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# It's all right It's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right I say it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:10 | |
# It's all right, doing fine | 0:00:10 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right I say it's OK | 0:00:16 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:21 | |
CHURCH BELL RINGS | 0:00:24 | 0:00:29 | |
-Don't forget the rings. -I won't. | 0:00:50 | 0:00:52 | |
-Do please try to be on time. -Yes. -I'll try, yes. | 0:00:53 | 0:00:56 | |
Every blessing and we look forward to seeing you in a couple of weeks. | 0:00:57 | 0:01:01 | |
-Thank you very much. -God bless. | 0:01:01 | 0:01:03 | |
Venue sorted, flowers sorted, dress sorted. | 0:01:06 | 0:01:09 | |
-Team Awesome is on a roll! -Just the prenup to draft now. | 0:01:09 | 0:01:14 | |
Solicitor's joke, Gerry. | 0:01:14 | 0:01:15 | |
-Call him "Dad". -Mr Standing'll do fine. | 0:01:15 | 0:01:18 | |
After the wedding? Few weeks after? | 0:01:18 | 0:01:21 | |
-When the baby's born? -Eh?! | 0:01:21 | 0:01:24 | |
-Behave! -But as soon as Cait's respectable, | 0:01:24 | 0:01:27 | |
-we're going to have a thorough go at it. -Oh... | 0:01:27 | 0:01:29 | |
-Sorry Mr... -Gerry. -Mr Gerry. | 0:01:29 | 0:01:32 | |
Yeah, well, I'll see you later, love. | 0:01:32 | 0:01:34 | |
You will not. You're coming for lunch. My treat. | 0:01:34 | 0:01:37 | |
You're treating me? Blimey, that's a first! | 0:01:37 | 0:01:40 | |
It was Robin's idea. | 0:01:40 | 0:01:42 | |
Well, I've only got time for one course. | 0:01:42 | 0:01:44 | |
I need a quick confab. | 0:01:45 | 0:01:47 | |
-"Mr Standing"? What was that? -I hardly know the bloke. | 0:01:49 | 0:01:52 | |
He's trying his bloody heart out here. Why can't you? | 0:01:52 | 0:01:55 | |
There's no need to swear. | 0:01:55 | 0:01:56 | |
I'm your daughter - swearing's part of the job description. | 0:01:56 | 0:02:00 | |
Dad was just saying how much he's looking forward to this, | 0:02:00 | 0:02:03 | |
-weren't you, Dad? -GERRY GRUNTS | 0:02:03 | 0:02:05 | |
Thank you. | 0:02:24 | 0:02:26 | |
Say when, Gerry. | 0:02:31 | 0:02:33 | |
Say when. | 0:02:34 | 0:02:36 | |
Please, say when. | 0:02:41 | 0:02:43 | |
When, sweetheart, when. | 0:02:43 | 0:02:45 | |
Cait tells me you grew up round here, Gerry? | 0:02:52 | 0:02:54 | |
That's right. | 0:02:54 | 0:02:56 | |
Rough corners. | 0:02:56 | 0:02:58 | |
Rough what? | 0:02:58 | 0:02:59 | |
Street...corners. | 0:02:59 | 0:03:01 | |
This is Bermondsey, not Baltimore. | 0:03:01 | 0:03:04 | |
Erm, Robin's doing the conveyancing | 0:03:06 | 0:03:08 | |
for those new flats down Ruskin Walk. | 0:03:08 | 0:03:10 | |
Technically, they're apartments not... | 0:03:10 | 0:03:12 | |
flats. | 0:03:12 | 0:03:14 | |
Why don't you tell Dad all about it over the next course? | 0:03:18 | 0:03:20 | |
-What about almond and dill? -Lovely. | 0:03:22 | 0:03:25 | |
Actually, sweetheart, I've got to go. | 0:03:29 | 0:03:31 | |
-Cheers, Gerry. -Well, what's so important? | 0:03:31 | 0:03:34 | |
I told you only one course. | 0:03:34 | 0:03:36 | |
I'll ring you, sweetheart. | 0:03:36 | 0:03:38 | |
I'm just out of Brixton after eight years and all I get's the look? | 0:04:03 | 0:04:07 | |
What do you expect, a hug? | 0:04:07 | 0:04:10 | |
How about a firm handshake...for an old friend? | 0:04:10 | 0:04:13 | |
-How'd you find me? -Asked around. | 0:04:13 | 0:04:16 | |
Could've said hello earlier, but you was... | 0:04:16 | 0:04:19 | |
Well, I didn't want to interrupt. | 0:04:19 | 0:04:21 | |
You'd have been doing me a favour, as it happens. | 0:04:21 | 0:04:24 | |
-Didn't that place used to be a karzy? -Yeah. | 0:04:24 | 0:04:26 | |
GERRY CHUCKLES | 0:04:26 | 0:04:28 | |
Yeah. Lot of things have changed around here. | 0:04:28 | 0:04:30 | |
Not everything, I hope. | 0:04:30 | 0:04:33 | |
Can I buy you a pint? | 0:04:33 | 0:04:34 | |
I need your help, Gerry. | 0:04:36 | 0:04:37 | |
I should have stuck with that apprenticeship with your old man | 0:04:39 | 0:04:42 | |
all those years ago. | 0:04:42 | 0:04:44 | |
He gave me a chance. | 0:04:44 | 0:04:46 | |
He gave you my bed. | 0:04:46 | 0:04:48 | |
Yeah, you was on the floor for six months! | 0:04:48 | 0:04:50 | |
Yeah! | 0:04:50 | 0:04:52 | |
-Nah, we weren't cut out to be butchers. -Nah. | 0:04:52 | 0:04:55 | |
Here, do you remember when you tried to butterfly that leg of lamb? | 0:04:55 | 0:04:58 | |
Oh, yeah, made all them women faint. | 0:04:58 | 0:05:00 | |
Yeah, and the old man gave me a clip round the ear! | 0:05:00 | 0:05:03 | |
Yeah, but you found your trade in the end, though, didn't you? | 0:05:04 | 0:05:08 | |
Nicking people. | 0:05:08 | 0:05:10 | |
And you found yours. | 0:05:10 | 0:05:12 | |
Listen, how many more of these is it going to take | 0:05:12 | 0:05:14 | |
before you tell me what this is all about? | 0:05:14 | 0:05:16 | |
-Remember my daughter - Carol? -Yeah, yeah. | 0:05:18 | 0:05:22 | |
-Her youngest - Jake. -Oh! | 0:05:26 | 0:05:29 | |
Blimey. | 0:05:37 | 0:05:39 | |
I'm sorry, mate, I didn't know. | 0:05:39 | 0:05:41 | |
Never reckoned on someone from my family | 0:05:41 | 0:05:43 | |
making university, did you? | 0:05:43 | 0:05:45 | |
I killed him. | 0:05:47 | 0:05:48 | |
Is this a confession? | 0:05:51 | 0:05:53 | |
I mean, I might as well have killed him. | 0:05:53 | 0:05:55 | |
That was no student prank. | 0:05:55 | 0:05:57 | |
I'd done this job a few years before. | 0:05:57 | 0:06:00 | |
Nicked stuff, hid it in the top of Southwark Towers. | 0:06:00 | 0:06:03 | |
Then I got pinched before I could get it out again. | 0:06:03 | 0:06:06 | |
Then I heard they was knocking them down. | 0:06:06 | 0:06:09 | |
So you sent him up there? | 0:06:09 | 0:06:10 | |
To his death. | 0:06:10 | 0:06:12 | |
But he wasn't alone that night. | 0:06:12 | 0:06:14 | |
-Someone followed him. -Who? | 0:06:14 | 0:06:16 | |
Wayne Pelham. | 0:06:16 | 0:06:17 | |
The guy I did the job with. | 0:06:17 | 0:06:19 | |
He knew the stuff was in the building. Just didn't know where. | 0:06:19 | 0:06:22 | |
Why didn't you say something about all this before? | 0:06:22 | 0:06:25 | |
Believe me, I tried. Screws. Even the bloody chaplain. | 0:06:25 | 0:06:28 | |
Who's going to listen to an old lag like me? | 0:06:28 | 0:06:30 | |
This, Gerry, is screwing me up. | 0:06:30 | 0:06:33 | |
It's whittling me down. | 0:06:33 | 0:06:35 | |
If I don't find out the truth soon | 0:06:35 | 0:06:37 | |
-it'll have my bones. -Oh, don't go on. | 0:06:37 | 0:06:39 | |
Jake would've done anything for his grandad. | 0:06:45 | 0:06:48 | |
Now his grandad must do this for him. | 0:06:51 | 0:06:55 | |
What do you want from me, Ralph? | 0:06:55 | 0:06:57 | |
Take another look, will you? | 0:06:57 | 0:06:59 | |
