Browse content similar to Case 1, Part 1. Check below for episodes and series from the same categories and more!
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FAINT SHOUTING | 0:00:02 | 0:00:03 | |
HUBBUB | 0:00:18 | 0:00:20 | |
-Want some, buddy? -Cheers. | 0:00:54 | 0:00:56 | |
This way, please. | 0:01:35 | 0:01:37 | |
The doctor will be with you soon to explain the procedure. | 0:01:37 | 0:01:39 | |
Hi, I'm Mark. This is Laura. | 0:01:43 | 0:01:45 | |
Hi, I'm Bruce. | 0:01:45 | 0:01:47 | |
-Are you nervous? -A little. | 0:01:49 | 0:01:52 | |
It's OK. It's fine. I studied medicine at uni. | 0:01:52 | 0:01:55 | |
They do these things all the time. | 0:01:55 | 0:01:57 | |
I asked when I got here. | 0:01:57 | 0:01:59 | |
This drug we're testing is actually made by a UK company. | 0:01:59 | 0:02:02 | |
I wouldn't be surprised if British doctors were overseeing things. | 0:02:02 | 0:02:06 | |
How do? Am I the last one in? | 0:02:07 | 0:02:11 | |
-Looks like it. -I couldn't find the place. | 0:02:11 | 0:02:13 | |
-You haven't done this before? -You've got to be kidding! | 0:02:13 | 0:02:17 | |
I wouldn't be here if I hadn't spent all my cash. I'm skint. | 0:02:17 | 0:02:20 | |
We get dinner, breakfast and 600 quid. That's my ticket home. | 0:02:20 | 0:02:23 | |
-Where's home? -Leeds. Can't you tell? Huh! | 0:02:23 | 0:02:26 | |
I'm still not sure. | 0:02:26 | 0:02:28 | |
Most of us won't even get the real stuff, whatever it is. | 0:02:28 | 0:02:31 | |
They just give you an injection and then you lie down for a few hours. | 0:02:31 | 0:02:35 | |
-How do you know? -I've done it loads of times. | 0:02:35 | 0:02:38 | |
Don't tell them, though. | 0:02:40 | 0:02:42 | |
-What if it's dangerous? -It's not dangerous. | 0:02:42 | 0:02:46 | |
-They wouldn't be allowed to do it if it was. -You'll be fine. | 0:02:46 | 0:02:49 | |
I'm Henry. | 0:02:51 | 0:02:53 | |
Some of you may feel a little drowsy. | 0:02:53 | 0:02:55 | |
That's nothing to worry about. | 0:02:55 | 0:02:58 | |
If you drift off to sleep, that's fine. | 0:02:58 | 0:03:01 | |
-Wake me up when it's all over, will you? -When do we get out of here? | 0:03:02 | 0:03:06 | |
-Lunchtime tomorrow morning. -Is lunch included? | 0:03:06 | 0:03:08 | |
If you want anything, you can just ring the bell. Any other questions? | 0:03:08 | 0:03:12 | |
Yeah. When do we get paid? | 0:03:12 | 0:03:15 | |
-'How long have you been travelling? -Two weeks...' | 0:03:15 | 0:03:19 | |
KNOCK AT DOOR Enter! | 0:03:19 | 0:03:21 | |
So, are we all set? | 0:03:28 | 0:03:30 | |
-Yes, Dr Leese. -Excellent. | 0:03:32 | 0:03:35 | |
Then carry on. | 0:03:35 | 0:03:37 | |
MUSIC PLAYS FROM TV | 0:03:56 | 0:03:58 | |
Did you see that? | 0:04:42 | 0:04:44 | |
-What? -One of them just left. | 0:04:46 | 0:04:49 | |
Come on, we must find him before Dr Leese gets back. | 0:04:50 | 0:04:52 | |
MUSIC PLAYS THROUGH HEADPHONES | 0:04:56 | 0:04:59 | |
MUSIC BLARES | 0:05:01 | 0:05:03 | |
SHE GASPS | 0:05:40 | 0:05:42 | |
-Doctor! -Have you seen one of the patients from Green Fern? | 0:05:42 | 0:05:46 | |
No, sir. I was just about to go home. | 0:05:46 | 0:05:48 | |
OK. | 0:05:49 | 0:05:51 | |
Ugh! | 0:05:59 | 0:06:00 | |
DOCTOR WHIMPERS | 0:06:06 | 0:06:08 | |
Please, no! | 0:06:08 | 0:06:10 | |
# I don't want to drown no more | 0:06:16 | 0:06:18 | |
# I'm sick of the same old people | 0:06:18 | 0:06:21 | |
# The kind that'll sell your soul | 0:06:21 | 0:06:22 | |
# Trade it for a shining stone | 0:06:22 | 0:06:25 | |
# Ain't nothing in this life for free | 0:06:25 | 0:06:27 | |
# Running from the greatest evil | 0:06:27 | 0:06:30 | |
# It finally dawned on me | 0:06:30 | 0:06:32 | |
# A man's got to fight temptation | 0:06:32 | 0:06:34 | |
# Keep the wolves from the door | 0:06:34 | 0:06:39 | |
# I hear them scratching like I don't know better | 0:06:39 | 0:06:42 | |
# Won't you keep the wolves from the door? | 0:06:42 | 0:06:48 | |
# It won't be long before I cave in and open up the door. # | 0:06:48 | 0:06:54 | |
THUNDERCLAP | 0:06:58 | 0:07:00 | |
FAINT SIREN WAILS | 0:07:01 | 0:07:03 | |
Ah! Horrible weather! | 0:07:23 | 0:07:25 | |
I know, I've been standing in it for the last half-hour. | 0:07:25 | 0:07:28 | |
Oh, I'm sorry. Here you are. | 0:07:28 | 0:07:30 | |
-What's this? -It's an After Eight. I was just having dinner. | 0:07:30 | 0:07:34 | |
-Very nice. -What we got, then? | 0:07:34 | 0:07:36 | |
Suicide, by the look of it. | 0:07:36 | 0:07:38 | |
15 floors. | 0:07:39 | 0:07:41 | |
-Name? -Flaxton Court. | 0:07:41 | 0:07:44 | |
No, the body, not the building. | 0:07:44 | 0:07:46 | |
Oh, er...Mark Henson. I've got his wallet. | 0:07:46 | 0:07:49 | |
Also, an electronic door pass from a secondary school. | 0:07:49 | 0:07:53 | |
Must have been a teacher. | 0:07:53 | 0:07:54 | |
Could've been a cook. Mustn't jump to conclusions. | 0:07:54 | 0:07:57 | |
What, like he did? | 0:07:57 | 0:07:59 | |
Yeah, well, er... check this place out | 0:07:59 | 0:08:02 | |
and then send uniform round to next of kin. | 0:08:02 | 0:08:05 | |
PHONE RINGS Heywood. | 0:08:05 | 0:08:07 | |
-Er...excuse me, sir. -Who are you and what do you want? | 0:08:07 | 0:08:10 | |
-Er...Sayyad, sir. -Is that a greeting, or is that your name? | 0:08:10 | 0:08:13 | |
-PC Sayyad. -PC Sayyad. That's right. | 0:08:15 | 0:08:18 | |
