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The One That Got Away

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# It's all right It's OK

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# Doesn't really matter if you're old and grey

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# It's all right I say it's OK

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# Listen to what I say

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# It's all right, doing fine

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# Doesn't really matter if the sun don't shine

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# It's all right I say it's OK

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# We're gettin' to the end of the day. #

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This programme contains some scenes which some viewers may find upsetting.

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-Got a minute?

-Yes.

-Something interesting...

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Lesley Hewitt.

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A 19-year-old student at the Royal Academy of Music.

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She played the violin.

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September 7th, 1996,

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Lesley left college at three o'clock in the afternoon

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to head back to the flat she shared in Camden.

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She was last seen walking into a park.

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No body?

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No. No body, no witnesses. Vanished into thin air.

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And now?

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And now...this.

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This is her, is it?

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Lesley Hewitt's sister, Emma, her only surviving family member,

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found the picture loose inside a book

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in the charity shop where she works.

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We don't know who the photographer was.

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The photo's been scanned and cleaned up as much as possible.

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If we can identify any of the people in the picture,

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they could prove to be valuable witnesses.

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The jogger...

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Yes, I saw him.

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It's a park. It could just be a man jogging...

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A 19-year-old music student - she fits the victim profile.

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-There is no victim profile.

-No, not officially, because I wasn't allowed to pursue it.

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And this is not a green light to pursue it now.

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There's no way that figure's clear enough to identify, anyway.

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This guy could have seen him.

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Or he could just be a jogger.

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I'll put it on the board.

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-Morning, Guv.

-Morning, boss.

-Sir.

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This picture is 20 years old.

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How are we going to recognise anyone from that?

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There's new facial recognition technology that we can access

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that will cross-match any image, if it's clear enough,

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to the Criminal Records database.

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And what if no-one here has a criminal record?

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One certainly does. This guy here, Stuart McKelvie,

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has a record for assault.

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Nothing more than a fight outside a pub

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but they took his picture and the software matched it.

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OK, we'll go and talk to him,

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see if he remembers a walk in the park 20 years ago.

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Before we all start taking the piss,

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I think there's something you need to be aware of.

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This could be linked to a case I worked on before.

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-This is tenuous, at best.

-If there's even a remote possibility, we're going to look at it.

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I don't want this taking focus away...

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The focus is on finding Lesley Hewitt's abductors.

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OK.

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Joanna Beck.

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An 18-year-old art student

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who disappeared on her way home from a party in 1985.

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Her badly mutilated body was found in a disused warehouse

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about a mile from where she was abducted.

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Detective Constable Sandra Pullman?

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Yeah, one of my first cases.

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-So what's the connection?

-There may not be one, Gerry.

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At the time, several young women, students mostly,

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reported being harassed by a jogger in a tracksuit.

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One said that he even tried to get her into his car,

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but she managed to get away.

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In the warehouse where we found Joanna's body,

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forensics discovered a footprint of a size nine running shoe

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and some dark blue fibres which matched the description

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of the one that our mysterious jogger was wearing.

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According to the reports, both the tracksuit and the trainers

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were a very common brand.

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I believe it was the same man.

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I think that he had finally worked out his methodology

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and had successfully abducted and murdered his first victim.

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The first of many, I predicted at the time.

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And were you right?

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There were several similar abductions over the following few years

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but I wasn't involved in any of the cases

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and no links were ever made.

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When was the last one?

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The last one that I thought fit the pattern was in '94.

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But this one is two years later, in '96.

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Is this the one that got away?

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Well, I don't lie awake at night thinking about it,

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if that's what you mean.

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I believed there was a connection and I still do.

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But you have to remember that at the time,

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no-one was listening to me because I was too junior.

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Or maybe because you were a woman.

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In fairness, Steve, she couldn't prove anything.

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Although the other thing might be true, too.

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Look, I'm not saying this is a special case,

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I just want us to be aware there's a chance, however slim,

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that there's a thread running from Joanna Beck to Lesley Hewitt.

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A serial killer?

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Well, I don't think we should use that expression just yet.

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What time of day did you say this picture was taken?

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She was last seen entering the park at 3:20pm,

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so probably about ten minutes later.

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Why?

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That's wrong.

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Whoa.

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Yeah, just as I thought.

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Look. Look at the shadows in the picture,

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now look at our shadows.

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Now, it's not an exact time match but it's the same time of year.

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I mean, 3:30 in the afternoon. The sun should be...

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-Hold on, I've got an app.

-Of course you have, Sherlock.

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What was that date again?

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7th of September, 1996.

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So the elevation at 3:30 would be...

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-And then the azimuth...

-Azimuth?

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-I think you might have dropped your monocle.

-Yeah...

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the sun should be there.

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But it's not, it's there.

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I think this photograph was taken somewhere between...

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-4:15 and 4:30.

-What, an hour later?

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What, just to walk a few hundred yards?

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Well, she could have she sat down, bumped into somebody or...

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No, if she sat chatting to someone for an hour,

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surely they would have come forward.

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I can't fit all this in.

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-Can't fit all what in?

-Well, look.

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If your suspicious jogger is by the tree, over there,

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and the dog is on the left-hand side of frame.

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-The lens on your phone's much wider than the one on the camera, right?

-Yeah.

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There's no way our photographer took this picture, standing here.

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All right, so he was back...

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He was in there.

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-He must have been.

-What, hiding?

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Well, you go deep enough in there, no-one's going to see you, are they?

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So if this wasn't a random photograph,

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If he knew exactly what, or indeed who, he was photographing...

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Yeah, and if you look at it from that point of view,

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this is a photograph of Lesley Hewitt.

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So you found this photo of your sister in a charity shop?

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I was just unpacking some boxes that had been donated.

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-No idea where it came from?

-No.

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People bring in bags all the time and they just pile up

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until I get a chance to sort through them all.

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This was a load of old books and magazines

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and the photos fell out of one of the books.

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I tried to look through the bag,

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to see if I could identify the donor, but I couldn't.

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You said photos - plural.

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Yeah, but...well, this was the only one of my sister.

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Could it be the same photographer?

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I don't know. Maybe.

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It was the timing that was the weird thing for me, though.

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The bags come in on the days that I'm not there

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and they pile up.

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And this bag was at the bottom of the pile,

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which means that it came in the day after I was last in.

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Which means it came in on the 7th of September...

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which is the anniversary of Lesley's disappearance.

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Do you still have the other photos?

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Yeah, I brought them all home with me.

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-Is that Lesley's?

-Hmm?

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Oh, no. No, I'm the cellist.

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-Here you go.

-Thank you.

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-OK. Can we keep hold of these?

-Of course.

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Might help us track down the photographer.

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You think he had something to do with it?

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We're looking into every possibility.

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Did Lesley mention a meeting she was having that day, an appointment?

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I just remember she was really excited.

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She'd just got her first paid job playing the violin.

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She was doing some recital.

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Just her, I think, some posh do, a woman had asked her to do it.

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She'd been approached when she was coming out of college one day.

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I don't know, the woman must have been to a concert or something.

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What woman?

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I don't know, Lesley didn't say.

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I tried to contact her when Lesley disappeared

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but I didn't have any details for her and,

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well, she never called to see where Lesley was. So...

