Browse content similar to The Sins of the Father. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# It's all right, it's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right, I say, it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:14 | |
# Doesn't really matter if the sun don't shine | 0:00:14 | 0:00:16 | |
# It's all right, I say, it's OK | 0:00:16 | 0:00:19 | |
# We're getting to the end of the day. # | 0:00:19 | 0:00:21 | |
Just tell me that again, please. | 0:00:26 | 0:00:29 | |
I recorded Commander Embleton | 0:00:29 | 0:00:31 | |
saying he was responsible for Anthony Kaye's death. | 0:00:31 | 0:00:34 | |
And you have since given that recording to Anthony Kaye's mother? | 0:00:36 | 0:00:39 | |
I thought we were done with Embleton. | 0:00:43 | 0:00:45 | |
I was there when you told him he wasn't worthy of your attention. | 0:00:45 | 0:00:50 | |
-Mrs Kaye deserves to know the truth, Esther. -I'm not disputing that. | 0:00:50 | 0:00:53 | |
What is she going to do with that recording? | 0:00:55 | 0:00:58 | |
She's going to make one hell of a noise. I know I would. | 0:00:58 | 0:01:01 | |
I need to get to work, I'm late. | 0:01:04 | 0:01:07 | |
As you're just about to lose your job, I should make the most of it. | 0:01:07 | 0:01:10 | |
It might not come to that. | 0:01:11 | 0:01:13 | |
You know it will. | 0:01:13 | 0:01:15 | |
How long have we got? | 0:01:19 | 0:01:21 | |
You make it sound like a death sentence. | 0:01:21 | 0:01:24 | |
I'll stand by you, Brian, whatever happens. | 0:01:26 | 0:01:28 | |
Don't leave me in the dark again. | 0:01:30 | 0:01:33 | |
No more...surprises. | 0:01:33 | 0:01:36 | |
RADIO: 'Mr Bunce was convicted 16 years ago | 0:01:42 | 0:01:45 | |
'of the murder of his wife Lauren, but has always pleaded his innocence.' | 0:01:45 | 0:01:49 | |
-What con doesn't? -'The evidence given at the trial relied heavily on the blood spatters | 0:01:49 | 0:01:54 | |
'found on Bunce's clothing, which the pathologist said at the time | 0:01:54 | 0:01:58 | |
'was in keeping with Bunce having carried out the fatal stabbing.' | 0:01:58 | 0:02:01 | |
No, no. That wasn't the only evidence we had on him. | 0:02:01 | 0:02:05 | |
Oh! Bollocks! | 0:02:05 | 0:02:08 | |
-Ah-h! -'This miscarriage of justice...' | 0:02:08 | 0:02:11 | |
"Miscarriage of justice." I'll give you a miscarriage of justice, Scott Bunce getting out of prison. | 0:02:11 | 0:02:17 | |
-Steffan King. -What's he got to do with it? | 0:02:17 | 0:02:21 | |
Three years after Lauren Bunce was murdered, Steffan King, | 0:02:21 | 0:02:25 | |
the notoriously violent leader of Bunce's ex-gang, | 0:02:25 | 0:02:29 | |
was convicted of stabbing his girlfriend. | 0:02:29 | 0:02:31 | |
What does that prove? | 0:02:31 | 0:02:32 | |
Yeah. Thank you, Brian. | 0:02:32 | 0:02:34 | |
Glad you could join us. | 0:02:34 | 0:02:36 | |
But he is worth investigating, of course. | 0:02:36 | 0:02:38 | |
What is the point?! We know that Bunce murdered his wife! | 0:02:38 | 0:02:42 | |
-And he's now officially a free man. Morning. -Morning. | 0:02:42 | 0:02:46 | |
-Detective Superintendent Sandra Pullman. -Steve McAndrew. Hello. -Hi. -Hello, Mike. | 0:02:46 | 0:02:51 | |
-Detective Chief Inspector Fleming to you. -Oh, blimey. | 0:02:51 | 0:02:54 | |
-Well, you know what they say, those who can do, those who can't... -BOTH: -End up running the joint. | 0:02:54 | 0:03:00 | |
-Brian Lane. -Hiya. -Yeah, Mike was on the original case. | 0:03:00 | 0:03:03 | |
-Yeah, back in the day. -Yeah, he was at the local nick at the time | 0:03:03 | 0:03:06 | |
and I got him assigned to the investigation. | 0:03:06 | 0:03:08 | |
Mike also went on to investigate and successfully prosecute a number of the gang. | 0:03:08 | 0:03:13 | |
-I've tracked down where most of them are now. If you have any problems... -Cheers. | 0:03:13 | 0:03:17 | |
Mike is currently working in Special Operations, | 0:03:17 | 0:03:19 | |
but I thought it would be good to hear about what happened from those that were there. | 0:03:19 | 0:03:23 | |
At least Gerry won't be the only one banging on about Bunce being guilty. | 0:03:23 | 0:03:26 | |
-The evidence against him was substantial. -What did I tell you? | 0:03:26 | 0:03:28 | |
Evidence which has now been reinterpreted. | 0:03:28 | 0:03:31 | |
And that's what we're going to do now, reinterpret the known facts. | 0:03:31 | 0:03:35 | |
HE SIGHS | 0:03:36 | 0:03:37 | |
Scott Bunce was reckoned to be one of the best getaway drivers in London. | 0:03:40 | 0:03:44 | |
But you have to remember that for two years leading up to this, | 0:03:44 | 0:03:47 | |
Bunce and his wife were struggling to cope with the death of their young lad, Joe. | 0:03:47 | 0:03:52 | |
Who was killed in a hit-and-run. | 0:03:52 | 0:03:54 | |
Bunce hit the bottle hard and Joe's death was probably the reason | 0:03:56 | 0:04:00 | |
why he wanted to go back and work for his old gang, bury his head. | 0:04:00 | 0:04:03 | |
Yeah, but his wife Lauren said no way and that led to a big row. | 0:04:03 | 0:04:07 | |
At 7pm they go to their local for a drink. | 0:04:12 | 0:04:15 | |
Lauren left the pub at around 7:30 and picked up her daughter, Lizzie, who was staying at a friend's house. | 0:04:15 | 0:04:21 | |
We talked to three people | 0:04:21 | 0:04:22 | |
who overheard Bunce say in the pub, "I'll bloody kill her when I get home." | 0:04:22 | 0:04:26 | |
Which he did at about 9:15pm. | 0:04:26 | 0:04:29 | |
Yeah. Bunce claimed that he found his wife on the kitchen floor and tried to resuscitate her. | 0:04:29 | 0:04:34 | |
And that's how he got the aspirated blood on him, right? | 0:04:34 | 0:04:37 | |
At the time they thought the blood spatters came from when Lauren was stabbed, | 0:04:37 | 0:04:40 | |
but we now know that the drops of blood came out of her mouth as Bunce was trying to resuscitate her. | 0:04:40 | 0:04:45 | |
This is an expert's theory and that is all. | 0:04:45 | 0:04:48 | |
Bunce then said he saw Lauren's killer run out of the house. | 0:04:48 | 0:04:51 | |
-But their neighbour, Murray Blaker, said he saw Bunce leave the house at...9:20? -Yeah. | 0:04:51 | 0:04:57 | |
And he didn't see anyone else? | 0:04:57 | 0:04:58 | |
No, just Bunce, covered in blood and holding the knife that killed her. | 0:04:58 | 0:05:03 | |
Bunce swore blind that he saw someone leaving the house that night. | 0:05:03 | 0:05:06 | |
How come the neighbour didn't see anyone else coming out of the house? | 0:05:06 | 0:05:09 | |
