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THEY SPEAK THEIR OWN LANGUAGE | 0:00:18 | 0:00:20 | |
THEY TOAST IN THEIR OWN LANGUAGE | 0:00:29 | 0:00:31 | |
Chica? | 0:01:02 | 0:01:04 | |
METALLIC CLANG | 0:01:08 | 0:01:10 | |
Semyon? | 0:01:21 | 0:01:23 | |
EXPLOSION | 0:01:25 | 0:01:28 | |
SHOUTING | 0:01:28 | 0:01:30 | |
Sasha? | 0:01:52 | 0:01:54 | |
Anna, it's OK. It's OK. Shh, shh, shh. | 0:02:06 | 0:02:10 | |
HE SPEAKS HIS OWN LANGUAGE | 0:02:10 | 0:02:13 | |
All five of them, sir, yeah. | 0:02:30 | 0:02:32 | |
Well, Todorov was a bit put out but he seems to be seeing sense now, sir. | 0:02:36 | 0:02:41 | |
Well, I thought that UCOS still had a short list? | 0:02:43 | 0:02:46 | |
Oh, right. I see. | 0:02:47 | 0:02:49 | |
Me? Are you sure? | 0:02:52 | 0:02:55 | |
No, I'm excited about the prospect, sir. Yep. | 0:02:57 | 0:03:01 | |
OK, all right. Thank you. Thanks, sir. | 0:03:02 | 0:03:06 | |
Bye-bye. | 0:03:06 | 0:03:08 | |
Shit! | 0:03:10 | 0:03:12 | |
# It's all right It's OK | 0:03:13 | 0:03:16 | |
# Doesn't really matter if you're old and grey | 0:03:16 | 0:03:18 | |
# It's all right I say it's OK | 0:03:18 | 0:03:21 | |
# Listen to what I say | 0:03:21 | 0:03:24 | |
# It's all right, doing fine | 0:03:24 | 0:03:26 | |
# Doesn't really matter if the sun don't shine | 0:03:26 | 0:03:30 | |
# It's all right I say it's OK | 0:03:30 | 0:03:32 | |
# We're gettin' to the end of the day. # | 0:03:32 | 0:03:35 | |
What time do you make it? | 0:03:41 | 0:03:42 | |
-Ten. -No. I mean exact time. | 0:03:42 | 0:03:44 | |
All right. One minute to. | 0:03:44 | 0:03:46 | |
49, 48, 47. | 0:03:49 | 0:03:52 | |
All right, all right. | 0:03:52 | 0:03:54 | |
So, come on, what do we think? Is she the real deal? | 0:03:55 | 0:03:59 | |
Is she here on merit? | 0:03:59 | 0:04:00 | |
Kidnap Unit? Serious Crime Squad? She's got to be. | 0:04:00 | 0:04:03 | |
But is she here for the long haul, though? | 0:04:03 | 0:04:05 | |
-I mean, we don't know her, do we? -Never even heard of her? | 0:04:05 | 0:04:08 | |
I've heard of her, yeah. She's, what? 40ish? Big girl. | 0:04:08 | 0:04:12 | |
I say big...heavy. 15 stone. | 0:04:13 | 0:04:16 | |
-Lives in a commune. -Commune? | 0:04:18 | 0:04:21 | |
-Just women. No men. -15 stone? | 0:04:21 | 0:04:23 | |
Oh, my God! | 0:04:23 | 0:04:25 | |
-Morning. -Morning, sir. | 0:04:25 | 0:04:28 | |
I'd like to introduce you to DCI Sasha Miller. | 0:04:28 | 0:04:30 | |
She's celebrating a promotion today as well as her appointment | 0:04:30 | 0:04:35 | |
as the head the Unsolved Crime and Open Case Squad | 0:04:35 | 0:04:37 | |
-It's lovely to meet you all. -Steve McAndrew. Hello. | 0:04:37 | 0:04:40 | |
-Ex-Glasgow CID? -That's right. | 0:04:40 | 0:04:42 | |
-My son's at uni there. He's having a great time. -It's a great town. | 0:04:42 | 0:04:45 | |
Dan Griffin. | 0:04:45 | 0:04:47 | |
Dan or Danny? HE HESITATES | 0:04:47 | 0:04:50 | |
I like Dan. It's lovely to meet you. | 0:04:50 | 0:04:52 | |
-Hiya. -You must be Gerry Standing. I've heard lots about you. | 0:04:52 | 0:04:56 | |
Only good things, I hope. | 0:04:56 | 0:04:59 | |
Very, very good. | 0:04:59 | 0:05:01 | |
-DCI Miller has spent... -Oh, hold on. Sasha, please. -OK. | 0:05:01 | 0:05:05 | |
Sasha has spent the last week or so getting to grips with UCOS's background, its MO and ethos. | 0:05:05 | 0:05:12 | |
She's tremendously impressed by the Unit's track record | 0:05:12 | 0:05:15 | |
so she's eager to get going. | 0:05:15 | 0:05:17 | |
So...how do you want to start? | 0:05:17 | 0:05:20 | |
Well, this is interesting. | 0:05:23 | 0:05:26 | |
Only came in yesterday. | 0:05:27 | 0:05:29 | |
Oh, yeah. Italian immigrant. | 0:05:29 | 0:05:32 | |
Killed 25 years ago on an allotment. | 0:05:32 | 0:05:34 | |
-Allotment? -Oh, and then this turned up last week. Murder weapon. | 0:05:34 | 0:05:40 | |
Only problem is, so did an unexploded bomb. | 0:05:40 | 0:05:44 | |
I don't think this is the appropriate case for you... | 0:05:44 | 0:05:47 | |
No, no, no. This is very interesting. | 0:05:47 | 0:05:49 | |
The bomb hasn't been diffused, by the way. | 0:05:49 | 0:05:52 | |
And the case is 25 years old. | 0:05:52 | 0:05:54 | |
Sure. But now you've got this murder weapon... | 0:05:54 | 0:05:56 | |
Don't you want to see your office? It's just through here. | 0:05:56 | 0:05:59 | |
Yeah, yeah. Looks great. | 0:06:01 | 0:06:03 | |
-Shall we go? Are you OK in my car? -Yeah, yeah, all right. | 0:06:05 | 0:06:10 | |
Sure, yeah. | 0:06:10 | 0:06:12 | |
15 stone! | 0:06:14 | 0:06:17 | |
January 1988. Alessandro Manzini, 65. He'd been drinking. | 0:06:25 | 0:06:29 | |
He's knifed in the throat | 0:06:29 | 0:06:31 | |
and his body stuffed upside-down in a water butt, | 0:06:31 | 0:06:33 | |
which then freezes solid overnight as the temperature drops below zero. | 0:06:33 | 0:06:37 | |
Has to be thawed out before the PM can take place. | 0:06:37 | 0:06:40 | |
Don't get one of these every day of the week. | 0:06:40 | 0:06:43 | |
So...what do you think? | 0:06:43 | 0:06:45 | |
-BANG! -Oh, shit! | 0:06:45 | 0:06:48 | |
-Oh, looks like a cut and burn. -A what? | 0:06:48 | 0:06:51 | |
They burn out the explosive from inside, sometimes it gets too hot. | 0:06:51 | 0:06:54 | |
Bang! | 0:06:54 | 0:06:56 | |
-Hiya. -Oh, you must be the guys from UCOS. | 0:07:21 | 0:07:24 | |
-Yeah. Gerry Standing. -Steve McAndrew. Hello. | 0:07:24 | 0:07:27 | |
-Dan Griffin. -Dicky Smith. Plot-holders' Association. | 0:07:27 | 0:07:30 | |
I handle the day to day running of the place. | 0:07:30 | 0:07:33 | |
DCI Sasha Miller. Hi. | 0:07:33 | 0:07:35 | |
-Interesting day. -Yeah. There's a left-over present from Jerry. | 0:07:35 | 0:07:39 | |
At least they didn't have to blow the whole place up. | 0:07:39 | 0:07:41 | |
This is Giulietta, Mr Manzini's daughter. | 0:07:41 | 0:07:44 | |
Her husband, Alberto's a fellow committee member. | 0:07:44 | 0:07:47 | |
I'm sorry. This must be distressing for you, even after all this time. | 0:07:47 | 0:07:50 | |
Not if it means finding out who killed my father. | 0:07:50 | 0:07:52 | |
The knife? You identified this knife as belonging to him. | 0:07:54 | 0:07:58 | |
Yeah, I bought it a few days before he died. | 0:07:59 | 0:08:02 | |
It was a birthday present. | 0:08:02 | 0:08:04 | |
But you don't know where it was found? | 0:08:04 | 0:08:06 | |
Army swept a whole chunk of the place trying to find any more of Jerry's calling cards. | 0:08:06 | 0:08:10 | |
Anything they found, anything metal, | 0:08:10 | 0:08:12 | |
they dug up and just put in a heap over there. | 0:08:12 | 0:08:15 | |
The original investigation found that... | 0:08:15 | 0:08:18 | |
Listen, listen. The plot-holders who are here now, I mean, | 0:08:18 | 0:08:20 | |
some of them must have been on the allotment back then? | 0:08:20 | 0:08:23 | |
Yeah, yeah. I mean, I was. | 0:08:23 | 0:08:25 | |
Giulietta used to help your dad. There's Ray Barlow... | 0:08:25 | 0:08:30 | |
Alberto used to work with his father. | 0:08:30 | 0:08:32 | |
He still does. Mo's... Massimo is Italian like Alessandro. | 0:08:32 | 0:08:38 | |
