Browse content similar to Case 3, Part 2. Check below for episodes and series from the same categories and more!
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It's perfect. As long as you don't get blind drunk or high on drugs. | 0:00:14 | 0:00:17 | |
You need to speak to my head of programming. | 0:00:17 | 0:00:19 | |
His name's William Gardner. | 0:00:19 | 0:00:21 | |
Kumalah arrived in London a few minutes ago. | 0:00:21 | 0:00:24 | |
Keep an eye on him. I want to know everyone he meets. | 0:00:24 | 0:00:26 | |
-'Welcome to England, Mr Kumalah.' -Thank you. | 0:00:26 | 0:00:28 | |
What exactly are you asking me to do, Michael? | 0:00:35 | 0:00:37 | |
Investigate my own wife? | 0:00:37 | 0:00:39 | |
I think that's exactly what I'm asking you to do. | 0:00:39 | 0:00:41 | |
You have no idea | 0:00:41 | 0:00:43 | |
how I've been counting the hours. | 0:00:43 | 0:00:45 | |
What you are doing, what you have done, it's amazing. | 0:00:45 | 0:00:48 | |
We did it together, David. | 0:00:48 | 0:00:49 | |
Which is why we should be together. | 0:00:49 | 0:00:51 | |
You should leave now! | 0:00:55 | 0:00:57 | |
SLICING THUD | 0:00:57 | 0:00:58 | |
11, 12, 13! | 0:01:01 | 0:01:03 | |
Just relax. | 0:01:03 | 0:01:05 | |
ELEANOR: His name is John Malik. | 0:01:07 | 0:01:09 | |
And he is going to lead us to Daniel Lorca. | 0:01:09 | 0:01:11 | |
The SFO and the police, | 0:01:11 | 0:01:13 | |
they're wasting their time | 0:01:13 | 0:01:15 | |
chasing after Daniel Lorca. | 0:01:15 | 0:01:16 | |
This is a man who consorts with major criminals. | 0:01:16 | 0:01:19 | |
Mr Lorca doesn't have any friends. | 0:01:26 | 0:01:28 | |
Can I have some help, please? Cardiac arrest. | 0:01:37 | 0:01:40 | |
One of your patients, Michael Freeland, died last night. | 0:01:40 | 0:01:43 | |
-I gave him the right dose. -We don't believe so. | 0:01:43 | 0:01:45 | |
You should perhaps consider taking legal advice. | 0:01:45 | 0:01:48 | |
David Kumalah is a rising star of East African politics. | 0:01:54 | 0:01:57 | |
In London for an international conference, | 0:01:57 | 0:02:00 | |
he's ruffled feathers with his controversial views on aid. | 0:02:00 | 0:02:03 | |
You give a country 5,000 mosquito nets, | 0:02:03 | 0:02:05 | |
what does that do to the local factory | 0:02:05 | 0:02:07 | |
that might be employing people to make them? | 0:02:07 | 0:02:10 | |
You give a country free food, | 0:02:10 | 0:02:12 | |
how exactly does that help the local farmers? | 0:02:12 | 0:02:14 | |
'But surely your position is untenable. | 0:02:14 | 0:02:16 | |
'Your country receives millions of pounds of donations from charities, | 0:02:16 | 0:02:20 | |
'such as Our Child in the UK.' | 0:02:20 | 0:02:23 | |
-What's he saying? -Shh. -'We are very grateful to the British people,' | 0:02:23 | 0:02:26 | |
and for charities such as Our Child, for everything they've done for us. | 0:02:26 | 0:02:29 | |
But aid leads to corruption. It leads to aid dependency. | 0:02:29 | 0:02:33 | |
Are you saying your own government is corrupt? | 0:02:33 | 0:02:35 | |
Of course not. All I am saying is that a constant supply | 0:02:35 | 0:02:39 | |
of free money will test any country's honesty. | 0:02:39 | 0:02:41 | |
And there's always a danger that it will actually end up keeping | 0:02:41 | 0:02:44 | |
the wrong people in power. | 0:02:44 | 0:02:46 | |
David Kumalah with some very controversial views. Thank you. | 0:02:46 | 0:02:50 | |
How can he say that? | 0:02:50 | 0:02:52 | |
How can he be so ungrateful, after all the money you've given him? | 0:02:52 | 0:02:55 | |
-As a matter of fact, I think he's right. -What? | 0:02:55 | 0:02:58 | |
I think he has a point. | 0:02:58 | 0:03:01 | |
There has to be a better way to bring about change, | 0:03:01 | 0:03:03 | |
that's all he's saying. | 0:03:03 | 0:03:04 | |
You know, Lisa, since you met this man... | 0:03:04 | 0:03:07 | |
What? | 0:03:07 | 0:03:08 | |
..I don't feel like I know you any more. | 0:03:08 | 0:03:10 | |
David Kumalah is a visionary, Paul. | 0:03:10 | 0:03:14 | |
He's made me see things differently, that's all. | 0:03:14 | 0:03:17 | |
-Have you seen him in London? -Not yet. | 0:03:19 | 0:03:21 | |
-You're getting too close to him. -PHONE RINGS | 0:03:21 | 0:03:23 | |
What are you talking about? | 0:03:23 | 0:03:26 | |
Lisa Douglas. | 0:03:26 | 0:03:27 | |
Thank you. | 0:03:33 | 0:03:34 | |
Lisa, what is it? | 0:03:39 | 0:03:41 | |
It's Michael. He... | 0:03:44 | 0:03:45 | |
MUSIC: Wolves by Rag'n'Bone Man | 0:03:53 | 0:03:55 | |
# Don't want to drown no more | 0:03:55 | 0:03:57 | |
# Sick of the same old people | 0:03:57 | 0:03:59 | |
# The kind that'll sell your soul | 0:03:59 | 0:04:01 | |
# Trade it for a shinin' stone | 0:04:01 | 0:04:03 | |
# Ain't nothin' in this life for free | 0:04:03 | 0:04:06 | |
# Running from the greatest evil | 0:04:06 | 0:04:09 | |
# It finally dawned on me | 0:04:09 | 0:04:11 | |
# A man's got to fight temptation | 0:04:11 | 0:04:13 | |
# Keep the wolves from the door | 0:04:13 | 0:04:17 | |
# I hear them scratching like I don't know better | 0:04:17 | 0:04:22 | |
# Won't you keep the wolves from the door? | 0:04:22 | 0:04:27 | |
# It won't be long before I cave in and open up the door. # | 0:04:27 | 0:04:32 | |
I have to advise you, William, that your victim, Michael Freeland, | 0:04:36 | 0:04:39 | |
died last night. | 0:04:39 | 0:04:41 | |
It's nowt to do with me. | 0:04:41 | 0:04:42 | |
You broke into his flat. | 0:04:42 | 0:04:44 | |
No. | 0:04:44 | 0:04:45 | |
Jewellery, watches, laptops, artwork. | 0:04:45 | 0:04:48 | |
Your place is quite an Aladdin's cave. | 0:04:48 | 0:04:50 | |
You want to tell us all about it? | 0:04:50 | 0:04:52 | |
