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# It's all right It's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter If you're old and grey | 0:00:03 | 0:00:06 | |
# It's all right I say it's OK | 0:00:06 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter If the sun don't shine | 0:00:13 | 0:00:17 | |
# It's all right I say it's OK | 0:00:17 | 0:00:19 | |
# We're gettin' To the end of the day. # | 0:00:19 | 0:00:22 | |
The case we discussed last night, Sir? | 0:01:17 | 0:01:19 | |
It's being handed back to the | 0:01:19 | 0:01:20 | |
Directorate of Professional Standards tomorrow morning. | 0:01:20 | 0:01:23 | |
Until then? | 0:01:23 | 0:01:25 | |
-Technically, it's still ours. -I'd like to take a run at it. | 0:01:25 | 0:01:27 | |
Why the change of heart? | 0:01:27 | 0:01:29 | |
-The thought of Monroe walking free. -There's a lot at stake here, Sasha. | 0:01:29 | 0:01:32 | |
I'm aware of the potential for embarrassment, Sir. | 0:01:32 | 0:01:35 | |
This is more than just embarrassment. | 0:01:35 | 0:01:37 | |
A lot of the top brass hitched their wagon to DCI Hennessy's star. | 0:01:37 | 0:01:40 | |
If it turns out that he fitted Monroe up, | 0:01:40 | 0:01:43 | |
the political fallout could be catastrophic. | 0:01:43 | 0:01:45 | |
Is that why UCOS were chosen ahead of the DPS? | 0:01:45 | 0:01:47 | |
UCOS were chosen because they can be discreet. | 0:01:47 | 0:01:49 | |
-And me? -Because you'll leave no stone left unturned. | 0:01:49 | 0:01:53 | |
But no-one is suggesting that we cover anything up here, Sasha, | 0:01:53 | 0:01:56 | |
they're only interested in the truth. | 0:01:56 | 0:01:58 | |
And if they don't like that truth? | 0:01:58 | 0:02:00 | |
Upstairs are convinced that Hennessy got the right man, | 0:02:01 | 0:02:05 | |
they just want to make sure that he got him in the right way. | 0:02:05 | 0:02:07 | |
You've got 24 hours. | 0:02:07 | 0:02:09 | |
Eddie Monroe, one of the Met's top targets for over two decades. | 0:02:23 | 0:02:27 | |
-Until the MIT finally put the bastard away. -That bad? | 0:02:27 | 0:02:30 | |
The epitome of a nasty piece of work. | 0:02:30 | 0:02:32 | |
Drugs, prostitution, extortion, you name it, he controlled it. | 0:02:32 | 0:02:35 | |
Serious and Organised could never pin anything on him though, | 0:02:35 | 0:02:38 | |
he laundered it all through a hotel chain he built up in the '80s. | 0:02:38 | 0:02:41 | |
However, five years ago, Monroe was convicted of murdering this man, | 0:02:41 | 0:02:45 | |
Alistair Caldwell CBE, | 0:02:45 | 0:02:46 | |
during an argument at a Mayfair hotel owned by Monroe. | 0:02:46 | 0:02:49 | |
The Senior Investigating Officer on the case was... | 0:02:49 | 0:02:52 | |
-Headline Hennessy. -May he rest in peace. | 0:02:52 | 0:02:55 | |
-You knew him? -Everyone did. He was a poster boy for the Met, | 0:02:55 | 0:02:59 | |
he got his face in the papers more often than Princess Di. | 0:02:59 | 0:03:01 | |
Well, he's going to be making headlines for all the wrong reasons. | 0:03:01 | 0:03:05 | |
The suspect in the Mayfair jewellery heist is lodging an appeal, claims | 0:03:05 | 0:03:09 | |
that Hennessy suppressed evidence that could have exonerated him. | 0:03:09 | 0:03:11 | |
-Hennessy bent? -No-one's suggesting that he took bribes, | 0:03:11 | 0:03:14 | |
more that he took an 'ends justifies the means' attitude to the job. | 0:03:14 | 0:03:17 | |
So the Yard's worried that, if Hennessy did suppress evidence, | 0:03:17 | 0:03:20 | |
every con he ever put away will lodge an appeal. | 0:03:20 | 0:03:22 | |
Which is why they've ordered | 0:03:22 | 0:03:24 | |
a re-investigation into Hennessy's most high-profile arrests. | 0:03:24 | 0:03:27 | |
The highest profile being Edward Monroe. | 0:03:27 | 0:03:29 | |
Oh, I'll say. Press will have a field day if he walks. | 0:03:29 | 0:03:32 | |
Wait a minute. Why's this case been given to UCOS? | 0:03:32 | 0:03:35 | |
-It isn't unsolved or cold. -Yeah. | 0:03:35 | 0:03:37 | |
Orders from upstairs. | 0:03:37 | 0:03:39 | |
What Steve's saying is, of all of Hennessy's cases, | 0:03:41 | 0:03:44 | |
-why have we been given Monroe's? -What don't we know? | 0:03:44 | 0:03:47 | |
15 years ago, I was part of a major investigation into Monroe. | 0:03:53 | 0:03:58 | |
Josh Tyler was my partner in CID, he was undercover in Monroe's gang. | 0:03:58 | 0:04:03 | |
One night he sent me a message saying he thought his cover | 0:04:03 | 0:04:07 | |
had been blown, next morning he was found floating in the Thames. | 0:04:07 | 0:04:11 | |
Murdered? | 0:04:13 | 0:04:14 | |
We all knew Monroe was behind it, we just could never prove it. | 0:04:16 | 0:04:19 | |
So if we can't establish that Hennessy's case against Monroe | 0:04:19 | 0:04:24 | |
was kosher, the... | 0:04:24 | 0:04:25 | |
The case gets turned back to the DPS tomorrow morning and I want us | 0:04:25 | 0:04:28 | |
to be the ones to solve it. | 0:04:28 | 0:04:30 | |
So if you've got plans for the next 24 hours, cancel them. | 0:04:32 | 0:04:36 | |
SIREN WAILS | 0:04:41 | 0:04:43 | |
Hi, Dad. | 0:04:53 | 0:04:54 | |
-Is that...? -Yeah. | 0:04:56 | 0:04:59 | |
-Look, mate, why don't you meet us at the hotel. -OK. | 0:05:00 | 0:05:04 | |
I'll explain to you on the way. | 0:05:05 | 0:05:07 | |
Stewie, what are you doing here? | 0:05:11 | 0:05:15 | |
I thought you'd be pleased to see me. | 0:05:15 | 0:05:18 | |
I am, I am, it's just... | 0:05:18 | 0:05:20 | |
Thanks a lot. Thank you. | 0:05:27 | 0:05:29 | |
-Here you go. Chocolate for you. -Thanks. | 0:05:33 | 0:05:38 | |
So how'd you find me? | 0:05:38 | 0:05:41 | |
Rung up your old station, followed the trail from there. | 0:05:41 | 0:05:44 | |
Oh, right. You'd make a good detective. | 0:05:44 | 0:05:46 | |
HE CHUCKLES | 0:05:46 | 0:05:47 | |
-How's things at school? -I'm at college. | 0:06:00 | 0:06:02 | |
Oh, you've left school? | 0:06:02 | 0:06:03 | |
I'm at sixth form college. | 0:06:03 | 0:06:05 | |
Oh, I see. I see, right. Still playing rugby? | 0:06:05 | 0:06:08 | |
How'd you know I play rugby? | 0:06:10 | 0:06:12 | |
Well, it's...just...the shirt's a bit of a give-away. | 0:06:15 | 0:06:21 | |
HE CLEARS THROAT | 0:06:22 | 0:06:24 | |
