Browse content similar to Case 1, Part 2. Check below for episodes and series from the same categories and more!
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This programme contains some strong language, and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
-What've we got? -Suicide. -I think he was pushed. | 0:00:06 | 0:00:08 | |
-Why did you want to be a policeman? -I don't want to be a policeman. | 0:00:08 | 0:00:11 | |
I want to be a detective. | 0:00:11 | 0:00:12 | |
-Two people are dead. -I might be coming to London. | 0:00:13 | 0:00:16 | |
-Which station? -Canary Wharf. He'll be there. | 0:00:16 | 0:00:19 | |
-Are you supporting someone, or are you here to have fun? -She's with me. | 0:00:21 | 0:00:25 | |
I came second. You came third. | 0:00:25 | 0:00:27 | |
I'd have come first if you hadn't got in my way. | 0:00:27 | 0:00:30 | |
No! | 0:00:30 | 0:00:31 | |
David Leese is taking backhanders. He must be. | 0:00:31 | 0:00:33 | |
UK Remicon are bribing him. | 0:00:33 | 0:00:35 | |
Shame we haven't got a shred of evidence. | 0:00:35 | 0:00:36 | |
I have three teams working on this. | 0:00:36 | 0:00:38 | |
You think I'll risk it all for your Batman and Robin antics? | 0:00:38 | 0:00:42 | |
-UK Remicon, they're criminals. -They're protected. | 0:00:42 | 0:00:44 | |
They have some very powerful friends in government. | 0:00:44 | 0:00:47 | |
The trouble with the Serious Fraud Office | 0:00:47 | 0:00:49 | |
is that once they get started, they don't stop. | 0:00:49 | 0:00:53 | |
You're in government. Can't you stop it? | 0:00:53 | 0:00:55 | |
# I don't want to drown no more | 0:00:56 | 0:00:58 | |
# I'm sick of the same old people | 0:00:58 | 0:01:00 | |
# The kind that'll sell your soul | 0:01:00 | 0:01:03 | |
# Trade it for a shining stone | 0:01:03 | 0:01:05 | |
# Ain't nothing in this life for free | 0:01:05 | 0:01:07 | |
# Running from the greatest evil | 0:01:07 | 0:01:10 | |
# It finally dawned on me | 0:01:10 | 0:01:12 | |
# A man's got to fight temptation | 0:01:12 | 0:01:14 | |
# Keep the wolves from the door | 0:01:14 | 0:01:18 | |
# I hear them scratching like I don't know better | 0:01:18 | 0:01:23 | |
# Won't you keep the wolves from the door? | 0:01:23 | 0:01:28 | |
# It won't be long before I cave in and open up the door. # | 0:01:28 | 0:01:33 | |
'The pharmaceutical industry, | 0:01:39 | 0:01:41 | |
'a force for good, or a corrupt multibillion-pound profit machine? | 0:01:41 | 0:01:45 | |
'With the NHS spending £15 billion a year on prescription drugs, | 0:01:46 | 0:01:50 | |
'urgent questions are being asked about the business practices | 0:01:50 | 0:01:53 | |
'of the world's biggest pharmaceutical giants. | 0:01:53 | 0:01:56 | |
'We're going live now to Westminster, | 0:01:56 | 0:01:58 | |
'where the Commons' Select Committee, set up to investigate, | 0:01:58 | 0:02:01 | |
'are interviewing senior government advisor Peter Mayhew.' | 0:02:01 | 0:02:04 | |
You authorised the multimillion-pound purchase | 0:02:06 | 0:02:08 | |
of an anti-obesity drug, Lipocite? | 0:02:08 | 0:02:11 | |
Not personally, no. My role is only to advise. | 0:02:11 | 0:02:15 | |
But you advised that it was effective. | 0:02:15 | 0:02:18 | |
All the evidence suggests that it is. | 0:02:18 | 0:02:20 | |
But it's also three times the price of other drugs on the market. | 0:02:20 | 0:02:24 | |
A simpler, cheaper product is available | 0:02:24 | 0:02:26 | |
from Ruhn Laboratories, for example. | 0:02:26 | 0:02:28 | |
'Wouldn't it make more sense for them to be supplying the NHS? | 0:02:28 | 0:02:32 | |
'Well, Ruhn Laboratories are an American firm, | 0:02:32 | 0:02:35 | |
'whereas Lipocite is made by a British company.' | 0:02:35 | 0:02:38 | |
UK Remicon. | 0:02:38 | 0:02:39 | |
I think we should be proud that we're supporting them. | 0:02:40 | 0:02:43 | |
Lipocite acts on the brain. Is that correct? | 0:02:43 | 0:02:45 | |
As I understand, yes. | 0:02:47 | 0:02:49 | |
Is it dangerous? Does it have any side-effects? | 0:02:49 | 0:02:52 | |
It's been through all the usual trials. | 0:02:52 | 0:02:55 | |
That's not what I asked. | 0:02:56 | 0:02:58 | |
Well, there have been no negative results. | 0:03:00 | 0:03:03 | |
DOOR OPENS | 0:03:07 | 0:03:08 | |
FAINT RADIO BROADCAST | 0:03:08 | 0:03:09 | |
Oh! Henry! | 0:03:14 | 0:03:16 | |
What is it? | 0:03:20 | 0:03:21 | |
There was an accident. | 0:03:23 | 0:03:24 | |
-A girl. -Where? What happened? | 0:03:28 | 0:03:30 | |
At the station. | 0:03:31 | 0:03:32 | |
S-S-She fell. | 0:03:35 | 0:03:37 | |
Was she hurt? | 0:03:37 | 0:03:39 | |
I ran away, Mum. | 0:03:46 | 0:03:49 | |
Henry, what have you done? | 0:03:49 | 0:03:51 | |
Is there something you need to tell me? | 0:03:52 | 0:03:54 | |
You don't need to be afraid. I'll look after you. | 0:03:54 | 0:03:56 | |
HENRY SOBS | 0:03:56 | 0:03:58 | |
RADIO: '..In travel news, Canary Wharf station has been closed | 0:04:00 | 0:04:03 | |
'by the police after a passenger fatality. | 0:04:03 | 0:04:06 | |
'All other stations and lines are operating a good service...' | 0:04:06 | 0:04:09 | |
SIRENS WAIL | 0:04:09 | 0:04:10 | |
Where is he? | 0:04:16 | 0:04:18 | |
-So, what have you got to say for yourself? -I was too late. -Too late. | 0:04:22 | 0:04:25 | |
What are you talking about? Why did you go back to the school? | 0:04:25 | 0:04:28 | |
-Well, I wanted to see her. -So you chased her here | 0:04:28 | 0:04:30 | |
and she tripped on the bloody escalators and broke her neck. | 0:04:30 | 0:04:33 | |
-That's not what happened. -So, what did happen? | 0:04:33 | 0:04:35 | |
It can't have been an accident. She was killed, she was murdered. | 0:04:35 | 0:04:38 | |
-Oh, yeah? -Yeah. Like Mark Henson and Steve Mullen. | 0:04:38 | 0:04:41 | |
-Steve Mullen? -He was in the photograph. | 0:04:41 | 0:04:44 | |
He was with them in India. | 0:04:44 | 0:04:45 | |
What do you think this is, some kind of conspiracy? | 0:04:45 | 0:04:47 | |
The only conspiracy is what you're doing in this bloody job! | 0:04:47 | 0:04:50 | |
Just go home! | 0:04:50 | 0:04:52 | |
RAISED VOICES | 0:05:04 | 0:05:07 | |
And what is this?! This stain up there?! | 0:05:10 | 0:05:12 | |
How is it possible to get a stain up there?! | 0:05:12 | 0:05:15 | |
Assured shorthold tenancy! | 0:05:15 | 0:05:17 | |
Don't you tell me about my contract! I know my contract! | 0:05:17 | 0:05:20 | |
