Browse content similar to The Little Brother. Check below for episodes and series from the same categories and more!
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# It's all right It's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:06 | |
# It's all right I say it's OK | 0:00:06 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:17 | |
# It's all right I say it's OK | 0:00:17 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
'I think I'll be all right with this, you know... | 0:00:41 | 0:00:44 | |
if this is the way it has to be. | 0:00:44 | 0:00:46 | |
I'll be able to see a bit more of Mark... | 0:00:46 | 0:00:48 | |
and the baby, of course... | 0:00:48 | 0:00:50 | |
Go on, in your basket. | 0:00:50 | 0:00:52 | |
..when he or she comes along. | 0:00:52 | 0:00:54 | |
I'll be able to hold my head up high knowing I've done the right thing... | 0:00:55 | 0:00:58 | |
like whatshisname. | 0:00:58 | 0:01:00 | |
Serpico. | 0:01:00 | 0:01:02 | |
Oh. I didn't know we had company. | 0:01:02 | 0:01:04 | |
-Hello. -Hello. | 0:01:04 | 0:01:06 | |
Brian, this is Margaret Kirby, from my book group. | 0:01:06 | 0:01:09 | |
The Raymond Chandler thing? | 0:01:09 | 0:01:11 | |
The Little Sister. | 0:01:11 | 0:01:12 | |
Have you read it, Mr Lane? | 0:01:15 | 0:01:16 | |
No. | 0:01:16 | 0:01:18 | |
Margaret wants your help. | 0:01:18 | 0:01:20 | |
What kind of help? | 0:01:20 | 0:01:22 | |
She joined the book group just a few weeks ago... | 0:01:22 | 0:01:24 | |
There was a sign up in the library. | 0:01:24 | 0:01:26 | |
..but we had our first proper talk last night, in the coffee break. | 0:01:26 | 0:01:30 | |
I can't drink caffeine beyond mid-afternoon. | 0:01:30 | 0:01:33 | |
I have a restless leg. | 0:01:33 | 0:01:36 | |
Margaret's looking for her brother. | 0:01:36 | 0:01:38 | |
-Ah. -He went missing, six years ago. | 0:01:38 | 0:01:41 | |
Are the police aware? | 0:01:41 | 0:01:43 | |
We've never kept in touch, really. | 0:01:43 | 0:01:45 | |
I thought - that is to say, I'd heard - | 0:01:45 | 0:01:49 | |
that he'd gone to live in New Zealand. | 0:01:49 | 0:01:52 | |
I tried to contact him a few months ago and I can't find him. | 0:01:52 | 0:01:55 | |
I employed someone... | 0:01:55 | 0:01:58 | |
A private detective. | 0:01:58 | 0:02:00 | |
He couldn't find any trace of Peter in New Zealand. | 0:02:00 | 0:02:04 | |
Why did you try to contact him? | 0:02:04 | 0:02:06 | |
-I'm sorry? -You said you weren't in touch. | 0:02:06 | 0:02:08 | |
Our parents are dead and Peter didn't have any children. | 0:02:08 | 0:02:14 | |
My son... I've just got the one boy... | 0:02:14 | 0:02:18 | |
He and his wife had a little girl six months ago. | 0:02:18 | 0:02:21 | |
She's a new member of a very small family | 0:02:21 | 0:02:25 | |
and I thought Peter might like to meet her, | 0:02:25 | 0:02:28 | |
or at least that he'd like to know... | 0:02:28 | 0:02:30 | |
The police could help you with this, you know. | 0:02:30 | 0:02:32 | |
She doesn't want to go to the police. | 0:02:32 | 0:02:34 | |
My... | 0:02:34 | 0:02:36 | |
My brother's name is... | 0:02:36 | 0:02:39 | |
Peter Sale. | 0:02:39 | 0:02:41 | |
The Florence Epstein murder? | 0:02:41 | 0:02:43 | |
It's an unsolved case, Brian. | 0:02:43 | 0:02:46 | |
-That's your department. -Was. | 0:02:46 | 0:02:48 | |
My brother was a witness because he was Florence Epstein's accountant. | 0:02:48 | 0:02:52 | |
But he was never charged with anything. | 0:02:52 | 0:02:55 | |
I don't know if you realise, Margaret, or if Esther's told you... | 0:02:55 | 0:02:58 | |
I know you're not a policeman any more. | 0:02:58 | 0:03:02 | |
If you were, Mr Lane, I certainly wouldn't presume | 0:03:02 | 0:03:04 | |
to ask you to shift your focus from chasing criminals... | 0:03:04 | 0:03:06 | |
Lots of retired policemen take on private cases. | 0:03:06 | 0:03:11 | |
And I'm sure we could come to an arrangement about fees. | 0:03:11 | 0:03:14 | |
No, no, no, no, no. We wouldn't dream of taking your money. | 0:03:14 | 0:03:17 | |
No, this is about keeping those cogs turning, isn't it, Brian? | 0:03:17 | 0:03:21 | |
-Exercising your muscles. -I'm fine, Esther. | 0:03:21 | 0:03:23 | |
You are today. | 0:03:23 | 0:03:25 | |
What about tomorrow, or the next day, next week, | 0:03:25 | 0:03:27 | |
when you're telling me that you can't switch your brain off? | 0:03:27 | 0:03:30 | |
Well, this is something for your brain to do. | 0:03:30 | 0:03:33 | |
I can't promise to find your brother. | 0:03:35 | 0:03:38 | |
But you'll try? | 0:03:38 | 0:03:39 | |
All right, yes. I'll try. | 0:03:41 | 0:03:43 | |
Well, here we go, Esther. | 0:03:46 | 0:03:47 | |
Working without the safety net of the Metropolitan Police. | 0:03:47 | 0:03:50 | |
Just my mind versus the problem at hand. | 0:03:50 | 0:03:53 | |
That's nice! | 0:03:53 | 0:03:55 | |
Like Sherlock or that fella in your book... | 0:03:55 | 0:03:58 | |
Mr Darcy? | 0:03:58 | 0:03:59 | |
Darcy? No! Marlowe! | 0:03:59 | 0:04:01 | |
Phillip Marlowe. DOORBELL RINGS | 0:04:01 | 0:04:03 | |
I'll get it. | 0:04:03 | 0:04:04 | |
-Brian Lane? -Yes, hello. -Maxine Wilson, Mr Lane. | 0:04:09 | 0:04:12 | |
-I'm the deputy editor on the crime... -A reporter? | 0:04:12 | 0:04:14 | |
-Well, Deputy Editor, but yes. -I'm afraid I can't talk about any... | 0:04:14 | 0:04:18 | |
No, no, I understand. | 0:04:18 | 0:04:19 | |
This isn't about the circumstances of your dismissal from UCOS. | 0:04:19 | 0:04:22 | |
I actually wanted to talk to you about a case you investigated | 0:04:22 | 0:04:25 | |
back in 1988. | 0:04:25 | 0:04:26 | |
The Derek Spencer murder? | 0:04:26 | 0:04:28 | |
We've received some information that calls into question | 0:04:28 | 0:04:31 | |
your handling of the evidence on that case. | 0:04:31 | 0:04:33 | |
-I wonder if I might come inside... -No, you may not. | 0:04:33 | 0:04:36 | |
There's also the question of your drinking problem, Mr Lane, | 0:04:36 | 0:04:38 | |
and how that might have affected the investigation | 0:04:38 | 0:04:41 | |
of a number of cases... | 0:04:41 | 0:04:42 | |
-KNOCKS ON DOOR -Mr Lane! | 0:04:42 | 0:04:45 | |
An anonymous call? | 0:04:45 | 0:04:46 | |
Yeah, just after four this morning, according to the note. | 0:04:46 | 0:04:49 | |
And who is this Larry Gofton? | 0:04:49 | 0:04:50 | |
A small-time con man. Quite clever, quite successful. | 0:04:50 | 0:04:53 | |
-Hasn't been heard from in years. -Related to a UCOS case? | 0:04:53 | 0:04:56 | |
Nothing ongoing, no, but according to the system | 0:04:56 | 0:04:58 | |
his name is connected to several unsolved cases. | 0:04:58 | 0:05:00 | |
-So he might be able to clear some up? -If he wants to talk. | 0:05:00 | 0:05:03 | |
And if whoever called in was correct about his whereabouts. | 0:05:03 | 0:05:05 | |
They said he's now calling himself Archer. Laurence Archer. | 0:05:05 | 0:05:09 | |
It's worth checking out. Anything else? | 0:05:09 | 0:05:11 | |
And I don't want to talk about Brian Lane. | 0:05:11 | 0:05:13 | |
That's unfortunate, because I do. Look, what Brian did was... | 0:05:13 | 0:05:15 | |
SHOUTING | 0:05:15 | 0:05:18 | |
Dirty tricks, is what this is! | 0:05:20 | 0:05:22 | |
Not enough that you get rid of me from UCOS - | 0:05:22 | 0:05:24 | |
you've got to go and ruin my reputation now. | 0:05:24 | 0:05:26 | |
-What are you talking about, Brian? -This has nothing to do with you, Sandra. | 0:05:26 | 0:05:29 | |
Nothing to do with me either, Brian, I don't know what you're talking about. | 0:05:29 | 0:05:33 | |
-Did you let him come down here? -Couldn't stop him, Guv, | 0:05:33 | 0:05:35 | |
and, anyway, I think you should hear what he's got to say. | 0:05:35 | 0:05:37 | |
There's a journalist outside my house. | 0:05:37 | 0:05:39 | |
-At my front door. -What does he want? -He's a she. And ask him! | 0:05:39 | 0:05:43 | |
-I don't know, Brian. -Asking questions about the Spencer case. | 0:05:43 | 0:05:46 | |