They were very good friends. | 0:08:38 | 0:08:40 | |
Massimo, the original investigation | 0:08:40 | 0:08:42 | |
found that there had been problems on the allotments. | 0:08:42 | 0:08:46 | |
That things have been stolen, windows were smashed. | 0:08:46 | 0:08:50 | |
You and Alessandro, you seem to have suffered the most | 0:08:50 | 0:08:53 | |
but you didn't say anything. Why? | 0:08:53 | 0:08:55 | |
We were outsiders, you understand? | 0:08:55 | 0:08:58 | |
Also we don't use the allotment like the English. | 0:08:58 | 0:09:01 | |
Our wives and children come not just to help but to eat, | 0:09:01 | 0:09:06 | |
drink, make fun. | 0:09:06 | 0:09:09 | |
Many of the people, they don't like what we plant - | 0:09:10 | 0:09:14 | |
chillies, radicchio, rucola. | 0:09:14 | 0:09:17 | |
They say, "That stuff won't work here." Ha! It grows like mad. | 0:09:17 | 0:09:23 | |
They don't like it. Me and Alessandro, we win the competitions. | 0:09:24 | 0:09:29 | |
They don't like it. | 0:09:30 | 0:09:32 | |
If you thought it was someone at the allotments | 0:09:32 | 0:09:34 | |
why didn't you say so at the time? | 0:09:34 | 0:09:36 | |
-My son is born here. I am not. -Papa. -No, no, it is different now. | 0:09:36 | 0:09:40 | |
Now everyone loves Italians. | 0:09:40 | 0:09:42 | |
Then...they hate us. | 0:09:42 | 0:09:44 | |
Even in '88 some still hate us for the war. | 0:09:44 | 0:09:49 | |
Racism? Dicky Smith's not a racist! | 0:09:50 | 0:09:53 | |
-He did call the Germans Jerry, Gerry? -Oh, please! | 0:09:53 | 0:09:56 | |
Look, I played on bombsites all the time when I was a kid, | 0:09:56 | 0:10:00 | |
it doesn't mean I want to kill every German I meet. | 0:10:00 | 0:10:03 | |
And what about him and Alberto? They're mates. | 0:10:03 | 0:10:05 | |
Yeah, but Alberto's second generation. | 0:10:05 | 0:10:08 | |
All right, so Dicky's Smith did do this, | 0:10:08 | 0:10:10 | |
how come he not shitting himself now that the knife's turned up? | 0:10:10 | 0:10:13 | |
He couldn't care less at the murder weapon just lying around. | 0:10:13 | 0:10:16 | |
The knife's rusty and covered in mud. | 0:10:16 | 0:10:18 | |
The labs think it's been underground for a long time. | 0:10:18 | 0:10:21 | |
The point is, the killer sticks the knife in a bloke's throat, right? | 0:10:21 | 0:10:24 | |
Picks him up, turns him upside-down and puts him in a water barrel. | 0:10:24 | 0:10:27 | |
-Dicky Smith can hardly walk! -Butt. -But what? | 0:10:27 | 0:10:31 | |
Not a barrel, it's a butt. | 0:10:31 | 0:10:33 | |
-The bloke who did this... -Or woman. | 0:10:35 | 0:10:38 | |
The person who killed Manzini has got to be bonkers. | 0:10:39 | 0:10:42 | |
He's a psycho, right? Do you get that feeling from Dicky Smith? No! | 0:10:43 | 0:10:48 | |
Now, this is deliberate. | 0:10:48 | 0:10:49 | |
I've not come across many knives in the throat. | 0:10:49 | 0:10:52 | |
Slashed across it maybe but in, like that, no. | 0:10:52 | 0:10:55 | |
And then his body's tipped head first upside-down into a butt of water. | 0:10:55 | 0:11:00 | |
Now, that's deliberate, not random. Specific. It's kind of like a... | 0:11:00 | 0:11:03 | |
-A ritual? -Ritual? -Raymond Peter Barlow. | 0:11:03 | 0:11:08 | |
Now, the murder team had a word with him back in '88. | 0:11:08 | 0:11:10 | |
Dicky said he still has an allotment. | 0:11:10 | 0:11:13 | |
He was arrested 21st June 1997 for assaulting a police officer | 0:11:13 | 0:11:17 | |
at Stonehenge during the summer solstice. | 0:11:17 | 0:11:20 | |
Fined £2,000. He's a druid. | 0:11:20 | 0:11:23 | |
A truck-driving druid, eh? Can't be hard to find. | 0:11:26 | 0:11:30 | |
See you later, then. | 0:11:30 | 0:11:32 | |
-Giulietta. Hi. -Hi. | 0:11:33 | 0:11:36 | |
-Have you got a minute? -Yeah, sure. Sit down. | 0:11:37 | 0:11:39 | |
-Thanks. -Coffee? | 0:11:39 | 0:11:41 | |
-Cappuccino would be great. Thank you. -Albie, due cappuccino. | 0:11:41 | 0:11:44 | |
-Busy place. -Always busy. Used to be my dad's. | 0:11:47 | 0:11:52 | |
It took him and my mum years to scrape the money together | 0:11:52 | 0:11:55 | |
but they managed it and now it's a local institution. | 0:11:55 | 0:11:59 | |
What was he like, your father? | 0:11:59 | 0:12:02 | |
Decent. Hard working. | 0:12:02 | 0:12:04 | |
He only left Italy after the war because there were just no jobs. | 0:12:05 | 0:12:08 | |
He met my mum in a Lyons corner house | 0:12:08 | 0:12:12 | |
but he thought the food and drink were shocking. | 0:12:12 | 0:12:15 | |
She said he only opened a cafe so he could get a decent cup of coffee. | 0:12:15 | 0:12:19 | |
Mum never got over it. | 0:12:21 | 0:12:23 | |
I was still at home. I'd just got engaged. | 0:12:23 | 0:12:25 | |
My father had been at the allotment then came back for lunch, | 0:12:27 | 0:12:30 | |
had a bit to drink then went for a walk. | 0:12:30 | 0:12:32 | |
I stayed at my friend Angela's that night. | 0:12:32 | 0:12:35 | |
Mum went to bed early. She didn't know. | 0:12:36 | 0:12:39 | |
I'm sorry. | 0:12:41 | 0:12:43 | |
Giulietta, tell me about Ray Barlow? How'd your dad get on with Ray? | 0:12:43 | 0:12:47 | |
-What, Moonlight Ray? -Albie. | 0:12:47 | 0:12:49 | |
Seriously. | 0:12:49 | 0:12:51 | |
He plants at night. | 0:12:51 | 0:12:53 | |
-You know he's a... -He and my father got on fine. | 0:12:53 | 0:12:56 | |
-Your dad used to piss himself. -Ray Barlow plants at night? | 0:12:56 | 0:12:59 | |
Used to do it any old night, apparently. | 0:12:59 | 0:13:01 | |
But then when he come back it had to be by the light of the moon! | 0:13:01 | 0:13:04 | |
It's quite common. A lot of people think that the moon affects | 0:13:04 | 0:13:08 | |
-when you should plant things. -What do you mean, when he came back? | 0:13:08 | 0:13:11 | |
He moved away about a year after your dad died. | 0:13:11 | 0:13:14 | |
Only been back the last five years. | 0:13:14 | 0:13:16 | |
Don't get me wrong, Ray's a nice enough bloke | 0:13:16 | 0:13:19 | |
but you've got to admit, darling, he is a bit odd. | 0:13:19 | 0:13:22 | |
In case you hadn't noticed, I'm also a truck driver. | 0:13:26 | 0:13:29 | |
And how does that fit in with your druidic work? | 0:13:29 | 0:13:32 | |
Druidism is a calling, not a job. | 0:13:32 | 0:13:34 | |
And what was it calling you to do in June '97 | 0:13:34 | 0:13:37 | |
when you punched Police Constable Dredge in the face? | 0:13:37 | 0:13:41 | |
The police at Stonehenge were intent | 0:13:41 | 0:13:43 | |
on preventing us practise our religious rites. | 0:13:43 | 0:13:45 | |
You'd been told not to turn up. | 0:13:45 | 0:13:48 | |
Two wrongs don't make a right. | 0:13:48 | 0:13:49 | |
-Is that supposed to be funny? -It's been a long day. | 0:13:50 | 0:13:53 | |
Listen, in 1988 Alessandro Manzini was murdered. | 0:13:53 | 0:13:57 | |
Now, according to the tachograph in your cab, | 0:13:57 | 0:13:59 | |
-you were driving your truck that day. -Correct. | 0:13:59 | 0:14:02 | |
But that was before digital machines was introduced, am I right? | 0:14:02 | 0:14:06 | |
-Meaning what? -Meaning the old tachographs were unreliable. | 0:14:06 | 0:14:10 | |
