Browse content similar to Cry Me a River. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# It's all right It's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right I say it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:14 | |
# Doesn't really matter if the sun don't shine | 0:00:14 | 0:00:17 | |
# It's all right I say it's OK | 0:00:17 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
This programme contains some scenes of a sexual nature | 0:00:22 | 0:00:28 | |
-So what's his name? -Dan Griffin. | 0:00:28 | 0:00:31 | |
No, never heard of him. Where's he from? | 0:00:32 | 0:00:35 | |
-Near London somewhere. -"Near London"? | 0:00:35 | 0:00:38 | |
-Sussex, no, Surrey. -How old is he? | 0:00:38 | 0:00:41 | |
-Eh, 52. -52?! | 0:00:41 | 0:00:44 | |
Yeah, he's only just retired, but he's been with the Met 30 years. | 0:00:44 | 0:00:47 | |
I like him. | 0:00:47 | 0:00:48 | |
-You like Marmite. -I like Marmite. | 0:00:48 | 0:00:51 | |
But why are we meeting him in Soho? | 0:00:51 | 0:00:53 | |
I thought he might as well get stuck straight in. | 0:00:53 | 0:00:55 | |
And the murder case Strickland wants to brief us on took place here. | 0:00:55 | 0:00:58 | |
What - battered to death with an almond croissant? | 0:00:58 | 0:01:00 | |
Grow up. | 0:01:00 | 0:01:01 | |
-The new guy, Griffin, is he meeting us here? -Yes, at nine. | 0:01:10 | 0:01:13 | |
-You definitely told Griffin nine? -That's what your office told me. | 0:01:17 | 0:01:21 | |
Yeah, well, we can't wait any longer. | 0:01:21 | 0:01:23 | |
-Thank you, bye-bye. -Ciao. | 0:01:26 | 0:01:30 | |
-Wow. Million, million and a half? -And the rest. | 0:01:35 | 0:01:39 | |
-I know this room. I must have been here sometime before. -Yeah, in your dreams. | 0:01:39 | 0:01:43 | |
Well, 20 years ago a businessman named James Hockney was found | 0:01:43 | 0:01:48 | |
battered to death right here. | 0:01:48 | 0:01:50 | |
He was involved with a jazz singer called Angela Gold. | 0:01:50 | 0:01:53 | |
She always denied being here on the night but Hockney had had sex | 0:01:53 | 0:01:57 | |
and Gold's DNA was all over the place. | 0:01:57 | 0:02:00 | |
Plus, a letter she wrote was found on the body. | 0:02:00 | 0:02:03 | |
And although the murder weapon was never found, | 0:02:04 | 0:02:07 | |
it looked like an open and shut case. | 0:02:07 | 0:02:09 | |
Except Gold's QC was Margaret Atcheson. | 0:02:09 | 0:02:12 | |
-Oh, bloody hell! -Yes, quite. Gold got off. | 0:02:12 | 0:02:14 | |
The Murder Squad were furious. They knew she'd done it. | 0:02:14 | 0:02:17 | |
So what are we doing here? | 0:02:17 | 0:02:18 | |
Ten days ago, James Hockney's daughter Sara came forward | 0:02:18 | 0:02:22 | |
with what she claims is new evidence. | 0:02:22 | 0:02:24 | |
Sara was born seven months after James Hockney died. | 0:02:24 | 0:02:28 | |
But recently she had her DNA tested and compared to her father's. | 0:02:28 | 0:02:31 | |
The results prove that James Hockney was not her real father. | 0:02:31 | 0:02:34 | |
Sara confronted her mother, who told her it was rubbish. | 0:02:34 | 0:02:37 | |
Next thing we know, Sara comes in and says that she thinks | 0:02:37 | 0:02:40 | |
her mother was involved in her non-dad's murder. | 0:02:40 | 0:02:43 | |
So, we're reopening a cast-iron murder case... | 0:02:43 | 0:02:47 | |
because of a dippy bird who doesn't like her mum? | 0:02:47 | 0:02:50 | |
No, we're reopening the case because we re-tested | 0:02:50 | 0:02:52 | |
the original DNA sample and it turns out Sara was right. | 0:02:52 | 0:02:55 | |
James Hockney's not her real father. Which means... | 0:02:55 | 0:02:58 | |
That her mum was having an affair at the time he was murdered. | 0:02:58 | 0:03:01 | |
So she's not the victim's wife any more - she's our prime suspect. | 0:03:01 | 0:03:05 | |
The Murder Squad are less than delighted. | 0:03:06 | 0:03:08 | |
Not least because Sara's threatened to go to the papers. | 0:03:08 | 0:03:11 | |
-The papers? -This case is notorious for another reason. | 0:03:11 | 0:03:15 | |
-James Hockney was married to a Jane Harlow. -Oh! | 0:03:15 | 0:03:18 | |
Jane Harlow?! Jane and Jim? | 0:03:19 | 0:03:23 | |
That wasn't James Hockney down there, | 0:03:23 | 0:03:25 | |
that was Gentleman Jim Hockney. | 0:03:25 | 0:03:28 | |
SEXUAL MOANS | 0:03:28 | 0:03:30 | |
-She's amazing, isn't she? -Amazingly noisy. | 0:03:32 | 0:03:35 | |
And that's Jim, yeah? | 0:03:35 | 0:03:36 | |
Yeah. Not being much of a gentleman there, is he? | 0:03:36 | 0:03:39 | |
"The Rodfather, Last Bango in Paris, The Schlong Good Friday." | 0:03:39 | 0:03:42 | |
I've got one that Jane isn't in. There's this other fantastic bird... | 0:03:42 | 0:03:45 | |
Gerry, how many have you got? | 0:03:45 | 0:03:48 | |
Five, six... 17. | 0:03:48 | 0:03:51 | |
-From when you were in Vice? -They just got passed around. | 0:03:51 | 0:03:53 | |
Until they got to you, you mean. | 0:03:53 | 0:03:56 | |
Look, Jane Harlow - a living legend. | 0:03:56 | 0:03:58 | |
Yeah, I can see why. | 0:03:58 | 0:03:59 | |
MOANING INTENSIFIES | 0:04:05 | 0:04:06 | |
-Good afternoon. -Dan. | 0:04:08 | 0:04:11 | |
-Some sort of bonding session? -Evidence. Where have you been? | 0:04:11 | 0:04:15 | |
Where the DAC's office told me to be. | 0:04:15 | 0:04:17 | |
-Wrong place, wrong time. -Strickland's office. | 0:04:21 | 0:04:24 | |
Dan Griffin, this is Gerry Standing and Steve McAndrew. | 0:04:24 | 0:04:26 | |
-Hello, mate. -Hi. -Good one. | 0:04:26 | 0:04:28 | |
-Sorry about the mix-up. -Not at all. Par for the course. | 0:04:28 | 0:04:30 | |
Uh, we were just watching... | 0:04:33 | 0:04:35 | |
Jane Harlow, '80s porn star. Married to Gentleman Jim Hockney. | 0:04:35 | 0:04:39 | |
Which was very smart of him, | 0:04:39 | 0:04:41 | |
given how women are the big earners in porn. | 0:04:41 | 0:04:43 | |
Yeah, happy days. Allegedly. | 0:04:43 | 0:04:45 | |
And smart enough to realise it wasn't going to last. | 0:04:45 | 0:04:48 | |
Well, the internet comes along and you've got 18-year-old college girls | 0:04:48 | 0:04:51 | |
and 60-year-old grannies doing it for nothing. | 0:04:51 | 0:04:53 | |
-Hockney got out just in time. -And into nightclubs and pubs. | 0:04:53 | 0:04:57 | |
Fruit machines. That's where the big money was. | 0:04:57 | 0:04:59 | |
Ended up cornering the London market. Very astute. | 0:04:59 | 0:05:02 | |
-Until he got murdered. -Mmm. "Frailty, thy name is woman", eh? | 0:05:02 | 0:05:05 | |
Angela Gold. I presume that's who you're looking at? | 0:05:06 | 0:05:08 | |
-You know a bit about the case then? -Yes, I started as a beat officer in Soho. | 0:05:08 | 0:05:13 | |
Yeah, me too! Good old '70s. | 0:05:13 | 0:05:16 | |
Before my time. | 0:05:16 | 0:05:17 | |
Angela Gold. Yeah, I remember. | 0:05:19 | 0:05:22 | |
Singer. Murder Squad had her signed and sealed...and then she walked. | 0:05:24 | 0:05:29 | |
-So did her career. -PHONE RINGS | 0:05:29 | 0:05:30 | |
She had a record deal all lined up. | 0:05:30 | 0:05:32 | |
Live gigs start to dry up, her manager dumps her and that's that. | 0:05:32 | 0:05:35 | |
McAndrew. | 0:05:35 | 0:05:37 | |
So why's the case been reopened? | 0:05:37 | 0:05:39 | |
Jim Hockney's daughter, Sara, thinks her mother | 0:05:39 | 0:05:42 | |
might have something to do with her father's death. | 0:05:42 | 0:05:45 | |
I'll let her know, thank you. | 0:05:45 | 0:05:47 | |
Talk of the devil. Sara Hockney's upstairs. | 0:05:48 | 0:05:51 | |
Oh, good, I asked her to come in. | 0:05:51 | 0:05:52 | |
Dan, Steve will fill you in on the case and show you around. | 0:05:52 | 0:05:55 | |
And after that you might as well pitch right in. | 0:05:55 | 0:05:58 | |
Gerry, I'll see you in the interview room. | 0:05:58 | 0:06:00 | |
Don't you wear those out! | 0:06:00 | 0:06:02 | |
All my life I knew things weren't right. | 0:06:03 | 0:06:06 | |
-That's why I had the DNA tests done. -Sara, all the tests mean... | 0:06:06 | 0:06:08 | |
Why else would she send me away to school? | 0:06:08 | 0:06:11 | |
You've no idea what it was like. | 0:06:11 | 0:06:13 | |
Every day some bitch saying, "Your mum's a whore, your dad's a freak." | 0:06:13 | 0:06:17 | |
I mean...porn stars for God's sake! | 0:06:17 | 0:06:19 | |
She put me there because every time | 0:06:20 | 0:06:22 | |