Stefan, tell him! | 0:05:20 | 0:05:22 | |
-HE SIGHS -Good evening, Mr Menakis. | 0:05:22 | 0:05:25 | |
-What's the problem? -The problem? There are lots of problems! | 0:05:25 | 0:05:29 | |
You're meant to give us 24 hours' notice before you show up. | 0:05:29 | 0:05:31 | |
-He just walked in. -Look at this place. It is my house. | 0:05:31 | 0:05:35 | |
-It's a pigsty. I want you out! -You can't do that. | 0:05:35 | 0:05:38 | |
You can't threaten to put up the rent one minute, | 0:05:38 | 0:05:40 | |
then throw us out the next. | 0:05:40 | 0:05:42 | |
-You're behind with the rent. -No, we're not. | 0:05:42 | 0:05:45 | |
We pay on the last day of the month, every month. | 0:05:45 | 0:05:48 | |
Not last month, not the month before. | 0:05:48 | 0:05:51 | |
That... That's not true. Jan? | 0:05:51 | 0:05:54 | |
You held back the rent? | 0:05:58 | 0:06:00 | |
He didn't mend the toilet. | 0:06:01 | 0:06:03 | |
Wha...? You didn't pay the rent? | 0:06:03 | 0:06:06 | |
-I didn't pay the rent! -Are you...?! | 0:06:06 | 0:06:08 | |
You'll have it by tomorrow lunchtime. I'll transfer it myself. | 0:06:12 | 0:06:15 | |
Why should I believe you? | 0:06:15 | 0:06:16 | |
All right. Lunchtime tomorrow. | 0:06:18 | 0:06:20 | |
And I still don't want you here! You have two weeks! | 0:06:20 | 0:06:24 | |
She was a teacher. | 0:06:27 | 0:06:29 | |
Only met her this morning. | 0:06:30 | 0:06:32 | |
HE CLEARS HIS THROAT | 0:06:41 | 0:06:43 | |
They think it was my fault. | 0:06:43 | 0:06:45 | |
-How can it be your fault? -It's complicated. | 0:06:46 | 0:06:49 | |
It's complicated, so they blame you? | 0:06:49 | 0:06:52 | |
I've heard that before. | 0:06:52 | 0:06:53 | |
Are you OK? | 0:06:59 | 0:07:00 | |
Yeah. | 0:07:05 | 0:07:07 | |
I'm fine. | 0:07:08 | 0:07:09 | |
It's going to be fine. | 0:07:11 | 0:07:13 | |
Look, this might not be the right time, but, um... | 0:07:16 | 0:07:19 | |
I've got something for you. | 0:07:19 | 0:07:21 | |
I know you've been thinking about moving out, | 0:07:21 | 0:07:23 | |
so this might cheer you up. | 0:07:23 | 0:07:25 | |
-It's a room in a flat. -Yeah? | 0:07:28 | 0:07:30 | |
Yep. There's a girl that works at the hospital. Her name's Jo. | 0:07:30 | 0:07:33 | |
She's really nice, she's got a place in Wandsworth. | 0:07:33 | 0:07:36 | |
Better move quickly, though. Lots of people are interested. | 0:07:36 | 0:07:39 | |
Thanks. | 0:07:41 | 0:07:43 | |
Night. | 0:07:46 | 0:07:47 | |
FAINT SHOUTING | 0:08:08 | 0:08:10 | |
FAINT SIRENS | 0:08:56 | 0:08:58 | |
Sayyad! How are you settling in? | 0:09:00 | 0:09:02 | |
First day, just the one dead witness. | 0:09:02 | 0:09:05 | |
Let's see, er...where we are by the end of the week, shall we? | 0:09:06 | 0:09:09 | |
-Guv, I... -No, it's probably best you don't say too much right now. | 0:09:09 | 0:09:13 | |
Derek, why don't you take me through it? | 0:09:14 | 0:09:17 | |
Laura Jones knows Mark Henson. All right? | 0:09:17 | 0:09:20 | |
They go on holiday together. | 0:09:20 | 0:09:22 | |
Wonder Boy here wanted to know a bit more about that, | 0:09:22 | 0:09:24 | |
-so he decides to go back to the school. -Hm. And what happened? | 0:09:24 | 0:09:28 | |
We don't know. She got nervy, fell down the escalators. | 0:09:28 | 0:09:30 | |
Er...she didn't fall. She was pushed. | 0:09:30 | 0:09:33 | |
That your opinion? | 0:09:33 | 0:09:34 | |
-Have we got anything from Pathology? -They're still working on it. | 0:09:36 | 0:09:39 | |
What are we saying, then, the two deaths are linked? | 0:09:39 | 0:09:42 | |
-I'm not sure they are. -They have to be! | 0:09:42 | 0:09:44 | |
Look. This is Mark Henson, this is Laura Jones. | 0:09:45 | 0:09:48 | |
When did you get that? | 0:09:48 | 0:09:50 | |
Er...I saw it at the flat. | 0:09:50 | 0:09:51 | |
Flaxton Court. I went back this morning. | 0:09:51 | 0:09:54 | |
What, and you just took it? You can't do that! | 0:09:54 | 0:09:57 | |
Ah! You had it labelled and entered in the evidence log? | 0:09:57 | 0:10:01 | |
Yes, Guv. | 0:10:02 | 0:10:03 | |
Go on. | 0:10:05 | 0:10:06 | |
This is Mark Henson, Laura Jones and this is Steve Mullen. | 0:10:06 | 0:10:10 | |
I saw his picture in the collision report from Luton. | 0:10:13 | 0:10:16 | |
All three have been killed in the last four weeks. | 0:10:16 | 0:10:18 | |
You've been busy. | 0:10:18 | 0:10:20 | |
That picture was taken in India. | 0:10:20 | 0:10:22 | |
I think that's the Gate of India in Mumbai. | 0:10:22 | 0:10:24 | |
Wait a minute. What are you saying? | 0:10:27 | 0:10:28 | |
We've got some kind of serial killer hitting teachers? | 0:10:28 | 0:10:31 | |
I'm not saying anything, Derek. It makes no sense to me, either. | 0:10:31 | 0:10:34 | |
What about this, er...CCTV footage from Canary Wharf? | 0:10:34 | 0:10:38 | |
Well, it won't be much help. | 0:10:38 | 0:10:39 | |
It was switched off in the ticket office. | 0:10:39 | 0:10:42 | |
-Who by? -These two. | 0:10:42 | 0:10:44 | |
They came in and it seems they made straight for the main junction box. | 0:10:45 | 0:10:49 | |
Contract workers. | 0:10:49 | 0:10:51 | |
All right, who are they? What were they doing there? | 0:10:51 | 0:10:53 | |
We're onto it. | 0:10:53 | 0:10:54 | |
That's where they pulled out the power supply. | 0:10:56 | 0:10:58 | |
I don't suppose you saw anything else? | 0:11:00 | 0:11:02 | |
Oh, it was over by the time I arrived. | 0:11:02 | 0:11:04 | |
All right. | 0:11:05 | 0:11:07 | |
There are two other people in this photograph. | 0:11:07 | 0:11:09 | |
Assuming they haven't had their necks broken or been run over, | 0:11:09 | 0:11:13 | |
we should find out who they are. | 0:11:13 | 0:11:15 | |
Right, then, genius, start with Steve Mullen. Get his widow in here. | 0:11:16 | 0:11:19 | |
Where did you get this from? | 0:11:20 | 0:11:22 | |
I saw it in Leese's office. | 0:11:22 | 0:11:24 | |
Axis Hotel. Sponsored by UK Remicon. | 0:11:24 | 0:11:27 | |
You should definitely make an appearance. | 0:11:29 | 0:11:31 | |
Get a copy of this printed up and use it at the front door. | 0:11:31 | 0:11:34 | |
OK? You can go as David Leese. | 0:11:34 | 0:11:36 | |
-Will it count as overtime? -No. It's a party. | 0:11:37 | 0:11:40 | |
-Then you go. -I can't. I don't like parties. | 0:11:40 | 0:11:43 | |
Everyone likes parties. | 0:11:43 | 0:11:45 | |
That's why it's not overtime. | 0:11:45 | 0:11:48 | |