Why didn't you get back in touch after you left? | 0:06:26 | 0:06:29 | |
That's...that's... | 0:06:33 | 0:06:36 | |
It's...complicated, you know, it's... | 0:06:37 | 0:06:40 | |
Do you need to be somewhere? | 0:06:40 | 0:06:42 | |
Me? Me? No, I'm fine. Absolutely fine. | 0:06:42 | 0:06:45 | |
Maybe we can meet up later? After work? | 0:06:45 | 0:06:48 | |
Mum thinks I'm at a mate's, I could wait at your place. | 0:06:48 | 0:06:51 | |
Well, look, Stewie, this isn't a best day for me, | 0:06:51 | 0:06:54 | |
really, I don't even know really... | 0:06:54 | 0:06:56 | |
You haven't changed, have you? Work always comes first. | 0:06:56 | 0:07:00 | |
OK. OK. Wait... | 0:07:04 | 0:07:06 | |
Here's my spare key and I'll write my address for you. | 0:07:09 | 0:07:16 | |
Armadale Lofts. It's on Armadale Street. | 0:07:18 | 0:07:22 | |
Not too far. | 0:07:22 | 0:07:23 | |
Will you find that all right? | 0:07:23 | 0:07:26 | |
Yeah, yeah. | 0:07:26 | 0:07:28 | |
OK. Good. Look...I tell you what... | 0:07:28 | 0:07:32 | |
Best if I scoot now and then, I should be back by 6.00. OK? | 0:07:32 | 0:07:36 | |
Yeah. | 0:07:36 | 0:07:38 | |
OK, OK. | 0:07:38 | 0:07:40 | |
Well...it's good to see you, son. | 0:07:40 | 0:07:44 | |
Thank you. | 0:08:00 | 0:08:01 | |
How many hotels did you say Monroe owned? | 0:08:03 | 0:08:05 | |
I didn't. But it's 83, since you're asking. | 0:08:05 | 0:08:08 | |
83? | 0:08:08 | 0:08:09 | |
Yeah, that looks like my statement. | 0:08:18 | 0:08:20 | |
And there's nothing missing from what you originally told DCI Hennessy? | 0:08:20 | 0:08:24 | |
-Nothing I can think of. -Heads up! | 0:08:24 | 0:08:26 | |
-Hiya. -Hi. | 0:08:26 | 0:08:28 | |
Can you show me where the body was found? | 0:08:30 | 0:08:32 | |
Yeah, sure. | 0:08:32 | 0:08:35 | |
That was a turn up for the books, isn't it? | 0:08:35 | 0:08:37 | |
-That's one way of putting it. -Why? What's up? | 0:08:37 | 0:08:40 | |
Didn't ask for his pocket money to be backdated, did he? | 0:08:40 | 0:08:43 | |
It's this way. | 0:08:45 | 0:08:47 | |
Who was working that night? | 0:08:47 | 0:08:50 | |
Everyone, Summer Ceilidh is one of our biggest nights of the year. | 0:08:50 | 0:08:53 | |
TRADITIONAL SCOTTISH MUSIC | 0:08:55 | 0:08:57 | |
Alistair Caldwell was out celebrating with his wife, Cynthia. | 0:09:00 | 0:09:05 | |
Also there that evening was his boss, Dr Uri Hallerman. | 0:09:05 | 0:09:09 | |
Daniella Yates, CEO of The Virchow Foundation. | 0:09:10 | 0:09:14 | |
And her date for the evening, Matthew Taylor. | 0:09:14 | 0:09:18 | |
According to Hennessey's investigation, | 0:09:21 | 0:09:24 | |
Caldwell is said to have gone out for a cigar. | 0:09:24 | 0:09:27 | |
It was also stated in Hennessey's investigation | 0:09:32 | 0:09:35 | |
that Monroe was returning from the kitchens, | 0:09:35 | 0:09:38 | |
saw Caldwell in the corridor and the pair got into an altercation. | 0:09:38 | 0:09:44 | |
What about? | 0:09:44 | 0:09:46 | |
Monroe's only child Emma died of leukaemia 20 years ago, | 0:09:46 | 0:09:50 | |
his wife couldn't cope and a year later she took her own life. | 0:09:50 | 0:09:54 | |
-Heavy. -What's all that got to do with Caldwell? | 0:09:54 | 0:09:57 | |
Well, he was Emma's oncologist and Monroe always blames him | 0:09:57 | 0:10:01 | |
for not doing more to save her. | 0:10:01 | 0:10:03 | |
It was the first time Monroe had seen Caldwell since his daughter's | 0:10:03 | 0:10:06 | |
death and report says that something inside him just snapped. | 0:10:06 | 0:10:11 | |
He argued that, if fate hadn't conspired to bring | 0:10:15 | 0:10:18 | |
the two of them together that night, | 0:10:18 | 0:10:20 | |
Caldwell may still have been alive today. | 0:10:20 | 0:10:22 | |
This is where Mr Caldwell was found. | 0:10:30 | 0:10:33 | |
When did Monroe move into the penthouse suite? | 0:10:33 | 0:10:36 | |
Shortly after I joined the hotel's graduate scheme. | 0:10:36 | 0:10:39 | |
So about seven years ago. | 0:10:39 | 0:10:40 | |
And he had access to all areas of the hotel, | 0:10:40 | 0:10:42 | |
including the service lifts, yeah? | 0:10:42 | 0:10:44 | |
-Well, he owns the hotel, so yeah. -Thank you, Grace. | 0:10:44 | 0:10:47 | |
I'll let you know if there's anything else we need. | 0:10:47 | 0:10:51 | |
So Hennessy never came up with any actual witnesses? | 0:10:51 | 0:10:54 | |
None brave enough to come forward anyway. | 0:10:54 | 0:10:57 | |
So how did he pin Monroe to the crime scene? | 0:10:57 | 0:10:59 | |
-Monroe's blood was on the body. -Difficult one to explain away. | 0:10:59 | 0:11:02 | |
Monroe's defence argued that it was from an altercation he'd had | 0:11:02 | 0:11:06 | |
with Caldwell earlier that same evening | 0:11:06 | 0:11:08 | |
but no-one could be produced to back up the claim. | 0:11:08 | 0:11:11 | |
It seems like to me that Hennessy didn't need to fit Monroe up. | 0:11:11 | 0:11:13 | |
That's what I thought until I read the case file. | 0:11:13 | 0:11:16 | |
Hennessy was so hell bent on pinning the murder on Monroe, | 0:11:16 | 0:11:19 | |
he ignored the possibility it could be anyone else. | 0:11:19 | 0:11:22 | |
So we've been brought in to ask the questions that Hennessy didn't. | 0:11:22 | 0:11:25 | |
Yeah, but it doesn't mean that Hennessy deliberately | 0:11:25 | 0:11:28 | |
suppressed evidence, does it?! | 0:11:28 | 0:11:30 | |
-Hanlon's razor... -Eh? | 0:11:30 | 0:11:33 | |
Hanlon's razor. | 0:11:33 | 0:11:35 | |
Never attribute to malice that which is easily explained by stupidity. | 0:11:35 | 0:11:39 | |
Or ambition. | 0:11:40 | 0:11:42 | |
PHONE RINGS | 0:11:46 | 0:11:48 | |
Miller. | 0:11:50 | 0:11:51 | |
Right, OK. | 0:11:54 | 0:11:55 | |
That was the prison, Monroe wants to see me. | 0:11:57 | 0:12:00 | |
Is that wise? | 0:12:00 | 0:12:01 | |
Could be pertinent to the investigation. | 0:12:01 | 0:12:04 | |
Or it could be Monroe trying to play you. | 0:12:04 | 0:12:06 | |
This is all about Josh Tyler, isn't it? | 0:12:45 | 0:12:47 | |
Different murder, same suspect. | 0:12:47 | 0:12:51 | |
See, I'd heard you turned down the Hennessy investigation. | 0:12:51 | 0:12:54 | |
Tell me the name of your source, I'll be happy to put them straight. | 0:12:54 | 0:12:58 | |
