Browse content similar to The Rock - Part Two. Check below for episodes and series from the same categories and more!
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Anthony Kaye became my last collar before I retired. | 0:00:02 | 0:00:04 | |
Nothing you can say will make the death of her son any less painful. | 0:00:04 | 0:00:07 | |
So they covered up their own negligence. | 0:00:07 | 0:00:09 | |
THEY SCREAM | 0:00:09 | 0:00:10 | |
Until the result of the enquiry, you're suspended. | 0:00:10 | 0:00:12 | |
Before it was used on Christian Highsmith here, | 0:00:12 | 0:00:15 | |
-it was used to kill a 12-year-old boy, Danny Bossano. -In Gibraltar. | 0:00:15 | 0:00:18 | |
Imagine being the cold case officer here, eh? | 0:00:18 | 0:00:20 | |
You'd be bored out of your mind. | 0:00:20 | 0:00:23 | |
Danny was found dead inside one of the Second World War bunkers | 0:00:23 | 0:00:26 | |
on top of the Rock. | 0:00:26 | 0:00:27 | |
Danny was thought to be involved with traffickers, wasn't he? | 0:00:27 | 0:00:30 | |
Danny was a good boy! | 0:00:30 | 0:00:31 | |
Before you go mad, I've been investigating. Please, I can help. | 0:00:31 | 0:00:35 | |
I want Brian on the next flight out. | 0:00:35 | 0:00:37 | |
This is my business associate. Vince. Table. | 0:00:37 | 0:00:41 | |
Come on, take it! | 0:00:42 | 0:00:43 | |
Move, Move! | 0:00:43 | 0:00:45 | |
What was that? | 0:00:45 | 0:00:46 | |
That shipping agent you were telling me about, Gordon Fletcher. | 0:00:46 | 0:00:49 | |
What about him? | 0:00:49 | 0:00:50 | |
So we're just stuck in here? | 0:00:51 | 0:00:53 | |
THEY SCREAM | 0:00:53 | 0:00:55 | |
# It's all right It's OK | 0:00:57 | 0:00:59 | |
# Doesn't really matter If you're old and grey | 0:00:59 | 0:01:02 | |
# It's all right I say it's OK | 0:01:02 | 0:01:05 | |
# Listen to what I say | 0:01:05 | 0:01:07 | |
# It's all right Doing fine | 0:01:07 | 0:01:10 | |
# Doesn't really matter If the sun don't shine | 0:01:10 | 0:01:13 | |
# It's all right I say it's OK | 0:01:13 | 0:01:15 | |
# We're gettin' To the end of the day. # | 0:01:15 | 0:01:18 | |
There hasn't been a murder on the Rock in several years. | 0:01:24 | 0:01:26 | |
And within 12 hours of you showing up, | 0:01:26 | 0:01:28 | |
we're pulling a body out of the water. | 0:01:28 | 0:01:30 | |
You think we've broken your winning streak, eh? | 0:01:30 | 0:01:33 | |
My colleagues are fighting hard to change the reputation of this place. | 0:01:33 | 0:01:36 | |
-It matters to them. To all of us. -We know that. | 0:01:36 | 0:01:39 | |
Do you? Some of them think this man might still be alive | 0:01:39 | 0:01:42 | |
if you hadn't come here. | 0:01:42 | 0:01:43 | |
Look, we're sorry about what's happened to Gordon Fletcher, | 0:01:43 | 0:01:46 | |
but it's probably got something to do with the murder | 0:01:46 | 0:01:48 | |
of Christian Highsmith and maybe Danny Bossano. | 0:01:48 | 0:01:50 | |
Believe it or not, I'd thought of that too. | 0:01:50 | 0:01:52 | |
We need to solve this murder, then we'll unlock the other two. | 0:01:52 | 0:01:55 | |
I need to. This is my jurisdiction. My case. | 0:01:55 | 0:01:58 | |
And if it's all right with you, we'll do things my way now. | 0:01:58 | 0:02:02 | |
THEY SCREAM | 0:02:09 | 0:02:11 | |
-Are you all right? -Yeah. | 0:02:16 | 0:02:18 | |
Look, I'm sorry I got you into this. | 0:02:20 | 0:02:23 | |
There's no sorry when you're mates. | 0:02:25 | 0:02:27 | |
You're just mates, that's all. | 0:02:27 | 0:02:29 | |
The only way out is when that door opens. | 0:02:29 | 0:02:33 | |
From the outside. | 0:02:33 | 0:02:35 | |
And, depending on how far we're going, that might be days. | 0:02:35 | 0:02:39 | |
Well, there's only one question left then, isn't there? | 0:02:41 | 0:02:44 | |
What's that? | 0:02:44 | 0:02:45 | |
Am I going to eat you or are you going to eat me? | 0:02:46 | 0:02:49 | |
HE LAUGHS | 0:02:50 | 0:02:54 | |
Gerry's phone's still off. He's texted you? | 0:03:02 | 0:03:05 | |
No, no. This is from Esther. She says hasn't seen Brian for two days. | 0:03:05 | 0:03:09 | |
-It's freezing in here. -Yeah. | 0:03:09 | 0:03:11 | |
What have you got there? | 0:03:14 | 0:03:16 | |
I've been using it to organise my thoughts for the hearing. | 0:03:16 | 0:03:20 | |
You know, vocalisation techniques. | 0:03:20 | 0:03:23 | |
Maybe we should record a message for our families. | 0:03:25 | 0:03:28 | |
What for? | 0:03:28 | 0:03:29 | |
In case we're not found in time. | 0:03:29 | 0:03:31 | |
Brian, you're hardly Lane of the Antarctic. | 0:03:33 | 0:03:36 | |
Gerry, I don't know what I am any more. | 0:03:38 | 0:03:41 | |
Oh, no. You're not going to get all profound on me, are you? | 0:03:41 | 0:03:44 | |
Anthony Kaye's haunted me for years. | 0:03:44 | 0:03:47 | |
-Here we go. -No, no, no... | 0:03:47 | 0:03:50 | |
I always thought if I ever got the chance to just stand up there | 0:03:50 | 0:03:54 | |
and tell my side of the story | 0:03:54 | 0:03:56 | |
and face Embleton, somehow I'd feel better. | 0:03:56 | 0:03:59 | |
But now I've put everything on the line, I'm not so sure. | 0:04:01 | 0:04:04 | |
You're worried about losing your Moby, aren't you? | 0:04:04 | 0:04:08 | |
You mean my mojo? | 0:04:08 | 0:04:09 | |
No. I mean Moby. Moby-Dick. | 0:04:09 | 0:04:12 | |
For your information, Gerry, | 0:04:12 | 0:04:14 | |
I've never had any complaints in that department. | 0:04:14 | 0:04:16 | |
HE CHUCKLES | 0:04:16 | 0:04:18 | |
Nah, we're all Captain Ahab | 0:04:18 | 0:04:21 | |
and we've all got a Moby-Dick. | 0:04:21 | 0:04:23 | |
And proving what happened to that Anthony Kaye kid is yours. | 0:04:23 | 0:04:26 | |
Ooh, so the rumours are true then. You have read a book. | 0:04:26 | 0:04:31 | |
Nah, my first governor used to say, "Every copper's got a Moby-Dick." | 0:04:31 | 0:04:36 | |
Something that pulls him along in a straight line. | 0:04:36 | 0:04:39 | |
But it's got to be something worth going for, | 0:04:39 | 0:04:41 | |
you've got to feel it in your bones. | 0:04:41 | 0:04:43 | |
Bloody hell, you were right, you know. | 0:04:44 | 0:04:46 | |
It is getting really cold in here. | 0:04:46 | 0:04:48 | |
Oi, oi, oi! Behave yourself. | 0:04:51 | 0:04:53 | |
No, look, Gerry, we have to share our body warmth | 0:04:53 | 0:04:55 | |
or we might bloody freeze to death in here. | 0:04:55 | 0:04:58 | |
Yeah, all right. But no forking. | 0:04:58 | 0:05:01 | |
You mean spooning. | 0:05:04 | 0:05:05 | |
That and all. | 0:05:06 | 0:05:08 | |
What's forking anyway? | 0:05:10 | 0:05:12 | |
Go to sleep, Brian. | 0:05:12 | 0:05:14 | |
They don't look like angels. | 0:05:33 | 0:05:35 | |
THEY LAUGH | 0:05:43 | 0:05:45 | |
They're Spanish. It's a fruit farm. | 0:05:49 | 0:05:51 | |
That explains the stink of oranges in here. | 0:05:51 | 0:05:53 | |
I thought that was your aftershave. | 0:05:53 | 0:05:56 | |
Tiene una telefonio? | 0:05:57 | 0:05:59 | |
Telephone! | 0:05:59 | 0:06:01 | |
Telefono? No, but if you want, I can get you a jet pack. | 0:06:01 | 0:06:05 | |
Or a flying car? | 0:06:05 | 0:06:07 | |
THEY LAUGH | 0:06:07 | 0:06:09 | |
Alla. | 0:06:13 | 0:06:15 | |
THEY LAUGH | 0:06:15 | 0:06:17 | |
Let's try that way. | 0:06:17 | 0:06:18 | |
Grassy-arse. | 0:06:19 | 0:06:21 | |
THEY LAUGH | 0:06:21 | 0:06:22 | |