she looked at me I reminded her of what she'd done. | 0:06:22 | 0:06:25 | |
Her and her lover. | 0:06:25 | 0:06:26 | |
Look, just because your mother was pregnant by someone else | 0:06:26 | 0:06:29 | |
-doesn't automatically mean... -That she was a murderer? | 0:06:29 | 0:06:32 | |
No? She was unfaithful. And she lied. Why? | 0:06:32 | 0:06:36 | |
Jim wasn't exactly faithful either. | 0:06:36 | 0:06:37 | |
Yeah, but he didn't kill her, did he? | 0:06:37 | 0:06:39 | |
You know who I want to talk to? | 0:06:42 | 0:06:43 | |
That Angela Gold. | 0:06:44 | 0:06:46 | |
I'd love to see what she says, I bet she knows the real story. | 0:06:46 | 0:06:49 | |
No. Please don't do that. | 0:06:49 | 0:06:50 | |
-SHE SIGHS -You're just like my mother. | 0:06:50 | 0:06:53 | |
You don't want the truth to come out, do you? | 0:06:53 | 0:06:56 | |
-Sara... -What she did is wrong! | 0:06:56 | 0:06:58 | |
I don't want to talk to you again | 0:06:58 | 0:07:00 | |
until you've got something worth talking about. | 0:07:00 | 0:07:03 | |
We better get Steve and the new boy to try and find Angela Gold. | 0:07:05 | 0:07:08 | |
I don't want her crashing in on her first. | 0:07:08 | 0:07:11 | |
Let's go and talk to Jane Harlow. | 0:07:11 | 0:07:13 | |
I'm sorry Sara has dragged all this up. | 0:07:14 | 0:07:16 | |
It's very selfish of her. But then, that's my fault. | 0:07:16 | 0:07:20 | |
I only wanted the best for her, but doing that I spoiled her. | 0:07:22 | 0:07:26 | |
1993 may be a long time ago, but the memories are still raw. | 0:07:28 | 0:07:33 | |
Jane, you failed to disclose the fact that you were having | 0:07:33 | 0:07:37 | |
an affair at the time your husband was killed. | 0:07:37 | 0:07:39 | |
I was at a party the night Jim died. | 0:07:39 | 0:07:41 | |
I'll never forget the police coming in to tell me he'd been...found. | 0:07:42 | 0:07:46 | |
One of them was very solicitous, very kind. | 0:07:47 | 0:07:50 | |
And then he asked me for my autograph. | 0:07:52 | 0:07:53 | |
Jane, could you tell me who Sara's real father is? | 0:07:53 | 0:07:56 | |
I'm sorry, but have we met before? | 0:07:56 | 0:07:59 | |
Me? Oh, no. Sadly not, and I would definitely remember. | 0:08:01 | 0:08:06 | |
Sara's real father. Who is he? | 0:08:10 | 0:08:14 | |
I don't know. There were...several men. | 0:08:14 | 0:08:18 | |
Lots. | 0:08:20 | 0:08:21 | |
In fact, lots and lots. | 0:08:22 | 0:08:24 | |
OK. How about a list of names? | 0:08:24 | 0:08:25 | |
-I don't have their names. -What, none of them? Please(!) | 0:08:26 | 0:08:30 | |
No. I'm sorry. | 0:08:30 | 0:08:33 | |
Jane. I think you're lying. | 0:08:34 | 0:08:37 | |
And that leads me to believe that what Sara is claiming | 0:08:37 | 0:08:40 | |
has something going for it. | 0:08:40 | 0:08:42 | |
I want those names. Understood? | 0:08:43 | 0:08:46 | |
I think all the bloods and tissues are going to the labs. | 0:08:49 | 0:08:54 | |
Some of this can go too. | 0:08:54 | 0:08:56 | |
See if they can pick up stuff they wouldn't have found back then. | 0:08:56 | 0:08:59 | |
What's with the bag, by the way? What do you play? | 0:08:59 | 0:09:01 | |
Oh, just my swimming gear. I do a couple of miles each morning. | 0:09:01 | 0:09:05 | |
Two miles?! So what made you apply to UCOS? | 0:09:05 | 0:09:10 | |
I don't know. Couldn't get used to all that time on my hands. | 0:09:10 | 0:09:13 | |
-I needed to get out the house. -Out from under the wife, eh? | 0:09:13 | 0:09:16 | |
"Disc copy demo." Museum piece. | 0:09:22 | 0:09:26 | |
Nice to see a bit of vinyl. | 0:09:27 | 0:09:28 | |
WOMAN'S VOICE SINGS "CRY ME A RIVER" | 0:09:37 | 0:09:39 | |
-Wow! -Blimey! | 0:10:00 | 0:10:01 | |
What a voice! | 0:10:01 | 0:10:03 | |
It was in the evidence box. | 0:10:03 | 0:10:05 | |
A special pressing Jim Hockney had made. | 0:10:05 | 0:10:07 | |
-Have we got an address for her yet? -No, she seems to have vanished. | 0:10:07 | 0:10:10 | |
Angela Gold. Singer, but then - murder trial. | 0:10:10 | 0:10:15 | |
Popular victim, sounds like zero career prospects to me. | 0:10:15 | 0:10:19 | |
-I reckon she's adopted a pseudonym. -Or changed her name. | 0:10:19 | 0:10:22 | |
-Can we get a copy of this? -Sure, I can burn us all a CD. Oh. | 0:10:22 | 0:10:26 | |
Look, um... "Piano arranged and performed by Simon Pennyman. | 0:10:26 | 0:10:31 | |
"Angela Gold is represented by Golden Artists." | 0:10:31 | 0:10:34 | |
Simon Pennyman was Angela's regular pianist, | 0:10:34 | 0:10:36 | |
so...maybe they kept in touch. | 0:10:36 | 0:10:38 | |
Golden is Kevin Ellison, used to manage a lot of jazz musicians. | 0:10:38 | 0:10:41 | |
How do you know that? | 0:10:41 | 0:10:42 | |
I know a bit about jazz. | 0:10:44 | 0:10:46 | |
Well, she might be a murderer, but she could certainly sing. | 0:10:46 | 0:10:50 | |
Angela Gold? Don't talk to me about Angela Gold. | 0:10:52 | 0:10:56 | |
That might be slightly problematic, | 0:10:56 | 0:10:58 | |
given it's the sole reason we're here. | 0:10:58 | 0:11:00 | |
You're obviously still very annoyed. | 0:11:00 | 0:11:02 | |
I wasted a lot of time and money on that woman. | 0:11:02 | 0:11:04 | |
How long and how much exactly? | 0:11:04 | 0:11:06 | |
More than you'll ever earn. | 0:11:06 | 0:11:08 | |
Musicians, studio hire, backing singers. | 0:11:08 | 0:11:12 | |
And what does she do? | 0:11:12 | 0:11:13 | |
Throws it all away by knocking off a porn star. | 0:11:13 | 0:11:15 | |
Porn star maybe, but a gentleman. Gentleman Jim Hockney. | 0:11:15 | 0:11:20 | |
-You knew him? -Everybody did. Soho legend. | 0:11:20 | 0:11:23 | |
Charming, elegant. A delight. | 0:11:23 | 0:11:26 | |
Did Angela think so? | 0:11:26 | 0:11:27 | |
Up until she killed him. | 0:11:28 | 0:11:30 | |
-You're pretty sure she did kill him then? -I know she did. | 0:11:30 | 0:11:33 | |
I sat through half the trial, in the end I had to stop going. | 0:11:34 | 0:11:37 | |
-It was too painful. -Financially? | 0:11:37 | 0:11:39 | |
Temperamentally! She's why I got out of jazz. | 0:11:39 | 0:11:44 | |
Opera divas may be a pain in the arse | 0:11:44 | 0:11:45 | |
but they don't go off their nut in the Old Bailey. | 0:11:45 | 0:11:48 | |
Do you mind if I just recheck with you, Mr Ellison, | 0:11:48 | 0:11:51 | |
where you were the night Jim died? | 0:11:51 | 0:11:53 | |
You saying you think I'm a suspect?! You can't be serious? | 0:11:53 | 0:11:57 | |
Hang on, I'll check. Yes, she's serious. | 0:11:57 | 0:11:59 | |
Park Lane Hilton. I told your people this. | 0:12:01 | 0:12:04 | |
Big awards do. | 0:12:05 | 0:12:07 | |
The "Big Awards do"? No, don't know that one. | 0:12:07 | 0:12:09 | |
And afterwards you dropped Angela? You stopped being her manager. | 0:12:10 | 0:12:15 | |
Manage what? She was dead in the water. | 0:12:15 | 0:12:17 | |
It was over. Finished. | 0:12:17 | 0:12:18 | |
-And you've never seen her since? -Not in 20 years. | 0:12:18 | 0:12:21 | |
For which I am eternally grateful. | 0:12:21 | 0:12:23 | |
Do you have any idea where she might be? | 0:12:23 | 0:12:25 | |
We can't seem to locate her. | 0:12:25 | 0:12:27 | |
-Ask me if I'm bothered. -Are you bothered? | 0:12:27 | 0:12:29 | |
Is he on drugs? | 0:12:31 | 0:12:32 | |
-Nice man. -I thought so. | 0:12:33 | 0:12:36 | |
You started it. | 0:12:37 | 0:12:38 | |
I do understand though. | 0:12:39 | 0:12:40 | |
-She must have cost him a lot of dosh. -Nothing to do with money. | 0:12:40 | 0:12:44 | |
Angela was an attractive girl and I think he tried it on with her. | 0:12:44 | 0:12:48 | |
But never mind she was getting it on with an ex-porn star | 0:12:48 | 0:12:51 | |
who could manage it ten times a night, | 0:12:51 | 0:12:53 | |
she'd rather shag mud than Kevin Ellison. | 0:12:53 | 0:12:55 | |
Of course, that's only my opinion. | 0:12:56 | 0:12:58 | |
Anyway, now we've got to go and see Colin, Jim Hockney's brother. | 0:12:59 | 0:13:02 | |
Also his accountant. | 0:13:02 | 0:13:03 | |
No, I can't, I'm afraid, I'm off. | 0:13:03 | 0:13:06 | |
We don't generally stick to a nine to five, you know. | 0:13:07 | 0:13:09 | |
I do. It's in my contract. | 0:13:09 | 0:13:11 | |
-Simon Pennyman? -Yes. | 0:13:19 | 0:13:21 | |
Gerry Standing, Steve McAndrew. Unsolved Crime and Open Case Squad. | 0:13:21 | 0:13:25 | |
-Look, I'm very busy. -So are we. All day. | 0:13:25 | 0:13:28 | |