Hold on, hold on. I don't know if I can, mate. | 0:06:59 | 0:07:03 | |
If you don't do it for me, do it for Sarah. | 0:07:03 | 0:07:06 | |
This is what you did with your weekend? | 0:07:18 | 0:07:20 | |
You went on a training course? | 0:07:20 | 0:07:22 | |
A qualitative learning experience. | 0:07:22 | 0:07:24 | |
And an exhilarating one at that. The FBI use the same techniques. | 0:07:24 | 0:07:27 | |
Oh, yeah? | 0:07:27 | 0:07:28 | |
-What techniques? -Speed reading body language. | 0:07:28 | 0:07:31 | |
80% of communication is involuntary and non verbal. | 0:07:31 | 0:07:34 | |
Oooooh! | 0:07:34 | 0:07:35 | |
Yes, well, from Gerry's expression any investigator could instantly | 0:07:35 | 0:07:39 | |
tell they're dealing with someone whose mind is closed to new ideas. | 0:07:39 | 0:07:43 | |
-Take your eyebrows. -What? | 0:07:43 | 0:07:45 | |
They're the defining feature of your face | 0:07:45 | 0:07:47 | |
and already they've betrayed you. | 0:07:47 | 0:07:48 | |
-What are you talking about? -The second I mention | 0:07:48 | 0:07:51 | |
the slightest thing about your appearance, you react. | 0:07:51 | 0:07:53 | |
-You're threatened, insecure. -Ridiculous. | 0:07:53 | 0:07:56 | |
One thing I know is that he is not insecure. | 0:07:56 | 0:07:59 | |
-And my mind's not closed to new ideas. -That's two things. | 0:07:59 | 0:08:02 | |
SIREN WAILS | 0:08:09 | 0:08:10 | |
Sash? Excuse me. | 0:08:12 | 0:08:14 | |
Sash, I spoke to our son last night. | 0:08:14 | 0:08:18 | |
Yeah, Alex said he was going to contact you. | 0:08:18 | 0:08:21 | |
Did he tell you about his new girlfriend? | 0:08:21 | 0:08:24 | |
Chloe? Seems like a sweetheart. | 0:08:24 | 0:08:26 | |
-I did the lecture about... -Yeah, he knows. | 0:08:29 | 0:08:32 | |
So, are UCOS behaving themselves? | 0:08:34 | 0:08:36 | |
Sometimes. How about you? | 0:08:38 | 0:08:41 | |
Busy with this new police accountability initiative | 0:08:43 | 0:08:45 | |
for the commissioner. Diligence, resilience... | 0:08:45 | 0:08:48 | |
Integrity? | 0:08:48 | 0:08:50 | |
You've seen the leaflets. | 0:08:50 | 0:08:52 | |
And the posters. Must be difficult peddling all that political crap. | 0:08:52 | 0:08:56 | |
I wrote all that political crap. | 0:08:56 | 0:08:58 | |
Why are you talking like one of them? | 0:09:00 | 0:09:02 | |
Scary answer? | 0:09:02 | 0:09:04 | |
I am one of them. | 0:09:04 | 0:09:05 | |
"Diligence, resilience, integrity"? | 0:09:12 | 0:09:15 | |
New initiative of the commissioner's. Morning, boss. | 0:09:15 | 0:09:17 | |
-Morning. -Morning. -What a load of old bollocks! | 0:09:17 | 0:09:20 | |
I know for a fact that the guy who came up with it is | 0:09:20 | 0:09:22 | |
desperate for honest feedback. | 0:09:22 | 0:09:25 | |
Well, I'll be happy to put it in writing for him. | 0:09:25 | 0:09:27 | |
He'd really appreciate that. | 0:09:27 | 0:09:28 | |
Actually, guv, can I have a word? | 0:09:28 | 0:09:30 | |
Give us half that bacon roll and you can have two. | 0:09:30 | 0:09:34 | |
We robbed the bookies in 2005. | 0:09:34 | 0:09:36 | |
Blagged a few grand from the tills. | 0:09:37 | 0:09:40 | |
Then we found the jewellery in the safe. | 0:09:40 | 0:09:42 | |
Didn't know what to do with it. | 0:09:45 | 0:09:47 | |
I thought it might be a little pension fund or something, you know? | 0:09:47 | 0:09:50 | |
I had a cleaning job in the towers so I told Pelham | 0:09:50 | 0:09:53 | |
I'd hide the stuff in there while we was looking for a buyer. | 0:09:53 | 0:09:56 | |
But you were arrested before you found one? | 0:09:56 | 0:09:58 | |
Next day. The old boy who owns the bookies, | 0:09:58 | 0:10:02 | |
oh, he tells the coppers all about the money, all right. | 0:10:02 | 0:10:05 | |
But be fails to mention anything about the jewellery. | 0:10:05 | 0:10:08 | |
Then Southwark Towers was demolished to make way for the Shard. | 0:10:08 | 0:10:11 | |
2008. | 0:10:11 | 0:10:14 | |
-While I was still inside. -And Pelham wasn't. | 0:10:14 | 0:10:17 | |
No. | 0:10:17 | 0:10:19 | |
I should never have involved Jake. | 0:10:19 | 0:10:21 | |
Pelham must've followed him up there. | 0:10:23 | 0:10:25 | |
I don't mean to sound unhelpful, Mr Paxton, | 0:10:29 | 0:10:31 | |
but it's not a huge amount to go on. | 0:10:31 | 0:10:33 | |
Really? | 0:10:33 | 0:10:34 | |
Well, the only people who knew the stuff was in the building | 0:10:36 | 0:10:39 | |
was me, Jake and Pelham. | 0:10:39 | 0:10:40 | |
I've been looking for that bastard, | 0:10:41 | 0:10:43 | |
but he's vanished from the face of the Earth. | 0:10:43 | 0:10:45 | |
No name, no address, nothing. | 0:10:45 | 0:10:47 | |
So, you ask yourself, DCI Miller, why did he do that? | 0:10:48 | 0:10:53 | |
What do you reckon? | 0:10:57 | 0:10:58 | |
Well, it's a new explanation for why Jake | 0:10:58 | 0:11:00 | |
was at the top of the building at that time of night. | 0:11:00 | 0:11:03 | |
We can run traces for Pelham. Talk to the family. | 0:11:03 | 0:11:06 | |
But what I'm most interested in is what YOU reckon? | 0:11:06 | 0:11:09 | |
We were mates. Many, many years ago. | 0:11:11 | 0:11:14 | |
-He went one way. You went the other? -Yeah. Something like that. | 0:11:14 | 0:11:18 | |
What about his ex-wife? Sarah? | 0:11:18 | 0:11:20 | |
Oh, Gerry. | 0:11:23 | 0:11:25 | |
You know, in my experience, it's best to keep the personal | 0:11:27 | 0:11:29 | |
-and the professional apart. -Yeah, I hear what you're saying. | 0:11:29 | 0:11:33 | |
What do I know? I've just run into my ex-husband. | 0:11:33 | 0:11:35 | |
Gerry! | 0:12:36 | 0:12:37 | |
Nearly gave me a heart attack. | 0:12:40 | 0:12:42 | |
Sorry, Sarah. | 0:12:42 | 0:12:44 | |
Thought I had a stalker out here or something. | 0:12:44 | 0:12:46 | |
Should've phoned the police. | 0:12:46 | 0:12:48 | |
Last time I did that I ended up going out with one of them. | 0:12:48 | 0:12:52 | |
Didn't end well. | 0:12:52 | 0:12:53 | |
Didn't start too badly though, did it? | 0:12:55 | 0:12:58 | |
Look, can I come in? | 0:13:00 | 0:13:02 | |
Yeah, yeah. | 0:13:02 | 0:13:03 | |
How's those girls of yours? | 0:13:05 | 0:13:07 | |
Yeah, good, good. | 0:13:07 | 0:13:09 | |
The youngest, Caitlin, she's just about to tie the knot. | 0:13:09 | 0:13:13 | |
What's he like, her husband? Good man? | 0:13:13 | 0:13:16 | |
He's not her husband yet. | 0:13:16 | 0:13:18 | |
You sound just like my dad. Remember? | 0:13:18 | 0:13:21 | |
Yeah, he said a police constable wasn't good enough for his daughter. | 0:13:21 | 0:13:26 | |
And then I ended up with Ralph. | 0:13:26 | 0:13:28 | |
Dad should've counted his blessings. | 0:13:28 | 0:13:31 | |
Maybe you should too. | 0:13:31 | 0:13:32 | |
Sugar? | 0:13:35 | 0:13:37 | |
Yeah, yeah. | 0:13:37 | 0:13:39 | |
Has Ralph been to see you? | 0:13:39 | 0:13:40 | |