You work for AJ Alarms. | 0:04:56 | 0:04:59 | |
You used your programming skills to bypass the systems | 0:04:59 | 0:05:02 | |
and rip off your clients. | 0:05:02 | 0:05:04 | |
Other ones, yeah, but not him. | 0:05:04 | 0:05:06 | |
26 Lorimer Gardens. | 0:05:06 | 0:05:08 | |
-I never went there! -You're lying. | 0:05:08 | 0:05:10 | |
You broke in, he came down and surprised you, | 0:05:10 | 0:05:13 | |
you stuck a knife in him, and now he's dead. | 0:05:13 | 0:05:15 | |
No! I swear to you, you've got it wrong. It wasn't me! | 0:05:15 | 0:05:19 | |
Well, don't just sit there. | 0:05:25 | 0:05:27 | |
Well, what...? | 0:05:27 | 0:05:29 | |
He's your age. You talk to him. | 0:05:29 | 0:05:31 | |
Yeah, um... | 0:05:33 | 0:05:35 | |
You want a drink? | 0:05:38 | 0:05:40 | |
I can get you a coffee or...or a sandwich. | 0:05:41 | 0:05:44 | |
Wait a minute. I meant ask him questions, don't offer him lunch. | 0:05:44 | 0:05:47 | |
You've got a good job. How did you get into all this? | 0:05:52 | 0:05:55 | |
I don't think you stabbed anyone. | 0:06:07 | 0:06:09 | |
But if we're going to convince my DS, you're going to have to help me. | 0:06:12 | 0:06:16 | |
I needed money. | 0:06:16 | 0:06:17 | |
Why? | 0:06:21 | 0:06:23 | |
I gamble. | 0:06:23 | 0:06:25 | |
-Casinos? -Online. | 0:06:25 | 0:06:27 | |
-How much do you owe? -30K. | 0:06:27 | 0:06:30 | |
-You must think I'm an idiot. -Yes. | 0:06:32 | 0:06:34 | |
I think you're an addict. | 0:06:34 | 0:06:36 | |
I think you need help. | 0:06:39 | 0:06:40 | |
Started stealing to pay my debts. But I never hurt anyone. | 0:06:42 | 0:06:46 | |
I swear to you. I never went anywhere near Lorimer Gardens. | 0:06:48 | 0:06:52 | |
That's very good, Derek. Fast work. | 0:07:11 | 0:07:14 | |
Thanks, guv. | 0:07:14 | 0:07:15 | |
He's admitted to all seven. And the stabbing? | 0:07:15 | 0:07:18 | |
He's holding out on Lorimer Gardens. | 0:07:18 | 0:07:21 | |
He's scared, but we'll get there in the end. | 0:07:21 | 0:07:24 | |
Oh, guv! Oh... Sarge. | 0:07:24 | 0:07:27 | |
I don't think it was him. | 0:07:27 | 0:07:29 | |
What-What you going on about? | 0:07:29 | 0:07:32 | |
I've got the CCTV footage. Lorimer Gardens. No sign of Gardner. | 0:07:32 | 0:07:37 | |
But there were two other people there. | 0:07:41 | 0:07:43 | |
Jehovah's Witnesses. | 0:07:43 | 0:07:45 | |
When you retrieved a whole lot of stuff from Gardner's flat, | 0:07:45 | 0:07:48 | |
did you find anything to tie him in with Lorimer Gardens? | 0:07:48 | 0:07:52 | |
No. He didn't take anything. He didn't get the chance. | 0:07:52 | 0:07:55 | |
Well, you searched his flat. You must have found something. | 0:07:55 | 0:07:58 | |
Missing laptop? | 0:07:58 | 0:08:00 | |
Is there any blood on his clothes? | 0:08:00 | 0:08:02 | |
No. | 0:08:02 | 0:08:03 | |
-No forensics? -No. | 0:08:03 | 0:08:05 | |
Derek... | 0:08:07 | 0:08:08 | |
What was the name of the nurse that looked after Freeland after he was stabbed? | 0:08:10 | 0:08:14 | |
According to the report, | 0:08:14 | 0:08:16 | |
it was a Leila Sayyad. | 0:08:16 | 0:08:18 | |
Any relation? | 0:08:22 | 0:08:23 | |
She's my sister. | 0:08:26 | 0:08:27 | |
Oh. | 0:08:27 | 0:08:29 | |
Funny how it goes, isn't it? | 0:08:29 | 0:08:30 | |
If he didn't kill Freeland, then maybe she did. | 0:08:32 | 0:08:35 | |
Maybe it WAS me. | 0:08:38 | 0:08:41 | |
Maybe I got the settings wrong. I don't know. I can't remember. | 0:08:41 | 0:08:44 | |
Oh, come on. | 0:08:44 | 0:08:45 | |
He was nearly stabbed to death the night before and then, what, | 0:08:45 | 0:08:48 | |
he dies from a massive drug overdose? | 0:08:48 | 0:08:50 | |
Just tell us again what happened. | 0:08:50 | 0:08:52 | |
'I had the potassium chloride, which I'd brought from the dispensary. | 0:08:53 | 0:08:57 | |
'I unlocked the machine and set the dosage, and then he woke up.' | 0:08:57 | 0:09:01 | |
Could anyone have changed the settings? | 0:09:03 | 0:09:05 | |
Paul and Lisa Douglas were the only other people in the room. | 0:09:05 | 0:09:08 | |
Unless... | 0:09:09 | 0:09:11 | |
There was something Lisa Douglas said. | 0:09:11 | 0:09:13 | |
What was that? | 0:09:13 | 0:09:15 | |
Hi. | 0:09:17 | 0:09:19 | |
-Just got to give him this. -What is it? | 0:09:19 | 0:09:22 | |
Potassium chloride. | 0:09:22 | 0:09:23 | |
Raised blood pressure? | 0:09:24 | 0:09:26 | |
Yes. | 0:09:26 | 0:09:27 | |
It struck me at the time. | 0:09:27 | 0:09:29 | |
She wouldn't have known that unless she'd had medical training. | 0:09:29 | 0:09:32 | |
Maybe she'd worked as a nurse. | 0:09:32 | 0:09:34 | |
The hospital is going to want to charge you with manslaughter | 0:09:34 | 0:09:37 | |
by gross negligence. We have to be prepared for that. | 0:09:37 | 0:09:40 | |
And, Leila, you must get some legal advice. | 0:09:40 | 0:09:43 | |
And, Rash, you and Stefan need to find out what's really going on. | 0:09:43 | 0:09:47 | |
Dr Benson. | 0:09:49 | 0:09:51 | |
Yes. | 0:09:51 | 0:09:52 | |
Do you remember me? | 0:09:52 | 0:09:53 | |
Mrs Douglas. | 0:09:53 | 0:09:55 | |
Look, I'm very sorry. | 0:09:56 | 0:09:58 | |
It's not about that. The newspapers are about to run a story | 0:09:58 | 0:10:02 | |
on the nurse who was working here when Michael died. | 0:10:02 | 0:10:05 | |
Leila Sayyad. | 0:10:05 | 0:10:07 | |
How do they know about her? | 0:10:07 | 0:10:08 | |
Because I told them. I had her followed. | 0:10:08 | 0:10:11 | |
I know everything about her. | 0:10:11 | 0:10:13 | |
-I'm sorry? -I want justice for Michael. | 0:10:21 | 0:10:24 | |
The newspapers are going to name and shame. | 0:10:24 | 0:10:26 | |
-They may ask you to corroborate. -I can't. | 0:10:26 | 0:10:29 | |
Well, I'd think about it if I were you. | 0:10:29 | 0:10:33 | |
