Browse content similar to Case 3, Part 1. Check below for episodes and series from the same categories and more!
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MAN PANTS AND GROANS | 0:00:02 | 0:00:03 | |
Are you OK, Rash? | 0:00:05 | 0:00:06 | |
What happened? | 0:00:08 | 0:00:09 | |
We crashed. | 0:00:10 | 0:00:11 | |
Jesus. | 0:00:13 | 0:00:14 | |
Are you hurt? | 0:00:22 | 0:00:23 | |
We're upside down. | 0:00:26 | 0:00:27 | |
Yep. | 0:00:29 | 0:00:30 | |
There's something dripping down my back. | 0:00:32 | 0:00:34 | |
What's dripping down my back? | 0:00:34 | 0:00:37 | |
It's petrol. | 0:00:37 | 0:00:38 | |
-What?! -It's petrol! | 0:00:38 | 0:00:40 | |
-Well, I think we should get out! -Yeah, definitely. | 0:00:41 | 0:00:44 | |
SEATBELT CLICKS | 0:00:44 | 0:00:46 | |
How...could this...get any worse? | 0:00:53 | 0:00:57 | |
TYRES SQUEAL | 0:00:57 | 0:00:59 | |
They're coming back! | 0:00:59 | 0:01:01 | |
Get out! | 0:01:01 | 0:01:02 | |
I can't! | 0:01:03 | 0:01:04 | |
Rash, get out! | 0:01:04 | 0:01:06 | |
My seatbelt! I can't! | 0:01:06 | 0:01:07 | |
Rash! Get out! | 0:01:07 | 0:01:10 | |
Get out! | 0:01:11 | 0:01:12 | |
Wiggle it! | 0:01:13 | 0:01:14 | |
I have wiggled it, it's stuck! | 0:01:14 | 0:01:16 | |
What's he doing? | 0:01:21 | 0:01:22 | |
METALLIC CLINK | 0:01:48 | 0:01:49 | |
Come on! | 0:02:07 | 0:02:08 | |
I told you, I can't move, I'm stuck! | 0:02:10 | 0:02:13 | |
Yeah, I'll help! | 0:02:13 | 0:02:14 | |
Come on. | 0:02:14 | 0:02:16 | |
-It's no good. -It's coming! | 0:02:16 | 0:02:18 | |
HE PANTS HYSTERICALLY Just go! | 0:02:21 | 0:02:23 | |
I'm not going without you. | 0:02:23 | 0:02:24 | |
There's no point in us both sitting here! | 0:02:24 | 0:02:26 | |
-Oh, come on! -Look, just go! -I'm not leaving you! | 0:02:26 | 0:02:29 | |
Why do you have to be so bloody obstinate?! | 0:02:29 | 0:02:31 | |
It's coming, it's coming! | 0:02:31 | 0:02:32 | |
# Don't want to drown no more | 0:02:39 | 0:02:42 | |
# Sick of the same old people | 0:02:42 | 0:02:44 | |
# The kind that'll sell your soul | 0:02:44 | 0:02:46 | |
# And trade it for a shining stone | 0:02:46 | 0:02:49 | |
# Ain't nothing in this life for free | 0:02:49 | 0:02:51 | |
# Running from the greatest evil | 0:02:51 | 0:02:54 | |
# It finally dawned on me | 0:02:54 | 0:02:56 | |
# A man's got to fight temptation | 0:02:56 | 0:02:58 | |
# Keep the wolves from the door | 0:02:58 | 0:03:02 | |
# I hear them scratching like I don't know better | 0:03:02 | 0:03:06 | |
# Won't you keep the wolves from the door | 0:03:06 | 0:03:12 | |
# It won't be long before I cave in and open up the door. # | 0:03:12 | 0:03:16 | |
KNOCK AT DOOR | 0:03:23 | 0:03:24 | |
Good morning. | 0:03:28 | 0:03:29 | |
Hi, I'm Arrash Sayyad. | 0:03:29 | 0:03:32 | |
Stefan Kowolski. | 0:03:32 | 0:03:33 | |
Yes, do come in. | 0:03:33 | 0:03:35 | |
Feel free to take a look around. | 0:03:38 | 0:03:40 | |
It's always nice to get a feel for the place. | 0:03:40 | 0:03:43 | |
Neither of you are smokers? | 0:03:44 | 0:03:47 | |
No. | 0:03:47 | 0:03:48 | |
The owner is very insistent about that. | 0:03:48 | 0:03:50 | |
And, of course, no animals. | 0:03:50 | 0:03:52 | |
That's you out. | 0:03:52 | 0:03:53 | |
Hm! Funny(!) | 0:03:53 | 0:03:55 | |
Who is the owner? | 0:03:57 | 0:03:58 | |
It's not an individual, it's a company. | 0:03:58 | 0:04:00 | |
You do realise it's very unusual for a property of this calibre | 0:04:02 | 0:04:06 | |
to come onto the rental market and at such a low price? | 0:04:06 | 0:04:08 | |
-DOORBELL RINGS -Oh, excuse me. | 0:04:08 | 0:04:11 | |
RASH LAUGHS | 0:04:13 | 0:04:14 | |
We've got to take it! | 0:04:14 | 0:04:16 | |
Mate, this place is amazing! | 0:04:18 | 0:04:19 | |
Yeah. | 0:04:19 | 0:04:21 | |
All right, well, let's tell her we want it and get on with it. | 0:04:21 | 0:04:23 | |
Yeah. | 0:04:23 | 0:04:24 | |
There is... There's got to be a catch. | 0:04:24 | 0:04:27 | |
-Why do you have to be so negative? -Cos it's too good to be true. | 0:04:27 | 0:04:29 | |
Mate, it's not... FOOTSTEPS APPROACH | 0:04:29 | 0:04:31 | |
-MAN: -Amazing view! | 0:04:34 | 0:04:36 | |
Told you. | 0:04:36 | 0:04:37 | |
Excuse me? | 0:04:40 | 0:04:41 | |
You didn't say anything about this being an open house. | 0:04:41 | 0:04:44 | |
I'm sorry. If you're interested in the property, | 0:04:44 | 0:04:48 | |
we'll consider you for the shortlist. | 0:04:48 | 0:04:50 | |
How short exactly? | 0:04:50 | 0:04:52 | |
We'll need to check your finances and then your references | 0:04:52 | 0:04:55 | |
and then there will be interviews with the agency. | 0:04:55 | 0:04:58 | |
-For everyone, or...? -Not everyone. | 0:04:58 | 0:05:02 | |
Not everyone. | 0:05:08 | 0:05:10 | |
You're a detective, I'm a serious fraud investigator. | 0:05:14 | 0:05:17 | |
We're perfect. | 0:05:17 | 0:05:18 | |
Yeah. | 0:05:18 | 0:05:20 | |
As long as you don't get blind drunk or high on drugs, we'll be fine. | 0:05:20 | 0:05:23 | |
-You're never going to let me forget that! -No. | 0:05:23 | 0:05:26 | |
It's perfect. | 0:05:27 | 0:05:29 | |
Guv? | 0:05:38 | 0:05:39 | |
Burglaries. | 0:05:40 | 0:05:42 | |
You're not serious? | 0:05:42 | 0:05:44 | |
Well, it's still a crime, Derek, or hadn't you noticed? | 0:05:44 | 0:05:47 | |
My heart bleeds for the victims, | 0:05:47 | 0:05:50 | |
but it's not really our department, is it? | 0:05:50 | 0:05:52 | |
Six burglaries in two months, | 0:05:52 | 0:05:54 | |
high-end apartments, all smart addresses. | 0:05:54 | 0:05:57 | |
Last week the AC had dinner at City Hall. | 0:05:57 | 0:06:00 | |
The...subject came up. | 0:06:00 | 0:06:02 | |
I get it. I suppose you want me to take Wonder Boy with me. | 0:06:04 | 0:06:06 | |
Well, you're a good team. | 0:06:06 | 0:06:08 | |
We're not a team, we are a situation. | 0:06:08 | 0:06:10 | |
Well, you're still getting results. Here, I tell you what, | 0:06:10 | 0:06:12 | |
his six-month probation is up in two weeks. | 0:06:12 | 0:06:16 | |
Want me to send him back? | 0:06:16 | 0:06:18 | |
I'll think about it. | 0:06:25 | 0:06:27 | |
Come on. | 0:06:34 | 0:06:35 | |
What is it? | 0:06:35 | 0:06:37 | |
It's me, telling you to get on your feet and follow me, all right?! | 0:06:37 | 0:06:40 | |
But fraud isn't just about making money, it isn't about crime, | 0:07:00 | 0:07:04 | |