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Is this significant?

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Probably not.

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I know she's dead.

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I moved on with my life a long time ago.

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But if you can find her...

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her body...

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She was my big sister.

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She was brilliant.

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I'd like to be able to say goodbye to her, properly.

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-We'll give you a call when it's in, OK?

-Thank you.

-Thank you.

-Bye.

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Stuart McKelvie?

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-Hello?

-Hi.

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I'm Dan Griffin. This is Gerry Standing.

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We're with the Unsolved Crime and Open Cases Squad.

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Oh, right, what can I...?

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We're investigating the disappearance of a young woman

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called Lesley Hewitt.

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-I'm afraid I don't...

-No?

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September 7th, 1996,

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last seen entering this park.

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That's you, isn't it?

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Wow, yeah! That is...that is me.

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-How did you...?

-Oh, we have this software

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that can cross-reference faces to anyone who has a criminal record.

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An assault charge in 1996.

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Well, that was a fight outside a pub.

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You know, things got a little bit out of hand.

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But I don't drink any more, yeah?

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Do you remember seeing Lesley Hewitt on the day this picture was taken?

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-I don't.

-No? You look like you're getting a right eye-full.

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-HE LAUGHS

-Yeah, that is rather embarrassing

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but I don't have the faintest recollection, I'm afraid.

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Where were you going?

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Uh...

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I used to drink in Camden.

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Then I'd walk through the park, you know, clear my head.

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No, no. He asked you "Where were you going?"

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Home. I lived in Kilburn,

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used to walk through the park and then hop on the tube.

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You know, straight up the Bakerloo line.

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So you know the park very well?

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-Aye.

-Does this jogger ring a bell?

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Uh...no, sorry.

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Not to worry. Thanks for your time.

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-There was a van though.

-A van?

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It's probably completely unrelated, you know.

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I don't even know if it was the same day.

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What kind of van?

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It was...black, dark blue.

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-Make?

-Transit.

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It was...it was parked, you know, near the entrance to the park.

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We're talking 20 years ago.

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You were drunk.

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Yet suddenly you can remember a van and not a pretty young woman?

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The doors were open, there was no-one around.

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-That's why it stuck in my mind.

-Well, what else stuck in your mind?

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-What about a company name or a logo?

-Eh...

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No. No, it was plain.

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Look, it's probably nothing to do with your girl, eh.

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No. Well, thanks again.

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Yeah.

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There's something about this McKelvie bloke that really bothers me.

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I mean, first off he said he was drunk

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and he didn't remember anything about that day.

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Then, suddenly he DOES remember

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a dark, unmarked transit van at the entrance to the park.

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Do you think he's lying?

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Well, I don't think he's trying to throw us off course.

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I think he's just trying to be helpful -

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making up stuff he thinks he should have seen

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rather than reporting stuff he did see.

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I mean, it's easy enough to get a list of dark transit owners,

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but it'll be a bloody long list.

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So that leaves us with this photographer.

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His name is Greg Bishop.

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He's a bit of a face around Camden apparently,

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we've found some people who remembered him.

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Now, we've got a string of rental addresses for him

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from around that time

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but he completely drops off the radar about six years ago.

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-Dead?

-Well, his death hasn't been registered anywhere.

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The guys who put us on to him said he was a bit of a loner

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but they reckon he had some kind of breakdown.

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Now, that would have been after this photograph was taken.

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Since then, he has form for possession of crack and heroin.

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And then he vanishes.

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And that's six years ago?

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Do you think he might be homeless?

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Cos if he is, a character like that, people would know him.

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Exactly. Which is why I want you lot to work the streets tonight.

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-What?

-You're joking, aren't you?

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You want us to spend all night trawling through London

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looking for a tramp with a camera?

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I'd love to join you but I'm a bit busy.

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-Busy doing what?

-Minding my own business. Yes!

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I knew there was something familiar in what Emma Hewitt said to us.

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She said that the week before Lesley disappeared,

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she was invited to play the violin at a private party,

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by some woman she met at a college concert.

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But that when Emma tried to phone this woman

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to warn her that Lesley wouldn't be coming,

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she couldn't find any details and the woman never made contact with her.

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Now listen to this...

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The week before Joanna Beck disappeared,

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she was commissioned to paint a portrait by a woman,

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a complete stranger, who we never managed to trace.

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It's a connection.

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-It's tenuous.

-Hang on.

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I'm thinking that whoever this woman is made contact with these girls

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to get to know them, to gain their trust,

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so that on the day, they wouldn't have to be

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forcibly bundled into a car, or a van, or whatever.

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They'd get in willingly because they'd know their abductor.

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Look, Sandra, we're more than willing

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to stand up for you in front of Strickland, right.

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But there's absolutely no suggestion that these cases are connected.

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We don't even know that Lesley Hewitt's dead.

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Of course she's dead!

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Well, yeah. But until we find a body,

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we have to presume she's missing, surely.

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Here is a list of all the other abductions

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that I think might be connected.

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Go through them and see how many make reference

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to a woman making contact with these girls

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in the weeks prior to their disappearance.

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And that is an order.

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So what's the big deal about this?

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It's no big deal, it's just a case.

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Some girls have been abducted, probably murdered.

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And I think it's about time we got to the bottom of it.

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-About time?

-Yeah.

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What?

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-Nothing.

-What?

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I don't know why you're pretending it's not a big deal.

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I'm not pretending anything.

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OK.

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They wouldn't listen to me.

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On the original investigation,

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cos I was young and inexperienced,

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they wouldn't listen to me.

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Do you think your experience on the big case

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-spurred you on to where you are now?

-No.

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Hmm...maybe, I don't know.

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This is sounding like a job interview.

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Oh, my God, Max, is this a job interview?

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This is just two people having a quiet drink

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in a hotel bar, before...

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Before what?

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Before...

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THEY LAUGH

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Anyway, I'm not looking for a job.

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Fair enough...fair enough.

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What happens when you kill this case?

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Assuming you're right about these abductions being connected.

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They are connected.

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So then you prove that

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and it's the case that originally drove you to get to where you are.

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-So your career has come full circle, right?

-Hmm.

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Then what?

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We carry on.

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-More cases?

-Yeah.

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The same four walls, the same team, the same boss...

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What are you saying?

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I'm not saying anything.

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But you're thinking something.

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I am definitely thinking something!

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I'm not talking about that.

0:17:100:17:12

No, you're up to something, I can tell.

0:17:120:17:15

You can tell that already?

0:17:150:17:16

Yes, cos you're not very hard to read.

0:17:160:17:19

Is that right?

0:17:190:17:20

You're up to something.

0:17:220:17:23

I'm always up to something.

0:17:270:17:29

I wish I was in a nice warm place, being wined and dined.

0:17:400:17:43

It's been a while, I imagine, Gerry.

0:17:430:17:46

-You'd be surprised.

-I'd be gobsmacked, frankly.

0:17:460:17:49

One of 'em reckons he knows Greg Bishop

0:17:490:17:51

but he hasn't seen him for a couple of weeks.

0:17:510:17:53

He thinks he might be in a squat in Bermondsey.

0:17:530:17:56

-Bermondsey?