If it isn't her, | 0:10:33 | 0:10:35 | |
it's your neck on the line, isn't it? | 0:10:35 | 0:10:38 | |
Our Child is an incorporated and registered charity | 0:10:47 | 0:10:49 | |
that was set up 11 years ago by Lisa Douglas, | 0:10:49 | 0:10:52 | |
although it was founded by her husband, Paul Douglas. | 0:10:52 | 0:10:56 | |
He owns a telecommunications business. | 0:10:56 | 0:10:59 | |
You really owe me for this, Stefan. | 0:11:00 | 0:11:03 | |
-Go on. -Well, it's raised millions of pounds. | 0:11:03 | 0:11:06 | |
It had grants from central and local government, and it's had | 0:11:06 | 0:11:09 | |
a whole slew of celebrities who have gotten behind it. | 0:11:09 | 0:11:12 | |
Well, is it clean? | 0:11:12 | 0:11:14 | |
It's been regularly audited. It's been given a clean bill of health. | 0:11:14 | 0:11:17 | |
What exactly is it you're looking for? | 0:11:17 | 0:11:19 | |
I'm looking for a reason why its accountant, | 0:11:19 | 0:11:22 | |
a guy called Michael Freeland, was killed. | 0:11:22 | 0:11:25 | |
Michael Freeland. SHE TYPES | 0:11:25 | 0:11:28 | |
I know that name. | 0:11:29 | 0:11:30 | |
Yes, here. | 0:11:30 | 0:11:32 | |
Michael Freeland was the senior accountant at a firm | 0:11:32 | 0:11:35 | |
called Carousel Securities for six years. | 0:11:35 | 0:11:38 | |
-Must have been before he joined Our Child. -What about it? | 0:11:38 | 0:11:40 | |
Well, it might be a coincidence, | 0:11:40 | 0:11:42 | |
but Carousel Securities was owned by John Malik. | 0:11:42 | 0:11:45 | |
This is for the SFO? | 0:11:45 | 0:11:48 | |
No. It's personal. | 0:11:48 | 0:11:51 | |
'Serious Fraud Office?' | 0:11:51 | 0:11:53 | |
Er, yeah. | 0:11:53 | 0:11:54 | |
-Sorry, what's that got to do with Michael? -Um... | 0:11:59 | 0:12:03 | |
We're investigating someone he was associated with. | 0:12:08 | 0:12:12 | |
A man called John Malik. | 0:12:12 | 0:12:14 | |
Carousel. That's right. Michael...used to work for him. | 0:12:15 | 0:12:20 | |
-Why did he leave? -He liked the idea of working for a charity. | 0:12:23 | 0:12:28 | |
He saw Malik just a couple of weeks ago. | 0:12:28 | 0:12:31 | |
-Do you know why? -He said he wanted some advice. | 0:12:31 | 0:12:34 | |
Mr Freeland. | 0:12:36 | 0:12:37 | |
-How are you, Samuel? -Haven't seen you in a while. | 0:12:37 | 0:12:40 | |
-Is Mr Malik here. -How is...? -Our Child. | 0:12:40 | 0:12:43 | |
Our Child. That's right. Must keep you busy. | 0:12:43 | 0:12:46 | |
I need to see Mr Malik. It's important. | 0:12:48 | 0:12:51 | |
He said it was important. Don't know any more than that. | 0:12:52 | 0:12:56 | |
Look, this... | 0:12:57 | 0:12:59 | |
really isn't a very good time for me, so... | 0:12:59 | 0:13:02 | |
I'm sorry. Do the numbers 11, 12, 13 mean anything to you? | 0:13:02 | 0:13:07 | |
No. Why? Should they? | 0:13:07 | 0:13:10 | |
According to the nurse who was with him in the hospital, | 0:13:10 | 0:13:12 | |
that was the last thing he said. | 0:13:12 | 0:13:14 | |
Was that the nurse who killed him? | 0:13:14 | 0:13:17 | |
Yes, they told me there's going to be an investigation, | 0:13:17 | 0:13:20 | |
that it was her fault. | 0:13:20 | 0:13:21 | |
She gave him the wrong dose. | 0:13:23 | 0:13:25 | |
It's thanks to her that Michael is dead. | 0:13:29 | 0:13:32 | |
Working late? | 0:13:41 | 0:13:43 | |
Marcus, come in. | 0:13:43 | 0:13:44 | |
-You fancy a whisky? -I didn't know you had any. | 0:13:49 | 0:13:52 | |
For emergencies. | 0:13:52 | 0:13:54 | |
-Malik? -Yes. | 0:13:59 | 0:14:01 | |
He hasn't managed to overturn the warrant yet. | 0:14:01 | 0:14:04 | |
It's just a matter of time. | 0:14:04 | 0:14:06 | |
Particularly if we have nothing on Lorca. | 0:14:06 | 0:14:10 | |
Has Stefan got nowhere? | 0:14:10 | 0:14:13 | |
Stefan got attacked... | 0:14:13 | 0:14:15 | |
in the Turkish hammam. | 0:14:15 | 0:14:17 | |
He was looking for Daniel Lorca. And now the trail has gone cold. | 0:14:17 | 0:14:20 | |
Oh, God. | 0:14:20 | 0:14:22 | |
-You should go home. -No, no, no. | 0:14:25 | 0:14:27 | |
-I've got...masses of work to catch up on. -Is that true? | 0:14:27 | 0:14:31 | |
You miss him? | 0:14:42 | 0:14:43 | |
Yeah. | 0:14:45 | 0:14:47 | |
I understand. | 0:14:49 | 0:14:51 | |
SHE SIGHS | 0:14:53 | 0:14:55 | |
So, Stefan, hm, yes, he's asked for a referral. | 0:14:55 | 0:15:00 | |
-For a new job? -No, no, no, he's just moving flat. | 0:15:00 | 0:15:02 | |
You like him, don't you? | 0:15:05 | 0:15:06 | |
He has his uses. | 0:15:09 | 0:15:10 | |
Keep him under control. | 0:15:11 | 0:15:14 | |
I can't afford any more problems right now. | 0:15:14 | 0:15:17 | |
You OK? | 0:15:32 | 0:15:33 | |
No. | 0:15:35 | 0:15:37 | |
SHE SIGHS | 0:15:39 | 0:15:41 | |
I can't believe this has happened. | 0:15:41 | 0:15:43 | |
I can kiss med school goodbye. | 0:15:45 | 0:15:47 | |
You're going back to uni? | 0:15:47 | 0:15:50 | |
That was the plan. | 0:15:50 | 0:15:51 | |
We'll get there. | 0:15:54 | 0:15:55 | |
FOOTSTEPS | 0:15:55 | 0:15:58 | |
RASH CLEARS HIS THROAT | 0:15:58 | 0:15:59 | |
So, um, did Michael Freeland have any enemies? | 0:15:59 | 0:16:04 | |
John Malik. | 0:16:05 | 0:16:07 | |
What about him? | 0:16:07 | 0:16:09 | |
Freeland went to see him a couple of weeks before he was killed. | 0:16:09 | 0:16:12 | |
Right. What did he want? | 0:16:12 | 0:16:14 | |
Why don't we ask? | 0:16:14 | 0:16:16 | |
Michael Freeland. | 0:16:21 | 0:16:23 | |
He was your accountant at Carousel. | 0:16:25 | 0:16:26 | |
I know who he was, young man. | 0:16:26 | 0:16:28 | |
You don't have to tell me. | 0:16:28 | 0:16:30 | |
Have we met? | 0:16:30 | 0:16:32 | |
I don't think so. | 0:16:34 | 0:16:35 | |
Well, that's funny. | 0:16:35 | 0:16:38 | |