-Are you the first attending officer? -Er...no, sir. | 0:08:18 | 0:08:20 | |
-So, why are you talking to me, then? -I don't think he jumped, sir. | 0:08:20 | 0:08:24 | |
Oh, you've got some other theory | 0:08:25 | 0:08:26 | |
about how he ended up splattered across the pavement, have you(?) | 0:08:26 | 0:08:29 | |
He was pushed. | 0:08:29 | 0:08:31 | |
No! Please! HE SCREAMS | 0:08:31 | 0:08:34 | |
What makes you think that? | 0:08:35 | 0:08:36 | |
-I was second on the scene and I took his pulse. -Had one, did he? | 0:08:36 | 0:08:40 | |
No, sir. He was dead by the time I got here. | 0:08:40 | 0:08:45 | |
But there was something on his skin. | 0:08:45 | 0:08:47 | |
Some sort of adhesive. | 0:08:47 | 0:08:49 | |
What are you talking about? | 0:08:51 | 0:08:53 | |
I mean, it was like there had been adhesive tape around his wrists. | 0:08:53 | 0:08:57 | |
Like he was tied up? | 0:08:57 | 0:08:59 | |
So, where is this tape? | 0:08:59 | 0:09:02 | |
-Well, I don't know, I... -So, you examined the body, | 0:09:02 | 0:09:05 | |
you found traces of something on the wrists, | 0:09:05 | 0:09:07 | |
so, why have you left him there?! Why haven't the hands been bagged?! | 0:09:07 | 0:09:10 | |
-Well, I... -Call to Forensics, all right?! Do it now! | 0:09:10 | 0:09:13 | |
-What was that all about? -Some bloody amateur. | 0:09:19 | 0:09:22 | |
-I need you to bag the hands. -We'll bag them straightaway. | 0:09:22 | 0:09:25 | |
-Adhesive tape? -Could've been anything. | 0:09:25 | 0:09:28 | |
Let's check the roof. | 0:09:29 | 0:09:31 | |
HE SIGHS | 0:09:31 | 0:09:33 | |
HE PANTS | 0:09:54 | 0:09:56 | |
You all right, Derek? | 0:09:56 | 0:09:58 | |
You'd think they'd have a lift that worked. | 0:09:58 | 0:10:00 | |
You didn't come up here, then. | 0:10:01 | 0:10:03 | |
I did come here, I didn't see anything. | 0:10:03 | 0:10:06 | |
Maybe you didn't look. | 0:10:16 | 0:10:18 | |
Someone comes to his flat, ties up his hands, takes him up top. | 0:10:45 | 0:10:50 | |
Why, Guv? What's the point? He's nobody. | 0:10:50 | 0:10:54 | |
Well, someone thought he was worth killing. | 0:10:55 | 0:10:58 | |
That PC you were talking to, what was he called? | 0:11:03 | 0:11:06 | |
SIRENS WAIL | 0:11:12 | 0:11:15 | |
# Light 'em up | 0:11:20 | 0:11:23 | |
# We running London town | 0:11:23 | 0:11:25 | |
# We'll raise the underground | 0:11:29 | 0:11:33 | |
# We'll hit the ground | 0:11:38 | 0:11:40 | |
# We're gonna burn the place down | 0:11:44 | 0:11:47 | |
# Turn it up loud | 0:11:51 | 0:11:53 | |
# You ain't messing with a rascal... # | 0:11:57 | 0:11:59 | |
Read the sign, innit? Look. | 0:11:59 | 0:12:01 | |
TRANSLATED FROM POLISH: | 0:12:02 | 0:12:04 | |
What? | 0:12:04 | 0:12:05 | |
Look, you can't leave the bike here, man. | 0:12:06 | 0:12:09 | |
You're late. | 0:12:28 | 0:12:30 | |
And the Leech wants to see you. | 0:12:30 | 0:12:31 | |
-When? -Half an hour ago. | 0:12:31 | 0:12:34 | |
KNOCK ON DOOR | 0:12:51 | 0:12:52 | |
Enter! | 0:12:52 | 0:12:54 | |
You were wanting to see me, Mr Leese. | 0:12:54 | 0:12:57 | |
Yes. Come in, Stefan. Close the door. | 0:12:57 | 0:12:59 | |
-Stefan Kowolski - is that right? -Yes. | 0:12:59 | 0:13:03 | |
You haven't been here long. | 0:13:03 | 0:13:06 | |
Two weeks. | 0:13:06 | 0:13:08 | |
You're temporary. From the agency? | 0:13:08 | 0:13:10 | |
Yes. | 0:13:10 | 0:13:11 | |
Agency sent me here. | 0:13:11 | 0:13:13 | |
How long have you been in this country? | 0:13:14 | 0:13:17 | |
I, er, came here two year ago. | 0:13:17 | 0:13:20 | |
-From Poland. -Yes, sir. | 0:13:20 | 0:13:22 | |
And you're interested in a career in the NHS? | 0:13:22 | 0:13:24 | |
In, er, clinical pharmacy. | 0:13:24 | 0:13:26 | |
Well, there's always openings for bright, young people | 0:13:26 | 0:13:29 | |
and you're doing very well. | 0:13:29 | 0:13:30 | |
-You might want to take a look at your English, though. -Sir? | 0:13:30 | 0:13:34 | |
You typed up this report to the North London Cancer Network Board? | 0:13:34 | 0:13:37 | |
-Yes. -There were quite a few errors. | 0:13:37 | 0:13:39 | |
I, er... | 0:13:43 | 0:13:44 | |
I don't see. | 0:13:44 | 0:13:46 | |
Third line. Cytotoxins. | 0:13:46 | 0:13:49 | |
That's "cyto" with a C, not an S. | 0:13:49 | 0:13:52 | |
Ah, yes. | 0:13:52 | 0:13:54 | |
There's a couple more. | 0:13:54 | 0:13:56 | |
Top of that paragraph. There's only one S in "aseptic". | 0:13:56 | 0:14:00 | |
And there should be two T's in Dr Bennett. | 0:14:00 | 0:14:04 | |
I'm, er, sorry. | 0:14:04 | 0:14:06 | |
If you want a full-time job, you'll have to try a little harder. | 0:14:06 | 0:14:09 | |
If you're prescribing drugs, the smallest mistake | 0:14:09 | 0:14:12 | |
can have serious consequences. | 0:14:12 | 0:14:14 | |
Yes, sir. | 0:14:14 | 0:14:16 | |
Of course, there's not many | 0:14:16 | 0:14:17 | |
permanent contracts around at the moment. | 0:14:17 | 0:14:19 | |
It won't be easy, but I might be able to help you, as a friend. | 0:14:19 | 0:14:23 | |
Mr Leese... | 0:14:24 | 0:14:26 | |
I'd like to get to know you a bit better, Stefan. | 0:14:26 | 0:14:28 | |
-I think we can help each other... -No! | 0:14:28 | 0:14:31 | |
-Is not right. -I'm sorry? -I'm sorry, Mr Leese. I'm not like that. | 0:14:31 | 0:14:34 | |
-I don't know what you mean. -What you do with your hand. | 0:14:34 | 0:14:36 | |