-What's the Spencer case? -Ancient history, is what it is. | 0:05:46 | 0:05:49 | |
-And it was all above board. -There were some questions at the time... | 0:05:49 | 0:05:52 | |
Questions which I answered, and they're in the file... | 0:05:52 | 0:05:55 | |
and the evidence on that case | 0:05:55 | 0:05:56 | |
was as solid as anything I've ever worked on. | 0:05:56 | 0:05:59 | |
It absolutely was, Brian. | 0:05:59 | 0:06:01 | |
Then why's this journalist got hold of it, | 0:06:02 | 0:06:04 | |
and why is she on my front step trying to get me to talk? | 0:06:04 | 0:06:07 | |
-I don't know. -Well, it's got to be Embleton's mates - | 0:06:07 | 0:06:10 | |
feeding stuff to the press so he looks like an unreliable witness. | 0:06:10 | 0:06:13 | |
No, no. Hang on, Gerry, we don't know that. | 0:06:13 | 0:06:15 | |
That's almost certainly correct. | 0:06:15 | 0:06:16 | |
They're going to try to make you look incompetent, dishonest and drunk, Brian. | 0:06:16 | 0:06:20 | |
Well, we can do something about that, can't we? | 0:06:20 | 0:06:23 | |
No, we can't. | 0:06:23 | 0:06:25 | |
Thank you very much(!) | 0:06:25 | 0:06:26 | |
-Surely you can make some calls, Sir? -To whom? | 0:06:26 | 0:06:30 | |
No-one is going to admit to being behind this. | 0:06:30 | 0:06:32 | |
And it's certainly not in our interest to get involved. | 0:06:32 | 0:06:35 | |
Once they've finished painting Brian as a disgrace to the police force, | 0:06:35 | 0:06:38 | |
they're going to tell the story about how he was forced to retire | 0:06:38 | 0:06:41 | |
and then they're going to shine the spotlight | 0:06:41 | 0:06:43 | |
on the people who brought him out of retirement | 0:06:43 | 0:06:45 | |
and put him back on the police payroll again. | 0:06:45 | 0:06:47 | |
Your actions, Brian, | 0:06:47 | 0:06:48 | |
have brought an awful lot of trouble to OUR door too. | 0:06:48 | 0:06:51 | |
Jonathan Epstein? I'm Brian Lane. | 0:07:07 | 0:07:09 | |
From the Unsolved Crime and Open Cases Squad. | 0:07:09 | 0:07:12 | |
Yes. | 0:07:12 | 0:07:14 | |
You're reopening my case? Is that what this is? | 0:07:14 | 0:07:16 | |
No... Not exactly. | 0:07:16 | 0:07:18 | |
I shouldn't be in here. | 0:07:18 | 0:07:20 | |
Well, you did lock your wife in the basement | 0:07:20 | 0:07:22 | |
and then torture her until she gave up the passwords to her bank account | 0:07:22 | 0:07:26 | |
and then cave her head in with a hammer. | 0:07:26 | 0:07:28 | |
Yeah, but now that Florence has passed on, | 0:07:28 | 0:07:30 | |
I'm not likely to re-offend again, am I? | 0:07:30 | 0:07:32 | |
I suppose nobody wants to take that chance. | 0:07:32 | 0:07:35 | |
Three women write to me in here. | 0:07:39 | 0:07:40 | |
They all want to marry me. | 0:07:40 | 0:07:42 | |
How will you choose one? | 0:07:42 | 0:07:44 | |
Ah, I see. | 0:07:46 | 0:07:48 | |
What do you see? | 0:07:49 | 0:07:50 | |
You're still holding a torch for Annabel Skinner. | 0:07:50 | 0:07:53 | |
You had an affair with this woman... | 0:07:55 | 0:07:56 | |
It was much more than an affair. We were... | 0:07:56 | 0:08:00 | |
So, where is she? | 0:08:00 | 0:08:02 | |
All right, you had...whatever you might call it with this woman. | 0:08:03 | 0:08:07 | |
Your wife's got all this money in her own account, | 0:08:07 | 0:08:09 | |
which you won't see a penny of if you leave her. | 0:08:09 | 0:08:12 | |
So, you and Annabel Skinner lock Florence up and torture her | 0:08:12 | 0:08:16 | |
to get your hands on that money. | 0:08:16 | 0:08:18 | |
And then you kill Florence. | 0:08:18 | 0:08:19 | |
But what happened to the money, Mr Epstein? | 0:08:20 | 0:08:23 | |
It left Florence's account and then it disappeared. | 0:08:24 | 0:08:27 | |
Just like Annabel Skinner. | 0:08:27 | 0:08:29 | |
Who do you think called the police? | 0:08:29 | 0:08:32 | |
She wasn't there when the police arrived, was she? | 0:08:32 | 0:08:34 | |
Did you ever hear from her again? | 0:08:34 | 0:08:37 | |
If you're not here to help me, what do you want, Mr Lane? | 0:08:38 | 0:08:41 | |
I'm looking for Peter Sale. | 0:08:41 | 0:08:43 | |
-Why? -He's gone missing. | 0:08:43 | 0:08:45 | |
Do you think he's got my money? | 0:08:45 | 0:08:47 | |
-It never was your money. -You know what I mean. | 0:08:47 | 0:08:50 | |
I think Annabel Skinner's got your money. | 0:08:50 | 0:08:52 | |
Then why are you looking for Peter? | 0:08:52 | 0:08:54 | |
Because his sister asked me to. | 0:08:54 | 0:08:56 | |
I barely knew him. | 0:08:56 | 0:08:58 | |
He was your wife's accountant. | 0:08:58 | 0:09:00 | |
According to the case file, you introduced them. | 0:09:00 | 0:09:02 | |
He was a patient of mine. | 0:09:02 | 0:09:04 | |
He had ankylosing spondyloarthritis - | 0:09:04 | 0:09:07 | |
a genetic disorder which affects the strength of the bones | 0:09:07 | 0:09:11 | |
AND can cause a lot of dental problems. | 0:09:11 | 0:09:15 | |
I carried out two root canals and some bridgework. | 0:09:15 | 0:09:18 | |
Ooh... | 0:09:18 | 0:09:20 | |
Squeamish? | 0:09:20 | 0:09:22 | |
A bit. | 0:09:22 | 0:09:23 | |
You should still go for your regular check-ups, though. | 0:09:23 | 0:09:26 | |
Once they're gone, they're gone. | 0:09:26 | 0:09:28 | |
I wish they'd let me practise in here. | 0:09:31 | 0:09:33 | |
I don't think much of the regular chap. And I miss it. | 0:09:33 | 0:09:37 | |
Did Peter Sale come in off the street? | 0:09:37 | 0:09:41 | |
No, he was referred. | 0:09:41 | 0:09:43 | |
Can you remember who...? | 0:09:43 | 0:09:44 | |
Laurence Archer. Two crowns and some composite fillings. | 0:09:44 | 0:09:48 | |
How long ago was this? | 0:09:48 | 0:09:49 | |
Seven years. | 0:09:49 | 0:09:51 | |
Peter Sale had a toothache, Laurence Archer recommended me. | 0:09:51 | 0:09:56 | |
I performed the root canals and then he came back for the bridgework | 0:09:56 | 0:10:00 | |
and that's when we started talking about Florence's accounts. | 0:10:00 | 0:10:03 | |
So how did Sale and Archer know each other? | 0:10:03 | 0:10:06 | |
-They played golf together. -What, and they were close, were they? | 0:10:06 | 0:10:09 | |
How would I know? Ask Laurence. | 0:10:09 | 0:10:10 | |
I will, if you've got an address for him? | 0:10:10 | 0:10:12 | |
No. | 0:10:12 | 0:10:14 | |
But I know which golf club he plays at. | 0:10:14 | 0:10:16 | |
DOOR BUZZES | 0:11:03 | 0:11:05 | |
Hello? Mr Archer? | 0:11:38 | 0:11:40 | |
Anyone there? | 0:11:40 | 0:11:42 | |
OBJECT WHACKS HEAD | 0:12:03 | 0:12:05 | |
Brian. Brian! | 0:12:07 | 0:12:10 | |
-Come on, mate. -Is he OK? | 0:12:10 | 0:12:13 | |
I think he will be. | 0:12:13 | 0:12:15 | |
Don't worry, mate, we're still here. | 0:12:17 | 0:12:19 | |
-There was a book. -What book? | 0:12:23 | 0:12:25 | |
I'm fine. | 0:12:31 | 0:12:33 | |
You've had a nasty bump to the head, sir, for a man your age. | 0:12:33 | 0:12:35 | |
-You should be sitting down. -I'm fine! | 0:12:35 | 0:12:38 | |
-Sorry, sir. -I'm with them. | 0:12:41 | 0:12:44 | |
Then one of them needs to come and get you, sir. | 0:12:44 | 0:12:47 | |
Sandra. | 0:12:47 | 0:12:48 | |
-He says I need authorisation. -He's right, and you don't have it. | 0:12:51 | 0:12:54 | |
-I just want to... -How's your head? | 0:12:54 | 0:12:57 | |
It hurts. | 0:12:57 | 0:12:58 | |
OK, they're going to get you X-rayed | 0:12:58 | 0:13:00 | |
and then we're going to have a chat back at UCOS. | 0:13:00 | 0:13:03 | |
Fine, I could do with a nice cup of tea. | 0:13:03 | 0:13:06 | |
Not that kind of chat, Brian. | 0:13:06 | 0:13:08 | |
What were you doing at Laurence Archer's? | 0:13:12 | 0:13:15 | |
Are you not going to turn that on? | 0:13:15 | 0:13:17 | |
Are you sure you don't want to make this official? | 0:13:17 | 0:13:19 | |
We don't think you killed him, Brian. | 0:13:19 | 0:13:21 | |
Oh, are you sure(?) I seem to be guilty of everything else. | 0:13:21 | 0:13:24 | |
Grow up, Brian. | 0:13:24 | 0:13:25 | |
