Browse content similar to Case 2, Part 2. Check below for episodes and series from the same categories and more!
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TENSE MUSIC | 0:00:03 | 0:00:07 | |
'Accident on a building site.' | 0:00:19 | 0:00:21 | |
It's The Scimitar. | 0:00:21 | 0:00:22 | |
A few days before he died, he went to see someone - | 0:00:22 | 0:00:25 | |
an antiques dealer. | 0:00:25 | 0:00:26 | |
'I think he sold something to Gulliver.' | 0:00:26 | 0:00:28 | |
-Charles Matherson. -The minister? | 0:00:51 | 0:00:54 | |
He's corrupt and I want you to nail him. | 0:00:54 | 0:00:57 | |
-We'll need to look into his private life. -I'll find a way in. | 0:00:57 | 0:01:00 | |
There can't be any question of a delay, Louis. | 0:01:00 | 0:01:03 | |
The order's already been confirmed. | 0:01:03 | 0:01:05 | |
-Got to keep a clear head. -Why? -Cos I'm working. | 0:01:14 | 0:01:17 | |
-You don't want to offend these guys. -All right. | 0:01:17 | 0:01:20 | |
No, no, no... Can't fall asleep. | 0:01:20 | 0:01:24 | |
HE SNORES | 0:01:24 | 0:01:25 | |
Wait, you're making a mistake. | 0:01:25 | 0:01:27 | |
-There are two of them. -What? | 0:01:27 | 0:01:29 | |
I can find it for you! | 0:01:29 | 0:01:31 | |
I can do that myself. | 0:01:31 | 0:01:32 | |
Jesus! | 0:01:34 | 0:01:35 | |
How did this happen? How COULD it happen? | 0:01:35 | 0:01:37 | |
-It wasn't your fault. -I know it's not my fault. | 0:01:37 | 0:01:41 | |
It's your fault! | 0:01:41 | 0:01:42 | |
HE BREATHES HEAVILY | 0:01:56 | 0:01:58 | |
# I don't want to drown no more | 0:02:10 | 0:02:13 | |
# Sick of the same old people | 0:02:13 | 0:02:15 | |
# The kind that'll sell your soul | 0:02:15 | 0:02:17 | |
# Trade it for a shining stone | 0:02:17 | 0:02:20 | |
# Ain't nothing in this life for free | 0:02:20 | 0:02:22 | |
# Running from the greatest evil | 0:02:22 | 0:02:24 | |
# It finally dawned on me | 0:02:24 | 0:02:27 | |
# A man's got to fight temptation | 0:02:27 | 0:02:29 | |
# Keep the wolves from the door | 0:02:29 | 0:02:33 | |
# I hear them scratching like I don't know better | 0:02:33 | 0:02:37 | |
# Won't you keep the wolves from the door? | 0:02:37 | 0:02:43 | |
# It won't be long before I cave in and open up the door. # | 0:02:43 | 0:02:49 | |
BIRD CAWS, DISTANT SIREN | 0:02:54 | 0:02:57 | |
They're going to fire me. | 0:03:00 | 0:03:03 | |
They're going to throw me out. | 0:03:03 | 0:03:04 | |
I thought they already did throw you out. | 0:03:04 | 0:03:08 | |
Yeah...then they took me back. | 0:03:08 | 0:03:11 | |
And now they're going to throw you out again? | 0:03:11 | 0:03:14 | |
SHE SIGHS | 0:03:14 | 0:03:16 | |
-You do like to make things difficult for yourself. -It's not me. | 0:03:16 | 0:03:19 | |
It wasn't my fault. My DS hates me. | 0:03:21 | 0:03:24 | |
What about Stefan? Isn't he on your side? | 0:03:24 | 0:03:26 | |
Stephan's SFO. He's nothing to do with me. | 0:03:26 | 0:03:29 | |
He's your friend. | 0:03:31 | 0:03:32 | |
Please tell me you don't fancy him. | 0:03:39 | 0:03:42 | |
SHE SCOFFS | 0:03:42 | 0:03:43 | |
Why would you say that? | 0:03:45 | 0:03:46 | |
I don't know. He's an idiot. | 0:03:48 | 0:03:51 | |
We had a fight. SHE SCOFFS | 0:03:54 | 0:03:56 | |
Men! | 0:03:56 | 0:03:57 | |
Just go back in there and tell them what happened. | 0:03:59 | 0:04:02 | |
I fell asleep? | 0:04:02 | 0:04:04 | |
No. | 0:04:04 | 0:04:05 | |
-Narcolepsy? -Yeah, it's, erm... a neurological condition. | 0:04:15 | 0:04:20 | |
You know, in-in the brain. | 0:04:21 | 0:04:23 | |
Don't try and bullshit me, Sayyad. You fell asleep. | 0:04:25 | 0:04:31 | |
(Yes, guv.) | 0:04:31 | 0:04:33 | |
Tell me, Derek. | 0:04:33 | 0:04:35 | |
According to forensics, somebody tried Gulliver to a chair | 0:04:35 | 0:04:37 | |
-and then set him on fire. -Jesus Christ. | 0:04:37 | 0:04:42 | |
-Was there any sign of forced entry? -It didn't look like it. | 0:04:42 | 0:04:44 | |
Then he must have known them. He let them in. | 0:04:44 | 0:04:46 | |
At one o'clock in the morning? | 0:04:46 | 0:04:48 | |
All right, well, the cameras, I'm assuming they were still working?! | 0:04:48 | 0:04:51 | |
I don't know, guv. | 0:04:51 | 0:04:52 | |
Detective Superintendent Milton's on top of all that, | 0:04:52 | 0:04:55 | |
but, as you can imagine, he's not been too cooperative. | 0:04:55 | 0:04:58 | |
DI Heywood, thank you so much for lending me your man. | 0:04:58 | 0:05:02 | |
Your man who buggered up this operation in the first place, | 0:05:02 | 0:05:05 | |
put my DC out of action... | 0:05:05 | 0:05:07 | |
then didn't notice when my target was being murdered! | 0:05:07 | 0:05:10 | |
All right, shall we take this into my office? | 0:05:10 | 0:05:12 | |
We found nothing that implicates Charles Matherson | 0:05:18 | 0:05:20 | |
in anything illegal or even faintly suspicious. | 0:05:20 | 0:05:23 | |
No second properties, no company associations, | 0:05:23 | 0:05:27 | |
nothing unusual in his bank... | 0:05:27 | 0:05:29 | |
-There is just the question of his wife. -What about her? | 0:05:29 | 0:05:32 | |
-Helen Matherson. Her father owns a quarry in Yorkshire. -We know that. | 0:05:32 | 0:05:38 | |
Well, the father is unwell. He has dementia. | 0:05:38 | 0:05:40 | |
Helen Matherson has taken full control of the business. | 0:05:40 | 0:05:44 | |
Well, that proves our point. | 0:05:44 | 0:05:45 | |
No, no, not necessarily. | 0:05:45 | 0:05:47 | |
It's not a crime for a minister's wife to run her own business. | 0:05:47 | 0:05:51 | |
Did you get anything from his computer? | 0:05:51 | 0:05:53 | |
-Nothing that isn't already on public record. -Wait a minute. | 0:05:53 | 0:05:56 | |
Helen Matherson is selling ragstone to the Wesley Brothers | 0:05:56 | 0:05:58 | |
for millions of pounds and her husband, | 0:05:58 | 0:06:01 | |
Charles Matherson, just happened to green light their latest project? | 0:06:01 | 0:06:04 | |
Are they paying market prices or are they paying over the odds? | 0:06:04 | 0:06:07 | |
No, I checked the invoices. | 0:06:07 | 0:06:08 | |
There were four major sales over the last year, | 0:06:08 | 0:06:11 | |
all at reasonable market rates. | 0:06:11 | 0:06:13 | |
You see? They're doing nothing wrong. | 0:06:13 | 0:06:16 | |
I'm sorry, I can see no reason | 0:06:16 | 0:06:18 | |
to further authorise this investigation. | 0:06:18 | 0:06:21 | |
So we've been wasting our time? | 0:06:21 | 0:06:23 | |
No, Stefan, we've just been doing our job. | 0:06:23 | 0:06:26 | |