I don't know what you're talking about. | 0:14:36 | 0:14:38 | |
This isn't good enough. Do it again. Now get out. | 0:14:38 | 0:14:40 | |
ENGLISH ACCENT: 'I'm not going back.' | 0:15:14 | 0:15:16 | |
I didn't join the Serious Fraud Office to be a typist, Marcus. | 0:15:16 | 0:15:20 | |
-You ARE going back. -Why? | 0:15:20 | 0:15:23 | |
Because we've actually got someone inside. That's you. | 0:15:23 | 0:15:26 | |
Leese has accepted you. | 0:15:26 | 0:15:28 | |
And you're close to him. | 0:15:28 | 0:15:30 | |
Too bloody close! | 0:15:30 | 0:15:32 | |
Marcus, I've got that intel you wanted. Capitax Enterprises. | 0:15:32 | 0:15:35 | |
Thank you, Alison. | 0:15:35 | 0:15:37 | |
You want to get Leese? You want to bring him down? | 0:15:38 | 0:15:41 | |
Yeah. | 0:15:41 | 0:15:43 | |
Then don't say a word to Eleanor about what happened. | 0:15:43 | 0:15:46 | |
OK? | 0:15:46 | 0:15:48 | |
And thanks, Stefan. We owe you one. | 0:15:50 | 0:15:52 | |
MAN: 'Tell me something, Arrash. Why did you want to be a policeman?' | 0:15:56 | 0:16:00 | |
I don't want to be a policeman. | 0:16:02 | 0:16:04 | |
I want to be a detective. | 0:16:04 | 0:16:06 | |
OK. Why do you want to be a detective? | 0:16:06 | 0:16:08 | |
It's what I've always wanted. | 0:16:12 | 0:16:14 | |
You did the detective course at Hendon. | 0:16:14 | 0:16:17 | |
Top of the class. | 0:16:17 | 0:16:19 | |
Commendations all round. | 0:16:19 | 0:16:20 | |
From there, you went straight to Bromley for three months. | 0:16:20 | 0:16:24 | |
That didn't work out too well. | 0:16:24 | 0:16:26 | |
-Ah, it was all right. -They didn't want you. | 0:16:26 | 0:16:29 | |
They sent you back here. | 0:16:29 | 0:16:30 | |
-Yeah, but it was a three-month fill in, maternity leave. -That's right. | 0:16:30 | 0:16:34 | |
She went off and had a little baby detective. | 0:16:34 | 0:16:37 | |
But then she didn't go back to work. | 0:16:38 | 0:16:41 | |
They got someone else in. | 0:16:42 | 0:16:44 | |
I, um... | 0:16:46 | 0:16:48 | |
didn't know that. | 0:16:48 | 0:16:50 | |
I'm telling you now. | 0:16:50 | 0:16:52 | |
Thank you. | 0:16:52 | 0:16:54 | |
I'm trying to help you, Arrash, | 0:16:54 | 0:16:56 | |
although you probably don't see it that way. | 0:16:56 | 0:16:59 | |
There's a difference between smart and smartarse. | 0:17:00 | 0:17:05 | |
From what I hear from Bromley, | 0:17:06 | 0:17:07 | |
they couldn't wait to see the back of you. | 0:17:07 | 0:17:09 | |
If you're a TDC, you cannot step on people's toes. | 0:17:11 | 0:17:15 | |
How many interviews have you had? | 0:17:15 | 0:17:17 | |
Four. | 0:17:19 | 0:17:21 | |
That should tell you something. | 0:17:21 | 0:17:23 | |
Listen... | 0:17:25 | 0:17:26 | |
..you're clever. | 0:17:27 | 0:17:29 | |
You're good at the job. We both know that. | 0:17:29 | 0:17:32 | |
So, what are you doing wrong? | 0:17:32 | 0:17:34 | |
Well...it seems that you conducted yourself pretty well last night. | 0:17:37 | 0:17:42 | |
The murder at Flaxton Court. | 0:17:43 | 0:17:45 | |
They're saying it's a murder now. | 0:17:47 | 0:17:49 | |
I've had a request in from a DI Heywood - | 0:17:49 | 0:17:53 | |
offer of six months probationary. | 0:17:53 | 0:17:55 | |
-Starting when? -They want to see you first thing Monday morning. | 0:17:55 | 0:17:58 | |
That soon enough for you? | 0:17:58 | 0:18:00 | |
HE CLEARS HIS THROAT | 0:18:02 | 0:18:04 | |
Thank you, Sergeant. | 0:18:04 | 0:18:06 | |
Arrash...don't screw it up. | 0:18:06 | 0:18:08 | |
OK. This is going very well, isn't it? | 0:18:15 | 0:18:18 | |
The Serious Fraud Office supplying the NHS | 0:18:18 | 0:18:21 | |
with free secretarial assistance. | 0:18:21 | 0:18:23 | |
But to be honest with you, I've yet to be convinced that this man, | 0:18:23 | 0:18:27 | |
David Leese, is our best way into UK Remicon. | 0:18:27 | 0:18:31 | |
And let's not forget, they're the ones we're after. | 0:18:31 | 0:18:34 | |
David Leese is a chief pharmacist for six London hospitals | 0:18:34 | 0:18:37 | |
with a combined budget of almost 150 million a year, | 0:18:37 | 0:18:41 | |
and yet he's managing to spend almost a third of it with the same company. | 0:18:41 | 0:18:44 | |
All with UK Remicon, at prices way above the generic brands. | 0:18:44 | 0:18:49 | |
He's taking backhanders. Well, he must be. | 0:18:49 | 0:18:52 | |
Isn't it obvious? | 0:18:52 | 0:18:53 | |
UK Remicon are bribing him to choose their products for the NHS. | 0:18:53 | 0:18:56 | |
They're making millions. | 0:18:56 | 0:18:58 | |
Shame we haven't got a shred of evidence. | 0:18:58 | 0:19:00 | |
You've issued a Section 2 on his accounts? | 0:19:00 | 0:19:04 | |
-He has three bank accounts. -Uh-huh. | 0:19:04 | 0:19:07 | |
-Nothing. -And his lifestyle? | 0:19:07 | 0:19:09 | |
He drives a Porsche. He eats in the best restaurants. | 0:19:09 | 0:19:11 | |
-He has a second home in the country. -He can afford to. | 0:19:11 | 0:19:14 | |
He's earning 95,000 a year. And he has a wife who also earns. | 0:19:14 | 0:19:18 | |
He's married? | 0:19:18 | 0:19:20 | |
-You sound surprised - why? -Cos... | 0:19:21 | 0:19:23 | |
What? | 0:19:27 | 0:19:28 | |
Because he's a bastard. | 0:19:30 | 0:19:31 | |
Eleanor, um... | 0:19:33 | 0:19:35 | |
Can we have a word alone? ..Do you mind? | 0:19:35 | 0:19:38 | |
-Has something happened that I should know about? -No. | 0:19:56 | 0:20:01 | |