They could be recalibrated. They could be fixed. | 0:14:10 | 0:14:13 | |
Are you looking at me for the old man's murder? | 0:14:13 | 0:14:16 | |
-You're having a laugh! -Not even deep down inside. | 0:14:16 | 0:14:18 | |
I was in Scotland when Manzini died. My tachograph checked out A-OK! | 0:14:18 | 0:14:21 | |
Where's this coming from? | 0:14:21 | 0:14:23 | |
So I punched a copper, I'm a villain, | 0:14:26 | 0:14:28 | |
I'm a druid so I'm a nutter. | 0:14:28 | 0:14:30 | |
You people are crap. You know nothing. | 0:14:30 | 0:14:33 | |
That's not strictly true, Ray. | 0:14:33 | 0:14:35 | |
For example, I know Julius Caesar wrote that Celtic druids | 0:14:35 | 0:14:37 | |
-practised human sacrifice. -HE LAUGHS | 0:14:37 | 0:14:41 | |
-Been a long day for you as well, has it? -Is he for real? | 0:14:41 | 0:14:44 | |
Listen, did you have any trouble | 0:14:44 | 0:14:46 | |
with anybody on the allotment in the past? | 0:14:46 | 0:14:48 | |
No, I'm not saying any more. | 0:14:48 | 0:14:50 | |
You want to talk more, talk to my solicitor. | 0:14:50 | 0:14:53 | |
Of course, you've got one. | 0:14:53 | 0:14:54 | |
We'll be in touch, Ray. | 0:14:57 | 0:14:59 | |
Julius Caesar? | 0:15:05 | 0:15:07 | |
History Of The Gallic Wars, Book Six. | 0:15:07 | 0:15:09 | |
-Geotropism. -What? | 0:15:12 | 0:15:14 | |
The effect of gravity upon the growth of plants. | 0:15:14 | 0:15:17 | |
Some people believe that a waxing or waning moon | 0:15:17 | 0:15:20 | |
can have a positive effect on germination and plant growth. | 0:15:20 | 0:15:23 | |
No wonder Manzini pissed himself laughing. | 0:15:23 | 0:15:27 | |
Did anyone ever say whether he actually laughed in Barlow's face? | 0:15:27 | 0:15:30 | |
Giulietta says it was a long time ago. | 0:15:30 | 0:15:32 | |
So...you got this bloke who punches a copper who's stopping him | 0:15:32 | 0:15:36 | |
watch the sun come up, | 0:15:36 | 0:15:37 | |
a truck-driving druid who plants things at night | 0:15:37 | 0:15:40 | |
and who's got a criminal record for violence. | 0:15:40 | 0:15:43 | |
What's not to like? | 0:15:43 | 0:15:45 | |
Did you say that the killing was like a ritual. | 0:15:45 | 0:15:47 | |
No, no, he said that. What I said... | 0:15:47 | 0:15:49 | |
Anyway, regardless of that, | 0:15:51 | 0:15:52 | |
we haven't pinned the knife on anyone yet, let alone Barlow. | 0:15:52 | 0:15:55 | |
Forensics... | 0:15:55 | 0:15:56 | |
With all due respect, guv'nor... | 0:15:56 | 0:15:58 | |
forensics don't solve most of these cases, we do. | 0:15:58 | 0:16:02 | |
OK. | 0:16:09 | 0:16:11 | |
OK, let's take a more traditional approach. | 0:16:12 | 0:16:15 | |
Who's the prime suspect in any murder? | 0:16:16 | 0:16:18 | |
The wife, close family members? | 0:16:18 | 0:16:20 | |
Well, I'm sorry I've seen better alibis. | 0:16:20 | 0:16:22 | |
The dead man's wife's asleep? | 0:16:22 | 0:16:23 | |
Daughter, Giulietta's "at a friend's"? | 0:16:23 | 0:16:25 | |
The murder team said they were both totally distraught | 0:16:25 | 0:16:28 | |
when they heard he was killed. | 0:16:28 | 0:16:29 | |
Giulietta's tiny and so was her mum. | 0:16:29 | 0:16:31 | |
To get Alessandro into a water butt, that would have taken some muscle. | 0:16:31 | 0:16:35 | |
Ray Barlow's not exactly small, is he? | 0:16:35 | 0:16:37 | |
And why did he leg it so soon after the murder? | 0:16:37 | 0:16:40 | |
And where was he all those years that he was away? | 0:16:40 | 0:16:43 | |
Fair enough. | 0:16:45 | 0:16:46 | |
After lunch, why don't you two have another go at Ray Barlow? | 0:16:53 | 0:16:56 | |
And Steve and I will talk to Dicky Smith about him. | 0:16:56 | 0:16:59 | |
OK. | 0:16:59 | 0:17:00 | |
Lunch?! | 0:17:02 | 0:17:03 | |
I'm sorry, I don't get it with her - | 0:17:03 | 0:17:05 | |
where she's at or where she's coming from. | 0:17:05 | 0:17:07 | |
Einstein spent his entire life trying to work that one out. | 0:17:07 | 0:17:10 | |
I've got a funny feeling about her. Her and the job! | 0:17:10 | 0:17:13 | |
She is pretty gorgeous, though, isn't she? | 0:17:13 | 0:17:15 | |
So was Sandra and they are big shoes to fill! | 0:17:15 | 0:17:19 | |
How did she get this gig? | 0:17:19 | 0:17:21 | |
-Strickland. Maybe she and... -Sir. | 0:17:21 | 0:17:23 | |
See you later, boss. | 0:17:25 | 0:17:26 | |
Bye-bye. | 0:17:26 | 0:17:27 | |
Her and Strickland? | 0:17:32 | 0:17:34 | |
You're having a giraffe, aren't you? | 0:17:34 | 0:17:36 | |
THEY LAUGH | 0:17:36 | 0:17:38 | |
-How's it going? -Oh... | 0:17:43 | 0:17:45 | |
Well, it's not smashing down doors or going after Russian gangsters, | 0:17:48 | 0:17:52 | |
-that's for sure. -No. | 0:17:52 | 0:17:54 | |
You know, my first case, the first one I've got is 25 years old. | 0:17:56 | 0:17:59 | |
It's interesting but it's just so different. | 0:18:01 | 0:18:05 | |
How about the Old Men of the Hills? | 0:18:05 | 0:18:07 | |
Bit old-fashioned as well? | 0:18:07 | 0:18:09 | |
They have one or two interesting theories. | 0:18:09 | 0:18:11 | |
Interesting?! First time I've ever heard them described as that. | 0:18:11 | 0:18:14 | |
I did warn you that UCOS was a totally different culture. | 0:18:15 | 0:18:19 | |
Did you? | 0:18:19 | 0:18:20 | |
Yeah. Anyway, too late now. How's Rob Strickland? | 0:18:20 | 0:18:24 | |
Oh, actually I'm seeing him in a minute. | 0:18:24 | 0:18:27 | |
Be nice if we could have a drink tonight. I might need one. | 0:18:27 | 0:18:29 | |
I can't. I'm with the Deputy Mayor. | 0:18:29 | 0:18:31 | |
I'll try and sneak away as soon as I can. | 0:18:31 | 0:18:33 | |
But if I don't go now, he'll be giving me grief all afternoon. | 0:18:33 | 0:18:37 | |
-See you later. -See you. | 0:18:38 | 0:18:40 | |
KNOCK AT DOOR | 0:18:42 | 0:18:44 | |
Come in. | 0:18:44 | 0:18:45 | |
Sir. You wanted to see me? | 0:18:45 | 0:18:47 | |
Yes. I just wanted to see how things were going, | 0:18:47 | 0:18:49 | |
see how you're settling in. | 0:18:49 | 0:18:51 | |
Oh. Erm... | 0:18:51 | 0:18:53 | |
Yes, fine, thank you. | 0:18:53 | 0:18:55 | |
And the boys are they behaving themselves? | 0:18:57 | 0:18:59 | |
Yeah, they're being... | 0:19:00 | 0:19:02 | |
They're being very helpful. | 0:19:03 | 0:19:06 | |
I want to establish something right from the off. | 0:19:06 | 0:19:09 | |
As you're well aware, this unit has a phenomenal clear-up rate | 0:19:09 | 0:19:13 | |
but they do need managing. | 0:19:13 | 0:19:15 | |
It's a very fine balancing act. | 0:19:15 | 0:19:18 | |
Understood. | 0:19:19 | 0:19:21 | |
Good. | 0:19:21 | 0:19:23 | |
Sir, do you mind if I ask you something personal? | 0:19:32 | 0:19:35 | |
Yeah, yeah, of course. | 0:19:35 | 0:19:36 | |
My husband, did you speak to him at any point | 0:19:38 | 0:19:40 | |
during the selection process? | 0:19:40 | 0:19:42 | |
We speak all the time. | 0:19:42 | 0:19:43 | |
No, I mean about me, | 0:19:43 | 0:19:45 | |
before or after the interview period. | 0:19:45 | 0:19:47 | |
Yes. | 0:19:47 | 0:19:49 | |
But I can assure you that the job was awarded strictly on merit. | 0:19:50 | 0:19:53 | |
Thank you. Thank you, sir. | 0:19:56 | 0:19:58 | |
When I was at work, I'd have a hundred things to think about. | 0:20:06 | 0:20:09 | |