Just give me a minute. | 0:13:30 | 0:13:32 | |
Can't hear the traffic at all in here, can you? | 0:13:32 | 0:13:34 | |
-You can't. Well, it would be pointless if you could. -That's true. | 0:13:34 | 0:13:37 | |
This is sound-proofing, isn't it? Spongy stuff... | 0:13:37 | 0:13:41 | |
Oh, have a look! Ian Anderson from Jethro Tull! | 0:13:41 | 0:13:44 | |
-Fantastic, of course it is. Do you know him?! -I didn't know | 0:13:44 | 0:13:46 | |
-he played guitar? -Do you remember he played the flute? | 0:13:46 | 0:13:48 | |
All right. ALL RIGHT! I give in! | 0:13:48 | 0:13:52 | |
Ask me what you need to ask and then just go! | 0:13:53 | 0:13:55 | |
Angela Gold, where is she? | 0:13:55 | 0:13:58 | |
-Haven't seen her for ages. -But you have seen her? | 0:13:58 | 0:14:00 | |
-I used to. Occasionally. -Got an address? | 0:14:00 | 0:14:03 | |
No. After the trial, her life went into meltdown. | 0:14:03 | 0:14:06 | |
I used to help her out with bits of session work, | 0:14:07 | 0:14:09 | |
but I don't think seeing me was really helpful. | 0:14:09 | 0:14:11 | |
Reopening the case might be helpful. | 0:14:11 | 0:14:14 | |
Do me a favour. You don't give a monkey's about Angela. | 0:14:14 | 0:14:16 | |
-Whoa, whoa! Listen, mate... -No, you listen, mate! | 0:14:16 | 0:14:19 | |
Angela was a great woman with a fabulous voice... | 0:14:19 | 0:14:22 | |
She just happened to batter somebody to death. | 0:14:22 | 0:14:24 | |
So the jury didn't find her innocent then? | 0:14:24 | 0:14:26 | |
Most people thought she was lucky to get off. | 0:14:26 | 0:14:29 | |
Most people never knew her. Or him. | 0:14:29 | 0:14:31 | |
Not a great fan of Gentleman Jim's then? | 0:14:32 | 0:14:34 | |
All smarm and charm. Angela fell for it, but I never did. | 0:14:35 | 0:14:39 | |
-But you did know him then? -No, I never knew him. | 0:14:39 | 0:14:42 | |
He came round here once looking for Angela, but...we never clicked. | 0:14:42 | 0:14:46 | |
The night Jim was murdered you and Angela | 0:14:46 | 0:14:48 | |
-were supposed to be performing. -Yeah, Ronnie Scott's. | 0:14:48 | 0:14:51 | |
Angela cancelled, and I ended up back here with Roberto. | 0:14:51 | 0:14:54 | |
-And Roberto was? -My boyfriend, yes. | 0:14:55 | 0:14:58 | |
And thanks to you lot, after he confirmed my alibi you had him deported. | 0:14:59 | 0:15:02 | |
Now, if you don't mind, | 0:15:04 | 0:15:05 | |
I have an upbeat, heart-warming jingle to finish. | 0:15:05 | 0:15:08 | |
Bye. | 0:15:09 | 0:15:10 | |
Yeah, Soho was just one big bloody playground. | 0:15:18 | 0:15:21 | |
Now, it's all gone...sanitised. | 0:15:21 | 0:15:23 | |
But to be honest, I'm glad you're looking into my brother's case. | 0:15:24 | 0:15:28 | |
Maybe you'll get the right result this time. | 0:15:28 | 0:15:30 | |
Did you know Angela Gold? | 0:15:30 | 0:15:32 | |
No. I made a point of not knowing about Jim's affairs. | 0:15:32 | 0:15:35 | |
-Affairs? -I don't mean literally. Business. -Oh. | 0:15:35 | 0:15:39 | |
So when Jim died I understand everything was split | 0:15:41 | 0:15:44 | |
-50-50 between you and Jane. -Mm-hmm. | 0:15:44 | 0:15:46 | |
-What happened to his company? -I bought Jane out. | 0:15:46 | 0:15:49 | |
She was glad to be shot of it. | 0:15:49 | 0:15:51 | |
-Me too as it happens. -Why was that? | 0:15:51 | 0:15:53 | |
Like I said, everything was changing. | 0:15:53 | 0:15:56 | |
I sold it on to a city consortium. It was a good deal. | 0:15:56 | 0:15:59 | |
Left me able to do the things I really care about. | 0:15:59 | 0:16:01 | |
You, erm... You think Angela Gold killed him? | 0:16:01 | 0:16:05 | |
-Yeah, course she did. -Why? | 0:16:05 | 0:16:07 | |
Well, Jim wasn't going to leave Jane, who he loved. | 0:16:07 | 0:16:10 | |
Especially once he knew she was pregnant. | 0:16:10 | 0:16:13 | |
Jealousy. Silly tart couldn't hack it. | 0:16:13 | 0:16:15 | |
So he loved Jane, but not enough to stop himself from having an affair? | 0:16:15 | 0:16:19 | |
Well, I think he was stopping it - and that's why she killed him. | 0:16:19 | 0:16:23 | |
I mean, Jim, he had his faults but he loved Jane, | 0:16:24 | 0:16:29 | |
and he certainly never deserved to die the way he did. | 0:16:29 | 0:16:32 | |
Did Jane know about Angela? | 0:16:32 | 0:16:33 | |
Right. Cos if she did, maybe that's why she took other lovers. | 0:16:35 | 0:16:39 | |
No, no, no. There was no-one else. She was mad about Jim. | 0:16:39 | 0:16:42 | |
There was no-one else. | 0:16:42 | 0:16:44 | |
There must have been, because Sara isn't Jim's daughter. DNA tests prove it. | 0:16:44 | 0:16:48 | |
In fact, Jane herself admits she doesn't know | 0:16:48 | 0:16:50 | |
who Sara's father is, cos she slept with too many men. | 0:16:50 | 0:16:53 | |
No, that's not true. I know the real Jane. | 0:16:53 | 0:16:57 | |
She was mad about Jim. There's no long line of lovers. | 0:16:57 | 0:17:01 | |
She's lying. | 0:17:01 | 0:17:02 | |
-Two miles a day? Swimming? -Yep. | 0:17:04 | 0:17:06 | |
-No, this doesn't sit right. You know he's only 52? -So what? | 0:17:06 | 0:17:11 | |
52?! First Jack, then Brian. | 0:17:12 | 0:17:15 | |
You think it's deliberate? | 0:17:15 | 0:17:17 | |
-How old are you anyway? -How old are you?! | 0:17:17 | 0:17:19 | |
And not only that, I reckon he's a mole. | 0:17:19 | 0:17:22 | |
-What? -I mean, who got the hump when we were first looking at this case, | 0:17:22 | 0:17:25 | |
-who did Strickland say were totally miffed? -Murder Squad? | 0:17:25 | 0:17:29 | |
Yeah! | 0:17:29 | 0:17:30 | |
Hello, gorgeous! | 0:17:40 | 0:17:41 | |
Holly? | 0:17:47 | 0:17:48 | |
Holly?! | 0:17:52 | 0:17:53 | |
-There you are. -Hey! | 0:17:55 | 0:17:57 | |
So. Come on then, how'd it go? | 0:18:01 | 0:18:04 | |
-First day back at school. -Late. They sent me to the wrong place. | 0:18:05 | 0:18:10 | |
-Oh, excellent! -Yeah, yeah, first rate. | 0:18:10 | 0:18:13 | |
-They've no idea what to make of me. -Not a unique club. | 0:18:15 | 0:18:17 | |
ANGELA'S RECORDING OF "CRY ME A RIVER" PLAYS | 0:18:17 | 0:18:19 | |
-You be quiet. -What would you rather, I was quiet or good? | 0:18:19 | 0:18:22 | |
You have never ever been good. | 0:18:22 | 0:18:23 | |
Does she sound like a murderer to you? | 0:18:26 | 0:18:28 | |
Don't know. What do murderers sound like? | 0:18:29 | 0:18:32 | |
Very good point. So? | 0:18:32 | 0:18:35 | |
Real. Very real, truthful. Really, really unhappy. | 0:18:35 | 0:18:41 | |
Not just the words, the interpretation. | 0:18:42 | 0:18:44 | |
But, bloody hell, miserable cow, isn't she? | 0:18:44 | 0:18:48 | |
HE LAUGHS | 0:18:48 | 0:18:49 | |
Angela Gold. I saw her once. Festival Hall. | 0:18:49 | 0:18:53 | |
It was packed. She was very nervous. | 0:18:53 | 0:18:57 | |
She blew everyone else off the stage. | 0:18:57 | 0:18:59 | |
We can't trace her. | 0:19:00 | 0:19:02 | |
She has a voice. Really good singer. | 0:19:02 | 0:19:05 | |
She'll always be a singer. | 0:19:05 | 0:19:06 | |
-Will you be all right for say, an hour? -Sure. | 0:19:10 | 0:19:12 | |
-How long you two been in here? -This is our first one! -Yeah. | 0:19:16 | 0:19:19 | |
-How did you get on? -Still no sign of Angela, | 0:19:19 | 0:19:21 | |
but that Simon bloke says they're not in touch. | 0:19:21 | 0:19:24 | |
Yeah, same with Kevin Ellison. | 0:19:24 | 0:19:25 | |
-He says he hasn't seen her since the trial. -What about the brother, Colin? | 0:19:25 | 0:19:29 | |
Well, he sold Jim's company pretty sharpish after Jim died. | 0:19:29 | 0:19:31 | |
But he also reckons that Jane is lying, | 0:19:31 | 0:19:34 | |
that there was never any string of lovers. | 0:19:34 | 0:19:36 | |
She wouldn't be likely to tell him though, would she? | 0:19:36 | 0:19:38 | |
How's Dan getting on? | 0:19:38 | 0:19:40 | |
Fine. Yeah, fine. | 0:19:42 | 0:19:44 | |
Something's happened, he's done something. | 0:19:45 | 0:19:47 | |
-Where are you going? -I'm going home. I'm knackered, Gerry. | 0:19:49 | 0:19:52 | |
-Night, Guv. -Night. | 0:19:55 | 0:19:56 | |
-Sod it, I've run out of fags. -Good. | 0:19:57 | 0:19:59 | |
Got some in me desk, I'll see you in a sec. | 0:19:59 | 0:20:01 | |
Oh, hi. | 0:20:09 | 0:20:10 | |
What are you doing here? Thought you finished at five. | 0:20:10 | 0:20:14 | |
Angela Gold was in the Musicians' Union. | 0:20:14 | 0:20:17 | |