I never forget a face. | 0:16:38 | 0:16:39 | |
And I'm sure I have seen you somewhere before. | 0:16:41 | 0:16:43 | |
Er... Mr Malik, would you mind answering the question? | 0:16:46 | 0:16:50 | |
And what question was that? | 0:16:50 | 0:16:52 | |
Did you see Michael Freeland? | 0:16:52 | 0:16:53 | |
Yes. He came to see me. | 0:16:53 | 0:16:56 | |
It was a Thursday, the week before last. | 0:16:56 | 0:16:59 | |
What did he want? | 0:16:59 | 0:17:00 | |
Freeland? | 0:17:00 | 0:17:02 | |
I've found something and I don't know what to do. | 0:17:02 | 0:17:05 | |
I've come to you because... Well, don't get me wrong, | 0:17:05 | 0:17:07 | |
you know about these things. You have experience. | 0:17:07 | 0:17:09 | |
Could you look through these accounts from Our Child, | 0:17:09 | 0:17:12 | |
in confidence? I shouldn't have taken them, but I need to be sure. | 0:17:12 | 0:17:15 | |
There's something that doesn't make sense. | 0:17:15 | 0:17:17 | |
I don't know, maybe they do things differently there. | 0:17:17 | 0:17:20 | |
I don't want to hurt anyone. I don't want to cause any trouble, | 0:17:20 | 0:17:22 | |
but I need your advice. | 0:17:22 | 0:17:24 | |
I'm not sure I can remember. | 0:17:33 | 0:17:35 | |
Mr Malik, Michael Freeland died three days ago. | 0:17:35 | 0:17:39 | |
I'm well aware of that. | 0:17:39 | 0:17:40 | |
Wait a minute. | 0:17:40 | 0:17:42 | |
You remember he was here. | 0:17:42 | 0:17:43 | |
You remember what day he came here. | 0:17:44 | 0:17:47 | |
You don't remember what he said? | 0:17:47 | 0:17:49 | |
He was attacked in his home. | 0:17:51 | 0:17:53 | |
His laptop was taken. | 0:17:53 | 0:17:55 | |
It really might help us to know | 0:17:56 | 0:17:58 | |
what was on his mind. | 0:17:58 | 0:18:00 | |
DC Sayyid, was it? | 0:18:00 | 0:18:01 | |
Sayyad. And I showed you my warrant card, yes. | 0:18:01 | 0:18:05 | |
I didn't see his. | 0:18:05 | 0:18:07 | |
Mr Malik, we are just trying to get information that will help us with a murder enquiry. | 0:18:08 | 0:18:11 | |
Well, I'm afraid I can't help you. I'm sorry. | 0:18:11 | 0:18:14 | |
Yes, he did come to see me. We had a chat and a drink. | 0:18:16 | 0:18:19 | |
But he didn't say anything that might be of any help to you. | 0:18:19 | 0:18:22 | |
He didn't leave anything with you? | 0:18:22 | 0:18:23 | |
I'm very busy. Why don't you show yourselves out? | 0:18:23 | 0:18:26 | |
Where the hell is my luggage? | 0:18:40 | 0:18:42 | |
Here, sir. | 0:18:43 | 0:18:44 | |
Well, don't keep me waiting. | 0:18:44 | 0:18:46 | |
He was at the airport carrying my luggage. | 0:18:49 | 0:18:51 | |
'And outside my house on a bike during the raid.' | 0:18:54 | 0:18:57 | |
He is SFO. | 0:18:57 | 0:18:59 | |
He is with the bloody SFO. | 0:18:59 | 0:19:01 | |
Working with the police? | 0:19:02 | 0:19:03 | |
No. No. | 0:19:03 | 0:19:06 | |
What did he say his name was? | 0:19:06 | 0:19:08 | |
Stefan Kowolski. | 0:19:08 | 0:19:10 | |
I want to know everything about him. | 0:19:11 | 0:19:14 | |
Find out what he is doing and where he lives. | 0:19:14 | 0:19:18 | |
-He knew who I was. -I thought you said he'd never seen you. | 0:19:19 | 0:19:22 | |
I was at the airport the day we raided. I followed him home. | 0:19:22 | 0:19:26 | |
-We are running out of time. -Why do you say that? | 0:19:28 | 0:19:30 | |
Look... | 0:19:30 | 0:19:32 | |
"Dr Benson admitted that he'd left the trauma nurse on her own | 0:19:36 | 0:19:39 | |
"after she insisted she was capable of operating the infusion pump | 0:19:39 | 0:19:43 | |
"without supervision." | 0:19:43 | 0:19:44 | |
That's a complete lie. That's not how it happened. | 0:19:46 | 0:19:48 | |
Just be grateful for small mercies, Leila. | 0:19:48 | 0:19:51 | |
At least he hasn't told them your name. | 0:19:51 | 0:19:53 | |
DOORBELL | 0:19:55 | 0:19:56 | |
REPORTERS FIRE QUESTIONS | 0:20:01 | 0:20:03 | |
REPORTER: Why are you hiding? Are you guilty? | 0:20:10 | 0:20:12 | |
Take a seat. | 0:20:16 | 0:20:17 | |
I have already spoken to the police. | 0:20:26 | 0:20:28 | |
We know that, Mrs Douglas. | 0:20:28 | 0:20:30 | |
We just wanted to ask a few more questions about Michael Freeland. | 0:20:30 | 0:20:33 | |
Please, go ahead. | 0:20:33 | 0:20:35 | |
Before he died, Michael said something. | 0:20:35 | 0:20:38 | |
-Three numbers. -Yeah. | 0:20:38 | 0:20:40 | |
SHE SIGHS | 0:20:40 | 0:20:41 | |
'11, 12, 13. I heard him.' | 0:20:41 | 0:20:44 | |
-Do you know what he meant? -'Yeah, I do, I do. | 0:20:44 | 0:20:47 | |
'Well, there are 11 million homeless children in Africa,' | 0:20:49 | 0:20:52 | |
12% of whom are very likely to die before they reach the age of 13. | 0:20:52 | 0:20:57 | |
11, 12, 13. It was the name of a charity drive we were considering, | 0:20:57 | 0:21:00 | |
but then dropped. | 0:21:00 | 0:21:02 | |
Really? It doesn't sound very likely. | 0:21:02 | 0:21:06 | |
-Are you suggesting that I'm lying to you? -Why did you drop it? | 0:21:06 | 0:21:10 | |
-Because it wasn't memorable enough. -You remembered it. | 0:21:10 | 0:21:13 | |
Well, I would, wouldn't I? | 0:21:13 | 0:21:16 | |
-Your car is here, Lisa. -Oh, thank you, Wendy. | 0:21:16 | 0:21:20 | |
Well, I'm so sorry I can't help you. | 0:21:20 | 0:21:22 | |
I have a lunch. | 0:21:22 | 0:21:24 | |
You remembered it. | 0:21:28 | 0:21:30 | |
-RASH SIGHS -She was definitely hiding something. | 0:21:37 | 0:21:40 | |
-I know she was. -But? -What is it she's not telling us? | 0:21:40 | 0:21:44 | |
Oh, we're getting nowhere. I've got to get back to work. | 0:21:45 | 0:21:48 | |
-Keep walking. -What? -Don't stop. | 0:21:51 | 0:21:54 | |
Those guys in the car. | 0:21:54 | 0:21:56 | |
-Don't look. -What? | 0:21:56 | 0:21:58 | |