Five minutes down here, and you forget everything. | 0:20:10 | 0:20:14 | |
I tell you, stress is a killer. | 0:20:15 | 0:20:18 | |
I mean, it's... | 0:20:21 | 0:20:22 | |
We spoke to Guilietta. | 0:20:22 | 0:20:23 | |
She said there had been problems | 0:20:23 | 0:20:25 | |
with some of the allotment holders in the past. | 0:20:25 | 0:20:27 | |
They were stroppy to her and to Alberto when they were kids. | 0:20:27 | 0:20:30 | |
Yeah, some of the members don't like kids running around. | 0:20:30 | 0:20:33 | |
You? | 0:20:33 | 0:20:35 | |
No. No. I had kids of my own. | 0:20:35 | 0:20:37 | |
Who, then? Just between me and you. | 0:20:37 | 0:20:39 | |
None of the blokes on the allotment could have killed Alessandro. | 0:20:39 | 0:20:42 | |
I can understand that you didn't want to point the finger back then, | 0:20:42 | 0:20:45 | |
but let's stop messing around. | 0:20:45 | 0:20:47 | |
We're talking about Ray Barlow. Yeah? | 0:20:47 | 0:20:49 | |
Ray? No, no. | 0:20:49 | 0:20:51 | |
Who, then? | 0:20:51 | 0:20:53 | |
I don't like to speak ill of the dead. | 0:20:55 | 0:20:57 | |
You have to remember back in '88, there were still blokes who | 0:20:57 | 0:21:00 | |
fought in the war and they found it very difficult... | 0:21:00 | 0:21:03 | |
Names, Dicky! | 0:21:03 | 0:21:04 | |
Ron Stapleton and Ralph Meecker. | 0:21:05 | 0:21:08 | |
Both in the army. | 0:21:09 | 0:21:11 | |
Ralph used to go on and on about the war. | 0:21:12 | 0:21:15 | |
What about Ron? | 0:21:15 | 0:21:16 | |
Ron never liked to talk about what he's seen ever. | 0:21:17 | 0:21:20 | |
Stapleton and Meeker are in the case file. | 0:21:31 | 0:21:33 | |
I know. The original investigation checked them out. | 0:21:33 | 0:21:35 | |
Yeah, but there's nothing in there about what Dicky just said, | 0:21:35 | 0:21:38 | |
about them not being able to forget about the war. | 0:21:38 | 0:21:40 | |
If they were soldiers, | 0:21:40 | 0:21:41 | |
one of them could easily have killed Manzini and turned him upside-down. | 0:21:41 | 0:21:45 | |
But maybe they acted together. | 0:21:45 | 0:21:46 | |
If we find out where they were during the war... | 0:21:46 | 0:21:49 | |
Yeah, where they served. | 0:21:49 | 0:21:50 | |
So you're saying is one or both of these men waited 43 years | 0:21:50 | 0:21:55 | |
until after World War II and then suddenly snapped, | 0:21:55 | 0:21:58 | |
rammed a knife in Manzini's throat and stuck him upside-down | 0:21:58 | 0:22:01 | |
in a water barrel, yeah? | 0:22:01 | 0:22:03 | |
-Well... -And Ray Barlow? Is he out of the picture now, then? | 0:22:03 | 0:22:06 | |
No, not at all. | 0:22:06 | 0:22:07 | |
There's still definitely something not right about him. | 0:22:07 | 0:22:09 | |
"Not right?" | 0:22:09 | 0:22:11 | |
OK. And his motive? | 0:22:11 | 0:22:14 | |
He's got a short fuse. Very short. | 0:22:14 | 0:22:16 | |
-If Manzini did laugh at him and I think... -If? | 0:22:16 | 0:22:19 | |
OK, what's the best way to, I mean... | 0:22:22 | 0:22:26 | |
..where do we go with this? | 0:22:27 | 0:22:29 | |
Well, normally what we do... | 0:22:31 | 0:22:33 | |
Obviously, there were still lots of ifs and maybes, | 0:22:33 | 0:22:35 | |
so why don't you take the rest of the day off, | 0:22:35 | 0:22:38 | |
and we all have a little think about things? | 0:22:38 | 0:22:40 | |
Yeah, yeah, suits me. | 0:22:40 | 0:22:41 | |
How about we come back here tomorrow morning when the market's | 0:22:41 | 0:22:44 | |
up and running, and all the plot holders are on site? | 0:22:44 | 0:22:46 | |
On a Saturday? | 0:22:46 | 0:22:47 | |
Let's see how they react when they know we're watching them. | 0:22:47 | 0:22:50 | |
Well, I'd have to clear it with my daughter Holly so... | 0:22:50 | 0:22:53 | |
OK, fine, you know. | 0:22:53 | 0:22:54 | |
Great. | 0:22:54 | 0:22:56 | |
Oh, stick these in the boot for me, will you? | 0:22:56 | 0:22:58 | |
Thanks. | 0:22:59 | 0:23:01 | |
I mean, even calling her guv'nor sticks in my throat. | 0:23:12 | 0:23:15 | |
Just call her Sasha, then. | 0:23:15 | 0:23:17 | |
I can't call her Sasha! | 0:23:17 | 0:23:18 | |
I keep thinking she's going to start singing | 0:23:18 | 0:23:20 | |
Raindrops Keep Falling On My Head. | 0:23:20 | 0:23:22 | |
Sacha Distel! | 0:23:22 | 0:23:24 | |
Butch Cassidy And The Sundance Kid. I loved that. | 0:23:24 | 0:23:26 | |
What a film, eh? What about The Wild Bunch? | 0:23:26 | 0:23:28 | |
Fantastic. | 0:23:28 | 0:23:30 | |
How the West Was Won. | 0:23:30 | 0:23:31 | |
You know the music in that... | 0:23:31 | 0:23:33 | |
BJ Thomas. | 0:23:33 | 0:23:35 | |
-What? -Sorry? | 0:23:35 | 0:23:36 | |
He sang the original, for the film. | 0:23:36 | 0:23:39 | |
BJ Thomas, not Sacha Distel. | 0:23:39 | 0:23:41 | |
Why don't you go and play the quiz machine? | 0:23:41 | 0:23:43 | |
No, I can't. I'm waiting for more people to lose on it first. | 0:23:43 | 0:23:47 | |
Oh, I knew it. | 0:23:50 | 0:23:53 | |
What is it? | 0:23:53 | 0:23:54 | |
She's married. | 0:23:54 | 0:23:56 | |
Shit happens. | 0:23:56 | 0:23:57 | |
She's married to Ned Hancock. | 0:23:57 | 0:23:59 | |
Lucky old Ned. | 0:23:59 | 0:24:00 | |
Deputy Assistant Commissioner Ned Hancock. | 0:24:01 | 0:24:04 | |
What?! You're kid... | 0:24:04 | 0:24:05 | |
Yeah, I knew it! It's jobs for the boys, innit?! | 0:24:05 | 0:24:09 | |
Well, more girls, really. | 0:24:09 | 0:24:10 | |
That's it! | 0:24:10 | 0:24:11 | |
What are you going to do? | 0:24:11 | 0:24:13 | |
I'll tell you what I'm going to do. | 0:24:13 | 0:24:14 | |
I'm going to prove that we know how to do the job and she doesn't. | 0:24:14 | 0:24:19 | |
"Let's all just have a little think about things." | 0:24:19 | 0:24:22 | |
Well, I'm going back to work! | 0:24:22 | 0:24:24 | |
-What? -Work? | 0:24:24 | 0:24:25 | |
Yeah. You coming? | 0:24:25 | 0:24:28 | |
Yeah, sure! | 0:24:28 | 0:24:30 | |
Well, Holly's revising. I really ought to get back. | 0:24:30 | 0:24:33 | |
-See you later, then. -Yeah, see you. | 0:24:33 | 0:24:36 | |
She's not here. | 0:24:45 | 0:24:46 | |
Of course she's not here! | 0:24:46 | 0:24:48 | |
We didn't get the afternoon off, she did! | 0:24:48 | 0:24:50 | |
Trying to be nice. Pretending to be our mate. | 0:24:50 | 0:24:53 | |
She's not. She's the mate of that mob upstairs. | 0:24:53 | 0:24:56 | |
OK. | 0:25:05 | 0:25:07 | |
Let's do this job properly, shall we? | 0:25:09 | 0:25:11 | |
Right. | 0:25:11 | 0:25:12 | |
Page one. | 0:25:18 | 0:25:20 | |
"Alessandro Giuseppe Manzini | 0:25:20 | 0:25:23 | |
"was born Padua 1923. Served in the Italian Army 1941-1944. | 0:25:23 | 0:25:30 | |
"Captured, Anzio, January 29th '44. | 0:25:30 | 0:25:34 | |
"Prisoner of war from 1944-45. | 0:25:34 | 0:25:37 | |
"Leaves Italy in '46. | 0:25:37 | 0:25:40 | |
"Arriving in London April 22nd of the same year." | 0:25:40 | 0:25:43 | |
Listen to this. | 0:25:43 | 0:25:44 | |
"Ron Stapleton, he was with the Durham Light Infantry in Burma." | 0:25:44 | 0:25:47 | |
But, but... | 0:25:47 | 0:25:49 | |
"Ralph Meeker was with the 8th Army in North Africa. | 0:25:49 | 0:25:51 | |
"Green Howards." | 0:25:51 | 0:25:52 | |