MESSAGE ALERT | 0:11:50 | 0:11:51 | |
PHONE RINGS | 0:12:36 | 0:12:38 | |
Coleman. How nice to hear from you. | 0:12:46 | 0:12:49 | |
I have another assignment. | 0:12:49 | 0:12:51 | |
It's time to help the police with their enquiries. | 0:12:52 | 0:12:55 | |
Thank you for coming in today, Mrs Mullen. | 0:12:57 | 0:13:00 | |
And with your baby. | 0:13:02 | 0:13:04 | |
Have you found something? Do you know who killed Stephen? | 0:13:07 | 0:13:10 | |
Not... Not yet, no. | 0:13:11 | 0:13:13 | |
We've just got a few questions for you. | 0:13:14 | 0:13:16 | |
So, when did you move to Luton? | 0:13:18 | 0:13:20 | |
Just after we got married. | 0:13:20 | 0:13:22 | |
Five years ago. Dean's six months. | 0:13:23 | 0:13:26 | |
BABY WAILS | 0:13:26 | 0:13:28 | |
He's lovely. | 0:13:28 | 0:13:29 | |
Steve couldn't find any work up in Leeds, so we came south. | 0:13:31 | 0:13:33 | |
What job did he do? | 0:13:33 | 0:13:35 | |
Worked at a nursery. | 0:13:35 | 0:13:37 | |
Babies? | 0:13:38 | 0:13:40 | |
Flowers. | 0:13:40 | 0:13:41 | |
He were the manager. | 0:13:44 | 0:13:46 | |
He were on his way home when it happened. | 0:13:49 | 0:13:51 | |
HE GROANS | 0:13:56 | 0:13:57 | |
Um...Jenny, can you tell me anything about India? | 0:14:13 | 0:14:16 | |
India? | 0:14:19 | 0:14:20 | |
-While he went there... -Yeah? | 0:14:20 | 0:14:22 | |
..he met some people out there, didn't he? | 0:14:23 | 0:14:26 | |
Um... | 0:14:27 | 0:14:29 | |
..there were a group of them, I think. | 0:14:30 | 0:14:32 | |
He never talked about it. | 0:14:32 | 0:14:34 | |
You don't know anyone in this photograph? | 0:14:37 | 0:14:40 | |
(That's Steve.) | 0:14:45 | 0:14:46 | |
I, um... | 0:14:50 | 0:14:51 | |
I don't know the others, though. | 0:14:52 | 0:14:53 | |
Do you know how they met? | 0:14:56 | 0:14:57 | |
No. | 0:14:58 | 0:14:59 | |
But he got, um... | 0:15:01 | 0:15:03 | |
he got paid for it. | 0:15:03 | 0:15:05 | |
He earned quite a bit of money. | 0:15:05 | 0:15:07 | |
How much money? | 0:15:07 | 0:15:08 | |
£600. | 0:15:08 | 0:15:09 | |
He used some of it to buy this ring. | 0:15:12 | 0:15:14 | |
What did he do to earn the money? | 0:15:15 | 0:15:17 | |
I don't know. | 0:15:21 | 0:15:22 | |
He didn't say. | 0:15:24 | 0:15:25 | |
'So, what do you do in India to earn 600 quid?' | 0:15:25 | 0:15:29 | |
-I don't know. -You don't know? That makes a change(!) | 0:15:29 | 0:15:32 | |
It was a waste of time bringing her in here. | 0:15:32 | 0:15:34 | |
She knew nobody in that bloody photograph. | 0:15:34 | 0:15:36 | |
If they knew Laura, if they were still friends, | 0:15:36 | 0:15:38 | |
then maybe they'll come to her funeral. | 0:15:38 | 0:15:40 | |
That's possible. | 0:15:45 | 0:15:47 | |
Have another word with Luton Collision Unit investigators, | 0:15:48 | 0:15:51 | |
-see if they've got anything else. -Right, Sarge. | 0:15:51 | 0:15:54 | |
And you may have to dig out a black tie. | 0:15:55 | 0:15:58 | |
Good evening, Alison. | 0:16:15 | 0:16:17 | |
SHE SIGHS | 0:16:18 | 0:16:20 | |
-You frightened me! -Oh. | 0:16:20 | 0:16:22 | |
-What are you doing here? -Well, I came to see you. | 0:16:22 | 0:16:25 | |
You could have let me know. | 0:16:25 | 0:16:26 | |
I brought a rather pleasant Pouilly-Fume. | 0:16:28 | 0:16:31 | |
Would you like a glass? | 0:16:31 | 0:16:33 | |
Uncle Peter, I really don't think you should just walk in here. | 0:16:35 | 0:16:38 | |
-I know it's your flat... -Oh, it's your flat, my dear. | 0:16:38 | 0:16:41 | |
I'm glad to give you the use of it. | 0:16:41 | 0:16:44 | |
I know how hard it is for young professionals in London. | 0:16:44 | 0:16:47 | |
House prices are ridiculous. | 0:16:47 | 0:16:50 | |
What do you want? | 0:16:52 | 0:16:53 | |
I just wondered if you had any more news for me about UK Remicon. | 0:16:55 | 0:16:59 | |
The situation is rather fluid at the moment, | 0:16:59 | 0:17:01 | |
so, er...I like to be informed. | 0:17:01 | 0:17:04 | |
I'm trying, but I don't like this, Uncle Peter. | 0:17:04 | 0:17:07 | |
They'd fire me if they knew I was talking to you. | 0:17:07 | 0:17:09 | |
Hm! We're all on the same side, really. | 0:17:09 | 0:17:13 | |
Successful British company, 37,000 jobs. | 0:17:13 | 0:17:16 | |
-We wouldn't want to lose all that. -I don't... | 0:17:16 | 0:17:19 | |
Any more than you would want to lose this flat. | 0:17:19 | 0:17:21 | |
Cheers. | 0:17:25 | 0:17:27 | |
'Hi! Um...is that Jo?' | 0:17:28 | 0:17:31 | |
My name's Arrash. My sister, Leila, gave me your number. | 0:17:31 | 0:17:33 | |
She said you had a room. | 0:17:33 | 0:17:35 | |
Er...yeah. Can I, um... Can I come and see it? | 0:17:35 | 0:17:38 | |
Er...tomorrow, 9.15. | 0:17:38 | 0:17:41 | |
I finish work at 7.00, so that's perfect. | 0:17:41 | 0:17:43 | |
I'll see you tomorrow night. OK. | 0:17:43 | 0:17:47 | |
KNOCK AT DOOR | 0:17:49 | 0:17:51 | |
-Hi! -Hey! | 0:17:54 | 0:17:56 | |
Oh! Thanks. | 0:17:57 | 0:17:58 | |
Um... | 0:18:00 | 0:18:01 | |
So, what happened to your brother? | 0:18:19 | 0:18:21 | |
-What? -You said he was coming with his girlfriend. | 0:18:23 | 0:18:26 | |
Oh, yes. Er...he, um...he let me down at the last minute. | 0:18:26 | 0:18:30 | |
-You don't mind, do you? -Er, no. | 0:18:30 | 0:18:33 | |
Not at all. | 0:18:33 | 0:18:35 | |
So, how did you get into the SFO? | 0:18:37 | 0:18:39 | |
Well, I met Marcus and he hired me. | 0:18:41 | 0:18:45 | |
Mm. | 0:18:45 | 0:18:46 | |
You and Marcus, you're always out of the office. | 0:18:46 | 0:18:49 | |
What is it you do, exactly? | 0:18:49 | 0:18:52 | |
Same as you. | 0:18:52 | 0:18:53 | |
So, you're working on UK Remicon, then? | 0:18:54 | 0:18:58 | |
Um... | 0:19:00 | 0:19:01 | |
-Well, yeah. -You were talking about a party. | 0:19:02 | 0:19:05 | |
Yeah. I'm going tomorrow night. | 0:19:05 | 0:19:08 | |
Why are you so interested? | 0:19:08 | 0:19:10 | |
Ha! | 0:19:10 | 0:19:11 | |
I'm interested in you. | 0:19:11 | 0:19:13 | |
-Mm! Would you like another drink? -Not really. | 0:19:16 | 0:19:19 | |
Oh, go on. I've got another bottle. | 0:19:19 | 0:19:22 | |
-No, no, I've got an early start. -Oh, yeah, me, too. | 0:19:22 | 0:19:25 | |
We could...get up together. | 0:19:30 | 0:19:33 | |
Um... | 0:19:40 | 0:19:41 | |
I'm really flattered... | 0:19:45 | 0:19:47 | |
..but, you know, we work together. | 0:19:48 | 0:19:50 | |