Meaning it hasn't happened or I shouldn't know about it? | 0:20:01 | 0:20:04 | |
OK. | 0:20:07 | 0:20:08 | |
Let's talk about UK Remicon. | 0:20:08 | 0:20:10 | |
A British company with a market capitalisation of 50 billion. | 0:20:10 | 0:20:14 | |
They employ 37,000 people in England, Ireland and Scotland. | 0:20:14 | 0:20:19 | |
-They're criminals. -They're protected. | 0:20:19 | 0:20:21 | |
As you'd expect, they have some very powerful friends, | 0:20:22 | 0:20:25 | |
in business and in government. | 0:20:25 | 0:20:26 | |
Right now, I have three teams, 30 people, working on this. | 0:20:26 | 0:20:31 | |
We've scanned over 10,000 documents, | 0:20:31 | 0:20:33 | |
spent God knows how many man-hours, | 0:20:33 | 0:20:36 | |
and you think I'm going to risk it all | 0:20:36 | 0:20:38 | |
for your Batman and Robin antics? | 0:20:38 | 0:20:40 | |
My Batman and Robin antics are why you employed me. | 0:20:40 | 0:20:44 | |
You go after UK Remicon down the usual channels, | 0:20:44 | 0:20:47 | |
you're going to get nowhere. | 0:20:47 | 0:20:48 | |
Even if you get them to court, | 0:20:48 | 0:20:50 | |
UK Remicon is too big, too smart. | 0:20:50 | 0:20:53 | |
But Dr David Leese isn't. | 0:20:53 | 0:20:56 | |
He's our way in. | 0:20:56 | 0:20:58 | |
Two more weeks. | 0:21:04 | 0:21:05 | |
Right. | 0:21:07 | 0:21:09 | |
You need to take a look at his private correspondence. Contacts. | 0:21:09 | 0:21:12 | |
Find something, anything, that links Dr Leese to UK Remicon. | 0:21:12 | 0:21:16 | |
But how would I do that? How do I get back into his office? | 0:21:16 | 0:21:19 | |
You'll find a way. | 0:21:19 | 0:21:21 | |
Oh, and, Stefan... | 0:21:21 | 0:21:23 | |
be careful. | 0:21:23 | 0:21:25 | |
-ON LAPTOP: -'So tell me, Henry, how was your day?' | 0:21:36 | 0:21:40 | |
Boring. | 0:21:41 | 0:21:43 | |
-'At the car wash?' -Yeah. | 0:21:43 | 0:21:45 | |
'What's it called again?' | 0:21:45 | 0:21:47 | |
Squeegees. | 0:21:47 | 0:21:48 | |
'That is a stupid name for a car wash.' | 0:21:50 | 0:21:52 | |
I want to see you. | 0:21:55 | 0:21:57 | |
'I know.' | 0:21:57 | 0:21:58 | |
I drove all that way and you weren't even there. | 0:21:58 | 0:22:01 | |
-'If you start that again, I'm going to sign off.' -Don't! | 0:22:01 | 0:22:04 | |
Don't... | 0:22:04 | 0:22:06 | |
'We'll be together soon.' | 0:22:06 | 0:22:08 | |
I wish I was with you now. | 0:22:08 | 0:22:10 | |
'And what would you do? | 0:22:10 | 0:22:13 | |
'If you were here, right now?' | 0:22:13 | 0:22:15 | |
I don't know. | 0:22:20 | 0:22:22 | |
'I bet I can guess. | 0:22:22 | 0:22:24 | |
'Anyway, I might be coming to London.' | 0:22:27 | 0:22:31 | |
-When? -'Quite soon.' | 0:22:31 | 0:22:33 | |
Will I see you? | 0:22:33 | 0:22:34 | |
'It depends. Are you still on that stuff?' | 0:22:34 | 0:22:38 | |
-What? -'The medicine. Are you still taking it?' | 0:22:38 | 0:22:41 | |
No. | 0:22:41 | 0:22:42 | |
'You shouldn't, Henry. | 0:22:42 | 0:22:43 | |
'It does things to you. You shouldn't trust it. | 0:22:43 | 0:22:46 | |
'Henry? | 0:22:56 | 0:22:57 | |
'Henry, are you still there?' | 0:22:59 | 0:23:01 | |
Henry? | 0:23:05 | 0:23:07 | |
Are you there? | 0:23:08 | 0:23:10 | |
I have to go. | 0:23:10 | 0:23:11 | |
'I heard.' | 0:23:11 | 0:23:13 | |
I'll call you later. | 0:23:13 | 0:23:15 | |
'I know you will. | 0:23:15 | 0:23:16 | |
'I love you, Henry. | 0:23:16 | 0:23:18 | |
'I really do.' | 0:23:18 | 0:23:20 | |
Hello, love. | 0:23:38 | 0:23:40 | |
Did you have a good day? | 0:23:40 | 0:23:41 | |
Yeah. | 0:23:41 | 0:23:43 | |
It was all right. | 0:23:43 | 0:23:45 | |
-Who was that you were talking to just now? -There was no-one. | 0:23:46 | 0:23:49 | |
Right. I'll make supper. | 0:23:53 | 0:23:55 | |
By the way, I've just noticed the car. | 0:23:57 | 0:24:01 | |
What about it? | 0:24:01 | 0:24:03 | |
-It's got a big dent in it. -What? | 0:24:03 | 0:24:06 | |
On the front bonnet. | 0:24:06 | 0:24:08 | |
-Are you saying I did it? -I just wondered... | 0:24:08 | 0:24:11 | |
-You think I'd have bashed the car and I wouldn't have told you? -No. | 0:24:11 | 0:24:16 | |
I only just noticed it myself | 0:24:16 | 0:24:18 | |
and I was wondering how it happened. That's all. | 0:24:18 | 0:24:20 | |
-I'd have noticed if I'd hit something. -It's just that... | 0:24:20 | 0:24:23 | |
Why do you have to make such a big deal out of it? | 0:24:23 | 0:24:25 | |
SHE SIGHS | 0:24:27 | 0:24:29 | |
You're right. | 0:24:29 | 0:24:31 | |
I'll make supper. | 0:24:33 | 0:24:35 | |
STEFAN: 'Alison...?' | 0:24:43 | 0:24:44 | |
Can you get this for me? I need a Section 2. | 0:24:45 | 0:24:48 | |
Who's Elizabeth Leese? | 0:24:48 | 0:24:51 | |
Erm, David Leese works for the City of London Health Trust. | 0:24:51 | 0:24:54 | |
-She's his wife. -And you think he might be | 0:24:54 | 0:24:56 | |
running something through her accounts? | 0:24:56 | 0:24:58 | |
I'm looking for any connection to UK Remicon. | 0:24:58 | 0:25:01 | |
-I'll get on to them. -Great. | 0:25:01 | 0:25:02 | |
-Stefan... -What? | 0:25:02 | 0:25:04 | |
I haven't seen you around much the last two weeks. | 0:25:04 | 0:25:07 | |
What have you been doing? | 0:25:07 | 0:25:09 | |
Working for Marcus. Why do you want to know? | 0:25:09 | 0:25:12 | |
I just wondered. | 0:25:12 | 0:25:14 | |
Do you fancy dinner next week? | 0:25:14 | 0:25:17 | |