What on earth happened to your eye? | 0:06:26 | 0:06:28 | |
Pfft, nothing. I had an argument. Someone I know. He's an idiot. | 0:06:30 | 0:06:36 | |
What, you really think you can walk in here looking like that? | 0:06:36 | 0:06:39 | |
-This has nothing to do with work. -Well, I'm happy to hear it. | 0:06:39 | 0:06:42 | |
I cannot have people working here looking as though | 0:06:42 | 0:06:45 | |
they've been in a barroom brawl. You should never have come in. | 0:06:45 | 0:06:48 | |
I came in because I wanted to help. | 0:06:48 | 0:06:50 | |
You can help me by staying at home until you look presentable. | 0:06:50 | 0:06:53 | |
And may I remind you this is not fun? This is not a lark. | 0:06:53 | 0:06:56 | |
This is serious business. No, no, no, no. | 0:06:56 | 0:06:59 | |
Heh. Right. | 0:07:00 | 0:07:02 | |
Remind me again what we know about Gulliver. | 0:07:05 | 0:07:08 | |
Well, I've told you, he's a handler. | 0:07:08 | 0:07:11 | |
He's dealt in stolen objects, art, antiques. | 0:07:11 | 0:07:13 | |
He's very smart. Never did any time, | 0:07:13 | 0:07:16 | |
but we think he's connected to any number of London gangs, | 0:07:16 | 0:07:19 | |
including the one that's been making public sculptures. | 0:07:19 | 0:07:23 | |
If Gulliver's got a whole load of disreputable friends, | 0:07:25 | 0:07:27 | |
surely any one of them could have been responsible? | 0:07:27 | 0:07:30 | |
Well, one thing's for certain - | 0:07:30 | 0:07:31 | |
we're not going to find much at his place. | 0:07:31 | 0:07:33 | |
It's pretty much burnt to the ground. | 0:07:33 | 0:07:35 | |
All right, well... | 0:07:37 | 0:07:39 | |
-let us take over from here. -And what am I meant to do in the meantime? | 0:07:39 | 0:07:43 | |
Well, didn't you get anything from the van? | 0:07:43 | 0:07:45 | |
No. We spoke to the owner of the company that rented it, | 0:07:45 | 0:07:48 | |
a lowlife called Jerry Clarke, but he's not helping us at all. | 0:07:48 | 0:07:51 | |
Half his vehicles aren't even insured. | 0:07:51 | 0:07:53 | |
We should close the whole lot down. | 0:07:53 | 0:07:55 | |
Jerry Clarke? | 0:07:57 | 0:07:59 | |
-I'm sorry? -Erm... Have you met him? | 0:07:59 | 0:08:03 | |
What does it matter to you? | 0:08:04 | 0:08:06 | |
Everything all right, John? | 0:08:06 | 0:08:08 | |
I don't know, JC. You were just leaving, weren't you? | 0:08:08 | 0:08:13 | |
Thickset, dark hair, clean-shaven? | 0:08:13 | 0:08:18 | |
I haven't met him. Spoke to him on the phone. | 0:08:18 | 0:08:21 | |
Well, I think I saw him. | 0:08:21 | 0:08:23 | |
When I was at Gulliver's place, | 0:08:23 | 0:08:24 | |
he was talking to someone and he called him JC. | 0:08:24 | 0:08:26 | |
It could have been anyone. | 0:08:26 | 0:08:28 | |
But suppose whoever stole the sculptures didn't RENT the van... | 0:08:28 | 0:08:32 | |
..suppose they owned it. | 0:08:33 | 0:08:35 | |
SIRENS APPROACH | 0:08:48 | 0:08:51 | |
-POLICE OFFICER: -Police! Police! You're under arrest! | 0:09:02 | 0:09:05 | |
What's all this about? What do you think you're doing?! | 0:09:06 | 0:09:09 | |
-Jerry Clarke? -Yeah. | 0:09:09 | 0:09:11 | |
-Is this the man you saw? -Yeah. | 0:09:11 | 0:09:14 | |
You're under arrest. | 0:09:14 | 0:09:15 | |
Watch your head. | 0:09:17 | 0:09:18 | |
-POLICE OFFICER: -Guv! Through here! | 0:09:20 | 0:09:22 | |
POLICE RADIO CHATTER | 0:09:35 | 0:09:37 | |
CAR ALARM BLEEPS Let me just check my diary. | 0:09:46 | 0:09:48 | |
Yeah, yeah, I think it'll be fine. | 0:09:48 | 0:09:50 | |
OK, I'll speak to you later. Bye. | 0:09:50 | 0:09:53 | |
SHE GASPS SOFTLY | 0:09:56 | 0:09:57 | |
Miss Andrews? | 0:09:57 | 0:09:59 | |
I'm a mate of Adam Jannsen. | 0:10:00 | 0:10:02 | |
-He shared with you, is that right? -Yeah. | 0:10:02 | 0:10:04 | |
Well, he had something of mine. | 0:10:04 | 0:10:07 | |
A little gold dish, about this big. | 0:10:07 | 0:10:10 | |
Not valuable, just...sentimental. | 0:10:10 | 0:10:12 | |
But I want it back. | 0:10:14 | 0:10:16 | |
I don't know what you're talking about. | 0:10:16 | 0:10:19 | |
You find it, | 0:10:19 | 0:10:20 | |
you return it to me. | 0:10:20 | 0:10:24 | |
How can I do that when I don't even know who you are? | 0:10:24 | 0:10:27 | |
Well, I'll come back here in a couple of days. | 0:10:27 | 0:10:31 | |
Make sure you've got it. | 0:10:31 | 0:10:33 | |
Or else. | 0:10:36 | 0:10:37 | |
Or else what? | 0:10:39 | 0:10:41 | |
SHE GASPS | 0:10:51 | 0:10:52 | |
-RECEPTIONIST: -Sir? Sir?! | 0:11:05 | 0:11:06 | |
Yeah, he's with us now. It's fine, thank you. | 0:11:09 | 0:11:12 | |
Can you explain this?! | 0:11:12 | 0:11:14 | |
It's fairly straightforward - it's a viability appraisal. | 0:11:14 | 0:11:18 | |
-And you're going to present it to the council. -We already have. | 0:11:18 | 0:11:20 | |
A 60% cut in affordable housing, no health centre, no local park, | 0:11:20 | 0:11:24 | |
no transport improvements. | 0:11:24 | 0:11:25 | |
You have gone back on every single one of your Section 106 obligations! | 0:11:25 | 0:11:28 | |
Section 106 obligations are there to be renegotiated, | 0:11:28 | 0:11:31 | |
everybody knows that. | 0:11:31 | 0:11:32 | |
You were always going to do this, right from the start. | 0:11:32 | 0:11:35 | |
You have taken advantage of the planning laws! | 0:11:35 | 0:11:37 | |
Which your government brought in, let's not forget that. | 0:11:37 | 0:11:39 | |
It's all about sustainable development. | 0:11:39 | 0:11:41 | |
It's about sustaining the community, not your profits! | 0:11:41 | 0:11:43 | |
I gave you the green light | 0:11:43 | 0:11:45 | |
because I thought you were going to benefit a whole area of London. | 0:11:45 | 0:11:47 | |
Starting, of course, with you and Mrs Matherson. | 0:11:47 | 0:11:50 | |
You've benefited quite a bit yourselves, as I recall. | 0:11:50 | 0:11:52 | |
If you go ahead with these demands, | 0:11:52 | 0:11:53 | |
you are going to make me a laughing stock. | 0:11:53 | 0:11:55 | |
Is that was this is all about? | 0:11:55 | 0:11:57 | |
Get real, Charles. We're on a knife-edge here. | 0:11:57 | 0:12:01 | |
We need to persuade the investors to hang in with us | 0:12:01 | 0:12:03 | |
and, if they pull out, we're all screwed | 0:12:03 | 0:12:05 | |
and I don't just mean Elly and me. | 0:12:05 | 0:12:07 | |
We're all in this together. | 0:12:07 | 0:12:09 | |
I've done nothing illegal. Nobody's going to come after me. | 0:12:09 | 0:12:12 | |
But if you try and wriggle out of your commitments, | 0:12:12 | 0:12:14 | |