-Yeah.

0:17:560:17:57

So, brisk walk, be there in 20 minutes.

0:17:570:18:00

ANGRY SHOUTING

0:18:100:18:12

-Hey, you!

-Leave it, Steve. Leave them.

-Knock off, right now.

0:18:120:18:16

Take it easy, there. Take it easy.

0:18:180:18:20

You OK, yeah? Just lean against here a second. Get your breath back.

0:18:200:18:25

-You all right, eh?

-Yeah.

0:18:250:18:26

Yeah? You OK?

0:18:260:18:28

-You're plod.

-Yeah.

0:18:280:18:30

-What you want?

-Yeah, we're looking for a guy named Greg Bishop.

0:18:300:18:32

-I don't know him.

-Greg Bishop - he was a photographer.

0:18:320:18:36

Some people over the bridge said he was staying here.

0:18:360:18:38

I don't know people over the bridge. I don't know what they say.

0:18:380:18:40

-Greg isn't in trouble.

-Oh, no?

0:18:400:18:43

Plod looking to bring him money and something to eat,

0:18:430:18:45

-are they?

-Listen, mate, do you know where he is or not?

0:18:450:18:47

Gerry Standing!

0:18:510:18:52

Yeah.

0:18:550:18:56

Shelley?

0:18:580:18:59

What the bloody hell you doing here?

0:19:000:19:02

I'm undercover.

0:19:020:19:04

Who's this?

0:19:040:19:06

Dave Sheldon, he used to be a desk sergeant at one of my nicks.

0:19:060:19:09

What happened?

0:19:090:19:10

Drink or two, here and there.

0:19:120:19:13

Missus ran off with a fella from the recycling centre.

0:19:140:19:19

Couple of mortgage payments, backing some right old nags,

0:19:190:19:23

should have gone straight to a value burger.

0:19:230:19:25

-Here.

-Keep your beer money, Gerry.

0:19:280:19:31

-At least get yourself something to eat.

-I don't want charity.

0:19:310:19:34

Do you know where we can find this Greg Bishop?

0:19:350:19:38

We're not here to nick him, we think he might be a witness to something.

0:19:380:19:41

A girl was abducted.

0:19:410:19:43

Screw loose, that one.

0:19:430:19:45

Creepy, even without all the drugs.

0:19:450:19:48

I ain't seen him in days.

0:19:480:19:50

You could try the church.

0:19:500:19:52

Any of you happen to notice if the offy up the road's still open?

0:19:540:19:58

No, I'm sorry, mate.

0:19:580:20:01

Worth a try.

0:20:010:20:02

See you around, Gerry.

0:20:040:20:05

Yeah.

0:20:070:20:08

KNOCKING ON DOOR

0:20:290:20:31

Greg Bishop? You in there?

0:20:330:20:35

BANGING ON DOOR

0:20:350:20:37

We just want to talk to you.

0:20:370:20:39

It's locked.

0:20:390:20:41

Well, It's hardly Fort Knox, is it?

0:20:410:20:43

DOOR CRASHES OPEN

0:20:430:20:46

-Bob, do you smell that?

-Hmm.

0:21:000:21:03

Yeah...

0:21:050:21:08

here he is.

0:21:080:21:09

Yeah.

0:21:160:21:18

-Greg Bishop.

-Yeah.

0:21:180:21:20

About 72 hours, I'd say.

0:21:220:21:25

-Yeah. Phwoah.

-Yeah.

0:21:250:21:27

-Wait.

-Well, this is interesting.

0:21:280:21:32

What's that?

0:21:340:21:35

Wow.

0:21:420:21:43

Bloody hell!

0:21:470:21:48

God, it's like some kind of trophy room, isn't it?

0:21:560:21:59

Well, if it is, he's our man.

0:21:590:22:01

Not necessarily.

0:22:010:22:02

He died from a massive heroin overdose.

0:22:020:22:05

No sign of foul play apparently.

0:22:050:22:06

Well, if it was massive it suggests it wasn't exactly accidental, eh?

0:22:060:22:09

GRIFFIN: And if it was suicide, it would have been around the same time

0:22:090:22:12

that Emma Hewitt found that photograph.

0:22:120:22:15

Yeah. Yeah, the anniversary of Lesley's abduction,

0:22:150:22:19

then this photograph turns up, then Bishop kills himself.

0:22:190:22:23

Well, Maybe it was some sort of confession.

0:22:230:22:25

Why not just leave a note, you know?

0:22:250:22:26

Because, if he wasn't the only one involved in these abductions,

0:22:260:22:29

then perhaps it was his way of trying to make amends

0:22:290:22:32

so as not to get his accomplices into trouble.

0:22:320:22:34

But, guv'nor, all roads lead to him.

0:22:340:22:36

Then we find him surrounded by his trophies.

0:22:360:22:39

Looks like he was doing a nice little line in porn on the side.

0:22:390:22:42

Here, look at this.

0:22:420:22:43

Boss,

0:22:460:22:48

is this Joanna Beck?

0:22:480:22:50

PULLMAN: Yeah. She was wearing those clothes when she was abducted.

0:22:530:22:56

Are you sure?

0:22:560:22:58

It was my first dead body.

0:22:580:23:00

And she was still wearing the skirt and blouse.

0:23:000:23:02

So this could have been taken just before it happened?

0:23:020:23:04

Maybe, yeah.

0:23:040:23:06

We've cross-referenced Greg Bishop's photographs

0:23:170:23:19

with all our unsolved murder and miss-per files

0:23:190:23:22

and we have 11 abductions since 1984.

0:23:220:23:25

Joanna Beck was the second

0:23:250:23:26

and it looks like Lesley Hewitt was the last.

0:23:260:23:28

But Joanna and four others were the only bodies ever found.

0:23:280:23:31

But if Lesley Hewitt was the last one, 20 years ago,

0:23:310:23:34

why did they stop?

0:23:340:23:35

Serial killers... if we can use the term now?

0:23:350:23:38

Go on...

0:23:410:23:42

Serial killers don't always carry on until they're caught.

0:23:420:23:45

Sometimes killings stop because the killers get arrested

0:23:450:23:48

and end up in prison on some unrelated charge.

0:23:480:23:51

Sometimes, obviously, they die before they're ever caught.

0:23:510:23:54

Sometimes they leave the area.

0:23:540:23:56

Are we checking that?

0:23:560:23:57

Well, we're checking the database

0:23:570:23:59

but so far, over the last ten years,

0:23:590:24:00

there's nothing that fits the profile.

0:24:000:24:02

Other times, they just stop.

0:24:020:24:05

They just stop?

0:24:050:24:06

Could be a change in circumstances -

0:24:060:24:08

the killer gets married, or divorced or has children.

0:24:080:24:11

A parent dies or becomes ill.

0:24:110:24:13

Personally, I think a change in circumstance

0:24:130:24:15

can break the mental pattern that causes the killer

0:24:150:24:18

to do what he was doing.

0:24:180:24:19

Is there a link between the victims?

0:24:190:24:21

Well, all of the women were white,

0:24:210:24:22

all aged between 18 and 23

0:24:220:24:24

and all students on arts-based courses.