I tracked her down using her membership number. | 0:20:17 | 0:20:19 | |
Now, it's still there, same date of birth, | 0:20:19 | 0:20:21 | |
but now it belongs to an Anne Gould. | 0:20:21 | 0:20:25 | |
-"Anne"? -Angela's real name. | 0:20:25 | 0:20:27 | |
Before she changed it to make it sound more showbiz. | 0:20:27 | 0:20:29 | |
Well, she's changed it back. | 0:20:29 | 0:20:31 | |
And the good news is, Angela is still around. | 0:20:31 | 0:20:34 | |
Around Shepherd's Bush, as it happens. | 0:20:34 | 0:20:36 | |
-How about you? Found anything? -No. Nothing. | 0:20:39 | 0:20:43 | |
Did you know Griffin went back to the office tonight? | 0:20:45 | 0:20:48 | |
And guess what, he's tracked down Angela Gold - now Anne Gould. | 0:20:48 | 0:20:53 | |
Yeah, tracked her down through the Musicians' Union. | 0:20:53 | 0:20:56 | |
-That was clever. -Oh, yeah, "That was clever"(!) | 0:20:58 | 0:21:02 | |
Did you also know that he's been in the Murder Squad? | 0:21:02 | 0:21:04 | |
Of course I did. | 0:21:04 | 0:21:05 | |
Well, no wonder he remembered the case. | 0:21:05 | 0:21:08 | |
He wasn't there when Jim Hockney died. | 0:21:08 | 0:21:09 | |
No? But I bet he knows a man who was! | 0:21:09 | 0:21:12 | |
-Gerry, paranoia. -No, Sandra, that was Brian. | 0:21:12 | 0:21:16 | |
And he's not with us any more either, is he? | 0:21:16 | 0:21:18 | |
What are you talking about? | 0:21:18 | 0:21:20 | |
Jack, 70-something, Brian, 60-something, Griffin, 52! | 0:21:20 | 0:21:25 | |
You getting it now? | 0:21:25 | 0:21:26 | |
No, but I'm getting a pain in the arse listening to you. | 0:21:26 | 0:21:29 | |
Well, presumably you want to get rid of me next? | 0:21:30 | 0:21:32 | |
Today I do, yeah. | 0:21:32 | 0:21:34 | |
Tomorrow I want you and Dan to spend a nice time | 0:21:34 | 0:21:36 | |
together in the office. Get to know each other. | 0:21:36 | 0:21:39 | |
Oh, and Gerry? Brian recommended him. | 0:21:39 | 0:21:43 | |
WOMAN PERFORMS VOCAL EXERCISE | 0:21:45 | 0:21:48 | |
-Yes? -Anne Gould? -Yes. | 0:22:01 | 0:22:04 | |
Detective Superintendent Pullman from the Unsolved Crime and Open Case Squad. | 0:22:04 | 0:22:08 | |
-So you still sing? -No. | 0:22:10 | 0:22:12 | |
I eke out a living teaching singing. | 0:22:14 | 0:22:16 | |
And now you want to torture me all over again. | 0:22:17 | 0:22:19 | |
We just want to find out what really happened that night. | 0:22:19 | 0:22:22 | |
-Well, how would I know? I wasn't there. -You cancelled a gig. | 0:22:22 | 0:22:26 | |
Yeah, well. I said I'd lost my voice. | 0:22:28 | 0:22:32 | |
The truth is, I was so doped up on antidepressants | 0:22:32 | 0:22:35 | |
I could barely see, let alone cross town into Soho. | 0:22:35 | 0:22:38 | |
So how do you explain the letter? | 0:22:38 | 0:22:40 | |
Look, Jim was the love of my life. | 0:22:41 | 0:22:43 | |
He made you believe you were | 0:22:44 | 0:22:46 | |
the only person in the world that mattered. | 0:22:46 | 0:22:48 | |
But in the end, I realised he was never going to leave his wife. | 0:22:48 | 0:22:51 | |
So that morning I went round, | 0:22:51 | 0:22:54 | |
posted it through the letter box and went home. | 0:22:54 | 0:22:56 | |
And then I, er... | 0:22:58 | 0:23:00 | |
I took more pills than I should have done. | 0:23:02 | 0:23:05 | |
Next thing I know the police are in my flat arresting me. | 0:23:05 | 0:23:08 | |
-Did Jane Harlow know about you? -No, Jim would never have told her. | 0:23:08 | 0:23:12 | |
Look, what's the point of all this? | 0:23:13 | 0:23:16 | |
You people don't believe me, you never did. | 0:23:16 | 0:23:19 | |
I'd like you to leave. | 0:23:19 | 0:23:20 | |
So do you lot all just...swap desks from time to time? | 0:23:39 | 0:23:43 | |
No. | 0:23:43 | 0:23:45 | |
This used to be Jack Halford's desk, | 0:23:45 | 0:23:48 | |
because he was the senior investigator. And now it's mine. | 0:23:48 | 0:23:53 | |
-Cos, I'm the senior... -Investigator? | 0:23:53 | 0:23:55 | |
Oh, hello. | 0:23:58 | 0:24:00 | |
Found something? | 0:24:00 | 0:24:02 | |
Yeah, in '92-'93 a company called Greenbow tried to buy out | 0:24:02 | 0:24:08 | |
Jim Hockney's company, which was called Mejan. | 0:24:08 | 0:24:11 | |
Tried to buy it three times and each time it was knocked back. | 0:24:11 | 0:24:15 | |
But then Jim dies, and four months later, his brother Colin flogs it | 0:24:15 | 0:24:21 | |
to Greenbow for £18 million, which is less than the initial offer. | 0:24:21 | 0:24:25 | |
Greenbow? That's Gavin Reason's company. | 0:24:27 | 0:24:29 | |
Mad Gav?! You're kidding! | 0:24:29 | 0:24:31 | |
"Greenbow UK. CEO - Gavin Reason." | 0:24:33 | 0:24:36 | |
Isn't there something about company directors not having a criminal record? | 0:24:37 | 0:24:42 | |
Obviously not. I know he's been up for a load. | 0:24:42 | 0:24:45 | |
GBH, ABH, even attempted murder - but he only ever got collared once. | 0:24:45 | 0:24:49 | |
And even then it was just a suspended with fine. | 0:24:49 | 0:24:52 | |
You seem to remember that a bit quickly. | 0:24:53 | 0:24:55 | |
-Sorry? -Too bloody quickly! | 0:24:56 | 0:24:58 | |
Do you know what I think? | 0:24:59 | 0:25:01 | |
I think you're a fifth columnist! | 0:25:02 | 0:25:04 | |
Find that amusing, do you? | 0:25:05 | 0:25:07 | |
Fifth columnist comes from the Spanish Civil War. | 0:25:08 | 0:25:10 | |
General Mola, advancing on Madrid with four columns, | 0:25:11 | 0:25:15 | |
called his supporters inside the city his fifth column. | 0:25:15 | 0:25:18 | |
Is that me, Gerry? | 0:25:21 | 0:25:22 | |
-Am I inside your city? -Don't you get smart with me! | 0:25:23 | 0:25:27 | |
Murder Squad put you in here, didn't they? | 0:25:27 | 0:25:29 | |
Put in here to do a number on 'em - agh! | 0:25:29 | 0:25:31 | |
Hi. | 0:25:37 | 0:25:38 | |
I was just showing Gerry something that happened | 0:25:39 | 0:25:42 | |
when I was in Diplomatic Protection. | 0:25:42 | 0:25:44 | |
-Save it for the pub. -You were in DP? | 0:25:45 | 0:25:48 | |
Only for a bit. Too boring. | 0:25:48 | 0:25:51 | |
So, how'd it go, did you find her? | 0:25:51 | 0:25:52 | |
She was a good singer. Now she's a bloody good actress. | 0:25:52 | 0:25:55 | |
She's angry. Very. And upset. | 0:25:55 | 0:25:58 | |
So she should be. She knows she can be tried again. | 0:25:58 | 0:26:00 | |
She's putting on a really good front. | 0:26:00 | 0:26:02 | |
Maybe it's not a front? | 0:26:02 | 0:26:03 | |
Maybe Sara was right about her mum? | 0:26:03 | 0:26:05 | |
How can she be? Jane was at a party all night, remember? | 0:26:05 | 0:26:08 | |
Jane Harlow was pregnant, and not by Jim. | 0:26:08 | 0:26:11 | |
She was a porn star. She lied. | 0:26:11 | 0:26:14 | |
You have to at least consider | 0:26:14 | 0:26:15 | |
the possibility Angela Gold may not have done it. | 0:26:15 | 0:26:17 | |
You need to consider the possibility you haven't actually met her. | 0:26:17 | 0:26:20 | |
I never met Dreyfus, but apparently he was innocent as well. | 0:26:20 | 0:26:23 | |
-PHONE RINGS -What? | 0:26:23 | 0:26:24 | |
Yeah, hi, McAndrew. | 0:26:24 | 0:26:27 | |
Colin Hockney sold Jim's company to Gavin Reason. | 0:26:27 | 0:26:30 | |
"Mad Gav"? No! | 0:26:30 | 0:26:32 | |
OK, yeah. I'll let them know. That was the labs. | 0:26:32 | 0:26:36 | |
They've just come up with a match to Sara's DNA | 0:26:36 | 0:26:38 | |
on the National Criminal Database. | 0:26:38 | 0:26:40 | |
Her real dad's on record. | 0:26:40 | 0:26:42 | |
-Name? -Gavin Reason. | 0:26:42 | 0:26:44 | |
Jim Hockney? He's very dead. | 0:26:49 | 0:26:51 | |
Very. | 0:26:51 | 0:26:53 | |
Your company Greenbow is just around the corner from where he was murdered. | 0:26:53 | 0:26:56 | |
Yeah, we were like neighbours. | 0:26:56 | 0:26:58 | |
Then you bought Mr Hockney's company. Eventually. | 0:26:58 | 0:27:01 | |
-So? -So where were you the night he was killed? | 0:27:02 | 0:27:05 | |
-Why are you asking? -Procedure, Mr Reason. | 0:27:06 | 0:27:10 | |
Fair enough. Upton Park, watching West Ham. | 0:27:10 | 0:27:12 | |
How come you remember that so easily? | 0:27:12 | 0:27:14 | |
Well, A - because we won. | 0:27:14 | 0:27:17 | |
And B - because when I heard Hockney got stiffed, | 0:27:17 | 0:27:19 | |
I cracked open a bottle of champagne. | 0:27:19 | 0:27:21 | |
