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# It's all right, it's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right, I say, it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:14 | |
# Doesn't really matter if the sun don't shine | 0:00:14 | 0:00:16 | |
# It's all right, I say, it's OK | 0:00:16 | 0:00:19 | |
# We're getting to the end of the day. # | 0:00:19 | 0:00:21 | |
'When you look into the Abyss, the Abyss also looks into you.' | 0:00:45 | 0:00:51 | |
# Oh, sadder than sad | 0:00:59 | 0:01:02 | |
# You're gone and I'm hurtin' so bad | 0:01:02 | 0:01:06 | |
# Like a clown I pretend to be glad... # | 0:01:06 | 0:01:09 | |
Memory Lane? You old bugger! | 0:01:36 | 0:01:39 | |
I haven't seen you for years. | 0:01:39 | 0:01:40 | |
Come to send me on my way, have you? Very nice. | 0:01:41 | 0:01:44 | |
Thank you. | 0:01:44 | 0:01:45 | |
SHRIEKS AND GASPS | 0:01:49 | 0:01:50 | |
Brian... | 0:01:58 | 0:01:59 | |
..what the bloody hell do you think you're doing? | 0:02:01 | 0:02:04 | |
I'd forgotten how much your knuckles bruise when you hit somebody. | 0:02:04 | 0:02:07 | |
I think it's your brain that's bruised. | 0:02:07 | 0:02:09 | |
Do you know who that was last night? | 0:02:09 | 0:02:10 | |
Of course I know. | 0:02:10 | 0:02:12 | |
So you assault the Met's most successful | 0:02:12 | 0:02:13 | |
commander in front of his family and 50 of his closest friends? | 0:02:13 | 0:02:16 | |
Dead smart(!) | 0:02:16 | 0:02:17 | |
The cell was just like this one. | 0:02:20 | 0:02:22 | |
I really thought a few hours in it would shake a story out of him. | 0:02:25 | 0:02:28 | |
What are you talking about? | 0:02:28 | 0:02:31 | |
He was a local lad. | 0:02:31 | 0:02:32 | |
Wannabe drug dealer. | 0:02:34 | 0:02:35 | |
Well, more of a gonnabe. | 0:02:35 | 0:02:37 | |
But he knew things. | 0:02:39 | 0:02:41 | |
He had contacts. | 0:02:41 | 0:02:42 | |
It was a good strategy. | 0:02:44 | 0:02:45 | |
Brian, who are you talking about? | 0:02:45 | 0:02:47 | |
So Anthony Kaye became my last collar before I retired. | 0:02:50 | 0:02:52 | |
What's this got to do with Embleton? | 0:02:52 | 0:02:55 | |
Embleton was one of the three officers on duty | 0:02:55 | 0:02:57 | |
when I brought Anthony into the station. | 0:02:57 | 0:03:00 | |
Anthony was drunk | 0:03:00 | 0:03:02 | |
so I told Bill and the others to book him in | 0:03:02 | 0:03:04 | |
but keep an eye on him. I was only gone a couple of minutes. | 0:03:04 | 0:03:06 | |
Where? | 0:03:06 | 0:03:07 | |
I needed a drink. | 0:03:09 | 0:03:11 | |
Ah, right. | 0:03:11 | 0:03:12 | |
When I got back, Anthony had choked on his own vomit. | 0:03:14 | 0:03:17 | |
They hadn't bothered to check him. | 0:03:18 | 0:03:20 | |
Of course, the paperwork said they'd done everything by the book. | 0:03:21 | 0:03:24 | |
So they covered up their own negligence? | 0:03:24 | 0:03:26 | |
Yeah, and drew attention to mine, the fact that I was drunk, | 0:03:26 | 0:03:30 | |
that I'd brought the lad in under the influence of God-knows-what. | 0:03:30 | 0:03:34 | |
This why they gave you early retirement? | 0:03:34 | 0:03:36 | |
Three sober testimonies against one that could barely stand up. | 0:03:36 | 0:03:39 | |
I'm just disappointed. | 0:03:47 | 0:03:50 | |
Embleton is the only one left from those days. | 0:03:50 | 0:03:53 | |
And if I let him go without doing something, what kind of copper am I? | 0:04:01 | 0:04:06 | |
What kind of man? | 0:04:07 | 0:04:08 | |
Don't be stupid, Brian! | 0:04:08 | 0:04:11 | |
Stupid? Yeah. That's exactly what I am! He's got the platinum pension, | 0:04:11 | 0:04:18 | |
the kids who love him | 0:04:18 | 0:04:20 | |
and a reputation that's so shiny you can see your face in it! | 0:04:20 | 0:04:23 | |
What have I got? | 0:04:25 | 0:04:26 | |
Arthritis, a son who wishes I didn't exist... | 0:04:27 | 0:04:31 | |
..and a name that'll never be clear. | 0:04:34 | 0:04:36 | |
You've got UCOS, you've got Esther and you've got us. | 0:04:37 | 0:04:41 | |
And not one of those things has ever let you down. | 0:04:41 | 0:04:44 | |
Commander Embleton has filed a complaint. | 0:04:53 | 0:04:56 | |
And as you assaulted him at 19.58, | 0:04:56 | 0:04:58 | |
two minutes before his contract with the Met expired... | 0:04:58 | 0:05:01 | |
And there'll be a disciplinary hearing? | 0:05:01 | 0:05:05 | |
You seem remarkably well informed. | 0:05:05 | 0:05:07 | |
Lucky guess. | 0:05:07 | 0:05:09 | |
Yes. The hearing will be in five days' time. | 0:05:09 | 0:05:13 | |
And will Embleton have to come back? | 0:05:13 | 0:05:17 | |
Each of you will need to make a statement before the panel, | 0:05:17 | 0:05:19 | |
answer questions and then they'll deliberate. | 0:05:19 | 0:05:22 | |
Brian, you do understand that if they uphold Embleton's | 0:05:22 | 0:05:25 | |
side of this, you'll be permanently dismissed from UCOS? | 0:05:25 | 0:05:28 | |
Permanently? | 0:05:28 | 0:05:30 | |
Until the result of the inquiry, you're suspended. | 0:05:30 | 0:05:32 | |
SHIP HORN | 0:05:38 | 0:05:40 | |
Brian takes a swing at Embleton, apparently, right? | 0:05:40 | 0:05:43 | |
I mean, you know the size of the man. Smacks him one. | 0:05:43 | 0:05:46 | |
He goes down like a sack of spuds. | 0:05:46 | 0:05:48 | |
Was Brian drunk? | 0:05:49 | 0:05:50 | |
He says not. | 0:05:50 | 0:05:52 | |
Bloody hell! | 0:05:52 | 0:05:53 | |
What's that? | 0:05:54 | 0:05:56 | |
Mmm. This is the latest thing in smoking cessation technology. | 0:05:56 | 0:06:01 | |
The electric fag. | 0:06:01 | 0:06:02 | |
Very hi tech. | 0:06:04 | 0:06:05 | |
This pistol was found there on the riverbank yesterday afternoon. | 0:06:14 | 0:06:18 | |
Early ballistics suggest it was used to kill | 0:06:18 | 0:06:20 | |
Christian Highsmith on the 6th of August, 1998. | 0:06:20 | 0:06:23 | |
Ten days after he disappeared, | 0:06:25 | 0:06:27 | |
Christian's body washed up on the Isle of Dogs. | 0:06:27 | 0:06:30 | |
So he was the heir to a shipping fortune, huh? | 0:06:30 | 0:06:32 | |
Yeah, the son of the highly decorated Second World War veteran | 0:06:32 | 0:06:35 | |
Sir Charles Highsmith. | 0:06:35 | 0:06:36 | |
Looks like the apple fell far from the tree, eh? | 0:06:36 | 0:06:38 | |
Then it rolled down the hill, stopping off at all the bars, | 0:06:38 | 0:06:41 | |
brothels and casinos. | 0:06:41 | 0:06:43 | |
Christian was in charge of the family's container fleet, | 0:06:43 | 0:06:46 | |
and 11 months before he died, 20 kilos of cocaine was found | 0:06:46 | 0:06:49 | |
in a funnel on one of their ships, the Gracie Highsmith. | 0:06:49 | 0:06:52 | |
What, they thought he was into smuggling? | 0:06:52 | 0:06:54 | |
His sister, Laura Highsmith, denies it, but we'll talk to her. | 0:06:54 | 0:06:56 | |
The new evidence here is the gun, so Gerry, I want you to focus on that. | 0:06:56 | 0:07:00 | |
Where's Brian when you need him? Hold on, look. | 0:07:00 | 0:07:02 | |
It's got a blue and white insignia on the barrel here. | 0:07:02 | 0:07:05 | |
Looks like a flag. | 0:07:05 | 0:07:07 | |
Yes. The pistol is a Sistema Colt. | 0:07:07 | 0:07:09 | |
Standard issue for the Argentine military during the Falklands War. | 0:07:09 | 0:07:13 | |
You were expecting tears? | 0:07:19 | 0:07:21 | |
I was expecting something. | 0:07:21 | 0:07:23 | |
I'm sorry to deprive you of an emotional fireworks display | 0:07:23 | 0:07:26 | |
but stoicism runs in the family. | 0:07:26 | 0:07:28 | |