Brian and I are going to go to that house and ask him that very question | 0:05:09 | 0:05:13 | |
and I would like you and Steve to talk to Steffan King. Thank you, sir. Cheers, Mike. | 0:05:13 | 0:05:17 | |
OK, Gerry, shotgun, my car. | 0:05:17 | 0:05:20 | |
Blimey! That means I can't smoke. | 0:05:20 | 0:05:22 | |
-You up for a drink later, Gerry? -Me? Up for a drink? | 0:05:22 | 0:05:25 | |
It's intravenous these days. | 0:05:25 | 0:05:27 | |
-You still going down The Bridge? -What, at over 100 quid a time? You've got to be kidding. | 0:05:27 | 0:05:31 | |
-How about you? -Nah, I'd rather watch me grandson play. | 0:05:31 | 0:05:34 | |
I can just see you on a touchline, giving it all that. | 0:05:34 | 0:05:37 | |
-Mr Standing, your carriage awaits. -I'll give you a bell. -Yeah. | 0:05:37 | 0:05:41 | |
I can't believe Bunce's daughter is still living in the same house. | 0:05:41 | 0:05:45 | |
Not sure I'd want to live in the house where I saw my father murder my mother, would you? | 0:05:46 | 0:05:51 | |
Out with it, Brian. | 0:05:54 | 0:05:56 | |
Maybe we should get a coffee or something. | 0:05:58 | 0:06:01 | |
-There you go. -Ta. | 0:06:10 | 0:06:12 | |
Well? | 0:06:17 | 0:06:20 | |
Come on, Brian, we've known each other too long. What's wrong? | 0:06:22 | 0:06:25 | |
I've just been thinking about Mark, you know, me son. | 0:06:35 | 0:06:39 | |
And all those wasted years. | 0:06:39 | 0:06:41 | |
When was the last time you saw him? | 0:06:41 | 0:06:43 | |
Esther still sees him, keeps in touch, you know. | 0:06:43 | 0:06:47 | |
But Mark and I... | 0:06:47 | 0:06:49 | |
I've just been thinking about what there is to come, that's all. | 0:06:50 | 0:06:54 | |
There has to be something more than chasing the missing pieces of an endless bloody jigsaw. | 0:06:56 | 0:07:01 | |
Why don't you go and see Mark? | 0:07:02 | 0:07:05 | |
-No, it's not that easy. -Just say sorry, Brian. | 0:07:05 | 0:07:07 | |
Maybe that's the piece that's missing? | 0:07:09 | 0:07:11 | |
So Bunce's old gang wanted him back, right? | 0:07:32 | 0:07:34 | |
But they must have known it was Lauren that was stopping him. | 0:07:34 | 0:07:38 | |
No, the gang had nothing to do with Lauren's murder. | 0:07:38 | 0:07:40 | |
Look, look. They have an argument in the pub, right, Lauren leaves, | 0:07:40 | 0:07:44 | |
then Bunce calls the gang, tells them he can't do it. | 0:07:44 | 0:07:47 | |
-I thought you were going to be on my side. -Just bear with me a minute, Gerry. | 0:07:47 | 0:07:50 | |
Bunce is the best getaway driver in London. | 0:07:50 | 0:07:52 | |
But these guys are serious players, they want Bunce, nobody's going to stop them. | 0:07:52 | 0:07:57 | |
Yeah. But listen, mate, you didn't have to deal with a ten-year-old Lizzie. | 0:07:57 | 0:08:00 | |
-Terrified, she was. -I thought she didn't actually witness it? | 0:08:00 | 0:08:04 | |
As good as, she came downstairs and saw her dad standing over her mum with a knife in his hand. | 0:08:04 | 0:08:09 | |
-What and she dialled 999, yeah? -Yeah, that's right. And they played it in court. Bloody horrible it was. | 0:08:09 | 0:08:16 | |
I'm convinced the gang had something to do with this. | 0:08:16 | 0:08:19 | |
What, and they sent Psycho Steff round to have a word? | 0:08:19 | 0:08:22 | |
-Yeah, help persuade her to see it their way. Yeah. -No. | 0:08:22 | 0:08:24 | |
Look, Gerry, what made sense 16 years ago doesn't work now, you know. | 0:08:24 | 0:08:28 | |
A bit like these poxy lifts. Come on. The last one up the top's a scabby donkey. | 0:08:28 | 0:08:32 | |
Sod that. | 0:08:32 | 0:08:35 | |
The lift's not working, mate. | 0:09:03 | 0:09:04 | |
Sorry, mate. | 0:09:08 | 0:09:09 | |
HE SIGHS | 0:09:31 | 0:09:34 | |
HE GASPS | 0:09:34 | 0:09:36 | |
See...staying hydrated, that's the key. | 0:09:39 | 0:09:43 | |
-HE SIGHS -Feel my face. | 0:09:43 | 0:09:46 | |
-Do what? -Feel my face. Here. -Ah! -Never mind those. Feel my face. Feel that. | 0:09:46 | 0:09:50 | |
-What?! -See, smooth as a baby's hydrated bum, that is. | 0:09:50 | 0:09:53 | |
Hello, boys. All right? How are you? | 0:09:53 | 0:09:56 | |
There's a litre and a half of water in that face every day. | 0:09:56 | 0:09:58 | |
-Yeah, I'll have mine with hops and yeast, if it's all the same to you. -HE SIGHS | 0:09:58 | 0:10:02 | |
I'll give you this, Gerry, | 0:10:02 | 0:10:05 | |
even though they've re-evaluated the forensics, I can still see why you went for Bunce as the murderer. | 0:10:05 | 0:10:09 | |
Very kind of you. What number is it? | 0:10:09 | 0:10:12 | |
Er...it's 916. | 0:10:12 | 0:10:14 | |
We went for Bunce, as you call it, because he was, and still is, guilty of murder. | 0:10:14 | 0:10:20 | |
-Yeah, yeah, yeah. OK. -Yeah. | 0:10:20 | 0:10:22 | |
Oh, here we go. There you are. Go on. | 0:10:22 | 0:10:24 | |
Steff! It's your old mate, Gerry Standing. | 0:10:25 | 0:10:30 | |
-KNOCKING -Steffan! | 0:10:30 | 0:10:33 | |
Tell you what, pal, give us a bell when you've got a minute. | 0:10:38 | 0:10:42 | |
-Who's the next port of call? -I don't know. How many are there? | 0:10:45 | 0:10:49 | |
-Here you go. -Cor! | 0:10:49 | 0:10:51 | |
Cor! I know what this is, this is keep Gerry Standing well out of the way. | 0:10:51 | 0:10:56 | |
-Gerry, come on, this is a legitimate line of inquiry, OK? -It's a wild-goose chase. | 0:10:56 | 0:11:01 | |
According to the prison file, she never once wrote or visited her father in prison. | 0:11:04 | 0:11:09 | |
Can you blame her? As far as she was concerned, he'd murdered her mother. | 0:11:09 | 0:11:13 | |
I wonder how she'll feel now he's been released? | 0:11:13 | 0:11:16 | |
The neighbour's in. | 0:11:20 | 0:11:21 | |
Can't you two read? Being journalists, I guess not. | 0:11:30 | 0:11:35 | |
"Private...property." | 0:11:35 | 0:11:37 | |
-Murray Blaker? -I've made it clear to all the nationals, | 0:11:37 | 0:11:41 | |
if you want my exclusive, you can just... | 0:11:41 | 0:11:43 | |
We're from UCOS. Unsolved Crimes and Open Case Squad. | 0:11:43 | 0:11:47 | |
My name's Brian Lane. This is Detective Superintendent Pullman. | 0:11:47 | 0:11:51 | |
I thought you were press. Well, they've been harassing us both for days now. | 0:11:52 | 0:11:59 | |
Well, either way, Lizzie won't want to talk. | 0:11:59 | 0:12:02 | |
You gave evidence against Mr Bunce. | 0:12:02 | 0:12:05 | |
I went to court. Told them what I saw, what I witnessed. | 0:12:05 | 0:12:09 | |
That defence barrister tried to make me look like an idiot, but I know what I saw. | 0:12:09 | 0:12:13 | |
She was a lovely woman. I don't know what she saw in him. | 0:12:13 | 0:12:17 | |