-Who was at the game with you? -30,000 other people. | 0:27:21 | 0:27:23 | |
I can give you most of their names if you want? | 0:27:25 | 0:27:27 | |
Are you sure it was Upton Park if 30,000 were there? | 0:27:27 | 0:27:30 | |
A word to the wise - do not take the piss out the Irons. | 0:27:31 | 0:27:35 | |
I don't have to. They do that every time they step on the pitch. | 0:27:35 | 0:27:39 | |
-Do I know you? -Do you know Jane Harlow? | 0:27:44 | 0:27:46 | |
HE CHUCKLES | 0:27:48 | 0:27:50 | |
-Didn't everybody? -Ever have a relationship with her? | 0:27:50 | 0:27:53 | |
Yeah, watched her on video a few times. On me own. | 0:27:53 | 0:27:57 | |
Does that count? | 0:27:59 | 0:28:00 | |
The first time you offered to buy Jim Hockney's company, he told you to stuff it, yeah? | 0:28:00 | 0:28:03 | |
Ohhhh, I see, I see, I see. | 0:28:03 | 0:28:08 | |
So I murder him, is that what you reckon? | 0:28:08 | 0:28:11 | |
I know the Met's facing cutbacks, | 0:28:13 | 0:28:15 | |
but is that the best you can come up with? | 0:28:15 | 0:28:17 | |
You've a history of not taking rejection well. | 0:28:17 | 0:28:19 | |
Jim Hockney? Pubs, porn and fruit machines? Please(!) | 0:28:21 | 0:28:24 | |
You bought his pubs. | 0:28:24 | 0:28:25 | |
Yeah, to create all this! Take a look around. | 0:28:27 | 0:28:30 | |
Do you see any one-armed bandits, hookers or men in macs? | 0:28:32 | 0:28:36 | |
No, because Greenbow...stands for members only. | 0:28:36 | 0:28:41 | |
Cocktail bars, niche restaurants, boutique hotels, | 0:28:42 | 0:28:45 | |
that's boutique with a Q. | 0:28:45 | 0:28:47 | |
Jim Hockney. He stood for dull, dirty, and decrepit. | 0:28:49 | 0:28:53 | |
Wanted to keep Soho like a museum. He was a bleeding dinosaur. | 0:28:54 | 0:28:57 | |
-With a little help he certainly became extinct. -Well, that's what happens when the climate changes. | 0:28:57 | 0:29:02 | |
Adapt or die. That's life. | 0:29:02 | 0:29:04 | |
No, DNA, that's life. | 0:29:04 | 0:29:07 | |
DNA? What's that mean - Don't Know Anything? | 0:29:07 | 0:29:09 | |
-Deoxyribonucleic acid. -Get you! -I doubt it. | 0:29:09 | 0:29:15 | |
But you did get Jim's wife pregnant. | 0:29:15 | 0:29:17 | |
-Says who? -Me, apparently. | 0:29:20 | 0:29:22 | |
Sara Hockney? Jim and Jane's girl? | 0:29:22 | 0:29:24 | |
That's where the DNA comes in. She's not Jim's daughter. She's yours. | 0:29:26 | 0:29:29 | |
Bullshit. I ain't got no kids. | 0:29:32 | 0:29:35 | |
You have now. Welcome to parenthood. | 0:29:35 | 0:29:37 | |
I've got a daughter? | 0:29:41 | 0:29:42 | |
Why didn't Jane TELL ME?! | 0:29:44 | 0:29:46 | |
What the hell do you think you're doing? You can't tell him that! | 0:29:47 | 0:29:51 | |
-Gavin Reason? -Correct. | 0:29:53 | 0:29:56 | |
-No, I don't... -Jane, you were at school with him. | 0:29:58 | 0:30:03 | |
Colin Hockney told me you adored Jim. | 0:30:04 | 0:30:06 | |
That there was never any string of lovers. | 0:30:06 | 0:30:10 | |
But clearly there was one. | 0:30:10 | 0:30:11 | |
This has nothing to do with Jim's death. | 0:30:11 | 0:30:13 | |
Jane, you were pregnant by the man your husband knocked back | 0:30:13 | 0:30:17 | |
when he tried to buy his company for millions and millions of pounds. | 0:30:17 | 0:30:20 | |
Gavin didn't kill Jim, she did! | 0:30:20 | 0:30:22 | |
Look, you might know Gavin as a lover. I know him as a psychopath. | 0:30:22 | 0:30:27 | |
-You have no idea what you're talking about. -No? How about this? | 0:30:27 | 0:30:32 | |
You found out that Jim was having an affair, | 0:30:32 | 0:30:34 | |
and you took revenge by sleeping with his worst enemy. | 0:30:34 | 0:30:37 | |
Except you went too far. Jim found out... | 0:30:37 | 0:30:40 | |
Jim didn't know anything because Jim didn't care! | 0:30:40 | 0:30:43 | |
You think Angela Gold was the only one? There were masses. | 0:30:44 | 0:30:48 | |
He was empty. Empty and cruel. | 0:30:48 | 0:30:50 | |
Yes, I knew Gavin. | 0:30:53 | 0:30:55 | |
And yes, he was dangerous. | 0:30:57 | 0:30:59 | |
But he's the only man who knew me - | 0:31:00 | 0:31:03 | |
saw me as someone and not something. | 0:31:03 | 0:31:06 | |
Who the hell is Gavin? | 0:31:09 | 0:31:10 | |
"To my gorgeous, lovely, darling daughter. Can't wait to see you. | 0:31:23 | 0:31:27 | |
"Tons of love. Your dad, Gavin." | 0:31:27 | 0:31:30 | |
-Oh, my God! -He gave this car to you? | 0:31:30 | 0:31:32 | |
It was outside my flat this morning with a huge pink bow on it. | 0:31:33 | 0:31:36 | |
He always was a nutter. | 0:31:36 | 0:31:39 | |
Who is he? Tell me! | 0:31:39 | 0:31:41 | |
Are you out of your mind?! | 0:31:41 | 0:31:43 | |
You tell a suspect he's got a daughter he knew nothing about, | 0:31:43 | 0:31:46 | |
and not just a suspect, but a man with a history of violence? | 0:31:46 | 0:31:50 | |
So what was the general idea? Toss a bomb into the conversation | 0:31:51 | 0:31:54 | |
in the hope he'd throw up his hands and admit everything? | 0:31:54 | 0:31:56 | |
No, I did it because I know Gavin Reason. | 0:31:56 | 0:31:59 | |
I arrested him 22 years ago. | 0:31:59 | 0:32:00 | |
Why didn't you tell us that? | 0:32:02 | 0:32:03 | |
I sensed a certain lack of trust. I wanted a reaction. | 0:32:03 | 0:32:07 | |
-Reaction?! -Yes. And I got one. | 0:32:07 | 0:32:09 | |
When I told him he had a daughter - and by Jane Harlow, something that | 0:32:09 | 0:32:12 | |
could be a motive for Jim Hockney's murder - why didn't he deny it? | 0:32:12 | 0:32:15 | |
Because he's a bloody headcase! | 0:32:15 | 0:32:16 | |
Because he didn't know. Because he had nothing to do with it. | 0:32:16 | 0:32:19 | |
Hold on, you were the one who said it was him | 0:32:19 | 0:32:21 | |
and Jane in the first place! | 0:32:21 | 0:32:22 | |
No, I was the one who said it might not be Angela Gold. | 0:32:22 | 0:32:26 | |
Hockney's head was beaten to a pulp. | 0:32:26 | 0:32:27 | |
Now that looks to me like a crime of passion. | 0:32:27 | 0:32:29 | |
I don't think it's anything to do with business or money or the ability to reason. | 0:32:29 | 0:32:33 | |
Have I missed something here, or are we back to Angela Gold again? | 0:32:34 | 0:32:38 | |
Hockney had sex just before he died. | 0:32:38 | 0:32:40 | |
What if it wasn't with Angela Gold? | 0:32:40 | 0:32:42 | |
-Jane said he had endless women. -Yeah, but she doesn't know who they are. | 0:32:42 | 0:32:45 | |
His brother might. Plus, why did Colin sell the business so cheaply? | 0:32:45 | 0:32:49 | |
OK. | 0:32:52 | 0:32:54 | |
Bring in Colin Hockney in the morning. | 0:32:54 | 0:32:56 | |
But for future reference, we work as a team. | 0:32:56 | 0:32:58 | |
We don't just go off on an individual hunch here. | 0:32:59 | 0:33:02 | |
-We work together here. -Please, don't patronise me. | 0:33:02 | 0:33:05 | |
I thought that all ended when I retired. | 0:33:06 | 0:33:08 | |
Who the bloody hell does he think he is? | 0:33:14 | 0:33:16 | |
You did all that? | 0:33:19 | 0:33:21 | |
You told this psycho guy he was the father, | 0:33:21 | 0:33:24 | |
and threw this guy on the floor? On your second day? | 0:33:24 | 0:33:27 | |
You're not looking to make friends then? | 0:33:29 | 0:33:32 | |
-You sound like your mother. -Hmm. Do they know why you've come back? | 0:33:32 | 0:33:35 | |
-No. -Are you going to tell them? | 0:33:39 | 0:33:41 | |
-About me? -Possibly. Eventually. | 0:33:42 | 0:33:45 | |
-I listened to her again today. Angela Gold. -And? | 0:33:46 | 0:33:51 | |
There's definitely something there. Something, I don't know... | 0:33:51 | 0:33:56 | |
..in her voice. | 0:33:58 | 0:33:59 | |
-Very handy. Very specific. -Hey, you're the cop. Or were. | 0:33:59 | 0:34:05 | |
You get paid, | 0:34:05 | 0:34:06 | |
I just get dinner. Which is risotto by the way. | 0:34:06 | 0:34:10 | |
"I know there isn't just me, but you promised and you're a liar." | 0:34:13 | 0:34:17 | |
You wrote that. | 0:34:17 | 0:34:18 | |
-Yes. -What did he promise you? | 0:34:18 | 0:34:21 | |
That he would leave his wife. | 0:34:21 | 0:34:23 | |
I don't think so. I spoke to Jane Harlow. | 0:34:23 | 0:34:25 | |
She said Jim had countless lovers. | 0:34:25 | 0:34:27 | |
"I know there isn't just me." | 0:34:29 | 0:34:30 | |
Well, that's what you're referring to there, isn't it? Other lovers. Who? | 0:34:30 | 0:34:34 | |
I don't know. | 0:34:34 | 0:34:37 | |