0:24:240:24:27

STANDING: Joanna Beck and the four others that were found

0:24:270:24:30

were all strangled and mutilated post-mortem.

0:24:300:24:33

Any sexual element?

0:24:330:24:34

No. It's all about the violence with him -

0:24:340:24:37

hatred, the need to destroy.

0:24:370:24:39

They weren't killed where they were found.

0:24:390:24:40

The bodies were dumped afterwards and pretty well-concealed,

0:24:400:24:43

which probably explains why only five have been found so far.

0:24:430:24:46

Which means the only way to find the others is to find the killer.

0:24:460:24:49

And this photographer was your only lead?

0:24:490:24:51

PULLMAN: So far.

0:24:510:24:54

And why is he not the prime suspect?

0:24:540:24:55

Well, we're working on a theory that all of these women

0:24:550:24:58

were lured with promises of work -

0:24:580:25:00

portrait commissions, musical recitals, things like that.

0:25:000:25:03

And the lure was a woman

0:25:030:25:04

which means that there was more than one person involved.

0:25:040:25:07

OK.

0:25:120:25:14

OK, I'll buy that there's a link between these abductions.

0:25:140:25:18

So now all of this needs to be sent up

0:25:180:25:20

to a murder investigation team.

0:25:200:25:22

No. No, sir, these are all UCOS cases.

0:25:220:25:24

Well, they are but the four of you can't possibly hope

0:25:240:25:26

to mount an investigation of this magnitude.

0:25:260:25:29

To reopen 11 cases, re-interview witnesses,

0:25:290:25:32

re-assess evidence...

0:25:320:25:33

Well, there's no way. Is there?

0:25:330:25:35

No, no. You clear the board, I'll put the cases in the system

0:25:350:25:38

and get a team set up.

0:25:380:25:39

It's a good job, well done.

0:25:390:25:41

Bollocks!

0:25:470:25:48

I know this woman.

0:26:130:26:14

Annie Banks?

0:26:210:26:23

Yes?

0:26:250:26:26

Hello, Annie. Remember me?

0:26:270:26:30

Detective Superintendent Pullman, this is my colleague Gerry Standing.

0:26:300:26:33

I interviewed you many years ago,

0:26:330:26:35

in connection with the abduction and murder of Joanna Beck.

0:26:350:26:39

-Poor Joanna, yes.

-We have some more questions for you.

0:26:390:26:42

-What about?

-Can we come in?

0:26:420:26:44

-Well, it's not a very good time at...

-Annie,

0:26:440:26:46

we have some photographs of you that were taken by Greg Bishop.

0:26:460:26:50

You may not want the neighbours to hear about them.

0:26:500:26:52

Oh, yes, of course.

0:26:520:26:56

Come in.

0:26:560:26:57

Those pictures were taken a long time ago.

0:26:590:27:02

I don't regret it, however much you judge me.

0:27:020:27:04

I'm not going to apologise for it.

0:27:040:27:06

No-one's asking you to.

0:27:060:27:07

How long ago?

0:27:070:27:09

I don't know...

0:27:090:27:11

Early '90s -

0:27:110:27:14

'92, '93.

0:27:140:27:16

And when did you meet Greg Bishop?

0:27:160:27:17

A few months before that,

0:27:170:27:19

in a pub just around the corner from here.

0:27:190:27:22

Though I wasn't living here at the time.

0:27:220:27:25

We have some photos taken by Greg Bishop of Joanna Beck,

0:27:250:27:28

on the night she was abducted.

0:27:280:27:30

And how is that anything to do with me?

0:27:300:27:32

I interviewed you, Annie, the day after we found Joanna's body because

0:27:320:27:35

on the night she was abducted,

0:27:350:27:37

she was at a student party,

0:27:370:27:39

-with you.

-Yes, that's right.

0:27:390:27:42

And as I told you at the time,

0:27:420:27:44

I was earning a few quid as a life-model in her art class.

0:27:440:27:49

We chatted, she invited me to the party.

0:27:500:27:54

I didn't even know her very well.

0:27:540:27:57

But now we've got photographs of Joanna Beck,

0:27:570:28:00

taken on the same night that she was with you

0:28:000:28:03

and taken by the same photographer

0:28:030:28:05

who you were shooting pornography with a few years later.

0:28:050:28:08

He also took photos of ten other women who were abducted,

0:28:080:28:12

and presumably killed, over a 12-year period.

0:28:120:28:15

I didn't know Greg until the early '90s.

0:28:150:28:18

Really?

0:28:180:28:19

-That's a bit of a coincidence.

-Yes, it is. Why?

0:28:190:28:23

Is Greg saying something different?

0:28:230:28:25

He's dead. He killed himself three days ago.

0:28:250:28:27

-We found these photos in the squat he was living in.

-A squat?

0:28:270:28:31

Poor sod.

0:28:320:28:33

Who else did he hang out with?

0:28:330:28:36

I don't know. I didn't meet anyone else with him.

0:28:360:28:39

Really?

0:28:390:28:40

What about the man who was in all the photos with you.

0:28:400:28:43

I only met him on the day

0:28:430:28:46

and I don't know his name.

0:28:460:28:48

Did Greg seem to know him?

0:28:480:28:50

I can't remember, this was years ago.

0:28:500:28:52

I don't know anything about any of this.

0:28:520:28:56

I knew Joanna because I was a life-model in her class.

0:28:560:29:00

I met Greg Bishop years later.

0:29:000:29:02

I mean, if he was there the night that she got killed...

0:29:020:29:06

..maybe he did see me.

0:29:080:29:11

Maybe meeting me in the pub and asking me to do those pictures

0:29:110:29:15

wasn't an accident.

0:29:150:29:16

Do you think?

0:29:180:29:20

Do you think that that could have happened to me?

0:29:230:29:25

We might have to come back and ask you some more questions, Annie.

0:29:280:29:32

Yes. Well, I'm not going anywhere.

0:29:320:29:34

What do you reckon?

0:29:510:29:53

I don't know, Gerry.

0:29:530:29:54

Is it possible that she knew Greg Bishop and Joanna Beck

0:29:540:29:57

-independently of each other?

-Yeah, it's possible.

0:29:570:30:00

Highly unlikely but it's possible.

0:30:000:30:02

So how do we prove she's lying, when they're both dead?

0:30:020:30:05

Well, you gave her a good going over on the Beck case, didn't you?

0:30:050:30:08

Yeah, yeah, she completely checked out.

0:30:080:30:10

If I hadn't seen those photos,

0:30:100:30:11

it wouldn't have occurred to me to come back to her.

0:30:110:30:14

Yeah, well, she used to take her kit off for art students,

0:30:140:30:16

it's not a great stretch - her going into porn.

0:30:160:30:19

It's hardly the same thing, Gerry.

0:30:190:30:20

Let me have a look at those photos, will you.

0:30:200:30:23

What you thinking?

0:30:260:30:27

Why this make-up?

0:30:280:30:30

Disguise, doesn't want to be recognised.

0:30:300:30:33

Could he be our jogger?

0:30:330:30:35

No, that'd be impossible to tell.

0:30:350:30:37

Who would know this man?

0:30:370:30:39

Oh, Dave...David...

0:30:400:30:42

Oh, he was big in this game in the '80s.