it's about ruining people's lives. | 0:07:04 | 0:07:06 | |
Helen and Colin Fraser, both in their 70s, | 0:07:08 | 0:07:10 | |
put their entire life savings into a property scheme, investing in Spain. | 0:07:10 | 0:07:15 | |
But there was no property. | 0:07:16 | 0:07:18 | |
They lost everything and then they... | 0:07:18 | 0:07:20 | |
then they took their own lives. | 0:07:20 | 0:07:22 | |
It's a fraud that has ripped off British pensioners | 0:07:22 | 0:07:26 | |
to the tune of 30 million since 2009. | 0:07:26 | 0:07:32 | |
And the brains behind it all is this man - Daniel Lorca. | 0:07:32 | 0:07:36 | |
Lorca is invisible. | 0:07:36 | 0:07:39 | |
He has no address in the UK, we know almost nothing about him. | 0:07:39 | 0:07:43 | |
We don't even know what he looks like. | 0:07:43 | 0:07:45 | |
But I want to find him. | 0:07:45 | 0:07:47 | |
This is the man that is going to lead us to him. | 0:07:47 | 0:07:49 | |
His name is John Malik. | 0:07:52 | 0:07:54 | |
He is a lawyer and businessman | 0:07:58 | 0:08:00 | |
who offers a full client service to the super-rich. | 0:08:00 | 0:08:03 | |
Oligarchs, drug traffickers, Russian Mafia, you name it. | 0:08:05 | 0:08:09 | |
John Malik represents Lorca's "legitimate" business interests. | 0:08:09 | 0:08:15 | |
But, this morning, a warrant has been signed | 0:08:15 | 0:08:18 | |
to search his office and his home. | 0:08:18 | 0:08:20 | |
There will be two searches. | 0:08:20 | 0:08:22 | |
Alison will take the office team as temporary Case Controller | 0:08:22 | 0:08:26 | |
and I'll take his home. | 0:08:26 | 0:08:28 | |
But I want you to be very careful. | 0:08:28 | 0:08:30 | |
Remember, this is a man who consorts with major criminals. | 0:08:30 | 0:08:34 | |
Good trip, Mr Malik? | 0:08:43 | 0:08:44 | |
-You know the best thing about Moscow, Smithson? -No, sir. | 0:08:44 | 0:08:48 | |
Getting the hell out! | 0:08:48 | 0:08:49 | |
Where is that damn porter? | 0:08:51 | 0:08:53 | |
-POLISH ACCENT: -Here, sir. | 0:08:53 | 0:08:55 | |
Come on, don't keep me waiting. | 0:08:55 | 0:08:57 | |
Home or office, sir? | 0:08:57 | 0:08:59 | |
Office. | 0:08:59 | 0:09:00 | |
-NORMAL ACCENT: -They are heading for the office. | 0:09:00 | 0:09:03 | |
MARCUS: 'That's good, Stefan. Stay close.' | 0:09:03 | 0:09:05 | |
We'd been away for the weekend. | 0:09:12 | 0:09:13 | |
Anywhere nice? | 0:09:13 | 0:09:15 | |
Wiltshire. We've got a house near Devizes. | 0:09:15 | 0:09:18 | |
So, do you know what was taken? | 0:09:20 | 0:09:22 | |
Money, about £300. | 0:09:22 | 0:09:24 | |
Computer and... | 0:09:24 | 0:09:27 | |
my wife's jewellery. | 0:09:27 | 0:09:28 | |
A diamond necklace, some earrings, | 0:09:30 | 0:09:33 | |
-her eternity ring. -Insured? | 0:09:33 | 0:09:35 | |
That's not the point, is it? It's more the sentimental value. | 0:09:35 | 0:09:39 | |
I'm sure. | 0:09:40 | 0:09:41 | |
What about the alarm? | 0:09:41 | 0:09:43 | |
Well...I was certain I'd put that on. | 0:09:44 | 0:09:48 | |
I must have been mistaken. | 0:09:49 | 0:09:51 | |
-Maybe he should get it checked. -What? | 0:10:06 | 0:10:08 | |
The alarm. | 0:10:08 | 0:10:10 | |
That's good, that, yeah, that will be a real help... | 0:10:10 | 0:10:13 | |
now that everything has been nicked! | 0:10:13 | 0:10:15 | |
Excuse me, have you got a minute | 0:10:21 | 0:10:22 | |
to talk about how we can stamp out child poverty in Africa? | 0:10:22 | 0:10:25 | |
No, have you got a minute to step out of the way? | 0:10:25 | 0:10:27 | |
But w-we're raising money for disadvantaged children... | 0:10:27 | 0:10:29 | |
I've already got one, thanks. | 0:10:29 | 0:10:32 | |
I'm sorry, mate. | 0:10:32 | 0:10:33 | |
UPBEAT MUSIC PLAYS | 0:10:39 | 0:10:42 | |
Our Child believes that every child on the planet | 0:10:46 | 0:10:49 | |
has a right to laughter and happiness. | 0:10:49 | 0:10:51 | |
And now, ladies and gentlemen, we ask you to welcome | 0:10:54 | 0:10:57 | |
its founder and director, | 0:10:57 | 0:10:59 | |
Lisa Douglas. | 0:10:59 | 0:11:01 | |
Ladies and gentlemen, | 0:11:03 | 0:11:04 | |
ten years ago, I made a promise | 0:11:04 | 0:11:07 | |
that I would never show the picture of an unhappy boy or girl | 0:11:07 | 0:11:12 | |
and, with your help and with the money we raise tonight, | 0:11:12 | 0:11:16 | |
that is a promise that I mean to keep. | 0:11:16 | 0:11:18 | |
SINGLE PERSON APPLAUDS | 0:11:18 | 0:11:20 | |
-Was that all right? -I think it's perfect. | 0:11:22 | 0:11:24 | |
Level? | 0:11:24 | 0:11:25 | |
Fine, Mrs Douglas. | 0:11:25 | 0:11:27 | |
So, I'm speaking for five minutes? | 0:11:27 | 0:11:28 | |
It's plenty, Wendy, we've heard it all before! | 0:11:28 | 0:11:32 | |
So, five minutes, then we hand over to the band, | 0:11:32 | 0:11:35 | |
they play their first set, | 0:11:35 | 0:11:36 | |
then we introduce the silent auction and serve the first course. | 0:11:36 | 0:11:40 | |
People want to hear you too, Lisa. | 0:11:40 | 0:11:42 | |
I'll play the room. Which is my table? | 0:11:42 | 0:11:45 | |
Number three, over here. | 0:11:45 | 0:11:46 | |
You're sitting between the Minister and the Archbishop. | 0:11:46 | 0:11:49 | |
Mm! Sounds like a rude joke! | 0:11:49 | 0:11:51 | |
So, where's Michael? | 0:11:51 | 0:11:52 | |
He's here. | 0:11:52 | 0:11:53 | |
He was here a minute ago. | 0:11:53 | 0:11:55 | |
LISA SIGHS | 0:11:55 | 0:11:57 | |
I can't wait any longer, I'm going to the police. | 0:12:01 | 0:12:03 | |
Look, Michael, why are you bringing this to me now? | 0:12:03 | 0:12:06 | |
You're the chair of trustees, Paul, you're responsible. | 0:12:06 | 0:12:09 | |
Look, I'm not doubting your allegations. | 0:12:09 | 0:12:12 | |
There is clearly an irregularity in the Our Child accounts, | 0:12:12 | 0:12:15 | |
but maybe you should consider the question of timing. | 0:12:15 | 0:12:18 | |
What do you mean? | 0:12:18 | 0:12:20 | |
Tonight is the gala, it's the biggest night of the year for Lisa. | 0:12:21 | 0:12:24 | |
I know, I've just come from there. | 0:12:24 | 0:12:26 | |
Then why raise this now? | 0:12:26 | 0:12:28 | |
I raised this a week ago, you've done nothing. | 0:12:29 | 0:12:32 | |
Look, what exactly are you asking me to do, Michael? | 0:12:33 | 0:12:36 | |
Investigate my own wife? | 0:12:36 | 0:12:38 | |
Yes. | 0:12:40 | 0:12:41 | |