You know he has. | 0:13:40 | 0:13:43 | |
He thinks that Wayne Pelham had something to do with | 0:13:43 | 0:13:45 | |
what happened to Jake. | 0:13:45 | 0:13:47 | |
He's been going on about that for years. | 0:13:47 | 0:13:49 | |
It's all he's got now. | 0:13:49 | 0:13:51 | |
What about your other grandson? | 0:13:51 | 0:13:53 | |
Archie? He doesn't have any time for Ralph. Neither should you. | 0:13:53 | 0:13:56 | |
Yeah, but Ralph said you needed this. | 0:13:56 | 0:13:58 | |
Is that why you've taken it on? | 0:13:58 | 0:14:00 | |
Wouldn't it make things better? | 0:14:00 | 0:14:02 | |
To know what actually happened to Jake? | 0:14:02 | 0:14:05 | |
He'll still be gone, won't he? | 0:14:05 | 0:14:07 | |
I always thought I'd look out of this window one day | 0:14:11 | 0:14:14 | |
and see something he designed. | 0:14:14 | 0:14:16 | |
Maybe a hotel, school. | 0:14:16 | 0:14:20 | |
But there's just that. | 0:14:21 | 0:14:23 | |
His headstone. | 0:14:25 | 0:14:27 | |
-Fantastic. 40? -40?! -Oh. -How about a tenner? -Tenner, tenner, yeah? | 0:14:30 | 0:14:36 | |
All right. Awesome. Fantastic. | 0:14:36 | 0:14:38 | |
Very nice. Thank you very much, sir. Cheers. | 0:14:42 | 0:14:45 | |
Interested in the X40, are you? | 0:14:45 | 0:14:47 | |
-Not at that price. -It's well priced actually. | 0:14:47 | 0:14:50 | |
It's 30% cheaper down the road. With a case. | 0:14:50 | 0:14:52 | |
That's cos they're just some big corporate, isn't it? | 0:14:52 | 0:14:54 | |
Here, you get the service. | 0:14:54 | 0:14:57 | |
And what does that consist of? | 0:14:57 | 0:14:58 | |
My expertise. | 0:14:58 | 0:15:00 | |
Go on, then. | 0:15:00 | 0:15:02 | |
Devastate me. | 0:15:02 | 0:15:03 | |
You like a bit of poke, right? | 0:15:03 | 0:15:05 | |
The 12GHz dual processor? | 0:15:05 | 0:15:07 | |
Well, if I was remotely interested in poke, | 0:15:07 | 0:15:09 | |
I'd have gone for the 25 Acceleron. | 0:15:09 | 0:15:10 | |
-So it's the ten-megapixel camera... -Five megapixel. | 0:15:10 | 0:15:13 | |
The screen then? Four inch. | 0:15:13 | 0:15:15 | |
-3.8 inch. -I was rounding it up. Are you one of them mystery shoppers? | 0:15:15 | 0:15:20 | |
I'm Danny Griffin from the Unsolved Crime and Open Cases Squad. | 0:15:20 | 0:15:24 | |
They know you've escaped? | 0:15:24 | 0:15:26 | |
Never heard of Wayne Pelham. | 0:15:29 | 0:15:30 | |
He was your grandfather's partner. | 0:15:30 | 0:15:32 | |
Him? | 0:15:32 | 0:15:34 | |
-That old bastard's nothing to me, mate. -Why? | 0:15:36 | 0:15:39 | |
Jailbird, isn't he? Loser. | 0:15:40 | 0:15:42 | |
You were arrested a few times yourself, weren't you? | 0:15:42 | 0:15:45 | |
-When you were younger? -Look, I got a job now. | 0:15:45 | 0:15:48 | |
So have I. | 0:15:48 | 0:15:50 | |
Used to rob people. Wallets. Phones. | 0:15:51 | 0:15:54 | |
In a way, a kind of training for what you do now? | 0:15:54 | 0:15:56 | |
Only targeting commuters. | 0:15:56 | 0:15:58 | |
That's why I feel so tingly. | 0:15:58 | 0:16:00 | |
The aura given off by your high principles. | 0:16:00 | 0:16:02 | |
I'm not proud of it. But I did my little bit of time. | 0:16:02 | 0:16:05 | |
Put it all behind me. Years ago. | 0:16:05 | 0:16:07 | |
People pull themselves out of the gutter all the time. | 0:16:07 | 0:16:10 | |
Did you come here to ask about Jake or me? | 0:16:10 | 0:16:12 | |
Both. Must've been difficult, having a younger brother like Jake. | 0:16:12 | 0:16:17 | |
Studying architecture. | 0:16:17 | 0:16:18 | |
On his way to a successful career. And then there's you doing...this. | 0:16:18 | 0:16:23 | |
I'm making something of myself, yeah? | 0:16:23 | 0:16:25 | |
Two years' time, I'll have a shop | 0:16:25 | 0:16:27 | |
with my name over the door. | 0:16:27 | 0:16:29 | |
Do you miss your brother, Archie? | 0:16:29 | 0:16:31 | |
What? | 0:16:31 | 0:16:32 | |
When you were very young, you were mostly separated. Foster care. | 0:16:32 | 0:16:36 | |
Hostels. I imagine you didn't come together very often. | 0:16:36 | 0:16:40 | |
Do you miss him? | 0:16:40 | 0:16:42 | |
What kind of a question's that? | 0:16:42 | 0:16:44 | |
One you've already answered. | 0:16:44 | 0:16:46 | |
I wouldn't wipe my grandmother's sorry, wrinkly, old arse | 0:17:04 | 0:17:07 | |
on that essay if she was dying from dysentery, begging me for relief, | 0:17:07 | 0:17:12 | |
and it was the only piece of paper left on the entire planet! | 0:17:12 | 0:17:14 | |
-But, Mr Culley... -I don't care if it's a third draft! | 0:17:14 | 0:17:18 | |
Mr Culley? | 0:17:18 | 0:17:19 | |
They told me the police were here to see me but, if I may say so, | 0:17:19 | 0:17:22 | |
that meagre description really doesn't do you any kind of justice. | 0:17:22 | 0:17:25 | |
-Hello there. -Oh. A silver chaperone. | 0:17:25 | 0:17:29 | |
They keep putting these bastard things in here. | 0:17:29 | 0:17:32 | |
Mr Culley, you were Jake Paxton's tutor at the time of his death. | 0:17:32 | 0:17:35 | |
You gave a statement six years ago? | 0:17:35 | 0:17:37 | |
Yes, no-one here was more devastated to lose James. | 0:17:37 | 0:17:41 | |
Jake. | 0:17:41 | 0:17:42 | |
Him too. | 0:17:43 | 0:17:45 | |
You were asked about Southwark Towers, | 0:17:45 | 0:17:47 | |
what Jake might have been doing up there? | 0:17:47 | 0:17:49 | |
-Do you mind if I...? -Yes. | 0:17:49 | 0:17:52 | |
Oh. You look after yourself. I admire that. It impresses me. | 0:17:52 | 0:17:58 | |
In your statement you mentioned something about "urbex"? | 0:17:58 | 0:18:00 | |
Urban exploration. All the kids do it. | 0:18:00 | 0:18:03 | |
Breaking into abandoned or unusual buildings. | 0:18:03 | 0:18:05 | |
Aldwych Tube Station's very popular, for example. | 0:18:05 | 0:18:08 | |
Sort of freshers' rite of passage. | 0:18:08 | 0:18:10 | |
Southwark Towers was being demolished. | 0:18:10 | 0:18:12 | |
Time running out. I dare say Jake saw it as a trophy. | 0:18:12 | 0:18:15 | |
Did Jake have contact with anybody unusual around that time? | 0:18:15 | 0:18:17 | |
He was a student. | 0:18:17 | 0:18:20 | |
They're all unusual, if you ask me. | 0:18:20 | 0:18:22 | |
You were accused of taking bribes a few years ago. | 0:18:22 | 0:18:25 | |
HE SIGHS | 0:18:27 | 0:18:28 | |
You were doing so well with me. | 0:18:30 | 0:18:32 | |
I was fully acquitted. | 0:18:34 | 0:18:36 | |
Embarrassing though? | 0:18:36 | 0:18:37 | |
Not at all. I consult for the City of London Corporation. | 0:18:37 | 0:18:40 | |
There was an extremely lewd allegation by a misinformed | 0:18:40 | 0:18:44 | |
individual that I'd been taking cash from developers. | 0:18:44 | 0:18:47 | |
So the allegation was untrue? | 0:18:47 | 0:18:50 | |
Obviously. | 0:18:50 | 0:18:51 | |
Out of interest, | 0:18:55 | 0:18:57 | |
what time do you knock off with the policing? | 0:18:57 | 0:18:59 | |