The Yard must think they're so clever putting you on this case. | 0:12:58 | 0:13:02 | |
-My job is to get the truth. -Course it is. | 0:13:02 | 0:13:05 | |
The thought of revenge never crossed your mind, has it? | 0:13:05 | 0:13:08 | |
Revenge, justice, call it what you like. | 0:13:08 | 0:13:11 | |
As long as I spend the rest of my days in prison, eh? | 0:13:11 | 0:13:14 | |
Do you know why I've stayed on top for so long? | 0:13:17 | 0:13:21 | |
Look around you, you really think you're still on top? | 0:13:21 | 0:13:25 | |
Greed and fear. Other people's, not mine. | 0:13:25 | 0:13:30 | |
People either want something they don't have or | 0:13:30 | 0:13:34 | |
they are afraid of losing something that they've already got. | 0:13:34 | 0:13:37 | |
But me, I can't be leveraged. | 0:13:37 | 0:13:41 | |
You see... | 0:13:44 | 0:13:46 | |
Emma's death was the worst thing to ever happen to me, | 0:13:46 | 0:13:50 | |
but it kind of set me free. | 0:13:50 | 0:13:52 | |
Because I knew I could never be hurt like that again. | 0:13:54 | 0:13:57 | |
I'm not afraid of death... | 0:13:57 | 0:13:59 | |
..I don't care for anyone and I don't want anything and that, | 0:14:00 | 0:14:06 | |
Detective Chief Inspector, makes me a very dangerous opponent. | 0:14:06 | 0:14:12 | |
If you're trying to scare me off, it's not working. | 0:14:14 | 0:14:17 | |
I was sorry to hear about your domestic problems. | 0:14:21 | 0:14:26 | |
Divorce can be such a messy business. | 0:14:26 | 0:14:29 | |
Must get lonely banging around that big old house on your own, | 0:14:29 | 0:14:32 | |
-now all the others have left. -I enjoy the silence. | 0:14:32 | 0:14:35 | |
I'll have to come round and visit you, | 0:14:38 | 0:14:40 | |
one of these evenings when I'm out. | 0:14:40 | 0:14:42 | |
Yeah. Any day but Tuesdays, I've got yoga. | 0:14:42 | 0:14:45 | |
And how are the kids taking it all? | 0:14:45 | 0:14:47 | |
Alex and...Madeline, isn't it? | 0:14:50 | 0:14:54 | |
One way or another, I will bury you. | 0:14:57 | 0:15:00 | |
Gary! | 0:15:04 | 0:15:06 | |
Show DCI Miller out. | 0:15:09 | 0:15:11 | |
So, you remarried? | 0:15:21 | 0:15:23 | |
You don't approve? | 0:15:25 | 0:15:26 | |
No, Josh wouldn't have wanted you to be alone. | 0:15:26 | 0:15:29 | |
How's Ned? | 0:15:30 | 0:15:32 | |
-I've absolutely no idea. -I'm sorry. | 0:15:33 | 0:15:36 | |
No, don't be, it was for the best. | 0:15:36 | 0:15:39 | |
So why the unexpected visit? It's been what, five years? | 0:15:39 | 0:15:44 | |
We're re-examining the investigation into Alistair Caldwell's death. | 0:15:44 | 0:15:49 | |
Could Monroe get out? | 0:15:49 | 0:15:51 | |
-If he appeals and wins, yes. -Is that likely? | 0:15:52 | 0:15:56 | |
Not if I've got anything to do with it. | 0:15:58 | 0:16:00 | |
You know, the thought of that man ever getting released... | 0:16:08 | 0:16:12 | |
The fact he is in prison, it feels as if Josh's has had | 0:16:12 | 0:16:16 | |
some sort of justice. | 0:16:16 | 0:16:17 | |
We will get Monroe for Josh's murder one day, I promise. | 0:16:17 | 0:16:21 | |
You know, Josh always told me | 0:16:26 | 0:16:28 | |
he thought you were the best cop he'd ever known. | 0:16:28 | 0:16:31 | |
I always envied your relationship. | 0:16:36 | 0:16:38 | |
-Well, we were never... -I know. | 0:16:39 | 0:16:41 | |
It was your friendship I was jealous of. | 0:16:43 | 0:16:46 | |
The way you could spend all day together | 0:16:46 | 0:16:48 | |
and still find things to talk about on the phone when you got home. | 0:16:48 | 0:16:52 | |
Josh loved you very much. | 0:16:57 | 0:16:58 | |
But I think he liked you a lot more. | 0:17:01 | 0:17:04 | |
-Aliens! -What? | 0:17:18 | 0:17:20 | |
Well, you didn't tell Stewie you were abducted by aliens | 0:17:20 | 0:17:23 | |
and the reason you haven't been in touch is | 0:17:23 | 0:17:25 | |
because you've only just got released. | 0:17:25 | 0:17:27 | |
-And what would aliens want with me? -I don't know. | 0:17:27 | 0:17:29 | |
Maybe they're studying the long-term side effects | 0:17:29 | 0:17:33 | |
of eating deep-fried haggis. | 0:17:33 | 0:17:35 | |
You discovered a conspiracy between the mafia | 0:17:37 | 0:17:40 | |
and Hibernian Football Club and the only way to keep Stewart | 0:17:40 | 0:17:42 | |
and his mum safe was for you to leave! | 0:17:42 | 0:17:45 | |
-Don't be so stupid. -Gentlemen, Daniella Yates, CEO. | 0:17:45 | 0:17:47 | |
Steve McAndrew and my colleague Gerry Standing. | 0:17:47 | 0:17:50 | |
-I know. Shall we go to my office? -Yeah. | 0:17:50 | 0:17:52 | |
You told DCI Hennessy you were part of Alistair Caldwell's party | 0:17:53 | 0:17:56 | |
the night he was killed. | 0:17:56 | 0:17:58 | |
The foundation works closely with Mr Hallerman. | 0:17:58 | 0:18:00 | |
We've become friends over the years. | 0:18:00 | 0:18:02 | |
-So what exactly goes on here? -We're a brokerage, | 0:18:04 | 0:18:07 | |
we collate details of people who want to donate bone marrow. | 0:18:07 | 0:18:10 | |
And then when a hospital needs a donor, | 0:18:10 | 0:18:12 | |
we search our records and hopefully find a match. | 0:18:12 | 0:18:15 | |
Does money change hands? | 0:18:15 | 0:18:16 | |
The donations are purely altruistic. | 0:18:16 | 0:18:18 | |
The donor doesn't even get to know the patient's name. | 0:18:18 | 0:18:21 | |
Fancy offices for a charity. | 0:18:22 | 0:18:24 | |
Our surroundings reflect our success. | 0:18:24 | 0:18:26 | |
Our financial donations have increased by 1,000% in recent years. | 0:18:26 | 0:18:30 | |
Any of these donations from Edward Monroe? | 0:18:32 | 0:18:35 | |
You already know the answer to that question or you wouldn't have asked. | 0:18:35 | 0:18:38 | |
Since his daughter's death, | 0:18:38 | 0:18:40 | |
Mr Monroe has been a great friend of the foundation, despite | 0:18:40 | 0:18:43 | |
his...current predicament, he's still by far our largest benefactor. | 0:18:43 | 0:18:48 | |
And it doesn't bother you where he got | 0:18:48 | 0:18:51 | |
the money from in the first place? | 0:18:51 | 0:18:53 | |
If it was your child Mr Monroe's money saved, | 0:18:53 | 0:18:55 | |
would you care how he'd earned it? | 0:18:55 | 0:18:57 | |