This is still an active murder case, anyway. | 0:13:27 | 0:13:29 | |
Shouldn't I be talking to a Murder Investigation Team? | 0:13:29 | 0:13:31 | |
That's where you're going straight after this. | 0:13:31 | 0:13:34 | |
Listen, mate. We got to that address five minutes after you. | 0:13:34 | 0:13:37 | |
It came up on one of our cases. We are still involved. | 0:13:37 | 0:13:41 | |
What case? So who were you looking for? | 0:13:41 | 0:13:44 | |
We need to be asking the questions here, Brian. | 0:13:44 | 0:13:47 | |
I was looking for a man named Peter Sale. | 0:13:47 | 0:13:50 | |
I was led to believe that Laurence Archer was an old friend of his | 0:13:50 | 0:13:54 | |
and might know where to find him. | 0:13:54 | 0:13:56 | |
Why are you looking for Peter Sale? | 0:13:56 | 0:13:58 | |
Cos he's gone missing. | 0:13:58 | 0:13:59 | |
His sister asked me to help try and find him, as a favour. | 0:13:59 | 0:14:03 | |
Who gave you Laurence Archer's name in connection with this? | 0:14:03 | 0:14:06 | |
Jonathan Epstein. I went to see him in prison this morning. | 0:14:06 | 0:14:09 | |
-Who? -Jonathan Epstein. Do you not remember him? | 0:14:09 | 0:14:12 | |
Murdered his wife, Florence, for her money. | 0:14:12 | 0:14:14 | |
But the money was taken by Epstein's girlfriend, | 0:14:14 | 0:14:17 | |
who called the police on him and did a runner. | 0:14:17 | 0:14:20 | |
Peter Sale was Florence's accountant. | 0:14:20 | 0:14:22 | |
I remembered him being interviewed at the time | 0:14:22 | 0:14:25 | |
and I thought it might be connected with that. | 0:14:25 | 0:14:27 | |
So Epstein put you onto Archer? | 0:14:27 | 0:14:29 | |
He told me that Archer and Sale played golf together, | 0:14:29 | 0:14:32 | |
so I went to the golf club and they gave me Archer's work address. | 0:14:32 | 0:14:35 | |
And he was dead when you got there? | 0:14:35 | 0:14:38 | |
Of course he was. | 0:14:38 | 0:14:39 | |
That wasn't Laurence Archer, Brian. There's no such person. | 0:14:39 | 0:14:42 | |
It was an alias. His real name's Gofton. | 0:14:42 | 0:14:46 | |
-What, Larry Gofton? The con man? -The same. | 0:14:46 | 0:14:50 | |
We got an anonymous call during the night, | 0:14:50 | 0:14:52 | |
telling us that Gofton was now living as Laurence Archer. | 0:14:52 | 0:14:55 | |
Gofton was a key witness in several open cases, so we looked into it. | 0:14:55 | 0:14:59 | |
Imagine our surprise when we show up to find Gofton dead | 0:14:59 | 0:15:02 | |
and you spark out on the floor. | 0:15:02 | 0:15:05 | |
Well, we can check the prison records, | 0:15:05 | 0:15:07 | |
-see if Epstein made any calls this morning. -Not your job, Brian! | 0:15:07 | 0:15:10 | |
I'm looking for Peter Sale. | 0:15:13 | 0:15:15 | |
Epstein told me Sale and Archer were friends. | 0:15:15 | 0:15:18 | |
I tracked Archer down to his place of work | 0:15:18 | 0:15:20 | |
but he was dead when I got there. Then somebody hit me over the head. | 0:15:20 | 0:15:24 | |
That's all I know. | 0:15:24 | 0:15:26 | |
-Can I go now? -No, not yet. | 0:15:26 | 0:15:28 | |
When you came round, you were mumbling about some book. | 0:15:30 | 0:15:33 | |
I don't remember. | 0:15:36 | 0:15:37 | |
That'd be a first. | 0:15:37 | 0:15:38 | |
I don't remember. | 0:15:38 | 0:15:41 | |
Fine. Gerry, take Mr Lane up to the MIT, will you? | 0:15:42 | 0:15:47 | |
Mr Lane? | 0:15:49 | 0:15:51 | |
We have a lot to talk about, Mr Lane. | 0:15:51 | 0:15:53 | |
I can't go back to my boss empty-handed. | 0:15:53 | 0:15:55 | |
-I'm not talking to you. -I'm not stupid, Mr Lane. | 0:15:55 | 0:15:58 | |
I know my information is coming from someone high up | 0:15:58 | 0:16:01 | |
and it's pretty obvious they're trying to use me to discredit you. | 0:16:01 | 0:16:04 | |
Why don't you give me your side of the story? | 0:16:04 | 0:16:07 | |
My side of the story, you say? | 0:16:07 | 0:16:09 | |
That's all I'm after. I'm sure there's a simple explanation for... | 0:16:09 | 0:16:12 | |
All right. | 0:16:12 | 0:16:13 | |
Here's my side of the story... | 0:16:15 | 0:16:17 | |
You're a muck-raker, | 0:16:17 | 0:16:19 | |
working for a bunch of scumbags and I'm not talking to you. | 0:16:19 | 0:16:22 | |
-I feel terrible about this. -It's not your fault, Margaret. | 0:16:25 | 0:16:28 | |
It's Brian's fault | 0:16:28 | 0:16:29 | |
for wandering about in places where he's not meant to be, | 0:16:29 | 0:16:32 | |
and not being careful enough when he was doing it. | 0:16:32 | 0:16:35 | |
They sneaked up on me! | 0:16:35 | 0:16:36 | |
Well, you shouldn't be so easy to sneak up on, should you? | 0:16:36 | 0:16:39 | |
But I've got you in trouble with your old work. | 0:16:39 | 0:16:42 | |
No, that's a complicated situation. | 0:16:42 | 0:16:44 | |
I can't believe Peter would have got himself | 0:16:44 | 0:16:47 | |
mixed up in something dangerous. | 0:16:47 | 0:16:49 | |
You think this is connected to that awful Epstein business? | 0:16:51 | 0:16:54 | |
Well, it was Epstein who told me about Archer, but... | 0:16:54 | 0:16:57 | |
-Laurence Archer? -Yes. Do you know him? | 0:16:57 | 0:17:00 | |
I didn't "know" him, no. | 0:17:00 | 0:17:03 | |
He was a business associate of Peter's. | 0:17:03 | 0:17:05 | |
I only met him once. | 0:17:05 | 0:17:07 | |
Quite charming, though. | 0:17:07 | 0:17:09 | |
Peter had a party, a Christmas thing, | 0:17:09 | 0:17:13 | |
and Laurence Archer was there with that awful Skinner woman. | 0:17:13 | 0:17:17 | |
-You met Annabel Skinner? -I didn't take to her from the off. | 0:17:17 | 0:17:20 | |
Of course, I didn't know just how awful she would turn out to be. | 0:17:20 | 0:17:24 | |
She wore real fur, you know. Mink. | 0:17:24 | 0:17:28 | |
-I'm afraid I don't hold with that. -No. | 0:17:28 | 0:17:30 | |
My brother knew these people, | 0:17:30 | 0:17:32 | |
but that doesn't mean he had anything to do with what happened. | 0:17:32 | 0:17:35 | |
No, no, it doesn't... | 0:17:35 | 0:17:37 | |
He was certainly never accused of anything. | 0:17:37 | 0:17:40 | |
And now he's disappeared... | 0:17:40 | 0:17:41 | |
Might there have been anyone else looking for him, do you think? | 0:17:43 | 0:17:46 | |
No. | 0:17:46 | 0:17:48 | |
Well, I can't imagine who. Why? | 0:17:49 | 0:17:52 | |
Nothing, just thinking. | 0:17:52 | 0:17:54 | |
Oh, Esther, I 'm so sorry for causing trouble. | 0:17:55 | 0:17:59 | |
You have to believe me, if I thought Peter was mixed up in any... | 0:17:59 | 0:18:02 | |
Nonsense, Margaret. Of course you didn't. | 0:18:02 | 0:18:05 | |
We understand, don't we, Brian? | 0:18:05 | 0:18:08 | |
Do you think my brother's in danger, Mr Lane? | 0:18:08 | 0:18:12 | |
Honestly, I wouldn't know. | 0:18:12 | 0:18:14 | |
Well, he's hidden himself pretty well, hasn't he? | 0:18:14 | 0:18:18 | |
If someone was looking for him... | 0:18:18 | 0:18:20 | |
YOU couldn't find him and you're his sister. | 0:18:20 | 0:18:23 | |
I should be on my way. | 0:18:25 | 0:18:27 | |
-I'll see you out. -Thank you, Esther. | 0:18:27 | 0:18:30 | |
-Goodnight, Margaret. -FRONT DOOR CLOSES | 0:18:35 | 0:18:38 | |
-Are you all right? -HE GRUMBLES | 0:18:42 | 0:18:44 | |
Come to bed. | 0:18:46 | 0:18:47 | |
Laurence Archer never existed. | 0:18:47 | 0:18:49 | |
-What? -It was an alias used by a con man called Larry Gofton. | 0:18:49 | 0:18:53 | |
But if Gofton was using that alias all those years ago, | 0:18:55 | 0:18:58 | |
and he was at a party with Annabel Skinner... | 0:18:58 | 0:19:01 | |
What if Gofton was working with Skinner all along? | 0:19:01 | 0:19:04 | |
What if the two of them planned to get hold of Florence's money | 0:19:04 | 0:19:07 | |
and let Jonathan Epstein take the fall? | 0:19:07 | 0:19:10 | |
Well, maybe Peter Sale was involved in that plan somehow. | 0:19:10 | 0:19:13 | |
He was her accountant, after all. He had access to all the... | 0:19:13 | 0:19:16 | |
Are you going to go on with this? | 0:19:16 | 0:19:18 | |