I think that's exactly what I'm asking you to do. | 0:12:41 | 0:12:44 | |
Look, give me a few more days. Is that too much to ask? | 0:12:52 | 0:12:55 | |
Let's get this gala out of the way and then we can take look at it. | 0:12:55 | 0:12:59 | |
Thank you. | 0:13:01 | 0:13:02 | |
Have you told anybody else about this? | 0:13:07 | 0:13:09 | |
No-one. | 0:13:09 | 0:13:10 | |
Alex? | 0:13:12 | 0:13:13 | |
I never talk about my work at home. | 0:13:14 | 0:13:16 | |
And there are no copies? | 0:13:18 | 0:13:19 | |
It's all on my laptop. | 0:13:21 | 0:13:22 | |
Right. | 0:13:25 | 0:13:26 | |
Could you please move away from your desks | 0:13:37 | 0:13:39 | |
and do not touch your computers. | 0:13:39 | 0:13:42 | |
We will be issuing receipts for everything we take. | 0:13:42 | 0:13:45 | |
What's going on? | 0:13:45 | 0:13:46 | |
You are? | 0:13:46 | 0:13:48 | |
Samuel Armstrong, I'm Mr Malik's office manager. | 0:13:48 | 0:13:51 | |
My name is Alison White, | 0:13:51 | 0:13:52 | |
I am a case controller with the Serious Fraud Office. | 0:13:52 | 0:13:55 | |
I have in my possession a warrant | 0:13:55 | 0:13:57 | |
authorising the Serious Fraud Office to search these premises. | 0:13:57 | 0:14:00 | |
What are you talking about? Search them for what? | 0:14:00 | 0:14:02 | |
-PHONE RINGS -No phone calls, please. | 0:14:02 | 0:14:04 | |
We will do this as quickly as we can. | 0:14:04 | 0:14:06 | |
Mr Malik, you might want to steer clear of the office. | 0:14:14 | 0:14:16 | |
We've got company. | 0:14:16 | 0:14:17 | |
Forget about the office, we are heading home. | 0:14:19 | 0:14:21 | |
Shit. | 0:14:21 | 0:14:22 | |
Sir? | 0:14:29 | 0:14:30 | |
No chance. | 0:14:30 | 0:14:31 | |
Someone's tipped him off, he's on his way home. | 0:14:34 | 0:14:37 | |
It will take him 30 minutes in this traffic. | 0:14:37 | 0:14:40 | |
I'll be right behind him. | 0:14:40 | 0:14:42 | |
Excuse me! That's got nothing to do with John, | 0:15:00 | 0:15:03 | |
that belongs to me. You can't take that. | 0:15:03 | 0:15:06 | |
That cabinet was marked international accounts. | 0:15:06 | 0:15:08 | |
It wasn't in the cabinet. | 0:15:08 | 0:15:09 | |
It was on it. | 0:15:09 | 0:15:11 | |
John! | 0:15:11 | 0:15:12 | |
-Log it with the rest. -Sure. | 0:15:12 | 0:15:14 | |
John! I'm so sorry! | 0:15:16 | 0:15:18 | |
-It's all right, it's all right... -I couldn't stop them! | 0:15:18 | 0:15:21 | |
Don't upset yourself, it's not your fault. | 0:15:21 | 0:15:23 | |
Typical of you, Marcus - wait until I'm out of the way | 0:15:24 | 0:15:27 | |
and then sneak in the back door. | 0:15:27 | 0:15:29 | |
I'm looking for your client, Daniel Lorca. | 0:15:29 | 0:15:32 | |
And you think you'll find him here? | 0:15:32 | 0:15:34 | |
Do you know where he is? | 0:15:34 | 0:15:35 | |
I haven't the faintest idea. | 0:15:35 | 0:15:37 | |
Even if I did know, do you think I'd tell you? | 0:15:37 | 0:15:40 | |
Are you all done here? | 0:15:40 | 0:15:41 | |
Thank you, Mr Malik. | 0:15:43 | 0:15:45 | |
"Mr Malik"! | 0:15:45 | 0:15:46 | |
It was "John" when you were drinking my champagne. | 0:15:47 | 0:15:50 | |
Well, that was then. | 0:15:50 | 0:15:51 | |
Gone up in the world, have you, Marcus? | 0:15:51 | 0:15:54 | |
Or is it down? | 0:15:54 | 0:15:55 | |
You have a warrant to search my premises, I take it? | 0:15:57 | 0:16:00 | |
I gave the paperwork to your wife. | 0:16:00 | 0:16:02 | |
Susan is not up to reading the small print, | 0:16:02 | 0:16:05 | |
but I promise you I will, | 0:16:05 | 0:16:08 | |
every last word. | 0:16:08 | 0:16:09 | |
You know him? | 0:16:19 | 0:16:21 | |
I knew him once. | 0:16:23 | 0:16:25 | |
Bastards! | 0:16:30 | 0:16:31 | |
What are they looking for? | 0:16:31 | 0:16:33 | |
Daniel Lorca. | 0:16:33 | 0:16:35 | |
Who is Lorca? | 0:16:35 | 0:16:36 | |
He's a client, he's no-one. | 0:16:36 | 0:16:38 | |
John, there's something that I need to tell you. | 0:16:38 | 0:16:43 | |
-What? -You know the Bermuda DVD? | 0:16:43 | 0:16:44 | |
What, they took it?! | 0:16:44 | 0:16:46 | |
-That's what I'm trying to tell you... -You let them take it?! | 0:16:46 | 0:16:49 | |
-I tried to stop them, but they just... -Stupid bitch! | 0:16:49 | 0:16:52 | |
It is an amazing place - | 0:17:02 | 0:17:05 | |
two bedrooms, balcony, near the Tube. | 0:17:05 | 0:17:08 | |
Where? | 0:17:08 | 0:17:09 | |
Stratford. | 0:17:09 | 0:17:11 | |
That's great, Rash. | 0:17:11 | 0:17:12 | |
I'm really happy for you. | 0:17:13 | 0:17:14 | |
No, you're not. | 0:17:20 | 0:17:21 | |
Come on, what is it? | 0:17:24 | 0:17:25 | |
Well I'll...miss you. | 0:17:25 | 0:17:27 | |
-Will you? -Of course. | 0:17:29 | 0:17:31 | |
You should get your own place. | 0:17:31 | 0:17:33 | |
With who? | 0:17:33 | 0:17:35 | |
I'm not going anywhere. | 0:17:35 | 0:17:36 | |
Actually, I'm applying to medical school. | 0:17:36 | 0:17:40 | |
What, you'll leave the hospital? | 0:17:40 | 0:17:42 | |
I want to be a doctor. | 0:17:42 | 0:17:44 | |
I think it's great. | 0:17:44 | 0:17:46 | |
You should go for it. | 0:17:46 | 0:17:47 | |
Hi. | 0:17:49 | 0:17:50 | |
Hi. | 0:17:50 | 0:17:51 | |
-What are you doing?! -I was just passing, | 0:17:51 | 0:17:53 | |
-I saw you through the window. -No, you weren't, | 0:17:53 | 0:17:55 | |
I told you I was going to be here. | 0:17:55 | 0:17:57 | |
Hi, Leila. | 0:17:57 | 0:17:59 | |
Nice to see you, Stefan. | 0:17:59 | 0:18:00 | |
Why didn't you join us? | 0:18:00 | 0:18:03 | |
He didn't invite me. | 0:18:10 | 0:18:12 | |
That's right. | 0:18:12 | 0:18:14 | |
What are you doing here? | 0:18:14 | 0:18:15 | |
All right! I'm just being friendly! | 0:18:15 | 0:18:18 | |
Have you...finished with them? | 0:18:20 | 0:18:22 | |
Go ahead. | 0:18:22 | 0:18:24 | |
So, have you told her? | 0:18:30 | 0:18:32 | |
Yes. | 0:18:32 | 0:18:33 | |
Have you told your flatmates? | 0:18:33 | 0:18:35 | |
-No, that's different. -Why? | 0:18:35 | 0:18:38 | |
They're Polish. | 0:18:38 | 0:18:39 | |
They get very emotional. | 0:18:40 | 0:18:42 | |
Really? | 0:18:43 | 0:18:44 | |
Yeah, I'm just going to move out and hope they don't notice. | 0:18:44 | 0:18:47 | |
I've got to go, I've got the night shift. | 0:18:47 | 0:18:51 | |
I'll leave you two together. | 0:18:51 | 0:18:53 | |
-Yeah, I'll pay(!) -Thanks. | 0:18:54 | 0:18:57 | |