Those two guys, I've seen them before, on the CCTV. | 0:22:01 | 0:22:05 | |
They were outside Michael Freeland's house the night he got stabbed. | 0:22:05 | 0:22:08 | |
So what are they doing here? | 0:22:13 | 0:22:15 | |
Look... | 0:22:19 | 0:22:20 | |
OK. | 0:22:23 | 0:22:25 | |
-OK, what are we going to do? -Just wait. | 0:22:27 | 0:22:29 | |
Whoa... | 0:22:32 | 0:22:35 | |
-We've got to follow that car. -Right, how? | 0:22:35 | 0:22:37 | |
Taxi! | 0:22:39 | 0:22:40 | |
Follow that car. | 0:22:40 | 0:22:42 | |
You're not being serious? | 0:22:57 | 0:22:59 | |
-What? -"Follow that car"? | 0:22:59 | 0:23:02 | |
Look, just do it, all right? I'm a police officer. | 0:23:02 | 0:23:05 | |
-No, you're not. -Yes, I am. | 0:23:05 | 0:23:07 | |
I don't believe you. | 0:23:07 | 0:23:09 | |
Right. Well, it makes no difference - you're still paying the fare. | 0:23:12 | 0:23:15 | |
Come on! | 0:23:15 | 0:23:16 | |
-How much money do you have? -Well... Nine quid. | 0:23:16 | 0:23:20 | |
Same. | 0:23:20 | 0:23:22 | |
It's not enough. | 0:23:23 | 0:23:25 | |
OK, we've only got 18 quid, so we have to owe you the rest. | 0:23:27 | 0:23:30 | |
-Forget it. I don't do credit. -We just showed you ID. | 0:23:30 | 0:23:32 | |
It's not my problem. | 0:23:32 | 0:23:34 | |
-All right, just drop us off when you get to 18 quid. -Done! | 0:23:34 | 0:23:37 | |
-TYRES SCREECH -Go on, get out. | 0:23:37 | 0:23:39 | |
Thanks, mate(!) | 0:23:39 | 0:23:41 | |
Come on, man. Come on, we're going to lose them. | 0:23:44 | 0:23:47 | |
Lisa. | 0:24:13 | 0:24:15 | |
I've been thinking about what you were saying. | 0:24:16 | 0:24:18 | |
About leaving with you. | 0:24:18 | 0:24:20 | |
That's very sudden. Aren't you even going to order? | 0:24:20 | 0:24:23 | |
Excuse me, could I have a gin martini, please? | 0:24:24 | 0:24:27 | |
Of course, madam. | 0:24:27 | 0:24:29 | |
See, I worried about Paul. He's been asking questions. | 0:24:29 | 0:24:32 | |
I think he knows about us. | 0:24:32 | 0:24:34 | |
I can deal with Paul. | 0:24:34 | 0:24:36 | |
But we don't have much time. I'm leaving tomorrow. | 0:24:36 | 0:24:39 | |
So soon? | 0:24:39 | 0:24:40 | |
Everything is in place. We have all the support we need. | 0:24:40 | 0:24:44 | |
I just have to press the button. | 0:24:44 | 0:24:47 | |
We're going to make it happen. | 0:24:47 | 0:24:48 | |
Mmm. | 0:24:48 | 0:24:50 | |
Who is he? | 0:24:57 | 0:24:59 | |
Saw him on TV. | 0:24:59 | 0:25:00 | |
-Strictly? -No... | 0:25:02 | 0:25:03 | |
No, it was, eh, something to do with Africa on the news. | 0:25:06 | 0:25:09 | |
Surely your position is untenable, | 0:25:11 | 0:25:13 | |
your country receives millions of pounds of donations from charities. | 0:25:13 | 0:25:17 | |
He was talking about charity. Come on. | 0:25:19 | 0:25:23 | |
-Is he a regular guest at this hotel? -David Kumalah? | 0:25:23 | 0:25:26 | |
He stays here quite often. | 0:25:26 | 0:25:29 | |
You do know that Mr Kumulah is a government minister? | 0:25:29 | 0:25:31 | |
He has a diplomatic passport. | 0:25:31 | 0:25:33 | |
Yeah. We know. It's Mr Kumulah we're worried about. | 0:25:33 | 0:25:38 | |
Yeah, his, uh, safety. | 0:25:38 | 0:25:40 | |
-Would you like me to stay? -Eh...no, we'd like you to go. | 0:25:49 | 0:25:54 | |
Thank you. | 0:25:55 | 0:25:56 | |
Wow. | 0:26:17 | 0:26:18 | |
STEFAN EXHALES SHARPLY | 0:26:21 | 0:26:23 | |
Start here. | 0:26:33 | 0:26:34 | |
MOBILE PHONE RINGS | 0:26:43 | 0:26:45 | |
Excuse me. | 0:26:45 | 0:26:46 | |
What is it? | 0:26:48 | 0:26:50 | |
Get up to the room - now. | 0:26:54 | 0:26:56 | |
-I'm going to have to leave you for a moment. -What is it? | 0:26:59 | 0:27:02 | |
Someone's trying to access my computer. | 0:27:02 | 0:27:04 | |
It... It doesn't work, I can't get in. | 0:27:26 | 0:27:28 | |
Thought you were supposed to be good at this sort of thing? | 0:27:28 | 0:27:31 | |
I am doing my best. | 0:27:31 | 0:27:32 | |
-I-I can't do it. -Date of birth, "1-2-3-4". | 0:27:36 | 0:27:39 | |
It's not that simple, it's going to be encrypted. | 0:27:39 | 0:27:43 | |
DOOR OPENS | 0:27:43 | 0:27:44 | |
DOOR CLOSES (Shh.) | 0:27:45 | 0:27:47 | |
DOOR CLOSES | 0:28:29 | 0:28:30 | |
Who are you and what are you doing here? | 0:28:37 | 0:28:39 | |
-Mr Kumulah... -We're the police. -No, you are not. | 0:28:40 | 0:28:44 | |
-I can show you my warrant card. -I am not interested. | 0:28:46 | 0:28:49 | |
You have broken into my room, you are attempting to access my computer | 0:28:50 | 0:28:54 | |
- whoever you are, your actions have placed you outside of the law. | 0:28:54 | 0:28:57 | |
We're, erm, we're investigating the death of Michael Freeland. | 0:29:00 | 0:29:04 | |
I don't care what you are doing, you will leave here. Now. | 0:29:04 | 0:29:09 | |
Yeah, that sounds like a good idea. | 0:29:09 | 0:29:12 | |
-Right. -With my men. | 0:29:12 | 0:29:14 | |
-They will escort you. -Yeah, whatever you say. | 0:29:15 | 0:29:18 | |
Whatever you say. | 0:29:18 | 0:29:20 | |
-I don't like the look of this. -Yeah, nor do I. | 0:29:40 | 0:29:42 | |
Whoa, excuse me. I think the lobby's that way. | 0:29:45 | 0:29:49 | |
Yeah, we want to go to reception. | 0:29:49 | 0:29:51 | |
That changes things. | 0:29:55 | 0:29:56 | |
Ugh! | 0:30:07 | 0:30:08 | |
Agh! | 0:30:08 | 0:30:09 | |
SHE SCREAMS | 0:30:11 | 0:30:13 | |
CHEF GRUNTS | 0:30:31 | 0:30:34 | |
This way! | 0:30:35 | 0:30:36 | |
-Chairs! -What? -Just... | 0:30:44 | 0:30:46 | |
Yeah, all right, that'll do! | 0:30:49 | 0:30:51 | |
Oi! | 0:31:00 | 0:31:01 | |
Whoa! Take that. | 0:31:18 | 0:31:20 | |
-What's this for? -I don't know, might be useful! | 0:31:21 | 0:31:24 | |
The lights! | 0:31:29 | 0:31:31 | |
-Why'd you do that? -What? -You could have just turned them off. | 0:31:34 | 0:31:37 | |