Lizzie, I'm Sandra Pullman. I'm a police officer. | 0:12:22 | 0:12:25 | |
I know this is really difficult for you but, as you know, | 0:12:25 | 0:12:28 | |
your dad has won his appeal and he's now been released from prison. | 0:12:28 | 0:12:32 | |
As a consequence, the investigation into your mother's murder has been reopened and I was just wondering... | 0:12:32 | 0:12:37 | |
Why have they let him out? | 0:12:39 | 0:12:41 | |
My father is a murderer. | 0:12:41 | 0:12:44 | |
Lizzie, in the files it said | 0:13:07 | 0:13:10 | |
that you went to go and live with your grandparents for a while. Is that right? | 0:13:10 | 0:13:14 | |
Yeah. | 0:13:14 | 0:13:16 | |
But I wanted to be here. | 0:13:17 | 0:13:20 | |
I know that must seem strange, but...when I was younger... | 0:13:20 | 0:13:25 | |
Mum was...here, watching me, looking over me. | 0:13:29 | 0:13:34 | |
I don't think that now. | 0:13:37 | 0:13:39 | |
She's not here now. I know that. Just...when I was a kid... | 0:13:40 | 0:13:46 | |
I felt the same when my father died. | 0:13:46 | 0:13:48 | |
My grandmother's in a home now. | 0:13:49 | 0:13:52 | |
I try to see her as much as I can, but... | 0:13:52 | 0:13:54 | |
Is your neighbour always like this? | 0:13:54 | 0:13:57 | |
He's scared. | 0:13:57 | 0:13:59 | |
Of my dad. | 0:13:59 | 0:14:01 | |
Ever since Dad destroyed Mr Blaker's prize roses, it's been war. | 0:14:02 | 0:14:07 | |
-When did this happen? -It was just after we first moved here. | 0:14:07 | 0:14:10 | |
Mr Blaker had these really tall bushes, leylandii. | 0:14:12 | 0:14:18 | |
He refused to cut 'em down, so... | 0:14:18 | 0:14:20 | |
My dad said, "What's the point in moving out here if you can't see the sun in the morning?" | 0:14:22 | 0:14:26 | |
-And he cut them down? -Well, he poured industrial bleach in all the roots. | 0:14:26 | 0:14:31 | |
Killed nearly everything in Mr Blaker's garden. | 0:14:31 | 0:14:34 | |
What did you want to ask me? | 0:14:37 | 0:14:39 | |
The night that...that your mother was killed... | 0:14:39 | 0:14:43 | |
Yeah, I told the policeman everything then. Nothing's changed. | 0:14:43 | 0:14:47 | |
-Well, we know that night, that your mum and dad had a big argument in the pub. -Yeah. | 0:14:47 | 0:14:53 | |
At the time, your father said that he thought your mother was seeing someone else. | 0:14:53 | 0:14:56 | |
Yeah, well, he was wrong! My mother would never do anything like that. | 0:14:56 | 0:15:00 | |
My mum loved my dad with all her heart. | 0:15:00 | 0:15:03 | |
So...why do you think he killed her? | 0:15:03 | 0:15:06 | |
After Joe died...nothing was the same. | 0:15:09 | 0:15:14 | |
It... | 0:15:14 | 0:15:16 | |
it was like just everyone stopped talking and started shouting and crying and... | 0:15:16 | 0:15:22 | |
< No! Stay away from me! | 0:15:22 | 0:15:24 | |
You lying bastard! | 0:15:24 | 0:15:26 | |
-Police! Police! -If you saw me, how come you never saw the killer? | 0:15:26 | 0:15:30 | |
-Help! -Eh? Just explain it to me, yeah! | 0:15:30 | 0:15:33 | |
Gerry, stay there! | 0:15:40 | 0:15:42 | |
Steve, get after him! | 0:15:42 | 0:15:43 | |
-What's going on? -Lizzie, go back inside. | 0:15:45 | 0:15:48 | |
Your father's come back to murder me, now! | 0:15:48 | 0:15:50 | |
-Steve, you go that way. -OK. | 0:16:04 | 0:16:06 | |
What did you get for making the biggest mistake of my life? Hmm? | 0:16:27 | 0:16:31 | |
Promotion? Pay rise? | 0:16:31 | 0:16:34 | |
-16 years of freedom? -You're out on a technicality and well you know it. | 0:16:34 | 0:16:38 | |
Oh, yeah, and there was me thinking the whole case had been reopened. | 0:16:38 | 0:16:41 | |
Oh, it has, but it'll come to the same conclusion. | 0:16:41 | 0:16:45 | |
Scott, you've just been released, don't give us any excuse to put you back inside. | 0:16:45 | 0:16:48 | |
You lot think I did it no matter what. | 0:16:48 | 0:16:50 | |
-That is not true, we're already following other lines of inquiry. -Oh, yeah? Who exactly? | 0:16:50 | 0:16:56 | |
-We went to see Steffan King this morning. -You think Psycho Steff did it?! | 0:16:57 | 0:17:02 | |
No, I don't, cos I know you did it! | 0:17:02 | 0:17:05 | |
Gerry! Now, why did you go for your neighbour just now? Do you think he killed Lauren? | 0:17:05 | 0:17:08 | |
If I'd have been going after Blaker, I would have got him, don't you worry about that. | 0:17:08 | 0:17:13 | |
No, I wanted to speak to him, cos I wanted to know why he told you lot all those years ago | 0:17:13 | 0:17:17 | |
that I was the only one he saw running out of the house. | 0:17:17 | 0:17:20 | |
-Cos there wasn't anybody else. -What the bloody hell do you think I was doing, eh? | 0:17:20 | 0:17:24 | |
I come back from the pub, find Lauren on the kitchen floor, | 0:17:24 | 0:17:28 | |
try and save her and then decide to try and make a run for it, | 0:17:28 | 0:17:30 | |
only to change my mind and come walking back home into the arms of PC Plod? | 0:17:30 | 0:17:35 | |
It didn't make sense then and makes even less sense now! | 0:17:35 | 0:17:39 | |
You stabbed her, you panicked, you ran, simple as! | 0:17:39 | 0:17:43 | |
I've just done 16 years for a crime I did not commit. | 0:17:43 | 0:17:47 | |
And I come home...and I just want to speak to my daughter. | 0:17:47 | 0:17:52 | |
She saw you kill your wife! | 0:17:52 | 0:17:54 | |
So arrest me, then! | 0:17:54 | 0:17:55 | |
He blames me...I know he does. | 0:17:59 | 0:18:03 | |
-I told the police what I saw. -Your father was convicted with the help of forensic evidence, | 0:18:04 | 0:18:08 | |
-not just because of what you saw. -Yeah, forensic evidence that turns out to be wrong. | 0:18:08 | 0:18:13 | |
Please...you've got to stop him coming here. | 0:18:17 | 0:18:21 | |
Look, I'll put a call into the local station and see if they can keep an eye out. | 0:18:24 | 0:18:27 | |
-How does that sound? -Yeah. | 0:18:27 | 0:18:30 | |
And I'll give you my card. If you want to call. | 0:18:30 | 0:18:32 | |
Any time. All right? | 0:18:32 | 0:18:35 | |
Thanks. | 0:18:35 | 0:18:37 | |
-How is she? -She's terrified he's going to come back. | 0:18:40 | 0:18:43 | |
-I'm going to give her my number. What did Mr Blaker say? -Muttering on about a Greek tragedy. | 0:18:43 | 0:18:48 | |
-The night of the murder? -He saw Bunce but nobody else. | 0:18:48 | 0:18:52 | |
What are you two doing here? | 0:18:52 | 0:18:54 | |
Shouldn't you be asking what Bunce is doing here? | 0:18:54 | 0:18:57 | |
-Did you catch up with him? -Yeah, still protesting his innocence. | 0:18:57 | 0:19:00 | |