KNOCKING ON DOOR | 0:06:33 | 0:06:35 | |
-The bed has not been disturbed. -Um... | 0:06:40 | 0:06:43 | |
He's definitely not been here. Well, thanks anyway, Marcia. | 0:06:44 | 0:06:49 | |
You're welcome. | 0:06:49 | 0:06:51 | |
Oh, you got a message last night. | 0:06:51 | 0:06:53 | |
-Oh? -It was from Charlie. | 0:06:53 | 0:06:56 | |
What'd she say? | 0:06:57 | 0:06:59 | |
She said she did not want to talk. | 0:06:59 | 0:07:01 | |
Right. | 0:07:04 | 0:07:05 | |
-Gerry not back yet? -Oh! | 0:07:07 | 0:07:09 | |
Er...no. No, he's not. It's just... Well, cheers, Marcia. | 0:07:09 | 0:07:11 | |
Good job with the...room checking thing there. | 0:07:11 | 0:07:14 | |
"Room checking thing?" | 0:07:16 | 0:07:18 | |
Let's go and see Cruz, eh? | 0:07:18 | 0:07:20 | |
Well, up yours an' all! | 0:07:33 | 0:07:35 | |
That's three on the trot, not even a glance. | 0:07:35 | 0:07:37 | |
Maybe I should have a go. | 0:07:37 | 0:07:39 | |
No, I don't think so, Brian. This is a finally-honed technique, a skill. | 0:07:39 | 0:07:45 | |
On the other hand, | 0:07:45 | 0:07:46 | |
you don't see many dinner jackets hitching, do you? | 0:07:46 | 0:07:49 | |
You mean, stick me thumb out and hope for the best? | 0:07:49 | 0:07:51 | |
No, no, no. There's much more to it than that. | 0:07:51 | 0:07:53 | |
-Like what? -Come here, come here. | 0:07:53 | 0:07:55 | |
Stick your thumb up, you're right about that, | 0:07:55 | 0:07:58 | |
but keep your left arm straight so they can see that. | 0:07:58 | 0:08:01 | |
Why? | 0:08:01 | 0:08:02 | |
So they know you're not carrying a weapon. | 0:08:02 | 0:08:04 | |
Politics of the road are that hitchhikers have far less to fear from drivers | 0:08:04 | 0:08:09 | |
than drivers from hitchhikers. | 0:08:09 | 0:08:12 | |
Why's that? | 0:08:12 | 0:08:13 | |
Cos statistically, hitchhikers kill more drivers | 0:08:13 | 0:08:16 | |
than the other way round. | 0:08:16 | 0:08:17 | |
The trick is to make them feel safe, you see, unthreatened. | 0:08:17 | 0:08:21 | |
-All right? -All right. | 0:08:22 | 0:08:24 | |
Smile, then! | 0:08:25 | 0:08:26 | |
Oh, maybe not. Just be yourself. | 0:08:28 | 0:08:30 | |
Aargh! | 0:08:31 | 0:08:32 | |
If you can't control your team, | 0:09:09 | 0:09:10 | |
maybe you should put collars on them. | 0:09:10 | 0:09:12 | |
-Or just keep them in the kennel? -Are you going to help us or not? | 0:09:12 | 0:09:15 | |
Sure. It's not like I have a murder to investigate. | 0:09:15 | 0:09:18 | |
This is the footage from our CCTV Control Room. | 0:09:22 | 0:09:24 | |
You get any shots of our hotel from yesterday afternoon? | 0:09:24 | 0:09:27 | |
There. There, stop. | 0:09:30 | 0:09:33 | |
OK. Rewind it. | 0:09:33 | 0:09:35 | |
-Your eyes are sharper than mine. -I'd recognise that scalp anywhere. | 0:09:36 | 0:09:39 | |
Wherever he was going, he must have given Gerry the slip. | 0:09:39 | 0:09:41 | |
-Or Gerry let him go. -He wouldn't, not after you warned him off. | 0:09:41 | 0:09:44 | |
You've still got a lot to learn about Gerry. | 0:09:44 | 0:09:46 | |
-How many units have you got on the street? -12 patrols. | 0:09:46 | 0:09:49 | |
I've issued a description of a bad-tempered, chain-smoking, | 0:09:49 | 0:09:52 | |
compulsively abusive, 60-something | 0:09:52 | 0:09:54 | |
who should be treated with extreme caution. | 0:09:54 | 0:09:56 | |
MOBILE PHONE RINGS | 0:09:56 | 0:09:57 | |
-A picture's worth a thousand words, you know. -I gave them that too. | 0:09:57 | 0:10:00 | |
Hello? Gerry? | 0:10:00 | 0:10:01 | |
LOUD ROCK MUSIC | 0:10:01 | 0:10:03 | |
-'Guv'nor, Guv'nor! I'm sorry I haven't been in touch.' -I can't hear you. | 0:10:03 | 0:10:06 | |
'We're on our way back now...' | 0:10:06 | 0:10:08 | |
Sounds like a bloody rock concert! | 0:10:08 | 0:10:10 | |
A biker bar?! What the bloody hell were you doing in a biker bar?! | 0:10:10 | 0:10:14 | |
-And who's Raul? -He gave me a lift. | 0:10:14 | 0:10:16 | |
Then we had to have a drink with him and his mate Juan, who gave me a lift. | 0:10:16 | 0:10:19 | |
And the rest of the gang. | 0:10:19 | 0:10:21 | |
And they wouldn't let us leave until we'd joined. | 0:10:21 | 0:10:23 | |
-They took some of Gerry's blood. -It must be love. | 0:10:23 | 0:10:26 | |
Listen, Guv'nor, Laura Highsmith's shipping agent, Gordon Fletcher, | 0:10:26 | 0:10:30 | |
knows Harry Truman. | 0:10:30 | 0:10:32 | |
How do you know this? | 0:10:32 | 0:10:33 | |
We saw them meet up, after the poker game. | 0:10:33 | 0:10:36 | |
What poker game?! | 0:10:36 | 0:10:38 | |
You two have turned ignoring orders into an art form. | 0:10:38 | 0:10:41 | |
We were following a lead, actually. | 0:10:41 | 0:10:43 | |
What we did do was follow Fletcher down to the docks, | 0:10:43 | 0:10:46 | |
where he met with Levy Bossano. | 0:10:46 | 0:10:49 | |
-Are you sure about this? -Yeah. | 0:10:49 | 0:10:51 | |
We heard Fletcher say his name. | 0:10:51 | 0:10:53 | |
-Perhaps you misheard? -We heard all right. | 0:10:53 | 0:10:55 | |
I saw Fletcher give Bossano an envelope. | 0:10:55 | 0:10:58 | |
And that's when we got locked in the container. | 0:10:58 | 0:11:00 | |
And then Fletcher turns up dead. | 0:11:00 | 0:11:02 | |
Fletcher's dead?! | 0:11:02 | 0:11:04 | |
Yes, he is. | 0:11:04 | 0:11:06 | |
-You're making this hard for me, Brian! -Yeah, I know. -Really bloody hard! -I'm sorry. | 0:11:07 | 0:11:10 | |
What do you think will happen when Stickland finds out you're here? | 0:11:10 | 0:11:13 | |
Look, I know I've made a mess of things, | 0:11:13 | 0:11:16 | |
but I just wanted to get involved again. | 0:11:16 | 0:11:18 | |
I was trying to help. | 0:11:18 | 0:11:19 | |
I don't need your help! | 0:11:19 | 0:11:22 | |
Mind you, you wouldn't have this break without me, would you? | 0:11:22 | 0:11:25 | |
You have undermined me in front of the whole team. | 0:11:25 | 0:11:28 | |
You have shown me no respect whatsoever. | 0:11:28 | 0:11:31 | |
No, Sandra, I do respect you. | 0:11:31 | 0:11:33 | |
-Now, that's one thing I've always done. -Really? | 0:11:33 | 0:11:36 | |
Then why did you ignore my orders? | 0:11:36 | 0:11:39 | |
Well, cos it's what we do, isn't it? We follow hunches and chase leads. | 0:11:39 | 0:11:42 | |
When we're on the job. Which you're not! | 0:11:42 | 0:11:45 | |
Now, come on, you know as well as I do it doesn't work that way. | 0:11:45 | 0:11:50 | |
Look at all these kids. | 0:11:50 | 0:11:51 | |
Can you remember when you were like one of them? | 0:11:51 | 0:11:54 | |
Even when you're just starting out, | 0:11:54 | 0:11:56 | |
when you don't know your arse from your elbow, you know it isn't a job. | 0:11:56 | 0:12:00 | |
You know it'll never be a job. | 0:12:00 | 0:12:02 | |
It's a life. | 0:12:02 | 0:12:04 | |
Spare me the lecture, Brian. You're going straight home. | 0:12:04 | 0:12:06 | |
I can't go home... | 0:12:08 | 0:12:09 | |
..can I? | 0:12:12 | 0:12:13 | |
I can never go home. | 0:12:14 | 0:12:16 | |
And neither can you. | 0:12:17 | 0:12:19 | |
That's why we make such bloody awful husbands, wives, parents... | 0:12:19 | 0:12:23 | |
Speak for yourself. | 0:12:23 | 0:12:24 | |
I deserve that one. | 0:12:29 | 0:12:30 | |
No, I deserve it. | 0:12:35 | 0:12:36 | |
No. You don't, actually. Sorry. | 0:12:36 | 0:12:39 | |