Was your brother like that? | 0:07:28 | 0:07:29 | |
No, more's the pity. | 0:07:29 | 0:07:31 | |
We did everything to try and keep him on course. | 0:07:31 | 0:07:33 | |
But it wasn't enough. | 0:07:33 | 0:07:34 | |
Why was he trying to raise half a million pounds | 0:07:34 | 0:07:36 | |
before he was murdered? | 0:07:36 | 0:07:38 | |
I didn't know the answer then and I still don't. | 0:07:38 | 0:07:40 | |
Street value of that coke must have been at least half a million. | 0:07:40 | 0:07:42 | |
This again? The drugs were seized. | 0:07:42 | 0:07:44 | |
-Nobody made any money from them. -Exactly. | 0:07:44 | 0:07:47 | |
If Christian had agreed to smuggle the drugs, | 0:07:47 | 0:07:49 | |
he'd be held responsible for their loss, wouldn't he? | 0:07:49 | 0:07:51 | |
-Your assumptions are arbitrary at best. -Why? | 0:07:51 | 0:07:54 | |
Because any opportunist could have put that bag into the ship's | 0:07:56 | 0:07:58 | |
funnel without Christian or the crew knowing anything about it. | 0:07:58 | 0:08:01 | |
Sounds like the perfect cover if you get caught. | 0:08:01 | 0:08:03 | |
He wasn't caught. He was cleared. | 0:08:03 | 0:08:06 | |
There are thousands of ships going in and out of ports every day. | 0:08:06 | 0:08:09 | |
This kind of thing happens all the time. | 0:08:09 | 0:08:11 | |
We are well aware of how hard it is to police international shipping. | 0:08:11 | 0:08:14 | |
Then you'll know that the vast majority of these incidents have | 0:08:14 | 0:08:17 | |
nothing whatsoever to do with the ship-owners, won't you? | 0:08:17 | 0:08:20 | |
BANGS DOOR | 0:08:22 | 0:08:23 | |
Coxy? | 0:08:23 | 0:08:24 | |
Coxy? | 0:08:27 | 0:08:28 | |
Come on, you old sheep shagger! I know you're in there. | 0:08:28 | 0:08:31 | |
I can smell the leek and potato soup from here. | 0:08:31 | 0:08:33 | |
Oi! That's racist talk, that is. | 0:08:34 | 0:08:37 | |
Behave yourself and open the door. | 0:08:37 | 0:08:39 | |
I haven't seen you since you nicked me | 0:08:41 | 0:08:43 | |
for having that hash farm in the old folks' home. | 0:08:43 | 0:08:46 | |
Oh, that's right, yeah. Down in the laundry room. Yeah. | 0:08:46 | 0:08:48 | |
Very creative use of space, I thought. | 0:08:48 | 0:08:50 | |
And there was that old guy who thought he was Genghis Kahn. | 0:08:50 | 0:08:53 | |
Chaka Kahn. | 0:08:53 | 0:08:54 | |
That's the one, yeah. Listen, I need to talk to you, mate. | 0:08:54 | 0:08:58 | |
Won't take you long. | 0:08:58 | 0:08:59 | |
Should I be doing a runner? | 0:08:59 | 0:09:01 | |
Don't know. Should you? | 0:09:01 | 0:09:02 | |
-Come in, then. -Cheers. | 0:09:03 | 0:09:05 | |
Listen, look at this. Seen one of those before? | 0:09:09 | 0:09:13 | |
I had one fired at me, mate. | 0:09:13 | 0:09:15 | |
Oh, yeah, of course. You had it rough, too, didn't you? | 0:09:17 | 0:09:20 | |
Is that why you always went easy on me? | 0:09:20 | 0:09:22 | |
Well, easier. Don't tell the others, though. | 0:09:22 | 0:09:25 | |
Why's this gun got your goat, then? | 0:09:25 | 0:09:27 | |
It was fished out of the Thames a couple of days ago. | 0:09:27 | 0:09:29 | |
We matched it to a murder. | 0:09:29 | 0:09:31 | |
You got any idea how it could have got into circulation? | 0:09:31 | 0:09:35 | |
You asking me normally or in italics? | 0:09:35 | 0:09:37 | |
Coxy, I'm just asking. | 0:09:37 | 0:09:39 | |
Lot of lads came back with trophies from the Argies. | 0:09:39 | 0:09:42 | |
Ah! So I should be looking for an ex-squaddie? | 0:09:42 | 0:09:45 | |
Not necessarily. | 0:09:45 | 0:09:46 | |
Most lads dumped what they'd taken in the Solent before they got home. | 0:09:47 | 0:09:51 | |
Well, the ones I knew. | 0:09:51 | 0:09:53 | |
See this, though? | 0:09:54 | 0:09:56 | |
-The tallies. -Ah. -The Argies would carve one in for every kill. | 0:09:56 | 0:10:00 | |
So this gun killed three of our boys? | 0:10:02 | 0:10:04 | |
You did this deliberately. | 0:10:12 | 0:10:15 | |
"I offered Mr Kaye a cup of water. He declined. | 0:10:15 | 0:10:18 | |
"Although Mr Kaye was clearly inebriated, there was | 0:10:18 | 0:10:21 | |
"no sign that he was in any distress." | 0:10:21 | 0:10:23 | |
You knew that hitting him would trigger some sort of a disciplinary. | 0:10:23 | 0:10:26 | |
Distress. Declined. Distress. | 0:10:26 | 0:10:29 | |
I just don't understand why. | 0:10:29 | 0:10:32 | |
Declined! That's it. | 0:10:32 | 0:10:33 | |
What's... "Restricted"? | 0:10:34 | 0:10:37 | |
Oh! You'll get yourself into even more trouble taking these | 0:10:37 | 0:10:41 | |
copies, won't you? | 0:10:41 | 0:10:42 | |
Here we are. "My colleague, Police Constable William Embleton, later | 0:10:42 | 0:10:46 | |
"offered Mr Kaye water but he again declined." | 0:10:46 | 0:10:49 | |
They all use the word "declined"! | 0:10:49 | 0:10:51 | |
Do they all use "it" and "and" and "the" as well? | 0:10:51 | 0:10:55 | |
I'm trying to concentrate. | 0:10:55 | 0:10:57 | |
On what? What if there's nothing in there? | 0:10:57 | 0:11:00 | |
Do you know what? You sound like Jack. | 0:11:00 | 0:11:02 | |
He told me I was chasing shadows, | 0:11:02 | 0:11:04 | |
that's why I never looked in this file. | 0:11:04 | 0:11:06 | |
This is my last chance, Esther. | 0:11:06 | 0:11:08 | |
To do what? | 0:11:08 | 0:11:10 | |
To ambush Embleton, tell that panel what really happened to Anthony, | 0:11:10 | 0:11:14 | |
maybe force them to reopen the investigation. | 0:11:14 | 0:11:17 | |
And that's why you hit him? | 0:11:17 | 0:11:20 | |
To buy yourself more time before he could get away? | 0:11:20 | 0:11:24 | |
Brian, why put yourself in this position? | 0:11:24 | 0:11:26 | |
So I wouldn't have a choice. | 0:11:26 | 0:11:29 | |
I either prove Bill Embleton was guilty of negligence or my career's | 0:11:29 | 0:11:32 | |
over, once and for all. | 0:11:32 | 0:11:34 | |
It's do or die, Esther. | 0:11:34 | 0:11:36 | |
And what if you don't find any proof? | 0:11:36 | 0:11:38 | |
If Jack was right? | 0:11:39 | 0:11:40 | |
There you go, my lovely. | 0:12:06 | 0:12:08 | |
Cheers. Hang on a second. | 0:12:11 | 0:12:13 | |
See you next week, yeah? | 0:12:17 | 0:12:19 | |
Hiya. | 0:12:19 | 0:12:20 | |
Hi. | 0:12:20 | 0:12:21 | |
Did you mean to pick that up, my love? | 0:12:23 | 0:12:25 | |
Actually... | 0:12:25 | 0:12:27 | |
I thought not. | 0:12:27 | 0:12:28 | |
Really? | 0:12:28 | 0:12:29 | |
I can see it in your eyes. | 0:12:29 | 0:12:31 | |
Can you? You see, I wasn't sure... | 0:12:31 | 0:12:35 | |
It's not clear from the pink sticker, is it, my love? | 0:12:35 | 0:12:37 | |
The sticker? | 0:12:37 | 0:12:38 | |
The two-for-one offer's on the other line. | 0:12:38 | 0:12:40 | |
I ran out of the green luminous stickers. | 0:12:40 | 0:12:42 | |
Had to use the pink ones on everything. | 0:12:42 | 0:12:44 | |
Oh, I didn't notice. | 0:12:44 | 0:12:46 | |
It's causing bloody chaos. Here, I'll swap it for you. | 0:12:46 | 0:12:49 | |
No, no. Don't, please. It's fine. | 0:12:49 | 0:12:52 | |
-Here. -All right. -Thank you. | 0:12:52 | 0:12:55 | |
Don't you want your change? | 0:12:55 | 0:12:56 | |
Listen to this. | 0:13:03 | 0:13:04 | |
After the war, the British Army confiscated 11,000 Argie | 0:13:04 | 0:13:09 | |
weapons along with eight million rounds of ammo. | 0:13:09 | 0:13:12 | |
And word has it that a lot of our boys took trophies. | 0:13:13 | 0:13:17 | |
So Christian could have been killed by a squaddie? | 0:13:17 | 0:13:19 | |
Or a squaddie could have sold the gun to somebody who went on to kill Christian. | 0:13:19 | 0:13:22 | |