OK. When did you find out? | 0:34:37 | 0:34:38 | |
A week before Jim died. In the mews flat. | 0:34:39 | 0:34:42 | |
I... I found a used condom. | 0:34:43 | 0:34:47 | |
I can't have children, we didn't use them. | 0:34:51 | 0:34:54 | |
He promised me there was nobody else, and I believed him. | 0:34:54 | 0:34:57 | |
SHE LAUGHS RUEFULLY | 0:34:57 | 0:34:58 | |
God, I was naive. Stupid, I suppose. | 0:34:58 | 0:35:01 | |
Have you ever been stupidly in love? | 0:35:02 | 0:35:04 | |
Hmmm, well. | 0:35:06 | 0:35:09 | |
Jim used me. | 0:35:09 | 0:35:10 | |
I loved him, lived for him, gave him everything. | 0:35:13 | 0:35:16 | |
Not just myself - material things, like songs, presents... | 0:35:17 | 0:35:22 | |
And then I realised it wasn't just me. | 0:35:23 | 0:35:27 | |
Jim used everyone. | 0:35:28 | 0:35:30 | |
Even probably the person who killed him. | 0:35:34 | 0:35:36 | |
Why didn't you mention this other lover at the trial? | 0:35:39 | 0:35:43 | |
My barrister said what would be the point? | 0:35:43 | 0:35:46 | |
It would sound like we were blackening the victim's character. | 0:35:46 | 0:35:49 | |
A dead man's. She was right. | 0:35:52 | 0:35:53 | |
Angela, do you know a man called Gavin Reason? | 0:35:55 | 0:35:59 | |
No. Why? | 0:35:59 | 0:36:00 | |
Doesn't matter. | 0:36:02 | 0:36:03 | |
I didn't kill him. | 0:36:05 | 0:36:06 | |
Jim. I didn't. | 0:36:07 | 0:36:10 | |
So why did you sell Mejan - Jim's business - so cheap? | 0:36:14 | 0:36:17 | |
Cheap? It was a bloody good deal. | 0:36:18 | 0:36:21 | |
It was a lot less than Gavin Reason offered six months earlier. | 0:36:21 | 0:36:24 | |
The market had changed. | 0:36:24 | 0:36:25 | |
The market? You mean the owner. | 0:36:25 | 0:36:27 | |
Yeah, you're not your brother, are you, Colin? | 0:36:27 | 0:36:30 | |
You haven't got Jim's bottle. | 0:36:30 | 0:36:31 | |
Jim told Gavin to shove it, and look what happened to him. | 0:36:31 | 0:36:34 | |
Did you tell your brother not to sell? | 0:36:34 | 0:36:35 | |
I told him to stop winding him up. | 0:36:35 | 0:36:37 | |
Who? Mad Gav? | 0:36:37 | 0:36:38 | |
Jim didn't just turn him down, he took the piss out of him. | 0:36:39 | 0:36:43 | |
Jim...he knew something about Gavin. | 0:36:46 | 0:36:49 | |
Personal stuff. Embarrassing. | 0:36:51 | 0:36:54 | |
Like what? | 0:36:54 | 0:36:56 | |
Jim let it be known that Gavin had a tiny...Hampton. | 0:36:57 | 0:37:03 | |
-GERRY GIGGLES -What? | 0:37:03 | 0:37:05 | |
-Hampton Wick. -Ah. | 0:37:05 | 0:37:07 | |
Gavin went bananas apparently. | 0:37:07 | 0:37:08 | |
He sounded off in return that he knew for a fact that Jim | 0:37:08 | 0:37:10 | |
hadn't just been in straight porn, he'd done gay videos as well. | 0:37:10 | 0:37:14 | |
-You're kidding. -No, it was true. | 0:37:14 | 0:37:16 | |
But Jim couldn't give a toss. | 0:37:16 | 0:37:18 | |
He laughed his socks off. Said, "So what?" | 0:37:18 | 0:37:20 | |
It was all going too far. I warned Jim. | 0:37:20 | 0:37:23 | |
I told him to cool it about Gavin, but...he was having none of it. | 0:37:23 | 0:37:27 | |
Why not? | 0:37:27 | 0:37:29 | |
My brother, he, um... | 0:37:30 | 0:37:33 | |
He took pleasure in humiliating people. | 0:37:33 | 0:37:36 | |
He broadcast how some woman told him that | 0:37:36 | 0:37:39 | |
she couldn't even find Gavin's todger. | 0:37:39 | 0:37:42 | |
Jim nearly died laughing at that one. But Gavin... He went ape. | 0:37:42 | 0:37:47 | |
So do you think Gavin could've killed your brother? | 0:37:48 | 0:37:52 | |
Not at the time, no. All the evidence about that flaky singer? | 0:37:52 | 0:37:55 | |
Now? Yeah. Of course he could. | 0:37:57 | 0:38:00 | |
Well, you've seen Mad Gav's record. | 0:38:05 | 0:38:07 | |
I'm surprised he didn't take Jim out with a tank. | 0:38:07 | 0:38:10 | |
All right, go and see what he has to say. | 0:38:10 | 0:38:12 | |
Dan. | 0:38:14 | 0:38:15 | |
After what you said last night, I went to see Angela. | 0:38:17 | 0:38:20 | |
And she admits that she found out Jim had another lover. | 0:38:20 | 0:38:24 | |
-Boss, you've got mail. -Thanks. | 0:38:25 | 0:38:28 | |
-What is it? -Forensics. | 0:38:30 | 0:38:31 | |
Re-examination of the scene of crime material. | 0:38:34 | 0:38:38 | |
They've found someone else's DNA on Angela's letter. | 0:38:38 | 0:38:41 | |
"Microscopic samples not previously detectable." | 0:38:41 | 0:38:45 | |
And there's a restricted marker against the DNA. | 0:38:45 | 0:38:47 | |
GAVIN GROANS | 0:38:58 | 0:39:00 | |
What, is there some law against giving presents now? | 0:39:00 | 0:39:02 | |
-We're not here about that. -Good. | 0:39:02 | 0:39:04 | |
It's not that I'm not grateful for what you guys have done for me, | 0:39:05 | 0:39:08 | |
in a family kind of way, | 0:39:08 | 0:39:09 | |
but I do not want you making a habit of these visits, it lowers the tone. | 0:39:09 | 0:39:13 | |
-Well, this shouldn't take long. -It won't? | 0:39:13 | 0:39:15 | |
We've been hearing about you and Jim Hockney. | 0:39:15 | 0:39:17 | |
About your, er, relationship with him. | 0:39:17 | 0:39:20 | |
Relationship? | 0:39:20 | 0:39:21 | |
Someone say we was married?! | 0:39:23 | 0:39:24 | |
No, we heard what Jim said about your, er... Your manhood. | 0:39:24 | 0:39:29 | |
-What did you say? -Well, it's more to do with what Jim said. | 0:39:32 | 0:39:34 | |
You do remember it then? | 0:39:34 | 0:39:36 | |
Is it true? | 0:39:37 | 0:39:39 | |
I mean that he said it. | 0:39:39 | 0:39:40 | |
Or is it true factually, for that matter? Size-wise? | 0:39:41 | 0:39:46 | |
-You tell that whore... -Thanks for your time. | 0:39:51 | 0:39:53 | |
CUP SMASHES | 0:39:57 | 0:39:59 | |
-I'd leave it a while if I were you. -A day or two at least. | 0:40:00 | 0:40:02 | |
Yes, of course, I'm always sensitive. | 0:40:04 | 0:40:07 | |
Cheers, bye. | 0:40:07 | 0:40:08 | |
-Yes, the DNA is on file. But it's... -"Sensitive"? | 0:40:10 | 0:40:14 | |
Yes. It belongs to a woman called Letitia Hope. | 0:40:14 | 0:40:17 | |
She was arrested in 2007 for running a string of prostitutes out of Mayfair. | 0:40:17 | 0:40:21 | |
-And? -The case collapsed when it came to court. | 0:40:21 | 0:40:23 | |
But she's been fighting ever since to get her DNA removed from the file. | 0:40:23 | 0:40:27 | |
Maybe now we know why. | 0:40:27 | 0:40:28 | |
She's taking us to the European Court of Human Rights. | 0:40:28 | 0:40:31 | |
Letitia Hope? | 0:40:33 | 0:40:35 | |
Primakov. I've been married a year. | 0:40:35 | 0:40:38 | |
Detective Superintendent Pullman, this is Dan Griffin. | 0:40:38 | 0:40:40 | |
Special message from the Commissioner? | 0:40:40 | 0:40:42 | |
Something like that. Can we come in? | 0:40:42 | 0:40:44 | |
I presume you want to know if I intend to... | 0:40:46 | 0:40:49 | |
go all the way, as they say? | 0:40:49 | 0:40:51 | |
No, actually. | 0:40:51 | 0:40:53 | |
We want to know why your DNA has turned up on a murder victim. | 0:40:53 | 0:40:56 | |
1993, Jim Hockney. | 0:40:56 | 0:40:58 | |
Multi-millionaire and ex-porn star. Ever come across him? | 0:40:58 | 0:41:01 | |
Wow, the Met really doesn't like being made a fool of, does it? | 0:41:04 | 0:41:08 | |
You'll do anything rather than admit making a mistake. | 0:41:08 | 0:41:11 | |
Does Mr Primakov ever think he's made a mistake? | 0:41:11 | 0:41:13 | |
I mean about going to Strasbourg? | 0:41:15 | 0:41:17 | |
-He's encouraged me. -I'm sure he has. | 0:41:18 | 0:41:21 | |
-Ms Hope... -Primakov. What? | 0:41:21 | 0:41:24 | |
Are you going to try and arrest me on even flimsier evidence than 2007? | 0:41:24 | 0:41:28 | |
There are traces of your DNA on a letter | 0:41:28 | 0:41:30 | |
that was found on Jim Hockney's body. | 0:41:30 | 0:41:32 | |
I'm sure there are! | 0:41:32 | 0:41:34 | |
-DNA doesn't lie. -No, but you lot do. Speak to my lawyers. | 0:41:34 | 0:41:39 | |
Goodbye. | 0:41:39 | 0:41:40 | |
We'll be back. | 0:41:45 | 0:41:46 | |
So the minute we mentioned Gavin's shortage, | 0:41:47 | 0:41:49 | |
it's light the blue touchpaper and retire. | 0:41:49 | 0:41:52 | |
Starts ranting about some "whore". | 0:41:52 | 0:41:53 | |
And I don't even think he sent someone, I think he did it himself. | 0:41:53 | 0:41:56 | |
So whatever alibi he comes up with is a load of... | 0:41:56 | 0:41:59 | |
It may not be that simple. | 0:41:59 | 0:42:00 | |