No... No offence. | 0:19:52 | 0:19:53 | |
No. | 0:19:53 | 0:19:54 | |
Look, thanks for dinner. | 0:19:57 | 0:19:59 | |
(Shit.) | 0:20:11 | 0:20:12 | |
HE SIGHS | 0:20:48 | 0:20:51 | |
-So, the funeral's tomorrow? -Yes, Mr Blake. | 0:21:01 | 0:21:04 | |
And you know what to do. | 0:21:17 | 0:21:18 | |
Yes. | 0:21:18 | 0:21:20 | |
I don't really understand. | 0:21:20 | 0:21:22 | |
Let me be honest with you, Bruce. | 0:21:22 | 0:21:24 | |
Sometimes, the less you know, the better it is for you. | 0:21:24 | 0:21:26 | |
'I don't want anyone to get hurt.' | 0:21:29 | 0:21:31 | |
When I first joined Ruhn Laboratories, | 0:21:35 | 0:21:38 | |
we were working on a new cancer drug. | 0:21:38 | 0:21:41 | |
It...tackled chronic myeloid leukaemia, and it worked. | 0:21:41 | 0:21:46 | |
We covered all our research costs in just two years. | 0:21:47 | 0:21:50 | |
But that didn't stop us charging patients 90,000 a year | 0:21:50 | 0:21:54 | |
just to take the drug. | 0:21:54 | 0:21:56 | |
And by the time I became CEO here in the UK, | 0:21:56 | 0:21:59 | |
we were earning 900 million a year. | 0:21:59 | 0:22:02 | |
Pure profit. | 0:22:02 | 0:22:03 | |
Now... Well, you tell me, Bruce, | 0:22:04 | 0:22:08 | |
were we hurting those patients? | 0:22:08 | 0:22:12 | |
Or were we saving them? | 0:22:13 | 0:22:14 | |
BELL TOLLS | 0:22:18 | 0:22:20 | |
Do you believe in God, then? | 0:22:26 | 0:22:29 | |
Er...not really. | 0:22:29 | 0:22:31 | |
Are you a Muslim? | 0:22:31 | 0:22:32 | |
I'm not anything. | 0:22:34 | 0:22:35 | |
Ashes to ashes, dust to dust. | 0:22:35 | 0:22:38 | |
It's all crap, the whole lot of it. | 0:22:38 | 0:22:40 | |
My condolences. | 0:22:40 | 0:22:41 | |
A-hem. | 0:22:44 | 0:22:46 | |
-Over there. -What? | 0:22:47 | 0:22:48 | |
From the photograph. | 0:22:49 | 0:22:51 | |
Shall I tell you something, Sayyad? | 0:22:54 | 0:22:56 | |
No-one likes anybody who's right ALL the time. | 0:22:56 | 0:23:00 | |
-You don't like me anyway. -Oh, that's true. | 0:23:00 | 0:23:02 | |
DEREK CHUCKLES | 0:23:02 | 0:23:04 | |
We therefore commit Laura's body to the ground, | 0:23:10 | 0:23:14 | |
earth to earth, | 0:23:14 | 0:23:15 | |
ashes to ashes, | 0:23:15 | 0:23:17 | |
dust to dust, | 0:23:17 | 0:23:19 | |
in the sure and certain hope | 0:23:19 | 0:23:21 | |
of the resurrection to eternal life. | 0:23:21 | 0:23:23 | |
Excuse me. I wonder if we could have a word with you. | 0:23:49 | 0:23:51 | |
I'm Detective Sergeant Sands, this is DC Sayyad. | 0:23:53 | 0:23:55 | |
-Is this about Laura? -Well, yes. | 0:23:55 | 0:23:58 | |
Unless you know anybody else here who's fallen down the escalators, | 0:23:58 | 0:24:02 | |
I'd say that was a fair assumption. | 0:24:02 | 0:24:03 | |
Shall we go inside? | 0:24:05 | 0:24:06 | |
-Why? -Just for a few minutes, so we can talk. | 0:24:06 | 0:24:09 | |
Well, that seems to have worked. | 0:24:17 | 0:24:19 | |
So, what's your name? | 0:24:26 | 0:24:28 | |
Bruce Lockwood. | 0:24:28 | 0:24:30 | |
Didn't you know that? | 0:24:30 | 0:24:31 | |
If you don't know who I am, why do you want to talk to me? | 0:24:33 | 0:24:36 | |
Can you identify any of the people in this photograph? | 0:24:36 | 0:24:39 | |
That's Laura. | 0:24:39 | 0:24:41 | |
Laura Jones. | 0:24:41 | 0:24:44 | |
Mark Henson. | 0:24:44 | 0:24:46 | |
Steve Mullen. | 0:24:46 | 0:24:47 | |
They're all dead. | 0:24:48 | 0:24:49 | |
Since when? | 0:24:54 | 0:24:56 | |
In the last four weeks. | 0:24:56 | 0:24:57 | |
Does that mean anything to you? | 0:24:59 | 0:25:01 | |
No! | 0:25:01 | 0:25:02 | |
-I hadn't seen them. -Who's the other one? | 0:25:03 | 0:25:05 | |
I don't know much about her. | 0:25:07 | 0:25:09 | |
She went home. Somewhere in India, I think. I never saw her again. | 0:25:09 | 0:25:12 | |
What about Laura? | 0:25:12 | 0:25:13 | |
How well did you know her? | 0:25:13 | 0:25:15 | |
We all met in Mumbai. | 0:25:16 | 0:25:18 | |
-In India. -We know where Mumbai is! | 0:25:19 | 0:25:22 | |
There were six of us. We were travelling at the time. | 0:25:24 | 0:25:27 | |
I only count five. | 0:25:27 | 0:25:29 | |
The sixth was a man called Henry Williams. | 0:25:30 | 0:25:33 | |
He's living in London. | 0:25:34 | 0:25:36 | |
He wasn't part of the group when this was taken. | 0:25:38 | 0:25:40 | |
-Why not? -None of us really got on with him. | 0:25:40 | 0:25:42 | |
And then he got ill. | 0:25:42 | 0:25:44 | |
Tell me about Mumbai. | 0:25:44 | 0:25:46 | |
We were travellers. Students, backpackers. | 0:25:46 | 0:25:49 | |
We didn't have any money and so we answered this advertisement. | 0:25:49 | 0:25:52 | |
There were always leaflets, | 0:25:52 | 0:25:54 | |
hawkers in the street, offering this sort of thing. | 0:25:54 | 0:25:56 | |
-What sort of thing? -Testing. | 0:25:56 | 0:25:59 | |
It was an antidepressant, and they needed volunteers. | 0:26:00 | 0:26:03 | |
So we all went to this hospital. | 0:26:03 | 0:26:05 | |
So, you had this untested drug injected into you? | 0:26:08 | 0:26:13 | |
They said it was safe. | 0:26:13 | 0:26:15 | |
And it was a respectable company. | 0:26:15 | 0:26:17 | |
What were they called? | 0:26:17 | 0:26:18 | |
Greenfern. | 0:26:18 | 0:26:19 | |
It was run by a guy called David Leese. | 0:26:21 | 0:26:24 | |
It was his name on the cheques. | 0:26:24 | 0:26:27 | |
Any idea where we can find him? | 0:26:27 | 0:26:29 | |
I think he works for the NHS. | 0:26:29 | 0:26:31 | |
So, what happened? | 0:26:31 | 0:26:33 | |
Nothing happened. | 0:26:42 | 0:26:44 | |
We were there for 24 hours, they paid us, | 0:26:44 | 0:26:46 | |
they made us sign confidentiality clauses and we left. | 0:26:46 | 0:26:49 | |
-Paid you how much? -£600. | 0:26:49 | 0:26:51 | |
I'm asking him, not you! | 0:26:51 | 0:26:53 | |
He's right, that's how much it was. | 0:26:53 | 0:26:55 | |
Did you all go back to Mumbai? | 0:26:57 | 0:26:59 | |
No, not all of us. | 0:26:59 | 0:27:01 | |
We never saw Henry again. | 0:27:01 | 0:27:02 | |
But I didn't mind. He was a weird guy, anyway. | 0:27:03 | 0:27:05 | |
-Weird in what way? -I think he'd been out there too long. | 0:27:05 | 0:27:08 | |
A place like India, it does your head in after a while. | 0:27:08 | 0:27:11 | |
I'm going to need to take your contact details. | 0:27:12 | 0:27:15 | |
Thank you very much, Mr Lockwood. We'll be in touch. | 0:27:16 | 0:27:19 | |
DOOR CLOSES | 0:27:26 | 0:27:27 | |