After you gave your statement, were you ever questioned again? | 0:18:57 | 0:19:01 | |
No, I told the police everything I knew at the time. | 0:19:01 | 0:19:04 | |
The last I saw of Alistair was | 0:19:04 | 0:19:05 | |
when he went out to smoke one of his awful cigars. | 0:19:05 | 0:19:08 | |
Your date that night, Matthew Taylor. | 0:19:08 | 0:19:11 | |
-Do you keep in touch with him? -No. | 0:19:11 | 0:19:13 | |
We rang him this morning, guess what he told us? | 0:19:13 | 0:19:15 | |
He said that five years ago, he was working as a male escort. | 0:19:15 | 0:19:20 | |
So I hired him, I didn't want to turn up alone. | 0:19:20 | 0:19:23 | |
Something you forgot to mention in your original statement. | 0:19:23 | 0:19:26 | |
I didn't see the relevance. | 0:19:26 | 0:19:28 | |
You asked Mr Taylor to tell the police he was a personal trainer. | 0:19:28 | 0:19:31 | |
I was embarrassed, | 0:19:34 | 0:19:35 | |
I didn't want everyone to know I couldn't get a date. | 0:19:35 | 0:19:38 | |
Mr Taylor said you'd asked him | 0:19:38 | 0:19:40 | |
to flirt with you in front of the other guests. Why? | 0:19:40 | 0:19:43 | |
-This is ridiculous, you can't... -Who were you trying to make jealous? | 0:19:43 | 0:19:46 | |
-I... -Can't be Dr Hallerman, he was a bit too old, wasn't he? | 0:19:46 | 0:19:49 | |
You wouldn't hire a male escort to make Cynthia Caldwell jealous, would you? | 0:19:49 | 0:19:53 | |
-All right, it was Alistair! -Why? | 0:19:53 | 0:19:55 | |
You're the detectives, you figure it out. | 0:19:56 | 0:19:58 | |
You'd been having an affair and he'd ended it recently. | 0:19:58 | 0:20:02 | |
I thought the sight of a handsome younger man flirting with me | 0:20:02 | 0:20:05 | |
-might make Alistair realise his mistake. -Did it? | 0:20:05 | 0:20:08 | |
No, he couldn't have cared less. | 0:20:08 | 0:20:10 | |
Boss. Something odd here. | 0:20:26 | 0:20:30 | |
A hotel waiter came forward a week after the murder to say that | 0:20:37 | 0:20:41 | |
he'd seen Caldwell having what he described as an | 0:20:41 | 0:20:44 | |
"animated discussion" with Dr Hallerman earlier in the evening. | 0:20:44 | 0:20:48 | |
Did Hennessy follow it up? | 0:20:48 | 0:20:50 | |
If he did, I can't find the paperwork. | 0:20:50 | 0:20:52 | |
Hennessy had already charged Monroe by then, | 0:20:52 | 0:20:55 | |
he probably thought it wasn't important. | 0:20:55 | 0:20:57 | |
So you want us to ignore it? | 0:20:57 | 0:20:59 | |
No. | 0:21:00 | 0:21:02 | |
Speak to Hallerman. | 0:21:03 | 0:21:06 | |
Daniella Yates and Alistair Caldwell were having an affair. | 0:21:07 | 0:21:12 | |
Caldwell dumped her the week before his death. | 0:21:12 | 0:21:14 | |
And she actually hired Matthew Taylor to try and make him jealous. | 0:21:14 | 0:21:18 | |
Something else Hennessy conveniently missed. | 0:21:18 | 0:21:20 | |
Do you think Daniella Yates could have killed Caldwell? | 0:21:20 | 0:21:23 | |
Well, he was bludgeoned to death, it was spontaneous, passionate... | 0:21:23 | 0:21:26 | |
There's nothing more passionate than a jilted lover, trust me. | 0:21:26 | 0:21:30 | |
Except for maybe an angry wife. But, but... | 0:21:30 | 0:21:32 | |
Maybe Yates' behaviour tipped | 0:21:32 | 0:21:34 | |
Cynthia Caldwell off about the affair, you know? | 0:21:34 | 0:21:38 | |
There's only one way to find out. Guv'nor? | 0:21:38 | 0:21:42 | |
-I'm DCI Miller, we spoke earlier. -Oh, yes, come in. -Thank you. | 0:22:00 | 0:22:03 | |
THUNDER RUMBLES | 0:22:05 | 0:22:06 | |
Please come on through. It's a dump, I know. | 0:22:12 | 0:22:16 | |
But the rent's cheap and everything from the desk to the computer | 0:22:16 | 0:22:21 | |
came out of Alistair's old office so, keeps the overheads down. | 0:22:21 | 0:22:25 | |
What exactly is it that you do here? | 0:22:25 | 0:22:26 | |
We offer fertility support for cancer sufferers. | 0:22:26 | 0:22:29 | |
I started the charity after Alistair's death. | 0:22:29 | 0:22:32 | |
Do you have children of your own? | 0:22:32 | 0:22:34 | |
I have to be somewhere, Chief Inspector, | 0:22:34 | 0:22:36 | |
so if you could get to the point of your visit. | 0:22:36 | 0:22:39 | |
We're re-examining DCI Hennessy's | 0:22:39 | 0:22:42 | |
investigation into your husband's death. | 0:22:42 | 0:22:45 | |
Found it. | 0:22:45 | 0:22:47 | |
Information has come to light suggesting your husband had | 0:22:47 | 0:22:50 | |
been having an affair with Daniella Yates. | 0:22:50 | 0:22:53 | |
You don't seem surprised. | 0:22:53 | 0:22:55 | |
There are worse things a husband can do. | 0:22:55 | 0:22:58 | |
So you knew but you didn't mind? | 0:22:58 | 0:23:02 | |
Alistair was a great man, he saved thousands of lives. | 0:23:02 | 0:23:06 | |
You'll be surprised what a woman will put up with to be close | 0:23:06 | 0:23:09 | |
to a man like him. | 0:23:09 | 0:23:11 | |
But you failed to tell the original | 0:23:11 | 0:23:13 | |
investigation about your husband's affair. | 0:23:13 | 0:23:16 | |
I tolerated my husband's extracurricular activities, | 0:23:19 | 0:23:23 | |
I didn't say that I was proud of it. | 0:23:23 | 0:23:24 | |
Come on. Come on. | 0:23:27 | 0:23:29 | |
You calling NHS Direct? | 0:23:29 | 0:23:31 | |
No, Stewie's not picking up his phone. | 0:23:31 | 0:23:33 | |
Shit! | 0:23:36 | 0:23:39 | |
How long have you been working here, Dr Hallerman? | 0:23:39 | 0:23:41 | |
My entire career. My parents founded the hospital in the '30s. | 0:23:41 | 0:23:45 | |
I've devoted my whole life to the place. | 0:23:45 | 0:23:48 | |
Are you still practising? | 0:23:48 | 0:23:49 | |
Mine's more of an advisory role these days. | 0:23:49 | 0:23:52 | |
But I still like to walk the wards twice a day, | 0:23:52 | 0:23:56 | |
follow our patients' progress. | 0:23:56 | 0:23:58 | |
Tell me, did you help treat Edward Monroe's daughter, Emma? | 0:23:58 | 0:24:04 | |
No. No, she was Alistair's patient. | 0:24:05 | 0:24:12 | |
Yes, poor Emma. The truth is, there was nothing Alistair could do. | 0:24:13 | 0:24:18 | |
She was very sick by the time she came to us | 0:24:18 | 0:24:21 | |
and we couldn't find a matching marrow donor in time. | 0:24:21 | 0:24:25 | |