All right, Daniel. Listen, put the kettle on for us, will you? | 0:19:04 | 0:19:07 | |
-God, did you see that football? -Gerry. -What? | 0:19:07 | 0:19:09 | |
How the bloody hell did you get in here? | 0:19:20 | 0:19:23 | |
Well, I am a solicitor. | 0:19:23 | 0:19:25 | |
Oh, yeah. Slither under the door, did you? | 0:19:25 | 0:19:28 | |
I was hoping we could talk. | 0:19:28 | 0:19:29 | |
Yeah, well, now's not a good time. | 0:19:29 | 0:19:31 | |
It's just that Cait was a little upset yesterday. | 0:19:31 | 0:19:34 | |
Why? What have you done to her? | 0:19:34 | 0:19:35 | |
Me? No! It was after you left actually. Well, because you left. | 0:19:35 | 0:19:39 | |
Really, the way you left. | 0:19:39 | 0:19:41 | |
Yeah, well, like I said, now's not a good time. | 0:19:41 | 0:19:43 | |
When would be a good time, then, in your busy schedule? | 0:19:43 | 0:19:46 | |
Come here, you. | 0:19:49 | 0:19:50 | |
You want to marry my daughter yet you don't even | 0:19:54 | 0:19:56 | |
think of asking my permission? | 0:19:56 | 0:19:58 | |
Would you have said yes? | 0:19:59 | 0:20:01 | |
I don't know. I don't know anything about you. | 0:20:01 | 0:20:03 | |
Who you are, where you're from, nothing. | 0:20:03 | 0:20:05 | |
Basingstoke! | 0:20:05 | 0:20:07 | |
I rest my case. | 0:20:07 | 0:20:09 | |
Look, Mr Standing, | 0:20:09 | 0:20:11 | |
if you want to know about me, ask me anything you like and I'll tell you. | 0:20:11 | 0:20:16 | |
Where I went to school, my mother's maiden name, | 0:20:16 | 0:20:18 | |
what I had for bloody breakfast this morning. | 0:20:18 | 0:20:21 | |
It was grapefruit, by the way. | 0:20:21 | 0:20:23 | |
But you can't keep behaving like this. | 0:20:23 | 0:20:25 | |
Any word on Wayne Pelham? | 0:20:28 | 0:20:29 | |
He's not on the Electoral Register. | 0:20:29 | 0:20:31 | |
Still waiting on the Deed Poll for name changes. What's all this? | 0:20:31 | 0:20:35 | |
Jake's coursework. | 0:20:35 | 0:20:36 | |
"Designing Out Crime"? | 0:20:36 | 0:20:39 | |
Where's Gerry? | 0:20:39 | 0:20:41 | |
Ah. | 0:20:41 | 0:20:43 | |
Danny, in the last six months I've worked out that you | 0:20:43 | 0:20:45 | |
do a good "ah" and a bad "ah". | 0:20:45 | 0:20:47 | |
That was a bad "ah". | 0:20:47 | 0:20:49 | |
And how did that relationship end? | 0:20:50 | 0:20:53 | |
It just petered out with Francesca. | 0:20:53 | 0:20:55 | |
One of those things. | 0:20:55 | 0:20:57 | |
One of those things! I bet Francesca doesn't see it that way. | 0:20:57 | 0:21:00 | |
She's fine...now. | 0:21:00 | 0:21:02 | |
-She's a practising obstetrician. -Oh, yeah? | 0:21:02 | 0:21:06 | |
And how much of that is down to the emotional damage caused by you? | 0:21:06 | 0:21:10 | |
Look, Gerry, I really do have to go soon. | 0:21:10 | 0:21:12 | |
But, Robin, we're just getting to know each other. | 0:21:12 | 0:21:15 | |
How about these parking tickets? | 0:21:17 | 0:21:20 | |
What did you say? Six in two months? | 0:21:20 | 0:21:22 | |
They have a very aggressive enforcement regime | 0:21:22 | 0:21:24 | |
in that part of town. | 0:21:24 | 0:21:25 | |
Still shows a blatant lack of respect for the law. | 0:21:25 | 0:21:29 | |
Robin, DCI Miller. Sorry about this. | 0:21:29 | 0:21:33 | |
OK, hug it out. | 0:21:33 | 0:21:34 | |
Eh? | 0:21:35 | 0:21:36 | |
You heard me. Hug it out. | 0:21:36 | 0:21:38 | |
HE GROWLS | 0:21:49 | 0:21:51 | |
Archie Paxton is hiding something. | 0:21:51 | 0:21:53 | |
When I asked him about Wayne Pelham, | 0:21:53 | 0:21:55 | |
it triggered two micro-reactions | 0:21:55 | 0:21:57 | |
that are synonymous with deception... | 0:21:57 | 0:21:59 | |
Never heard of Wayne Pelham. HE SNIFFS | 0:21:59 | 0:22:00 | |
He was your grandfather's partner. | 0:22:00 | 0:22:02 | |
'Nostril flare | 0:22:02 | 0:22:04 | |
'and muscular tremble in the wrist.' | 0:22:04 | 0:22:06 | |
So he's got a slight cold and he plays with himself too much. | 0:22:06 | 0:22:09 | |
Archie knows something about what went on down there. | 0:22:11 | 0:22:14 | |
And doesn't want to share it. | 0:22:14 | 0:22:16 | |
Look, this stuff could mean anything. | 0:22:16 | 0:22:18 | |
All right, if we accept that when somebody scratches their nose, | 0:22:18 | 0:22:21 | |
they could be hiding something, right, | 0:22:21 | 0:22:23 | |
it still doesn't make him a murderer. | 0:22:23 | 0:22:25 | |
I'm simply applying tried and tested FBI techniques. | 0:22:25 | 0:22:29 | |
All right, Agent Griffin, speed read this. | 0:22:29 | 0:22:33 | |
HE SNORTS PHONE RINGS | 0:22:35 | 0:22:36 | |
What does that tell you? | 0:22:36 | 0:22:38 | |
That you need more fibre in your diet | 0:22:38 | 0:22:40 | |
and that I was right about your narrow mindedness. | 0:22:40 | 0:22:43 | |
Hugging out time again, Gerry? | 0:22:43 | 0:22:44 | |
Put them back in your pocket. | 0:22:46 | 0:22:48 | |
They've found Wayne Pelham. | 0:22:50 | 0:22:52 | |
POSH ACCENT: It's refreshing to find somebody | 0:23:08 | 0:23:10 | |
with such an eye for the authentic. | 0:23:10 | 0:23:12 | |
-Shall we wrap this for you? -Thank you. -Thanks, Chloe. | 0:23:12 | 0:23:17 | |
An impressive re-invention, Mr Pelham. | 0:23:17 | 0:23:20 | |
Can I help? If it's about the loyalty card scheme, | 0:23:20 | 0:23:23 | |
you'll need to speak to Chloe over there. | 0:23:23 | 0:23:25 | |
Very popular with the Chelsea mums. | 0:23:25 | 0:23:27 | |
This mum's from Basildon. | 0:23:27 | 0:23:29 | |
And she's re-investigating | 0:23:29 | 0:23:31 | |
the murder of Ralph Paxton's grandson, Jake. | 0:23:31 | 0:23:33 | |
You're doing very well for yourself. | 0:23:35 | 0:23:37 | |
HE DROPS ACCENT: Thames gobs most of this shit up. | 0:23:37 | 0:23:40 | |
All I do's scrape off a bit of muck and stick on a couple of noughts. | 0:23:40 | 0:23:44 | |
We're in the wrong business. | 0:23:44 | 0:23:46 | |
Amazes me sometimes. | 0:23:46 | 0:23:48 | |
They shell out three quarters of a mil for an 'alf-bedroom flat | 0:23:48 | 0:23:53 | |
then glue a bit of crusty old rope on the walls. | 0:23:53 | 0:23:55 | |
After Jake Paxton died, you seem to have disappeared off the map. | 0:23:55 | 0:23:59 | |
Leaving the area, changing your name. | 0:23:59 | 0:24:01 | |
I call myself Sebastian Pembroke cos these sorts'd never | 0:24:01 | 0:24:06 | |
trust a bloke called Wayne. | 0:24:06 | 0:24:08 | |
Mr Paxton alleges that you killed his grandson | 0:24:08 | 0:24:10 | |
-because of jewellery hidden in Southwark Towers? -What? | 0:24:10 | 0:24:13 | |
The stuff that you nicked when you did over the bookies. | 0:24:13 | 0:24:16 | |
All we got away with was a few grand out the tills. | 0:24:16 | 0:24:19 | |
And we both did our time for that. | 0:24:19 | 0:24:21 | |
So Mr Paxton's lying? | 0:24:21 | 0:24:23 | |
Look, | 0:24:23 | 0:24:24 | |
they caught me first after we did the job | 0:24:24 | 0:24:26 | |