That was 16 years ago. | 0:13:22 | 0:13:24 | |
The gun could have changed hands loads of times since then. | 0:13:24 | 0:13:26 | |
We're still waiting on full ballistics. | 0:13:26 | 0:13:28 | |
Oh, I also had a butcher's at Christian's gambling. | 0:13:28 | 0:13:31 | |
He owed bookies all over town. | 0:13:31 | 0:13:33 | |
Didn't add up to half a million, I suppose? | 0:13:33 | 0:13:35 | |
No, nowhere near. His biggest claim was 50 grand. | 0:13:35 | 0:13:38 | |
And Sir Charles paid that along with all the others. | 0:13:38 | 0:13:41 | |
It's got to be the coke, then. Christian's into smuggling. | 0:13:41 | 0:13:43 | |
So he can't go and ask his father for the money because of the shame. | 0:13:43 | 0:13:46 | |
We've still got nothing to prove that. | 0:13:46 | 0:13:48 | |
Do you know... Do you know what I'm finding really weird? | 0:13:48 | 0:13:52 | |
Why does Laura spend all her time down the docks instead of some | 0:13:52 | 0:13:56 | |
nice office in the city? | 0:13:56 | 0:13:58 | |
She likes to be hands-on. | 0:13:58 | 0:13:59 | |
Unless she's involved in something that needs her to be hands-on. | 0:13:59 | 0:14:02 | |
Yeah, I mean, she'd have dock hands and warehouse men to do all that. | 0:14:02 | 0:14:06 | |
All right, we'll take a closer look at the company. | 0:14:06 | 0:14:08 | |
Have we got manifests from Christian's time there? | 0:14:08 | 0:14:10 | |
Nine boxes' worth. | 0:14:10 | 0:14:11 | |
-Better get started, then. -What? | 0:14:11 | 0:14:13 | |
Isn't this the sort of work that's more suited to someone | 0:14:15 | 0:14:18 | |
who doesn't have a social life? | 0:14:18 | 0:14:20 | |
Well, this Lego's the last of it, I think. | 0:14:22 | 0:14:24 | |
And we're trying to get rid of boxes! | 0:14:26 | 0:14:29 | |
Well, you said you wanted to keep me busy. | 0:14:29 | 0:14:31 | |
Yes. Clearing out the attic and painting the spare room. | 0:14:31 | 0:14:34 | |
Well, it's good for me, is this. | 0:14:34 | 0:14:36 | |
It's keeping my mind off the other...thing. | 0:14:36 | 0:14:39 | |
Yes, you're right. | 0:14:39 | 0:14:41 | |
It was thoughtful of them to give you something to do. | 0:14:41 | 0:14:43 | |
I, umm... | 0:14:45 | 0:14:47 | |
I saw that you were looking at Sarah Kaye's website. | 0:14:47 | 0:14:50 | |
Yeah, I was thinking of contacting her. | 0:14:51 | 0:14:54 | |
What? Why? | 0:14:54 | 0:14:56 | |
Because no-one ever did. | 0:14:57 | 0:14:59 | |
There's nothing you can say to that woman that's going to make | 0:14:59 | 0:15:02 | |
the death of her son any less painful. | 0:15:02 | 0:15:04 | |
Esther, this is the only way my conscience will be clear. | 0:15:04 | 0:15:08 | |
Oh, so it's about you, is it? Not about her? | 0:15:08 | 0:15:10 | |
Why have you got this? | 0:15:14 | 0:15:15 | |
I'm losing my natural shine. | 0:15:19 | 0:15:20 | |
Oh! | 0:15:28 | 0:15:29 | |
Oh, look! Mark made that for me one night, didn't he? | 0:15:30 | 0:15:34 | |
He left it on the carpet for you to find. | 0:15:34 | 0:15:37 | |
He was so proud of it. He wanted to be a policeman | 0:15:37 | 0:15:41 | |
like his daddy. | 0:15:41 | 0:15:42 | |
I trod on it. | 0:15:45 | 0:15:46 | |
I was too drunk to put it back together for him. | 0:15:48 | 0:15:51 | |
Yes! | 0:17:06 | 0:17:07 | |
LAUGHS GLEEFULLY | 0:17:07 | 0:17:09 | |
So how long did it take you to make this? | 0:17:09 | 0:17:12 | |
Four hours, 36 minutes. | 0:17:12 | 0:17:14 | |
Now, look. The funnel isn't deliberately AFC colours. | 0:17:15 | 0:17:19 | |
It's just I ran out of yellow pieces. | 0:17:19 | 0:17:21 | |
Is there a point to this, Brian? | 0:17:21 | 0:17:23 | |
Every three weeks, Christian wrote down a string of alphabetical | 0:17:23 | 0:17:27 | |
encryptions in his diary. | 0:17:27 | 0:17:29 | |
Encrypting what? | 0:17:29 | 0:17:31 | |
Every shipping container... | 0:17:31 | 0:17:33 | |
..has a unique 14-digit code. | 0:17:34 | 0:17:38 | |
He was keeping tabs on particular containers. | 0:17:38 | 0:17:41 | |
All those dates always coincide with the arrival | 0:17:41 | 0:17:44 | |
times of the Gracie Highsmith at Tilbury. | 0:17:44 | 0:17:46 | |
The ship with the coke on it? | 0:17:46 | 0:17:48 | |
So he was smuggling? | 0:17:48 | 0:17:51 | |
Well, after the bust, he started hiding | 0:17:51 | 0:17:52 | |
the drugs in the containers on the ship. | 0:17:52 | 0:17:55 | |
It carried 500 containers so customs couldn't possible inspect them all. | 0:17:55 | 0:18:00 | |
So he gave the codes to someone on shore | 0:18:00 | 0:18:02 | |
so they'd know which container to go for? | 0:18:02 | 0:18:05 | |
Who else can we connect to the ship? | 0:18:05 | 0:18:07 | |
Well, there's the shipping agent. | 0:18:07 | 0:18:09 | |
He's the middleman. | 0:18:11 | 0:18:12 | |
He goes between the ship owners like Christian... | 0:18:12 | 0:18:16 | |
..the exporters who need the containers | 0:18:17 | 0:18:22 | |
to shift their stuff to the importers. | 0:18:22 | 0:18:26 | |
So our main suspects are a cowboy, a pirate, a spaceman and a fireman. | 0:18:26 | 0:18:31 | |
And one of them must know something. | 0:18:31 | 0:18:32 | |
So... so who's the spaceman again? | 0:18:32 | 0:18:34 | |
The shipping agent! | 0:18:36 | 0:18:38 | |
Gordon Fletcher, Latitude Shipping. Now... | 0:18:38 | 0:18:40 | |
COUGHING AND THROAT CLEARING | 0:18:40 | 0:18:42 | |
-Sir... -I will just collect the things that I forgot and I'll be on my way. | 0:18:42 | 0:18:48 | |
Right under my nose! Sorry, Sir. | 0:18:51 | 0:18:53 | |
Excuse me. | 0:18:56 | 0:18:57 | |
Sorry. | 0:19:00 | 0:19:01 | |
We've got a second match on the gun. | 0:19:01 | 0:19:04 | |
Before it was used on Christian Highsmith 16 years ago, | 0:19:04 | 0:19:07 | |
here, it was used to kill a 12-year-old boy, Danny Bossano, | 0:19:07 | 0:19:10 | |
-in 1982. -In Gibraltar? -Yup. | 0:19:10 | 0:19:12 | |
But it doesn't make sense. Just one other match? | 0:19:12 | 0:19:15 | |
I mean, if a gun's on the streets, you'd expect a lot more than that. | 0:19:15 | 0:19:19 | |
Harry Truman. | 0:19:19 | 0:19:20 | |
I'm sorry? | 0:19:20 | 0:19:22 | |
I found his name last night. | 0:19:22 | 0:19:24 | |
He owned one of the London casinos that Christian used to frequent. | 0:19:24 | 0:19:29 | |
Truman and Christian were friends. Truman's based in Gibraltar. | 0:19:29 | 0:19:32 | |
Well, don't you see? | 0:19:34 | 0:19:36 | |
It's another connection. | 0:19:36 | 0:19:37 | |
If it wasn't for me, they'd have nothing. | 0:19:39 | 0:19:41 | |
But Strickland still won't let me help! | 0:19:41 | 0:19:43 | |
Well, that's your fault, isn't it? | 0:19:43 | 0:19:45 | |
Oh! Maybe you're right. Maybe I've made a terrible mistake. | 0:19:47 | 0:19:51 | |
Oh! | 0:19:51 | 0:19:52 | |
-I want you to see somebody. -Who? | 0:19:52 | 0:19:54 | |
Somebody you can talk to about Kaye, Embleton, all this. | 0:19:54 | 0:19:58 | |
I don't need any help! | 0:19:58 | 0:19:59 | |
You're all over the place. | 0:19:59 | 0:20:01 | |
What's that doing there? | 0:20:03 | 0:20:05 | |
Well, it's Mark's stuff from the attic. | 0:20:05 | 0:20:06 | |
Mark's stuff? That's mine, is that! | 0:20:06 | 0:20:09 | |
I bet that's been crushed and shaken. I bet it's damaged. | 0:20:09 | 0:20:12 | |
It's a toy, Brian! It's just a toy! | 0:20:12 | 0:20:15 | |
It's a vintage. It's collectible! | 0:20:15 | 0:20:18 | |
You're collectible by men in white bloody coats! | 0:20:18 | 0:20:22 | |