0:30:420:30:44

Dave Wheldon! Now, if this bloke was a regular model,

0:30:440:30:47

or whatever they call themselves,

0:30:470:30:48

Dave would know about it.

0:30:480:30:50

-Guv'nor, can I just point out something?

-What?

0:30:510:30:55

This isn't our case anymore.

0:30:550:30:57

Strickland told us to clear the board.

0:30:570:30:59

You've never disobeyed an order?

0:30:590:31:01

Sandra, you've proved that the abductions are connected.

0:31:030:31:06

That's the important thing, isn't it?

0:31:060:31:08

I always knew that Joanna Beck wasn't the only one.

0:31:080:31:11

I wasn't hung up on proving that, that's just process.

0:31:110:31:14

You know, what I wanted was to catch the guy.

0:31:140:31:16

To stop him from killing any more women.

0:31:160:31:18

Well, he hasn't for a while.

0:31:180:31:20

Says the man who jets around the world,

0:31:200:31:22

tracking people whose crimes are older than these.

0:31:220:31:24

That's a fair point. The thing is -

0:31:240:31:27

I suspect that catching him would be underwhelming.

0:31:270:31:30

How do you mean?

0:31:300:31:32

Well, I see it all the time with the war crimes investigation.

0:31:320:31:36

We read these testimonies,

0:31:360:31:38

we build up a mental image of these people -

0:31:380:31:41

in your case, a man who abducted and brutally murdered

0:31:410:31:44

at least 11 women.

0:31:440:31:46

He becomes a monster in you head, this epitome of evil.

0:31:460:31:51

But the reality is always...

0:31:510:31:55

a lot more banal.

0:31:550:31:57

I have arrested people before, you know.

0:31:570:31:59

Mass murderers?

0:31:590:32:00

Not mass murders, no.

0:32:000:32:02

And that's why you want this one.

0:32:020:32:04

He is the big fish!

0:32:040:32:06

Yeah, maybe.

0:32:060:32:09

Strickland's right, though.

0:32:110:32:13

UCOS isn't set up for this kind of thing.

0:32:140:32:17

We don't have the resources to catch this guy.

0:32:170:32:20

I do.

0:32:200:32:21

Not him, obviously, but people like him.

0:32:210:32:25

Some worse.

0:32:250:32:27

What are you saying, Max?

0:32:270:32:29

This was going to be your last case.

0:32:320:32:33

No, I didn't say that. You said that.

0:32:330:32:35

Well, if you want to stay...

0:32:350:32:37

I've been at UCOS for ten years.

0:32:390:32:41

-That's a long time.

-It's valuable work...

0:32:410:32:43

-Yes, it is.

-..with a great team.

0:32:430:32:45

Absolutely. And you built it from the ground up.

0:32:450:32:47

It was supposed to be a rubbish job,

0:32:470:32:50

shepherding a bunch of miscreant pensioners

0:32:500:32:53

through some old case-files,

0:32:530:32:55

just so the Met could say they were doing something about cold cases.

0:32:550:32:59

But you picked the right people, you gave them the good leadership.

0:32:590:33:05

Which is why I think you should come and work on my team.

0:33:050:33:10

-You're serious, aren't you?

-Not working for me.

0:33:110:33:14

Not even with me, a lot of the time.

0:33:140:33:16

I'm spending most of my time in court at the moment

0:33:160:33:19

and I need someone to run investigations.

0:33:190:33:21

Max, I can't just leave.

0:33:210:33:23

I understand. I understand.

0:33:230:33:25

You really want to though, don't you?

0:33:250:33:29

And I want the best person for the job.

0:33:290:33:31

-Can I think about it?

-No, you can say yes.

0:33:340:33:38

I can't leave.

0:34:150:34:17

-JACK:

-Well, you can't stay here for ever.

0:34:170:34:19

I belong here, Jack.

0:34:230:34:24

You're afraid to leave, that's your problem.

0:34:290:34:33

You're comfortable, Sandra.

0:34:330:34:36

Never get comfortable.

0:34:360:34:37

What we do here is important, you said that.

0:34:370:34:40

Of course it's important.

0:34:400:34:41

And it'll be important long after you've gone.

0:34:410:34:44

But you built the ship,

0:34:440:34:46

you don't have to go on steering it for ever.

0:34:460:34:49

What about the others?

0:34:490:34:50

Oh, I'm sure they'll miss you terribly,

0:34:500:34:52

probably never stop crying.

0:34:520:34:54

They might even erect a statue to you, out in the car park.

0:34:540:34:57

-Shut up.

-They'll be fine!

0:34:570:35:00

Even Gerry.

0:35:000:35:01

What do you mean, "Even Gerry"?

0:35:020:35:05

Well he's the one you're really worried about, isn't it?

0:35:050:35:08

I mean, Danny Griffin hasn't been here five minutes

0:35:080:35:10

and as for the Scots one...

0:35:100:35:12

He's called Steve.

0:35:120:35:14

My seat was still warm when he sat down.

0:35:140:35:17

What's the alternative?

0:35:170:35:19

You going to stay here till you get your pension?

0:35:200:35:23

Then what? Take up gardening?

0:35:230:35:26

Go off on one of those bloody awful coach holidays somewhere?

0:35:260:35:31

Or maybe you're going to move to the other side of that window

0:35:310:35:34

and become another one of those boring old bastards out there.

0:35:340:35:37

You're going to take the job, Sandra, we both know that.

0:35:390:35:43

So let's not kid ourselves.

0:35:440:35:46

I miss you, Jack.

0:35:530:35:54

Is this because Strickland wouldn't let us keep this case?

0:35:590:36:02

Of course it's not.

0:36:020:36:04

Strickland's right, there's no way

0:36:040:36:06

that we can re-investigate 11 separate cases at the same time.

0:36:060:36:09

Well, thanks for letting us know.

0:36:090:36:11

I wanted to talk to the three of you before I told him.

0:36:110:36:14

Very kind of you.

0:36:140:36:15

It's been ten years. It wasn't meant to be this long.

0:36:150:36:18

I think it's great, Sandra. Congratulations.

0:36:180:36:21

-Thanks, Steve. GRIFFIN:

-Uncharted waters,

0:36:210:36:24

you'll be brilliant.

0:36:240:36:25

What? Hunting Nazis?

0:36:250:36:27

There have been a few war criminals since the Nazis, Gerry.

0:36:270:36:29

It wasn't an easy decision.

0:36:290:36:31

Bloody quick, though.

0:36:310:36:32

And there was no mention of it before the frog turned up.

0:36:320:36:35

It's what I want to do, Gerry.

0:36:350:36:37

When are you leaving?

0:36:390:36:40

I don't know. I suppose when everything's squared away

0:36:400:36:43

and they can find me a replacement.

0:36:430:36:45

Well, we'll have a bit of a leaving do, eh?

0:36:450:36:47

-Get the room above the pub.

-Yeah.

0:36:470:36:49

When are you going to tell Strickland?

0:36:490:36:52

Today.

0:36:520:36:54

I'll give him a call in a minute and see when he has some time for me.

0:36:540:36:57

-Gerry...

-Well, come on, boys. Lot of work to do.