Mr Monroe could never accept that, but then, what parent could? | 0:24:25 | 0:24:30 | |
You told DCI Hennessy you and Alistair Caldwell were close. | 0:24:32 | 0:24:37 | |
We worked together for 25 years. | 0:24:37 | 0:24:39 | |
But one of the hotel staff claims he saw you both having | 0:24:39 | 0:24:42 | |
an argument earlier that evening. | 0:24:42 | 0:24:44 | |
Alistair and I may have had a few...cross words, | 0:24:44 | 0:24:47 | |
but it wasn't an argument. | 0:24:47 | 0:24:48 | |
-I explained everything to Mr Hennessy. -When? | 0:24:48 | 0:24:52 | |
A week or so after the murder. | 0:24:52 | 0:24:54 | |
What, so, you told DCI Hennessy about the argument? | 0:24:54 | 0:24:58 | |
Yes. | 0:24:58 | 0:25:00 | |
What were you arguing about? | 0:25:00 | 0:25:02 | |
-It's silly looking back on it now. -Is it? | 0:25:02 | 0:25:05 | |
Alistair received a CBE for his work and yet here was I, his boss, | 0:25:07 | 0:25:14 | |
part of the family who founded the hospital... | 0:25:14 | 0:25:17 | |
Without an honour. | 0:25:17 | 0:25:18 | |
Alistair had friends, senior civil servants, they'd pulled strings, | 0:25:18 | 0:25:23 | |
got him his CBE, so I asked if they could do the same for me. | 0:25:23 | 0:25:29 | |
And he refused? | 0:25:29 | 0:25:31 | |
He said it "wasn't the way it worked." | 0:25:31 | 0:25:36 | |
All my years of service and not even a lousy OBE. | 0:25:36 | 0:25:40 | |
They give them away to lollipop ladies. | 0:25:41 | 0:25:43 | |
-I won't be a minute. -You're right, you'll be longer. | 0:25:55 | 0:25:58 | |
LOUD MUSIC COMING FROM HOUSE | 0:26:03 | 0:26:06 | |
# Just hanging around... # | 0:26:08 | 0:26:11 | |
Stewie! | 0:26:11 | 0:26:12 | |
# Down the court road early | 0:26:12 | 0:26:14 | |
# With the hustlers big and burly | 0:26:14 | 0:26:15 | |
# There's a million of 'em selling | 0:26:15 | 0:26:17 | |
# And the buyers can be found | 0:26:17 | 0:26:19 | |
# They're just hanging around | 0:26:19 | 0:26:21 | |
# They're just hanging around... # | 0:26:21 | 0:26:24 | |
MUSIC STOPS | 0:26:24 | 0:26:25 | |
-Stewie! -Dad. | 0:26:25 | 0:26:27 | |
-HE GASPS -Christ! | 0:26:27 | 0:26:28 | |
Thought you weren't back until tonight? | 0:26:28 | 0:26:30 | |
Sorry, I was worried. You didn't pick up your phone. | 0:26:30 | 0:26:33 | |
-Sorry, I had your headphones on. -Oh, right, OK. | 0:26:33 | 0:26:36 | |
Sick vinyl collection, by the way. | 0:26:36 | 0:26:38 | |
What? Oh, thanks... I think. | 0:26:38 | 0:26:42 | |
Made myself something to eat, you don't mind, do you? | 0:26:42 | 0:26:45 | |
-Course not, no. Course not. Good. -Nice flat you got. | 0:26:45 | 0:26:48 | |
-Thanks. -You live alone? | 0:26:48 | 0:26:50 | |
-Yeah. -No girlfriend? | 0:26:50 | 0:26:52 | |
No. | 0:26:53 | 0:26:55 | |
PHONE BEEPS | 0:26:59 | 0:27:00 | |
HE SIGHS | 0:27:00 | 0:27:01 | |
Yeah, yeah. | 0:27:03 | 0:27:04 | |
So, um... | 0:27:07 | 0:27:09 | |
Your mum not worried about where you've been all day? | 0:27:09 | 0:27:12 | |
No. She's fine. | 0:27:12 | 0:27:13 | |
Oh, well. OK. | 0:27:13 | 0:27:15 | |
HE TUTS | 0:27:22 | 0:27:23 | |
PHONE BEEPS | 0:27:23 | 0:27:25 | |
HE SIGHS | 0:27:25 | 0:27:26 | |
Shit! Oh, sorry. Sorry, sorry, I've just go to... | 0:27:29 | 0:27:31 | |
somebody's waiting for me. I've got to go, OK. | 0:27:31 | 0:27:34 | |
But I will see you later tonight, I won't be too late. | 0:27:34 | 0:27:37 | |
You enjoy your...what you've got there. See you later. OK. | 0:27:37 | 0:27:43 | |
PHONE RINGS | 0:27:45 | 0:27:48 | |
And Hallerman told Hennessy about the argument? | 0:27:57 | 0:28:01 | |
That's what he claimed. | 0:28:01 | 0:28:02 | |
So why isn't there anything in the file? | 0:28:02 | 0:28:05 | |
If I was feeling charitable, I'd say Hennessy filed it incorrectly. | 0:28:05 | 0:28:08 | |
And if you weren't? | 0:28:08 | 0:28:10 | |
He deliberately suppressed it. | 0:28:10 | 0:28:12 | |
The more people with motive to kill Caldwell, | 0:28:12 | 0:28:14 | |
the greater the doubt that Monroe did it. | 0:28:14 | 0:28:16 | |
Hennessy knew that and so does the boss, that's why she's so stressed. | 0:28:16 | 0:28:20 | |
Must be tough for her, though. | 0:28:20 | 0:28:22 | |
I mean, you know what it's like when we lose one of our own. | 0:28:22 | 0:28:25 | |
Listen to this. According to the accounts department, | 0:28:25 | 0:28:28 | |
Daniella Yates makes 200,000 a year. | 0:28:28 | 0:28:30 | |
-200 grand! -Yeah. | 0:28:30 | 0:28:32 | |
Cor blimey, no wonder they say charity begins at home. | 0:28:32 | 0:28:34 | |
Her last job she was MD of a Famine Relief Charity | 0:28:34 | 0:28:37 | |
and before that, she was an HR director in the City. | 0:28:37 | 0:28:40 | |
Sounds like she doesn't care who she works for, as long as it pays. | 0:28:40 | 0:28:44 | |
PHONE RINGS | 0:28:44 | 0:28:45 | |
-Guv'nor, Danny's come up with an interesting idea. -UCOS, yeah? | 0:28:45 | 0:28:48 | |
I've asked a contact in Whitehall to do a bit of digging around. | 0:28:48 | 0:28:51 | |
Into what? | 0:28:51 | 0:28:52 | |
Why should Caldwell get a CBE and Hallerman get nothing? | 0:28:52 | 0:28:55 | |
You're wondering what the Honours Committee know that we don't? | 0:28:55 | 0:28:58 | |
-Maybe Caldwell knew it too? -It is a motive for murder. | 0:28:58 | 0:29:01 | |
OK, but I still need proof that Hennessy arrested the right man. | 0:29:01 | 0:29:05 | |
Guv? Daniella Yates is up in reception. She's claiming that | 0:29:05 | 0:29:09 | |
she saw Edward Monroe kill Alistair Caldwell. | 0:29:09 | 0:29:12 | |
Proof enough for you? | 0:29:14 | 0:29:15 | |
Why didn't you come forward with this information before? | 0:29:20 | 0:29:23 | |
I was afraid for my personal safety. | 0:29:23 | 0:29:26 | |
What, of the Virchow Foundation's biggest benefactor, surely not? | 0:29:26 | 0:29:30 | |
I'm under no illusion as to the type of man Mr Monroe is. | 0:29:30 | 0:29:33 | |
It's not because you thought he'd withdraw his support? | 0:29:33 | 0:29:36 | |
I saw no reason why the foundation's funds should suffer | 0:29:36 | 0:29:39 | |
because I happened to be in the wrong place at the wrong time. | 0:29:39 | 0:29:42 | |
But Monroe could have got off. | 0:29:42 | 0:29:44 | |
You had the blood evidence, I knew that was enough. | 0:29:44 | 0:29:47 | |