I swear I will make you pay! | 0:12:14 | 0:12:16 | |
You already have. | 0:12:19 | 0:12:20 | |
SHE WHIMPERS | 0:12:47 | 0:12:49 | |
I've been going through these invoices | 0:12:52 | 0:12:54 | |
and there is something that's been bugging me. | 0:12:54 | 0:12:56 | |
This came off the memory stick from the Mathersons. | 0:12:56 | 0:12:58 | |
White Dragon Shipping. | 0:12:58 | 0:13:00 | |
What about it? | 0:13:00 | 0:13:02 | |
Helen Matherson has paid White Dragon Shipping | 0:13:02 | 0:13:04 | |
on four separate occasions. They're listed here. | 0:13:04 | 0:13:07 | |
Paid them? What for? | 0:13:07 | 0:13:08 | |
Presumably for exporting ragstone. These are huge containers. | 0:13:08 | 0:13:12 | |
That must be the samples I saw. | 0:13:18 | 0:13:20 | |
There was a whole box of them labelled in Mandarin. | 0:13:20 | 0:13:23 | |
Look at the dates. | 0:13:23 | 0:13:25 | |
Now, compare them to these. | 0:13:25 | 0:13:26 | |
These are the four sales I mentioned before, | 0:13:26 | 0:13:28 | |
each between £1m and £2m. | 0:13:28 | 0:13:30 | |
They're all about a month later. | 0:13:30 | 0:13:32 | |
So Helen Matherson is selling to the Chinese | 0:13:32 | 0:13:35 | |
and then she sells to the Wesleys. | 0:13:35 | 0:13:36 | |
Is it a coincidence? How does it make sense? | 0:13:36 | 0:13:39 | |
They've just negotiated a new sale, | 0:13:39 | 0:13:42 | |
this time it's The Scimitar. | 0:13:42 | 0:13:44 | |
According to your logic, | 0:13:45 | 0:13:47 | |
the Mathersons are making another deal with White Dragon. | 0:13:47 | 0:13:51 | |
I hope it helps. | 0:13:51 | 0:13:52 | |
We need to find out if there's another ship coming in. | 0:13:56 | 0:13:59 | |
It might be here already. | 0:13:59 | 0:14:01 | |
Marcus, Eleanor closed down the investigation. | 0:14:01 | 0:14:04 | |
She sent me home. | 0:14:04 | 0:14:06 | |
Then she won't know what you're up to. | 0:14:06 | 0:14:08 | |
You wanted to see me? | 0:14:15 | 0:14:16 | |
Yes, Alison, come in. | 0:14:16 | 0:14:18 | |
Sit down. | 0:14:18 | 0:14:20 | |
That was good work this morning, | 0:14:22 | 0:14:24 | |
Helen Matherson running her father's quarry, | 0:14:24 | 0:14:27 | |
that makes a big difference. | 0:14:27 | 0:14:28 | |
Thank you, Eleanor. | 0:14:28 | 0:14:30 | |
What I'm interested in is how you came about that information. | 0:14:31 | 0:14:35 | |
Peter Mayhew gave it to me. | 0:14:38 | 0:14:40 | |
He's your uncle, isn't he? | 0:14:40 | 0:14:43 | |
-You knew. -Well, I make it my business to know as much as I can | 0:14:44 | 0:14:47 | |
about the people I employ. | 0:14:47 | 0:14:49 | |
-What have you told him about us? -I try to tell him as little as I can. | 0:14:50 | 0:14:54 | |
I'm sorry, Eleanor. | 0:14:56 | 0:14:58 | |
-SHE EXHALES -No, don't be. | 0:15:00 | 0:15:02 | |
I dropped the investigation | 0:15:02 | 0:15:04 | |
because I don't want Peter Mayhew manipulating us | 0:15:04 | 0:15:06 | |
like he's been manipulating you. | 0:15:06 | 0:15:09 | |
But that said... | 0:15:09 | 0:15:11 | |
it might be useful to keep his connection. | 0:15:11 | 0:15:13 | |
If we continue this investigation, | 0:15:13 | 0:15:15 | |
it'll be on our terms, not Mayhew's, | 0:15:15 | 0:15:18 | |
but it's fine if he knows that we're not pursuing Charles Matherson. | 0:15:18 | 0:15:22 | |
And, of course, I'd prefer it if you didn't mention to him that I knew. | 0:15:22 | 0:15:27 | |
I won't say anything. | 0:15:29 | 0:15:31 | |
Thank you. | 0:15:31 | 0:15:33 | |
I knew I could rely on you, Alison. | 0:15:33 | 0:15:35 | |
METALLIC BANGING | 0:15:52 | 0:15:56 | |
BANGING TURNS TO WOODEN TAPPING | 0:15:56 | 0:15:59 | |
You realise I should get rid of you, don't you? | 0:16:04 | 0:16:06 | |
There's no reason why you should stay one minute longer | 0:16:07 | 0:16:11 | |
as a TDC in my office. | 0:16:11 | 0:16:13 | |
I made a mistake and it won't happen again. | 0:16:15 | 0:16:17 | |
It certainly won't happen again if you're out, will it? | 0:16:17 | 0:16:20 | |
-Guv, I... -Shut up! | 0:16:20 | 0:16:21 | |
Let me see if I can talk myself out of firing you. | 0:16:23 | 0:16:26 | |
Now, firstly, and this is not... entirely relevant... | 0:16:28 | 0:16:32 | |
..nobody is going to mourn the loss of John Gulliver. | 0:16:33 | 0:16:36 | |
Secondly, Detective Superintendent Milton's | 0:16:36 | 0:16:40 | |
got his precious statues back, largely thanks to you. | 0:16:40 | 0:16:44 | |
And I think you may have been right about Adam Jannsen | 0:16:44 | 0:16:47 | |
and I think that just about... | 0:16:47 | 0:16:49 | |
..gets you off the hook. | 0:16:51 | 0:16:53 | |
Thank you. | 0:16:56 | 0:16:57 | |
It doesn't mean I want to see you around here. | 0:16:59 | 0:17:02 | |
Blackstone's Handbook For Policing Students. | 0:17:04 | 0:17:08 | |
Evidence and Procedure. | 0:17:09 | 0:17:11 | |
Investigator's Manual and Workbook. | 0:17:12 | 0:17:16 | |
-I've read that one. -Read it again! | 0:17:17 | 0:17:19 | |
Well? | 0:17:32 | 0:17:33 | |
Eleanor's dropped the investigation. | 0:17:33 | 0:17:36 | |
That's a great pity. | 0:17:36 | 0:17:38 | |
She doesn't think there's enough evidence | 0:17:41 | 0:17:43 | |
against Charles Matherson or his wife. | 0:17:43 | 0:17:45 | |
Then she can't have looked very far. | 0:17:45 | 0:17:48 | |
I hate doing this, | 0:17:48 | 0:17:50 | |
-I hate being disloyal. -Family loyalty comes first, Alison, | 0:17:50 | 0:17:54 | |
you know that. | 0:17:54 | 0:17:55 | |
Anyway, I was helping you, I was helping the SFO, or trying to. | 0:17:56 | 0:18:00 | |
You never told me that you knew Eleanor. | 0:18:01 | 0:18:04 | |
Hmm? Oh, yes, I knew her husband. | 0:18:05 | 0:18:08 | |
I didn't know she was married. | 0:18:08 | 0:18:10 | |
He died. | 0:18:11 | 0:18:13 | |
It's a great shame. | 0:18:15 | 0:18:17 | |
What? | 0:18:17 | 0:18:19 | |
Matherson. | 0:18:20 | 0:18:22 | |
Never mind. | 0:18:22 | 0:18:24 | |
We'll find another way. | 0:18:24 | 0:18:26 | |
INDISTINCT ANIMATED CONVERSATION | 0:18:40 | 0:18:42 | |
INDISTINCT ARGUING | 0:18:46 | 0:18:49 | |
That truck has to go down! You've got to do this! | 0:18:49 | 0:18:52 | |
THEY ARGUE | 0:18:52 | 0:18:55 | |
They're all crooks, yeah? | 0:19:00 | 0:19:02 | |
-I saw you arguing. -They're not even paying me the living wage. | 0:19:02 | 0:19:06 | |
-How do they get away with it? -If I complain, they'll throw me out. | 0:19:06 | 0:19:09 | |
-They're bastards. -Yeah! | 0:19:09 | 0:19:11 | |