I really like her. | 0:19:03 | 0:19:04 | |
OK. | 0:19:11 | 0:19:12 | |
That's not going to work out. | 0:19:15 | 0:19:17 | |
Why not? | 0:19:17 | 0:19:18 | |
Because we are living together. | 0:19:18 | 0:19:20 | |
Maybe I'll move out. | 0:19:21 | 0:19:23 | |
FOOTBALL ON TELEVISION | 0:19:25 | 0:19:28 | |
Are you buying? | 0:19:32 | 0:19:33 | |
I've already got mine. | 0:19:33 | 0:19:35 | |
I'll have a scotch. | 0:19:35 | 0:19:36 | |
-Are you getting any nuts? -What sort of nuts? | 0:19:40 | 0:19:43 | |
-Cashews. -I've got peanuts. | 0:19:43 | 0:19:45 | |
That'll do. | 0:19:45 | 0:19:46 | |
Ta. | 0:19:48 | 0:19:49 | |
Thanks, Derek. | 0:19:50 | 0:19:51 | |
You're welcome. | 0:19:51 | 0:19:53 | |
-How are you getting on, then? -Burglaries? | 0:19:57 | 0:19:59 | |
Oh, it's what I joined the police for in the first place. | 0:19:59 | 0:20:02 | |
Meet interesting rich people who've had stuff nicked | 0:20:02 | 0:20:05 | |
I couldn't even afford. | 0:20:05 | 0:20:07 | |
Have you seen anyone about this depression of yours, eh? | 0:20:07 | 0:20:11 | |
Job makes me depressed. | 0:20:11 | 0:20:12 | |
Maybe you've been in it too long. | 0:20:14 | 0:20:16 | |
You trying to tell me something? | 0:20:18 | 0:20:20 | |
I'm just trying to cheer you up. | 0:20:20 | 0:20:22 | |
Have a nut. | 0:20:24 | 0:20:25 | |
Listen, Lisa, I need to talk to you about something. | 0:20:53 | 0:20:56 | |
What? | 0:20:56 | 0:20:57 | |
Erm, Michael came to see me today. | 0:20:57 | 0:21:00 | |
He's a bit worried about something to do with the accounts. | 0:21:00 | 0:21:03 | |
Oh, not now, Paul. I mean, do you mind? | 0:21:03 | 0:21:06 | |
Yeah, well, if not now, then when? | 0:21:06 | 0:21:08 | |
I never see you these days. | 0:21:10 | 0:21:12 | |
-You're always off in some world of your own. -I'm busy. | 0:21:12 | 0:21:16 | |
No, there's more to it than that. | 0:21:16 | 0:21:18 | |
There's something you're not telling me. | 0:21:18 | 0:21:21 | |
Can we just get through tonight, please? | 0:21:21 | 0:21:23 | |
Thank you. | 0:21:28 | 0:21:30 | |
PAPARAZZI SHOUT | 0:21:30 | 0:21:32 | |
Over here, thank you! | 0:21:34 | 0:21:35 | |
Thank you, this way, this way. | 0:21:36 | 0:21:39 | |
-Will you be all right? -Yeah. | 0:21:40 | 0:21:42 | |
What is it? | 0:21:53 | 0:21:54 | |
What? | 0:21:57 | 0:21:59 | |
You've hardly said a word all evening. | 0:22:00 | 0:22:02 | |
I'm sorry. | 0:22:05 | 0:22:07 | |
What is it you're not telling me, Michael? | 0:22:11 | 0:22:14 | |
Why did you go back to see your old boss last week? | 0:22:14 | 0:22:17 | |
I've found something and I don't know what to do. | 0:22:19 | 0:22:21 | |
I've come to you because... | 0:22:21 | 0:22:23 | |
Well, don't get me wrong, you know about these things. | 0:22:23 | 0:22:25 | |
You have experience. | 0:22:25 | 0:22:27 | |
I wonder if you could look at these accounts from Our Child. | 0:22:27 | 0:22:29 | |
-You know we don't talk about work. -We do if there's something wrong. | 0:22:33 | 0:22:37 | |
You should have gone to the gala. | 0:22:41 | 0:22:43 | |
Hm? Why didn't you? | 0:22:44 | 0:22:45 | |
Black tie... | 0:22:47 | 0:22:49 | |
champagne... | 0:22:49 | 0:22:51 | |
celebs. | 0:22:51 | 0:22:52 | |
I didn't feel like it. | 0:22:53 | 0:22:55 | |
I'm tired. | 0:22:58 | 0:22:59 | |
I'll clear up. | 0:23:06 | 0:23:07 | |
You go to bed. | 0:23:09 | 0:23:11 | |
OK. | 0:23:15 | 0:23:17 | |
What is it? | 0:23:32 | 0:23:33 | |
I thought I heard something. | 0:23:33 | 0:23:35 | |
What? | 0:23:35 | 0:23:36 | |
Downstairs. | 0:23:36 | 0:23:38 | |
It's nothing. | 0:23:42 | 0:23:43 | |
I'm going down. | 0:23:47 | 0:23:48 | |
I'll come. | 0:23:50 | 0:23:51 | |
No, it's OK. Go back to sleep. | 0:23:51 | 0:23:54 | |
Alex! | 0:24:28 | 0:24:29 | |
My husband's upstairs. He'll be calling the police. | 0:24:33 | 0:24:36 | |
You should leave - now! | 0:24:36 | 0:24:38 | |
HE GROANS | 0:24:40 | 0:24:42 | |
SIRENS WAIL | 0:25:02 | 0:25:04 | |
He's been stabbed. He's got multiple lacerations on his back. | 0:25:07 | 0:25:10 | |
He's bleeding internally and I think his liver's been punctured. | 0:25:10 | 0:25:13 | |
There was burglars. It happened in the flat. | 0:25:13 | 0:25:15 | |
I'm afraid I'm going to have to ask you to leave. | 0:25:15 | 0:25:17 | |
-We'll take care of him. Leila! -Yeah. | 0:25:17 | 0:25:19 | |
We need to stabilise him. He's bleeding fast. | 0:25:19 | 0:25:21 | |
He's got a weak, rapid pulse. | 0:25:21 | 0:25:23 | |
I'll fast-bleep the vascular surgeons. | 0:25:23 | 0:25:24 | |
-He'll need to go to theatre. -Yeah, get onto it. | 0:25:24 | 0:25:27 | |
Those burglaries you're investigating. | 0:25:32 | 0:25:34 | |
Yes, guv. | 0:25:34 | 0:25:36 | |
It's now attempted murder. | 0:25:36 | 0:25:37 | |
Are you happy? | 0:25:41 | 0:25:43 | |
Yes, guv. | 0:25:43 | 0:25:44 | |
With ticket sales and the silent auction, | 0:25:46 | 0:25:50 | |
our gala last night | 0:25:50 | 0:25:52 | |
raised the amazing sum | 0:25:52 | 0:25:54 | |
of £420,000! | 0:25:54 | 0:25:59 | |
Thank you, everyone. That's all down to your effort. | 0:26:01 | 0:26:04 | |
It's a fantastic result. | 0:26:04 | 0:26:06 | |
And to those of you who weren't invited, | 0:26:06 | 0:26:08 | |
I'm sorry, it was a fabulous evening, too. | 0:26:08 | 0:26:11 | |
So let's get back to work. | 0:26:11 | 0:26:14 | |
-Lisa? -Mm. -Paul is in your office. -OK. | 0:26:17 | 0:26:19 | |
Paul. | 0:26:29 | 0:26:30 | |
What is it? | 0:26:31 | 0:26:32 | |
Lisa, I've got some bad news. | 0:26:32 | 0:26:35 | |
It's Michael. | 0:26:35 | 0:26:36 | |
What? | 0:26:36 | 0:26:38 | |
Alex just called. Michael's in hospital. | 0:26:39 | 0:26:42 | |
He was stabbed last night. | 0:26:42 | 0:26:45 | |
Apparently there was some kind of a burglary in his home. | 0:26:45 | 0:26:49 | |
Why did he call you? Why didn't he call me? | 0:26:49 | 0:26:51 | |
-VOICES OVER WIRE: -Is that really the issue? | 0:26:51 | 0:26:53 | |
No, of course not, I didn't mean that. | 0:26:53 | 0:26:55 | |
-How is he? -Well, I called the hospital. | 0:26:57 | 0:26:59 | |
He's in critical condition. | 0:26:59 | 0:27:01 | |
It was a brutal attack in his home. | 0:27:04 | 0:27:06 | |
Lisa, he's your chief accountant, for God's sake. | 0:27:06 | 0:27:09 | |
I told you yesterday he was worried about something and now this. | 0:27:09 | 0:27:12 | |