-But you gave me that! -Come on! | 0:31:37 | 0:31:38 | |
THEY PANT | 0:31:43 | 0:31:45 | |
We've lost them. | 0:31:46 | 0:31:47 | |
DOOR OPENS No, we haven't! | 0:31:49 | 0:31:53 | |
Go, go, go! | 0:32:08 | 0:32:10 | |
Rash, watch it! | 0:32:11 | 0:32:13 | |
TYRES SCREECH | 0:32:17 | 0:32:19 | |
Get in! | 0:32:19 | 0:32:20 | |
-Who are you? -Get your heads down! | 0:32:23 | 0:32:26 | |
My name's Finch, counter-terrorism. | 0:32:44 | 0:32:47 | |
Police, SFO... why are you working together? | 0:32:48 | 0:32:52 | |
You better start talking. | 0:32:54 | 0:32:55 | |
-We're investigating Our Child. -The death of Michael Freeland? | 0:33:00 | 0:33:04 | |
-That led us to Lisa Douglas. -And she led us to Kumulah. | 0:33:06 | 0:33:10 | |
So... why are you interested in Kumulah? | 0:33:16 | 0:33:20 | |
I'm sorry, you really think I'm going to tell you? Two boy scouts? | 0:33:20 | 0:33:24 | |
-Well? -Forget it. | 0:33:28 | 0:33:29 | |
I don't know what the hell you think you're doing, | 0:33:29 | 0:33:32 | |
but you may have compromised a major investigation. | 0:33:32 | 0:33:35 | |
And I'm warning you, it doesn't stop here. | 0:33:35 | 0:33:37 | |
-Counter-terrorism? -Just had them on the phone. -What about? | 0:33:41 | 0:33:44 | |
-Where's Sayyad? -I don't know. | 0:33:44 | 0:33:46 | |
-What do you mean, you don't know? -He's not here. -Well, I can see that. | 0:33:46 | 0:33:51 | |
Do you know anything about a man called David Kumulah? | 0:33:51 | 0:33:54 | |
-No. -Do you know anything about anything? | 0:33:55 | 0:33:58 | |
I want to see Sayyad. I want him back here - now. | 0:34:01 | 0:34:05 | |
MOBILE PHONE RINGS | 0:34:22 | 0:34:24 | |
-That's my boss. -Aren't you going to answer it? | 0:34:25 | 0:34:29 | |
I'll see him tomorrow, if I've still got a job. | 0:34:29 | 0:34:32 | |
-Heard that before. -Gentlemen! | 0:34:32 | 0:34:34 | |
Get in. | 0:34:36 | 0:34:37 | |
Really? | 0:34:44 | 0:34:45 | |
You want to know who killed Michael Freeland. | 0:35:08 | 0:35:11 | |
I can help you. | 0:35:12 | 0:35:14 | |
He came to see me. You know that. | 0:35:17 | 0:35:21 | |
He had stumbled onto something and wanted my advice, and... | 0:35:21 | 0:35:26 | |
he gave me something. | 0:35:26 | 0:35:28 | |
Now, this here is a copy of the Our Child accounts. | 0:35:30 | 0:35:35 | |
-He asked me to look at them. -Why didn't you tell us before? | 0:35:36 | 0:35:40 | |
Because I didn't know who you were. | 0:35:42 | 0:35:44 | |
I do now. | 0:35:45 | 0:35:46 | |
And there's something I want. | 0:35:47 | 0:35:49 | |
Go on. | 0:35:52 | 0:35:54 | |
A DVD. It's marked "Bermuda". | 0:35:56 | 0:35:59 | |
It was taken from my house...by your friends at the Serious Fraud Office. | 0:35:59 | 0:36:06 | |
-It has nothing to do with them. -So, erm, what's on it? | 0:36:06 | 0:36:11 | |
Images of me and my wife on holiday. | 0:36:12 | 0:36:14 | |
You can watch the whole thing if you have to, but I want it back. | 0:36:17 | 0:36:20 | |
Some of it is, er...intimate. | 0:36:22 | 0:36:26 | |
What? You mean... | 0:36:26 | 0:36:29 | |
-..porn? -Don't sneer at me, you little guttersnipe. | 0:36:31 | 0:36:36 | |
They are private pictures taken in private, | 0:36:38 | 0:36:42 | |
and the SFO has no right to have them. | 0:36:42 | 0:36:45 | |
-I want them back. -Holiday pictures. -Yeah. | 0:36:45 | 0:36:47 | |
It's a straightforward swap. | 0:36:49 | 0:36:52 | |
Otherwise this conversation never took place, and you can go | 0:36:52 | 0:36:56 | |
and whistle in the wind. | 0:36:56 | 0:36:58 | |
You're in early. | 0:37:10 | 0:37:11 | |
-What are you doing with that? -I was watching it. | 0:37:11 | 0:37:14 | |
-It belongs to John Malik. -Yeah, he wants it back. | 0:37:14 | 0:37:16 | |
And he asked you to get it? | 0:37:16 | 0:37:18 | |
Well, it's just holiday pictures, I've watched the whole thing. | 0:37:18 | 0:37:20 | |
It's evidence, Stefan, it belongs to the SFO, | 0:37:20 | 0:37:23 | |
you really think you can walk in here and take it? | 0:37:23 | 0:37:25 | |
You think I'd do that, Eleanor? | 0:37:25 | 0:37:27 | |
Is that what you think? | 0:37:27 | 0:37:28 | |
So...did you look at it? | 0:37:34 | 0:37:36 | |
Yep. | 0:37:38 | 0:37:39 | |
And? | 0:37:42 | 0:37:43 | |
You had a lovely holiday. | 0:37:45 | 0:37:47 | |
All right. | 0:37:49 | 0:37:51 | |
Thank you. | 0:38:06 | 0:38:07 | |
There's nothing on the DVD, so why does he want it back so much? | 0:38:16 | 0:38:19 | |
What is it he's not telling me? | 0:38:19 | 0:38:20 | |
John Malik IS Daniel Lorca. | 0:38:27 | 0:38:29 | |
He's the one who runs the company. | 0:38:29 | 0:38:31 | |
Lorca has the house, the clothes, the delivery, | 0:38:31 | 0:38:34 | |
he goes to the Turkish hammam. | 0:38:34 | 0:38:35 | |
But it's all just a shell to make him look real. | 0:38:35 | 0:38:38 | |
It's the perfect fraud. A fraudster that doesn't even exist. | 0:38:38 | 0:38:42 | |
And now we have everything we need. | 0:38:43 | 0:38:45 | |
This is what Michael Freeland found in the accounts. | 0:39:42 | 0:39:45 | |
Someone has been stealing money - a lot of it. | 0:39:45 | 0:39:48 | |
How? | 0:39:48 | 0:39:49 | |
Over the past three years, Our Child have made payments | 0:39:49 | 0:39:53 | |
totalling £15 million to six companies | 0:39:53 | 0:39:56 | |
in six different countries. | 0:39:56 | 0:39:57 | |
Here they are. | 0:39:57 | 0:39:59 | |
Montsowarra Construction - six million. | 0:39:59 | 0:40:01 | |
Karampa Medical Foundation - three million. | 0:40:01 | 0:40:03 | |
Mafinda Educational Supplies and so on. | 0:40:03 | 0:40:07 | |
But they were all incorporated on the same day. | 0:40:07 | 0:40:10 | |
-That's not possible. -Look at the dates. | 0:40:10 | 0:40:13 | |