-Whore? Is that the word he used? -Yeah. | 0:42:00 | 0:42:03 | |
Forensics have just come back with another person's DNA on the letter. | 0:42:03 | 0:42:06 | |
-Letitia Hope. -Letitia Hope? I know that name. | 0:42:06 | 0:42:09 | |
Primakov now. She's married to a rich Russian. | 0:42:09 | 0:42:12 | |
She's taking the Met to the European Court of Human Rights. | 0:42:12 | 0:42:14 | |
No, no, no. It's not that. Hang on one sec. | 0:42:14 | 0:42:17 | |
I've got Gavin Reason's record sheet here. Look at this. September 1993, | 0:42:18 | 0:42:24 | |
two weeks before Jim Hockney snuffs it, | 0:42:24 | 0:42:27 | |
Mad Gav's done for GBH against Letitia Hope - prostitute. | 0:42:27 | 0:42:31 | |
She refuses to testify, and he walks. | 0:42:31 | 0:42:35 | |
-Sorry to bother you again, Letitia. -Apology not accepted. | 0:42:38 | 0:42:41 | |
We've met before. | 0:42:41 | 0:42:42 | |
SHE LAUGHS | 0:42:42 | 0:42:43 | |
I doubt it, darling. Not on your salary. | 0:42:43 | 0:42:46 | |
Yeah. South Ken, '96. Running a house of ill repute. | 0:42:46 | 0:42:50 | |
That would have been difficult. | 0:42:50 | 0:42:52 | |
I lived in New York from '94 till '98. Nice try though. | 0:42:52 | 0:42:55 | |
Anything else? | 0:42:56 | 0:42:57 | |
Yeah, how about you tell us how you know Gavin Reason? | 0:42:57 | 0:43:01 | |
-I'm calling my lawyer. -Fine. Can we watch? | 0:43:01 | 0:43:03 | |
Firstly, your DNA was found on this letter. | 0:43:06 | 0:43:09 | |
And now we discover that two weeks before Jim Hockney was murdered, | 0:43:09 | 0:43:12 | |
you were beaten up by Gavin Reason. | 0:43:12 | 0:43:14 | |
But, you fail to testify and all charges were dropped. Why? | 0:43:14 | 0:43:18 | |
I didn't want to go through the trauma of a trial. | 0:43:18 | 0:43:20 | |
No, no, no, you were worried that Gavin would get off, | 0:43:20 | 0:43:23 | |
which he normally did, | 0:43:23 | 0:43:25 | |
and that next time he wouldn't just give you a slap, he'd kill you. | 0:43:25 | 0:43:28 | |
Maybe that's why you went to New York? | 0:43:28 | 0:43:29 | |
-To steer clear of Mad Gav. -Is that it? Are you finished? | 0:43:29 | 0:43:36 | |
Did you have feelings for Jim Hockney? | 0:43:36 | 0:43:37 | |
Why would I? I never knew the guy. | 0:43:37 | 0:43:39 | |
Look, you've had what, 20 years to find his killer? | 0:43:41 | 0:43:44 | |
And now, all of a sudden, you find my DNA on a letter? | 0:43:44 | 0:43:47 | |
My lawyers would have a field day. | 0:43:48 | 0:43:50 | |
I'll see you in Strasbourg. You can let yourselves out. | 0:43:52 | 0:43:56 | |
She's right. It will look like the Met's persecuting her. | 0:44:02 | 0:44:05 | |
-Well, don't worry about Letitia, this just builds up the case against Mad Gav. -I agree. | 0:44:05 | 0:44:09 | |
-I doubt the Murder Squad would. -You're missing the point. | 0:44:09 | 0:44:12 | |
Why should a letter sent by Angela Gold to Jim Hockney | 0:44:12 | 0:44:15 | |
have Letitia's DNA on it? | 0:44:15 | 0:44:17 | |
Could have been on his coat. She could have handled his jacket. | 0:44:17 | 0:44:20 | |
The lab didn't find the DNA on the coat. | 0:44:20 | 0:44:21 | |
Well, maybe he was with her before he went to the flat. | 0:44:21 | 0:44:24 | |
Letitia's lying. She said she never knew Jim Hockney. | 0:44:24 | 0:44:28 | |
Jim blabbed what she'd told him about Gavin. | 0:44:28 | 0:44:31 | |
It was his fault Letitia got the kicking. | 0:44:31 | 0:44:33 | |
OK, Letitia's an ex call girl. But she's high class. | 0:44:33 | 0:44:36 | |
She's just going to go round to Jim Hockney's and batter his brains out? | 0:44:36 | 0:44:39 | |
I'm saying we don't exclude her. | 0:44:39 | 0:44:41 | |
Now, I don't know if she killed him, but I think she was there. | 0:44:41 | 0:44:45 | |
SOFT PIANO MUSIC PLAYS | 0:44:45 | 0:44:48 | |
-Oh, hi. -Hi. Can I come in? | 0:44:51 | 0:44:53 | |
Is this not a good time? | 0:45:00 | 0:45:01 | |
Simon, this is Sandra Pullman. She's in charge of the case. | 0:45:04 | 0:45:08 | |
-Simon... -Yeah, I know who he is. | 0:45:08 | 0:45:09 | |
My colleagues told me you weren't in touch with Angela? | 0:45:09 | 0:45:12 | |
That's because I knew all this being dug up again would really upset her. | 0:45:12 | 0:45:16 | |
-I can't believe you're putting her through this hell all over again. -Simon. -No, I'm sorry, darling. | 0:45:16 | 0:45:20 | |
All this is just malicious revenge by that lot. | 0:45:20 | 0:45:23 | |
Look, call me if you need me. We'll talk. | 0:45:24 | 0:45:27 | |
He was the only person who spoke up for me at the trial. | 0:45:32 | 0:45:36 | |
He's also just about the only person | 0:45:36 | 0:45:37 | |
to care about what happened to me afterwards. | 0:45:37 | 0:45:40 | |
-Well? -Do you know a woman called Letitia Hope? | 0:45:41 | 0:45:45 | |
No. Should I? Who is she? | 0:45:45 | 0:45:48 | |
-A former prostitute. -Not really in my line. Why? | 0:45:48 | 0:45:53 | |
I'm afraid I can't tell you that. | 0:45:53 | 0:45:55 | |
You know, you've told me nothing up to now. | 0:45:55 | 0:45:57 | |
All you've done is ask me question after question, | 0:45:59 | 0:46:02 | |
and expect me to just sit here like a schoolgirl. | 0:46:02 | 0:46:05 | |
-TEARFUL: -I killed no-one! | 0:46:07 | 0:46:08 | |
Angela, my job isn't just cold, cool analysis of evidence. | 0:46:11 | 0:46:18 | |
Police use intuition too, of course we do. | 0:46:18 | 0:46:20 | |
So, actually, I'm going to break a habit of a lifetime, because... | 0:46:22 | 0:46:25 | |
..no, I don't think you are guilty. | 0:46:27 | 0:46:29 | |
-Morning. -Morning. -You want some tea? | 0:46:43 | 0:46:45 | |
Thank you. | 0:46:46 | 0:46:48 | |
-Morning. -Morning. | 0:46:48 | 0:46:50 | |
I spoke to Angela Gold last night. | 0:46:50 | 0:46:51 | |
She hasn't got a clue who Letitia Hope is. | 0:46:51 | 0:46:54 | |
-YAWNING: -Morning. -Morning. | 0:46:54 | 0:46:56 | |
What happened to you? You look bloody exhausted. | 0:46:56 | 0:46:58 | |
So would you if you'd been up half the night watching porn. | 0:46:58 | 0:47:01 | |
You know I said I had 17 tapes? I was wrong. | 0:47:01 | 0:47:06 | |
I've got 20. | 0:47:06 | 0:47:07 | |
-You must be worn out. -GERRY LAUGHS | 0:47:07 | 0:47:09 | |
No, luckily I only had to watch ten before I found the one I wanted. | 0:47:09 | 0:47:13 | |
Have a look at this. | 0:47:13 | 0:47:14 | |
SEXUAL MOANS | 0:47:18 | 0:47:20 | |
Bloody hell! | 0:47:20 | 0:47:22 | |
Gentleman, let me introduce you to Mrs Primakov. | 0:47:22 | 0:47:25 | |
I knew I recognised her. | 0:47:25 | 0:47:27 | |
She must have been 20 when this was taken. | 0:47:27 | 0:47:29 | |
-And I reckon this is one of Jim's last films. -"A Star Is Porn". | 0:47:29 | 0:47:33 | |
-Interesting tattoo. -We saw it yesterday. | 0:47:33 | 0:47:35 | |
-But better still, look where it's filmed. -That's Jim Hockney's. | 0:47:36 | 0:47:40 | |
Danny, you were right, only this time we can prove it. | 0:47:40 | 0:47:43 | |
This is a digital copy of a commercial sex video tape. | 0:47:47 | 0:47:50 | |
Turn it off. | 0:47:50 | 0:47:51 | |
You sure? We see your face in a minute. | 0:47:51 | 0:47:54 | |
Off! Please. | 0:47:54 | 0:47:55 | |
So, you admit to having lied about not knowing Jim Hockney? | 0:47:59 | 0:48:03 | |
-Yes. -And to having been in his apartment. -Yes. | 0:48:03 | 0:48:06 | |
So, please can you explain how your DNA came to be on a letter | 0:48:06 | 0:48:09 | |
that was found on his body? | 0:48:09 | 0:48:10 | |
Look, what I'm going to tell you is the truth, | 0:48:12 | 0:48:15 | |
but I doubt very much that you'll believe me. | 0:48:15 | 0:48:18 | |
-Here we go. -Try us. | 0:48:18 | 0:48:20 | |
OK, so, it started as a job. | 0:48:24 | 0:48:27 | |
I'd made a couple of porn films before... | 0:48:27 | 0:48:29 | |
..and then the opportunity came up to make one with Jim. | 0:48:30 | 0:48:34 | |
You have to understand that in our business, Jim was a legend. | 0:48:34 | 0:48:37 | |
So this was a big deal. | 0:48:37 | 0:48:39 | |
So anyway, we make this film. | 0:48:40 | 0:48:44 | |
But it doesn't end there. | 0:48:46 | 0:48:48 | |
I thought Jim was just... | 0:48:48 | 0:48:51 | |
..gorgeous. | 0:48:53 | 0:48:55 | |
And he felt the same about me, he said. | 0:48:55 | 0:48:58 | |
Ended up telling me he was in love with me. | 0:48:58 | 0:49:00 | |