Yeah. | 0:27:12 | 0:27:13 | |
Do you think it's just a coincidence? | 0:27:22 | 0:27:24 | |
What else could it be? | 0:27:24 | 0:27:26 | |
-What are you suggesting? -I don't know, Lisa. You tell me. | 0:27:26 | 0:27:30 | |
Look, we raised nearly half a million pounds last night. | 0:27:30 | 0:27:34 | |
Do you have any idea what difference that's going to make? | 0:27:34 | 0:27:38 | |
You just don't get it, do you? | 0:27:38 | 0:27:39 | |
No, Lisa, I don't. | 0:27:39 | 0:27:42 | |
SHE SIGHS | 0:27:46 | 0:27:48 | |
Two men, married. | 0:27:52 | 0:27:55 | |
I suppose that sort of thing doesn't bother you. | 0:27:55 | 0:27:58 | |
Uh, no. | 0:27:58 | 0:27:59 | |
-Does it bother you, Sarge? -Of course it doesn't. Why should it? | 0:27:59 | 0:28:02 | |
Anyway, it's none of your bloody business. | 0:28:02 | 0:28:04 | |
DOORBELL RINGS | 0:28:07 | 0:28:09 | |
There's not much to say. | 0:28:12 | 0:28:14 | |
Michael heard something. | 0:28:15 | 0:28:17 | |
It woke him up and he came downstairs. | 0:28:17 | 0:28:20 | |
And you didn't come down with your, erm...? | 0:28:21 | 0:28:24 | |
My husband. | 0:28:27 | 0:28:29 | |
No, I'm a much heavier sleeper. | 0:28:30 | 0:28:32 | |
I heard him call out to me and then there was silence, so I came down. | 0:28:38 | 0:28:42 | |
He was in there. | 0:28:44 | 0:28:46 | |
There was a lot of blood. | 0:28:47 | 0:28:49 | |
I was shocked, I didn't know what to do. | 0:28:49 | 0:28:52 | |
I dialled 999. | 0:28:52 | 0:28:54 | |
Has anything been taken? | 0:28:54 | 0:28:56 | |
Well, I haven't had much chance to look. | 0:28:56 | 0:28:57 | |
But I don't think so. | 0:28:59 | 0:29:01 | |
They broke a few things. | 0:29:01 | 0:29:02 | |
Oh, his laptop was taken. | 0:29:02 | 0:29:05 | |
He must have surprised them. | 0:29:06 | 0:29:09 | |
He works for a charity, hm? | 0:29:09 | 0:29:11 | |
Our Child, yes. | 0:29:13 | 0:29:16 | |
How long has he been there? | 0:29:16 | 0:29:18 | |
About two years. | 0:29:18 | 0:29:20 | |
He's not happy at work. He's... | 0:29:20 | 0:29:22 | |
..been having problems. That's why he couldn't sleep. | 0:29:24 | 0:29:27 | |
-Does he talk about his work? -Not much. | 0:29:29 | 0:29:31 | |
We try not to. | 0:29:32 | 0:29:34 | |
I notice you have a burglar alarm. | 0:29:34 | 0:29:37 | |
Was it on last night? | 0:29:37 | 0:29:38 | |
It should have been. | 0:29:38 | 0:29:40 | |
Michael usually put it on before he went to bed. | 0:29:40 | 0:29:43 | |
-And is it working? -I don't know. | 0:29:43 | 0:29:46 | |
It was fine a week ago, but if it didn't go off... | 0:29:47 | 0:29:50 | |
But I don't know. | 0:29:54 | 0:29:55 | |
Ayjay Alarms. | 0:30:05 | 0:30:07 | |
Really? | 0:30:07 | 0:30:08 | |
Eh, seven burglaries in the last two months. | 0:30:08 | 0:30:12 | |
Three of the properties have the same alarm system, | 0:30:12 | 0:30:15 | |
including this one. | 0:30:15 | 0:30:17 | |
Oh, thanks for pointing that out, Sayyad, | 0:30:17 | 0:30:19 | |
I'm sure I would never have noticed(!) | 0:30:19 | 0:30:21 | |
-Sorry, Sarge... -Yeah, but you're not, are you? | 0:30:22 | 0:30:24 | |
That's your problem - | 0:30:24 | 0:30:25 | |
you think you're God's gift to modern policing. | 0:30:25 | 0:30:27 | |
Well, you're not, you're just a bloody TDC. | 0:30:27 | 0:30:30 | |
I'm just trying to do my job. | 0:30:30 | 0:30:31 | |
Exactly, so stop trying to do mine. | 0:30:31 | 0:30:33 | |
Here you go. | 0:30:41 | 0:30:42 | |
Thanks. | 0:30:45 | 0:30:46 | |
Lorca? | 0:30:48 | 0:30:49 | |
Yes, well, the SFO aren't the police, | 0:30:49 | 0:30:52 | |
they are just a bunch of glorified accountants | 0:30:52 | 0:30:54 | |
with a high opinion of themselves, | 0:30:54 | 0:30:56 | |
and they're wasting their time chasing after Daniel Lorca. | 0:30:56 | 0:30:59 | |
But they've got something. | 0:30:59 | 0:31:01 | |
That's right. The Bermuda DVD. | 0:31:01 | 0:31:03 | |
Susan should never have let them take it. | 0:31:07 | 0:31:10 | |
It's a holiday resort, for God's sake. | 0:31:13 | 0:31:15 | |
It's also a tax haven. | 0:31:15 | 0:31:16 | |
It doesn't matter what it is. I want it back. | 0:31:19 | 0:31:22 | |
What are you looking for? | 0:31:24 | 0:31:26 | |
I'll know when I've found it. | 0:31:26 | 0:31:28 | |
Marcus, you didn't tell me you knew Malik. | 0:31:35 | 0:31:38 | |
-I didn't think it was relevant. -Well, it might be. | 0:31:38 | 0:31:41 | |
-He's asked for a meeting. -So? | 0:31:41 | 0:31:43 | |
I think he's going to use his association | 0:31:43 | 0:31:45 | |
to overturn the warrant - or at least he's going to try. | 0:31:45 | 0:31:47 | |
-And if he's successful, anything we find will be inadmissible. -He won't. | 0:31:47 | 0:31:50 | |
-I worked for him, that's all. -You should have mentioned it before. | 0:31:50 | 0:31:53 | |
I didn't think it mattered. | 0:31:53 | 0:31:55 | |
Of course it matters, he can use it against us. | 0:31:55 | 0:31:57 | |
Stefan. | 0:31:57 | 0:31:58 | |
-I think I might have found something. -What is it? | 0:32:00 | 0:32:03 | |
Well, John Malik does a lot of big stuff for his clients - | 0:32:03 | 0:32:06 | |
contracts, acquisitions, that sort of thing. | 0:32:06 | 0:32:08 | |
But he also does small stuff too - tickets to Ascot, | 0:32:08 | 0:32:11 | |
-opera, car rentals. -And? | 0:32:11 | 0:32:13 | |
I was looking through the invoices and I found this. | 0:32:13 | 0:32:17 | |
12 vintage bottles of champagne. | 0:32:20 | 0:32:21 | |
Bought on behalf of Daniel Lorca. | 0:32:21 | 0:32:24 | |
There's an address for delivery, a place in Notting Hill. | 0:32:24 | 0:32:28 | |
-I thought I might take a look. -Yes, you do that. | 0:32:28 | 0:32:31 | |
And, Stefan... | 0:32:31 | 0:32:32 | |
..well done. | 0:32:33 | 0:32:35 | |
-Detective Sergeant Sands, DC Sayyad. -How can I help? | 0:32:40 | 0:32:43 | |
You're Ayjay Kapour? This is your business? | 0:32:43 | 0:32:45 | |
It's a family business, yeah. | 0:32:45 | 0:32:47 | |
Can you confirm you installed burglar alarms at these addresses? | 0:32:47 | 0:32:51 | |
Er, yeah, I believe so. | 0:32:51 | 0:32:53 | |
I can't be sure - we install hundreds of alarms every year. | 0:32:53 | 0:32:56 | |
Oh. Obviously not up to much, are they? | 0:32:56 | 0:32:58 | |
Why do you say that? | 0:32:58 | 0:33:00 | |
14 Waldegrave Mansions, 26 Lorimer Gardens, | 0:33:00 | 0:33:03 | |