Now get some help or I'm going to take that aeroplane, | 0:20:22 | 0:20:25 | |
I'm going to smash it into 1,000 pieces and feed it to you. | 0:20:25 | 0:20:29 | |
I've told you. I don't need help. | 0:20:29 | 0:20:30 | |
Well, what do you need to make things right? | 0:20:30 | 0:20:35 | |
Tell me. | 0:20:35 | 0:20:36 | |
SIGHS | 0:20:36 | 0:20:38 | |
It's just my mind's always on, Esther. Always churning. | 0:20:39 | 0:20:43 | |
Always going. | 0:20:43 | 0:20:44 | |
I can't shut it up! | 0:20:46 | 0:20:47 | |
I have to have a case or it hurts. It bloody hurts! | 0:20:49 | 0:20:53 | |
What happens if they chuck you out in three days' time | 0:20:53 | 0:20:55 | |
and there aren't any more cases? | 0:20:55 | 0:20:58 | |
Well, I can't do ordinary life. It's not enough. | 0:20:58 | 0:21:00 | |
Well, I'm sorry that you think our "ordinary life" | 0:21:02 | 0:21:05 | |
is so far beneath you. | 0:21:05 | 0:21:07 | |
That's not what I meant, is it? | 0:21:08 | 0:21:10 | |
Well, Mr Fletcher? | 0:21:15 | 0:21:16 | |
You're right. Those containers were unloaded here at Tilbury. | 0:21:16 | 0:21:20 | |
What do these numbers mean? | 0:21:20 | 0:21:21 | |
They're the gauges. They tell us that the containers were destined | 0:21:21 | 0:21:24 | |
for the backs of large freight lorries. | 0:21:24 | 0:21:26 | |
Were they also designed to fall off the backs of those freight lorries? | 0:21:26 | 0:21:29 | |
What was in them? | 0:21:29 | 0:21:30 | |
Well, if we take the last one as an example, | 0:21:30 | 0:21:32 | |
there were products from 87 different manufacturers | 0:21:32 | 0:21:35 | |
destined for several thousand distribution companies. | 0:21:35 | 0:21:38 | |
-You'll give me a list? -You already have it. | 0:21:38 | 0:21:40 | |
Oh, right. And all this cargo was legit? | 0:21:40 | 0:21:42 | |
Well, all the cargo that I arranged, yes. | 0:21:42 | 0:21:44 | |
Yeah, but could Christian Highsmith have arranged for, say, | 0:21:44 | 0:21:47 | |
drugs to go in there without your knowledge? | 0:21:47 | 0:21:49 | |
Sorry, you're suggesting that the son of one of this country's | 0:21:49 | 0:21:52 | |
most respected and admired businessmen was a drugs trafficker? | 0:21:52 | 0:21:55 | |
Yeah. | 0:21:55 | 0:21:57 | |
Well, in theory, yes. I mean, they were his containers, | 0:21:57 | 0:22:01 | |
his ships. | 0:22:01 | 0:22:02 | |
And you're the middleman. | 0:22:02 | 0:22:03 | |
So now you're suggesting that I'm involved? | 0:22:03 | 0:22:05 | |
No, no, no, just wondering how Christian could have managed | 0:22:05 | 0:22:08 | |
-all that on his own? -Well, I wouldn't know. | 0:22:08 | 0:22:11 | |
I work out of the office. I've only met him once, maybe twice. | 0:22:11 | 0:22:14 | |
How often do you meet with Laura Highsmith? | 0:22:14 | 0:22:16 | |
Well, her company remains a valued client. We meet whenever necessary. | 0:22:16 | 0:22:21 | |
How would you define "necessary"? | 0:22:21 | 0:22:22 | |
Well, whenever the client requires. | 0:22:22 | 0:22:24 | |
Thanks for your help. | 0:22:26 | 0:22:27 | |
Yeah. We need to talk. | 0:22:36 | 0:22:38 | |
A list of numbers doesn't prove anything. | 0:22:40 | 0:22:42 | |
Carefully encrypted numbers? | 0:22:42 | 0:22:44 | |
For containers on a ship that had already been busted? | 0:22:44 | 0:22:47 | |
This is becoming a sustained campaign to | 0:22:47 | 0:22:49 | |
tarnish my company's name, isn't it? | 0:22:49 | 0:22:51 | |
We're trying to solve your brother's murder. Does that not matter to you? | 0:22:51 | 0:22:54 | |
I loved every impulsive, messy inch of him but he's gone. | 0:22:54 | 0:22:56 | |
My father, too. This is all I have left of them. | 0:22:56 | 0:22:59 | |
Where was the Gracie Highsmith coming from? | 0:22:59 | 0:23:02 | |
It worked the Far East and Spain | 0:23:02 | 0:23:04 | |
but we scrapped it in 2005. It's of no interest. | 0:23:04 | 0:23:07 | |
Everything revolves around that ship. | 0:23:07 | 0:23:09 | |
-I'll find you the crew records. -Already got them. | 0:23:09 | 0:23:12 | |
Did it ever go to Gibraltar? | 0:23:12 | 0:23:14 | |
-Of course it did. -It unloaded there? | 0:23:14 | 0:23:17 | |
No, the port's too small. We use it for bunkering. | 0:23:17 | 0:23:19 | |
Do you? | 0:23:19 | 0:23:21 | |
Means refuelling. The ships stop out in the Med | 0:23:21 | 0:23:23 | |
and small barges come out from Gibraltar with the fuel. | 0:23:23 | 0:23:26 | |
From a floating petrol station? | 0:23:26 | 0:23:29 | |
You could say that. | 0:23:29 | 0:23:30 | |
The gun that was used to kill your brother was only ever matched to one | 0:23:30 | 0:23:33 | |
other crime, the murder of a young boy in Gibraltar. | 0:23:33 | 0:23:36 | |
Did Christian ever go there? | 0:23:36 | 0:23:38 | |
Not to my knowledge, no. | 0:23:38 | 0:23:39 | |
OK. Thanks for your time. | 0:23:41 | 0:23:43 | |
So, what do you reckon? | 0:23:46 | 0:23:48 | |
Think you're right but I'm not sure Strickland will go for it. | 0:23:48 | 0:23:51 | |
Listen to this. "Neanderthal man ended his days out here after | 0:24:01 | 0:24:05 | |
"facing social rejection from the early Spanish." | 0:24:05 | 0:24:08 | |
It's a duty-free paradise, this place, you know. | 0:24:08 | 0:24:10 | |
Cheapest fags in the world, by the way. | 0:24:10 | 0:24:12 | |
-Really? -Not that you'll be interested in that, Gerry, | 0:24:12 | 0:24:14 | |
chewing away with on that robo-stogie of yours. | 0:24:14 | 0:24:16 | |
Hold on. | 0:24:16 | 0:24:17 | |
Bloody hell! | 0:24:19 | 0:24:20 | |
"St Michael's Cave is home to a deep, | 0:24:27 | 0:24:29 | |
"underground lake which is only open to small, guided groups. | 0:24:29 | 0:24:33 | |
"The spectacular stalagmites | 0:24:33 | 0:24:34 | |
"and stalactites can be seen from the side of the lake..." | 0:24:34 | 0:24:37 | |
Fascinating though these facts are, Gerry, | 0:24:37 | 0:24:39 | |
-there's only so many of them I can take. -Suffering from fact fatigue? | 0:24:39 | 0:24:41 | |
If he doesn't put that book down, he'll be suffering. | 0:24:41 | 0:24:44 | |
Oh, come on, Guv'nor! I mean, when you're on holiday in a new place... | 0:24:44 | 0:24:47 | |
-We're not on holiday! -Well, we sort of are, aren't we? | 0:24:47 | 0:24:49 | |
We're on an investigation! | 0:24:49 | 0:24:52 | |
-Hello. That's me. -Good afternoon, Madam. | 0:24:52 | 0:24:53 | |
-Good afternoon. -Let me take this for you. -Thank you. | 0:24:53 | 0:24:57 | |
-In you go. -Thanks. | 0:24:57 | 0:24:58 | |
Thanks a lot. | 0:24:59 | 0:25:00 | |
Right. Whilst we're here, I've got some rules. | 0:25:04 | 0:25:07 | |
No going out, no jollies, | 0:25:07 | 0:25:09 | |
nothing untoward because I promised Strickland that you'd behave. | 0:25:09 | 0:25:14 | |
This is going to be a right old laugh, isn't it? | 0:25:14 | 0:25:16 | |
We're not here to have a laugh, Gerry. We're here to work. | 0:25:16 | 0:25:19 | |
Am I going to have a problem with you, Gerry? | 0:25:20 | 0:25:22 | |
Because if I am, you can just turn right round | 0:25:22 | 0:25:24 | |
and get back on that plane! Do you understand me? | 0:25:24 | 0:25:27 | |
With the Dutch, we captured Gibraltar from the Spanish | 0:25:29 | 0:25:32 | |
in 1704 and the cheeky sods tried to get it back in 1779... | 0:25:32 | 0:25:36 | |
Superintendent Raphael Cruz is going to meet us down here. | 0:25:36 | 0:25:40 | |
Why here? Why not at the station? | 0:25:40 | 0:25:42 | |
He's in the middle of something, apparently. | 0:25:42 | 0:25:44 | |
Imagine being a cold case officer here, eh? | 0:25:44 | 0:25:47 | |