Now he could have fought against the Italians. | 0:25:52 | 0:25:55 | |
Well, there you go, then. | 0:25:55 | 0:25:56 | |
But the Eyeties never had a bad reputation, you know. | 0:25:56 | 0:25:59 | |
The Japs, the Germans. But the Italians? | 0:25:59 | 0:26:02 | |
Pasta, cappuccino. What's to hate? | 0:26:02 | 0:26:05 | |
Well, maybe he had a terrible personal experience with them. | 0:26:05 | 0:26:08 | |
-Where are they now? -Er... | 0:26:08 | 0:26:10 | |
Dead. | 0:26:10 | 0:26:12 | |
Stapleton in '89 and Meeker in '91. | 0:26:13 | 0:26:16 | |
Not long after the murder. | 0:26:16 | 0:26:18 | |
-Maybe we're getting somewhere! -Yeah. | 0:26:20 | 0:26:22 | |
-Hi. -Hi. | 0:26:27 | 0:26:29 | |
Why don't you get the cleaner to do that? | 0:26:34 | 0:26:36 | |
She never gets it right. It's safer if I do it. | 0:26:36 | 0:26:38 | |
So, day one in the UCOS house. | 0:26:38 | 0:26:41 | |
-Honestly? -Uh-huh. | 0:26:43 | 0:26:45 | |
I don't think I can do this. | 0:26:45 | 0:26:48 | |
What are you talking about? | 0:26:49 | 0:26:51 | |
UCOS. | 0:26:51 | 0:26:53 | |
-I just don't think I'm right. -What? | 0:26:53 | 0:26:55 | |
It's the guys there, they work in a totally different way. | 0:26:56 | 0:27:00 | |
I know it's only day one and they are technically civilians | 0:27:01 | 0:27:06 | |
but... | 0:27:06 | 0:27:07 | |
It's just with them, everything's like hunches and speculation. | 0:27:09 | 0:27:12 | |
It's just like what if a suspect did this? | 0:27:12 | 0:27:14 | |
What if the suspect went there? | 0:27:14 | 0:27:15 | |
It's like a completely different mind-set. | 0:27:15 | 0:27:18 | |
Hang on, are talking about walking away 24 hours into the job? | 0:27:18 | 0:27:22 | |
Look, when I was promoted, | 0:27:22 | 0:27:23 | |
I didn't expect to be running something like UCOS. | 0:27:23 | 0:27:26 | |
It's not the work. | 0:27:26 | 0:27:28 | |
The cases are all absolutely worthwhile. It's just... | 0:27:28 | 0:27:31 | |
Come on, we both know this is not the place you go if... | 0:27:31 | 0:27:33 | |
Why do you think you've been brought in? | 0:27:33 | 0:27:35 | |
It's because of who you are, the way you go about things. | 0:27:35 | 0:27:39 | |
I know guys like this, old time cops. | 0:27:39 | 0:27:41 | |
Just give it to them straight. That's what they're used to. | 0:27:41 | 0:27:44 | |
That's what they want. | 0:27:44 | 0:27:45 | |
-Yeah, but... -You can't give up! | 0:27:45 | 0:27:48 | |
It's bound to be hard, the first few days, but, hey, welcome to my world. | 0:27:48 | 0:27:53 | |
Not in the market, Ray? | 0:28:17 | 0:28:18 | |
No. I don't sell stuff. | 0:28:20 | 0:28:24 | |
That a financial or ethical decision? | 0:28:25 | 0:28:28 | |
I'll put you down as undecided, shall I? | 0:28:30 | 0:28:32 | |
So, Ray, from 1989 to 2001 you live in Glastonbury. | 0:28:35 | 0:28:39 | |
Then Cornwall until 2004. | 0:28:39 | 0:28:41 | |
In 2008 you end up in London. | 0:28:41 | 0:28:43 | |
Where were you between 2004 to 2008? | 0:28:44 | 0:28:47 | |
Ha! Say hello to DCI Miller. | 0:28:48 | 0:28:50 | |
Nice plot, Ray. Soil looks good. | 0:28:52 | 0:28:53 | |
Only took him five years. He was away four years before then. | 0:28:53 | 0:28:57 | |
Where was it again, Ray? | 0:28:57 | 0:28:58 | |
What are you putting in? | 0:28:58 | 0:29:00 | |
Brassicas. | 0:29:00 | 0:29:01 | |
No need for that, Ray, only trying to be nice. | 0:29:01 | 0:29:04 | |
Don't! Don't touch my allotment. | 0:29:04 | 0:29:06 | |
Hi, Alberto, do you grow all of this yourself? | 0:29:31 | 0:29:34 | |
-With the little help from the man upstairs. -Right, yeah. | 0:29:34 | 0:29:37 | |
Hey, I want to ask you, you know Ron Stapleton and Ralph Meeker? | 0:29:37 | 0:29:41 | |
Were they ever... | 0:29:41 | 0:29:43 | |
aggressive, difficult with you and Giulietta when you were younger? | 0:29:43 | 0:29:47 | |
It was a long time ago. | 0:29:47 | 0:29:49 | |
Hey, come and try this homemade wine. | 0:29:49 | 0:29:52 | |
OK. Thanks, Massimo! How you doin'? | 0:29:52 | 0:29:54 | |
-Good, good. Go ahead. -Oh, thanks. | 0:29:54 | 0:29:57 | |
Hey, Gerry, try some of this homemade wine. | 0:29:57 | 0:30:00 | |
-English red?! I don't think so. -Italian red. | 0:30:00 | 0:30:03 | |
Oh, yeah? What grape do you use? | 0:30:03 | 0:30:05 | |
Two. Sangiovese and Nebbiolo. | 0:30:05 | 0:30:07 | |
In London?! You're having a laugh. | 0:30:07 | 0:30:09 | |
Give it a crack. Go on. | 0:30:09 | 0:30:10 | |
Cor blimey! You make this?! You really make this? | 0:30:15 | 0:30:18 | |
Right, I'll have a couple of those? | 0:30:18 | 0:30:20 | |
-Me too. -Here, Dan, try this red wine! | 0:30:20 | 0:30:21 | |
You know legally you're not allowed to sell alcohol without a licence? | 0:30:21 | 0:30:25 | |
I'll have three. | 0:30:28 | 0:30:31 | |
A bit of light refreshment? | 0:30:31 | 0:30:33 | |
It's all this hard work on a weekend. | 0:30:33 | 0:30:36 | |
Blimey, that's going to be some Sunday roast, isn't it? | 0:30:36 | 0:30:39 | |
Just for you and Ned? | 0:30:39 | 0:30:40 | |
Guys, could I have a quick word? | 0:30:43 | 0:30:45 | |
-Don't sell any of this, we'll be right back. -Yeah. | 0:30:47 | 0:30:50 | |
Look, obviously you and Sandra Pullman were very close and she | 0:30:54 | 0:30:57 | |
did a fabulous job, so I understand that this is bit difficult for you. | 0:30:57 | 0:31:02 | |
You don't know me - I don't know you. | 0:31:02 | 0:31:05 | |
So, let's start again, yeah? | 0:31:07 | 0:31:08 | |
Look, why don't you come back to mine, | 0:31:10 | 0:31:12 | |
I'll make some lunch and we can talk through where we are? | 0:31:12 | 0:31:15 | |
I'm not going to poison you. | 0:31:18 | 0:31:20 | |
Won't your husband mind? | 0:31:20 | 0:31:21 | |
Well, he's not there. He's away for a three days. | 0:31:21 | 0:31:24 | |
An ACPO conference in Birmingham. | 0:31:24 | 0:31:26 | |
-Sure. OK, why not? -Thank you. | 0:31:27 | 0:31:29 | |
Great. Well, I only live down the road. | 0:31:29 | 0:31:32 | |
I'll text you the address. | 0:31:32 | 0:31:34 | |
-OK. See you there. -Yeah. -See you. | 0:31:34 | 0:31:35 | |
Here you go, number 8? | 0:31:40 | 0:31:41 | |
Bloody hell! | 0:31:43 | 0:31:45 | |
Come through. | 0:31:45 | 0:31:46 | |
Thanks. Cor blimey, this is lovely, isn't it? | 0:31:46 | 0:31:50 | |
Thanks. Coats? | 0:31:50 | 0:31:52 | |
You haven't done the vegetables. | 0:31:52 | 0:31:54 | |
I'm waiting for the pie. | 0:31:54 | 0:31:55 | |
Is it all right if I open this? | 0:31:56 | 0:31:58 | |
Yes, of course. | 0:31:58 | 0:31:59 | |
That's Alex. He's in uni now. He's doing modern languages. | 0:32:03 | 0:32:07 | |
And that's Maddy. She's in her first year at York doing English. | 0:32:07 | 0:32:12 | |
How's your daughter? It's Holly, isn't it? | 0:32:13 | 0:32:15 | |
Yeah, she's fine. | 0:32:15 | 0:32:17 | |
Right, and her mother is? | 0:32:17 | 0:32:20 | |
Her mother was sectioned couple of years ago. | 0:32:20 | 0:32:23 | |
She's in a secure unit of a mental hospital, just outside Guildford. | 0:32:25 | 0:32:28 | |
Right. | 0:32:31 | 0:32:32 | |
Actually, I don't like leaving Holly alone too long at the weekends, | 0:32:35 | 0:32:38 | |