Henry Williams. He was weird, he was ill. | 0:27:27 | 0:27:30 | |
We need to find him. | 0:27:30 | 0:27:33 | |
There must be a thousand Henry Williams in London. | 0:27:33 | 0:27:35 | |
OK, we'll start with the man in charge, David Leese. | 0:27:35 | 0:27:38 | |
We know he works for the NHS. | 0:27:40 | 0:27:42 | |
He shouldn't be too hard to find. | 0:27:42 | 0:27:44 | |
-Enjoy the party. -Thank you. | 0:27:52 | 0:27:54 | |
Name? | 0:27:58 | 0:27:59 | |
David Leese. | 0:27:59 | 0:28:01 | |
Have a good evening, sir. | 0:28:06 | 0:28:07 | |
He's here. | 0:28:14 | 0:28:15 | |
Yes, um... My name's Detective Constable Arrash Sayyad. | 0:28:18 | 0:28:21 | |
I wonder if you can help me. | 0:28:21 | 0:28:23 | |
I'm looking for a man called David Leese. | 0:28:23 | 0:28:25 | |
MUSIC: Wildfire by SBTRKT | 0:28:25 | 0:28:28 | |
Hello. | 0:28:29 | 0:28:30 | |
I'm Gail Meadows. | 0:28:30 | 0:28:32 | |
And I know the importance of keeping myself in shape. | 0:28:32 | 0:28:35 | |
But can you believe, a year ago, I looked like this? | 0:28:35 | 0:28:39 | |
Yes, that's me. | 0:28:39 | 0:28:41 | |
I tried everything, every fad diet, but nothing worked. | 0:28:41 | 0:28:45 | |
And then my doctor recommended Lipocite. | 0:28:45 | 0:28:49 | |
# I could bet all of the riches that I ever had | 0:28:49 | 0:28:53 | |
# Rushing the night like a shark Babe, would it be bad | 0:28:56 | 0:29:01 | |
# If I had to set the alarm cos of thrills that run up my back? | 0:29:02 | 0:29:08 | |
# You are my star Nothing else can lead me off track | 0:29:09 | 0:29:14 | |
# It's a crime, if you don't want to | 0:29:16 | 0:29:20 | |
# You're the spy By the throat... # | 0:29:20 | 0:29:23 | |
And I hope you have a very enjoyable evening. | 0:29:24 | 0:29:26 | |
Good evening, ladies and gentlemen. | 0:29:26 | 0:29:29 | |
My name is James Deakin. | 0:29:29 | 0:29:31 | |
Don't worry, I'll keep this short. | 0:29:31 | 0:29:33 | |
I know many of you have been asking about | 0:29:33 | 0:29:35 | |
our highly sought after training courses. | 0:29:35 | 0:29:38 | |
As a matter of fact, we have one coming up very soon | 0:29:38 | 0:29:40 | |
in the south of France, | 0:29:40 | 0:29:42 | |
so please do ask me or a member of my staff about that. | 0:29:42 | 0:29:46 | |
Above all, we want to get to know you better. | 0:29:46 | 0:29:49 | |
And finally, I'd like to announce that, thanks to you, | 0:29:49 | 0:29:52 | |
Lipocite has become our most successful product ever. | 0:29:52 | 0:29:56 | |
APPLAUSE | 0:29:56 | 0:29:57 | |
Have a great evening. | 0:29:57 | 0:30:00 | |
KEYBOARD TAPPING | 0:30:04 | 0:30:06 | |
BEEP | 0:30:06 | 0:30:07 | |
Come on... | 0:30:10 | 0:30:11 | |
RINGING TONE | 0:30:11 | 0:30:12 | |
Come on. | 0:30:17 | 0:30:18 | |
Where are you? Where are you? | 0:30:20 | 0:30:22 | |
Hey, can you tell Mum I won't be in for dinner? | 0:30:43 | 0:30:47 | |
I'm working late... | 0:30:47 | 0:30:48 | |
-and then I'm seeing Jo. -'Who's Jo?' | 0:30:48 | 0:30:51 | |
-Your friend, about the flat? -'Yeah, fine. Whatever.' | 0:30:51 | 0:30:54 | |
-Yeah. Thanks. -'Bye.' | 0:30:54 | 0:30:57 | |
I'm afraid he's not here. | 0:31:01 | 0:31:03 | |
Do you know where I might find him? | 0:31:04 | 0:31:06 | |
Who did you say you were? | 0:31:06 | 0:31:08 | |
I'm the police. | 0:31:09 | 0:31:10 | |
Er... Greenfern, have you heard of it? | 0:31:17 | 0:31:20 | |
No. He's never mentioned it. | 0:31:20 | 0:31:22 | |
-In India? -No. | 0:31:22 | 0:31:25 | |
Look, it's...it's important. | 0:31:26 | 0:31:28 | |
He went to a party. It's at the Axis Hotel in the City. | 0:31:31 | 0:31:34 | |
-I can call him if you like. -Actually, I'd... | 0:31:34 | 0:31:36 | |
..prefer it if you didn't. | 0:31:38 | 0:31:39 | |
Hi. | 0:31:40 | 0:31:41 | |
I'm Lucy. | 0:31:42 | 0:31:43 | |
Hi. | 0:31:44 | 0:31:45 | |
Who are you? | 0:31:48 | 0:31:49 | |
I'm David. | 0:31:50 | 0:31:52 | |
I've never seen you at one of these before. | 0:31:53 | 0:31:55 | |
Yeah, it's my first time. | 0:31:55 | 0:31:57 | |
So what happens? | 0:31:59 | 0:32:00 | |
It's fun. You enjoy yourself. | 0:32:00 | 0:32:03 | |
And if you get bored down here, you can always go upstairs...? | 0:32:03 | 0:32:07 | |
There are rooms, | 0:32:09 | 0:32:11 | |
lots of rooms... | 0:32:11 | 0:32:13 | |
if you want to lie down? | 0:32:13 | 0:32:15 | |
I'll see you around, David. | 0:32:22 | 0:32:24 | |
Take it easy. | 0:32:24 | 0:32:25 | |
You're empty. | 0:32:39 | 0:32:41 | |
-Thank you. -Don't tell anyone, but this is Cristal. | 0:32:46 | 0:32:49 | |
We've got a few glasses doing the rounds. | 0:32:49 | 0:32:51 | |
Cheers. | 0:32:51 | 0:32:52 | |
We've not met before. | 0:32:59 | 0:33:01 | |
I work at the City of London Health Trust. | 0:33:01 | 0:33:03 | |
-Pharmacist? -That's right. | 0:33:03 | 0:33:05 | |
-So you know our products. -Of course. | 0:33:05 | 0:33:08 | |
Which ones in particular? | 0:33:09 | 0:33:10 | |
Amoxicillin, Sumatriptan, Paroxetine, | 0:33:11 | 0:33:14 | |
Gleamers toothpaste, Hexham's Fruit Juice. | 0:33:14 | 0:33:16 | |
-That's just a few. -That's very good. | 0:33:16 | 0:33:19 | |
Have some more champagne. | 0:33:28 | 0:33:29 | |
Thank you. | 0:33:34 | 0:33:35 | |
I don't think you told me your name. | 0:33:41 | 0:33:44 | |
It's... | 0:33:46 | 0:33:48 | |
VOICES SLUR AND GROAN | 0:33:48 | 0:33:50 | |
-DISTORTED: -I asked you your name. | 0:33:50 | 0:33:52 | |
It's, er... | 0:33:59 | 0:34:00 | |
-DISTORTED: -Are you feeling OK? | 0:34:01 | 0:34:03 | |
Yeah. | 0:34:08 | 0:34:10 | |
Well, it was nice to meet you. | 0:34:11 | 0:34:14 | |
Have a great evening. | 0:34:16 | 0:34:17 | |
..a great evening. | 0:34:27 | 0:34:28 | |
-DISTORTED: -Who are you? | 0:34:30 | 0:34:31 | |
-DISTORTED: -'Lipocite works up here, in the CB1 receptors in the brain. | 0:34:33 | 0:34:37 | |
'Ask your doctor about Lipocite.' | 0:34:40 | 0:34:43 | |
HORN BLARES | 0:34:53 | 0:34:55 | |
HORN BLARES | 0:35:02 | 0:35:04 | |
What's wrong with you? | 0:35:06 | 0:35:07 | |
What? | 0:35:07 | 0:35:08 | |
Jesus! | 0:35:10 | 0:35:11 | |
BLADES WHIR | 0:35:18 | 0:35:20 | |
Wh...? | 0:35:23 | 0:35:25 | |
Hey, hey, hey, hey. Look at me. Look. | 0:35:26 | 0:35:29 | |
What exactly are you on? | 0:35:29 | 0:35:31 | |
I don't know what I'm on. | 0:35:32 | 0:35:34 | |
You must know what... | 0:35:35 | 0:35:37 | |
What is it, ket? Crystal? GHB? | 0:35:37 | 0:35:40 | |