so I gave them Paxton's name to get a shorter sentence. | 0:24:26 | 0:24:31 | |
That's why he's telling you all this. | 0:24:31 | 0:24:33 | |
Also why you were free at the time of Jake's death. | 0:24:33 | 0:24:37 | |
Your maths ain't very good, is it? | 0:24:37 | 0:24:40 | |
Cos you're putting two and two together | 0:24:40 | 0:24:42 | |
and making trouble where there doesn't need to be any. | 0:24:42 | 0:24:45 | |
POSH ACCENT: Now, if you'll excuse me, | 0:24:47 | 0:24:49 | |
Mr Pembroke has customers to attend to. | 0:24:49 | 0:24:51 | |
Listen, Ralph, are you sure Archie didn't know about the jewellery? | 0:24:55 | 0:24:59 | |
If he did, it didn't come from me. | 0:24:59 | 0:25:02 | |
I was never close to him. | 0:25:02 | 0:25:05 | |
Wish I had been. | 0:25:05 | 0:25:06 | |
What about Archie and Jake? | 0:25:08 | 0:25:10 | |
Were they close? | 0:25:10 | 0:25:11 | |
You don't reckon... | 0:25:13 | 0:25:15 | |
No, Gerry. That boy has no spite in him. | 0:25:15 | 0:25:18 | |
Not an ounce. | 0:25:18 | 0:25:19 | |
Might be doing better for himself if there was. | 0:25:21 | 0:25:24 | |
No, his only problem is he can't crawl out | 0:25:24 | 0:25:26 | |
from under his grandma's skirts. | 0:25:26 | 0:25:28 | |
She must have got a lovely surprise, finding you on her doorstep. | 0:25:28 | 0:25:32 | |
What did she say? | 0:25:32 | 0:25:34 | |
Was she pleased to see you? | 0:25:34 | 0:25:36 | |
Did her little eyes light up? | 0:25:36 | 0:25:38 | |
We found Pelham. | 0:25:40 | 0:25:42 | |
He's got a shop in Fulham. | 0:25:42 | 0:25:44 | |
-And? -No and. Not yet. | 0:25:44 | 0:25:47 | |
But my guv'nor doesn't like him very much. | 0:25:47 | 0:25:49 | |
-What did he tell her? -I can't say. | 0:25:49 | 0:25:51 | |
-Gerry. -No, no, I've said too much already. | 0:25:51 | 0:25:54 | |
Who am I talking to here? | 0:25:54 | 0:25:56 | |
The bloke who's doing you a favour. | 0:25:56 | 0:25:58 | |
I'm sorry. | 0:26:00 | 0:26:01 | |
Yeah, we'll keep at it for you. | 0:26:03 | 0:26:05 | |
No. For Jake. | 0:26:05 | 0:26:07 | |
All right, for both of you. | 0:26:08 | 0:26:10 | |
That's all we can ask. | 0:26:10 | 0:26:12 | |
So, we're not believing Pelham? | 0:26:14 | 0:26:17 | |
-We're not believing anybody right now. -Cheers, mate. | 0:26:17 | 0:26:19 | |
I took the opportunity to read Jake's dissertation earlier. | 0:26:19 | 0:26:23 | |
-Which way round do I hold this thing? -The other way. | 0:26:23 | 0:26:26 | |
It's all about crime prevention through design | 0:26:26 | 0:26:28 | |
change in the built environment. | 0:26:28 | 0:26:30 | |
Been on a learning experience on that one too, have you, Danny? | 0:26:30 | 0:26:32 | |
Two. Why? | 0:26:32 | 0:26:34 | |
You can't stop crime by changing buildings. | 0:26:34 | 0:26:36 | |
Right, what did we say, 20 quid, Steve? | 0:26:36 | 0:26:39 | |
Make it 30 if you want. | 0:26:39 | 0:26:40 | |
Actually you can. It's all about prevention rather than punishment. | 0:26:40 | 0:26:45 | |
You see, you take an abandoned, unlit area, you know, | 0:26:45 | 0:26:47 | |
where drug dealers congregate, and you light it up. | 0:26:47 | 0:26:50 | |
You put in facilities. This draws in the community. | 0:26:50 | 0:26:53 | |
And drives out the dealers. | 0:26:53 | 0:26:54 | |
Jake had some very interesting thoughts | 0:26:54 | 0:26:56 | |
on how to make your old stomping ground a lot safer. | 0:26:56 | 0:26:59 | |
So what you're about to do is what we call "breaking off". | 0:26:59 | 0:27:02 | |
Right, so, you make sure you get a good angle on your elbow, | 0:27:02 | 0:27:05 | |
that's good. And just... | 0:27:05 | 0:27:06 | |
-Oh, that's very... -Yes! | 0:27:09 | 0:27:10 | |
Yes, like that. That's very good, yes. | 0:27:10 | 0:27:13 | |
There's a shot! | 0:27:22 | 0:27:23 | |
I'd almost say that's quite...promising. | 0:27:23 | 0:27:26 | |
Er, Gerry. | 0:27:30 | 0:27:31 | |
Hello, sweetheart. | 0:27:33 | 0:27:35 | |
Oi. Oi. Get you a drink? | 0:27:37 | 0:27:42 | |
Depends on whether you want it tipped over your head. | 0:27:42 | 0:27:44 | |
Eh? | 0:27:44 | 0:27:46 | |
I've been trying to ring you all day! | 0:27:46 | 0:27:48 | |
Yeah, well, I've had a busy one. | 0:27:48 | 0:27:50 | |
So I heard. What the bloody hell were you playing at, Dad? | 0:27:50 | 0:27:54 | |
The state of Robin's nerves when he got back. | 0:27:54 | 0:27:57 | |
Bad, were they? I mean, were they bad? | 0:27:57 | 0:27:59 | |
He wants to be friends with you. Is that so wrong? | 0:27:59 | 0:28:03 | |
It's a historic thing. | 0:28:03 | 0:28:05 | |
Solicitors and coppers are like cats and dogs. | 0:28:05 | 0:28:08 | |
They never get on. | 0:28:08 | 0:28:09 | |
Well, if you can't make this right, Dad, | 0:28:09 | 0:28:12 | |
then I don't want you at the wedding. | 0:28:12 | 0:28:15 | |
But I'm giving you away. | 0:28:15 | 0:28:16 | |
No, Dad. You're throwing me away. | 0:28:16 | 0:28:20 | |
Hug? | 0:28:30 | 0:28:32 | |
Thank you, Steve. Who's next? | 0:28:35 | 0:28:37 | |
Yeah, give us that. | 0:28:37 | 0:28:38 | |
Danny, | 0:28:41 | 0:28:43 | |
I'll have that hug. | 0:28:43 | 0:28:44 | |
RUSTLING | 0:29:02 | 0:29:03 | |
Who's there? | 0:29:09 | 0:29:10 | |
Who's there? | 0:29:16 | 0:29:18 | |
Found you, "Sebastian". | 0:29:20 | 0:29:22 | |
KEYPAD BEEPS | 0:29:25 | 0:29:26 | |
I don't want no trouble, Ralph! | 0:29:27 | 0:29:30 | |
You should've thought about that a long time ago. | 0:29:30 | 0:29:33 | |
You should've thought about that before you killed my grandson. | 0:29:33 | 0:29:38 | |
HE GROANS | 0:29:38 | 0:29:39 | |
And before you took what's mine! | 0:29:39 | 0:29:44 | |
HE GRUNTS AND GROANS | 0:29:44 | 0:29:46 | |
Where I'm from, Gerry, mates don't betray you. | 0:29:56 | 0:30:00 | |
I'm going to rip his sodding arms out of their sockets! | 0:30:00 | 0:30:02 | |
Yeah, they don't do that either. | 0:30:02 | 0:30:05 | |
So you're saying you don't know where he is. | 0:30:05 | 0:30:07 | |
I'm afraid the Probation Service | 0:30:07 | 0:30:09 | |
isn't keeping Mr Paxton under supervision. | 0:30:09 | 0:30:11 | |
Don't give us all that bollocks. | 0:30:11 | 0:30:12 | |
Why are you speaking to me like I'm one of them? | 0:30:12 | 0:30:14 | |
-My colleague's just...upset, Mr Fawson. -Never have guessed. | 0:30:14 | 0:30:18 | |
Mr Paxton's only just been released from Brixton. | 0:30:18 | 0:30:21 | |
Shouldn't there have been some kind of supervision order in place? | 0:30:21 | 0:30:24 | |
The Parole Board didn't consider him to be a risk. | 0:30:24 | 0:30:27 | |
So we're not the only ones who've buggered up. | 0:30:27 | 0:30:29 | |
His file. You shouldn't be too hard on yourself. | 0:30:29 | 0:30:31 | |
In my view, Ralph Paxton is a particularly | 0:30:31 | 0:30:35 | |
evasive form of the species. | 0:30:35 | 0:30:37 | |
Glacial. | 0:30:37 | 0:30:38 | |