So why now? | 0:29:47 | 0:29:49 | |
It's the right thing to do. | 0:29:50 | 0:29:52 | |
Right or in your own self-interest? | 0:29:52 | 0:29:55 | |
It's convenient that you should come forward on the exact same day that | 0:29:55 | 0:30:00 | |
your affair with Alistair Caldwell was made public, don't you think? | 0:30:00 | 0:30:04 | |
What are you suggesting? | 0:30:05 | 0:30:07 | |
I'm suggesting that you're lying about what you saw | 0:30:07 | 0:30:10 | |
to deflect the blame. | 0:30:10 | 0:30:12 | |
Is that what you really believe? | 0:30:13 | 0:30:15 | |
I saw Edward Monroe murder Alistair Caldwell | 0:30:21 | 0:30:24 | |
and I'm prepared to swear to that under oath. | 0:30:24 | 0:30:27 | |
It is possible that she's telling the truth. | 0:30:32 | 0:30:35 | |
-Highly unlikely, but it is possible. -It could be a revenge thing. | 0:30:35 | 0:30:38 | |
Maybe she loved Caldwell and this is her way of getting back at Monroe? | 0:30:38 | 0:30:41 | |
-Do you know what I don't understand? -The off-side rule? | 0:30:41 | 0:30:44 | |
Yeah, yeah. I get that Hennessy overlooked stuff but if you | 0:30:44 | 0:30:47 | |
look at the court transcripts, | 0:30:47 | 0:30:48 | |
-Monroe's defence team don't do a whole lot better. -How'd you mean? | 0:30:48 | 0:30:51 | |
Well, take the argument with Hallerman and Caldwell. | 0:30:51 | 0:30:54 | |
They had exactly the same witness statement from a waiter that we had, | 0:30:54 | 0:30:57 | |
they didn't even bring it up in court? | 0:30:57 | 0:30:59 | |
Thanks, Tony, I owe you one. | 0:30:59 | 0:31:01 | |
Hallerman claims he was arguing with Caldwell that night | 0:31:01 | 0:31:05 | |
because he refused to help him get an honour. Yes? | 0:31:05 | 0:31:07 | |
Well, my source tells me that Hallerman was offered | 0:31:07 | 0:31:10 | |
-a knighthood ten years ago and turned it down. -Ah. | 0:31:10 | 0:31:14 | |
And that's not all, turns out Hennessy was | 0:31:14 | 0:31:17 | |
poking around asking the same questions five years ago. | 0:31:17 | 0:31:20 | |
You lied to us, Dr Hallerman. | 0:31:25 | 0:31:27 | |
And yet you were so ready to believe me. | 0:31:27 | 0:31:29 | |
An embittered old Jew lamenting his lack of recognition, | 0:31:29 | 0:31:33 | |
such an easy story to swallow. | 0:31:33 | 0:31:36 | |
You don't want recognition? | 0:31:36 | 0:31:38 | |
I want to save lives, everything else is irrelevant. | 0:31:38 | 0:31:41 | |
What were you and Alistair Caldwell arguing about? | 0:31:41 | 0:31:44 | |
Nothing that's relevant to his death. | 0:31:44 | 0:31:46 | |
Well, that all depends on whether or not you killed him. | 0:31:46 | 0:31:48 | |
Me? You can't think...? | 0:31:48 | 0:31:52 | |
I could never kill anyone, I'm a doctor! | 0:31:53 | 0:31:55 | |
So was Crippen. | 0:31:55 | 0:31:57 | |
I'm a good man, you have to believe me. | 0:31:57 | 0:32:01 | |
What I believe is that you will go to any lengths to protect | 0:32:01 | 0:32:03 | |
-this hospital, even if that meant killing Alistair Caldwell. -No. | 0:32:03 | 0:32:06 | |
-Uri Hallerman, I'm arresting you for conspiring to pervert... -No! | 0:32:06 | 0:32:09 | |
Well then, tell us the truth. What were you arguing about? | 0:32:09 | 0:32:12 | |
15 years ago, the family of a young Lebanese patient made an... | 0:32:21 | 0:32:27 | |
..unsavoury allegation against Alistair. | 0:32:28 | 0:32:31 | |
How young? | 0:32:31 | 0:32:33 | |
12, 13. | 0:32:36 | 0:32:38 | |
Alistair admitted the allegation was true, a one-off incident, he said. | 0:32:40 | 0:32:46 | |
But still, you reported him? | 0:32:46 | 0:32:49 | |
Alistair was one of the best oncologists in the country. | 0:32:49 | 0:32:52 | |
So you made the allegations go away. | 0:32:52 | 0:32:54 | |
He saved lives, more than any other surgeon I'd ever seen. | 0:32:54 | 0:32:59 | |
By turning a blind eye, there are maybe a hundred people alive | 0:33:02 | 0:33:06 | |
today who would otherwise have died. | 0:33:06 | 0:33:09 | |
But it wasn't a one-off incident, was it? | 0:33:09 | 0:33:12 | |
In the months leading to Alistair's death, there'd been new allegations. | 0:33:14 | 0:33:21 | |
And you chose that night to confront him about them. | 0:33:21 | 0:33:24 | |
Did he deny them? | 0:33:26 | 0:33:27 | |
He claimed it was a small price for the girls to pay | 0:33:29 | 0:33:34 | |
for him saving their lives. | 0:33:34 | 0:33:36 | |
He said that if I went to the police, | 0:33:38 | 0:33:40 | |
it would destroy the reputation of the hospital. | 0:33:40 | 0:33:43 | |
He knew I could never allow that to happen. | 0:33:43 | 0:33:46 | |
So you silenced him. | 0:33:46 | 0:33:48 | |
I didn't have to, Monroe got to him before I could. | 0:33:48 | 0:33:52 | |
You believe him? | 0:33:56 | 0:33:58 | |
I wish I did. Hallerman in the frame is the last thing we need. | 0:33:58 | 0:34:01 | |
You think Hennessy knew? | 0:34:01 | 0:34:03 | |
He knew that Hallerman lied about the argument. | 0:34:03 | 0:34:05 | |
Monroe's brief will just claim that this is proof | 0:34:05 | 0:34:08 | |
that he suppressed evidence. | 0:34:08 | 0:34:09 | |
Look, I know you're not getting the answers you want, | 0:34:09 | 0:34:12 | |
but you're doing the right thing. | 0:34:12 | 0:34:14 | |
Oh, Chief Inspector! | 0:34:18 | 0:34:19 | |
This is a warrant entitling us to enter this property | 0:34:19 | 0:34:22 | |
and remove any items we feel may be pertinent to our investigation. | 0:34:22 | 0:34:26 | |
Investigation? | 0:34:26 | 0:34:27 | |
This is Detective Inspector Fielding | 0:34:27 | 0:34:30 | |
and this is the Child Abuse Investigation Team. | 0:34:30 | 0:34:33 | |
My husband achieved great things. He saved those children's lives. | 0:34:38 | 0:34:43 | |
He took their innocence and you knew about it. | 0:34:43 | 0:34:46 | |
In you go. | 0:34:51 | 0:34:52 | |
This is all excellent work, you've done well. | 0:35:00 | 0:35:05 | |
Too well, in truth. | 0:35:05 | 0:35:06 | |
It's clear that this investigation is going to take far longer | 0:35:06 | 0:35:09 | |
-than we've been given time for. -But, Sir... | 0:35:09 | 0:35:12 | |
No, I'm sorry, but I suggest you box everything up for the DPS to | 0:35:12 | 0:35:15 | |