Tuesday. My brother and his girlfriend are coming round. | 0:25:17 | 0:25:20 | |
-Tuesday? -Yeah. | 0:25:20 | 0:25:22 | |
-Yeah. All right. -Great. | 0:25:22 | 0:25:25 | |
RAISED VOICES | 0:25:53 | 0:25:56 | |
FOOTBALL ON TV | 0:26:03 | 0:26:05 | |
CHATTER IN POLISH | 0:26:05 | 0:26:08 | |
Oh... | 0:26:17 | 0:26:19 | |
What are you doing? | 0:26:19 | 0:26:21 | |
Kamil, shut the door! | 0:26:21 | 0:26:22 | |
KAMIL CHUCKLES | 0:26:22 | 0:26:23 | |
CHATTER CONTINUES | 0:26:23 | 0:26:26 | |
HE SPEAKS IN POLISH | 0:26:34 | 0:26:36 | |
English, Jan. Remember? We speak in English. | 0:26:39 | 0:26:42 | |
The landlord call. He want to, erm, put up rent. | 0:26:42 | 0:26:48 | |
What did you tell him? | 0:26:48 | 0:26:50 | |
HE REPLIES IN POLISH | 0:26:50 | 0:26:53 | |
THEY CHUCKLE | 0:26:53 | 0:26:54 | |
I tell him, erm, call back, speak to you. | 0:26:57 | 0:27:01 | |
Toilet broken. | 0:27:01 | 0:27:03 | |
TRAIN TRUNDLES, GLASSES CLATTER | 0:27:03 | 0:27:06 | |
SHOUTING OVER TRAIN: This place stinks! | 0:27:09 | 0:27:10 | |
THEY CHEER AT FOOTBALL | 0:27:10 | 0:27:13 | |
WOMEN CHATTER > | 0:27:20 | 0:27:23 | |
-Who's here? -Aunt Darya, Aunt Minoo and two people from Mum's work. | 0:27:23 | 0:27:27 | |
-Why? -It's her birthday. -Whose? | 0:27:27 | 0:27:30 | |
I don't know. One of them. | 0:27:30 | 0:27:31 | |
Arrash! There you are! | 0:27:36 | 0:27:38 | |
Come in. Your aunts are here. | 0:27:38 | 0:27:40 | |
Aunt Darya. Aunt Minoo. | 0:27:40 | 0:27:42 | |
And this is Mrs Clayton who works in my office. | 0:27:42 | 0:27:45 | |
-Your mother's told me so much about you, Arrash. -Dinner's nearly ready. | 0:27:45 | 0:27:48 | |
Are you going to get changed? | 0:27:48 | 0:27:50 | |
-Oh, Mum, I've got to do my bike. -Now? -I've got the race tomorrow. | 0:27:50 | 0:27:56 | |
Gerald used to like bicycling, didn't you, Gerald. | 0:27:56 | 0:27:58 | |
Yeah, yeah, yeah. Yeah... | 0:27:58 | 0:28:00 | |
All right. Ten minutes. | 0:28:03 | 0:28:05 | |
I'll get you a beer. | 0:28:07 | 0:28:09 | |
STEFAN: 'Mr Menakis,' | 0:28:10 | 0:28:11 | |
you can't do this! | 0:28:11 | 0:28:13 | |
We have a fixed-term agreement which runs for another three months! | 0:28:13 | 0:28:16 | |
'I told you the rent would rise.' | 0:28:16 | 0:28:18 | |
No. No. You never said that. | 0:28:18 | 0:28:20 | |
Anyway, you have to give us notice. That's the law! | 0:28:20 | 0:28:24 | |
'Don't tell me about the law. I know the law.' | 0:28:24 | 0:28:27 | |
We're already paying you enough. | 0:28:27 | 0:28:30 | |
We can't afford any more. | 0:28:30 | 0:28:32 | |
MEN SHOUT NEARBY > | 0:28:32 | 0:28:34 | |
Here. | 0:28:42 | 0:28:43 | |
Thanks. | 0:28:47 | 0:28:48 | |
I got some news today. | 0:28:53 | 0:28:55 | |
Oh, yeah, what's that? | 0:28:55 | 0:28:56 | |
I'm moving to CID. | 0:28:59 | 0:29:00 | |
What? You've got another placement? | 0:29:00 | 0:29:03 | |
Six months as a TDC. | 0:29:05 | 0:29:07 | |
That's brilliant, Rash. That's really great. | 0:29:07 | 0:29:10 | |
I can't believe you're sitting out here by yourself. | 0:29:10 | 0:29:13 | |
HE CHUCKLES | 0:29:13 | 0:29:15 | |
This time... | 0:29:16 | 0:29:18 | |
..I just want to get it right. | 0:29:21 | 0:29:23 | |
Come on, dinner will be ready. | 0:29:27 | 0:29:29 | |
MUSIC DROWNS SPEECH | 0:29:36 | 0:29:39 | |
MUSIC DROWNS SPEECH | 0:29:43 | 0:29:45 | |
DISTANT LAUGHTER | 0:29:59 | 0:30:01 | |
INAUDIBLE | 0:30:01 | 0:30:03 | |
CRASHING, GLASS SMASHES | 0:30:30 | 0:30:31 | |
DOG BARKS | 0:30:31 | 0:30:33 | |
MAN SHOUTS IN POLISH | 0:30:33 | 0:30:35 | |
MAN YELLS IN POLISH > | 0:30:37 | 0:30:41 | |
-PA: -'All competitors, all competitors, | 0:31:00 | 0:31:01 | |
'the 25 to 35 year category race will begin in five minutes. | 0:31:01 | 0:31:06 | |
-'This is your five-minute warning.' -Hey, Rash. -Hey. | 0:31:06 | 0:31:09 | |
THEY EXCHANGE GREETINGS | 0:31:09 | 0:31:10 | |
Just one moment. | 0:31:19 | 0:31:20 | |
Hi. | 0:31:24 | 0:31:25 | |
-Hi. -I haven't seen you at one of these before. | 0:31:26 | 0:31:30 | |
-I haven't been to one before. -So, are you just supporting someone? | 0:31:30 | 0:31:34 | |
-Or are you here to have fun? -< She's with me. | 0:31:34 | 0:31:37 | |
Just here for fun, then. SHE CHUCKLES | 0:31:40 | 0:31:43 | |
Who are you? | 0:31:46 | 0:31:48 | |
I'm her brother. | 0:31:48 | 0:31:49 | |
Brother and sister? | 0:31:51 | 0:31:52 | |
That's nice. | 0:31:54 | 0:31:55 | |
I'll, er, see you later. | 0:31:57 | 0:32:00 | |
Yeah, if you can keep up. | 0:32:00 | 0:32:03 | |
I was talking to her. | 0:32:05 | 0:32:07 | |
Just chatting up the opposition? | 0:32:17 | 0:32:19 | |
I wasn't chatting him up. | 0:32:19 | 0:32:21 | |
He was chatting me up. | 0:32:22 | 0:32:24 | |
Good luck. | 0:32:28 | 0:32:30 | |
-CHATTERING -Come on, boys! | 0:32:35 | 0:32:37 | |
-STARTER: -'On your marks! | 0:32:47 | 0:32:49 | |
'Get set!' | 0:32:49 | 0:32:51 | |
GUN FIRES | 0:32:51 | 0:32:52 | |
CHEERING | 0:32:52 | 0:32:54 | |
Come on, Rash! | 0:33:00 | 0:33:01 | |
-CHEERING -Come on, Rash! | 0:33:09 | 0:33:10 | |
See ya! | 0:33:11 | 0:33:13 | |
-CHEERING -Come on, Rash! Come on! | 0:33:39 | 0:33:41 | |
-Come on, Rash! -CHEERING AND APPLAUSE | 0:33:44 | 0:33:46 | |
CHATTER | 0:34:08 | 0:34:10 | |
-You were brilliant, Rash! -Thanks. | 0:34:15 | 0:34:17 | |
Hold this. | 0:34:19 | 0:34:21 | |