But how can I help you, Brian, | 0:12:40 | 0:12:42 | |
-when you are always undoing things behind my back? -Oh! | 0:12:42 | 0:12:45 | |
I really wanted to crack this case. | 0:12:50 | 0:12:53 | |
Maybe this is the big black full stop then. | 0:12:57 | 0:13:00 | |
-I never thought it would come mid sentence. -Shut up. | 0:13:02 | 0:13:05 | |
Look at Jack. | 0:13:05 | 0:13:06 | |
One minute, everything is OK and in the next, it's snatched away. | 0:13:06 | 0:13:09 | |
Don't bring Jack into this. Don't! | 0:13:09 | 0:13:11 | |
Why? Why not? | 0:13:11 | 0:13:13 | |
Jack understood that life's for getting out there | 0:13:13 | 0:13:15 | |
and doing what you believe in. | 0:13:15 | 0:13:17 | |
Not sitting back and playing by the rules. | 0:13:17 | 0:13:20 | |
Waiting for some other bugger | 0:13:20 | 0:13:22 | |
to tell you what you should and shouldn't be doing. | 0:13:22 | 0:13:25 | |
He knew that once you've joined up, there's only this. | 0:13:25 | 0:13:28 | |
And when it's taken away, there's...nothing else. | 0:13:29 | 0:13:34 | |
Not for the likes of us, anyway. | 0:13:36 | 0:13:38 | |
What about Esther? | 0:13:42 | 0:13:45 | |
Do you think about her? | 0:13:45 | 0:13:46 | |
I think about her all the time. | 0:13:46 | 0:13:48 | |
You need to...you need to phone her. She's worried about you. | 0:13:50 | 0:13:53 | |
Yeah, yeah, I know. | 0:13:53 | 0:13:55 | |
Tell her you're going to be another day or so. | 0:13:55 | 0:13:57 | |
You're right. | 0:14:01 | 0:14:02 | |
I wouldn't have caught this break without you. | 0:14:03 | 0:14:06 | |
But what about Strickland? | 0:14:08 | 0:14:10 | |
Hold on, let me get this straight. | 0:14:14 | 0:14:17 | |
Are you saying she let you off the hook? | 0:14:17 | 0:14:19 | |
Nah, she's still going to kill me. | 0:14:19 | 0:14:21 | |
Just a bit later. | 0:14:21 | 0:14:23 | |
So, now, are you working for the Gibs? | 0:14:23 | 0:14:26 | |
Well, technically, I'm a civilian and they can hire whoever they like. | 0:14:26 | 0:14:30 | |
Who signed off on this? | 0:14:30 | 0:14:31 | |
Brian, excellent. We're searching the house, | 0:14:31 | 0:14:33 | |
but I'd like someone to talk to the daughter. | 0:14:33 | 0:14:35 | |
Sure, Guv. | 0:14:35 | 0:14:36 | |
You're calling him Guv? | 0:14:36 | 0:14:38 | |
You can call me that too, if you like? | 0:14:38 | 0:14:40 | |
-No, thanks, I'm all right. -Boss, then. Or Mr Cruz, if you prefer? | 0:14:40 | 0:14:44 | |
You've been re-assigned to my team. | 0:14:44 | 0:14:46 | |
Alongside Brian here, we'd like you to focus on the Danny Bossano case. | 0:14:46 | 0:14:49 | |
Search the house. | 0:14:49 | 0:14:51 | |
Did you know about this? | 0:14:51 | 0:14:53 | |
Gordon Fletcher was found dead shortly after your meeting with him. | 0:14:56 | 0:15:00 | |
Look at me. | 0:15:02 | 0:15:04 | |
Levy, look at me. | 0:15:04 | 0:15:06 | |
Did the meeting have something to do with Christian Highsmith | 0:15:07 | 0:15:11 | |
and his murder in 1998? | 0:15:11 | 0:15:12 | |
We checked your employment records. | 0:15:17 | 0:15:19 | |
Before you worked in that warehouse, you were in the merchant navy. | 0:15:19 | 0:15:23 | |
For 20 years. You jumped from ship to ship. | 0:15:23 | 0:15:27 | |
Ever jump onto one called the Gracie Highsmith? | 0:15:27 | 0:15:29 | |
Perhaps you could just tell us what was in that envelope Fletcher gave you? | 0:15:33 | 0:15:37 | |
Maybe Natalie can help us. | 0:15:39 | 0:15:41 | |
Did Gordon Fletcher ever come to the house? | 0:15:45 | 0:15:48 | |
No. | 0:15:48 | 0:15:50 | |
Maybe down to your offices at the docks then? | 0:15:50 | 0:15:52 | |
I told you - I'd never heard of that man until you told me his name. | 0:15:52 | 0:15:56 | |
So it's possible your father had a relationship with him | 0:15:56 | 0:15:58 | |
that you knew nothing about? | 0:15:58 | 0:16:00 | |
I don't know why my father met with that man last night. | 0:16:00 | 0:16:03 | |
If that even happened. But I do know he's not a murderer. | 0:16:03 | 0:16:06 | |
-How? -Excuse me? | 0:16:06 | 0:16:08 | |
How do you know? | 0:16:08 | 0:16:10 | |
I think I know my father, Mr Lane. | 0:16:10 | 0:16:11 | |
But didn't he go to sea when you were only six years old? | 0:16:11 | 0:16:15 | |
Send you off to boarding school? | 0:16:15 | 0:16:17 | |
That was a response to my brother's death. He was grieving. | 0:16:17 | 0:16:21 | |
So you must have spent most of your life apart from him, surely? | 0:16:21 | 0:16:24 | |
He was only trying to do what was best for me. | 0:16:24 | 0:16:27 | |
Give me an education, stability. | 0:16:27 | 0:16:29 | |
Yes, of course. | 0:16:29 | 0:16:31 | |
I didn't mean to offend you. | 0:16:31 | 0:16:33 | |
I'm just saying there must be an awful lot about him that you don't know. | 0:16:33 | 0:16:37 | |
I've spent my life trying to please him. | 0:16:39 | 0:16:42 | |
Make him proud. | 0:16:42 | 0:16:43 | |
I was the one who got him the job in the warehouse. | 0:16:43 | 0:16:46 | |
Why did you do that? | 0:16:46 | 0:16:48 | |
To bring him home. Close to me. | 0:16:48 | 0:16:51 | |
But it's never been enough. | 0:16:51 | 0:16:53 | |
Because you're not his son. | 0:16:55 | 0:16:56 | |
Do you know what that is like? | 0:17:00 | 0:17:01 | |
When you just can't be what someone wants you to be? | 0:17:03 | 0:17:05 | |
No matter how hard you try? | 0:17:07 | 0:17:09 | |
Oh, hang on. Thanks. | 0:17:09 | 0:17:11 | |
Yours? | 0:17:13 | 0:17:15 | |
My brother's. | 0:17:15 | 0:17:16 | |
-Did he do any other drawings like this? -Yes. | 0:17:19 | 0:17:23 | |
He wanted to be a soldier when he grew up. | 0:17:23 | 0:17:25 | |
Bingo! | 0:17:28 | 0:17:29 | |
I'm no mathematician, but from the weight of this, | 0:17:33 | 0:17:36 | |
I'd say that was 20, 25 grand, wouldn't you? | 0:17:36 | 0:17:40 | |
Feels more like 30 to me. | 0:17:43 | 0:17:45 | |
Now, why would a shipping agent from London be giving all this money | 0:17:47 | 0:17:51 | |
to a warehouseman from Gibraltar? | 0:17:51 | 0:17:53 | |
Fletcher was the middleman. Christian Highsmith the ship owner. | 0:17:53 | 0:17:57 | |
Are you the dealer? | 0:17:59 | 0:18:00 | |
If you are, this lowly appearance of yours is quite a disguise, isn't it? | 0:18:02 | 0:18:07 | |
I'm impressed you've stayed under our radar all this time. | 0:18:07 | 0:18:11 | |
When he was murdered, | 0:18:13 | 0:18:14 | |
Christian Highsmith was trying to raise half a million pounds. | 0:18:14 | 0:18:17 | |
Was that to pay you? | 0:18:17 | 0:18:18 | |
Won't you at least say something to defend yourself? | 0:18:22 | 0:18:25 | |
What about Danny? | 0:18:27 | 0:18:29 | |
Were you dealing when he was murdered? | 0:18:30 | 0:18:32 | |
Was he acting as a lookout for you? | 0:18:32 | 0:18:34 | |
Were you responsible for the death of your own son? | 0:18:34 | 0:18:37 | |
HE SIGHS | 0:18:42 | 0:18:44 | |
If you're going to charge me, get it over with. | 0:18:44 | 0:18:48 | |
We searched Levy's warehouse. Nothing. | 0:18:50 | 0:18:52 | |
Every time we mention his children, we get a reaction. | 0:18:52 | 0:18:55 | |
It's...it's like he wants to tell us something. | 0:18:55 | 0:18:58 | |
-But can't. -Yeah. | 0:18:58 | 0:19:00 | |
Gerry, you said Fletcher spoke to Truman before he met with Levy? | 0:19:01 | 0:19:05 | |
Yeah, at the casino. | 0:19:05 | 0:19:07 | |