take over tomorrow morning and just head home. | 0:35:15 | 0:35:17 | |
Sir... | 0:35:17 | 0:35:19 | |
could I have a word? | 0:35:19 | 0:35:21 | |
Is there any chance of giving us some more time? | 0:35:22 | 0:35:26 | |
I'll say this for her, she doesn't give up without a fight. | 0:35:26 | 0:35:29 | |
If it was your partner Monroe had murdered, would you? | 0:35:29 | 0:35:33 | |
-That's the last of them, boss. -Thanks. | 0:35:38 | 0:35:41 | |
Look, are you sure you don't want us to stay, we're more than happy to. | 0:35:41 | 0:35:44 | |
No, you go home. I'm just finishing up. | 0:35:44 | 0:35:46 | |
Pub? | 0:35:49 | 0:35:50 | |
Get me one in, I'll be there in a minute. | 0:35:50 | 0:35:52 | |
From DI Fielding, list of patients retrieved from Caldwell's computers. | 0:35:55 | 0:35:59 | |
I've got the same list from Hallerman here somewhere. | 0:35:59 | 0:36:02 | |
You know, if Monroe does appeal, he still may not win. | 0:36:04 | 0:36:08 | |
No thanks to me. | 0:36:10 | 0:36:12 | |
You've done everything you can. | 0:36:12 | 0:36:14 | |
Josh wouldn't have accepted that as an excuse. | 0:36:16 | 0:36:19 | |
He always saw a job through to the end. | 0:36:23 | 0:36:26 | |
Just being in the same room as him made me a better copper, you know. | 0:36:28 | 0:36:35 | |
Josh Tyler was good. | 0:36:37 | 0:36:39 | |
He didn't deserve to die like he did. | 0:36:41 | 0:36:44 | |
Odd about Monroe though, isn't it? | 0:36:47 | 0:36:50 | |
With the charitable donations, the bone marrow recruitment drives. | 0:36:50 | 0:36:55 | |
For all the evil we know he's done, | 0:36:57 | 0:36:59 | |
there's still a shred of humanity in there. Somewhere. | 0:36:59 | 0:37:02 | |
Good night. | 0:37:04 | 0:37:05 | |
Night. | 0:37:06 | 0:37:08 | |
MCANDREW CLEARS THROAT | 0:37:43 | 0:37:45 | |
Did your mum say why she kicked me out? | 0:37:48 | 0:37:51 | |
She said you threw a radio at her. | 0:37:54 | 0:37:56 | |
Did she say why? | 0:37:58 | 0:38:00 | |
No. | 0:38:00 | 0:38:02 | |
Suffice to say, I wasn't in a very good place at the time. | 0:38:08 | 0:38:12 | |
And...I thought you and your mum would be better off | 0:38:12 | 0:38:15 | |
without me around. | 0:38:15 | 0:38:16 | |
You know, I wanted to get back in touch, that's why I moved down here, | 0:38:16 | 0:38:19 | |
you know, really. I... | 0:38:19 | 0:38:22 | |
But I didn't know what I was going to say if I did and then... | 0:38:22 | 0:38:27 | |
The longer I left it, the harder it became. And... | 0:38:27 | 0:38:30 | |
Does that make sense? | 0:38:32 | 0:38:34 | |
Mmm. | 0:38:34 | 0:38:36 | |
PHONE RINGS | 0:38:37 | 0:38:41 | |
Get that if you want. | 0:38:41 | 0:38:42 | |
RINGING STOPS | 0:38:42 | 0:38:43 | |
It's fine. | 0:38:43 | 0:38:45 | |
Is everything all right? | 0:38:51 | 0:38:53 | |
Mmm-hmm. | 0:38:53 | 0:38:54 | |
Is something going on with you and your mum? | 0:38:58 | 0:39:00 | |
I've left home. | 0:39:05 | 0:39:06 | |
Since when? | 0:39:07 | 0:39:09 | |
This morning. | 0:39:09 | 0:39:10 | |
I'm not getting on with Mum. | 0:39:11 | 0:39:13 | |
-Anything you want to talk about? -Mmm-mmm. | 0:39:16 | 0:39:19 | |
But I thought, you have a spare room, maybe I could just stay here. | 0:39:21 | 0:39:26 | |
Oh, no. No, I...that...that is not a good idea, son. | 0:39:26 | 0:39:29 | |
No, I mean, no, I'd love that. | 0:39:29 | 0:39:32 | |
But you'd have to talk to your mum first. | 0:39:32 | 0:39:35 | |
You talk to her. Go on. | 0:39:35 | 0:39:36 | |
-No, no, that is not a good idea. -Neither was this. | 0:39:36 | 0:39:41 | |
What? No, hey, come on. Stewie, come on. | 0:39:41 | 0:39:44 | |
It's fine, Dad, I get it, I get it. I better go. | 0:39:44 | 0:39:49 | |
-Let me at least give you a lift. -It's fine. I'll get the bus. | 0:39:49 | 0:39:55 | |
If Mum sees you drop me off, she'll go mental. | 0:39:55 | 0:39:58 | |
Well, look, well, stay in touch, OK. And I'll see you soon. | 0:40:00 | 0:40:05 | |
Thanks for the takeaway. | 0:40:06 | 0:40:08 | |
OK. | 0:40:08 | 0:40:09 | |
Bye now. | 0:40:12 | 0:40:14 | |
DOOR SLAMS | 0:40:14 | 0:40:16 | |
Shit! | 0:40:19 | 0:40:21 | |
CHAIR RATTLES | 0:40:23 | 0:40:26 | |
You'd better have a good reason for calling me in, Chief Inspector. | 0:41:49 | 0:41:52 | |
I had tickets to the theatre. | 0:41:52 | 0:41:54 | |
Is it true a recipient's blood is an exact match with their donor's? | 0:41:54 | 0:41:57 | |
Well, it's the bone marrow that produces the blood, so yes. | 0:41:57 | 0:42:01 | |
-I need to see your files. -They're confidential. | 0:42:01 | 0:42:03 | |
I called in a favour. | 0:42:03 | 0:42:05 | |
You won't find anything. | 0:42:10 | 0:42:12 | |
That's exactly what I'm banking on. | 0:42:12 | 0:42:15 | |
If Edward Monroe asked me to destroy his donor files, | 0:42:33 | 0:42:37 | |
I'm sure that I would keep a hard copy back for insurance purposes. | 0:42:37 | 0:42:41 | |
I'll tear this place apart if I have to. | 0:42:43 | 0:42:46 | |
You told him the identity of his bone marrow recipient. | 0:43:06 | 0:43:09 | |
He threatened to withdraw funding. | 0:43:09 | 0:43:11 | |
And after Caldwell's death, he ordered you to destroy his file. | 0:43:11 | 0:43:15 | |
Monroe's money has saved hundreds of lives. | 0:43:15 | 0:43:17 | |
Who destroyed the NHS records, Hallerman? | 0:43:17 | 0:43:20 | |
You know Monroe, he doesn't take no for an answer. | 0:43:20 | 0:43:22 | |
And your witness statement? | 0:43:22 | 0:43:24 | |
I didn't kill Alistair. | 0:43:25 | 0:43:27 | |
-Are you going to arrest me? -Eventually. | 0:43:30 | 0:43:32 | |
No-one wins if the truth comes out, Chief Inspector, including you. | 0:43:38 | 0:43:42 | |
Why didn't you tell me you had childhood leukaemia? | 0:43:57 | 0:44:00 | |
I...I didn't think it was important. | 0:44:00 | 0:44:03 | |
The treatment, was it painful? | 0:44:08 | 0:44:13 | |
I've blocked it out. | 0:44:17 | 0:44:20 | |
ENGINE STARTS | 0:45:00 | 0:45:02 | |
WHIRRING NOISE | 0:45:16 | 0:45:18 | |
GATE OPENS | 0:45:18 | 0:45:21 | |
People think that he's a bad man, but he's not. | 0:45:46 | 0:45:49 | |
I wouldn't be here if it wasn't for Edward. He saved my life. | 0:45:52 | 0:45:55 | |
When did you discover he was your bone marrow donor? | 0:45:57 | 0:46:01 | |