0:37:000:37:03

Gerry, lighten up. This can't have been easy for her.

0:37:090:37:12

-Gerry...

-Oh, can we talk about it later?

0:37:350:37:37

No, no. What was the name of that guy

0:37:370:37:39

you said was involved in the porn business, back in the '80s?

0:37:390:37:42

-Dave Wheldon?

-Yeah. Give them his details.

0:37:420:37:44

I want the name of the man Annie Banks was shagging in those photographs.

0:37:440:37:48

Hold on, hold on! This isn't even our case any more.

0:37:480:37:50

Shut up and get your coat.

0:37:500:37:52

KNOCKING ON THE DOOR

0:37:520:37:55

We know this was your dog, Annie.

0:38:020:38:04

You need to come with us.

0:38:040:38:06

There you go.

0:38:120:38:13

David Wheldon?

0:38:190:38:20

I'm Steve McAndrew, this is Dan Griffin.

0:38:200:38:23

We're with the Unsolved Crime and Open Cases Squad.

0:38:230:38:25

I wonder if we could have a word.

0:38:250:38:27

I don't think you've got the right man, gents.

0:38:270:38:29

Only crime I ever committed got solved

0:38:290:38:32

by me doing a seven-stretch.

0:38:320:38:34

We're here for an expert opinion.

0:38:340:38:36

First time I've been accused of having one of those.

0:38:360:38:39

Here, Dan, keep an eye, will you?

0:38:390:38:41

Gerry Standing was telling us

0:38:470:38:48

you used to be a bit of a mover and shaker

0:38:480:38:50

in the adult entertainment industry.

0:38:500:38:52

I knew me way around, yeah.

0:38:520:38:54

Oh, and you can drop the airs and graces, Steve.

0:38:540:38:57

Call it porn.

0:38:570:38:59

-How is Gerry?

-He's very well.

0:38:590:39:01

We're investigating the abduction and murder of several women

0:39:010:39:05

between 1985 and 1996.

0:39:050:39:06

That's a while back. Slowly, slowly, catchy monkey, eh?

0:39:060:39:10

-Well, some new information's come to light and...

-It's softly.

0:39:100:39:14

Excuse me?

0:39:140:39:15

Softly, softly, catchy monkey. You're sneaking up on it.

0:39:150:39:19

There's no advantage in being slow, monkeys are fast.

0:39:190:39:21

One of the names that's come up in connection with our investigation

0:39:250:39:28

is a photographer called Greg Bishop.

0:39:280:39:30

Oh, yeah, I remember Greg.

0:39:300:39:32

I haven't seen him in years.

0:39:320:39:34

He died of a heroin overdose, a few days ago.

0:39:340:39:37

-Sorry to hear that.

-But not surprised?

0:39:370:39:39

Not at all, no.

0:39:390:39:41

Greg was never the full ticket.

0:39:410:39:43

Oh, he's a talented man but not all there.

0:39:430:39:47

He took some pictures.

0:39:470:39:48

Pictures?

0:39:480:39:51

Porn. We need to know who's in them.

0:39:510:39:53

Well, have you've got 'em with you?

0:39:550:39:57

Oh, yeah, sorry.

0:39:570:39:58

Here we go.

0:39:590:40:00

Oh, yeah!

0:40:100:40:13

Oh, HER I remember.

0:40:130:40:15

-Yeah, yeah, Anne something?

-Annie?

0:40:150:40:18

Annie. Nice girl.

0:40:180:40:21

How well did you know her?

0:40:210:40:23

In passing, Dan. Saw her around.

0:40:230:40:27

Yeah, she did a bit of modelling, bit of porn.

0:40:280:40:31

Movies as well as photos, as I recall.

0:40:310:40:33

We want to know who the man is.

0:40:330:40:35

-You never see his face properly.

-That's right.

0:40:350:40:38

That's interesting, isn't it?

0:40:380:40:41

If anyone wants to retain their anonymity in these situations,

0:40:410:40:45

it's normally the woman.

0:40:450:40:47

-Maybe he was married.

-Could be(!)

0:40:470:40:50

Rascal.

0:40:500:40:52

No, I'm afraid I don't know who he is.

0:40:530:40:55

I recognise the place though, if that's any use to you?

0:40:550:40:58

We thought it was a studio.

0:40:580:40:59

Oh, did you now? No, no, no.

0:40:590:41:01

That's a flat that Greg Bishop used,

0:41:010:41:03

up near Brondesbury Park.

0:41:030:41:05

-Kilburn?

-That's right.

0:41:050:41:07

Do you know who owned the flat?

0:41:070:41:09

He was another Jock, like yourself.

0:41:090:41:11

A druggie.

0:41:110:41:12

Stuart Mc...something.

0:41:120:41:15

-Mr McKelvie.

-Couple more questions for you.

0:41:210:41:25

Do you know a man called Greg Bishop?

0:41:250:41:28

-No.

-You sure?

0:41:280:41:29

You rented out your flat to him for photo-shoots.

0:41:290:41:32

And that assault charge that got you a criminal record?

0:41:320:41:35

Two weeks after Greg Bishop took your photograph in the park,

0:41:350:41:38

you beat him up, outside a pub in Camden.

0:41:380:41:42

I think it's time we had a wee chat somewhere a bit more private, don't you?

0:41:420:41:45

Is this your dog, Annie?

0:41:500:41:52

Well, it looks like your dog.

0:41:540:41:56

Did you ever walk him in this park?

0:41:560:41:59

Her. I walked her all over.

0:41:590:42:02

How about on September the 7th, 1996?

0:42:020:42:05

You don't expect me to remember?

0:42:050:42:06

That photo was taken by your friend, Greg Bishop.

0:42:080:42:10

He wasn't my friend, I barely knew him.

0:42:100:42:12

I don't believe you. Who's this man?

0:42:120:42:15

-No idea.

-Well...

0:42:150:42:16

..what about this man?

0:42:180:42:20

I told you, I don't know his name.

0:42:220:42:24

Are they one and the same?

0:42:240:42:26

How would I know?

0:42:260:42:27

That's poor Joanna.

0:42:350:42:37

Poor Joanna, yes.

0:42:370:42:39

Who's this man behind her, in the track-suit?

0:42:410:42:44

-I can barely make him out.

-Handy, that.

0:42:440:42:47

So we have two photographs - both taken by Greg Bishop,

0:42:490:42:53

both the last photographs of two women who were abducted,

0:42:530:42:56

both featuring the same jogger.

0:42:560:42:57

Now, you were with Joanna on the night she disappeared...

0:42:570:43:00

-She left the party before me.

-And this is your dog,

0:43:000:43:02

in the picture of Lesley.

0:43:020:43:03

Which suggests you were in the park at the same time.

0:43:030:43:06

-It isn't my dog.

-Yes, it is.

0:43:060:43:07

Do you see the connections we're making here?

0:43:070:43:09

You, Greg Bishop and the mystery man.

0:43:090:43:12

And now, we have another set of photographs,

0:43:120:43:15

also taken by Greg Bishop,

0:43:150:43:17

of you and another mystery man who won't let the camera see his face.

0:43:170:43:21

Why was that, I wonder?

0:43:210:43:23

I barely remember that day.