What about Sandra and the others? What are they going to say... | 0:19:18 | 0:19:21 | |
I don't work at UCOS any more. | 0:19:21 | 0:19:22 | |
It's not up to them how I spend my time. | 0:19:22 | 0:19:24 | |
There was a black leather notebook on the desk in Archer's office. | 0:19:27 | 0:19:32 | |
It had a number on it... | 0:19:33 | 0:19:36 | |
A phone number... | 0:19:36 | 0:19:37 | |
I remember everything, why can't I remember that number? | 0:19:39 | 0:19:42 | |
Maybe because somebody hit you over the head? | 0:19:42 | 0:19:45 | |
Come to bed. | 0:19:47 | 0:19:48 | |
It'll come back to you in the morning. | 0:19:50 | 0:19:52 | |
Well, I'm going to bed. | 0:19:55 | 0:19:56 | |
So, this bloke, who Brian's looking for, Peter Sale... | 0:20:03 | 0:20:06 | |
was the accountant of this dead woman. | 0:20:06 | 0:20:09 | |
-Florence Epstein, yeah. -Who was killed by her husband Jonathan | 0:20:09 | 0:20:12 | |
with a hammer, so he could run off with another woman. | 0:20:12 | 0:20:15 | |
But that other woman nicks all the money and shops him to the cops. | 0:20:15 | 0:20:18 | |
Well, why haven't we got anything on her? | 0:20:18 | 0:20:20 | |
-Love, Gerry. -Love? | 0:20:20 | 0:20:23 | |
This Jonathan Epstein's a complete fruitcake. | 0:20:23 | 0:20:25 | |
He falls for this Annabel Skinner woman so hard | 0:20:25 | 0:20:27 | |
that even though she rips him off and does a runner, | 0:20:27 | 0:20:30 | |
he wont so much as give a description of her to the police. | 0:20:30 | 0:20:32 | |
What, and he thinks he's going to come out | 0:20:32 | 0:20:34 | |
and they're going to live happily ever after, does he? | 0:20:34 | 0:20:37 | |
She's long gone. Why does love make such a mug of some people? | 0:20:37 | 0:20:40 | |
And how many times have you been married? | 0:20:40 | 0:20:43 | |
-Morning. -Oh, yeah, Guv. | 0:20:43 | 0:20:46 | |
I've looked through the logs of that anonymous call, but it looks like | 0:20:46 | 0:20:49 | |
it was made from a pay-as-you-go phone, bought for cash. | 0:20:49 | 0:20:51 | |
The service provider confirms that it hasn't been switched on | 0:20:51 | 0:20:54 | |
since that call, so it looks like it was used once and then dumped. | 0:20:54 | 0:20:57 | |
And it's taken you two days to find that out? | 0:20:57 | 0:20:59 | |
We are a man down, sir. | 0:20:59 | 0:21:01 | |
In the absence of a lead on our anonymous caller, | 0:21:01 | 0:21:03 | |
you're meant to be compiling | 0:21:03 | 0:21:05 | |
background information on Gofton for MIT. | 0:21:05 | 0:21:07 | |
Well, I hadn't quite finished, sir. | 0:21:07 | 0:21:09 | |
There's no trace of Gofton, as we know, | 0:21:09 | 0:21:11 | |
but now we realise he's calling himself Laurence Archer | 0:21:11 | 0:21:14 | |
a different back-story emerges. | 0:21:14 | 0:21:15 | |
Have a look at that. Longbow Company. | 0:21:15 | 0:21:18 | |
High-class domestic cleaning - | 0:21:18 | 0:21:19 | |
hoovering and dusting rich people's houses. | 0:21:19 | 0:21:22 | |
-Gofton was running this as Archer? -So it seems. | 0:21:22 | 0:21:24 | |
Bit of a comedown for him. | 0:21:24 | 0:21:25 | |
Actually, this might be a nice little earner. | 0:21:25 | 0:21:28 | |
Three years ago, a team out of West End Central | 0:21:28 | 0:21:31 | |
were investigating a series of high-profile burglaries, | 0:21:31 | 0:21:34 | |
and they noticed that a large proportion | 0:21:34 | 0:21:37 | |
of the houses that were burgled | 0:21:37 | 0:21:38 | |
were cleaned by Archer's company. | 0:21:38 | 0:21:40 | |
So he was using his people as scouts. | 0:21:40 | 0:21:42 | |
That's what they thought, but they couldn't prove it. | 0:21:42 | 0:21:44 | |
Brian, that journalist is still out there. | 0:21:52 | 0:21:55 | |
Good luck to her, she's getting nothing out of us. | 0:21:57 | 0:21:59 | |
It's harassment, surely? | 0:21:59 | 0:22:01 | |
How are you feeling today? | 0:22:02 | 0:22:04 | |
You made short work of these eggs, anyway. | 0:22:07 | 0:22:09 | |
-Hmm? -Your head. | 0:22:09 | 0:22:11 | |
-What about it? -How is it feeling? | 0:22:11 | 0:22:14 | |
Hmm... | 0:22:14 | 0:22:16 | |
Brian? | 0:22:16 | 0:22:17 | |
Yeah, go on, if you're putting the kettle on anyway, I'll have a cup. | 0:22:17 | 0:22:21 | |
Ta. | 0:22:21 | 0:22:22 | |
A serious head injury? Who would know(!) | 0:22:22 | 0:22:26 | |
Six, two, three... | 0:22:33 | 0:22:35 | |
zero, six, two, three! | 0:22:35 | 0:22:36 | |
Yes! Lane shoots, Lane scores! | 0:22:36 | 0:22:40 | |
Yay! | 0:22:40 | 0:22:41 | |
Oh, bloody hell. | 0:22:41 | 0:22:43 | |
Ow. | 0:22:43 | 0:22:45 | |
HE MUMBLES PHONE NUMBER | 0:22:50 | 0:22:53 | |
-VOICEMAIL: -'This is Longbow Cleaning Company. | 0:22:56 | 0:22:58 | |
'Sorry nobody's here to take your call, | 0:22:58 | 0:23:00 | |
'but if you leave a message after the tone, we'll contact you...' | 0:23:00 | 0:23:03 | |
Mr Lane? | 0:23:21 | 0:23:23 | |
Well, that's that, then. | 0:23:48 | 0:23:49 | |
I can pull the company accounts, see who they were trading with | 0:23:49 | 0:23:53 | |
and follow that trail. | 0:23:53 | 0:23:54 | |
Companies House will have an address for Archer | 0:23:54 | 0:23:56 | |
and their registration details for this place and the design company. | 0:23:56 | 0:24:00 | |
Well, that's smashing, thanks very much. | 0:24:00 | 0:24:02 | |
It turns out this place closed nearly three years ago. | 0:24:02 | 0:24:06 | |
About the time West End Central were looking at it | 0:24:06 | 0:24:08 | |
-in connection with those burglaries. -Exactly. | 0:24:08 | 0:24:10 | |
So, Archer shut up shop when it started getting too hot | 0:24:10 | 0:24:13 | |
-and moved on to pastures new. -The design company? | 0:24:13 | 0:24:15 | |
Not directly, no. | 0:24:15 | 0:24:16 | |
The design company's only been open for four months. | 0:24:16 | 0:24:18 | |
I think it's worth checking whoever was working there at the time, | 0:24:18 | 0:24:21 | |
-when it closed, and see if they know what Archer went on to. -Yeah. | 0:24:21 | 0:24:25 | |
CREAKING IN DISTANCE | 0:25:09 | 0:25:11 | |
Ah! | 0:25:28 | 0:25:30 | |
Silly old sod. | 0:25:35 | 0:25:36 | |
PHONE RINGS IN DISTANCE | 0:25:38 | 0:25:41 | |
RINGING GETS LOUDER | 0:25:48 | 0:25:50 | |
RINGING CONTINUES | 0:25:55 | 0:25:58 | |
RINGING CONTINUES | 0:26:03 | 0:26:06 | |
IN MUFFLED VOICE: Hello? | 0:26:14 | 0:26:16 | |
-STEVE: -Hello? Is that the Longbow Cleaning Company? | 0:26:16 | 0:26:18 | |
Um... Yes... | 0:26:18 | 0:26:21 | |
Yeah, this is Steve McAndrew. I work for the Metropolitan Police's | 0:26:21 | 0:26:24 | |
Unsolved Crime and Open Cases squad. | 0:26:24 | 0:26:27 | |
We've just been round to your registered office | 0:26:27 | 0:26:29 | |
and it seemed to be deserted. Can I ask where you are right now? | 0:26:29 | 0:26:32 | |
Hello? Hello? | 0:26:34 | 0:26:37 | |
I know you're still there, I can hear you breathing. | 0:26:39 | 0:26:42 | |
What's going on? | 0:26:44 | 0:26:46 | |
Can we turn round and go back? | 0:26:46 | 0:26:48 | |
-Why, what is it? -I'm sure there's somebody in that building, | 0:26:48 | 0:26:51 | |
-I think we should go back. Hello? -HE HANGS UP | 0:26:51 | 0:26:54 | |
DOOR CREAKS OPEN | 0:27:01 | 0:27:04 | |
FOOTSTEPS APPROACH | 0:27:27 | 0:27:30 | |
-VOICE IN SLOW MOTION: -Brian... | 0:28:13 | 0:28:16 | |
Esther?! What the bloody hell...? | 0:28:33 | 0:28:36 | |
Shush! Keep your voice down! | 0:28:36 | 0:28:38 | |
Why would someone be hiding in here? | 0:28:43 | 0:28:46 | |
And if they are hiding, why answer the phone? | 0:28:46 | 0:28:48 | |
-Is that Gerry? -Sssshhh! | 0:28:48 | 0:28:50 | |
-Oh, it's Gerry and Sandra. -Keep your voice down! | 0:28:50 | 0:28:53 | |
What?! Why are we hiding from them? | 0:28:53 | 0:28:55 | |
Shut up, Esther! | 0:28:55 | 0:28:57 | |
PHONE RINGS | 0:29:03 | 0:29:05 | |
Here's the phone that I rang. | 0:29:05 | 0:29:08 | |
Well, it doesn't look like there's anyone here now. | 0:29:10 | 0:29:14 | |
They must have got out when they realised we were coming back. | 0:29:14 | 0:29:18 | |