Because, in the eyes of the law, he is innocent. | 0:19:00 | 0:19:02 | |
Yeah, and we know she wears a blindfold. | 0:19:02 | 0:19:04 | |
-Steffan King, did you speak to him? -King's got nothing to do with it. | 0:19:04 | 0:19:07 | |
-That's a no, then, is it? -He wasn't in. | 0:19:07 | 0:19:10 | |
-Sandra, look, you don't understand. -Oh, I think I do. | 0:19:10 | 0:19:12 | |
-My reputation's on the line here! -No, Gerry, it's not. | 0:19:12 | 0:19:15 | |
Well, that's what it feels like, that somehow all those years ago, I got it wrong. | 0:19:15 | 0:19:20 | |
You're the officer who was here that night. | 0:19:20 | 0:19:22 | |
You said you'd put my father away for ever. | 0:19:25 | 0:19:28 | |
That he'd never come back! | 0:19:28 | 0:19:30 | |
I should never have grassed on him! | 0:19:30 | 0:19:33 | |
-Do you want to take the bags in? -Yeah. | 0:20:29 | 0:20:31 | |
I'll bring in the cot. | 0:20:31 | 0:20:33 | |
Mark? | 0:20:42 | 0:20:44 | |
Mark? Mark! | 0:20:44 | 0:20:47 | |
Hey! Oh! Oh, bloody...! | 0:20:47 | 0:20:51 | |
-What are you doing?! -What am I doing? What are you doing? | 0:20:51 | 0:20:55 | |
-Are you ignoring me? -I'm not. | 0:20:55 | 0:20:58 | |
-Well, I was shouting. Could you not hear me? -Why are you here? | 0:20:58 | 0:21:01 | |
What's that, a cot? | 0:21:03 | 0:21:04 | |
Bloody hell! Is Christina...? | 0:21:05 | 0:21:07 | |
-Does your mother know? -No-one knows. It's not been 12 weeks yet. | 0:21:09 | 0:21:13 | |
-What, and you've got yourself a cot already? -I saw it on eBay. | 0:21:13 | 0:21:16 | |
Why are you wasting your money on eBay? | 0:21:16 | 0:21:19 | |
-We've still got your old cot in the loft, I could... -Look, what are you doing here? | 0:21:19 | 0:21:23 | |
I was just passing, you know. | 0:21:24 | 0:21:26 | |
I thought I'd call in, see how you were doing. | 0:21:27 | 0:21:30 | |
Yeah, well, we're fine. | 0:21:30 | 0:21:32 | |
Don't tell Mum about the baby. | 0:21:32 | 0:21:34 | |
-Why not? -Because I want to tell her. | 0:21:34 | 0:21:36 | |
-I'll give you a hand to put those up. -I don't need a hand, thanks. | 0:21:36 | 0:21:39 | |
-They can be tricky those. -I haven't seen you in years. -Well, I'm here now? | 0:21:39 | 0:21:44 | |
Yeah, you are. | 0:21:45 | 0:21:46 | |
-Mark, who are you talking to? -No-one. | 0:21:48 | 0:21:52 | |
-Gerry. -Hello, mate. | 0:22:02 | 0:22:04 | |
-Someone was looking for you. -Yeah? Blonde or bailiff? | 0:22:04 | 0:22:08 | |
Said he'd come back later. | 0:22:08 | 0:22:10 | |
Cheers. | 0:22:10 | 0:22:12 | |
Nice cup of tea? | 0:22:27 | 0:22:29 | |
Or a nice cup of coffee? | 0:22:29 | 0:22:31 | |
-MIMICS TOMMY COOPER -Tea, coffee? Coffee, tea? Gottle of geer? | 0:22:31 | 0:22:36 | |
Now there's an idea. | 0:22:36 | 0:22:38 | |
MIMICS TOMMY COOPER'S LAUGH | 0:22:40 | 0:22:41 | |
Nice gottle of geer. Nice gottle of geer. | 0:22:43 | 0:22:46 | |
PHONE TEXT ALERT | 0:22:46 | 0:22:48 | |
No, I didn't have an accident six weeks ago, but somebody will if you keep bloody texting me! | 0:22:51 | 0:22:58 | |
How'd they get my number? Why am I talking to meself? | 0:22:59 | 0:23:03 | |
Getting like my dad. "They're coming to get me, Gerald. They're coming to get me." | 0:23:04 | 0:23:09 | |
DOOR BELL RINGS | 0:23:09 | 0:23:11 | |
Blimey! Maybe they are. | 0:23:11 | 0:23:13 | |
Oh. | 0:23:23 | 0:23:26 | |
What do you want? | 0:23:26 | 0:23:28 | |
Oh, hi. Don't mind if I do. Thanks a lot. | 0:23:28 | 0:23:30 | |
-HE HUMS TO HIMSELF -Hey, nice place you've got here. | 0:23:30 | 0:23:35 | |
Brilliant. | 0:23:35 | 0:23:38 | |
-How'd you get through the gate? -HE HUMS TO HIMSELF | 0:23:38 | 0:23:42 | |
-Oi! I'm talking! -Oh, sorry. What? | 0:23:42 | 0:23:44 | |
-How'd you get through the gate? -Someone was going out and I just slipped in, you know. -Oh. | 0:23:44 | 0:23:48 | |
-What time are we meeting Mike? -Didn't know you were invited. | 0:23:48 | 0:23:52 | |
-Didn't know you were into Man Ray. -Yeah, can't get enough of him. It. | 0:23:52 | 0:23:57 | |
I've got exactly the same one at my place. | 0:23:57 | 0:23:59 | |
-Have you? -Gerry, you were there. My flat in Glasgow, remember? | 0:23:59 | 0:24:02 | |
-Oh, yeah. -Yeah. -BOTH: -Great minds, eh? | 0:24:02 | 0:24:05 | |
-Oh, blimey! -Oops! -I'll get meself a beer. -Good show. | 0:24:07 | 0:24:10 | |
-Sit down, make yourself at home. -Hmm. | 0:24:10 | 0:24:11 | |
Why didn't you phone me? | 0:24:11 | 0:24:14 | |
I went round to Mark's. | 0:24:14 | 0:24:16 | |
Mark? Our Mark? | 0:24:16 | 0:24:18 | |
Yeah. Waste of bloody time it was, an' all. | 0:24:18 | 0:24:21 | |
What have you been saying now? | 0:24:21 | 0:24:23 | |
You're going to be a grandmother. | 0:24:23 | 0:24:25 | |
But I never told you, right? | 0:24:28 | 0:24:29 | |
-Well, we can't move out of London now. -Who said we were? | 0:24:32 | 0:24:37 | |
Oh, this is heaven-sent. | 0:24:37 | 0:24:39 | |
It's Mark's baby, not the Second Coming. | 0:24:39 | 0:24:42 | |
Besides, he made it quite plain he wants nothing to do me. | 0:24:42 | 0:24:45 | |
-But this is our chance. -For what? | 0:24:45 | 0:24:48 | |
To be a...proper family. | 0:24:48 | 0:24:51 | |
Did anyone say anything about you recording Embleton? | 0:24:53 | 0:24:56 | |
No, not yet. | 0:24:57 | 0:24:59 | |
Well, maybe everything'll be all right. | 0:24:59 | 0:25:01 | |
I want to be Nana, not Granny. I don't like Granny. | 0:25:04 | 0:25:08 | |
And you can be Popsie! | 0:25:09 | 0:25:11 | |
So, what's the Yard saying about the Bunce case? | 0:25:33 | 0:25:36 | |
Another high-profile miscarriage of justice is the last thing they need right now. | 0:25:36 | 0:25:40 | |
Well, a change of an expert opinion is hardly their fault. | 0:25:40 | 0:25:43 | |
Shot. So, you think Bunce is guilty? | 0:25:51 | 0:25:55 | |
It doesn't matter what I think. | 0:25:55 | 0:25:59 | |
The important thing is that we're seen to be doing what we're doing. | 0:25:59 | 0:26:01 | |
Crossing the Ts and dotting the Is. | 0:26:03 | 0:26:06 | |
Letting the investigation run its course. | 0:26:06 | 0:26:08 | |
That's good. | 0:26:08 | 0:26:10 | |
Chances are they might find Bunce guilty all over again. | 0:26:14 | 0:26:18 | |
-Another game? -Yeah. | 0:26:18 | 0:26:20 | |
-Thanks. -How can something you absolutely know to be true turn out not to be? | 0:26:20 | 0:26:25 | |
When my love swears that she is made of truth, I do believe her, though I know she lies. | 0:26:25 | 0:26:30 | |
Yeah, but that's different! | 0:26:33 | 0:26:35 | |