11th of December 2013... | 0:40:14 | 0:40:17 | |
11th of December 2013. | 0:40:17 | 0:40:19 | |
11, 12, 13. | 0:40:22 | 0:40:25 | |
That's what he was trying to explain. They're all fake. | 0:40:25 | 0:40:29 | |
Fake companies. | 0:40:29 | 0:40:30 | |
-The money goes in... -They take it out. | 0:40:32 | 0:40:34 | |
And in the meantime, they've got counter-terrorism coming after them. | 0:40:34 | 0:40:37 | |
What are you two involved in exactly? | 0:40:37 | 0:40:39 | |
Did you just say counter-terrorism? You should drop this NOW. | 0:40:39 | 0:40:43 | |
Arash Sayyad is a TDC and Stefan Kowolski is a junior at the SFO. | 0:40:47 | 0:40:50 | |
They don't even work together. | 0:40:50 | 0:40:53 | |
So... Well, what are the two of them doing tied up with Kumulah? | 0:40:53 | 0:40:56 | |
Nearly getting themselves killed investigating | 0:40:56 | 0:40:58 | |
the death of the Our Child accountant. | 0:40:58 | 0:41:00 | |
You know, if these two kids manage to get themselves knocked off... | 0:41:00 | 0:41:06 | |
that could be our way in. | 0:41:06 | 0:41:07 | |
Back at the car park... | 0:41:09 | 0:41:11 | |
it would have been better if I'd never intervened. | 0:41:11 | 0:41:14 | |
Yeah. | 0:41:15 | 0:41:16 | |
If they rub up against Kumulah again, | 0:41:18 | 0:41:21 | |
it's probably better you back off. | 0:41:21 | 0:41:23 | |
-What are you doing? -I'm leaving you, Paul. | 0:41:45 | 0:41:48 | |
No, you're not. | 0:41:52 | 0:41:53 | |
How much money have you given to David Kumulah? | 0:41:55 | 0:41:57 | |
That's none of your business. | 0:41:57 | 0:41:59 | |
HE SCOFFS | 0:41:59 | 0:42:01 | |
Ohh, I should have listened to Michael. | 0:42:01 | 0:42:04 | |
The financial irregularities, they were down to you, weren't they? | 0:42:04 | 0:42:08 | |
How much money have you actually stolen, Lisa? | 0:42:08 | 0:42:10 | |
Oh, God, you really have no understanding, do you, Paul? | 0:42:10 | 0:42:13 | |
There's only way to make change in Africa, that's his genius. | 0:42:13 | 0:42:18 | |
You get rid of corrupt government, | 0:42:18 | 0:42:20 | |
you cut out this addiction to aid and charity and you... | 0:42:20 | 0:42:23 | |
You build a country from the bottom up! | 0:42:23 | 0:42:26 | |
What are you two planning then? | 0:42:27 | 0:42:30 | |
Some kind of armed uprising? | 0:42:30 | 0:42:32 | |
Yeah, that's exactly what we're planning. | 0:42:32 | 0:42:34 | |
We're starting again. | 0:42:34 | 0:42:36 | |
We need to talk to Mrs Douglas. | 0:42:37 | 0:42:40 | |
I'm sorry, Mrs Douglas isn't working from the office today. | 0:42:40 | 0:42:43 | |
-Eh, where is he? -She's working from home. | 0:42:43 | 0:42:46 | |
Michael found out what you were doing, didn't he? He knew. | 0:42:49 | 0:42:53 | |
-And you tried to kill him. -No. -Yes, Lisa. | 0:42:57 | 0:43:00 | |
There was no burglary. | 0:43:03 | 0:43:05 | |
Michael came to see me, he was frightened, | 0:43:05 | 0:43:07 | |
and that very same night he was stabbed. | 0:43:07 | 0:43:11 | |
-That wasn't me. -But it was done for you. | 0:43:11 | 0:43:13 | |
And then at the hospital, when you realised he wasn't dead... | 0:43:15 | 0:43:19 | |
No, it was the nurse. | 0:43:19 | 0:43:22 | |
-It was the nurse. -It wasn't the nurse. | 0:43:23 | 0:43:25 | |
All right, Mr Freeland, don't try to move. | 0:43:34 | 0:43:36 | |
FREELAND, BREATHLESSLY: 11, 12, 13. | 0:43:36 | 0:43:39 | |
-God help you, Lisa. -I'm leaving with David, Paul. | 0:43:44 | 0:43:49 | |
You're never going to see me again. | 0:43:49 | 0:43:51 | |
Lisa. | 0:43:59 | 0:44:00 | |
SHE GASPS | 0:44:16 | 0:44:17 | |
HE BREATHES RAGGEDLY | 0:44:31 | 0:44:33 | |
-Mr Douglas? Police. -My wife...you have to stop them. | 0:44:58 | 0:45:01 | |
-Take my car! The ambulance is on its way. -Come on! | 0:45:02 | 0:45:05 | |
You've got to call it in. | 0:45:12 | 0:45:14 | |
I can't, he's got diplomatic immunity. | 0:45:14 | 0:45:16 | |
-Anyway, it's too late. -You've got to call it in! | 0:45:16 | 0:45:18 | |
They've just stabbed a man. | 0:45:18 | 0:45:20 | |
I noticed. | 0:45:20 | 0:45:22 | |
That's them, that's them. | 0:45:22 | 0:45:24 | |
We got 'em. | 0:45:24 | 0:45:25 | |
We're being followed. | 0:45:36 | 0:45:38 | |
Oh, they're turning off. | 0:45:46 | 0:45:47 | |
TYRES SCREECH | 0:45:47 | 0:45:49 | |
HORN BEEPS | 0:45:49 | 0:45:51 | |
SEVERAL HORNS BLARE | 0:45:51 | 0:45:53 | |
TYRES SCREECH | 0:45:58 | 0:46:00 | |
-Do it now. -HE COCKS GUN | 0:46:06 | 0:46:08 | |
Gun! | 0:46:13 | 0:46:14 | |
HE YELPS | 0:46:17 | 0:46:18 | |
RASH SHOUTS | 0:46:19 | 0:46:21 | |
GLASS SHATTERING | 0:46:25 | 0:46:28 | |
METAL SCREECHES | 0:46:35 | 0:46:37 | |
HE GASPS | 0:46:51 | 0:46:53 | |
Jesus. | 0:46:53 | 0:46:54 | |
You hurt? | 0:46:56 | 0:46:57 | |
We're upside down. | 0:46:59 | 0:47:01 | |
Yep. | 0:47:03 | 0:47:04 | |
There's something dripping down my back. | 0:47:05 | 0:47:08 | |
-What's dripping down my back? -Oh, it's... | 0:47:08 | 0:47:10 | |
-It's petrol. -What?! | 0:47:10 | 0:47:13 | |
It's petrol! | 0:47:13 | 0:47:14 | |
-Well, I think we should get out! -Yeah. Definitely. | 0:47:15 | 0:47:18 | |
HE GRUNTS | 0:47:21 | 0:47:22 | |
Come on! | 0:47:22 | 0:47:24 | |
How...could this... | 0:47:26 | 0:47:28 | |
Get any worse? | 0:47:29 | 0:47:30 | |
They're coming back! | 0:47:32 | 0:47:34 | |
Get out! | 0:47:34 | 0:47:36 | |
-I can't. -Rash, get out! | 0:47:36 | 0:47:39 | |
-Rash! -I can't! -Rash! | 0:47:39 | 0:47:40 | |
Get out! | 0:47:42 | 0:47:44 | |
-Wiggle it! -I have wiggled it, it's stuck! | 0:47:45 | 0:47:48 | |
What's he doing?! | 0:47:53 | 0:47:54 | |
THEY STRUGGLE | 0:47:57 | 0:47:59 | |
What are you doing? | 0:48:02 | 0:48:03 | |
THEY SHOUT | 0:48:07 | 0:48:09 | |