Unpredictable. | 0:30:38 | 0:30:39 | |
So you wouldn't have released him? | 0:30:39 | 0:30:41 | |
If it was down to me alone, I don't know if I'd let half the prisoners | 0:30:41 | 0:30:44 | |
out who get released these days. But we're being privatised. | 0:30:44 | 0:30:47 | |
We just don't have the resources to keep track of them all. | 0:30:47 | 0:30:49 | |
Listen, mate, it's important that we find him. He must've said something. | 0:30:49 | 0:30:53 | |
Well, from the sound of it, | 0:30:53 | 0:30:54 | |
you should have a better idea of his whereabouts than me. | 0:30:54 | 0:30:57 | |
Yeah, but we've run out of gutters. | 0:30:57 | 0:30:58 | |
The backstabbing little shyster knows exactly where I'd look. | 0:30:58 | 0:31:01 | |
Can you think of anything? Anything at all? | 0:31:01 | 0:31:03 | |
Doesn't matter how small. | 0:31:03 | 0:31:04 | |
-There's his ex-wife. And I believe he has another grandson. -Yeah. | 0:31:04 | 0:31:09 | |
-Seem to recall he had a bedsit in Rotherhithe. -Yeah. | 0:31:09 | 0:31:12 | |
I think he might have said something about a lock-up | 0:31:12 | 0:31:15 | |
down Chambers Wharf. | 0:31:15 | 0:31:16 | |
Of course, there's the hostel address he left with the prison | 0:31:16 | 0:31:19 | |
but I imagine you've already checked that. | 0:31:19 | 0:31:21 | |
You lost track of Ralph? | 0:31:34 | 0:31:35 | |
We thought we should warn you, and your grandson, of course, Archie. | 0:31:35 | 0:31:38 | |
-I'll let him know. -Listen, if Ralph gets in touch, you phone me. | 0:31:38 | 0:31:41 | |
Understand? | 0:31:41 | 0:31:42 | |
I'm so sorry, Gerry. You were only trying to help him. | 0:31:42 | 0:31:45 | |
-He was trying to help you. -I didn't ask him to. | 0:31:45 | 0:31:47 | |
What's that supposed to mean? | 0:31:47 | 0:31:49 | |
-It doesn't matter. -No, it does matter. | 0:31:49 | 0:31:50 | |
Gerry's put himself out for you. | 0:31:50 | 0:31:52 | |
And I'm very grateful. | 0:31:52 | 0:31:53 | |
Grateful? Is that all you can say? | 0:31:53 | 0:31:56 | |
Are you not in the least bit curious about where all this takes us? | 0:31:56 | 0:31:58 | |
This is your grandson we're talking about. | 0:31:58 | 0:32:00 | |
Or is it that you're worried what we'll find? | 0:32:00 | 0:32:02 | |
Hey, hey, take it easy, guv'nor. | 0:32:02 | 0:32:04 | |
Answer the question, Sarah. | 0:32:04 | 0:32:07 | |
Of course I'm curious. | 0:32:07 | 0:32:08 | |
We'll be in touch. | 0:32:11 | 0:32:12 | |
You don't honestly think Sarah's involved? | 0:32:15 | 0:32:17 | |
Did I say that? I just think we should look at her more objectively. | 0:32:17 | 0:32:21 | |
I told you I had nothing to do with that boy's death. | 0:32:40 | 0:32:43 | |
Paxton just wanted to get back at me for grassing him up. | 0:32:43 | 0:32:46 | |
Interesting that he stopped short of killing you, though. | 0:32:46 | 0:32:49 | |
-What did you tell him? -Piss off. I'm not helping you. | 0:32:49 | 0:32:52 | |
Mr Griffin. | 0:32:58 | 0:32:59 | |
Look at this. | 0:33:02 | 0:33:04 | |
"Potential Periorbital Ecchymosis." | 0:33:04 | 0:33:06 | |
Really? | 0:33:06 | 0:33:07 | |
It's a symptom of a basal skull fracture. | 0:33:07 | 0:33:10 | |
-You think it's a complication from the original injury. -Well, yeah. | 0:33:10 | 0:33:15 | |
Bloody NHS cuts. They haven't even given him a CAT scan. | 0:33:15 | 0:33:17 | |
-Look at the state of his BP this morning. -Wow. | 0:33:17 | 0:33:20 | |
What? | 0:33:20 | 0:33:21 | |
-I wouldn't like to speculate but... -Do I need a scan? | 0:33:21 | 0:33:24 | |
-In my opinion, immediately. -Yeah. | 0:33:24 | 0:33:27 | |
Then tell somebody. | 0:33:27 | 0:33:29 | |
Oh, we will, but you're going to talk to us first. | 0:33:29 | 0:33:31 | |
Nurse? Nurse? | 0:33:33 | 0:33:34 | |
Dr Griffin, could you get the door, please? | 0:33:34 | 0:33:37 | |
Be a pleasure, Dr McAndrew. | 0:33:37 | 0:33:38 | |
You said I needed a scan. | 0:33:41 | 0:33:43 | |
DOOR SHUTS HEAVILY | 0:33:46 | 0:33:47 | |
Nurse? Someone! | 0:33:48 | 0:33:50 | |
All right! | 0:33:59 | 0:34:00 | |
We did find jewellery in that safe | 0:34:00 | 0:34:02 | |
but I swear I never saw it again after Paxton hid it! | 0:34:02 | 0:34:04 | |
So where is it? | 0:34:04 | 0:34:06 | |
I think I'm getting double vision here. | 0:34:06 | 0:34:08 | |
-Where? -I feel faint. | 0:34:08 | 0:34:10 | |
-Fancy a cup of coffee, Danny? -Earl Grey would be lovely. | 0:34:10 | 0:34:13 | |
There's a machine just down the corridor here. | 0:34:13 | 0:34:16 | |
I'll tell you, I'll tell you. But first you've get me to the CT room! | 0:34:24 | 0:34:27 | |
It's a black market forum I use to shift some of my more exotic stuff. | 0:34:27 | 0:34:31 | |
What kind of forum? | 0:34:31 | 0:34:32 | |
Very hidden. Exclusive. Secure log-ins and all that. | 0:34:32 | 0:34:35 | |
One night, I recognised one of the pieces on it. | 0:34:35 | 0:34:38 | |
Did you tell Paxton this? | 0:34:38 | 0:34:40 | |
Yeah. | 0:34:40 | 0:34:41 | |
This isn't the CT room! | 0:34:44 | 0:34:46 | |
They scanned you while you were unconscious. You're clear. | 0:34:46 | 0:34:49 | |
Which means, by the way, | 0:34:49 | 0:34:51 | |
you're well enough for a wee day trip out of here. | 0:34:51 | 0:34:54 | |
What? | 0:34:54 | 0:34:55 | |
Sash? A word please? | 0:35:43 | 0:35:45 | |
We're going to look at this objectively, too? | 0:35:46 | 0:35:48 | |
Be good to talk alone. | 0:35:50 | 0:35:52 | |
-Yeah, yeah, I'll make myself scarce. -You'll stay right where you are. | 0:35:52 | 0:35:55 | |
OK. You've got a man in hospital, | 0:35:55 | 0:35:57 | |
-another on the run. -What are you saying? | 0:35:57 | 0:35:59 | |
We've totally and utterly screwed it up? | 0:35:59 | 0:36:01 | |
-Keep it down. -Why? What are you worried about? | 0:36:01 | 0:36:03 | |
That someone might find out that your ex-wife, | 0:36:03 | 0:36:05 | |
the mother of your children, has taken this one out for a walk, | 0:36:05 | 0:36:08 | |
wined it, dined it and royally bollocksed it up? | 0:36:08 | 0:36:10 | |
You are going to need someone in your corner. | 0:36:10 | 0:36:13 | |
I've got someone. | 0:36:13 | 0:36:14 | |
-Well done, guv. -Shut up, Gerry. | 0:36:23 | 0:36:25 | |
Ah, glad to see you're feeling better, Mr Pelham. | 0:36:27 | 0:36:30 | |
They kidnapped me! | 0:36:30 | 0:36:31 | |
-We did not. -Well, we did a little bit. | 0:36:31 | 0:36:34 | |
How do you kidnap someone a little bit? | 0:36:34 | 0:36:36 | |
Is he still wearing his slippers? | 0:36:36 | 0:36:38 | |
They made me think I was going to die! | 0:36:38 | 0:36:40 | |
Conspiracy to pervert the course of justice. Remember? | 0:36:40 | 0:36:43 | |
Like I was saying, | 0:36:46 | 0:36:48 | |
this is the online equivalent of the Old Bermondsey Market. | 0:36:48 | 0:36:52 | |
Only known to a few dealers, | 0:36:52 | 0:36:54 | |