Be bored out of your mind! | 0:25:47 | 0:25:49 | |
Mind your step. | 0:26:22 | 0:26:23 | |
Take him in. I'll deal with the paperwork later. | 0:26:25 | 0:26:28 | |
Sorry about that. | 0:26:29 | 0:26:30 | |
Just been chasing him up and down the Strait for the last two hours. | 0:26:30 | 0:26:33 | |
La Guardia wanted to shoot him but that's not my style. | 0:26:33 | 0:26:36 | |
Superintendent Cruz? | 0:26:36 | 0:26:37 | |
Detective Superintendent Pullman. A pleasure. | 0:26:37 | 0:26:39 | |
-This is Steve McAndrew... -Nice to meet you. -..and Gerry Standing. | 0:26:39 | 0:26:43 | |
So you're the local cold case officer, eh? | 0:26:43 | 0:26:45 | |
Over here, officers must handle a wide portfolio of responsibilities. | 0:26:45 | 0:26:49 | |
In addition to unsolved murders, I'm on boat patrol, | 0:26:51 | 0:26:54 | |
financial crimes, crowd control, traffic safety and youth liaison. | 0:26:54 | 0:26:58 | |
But that's usually only on Saturdays. | 0:26:58 | 0:27:00 | |
And are you the Help The Old Ladies Across The Road Officer as well? | 0:27:00 | 0:27:03 | |
I was brought up to always help my elders. | 0:27:04 | 0:27:07 | |
Are you able to walk to my offices or would you like me | 0:27:07 | 0:27:10 | |
-to arrange transportation? -Well, how far is it? | 0:27:10 | 0:27:12 | |
It's three whole minutes. | 0:27:12 | 0:27:14 | |
I'll manage. | 0:27:14 | 0:27:15 | |
So you spend all your time in that boat, then? | 0:27:17 | 0:27:19 | |
Most of our activity is out in the Strait, disrupting traffickers. | 0:27:19 | 0:27:23 | |
The actual crime rate on land is so low that | 0:27:23 | 0:27:26 | |
whenever something happens, it causes quite a stir. | 0:27:26 | 0:27:28 | |
So murders are quite rare, then? | 0:27:28 | 0:27:30 | |
Every four or five years, maybe. | 0:27:30 | 0:27:31 | |
And we have one of the best detection rates in the world. | 0:27:31 | 0:27:34 | |
Just perfect, isn't he? | 0:27:34 | 0:27:35 | |
I'm sure you can understand that, with this new evidence, | 0:27:35 | 0:27:38 | |
I'm keen to get my Danny Bossano case solved as soon as possible. | 0:27:38 | 0:27:41 | |
We feel the same way about Christian Highsmith. | 0:27:41 | 0:27:43 | |
There were four cold cases when they gave me this responsibility. | 0:27:43 | 0:27:47 | |
This is the only one I haven't solved. | 0:27:47 | 0:27:49 | |
On June the 30th, 1982, | 0:27:53 | 0:27:55 | |
Danny was found dead inside one of the Second World War bunkers. | 0:27:55 | 0:27:58 | |
-Top of the Rock. -What was he doing up there? | 0:27:58 | 0:28:01 | |
One line of inquiry suggested he was | 0:28:01 | 0:28:03 | |
working as a lookout for a gang. | 0:28:03 | 0:28:04 | |
What's the evidence? | 0:28:04 | 0:28:06 | |
He had a Clansman radio. | 0:28:07 | 0:28:09 | |
And at this location, you can see right across the Gibraltar Strait | 0:28:09 | 0:28:13 | |
on both the Spanish and African sides. | 0:28:13 | 0:28:16 | |
But it's quite inaccessible | 0:28:16 | 0:28:17 | |
so drug traffickers running out of Morocco by boat would often | 0:28:17 | 0:28:21 | |
use children. | 0:28:21 | 0:28:22 | |
-To watch for police boats? -Right. | 0:28:22 | 0:28:23 | |
So who killed him? A rival gang? | 0:28:23 | 0:28:25 | |
Or someone from his own gang. | 0:28:25 | 0:28:27 | |
Well, we think our victim, Christian Highsmith, | 0:28:27 | 0:28:29 | |
was trafficking drugs via a container ship that bunkered here. | 0:28:29 | 0:28:32 | |
Maybe Christian was doing business with the same gang that | 0:28:32 | 0:28:35 | |
killed Danny? | 0:28:35 | 0:28:36 | |
Well, that would explain why the gun only showed up in two crimes. | 0:28:36 | 0:28:39 | |
It only ever belonged to one gang. | 0:28:39 | 0:28:42 | |
You think a lot faster than you walk. | 0:28:42 | 0:28:44 | |
-Can we look at this place? -Sure. | 0:28:44 | 0:28:46 | |
It gets a bit windy up there. | 0:28:48 | 0:28:50 | |
So this is where Danny was killed, then? | 0:28:59 | 0:29:01 | |
Yes, he was found over there with a bullet in his chest. | 0:29:01 | 0:29:05 | |
MONKEY SCREECHES | 0:29:06 | 0:29:09 | |
So these were all military buildings, yeah? | 0:29:11 | 0:29:13 | |
Yeah. They were commissioned after the Second World War. | 0:29:13 | 0:29:16 | |
So there used to be a lot of soldiers here, then? | 0:29:16 | 0:29:19 | |
-Over 10,000 in 1982. -10,000? | 0:29:19 | 0:29:21 | |
And even more after the ships came back from the Falklands War. | 0:29:21 | 0:29:24 | |
And that's how the gun got onto the island in the first place? | 0:29:24 | 0:29:27 | |
Yes. I thought that, too, when I received your report. | 0:29:27 | 0:29:29 | |
You know what, Guv'nor? Maybe a soldier did kill Danny? | 0:29:29 | 0:29:33 | |
Obviously, at the time, we didn't have the murder weapon, | 0:29:33 | 0:29:35 | |
but now we do, it would be worth going back to the MoD. | 0:29:35 | 0:29:39 | |
Do you have a contact? | 0:29:39 | 0:29:40 | |
The Commodore will see you. | 0:29:40 | 0:29:42 | |
I'd like to meet Danny Bossano's father. | 0:29:42 | 0:29:44 | |
Why? What do you think you're going to find? | 0:29:46 | 0:29:49 | |
Oh, I'll find something. | 0:29:50 | 0:29:51 | |
Mr Bossano, our colleagues from London have | 0:29:57 | 0:30:00 | |
discovered that this gun was also used in a British murder. | 0:30:00 | 0:30:02 | |
1998, a man named Christian Highsmith. | 0:30:02 | 0:30:05 | |
I know the name. Their ships pass through here all the time. | 0:30:05 | 0:30:08 | |
Do you have any personal dealings with the company? | 0:30:08 | 0:30:11 | |
No, no. I just work in the warehouse. | 0:30:11 | 0:30:12 | |
Thank you for coming today. | 0:30:15 | 0:30:16 | |
Christian Highsmith was using a container ship called | 0:30:16 | 0:30:19 | |
the Gracie Highsmith to traffic drugs into the UK. | 0:30:19 | 0:30:23 | |
What's that got to do with my Danny? | 0:30:23 | 0:30:24 | |
There was a theory about him. | 0:30:26 | 0:30:28 | |
Theory? | 0:30:28 | 0:30:29 | |
Only a theory. | 0:30:29 | 0:30:30 | |
No, no, hang on! | 0:30:30 | 0:30:31 | |
Danny was thought to be involved with traffickers, wasn't he? | 0:30:31 | 0:30:34 | |
-You should leave now. -I'm trying to help, Mr Bossano. | 0:30:34 | 0:30:36 | |
-By portraying my dead son as some kind of juvenile criminal? -Let's go. | 0:30:36 | 0:30:40 | |
But if what they said about Danny is true... | 0:30:40 | 0:30:42 | |
It wasn't true! Danny was a good boy! | 0:30:42 | 0:30:46 | |
My only boy. | 0:30:46 | 0:30:47 | |
He'd never have been involved in something like that. Never! | 0:30:47 | 0:30:50 | |
What are you doing here? Why are you bothering my father? | 0:30:50 | 0:30:52 | |
They're not. They're going. | 0:30:52 | 0:30:54 | |
You're Danny's sister? | 0:30:54 | 0:30:55 | |
Yes. Younger sister, Natalie. | 0:30:56 | 0:30:59 | |
We don't talk to them. Vamonos. | 0:30:59 | 0:31:01 | |
Told you I'd find something. | 0:31:03 | 0:31:05 | |
And what is that? | 0:31:05 | 0:31:06 | |
Well, don't you think it's interesting that Levy | 0:31:06 | 0:31:08 | |
wants to keep his daughter as far away from this as possible? | 0:31:08 | 0:31:11 | |
-He's a protective father. -Or a secretive one. | 0:31:11 | 0:31:13 | |
Do you have evidence you're not sharing with me? | 0:31:14 | 0:31:17 | |
No, of course not. | 0:31:17 | 0:31:18 | |
Then why do you suspect Levy of having some involvement in this? | 0:31:18 | 0:31:21 | |
Most child murders involve the parents somewhere along the line. | 0:31:21 | 0:31:25 | |