You couldn't do me a favour? | 0:19:19 | 0:19:21 | |
Miss Chen? | 0:20:10 | 0:20:11 | |
-Yes? -I'm from ELT. | 0:20:13 | 0:20:16 | |
We're your IT support service. We've had a call out about this computer. | 0:20:18 | 0:20:21 | |
There's nothing wrong with my computer. | 0:20:21 | 0:20:24 | |
There is a fault with the dial-up connection - | 0:20:25 | 0:20:27 | |
the PPP - the point-to-point negotiation point. | 0:20:27 | 0:20:30 | |
It'll only take a couple of minutes. | 0:20:30 | 0:20:33 | |
OK. | 0:20:39 | 0:20:41 | |
You...you couldn't get me a cup of coffee? | 0:20:59 | 0:21:01 | |
Come on. | 0:21:22 | 0:21:23 | |
Come on, come on! | 0:21:34 | 0:21:36 | |
Come on, come on... | 0:21:40 | 0:21:43 | |
Have a drink on me. | 0:22:16 | 0:22:18 | |
Thanks. | 0:22:18 | 0:22:19 | |
Charles, something rather strange has just happened. | 0:22:29 | 0:22:33 | |
I've just had a call from Mr Tang. | 0:22:33 | 0:22:36 | |
-Who? -White Dragon Shipping. | 0:22:36 | 0:22:39 | |
-Is there a problem? -There may be. | 0:22:41 | 0:22:44 | |
Someone broke into their office this afternoon, | 0:22:44 | 0:22:46 | |
he said he was from a software company, | 0:22:46 | 0:22:49 | |
and he accessed our account. | 0:22:49 | 0:22:52 | |
-What? -He did a search, first on your name and then on mine. | 0:22:52 | 0:22:56 | |
-Who was it? -They have no idea. | 0:22:56 | 0:22:59 | |
They got a picture of him as he was leaving on CCTV. | 0:22:59 | 0:23:02 | |
That isn't a software engineer. | 0:23:03 | 0:23:05 | |
This is the driver! | 0:23:06 | 0:23:08 | |
All right, Charles. Thank you. | 0:23:09 | 0:23:11 | |
You know, you really have made a spectacular mess of all of this. | 0:23:16 | 0:23:21 | |
Did what you said. | 0:23:21 | 0:23:23 | |
You could have killed Adam Jannsen at home. | 0:23:24 | 0:23:27 | |
You could have killed him on his way to work. | 0:23:27 | 0:23:29 | |
Tried. | 0:23:29 | 0:23:31 | |
Got close. | 0:23:31 | 0:23:33 | |
-Hello, man. -Excuse me, excuse me. Sorry. | 0:23:37 | 0:23:40 | |
There was someone with him... | 0:23:42 | 0:23:43 | |
and you said it had to be done quickly. | 0:23:43 | 0:23:46 | |
But not on the construction site. | 0:23:46 | 0:23:48 | |
You never said that. | 0:23:48 | 0:23:50 | |
You might have worked out the consequences! | 0:23:50 | 0:23:52 | |
Or don't you know anything? | 0:23:52 | 0:23:54 | |
HE SCOFFS | 0:23:54 | 0:23:56 | |
I know things you don't, Louis. | 0:23:56 | 0:23:59 | |
I do things you won't. | 0:23:59 | 0:24:01 | |
Maybe you should get your hands dirty sometime | 0:24:01 | 0:24:04 | |
before you lay into me. And while we're on that subject, | 0:24:04 | 0:24:06 | |
you still owe me ten grand for Gulliver. | 0:24:06 | 0:24:09 | |
You'll have it. But first of all, we need to close everything down. | 0:24:09 | 0:24:13 | |
Do you understand me? | 0:24:13 | 0:24:15 | |
No, I don't. What do you mean, exactly? | 0:24:15 | 0:24:19 | |
I mean anything that leads anyone to me. | 0:24:19 | 0:24:23 | |
This has gone on long enough. Close it down. | 0:24:23 | 0:24:25 | |
All right. Who do you want me to deal with first? | 0:24:28 | 0:24:31 | |
-So you've still got your job, then? -Yeah, just about. | 0:24:41 | 0:24:45 | |
-Do you want anything? -No, I'm OK. | 0:24:45 | 0:24:48 | |
Oh, might have found a room in a house. | 0:24:49 | 0:24:52 | |
-That's great. -It's in Dalston. | 0:24:52 | 0:24:55 | |
There's a girl I met, but it's complicated. | 0:24:56 | 0:24:59 | |
-She's part of an investigation. -What's she done? | 0:24:59 | 0:25:02 | |
SHE hasn't done anything. | 0:25:02 | 0:25:03 | |
-DOORBELL RINGS -I'll get it. | 0:25:03 | 0:25:05 | |
DOOR CLOSES | 0:25:22 | 0:25:24 | |
Leila? | 0:25:24 | 0:25:25 | |
Leila! | 0:25:29 | 0:25:30 | |
-You! -Look, I've come to say sorry... | 0:25:33 | 0:25:35 | |
about last night. | 0:25:35 | 0:25:37 | |
Brought you some...wine. | 0:25:39 | 0:25:42 | |
You brought me a bottle of wine to apologise for getting me pissed? | 0:25:45 | 0:25:49 | |
It was either that or flowers. SHE LAUGHS | 0:25:49 | 0:25:52 | |
-Do you want a beer? -He's not staying! | 0:25:54 | 0:25:56 | |
That'd be great, thanks. | 0:25:56 | 0:25:57 | |
HE CLEARS HIS THROAT | 0:26:02 | 0:26:04 | |
Cheers. | 0:26:04 | 0:26:05 | |
How'd it go? With Heywood? | 0:26:10 | 0:26:13 | |
Oh, yeah. No, he was fine about it. | 0:26:13 | 0:26:16 | |
-Didn't mind at all. -Really? | 0:26:16 | 0:26:19 | |
No! | 0:26:20 | 0:26:22 | |
-Of course not. What do you think? He sent me home. -Me, too. | 0:26:22 | 0:26:25 | |
-What happened? -He...hit me. | 0:26:25 | 0:26:28 | |
It wasn't like that. | 0:26:28 | 0:26:30 | |
It's a long story. | 0:26:32 | 0:26:33 | |
Our boss threw me out. | 0:26:33 | 0:26:36 | |
She said I couldn't come to work looking like this. | 0:26:36 | 0:26:38 | |
Well, she has a point. | 0:26:38 | 0:26:40 | |
-Want me to look at that? -No! He's all right. | 0:26:40 | 0:26:43 | |
Doesn't need any medical attention. | 0:26:43 | 0:26:45 | |
I might. | 0:26:45 | 0:26:46 | |
So what are you doing here, anyway? | 0:26:49 | 0:26:51 | |
What do you want? | 0:26:51 | 0:26:53 | |
-The people you met at the Golabki Club. -Yeah? | 0:26:53 | 0:26:56 | |
They were lying to you. | 0:26:58 | 0:26:59 | |
HE SPEAKS OWN LANGUAGE | 0:26:59 | 0:27:01 | |
Well, he didn't know Adam. They just worked together. | 0:27:01 | 0:27:04 | |
Roman Nowak? | 0:27:07 | 0:27:09 | |
Yeah, and his girlfriend. | 0:27:09 | 0:27:12 | |
How do you know? | 0:27:13 | 0:27:15 | |
PHONE RINGS | 0:27:15 | 0:27:16 | |
Stefan. | 0:27:22 | 0:27:23 | |
Just stay there. | 0:27:27 | 0:27:29 | |
I'll be right round. | 0:27:29 | 0:27:30 | |
That was Karen. | 0:27:32 | 0:27:33 | |
Been with the police all day. | 0:27:34 | 0:27:36 | |
They made me wait for hours. | 0:27:36 | 0:27:39 | |
I had to fill in forms, but they're not going to do anything. | 0:27:39 | 0:27:43 | |
Poor Sebastian. | 0:27:46 | 0:27:49 | |
I'm sorry. | 0:27:51 | 0:27:53 | |
-Are you OK? -I just hate the idea of someone being here | 0:27:55 | 0:27:58 | |
and going through my things. This is about Adam, isn't it? | 0:27:58 | 0:28:02 | |
Er... I think so, yeah. | 0:28:02 | 0:28:05 | |
A man came up to me outside the restaurant this morning. | 0:28:05 | 0:28:09 | |
He said he was looking for something - a dish. | 0:28:09 | 0:28:13 | |
-A satellite dish? -No. | 0:28:13 | 0:28:15 | |
A little gold dish. | 0:28:15 | 0:28:18 | |
He said he was going to come back. | 0:28:19 | 0:28:21 | |