And then one night, just after he left my place, | 0:49:01 | 0:49:04 | |
I found this letter on the floor. | 0:49:04 | 0:49:07 | |
From Angela Gold? | 0:49:07 | 0:49:08 | |
I couldn't believe it. | 0:49:11 | 0:49:12 | |
Until then I had no idea there was anyone else. | 0:49:13 | 0:49:16 | |
I realised it was all bullshit. | 0:49:18 | 0:49:20 | |
I was so angry, I could have killed him. | 0:49:23 | 0:49:25 | |
Really? And did you? | 0:49:25 | 0:49:26 | |
No, of course not. I just felt like it. | 0:49:27 | 0:49:31 | |
I ended up going round to his place to...have it all out with him. | 0:49:33 | 0:49:37 | |
But when I got there, the door was open. Which was weird. | 0:49:40 | 0:49:43 | |
I went in and...I found him lying there, on the floor. | 0:49:44 | 0:49:51 | |
His head smashed in. Blood everywhere. | 0:49:53 | 0:49:56 | |
I panicked. | 0:50:00 | 0:50:02 | |
I knew I was in big trouble just being there, | 0:50:02 | 0:50:04 | |
so I shoved the letter in his pocket and ran, | 0:50:04 | 0:50:08 | |
and I didn't stop until I got home. | 0:50:08 | 0:50:10 | |
And you were quite happy for Angela to take the rap for his murder? | 0:50:10 | 0:50:14 | |
I thought she'd done it. I thought, because I'd read her letter, | 0:50:14 | 0:50:17 | |
that she... just got to him first. | 0:50:17 | 0:50:19 | |
-What do you think? -She's lied from the start. Creature of habit? | 0:50:22 | 0:50:25 | |
I think it's all true except the last bit. | 0:50:25 | 0:50:28 | |
She shows him the letter, goes ape and kills him. | 0:50:28 | 0:50:31 | |
She was there. She knows we know she was there. Now she's scrabbling around trying to... | 0:50:31 | 0:50:35 | |
Where's laughing boy? | 0:50:36 | 0:50:37 | |
VIDEO FAST-FORWARDS | 0:50:39 | 0:50:41 | |
-What are you doing? -Look at this. | 0:50:43 | 0:50:46 | |
Yeah...oh! | 0:50:47 | 0:50:50 | |
Now look at these. | 0:50:52 | 0:50:53 | |
It's missing from the photo. | 0:51:07 | 0:51:08 | |
-I've seen that. -So have I. | 0:51:10 | 0:51:12 | |
Yeah, I'm sure police work is very taxing, but you clearly have | 0:51:13 | 0:51:16 | |
no idea how difficult it is for a composer to keep being interrupted. | 0:51:16 | 0:51:19 | |
-You're not happy, I get it. -What are you doing? | 0:51:19 | 0:51:21 | |
-Can you tell us where you picked this up? -I won it. | 0:51:21 | 0:51:24 | |
"1991 Jazz UK Awards." | 0:51:26 | 0:51:28 | |
"Best..." I can't read the rest, it's all scratched and bashed up. | 0:51:29 | 0:51:34 | |
And yet here it is in Jim Hockney's flat, | 0:51:34 | 0:51:36 | |
three months before he was murdered. | 0:51:36 | 0:51:38 | |
Care to tell us how it ended up here? | 0:51:38 | 0:51:39 | |
It's not the same one. | 0:51:39 | 0:51:40 | |
Jim Hockney's head was smashed to a pulp. | 0:51:42 | 0:51:45 | |
Now, no matter how hard you try to clean up | 0:51:45 | 0:51:47 | |
and polish a murder weapon - there's always evidence left. | 0:51:47 | 0:51:51 | |
And DNA technology has come a long way in the last 20 years. | 0:51:51 | 0:51:54 | |
-It's not the same award. -No, it's not your award. | 0:51:54 | 0:51:56 | |
-Because you didn't win it, Angela did. -No. | 0:51:56 | 0:51:59 | |
Yes. She gave it to Jim because she loved him. | 0:51:59 | 0:52:02 | |
There you go. "Best new female vocalist." | 0:52:02 | 0:52:06 | |
Not quite you, is it? | 0:52:06 | 0:52:07 | |
Unless you've had the op. | 0:52:08 | 0:52:09 | |
I wouldn't. | 0:52:16 | 0:52:18 | |
I loved Angela. | 0:52:20 | 0:52:21 | |
Not literally, obviously. But for what she was... | 0:52:25 | 0:52:33 | |
as a person... | 0:52:33 | 0:52:34 | |
..as a singer. | 0:52:36 | 0:52:37 | |
I couldn't believe how she could fall for him. Hockney. | 0:52:41 | 0:52:47 | |
But I watched her, and she became more and more obsessed. | 0:52:48 | 0:52:52 | |
It affected her voice, her work. | 0:52:53 | 0:52:57 | |
In the end it was jeopardising everything. | 0:52:57 | 0:52:59 | |
I decided I needed to do something to save her from herself. | 0:52:59 | 0:53:03 | |
But I knew she was too infatuated to listen to me. | 0:53:03 | 0:53:06 | |
So I went straight to him. | 0:53:09 | 0:53:10 | |
I was prepared for him to get angry. | 0:53:11 | 0:53:14 | |
Instead he was all calm and reassuring. | 0:53:15 | 0:53:19 | |
He said he completely understood what I was saying. | 0:53:20 | 0:53:22 | |
But the truth was... | 0:53:27 | 0:53:32 | |
Angela wasn't the love of his life. | 0:53:32 | 0:53:34 | |
You mean there was someone else? | 0:53:37 | 0:53:39 | |
Did he say who that was? | 0:53:39 | 0:53:41 | |
Me. | 0:53:46 | 0:53:48 | |
-I've heard everything now. -No, you haven't. | 0:53:50 | 0:53:53 | |
I couldn't believe it. I was trying not to believe it. | 0:53:55 | 0:53:59 | |
But he just kept going on and on, coming on to me. | 0:53:59 | 0:54:04 | |
Next thing...we were having sex. | 0:54:05 | 0:54:10 | |
And then... And then afterwards... | 0:54:18 | 0:54:24 | |
-He laughed. -Laughed? | 0:54:30 | 0:54:32 | |
Said that I was an idiot. A moron. | 0:54:32 | 0:54:37 | |
As easy to delude as a teenager. | 0:54:39 | 0:54:42 | |
Then he washed himself, put his clothes back on | 0:54:43 | 0:54:48 | |
and he told me to get out. | 0:54:48 | 0:54:50 | |
Get out and never come near him again. | 0:54:52 | 0:54:54 | |
Then he looked at me. | 0:54:55 | 0:54:57 | |
And he said... | 0:54:59 | 0:55:00 | |
"I wonder what Angela will think when I tell her?" | 0:55:02 | 0:55:04 | |
I couldn't believe it. | 0:55:09 | 0:55:11 | |
But his face went serious all of a sudden, and he said to me... | 0:55:11 | 0:55:17 | |
"What will Roberto think when I tell him? | 0:55:20 | 0:55:22 | |
"What will your boyfriend think?" | 0:55:24 | 0:55:26 | |
Next thing I remember, I was stood over his body. | 0:55:29 | 0:55:33 | |
It was unreal. | 0:55:38 | 0:55:39 | |
But I was calm. I had this award in my hand. | 0:55:42 | 0:55:48 | |
So I popped it inside my coat, I went out and walked home. | 0:55:48 | 0:55:55 | |
No-one stopped me. No-one saw. | 0:55:57 | 0:56:00 | |
You know, the last time I was here, | 0:56:09 | 0:56:11 | |
-I was with a very tasty little bird. -Oh, yeah? | 0:56:11 | 0:56:14 | |
Problem is, as soon as I told her I was a copper | 0:56:14 | 0:56:17 | |
she threw a glass of wine over me. | 0:56:17 | 0:56:18 | |
-That's bad. -No, what was bad is it was still in the glass. | 0:56:18 | 0:56:21 | |
THEY LAUGH | 0:56:21 | 0:56:23 | |
-Here you go. -Thanks, Boss. -Cheers, Guv'nor. | 0:56:23 | 0:56:26 | |
-Did you tell Danny? -Yeah. | 0:56:26 | 0:56:27 | |
-What'd he say? -He said he wasn't sure. -Oh. | 0:56:27 | 0:56:30 | |
-What do you think of him? -Who? | 0:56:32 | 0:56:34 | |
-Dan! -Oh. Well...unusual. | 0:56:34 | 0:56:39 | |
-Very. -Hi. | 0:56:39 | 0:56:40 | |
-Hi. -This is Holly, my daughter. | 0:56:41 | 0:56:46 | |
-You don't mind if she joins us? -Not at all, hi. -Hello there. | 0:56:46 | 0:56:49 | |
- Sandra. - Yep. | 0:56:49 | 0:56:50 | |
-Gerry. -Yep. | 0:56:50 | 0:56:52 | |
-McAndrew. -You got it. | 0:56:52 | 0:56:53 | |
You been here before? | 0:56:53 | 0:56:55 | |
-I haven't. -No. | 0:56:55 | 0:56:56 | |
The musicianship is normally very, very good. | 0:56:56 | 0:56:58 | |
Jazz is her thing. | 0:56:58 | 0:57:00 | |
Ladies and gentlemen, please give a warm welcome to Angela Gold. | 0:57:02 | 0:57:07 | |
Thank you. | 0:57:18 | 0:57:19 | |
I'd like to start with a brand-new number of my own. | 0:57:20 | 0:57:23 | |
It's for someone who... believed in me. | 0:57:23 | 0:57:27 | |
It's called That Was Then. | 0:57:28 | 0:57:29 | |
SHE LAUGHS | 0:57:36 | 0:57:37 | |
# I had another life in another place | 0:57:40 | 0:57:43 | |
# Where I never thought I'd have to face | 0:57:44 | 0:57:48 | |
# The sort of things no-one should face alone | 0:57:49 | 0:57:55 | |
# Mmm mmm mmm | 0:57:55 | 0:57:58 | |
# To be a stranger to your friends | 0:57:58 | 0:58:01 | |
# To know that all that you depend upon is gone | 0:58:02 | 0:58:08 | |
# And there's nobody left to call | 0:58:08 | 0:58:14 | |
# But that was then and this is now | 0:58:16 | 0:58:19 | |
# And everything has changed somehow | 0:58:21 | 0:58:25 | |
# Somehow someone did something true | 0:58:25 | 0:58:30 | |
# And that someone had to be you. # | 0:58:30 | 0:58:34 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:43 |