-Keep pulling! -I am! | 0:48:11 | 0:48:13 | |
Come on! | 0:48:18 | 0:48:20 | |
FLAMES ROAR | 0:48:24 | 0:48:25 | |
DISTANT GRUNTS | 0:48:31 | 0:48:33 | |
Come on! | 0:48:41 | 0:48:42 | |
I told you, I can't move. I'm stuck. | 0:48:43 | 0:48:46 | |
Yeah, I'll help. | 0:48:46 | 0:48:48 | |
-Come on. -It's no good. | 0:48:48 | 0:48:50 | |
It's coming! | 0:48:50 | 0:48:52 | |
HE WHIMPERS | 0:48:52 | 0:48:54 | |
-Go! -I'm not going without you! | 0:48:54 | 0:48:55 | |
-I don't want to go sitting here! -I'm not leaving you! | 0:48:55 | 0:48:58 | |
Why do you have to be so bloody obstinate? | 0:48:58 | 0:49:00 | |
It's coming! It's coming! | 0:49:00 | 0:49:01 | |
-Just go! -Oh, come on! | 0:49:03 | 0:49:06 | |
Come on! | 0:49:08 | 0:49:09 | |
Go! Rash! | 0:49:11 | 0:49:13 | |
THEY GRUNT | 0:49:21 | 0:49:22 | |
SIREN IN DISTANCE | 0:49:30 | 0:49:31 | |
POLICE SHOUT | 0:49:48 | 0:49:50 | |
SHE WHIMPERS | 0:49:51 | 0:49:52 | |
Out of the car now! | 0:49:52 | 0:49:53 | |
THEY EXHALE | 0:50:40 | 0:50:42 | |
That was close. | 0:50:55 | 0:50:57 | |
Thanks. | 0:51:00 | 0:51:01 | |
You should have just left me. | 0:51:02 | 0:51:05 | |
You're right. | 0:51:05 | 0:51:07 | |
No, I'm... You're my mate, I'd have done the same for you. | 0:51:07 | 0:51:10 | |
Hey! | 0:51:12 | 0:51:13 | |
You want to tell me what the bloody hell's going on? | 0:51:13 | 0:51:16 | |
-Sarge... -Who's this? | 0:51:19 | 0:51:21 | |
HE SPEAKS RUSSIAN | 0:51:21 | 0:51:24 | |
Look, we've had another call from counterterrorism. | 0:51:24 | 0:51:27 | |
They'll handle Kumalah from now on. | 0:51:27 | 0:51:29 | |
The governor wants to see you in his office tomorrow. | 0:51:29 | 0:51:33 | |
We've got to get to a flat, sir. It's very important. | 0:51:33 | 0:51:35 | |
Can you give us a lift? | 0:51:35 | 0:51:37 | |
You've got a car. | 0:51:37 | 0:51:38 | |
No, sir! Sir! | 0:51:38 | 0:51:40 | |
Aw. | 0:51:42 | 0:51:43 | |
He's nice. | 0:51:45 | 0:51:46 | |
So much for that. | 0:51:46 | 0:51:49 | |
The flat. | 0:51:49 | 0:51:51 | |
We're too late. | 0:51:51 | 0:51:52 | |
We can call them. | 0:51:52 | 0:51:54 | |
No signal. | 0:51:54 | 0:51:55 | |
You know, just once, | 0:51:58 | 0:52:00 | |
just once in our lives, we had to be there on time. | 0:52:00 | 0:52:02 | |
We can still make it. | 0:52:02 | 0:52:03 | |
No, we can't, it's on the other side of town. | 0:52:03 | 0:52:05 | |
We've got 40 minutes! | 0:52:05 | 0:52:06 | |
Stefan. | 0:52:09 | 0:52:11 | |
-Stefan. -What? | 0:52:11 | 0:52:12 | |
No. | 0:52:14 | 0:52:15 | |
-We can make it! -Stef. | 0:52:15 | 0:52:16 | |
-Come on! -No! | 0:52:16 | 0:52:17 | |
-Whoa! -Stop him, stop him! | 0:52:32 | 0:52:33 | |
THEY PANT | 0:52:36 | 0:52:37 | |
I told you we'd make it. | 0:52:48 | 0:52:50 | |
I think we've given them long enough now. | 0:52:57 | 0:52:59 | |
THEY WHEEZE | 0:53:02 | 0:53:04 | |
Hi. | 0:53:10 | 0:53:11 | |
Sorry we're late. | 0:53:13 | 0:53:15 | |
We got held up. | 0:53:17 | 0:53:19 | |
So, why were the spooks interested | 0:53:22 | 0:53:24 | |
in dark doings in sub-Saharan Africa? | 0:53:24 | 0:53:27 | |
Oh, politics, Derek, politics. | 0:53:27 | 0:53:29 | |
Yeah, word got out that Kumalah was organising a coup | 0:53:30 | 0:53:33 | |
and someone higher up wanted it stopped. | 0:53:33 | 0:53:37 | |
Didn't he have diplomatic immunity? | 0:53:37 | 0:53:39 | |
-Not any more. -Here's to him. | 0:53:39 | 0:53:42 | |
We get the credit, Derek. | 0:53:42 | 0:53:44 | |
We've done, um, very well out of it. | 0:53:44 | 0:53:47 | |
Question is, though, | 0:53:50 | 0:53:52 | |
what are we going to do about DC Sayyad? | 0:53:52 | 0:53:55 | |
Guv. | 0:53:55 | 0:53:57 | |
His six-month probation is up next week. | 0:53:57 | 0:53:59 | |
I think he should stay. | 0:54:01 | 0:54:03 | |
I thought you would say that. | 0:54:06 | 0:54:08 | |
Investment fraud, false accounting, | 0:54:13 | 0:54:16 | |
bribery, extortion, possession of fake ID. | 0:54:16 | 0:54:19 | |
I don't think we're going to be seeing Mr Malik again | 0:54:19 | 0:54:22 | |
-for a very long time. -Where is he? | 0:54:22 | 0:54:23 | |
Oh, the police released him on bail this morning, | 0:54:25 | 0:54:27 | |
but he - he will go down. | 0:54:27 | 0:54:30 | |
So, what is this? | 0:54:30 | 0:54:31 | |
If this is not an emergency. | 0:54:31 | 0:54:33 | |
Well, I think we're allowed to celebrate once in a while. | 0:54:33 | 0:54:36 | |
Yes, uh...mm-hmm. | 0:54:40 | 0:54:43 | |
Yes. | 0:54:44 | 0:54:45 | |
Actually, we've finished interviewing the candidates, | 0:54:46 | 0:54:49 | |
and we came to the unanimous decision... | 0:54:49 | 0:54:51 | |
But I don't understand. | 0:54:54 | 0:54:56 | |
I mean, they were completely wrong. | 0:54:56 | 0:54:59 | |
-Yes. Yes. -'Good.' | 0:54:59 | 0:55:01 | |
Whatever you say. | 0:55:01 | 0:55:03 | |
I'll let them know. | 0:55:03 | 0:55:05 | |
-Shall we go for a drink? -No need to go out. | 0:55:13 | 0:55:16 | |
Present for house firing. | 0:55:16 | 0:55:19 | |
-House warming. -Firing. | 0:55:19 | 0:55:21 | |
What is it? | 0:55:22 | 0:55:23 | |
HE SPEAKS RUSSIAN | 0:55:23 | 0:55:25 | |
Don't touch it. | 0:55:25 | 0:55:27 | |
Thank you. | 0:55:27 | 0:55:29 | |
Just one glass. | 0:55:29 | 0:55:31 | |
-Nasdarovje. -Nasdarovje. | 0:55:36 | 0:55:38 | |
-So, they're moving in. -I don't get it. | 0:55:45 | 0:55:49 | |
Why do you want them in your property? | 0:55:49 | 0:55:52 | |
Those two little bastards? | 0:55:52 | 0:55:53 | |
-Yeah. -I'll tell you why. | 0:55:53 | 0:55:55 | |
Because I've got them where I want them. | 0:55:56 | 0:55:59 | |
Now they're paying me money. | 0:55:59 | 0:56:02 | |
But one day, I promise you, | 0:56:02 | 0:56:05 | |
I'm really going to make them pay. | 0:56:05 | 0:56:07 |