-Did you tell the police this? -Of course I did. | 0:28:21 | 0:28:24 | |
I gave them his description, but I'm not sure they're interested. | 0:28:24 | 0:28:28 | |
It's not as if he hurt me. | 0:28:28 | 0:28:31 | |
-Dish? -I just wish I'd never got involved. | 0:28:31 | 0:28:35 | |
I don't feel comfortable any more | 0:28:35 | 0:28:38 | |
and I hate being here alone. | 0:28:38 | 0:28:40 | |
I'll be glad when you move in. | 0:28:42 | 0:28:44 | |
What?! | 0:28:46 | 0:28:47 | |
Stefan's taking the spare room. | 0:28:47 | 0:28:49 | |
When did you do that? | 0:28:58 | 0:29:00 | |
What? | 0:29:00 | 0:29:02 | |
The room? When did you even ask her? | 0:29:02 | 0:29:04 | |
When I met her at the Golabki Club. | 0:29:04 | 0:29:06 | |
She said she had a room going free. | 0:29:06 | 0:29:08 | |
Yes, but only because her flatmate had been murdered. | 0:29:08 | 0:29:11 | |
I mean, I wonder why she rang you and not me. | 0:29:11 | 0:29:14 | |
Anyway, how could you do that? You know, what was...? | 0:29:14 | 0:29:17 | |
What was all that stuff about us finding somewhere together? | 0:29:17 | 0:29:20 | |
OK. | 0:29:21 | 0:29:22 | |
Maybe I was out of line. | 0:29:23 | 0:29:25 | |
What am I meant to do? | 0:29:25 | 0:29:27 | |
-I need somewhere to live. -Yes, so do I! | 0:29:27 | 0:29:30 | |
-So, why didn't you ask her? -I'm... | 0:29:30 | 0:29:32 | |
I was going to. | 0:29:37 | 0:29:39 | |
-It just didn't feel appropriate. -Why not? -Why not? Um... | 0:29:39 | 0:29:42 | |
I don't know. Maybe cos I'm a police officer | 0:29:42 | 0:29:44 | |
investigating the death of the guy who used to live there(!) | 0:29:44 | 0:29:47 | |
That's why you're pissed off? | 0:29:47 | 0:29:49 | |
-Because I got there first? -No! -Then what's the problem? | 0:29:49 | 0:29:53 | |
Look, I don't even want to talk about it. | 0:29:53 | 0:29:55 | |
All right? Now just get lost. Forget we ever met. | 0:29:55 | 0:29:57 | |
What about Roman and Eva? Don't you want to know? | 0:29:57 | 0:30:01 | |
What? | 0:30:01 | 0:30:03 | |
They were lying to you. | 0:30:03 | 0:30:05 | |
Yeah. How do you know? | 0:30:07 | 0:30:09 | |
Why are you pretending you don't speak English? | 0:30:12 | 0:30:15 | |
SHE SPEAKS IN POLISH | 0:30:17 | 0:30:19 | |
Your Polish is obviously perfect... | 0:30:19 | 0:30:22 | |
but I can hear an English accent, too. | 0:30:22 | 0:30:25 | |
You've been here a long time. | 0:30:25 | 0:30:27 | |
Look, we just want to know who killed Adam. | 0:30:27 | 0:30:31 | |
We want to know what it was that he found. | 0:30:31 | 0:30:34 | |
The gold dish? | 0:30:35 | 0:30:36 | |
-Small? -Yes. | 0:30:36 | 0:30:38 | |
-Where? -On The Scimitar building site. | 0:30:45 | 0:30:48 | |
That's all we know. | 0:30:48 | 0:30:50 | |
We don't know anything else. | 0:30:50 | 0:30:52 | |
What did he do with it? | 0:30:52 | 0:30:54 | |
He said he'd sell it to someone called...John Gulliver. | 0:30:54 | 0:30:58 | |
-Gulliver. -We know him. | 0:30:58 | 0:30:59 | |
-He's dead. -We KNEW him. | 0:30:59 | 0:31:01 | |
How did he know Gulliver? | 0:31:01 | 0:31:04 | |
One of the guys told me about him. | 0:31:04 | 0:31:06 | |
He'd buy stuff and he wouldn't ask questions. | 0:31:07 | 0:31:10 | |
Did you meet him? | 0:31:10 | 0:31:12 | |
No. | 0:31:12 | 0:31:13 | |
He thought it might be worth something. That's all. | 0:31:13 | 0:31:17 | |
-Maybe £50. -Why did you deny it? | 0:31:17 | 0:31:21 | |
Why didn't you tell me? | 0:31:21 | 0:31:23 | |
We sent him to Gulliver. | 0:31:24 | 0:31:27 | |
Adam gets killed and then we see this. | 0:31:27 | 0:31:29 | |
We were scared. We didn't want to be involved. | 0:31:32 | 0:31:35 | |
This is Gulliver? | 0:31:35 | 0:31:37 | |
Let her go. | 0:31:39 | 0:31:40 | |
Get back in your car. Mind your own business. | 0:31:40 | 0:31:42 | |
I know him. | 0:31:45 | 0:31:47 | |
Are you sure you don't want a drink? | 0:31:54 | 0:31:56 | |
No, I don't want a drink, Raymond, I just want the truth. | 0:31:56 | 0:32:00 | |
What do you mean? I told you everything I know. | 0:32:00 | 0:32:03 | |
No, you didn't. | 0:32:03 | 0:32:04 | |
How long did you work for me? Five years? | 0:32:04 | 0:32:07 | |
You think I couldn't tell when you were lying? | 0:32:07 | 0:32:10 | |
I can't. | 0:32:13 | 0:32:15 | |
Are you scared? | 0:32:16 | 0:32:18 | |
You don't know these people. | 0:32:18 | 0:32:20 | |
Tell me. | 0:32:20 | 0:32:22 | |
-There's a man called Craig. -Craig? -That's what he said. | 0:32:26 | 0:32:31 | |
Ex-Army. Nasty piece of work. I'd never seen him before | 0:32:31 | 0:32:35 | |
-but he knew all about me. -That you'd been in prison. | 0:32:35 | 0:32:38 | |
I'd have lost my job. | 0:32:38 | 0:32:39 | |
I'd have lost everything if I didn't do what he said. | 0:32:39 | 0:32:42 | |
But I swear to you, Derek, I didn't know anyone would get hurt. | 0:32:42 | 0:32:45 | |
For Christ sake, Raymond, what did you do? | 0:32:45 | 0:32:49 | |
I need a piss. | 0:32:51 | 0:32:53 | |
You're not going to run out on me? | 0:32:53 | 0:32:56 | |
Why would I do that, eh? | 0:32:56 | 0:32:58 | |
Just give me a minute, eh? | 0:32:58 | 0:33:00 | |
I'll have a large Scotch. Stick it on his tab. | 0:33:07 | 0:33:10 | |
Ta. | 0:33:12 | 0:33:14 | |
Derek! | 0:33:26 | 0:33:27 | |
Derek... | 0:33:27 | 0:33:29 | |
Raymond... | 0:33:29 | 0:33:31 | |
Hey! | 0:33:39 | 0:33:41 | |
Shit. | 0:33:42 | 0:33:43 | |
Stay still, you stupid bastard. | 0:33:46 | 0:33:48 | |
I'll get you an ambulance. | 0:33:48 | 0:33:50 | |
They're still lying. | 0:34:35 | 0:34:36 | |
-Who? -Roman and Eva. | 0:34:36 | 0:34:39 | |
Look, they said the dish that Adam found | 0:34:39 | 0:34:42 | |
was only worth 50 quid. But we know he got paid 800. | 0:34:42 | 0:34:45 | |
-And he got a new phone. -Right, and they're lying because... | 0:34:45 | 0:34:48 | |
There were two of them. | 0:34:50 | 0:34:51 | |
Two dishes. They've got the other one. | 0:34:51 | 0:34:54 | |
That's the only way it makes sense. | 0:34:54 | 0:34:56 | |
Adam sells his and gets killed. Roman has to keep quiet. | 0:34:56 | 0:34:59 | |
And that's why Karen's place got ransacked. | 0:34:59 | 0:35:02 | |
Someone's still looking for it. | 0:35:02 | 0:35:04 | |
What are we doing here? | 0:35:09 | 0:35:10 | |
'It's simple. | 0:35:12 | 0:35:13 | |
'Adam finds a dish and sells it to Gulliver. | 0:35:13 | 0:35:16 | |
'Adam's blown up. | 0:35:16 | 0:35:18 | |
'Gulliver threatens the Wesleys. | 0:35:18 | 0:35:20 | |
'He burns to death.' | 0:35:21 | 0:35:23 | |