I think we need to take a serious look through this company's records | 0:29:18 | 0:29:21 | |
and get a search warrant for this place. | 0:29:21 | 0:29:23 | |
Well, if he's going to be trawling through company records, | 0:29:23 | 0:29:25 | |
I'm with you, Guv'nor. | 0:29:25 | 0:29:27 | |
OK, let's go and see Jonathan Epstein. | 0:29:27 | 0:29:29 | |
DOOR CLOSES | 0:29:32 | 0:29:35 | |
Now, what on earth is going on, Brian? | 0:29:38 | 0:29:41 | |
Why did you come here? | 0:29:41 | 0:29:43 | |
Because YOU were acting strangely, stranger than usual, | 0:29:43 | 0:29:46 | |
and the address for this place was on your computer. | 0:29:46 | 0:29:50 | |
I was looking for clues. | 0:29:50 | 0:29:52 | |
The phone number for this company | 0:29:52 | 0:29:54 | |
was on a notepad in that place where I got hit, | 0:29:54 | 0:29:57 | |
but there was only an answering machine when I rang, | 0:29:57 | 0:30:00 | |
so I thought I'd come here and see if there was anyone I could talk to. | 0:30:00 | 0:30:03 | |
Now, it sounded as though someone answered the phone to Steve. | 0:30:03 | 0:30:07 | |
No, that was me. | 0:30:07 | 0:30:09 | |
What?! | 0:30:09 | 0:30:10 | |
You... You've just broken into the place... | 0:30:10 | 0:30:14 | |
Why would you answer the phone? | 0:30:14 | 0:30:15 | |
Spur-of-the-moment thing. | 0:30:17 | 0:30:18 | |
It's a miracle you lasted so long as a detective. | 0:30:18 | 0:30:22 | |
Come on, let's get out of here. | 0:30:22 | 0:30:23 | |
-Did you find any "clues"? -No. | 0:30:26 | 0:30:29 | |
Oh, hang on. What about this? | 0:30:31 | 0:30:33 | |
-What about what? -This. | 0:30:33 | 0:30:36 | |
Could this be something? | 0:30:36 | 0:30:38 | |
"Ennis-McCrea. Building contractors." | 0:30:43 | 0:30:45 | |
What have they got to do with anything? | 0:30:45 | 0:30:48 | |
Ennis-McCrea... | 0:30:48 | 0:30:51 | |
There was a court case about six years ago. | 0:30:51 | 0:30:53 | |
It was an organised-crime thing. | 0:30:53 | 0:30:54 | |
Ennis-McCrea was a front company for organised crime. | 0:30:54 | 0:30:58 | |
What, concrete boots? Bodies buried in motorway bridges? | 0:30:58 | 0:31:02 | |
Does that still go on? | 0:31:02 | 0:31:03 | |
You'd be surprised. | 0:31:03 | 0:31:05 | |
What could it have to do with any of this? | 0:31:05 | 0:31:10 | |
-SANDRA: -Tell us about Laurence Archer. | 0:31:12 | 0:31:14 | |
Two crowns and some composite fillings. | 0:31:14 | 0:31:16 | |
Well, that would be handy | 0:31:16 | 0:31:18 | |
if we needed his dental records to identify his body. | 0:31:18 | 0:31:22 | |
-His body? -Yeah. | 0:31:23 | 0:31:24 | |
Someone strangled Laurence Archer. | 0:31:24 | 0:31:28 | |
Or Larry Gofton, as he's known on his long criminal record. | 0:31:28 | 0:31:31 | |
I'm just a dentist. He was a patient of mine. | 0:31:31 | 0:31:35 | |
He registered as Laurence Archer... | 0:31:35 | 0:31:37 | |
You sent a friend of ours to his office, yesterday. | 0:31:37 | 0:31:39 | |
He found the body and then... | 0:31:39 | 0:31:41 | |
somebody hit our friend over the head. | 0:31:41 | 0:31:43 | |
Is that what was supposed to happen? | 0:31:43 | 0:31:45 | |
I have absolutely no idea what you're talking about. | 0:31:45 | 0:31:48 | |
So, it's just a coincidence, is it? | 0:31:48 | 0:31:50 | |
That you led Mr Lane to Laurence Archer on the day he died? | 0:31:50 | 0:31:54 | |
Mr Lane was looking for Peter Sale. | 0:31:54 | 0:31:56 | |
He asked me how I first met Sale | 0:31:56 | 0:31:59 | |
and I told him Laurence Archer introduced us. | 0:31:59 | 0:32:02 | |
That's as much as I know. | 0:32:02 | 0:32:04 | |
So, Sale knew Archer and... | 0:32:04 | 0:32:06 | |
now Archer's dead and Sale's missing. | 0:32:06 | 0:32:10 | |
I have no idea about either of those things. | 0:32:10 | 0:32:14 | |
Why would I possibly want Archer dead? | 0:32:14 | 0:32:18 | |
He was a good friend of mine. | 0:32:18 | 0:32:19 | |
When did you last have contact with either Sale or Archer? | 0:32:19 | 0:32:23 | |
I haven't heard from either of them since I was arrested. | 0:32:23 | 0:32:26 | |
Oh, very good friends, eh(!) | 0:32:26 | 0:32:28 | |
And your accomplice, Annabel Skinner? | 0:32:28 | 0:32:30 | |
The woman who grassed you up to the police | 0:32:30 | 0:32:33 | |
and then scarpered with all your wife's money. | 0:32:33 | 0:32:36 | |
Oh, please. | 0:32:36 | 0:32:38 | |
Don't tell me you still hold a torch for her. | 0:32:38 | 0:32:41 | |
-You wouldn't understand. -Clearly not. | 0:32:43 | 0:32:46 | |
How did you meet? | 0:32:46 | 0:32:47 | |
Laurence introduced us. She was a friend of his. | 0:32:49 | 0:32:54 | |
Laurence Archer. | 0:32:54 | 0:32:56 | |
There really is one born every minute. | 0:32:56 | 0:32:59 | |
So, what do we think? | 0:33:01 | 0:33:03 | |
Archer, Sale and Skinner conspire together to get Florence's money | 0:33:03 | 0:33:06 | |
and then let Epstein take the rap for it. | 0:33:06 | 0:33:09 | |
Well, they picked the right bloke. | 0:33:09 | 0:33:10 | |
He was obviously more than happy to off his wife. | 0:33:10 | 0:33:13 | |
Yeah, but now Archer's dead and the other two are missing, | 0:33:13 | 0:33:15 | |
there's a decent chance that one is the murderer | 0:33:15 | 0:33:17 | |
and the other the next victim. | 0:33:17 | 0:33:19 | |
DOORBELL RINGS | 0:33:23 | 0:33:25 | |
We know you're in there, Mr Lane. | 0:33:29 | 0:33:31 | |
So much easier if you come out and have a word | 0:33:31 | 0:33:33 | |
and we can be on our way... | 0:33:33 | 0:33:35 | |
I received some information this morning | 0:33:37 | 0:33:40 | |
on the arrest of a Mr Adrian Cope in 1989. | 0:33:40 | 0:33:43 | |
It seems you may have a few things to clear up there as well... | 0:33:43 | 0:33:46 | |
Mr Lane? | 0:33:49 | 0:33:50 | |
There are three of them out there now. | 0:34:08 | 0:34:10 | |
The Ennis-McCrea number's not in use. | 0:34:10 | 0:34:12 | |
Hardly surprising - they were shut down six years ago. | 0:34:12 | 0:34:15 | |
-Did you hear what I said? -Three of what? | 0:34:15 | 0:34:18 | |
Reporters! | 0:34:18 | 0:34:19 | |
Oh... Ignore them. | 0:34:19 | 0:34:22 | |
I can't ignore them! | 0:34:22 | 0:34:25 | |
They're shouting through the letter box, | 0:34:25 | 0:34:27 | |
they're out there watching the house all day. | 0:34:27 | 0:34:30 | |
It's like living behind the Iron Curtain. | 0:34:30 | 0:34:32 | |
-They'll get bored. -And what if they don't? | 0:34:32 | 0:34:35 | |
Esther, love, we have to wait them out. | 0:34:36 | 0:34:40 | |
I'm not going to talk to them, so we just have to wait them out. | 0:34:40 | 0:34:43 | |
Focus on something else, that's how you do it. | 0:34:43 | 0:34:46 | |
You find something to focus on and just shut the world out. | 0:34:46 | 0:34:50 | |
Would you mind telling me how I'm going to do that? | 0:34:51 | 0:34:54 | |
All right, here... | 0:34:54 | 0:34:59 | |
Just tell me the story so far. | 0:34:59 | 0:35:01 | |
I can hardly read your writing... | 0:35:03 | 0:35:07 | |
Right... Well, Jonathan Epstein and Annabel Skinner | 0:35:07 | 0:35:10 | |
killed Florence Epstein for her money. | 0:35:10 | 0:35:13 | |
Correct. | 0:35:13 | 0:35:15 | |
Peter Sale was Florence Epstein's accountant | 0:35:15 | 0:35:18 | |
and he was introduced to the Epsteins by Laurence Archer, | 0:35:18 | 0:35:22 | |
real name Larry Gofton. | 0:35:22 | 0:35:23 | |
-Are we calling him Archer or Gofton? It's confusing... -Archer. | 0:35:23 | 0:35:27 | |
Archer was a notorious con man. | 0:35:29 | 0:35:31 | |
We don't say "notorious", we say "known". | 0:35:31 | 0:35:35 | |
Archer was a known con man... | 0:35:35 | 0:35:38 | |
Margaret said that she met Archer and Annabel Skinner together, | 0:35:38 | 0:35:42 | |
and they seemed to have known each other for quite a long time. | 0:35:42 | 0:35:46 | |
Annabel Skinner and Jonathan Epstein... | 0:35:46 | 0:35:50 | |
They start an affair... | 0:35:50 | 0:35:52 | |