You think you know someone, you know, you have absolute faith, belief in them | 0:26:35 | 0:26:39 | |
and then one day they just... | 0:26:39 | 0:26:41 | |
That kind of thing ever happen to you? | 0:26:43 | 0:26:45 | |
Do you remember when Prince Charles and Lady Di got engaged? | 0:26:47 | 0:26:51 | |
They were being interviewed, right, and somebody said to them, "So are you really in love?" | 0:26:51 | 0:26:55 | |
And she said, "Yes." And he said, "Whatever love is." | 0:26:55 | 0:27:00 | |
-What, you telling me you've never been in love? -Me? | 0:27:00 | 0:27:04 | |
Yeah, hundreds of times. At least I thought I was. | 0:27:04 | 0:27:07 | |
Uh-huh. Definitely. DOOR OPENS | 0:27:07 | 0:27:10 | |
-Here we go. Mike? -Hi, Mike. -Steve, good to see you. | 0:27:10 | 0:27:13 | |
-What can I get you? -No, my round. -No, let me get this. What you after? | 0:27:13 | 0:27:16 | |
-Oh, a pint of lager. Cheers. -OK. | 0:27:16 | 0:27:19 | |
-Oh, you haven't been to the gym, have you? -I've been playing fives with Bob Strickland. | 0:27:19 | 0:27:25 | |
-Fives with Bobby? -Yeah. All the posh boys play it. | 0:27:25 | 0:27:29 | |
-My old chief got me into it. -So that's how you get promotion! | 0:27:29 | 0:27:33 | |
As long as you let 'em win. BOTH LAUGH | 0:27:33 | 0:27:36 | |
-Listen, good to be working with you again, mate. -Yeah. Like old times. -There you go, Mike. -Cheers. | 0:27:36 | 0:27:42 | |
So, how's it all going, then? | 0:27:42 | 0:27:46 | |
Well, I've seen Bunce. | 0:27:46 | 0:27:48 | |
Yeah, and...? | 0:27:48 | 0:27:49 | |
Like a couple caged animals, practically had to tear them apart. | 0:27:49 | 0:27:53 | |
Same old Gerry Standing. | 0:27:53 | 0:27:56 | |
You still married? | 0:27:56 | 0:27:58 | |
I can't remember who I was with then. Nah, there's probably been a couple since. | 0:27:58 | 0:28:02 | |
Same old Gerry Standing. | 0:28:02 | 0:28:04 | |
-Cheers, boys. -Cheers, Mike. -Cheers. | 0:28:04 | 0:28:07 | |
SHE SINGS TO HERSELF | 0:28:08 | 0:28:11 | |
Do you think I should wait for Mark to call me or should I... | 0:28:22 | 0:28:27 | |
Oh...Brian! | 0:28:31 | 0:28:34 | |
Me and Charlotte talk to each other, I see the kids all the time. It's worked out fine. | 0:28:57 | 0:29:02 | |
Well, it's the copper's curse, in't it? | 0:29:02 | 0:29:05 | |
-Ah, these things happen. -Yeah, Steve's looking for his son. | 0:29:05 | 0:29:08 | |
-Oh, yeah. -Hmm. Has he gone missing? | 0:29:08 | 0:29:11 | |
-He's with his mother somewhere. -How's it going? PHONE RINGS | 0:29:11 | 0:29:15 | |
-Oh...got a few leads, yeah. -Hello? | 0:29:15 | 0:29:18 | |
-Gerry, where are the keys? -Brian, what are you doing at the office? | 0:29:18 | 0:29:23 | |
-In Lauren's handbag there was a set of keys. -Yeah, we know there were a set of keys, Brian, | 0:29:23 | 0:29:27 | |
-we didn't think they were relevant. -So where are they? | 0:29:27 | 0:29:30 | |
-How the bloody hell do I know? -Well, they're missing. Somebody's taken them. | 0:29:30 | 0:29:33 | |
Brian, they probably just got lost. This is the Met we're talking about. | 0:29:33 | 0:29:38 | |
Well, either way, they're supposed to be there and they're bloody well not! | 0:29:38 | 0:29:41 | |
-What's he on about? What keys? -We found a set of keys in Lauren's handbag | 0:29:45 | 0:29:48 | |
and they couldn't be identified. Now he thinks they are going to be the key to opening the case. | 0:29:48 | 0:29:54 | |
-Here we go, boys. One for the road. -Well done. Cheers. -Look at that one. -Oh, yeah. | 0:29:54 | 0:30:00 | |
-Dad? -Hello, son. -I told Mum I didn't want you... | 0:30:36 | 0:30:39 | |
I know you don't want me to have anything to do with you or the baby, I understand that. | 0:30:39 | 0:30:43 | |
It's not just that, you think you can just turn up as if nothing happened. | 0:30:43 | 0:30:47 | |
Mark, I made one mistake. I swore I wouldn't have another drink | 0:30:47 | 0:30:50 | |
and, eh, guess what, I'm human, I succumbed. | 0:30:50 | 0:30:53 | |
-It's not about that! -No, you're right. That's not why I'm here. | 0:30:53 | 0:30:56 | |
Do you have any idea what kind of father you were? Or failed to be? | 0:30:56 | 0:30:59 | |
-I'm sure you're going to make a much better job of it. -I should bloody hope so. | 0:30:59 | 0:31:03 | |
Well, if it's any consolation, son, so do I. All right? | 0:31:03 | 0:31:07 | |
Is that it? Are we all best mates now? | 0:31:07 | 0:31:09 | |
-Brian? -What the...?! | 0:31:11 | 0:31:13 | |
Meeting up behind me back now, are we? | 0:31:13 | 0:31:16 | |
-No, of course not. But I'm really glad you're here. -You're the only one who is. | 0:31:16 | 0:31:19 | |
I want you two to talk to each other, sort things out. Come on. | 0:31:19 | 0:31:24 | |
-He's just said he's not interested in doing any of that. -Brian. | 0:31:24 | 0:31:28 | |
-Are you still in possession of my lathe? -Is that really why you've come? | 0:31:28 | 0:31:33 | |
Well, yes! It's mine and I need to use it. | 0:31:33 | 0:31:35 | |
It's not yours. You gave it to me when Mum threatened to leave you | 0:31:35 | 0:31:39 | |
-cos you spent so long in the bloody shed. -Did I hell! | 0:31:39 | 0:31:42 | |
Anyway, I need to use it. And the bits, of course. | 0:31:42 | 0:31:45 | |
HE SIGHS Oh, don't tell me you've took them out? | 0:31:45 | 0:31:48 | |
I don't believe this! | 0:31:48 | 0:31:49 | |
-Brian! -The lathe, yes or no? | 0:31:51 | 0:31:55 | |
-SHE SIGHS -Here. Come on, you put this on. | 0:31:58 | 0:32:01 | |
And I'm so sorry, pet. | 0:32:04 | 0:32:06 | |
I really was hoping he was going to talk to you. He was going on and on about becoming a granddad. | 0:32:06 | 0:32:12 | |
-So he did tell you? -Oh. Yes, he did. -I wanted to be the one. | 0:32:12 | 0:32:17 | |
-He was so excited. -When are you going to stop protecting him, Mum? | 0:32:17 | 0:32:21 | |
-He means well. -No, he doesn't, he just wants things his own way. | 0:32:21 | 0:32:24 | |
He always has. "It's my way or no way." He's a stubborn old... | 0:32:24 | 0:32:28 | |
-What the hell have you done to my lathe?! -It's not your lathe. | 0:32:28 | 0:32:31 | |
-What's wrong with it? -It's not working, that's what's wrong with it. | 0:32:31 | 0:32:34 | |
-Have you plugged it in? -What's it doing not plugged in? | 0:32:34 | 0:32:37 | |
What are you trying to do, Brian? | 0:32:37 | 0:32:39 | |
-I need to cut these keys. -And you want to use the lathe? | 0:32:41 | 0:32:45 | |
Well, if it was working, I might have half a chance. | 0:32:45 | 0:32:48 | |
You don't want the lathe. Bloody hell! You need the Strommen for something like this. | 0:32:48 | 0:32:52 | |