Cristal. | 0:35:42 | 0:35:43 | |
OK, er, did you snort or swallow? | 0:35:43 | 0:35:47 | |
No... | 0:35:47 | 0:35:48 | |
You don't understand. | 0:35:48 | 0:35:50 | |
It was in the Cristal! | 0:35:53 | 0:35:55 | |
Er, OK... | 0:35:56 | 0:35:58 | |
just have some more juice. | 0:35:58 | 0:36:00 | |
I... I don't... I don't feel very well. | 0:36:07 | 0:36:10 | |
All right, well, you... | 0:36:12 | 0:36:14 | |
You're not going to be sick, are you? | 0:36:14 | 0:36:16 | |
Oi. Tell me you're not going to be sick! | 0:36:17 | 0:36:20 | |
Why did you have to do that? That is disgusting, man. | 0:36:27 | 0:36:31 | |
That's horrible! | 0:36:31 | 0:36:32 | |
-I know you! -Look, I'm meant to be going to someone's flat. | 0:36:33 | 0:36:36 | |
I can't go like this. | 0:36:36 | 0:36:38 | |
We've met. | 0:36:38 | 0:36:39 | |
I've had enough of this, all right? I'm getting you to hospital. | 0:36:39 | 0:36:43 | |
No hospital, don't need it. | 0:36:44 | 0:36:45 | |
Course you need it. Look at you, you're a mess. | 0:36:45 | 0:36:47 | |
-YOU'RE a mess. -Thanks to you. | 0:36:48 | 0:36:50 | |
Not hospital. Don't want to go to a hospital. | 0:36:51 | 0:36:53 | |
OK. Where do you live? | 0:36:53 | 0:36:55 | |
Er... | 0:36:58 | 0:37:00 | |
Hey. | 0:37:25 | 0:37:26 | |
Hey. | 0:37:27 | 0:37:29 | |
How are you feeling? | 0:37:30 | 0:37:31 | |
Bad. | 0:37:32 | 0:37:33 | |
-SHE LAUGHS -I'm not surprised. | 0:37:33 | 0:37:36 | |
Where am I? | 0:37:39 | 0:37:41 | |
Rash brought you home. | 0:37:41 | 0:37:42 | |
Rash? | 0:37:42 | 0:37:44 | |
Arrash. My brother. | 0:37:44 | 0:37:46 | |
He's a police officer. | 0:37:48 | 0:37:49 | |
-You're not serious. -I am. | 0:37:53 | 0:37:55 | |
Oh...God. | 0:37:56 | 0:37:59 | |
Do you remember anything about last night? | 0:38:02 | 0:38:05 | |
Not much. | 0:38:05 | 0:38:06 | |
-Were you there? -No. | 0:38:07 | 0:38:09 | |
I looked after you when I got back from my shift. | 0:38:10 | 0:38:13 | |
I'm a nurse. | 0:38:13 | 0:38:14 | |
-Were you at the race? -I was. | 0:38:15 | 0:38:17 | |
You didn't win. | 0:38:17 | 0:38:19 | |
-Close second. -SHE LAUGHS | 0:38:19 | 0:38:21 | |
-Do you know what you took? -No. | 0:38:24 | 0:38:26 | |
-And I didn't take it on purpose. -Hm, haven't heard that one before. | 0:38:26 | 0:38:29 | |
-Would you like me to examine you? -Yes! | 0:38:31 | 0:38:34 | |
Y-Yeah. | 0:38:36 | 0:38:37 | |
Yeah. | 0:38:37 | 0:38:38 | |
All right, we'll start with your pulse. | 0:38:38 | 0:38:41 | |
Were you sick? | 0:38:46 | 0:38:47 | |
I think so. | 0:38:47 | 0:38:49 | |
Well, that's good. | 0:38:49 | 0:38:51 | |
Your pupils aren't dilated. | 0:38:51 | 0:38:53 | |
It's probably out of your system. | 0:38:53 | 0:38:55 | |
You should see a doctor anyway. | 0:38:55 | 0:38:57 | |
I'd prefer to see you. | 0:38:57 | 0:38:58 | |
-SHE CHUCKLES -Seriously. | 0:38:58 | 0:39:01 | |
You should get checked over. | 0:39:01 | 0:39:03 | |
How's my pulse? | 0:39:05 | 0:39:07 | |
It's racing. | 0:39:11 | 0:39:12 | |
What's happening? | 0:39:14 | 0:39:15 | |
I was just...checking him. | 0:39:17 | 0:39:19 | |
All right. Is he well enough to leave? | 0:39:20 | 0:39:22 | |
Yeah, I'm all right. | 0:39:22 | 0:39:24 | |
I'll leave you to it. | 0:39:26 | 0:39:28 | |
I should get to bed. | 0:39:28 | 0:39:30 | |
Thank you. | 0:39:30 | 0:39:31 | |
You look after yourself. | 0:39:32 | 0:39:34 | |
Here. | 0:39:49 | 0:39:50 | |
That should be your size. | 0:39:50 | 0:39:52 | |
What happened to this one? | 0:39:52 | 0:39:54 | |
You tore it off. | 0:39:58 | 0:39:59 | |
I'm Superman! | 0:40:00 | 0:40:02 | |
You said you were Superman. Or do you not remember that? | 0:40:02 | 0:40:04 | |
No. No. | 0:40:04 | 0:40:06 | |
Thanks. | 0:40:09 | 0:40:10 | |
Don't mention it. | 0:40:11 | 0:40:12 | |
You just ruined my evening. | 0:40:14 | 0:40:15 | |
-TAXI DRIVER: -No, forget it, mate. | 0:40:15 | 0:40:18 | |
I wasn't on drugs, if it makes any difference. | 0:40:22 | 0:40:26 | |
What? | 0:40:27 | 0:40:28 | |
I know that's what it looks like, but that's not how it happened. | 0:40:29 | 0:40:32 | |
I was drugged. | 0:40:32 | 0:40:33 | |
You're empty. | 0:40:33 | 0:40:35 | |
-What? You mean... -Someone spiked my drink. | 0:40:37 | 0:40:39 | |
You can check me out if you like. | 0:40:40 | 0:40:42 | |
I work for the Serious Fraud Office. | 0:40:42 | 0:40:44 | |
Is that why you were there? | 0:40:47 | 0:40:48 | |
At the hotel? | 0:40:48 | 0:40:50 | |
I can't tell you that. | 0:40:50 | 0:40:52 | |
Why not? | 0:40:53 | 0:40:55 | |
You know I almost got killed because of you. | 0:40:55 | 0:40:57 | |
-You're a police officer. -Who told you that? | 0:40:57 | 0:41:00 | |
Your sister. | 0:41:01 | 0:41:02 | |
Look, I can't talk about my work. I'm sorry. I can't. | 0:41:04 | 0:41:07 | |
I'm Arrash. | 0:41:14 | 0:41:15 | |
Arrash Sayyad. | 0:41:17 | 0:41:19 | |
Stefan Kowolski. | 0:41:19 | 0:41:21 | |
So why were you there? | 0:41:23 | 0:41:24 | |
I can't tell you that, either. | 0:41:24 | 0:41:27 | |
Then it looks like we don't have much to talk about. | 0:41:28 | 0:41:30 | |
You're right. We don't. | 0:41:33 | 0:41:36 | |
Eleanor. | 0:41:48 | 0:41:49 | |
Peter. | 0:41:50 | 0:41:51 | |
This is a surprise. | 0:41:51 | 0:41:52 | |
Is it? | 0:41:52 | 0:41:53 | |
I just happened to be passing. | 0:41:53 | 0:41:55 | |
You never just "happen" to be doing anything, Peter. | 0:41:55 | 0:41:57 | |
How can I help you? | 0:41:57 | 0:41:59 | |
Well, it's none of my business, but since you ask, | 0:41:59 | 0:42:01 | |
I heard a whisper you might be interested in a company | 0:42:01 | 0:42:04 | |
with which I have certain connections. UK Remicon? | 0:42:04 | 0:42:07 | |
You're right. | 0:42:07 | 0:42:08 | |
You're interested in them? | 0:42:08 | 0:42:10 | |
It IS none of your business. | 0:42:10 | 0:42:12 | |
Well, of course, I wouldn't dream of interfering, | 0:42:15 | 0:42:18 | |
but I do hope you know what you're doing. | 0:42:18 | 0:42:20 | |
It is my habit, yes. | 0:42:20 | 0:42:22 | |
Then I'm sure you're aware of UK Remicon's track record. | 0:42:22 | 0:42:25 | |
They're a major player. | 0:42:26 | 0:42:27 | |
An exporter, an employer. | 0:42:27 | 0:42:30 | |
And, of course, we've got... | 0:42:30 | 0:42:31 | |
Ruhn Laboratories waiting in the wings. | 0:42:31 | 0:42:35 | |