-Congratulations. -What do you mean? -You came third. | 0:34:26 | 0:34:29 | |
-I came second. YOU came third. -We'll see. | 0:34:30 | 0:34:33 | |
And I'd have come first if you hadn't got in my way. | 0:34:33 | 0:34:35 | |
-I didn't get in your way. -You swerved in front of me! | 0:34:35 | 0:34:37 | |
Well, if I was in front of you, I must have come second. | 0:34:37 | 0:34:40 | |
HE SCOFFS | 0:34:40 | 0:34:42 | |
You know what? It doesn't matter. It doesn't make a difference. | 0:34:43 | 0:34:46 | |
Are you going to be at East London? | 0:34:46 | 0:34:47 | |
-The triathlon? -Yeah. | 0:34:49 | 0:34:51 | |
I'll see you there. | 0:34:52 | 0:34:53 | |
Yeah, you'll see my back! | 0:34:55 | 0:34:57 | |
Arrash Sayyad. | 0:35:12 | 0:35:15 | |
Where does that name come from? | 0:35:15 | 0:35:17 | |
Ah, I was born here. | 0:35:17 | 0:35:19 | |
Um, my parents came from Tehran. | 0:35:19 | 0:35:21 | |
Your dad a policeman? | 0:35:23 | 0:35:24 | |
Um, he was. | 0:35:26 | 0:35:28 | |
Bromley didn't like you very much, did they? | 0:35:30 | 0:35:33 | |
I didn't like them very much either. | 0:35:33 | 0:35:35 | |
What, you think you can pick and choose? | 0:35:37 | 0:35:38 | |
-I didn't ask to leave. -No. No, I can see that. | 0:35:40 | 0:35:42 | |
You'll be working with DS Sands, standing in for DC Westfield. | 0:35:49 | 0:35:52 | |
-He's on sick leave. -Ah, thank you, Guv. I'm grateful. | 0:35:52 | 0:35:56 | |
Yeah, well, don't be. Some little bastard stuck a knife in him, | 0:35:56 | 0:35:59 | |
and if you want the truth, | 0:35:59 | 0:36:01 | |
I'd rather Jack was standing here than you. | 0:36:01 | 0:36:03 | |
That was good work the other night. The sticky tape. | 0:36:07 | 0:36:10 | |
I'm not saying we wouldn't have got there in the end, | 0:36:10 | 0:36:13 | |
but you were quick off the mark. I like that. | 0:36:13 | 0:36:15 | |
So, I want you to work on the Henson investigation. | 0:36:15 | 0:36:19 | |
You got a problem with that, Derek? | 0:36:20 | 0:36:23 | |
No, Guv. Not at all. | 0:36:23 | 0:36:25 | |
-That's going to be your spot there. -Right. | 0:36:30 | 0:36:33 | |
Witness statements. House-to-house. | 0:36:38 | 0:36:40 | |
CCTV. Pathology report. | 0:36:40 | 0:36:43 | |
Henson's medical records. Go through them all. | 0:36:43 | 0:36:45 | |
I'm sorry about DC Westfield. | 0:36:45 | 0:36:48 | |
What do you know? | 0:36:48 | 0:36:50 | |
'I've got good news.' | 0:37:02 | 0:37:03 | |
-What's that? -'I'm coming to London.' | 0:37:05 | 0:37:07 | |
When? | 0:37:09 | 0:37:10 | |
'This evening.' | 0:37:11 | 0:37:13 | |
Can I see you? | 0:37:13 | 0:37:14 | |
'Of course you can. Why do you think I'm telling you?' | 0:37:14 | 0:37:17 | |
Where will you be? | 0:37:19 | 0:37:20 | |
'Can you meet me off the train?' | 0:37:21 | 0:37:23 | |
When? | 0:37:25 | 0:37:26 | |
'6.30.' | 0:37:27 | 0:37:29 | |
I can't. I'm working. | 0:37:30 | 0:37:32 | |
'It's a car wash, Henry. They won't miss you. | 0:37:32 | 0:37:34 | |
'They don't even know you're there.' | 0:37:34 | 0:37:36 | |
Of course you can. | 0:37:41 | 0:37:42 | |
-'Which station?' -Canary Wharf. | 0:37:44 | 0:37:46 | |
Come down to the platform. East-bound. | 0:37:46 | 0:37:49 | |
Remember. 6.30. | 0:37:49 | 0:37:51 | |
'Why?' | 0:37:51 | 0:37:52 | |
Because it's romantic, Henry. | 0:37:53 | 0:37:55 | |
You can get a bus to the station, come down the escalator | 0:37:55 | 0:37:59 | |
and meet me on the platform. | 0:37:59 | 0:38:01 | |
-'All right.' -And don't tell anyone! | 0:38:03 | 0:38:05 | |
It's just you and me. Hm? | 0:38:05 | 0:38:07 | |
I've got to go. Bye. | 0:38:08 | 0:38:11 | |
BULLETS CLICK | 0:38:11 | 0:38:12 | |
Sweet little Henry. | 0:38:14 | 0:38:15 | |
-MAGAZINE CLACKS -He'll be there. | 0:38:15 | 0:38:17 | |
BIG BEN CHIMES THE HOUR | 0:38:20 | 0:38:23 | |
The Serious Fraud Office is bad for business | 0:38:27 | 0:38:29 | |
and that's bad for government. | 0:38:29 | 0:38:31 | |
Which is why I'm here. | 0:38:31 | 0:38:32 | |
Have you got any news for me? | 0:38:34 | 0:38:35 | |
Have you heard from them yet? | 0:38:37 | 0:38:39 | |
The SFO? Nothing. I assume they're trawling | 0:38:40 | 0:38:43 | |
through our banking records. | 0:38:43 | 0:38:44 | |
Hmm, company AND individual. | 0:38:44 | 0:38:48 | |
How are things at UK Remicon, William? | 0:38:49 | 0:38:52 | |
I want them off our back. | 0:38:52 | 0:38:53 | |
The trouble with The Serious Fraud Office | 0:38:53 | 0:38:56 | |
is that once they get started, they don't stop. | 0:38:56 | 0:38:59 | |
Gemma, I'm off to Southwark, I probably won't be back today. | 0:39:01 | 0:39:05 | |
-So, can you leave that stuff on my desk? -Yes, Mr Leese. | 0:39:05 | 0:39:08 | |
'I have a source within the SFO | 0:39:11 | 0:39:13 | |
'and I hear they've moved into a new phase. | 0:39:13 | 0:39:15 | |
'They may have gone undercover. | 0:39:15 | 0:39:18 | |
'It's going to make it harder to protect you.' | 0:39:18 | 0:39:21 | |
You're in government. Can't you stop them? | 0:39:21 | 0:39:23 | |
They're a completely independent organisation, William. | 0:39:23 | 0:39:26 | |
They report to the Attorney General. They do not work for him. | 0:39:26 | 0:39:29 | |
-You know that. -Even so... | 0:39:29 | 0:39:31 | |
Well, if they do something stupid. | 0:39:32 | 0:39:34 | |
'If they step out of line, we may be able to step in. | 0:39:36 | 0:39:39 | |