I think you should keep away from the Danny Bossano case. | 0:31:27 | 0:31:31 | |
Focus on Christian Highsmith. | 0:31:31 | 0:31:32 | |
Are you warning me off? | 0:31:35 | 0:31:36 | |
No, but this is a small place | 0:31:36 | 0:31:38 | |
and compromise is an essential part of life here. | 0:31:38 | 0:31:41 | |
Really? Well, in my experience, | 0:31:41 | 0:31:43 | |
compromise can bring an investigation to a crushing halt. | 0:31:43 | 0:31:46 | |
In mine, it gets far better results. | 0:31:46 | 0:31:48 | |
And please remember, when you leave, I will still be here. | 0:31:48 | 0:31:50 | |
You are warning me off. | 0:31:51 | 0:31:53 | |
No, I'm wondering if you have another lead to pursue for now? | 0:31:53 | 0:31:56 | |
Actually, I do. | 0:32:01 | 0:32:02 | |
Passport, please. | 0:32:14 | 0:32:16 | |
-Thanks. -There you go. | 0:32:16 | 0:32:17 | |
-This is some place. Wow. -Fantastic. | 0:32:42 | 0:32:47 | |
-Thanks very much. -Thank you. | 0:32:47 | 0:32:50 | |
-Gentlemen, welcome. Commander Sinclair. -Steve McAndrew. | 0:32:50 | 0:32:54 | |
Please, feel free to dispense with the formalities. Call me Adam. | 0:32:54 | 0:32:58 | |
Gerry Standing. I thought we were going to meet Commodore Jones. | 0:32:58 | 0:33:01 | |
I'm afraid the Commodore's unavailable so I stepped in. | 0:33:01 | 0:33:04 | |
Sizeable shoes to fill but I hope I'll do. | 0:33:04 | 0:33:06 | |
I understand you found a gun. | 0:33:06 | 0:33:08 | |
-RG Colt. Noisy little buggers. -Yeah? | 0:33:09 | 0:33:13 | |
This might be a bit of a shot in the dark, if you pardon the pun, | 0:33:13 | 0:33:17 | |
but have you got a list of personnel who were here in 1982? | 0:33:17 | 0:33:20 | |
You're talking about Gibraltar's military heyday. | 0:33:21 | 0:33:25 | |
There were over 10,000 personnel. | 0:33:25 | 0:33:26 | |
But there must be something written down somewhere. | 0:33:26 | 0:33:29 | |
What are you hoping to find? | 0:33:29 | 0:33:30 | |
Trying to work out how the gun got on the Rock in the first place. | 0:33:30 | 0:33:32 | |
We think it was brought back from the Falklands. | 0:33:32 | 0:33:34 | |
One of the soldiers in the ships that came back here. | 0:33:34 | 0:33:37 | |
And it may be involved in later crimes. | 0:33:37 | 0:33:39 | |
And if they did, there might be a chance they know something about one of these murders. | 0:33:39 | 0:33:42 | |
I'll see what London has to say | 0:33:42 | 0:33:44 | |
but I think you're looking for a needle in a haystack. | 0:33:44 | 0:33:46 | |
We've got a nose for needles. | 0:33:46 | 0:33:49 | |
I read that the military use the Rock and the tunnels for training. | 0:33:49 | 0:33:53 | |
Not any longer. The last time was in 2006, preparation for Afghanistan. | 0:33:53 | 0:33:58 | |
But were then any exercises in '82? | 0:33:58 | 0:34:00 | |
I'm sure there were. Before my time, of course. | 0:34:00 | 0:34:03 | |
Any help you can give us on that would be much appreciated. | 0:34:03 | 0:34:06 | |
Like I said, the information might be classified | 0:34:06 | 0:34:08 | |
but I'll see what London has to say. | 0:34:08 | 0:34:10 | |
-Thank you. -Thanks for your time. | 0:34:10 | 0:34:12 | |
Something the matter? | 0:34:17 | 0:34:19 | |
No, just interesting. Right, thank you. | 0:34:19 | 0:34:22 | |
Thanks a lot. | 0:34:22 | 0:34:24 | |
Do you think he phones London every time he wants a dump? | 0:34:26 | 0:34:30 | |
He's just a tad up his arse. | 0:34:30 | 0:34:32 | |
Did you see how he reacted when I mentioned military training? | 0:34:32 | 0:34:37 | |
Clocked it. You can't nick a man for folding his arms. | 0:34:37 | 0:34:40 | |
But what if they were training up there | 0:34:40 | 0:34:42 | |
and they accidentally shot Danny? | 0:34:42 | 0:34:45 | |
It wouldn't take much to cover it up, would it? | 0:34:45 | 0:34:47 | |
Not with 10,000 soldiers out here. | 0:34:47 | 0:34:49 | |
-The whole rock must have been like one big base. -It still is, isn't it? | 0:34:49 | 0:34:54 | |
-We'd better be careful who we talk to about this. -Thank you. | 0:34:54 | 0:34:58 | |
-What's up? -Nothing. | 0:35:17 | 0:35:19 | |
-Hi. -Any messages? -I'm sorry, no. | 0:35:19 | 0:35:22 | |
-Thanks anyway. -You're very welcome. | 0:35:22 | 0:35:25 | |
Maybe see you later, eh? | 0:35:27 | 0:35:28 | |
You're well in there. Don't know how you do it, lucky little sod. | 0:35:36 | 0:35:39 | |
Sheer animal magnetism. | 0:35:39 | 0:35:40 | |
-Who were you expecting a message from anyway? -Charley. | 0:35:40 | 0:35:43 | |
Texted her to let her know I was out here. | 0:35:43 | 0:35:45 | |
Thought you'd given her the Spanish archers. | 0:35:45 | 0:35:47 | |
-The what? -El-bow. | 0:35:47 | 0:35:49 | |
Just worried about her, you know. | 0:35:49 | 0:35:52 | |
-Right, bar in ten. -Five. | 0:35:52 | 0:35:55 | |
Steve! Steve! | 0:35:58 | 0:36:00 | |
Gerry, what the hell's going on in here? | 0:36:02 | 0:36:04 | |
-Get someone up here immediately, all right? -What's going on? | 0:36:04 | 0:36:08 | |
I knew something was going on. | 0:36:08 | 0:36:10 | |
I had this feeling we've been followed ever since we landed. | 0:36:10 | 0:36:13 | |
-Who? -Obviously the military. It's a cover-up, isn't it? | 0:36:13 | 0:36:16 | |
-It's a bit weird. Your case hasn't been touched. -Marcia. | 0:36:16 | 0:36:20 | |
I need all your CCTV from the last three hours, | 0:36:20 | 0:36:23 | |
a full guest list and an office where I can do some interviews, | 0:36:23 | 0:36:27 | |
and no-one comes in here from now on. This is a crime scene. | 0:36:27 | 0:36:30 | |
They're probably far away by now. | 0:36:30 | 0:36:33 | |
-Maybe, but I want to know who did this. -Window's open. | 0:36:33 | 0:36:37 | |
-That's probably how they got in. -Exactly. | 0:36:37 | 0:36:41 | |
It was the monkey. | 0:36:41 | 0:36:44 | |
Monkey? | 0:36:44 | 0:36:46 | |
If you leave the window open, the monkey will eat the biscuits. | 0:36:48 | 0:36:54 | |
Don't believe... Ah! | 0:36:54 | 0:36:56 | |
Some people would call that lucky. | 0:36:57 | 0:37:00 | |
Gordon Fletcher's here? | 0:37:02 | 0:37:05 | |
I saw him on the docks. | 0:37:05 | 0:37:07 | |
He's a shipping agent, you'd expect to see him in a place like this. | 0:37:07 | 0:37:10 | |
The day after I go asking him questions about Christian Highsmith? | 0:37:10 | 0:37:13 | |
Let's find out who he's meeting with. | 0:37:13 | 0:37:15 | |
How are we supposed to do that, | 0:37:15 | 0:37:16 | |
now that Cruz Control's tied our hands behind our backs? | 0:37:16 | 0:37:19 | |
We just tread very carefully. | 0:37:19 | 0:37:21 | |
-I don't like Cruz. -He don't like you either. | 0:37:21 | 0:37:24 | |
What did the MoD give you? | 0:37:24 | 0:37:26 | |
Captain Sinclair said he's "waiting for London." | 0:37:26 | 0:37:30 | |
-Might be a couple of days. -Red tape or deliberate obstruction? | 0:37:30 | 0:37:34 | |
The jury's still having a think about that. | 0:37:34 | 0:37:36 | |
-I'll get another round. -No, no. We've got a lot to do tomorrow. | 0:37:47 | 0:37:51 | |
One more's not going to do any harm. | 0:37:51 | 0:37:52 | |
Gerry, we're not here to drink, we're here to work. | 0:37:52 | 0:37:55 | |
Besides, I promised Strickland. Remember? | 0:37:55 | 0:37:57 | |
-Is Mummy asleep? -It's far too early to go to bed. | 0:38:19 | 0:38:23 | |
-Hold on, hold on. -Are we actually going into one of these pubs? | 0:38:32 | 0:38:36 | |
We spending the night window shopping? | 0:38:36 | 0:38:39 | |