3 Kenville Terrace - | 0:33:03 | 0:33:06 | |
they've all been burgled. | 0:33:06 | 0:33:08 | |
There's nothing wrong with our products. | 0:33:08 | 0:33:10 | |
Another three addresses here. | 0:33:10 | 0:33:12 | |
They have different alarm systems | 0:33:12 | 0:33:14 | |
but it turns out they all have maintenance agreements with you. | 0:33:14 | 0:33:18 | |
-Why are you showing me this? -Why do you think? | 0:33:18 | 0:33:21 | |
They've all been burgled too. | 0:33:23 | 0:33:25 | |
And in each case, the alarm system was miraculously deactivated. | 0:33:25 | 0:33:29 | |
-This is very worrying. -I'm sure it is. | 0:33:31 | 0:33:33 | |
Look, I can't help you, Mr Sands. | 0:33:33 | 0:33:35 | |
-You need to speak to my head of programming. -Who might that be? | 0:33:35 | 0:33:38 | |
His name is William Gardner. William! | 0:33:38 | 0:33:40 | |
Yeah? | 0:33:43 | 0:33:44 | |
What kept you? | 0:34:32 | 0:34:34 | |
You're losing your touch! | 0:34:34 | 0:34:36 | |
How's he doing? | 0:34:49 | 0:34:51 | |
Generally, he's fine. | 0:34:51 | 0:34:53 | |
He's still very sleepy and his potassium levels are a bit low. | 0:34:53 | 0:34:56 | |
He could be hypokalaemic from the blood transfusion he received. | 0:34:56 | 0:35:01 | |
Are you still going ahead with medical school? | 0:35:01 | 0:35:03 | |
I was going to ask you for a reference. | 0:35:03 | 0:35:05 | |
I'll be glad to do that. | 0:35:06 | 0:35:08 | |
Thanks. | 0:35:08 | 0:35:09 | |
In the meantime, let's give him 10ml of potassium chloride per hour | 0:35:09 | 0:35:12 | |
-over five hours and see where we are after that. -OK. | 0:35:12 | 0:35:14 | |
Excuse me, do you think it might be possible | 0:35:14 | 0:35:16 | |
to see Michael Freeland, please? | 0:35:16 | 0:35:18 | |
-Are you family? -I'm Lucy Douglas, Michael works for me. | 0:35:18 | 0:35:21 | |
I understand, but Michael's in a very critical condition, | 0:35:21 | 0:35:23 | |
Mrs Douglas. They are only allowing immediate family to visit him. | 0:35:23 | 0:35:26 | |
We just spoke to his partner - and we are sort of family. | 0:35:26 | 0:35:29 | |
Yeah, we'd only be a few minutes. | 0:35:29 | 0:35:31 | |
All right. | 0:35:32 | 0:35:33 | |
Take a seat. | 0:35:37 | 0:35:38 | |
Mr Freeland's files. | 0:35:41 | 0:35:43 | |
I haven't eaten since breakfast. | 0:35:45 | 0:35:47 | |
-Do you think you could handle the infusion? -Yeah. | 0:35:48 | 0:35:52 | |
I've done it before, I know what to do. | 0:35:52 | 0:35:54 | |
Thanks, Leila, that's great. 10ml per hour over five hours. | 0:35:54 | 0:35:57 | |
Right. OK. | 0:35:57 | 0:35:59 | |
-Can I get you something? -No, I'm all right, thanks. | 0:35:59 | 0:36:01 | |
Hi, sorry to disturb you both. | 0:36:06 | 0:36:09 | |
-Just got to give him this. -What is it? | 0:36:09 | 0:36:12 | |
Potassium chloride. | 0:36:12 | 0:36:13 | |
Raised blood pressure. | 0:36:14 | 0:36:16 | |
Yes. | 0:36:16 | 0:36:18 | |
-Is that serious? -No, it's what you'd expect after surgery. | 0:36:18 | 0:36:21 | |
So, are you going to stay with him all night? | 0:36:29 | 0:36:31 | |
No, only until midnight. | 0:36:31 | 0:36:34 | |
Don't worry, I'll be having a word with the nurse coming in. | 0:36:34 | 0:36:36 | |
FRANTIC BEEPING | 0:36:36 | 0:36:38 | |
-Alex! -Shh, relax, Mr Freeland. Stay calm, try not to move. | 0:36:38 | 0:36:41 | |
11, 12, 13... | 0:36:41 | 0:36:44 | |
Just relax. | 0:36:44 | 0:36:46 | |
11, 12, 13... | 0:36:46 | 0:36:49 | |
-What is it? -I don't understand. | 0:36:49 | 0:36:51 | |
-11, 12... -Shh. | 0:36:53 | 0:36:55 | |
Tell him! | 0:36:55 | 0:36:57 | |
Just relax. | 0:36:59 | 0:37:00 | |
11, 12... | 0:37:00 | 0:37:02 | |
-Is he OK? -Don't worry, he's still under a lot of sedation. | 0:37:03 | 0:37:07 | |
His pulse is stabilising. | 0:37:09 | 0:37:11 | |
He'll be all right. | 0:37:13 | 0:37:14 | |
-So, I've got news. -Yeah? | 0:37:21 | 0:37:23 | |
We got it. | 0:37:25 | 0:37:27 | |
-The flat? -No, the interview. | 0:37:27 | 0:37:29 | |
We're on the shortlist, | 0:37:30 | 0:37:32 | |
but we've got to be at the estate agent's after work on Tuesday, | 0:37:32 | 0:37:35 | |
all right? Five o'clock. | 0:37:35 | 0:37:37 | |
-And there's three others. -Three others? | 0:37:37 | 0:37:39 | |
-Yeah. -We're in. | 0:37:39 | 0:37:40 | |
-Mr Lorca? -That's me, yeah. | 0:37:40 | 0:37:43 | |
What? | 0:37:43 | 0:37:44 | |
I locked myself out. | 0:37:45 | 0:37:47 | |
-What? -It's my London pad. | 0:37:49 | 0:37:51 | |
I can get the lock open for you, | 0:37:51 | 0:37:53 | |
but I can't let you in without seeing ID. | 0:37:53 | 0:37:56 | |
Oh, my ID's inside. | 0:37:56 | 0:37:59 | |
-But it's all right, he's a police officer. -What?! | 0:38:00 | 0:38:03 | |
Stop saying "what" and show him your warrant card! | 0:38:03 | 0:38:06 | |
Detective... | 0:38:16 | 0:38:17 | |
..Constable... | 0:38:18 | 0:38:19 | |
..Sayyad. | 0:38:20 | 0:38:21 | |
You know this man? | 0:38:23 | 0:38:25 | |
-Yeah. -Right. | 0:38:27 | 0:38:29 | |
-What's all this about? -It's SFO, it's all right. | 0:38:34 | 0:38:38 | |
No, it's not all right. This... | 0:38:38 | 0:38:40 | |
This is breaking and entering. | 0:38:41 | 0:38:43 | |
If I'm found in here I'm going to get booted out. Again! | 0:38:43 | 0:38:46 | |
No-one's going to find out. | 0:38:46 | 0:38:49 | |
How can you do this to me? | 0:38:49 | 0:38:50 | |
There you are. I'll send a bill to this address. | 0:38:52 | 0:38:54 | |
I knew I shouldn't have come out with you. | 0:38:57 | 0:39:00 | |
What are we doing here? | 0:39:03 | 0:39:04 | |
We are looking for a man called Daniel Lorca. | 0:39:08 | 0:39:13 | |
I thought we were going to the pub. | 0:39:13 | 0:39:16 | |
He's a fraudster. He's a crook. | 0:39:16 | 0:39:19 | |
Two old people killed themselves because of him. | 0:39:19 | 0:39:22 | |
What old people? | 0:39:23 | 0:39:25 | |
It doesn't matter, we're trying to find him. | 0:39:25 | 0:39:28 | |
Right, and he lives here? | 0:39:28 | 0:39:29 | |
He had 12 bottles of champagne delivered here a month ago. | 0:39:29 | 0:39:32 | |
Nothing in the fridge. | 0:39:40 | 0:39:41 | |
Oven's brand-new. | 0:39:46 | 0:39:48 | |
None of this stuff's ever been used. | 0:39:49 | 0:39:51 | |
Maybe he just bought it. | 0:39:51 | 0:39:53 | |
You just said he had champagne delivered here a month ago! | 0:39:53 | 0:39:56 | |