-Eh? -The Strommen that we gave you last Christmas? -You gave him a what? | 0:32:52 | 0:32:56 | |
If you want a proper job doing, I'll go get it for you. | 0:32:56 | 0:33:00 | |
Go on, then. But I've not got all day. | 0:33:00 | 0:33:03 | |
I don't believe you, Brian Lane. Coming round here... | 0:33:05 | 0:33:08 | |
-Well, it's working, isn't it? -What is? -Me son's talking to me. | 0:33:08 | 0:33:12 | |
-Shouting at you, more like. -I'll take what I can get. | 0:33:12 | 0:33:15 | |
I don't know what game it is you're playing, but I fully intend to be a full-time grandparent. | 0:33:16 | 0:33:24 | |
With or without you. | 0:33:24 | 0:33:26 | |
Well, that's what I want. | 0:33:26 | 0:33:28 | |
Well, then tell him. He's the one who needs to hear! | 0:33:28 | 0:33:31 | |
-I keep trying, Esther. -Well, try a bit harder. It might be your last chance. | 0:33:31 | 0:33:35 | |
Here we go. | 0:33:35 | 0:33:37 | |
What, have you changed your mind now? | 0:33:40 | 0:33:42 | |
I've been a bloody awful father. | 0:33:44 | 0:33:46 | |
I was never there when you needed me. | 0:33:48 | 0:33:51 | |
If I wasn't working, I was drunk. | 0:33:52 | 0:33:55 | |
Or both at the same time. | 0:33:55 | 0:33:57 | |
And I'm deeply ashamed about that. | 0:33:59 | 0:34:01 | |
Believe me, if I could turn the clock back, I would. | 0:34:04 | 0:34:07 | |
I swear it, Mark. | 0:34:09 | 0:34:11 | |
I'm just asking you for another chance. | 0:34:14 | 0:34:16 | |
I know I don't deserve it, but... | 0:34:17 | 0:34:19 | |
Do you know how it works? The Strommen? | 0:34:22 | 0:34:24 | |
I suppose you plug the plug in first, do you? | 0:34:27 | 0:34:30 | |
Bloody hell! Come here. | 0:34:30 | 0:34:32 | |
I'm sorry, would you mind repeating that? | 0:35:45 | 0:35:47 | |
Your client has a recording of Commander Embleton saying what, exactly? | 0:35:47 | 0:35:51 | |
And you say she got this from Brian Lane? | 0:35:57 | 0:36:00 | |
TOOL WHIRS | 0:36:00 | 0:36:02 | |
There you go. | 0:36:16 | 0:36:18 | |
-Hmm. Not bad, considering. -What do you mean? | 0:36:19 | 0:36:23 | |
-They're perfect. -They will be if they work. | 0:36:23 | 0:36:27 | |
-Where are they for? -They're part of a murder investigation. | 0:36:27 | 0:36:31 | |
How unusual, your work coming before everything else(!) | 0:36:31 | 0:36:34 | |
-A man was wrongly accused! -I'm sure he was, I'm sure you'll catch whoever did it. | 0:36:34 | 0:36:39 | |
You solve everyone else's problems, Dad, but never your own. | 0:36:39 | 0:36:42 | |
Win some, lose some. | 0:36:46 | 0:36:47 | |
Well, it's a start. | 0:36:49 | 0:36:51 | |
Argh! | 0:37:33 | 0:37:35 | |
-HE SINGS ALONG TO THE RADIO -# Hit me with your rhythm stick | 0:37:35 | 0:37:37 | |
# Hit me, hit me hit me Je t'adore, Ich liebe dich | 0:37:37 | 0:37:41 | |
-# Hit me, hit me, hit me! # -PHONE RINGS | 0:37:41 | 0:37:43 | |
Ow! Shit! | 0:37:43 | 0:37:46 | |
-PHONE RINGS -Morning, Guv'nor | 0:37:47 | 0:37:52 | |
Get over to the Churchill Estate. Steffan King was attacked last night. | 0:37:52 | 0:37:55 | |
-Ma'am. -Mr Blaker. | 0:38:06 | 0:38:10 | |
Identity theft. You can never be too careful. | 0:38:16 | 0:38:19 | |
Good morning. Did you have a good night? | 0:38:21 | 0:38:24 | |
Yes. Thank you. | 0:38:24 | 0:38:26 | |
-The police were outside, so... -Yeah. Good. Could I have a word? | 0:38:28 | 0:38:31 | |
-What's happened? -Let's go inside, shall we? | 0:38:33 | 0:38:36 | |
-Lizzie, have you heard from your father at all? -No. | 0:38:50 | 0:38:54 | |
Do you remember an old gang member of his, somebody called Steffan King? | 0:38:54 | 0:38:58 | |
Erm...no. | 0:38:58 | 0:39:01 | |
They all came round for a while, then my grandparents | 0:39:01 | 0:39:05 | |
made it clear that they didn't want nothing to do with them. So... | 0:39:05 | 0:39:08 | |
What's happened? | 0:39:10 | 0:39:12 | |
There's been an incident. Steffan King was attacked last night. | 0:39:12 | 0:39:16 | |
-And you think my father did it? -No, we have no idea. | 0:39:18 | 0:39:21 | |
Why else would you be here? | 0:39:21 | 0:39:22 | |
I knew they should never have let him out. | 0:39:25 | 0:39:27 | |
I knew it. I told you. | 0:39:27 | 0:39:29 | |
Everything's all right, Lizzie. The police are outside, | 0:39:29 | 0:39:32 | |
we're doing everything we can to find your father. | 0:39:32 | 0:39:34 | |
-PHONE RINGS -Excuse me. | 0:39:34 | 0:39:37 | |
-Gerry. -Looks like he was battered with his own baseball bat. | 0:39:39 | 0:39:43 | |
Well, who do you think? | 0:39:43 | 0:39:48 | |
No, they're checking the CCTV, but Bunce was definitely here last night. | 0:39:48 | 0:39:51 | |
And I don't think he just popped in for a cup of tea. | 0:39:51 | 0:39:54 | |
OK, cheers. Bye. | 0:39:54 | 0:39:56 | |
It was him, wasn't it? | 0:39:59 | 0:40:01 | |
The police are looking for him. | 0:40:02 | 0:40:04 | |
Were you close to your dad? | 0:40:12 | 0:40:13 | |
To my dad? Yes, I was. | 0:40:15 | 0:40:17 | |
Yeah, so was I. | 0:40:18 | 0:40:20 | |
I loved him, but when Joe died he...he didn't want to know me. | 0:40:22 | 0:40:27 | |
He didn't want to know anyone. | 0:40:29 | 0:40:31 | |
Well, grief can be like that. | 0:40:31 | 0:40:34 | |
It makes you say and do things you don't really mean. | 0:40:34 | 0:40:37 | |
Will you stay with me? I feel safer with you. | 0:40:39 | 0:40:43 | |
You'll be fine, Lizzie. | 0:40:46 | 0:40:47 | |
You didn't see my dad that night. With the knife. | 0:40:49 | 0:40:53 | |
Blood. The look on his face. | 0:40:55 | 0:40:58 | |
The noise coming out of his mouth. | 0:41:01 | 0:41:04 | |
He's coming to get me. | 0:41:07 | 0:41:08 | |
I saw him. | 0:41:18 | 0:41:20 | |
He was right here. | 0:41:21 | 0:41:23 | |
He was standing over Mum and... | 0:41:23 | 0:41:27 | |
I saw the blood. It was all over his shirt. | 0:41:27 | 0:41:29 | |
His face. And I thought he was going to kill me. | 0:41:31 | 0:41:34 | |
But when I opened my eyes, he was gone. | 0:41:34 | 0:41:37 | |
Out the door. | 0:41:37 | 0:41:38 | |
And when I saw Mum... | 0:41:41 | 0:41:42 | |
-Mum! Mum! -All right, Lizzie. -SHE SOBS | 0:41:45 | 0:41:49 | |
It's OK. It's OK. | 0:41:49 | 0:41:51 | |
-I saw him! I saw... -What? | 0:41:51 | 0:41:54 | |
< DOOR OPENS | 0:41:54 | 0:41:56 | |
-Lizzie. -No! No! -No, Lizzie, wait! | 0:41:58 | 0:42:02 | |
Wait! I just want to speak to you! | 0:42:02 | 0:42:05 | |
-Lizzie! -Shit! | 0:42:05 | 0:42:07 | |
Lizzie, darling, I ain't going to hurt you. | 0:42:08 | 0:42:11 | |
-Lizzie, please! -Shut the door! | 0:42:11 | 0:42:13 | |