and buyers with a lot of readies. | 0:36:54 | 0:36:56 | |
Here we are. | 0:36:56 | 0:36:58 | |
I don't know who this User 381 is | 0:36:58 | 0:37:01 | |
but they sold one of the pieces that we pinched. | 0:37:01 | 0:37:05 | |
A jewel sculpted to look like a ship with a woman | 0:37:05 | 0:37:07 | |
standing on the bough. | 0:37:07 | 0:37:09 | |
Boss, it's called The Tempest Jewel. | 0:37:09 | 0:37:11 | |
Thought to have been gifted to King Henry by his mistress, Anne Boleyn. | 0:37:11 | 0:37:14 | |
16th century. It's encrusted with gemstones. | 0:37:14 | 0:37:17 | |
And a large diamond. | 0:37:17 | 0:37:18 | |
She did all right for a bit on the side, didn't she? | 0:37:18 | 0:37:21 | |
She got her head cut off. | 0:37:21 | 0:37:22 | |
Yeah, but before then. | 0:37:22 | 0:37:25 | |
After Anne Boleyn's death, it was lost | 0:37:25 | 0:37:27 | |
until it resurfaced in a cache of Tudor and Elizabethan jewellery | 0:37:27 | 0:37:30 | |
known as the Bermondsey Hoard. | 0:37:30 | 0:37:32 | |
That's what you and Paxton stole from the bookies? | 0:37:32 | 0:37:34 | |
We didn't know it at the time. | 0:37:34 | 0:37:36 | |
Technically it was all the property of the Crown | 0:37:36 | 0:37:38 | |
but the Victorian builders who discovered it sold it onto | 0:37:38 | 0:37:41 | |
a Southwark fence who died shortly after. | 0:37:41 | 0:37:44 | |
Since then, it's been lost through history, | 0:37:44 | 0:37:46 | |
surrounded by myth and murder. | 0:37:46 | 0:37:47 | |
-There's blood in them stones. -Yeah, Jake Paxton's blood. | 0:37:47 | 0:37:51 | |
We need to find this User 381. | 0:37:51 | 0:37:53 | |
Check the finances of everybody connected to the case. | 0:37:53 | 0:37:56 | |
See if there's any money going into their accounts | 0:37:56 | 0:37:58 | |
-they don't want to explain. -OK. | 0:37:58 | 0:38:02 | |
-What about me? -What about you? | 0:38:02 | 0:38:03 | |
Thanks, babe. Can't wait to read it. | 0:38:14 | 0:38:17 | |
Close the door on your way out, yeah? | 0:38:17 | 0:38:19 | |
Do you want to read OUR essay now? | 0:38:22 | 0:38:23 | |
If you're going to show me spurious nonsense like this, | 0:38:30 | 0:38:33 | |
at least make it new. | 0:38:33 | 0:38:34 | |
This report shows you've had a high number of suspicious activity | 0:38:34 | 0:38:38 | |
alerts on your bank accounts. | 0:38:38 | 0:38:39 | |
One or two, down the years. | 0:38:39 | 0:38:40 | |
Especially the years after Jake Paxton was murdered. | 0:38:40 | 0:38:43 | |
You know, I was seriously considering asking you out. | 0:38:45 | 0:38:49 | |
I think I'll learn to love again. | 0:38:49 | 0:38:51 | |
So where did all this money come from? | 0:38:51 | 0:38:54 | |
I've been selling pieces of my late mother's furniture. | 0:38:54 | 0:38:57 | |
It takes a lot of time to find a buyer who's prepared | 0:38:57 | 0:38:59 | |
-to pay the right price. -Can you produce evidence? | 0:38:59 | 0:39:02 | |
No. | 0:39:02 | 0:39:03 | |
-Is this going to be a problem? -We'll see ourselves out. | 0:39:05 | 0:39:08 | |
-'Danny?' -User 381's just sold another two items | 0:39:18 | 0:39:21 | |
from the Bermondsey Hoard. | 0:39:21 | 0:39:22 | |
'Do you reckon your boyfriend's panic selling?' | 0:39:22 | 0:39:25 | |
You've got a boyfriend? | 0:39:25 | 0:39:26 | |
Where's the exchange happening? | 0:39:26 | 0:39:29 | |
Near Tower Bridge in two hours. | 0:39:29 | 0:39:31 | |
'I'll send you the map reference.' | 0:39:31 | 0:39:33 | |
The buyer was instructed to meet User 381 over there. | 0:39:45 | 0:39:48 | |
I've selected this vantage point | 0:39:49 | 0:39:51 | |
because we can scope both approaches. | 0:39:51 | 0:39:53 | |
"Scope"? What exactly did you do in the Diplomatic Service, Danny? | 0:39:53 | 0:39:58 | |
Wind speed's in our favour. | 0:39:58 | 0:40:00 | |
Harnessed with the element of surprise, | 0:40:00 | 0:40:02 | |
we should be able to get to them before they can escape. | 0:40:02 | 0:40:04 | |
Well, you've certainly grassy-knolled this one all the way, haven't you? | 0:40:04 | 0:40:08 | |
I don't like surprises if that's what you mean. | 0:40:08 | 0:40:11 | |
What about birthdays? | 0:40:11 | 0:40:12 | |
I give Holly a list. | 0:40:12 | 0:40:14 | |
Culley's left the University. He's walking towards the river. | 0:40:24 | 0:40:27 | |
Got it. | 0:40:27 | 0:40:29 | |
-HE GROANS -What's the matter? | 0:40:29 | 0:40:30 | |
Caitlin still hasn't answered. | 0:40:30 | 0:40:32 | |
Has she resigned from her post of daughter? | 0:40:32 | 0:40:35 | |
I'll text her again and offer a pay rise. | 0:40:35 | 0:40:38 | |
Do you reckon the jewellery is in that bag? | 0:40:40 | 0:40:43 | |
Must be. | 0:40:43 | 0:40:45 | |
Culley's heading towards Tower Bridge | 0:40:53 | 0:40:55 | |
on the south side of the river. | 0:40:55 | 0:40:56 | |
Don't use the target's name. | 0:40:56 | 0:40:59 | |
'What am I supposed to call him?' | 0:40:59 | 0:41:02 | |
The Octopus. | 0:41:02 | 0:41:03 | |
The Octopus?! | 0:41:03 | 0:41:05 | |
'Well, if someone overhears...' | 0:41:05 | 0:41:06 | |
They're going to be a lot more suspicious | 0:41:06 | 0:41:08 | |
if they hear about an octopus walking down the bleeding road. | 0:41:08 | 0:41:11 | |
Well, what do you suggest, Bravo 4? | 0:41:11 | 0:41:13 | |
Yeah, that's better. | 0:41:13 | 0:41:14 | |
No, you're Bravo 4. | 0:41:14 | 0:41:15 | |
Why can't I be Bravo 1? | 0:41:15 | 0:41:17 | |
Because I'm Bravo 1. | 0:41:17 | 0:41:19 | |
Well, who said you get to choose the Bravos? | 0:41:19 | 0:41:22 | |
Can you shut up, please? We're coming up to Tower Bridge. | 0:41:22 | 0:41:25 | |
This could be our buyer. | 0:41:31 | 0:41:33 | |
He's about the right type. | 0:41:34 | 0:41:36 | |
Got anything? | 0:41:42 | 0:41:43 | |
Someone's approaching the buyer. | 0:41:46 | 0:41:48 | |
Looks like you've been dumped, guv'nor. | 0:41:50 | 0:41:52 | |
What's going on, Danny? | 0:41:56 | 0:41:58 | |
It's Archie. Archie's the seller! | 0:42:02 | 0:42:04 | |
'Well, grab him!' | 0:42:04 | 0:42:07 | |
-There's someone else. -'Who?' | 0:42:07 | 0:42:09 | |
Archie! You're the one who stitched me! My own blood! | 0:42:09 | 0:42:14 | |
Paxton! | 0:42:14 | 0:42:16 | |
-You stay there. Stay there! -Shit, shit! | 0:42:16 | 0:42:18 | |
Paxton! | 0:42:22 | 0:42:23 | |
Shit. | 0:42:35 | 0:42:36 | |
Look, mate, I don't want to hurt you. | 0:42:42 | 0:42:45 | |
I don't want to hurt you either. | 0:42:45 | 0:42:47 | |
Like that's going to happen. They your strangling mitts? | 0:42:47 | 0:42:50 | |
-They reduce the risk of injury... -I'll make it quick. -..for you. | 0:42:50 | 0:42:54 | |
HE GROWLS | 0:42:54 | 0:42:55 | |
Come with me quietly | 0:42:56 | 0:42:58 | |
and you'll avoid considerable pain and embarrassment. | 0:42:58 | 0:43:02 | |
Can you believe this guy? | 0:43:02 | 0:43:03 | |