OK, er... | 0:39:56 | 0:39:58 | |
Let's try upstairs. | 0:39:59 | 0:40:01 | |
Stefan... | 0:40:06 | 0:40:08 | |
I told you. No-one actually lives here. | 0:40:15 | 0:40:18 | |
Bed's never been slept in. Toilet's never been used. | 0:40:18 | 0:40:21 | |
Do you mind if we get out of here before someone comes? | 0:40:21 | 0:40:24 | |
No-one's going to come. | 0:40:24 | 0:40:26 | |
Look, there's got to be something. | 0:40:26 | 0:40:28 | |
Bonhams... | 0:40:36 | 0:40:38 | |
wine-tasting... | 0:40:38 | 0:40:40 | |
What about this? | 0:40:43 | 0:40:45 | |
A hammam? | 0:40:47 | 0:40:49 | |
Yeah, it's a Turkish bath. | 0:40:49 | 0:40:51 | |
Yeah. I know what it is. | 0:40:51 | 0:40:53 | |
I don't believe this. | 0:40:57 | 0:40:59 | |
How did they know we were here? | 0:40:59 | 0:41:01 | |
I don't know how they knew we were here, Stefan. | 0:41:01 | 0:41:03 | |
Maybe there's an alarm. Maybe the neighbours saw us. | 0:41:03 | 0:41:06 | |
That doesn't matter. | 0:41:06 | 0:41:08 | |
What matters is, WHAT are we going to tell them? | 0:41:08 | 0:41:10 | |
STEFAN SHOUTS IN POLISH | 0:41:17 | 0:41:19 | |
It's all right. It's all right, I've got him. | 0:41:19 | 0:41:21 | |
-What? -Oh, I'm DC Sayyad. | 0:41:21 | 0:41:24 | |
I've been investigating a series of burglaries with my boss, | 0:41:24 | 0:41:28 | |
DS sands. He's on the way with backup. | 0:41:28 | 0:41:31 | |
-Who is this, then? -He's... | 0:41:31 | 0:41:33 | |
-POLISH ACCENT: -Please... I see empty house. I do nothing wrong. | 0:41:33 | 0:41:37 | |
Oh, be quiet, you, all right? Um... | 0:41:37 | 0:41:39 | |
I'm on top of this. | 0:41:39 | 0:41:41 | |
I'm all right. House is secure. | 0:41:41 | 0:41:42 | |
-OVER CAR RADIO: -'Alpha 26 to the Rose and Crown on Alma Street. | 0:41:42 | 0:41:46 | |
'Immediate response required.' | 0:41:46 | 0:41:49 | |
Wait. | 0:41:57 | 0:41:59 | |
STEFAN GROANS | 0:41:59 | 0:42:01 | |
-He was here. -Who? | 0:42:06 | 0:42:08 | |
Daniel Lorca. | 0:42:08 | 0:42:11 | |
Why would he keep an empty house? What's the point? | 0:42:11 | 0:42:13 | |
He had the champagne delivered here a month ago, and... | 0:42:13 | 0:42:18 | |
this. | 0:42:18 | 0:42:20 | |
What's... | 0:42:23 | 0:42:25 | |
No. Forget it. | 0:42:28 | 0:42:30 | |
You can go if you want, I'm not interested. | 0:42:30 | 0:42:32 | |
I've had enough. | 0:42:32 | 0:42:34 | |
I shouldn't have bothered, should I? Trying to argue with you. | 0:42:46 | 0:42:50 | |
-You still talked me into it. -You might enjoy it. -I might not. | 0:42:50 | 0:42:55 | |
-Hi. -Merhaba! | 0:43:08 | 0:43:11 | |
Yes? | 0:43:13 | 0:43:15 | |
Oh, we booked the Discovery package. | 0:43:15 | 0:43:17 | |
-What's your name, please? -Stefan Kowolski. | 0:43:17 | 0:43:19 | |
With a K. | 0:43:21 | 0:43:22 | |
Yes, Mr Kowolski. | 0:43:24 | 0:43:26 | |
I see you paid in advance. | 0:43:26 | 0:43:28 | |
Is this your first time here? | 0:43:28 | 0:43:30 | |
Yeah. | 0:43:30 | 0:43:32 | |
Eren? | 0:43:32 | 0:43:34 | |
Eren will look after you. | 0:43:34 | 0:43:35 | |
-Thanks. -Thanks. | 0:43:35 | 0:43:38 | |
By the way, a friend of mine comes here from time to time. | 0:43:38 | 0:43:41 | |
-Daniel Lorca. -Lorca? | 0:43:41 | 0:43:44 | |
He hasn't visited recently, has he? | 0:43:44 | 0:43:46 | |
I'm afraid I don't know him. | 0:43:46 | 0:43:48 | |
Thank you. | 0:43:48 | 0:43:49 | |
Follow me, please. | 0:43:49 | 0:43:51 | |
Yep. | 0:43:51 | 0:43:53 | |
Mr Malik. | 0:44:15 | 0:44:17 | |
Thank you, Yusef. Just deal with that for me, would you? | 0:44:17 | 0:44:21 | |
Eleanor Davies will see you shortly. | 0:44:23 | 0:44:26 | |
HE EXHALES | 0:44:53 | 0:44:55 | |
Admit it... | 0:44:56 | 0:44:58 | |
you're enjoying this. | 0:44:58 | 0:45:01 | |
No. I'm not enjoying it. | 0:45:01 | 0:45:03 | |
I'm hot, I'm sweating, and I should be at work. | 0:45:04 | 0:45:07 | |
Well, the Discovery package comes with free mint tea. | 0:45:07 | 0:45:10 | |
Look, this is a complete waste of time. | 0:45:13 | 0:45:16 | |
Even assuming Lorca does come here, how are you going to find him? | 0:45:16 | 0:45:20 | |
I'll ask around. | 0:45:20 | 0:45:21 | |
Right, but you can ask around without me. | 0:45:23 | 0:45:27 | |
HE GROANS | 0:45:27 | 0:45:28 | |
I'm out of here. | 0:45:28 | 0:45:30 | |
What?! | 0:45:30 | 0:45:32 | |
I'm a respected lawyer and business manager, | 0:45:37 | 0:45:40 | |
and I do not appreciate being victimised. | 0:45:40 | 0:45:43 | |
If you want to help us, you can tell us how to find your client, | 0:45:43 | 0:45:46 | |
Daniel Lorca. | 0:45:46 | 0:45:48 | |
You must be aware that I can't talk about any of my clients. | 0:45:48 | 0:45:52 | |
Then I'm afraid we can't help you. | 0:45:52 | 0:45:54 | |
-I'm sorry. -You're going to be more than sorry, Ms Davies. | 0:45:54 | 0:45:58 | |
I have already been granted a judicial review, | 0:45:58 | 0:46:01 | |
which was just the first step. | 0:46:01 | 0:46:03 | |
I will be seeking massive damages against the SFO. | 0:46:03 | 0:46:06 | |
On what grounds? | 0:46:06 | 0:46:08 | |
You took files and documents | 0:46:08 | 0:46:10 | |
that were completely unrelated to Daniel Lorca. | 0:46:10 | 0:46:13 | |
Your warrant is clearly in breach of legal professional privilege. | 0:46:13 | 0:46:16 | |
You took personal items, which is tantamount to theft. | 0:46:16 | 0:46:19 | |
-Personal items? -Yeah. | 0:46:19 | 0:46:21 | |
Private photograph albums, a DVD, | 0:46:21 | 0:46:24 | |
letters that have nothing to do with my business affairs. | 0:46:24 | 0:46:27 | |
Everything will be treated with the utmost confidentiality | 0:46:27 | 0:46:30 | |
-and returned to you in due course. -You don't get it, do you? | 0:46:30 | 0:46:34 | |
You picked a fight which you are going to lose. | 0:46:34 | 0:46:37 | |
I give you 24 hours to return everything you've taken. | 0:46:37 | 0:46:41 | |
Or else? | 0:46:41 | 0:46:43 | |
DOOR OPENS AND CLOSES | 0:46:48 | 0:46:50 | |
FOOTSTEPS | 0:46:51 | 0:46:54 | |
You're looking for Mr Lorca? | 0:46:55 | 0:46:57 | |
I'm a friend of his. | 0:46:58 | 0:47:00 | |
Mr Lorca doesn't have any friends. | 0:47:00 | 0:47:02 | |
HE GROANS | 0:47:02 | 0:47:04 | |
-Get off me! -Who are you? -No-one! | 0:47:04 | 0:47:07 | |
Agh! OK. | 0:47:07 | 0:47:09 | |
OK, I am with the SF0, the Serious Fraud Office, all right? | 0:47:09 | 0:47:13 | |