and decide to kill Florence Epstein for her money... | 0:35:52 | 0:35:56 | |
Does that mean Archer and Sale were in on it too? | 0:35:57 | 0:36:00 | |
-The numbers. -What numbers? -On the back of this card. | 0:36:00 | 0:36:03 | |
The numbers, I know what they mean! | 0:36:03 | 0:36:06 | |
How did you get that from what I was saying? | 0:36:06 | 0:36:09 | |
Eh? Oh, I wasn't listening. | 0:36:09 | 0:36:11 | |
I thought you just wanted something to do. | 0:36:11 | 0:36:13 | |
Come on, get your coat! | 0:36:13 | 0:36:15 | |
Well, I've been through the records | 0:36:15 | 0:36:17 | |
for Longbow Cleaning and the Bowman Design company. | 0:36:17 | 0:36:20 | |
They're tied up in knots | 0:36:20 | 0:36:21 | |
and it'll take a better man than I am to untie them. | 0:36:21 | 0:36:23 | |
-Well, that was Brian's forte. -Yeah. | 0:36:23 | 0:36:26 | |
Any connection to Peter Sale in any of that paperwork? | 0:36:26 | 0:36:28 | |
Not exactly, no, but I did look into a company run by Peter Sale | 0:36:28 | 0:36:31 | |
when he was doing Florence Epstein's accounts. | 0:36:31 | 0:36:34 | |
One of his other clients was a company called Ennis-McCrea. | 0:36:34 | 0:36:37 | |
They were listed as building contractors. | 0:36:37 | 0:36:39 | |
Pull the other one! Ennis and McCrea are proper gangsters. | 0:36:39 | 0:36:42 | |
Exactly - they were sent down a few years ago. | 0:36:42 | 0:36:44 | |
From the look of the books, | 0:36:44 | 0:36:45 | |
Peter Sale was investing money on their behalf | 0:36:45 | 0:36:47 | |
through a company run by Laurence Archer. | 0:36:47 | 0:36:49 | |
-You're kidding. -Well, it's got to be a scam, innit? | 0:36:49 | 0:36:52 | |
Skimming money off of Ennis and McCrea | 0:36:52 | 0:36:54 | |
-and funnelling it through to Archer. -That's what it looks like. | 0:36:54 | 0:36:57 | |
-That's a dangerous game to play. -You can say that again. | 0:36:57 | 0:37:00 | |
And, by the way, there's no trace of Peter Sale beyond six years ago, | 0:37:00 | 0:37:03 | |
-just after the Epstein case. -Well, that's what his sister told Brian. | 0:37:03 | 0:37:06 | |
I think his sister's right when she says he didn't go abroad - | 0:37:06 | 0:37:09 | |
there's no evidence for that. | 0:37:09 | 0:37:10 | |
But he does just vanish into thin air. | 0:37:10 | 0:37:12 | |
If Ennis and McCrea got wind of what he was doing, | 0:37:12 | 0:37:14 | |
he's probably at the bottom of the Thames. | 0:37:14 | 0:37:16 | |
Do you know what really bothers me? | 0:37:16 | 0:37:18 | |
Why did we get an anonymous call on the exact same day | 0:37:18 | 0:37:21 | |
that Brian was asked to look for Peter Sale? | 0:37:21 | 0:37:23 | |
That's too much of a coincidence, isn't it? | 0:37:23 | 0:37:26 | |
This storage place stands on the exact spot | 0:37:28 | 0:37:30 | |
that used to be the Ennis-McCrea builders' yard. | 0:37:30 | 0:37:32 | |
-And you think... -Yes I do. | 0:37:32 | 0:37:35 | |
-Hello. -Hi. | 0:37:39 | 0:37:42 | |
We're looking for some stuff. | 0:37:42 | 0:37:44 | |
Yep. | 0:37:44 | 0:37:46 | |
-Number one, zero, seven, one. -One, zero, seven, one. | 0:37:46 | 0:37:50 | |
If you could sign in for me, Mr Sale. | 0:38:00 | 0:38:02 | |
'I never intended to get poor Mr Lane' | 0:38:08 | 0:38:10 | |
into any trouble. | 0:38:10 | 0:38:12 | |
-He's a very kind man. -Why now, Mrs Kirby? | 0:38:12 | 0:38:15 | |
Why are you looking for your brother now? | 0:38:15 | 0:38:17 | |
He's been missing for six years. | 0:38:17 | 0:38:19 | |
Yes, I didn't know that. I thought he'd moved abroad. | 0:38:19 | 0:38:23 | |
We were never close. | 0:38:23 | 0:38:24 | |
My son and his wife are expecting a baby. | 0:38:26 | 0:38:29 | |
Family never meant a great deal to Peter, but I thought he should know. | 0:38:29 | 0:38:32 | |
Your son lives in France, is that right? | 0:38:32 | 0:38:34 | |
Nantes, yes. | 0:38:34 | 0:38:36 | |
It's not that far now that you can get a flight from City Airport. | 0:38:37 | 0:38:40 | |
You came to Brian through his wife, Esther? | 0:38:40 | 0:38:43 | |
Yes. We're in a book group together. | 0:38:43 | 0:38:46 | |
Can I ask what this is about? | 0:38:47 | 0:38:49 | |
Have you found something out about Peter? | 0:38:49 | 0:38:52 | |
Quite the opposite, I'm afraid. | 0:38:52 | 0:38:54 | |
We can't find any trace of him. | 0:38:54 | 0:38:55 | |
When did you last have contact with Peter? | 0:38:55 | 0:38:57 | |
Well, I suppose it would have been | 0:38:57 | 0:39:00 | |
in the aftermath of that awful Epstein business. | 0:39:00 | 0:39:03 | |
Peter was being questioned by the police. | 0:39:05 | 0:39:09 | |
I called him to see how he was bearing up. | 0:39:09 | 0:39:12 | |
He was finding it all rather stressful, | 0:39:12 | 0:39:15 | |
but he hadn't done anything wrong, so... | 0:39:15 | 0:39:18 | |
Are you sure about that? | 0:39:18 | 0:39:19 | |
Did you know a man called Larry Gofton? | 0:39:19 | 0:39:21 | |
Gofton? No. | 0:39:21 | 0:39:23 | |
-Or Laurence Archer? -Oh, I met Laurence. At a party. | 0:39:23 | 0:39:27 | |
I didn't take to him. | 0:39:27 | 0:39:29 | |
And I met her... Annabel Skinner. | 0:39:29 | 0:39:33 | |
Before everything that happened, obviously. I didn't like her. | 0:39:33 | 0:39:37 | |
I told Mr Lane. | 0:39:37 | 0:39:38 | |
You know how you get a feeling about people? | 0:39:38 | 0:39:41 | |
-But your brother knew her. -Yes. | 0:39:41 | 0:39:44 | |
How well, I couldn't say... | 0:39:44 | 0:39:46 | |
Peter had nothing to do with what happened, you do know that? | 0:39:47 | 0:39:50 | |
Actually, we think he may have been more involved | 0:39:50 | 0:39:53 | |
than was originally suspected. | 0:39:53 | 0:39:55 | |
No. No, Peter would never... | 0:39:55 | 0:39:58 | |
He was an honest man. | 0:39:58 | 0:40:01 | |
He'd never been in trouble before. | 0:40:01 | 0:40:02 | |
Maybe not, but he was hanging around | 0:40:02 | 0:40:04 | |
with a lot of people who knew the ropes. | 0:40:04 | 0:40:06 | |
Maybe he was pushed into it. | 0:40:06 | 0:40:07 | |
Maybe he needed the money to pay back a debt... | 0:40:07 | 0:40:10 | |
Did Peter ever mention two men called Ennis and McCrea? | 0:40:10 | 0:40:14 | |
No. | 0:40:14 | 0:40:16 | |
We think your brother may have owed them money. | 0:40:16 | 0:40:18 | |
These are not two people you want to owe money to. | 0:40:18 | 0:40:20 | |
Whatever kind of trouble he was in, Peter would never have hurt anyone. | 0:40:21 | 0:40:26 | |
But now Laurence Archer is dead. | 0:40:26 | 0:40:30 | |
Then it's her. | 0:40:30 | 0:40:31 | |
What, Annabel Skinner? | 0:40:31 | 0:40:33 | |
That woman had trouble written all over her. | 0:40:33 | 0:40:36 | |
There was something purely nasty inside her, | 0:40:36 | 0:40:40 | |
you could feel it as she looked at you. | 0:40:40 | 0:40:43 | |
And if she killed Laurence Archer... | 0:40:43 | 0:40:44 | |
Oh, God... | 0:40:47 | 0:40:48 | |
You have to find Peter. Please. | 0:40:48 | 0:40:51 | |
You have to help him. | 0:40:51 | 0:40:52 | |
If Annabel Skinner is looking for him... | 0:40:52 | 0:40:55 | |
Whatever he's done, you have to help him! | 0:40:55 | 0:40:59 | |
This one here. | 0:41:08 | 0:41:10 | |
-One, four, seven. -I know. | 0:41:14 | 0:41:18 | |
Oh! | 0:42:01 | 0:42:02 | |
This investigation, Brian, that you've mounted, | 0:42:08 | 0:42:10 | |
has hardly been done by the book. | 0:42:10 | 0:42:12 | |
It wasn't an investigation, I was just looking for someone's brother. | 0:42:12 | 0:42:15 | |
Yeah, well, now there's a body | 0:42:15 | 0:42:17 | |
and we can't even talk about how we found it | 0:42:17 | 0:42:19 | |
without revealing that you discovered a business card | 0:42:19 | 0:42:21 | |
whilst illegally entering the Longbow Cleaning Company building. | 0:42:21 | 0:42:25 | |
The door was unlocked! And anyway, I don't work for you any more. | 0:42:25 | 0:42:28 | |
Surely, if a civilian stumbles onto something | 0:42:28 | 0:42:32 | |
and brings it to the police... | 0:42:32 | 0:42:33 | |
