. | 0:57:08 | 0:57:10 | |
Let me see if I can talk myself out of firing you. | 0:57:10 | 0:57:13 | |
Why do you let these people walk all over you? | 0:57:13 | 0:57:15 | |
Because they're bastards! | 0:57:15 | 0:57:16 | |
This has gone on long enough, close it down. | 0:57:16 | 0:57:19 | |
Stop! | 0:57:21 | 0:57:23 |