I don't believe you. | 0:47:13 | 0:47:14 | |
I haven't got my ID on me. I haven't got my clothes. | 0:47:14 | 0:47:17 | |
Turn him over. | 0:47:17 | 0:47:19 | |
I'm going to cut off what's under that towel. | 0:47:19 | 0:47:22 | |
If you still say you're SFO, then I'll believe you. | 0:47:22 | 0:47:26 | |
Stefan, come on! | 0:48:06 | 0:48:08 | |
This way. | 0:48:13 | 0:48:15 | |
THEY GROAN AND GASP | 0:48:15 | 0:48:18 | |
Chill, chill, chill. | 0:48:19 | 0:48:21 | |
Yeah. | 0:48:21 | 0:48:22 | |
Oh, boy. | 0:48:25 | 0:48:27 | |
OK. | 0:48:31 | 0:48:33 | |
So? | 0:48:35 | 0:48:37 | |
Aren't you going to thank me? | 0:48:37 | 0:48:39 | |
I was there for you, I saved you. | 0:48:41 | 0:48:43 | |
OK, thanks. | 0:48:43 | 0:48:44 | |
I would have got out anyway. I had a move. | 0:48:44 | 0:48:48 | |
You'd have got away without your balls, mate. | 0:48:50 | 0:48:53 | |
-At least we found something out. -What? | 0:48:53 | 0:48:55 | |
Well, someone doesn't want us to find Daniel Lorca. | 0:48:55 | 0:48:59 | |
I think we knew that anyway. | 0:49:00 | 0:49:02 | |
ALARM BEEPS | 0:49:06 | 0:49:08 | |
Can I have some help, please? I have a cardiac arrest. | 0:49:14 | 0:49:17 | |
Nurse, straight on the chest. Can I have 150 joules charged? | 0:49:17 | 0:49:20 | |
Charging to 150. | 0:49:20 | 0:49:22 | |
Shocking. Shocking now. | 0:49:22 | 0:49:23 | |
-He's not responding. -One, two, three... | 0:49:25 | 0:49:28 | |
Shocking now. | 0:49:28 | 0:49:30 | |
One, two, three... | 0:49:30 | 0:49:32 | |
He's still not responding. | 0:49:32 | 0:49:34 | |
Abort resuscitation. We've lost him. | 0:49:35 | 0:49:38 | |
MAN GROANS | 0:49:54 | 0:49:56 | |
-Welcome to England, Mr Kumalah. -Thank you. | 0:50:06 | 0:50:09 | |
Take me to the hotel. | 0:50:29 | 0:50:31 | |
Kumalah arrived in London a few minutes ago. | 0:50:40 | 0:50:43 | |
Do we know where he's staying? | 0:50:43 | 0:50:44 | |
He has got a suite at the Royal Claremont hotel, Mayfair. | 0:50:44 | 0:50:48 | |
£900 a night. | 0:50:48 | 0:50:49 | |
Not bad for someone coming from a country | 0:50:49 | 0:50:51 | |
-that receives 800 million a year in aid. -Right. | 0:50:51 | 0:50:55 | |
Go to the hotel and keep an eye on him. | 0:50:55 | 0:50:57 | |
I want to know everyone he meets. | 0:50:57 | 0:51:00 | |
Come out, I want to see you. | 0:51:00 | 0:51:02 | |
One minute. | 0:51:02 | 0:51:04 | |
It's been too long already. SHE CHUCKLES | 0:51:04 | 0:51:06 | |
Come back to bed. | 0:51:06 | 0:51:07 | |
Call room service. | 0:51:07 | 0:51:09 | |
-What do you want? -Champagne. | 0:51:09 | 0:51:12 | |
I can't believe you're back. | 0:51:12 | 0:51:14 | |
You have no idea how I've been counting the hours. | 0:51:14 | 0:51:17 | |
Come home with me, Lisa. | 0:51:21 | 0:51:22 | |
It's all going to happen, everything we talked about. | 0:51:24 | 0:51:27 | |
-You should be there. -Changing the world. | 0:51:27 | 0:51:29 | |
'My world. Yes, my country. | 0:51:29 | 0:51:33 | |
'What you're doing, what you have done, it's amazing.' | 0:51:33 | 0:51:36 | |
'We did it together, David.' | 0:51:36 | 0:51:38 | |
Which is why we should BE together. | 0:51:38 | 0:51:41 | |
Cardiac arrest, 12.07am. | 0:51:56 | 0:51:58 | |
Yes. | 0:51:58 | 0:51:59 | |
There will have to be an inquiry, the police are involved. | 0:51:59 | 0:52:03 | |
I did absolutely nothing wrong, Harriet. | 0:52:03 | 0:52:05 | |
Michael Freeland had been out of surgery 24 hours. | 0:52:05 | 0:52:08 | |
No complications, he was in full recovery. | 0:52:08 | 0:52:11 | |
You prescribed potassium chloride? | 0:52:11 | 0:52:14 | |
Yes, 10ml per hour over five hours. | 0:52:14 | 0:52:17 | |
That's not what this setting shows. | 0:52:17 | 0:52:19 | |
It's wrong. | 0:52:23 | 0:52:24 | |
This is set to inject 100ml per hour. | 0:52:26 | 0:52:28 | |
Where do these go? | 0:52:33 | 0:52:35 | |
Oh, they're for your brother. Put them in the fridge. | 0:52:35 | 0:52:38 | |
You know what he's like with his supplements and power drinks. | 0:52:38 | 0:52:42 | |
Would you miss him? If he moved out? | 0:52:44 | 0:52:47 | |
Why do you ask? | 0:52:47 | 0:52:48 | |
Of course I would. | 0:52:48 | 0:52:50 | |
But he will have to, one day. You too. | 0:52:50 | 0:52:54 | |
Are you seeing anyone? | 0:52:54 | 0:52:56 | |
-Mum... -I'm allowed to ask. | 0:52:58 | 0:53:00 | |
And I'm allowed to not answer. | 0:53:00 | 0:53:02 | |
-It's just, I met this young man in court. -Oh, great. He's a criminal? | 0:53:02 | 0:53:06 | |
No, you works for the Immigration Department. But I liked him. | 0:53:06 | 0:53:10 | |
YOU marry him, then. | 0:53:10 | 0:53:12 | |
Maybe you should start thinking about that. | 0:53:12 | 0:53:15 | |
-No, I'm thinking about you. -I'm fine. | 0:53:15 | 0:53:17 | |
PHONE RINGS | 0:53:17 | 0:53:19 | |
Yes? | 0:53:23 | 0:53:24 | |
Why, what's happened? | 0:53:27 | 0:53:29 | |
I'm afraid I have bad news for you, Leila. | 0:53:52 | 0:53:56 | |
One of your patients, Michael Freeland, died last night. | 0:53:56 | 0:54:01 | |
How? | 0:54:03 | 0:54:05 | |
What happened? | 0:54:07 | 0:54:08 | |
It seems a mistake was made with the dosage of potassium chloride | 0:54:08 | 0:54:12 | |
that Dr Benson prescribed. | 0:54:12 | 0:54:15 | |
10ml per hour over five hours. | 0:54:15 | 0:54:17 | |
I gave him the right dose. | 0:54:17 | 0:54:19 | |
We don't believe so. | 0:54:19 | 0:54:21 | |
I'm telling you I did. | 0:54:22 | 0:54:24 | |
Have you checked the machine? | 0:54:26 | 0:54:27 | |
It'll be thoroughly examined, of course. | 0:54:27 | 0:54:30 | |
It was serviced two weeks ago. | 0:54:30 | 0:54:31 | |
There was nothing wrong with it then. | 0:54:31 | 0:54:33 | |
-You're blaming me. -I wasn't there. | 0:54:35 | 0:54:37 | |
I'm sorry. | 0:54:39 | 0:54:40 | |
There will be a full inquiry, Leila. | 0:54:40 | 0:54:42 | |
But you should perhaps consider taking legal advice, | 0:54:42 | 0:54:45 | |
and talk to your union rep. | 0:54:45 | 0:54:47 | |
Yeah. | 0:54:51 | 0:54:52 | |
You want to know who killed Michael Freeland? | 0:55:21 | 0:55:24 | |
I can help you. | 0:55:24 | 0:55:25 | |
REPORTERS CLAMOUR | 0:55:25 | 0:55:28 | |
Everything is in place. I just have to press the button. | 0:55:30 | 0:55:33 | |
Police, SFO. Why are you working together? | 0:55:33 | 0:55:37 |