I'm not going to hurt you. Lizzie! | 0:42:13 | 0:42:16 | |
Lizzie, listen to me. You've got to believe me. | 0:42:19 | 0:42:23 | |
I am not the man you think I am. | 0:42:23 | 0:42:25 | |
And I've spent the last 16 years wishing I'd never let her go home that night. | 0:42:26 | 0:42:32 | |
I was so stupid! So stubborn! | 0:42:32 | 0:42:35 | |
I don't feel safe. | 0:42:40 | 0:42:41 | |
Can I help you, Mr Lane. | 0:42:46 | 0:42:48 | |
-Mr Lane? -HE SIGHS | 0:42:49 | 0:42:51 | |
-Lizzie, listen to me. You've got to believe me. -Sir? | 0:42:51 | 0:42:54 | |
-I think Bunce has got in round the back. -Right. -Get some back-up. -Will do, sir. | 0:42:56 | 0:43:00 | |
It's PC6374 requiring back-up. Yeah, the Bunces household. | 0:43:00 | 0:43:05 | |
As soon as possible. Over. | 0:43:05 | 0:43:07 | |
I don't blame you, Lizzie. I never did. | 0:43:10 | 0:43:14 | |
-It was all because of Joe. -HE SOBS | 0:43:15 | 0:43:18 | |
If we hadn't let him go out on his bike that day, he'd never have been hit by that car! | 0:43:21 | 0:43:25 | |
-Scott? -What?! | 0:43:25 | 0:43:29 | |
-I'm with the police. -You just stay out of this! I just want to talk! | 0:43:29 | 0:43:34 | |
-I'm listening. -Not to you! | 0:43:34 | 0:43:37 | |
-I'm very close to finding out who killed your wife. -Bollocks you are! | 0:43:37 | 0:43:42 | |
Do you want to go inside for another 16 years? | 0:43:42 | 0:43:45 | |
-I will if I have to! -What about Lizzie? | 0:43:45 | 0:43:48 | |
-What about her? -Well, I know it can't have been easy not seeing her all that time, | 0:43:48 | 0:43:53 | |
watching her grow up, school, college, boyfriends. | 0:43:53 | 0:43:59 | |
Do you want another 16 years? | 0:43:59 | 0:44:02 | |
Do you have any idea what it is like to be locked up for something you didn't do? | 0:44:02 | 0:44:08 | |
And have everyone you ever knew, ever loved, | 0:44:08 | 0:44:13 | |
think that you are capable of killing the one person | 0:44:13 | 0:44:17 | |
who really knew you and loved you with all her heart! Eh? | 0:44:17 | 0:44:23 | |
Lizzie is my little girl! | 0:44:27 | 0:44:30 | |
And she is all I've got! | 0:44:32 | 0:44:33 | |
-And...I just want to talk to her. -Stop! Stop! | 0:44:36 | 0:44:40 | |
I can't imagine what that was like, bloody awful. | 0:44:41 | 0:44:46 | |
But I do know what it is to not be there when your child needs you. | 0:44:49 | 0:44:54 | |
And no matter how old they get, they always need you. | 0:44:54 | 0:44:57 | |
And I know this...you need them back. | 0:44:59 | 0:45:02 | |
I didn't kill...Lauren! | 0:45:04 | 0:45:08 | |
Lizzie, I tried to save her! | 0:45:08 | 0:45:11 | |
I saw someone running from the house. | 0:45:11 | 0:45:15 | |
Scott...I believe you. | 0:45:15 | 0:45:18 | |
And I promise you, I'm going to do everything in my power to prove it. | 0:45:19 | 0:45:24 | |
-He must have known he'd be seen. -He's been inside for 16 years, | 0:45:35 | 0:45:38 | |
back then everything we did wasn't being watched and recorded. | 0:45:38 | 0:45:42 | |
Ooh. I bet the CCTV in the lift hasn't been seen. | 0:45:42 | 0:45:45 | |
-Oh, yeah. -There's CCTV in the lift? -Yeah, they were putting it in yesterday. I'll give 'em a call. | 0:45:45 | 0:45:50 | |
-Where's Bunce now? -Being booked in. | 0:45:50 | 0:45:52 | |
Oh, that's a point. Should I phone Mike and see if he wants to sit in? | 0:45:52 | 0:45:55 | |
I'm meant to be playing fives with him. I'll call him to cancel and tell him what we've got. | 0:45:55 | 0:45:59 | |
Oh, hello. Here he is. | 0:45:59 | 0:46:01 | |
-The hero of the hour. -So how did you talk him down? -Oh, give over. | 0:46:03 | 0:46:07 | |
-Here. -Oh, you found 'em? -No, I cut some copies myself. -You're joking. | 0:46:10 | 0:46:15 | |
And guess what, they don't fit. | 0:46:15 | 0:46:17 | |
Look, I told you, they weren't relevant. | 0:46:17 | 0:46:20 | |
Evidence doesn't go missing without a good reason. | 0:46:20 | 0:46:23 | |
Why did you go round to Steffan King's flat? | 0:46:23 | 0:46:26 | |
I've told you, I wanted to know if he'd killed Lauren. | 0:46:26 | 0:46:29 | |
-But...he wasn't in. -No. | 0:46:29 | 0:46:33 | |
The cuts and bruises to your hands, how were they caused? | 0:46:33 | 0:46:36 | |
Brick wall, my fists. | 0:46:36 | 0:46:39 | |
Self inflicted. I've been doing it for 16 years. | 0:46:39 | 0:46:42 | |
How did you know where he lived? | 0:46:42 | 0:46:44 | |
I made a few calls. | 0:46:44 | 0:46:46 | |
Had you always suspected he was responsible for Lauren's death? | 0:46:46 | 0:46:49 | |
No. She would never have let him in. | 0:46:49 | 0:46:51 | |
So why did you go round there? | 0:46:51 | 0:46:53 | |
Because Gerry Standing told me he was investigating him | 0:46:54 | 0:46:57 | |
and I know you people don't go to the trouble of trying to nail a murder conviction on someone | 0:46:57 | 0:47:01 | |
if you didn't believe they've done it. How is Psycho, by the way? | 0:47:01 | 0:47:06 | |
Unconscious but not critical. | 0:47:06 | 0:47:09 | |
So when he comes round, I can walk out of here. | 0:47:09 | 0:47:13 | |
At the house you said you blamed Joe, why? | 0:47:16 | 0:47:22 | |
I didn't mean it like that. | 0:47:22 | 0:47:26 | |
It's just...when Joe was killed, | 0:47:26 | 0:47:31 | |
it tore me and Lauren to pieces. | 0:47:31 | 0:47:35 | |
His death...ripped a hole in me | 0:47:35 | 0:47:39 | |
that has never gone away and it never will. | 0:47:39 | 0:47:43 | |
Lauren, too. | 0:47:45 | 0:47:47 | |
People tried to help. | 0:47:47 | 0:47:51 | |
Family, friends. | 0:47:51 | 0:47:54 | |
Even Psycho did his best. | 0:47:54 | 0:47:57 | |
Mike was great. He...he really seemed to understand | 0:48:01 | 0:48:08 | |
what me and Lauren was going through. | 0:48:08 | 0:48:10 | |
He's one of the only coppers I ever met, who I actually got on with. | 0:48:10 | 0:48:14 | |
-Mike? Mike Fleming? -Yeah. | 0:48:15 | 0:48:18 | |
He was our family liaison officer. | 0:48:18 | 0:48:21 | |
Oh, he did what he could to help, I suppose. | 0:48:23 | 0:48:25 | |
And he was...he was always there for us. | 0:48:29 | 0:48:31 | |
Seven days a week, 24 hours. | 0:48:32 | 0:48:34 | |
HE HOLLERS | 0:48:56 | 0:48:59 | |
Mike! | 0:49:05 | 0:49:09 | |
Look. | 0:49:09 | 0:49:11 | |
CCTV from the lift. | 0:49:12 | 0:49:15 | |
Now, you can't see his face, but he's got a sports bag. | 0:49:15 | 0:49:20 | |
And these keys that Brian cut. | 0:49:21 | 0:49:24 | |
They wouldn't fit in the front door of your old flat, I don't suppose? | 0:49:25 | 0:49:30 | |
You see the problem I've got, is that I hate to get it wrong. | 0:49:32 | 0:49:36 | |