After his arrest, I went to see him in prison. | 0:46:01 | 0:46:04 | |
He knew the blood on the body was yours? | 0:46:04 | 0:46:07 | |
He promised that... | 0:46:10 | 0:46:12 | |
He wasn't going to let anything happen to me. | 0:46:12 | 0:46:15 | |
I was to keep quiet. He was going to take the blame. | 0:46:15 | 0:46:18 | |
Did he say why? | 0:46:20 | 0:46:21 | |
He was my guardian angel. | 0:46:25 | 0:46:27 | |
He'd been secretly looking out for me for years. | 0:46:29 | 0:46:32 | |
The graduate scheme? | 0:46:32 | 0:46:34 | |
Tell me about the night of the murder. | 0:46:41 | 0:46:44 | |
It... | 0:46:48 | 0:46:50 | |
It was the first time that I'd seen him since I was a child. | 0:46:50 | 0:46:55 | |
It was the smell, cigar smoke...and disinfectant. | 0:46:59 | 0:47:07 | |
Everything he did to me just came flooding back. | 0:47:10 | 0:47:14 | |
But he didn't even know who I was. I was just another victim. | 0:47:15 | 0:47:20 | |
I can't explain what took over me. | 0:47:22 | 0:47:26 | |
I wanted to punish him for what he'd done to me. | 0:47:27 | 0:47:33 | |
For what he'd done to dozens like me. | 0:47:34 | 0:47:37 | |
PHONE RINGS | 0:47:43 | 0:47:46 | |
Is she there? Put her on. | 0:47:53 | 0:47:56 | |
So the question is, what are we going to do now? | 0:48:15 | 0:48:18 | |
I guess I arrest Grace Kennedy. | 0:48:22 | 0:48:24 | |
You guess? | 0:48:26 | 0:48:27 | |
I can't believe you took the blame for Caldwell's murder. | 0:48:28 | 0:48:31 | |
You had Grace's records destroyed just to prevent | 0:48:33 | 0:48:37 | |
the blood evidence being traced back to her. | 0:48:37 | 0:48:40 | |
And you knew that pleading guilty would look suspicious, so you | 0:48:42 | 0:48:46 | |
had your brief do a half-arsed job so you'd be found guilty. | 0:48:46 | 0:48:51 | |
There was never any chance you were going to lodge an appeal, was there? | 0:48:54 | 0:48:59 | |
You wanted everyone to keep believing you'd that killed | 0:48:59 | 0:49:03 | |
Caldwell, including me. | 0:49:03 | 0:49:04 | |
It's why you had Daniella Yates give a false witness statement. | 0:49:06 | 0:49:10 | |
Best of luck proving that. | 0:49:12 | 0:49:14 | |
-GRACE: -'I can't explain what took over me. | 0:49:22 | 0:49:26 | |
'I wanted to punish him for what he'd done to me. | 0:49:26 | 0:49:30 | |
'For what he'd done to dozens like me.' | 0:49:30 | 0:49:33 | |
After Emma's death, I was... | 0:49:46 | 0:49:48 | |
..I don't know, felt lost. | 0:49:50 | 0:49:53 | |
But then I learnt my bone marrow was used to save Gracie, | 0:49:56 | 0:50:02 | |
that my blood was running through her veins. | 0:50:02 | 0:50:05 | |
It was like getting my daughter back. | 0:50:09 | 0:50:12 | |
Did she tell you what that bastard did to her? | 0:50:15 | 0:50:18 | |
I wish I had killed him. | 0:50:20 | 0:50:22 | |
I couldn't let her go to prison, she wouldn't have lasted a week. | 0:50:29 | 0:50:33 | |
If it was your kids, you'd have done the same thing. | 0:50:33 | 0:50:37 | |
We both know there's enough blood on these hands, | 0:50:45 | 0:50:48 | |
to serve a dozen life sentences. | 0:50:48 | 0:50:50 | |
I kind of belong in here. | 0:50:54 | 0:50:56 | |
But not for Grace Kennedy's crime. | 0:51:02 | 0:51:04 | |
Grace is no danger. | 0:51:06 | 0:51:08 | |
I am. | 0:51:11 | 0:51:12 | |
You'd like me to stay in here. | 0:51:17 | 0:51:20 | |
So let me do Gracie's time. | 0:51:20 | 0:51:22 | |
Or what? You'll hurt my kids? | 0:51:24 | 0:51:28 | |
HE SIGHS | 0:51:31 | 0:51:33 | |
Unless you can bring Josh Tyler back from the dead, | 0:51:33 | 0:51:38 | |
there's nothing you can offer me that I want. | 0:51:38 | 0:51:41 | |
Really? | 0:51:43 | 0:51:44 | |
What about the next best thing? | 0:51:50 | 0:51:52 | |
A full confession that I killed Josh Tyler. | 0:51:56 | 0:52:02 | |
IF you bury the evidence against Grace. | 0:52:04 | 0:52:09 | |
ALARM BEEPS | 0:52:47 | 0:52:49 | |
SHE BREATHES HEAVILY | 0:53:36 | 0:53:38 | |
SHE SOBS | 0:54:33 | 0:54:35 | |
I don't need to be escorted out of the building. | 0:54:38 | 0:54:41 | |
What am I being arrested...? What are you staring at? | 0:54:41 | 0:54:44 | |
What are you staring at?! Don't you dare film... | 0:54:44 | 0:54:46 | |
He's filming it! | 0:54:46 | 0:54:48 | |
APPLAUSE | 0:54:51 | 0:54:54 | |
HE SOBS | 0:55:06 | 0:55:08 | |
No, I know it's not the outcome you wanted, Sir, | 0:55:23 | 0:55:26 | |
but the important thing is that we got to the truth. | 0:55:26 | 0:55:30 | |
No, I have no idea how the press got wind of the arrests. | 0:55:30 | 0:55:34 | |
But the genie's out of the bottle now, Sir. | 0:55:34 | 0:55:37 | |
Yes, leave it with me, I'll see what can be done. Good... | 0:55:39 | 0:55:43 | |
Goodbye, Sir. | 0:55:43 | 0:55:45 | |
KNOCKING ON DOOR | 0:55:45 | 0:55:46 | |
Come in. | 0:55:46 | 0:55:48 | |
-You wanted to see me, Sir. -Oh, yes, I'm glad you're here, Sasha. | 0:55:48 | 0:55:52 | |
I've just been speaking to the Deputy Commissioner on the phone, | 0:55:52 | 0:55:55 | |
this morning's arrests were a major PR embarrassment for the Yard. | 0:55:55 | 0:56:00 | |
Sir... | 0:56:00 | 0:56:02 | |
Close the door on your way out. | 0:56:02 | 0:56:04 | |
Sir... | 0:56:09 | 0:56:11 | |
Can I ask you a question? | 0:56:11 | 0:56:13 | |
I spoke to a contact in the DPS, | 0:56:13 | 0:56:16 | |
they've known about Hennessy for six months. | 0:56:16 | 0:56:19 | |
Yes. | 0:56:19 | 0:56:21 | |
So why did the Yard wait | 0:56:21 | 0:56:23 | |
so long to order a re-investigation into the Monroe case? | 0:56:23 | 0:56:26 | |
What? You think they were waiting | 0:56:26 | 0:56:28 | |
until they knew you would be leading the investigation? | 0:56:28 | 0:56:31 | |
You've been reading too many conspiracy novels, Sasha. | 0:56:31 | 0:56:34 | |
She's a good reporter, isn't she? | 0:56:42 | 0:56:44 | |
Who? | 0:56:45 | 0:56:47 | |
Emily Ward, the journalist who broke the news of the arrests. | 0:56:47 | 0:56:52 | |
I think you and I are going to get along very well. | 0:56:56 | 0:56:59 | |
INAUDIBLE SPEECH | 0:57:23 | 0:57:25 | |
Whenever you're ready...Guv'nor. | 0:58:06 | 0:58:09 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 |