0:43:230:43:24

You're lying, Annie.

0:43:240:43:26

Why did this man not want the camera to see his face?

0:43:260:43:30

Is he the jogger?

0:43:300:43:32

A dog, a jogging man and some mucky old pictures...

0:43:350:43:41

You've got bugger all, haven't you?

0:43:440:43:47

I specifically told you to clear the boards

0:43:560:43:58

because this case was going to an MIT.

0:43:580:43:59

Yeah, we've got a new lead.

0:43:590:44:01

The photographs featuring Annie Banks

0:44:010:44:03

were taken in a flat in Kilburn, the same address as...

0:44:030:44:05

I appreciate that but the point is that we don't have the resources...

0:44:050:44:08

No, no, we don't have the resources to investigate 11 murders,

0:44:080:44:11

that is completely true. But they're all linked.

0:44:110:44:13

So if we could get this guy for just one of them...

0:44:130:44:15

There's a bigger picture here.

0:44:150:44:16

UCOS isn't in many people's good books

0:44:160:44:18

because of that business with Brian Lane.

0:44:180:44:20

And solving 11 murders in one go isn't going to improve our standing?

0:44:200:44:23

Certain people wouldn't see it as solving 11 murders

0:44:230:44:25

so much as embarrassing 11 Murder Investigation Teams.

0:44:250:44:28

-Oh!

-You've convinced me that these murders are connected,

0:44:280:44:30

so now we follow proper procedure, pass these cases upstairs

0:44:300:44:33

and try not to put any noses out of joint, for a change.

0:44:330:44:35

-I can crack Annie Banks.

-No! Just move on to the next one, Sandra.

0:44:350:44:38

There isn't going to be a next one!

0:44:380:44:40

I'm sorry, I didn't want it to come out like that.

0:44:460:44:49

And I don't want you thinking that this has anything to do

0:44:490:44:52

-with Annie Banks...

-So, you're leaving.

0:44:520:44:55

Max Clement has offered me a place on his War Crimes team.

0:44:550:44:58

-And I've given it a lot of thought...

-Yeah, it was about time.

0:44:580:45:01

Well, it's ten years, Sandra.

0:45:030:45:04

-I know...

-It's a good move

0:45:060:45:08

-and it'll be a fantastic experience.

-You're not worried about the team?

0:45:080:45:11

Well, they're a good team and that's thanks to you.

0:45:110:45:13

But let them be my problem.

0:45:130:45:15

The very least I owe you for everything you've done at UCOS

0:45:150:45:17

is not to stand in your way.

0:45:170:45:18

Thank you.

0:45:200:45:21

I'll talk to Clement and get everything sorted out.

0:45:230:45:26

I assume there'll be some sort of drinks thing?

0:45:270:45:30

I think that's a fairly safe assumption, sir, yes.

0:45:300:45:33

So you think you can crack Annie Banks?

0:45:410:45:43

I can if I run with this new lead.

0:45:450:45:47

I'm passing all this upstairs at the end of the day

0:45:520:45:55

and that'll be that.

0:45:550:45:56

Whatever you can do in the meantime...

0:46:000:46:03

be nice to go out on a high.

0:46:030:46:04

Yes, sir.

0:46:070:46:08

11 women abducted between 1985 and 1996.

0:46:130:46:16

Of those 11, five were murdered.

0:46:160:46:19

That is to say - their bodies were found slashed to bits.

0:46:190:46:22

We assume the other six are dead,

0:46:220:46:25

their bodies haven't been found yet.

0:46:250:46:27

That means the families don't know for certain.

0:46:270:46:30

They can't hold funerals, they can't put flowers on graves.

0:46:300:46:34

11 daughters, 11 sisters.

0:46:340:46:37

We think there might be more than 11.

0:46:370:46:39

These are just the ones we've managed to link together so far.

0:46:390:46:43

Do you know what the link is, Mr McKelvie?

0:46:430:46:45

-Stuart. You can call me...

-We're not your friends, pal.

0:46:450:46:47

The link is that all these women

0:46:470:46:49

were photographed just prior to their death and without their knowledge

0:46:490:46:53

by Greg Bishop.

0:46:530:46:54

What were you doing in the park that day?

0:46:560:46:58

-I was walking back from the pub.

-No.

0:46:580:47:00

I was! I swear that's what I was doing.

0:47:000:47:02

This woman, Lesley Hewitt.

0:47:020:47:03

I don't know her.

0:47:030:47:04

No, but you managed to remember a transit van.

0:47:040:47:06

-Was there a transit van?

-No.

0:47:060:47:09

Why did you say there was one?

0:47:090:47:11

Because he owned a dark blue transit.

0:47:140:47:17

Who did?

0:47:170:47:19

The man in the picture.

0:47:220:47:23

The man jogging.

0:47:260:47:27

You saw there him that day?

0:47:280:47:31

You knew who he was?

0:47:310:47:32

I recognised him from the flat, from the photo shoots.

0:47:330:47:36

Later that day, Greg Bishop came round,

0:47:370:47:41

said if anyone asked, I didn't see anything in the park

0:47:410:47:44

and he was frightened for my safety if I did say anything.

0:47:440:47:47

Greg Bishop died of an overdose, five days ago.

0:47:470:47:50

So what you were doing back then, drug dealing or whatever,

0:47:500:47:52

is of no interest to him now.

0:47:520:47:55

You've got nothing to be scared of.

0:47:550:47:58

I'm not scared of him.

0:47:580:48:00

I was never scared of Bishop,

0:48:000:48:01

I'm scared of her.

0:48:010:48:02

Annie Banks?

0:48:050:48:06

She's there.

0:48:090:48:11

She's just out the picture.

0:48:110:48:14

She was talking to the girl

0:48:140:48:15

and she must have run forward to get the ball for the dog or something.

0:48:150:48:18

See, they were talking and I didn't recognise the girl,

0:48:180:48:22

that's why I'm looking back.

0:48:220:48:24

Annie Banks is a nasty piece of work.

0:48:560:48:59

Greg...he was in love with her.

0:48:590:49:02

He'd have done anything she asked...

0:49:030:49:05

..but she only had eyes for this one.

0:49:070:49:10

He was like the devil.

0:49:130:49:14

He went right through you.

0:49:170:49:19

What's his name?

0:49:190:49:20

-Oh, I don't know...

-Stuart, what's his name?

0:49:220:49:25

Tom... something. I don't know his surname,

0:49:270:49:31

I never wanted to.

0:49:310:49:33

You'll never find him...

0:49:390:49:41

..she'll no' give him up.

0:49:430:49:44

We have a witness who confirms this is your dog, Annie.

0:49:460:49:50

So, I walk my dog in the park.

0:49:500:49:52

Our witness says you were walking with Lesley Hewitt.

0:49:520:49:56

If someone talks to me, I'm not going to be rude, am I?

0:49:560:49:58

You walked Lesley round the park

0:49:580:50:00

and then you walked her past Greg Bishop

0:50:000:50:02

so he could take a photograph of the two of you as a trophy,

0:50:020:50:04

which is all part of this sick little fantasy of yours, isn't it?

0:50:040:50:07

-Yeah, you and your boyfriend.

-Did you know what he was doing?