HE SCREAMS | 0:35:23 | 0:35:25 | |
'The Wesleys are connected to Matherson.' | 0:35:25 | 0:35:28 | |
And...? | 0:35:28 | 0:35:30 | |
I want Matherson. | 0:35:30 | 0:35:32 | |
So I need to check the manifest | 0:35:34 | 0:35:36 | |
to find out exactly what's on that boat. | 0:35:36 | 0:35:39 | |
How are you going to do that? | 0:35:39 | 0:35:41 | |
HE SPEAKS IN OWN LANGUAGE | 0:36:02 | 0:36:04 | |
-This is crazy. -What? | 0:36:11 | 0:36:14 | |
We're trespassing. | 0:36:14 | 0:36:16 | |
We're breaking the law. | 0:36:19 | 0:36:21 | |
You shouldn't have come. | 0:36:22 | 0:36:24 | |
-You didn't give me any choice. -Come on! | 0:36:24 | 0:36:27 | |
Look, this has got nothing to do with me. | 0:36:29 | 0:36:32 | |
OK... | 0:36:37 | 0:36:38 | |
Rash? | 0:36:40 | 0:36:41 | |
Rash? | 0:36:47 | 0:36:49 | |
Rash! | 0:36:49 | 0:36:51 | |
GENTLE CREAKING | 0:37:12 | 0:37:14 | |
I don't believe this. | 0:37:37 | 0:37:38 | |
This is not happening. | 0:37:40 | 0:37:42 | |
Are you OK? | 0:37:42 | 0:37:44 | |
No, I'm not OK! | 0:37:45 | 0:37:47 | |
HE GROANS | 0:37:47 | 0:37:50 | |
-My head really hurts. -Mine too. | 0:37:50 | 0:37:53 | |
I don't even know why I'm here. This has got nothing to do with me. | 0:37:57 | 0:38:01 | |
I know. You said. | 0:38:01 | 0:38:03 | |
You know, ever since I met you, | 0:38:03 | 0:38:06 | |
my life has taken a serious turn downhill. | 0:38:06 | 0:38:10 | |
DOOR CLANGS | 0:38:10 | 0:38:12 | |
FOOTSTEPS APPROACH | 0:38:12 | 0:38:15 | |
Hi. | 0:38:33 | 0:38:35 | |
Who are you? | 0:38:45 | 0:38:46 | |
I was about to ask you the same thing. | 0:38:50 | 0:38:53 | |
I'm a police officer. And I warn you, you're guilty of | 0:38:55 | 0:38:57 | |
false imprisonment by detaining us here and probably kidnapping. | 0:38:57 | 0:39:00 | |
-Which carries a sentence of life imprisonment. -Right. | 0:39:00 | 0:39:03 | |
Added to which, you're assaulting me as a police officer. | 0:39:03 | 0:39:05 | |
And are you going to tell me you're police as well? | 0:39:05 | 0:39:07 | |
-Yeah. I'm with the Serious Fraud Office. -We know who you are. | 0:39:07 | 0:39:10 | |
-We know everything about you. -You don't know my name. | 0:39:10 | 0:39:13 | |
Yeah, OK. But we now you were involved in the death of Adam Jannsen. | 0:39:15 | 0:39:18 | |
-Yeah, and James Gulliver. -John Gulliver! | 0:39:18 | 0:39:20 | |
And the Wesleys are involved. | 0:39:20 | 0:39:22 | |
-The Scimitar. -All right. You know something. | 0:39:22 | 0:39:26 | |
-So, you've got to let us go. -I don't agree. | 0:39:26 | 0:39:29 | |
What are you going to do? | 0:39:30 | 0:39:32 | |
I've got nothing against you personally, but this is my job. | 0:39:32 | 0:39:36 | |
I've got to find out what you know. Who you're working for. | 0:39:36 | 0:39:39 | |
-Then I've got to get rid of you. -What, are you going to kill us? | 0:39:40 | 0:39:44 | |
-In cold blood? -Yeah, it's what I get paid to do. 10 grand a time. | 0:39:44 | 0:39:49 | |
-It gets to be a bit of a habit, after a while. -Wait! | 0:39:49 | 0:39:52 | |
What now? | 0:39:54 | 0:39:55 | |
I'm a Catholic. | 0:39:55 | 0:39:56 | |
-So what? -I want to pray. | 0:39:59 | 0:40:01 | |
-Are you serious? -Yeah. It matters to me. | 0:40:03 | 0:40:06 | |
All right. Get on with it. I'll give you a minute. | 0:40:06 | 0:40:09 | |
And while you're doing that, I'll kill your friend. | 0:40:09 | 0:40:12 | |
-What! -The trouble is, I can't do it standing up. | 0:40:12 | 0:40:14 | |
OK. You want me to untie you? Just get on with it, all right? | 0:40:14 | 0:40:17 | |
-If you kill us, you'll never get what you want. -Now, what's that? | 0:40:17 | 0:40:22 | |
What you're looking for. It's why you killed Adam Jannsen. | 0:40:22 | 0:40:26 | |
He found it on a building site. | 0:40:28 | 0:40:30 | |
It's small, it's round, it's gold, shaped like a dish. | 0:40:30 | 0:40:34 | |
He sold it to John Gulliver. | 0:40:34 | 0:40:36 | |
And Gulliver used it to threaten the Wesleys. | 0:40:36 | 0:40:38 | |
And you got it back when you killed Gulliver. | 0:40:38 | 0:40:41 | |
But there were two of them, weren't there? | 0:40:42 | 0:40:44 | |
That's why you broke into Karen's place? | 0:40:44 | 0:40:46 | |
But it wasn't there. | 0:40:47 | 0:40:49 | |
It was too late. She'd already given it to us. | 0:40:49 | 0:40:52 | |
-So, where is it now? -Obviously we're not going to tell you. -Whoa! | 0:40:52 | 0:40:56 | |
If you let us go, we'll take you to it. | 0:40:56 | 0:40:59 | |
We'll take you to it and we'll give you two hours to make your getaway. | 0:40:59 | 0:41:02 | |
And that's it. That's the deal. | 0:41:02 | 0:41:04 | |
-So, you've got it? -Yeah. | 0:41:04 | 0:41:06 | |
Well, that changes things. | 0:41:08 | 0:41:09 | |
-Thought it might. -I can't kill you after all. | 0:41:11 | 0:41:14 | |
Not if you ever want to see it again. | 0:41:15 | 0:41:17 | |
I'm going to have to talk to you first. Make you tell me where it is. | 0:41:23 | 0:41:26 | |
-And then I'm going to kill you. -Do what you want. | 0:41:26 | 0:41:29 | |
We're not going to tell you anything. | 0:41:29 | 0:41:31 | |
Really? Oh, OK. | 0:41:31 | 0:41:33 | |
I think this might change your mind. | 0:41:33 | 0:41:35 | |
You have no idea what I can and can't do... | 0:41:38 | 0:41:42 | |
Both knees...elbows. | 0:41:42 | 0:41:45 | |
Listen, I want to know what you know. | 0:41:45 | 0:41:48 | |
So, which one of you is going to be first? | 0:41:48 | 0:41:50 | |
-Start with him. -What? | 0:41:52 | 0:41:54 | |
-He's got it! -No, I haven't! -It's in his van. | 0:41:58 | 0:42:01 | |
Where? | 0:42:01 | 0:42:03 | |
It's parked outside on the quay. | 0:42:03 | 0:42:05 | |
-It's a white builder's van. It's in the back. -Parked where? | 0:42:05 | 0:42:07 | |
A five-minute walk away. | 0:42:07 | 0:42:09 | |
Over by the gate. | 0:42:09 | 0:42:11 | |
-Where's the keys? -It's open. It's open. | 0:42:14 | 0:42:17 | |
And it's definitely there? Cos, you two, you aren't going anywhere. | 0:42:18 | 0:42:23 | |
When I come back, if I find out you're lying to me, really, I am, | 0:42:23 | 0:42:26 | |
I'm going to do things to you that you wouldn't want to imagine. | 0:42:26 | 0:42:29 | |
It's there. | 0:42:29 | 0:42:30 | |
All right. | 0:42:32 | 0:42:33 | |
You're on your own down here. No-one can hear you. | 0:42:34 | 0:42:38 | |
And there's no way out. | 0:42:38 | 0:42:40 | |
Oh... | 0:42:42 | 0:42:43 | |
One second. | 0:42:45 | 0:42:46 | |
No way you can reach them, but, you know, best to be sure. | 0:42:59 | 0:43:03 | |