He's not a civilian, Esther. He's a retired police officer. | 0:42:33 | 0:42:36 | |
And the CPS think that someone like Brian should know better. | 0:42:36 | 0:42:40 | |
-Then they don't know Brian. -Well, that's certainly true. | 0:42:40 | 0:42:43 | |
It's a trail I was meant to follow, | 0:42:43 | 0:42:45 | |
from the phone number on that notebook in Archer's office, | 0:42:45 | 0:42:48 | |
to the cleaning company, to that storage place. | 0:42:48 | 0:42:51 | |
A trail set by who? | 0:42:51 | 0:42:53 | |
The body's Annabel Skinner. | 0:42:53 | 0:42:54 | |
-What? -A bracelet with her initials engraved on it. | 0:42:54 | 0:42:57 | |
SOCO reckon that she's been strangled. | 0:42:57 | 0:43:00 | |
Just like Laurence Archer... | 0:43:00 | 0:43:01 | |
Only more violently, yeah. | 0:43:01 | 0:43:03 | |
They think her neck was snapped in the attack. | 0:43:03 | 0:43:06 | |
And if Annabel Skinner's our victim, then the killer has to be... | 0:43:06 | 0:43:08 | |
-Peter Sale! -I don't mean to be rude, Esther, | 0:43:08 | 0:43:11 | |
but you and Brian really can't be here whilst we're discussing... | 0:43:11 | 0:43:14 | |
This is all a bit obvious, though, isn't it? | 0:43:14 | 0:43:16 | |
A trail laid by someone that leads neatly to Peter Sale? | 0:43:16 | 0:43:19 | |
Peter Sale has been missing for six years. | 0:43:19 | 0:43:22 | |
Why has he come out of hiding to kill somebody? | 0:43:22 | 0:43:24 | |
-Esther! -Yes, all right, I know. It's not our business. | 0:43:24 | 0:43:27 | |
Come on, Brian, let's get out of their hair. | 0:43:27 | 0:43:30 | |
The business card I found was for Ennis-McCrea. | 0:43:30 | 0:43:34 | |
Oh, for Christ's sake. | 0:43:34 | 0:43:35 | |
Annabel Skinner's body was hidden in a storage facility | 0:43:35 | 0:43:38 | |
on the site of their old offices. | 0:43:38 | 0:43:39 | |
Somebody's trying to point up a connection to Ennis-McCrea here. | 0:43:39 | 0:43:43 | |
Well, we think that Sale and Archer | 0:43:43 | 0:43:45 | |
were skimming money from Ennis and McCrea, | 0:43:45 | 0:43:48 | |
then they had to steal all the money from Florence Epstein | 0:43:48 | 0:43:51 | |
to pay it back. | 0:43:51 | 0:43:52 | |
But we think that Ennis and McCrea found out, | 0:43:52 | 0:43:55 | |
killed Sale, but somehow Archer got away. | 0:43:55 | 0:43:57 | |
But if Sale and Annabel Skinner are dead... | 0:43:57 | 0:44:01 | |
then who killed Laurence Archer? | 0:44:01 | 0:44:03 | |
Exactly! | 0:44:03 | 0:44:04 | |
What if Archer took the money | 0:44:04 | 0:44:06 | |
and left Sale to carry the can with Ennis and McCrea? | 0:44:06 | 0:44:09 | |
Well, it's in character. | 0:44:09 | 0:44:10 | |
Then Archer stays hidden until Ennis and McCrea have been sent down. | 0:44:10 | 0:44:14 | |
But why would he risk coming back onto Peter Sale's radar? | 0:44:14 | 0:44:17 | |
Because Sale had already disappeared. | 0:44:17 | 0:44:19 | |
What, you mean he got away, as well? | 0:44:19 | 0:44:21 | |
He might have gone one better... | 0:44:21 | 0:44:23 | |
Can we get the Ennis-McCrea file up? | 0:44:23 | 0:44:25 | |
Sir? | 0:44:25 | 0:44:27 | |
All right, go ahead. | 0:44:27 | 0:44:28 | |
Because to someone looking to put away Ennis and McCrea, | 0:44:28 | 0:44:32 | |
a man with inside information about their affairs, | 0:44:32 | 0:44:35 | |
like Peter Sale would have as their accountant, | 0:44:35 | 0:44:37 | |
and who's in fear of his life, would be like the Holy Grail... | 0:44:37 | 0:44:40 | |
-Oh, my God. -I think Brian's right. | 0:44:40 | 0:44:43 | |
It was a closed session in court with an anonymous witness. | 0:44:43 | 0:44:46 | |
Peter Sale. | 0:44:46 | 0:44:47 | |
Now, before we get overexcited, this is all supposition. | 0:44:47 | 0:44:50 | |
But you still haven't found Peter Sale? | 0:44:50 | 0:44:52 | |
-No, not yet. -Well, should you have? | 0:44:52 | 0:44:54 | |
With all the access you've got to databases and whatnot? | 0:44:54 | 0:44:59 | |
Yes, we should. | 0:44:59 | 0:45:00 | |
But you can't. Because Peter Sale is in witness protection. | 0:45:00 | 0:45:05 | |
If we have good reason to think he's committed a crime, sir, | 0:45:05 | 0:45:08 | |
then surely you could access him. | 0:45:08 | 0:45:11 | |
All right, I'll make some phone calls in the morning. | 0:45:11 | 0:45:14 | |
But there must be no mention of Brian's involvement in any of this. | 0:45:14 | 0:45:17 | |
What? Despite the fact that he's joined all the dots for you? | 0:45:17 | 0:45:21 | |
Isn't it a shame when politics gets in the way of policing. | 0:45:21 | 0:45:26 | |
AND there are reporters outside our house. | 0:45:27 | 0:45:31 | |
That's not my doing. | 0:45:31 | 0:45:32 | |
I didn't think it was. | 0:45:32 | 0:45:34 | |
All right, I'll see what can be done. | 0:45:36 | 0:45:38 | |
Come on, Brian. | 0:45:40 | 0:45:42 | |
Nothing's certain, Margaret. We just wanted to update you. | 0:45:49 | 0:45:53 | |
Yes. | 0:45:53 | 0:45:54 | |
Does any of it ring true? | 0:45:56 | 0:45:58 | |
I don't know. | 0:45:58 | 0:46:01 | |
It would explain why I can't find him, but... | 0:46:01 | 0:46:04 | |
how could Peter have got himself mixed up with these kind of people? | 0:46:04 | 0:46:09 | |
Well, if he has, at least we should start to get some answers now. | 0:46:09 | 0:46:14 | |
You've found him? | 0:46:14 | 0:46:17 | |
It's become a police matter now. | 0:46:19 | 0:46:21 | |
Will they... I mean, will they keep me up to date? | 0:46:21 | 0:46:26 | |
I'm sure they'll tell you everything they can. | 0:46:26 | 0:46:29 | |
Will I be able to see him? | 0:46:29 | 0:46:30 | |
I don't know, Margaret. | 0:46:30 | 0:46:32 | |
I'm not in the loop, so to speak. | 0:46:32 | 0:46:34 | |
Do you think he killed these people? | 0:46:34 | 0:46:38 | |
Oh, Margaret... | 0:46:38 | 0:46:40 | |
You do, don't you? | 0:46:40 | 0:46:42 | |
No-one knows yet. | 0:46:42 | 0:46:44 | |
I should go. | 0:46:46 | 0:46:48 | |
If there's ever anything you need, just ask. | 0:46:52 | 0:46:55 | |
Yes, thank you. | 0:46:55 | 0:46:57 | |
Thank you, Mr Lane. | 0:46:59 | 0:47:01 | |
I am sincerely sorry to have brought all this trouble to your door. | 0:47:01 | 0:47:05 | |
Strickland was true to his word. | 0:47:33 | 0:47:35 | |
Esther, come here. | 0:47:35 | 0:47:37 | |
What is it? | 0:47:38 | 0:47:40 | |
-Look at this. -What? | 0:47:42 | 0:47:44 | |
A grandchild. | 0:47:44 | 0:47:45 | |
Oh! | 0:47:45 | 0:47:47 | |
Can we tell what's what? | 0:47:48 | 0:47:51 | |
Well, that's head and the arms, I think. | 0:47:53 | 0:47:57 | |
Unless it's upside down... | 0:47:57 | 0:47:59 | |
What's that? | 0:48:02 | 0:48:03 | |
I've been reading about ankylosing spondyloarthritis. | 0:48:03 | 0:48:08 | |
What's that when it's at home? | 0:48:08 | 0:48:10 | |
It's a chronic inflammatory disease of the axial skeleton. | 0:48:10 | 0:48:14 | |
Sounds nasty. | 0:48:14 | 0:48:15 | |
Jonathan Epstein mentioned that Peter Sale had it. | 0:48:17 | 0:48:20 | |
Said it causes all kinds of dental problems. | 0:48:20 | 0:48:23 | |
But its main symptom is the fusion of the spine. | 0:48:23 | 0:48:27 | |
I was just wondering how easy it would be | 0:48:27 | 0:48:29 | |
for Peter Sale to strangle two fit and healthy people | 0:48:29 | 0:48:32 | |
if he was suffering from it. | 0:48:32 | 0:48:33 | |
Not just strangle, even. | 0:48:33 | 0:48:35 | |
He broke poor Annabel Skinner's neck. | 0:48:35 | 0:48:37 | |
After what she did, we can hardly call her "poor" Annabel... | 0:48:37 | 0:48:41 | |
-What? -Her neck snapped. | 0:48:43 | 0:48:45 | |
-And? -Her other bones were... -Were what? | 0:48:45 | 0:48:48 | |
I need to see those forensic photos. | 0:48:48 | 0:48:51 | |
You do know how much trouble I could get into, don't you? | 0:48:53 | 0:48:56 | |
Esther isn't even an ex-copper. | 0:48:56 | 0:48:58 | |
She won't let me go anywhere on my own. | 0:48:58 | 0:49:01 | |
Where are the others? | 0:49:01 | 0:49:03 | |