Time to talk to him. | 0:19:07 | 0:19:09 | |
I will. I've agreed to have lunch with him today. | 0:19:09 | 0:19:12 | |
-On your own?! -Is that wise? | 0:19:12 | 0:19:14 | |
He's connected to Christian Highsmith. | 0:19:14 | 0:19:16 | |
He was seen with Fletcher, and if Levy Bassano won't talk, | 0:19:16 | 0:19:18 | |
then he's our last remaining avenue. | 0:19:18 | 0:19:20 | |
That's not the point. | 0:19:20 | 0:19:21 | |
If I cancel now, he'll be suspicious. | 0:19:21 | 0:19:24 | |
We should bring him in. | 0:19:24 | 0:19:26 | |
We'll find out more if you don't. | 0:19:26 | 0:19:27 | |
Why do you say that? | 0:19:27 | 0:19:29 | |
Call it instinct. | 0:19:29 | 0:19:30 | |
You sure that's what it's called? | 0:19:30 | 0:19:32 | |
Listen, you be careful. There's something wrong with that bloke. | 0:19:32 | 0:19:34 | |
-You should have seen the way he wound up Brian. -Here, look at this. | 0:19:34 | 0:19:38 | |
Danny kept on drawing right up until his murder. | 0:19:38 | 0:19:41 | |
MOBILE BLEEPS | 0:19:41 | 0:19:43 | |
But he kept drawing these three soldiers, over and over. | 0:19:43 | 0:19:45 | |
What if he wasn't a lookout for a gang? | 0:19:45 | 0:19:47 | |
Maybe he came into contact with these three. | 0:19:47 | 0:19:50 | |
Lunch. | 0:19:50 | 0:19:52 | |
Sorry I'm a little late. | 0:20:13 | 0:20:15 | |
-That's OK. -How much time do you have? | 0:20:15 | 0:20:17 | |
-As long as I want. -Good. | 0:20:17 | 0:20:19 | |
How are you finding Gibraltar? | 0:20:33 | 0:20:35 | |
Small. | 0:20:35 | 0:20:36 | |
-Have you seen the apes? -Is that where you're taking me? | 0:20:38 | 0:20:41 | |
It's a surprise. | 0:20:41 | 0:20:42 | |
CAR HORN HONKS | 0:21:06 | 0:21:09 | |
CAR HORN HONKS | 0:21:15 | 0:21:17 | |
Let's take her out, Ray. | 0:21:47 | 0:21:48 | |
-You don't suffer from sea sickness, do you? -No. | 0:21:56 | 0:21:59 | |
What are you waiting for? | 0:21:59 | 0:22:02 | |
Emilia Gray? | 0:22:02 | 0:22:03 | |
It was my mother's name. | 0:22:05 | 0:22:07 | |
Shit. | 0:22:42 | 0:22:43 | |
DOOR OPENS | 0:23:02 | 0:23:04 | |
I'm sorry to keep you, gentlemen. | 0:23:04 | 0:23:06 | |
I understand you have something else you want to show me. | 0:23:07 | 0:23:11 | |
What's this? | 0:23:12 | 0:23:13 | |
It was drawn by Danny Bossano. | 0:23:13 | 0:23:15 | |
Oh, the boy you were telling me about, from 1982? | 0:23:15 | 0:23:20 | |
We wondered if you could decipher it for us? | 0:23:20 | 0:23:23 | |
Oh. | 0:23:25 | 0:23:27 | |
The uniforms are accurate. DPM. | 0:23:27 | 0:23:29 | |
-DPM? -Disruptive Pattern Material. | 0:23:29 | 0:23:32 | |
It's the kind of uniform all British soldiers uniforms were made of until a few years ago. | 0:23:32 | 0:23:36 | |
So they were the uniforms worn in the Falkands, weren't they? | 0:23:36 | 0:23:39 | |
It's the kind of uniform every British soldier would have worn in 1982. | 0:23:39 | 0:23:42 | |
Now, these three soldiers appear in multiple drawings. | 0:23:42 | 0:23:46 | |
Anything else you can tell us about them? | 0:23:46 | 0:23:48 | |
-Like what? -Well, you might recognise the badge on his arm there. | 0:23:48 | 0:23:53 | |
It must have belonged to a particular regiment. | 0:23:53 | 0:23:56 | |
No. I can't make it out. | 0:23:56 | 0:23:59 | |
You've hardly looked. | 0:23:59 | 0:24:01 | |
No. I wish I could help. | 0:24:01 | 0:24:03 | |
Danny was found with a clansman radio. | 0:24:04 | 0:24:08 | |
At the time, it was thought to suggest | 0:24:08 | 0:24:10 | |
he might have been acting as a lookout for traffickers. | 0:24:10 | 0:24:13 | |
Wasn't he? | 0:24:13 | 0:24:14 | |
Well, those radios were commonly used | 0:24:14 | 0:24:16 | |
by the British military, weren't they? | 0:24:16 | 0:24:18 | |
Short wave. Good in the tunnels for training exercises. | 0:24:18 | 0:24:22 | |
What are you suggesting? | 0:24:22 | 0:24:25 | |
Nothing. Yet. | 0:24:25 | 0:24:27 | |
Just trying to establish how Danny might have come into contact | 0:24:27 | 0:24:30 | |
with these three soldiers. | 0:24:30 | 0:24:31 | |
Any word back from London about those records? | 0:24:31 | 0:24:34 | |
It'd be handy to know who was here in '82. | 0:24:34 | 0:24:36 | |
No, I'm afraid not. | 0:24:36 | 0:24:37 | |
They can be somewhat...cumbersome when it comes to things like that, | 0:24:37 | 0:24:41 | |
even for esteemed police colleagues. | 0:24:41 | 0:24:44 | |
Maybe we'll call them ourselves, eh? Directly. | 0:24:44 | 0:24:48 | |
That would be highly discourteous of you. | 0:24:48 | 0:24:50 | |
This wasn't just a boy that was murdered, Commander Sinclair. | 0:24:52 | 0:24:56 | |
This was a brother. And a son. | 0:24:56 | 0:24:58 | |
Courtesy doesn't come into it! | 0:24:58 | 0:25:00 | |
Listen, listen, when we came here before, | 0:25:17 | 0:25:20 | |
Sinclair had a picture of Mount Tumbleweed on his wall. | 0:25:20 | 0:25:23 | |
-Do you mean Tumbledown? -Yeah, that's the one. | 0:25:23 | 0:25:26 | |
Well, my mate Coxy, he's got the same picture over his bar. | 0:25:26 | 0:25:30 | |
-It's a bunch of soldiers in the Falklands. -So? | 0:25:30 | 0:25:34 | |
Well, it was there the day before yesterday and now it's gone. | 0:25:34 | 0:25:38 | |
Can you get a copy of it? | 0:25:38 | 0:25:40 | |
Aha! | 0:25:41 | 0:25:42 | |
I've never had a female detective on my boat. | 0:25:54 | 0:25:57 | |
And if we lose the word female? | 0:25:57 | 0:25:59 | |
Thank you. | 0:26:01 | 0:26:02 | |
You live well. | 0:26:06 | 0:26:08 | |
I work hard. | 0:26:11 | 0:26:12 | |
So why bring me all the way out here? | 0:26:13 | 0:26:16 | |
I didn't want you getting up and leaving a restaurant before we got to know each other. | 0:26:16 | 0:26:20 | |
And what makes you think I'd have left? | 0:26:20 | 0:26:22 | |
I think you're all about your work. | 0:26:27 | 0:26:29 | |
And don't know when to stop. | 0:26:30 | 0:26:31 | |
Are you not the same? | 0:26:33 | 0:26:35 | |
I used to be. | 0:26:35 | 0:26:36 | |
But then I learned to appreciate the finer things in life. | 0:26:38 | 0:26:41 | |
I came to Gibraltar to investigate the murder of Christian Highsmith. | 0:26:45 | 0:26:48 | |
And, within a day, his former business associate is dead. | 0:26:48 | 0:26:52 | |
Gordon. | 0:26:55 | 0:26:57 | |
You knew him? | 0:26:58 | 0:26:59 | |
I heard he had an accident last night. | 0:27:01 | 0:27:03 | |
Or the accident had him. | 0:27:03 | 0:27:04 | |
Either way, I'm very sorry about it. | 0:27:07 | 0:27:12 | |
You were seen talking with him shortly before it happened. | 0:27:14 | 0:27:17 | |
Tell "Dave" I'll drop his money off for him later today. | 0:27:19 | 0:27:22 | |
And say hello to Mr Table for me. | 0:27:22 | 0:27:25 | |
What were you talking about? | 0:27:25 | 0:27:27 | |
The money I owed him. | 0:27:28 | 0:27:29 | |
From a game? | 0:27:29 | 0:27:31 | |
-Two games. -How much? | 0:27:31 | 0:27:32 | |
30 grand. | 0:27:32 | 0:27:34 | |
I put it in a nice brown envelope. | 0:27:34 | 0:27:36 | |
Do you know what he did with that money? | 0:27:39 | 0:27:41 | |
Why would I? | 0:27:42 | 0:27:44 | |
He gave it to a man named Levy Bossano. | 0:27:44 | 0:27:47 | |
You know, I understand you need to ask these questions. | 0:27:54 | 0:27:59 | |
But I do feel a little disappointed that you felt it necessary | 0:28:00 | 0:28:03 | |