It'd be a shame to hand everything to the Americans, wouldn't it? | 0:42:35 | 0:42:38 | |
Peter...can I say something with the upmost respect? | 0:42:38 | 0:42:42 | |
Yes. | 0:42:42 | 0:42:43 | |
Fuck off. | 0:42:43 | 0:42:45 | |
-So, you went to the funeral? -Yes, sir. | 0:42:55 | 0:42:58 | |
And the police were there? | 0:42:59 | 0:43:01 | |
Yes. Two of them. | 0:43:01 | 0:43:04 | |
One was a DS Sands. The other one was younger. | 0:43:04 | 0:43:06 | |
DC Sayyad. | 0:43:06 | 0:43:08 | |
And you managed to tell them the... | 0:43:08 | 0:43:10 | |
..things we mentioned? | 0:43:11 | 0:43:13 | |
Yes. | 0:43:13 | 0:43:15 | |
But...they said there were two others who'd died. | 0:43:17 | 0:43:20 | |
I know nothing about that. | 0:43:22 | 0:43:23 | |
Look, why are we doing this? Involving the police? | 0:43:23 | 0:43:26 | |
Are you concerned? | 0:43:26 | 0:43:28 | |
Yes, sir. I am. | 0:43:28 | 0:43:30 | |
What we're doing, Bruce, is... | 0:43:34 | 0:43:36 | |
..exploiting a situation that was handed to us. | 0:43:38 | 0:43:41 | |
It was handed to us by you, and we're very grateful for that. | 0:43:41 | 0:43:44 | |
I know, but... | 0:43:44 | 0:43:46 | |
UK Remicon's our number one competitor in the European market | 0:43:46 | 0:43:49 | |
and if, for some reason, they were to be put out of the way, | 0:43:49 | 0:43:52 | |
that could be... very advantageous to us. | 0:43:52 | 0:43:54 | |
I just wouldn't want to think that we were doing anything... | 0:43:54 | 0:43:57 | |
Illegal? | 0:43:57 | 0:43:59 | |
Well... | 0:44:00 | 0:44:01 | |
..you signed a confidentiality agreement | 0:44:03 | 0:44:05 | |
when you did that business with Greenfern, and you broke it. | 0:44:05 | 0:44:08 | |
But, er...you don't need to worry about that. | 0:44:08 | 0:44:11 | |
We'll look after you. | 0:44:11 | 0:44:12 | |
We've upgraded your company car. It's parked out back. | 0:44:19 | 0:44:22 | |
I think you'll like it. | 0:44:22 | 0:44:24 | |
REMOTE LOCKING BEEPS | 0:44:38 | 0:44:39 | |
'I don't know why you're asking me these questions. | 0:44:44 | 0:44:46 | |
'Why is this even a police matter? | 0:44:46 | 0:44:48 | |
DS SANDS: 'I'll tell you why, Dr Leese. | 0:44:48 | 0:44:50 | |
'Mark Henson, Laura Jones and Steve Mullen are all dead.' | 0:44:50 | 0:44:54 | |
All killed in unusual circumstances. | 0:44:54 | 0:44:56 | |
You used the three of them in some sort of medical experiment in India. | 0:44:56 | 0:44:59 | |
That's what connects them. | 0:44:59 | 0:45:01 | |
I didn't use them and it wasn't an experiment. | 0:45:01 | 0:45:03 | |
I wouldn't use that sort of terminology. | 0:45:03 | 0:45:05 | |
What we're talking about is a fully authorised | 0:45:05 | 0:45:08 | |
and legitimate medical trial. | 0:45:08 | 0:45:11 | |
You knew them. | 0:45:11 | 0:45:12 | |
No. I headed up a company, Greenfern, | 0:45:12 | 0:45:15 | |
which provided research facilities of the nature you have described. | 0:45:15 | 0:45:19 | |
We had hundreds of volunteers passing through. | 0:45:19 | 0:45:22 | |
I actually met very few of them. | 0:45:22 | 0:45:24 | |
Does the name Henry Williams mean anything to you? | 0:45:24 | 0:45:26 | |
No, I can't say that it does. | 0:45:27 | 0:45:29 | |
And when was the last time you saw | 0:45:29 | 0:45:31 | |
Mark Henson, Laura Jones or Steve Mullen? | 0:45:31 | 0:45:33 | |
I'm not sure I ever saw them. | 0:45:33 | 0:45:35 | |
They're just names. | 0:45:35 | 0:45:37 | |
I went there as David Leese. | 0:45:41 | 0:45:43 | |
I got there before him, they didn't even ask for the invitation. | 0:45:43 | 0:45:46 | |
They knew I was coming. | 0:45:46 | 0:45:48 | |
-They were expecting me. -That's not possible... | 0:45:48 | 0:45:51 | |
They wouldn't try something like that if they knew you were SFO. | 0:45:51 | 0:45:54 | |
So, what exactly did happen? | 0:45:54 | 0:45:56 | |
There were girls. There were rooms upstairs. | 0:45:56 | 0:45:59 | |
There were training courses in the South of France. | 0:45:59 | 0:46:03 | |
If they're coercing doctors and pharmacists | 0:46:03 | 0:46:05 | |
with bribery, corruption and the rest of it, then... | 0:46:05 | 0:46:08 | |
..we've nailed them. | 0:46:10 | 0:46:11 | |
I didn't see anything. I wasn't there long enough. | 0:46:12 | 0:46:15 | |
It was like it was all set up. | 0:46:17 | 0:46:19 | |
The drink, the Cristal. | 0:46:20 | 0:46:22 | |
They were waiting for me. | 0:46:24 | 0:46:25 | |
But no-one else knew about this except for me and you. | 0:46:25 | 0:46:27 | |
And I didn't say anything. | 0:46:29 | 0:46:31 | |
So, how did they know? | 0:46:31 | 0:46:32 | |
Marcus, I could have been killed. | 0:46:33 | 0:46:36 | |
Yes? | 0:46:49 | 0:46:51 | |
Mrs Williams? | 0:46:51 | 0:46:52 | |
Yes. | 0:46:52 | 0:46:53 | |
I wonder if Henry is in? | 0:46:53 | 0:46:55 | |
No. | 0:46:55 | 0:46:56 | |
What's this about? | 0:46:57 | 0:46:59 | |
Can I come in for a moment? | 0:46:59 | 0:47:00 | |
I'm afraid we've had a complaint | 0:47:13 | 0:47:14 | |
from the manager of the car wash where Henry was employed. | 0:47:14 | 0:47:17 | |
Tom phoned you? | 0:47:17 | 0:47:19 | |
It seems that Henry may have committed criminal damage. | 0:47:19 | 0:47:22 | |
He smashed a car window. | 0:47:22 | 0:47:24 | |
He lost his temper. He didn't know what he was doing! | 0:47:24 | 0:47:27 | |
Are you sure he's not here, Mrs Williams? | 0:47:28 | 0:47:31 | |
-Could I take a quick look upstairs? -If you want to. | 0:47:31 | 0:47:33 | |
Between you and me, you've got nothing to worry about. | 0:47:35 | 0:47:38 | |
I'm sure they won't press charges. | 0:47:38 | 0:47:40 | |
Er, hi, Jo? | 0:48:20 | 0:48:21 | |
Er, this is Arrash, Leila's brother. | 0:48:21 | 0:48:23 | |
Yeah, I was supposed to see the room last night. | 0:48:25 | 0:48:27 | |
I got caught up. I'm really sorry. | 0:48:27 | 0:48:28 | |
Yeah, I can come round today, if you like? | 0:48:30 | 0:48:32 | |
Any time that suits? | 0:48:32 | 0:48:33 | |
What, already? | 0:48:35 | 0:48:36 | |
Well, er, if they change their mind, then... | 0:48:38 | 0:48:40 | |
David Leese works for the City of London Health Trust. | 0:48:41 | 0:48:44 | |
He's the one who hired them. | 0:48:44 | 0:48:46 | |
Mark Henson, Laura Jones, Steve Mullen. | 0:48:46 | 0:48:49 | |
Is he the one killing them? | 0:48:49 | 0:48:50 | |
Nah, he's not got it in him. He's just a pen-pusher. | 0:48:50 | 0:48:53 | |