I know it's only human...but I really hate it and I trusted you. | 0:49:36 | 0:49:44 | |
I really got it wrong. | 0:49:46 | 0:49:48 | |
When one of our own lies and cheats like... | 0:49:48 | 0:49:54 | |
Ah... Boys! | 0:49:54 | 0:49:56 | |
Lauren and I first met after Joe had been killed in a hit-and-run. | 0:49:59 | 0:50:03 | |
I was a young copper trying to do my best and...we got close. | 0:50:05 | 0:50:09 | |
She was vulnerable and I... | 0:50:10 | 0:50:13 | |
It was deeply unprofessional, but these things happen and we fell in love. | 0:50:20 | 0:50:24 | |
I know I did. | 0:50:24 | 0:50:26 | |
After about a year, she said no more and that hurt but what could I do? | 0:50:29 | 0:50:34 | |
And then, six weeks later, out of the blue, | 0:50:34 | 0:50:38 | |
she calls me and says, "Please, come round, Mike. Please! I need you." | 0:50:38 | 0:50:43 | |
And that was the night of the murder? | 0:50:43 | 0:50:45 | |
She and Scott had gone to the pub, had an argument and she'd had enough of him and suddenly she wanted me. | 0:50:47 | 0:50:53 | |
Is that what she told you or is that what you assumed? | 0:50:53 | 0:50:57 | |
She told me she loved me and I believed her. | 0:50:57 | 0:50:59 | |
But when I went round to the house, she was drinking and emotional and... | 0:51:03 | 0:51:07 | |
I told her, "Come with me. Just pack your bags!" | 0:51:07 | 0:51:11 | |
But...Lizzie was asleep upstairs and she didn't want to leave her. | 0:51:11 | 0:51:17 | |
-So what'd you do, threaten her? -I never threatened her! | 0:51:17 | 0:51:20 | |
I thought I knew what was best. I thought that Scott was going to come back and hurt her! | 0:51:21 | 0:51:27 | |
I wanted to help her! | 0:51:27 | 0:51:29 | |
-Protect her. -And that's what you failed to do. | 0:51:29 | 0:51:33 | |
I don't know how it happened. | 0:51:37 | 0:51:38 | |
How she was holding the knife. | 0:51:40 | 0:51:41 | |
I tried to get it off her, but she told me to get off. | 0:51:43 | 0:51:46 | |
And...I was trying to get the knife off her. I was holding the handle. | 0:51:46 | 0:51:52 | |
But she was pulling it towards her and it ended up, | 0:51:52 | 0:51:55 | |
the knife ended up in her stomach and... She stabbed herself! | 0:51:55 | 0:51:59 | |
And...the blood! | 0:52:00 | 0:52:02 | |
And then Scott was coming through the front door and I ran to get my jacket. | 0:52:08 | 0:52:14 | |
So what Bunce said about coming home, finding her and trying to save her...was all true? | 0:52:16 | 0:52:24 | |
I ran out of the house and he came after me. | 0:52:30 | 0:52:33 | |
I ran down the street and through the alley. | 0:52:34 | 0:52:37 | |
Scott was chasing me but I was quicker and...I managed to get away. | 0:52:37 | 0:52:43 | |
To think I welcomed you to the team. | 0:52:44 | 0:52:47 | |
I thought you'd be an asset to the investigation. | 0:52:47 | 0:52:50 | |
It was an accident. | 0:52:50 | 0:52:51 | |
An accident that has seen an innocent man serve 16 years for a crime he didn't commit. | 0:52:53 | 0:52:58 | |
Wait! Wait! Look... | 0:53:27 | 0:53:31 | |
I just wanted to apologise to you for what I did to your garden all these years ago. | 0:53:32 | 0:53:37 | |
So... | 0:53:42 | 0:53:44 | |
You admit it was you? | 0:53:46 | 0:53:47 | |
Was that why? | 0:53:50 | 0:53:51 | |
Was that why you wouldn't admit to seeing Mike Fleming running out of my house after he murdered Lauren? | 0:53:51 | 0:53:57 | |
-I didn't see him. -But you did see me? | 0:53:57 | 0:54:01 | |
Look...Scott. | 0:54:01 | 0:54:04 | |
It was dark. | 0:54:06 | 0:54:08 | |
I told them what I thought I saw. | 0:54:10 | 0:54:13 | |
DOOR OPENS | 0:54:16 | 0:54:17 | |
Dad? | 0:54:28 | 0:54:30 | |
It's... all right. It's all right. | 0:54:30 | 0:54:33 | |
-I'm so sorry. -It's not your fault! It's not your fault. It never was. | 0:54:36 | 0:54:42 | |
Come here. | 0:54:43 | 0:54:45 | |
I knew the keys were important. | 0:54:57 | 0:54:59 | |
He gave them to Lauren a few months earlier in the hope | 0:54:59 | 0:55:01 | |
that she would leave Bunce and go and live with him. | 0:55:01 | 0:55:04 | |
Why did he bother taking 'em back? Nobody would have known they were his. | 0:55:04 | 0:55:07 | |
Ah, yeah, but he didn't reckon with the superhero, Brian Lane, king of the key cutters. | 0:55:07 | 0:55:12 | |
ALL LAUGH | 0:55:12 | 0:55:14 | |
-Brian, a word. You too, Sandra. -What? | 0:55:14 | 0:55:18 | |
Just say what you've got to say. | 0:55:19 | 0:55:23 | |
If it's all the same to you, I think this would be better dealt with in my office. | 0:55:23 | 0:55:27 | |
Brian, what's going on? What's happened? | 0:55:27 | 0:55:30 | |
Tell them. | 0:55:33 | 0:55:35 | |
-I really don't think... -Just tell them! Get it over with. | 0:55:35 | 0:55:39 | |
Brian recorded Commander Embleton saying he couldn't give a damn about Anthony Kaye | 0:55:47 | 0:55:52 | |
or the fact that he died in custody in the way that he did and he... | 0:55:52 | 0:55:56 | |
I gave the tape to Anthony Kaye's mother. | 0:55:56 | 0:56:00 | |
Oh, bloody hell! | 0:56:00 | 0:56:02 | |
-Brian, did you understand what you were...? -Yes, I knew what I was doing. | 0:56:02 | 0:56:05 | |
Brian, why didn't you talk to me? | 0:56:05 | 0:56:08 | |
I'm sorry. | 0:56:13 | 0:56:15 | |
But what's done is done and I'm not sorry about that. | 0:56:17 | 0:56:22 | |
Mrs Kaye had a right to know what happened to her son. | 0:56:22 | 0:56:25 | |
Then you give me no option, Brian. | 0:56:28 | 0:56:30 | |
You will leave this building and you will no longer be a member of UCOS. | 0:56:32 | 0:56:35 | |
Fine. | 0:56:41 | 0:56:42 | |
Why didn't you investigate this using proper police procedures? | 0:56:57 | 0:57:00 | |
And what would have happened? | 0:57:00 | 0:57:02 | |
They'd have been a long, drawn out internal enquiry. | 0:57:03 | 0:57:06 | |
And then somebody would have said "Oh, what's the point? Embleton's retired, let it go." | 0:57:09 | 0:57:13 | |
And Mrs Kaye would never have known. | 0:57:15 | 0:57:17 | |
But I would have known. | 0:57:21 | 0:57:22 | |
And I'd have had to live with that for the rest of me life. | 0:57:24 | 0:57:27 | |
And I've got enough on me plate as it is, thank you very much. | 0:57:29 | 0:57:32 | |
So, do you intend to stand by your evidence | 0:57:35 | 0:57:37 | |
and give a witness statement about what you heard Commander Embleton say? | 0:57:37 | 0:57:41 | |
Yes. | 0:57:43 | 0:57:45 | |
That is my intention. | 0:57:45 | 0:57:48 | |
Clear your desk. | 0:57:53 | 0:57:55 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 |