'What exactly are they looking for? | 0:39:41 | 0:39:43 | |
'Financial fraud, business malpractice, | 0:39:43 | 0:39:45 | |
'bribing or coercing of doctors or NHS officials.' | 0:39:45 | 0:39:49 | |
Nothing, I'm sure, that would concern anyone at UK Remicon. | 0:39:50 | 0:39:53 | |
-Of course not. -Unless, of course, | 0:39:53 | 0:39:55 | |
there was something you weren't telling me. | 0:39:55 | 0:39:57 | |
HE RATTLES HANDLE | 0:40:04 | 0:40:06 | |
Stefan? | 0:40:06 | 0:40:07 | |
What do you want? | 0:40:07 | 0:40:09 | |
IN POLISH ACCENT: I, um... | 0:40:10 | 0:40:13 | |
I leave this for Mr Leese. | 0:40:13 | 0:40:15 | |
He's gone for the day. I'll take it. | 0:40:17 | 0:40:20 | |
IN POLISH ACCENT: Oh. Thank you... | 0:40:20 | 0:40:22 | |
Gemma. | 0:40:22 | 0:40:23 | |
Where are we going? | 0:40:39 | 0:40:40 | |
Flaxton Court? | 0:40:47 | 0:40:49 | |
That's right. | 0:40:49 | 0:40:50 | |
I...just wondered. | 0:40:50 | 0:40:52 | |
Do you mind if we keep the chit-chat down to a minimum? | 0:40:52 | 0:40:55 | |
I'll be honest with you. | 0:40:56 | 0:40:57 | |
The last thing I need right now is a Trainee Detective Constable, | 0:40:57 | 0:41:01 | |
especially one who thinks he knows everything. | 0:41:01 | 0:41:03 | |
-Nothing personal. -It sounds pretty personal to me... | 0:41:03 | 0:41:06 | |
You might be right. | 0:41:08 | 0:41:09 | |
I spoke to Bromley. | 0:41:09 | 0:41:11 | |
I know all about you. | 0:41:11 | 0:41:13 | |
And if I want conversation, I've got the radio. | 0:41:13 | 0:41:16 | |
Er, have forensics been in? | 0:41:37 | 0:41:38 | |
No, they haven't. | 0:41:40 | 0:41:41 | |
I mean, why would they need fingerprints or luminol | 0:41:41 | 0:41:44 | |
or a complete bleeding crime report? | 0:41:44 | 0:41:47 | |
Of course they've been in(!) | 0:41:47 | 0:41:49 | |
(Pillock.) | 0:41:49 | 0:41:50 | |
Er, what are we looking for? | 0:41:57 | 0:42:00 | |
We're looking for the reason he was killed. | 0:42:00 | 0:42:02 | |
Mark Henson. | 0:42:05 | 0:42:07 | |
Teaches French and German at a local secondary. | 0:42:07 | 0:42:10 | |
No girlfriend. No boyfriend. | 0:42:12 | 0:42:14 | |
Nice little flat. | 0:42:15 | 0:42:17 | |
Big mortgage, though. | 0:42:17 | 0:42:19 | |
Must be getting some help from Mum and Dad. | 0:42:19 | 0:42:21 | |
What are you doing? | 0:42:28 | 0:42:30 | |
Er, just taking a photo. | 0:42:32 | 0:42:34 | |
What, as a souvenir? Just leave it! | 0:42:34 | 0:42:36 | |
Maybe we should talk to someone at his school. | 0:42:43 | 0:42:46 | |
SARCASTICALLY: Do you think so? Really? | 0:42:46 | 0:42:48 | |
Ah, why didn't I think of that? | 0:42:48 | 0:42:51 | |
Come on! | 0:42:51 | 0:42:53 | |
SCHOOL BELL RINGS | 0:42:58 | 0:43:01 | |
Mark had been here for two years. | 0:43:04 | 0:43:06 | |
We were completely shocked. | 0:43:06 | 0:43:08 | |
-This is his classroom? -Yes. | 0:43:09 | 0:43:12 | |
I'm going to need to see his locker. | 0:43:13 | 0:43:15 | |
-The quiet room. Any personal possessions. -Of course. | 0:43:15 | 0:43:18 | |
Had he...? Had he been behaving strangely in any way or, um... | 0:43:19 | 0:43:23 | |
-..had anything upset him? -I wasn't aware of anything untoward. | 0:43:26 | 0:43:29 | |
-He'd just agreed to direct Bugsy Malone. -I did Bugsy! | 0:43:29 | 0:43:33 | |
-Oh, what part were you? -Dandy Dan. | 0:43:33 | 0:43:36 | |
Excuse me? I don't think he was killed because of a school play. | 0:43:36 | 0:43:40 | |
KNOCK AT DOOR > | 0:43:40 | 0:43:42 | |
Laura! Come in. | 0:43:44 | 0:43:46 | |
This is Laura Jones, | 0:43:46 | 0:43:48 | |
she works in our maths department. | 0:43:48 | 0:43:49 | |
She knew Mark best. This is Detective Sergeant Sands and... | 0:43:49 | 0:43:54 | |
How did you know Mark Henson? | 0:43:54 | 0:43:55 | |
Er, we did teacher training together. | 0:43:55 | 0:43:58 | |
-After that, we spent the summer travelling. -Where were you? | 0:44:00 | 0:44:03 | |
-What? -When you went travelling? | 0:44:04 | 0:44:06 | |
We were in India. | 0:44:07 | 0:44:08 | |
-When was this? -Six years ago. | 0:44:11 | 0:44:14 | |
But we kept in touch. We stayed friends. | 0:44:14 | 0:44:17 | |
-So, what can you tell us about him? -Was he worried about anything? | 0:44:17 | 0:44:21 | |
Or did he have anything on his mind? | 0:44:21 | 0:44:23 | |
Three weeks ago, he got quite upset. | 0:44:23 | 0:44:25 | |
We both were. | 0:44:25 | 0:44:27 | |
Why? | 0:44:27 | 0:44:29 | |
Someone we knew got killed in an accident. | 0:44:29 | 0:44:32 | |
He was a friend. | 0:44:32 | 0:44:34 | |
-Who was he? -His name was Steve Mullen. | 0:44:34 | 0:44:37 | |
-VOICE BREAKING: -I can't believe it, both of them... | 0:44:39 | 0:44:42 | |
You don't have to say any more if you prefer not to. | 0:44:42 | 0:44:44 | |
Yes. She does, actually. | 0:44:44 | 0:44:46 | |
What happened to Steve Mullen? | 0:44:48 | 0:44:50 | |
A car accident. | 0:44:50 | 0:44:52 | |
A hit-and-run. | 0:44:54 | 0:44:55 | |
LOCK CLICKS | 0:45:03 | 0:45:05 | |
-WOMAN: -Henry, I want to talk to you. > | 0:45:12 | 0:45:14 | |
Mr Robinson called me from the car wash. What happened? | 0:45:20 | 0:45:24 | |
DISTORTED FLASHES | 0:45:24 | 0:45:26 | |
INAUDIBLE SPEECH | 0:45:26 | 0:45:28 | |
INTERFERENCE BUZZES | 0:45:28 | 0:45:31 | |
DISTORTED SOUND | 0:45:31 | 0:45:34 | |
GLASS CRACKS | 0:45:35 | 0:45:36 | |