That's my new phone! | 0:43:09 | 0:43:11 | |
Why did you do that? | 0:43:11 | 0:43:13 | |
Back soon. | 0:43:24 | 0:43:25 | |
Help! Someone! | 0:43:25 | 0:43:29 | |
-Hey! -All right! They can't hear you. | 0:43:29 | 0:43:31 | |
You could be a bit more positive. | 0:43:31 | 0:43:33 | |
FOOTSTEPS RECEDE | 0:43:33 | 0:43:36 | |
This was his? | 0:43:40 | 0:43:42 | |
-I've got another phone in my jacket. -What, you've got two phones? | 0:43:47 | 0:43:50 | |
Well, not normally. I've still got Adam's phone. | 0:43:50 | 0:43:54 | |
Karen gave it to me. | 0:43:54 | 0:43:56 | |
You can't reach it. | 0:43:56 | 0:43:58 | |
No. | 0:43:58 | 0:44:00 | |
But you can. | 0:44:01 | 0:44:03 | |
Oh! | 0:44:18 | 0:44:19 | |
My ribs! | 0:44:21 | 0:44:23 | |
Oh, all right, just find the phone! | 0:44:23 | 0:44:25 | |
-Yeah, I can feel it. -It's right in front of your foot. | 0:44:25 | 0:44:28 | |
-It's coming, it's coming. -OK. | 0:44:31 | 0:44:33 | |
Just don't let it drop. | 0:44:33 | 0:44:35 | |
I'm not going to let it drop. | 0:44:35 | 0:44:37 | |
-Why did you have to drop it? -I didn't drop it on purpose! | 0:44:56 | 0:44:59 | |
-He's coming back! -I know he's coming back, but I can't reach it. | 0:45:00 | 0:45:05 | |
Wait a minute. | 0:45:15 | 0:45:17 | |
I'll use my shoe. | 0:45:17 | 0:45:19 | |
That's good. | 0:45:22 | 0:45:24 | |
I've got it! | 0:45:25 | 0:45:26 | |
-Is it on? -Yep. -We can call the police. -That's right. | 0:45:28 | 0:45:32 | |
How are you going to dial? | 0:45:32 | 0:45:34 | |
-With my toes. -Oh, good work, mate. | 0:45:34 | 0:45:37 | |
-Have you done it? -I'm doing it now. It's not easy. -Well, it's 999. | 0:45:54 | 0:45:58 | |
Well, I know the number. Yeah? I'm doing it with my toes. | 0:45:58 | 0:46:01 | |
'Emergency, which service?' | 0:46:07 | 0:46:10 | |
-You've done it! -I did it! | 0:46:10 | 0:46:12 | |
-We need the police! We're on a ship. -I'm DC Sayyad, I'm being held against my will. | 0:46:14 | 0:46:17 | |
He's coming for us. He's got a gun. We've been kidnapped. | 0:46:17 | 0:46:20 | |
-Will you shut up. I'm telling them! -I'm telling them! | 0:46:20 | 0:46:23 | |
They can't hear us if we both shout at the same time. | 0:46:23 | 0:46:25 | |
-All right. -Right. | 0:46:25 | 0:46:27 | |
-Suspect... -We need the police! | 0:46:27 | 0:46:29 | |
DOOR OPENS | 0:46:29 | 0:46:32 | |
You lied to me. | 0:46:45 | 0:46:46 | |
Look, it's there. | 0:46:46 | 0:46:47 | |
No, it's not. | 0:46:47 | 0:46:49 | |
-OK! It's not in the van, but we know who's got it. -But we can't tell you. | 0:46:49 | 0:46:53 | |
-Why not? -Because if we tell you, you'll go and kill them. | 0:46:53 | 0:46:56 | |
That's very noble of you, but I'm getting fed up with this, so I'm going to kill you instead. | 0:46:56 | 0:47:00 | |
Wait a minute! Are you going to kill us on the Dragon Star? | 0:47:00 | 0:47:02 | |
In the Tilbury Docks? | 0:47:02 | 0:47:04 | |
-In the hold? -Where we're tied up? | 0:47:04 | 0:47:06 | |
What are you two doing? | 0:47:06 | 0:47:08 | |
And why have you taken your shoes off? | 0:47:08 | 0:47:11 | |
Armed police! | 0:47:18 | 0:47:20 | |
GUNSHOTS | 0:47:20 | 0:47:24 | |
Are you all right? | 0:47:39 | 0:47:41 | |
It worked. | 0:47:44 | 0:47:45 | |
-I can't believe it worked. -What worked? | 0:47:46 | 0:47:49 | |
We got the phone out, we managed to call you. | 0:47:49 | 0:47:52 | |
No, you didn't call us. | 0:47:52 | 0:47:53 | |
He did. | 0:47:53 | 0:47:55 | |
'Hello? Help is on its way. Help is on its way.' | 0:47:58 | 0:48:03 | |
-So, it turns out that you were right. -I usually am. | 0:48:15 | 0:48:19 | |
The Wesley brothers were buying high-quality ragstone | 0:48:19 | 0:48:22 | |
from the Mathersons and paying a premium price for it. | 0:48:22 | 0:48:25 | |
-Yes. -Only it wasn't their product. | 0:48:25 | 0:48:27 | |
We checked - the family quarry is almost empty. | 0:48:27 | 0:48:30 | |
There's nothing left. | 0:48:30 | 0:48:32 | |
So, where were they getting it from? | 0:48:32 | 0:48:34 | |
Well, they were buying it cheap from China, | 0:48:34 | 0:48:37 | |
importing it through a shipping company called White Dragon. | 0:48:37 | 0:48:40 | |
When they sold it to the Wesleys, they were making a 500% profit. | 0:48:40 | 0:48:44 | |
Did the Wesley know they were being ripped off? | 0:48:44 | 0:48:47 | |
Of course they knew. | 0:48:47 | 0:48:48 | |
So the bribe money was being paid. | 0:48:48 | 0:48:51 | |
The Wesleys pay through the nose for an inferior product | 0:48:51 | 0:48:54 | |
and Matherson...and his wife pocket the difference. | 0:48:54 | 0:48:58 | |
Paying over the odds for a cheap product | 0:48:58 | 0:49:00 | |
-demonstrates nothing more than bad business sense. -Exactly. | 0:49:00 | 0:49:04 | |
So Matherson is in the clear. | 0:49:04 | 0:49:07 | |
I understand that this new building has already been given | 0:49:08 | 0:49:12 | |
the nom de plume of The Pyramid. | 0:49:12 | 0:49:15 | |
Two years from now, it will rise above this city, | 0:49:15 | 0:49:19 | |
breathing new life to this area, | 0:49:19 | 0:49:22 | |
confirming, once again, that when it comes to dynamism and growth, | 0:49:22 | 0:49:27 | |
London really does lead the world. | 0:49:27 | 0:49:30 | |
JOURNALISTS SHOUT QUESTIONS | 0:49:32 | 0:49:35 | |
This is your last chance. | 0:49:42 | 0:49:43 | |
You give it to us now or we go to the police. | 0:49:43 | 0:49:45 | |
I am the police. | 0:49:45 | 0:49:47 | |
Yeah, the proper police. | 0:49:47 | 0:49:49 | |
Look, you can't keep it, you can't sell it. | 0:49:51 | 0:49:55 | |
You've got no choice. | 0:49:55 | 0:49:57 | |
Why should we? | 0:49:57 | 0:49:58 | |
-It's ours. -Heather. | 0:50:00 | 0:50:01 | |
It's what you dream of when you're a child. | 0:50:21 | 0:50:24 | |
A buried treasure. | 0:50:24 | 0:50:26 | |
Do you know how hard we work... | 0:50:30 | 0:50:32 | |
Roman and I? | 0:50:32 | 0:50:34 | |
And do you know how much we earn? | 0:50:34 | 0:50:37 | |
This city never gives you any chances. | 0:50:40 | 0:50:42 | |
And then this comes along. | 0:50:42 | 0:50:44 | |
I'm sorry. | 0:50:50 | 0:50:52 | |
It's called an intaglio. | 0:51:11 | 0:51:14 | |
Probably 1st century AD. | 0:51:14 | 0:51:16 | |
These things always come in pairs. You see? Cautes and Cautopates. | 0:51:17 | 0:51:21 | |
Day and night. You can't have one without the other. | 0:51:21 | 0:51:23 | |
-You say it was found on a building site? -Yeah. | 0:51:23 | 0:51:26 | |