-so shall we get on with the case? -Yes. | 0:32:38 | 0:32:40 | |
I checked out Ray Barlow. | 0:32:41 | 0:32:43 | |
After '88 he lived most of the time in the West Country. | 0:32:43 | 0:32:47 | |
But then for four years he vanished, before suddenly | 0:32:47 | 0:32:50 | |
reappearing in London, and back at the allotments, in 2008. | 0:32:50 | 0:32:53 | |
-Jail? Abroad? -That's what I think. | 0:32:53 | 0:32:56 | |
Yeah, Gerry and I were checking out Stapleton | 0:32:56 | 0:32:58 | |
and Meeker, you know the ex-soldiers? | 0:32:58 | 0:33:00 | |
-Meeker was in the 8th Army. -Really? | 0:33:00 | 0:33:02 | |
Yeah. North Africa, Sicily, Italy. | 0:33:02 | 0:33:05 | |
-And Manzini was taken prisoner at Anzio. -Anzio? -Exactly. | 0:33:05 | 0:33:10 | |
-When did you find this out? -Last night, at the office. | 0:33:10 | 0:33:13 | |
-The office? -Yeah. Is that a problem? | 0:33:13 | 0:33:16 | |
No, no. I'm just surprised that... | 0:33:17 | 0:33:19 | |
Well, not as surprised as we were, to learn that you're married to DAC. | 0:33:19 | 0:33:23 | |
Oh, I see. And is that a problem? | 0:33:28 | 0:33:32 | |
No. It wouldn't have been if you'd let us know. | 0:33:32 | 0:33:34 | |
-It's hardly a secret. -It was to us. | 0:33:34 | 0:33:37 | |
I saw you canoodling in the corridor. | 0:33:37 | 0:33:39 | |
What was he doing? Checking up on us? | 0:33:39 | 0:33:42 | |
-Are we going to be under constant surveillance? -No, I won't have that. | 0:33:42 | 0:33:45 | |
This was a case that you didn't even want, | 0:33:45 | 0:33:47 | |
so you were trying it on from the start. | 0:33:47 | 0:33:49 | |
No! That was a joke! | 0:33:49 | 0:33:50 | |
No-one wants these cases, that's why they're ours! | 0:33:50 | 0:33:52 | |
-It's just their act. -Really? Then it's a bloody good one. | 0:33:52 | 0:33:56 | |
Not as good as yours. | 0:33:56 | 0:33:58 | |
I beg your pardon? | 0:34:02 | 0:34:03 | |
"What do you think, boys? What should we do next? | 0:34:03 | 0:34:06 | |
"What about this? What about that?" | 0:34:06 | 0:34:08 | |
I mean, Steve and I spent hours and hours trawling through stuff, | 0:34:08 | 0:34:11 | |
looking at suspects and clues, | 0:34:11 | 0:34:13 | |
but what have you done?! | 0:34:13 | 0:34:14 | |
Why d'you think I got all these? | 0:34:20 | 0:34:22 | |
What you think I am some sort of berserk vegetarian?! | 0:34:22 | 0:34:25 | |
The knife - murder weapon - remember? | 0:34:25 | 0:34:28 | |
Under ground at the allotment? | 0:34:28 | 0:34:30 | |
Well, these are soil samples from almost every plot in there. | 0:34:30 | 0:34:34 | |
And because every plot is different we should be able to ID | 0:34:34 | 0:34:37 | |
exactly where the knife was buried by the killer. | 0:34:37 | 0:34:39 | |
But so as not to spook them and have them all do a runner, | 0:34:39 | 0:34:42 | |
-I had to find all of this, without anyone realising. -Including us. | 0:34:42 | 0:34:46 | |
You weren't interested. Every time I mentioned the word forensics... | 0:34:46 | 0:34:49 | |
No. Sorry. You thought we weren't sophisticated enough | 0:34:49 | 0:34:52 | |
to act clandestinely until you did it on your own. | 0:34:52 | 0:34:55 | |
You said you want to be open and honest, | 0:34:55 | 0:34:57 | |
yet you spend the last two days keeping things away from us. | 0:34:57 | 0:35:00 | |
-Gerry, Gerry. -No, I'm sorry. | 0:35:00 | 0:35:03 | |
Quite honestly, if this is what UCOS is going to become, | 0:35:03 | 0:35:06 | |
I'm out of it. | 0:35:06 | 0:35:08 | |
Dad? Is that you? | 0:35:28 | 0:35:31 | |
Apparently. You OK? | 0:35:31 | 0:35:35 | |
Fine. | 0:35:35 | 0:35:36 | |
What's she like, the new boss? | 0:35:38 | 0:35:40 | |
Er... I don't know really. Different? | 0:35:41 | 0:35:44 | |
Well, what's she look like? How old? | 0:35:46 | 0:35:50 | |
40-ish? Tall, slim. Blonde. | 0:35:51 | 0:35:54 | |
Attractive? Like a duck? What? | 0:35:54 | 0:35:57 | |
Yeah. Quite good-looking. | 0:35:57 | 0:36:00 | |
-Your type? -We were working, Holly, not speed-dating. | 0:36:00 | 0:36:03 | |
She's married anyway so it's a moot point. | 0:36:05 | 0:36:09 | |
You know, I wonder about you sometimes. | 0:36:09 | 0:36:11 | |
PIANO MUSIC PLAYS | 0:36:14 | 0:36:16 | |
What are you doing? | 0:36:16 | 0:36:19 | |
Just looking someone up. | 0:36:19 | 0:36:21 | |
Seeing where they've been the last 20 years. | 0:36:21 | 0:36:24 | |
Hi, Gerry, you'll never guess where I am. | 0:37:12 | 0:37:15 | |
And it's a full moon later. | 0:37:16 | 0:37:17 | |
Oh, shut up, stop moaning and get over here. | 0:37:20 | 0:37:23 | |
Telling you, she's just a jumped-up Stalin! | 0:37:36 | 0:37:39 | |
She don't know what she's doing. | 0:37:42 | 0:37:44 | |
Is he in there? | 0:37:47 | 0:37:49 | |
In about ten minutes, it'll be dark. | 0:37:49 | 0:37:52 | |
In 20 minutes, we'll be freezing our bollocks off! | 0:37:52 | 0:37:55 | |
INCANTING | 0:37:57 | 0:37:58 | |
-I think it's down this way. -Watch your feet. | 0:38:09 | 0:38:13 | |
This is not exactly how I planned to spend my Saturday evening! | 0:38:16 | 0:38:19 | |
-Shhh! -All right. | 0:38:19 | 0:38:21 | |
-Ow! -Aw, shit! -What's going on?! | 0:38:26 | 0:38:28 | |
All right, all right, sonny, come on. | 0:38:28 | 0:38:32 | |
Why don't you make some more noise so he comes out and sees all of us? | 0:38:33 | 0:38:37 | |
Now, he's in his shed! So, get down here and shut up! | 0:38:37 | 0:38:40 | |
Oh, changed your mind, Gerry? | 0:38:40 | 0:38:42 | |
Anyway, what are you doing here? | 0:38:43 | 0:38:46 | |
My job. What's your excuse? | 0:38:46 | 0:38:47 | |
-It's a full moon. -Don't tell me, you're werewolves(?) | 0:38:47 | 0:38:51 | |
-He's planting. -Brilliant. | 0:38:54 | 0:38:57 | |
INCANTING | 0:39:03 | 0:39:06 | |
INCANTING | 0:39:11 | 0:39:15 | |
He's incanting. | 0:39:15 | 0:39:16 | |
INCANTING | 0:39:16 | 0:39:18 | |
He is bonkers. | 0:39:23 | 0:39:24 | |
INCANTING INTENSIFIES | 0:39:29 | 0:39:32 | |
Right. Let's Go. | 0:39:38 | 0:39:40 | |
He was in Italy. Ray Barlow. The four years he disappeared. | 0:39:47 | 0:39:51 | |
He was in Rome. | 0:39:51 | 0:39:53 | |
< WOMAN CRIES OUT ECSTATICALLY | 0:39:58 | 0:40:02 | |
CRIES TURN ORGASMIC | 0:40:02 | 0:40:07 | |
< GROANING | 0:40:07 | 0:40:12 | |
HE GIGGLES | 0:40:15 | 0:40:17 | |
How long have you been having an affair, Giulietta? | 0:40:18 | 0:40:21 | |
I have to tell you, that Ray's alibi for the night your father died | 0:40:25 | 0:40:28 | |
is looking less and less comfortable. | 0:40:28 | 0:40:31 | |
Ray?! Ray had nothing to do with my father's death! | 0:40:31 | 0:40:33 | |
He left London months after the murder. | 0:40:33 | 0:40:35 | |
He comes back 20 years later to the same allotment | 0:40:35 | 0:40:38 | |
and sleeps with the dead man's daughter? | 0:40:38 | 0:40:40 | |
Pretty weird, even for a druid. | 0:40:40 | 0:40:43 | |
-You don't understand. -No, I don't. | 0:40:43 | 0:40:46 | |
Where were you the night Alessandro was murdered? Huh? | 0:40:46 | 0:40:49 | |
OK. Angela Dunn, the "friend" | 0:40:51 | 0:40:53 | |
you say you stayed with the night your father died? | 0:40:53 | 0:40:56 | |
-Why don't I call her up and check out your alibi? -Ray. | 0:40:56 | 0:40:59 | |