to have me followed last night. | 0:28:03 | 0:28:05 | |
-That wasn't me. One of my colleagues... -And today, on the way here. | 0:28:05 | 0:28:09 | |
A precaution. | 0:28:13 | 0:28:14 | |
An insult. | 0:28:16 | 0:28:17 | |
SIREN WAILS | 0:28:20 | 0:28:23 | |
Will you be going home with your friends | 0:28:29 | 0:28:32 | |
or would you like me to drop you off? | 0:28:32 | 0:28:34 | |
There you go. | 0:28:43 | 0:28:44 | |
Coxy sent me that, it's the same picture. | 0:28:46 | 0:28:49 | |
Why would Sinclair take this off his wall after you'd been there? | 0:28:49 | 0:28:53 | |
Presumably, there's something in it that he doesn't want us to see. | 0:28:53 | 0:28:56 | |
Or someone. | 0:28:56 | 0:28:58 | |
We should take this back to the Guv. | 0:29:00 | 0:29:02 | |
Which one? | 0:29:02 | 0:29:04 | |
Both. | 0:29:04 | 0:29:05 | |
No. First, I think we should phone London. | 0:29:05 | 0:29:10 | |
See if we can put some names to those faces. | 0:29:10 | 0:29:12 | |
This is bordering on police harassment, isn't it? | 0:29:37 | 0:29:40 | |
Police persistence. | 0:29:40 | 0:29:41 | |
-I'm sure my colleagues told you I've taken leave this afternoon. -They did. | 0:29:41 | 0:29:45 | |
Yeah, and you took it right after the time we came to see you. | 0:29:45 | 0:29:47 | |
-Was it something we said? -What do you want? | 0:29:47 | 0:29:50 | |
Why did you take that photograph down from your wall? | 0:29:50 | 0:29:53 | |
I have no idea what you're talking about. | 0:29:53 | 0:29:55 | |
The one of Mount Tumbledown? | 0:29:55 | 0:29:57 | |
Was it to hide the fact that your father was stationed here in 1982? | 0:29:57 | 0:30:01 | |
I don't see the relevance of this. | 0:30:01 | 0:30:03 | |
He was in that picture. | 0:30:03 | 0:30:04 | |
You called London. | 0:30:07 | 0:30:09 | |
We did. | 0:30:09 | 0:30:10 | |
And they were most helpful. | 0:30:10 | 0:30:12 | |
His regiment has a badge just like the one that Danny drew. | 0:30:12 | 0:30:17 | |
The one you told us you couldn't recognise. | 0:30:17 | 0:30:19 | |
What are you suggesting? | 0:30:19 | 0:30:20 | |
Well, someone brought the gun | 0:30:20 | 0:30:22 | |
that killed Danny back from the Falklands. | 0:30:22 | 0:30:24 | |
You're implying it was him? | 0:30:24 | 0:30:26 | |
At that time, Captain Sinclair, were you and your mother here too? | 0:30:26 | 0:30:29 | |
Yes, we were, but I cam assure you that my father had nothing to do with this. | 0:30:29 | 0:30:32 | |
Then why try and hide him from us? | 0:30:32 | 0:30:34 | |
Dad, Dad, come play with us! | 0:30:34 | 0:30:36 | |
You want to know why I don't like talking about my father? | 0:30:37 | 0:30:41 | |
Cos he committed suicide in 1984 when I was just 14 years old. | 0:30:41 | 0:30:45 | |
Guilt, maybe. | 0:30:45 | 0:30:46 | |
I can assure you guilt had nothing to do with it. | 0:30:46 | 0:30:50 | |
If you knew anything about combat or my father, you'd understand that. | 0:30:50 | 0:30:54 | |
-Where will you be for the rest of the day? -Around. | 0:30:54 | 0:30:57 | |
Ah, "Around", yeah. It's nice there, I hear. | 0:30:57 | 0:31:00 | |
If you'll excuse me, | 0:31:02 | 0:31:03 | |
I'm trying to spend some time with my children. | 0:31:03 | 0:31:06 | |
Boys! Come on! | 0:31:08 | 0:31:10 | |
They worship him. | 0:31:12 | 0:31:14 | |
All boys look up to their dad, don't they? | 0:31:14 | 0:31:17 | |
Not all. | 0:31:20 | 0:31:21 | |
Thanks so much for that. | 0:31:29 | 0:31:30 | |
There's no harm done. We haven't arrested him. | 0:31:30 | 0:31:33 | |
He has no reason to suppose we're even interested. | 0:31:33 | 0:31:35 | |
I think the bloody big boat with the lights and the sirens | 0:31:35 | 0:31:38 | |
-might have been a bit of a giveaway, don't you? -I was trying to protect you. | 0:31:38 | 0:31:41 | |
I can look after myself. | 0:31:41 | 0:31:43 | |
I'm starting to notice. | 0:31:43 | 0:31:44 | |
So you think Truman's in the clear? | 0:31:44 | 0:31:46 | |
He's explained himself. | 0:31:46 | 0:31:48 | |
Sandra, online gambling's a perfect front for laundering drugs money. | 0:31:48 | 0:31:52 | |
If you're going to be arresting people | 0:31:52 | 0:31:54 | |
because their businesses would make a good front, | 0:31:54 | 0:31:57 | |
you'd be arresting half of the Mediterranean. | 0:31:57 | 0:31:59 | |
Besides, our Government welcomed Truman with open arms. | 0:31:59 | 0:32:03 | |
Why? | 0:32:03 | 0:32:04 | |
They liked his vision for the future of Gibraltar. | 0:32:04 | 0:32:07 | |
A vision that placed it at the centre of Europe. | 0:32:07 | 0:32:09 | |
You don't think it's at least worth looking into some of his investments? | 0:32:09 | 0:32:12 | |
Maybe. | 0:32:12 | 0:32:14 | |
But let's see what my boys have come up with on Danny first. | 0:32:14 | 0:32:17 | |
Your boys? | 0:32:17 | 0:32:18 | |
Come on, Brian, we've been here 20 minutes. | 0:32:23 | 0:32:25 | |
Hang on, hang on. | 0:32:25 | 0:32:27 | |
-Come and stand here a minute, will you? -What for? | 0:32:27 | 0:32:30 | |
Just come here, will you! | 0:32:30 | 0:32:32 | |
Right, just stand there, against that wall. | 0:32:37 | 0:32:41 | |
-What are you doing? -Right a bit. | 0:32:41 | 0:32:42 | |
-No, the other way! -That's left! | 0:32:44 | 0:32:46 | |
There, stop. | 0:32:47 | 0:32:48 | |
Aha! | 0:32:51 | 0:32:52 | |
What do you mean, "Aha"? | 0:32:52 | 0:32:54 | |
-Swap over. -Ah... | 0:32:56 | 0:32:57 | |
Look at the picture. | 0:32:57 | 0:32:59 | |
Look at the picture. | 0:33:00 | 0:33:02 | |
Eh? | 0:33:03 | 0:33:04 | |
What am I looking at? | 0:33:07 | 0:33:09 | |
Look at the proportions of the soldiers | 0:33:09 | 0:33:11 | |
in relation to the lighthouse. | 0:33:11 | 0:33:13 | |
And then, look at me stood against it. | 0:33:13 | 0:33:16 | |
Oh, yeah! | 0:33:16 | 0:33:18 | |
The soldiers were dwarves?! | 0:33:18 | 0:33:20 | |
Where is it? | 0:33:23 | 0:33:24 | |
Here. | 0:33:25 | 0:33:27 | |
I thought Adam Sinclair might be covering up for his father. | 0:33:27 | 0:33:30 | |
But look at this. You can really see it there. | 0:33:30 | 0:33:33 | |
See what? | 0:33:33 | 0:33:34 | |
We assumed that these were drawings of three soldiers done by a child, | 0:33:34 | 0:33:38 | |
but they're not. | 0:33:38 | 0:33:39 | |
They're drawings of three kids. | 0:33:39 | 0:33:41 | |
Look at the perspective of the figures against the background, they're far too small. | 0:33:41 | 0:33:45 | |
It could be a mistake. It was drawn by a 12-year-old. | 0:33:45 | 0:33:47 | |
What about the others? He doesn't get the perspective wrong there, does he? | 0:33:47 | 0:33:50 | |
The trees? The buildings? | 0:33:50 | 0:33:52 | |
No, he's far too competent. All the proportions are correct. | 0:33:52 | 0:33:56 | |
So you're saying Danny was drawing his friends? | 0:33:56 | 0:33:58 | |
We thought that Sinclair was covering up for his dad. | 0:33:58 | 0:34:02 | |
But he wasn't, he was covering up for himself. | 0:34:02 | 0:34:06 | |
If Sinclair was here as a child, could he have known Danny? | 0:34:06 | 0:34:09 | |
More than possible. | 0:34:09 | 0:34:10 | |
Children copy their parents, don't they? | 0:34:10 | 0:34:13 | |
I know our Mark was always playing police cars when he was that age. | 0:34:13 | 0:34:17 | |
So maybe Adam Sinclair was pretending to be like his father | 0:34:17 | 0:34:20 | |