Well, there's almost certainly something very exciting underneath. | 0:51:26 | 0:51:29 | |
A Mithraic temple. Perhaps an entire complex. | 0:51:29 | 0:51:32 | |
I just hope they have insurance. | 0:51:32 | 0:51:35 | |
Unexpected archaeological discovery insurance. | 0:51:35 | 0:51:39 | |
You don't have it. | 0:51:39 | 0:51:41 | |
Of course we do. We'd be mad not to. | 0:51:43 | 0:51:46 | |
No, we checked. | 0:51:46 | 0:51:47 | |
You didn't bother. | 0:51:49 | 0:51:50 | |
No. Louis would have told me. | 0:51:52 | 0:51:55 | |
I think there are a lot of things Louis didn't tell you. | 0:51:55 | 0:51:59 | |
You're right. | 0:52:06 | 0:52:08 | |
-We didn't. -Why? | 0:52:08 | 0:52:11 | |
To save the money. | 0:52:11 | 0:52:12 | |
And that's why Adam Jannsen had to die. | 0:52:14 | 0:52:17 | |
He found an antique - a golden medallion. | 0:52:19 | 0:52:22 | |
He showed it to John Gulliver | 0:52:24 | 0:52:26 | |
and Gulliver guessed what it would be worth to you. | 0:52:26 | 0:52:29 | |
A find like that could shut you down for years. | 0:52:29 | 0:52:31 | |
Without insurance, you'd be dead ducks. | 0:52:31 | 0:52:34 | |
He tried to blackmail you so you had him killed... | 0:52:34 | 0:52:37 | |
by the same person who killed Adam Jannsen. | 0:52:37 | 0:52:40 | |
You also planned the murder of Raymond Keane. | 0:52:40 | 0:52:44 | |
He's not dead. And he'll talk. | 0:52:44 | 0:52:47 | |
And finally, you were responsible for the kidnap | 0:52:47 | 0:52:50 | |
and attempted murder of one of my detectives. | 0:52:50 | 0:52:53 | |
I understand that the person who actually committed these crimes is dead. | 0:52:53 | 0:52:57 | |
That's right. | 0:52:57 | 0:52:59 | |
Then, forgive me, Detective, but I would say | 0:52:59 | 0:53:03 | |
that you have nothing that connects me to any of this. | 0:53:03 | 0:53:06 | |
That's not true. | 0:53:08 | 0:53:10 | |
DNA from the chewing gum found at the building site gives us Craig. | 0:53:11 | 0:53:16 | |
Craig leads us to you. | 0:53:16 | 0:53:18 | |
You met in the Territorial Army. | 0:53:18 | 0:53:21 | |
You were both in the 47th London Infantry Division. | 0:53:21 | 0:53:25 | |
We have large payments recovered from his house. | 0:53:27 | 0:53:30 | |
Your fingerprints are all over them. | 0:53:30 | 0:53:33 | |
Can I talk to Ellie? | 0:53:39 | 0:53:41 | |
Would that be possible, do you think? | 0:53:43 | 0:53:45 | |
I just want to explain. | 0:53:47 | 0:53:48 | |
And the Scimitar? | 0:53:57 | 0:53:59 | |
The site has already been designated an area of archaeological interest. | 0:53:59 | 0:54:04 | |
All work has been suspended for the next 15 weeks for rescue excavation. | 0:54:04 | 0:54:08 | |
The whole project has collapsed. It's never going to be built. | 0:54:08 | 0:54:11 | |
What a great shame. | 0:54:13 | 0:54:16 | |
Which brings us back to the question of high-rises in London. | 0:54:16 | 0:54:19 | |
You know, Marcus, my head of investigation, he hates them. | 0:54:19 | 0:54:23 | |
He thinks they're destroying the city. | 0:54:23 | 0:54:25 | |
Oh, I don't agree. | 0:54:25 | 0:54:27 | |
I think they're revitalising London. | 0:54:27 | 0:54:30 | |
They're the future. | 0:54:30 | 0:54:31 | |
Hmm. I've heard you say that many times... | 0:54:31 | 0:54:33 | |
on record. | 0:54:33 | 0:54:35 | |
The Scimitar. | 0:54:39 | 0:54:40 | |
Yep. | 0:54:40 | 0:54:42 | |
You can actually see the site where it was going to be built from here. | 0:54:43 | 0:54:48 | |
Yeah, I believe so. | 0:54:48 | 0:54:51 | |
Yes, if it had gone up, it would have gone up right there. | 0:54:51 | 0:54:55 | |
Right in front of you. | 0:54:55 | 0:54:57 | |
Spoiling your view. | 0:54:57 | 0:54:58 | |
Wouldn't have been great for the value of your flat. | 0:55:01 | 0:55:04 | |
I hope you're not suggesting... | 0:55:07 | 0:55:09 | |
I'm not suggesting anything, Peter. | 0:55:09 | 0:55:11 | |
Goodbye. | 0:55:13 | 0:55:14 | |
So...? | 0:55:29 | 0:55:31 | |
You told her then? | 0:55:31 | 0:55:33 | |
What? | 0:55:33 | 0:55:34 | |
Karen. | 0:55:34 | 0:55:36 | |
Oh, yeah. | 0:55:37 | 0:55:38 | |
I didn't want the room anyway. | 0:55:38 | 0:55:41 | |
Would've been a bit creepy... knowing the guy who died. | 0:55:41 | 0:55:45 | |
So it's free? | 0:55:46 | 0:55:48 | |
Yeah. | 0:55:48 | 0:55:50 | |
Did you take it? | 0:55:51 | 0:55:53 | |
Well, we got on really well. | 0:55:53 | 0:55:55 | |
It's a nice house. | 0:55:55 | 0:55:57 | |
-You lied to me! -Oh, forget it. I didn't want it. | 0:55:57 | 0:56:00 | |
Too small. | 0:56:00 | 0:56:02 | |
And all those teddy bears. | 0:56:03 | 0:56:05 | |
Yeah. Sebastien. | 0:56:05 | 0:56:06 | |
Fergie. | 0:56:08 | 0:56:09 | |
Bruno. | 0:56:10 | 0:56:11 | |
Eddie. | 0:56:11 | 0:56:13 | |
Eddie? | 0:56:13 | 0:56:14 | |
Eddie the Teddy. | 0:56:14 | 0:56:16 | |
HE SIGHS We'll find somewhere. | 0:56:20 | 0:56:24 | |
There's got to be somewhere. | 0:56:24 | 0:56:25 | |
Somewhere. | 0:56:26 | 0:56:28 | |
Yeah. | 0:56:29 | 0:56:30 | |
Right, come on. | 0:56:33 | 0:56:35 | |
I'll race you. | 0:56:35 | 0:56:36 | |
# Took a drink out of the ocean and | 0:56:41 | 0:56:44 | |
# I'm treading water there before I drown | 0:56:44 | 0:56:47 | |
# I took a ride, I took a ride | 0:56:47 | 0:56:49 | |
# I wouldn't go there without you... # | 0:56:49 | 0:56:52 | |
Keep up, old man. | 0:56:52 | 0:56:54 | |
# Let's take a ride We'll take a ride | 0:56:54 | 0:56:56 | |
# I wouldn't leave here without you | 0:56:56 | 0:56:59 | |
# I am a mountain | 0:56:59 | 0:57:02 | |
# I am the sea | 0:57:02 | 0:57:05 | |
# You can't take that away from me... # | 0:57:05 | 0:57:08 | |
It's perfect. | 0:57:09 | 0:57:11 | |
Fraud isn't about crime, it's about ruining people's lives. | 0:57:11 | 0:57:14 | |
THEY SHOUTS QUESTIONS | 0:57:14 | 0:57:16 | |
Agh! | 0:57:16 | 0:57:17 | |
Police, SFO. Why are you working together? | 0:57:17 | 0:57:20 | |
# Took a ride, I took a ride | 0:57:20 | 0:57:22 | |
# I wouldn't go there without you | 0:57:22 | 0:57:24 | |
# Let's take a ride We'll take a ride | 0:57:25 | 0:57:28 | |
# I wouldn't leave here without you | 0:57:28 | 0:57:32 | |
# I am a mountain | 0:57:32 | 0:57:34 | |
# I am the sea | 0:57:34 | 0:57:37 | |
# You can't take that away from me | 0:57:37 | 0:57:41 | |
# I am a mountain | 0:57:41 | 0:57:44 | |
# I am the sea | 0:57:44 | 0:57:46 | |
# Cos you tear us apart | 0:57:48 | 0:57:51 | |
# With all the things you don't like | 0:57:51 | 0:57:53 | |
# You can't understand. # | 0:57:53 | 0:57:56 |