I was with Ray. | 0:40:59 | 0:41:02 | |
We were together that night. | 0:41:02 | 0:41:04 | |
What you were sleeping together while you were engaged to Alberto? | 0:41:05 | 0:41:08 | |
We were in love. | 0:41:12 | 0:41:13 | |
My father was very traditional. | 0:41:17 | 0:41:19 | |
He would never have allowed Ray and I... | 0:41:19 | 0:41:21 | |
-Sounds like a motive not a denial. -No! | 0:41:21 | 0:41:24 | |
The next day, when I found out about my father, | 0:41:26 | 0:41:28 | |
I could not forgive myself. It was as if God had punished me. | 0:41:28 | 0:41:32 | |
I told Ray I couldn't see him again. | 0:41:34 | 0:41:36 | |
Guv'nor...? Sasha. | 0:41:38 | 0:41:40 | |
I won't be long. | 0:41:43 | 0:41:44 | |
Giulietta says that you were together | 0:41:57 | 0:42:00 | |
the night her father was killed. | 0:42:00 | 0:42:02 | |
That you were lovers but Alessandro wouldn't have let you marry. | 0:42:02 | 0:42:08 | |
-Is this true? -Yes. | 0:42:08 | 0:42:11 | |
How long have you spoken Italian? | 0:42:11 | 0:42:13 | |
Seven or eight years. | 0:42:13 | 0:42:15 | |
In Italy. Rome. You went there... | 0:42:15 | 0:42:18 | |
-To learn Italian. -Because? | 0:42:18 | 0:42:20 | |
Because...I never forgot her. | 0:42:22 | 0:42:24 | |
Even after all those years. | 0:42:29 | 0:42:32 | |
I never gave up on the idea that one day, | 0:42:32 | 0:42:34 | |
she and I might be together again. | 0:42:34 | 0:42:37 | |
So, you came back. Even though she was married. | 0:42:37 | 0:42:40 | |
-He doesn't love her. Not really. -And you restarted your affair. | 0:42:40 | 0:42:44 | |
Because you loved her | 0:42:44 | 0:42:45 | |
-and her father's death had nothing to do with you. -No. | 0:42:45 | 0:42:49 | |
I don't believe you. | 0:42:52 | 0:42:53 | |
This is a forensics report. | 0:42:54 | 0:42:57 | |
About the pruning knife, well, the soil on it, to be precise. | 0:42:57 | 0:43:01 | |
And because the soil on every plot in every allotment is different. | 0:43:01 | 0:43:05 | |
chemical residues, minerals, metals, we've been able to | 0:43:05 | 0:43:09 | |
identify exactly which plot the knife has been in all those years. | 0:43:09 | 0:43:14 | |
Yours. | 0:43:14 | 0:43:15 | |
No. No, that's not possible. It can't... | 0:43:15 | 0:43:18 | |
Ray, I took these samples myself. Forensics don't lie. | 0:43:18 | 0:43:23 | |
Now you explain to me how can this be wrong? | 0:43:23 | 0:43:25 | |
Because I've only had it five years. | 0:43:27 | 0:43:29 | |
Back in 1988 it wasn't my plot. | 0:43:29 | 0:43:31 | |
-Whose was it? -I don't know. I can't remember. | 0:43:31 | 0:43:33 | |
Massimo. He knows all about the allotment. He'll know. | 0:43:36 | 0:43:39 | |
Here is my plot, now also Alberto's. This was Alessandro's. | 0:43:40 | 0:43:46 | |
And this one? At that time... | 0:43:46 | 0:43:50 | |
-Dicky Smith. -Dicky Smith? Are you sure? | 0:43:50 | 0:43:53 | |
Yes. You don't remember? | 0:43:53 | 0:43:56 | |
Dicky always want bigger allotment. | 0:43:56 | 0:43:59 | |
Three years after Alessandro is killed... | 0:43:59 | 0:44:01 | |
1991? | 0:44:01 | 0:44:04 | |
Ralph Meeker dies and Dicky Smith he takes Ralph's allotment, | 0:44:04 | 0:44:09 | |
which is much bigger. | 0:44:09 | 0:44:11 | |
And better. The soil is very good. | 0:44:11 | 0:44:13 | |
PHONE RINGS | 0:44:13 | 0:44:15 | |
Excuse me. Dan. | 0:44:15 | 0:44:18 | |
No, we just... | 0:44:18 | 0:44:20 | |
Anzio? | 0:44:23 | 0:44:25 | |
You've seen this, Dicky. | 0:44:26 | 0:44:27 | |
Yes. | 0:44:27 | 0:44:30 | |
We managed to find out where it's been for the last 25 years. | 0:44:30 | 0:44:34 | |
On Ray Barlow's allotment. The one that used to be yours. | 0:44:34 | 0:44:37 | |
I don't understand. | 0:44:38 | 0:44:39 | |
This knife was used to kill Alessandro Manzini, | 0:44:39 | 0:44:42 | |
was buried in the plot that you had at the time. | 0:44:42 | 0:44:45 | |
What don't you understand? | 0:44:45 | 0:44:46 | |
-Me? You think it was me? -Yes, I do. | 0:44:48 | 0:44:52 | |
How could it have been? I was home sick with my wife. | 0:44:54 | 0:44:58 | |
Would this be the same wife that confirmed your alibi? | 0:44:58 | 0:45:01 | |
Yeah, because it's true! | 0:45:01 | 0:45:03 | |
So, how that did this knife end up there? | 0:45:03 | 0:45:06 | |
I don't know. | 0:45:08 | 0:45:09 | |
If I'd done him in, I wouldn't have buried it in my own plot, would I? | 0:45:09 | 0:45:12 | |
-I think you panicked, wanted to get rid of it. -Then I would have stuck it somewhere else! | 0:45:12 | 0:45:16 | |
In someone else's allotment! | 0:45:16 | 0:45:17 | |
Would you? What, and run the risk of it being found? | 0:45:17 | 0:45:21 | |
Why would I kill Alessandro? | 0:45:21 | 0:45:23 | |
Do you recognise this, Dicky? | 0:45:23 | 0:45:25 | |
Well? | 0:45:27 | 0:45:28 | |
That's my birth certificate. | 0:45:28 | 0:45:30 | |
Richard Reginald Smith. Born Acton, London. | 0:45:31 | 0:45:35 | |
Father - Richard Michael Smith, deceased. | 0:45:35 | 0:45:39 | |
Your father's war record. Royal Artillery. | 0:45:39 | 0:45:42 | |
-Killed in action, January 24th, 1944. -At Anzio. | 0:45:42 | 0:45:46 | |
In Italy, at Anzio. | 0:45:49 | 0:45:52 | |
Why kill Alessandro Manzini? | 0:45:52 | 0:45:54 | |
Because he fought and was captured at Anzio. | 0:45:54 | 0:45:55 | |
The same place your father was killed. | 0:45:55 | 0:45:58 | |
Alessandro was at Anzio? | 0:45:58 | 0:46:00 | |
You know he was. Must have driven you mad. | 0:46:00 | 0:46:03 | |
A man who fought where your father died? | 0:46:03 | 0:46:05 | |
But he gets captured, survives, lives on after the war. | 0:46:05 | 0:46:07 | |
He doesn't just come to England - | 0:46:07 | 0:46:09 | |
he gets an allotment right next door to yours! | 0:46:09 | 0:46:11 | |
-This guy could have killed your dad at Anzio all those years ago. -No! | 0:46:11 | 0:46:16 | |
No, no, he couldn't have done. He surrendered in '43. | 0:46:16 | 0:46:19 | |
Alessandro told us. Not '44. That's too late. | 0:46:19 | 0:46:24 | |
I don't know, maybe he's just a really good liar. | 0:46:24 | 0:46:27 | |
Giulietta told the original murder team | 0:46:28 | 0:46:30 | |
that her father surrendered in 1943. | 0:46:30 | 0:46:33 | |
We checked the Italian POW records at Kew, | 0:46:33 | 0:46:36 | |
Alessandro Manzini | 0:46:36 | 0:46:37 | |
was taken prisoner on 29th January 1944 at Anzio. | 0:46:37 | 0:46:41 | |
So did why Alessandro lie to everybody? | 0:46:41 | 0:46:44 | |
I don't know, but look at this. | 0:46:44 | 0:46:46 | |
The Italian Army surrendered to the Allies, in September 1943. | 0:46:46 | 0:46:51 | |
-Mussolini had already been arrested. -And? | 0:46:51 | 0:46:53 | |
September 12th, he's rescued by the Germans, | 0:46:53 | 0:46:57 | |
who set him up as head of a puppet regime - the Republic of Salo. | 0:46:57 | 0:47:01 | |
Fascinating. | 0:47:01 | 0:47:02 | |
-You don't like history, Gerry? -I'm a bit busy just now. | 0:47:03 | 0:47:07 | |
You'll be even busier in a minute. | 0:47:07 | 0:47:10 | |
The Italian Army wasn't at Anzio - not that Italian army anyway. | 0:47:10 | 0:47:15 | |