and Danny was playing along. | 0:34:20 | 0:34:22 | |
I mean, look at it from a kid's point of view - | 0:34:22 | 0:34:25 | |
you're living in this tiny country which is really a big military base. | 0:34:25 | 0:34:29 | |
We've won the war. It was a huge triumph. | 0:34:29 | 0:34:32 | |
Then, all these soldiers pour onto the Rock with their stories. | 0:34:32 | 0:34:35 | |
-And their trophy guns. -We need to talk to Sinclair. | 0:34:35 | 0:34:38 | |
You want me to arrest a member of the military establishment? | 0:34:43 | 0:34:45 | |
I'm asking you to apprehend a strong suspect | 0:34:45 | 0:34:48 | |
for the murder of your victim. Yes. | 0:34:48 | 0:34:50 | |
This will have consequences. | 0:34:50 | 0:34:52 | |
Anything worth doing usually does. | 0:34:52 | 0:34:54 | |
And I don't think you can compromise on this one, do you? | 0:34:54 | 0:34:57 | |
'Tango, sierra, two, one. Suspect not at home. | 0:34:58 | 0:35:01 | |
'We're searching the area.' | 0:35:01 | 0:35:03 | |
'Echo, two, one, one, five. Suspect spotted near the botanical gardens.' | 0:35:03 | 0:35:07 | |
SIREN WAILS | 0:35:09 | 0:35:11 | |
That's him. | 0:35:11 | 0:35:12 | |
Go down to the bottom. | 0:35:18 | 0:35:20 | |
Suspect heading onto the Rock. | 0:36:22 | 0:36:24 | |
Repeat - suspect heading onto the Rock. | 0:36:24 | 0:36:27 | |
Lost him? | 0:36:27 | 0:36:28 | |
Hope you have a good head for heights. | 0:36:28 | 0:36:31 | |
HE SIGHS | 0:36:33 | 0:36:34 | |
Stand still! | 0:36:51 | 0:36:52 | |
Oh, God! | 0:36:52 | 0:36:53 | |
HE PANTS | 0:36:53 | 0:36:56 | |
Suspect contained on top of the Rock. | 0:37:16 | 0:37:19 | |
Commander Sinclair, come away from the edge. | 0:37:25 | 0:37:27 | |
This is where I came to watch my father's ship come in. | 0:37:29 | 0:37:32 | |
I found the gun in his drawer. | 0:37:33 | 0:37:35 | |
All the boys on the Rock used to scavenge for souvenirs. | 0:37:38 | 0:37:42 | |
Anything the soldiers had thrown away. | 0:37:43 | 0:37:45 | |
The gun was like having a piece of the real war, all to ourselves. | 0:37:45 | 0:37:51 | |
My father thought it had been stolen. | 0:37:52 | 0:37:55 | |
Did you killed Danny with it? | 0:37:55 | 0:37:57 | |
It could have been me. | 0:38:00 | 0:38:01 | |
But it wasn't. | 0:38:03 | 0:38:04 | |
It was Christian. | 0:38:06 | 0:38:07 | |
Christian Highsmith? | 0:38:07 | 0:38:09 | |
That drawing you had? | 0:38:09 | 0:38:10 | |
I'm one of those soldiers. Danny's the other. | 0:38:12 | 0:38:14 | |
And the third is Christian. | 0:38:14 | 0:38:16 | |
I made him keep the gun and I never saw him again. | 0:38:19 | 0:38:22 | |
This place was our Mount Tumbledown. | 0:38:26 | 0:38:29 | |
'I'd read about it in the newspapers. | 0:38:29 | 0:38:31 | |
'How they fought from crag to crag, rock to rock. | 0:38:31 | 0:38:35 | |
'Taking out pockets of enemy. Lone riflemen in the dark.' | 0:38:35 | 0:38:38 | |
I couldn't believe my dad was involved. He was a hero. | 0:38:38 | 0:38:42 | |
He wouldn't talk about it, not even to me. | 0:38:43 | 0:38:46 | |
Perhaps he couldn't. | 0:38:48 | 0:38:50 | |
Most kids don't know when their childhood ends. | 0:38:51 | 0:38:54 | |
I read somewhere that as you get older, it just fades. | 0:38:54 | 0:38:57 | |
Little by little, until one day you wake up | 0:38:57 | 0:39:00 | |
and you realise it's been gone for years. | 0:39:00 | 0:39:03 | |
I can tell you the precise moment our childhood ended. | 0:39:06 | 0:39:09 | |
'You know how easy it is for boys' | 0:39:12 | 0:39:15 | |
to lose themselves when their blood's up? When they're excited? | 0:39:15 | 0:39:19 | |
Just for a moment, they forget it's a game. | 0:39:19 | 0:39:23 | |
'It's the opposite in real war. | 0:39:24 | 0:39:26 | |
'Sometimes, in the heat of battle, | 0:39:26 | 0:39:28 | |
'it feels like it can't be anything but a game. | 0:39:28 | 0:39:33 | |
'Danny wasn't like us. | 0:39:33 | 0:39:34 | |
'He was born here, so we made him play the Argie.' | 0:39:34 | 0:39:37 | |
Stupid, really. | 0:39:37 | 0:39:39 | |
And he wanted to be a British soldier more than anything. | 0:39:40 | 0:39:44 | |
He knew every inch of the Rock. All its secrets and shortcuts. | 0:39:44 | 0:39:49 | |
I took out the gun. | 0:39:53 | 0:39:55 | |
So heavy in my hand, so cold. | 0:39:55 | 0:39:57 | |
HE SOBS | 0:39:57 | 0:40:00 | |
We didn't know the gun was loaded. | 0:40:00 | 0:40:02 | |
GUNSHOT | 0:40:04 | 0:40:05 | |
I can still remember the sound it made, even now. | 0:40:14 | 0:40:16 | |
Not the sound of the gunshot, | 0:40:18 | 0:40:20 | |
but what came after it - this aching, migraine of a sound. | 0:40:20 | 0:40:24 | |
GUNSHOT | 0:40:24 | 0:40:25 | |
BUZZING | 0:40:25 | 0:40:27 | |
'It's always there!' | 0:40:27 | 0:40:28 | |
Drowning everything out! | 0:40:28 | 0:40:30 | |
Adam, don't! | 0:40:30 | 0:40:31 | |
Please, come away from the edge. | 0:40:37 | 0:40:39 | |
Come on. Come with me now. | 0:40:41 | 0:40:44 | |
Come on. | 0:40:47 | 0:40:48 | |
It's OK. It's OK. | 0:40:53 | 0:40:54 | |
HE CRIES | 0:40:54 | 0:40:55 | |
It's OK. It's OK. | 0:40:55 | 0:40:58 | |
So what happens to Sinclair now? | 0:41:06 | 0:41:09 | |
We're taking a statement. | 0:41:09 | 0:41:11 | |
Then, it'll be for the Attorney General to decide. | 0:41:11 | 0:41:14 | |
Maybe Christian committed suicide. | 0:41:14 | 0:41:16 | |
Or somebody killed him with his own gun? | 0:41:16 | 0:41:19 | |
-Levy? -The father takes revenge for the son? | 0:41:19 | 0:41:22 | |
But how would he have known that it was Christian who killed Danny? | 0:41:22 | 0:41:26 | |
Mr Bossano, we now know | 0:41:26 | 0:41:27 | |
that Christian Highsmith was responsible for your son's death. | 0:41:27 | 0:41:31 | |
It was a game that went wrong. | 0:41:34 | 0:41:36 | |
You understand what we're telling you? | 0:41:41 | 0:41:44 | |
Danny was taken from me by another child? | 0:41:47 | 0:41:50 | |
Danny was an innocent. | 0:41:52 | 0:41:54 | |
Just like you always said. | 0:41:55 | 0:41:57 | |
He's still gone. | 0:42:02 | 0:42:04 | |
What about Natalie? | 0:42:06 | 0:42:08 | |
Your silence isn't helping her. | 0:42:08 | 0:42:10 | |
That's where you're wrong. | 0:42:12 | 0:42:14 | |
It's keeping her alive. | 0:42:14 | 0:42:16 | |
If you want me to break it, you must do something for me. | 0:42:20 | 0:42:23 | |
Go to my home. Collect Natalie. | 0:42:24 | 0:42:27 | |
Make sure she's safe. | 0:42:30 | 0:42:32 | |
Why wouldn't she be safe? | 0:42:32 | 0:42:34 | |
Because he said he'd hurt her if I ever talked. | 0:42:36 | 0:42:40 | |
Who? | 0:42:40 | 0:42:41 | |
Truman. | 0:42:45 | 0:42:46 | |
This whole thing's about Truman. | 0:42:49 | 0:42:51 | |
After Danny died, I left my daughter, went to sea. | 0:42:53 | 0:42:58 | |
Moved from ship to ship. | 0:42:58 | 0:43:00 | |
And eventually, ended up working for Truman on the Emilia Gray. | 0:43:00 | 0:43:04 | |
He was involved in smuggling and he needed a new route. | 0:43:04 | 0:43:08 | |
Christian lost a lot of money in Truman's casino. | 0:43:09 | 0:43:12 | |
And the only payment Truman would accept | 0:43:12 | 0:43:15 | |
was access to a container ship. | 0:43:15 | 0:43:17 | |
But Christian changed his mind | 0:43:17 | 0:43:19 | |
and, one night, he came aboard the Emilia Gray. | 0:43:19 | 0:43:23 | |