They've gone to see Peter Sale. | 0:49:03 | 0:49:05 | |
Yeah, you were right, he is in witness protection. | 0:49:05 | 0:49:07 | |
He testified against Ennis and McCrea. | 0:49:07 | 0:49:10 | |
Strickland got them access for a visit. | 0:49:10 | 0:49:12 | |
Now, I think we were wrong AND right. | 0:49:12 | 0:49:14 | |
We think that Annabel Skinner's neck broke | 0:49:14 | 0:49:17 | |
-while she was being strangled, yeah? -Yeah. | 0:49:17 | 0:49:19 | |
And it did. Look. There's the fracture. | 0:49:19 | 0:49:23 | |
-See? -Blimey. | 0:49:23 | 0:49:25 | |
-But how often do you see that, Gerry? -Well, once...twice, maybe, | 0:49:25 | 0:49:28 | |
you've really got to go some to break someone's neck like that. | 0:49:28 | 0:49:31 | |
Unless the neck's already damaged, | 0:49:31 | 0:49:33 | |
or the spine isn't flexible enough to compensate for the force. | 0:49:33 | 0:49:36 | |
Look here... | 0:49:36 | 0:49:38 | |
See the way these vertebrae are fused, | 0:49:38 | 0:49:40 | |
causing a curvature of the spine here. | 0:49:40 | 0:49:42 | |
That's known as "bamboo spine". | 0:49:42 | 0:49:45 | |
It's a classic symptom of ankylosing spondyloarthritis. | 0:49:45 | 0:49:48 | |
-Is it? -It's a degenerative disease. | 0:49:48 | 0:49:52 | |
Epstein told me that Peter Sale has it. | 0:49:52 | 0:49:55 | |
And you said it's genetic. | 0:49:55 | 0:49:56 | |
Genetic and very rare. | 0:49:56 | 0:49:59 | |
So what are the chances that Annabel Skinner and Peter Sale both had it? | 0:49:59 | 0:50:03 | |
Hold on, hold on. What are you saying? | 0:50:03 | 0:50:06 | |
That they're related? | 0:50:06 | 0:50:07 | |
-I'm saying this isn't Annabel Skinner. -Well, who is it? | 0:50:07 | 0:50:11 | |
-Oh, no! -This is Peter Sale's sister. | 0:50:11 | 0:50:14 | |
-Who is it? -Police, Mr Sale. Detective Superintendent Pullman. | 0:50:59 | 0:51:03 | |
You should have been told to expect us. | 0:51:03 | 0:51:05 | |
Just keep trying. Reception's probably a bit patchy round here. | 0:51:20 | 0:51:24 | |
I always knew this Epstein business would come back to bite me. | 0:51:24 | 0:51:27 | |
It's not at all what it appears to be. | 0:51:28 | 0:51:31 | |
I was just the money guy, | 0:51:31 | 0:51:33 | |
I had no idea what Archer and Annabel were up to. | 0:51:33 | 0:51:37 | |
But you did take the money. | 0:51:37 | 0:51:39 | |
I arranged for the money to come out of Florence's account | 0:51:39 | 0:51:42 | |
and go into an offshore account set up by Archer. | 0:51:42 | 0:51:45 | |
I never saw a penny. | 0:51:45 | 0:51:47 | |
Archer took the money and vanished, | 0:51:47 | 0:51:49 | |
leaving me empty-handed to face Ennis and McCrea. | 0:51:49 | 0:51:52 | |
MOBILE PHONE RINGS | 0:51:52 | 0:51:54 | |
That's why I testified against them, I had no option. | 0:51:54 | 0:51:57 | |
Excuse me. | 0:51:57 | 0:51:59 | |
-Hi, Gerry. -No, it's Brian. | 0:51:59 | 0:52:01 | |
Brian, what on earth are you doing on Gerry's phone? | 0:52:01 | 0:52:04 | |
Gerry's driving. | 0:52:04 | 0:52:06 | |
Listen, the dead woman isn't Annabel Skinner, | 0:52:06 | 0:52:08 | |
we think it's Margaret Kirby. | 0:52:08 | 0:52:10 | |
The woman we know as Margaret Kirby is actually Annabel Skinner. | 0:52:10 | 0:52:14 | |
She knew Peter Sale was in witness protection. | 0:52:14 | 0:52:17 | |
So, this whole thing - the anonymous phone call, | 0:52:17 | 0:52:20 | |
the trail I was sent on - it's all been about us leading her to Sale. | 0:52:20 | 0:52:24 | |
She wants revenge, and if she was waiting outside UCOS this morning, | 0:52:24 | 0:52:28 | |
she could well have followed you all the way there. | 0:52:28 | 0:52:31 | |
-OK. Thanks, Bye. -What's going on? | 0:52:31 | 0:52:34 | |
Annabel Skinner is on her way, if she's not already here. | 0:52:34 | 0:52:37 | |
Annabel? | 0:52:37 | 0:52:39 | |
Who's was the body we saw? | 0:52:40 | 0:52:42 | |
Not now, Steve, it doesn't matter. | 0:52:42 | 0:52:43 | |
Mr Sale, I'm afraid we're going to have to get you out of sight. | 0:52:43 | 0:52:46 | |
Steve, draw all the curtains and secure the house. | 0:52:46 | 0:52:48 | |
-I'll call the local station for backup. -Gerry has, they're on their way. | 0:52:48 | 0:52:51 | |
POLICE SIRENS WAIL | 0:52:51 | 0:52:55 | |
Brian?! | 0:53:21 | 0:53:23 | |
Brian? Brian?! | 0:53:54 | 0:53:57 | |
Mr Sale? | 0:54:51 | 0:54:53 | |
Mr Sale?! | 0:54:53 | 0:54:55 | |
BRIAN CHOKES AND SPLUTTERS | 0:54:57 | 0:55:00 | |
You bitch! | 0:55:16 | 0:55:17 | |
BRIAN COUGHS AND GASPS | 0:55:19 | 0:55:22 | |
I'd stay exactly where you are, if I was you. | 0:55:24 | 0:55:27 | |
I don't think we're very popular with witness protection. | 0:55:39 | 0:55:42 | |
Yeah, well, Sale was involved in the Epstein business, wasn't he? | 0:55:42 | 0:55:45 | |
Yeah, he was, when he claimed he didn't know Florence was going to be killed, | 0:55:45 | 0:55:49 | |
but that's between him and a jury to sort out. | 0:55:49 | 0:55:51 | |
-Picked on the wrong woman. -So did Annabel Skinner. | 0:55:51 | 0:55:53 | |
-Nice spade work there, Esther. -Oh, thank you. | 0:55:53 | 0:55:55 | |
What do we reckon that pub's like? | 0:55:55 | 0:55:57 | |
Time for a drink to your new-found freedom, Brian? | 0:55:57 | 0:56:00 | |
Freedom... Yeah. That's what it is, really, isn't it? | 0:56:00 | 0:56:04 | |
It might seem like freedom to you lot, | 0:56:04 | 0:56:06 | |
you're not the ones who have to keep him out of harm's way. | 0:56:06 | 0:56:09 | |
Yeah. | 0:56:09 | 0:56:10 | |
Why don't you go on and we'll catch you up. | 0:56:14 | 0:56:17 | |
-Yeah, sure. -Yeah, come on, Esther. | 0:56:17 | 0:56:19 | |
Sandra, I just wanted to say I'm sorry. | 0:56:22 | 0:56:25 | |
Don't. | 0:56:25 | 0:56:27 | |
For getting you all into trouble and bringing all this down on UCOS. | 0:56:27 | 0:56:31 | |
The way you handled Embleton was stupid. | 0:56:31 | 0:56:34 | |
-Sandra... -And you threw yourself on your sword for a complete stranger. | 0:56:34 | 0:56:38 | |
But I'd like to think I'd have done exactly the same thing. | 0:56:38 | 0:56:42 | |
It's what we're here for, isn't it? Especially UCOS. | 0:56:43 | 0:56:46 | |
Bringing closure to people who've waited too long for it. | 0:56:46 | 0:56:49 | |
I wish there'd been another way. | 0:56:49 | 0:56:51 | |
So do I. | 0:56:51 | 0:56:53 | |
You'll be missed, Brian. | 0:56:56 | 0:56:58 | |
Oi! Oi! | 0:56:58 | 0:57:00 | |
When you two have stopped kissing and making up, | 0:57:00 | 0:57:02 | |
there's a pub there that wants to sell us loads of beer. | 0:57:02 | 0:57:05 | |
So, come on, then! | 0:57:05 | 0:57:06 | |
Listen, well done, mate. | 0:57:06 | 0:57:08 | |
We could never have solved this without you. | 0:57:08 | 0:57:10 | |
Oh, bugger off, of course you could. | 0:57:10 | 0:57:12 | |
Yeah, I suppose so. | 0:57:12 | 0:57:14 | |
THEY LAUGH | 0:57:14 | 0:57:16 | |
Scampi nearly got mugged by two squirrels! | 0:57:33 | 0:57:36 | |
Go on. Basket! | 0:57:42 | 0:57:44 | |
Esther! I said Scampi nearly got mugged by... | 0:57:44 | 0:57:48 | |
-What are you doing? -That's nice. | 0:57:48 | 0:57:51 | |
No, I said, what are you doing? | 0:57:51 | 0:57:53 | |
Sorry, Brian, what? | 0:57:53 | 0:57:54 | |
What's all this? | 0:57:54 | 0:57:57 | |
It's that jogger who got attacked in the park the other week. | 0:57:57 | 0:58:00 | |
What about her? I thought they caught the bloke. | 0:58:00 | 0:58:03 | |
Well, they got a man who answers the description, | 0:58:03 | 0:58:06 | |
but I've found several other similar attacks online. | 0:58:06 | 0:58:10 | |
There's lots in common, | 0:58:10 | 0:58:11 | |
but it can't be the man they've got because he's left handed. | 0:58:11 | 0:58:15 | |
-Esther, what are you doing? -It's just interesting. | 0:58:15 | 0:58:18 | |
It's none of our business... and I'm retired now. | 0:58:18 | 0:58:21 | |
For the second time. | 0:58:21 | 0:58:23 | |
You might be, but I'm not. | 0:58:23 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:40 | 0:58:43 |