-We're being followed. -What? | 0:38:39 | 0:38:40 | |
Don't look around. | 0:38:40 | 0:38:42 | |
-Think we'd better split up. -OK, OK. | 0:38:44 | 0:38:46 | |
You go round the block and get ahead of us. | 0:38:46 | 0:38:48 | |
If I end up rugby tackling a monkey I'm going to blame you, OK? | 0:38:48 | 0:38:52 | |
-I'll see you later then, Gerry. -See you in half an hour. | 0:38:52 | 0:38:55 | |
All right, all right. No need to ambush me. | 0:39:46 | 0:39:50 | |
What the bloody hell are you doing here? | 0:39:50 | 0:39:52 | |
I couldn't let you come without me, could I? | 0:39:52 | 0:39:54 | |
-How do we explain this one to Sandra? -We don't. | 0:39:54 | 0:39:57 | |
So Fletcher's at the Salato Hotel, | 0:40:12 | 0:40:14 | |
I'll see what I can shake out of him. | 0:40:14 | 0:40:16 | |
Don't shake too hard. | 0:40:16 | 0:40:19 | |
These are really nice. | 0:40:19 | 0:40:21 | |
Thought I might have a nibble later. | 0:40:21 | 0:40:23 | |
I've got an address for Harry Truman. He knew Christian Highsmith in '98. | 0:40:23 | 0:40:26 | |
You can come with me. | 0:40:26 | 0:40:28 | |
-Smashing, can't wait. -Can't wait to get cracking today, eh? | 0:40:28 | 0:40:31 | |
You're very enthusiastic, what's going on? | 0:40:31 | 0:40:33 | |
-Must be the climate agrees with us. -Must be. | 0:40:33 | 0:40:36 | |
You really are the worst liars, do you know that? | 0:40:36 | 0:40:40 | |
I know what this is. | 0:40:40 | 0:40:42 | |
Do you? | 0:40:42 | 0:40:43 | |
You went out last night. | 0:40:44 | 0:40:47 | |
Guilty! | 0:40:48 | 0:40:50 | |
-Got to get up early to put one over on you. -Earlier than you think. | 0:40:50 | 0:40:54 | |
-I'm going to have a shower. -About time too, pal! | 0:40:54 | 0:40:57 | |
-There you go. -Did you get butter? | 0:41:04 | 0:41:08 | |
Sandra was at the table. | 0:41:08 | 0:41:10 | |
Toast with bit of tissue on isn't exactly a hearty breakfast, is it? | 0:41:11 | 0:41:15 | |
What's this? | 0:41:15 | 0:41:16 | |
Sausage. | 0:41:18 | 0:41:19 | |
-It's got hair on it. -It's been in my pocket! | 0:41:19 | 0:41:23 | |
-Steve will be up with your tea in a minute. -Brilliant. | 0:41:23 | 0:41:26 | |
I haven't had a decent brew in three days. | 0:41:26 | 0:41:29 | |
Shouldn't you be in the shower? | 0:41:30 | 0:41:32 | |
Before you go mad, I've been investigating. | 0:41:33 | 0:41:36 | |
Investigating what? | 0:41:36 | 0:41:38 | |
-Truman, I've been following him. -Brian... | 0:41:38 | 0:41:40 | |
-He's up to something. -Brian! | 0:41:40 | 0:41:43 | |
-You are suspended. -Please, I can help. | 0:41:43 | 0:41:46 | |
-I need to help. -He's here now. Can't he stay for a while? | 0:41:47 | 0:41:51 | |
He's got a hearing in two days. | 0:41:51 | 0:41:53 | |
It really comes to something when Steve is the only one I can trust. | 0:41:55 | 0:41:59 | |
Here you are, Brian. | 0:41:59 | 0:42:01 | |
-Oops. -Stay where you are. | 0:42:02 | 0:42:04 | |
I want Brian on the next flight out today | 0:42:07 | 0:42:09 | |
or I'm going to suspend you, Gerry, and that is a promise. | 0:42:09 | 0:42:13 | |
I'm seeing Truman myself later today. | 0:42:15 | 0:42:18 | |
We'll talk about this properly when you get home. | 0:42:18 | 0:42:21 | |
Did you bring any milk? | 0:42:26 | 0:42:28 | |
-Impressive set-up you've got here, Mr Truman. -Harry. -Harry. | 0:42:37 | 0:42:43 | |
We broadcast to over 30 territories in multiple languages. | 0:42:43 | 0:42:47 | |
You could say we're the centre of the universe | 0:42:47 | 0:42:49 | |
as far as virtual gambling is concerned. | 0:42:49 | 0:42:51 | |
You seem to have virtually everything covered. | 0:42:51 | 0:42:54 | |
Not quite everything. Offline security is a big issue. | 0:42:54 | 0:42:58 | |
I'm always on the lookout for experts. | 0:42:59 | 0:43:02 | |
-This expert's taken. -Pity. | 0:43:02 | 0:43:06 | |
-I'm here to investigate... -Christian. | 0:43:08 | 0:43:11 | |
Word gets around the rock like weather. | 0:43:11 | 0:43:14 | |
-Shall we talk in my office? -Perfect. | 0:43:14 | 0:43:17 | |
Brian, I'm counting dust particles here. | 0:43:22 | 0:43:25 | |
-If you're bored, we can always pop down to the casino. -No! | 0:43:26 | 0:43:30 | |
I staked it out yesterday. | 0:43:30 | 0:43:32 | |
That Harry Truman spends a lot of time in there. | 0:43:32 | 0:43:35 | |
Brian, we are not going down to the casino. | 0:43:35 | 0:43:38 | |
-Just make your move and get on with it! -I'm strategising. | 0:43:38 | 0:43:42 | |
Anyway, my flight's not for another three hours. | 0:43:43 | 0:43:46 | |
There's no rush, is there? | 0:43:46 | 0:43:48 | |
I don't think I can take three more hours of this. | 0:43:48 | 0:43:52 | |
The set's reversible. | 0:43:52 | 0:43:53 | |
There's draughts on the other side. | 0:43:53 | 0:43:55 | |
Tell me about your relationship with Christian. | 0:44:00 | 0:44:03 | |
He was a regular in my London casino until he became a friend. | 0:44:03 | 0:44:07 | |
-Then I stopped him from coming. -Why? | 0:44:07 | 0:44:10 | |
Let me explain something to you. | 0:44:11 | 0:44:13 | |
-Your website. -Biggest of its kind in the world. | 0:44:17 | 0:44:19 | |
Every second, thousands of bets placed, | 0:44:19 | 0:44:21 | |
-millions of pounds won and lost. -All in the blink of an eye. | 0:44:21 | 0:44:25 | |
People believe in chance because it gives them hope. | 0:44:25 | 0:44:29 | |
Hope is a powerful drug. And now you can buy it online. | 0:44:29 | 0:44:33 | |
You sound like an Evangelist. | 0:44:33 | 0:44:36 | |
I just provide a service. | 0:44:36 | 0:44:39 | |
You pay your 20 quid, sometimes you win, sometimes you lose, | 0:44:39 | 0:44:42 | |
but you always have hope. Hope springs eternal. | 0:44:42 | 0:44:46 | |
Is that what you give Christian, hope? | 0:44:46 | 0:44:49 | |
People who come into casinos need to see the whites of the dealer's eyes, | 0:44:49 | 0:44:54 | |
to feel the adrenaline. It's an addiction. | 0:44:54 | 0:44:57 | |
Which made you his dealer. | 0:44:57 | 0:45:00 | |
A fellow addict. | 0:45:00 | 0:45:02 | |
That's why I try to keep Christian out of my casinos | 0:45:02 | 0:45:05 | |
and why I was only too pleased to bring my business online. | 0:45:05 | 0:45:09 | |
If someone wants to blow their inheritance, | 0:45:09 | 0:45:11 | |
shouldn't you be encouraging them? | 0:45:11 | 0:45:13 | |
I've never had any qualms about taking money from someone | 0:45:13 | 0:45:16 | |
-who knows what they are doing. -And Christian didn't? | 0:45:16 | 0:45:19 | |
It was like taking toys from a baby, and then a friend, of course. | 0:45:21 | 0:45:26 | |
We think he was smuggling drugs into the UK. | 0:45:27 | 0:45:30 | |
-How? -Through one of their container ships. | 0:45:30 | 0:45:33 | |
Not wishing to speak ill of the dead, but I'd have thought | 0:45:35 | 0:45:38 | |
that kind of logistical operation to be beyond him. | 0:45:38 | 0:45:42 | |
I need to find out if he was in business with someone out here. | 0:45:42 | 0:45:45 | |
You're not suggesting it was me, I hope. | 0:45:45 | 0:45:48 | |
I have to assume everything is possible | 0:45:48 | 0:45:50 | |
otherwise I wouldn't be very good at my job. | 0:45:50 | 0:45:53 | |
Is lunch possible? Tomorrow? | 0:45:56 | 0:45:59 | |
Excuse me? | 0:45:59 | 0:46:01 | |
If your suspicions are correct, who else knows about you? | 0:46:01 | 0:46:05 | |
You need a friend, Detective Superintendent. | 0:46:05 | 0:46:08 | |
-Sandra. -My second guess. | 0:46:10 | 0:46:13 | |
What was your first? | 0:46:14 | 0:46:16 | |