Said he was shaming his family. | 0:43:23 | 0:43:24 | |
He pulled that gun. | 0:43:27 | 0:43:29 | |
But Truman overpowered him. | 0:43:29 | 0:43:31 | |
Shot him. Killed him with his own gun. | 0:43:31 | 0:43:34 | |
I thought it was over until Fletcher came last night with the money. | 0:43:34 | 0:43:39 | |
Said Truman wanted reassurance that I would keep my word. | 0:43:39 | 0:43:43 | |
He was scared. | 0:43:44 | 0:43:46 | |
He knew that Truman always makes people pay for their mistakes. | 0:43:46 | 0:43:50 | |
Every boy on the Rock dreams of being a soldier or a sailor when he grows up. | 0:43:58 | 0:44:03 | |
That dream killed my Danny. | 0:44:06 | 0:44:08 | |
He's at peace now. | 0:44:13 | 0:44:14 | |
Thank you. | 0:44:15 | 0:44:16 | |
Well, Brian. If things don't go your way tomorrow, | 0:44:24 | 0:44:27 | |
I have a spot for you out here. | 0:44:27 | 0:44:29 | |
Thanks. But I've got to get back home. | 0:44:29 | 0:44:31 | |
What about me, then? | 0:44:31 | 0:44:33 | |
I suppose every genius needs a sidekick. | 0:44:33 | 0:44:36 | |
Nah, it's too pokey for me. | 0:44:36 | 0:44:38 | |
Pokey? Pokey, how? | 0:44:38 | 0:44:40 | |
Don't listen to him, he thought Glasgow was pokey. | 0:44:40 | 0:44:43 | |
Well, I won't lie to you, I'll sleep easier tonight | 0:44:43 | 0:44:46 | |
knowing that you've gone home. | 0:44:46 | 0:44:48 | |
And I'll sleep easier knowing I can leave the window open | 0:44:48 | 0:44:50 | |
without a monkey crapping all over my bed. | 0:44:50 | 0:44:53 | |
-It's something to tell the grandchildren though, right? -True enough. Ta-ra. Good luck. | 0:44:53 | 0:44:56 | |
-All the best. -All the best, see you. | 0:44:56 | 0:44:58 | |
-Think they'll make it to the plane without getting into trouble? -No. Probably not. | 0:45:01 | 0:45:05 | |
Bye. | 0:45:07 | 0:45:08 | |
I found this in your washing, do you need it? | 0:45:23 | 0:45:26 | |
-What? -This. | 0:45:26 | 0:45:28 | |
Oh, no. It's been no bloody use anyway. | 0:45:28 | 0:45:31 | |
I still don't know what I'm going to say when I get in there. | 0:45:31 | 0:45:35 | |
-Well, stick it in your pocket just in case. -This bloody thing! | 0:45:35 | 0:45:38 | |
You're going to throttle yourself. Let me. | 0:45:38 | 0:45:42 | |
Jack was right, Esther. | 0:45:42 | 0:45:44 | |
I didn't find anything in that file to prove they were lying. | 0:45:44 | 0:45:47 | |
It doesn't mean they weren't lying though, does it? | 0:45:47 | 0:45:49 | |
But what'll I do today? Embleton'll wipe the floor with me. | 0:45:49 | 0:45:53 | |
Tell the truth. Get it out. Get rid of it. | 0:45:53 | 0:45:56 | |
Have you forgiven me? | 0:45:59 | 0:46:01 | |
-What for? -We had words. | 0:46:01 | 0:46:04 | |
We've had words before. | 0:46:04 | 0:46:05 | |
But not words-words. | 0:46:05 | 0:46:08 | |
If we can't have words-words and still be all right | 0:46:08 | 0:46:11 | |
after all that we've been through | 0:46:11 | 0:46:14 | |
then it's a pretty poor do, isn't it? | 0:46:14 | 0:46:17 | |
Come on. You'll do. | 0:46:19 | 0:46:21 | |
Leave your tie alone! | 0:46:23 | 0:46:24 | |
Oh! | 0:46:50 | 0:46:51 | |
That's better Dave. | 0:46:53 | 0:46:55 | |
Oi! Oi! | 0:46:55 | 0:46:57 | |
There was no sign that he was in any distress. | 0:46:57 | 0:46:59 | |
Distress. Declined. Distress. | 0:47:02 | 0:47:06 | |
Aggression! | 0:47:06 | 0:47:09 | |
Aggression! | 0:47:17 | 0:47:18 | |
Are you all right? | 0:47:22 | 0:47:24 | |
They're ready for you, Brian. | 0:47:25 | 0:47:27 | |
I want you to promise me something. | 0:47:27 | 0:47:30 | |
When you come out of there, whatever happens, it's done. | 0:47:30 | 0:47:34 | |
You leave all this in that room and you come back to me. | 0:47:34 | 0:47:38 | |
All right? | 0:47:38 | 0:47:40 | |
Aggression! Aggression! | 0:47:40 | 0:47:43 | |
Morning, everybody. These proceedings will commence in a few moments. | 0:47:50 | 0:47:54 | |
-Which one of you couldn't spell, Bill? -Members of the panel, | 0:47:54 | 0:47:57 | |
you have the initial complaint from Commander Embleton? | 0:47:57 | 0:47:59 | |
You should also have the initial response from Mr Lane? | 0:47:59 | 0:48:03 | |
Whoever it was, you shouldn't have got him to write all three statements. | 0:48:03 | 0:48:06 | |
-Stop talking, Brian. -Neither party has chosen to call in any witnesses. | 0:48:06 | 0:48:11 | |
So we will hear from Commander Embleton first. | 0:48:11 | 0:48:13 | |
Then we'll hear from Mr Lane before deliberating. | 0:48:13 | 0:48:16 | |
I bet it was you, wasn't it? | 0:48:16 | 0:48:18 | |
Now, if everybody's ready? Good. | 0:48:18 | 0:48:22 | |
Commander Embleton, would you come forward, please? | 0:48:22 | 0:48:25 | |
This is your opportunity to provide more detail | 0:48:31 | 0:48:34 | |
and our opportunity to ask questions if we deem them necessary. | 0:48:34 | 0:48:38 | |
-I understand. -Please begin when you're ready. | 0:48:38 | 0:48:41 | |
Oh, I'm looking forward to this. | 0:48:41 | 0:48:43 | |
Well, as I'm sure you all know, | 0:48:46 | 0:48:48 | |
I've given the better part of my life to this force. | 0:48:48 | 0:48:53 | |
Retirement gives you...pause for thought. | 0:48:55 | 0:48:58 | |
It's a chance to enjoy the achievements... | 0:48:59 | 0:49:02 | |
-What achievements? -Mr Lane! | 0:49:02 | 0:49:05 | |
And to reflect upon the mistakes. | 0:49:05 | 0:49:08 | |
When I first met Brian, he was a DI in Serious Crime | 0:49:10 | 0:49:13 | |
and I was a mere Custody Officer at the station. | 0:49:13 | 0:49:16 | |
Shortly after that first meeting... | 0:49:18 | 0:49:21 | |
..Brian Lane suffered some kind of a breakdown. | 0:49:24 | 0:49:27 | |
He was retired on mental health grounds. | 0:49:27 | 0:49:29 | |
-What's that got to do with anything?! -Mr Lane, if you're unable to restrain yourself, | 0:49:29 | 0:49:32 | |
-then you'll need to step outside. -But... -Brian, be quiet! | 0:49:32 | 0:49:36 | |
As his career was declining, mine was gaining momentum. | 0:49:36 | 0:49:40 | |
BRIAN SIGHS | 0:49:40 | 0:49:42 | |
He's had to watch from the sidelines as I have risen through the ranks. | 0:49:42 | 0:49:46 | |
In a way, I became a kind of a barometer for his failure. | 0:49:46 | 0:49:51 | |
-You bastard! -Mr Lane! -Brian. | 0:49:51 | 0:49:54 | |
He must have seen that I was retiring and...something snapped. | 0:49:55 | 0:49:59 | |
Just as it did all those years ago. | 0:49:59 | 0:50:03 | |
But I realise now that this impulsive behaviour can't be helped. | 0:50:03 | 0:50:10 | |
It's not his fault. | 0:50:10 | 0:50:13 | |
And I attribute no blame to him whatsoever. | 0:50:13 | 0:50:16 | |
Don't rise to it. Brian, don't. | 0:50:16 | 0:50:18 | |
As a result, I feel it would be inappropriate of me to continue with this. | 0:50:18 | 0:50:23 | |
I'd like to withdraw my complaint. | 0:50:25 | 0:50:28 | |
Commander Embleton, are you sure about this? | 0:50:28 | 0:50:31 | |
I am. | 0:50:31 | 0:50:33 | |
What...?! | 0:50:33 | 0:50:35 | |
He's suffered enough. | 0:50:41 | 0:50:43 | |
These proceedings are at an end. | 0:50:50 | 0:50:52 | |
-Don't you want to hear what I have to say?! -It's not necessary, Mr Lane. | 0:50:52 | 0:50:56 | |
-But I've been suspended! I have a right to clear me name! -No, Mr Lane. | 0:50:56 | 0:50:59 | |