I didn't like working there. | 0:45:38 | 0:45:39 | |
You could have talked to me! | 0:45:39 | 0:45:41 | |
You don't listen. | 0:45:41 | 0:45:43 | |
That's not true! | 0:45:43 | 0:45:45 | |
I got you that job. | 0:45:45 | 0:45:46 | |
I know it's not much, washing cars, but if you don't work, | 0:45:46 | 0:45:50 | |
you're not going to have control over your life. | 0:45:50 | 0:45:53 | |
It's not just about the money! It's important! | 0:45:53 | 0:45:56 | |
Why haven't you been taking your medication? | 0:45:57 | 0:45:59 | |
You've been in my room?! | 0:46:01 | 0:46:02 | |
I'm trying to look after you. It's all I ever do! | 0:46:02 | 0:46:05 | |
Why have you stopped? | 0:46:05 | 0:46:06 | |
It doesn't help me. | 0:46:08 | 0:46:09 | |
All these big pharma companies, they want to control me. | 0:46:11 | 0:46:14 | |
They just make things worse. | 0:46:15 | 0:46:17 | |
Who said that? | 0:46:17 | 0:46:19 | |
That's not you talking. | 0:46:19 | 0:46:20 | |
-Who's been telling you that? -No-one. | 0:46:21 | 0:46:24 | |
It's that computer of yours. | 0:46:25 | 0:46:27 | |
You spend hours upstairs in your room. | 0:46:27 | 0:46:30 | |
You're talking to someone. | 0:46:30 | 0:46:32 | |
Why don't you leave me alone? | 0:46:34 | 0:46:36 | |
I didn't like the job. | 0:46:37 | 0:46:40 | |
I left. | 0:46:40 | 0:46:42 | |
I can get another one. | 0:46:42 | 0:46:43 | |
KEYS CLACK | 0:47:11 | 0:47:14 | |
RINGING TONE | 0:47:14 | 0:47:16 | |
'Henry, I'll see you very soon. | 0:47:20 | 0:47:22 | |
'Canary Wharf. On the platform. Remember.' | 0:47:22 | 0:47:25 | |
A bit of a coincidence. | 0:47:30 | 0:47:32 | |
What? | 0:47:32 | 0:47:33 | |
That Mark Henson's pushed off a roof | 0:47:34 | 0:47:35 | |
and just three weeks before, someone he knew, | 0:47:35 | 0:47:38 | |
someone he was close to, is killed in a hit-and-run. | 0:47:38 | 0:47:40 | |
Get onto traffic command. | 0:47:42 | 0:47:43 | |
I want all the details about Mullen's death. | 0:47:43 | 0:47:46 | |
-Witness statements, CCTV, the usual. -All right. | 0:47:46 | 0:47:50 | |
And in the meantime, keep your opinions to yourself. | 0:47:50 | 0:47:52 | |
All right, Dandy Dan? | 0:47:53 | 0:47:55 | |
CHATTERING | 0:48:00 | 0:48:02 | |
DRILLS WHIR, HAMMERING NEARBY | 0:48:02 | 0:48:04 | |
MEN TALK NEARBY | 0:48:04 | 0:48:06 | |
DRILLING, MEN SPEAK IN POLISH | 0:48:09 | 0:48:11 | |
IN POLISH: | 0:48:19 | 0:48:21 | |
There you go. | 0:48:43 | 0:48:45 | |
-Here's the Luton collision report you asked for. -Thanks. | 0:49:04 | 0:49:08 | |
CAMERA CLICKS | 0:49:17 | 0:49:19 | |
-LIFT PINGS -I'm sorry. | 0:49:45 | 0:49:47 | |
I'm going to be late tonight... | 0:49:47 | 0:49:48 | |
Paperwork, yeah. | 0:49:51 | 0:49:52 | |
I'll be as quick as I can. | 0:49:52 | 0:49:54 | |
CAMERA CLICKS | 0:49:54 | 0:49:56 | |
-LAURA: -'I can't believe it,' | 0:50:05 | 0:50:07 | |
both of them... | 0:50:07 | 0:50:09 | |
KEYS JANGLE, LOCK CLICKS | 0:50:19 | 0:50:21 | |
WOOD GROANS | 0:50:21 | 0:50:23 | |
LOUD THUD | 0:50:23 | 0:50:25 | |
DRILLING AND SAWING CLOSE BY | 0:50:25 | 0:50:27 | |
WORKMEN CHATTER IN POLISH | 0:50:27 | 0:50:29 | |
WORKMEN LAUGH | 0:50:31 | 0:50:34 | |
Oh, sh... | 0:50:49 | 0:50:50 | |
Oh! | 0:50:52 | 0:50:53 | |
Er, Mrs Philips? | 0:50:53 | 0:50:54 | |
I will deal with this in the morning. | 0:50:56 | 0:50:59 | |
I just need to have another word with Laura. | 0:50:59 | 0:51:01 | |
-She has left. You just missed her. -Where does she live? | 0:51:01 | 0:51:04 | |
-Well, I... -It's really important, Mrs Philips. | 0:51:04 | 0:51:06 | |
Two people are dead. | 0:51:06 | 0:51:08 | |
Do you think she could be in danger? | 0:51:08 | 0:51:11 | |
I just need to speak to her. | 0:51:11 | 0:51:12 | |
Well, she has a flat in South London. | 0:51:12 | 0:51:16 | |
Here. | 0:51:17 | 0:51:19 | |
-Is this her mobile? -Yes. | 0:51:19 | 0:51:20 | |
You might be lucky, you might just catch her. | 0:51:20 | 0:51:23 | |
-KEYPAD TONES -Thank you. | 0:51:23 | 0:51:25 | |
Yes, Mum. I'm just at the station. | 0:51:25 | 0:51:28 | |
I'll call round later. All right? | 0:51:28 | 0:51:31 | |
-VOICEMAIL: '..currently unavailable...' -Voicemail. | 0:51:31 | 0:51:33 | |
She gets the DLR to Canary Wharf. | 0:51:33 | 0:51:37 | |
It's just two minutes up the road. | 0:51:37 | 0:51:39 | |
PA: 'Move away from the edge of Platform 2. | 0:51:51 | 0:51:54 | |
'This train is ready to leave. | 0:51:54 | 0:51:57 | |
'The next train will leave in two minutes.' | 0:51:57 | 0:52:00 | |
HE SIGHS | 0:52:00 | 0:52:03 | |
DISTORTED SOUND | 0:52:27 | 0:52:29 | |
DISTANT SCREAMS | 0:53:07 | 0:53:09 | |
SCREAMING | 0:53:09 | 0:53:10 | |
Laura? Laura! Laura? Laura! Laura! | 0:53:27 | 0:53:29 | |
Laura? | 0:53:31 | 0:53:32 | |
Laura? Laura! | 0:53:40 | 0:53:41 | |
Has anyone called an ambulance? | 0:53:43 | 0:53:45 | |
I'm Arrash Sayyad. | 0:53:56 | 0:53:57 | |
Stefan Kowolski. I work for the Serious Fraud Office. | 0:53:57 | 0:53:59 | |
-Name? -David Leese. | 0:53:59 | 0:54:01 | |
It can't have been an accident. She was killed. She was murdered. | 0:54:01 | 0:54:04 | |
You used them in some sort of medical experiment. | 0:54:04 | 0:54:06 | |
That's what connects them. | 0:54:06 | 0:54:08 | |
There are two other people in this photograph. Find out who they are. | 0:54:08 | 0:54:11 | |
HE GASPS | 0:54:16 | 0:54:17 | |
(Yes!) | 0:54:24 | 0:54:25 |