0:50:070:50:10

I mean, you can't not have known.

0:50:100:50:13

But were you actually there when he killed them,

0:50:130:50:15

when he chopped them up?

0:50:150:50:18

Or did you just deliver them to him and turn a blind eye?

0:50:180:50:20

Kid yourself it wasn't happening

0:50:200:50:22

because you were...what, madly in love with him?

0:50:220:50:25

I like your jacket, where did you get it?

0:50:280:50:30

Why do you think he hates women so much?

0:50:300:50:32

Cos he does hate them.

0:50:330:50:35

Five bodies were found.

0:50:360:50:38

And what he did to those bodies,

0:50:380:50:40

one can only conclude that he despises women.

0:50:400:50:42

See, I can't make clothes like that work,

0:50:420:50:45

-they don't hang right on me.

-Maybe he was gay.

-No.

0:50:450:50:49

No, no.

0:50:490:50:51

No, he wasn't gay, it's just that women make him feel inadequate.

0:50:510:50:54

Ah.

0:50:540:50:56

Didn't hate you though, Annie.

0:50:560:50:58

You didn't make him feel inadequate.

0:50:580:51:00

No, maybe it's because they were all young and talented,

0:51:000:51:04

had a future.

0:51:040:51:06

Maybe that's why he hated them

0:51:060:51:08

and didn't hate you.

0:51:080:51:10

It was the dog.

0:51:150:51:17

What was the dog?

0:51:170:51:18

The dog told him to do it.

0:51:180:51:20

SHE LAUGHS

0:51:220:51:26

You think this is funny?

0:51:260:51:27

Why did he stop killing?

0:51:290:51:31

That's a good question

0:51:310:51:32

and you should ask him the next time you see him.

0:51:320:51:34

I don't think you know the answer, do you?

0:51:340:51:36

Wouldn't tell you if I did.

0:51:360:51:37

I think he just left one day.

0:51:370:51:39

-Intriguing.

-Maybe he met someone else,

0:51:400:51:44

someone who didn't make him want to kill and mutilate women,

0:51:440:51:48

someone completely different to you.

0:51:480:51:51

And he walked out of your life,

0:51:510:51:53

without so much as a backward glance.

0:51:530:51:55

That's a sad story.

0:51:550:51:57

Isn't it?

0:51:570:51:59

-Even sadder that you're still so devoted to him.

-Am I?

0:51:590:52:03

This is over, Annie.

0:52:030:52:05

Not only do we have a witness who can put you with Lesley Hewitt,

0:52:050:52:09

all the other cases are being reopened

0:52:090:52:11

and I would put a year's salary

0:52:110:52:14

on every single one of those girls

0:52:140:52:15

having had some contact with you, prior to their abductions.

0:52:150:52:18

-I'd take that bet.

-I wouldn't.

0:52:180:52:21

Cooperation is the only card you've got left to play.

0:52:210:52:23

You owe him nothing.

0:52:230:52:25

Stop protecting him.

0:52:270:52:28

I'd love to.

0:52:310:52:33

But I don't know who he is.

0:52:340:52:35

His name is Tom.

0:52:350:52:37

Tom what?

0:52:410:52:42

He's probably got a wife and kids by now -

0:52:480:52:51

a whole other life.

0:52:510:52:52

Whereas you, Annie,

0:52:540:52:56

you're stuck.

0:52:560:52:59

You're stuck in time and you're stuck alone

0:52:590:53:02

in that little flat of yours

0:53:020:53:03

with just pictures of your pets to keep you company.

0:53:030:53:06

Lonely.

0:53:060:53:07

I wonder if he ever thinks about you.

0:53:090:53:11

I wonder if he even remembers who you are.

0:53:130:53:15

I'm bored now.

0:53:320:53:33

Yeah, so am I.

0:53:350:53:37

I've got you as an accessory to the murder of Joanna Beck

0:53:400:53:42

and the abduction of Lesley Hewitt.

0:53:420:53:44

I'll process that, charge you,

0:53:440:53:45

and then go to work on the other nine girls and get you on those, too.

0:53:450:53:48

It doesn't matter about him.

0:53:480:53:49

He's lost to us, he's slipped through the net.

0:53:490:53:52

He can get on with his nice new life

0:53:520:53:54

and you can rot in jail, eh, Annie?

0:53:540:53:56

SHE GASPS

0:54:040:54:07

His name was Tom Miller.

0:54:120:54:14

Hi. Is Tom Miller in, please?

0:54:350:54:37

-Dad?

-FEMALE:

-Who is it?

0:54:370:54:39

There's someone here for Dad.

0:54:390:54:41

-Tom?

-Yeah?

0:54:410:54:43

There's someone at the door.

0:54:430:54:45

Careful up there, the paint's still wet.

0:54:510:54:53

-Tom Miller?

-How can I help you?

0:54:570:54:59

I've got you, you bastard.

0:55:210:55:23

You ready?

0:55:260:55:28

Yeah, in a minute.

0:55:280:55:29

-What is it?

-Nothing.

0:55:310:55:33

Listen, Guv'nor, whatever else is going on here,

0:55:350:55:37

this is a real result.

0:55:370:55:39

Miller's in there, he's going to spill his guts

0:55:390:55:41

and tell us where all the other bodies are.

0:55:410:55:44

Yeah.

0:55:440:55:45

It's just a weird feeling.

0:55:470:55:51

What, leaving?

0:55:510:55:52

Well, you ready for the pub?

0:55:550:55:56

I'll see you there.

0:55:560:55:58

Sandra...

0:56:050:56:07

..I hate to say this...

0:56:090:56:11

..but you're right to go.

0:56:130:56:14

Really?

0:56:160:56:17

Yeah, yeah.

0:56:170:56:19

God knows I'll miss you. Well, we all will.

0:56:190:56:21

But these past few years...

0:56:230:56:26

Well, I've finally felt that I've achieved something.

0:56:280:56:30

And that is all down to you.

0:56:320:56:34

Hardly.

0:56:340:56:35

Oh, yes, it is.

0:56:350:56:36

I mean, you've treated us better than any boss could.

0:56:380:56:41

And quite often, we didn't deserve it.

0:56:410:56:44

That's certainly true.

0:56:440:56:45

But you don't belong here any more.

0:56:470:56:49

No, you belong out there,

0:56:500:56:52

where there's more exciting stuff to be done.

0:56:520:56:55

And we're all big enough and ugly enough to cope.

0:56:550:56:58

I should certainly hope so.

0:56:580:57:00

I'll miss it.

0:57:040:57:05

I'll miss you.

0:57:100:57:11

Yeah, well, just one thing -

0:57:140:57:17

when you walk out of here,

0:57:170:57:19

just don't look back.

0:57:190:57:20

I'll try not to.

0:57:220:57:24

Ready for the pub?

0:57:270:57:29

I'll get 'em in.

0:57:290:57:31

Your usual gallon of dry white?

0:57:310:57:34

Yeah, come on. She's going to meet us there.

0:57:370:57:40

Are you going to sit there moping all day,

0:57:450:57:48

or are you coming for a drink?

0:57:480:57:49

I'll be right there, Jack.

0:57:520:57:54

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0:58:470:58:50

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