Now the complaint has been withdrawn you are no longer suspended. | 0:50:59 | 0:51:03 | |
-Brian, it's over. -What do you mean, over?! | 0:51:03 | 0:51:05 | |
You don't want them to hear, do you? | 0:51:05 | 0:51:08 | |
He knows what he did! He knows! | 0:51:08 | 0:51:11 | |
-Brian! -Thank you, Mr Lane. | 0:51:11 | 0:51:13 | |
-What happened? -Where did Embleton go? | 0:51:19 | 0:51:22 | |
-What's the matter? -Which way did he go, Esther? | 0:51:22 | 0:51:24 | |
He went this way. | 0:51:24 | 0:51:26 | |
Is this what you call "leaving it in the room"? | 0:51:27 | 0:51:30 | |
Not this time, Sandra. | 0:51:31 | 0:51:34 | |
-He's been cleared. -No. He hasn't. | 0:51:34 | 0:51:37 | |
If you take another swing at me, Brian, be warned, | 0:51:47 | 0:51:49 | |
I'm not half cut this time. | 0:51:49 | 0:51:51 | |
I've got you, you bastard! Oh, I've bloody got you! | 0:51:51 | 0:51:55 | |
You've got nothing. | 0:51:55 | 0:51:57 | |
Those statements were supposed to be given independently, but the three of you colluded! | 0:51:57 | 0:52:02 | |
Or maybe the three of us can't spell, eh? | 0:52:02 | 0:52:05 | |
Good luck hanging us out to dry with that. | 0:52:05 | 0:52:08 | |
I left Anthony Kaye in your care! | 0:52:08 | 0:52:10 | |
Have you any idea what state you were in that night? | 0:52:12 | 0:52:15 | |
What did you think we were going to do? Take the fall? | 0:52:15 | 0:52:18 | |
Or stick it all on the drunk who could barely stand up let alone remember who said what? | 0:52:18 | 0:52:24 | |
I remember better than you think. | 0:52:24 | 0:52:26 | |
Why are you still buggering on about this?! | 0:52:26 | 0:52:30 | |
He was a scumbag! A wretched little bastard whose entire life was already mapped out for him. | 0:52:30 | 0:52:35 | |
-Somebody loved him! -Not enough. | 0:52:35 | 0:52:37 | |
You let Anthony Kaye die! | 0:52:37 | 0:52:39 | |
I didn't let him die. None of us did. | 0:52:39 | 0:52:42 | |
We just didn't waste any time or energy caring either way. | 0:52:42 | 0:52:46 | |
HE LAUGHS | 0:52:46 | 0:52:47 | |
Yeah, that's it, isn't it? | 0:52:47 | 0:52:50 | |
You do care. | 0:52:50 | 0:52:53 | |
You care about these deadbeats, lost causes. | 0:52:53 | 0:52:58 | |
Why is that? | 0:52:58 | 0:52:59 | |
Brian! | 0:53:01 | 0:53:03 | |
Oh, I get it. It's because you are a lost cause. | 0:53:05 | 0:53:09 | |
How much of your retirement have you pissed away on dead weight like Kaye | 0:53:11 | 0:53:15 | |
when you should have been spending your time at home? | 0:53:15 | 0:53:18 | |
Brian, let him go! | 0:53:18 | 0:53:20 | |
There's nothing at home, is there? | 0:53:22 | 0:53:25 | |
Is that why you fill your head with facts and figures about other people's lives? | 0:53:25 | 0:53:29 | |
Have you got no life of your own? | 0:53:29 | 0:53:30 | |
Come back to me, Brian! | 0:53:33 | 0:53:36 | |
Yeah, you're right...I do care. | 0:53:46 | 0:53:51 | |
I'm happy for you. | 0:53:51 | 0:53:53 | |
And I've done more good at UCOS than I ever did before. | 0:53:53 | 0:53:56 | |
Yeah, working cases nobody was bothered about in the first place? | 0:53:56 | 0:53:59 | |
When was the last time you attained justice for somebody, eh? | 0:54:01 | 0:54:05 | |
Do you remember what that felt like? | 0:54:07 | 0:54:09 | |
Did you even know what it felt like? | 0:54:11 | 0:54:13 | |
Or was it always about climbing up the pay scale? Huh? Getting on? | 0:54:15 | 0:54:19 | |
Yes, it was, wasn't it? | 0:54:21 | 0:54:24 | |
That's all it was! | 0:54:24 | 0:54:27 | |
And to think I chased you round the Hope, round the Horn... | 0:54:30 | 0:54:35 | |
HE LAUGHS | 0:54:35 | 0:54:37 | |
..round the Norway Maelstrom, round the fires of Perdition! | 0:54:37 | 0:54:43 | |
What are you banging on about?! | 0:54:43 | 0:54:45 | |
All that time... | 0:54:47 | 0:54:50 | |
All those years! | 0:54:50 | 0:54:53 | |
I was chasing nothing more than a...grubby, self-serving opportunist. | 0:54:53 | 0:55:00 | |
You were never worthy of my attentions, were you? | 0:55:03 | 0:55:06 | |
You were never remarkable enough. | 0:55:10 | 0:55:13 | |
Brian... | 0:55:22 | 0:55:24 | |
Enjoy your retirement...Commander. | 0:55:24 | 0:55:27 | |
When I became a man, I put away childish things. | 0:55:35 | 0:55:39 | |
Here. This should be played with. | 0:55:40 | 0:55:42 | |
I thought you said it was a collectible? | 0:55:42 | 0:55:44 | |
No, put it with the other stuff for the charity shop. | 0:55:44 | 0:55:47 | |
Ohh. Are you all right? You hardly touched your breakfast. | 0:55:47 | 0:55:50 | |
-No, I'm not hungry. -Where are you going? | 0:55:50 | 0:55:53 | |
-Hunting for a white whale. -Come again? | 0:55:53 | 0:55:57 | |
-UCOS. -Look at you, back in the fold and ready for anything. | 0:55:57 | 0:56:02 | |
You know when you asked me what would happen if I wasn't part of UCOS any more? | 0:56:05 | 0:56:09 | |
-Well, you are part of it. -Yeah, but what if I wasn't? | 0:56:09 | 0:56:12 | |
-Why...? Has something happened? -No. Not yet. | 0:56:12 | 0:56:16 | |
But if it did and things changed... | 0:56:16 | 0:56:20 | |
do you think we'd be all right? | 0:56:20 | 0:56:23 | |
Well, we'll cross that bridge when we come to it. | 0:56:23 | 0:56:26 | |
Hmm. | 0:56:34 | 0:56:35 | |
Ten years ago, I sat here and made you a promise, Anthony. | 0:56:38 | 0:56:43 | |
I hope you think I've kept it. | 0:56:46 | 0:56:48 | |
No. No, you're right. | 0:56:50 | 0:56:53 | |
There is one more thing. | 0:56:55 | 0:56:57 | |
-You told her you did triathlon? -Yeah, I was trying to impress her. | 0:56:57 | 0:57:01 | |
-Yeah, but triathlon?! -No, they do veteran's races. | 0:57:01 | 0:57:04 | |
Anyway, she said she was doing 10K next summer, | 0:57:04 | 0:57:07 | |
so I asked her what she was going to spend it on. | 0:57:07 | 0:57:10 | |
-Oh, no. Rumbled, yeah? -Absolutely. Now she won't take my phone calls. | 0:57:10 | 0:57:14 | |
-Said I only went to the gym to pull birds. -Well, you do, don't you? -Absolutely. | 0:57:14 | 0:57:20 | |
Er...tell me. What about you and Marcia, then? | 0:57:20 | 0:57:25 | |
Marcia? Well, that's for me to know and you to find out, pal. | 0:57:25 | 0:57:28 | |
That is a really nice line, that. | 0:57:34 | 0:57:36 | |
I've had loads of good feedback on this. | 0:57:36 | 0:57:39 | |
So let me know how you get on with it. And I'll see if I can get more of that stocking for you, OK? | 0:57:39 | 0:57:44 | |
All right. Cheers, love. Thank you, my lovely. | 0:57:44 | 0:57:47 | |
Thank you very much. Thank you. | 0:57:47 | 0:57:49 | |
Ohh! Hello, my love. | 0:57:49 | 0:57:52 | |
So you've came back for the two-for-one offer, then? | 0:57:52 | 0:57:55 | |
I really want you to know that I'm sorry. | 0:57:55 | 0:57:59 | |
There's no need to be sorry is there, my love? 1.29, please. | 0:57:59 | 0:58:02 | |
You look after yourself. | 0:58:07 | 0:58:10 | |
You, too. | 0:58:10 | 0:58:13 | |
-'Somebody loved him! -Not enough.' | 0:58:23 | 0:58:25 | |
'You let Anthony Kaye die!' | 0:58:25 | 0:58:29 | |
'He was a scumbag! A wretched little bastard whose entire life was already mapped out for him.' | 0:58:29 | 0:58:34 | |
'I didn't let him die. None of us did.' | 0:58:34 | 0:58:37 | |
'We just didn't waste any time or energy caring either way.' | 0:58:37 | 0:58:41 | |
Subtitles by Red Bee Media Ltd | 0:58:45 | 0:58:48 |