You can't do that! | 0:46:26 | 0:46:27 | |
The multiple jump is a well-established move in draughts. | 0:46:27 | 0:46:31 | |
-I'm going to have a cigarette. -I'll show you the rules if you like. | 0:46:31 | 0:46:35 | |
Actually, you might not be able to read them. The booklet's very small. | 0:46:35 | 0:46:39 | |
Mr Fletcher. Fancy seeing you here. | 0:46:59 | 0:47:03 | |
-Mr McAndrew. -You said you were always in the office. -I am, mostly. | 0:47:03 | 0:47:07 | |
That's what it is, you missed out the word, "mostly." | 0:47:07 | 0:47:11 | |
What is this, a holiday? | 0:47:11 | 0:47:14 | |
-Client meetings. Importers. -Any exporters? | 0:47:14 | 0:47:18 | |
No, look, can I help you with something? | 0:47:18 | 0:47:21 | |
-I really am rather pushed. -Just it looks a bit funny. | 0:47:21 | 0:47:23 | |
There I am in your office two days ago asking you questions | 0:47:23 | 0:47:26 | |
about Christian Highsmith and what do you know, here we both are. | 0:47:26 | 0:47:30 | |
-Cushty, eh? -It's a small world. | 0:47:30 | 0:47:33 | |
That a fact? | 0:47:33 | 0:47:35 | |
Mr Fletcher, my card. | 0:47:35 | 0:47:39 | |
Perhaps we can catch up later on. Have a wee chat. | 0:47:39 | 0:47:44 | |
Mr Fletcher. | 0:47:49 | 0:47:51 | |
You haven't asked me what I'm doing out here. | 0:47:54 | 0:47:58 | |
I imagine you're pursuing a lead of some kind. | 0:47:58 | 0:48:01 | |
Vigorously, pal. | 0:48:01 | 0:48:04 | |
Vigorously. | 0:48:04 | 0:48:05 | |
PHONE RINGS | 0:48:32 | 0:48:34 | |
-Guv'nor. -Hi, Gerry. How you doing? How's Brian? | 0:48:36 | 0:48:40 | |
-He's bearing up. -What time's his plane? -Soon, soon. | 0:48:40 | 0:48:45 | |
Ready to go, is he? | 0:48:45 | 0:48:46 | |
-I helped him pack the bags myself. -No, you didn't. | 0:48:46 | 0:48:49 | |
How could you know that? | 0:48:49 | 0:48:51 | |
You left your door opened and I'm in your room. | 0:48:51 | 0:48:54 | |
I don't know which bar you sneaked off to | 0:48:54 | 0:48:57 | |
but I want Brian on that plane. Do you understand? | 0:48:57 | 0:48:59 | |
Yes, I do understand, guv'nor. I certainly do. | 0:48:59 | 0:49:03 | |
Are you kidding me? How can you lose a whole suit? It was in here. | 0:49:03 | 0:49:08 | |
You didn't see any... How can you lose that? | 0:49:08 | 0:49:12 | |
-Flush. -Yes! | 0:49:58 | 0:50:00 | |
You're on a roll, Dave, I'm impressed. | 0:50:00 | 0:50:04 | |
It's a simple matter of probabilities, really. | 0:50:04 | 0:50:07 | |
There's a man staring at the back of your head. | 0:50:09 | 0:50:12 | |
Oh, yeah, yeah. He always does that. | 0:50:16 | 0:50:19 | |
He's a bit special, between you and me. | 0:50:21 | 0:50:24 | |
This is my business associate. | 0:50:24 | 0:50:27 | |
-This is Vince. -Vince? | 0:50:27 | 0:50:31 | |
Yeah, Vince... | 0:50:31 | 0:50:34 | |
Table. Vince Table. | 0:50:34 | 0:50:36 | |
-Your name's Vince Table? -Yeah. -Why don't you join us, Vince? | 0:50:38 | 0:50:44 | |
-I'm all right, thanks. -James, drinks for everyone. | 0:50:44 | 0:50:47 | |
The hell do you think you're doing here? | 0:50:47 | 0:50:49 | |
I'm undercover, they think I'm a businessman. | 0:50:49 | 0:50:51 | |
I'd be surprised if they didn't think you're a waiter. | 0:50:51 | 0:50:54 | |
You know you're the only one in a tux? | 0:50:54 | 0:50:56 | |
I suppose I do look a bit formal. | 0:50:56 | 0:50:57 | |
You've got a dry cleaning ticket on your back. | 0:50:57 | 0:51:00 | |
-Come on, let's get out of here. -Let's mix things up. | 0:51:00 | 0:51:04 | |
-How about a game of five card draw? -Perfect. | 0:51:04 | 0:51:07 | |
2000. | 0:51:21 | 0:51:22 | |
Five. | 0:51:37 | 0:51:38 | |
Right, I'll make that ten. | 0:51:46 | 0:51:47 | |
Well done, Dave. | 0:52:16 | 0:52:18 | |
He's here now? | 0:52:20 | 0:52:21 | |
-Listen, you can't keep taking risks like that. -Thanks, Vince. | 0:52:23 | 0:52:28 | |
I'm just trying to impress Truman, gain his trust. | 0:52:28 | 0:52:31 | |
He hasn't got anything to do with any of this. | 0:52:31 | 0:52:33 | |
-Come on, mate, I think it's time we went. -Right then. | 0:52:36 | 0:52:39 | |
-I'd like to cash in now. -I'll give you what I owe you tomorrow. | 0:52:40 | 0:52:44 | |
-Fine. -Fine? | 0:52:44 | 0:52:46 | |
Yeah. | 0:52:46 | 0:52:48 | |
How about if I said I won't give you anything at all? | 0:52:48 | 0:52:52 | |
Why would you do that? | 0:52:54 | 0:52:56 | |
Because I don't think you'd do anything about it. | 0:52:56 | 0:52:59 | |
Let's go. | 0:52:59 | 0:53:00 | |
How can you be so sure? | 0:53:02 | 0:53:03 | |
You're not used to winning. | 0:53:07 | 0:53:09 | |
Come on, Dave. | 0:53:09 | 0:53:10 | |
I want my money, I want it now. | 0:53:15 | 0:53:18 | |
That's better, Dave. | 0:53:32 | 0:53:34 | |
Oi! Can't you see when somebody's winding you up? | 0:53:34 | 0:53:38 | |
Back home I might be Brian Lane that gets walked all over by bastards, | 0:53:39 | 0:53:42 | |
-but here... -Here, you're Dave the waiter. | 0:53:42 | 0:53:46 | |
That's Gordon Fletcher. I told you. | 0:53:49 | 0:53:51 | |
Didn't I tell you there was something going on here? | 0:53:51 | 0:53:54 | |
Hold on, is that them? | 0:54:33 | 0:54:35 | |
They're coming, quick! | 0:54:35 | 0:54:37 | |
-You can tell Mr Truman I won't say anything. -Mr Truman was adamant. | 0:54:38 | 0:54:43 | |
Senior Bassano. He told me, huh? | 0:54:43 | 0:54:46 | |
Bassano? That could be Danny Bassano's father. | 0:54:46 | 0:54:50 | |
Take it. Come on, take it! | 0:54:50 | 0:54:53 | |
Move, move. | 0:54:58 | 0:55:00 | |
Where you going? | 0:55:00 | 0:55:02 | |
-It's locked. -Bloody hell. -Oh, shit! | 0:55:11 | 0:55:13 | |
How's Truman? | 0:55:15 | 0:55:16 | |
Well, if he's hiding something then he's got a hell of a poker face. | 0:55:18 | 0:55:23 | |
-You've got to learn his tells then. -I'm not sure he has any. | 0:55:24 | 0:55:28 | |
Everybody's got them. | 0:55:28 | 0:55:29 | |
Like the way you started touching your hair when I mentioned his name. | 0:55:31 | 0:55:37 | |
How's Charley? | 0:55:37 | 0:55:38 | |
Now there's a tell. | 0:55:40 | 0:55:42 | |
Yeah. | 0:55:42 | 0:55:43 | |
Long distance relationships, what are you going to do? | 0:55:45 | 0:55:48 | |
PHONE RINGS | 0:55:50 | 0:55:51 | |
Is that Jerry? | 0:55:51 | 0:55:52 | |
No, Cruz. Hello. | 0:55:54 | 0:55:57 | |
That shipping agent you were telling me about, Gordon Fletcher. | 0:56:06 | 0:56:09 | |
What about him? | 0:56:09 | 0:56:11 | |
Move. | 0:56:14 | 0:56:15 | |
Still can't get a bleeding signal. | 0:56:36 | 0:56:38 | |
Hang on, I've got a torch on my key ring. | 0:56:38 | 0:56:41 | |
Hold on, I've got one here. | 0:56:41 | 0:56:44 | |
We've no chance. | 0:56:46 | 0:56:49 | |
This thing's made of reinforced steel. | 0:56:49 | 0:56:52 | |
So we're just stuck here then? | 0:56:52 | 0:56:55 | |
There'll be somebody around in the morning. | 0:56:55 | 0:56:57 | |
If we make enough noise, they'll hear us. | 0:56:57 | 0:57:00 | |
What are we going to do until then? | 0:57:00 | 0:57:02 | |
I've got the travel chess set in my pocket. | 0:57:02 | 0:57:06 | |
-BANGING AND CLANKING -What was that? | 0:57:06 | 0:57:09 | |
Maybe somebody who can help. Hello! | 0:57:09 | 0:57:12 | |
Help! We're stuck in here. | 0:57:12 | 0:57:15 | |
Brian, that doesn't sound like a helping thing to me. | 0:57:19 | 0:57:24 | |
It's stopped. We're all right. | 0:57:24 | 0:57:28 | |
THEY SCREAM | 0:57:28 | 0:57:30 | |
THEY SCREAM | 0:57:37 | 0:57:39 | |
Subtitles by Red Bee Media Ltd | 0:58:07 | 0:58:10 |