It's this Henry Williams we need to find, but all we've got is the name. | 0:48:53 | 0:48:56 | |
What about these two women at the station? The contract workers. | 0:48:58 | 0:49:01 | |
Still trying to find them. So far, nothing. | 0:49:01 | 0:49:04 | |
Do you think they could be part of this? | 0:49:05 | 0:49:07 | |
The cameras were switched off. That's not easy. | 0:49:07 | 0:49:10 | |
-We don't know it was them. -HE KNOCKS ON THE DOOR | 0:49:10 | 0:49:13 | |
I've found Henry Williams. | 0:49:13 | 0:49:14 | |
Sayyad, there must be 400 Henry Williamses listed in London. | 0:49:15 | 0:49:19 | |
That's 400 addresses. 400 telephone numbers. | 0:49:19 | 0:49:21 | |
How have you managed that in just one morning? | 0:49:21 | 0:49:24 | |
I Googled him. | 0:49:24 | 0:49:26 | |
There's a company called Squeegees. They're a car wash. | 0:49:28 | 0:49:31 | |
They have an online newsletter and, er, they write about their staff. | 0:49:31 | 0:49:35 | |
How do you know it's the right Henry Williams? | 0:49:36 | 0:49:39 | |
This is his picture. | 0:49:40 | 0:49:42 | |
So...? | 0:49:45 | 0:49:47 | |
Well, I went back over the CCTV. | 0:49:47 | 0:49:48 | |
This is the entrance to the station where Laura Jones was killed. | 0:49:48 | 0:49:52 | |
Hi. | 0:49:58 | 0:50:00 | |
Hi. | 0:50:00 | 0:50:01 | |
Um... | 0:50:02 | 0:50:04 | |
I found something interesting on Elizabeth Leese, David Leese's wife. | 0:50:04 | 0:50:07 | |
She used to work for a company that was owned by UK Remicon. | 0:50:09 | 0:50:12 | |
That's where she met her husband. He was CEO. | 0:50:12 | 0:50:15 | |
Greenfern? | 0:50:15 | 0:50:16 | |
Sorry about that, I had to take a call. | 0:50:26 | 0:50:28 | |
But you're right, he's not here. | 0:50:28 | 0:50:30 | |
Don't mention this to Henry, Mrs Williams. | 0:50:30 | 0:50:33 | |
There's no need to upset him unnecessarily. | 0:50:33 | 0:50:36 | |
He was only here for three months and, to be honest, | 0:50:45 | 0:50:47 | |
I was glad to see the back of him. | 0:50:47 | 0:50:49 | |
Did you fire him? | 0:50:49 | 0:50:51 | |
Didn't need to. | 0:50:51 | 0:50:52 | |
In the end, he had a sort of a breakdown. | 0:50:52 | 0:50:55 | |
I haven't seen him since. | 0:50:56 | 0:50:58 | |
Are you saying he was off his nut? | 0:50:58 | 0:50:59 | |
I wouldn't use THAT language. | 0:50:59 | 0:51:01 | |
But he wasn't all together? Up there. | 0:51:01 | 0:51:04 | |
I would say he certainly needed help. | 0:51:04 | 0:51:06 | |
D'you have his address? | 0:51:06 | 0:51:08 | |
Yeah, course. | 0:51:08 | 0:51:09 | |
So what is it? | 0:51:11 | 0:51:13 | |
'Greenfern was based in India. It was R&D, testing new drugs.' | 0:51:13 | 0:51:17 | |
So this is the smoking gun. | 0:51:17 | 0:51:19 | |
This is what links David Leese to UK Remicon. | 0:51:19 | 0:51:21 | |
It would do, except Greenfern was closed down six years ago. | 0:51:21 | 0:51:24 | |
There is one bit of Greenfern that's still operating. | 0:51:24 | 0:51:27 | |
They call themselves GCS, but that's just a disguise. | 0:51:27 | 0:51:30 | |
It stands for Greenfern Consultancy Services. | 0:51:30 | 0:51:33 | |
They're still making payments every month to one person. | 0:51:33 | 0:51:37 | |
Who's Henry Williams? | 0:51:37 | 0:51:39 | |
I'm sorry. He's not in. | 0:51:41 | 0:51:42 | |
What did you say this was all about? | 0:51:44 | 0:51:46 | |
Not sure I did say, Mrs Williams. | 0:51:46 | 0:51:49 | |
We just want to talk to him. | 0:51:51 | 0:51:53 | |
That's all. | 0:51:53 | 0:51:55 | |
Is he in some sort of trouble? | 0:51:55 | 0:51:57 | |
Now, why would you think that? | 0:51:57 | 0:51:59 | |
I wouldn't. Henry's always been a very quiet sort of boy. But... | 0:51:59 | 0:52:03 | |
..you said you're the police. | 0:52:04 | 0:52:07 | |
And he's, what? 28, 29? | 0:52:07 | 0:52:09 | |
Hardly a boy. | 0:52:10 | 0:52:12 | |
Where is he now? | 0:52:13 | 0:52:15 | |
I don't know. | 0:52:16 | 0:52:17 | |
He went out to get the shopping. | 0:52:18 | 0:52:20 | |
Mrs Williams, | 0:52:20 | 0:52:22 | |
can you tell me where Henry was three nights ago around 6.40? | 0:52:22 | 0:52:25 | |
Three nights ago? | 0:52:25 | 0:52:27 | |
Monday? | 0:52:33 | 0:52:34 | |
Monday? Well, he was... he was here with me. | 0:52:37 | 0:52:39 | |
Are you sure about that? | 0:52:41 | 0:52:42 | |
Yes. I'm sure he didn't go out. | 0:52:42 | 0:52:44 | |
Then... | 0:52:45 | 0:52:47 | |
how would you explain this photograph? | 0:52:47 | 0:52:49 | |
It was taken on Monday just before 6.40, | 0:52:49 | 0:52:51 | |
at a Tube station the other side of London. | 0:52:51 | 0:52:54 | |
Is that Henry? | 0:52:59 | 0:53:00 | |
You tell me. | 0:53:02 | 0:53:03 | |
Well, it looks like him. | 0:53:03 | 0:53:05 | |
But it can't be. He was with me. | 0:53:05 | 0:53:06 | |
Does the name Laura Jones mean anything to you? | 0:53:08 | 0:53:12 | |
No. | 0:53:12 | 0:53:13 | |
Or Mark Henson? | 0:53:13 | 0:53:15 | |
Or Steve Mullen? | 0:53:15 | 0:53:17 | |
No. | 0:53:17 | 0:53:18 | |
What is this about? | 0:53:19 | 0:53:21 | |
I wonder if we can take a look at Henry's room? | 0:53:22 | 0:53:25 | |
How does he afford all this stuff? | 0:53:48 | 0:53:50 | |
Well, well, well. | 0:53:51 | 0:53:53 | |
I don't understand. | 0:53:59 | 0:54:00 | |
He was in India with Mark Henson, and all the rest of them. | 0:54:00 | 0:54:03 | |
He's a nutter. It's not rocket science. | 0:54:03 | 0:54:05 | |
DOORBELL RINGS | 0:54:05 | 0:54:07 | |
Could be him. | 0:54:09 | 0:54:10 | |
Why would he ring his own doorbell? | 0:54:11 | 0:54:13 | |
I'll go down. | 0:54:15 | 0:54:16 | |
It's all right, Mrs Williams. I'll get it. | 0:54:24 | 0:54:26 | |
Stefan. | 0:54:41 | 0:54:42 | |
Rash. | 0:54:42 | 0:54:43 | |
Henry! | 0:54:43 | 0:54:45 | |
Stop! | 0:54:58 | 0:54:59 | |
Henry! Henry, stop! | 0:55:00 | 0:55:02 | |
Henry! | 0:55:08 | 0:55:09 | |
-Bruce Lockwood. We should talk to him. -You and me? | 0:55:19 | 0:55:21 | |
-This has got nothing to do with me! -Three people are dead. | 0:55:21 | 0:55:24 | |
You could be next. | 0:55:24 | 0:55:26 | |
Henry Williams has confessed. | 0:55:26 | 0:55:27 | |
You're not stupid, but you've overreached yourself, son. | 0:55:27 | 0:55:30 | |
Get out. You've brought this on yourself. | 0:55:30 | 0:55:32 | |
Can't you see we're both investigating the same thing? | 0:55:32 | 0:55:35 | |
Rash? | 0:55:50 | 0:55:51 | |
Missing you already! | 0:55:51 | 0:55:52 |