-Alberto, is your father not here? -No. Why? -We need to speak to him. | 0:47:25 | 0:47:32 | |
He went out after you left earlier on. What about? | 0:47:32 | 0:47:36 | |
He's from Livorno, am I right? Does he go back there? | 0:47:36 | 0:47:40 | |
No. His father died during the war and his mum just after. | 0:47:42 | 0:47:46 | |
He said there was nothing to go back for. | 0:47:46 | 0:47:48 | |
Your father had two older brothers. He never tell you? | 0:47:48 | 0:47:51 | |
They were members of a group of partisans | 0:47:52 | 0:47:56 | |
executed on a farm near Livorno, in September '44. | 0:47:56 | 0:47:58 | |
No. Where d'you get that from? | 0:48:00 | 0:48:03 | |
They were killed by Fascist militiamen, their own countrymen. | 0:48:03 | 0:48:06 | |
Afterwards, their bodies were thrown down a well. | 0:48:06 | 0:48:09 | |
Your father was at home with his mother. He was 13. | 0:48:10 | 0:48:13 | |
No. Papa never had any brothers. | 0:48:14 | 0:48:16 | |
I know he didn't, what are you on about? | 0:48:16 | 0:48:18 | |
You say that he went out just after we left? | 0:48:18 | 0:48:20 | |
But you don't know where? | 0:48:21 | 0:48:22 | |
Hang on, Alberto, hang on! Take is easy. | 0:48:37 | 0:48:40 | |
It's all right, you can see your dad dater. | 0:48:40 | 0:48:42 | |
Just stay with us a minute, OK? Take it easy. | 0:48:42 | 0:48:44 | |
I had some of your wine, Massimo. It's really excellent. | 0:49:00 | 0:49:05 | |
Yes. Not many people even try to make red wine in this country. | 0:49:05 | 0:49:11 | |
Certainly not 25 years ago. | 0:49:11 | 0:49:14 | |
No, but we look at the soil at the right place. | 0:49:14 | 0:49:17 | |
Bright, hot in summer. | 0:49:17 | 0:49:20 | |
Alessandro, he finds someone who brings the vines all the way | 0:49:20 | 0:49:24 | |
back from Italy. | 0:49:24 | 0:49:25 | |
When did you first find out that he had been a committed Fascist? | 0:49:26 | 0:49:30 | |
Not until the day I killed him. | 0:49:33 | 0:49:36 | |
Until that day he is my friend. | 0:49:38 | 0:49:41 | |
Massimo, I must warn you | 0:49:41 | 0:49:44 | |
that if you are admitting that you killed Alessandro Manzini... | 0:49:44 | 0:49:47 | |
I like you. I watch you. | 0:49:47 | 0:49:50 | |
Clever. Always at work like Montalbano. | 0:49:50 | 0:49:54 | |
Then when you come to ask about the allotment, I know. | 0:49:56 | 0:49:59 | |
I know you are near. | 0:50:00 | 0:50:01 | |
More than 30 years we are friends, Alessandro and I. | 0:50:03 | 0:50:06 | |
Our children played together, grow up together. | 0:50:08 | 0:50:11 | |
In all this time we hardly speak about the past. | 0:50:13 | 0:50:16 | |
The Italy of the past is a country of sadness. | 0:50:16 | 0:50:20 | |
Until... | 0:50:20 | 0:50:21 | |
One day in winter I drink last year's wine. | 0:50:23 | 0:50:28 | |
And I realise that the new wine Alessandro | 0:50:28 | 0:50:31 | |
and I make will now be ready. | 0:50:31 | 0:50:34 | |
So, I go back to the allotment where I find Alessandro. | 0:50:34 | 0:50:38 | |
And we try the wine. | 0:50:39 | 0:50:41 | |
And it is the best wine we ever make. | 0:50:43 | 0:50:47 | |
'So we drink more. | 0:50:49 | 0:50:52 | |
'More and more. | 0:50:52 | 0:50:56 | |
'Until we are drunk. Very drunk.' | 0:50:56 | 0:51:01 | |
'And Alessandro begins to sing.' | 0:51:03 | 0:51:05 | |
# Giovinezza, giovinezza... # | 0:51:05 | 0:51:09 | |
'Giovinezza.' | 0:51:09 | 0:51:11 | |
"Youth." | 0:51:12 | 0:51:15 | |
The Italian fascist anthem. | 0:51:15 | 0:51:17 | |
# Primavera di bellezza... # | 0:51:17 | 0:51:20 | |
'I grab him. Ask him how can he sing this song?! | 0:51:20 | 0:51:24 | |
'He says, "It is a fine song. A great song!"' | 0:51:24 | 0:51:27 | |
-E una grande canzone! -E una grande canzone?! -Si! | 0:51:27 | 0:51:30 | |
'I say it is the song of the people who killed my father and brothers. | 0:51:30 | 0:51:36 | |
'Luca and Giovani. Partisans.' | 0:51:36 | 0:51:39 | |
Alessandro stares, cold suddenly, | 0:51:39 | 0:51:43 | |
and he says, "In which case they deserved to die." | 0:51:43 | 0:51:47 | |
He dies like a pig. | 0:52:20 | 0:52:21 | |
After... | 0:52:24 | 0:52:26 | |
A testa in giu... | 0:52:26 | 0:52:27 | |
-Come un corpo in un pozzo. -Si. | 0:52:30 | 0:52:33 | |
I put him upside-down. | 0:52:33 | 0:52:35 | |
Like a body in a well. | 0:52:36 | 0:52:37 | |
You stuck the knife in his throat to shut him up | 0:52:39 | 0:52:42 | |
and buried it in Dicky Smith's allotment. | 0:52:42 | 0:52:44 | |
Dicky Smith always talks about us. He thinks we don't hear. | 0:52:44 | 0:52:50 | |
Italians are "cowards, worthless, hopeless". | 0:52:50 | 0:52:54 | |
He knows nothing about my family. | 0:52:54 | 0:52:57 | |
About how many Italians give their lives fighting Fascists. | 0:52:57 | 0:53:01 | |
But then the ground freezes. No-one can dig. | 0:53:03 | 0:53:06 | |
Even the police give up. | 0:53:08 | 0:53:10 | |
And I think, "What does it matter?" | 0:53:10 | 0:53:15 | |
He's been cautioned but, to be honest, | 0:53:29 | 0:53:31 | |
he seems pretty fatalistic about what's going to happen to him. | 0:53:31 | 0:53:34 | |
-And he's...how old? -82. | 0:53:34 | 0:53:36 | |
-Is he terminally ill? -His son says he's strong as an ox. | 0:53:38 | 0:53:42 | |
So, all this time nobody knew or said anything? | 0:53:42 | 0:53:44 | |
Well, you've certainly hit the ground running. | 0:53:46 | 0:53:48 | |
How long did it take you to crack this - four days? | 0:53:48 | 0:53:51 | |
Three. Not me. | 0:53:51 | 0:53:53 | |
-I just tagged along and let them get on with it. -Nice work. | 0:53:53 | 0:53:56 | |
For God's sake, don't tell them but I admire them. | 0:53:57 | 0:54:00 | |
-So, you decided not to stay for the last day, sir? -What? | 0:54:02 | 0:54:07 | |
The ACPO conference? | 0:54:07 | 0:54:09 | |
Oh, no. Hardly anyone did. Two nights in Birmingham? God forbid. | 0:54:09 | 0:54:13 | |
Welcome aboard. | 0:54:14 | 0:54:16 | |
-What did he say? -What did you say? | 0:54:26 | 0:54:28 | |
I said I just let you get on with it. | 0:54:28 | 0:54:30 | |
And he said well done. And that he admired you. | 0:54:30 | 0:54:34 | |
He's a bloody liar. | 0:54:34 | 0:54:36 | |
He's a DAC. | 0:54:36 | 0:54:37 | |
-And you speak Italian. -I try to. -You never said. | 0:54:39 | 0:54:43 | |
-Non si devono scoprire le carte tutte in una volta. -Pardon? | 0:54:43 | 0:54:49 | |
You never show all your hand at once. Do you? | 0:54:49 | 0:54:52 | |
Come on. | 0:55:00 | 0:55:02 | |
Hi. DCI Miller, Metropolitan Police Unsolved Crime and Open Case Squad. | 0:55:31 | 0:55:35 | |
I have reason to believe that a crime is being committed in one of your guest rooms. | 0:55:35 | 0:55:38 | |
No, it's OK, stay calm. | 0:55:38 | 0:55:41 | |
I just need to look at your room list. | 0:55:41 | 0:55:43 | |
Thank you. Could I have a room master key, please? | 0:55:50 | 0:55:53 | |
Darling. | 0:56:54 | 0:56:56 | |
Sasha! | 0:56:56 | 0:56:58 | |
You're not wearing your uniform. | 0:56:58 | 0:57:00 | |
I can see you're busy. I'll see myself out. | 0:57:05 | 0:57:09 | |
Sash... | 0:57:12 | 0:57:14 | |
Oh, shit... | 0:57:14 | 0:57:16 | |
Subtitles by Red Bee Media Ltd | 0:58:08 | 0:58:09 |