-That's right. -ARCHIE GROANS | 0:43:08 | 0:43:10 | |
I'm bad. | 0:43:10 | 0:43:11 | |
You know what this looks like, don't you, Archie? | 0:43:17 | 0:43:21 | |
Yeah. | 0:43:21 | 0:43:23 | |
Like I'm at a Pet Shop Boys concert that only sold one ticket. | 0:43:23 | 0:43:26 | |
It looks like you helped Jake move your grandfather's jewels. | 0:43:26 | 0:43:29 | |
Or you found out about them. | 0:43:29 | 0:43:32 | |
You should be the singing one. | 0:43:32 | 0:43:33 | |
And then you killed him. | 0:43:33 | 0:43:35 | |
You're on keyboards. | 0:43:35 | 0:43:36 | |
What did you do with all the money you made from selling the jewels? | 0:43:39 | 0:43:43 | |
Don't know. | 0:43:43 | 0:43:44 | |
Maybe I spent it. | 0:43:44 | 0:43:46 | |
Not on anything we've been able to find. | 0:43:47 | 0:43:50 | |
You don't even have a decent car to show for it. | 0:43:50 | 0:43:52 | |
But we will find it, Archie, | 0:43:52 | 0:43:55 | |
and when we do we'll get a Court Order under | 0:43:55 | 0:43:58 | |
the Proceeds of Crime Act. | 0:43:58 | 0:44:00 | |
In addition to receiving stolen goods, | 0:44:00 | 0:44:02 | |
-perverting the course of justice... -And murdering your brother. | 0:44:02 | 0:44:06 | |
..your CV will certainly stand out in a crowd. | 0:44:06 | 0:44:09 | |
I am not what you think I am. | 0:44:13 | 0:44:14 | |
Your brother died because of this. | 0:44:14 | 0:44:16 | |
You answer me one simple question - was it worth it? | 0:44:16 | 0:44:19 | |
Why don't you think of your grandma? | 0:44:22 | 0:44:25 | |
Don't bring her into this. | 0:44:26 | 0:44:28 | |
Doesn't she deserve to know the truth? | 0:44:29 | 0:44:32 | |
The truth? | 0:44:32 | 0:44:34 | |
All right. | 0:44:34 | 0:44:37 | |
Six years ago, I get a letter from my grandad | 0:44:37 | 0:44:39 | |
when he's still in the nick. | 0:44:39 | 0:44:41 | |
Does he want to know what I'm doing? What my girlfriend's like? | 0:44:41 | 0:44:45 | |
No. He tells me about this jewellery he's hidden. | 0:44:45 | 0:44:49 | |
-This was just before Southwark Towers came down? -Yeah. | 0:44:49 | 0:44:52 | |
So he asked you to get it for him? | 0:44:52 | 0:44:53 | |
That's right. The other criminal in the family. | 0:44:53 | 0:44:57 | |
Thought I'd say yes, didn't he? | 0:44:57 | 0:44:59 | |
But you didn't. | 0:44:59 | 0:45:00 | |
He should have wanted what was best for me. | 0:45:00 | 0:45:02 | |
So you turned him down and he went to Jake. | 0:45:02 | 0:45:05 | |
I told Jake to stay out of it | 0:45:05 | 0:45:06 | |
but he said he could do something with all that stuff. | 0:45:06 | 0:45:10 | |
What exactly? | 0:45:20 | 0:45:22 | |
Something good. | 0:45:24 | 0:45:26 | |
That's all he said? | 0:45:26 | 0:45:27 | |
He was never going to let that old bastard near it again. | 0:45:27 | 0:45:30 | |
-I can tell you that. -So how come you ended up with it? | 0:45:30 | 0:45:33 | |
After Jake fell, I went to see if it was still there. | 0:45:33 | 0:45:38 | |
-And you took it. -Either that or some builder would've found it. | 0:45:38 | 0:45:41 | |
If you're asking us to believe this you're going to have to tell us | 0:45:41 | 0:45:44 | |
-what you've done with all the money you made. -Yes, | 0:45:44 | 0:45:46 | |
it might make us more inclined to trust you. | 0:45:46 | 0:45:49 | |
Come on, Archie. We're trying to help your family here. | 0:45:50 | 0:45:53 | |
My brother fell to his death. | 0:45:53 | 0:45:56 | |
Nobody pushed him. | 0:45:56 | 0:45:58 | |
Nobody was there that night. | 0:45:58 | 0:46:00 | |
But the minute my grandad got him involved, there was | 0:46:00 | 0:46:03 | |
always going to be blood on his hands. | 0:46:03 | 0:46:05 | |
PHONE RINGS | 0:46:05 | 0:46:06 | |
Want to help my family? Why don't you find him? | 0:46:06 | 0:46:09 | |
Put him away. | 0:46:09 | 0:46:11 | |
Permanently this time. | 0:46:11 | 0:46:13 | |
First, tell us what you've done with the money. | 0:46:14 | 0:46:17 | |
You all right? | 0:46:31 | 0:46:32 | |
Is he still here? | 0:46:38 | 0:46:39 | |
I'm sorry. | 0:46:39 | 0:46:40 | |
I need your help, Gerry. | 0:46:41 | 0:46:43 | |
I gave it to you and you spat it in my face! | 0:46:43 | 0:46:46 | |
I won't go back inside! | 0:46:46 | 0:46:48 | |
-You belong inside! -Gerry. | 0:46:48 | 0:46:50 | |
Oh, yeah, you regretted it, didn't you? | 0:46:50 | 0:46:54 | |
Slumming it with me when you could've been with him? | 0:46:54 | 0:46:57 | |
Might have been better the other way. A copper's wife. | 0:46:57 | 0:47:00 | |
Shut it, Ralph. | 0:47:00 | 0:47:01 | |
Lot of pain could've been avoided. | 0:47:01 | 0:47:04 | |
-Jake for a start. -Whoa, whoa, whoa! That's not going to help anything. | 0:47:04 | 0:47:07 | |
You betrayed that boy! | 0:47:07 | 0:47:09 | |
-Don't you say that. -You said you wanted justice. | 0:47:09 | 0:47:12 | |
You can't live off justice for the next 20 years. | 0:47:12 | 0:47:14 | |
Might be able to live with yourself. | 0:47:14 | 0:47:16 | |
What's that taste like, Gerry? | 0:47:16 | 0:47:19 | |
Making your living from other people's misery. | 0:47:19 | 0:47:21 | |
You tell me. | 0:47:21 | 0:47:23 | |
I never had a chance, did I? Not coming from round here. | 0:47:23 | 0:47:26 | |
You had exactly the same chance I did. | 0:47:26 | 0:47:28 | |
And you had Sarah. | 0:47:28 | 0:47:30 | |
And your grandsons. You even turned them against one another! | 0:47:30 | 0:47:32 | |
-No, Gerry. -I'm sorry if you don't want to hear this. -No, no! | 0:47:32 | 0:47:35 | |
If you're thinking that Archie had anything to do with Jake's death. | 0:47:35 | 0:47:39 | |
No, it's impossible, he was here that night! He couldn't have! | 0:47:39 | 0:47:42 | |
Why hasn't he told us that? | 0:47:42 | 0:47:44 | |
I don't know, but if you'd seen them together, | 0:47:44 | 0:47:47 | |
you'd know it was impossible. | 0:47:47 | 0:47:49 | |
Tell him, Ralph. | 0:47:49 | 0:47:50 | |
If you can't do anything else for those boys, do this. | 0:47:50 | 0:47:54 | |
It's true, Gerry. | 0:47:54 | 0:47:56 | |
Archie might be a treacherous little shit | 0:47:56 | 0:47:59 | |
but he would never have hurt Jake. | 0:47:59 | 0:48:00 | |
That's the last thing he needs, a character reference from you. | 0:48:00 | 0:48:03 | |
I know. | 0:48:03 | 0:48:05 | |
I spent a lot of time with them when they was younger. | 0:48:05 | 0:48:08 | |
Oh, yeah? What did you do? | 0:48:08 | 0:48:09 | |
Drag them round whilst you were robbing houses | 0:48:09 | 0:48:11 | |
and beating people up? | 0:48:11 | 0:48:13 | |
Let them play in your lock-up, did you, like a second-rate Fagin? | 0:48:13 | 0:48:18 | |
-My what? -Your lock-up. Chambers Wharf. | 0:48:18 | 0:48:20 | |
How'd you know about that place? | 0:48:20 | 0:48:22 | |
Your parole officer told us. | 0:48:22 | 0:48:25 | |
-Fawson? -Yeah. -I never told him nothing about that lock-up. | 0:48:25 | 0:48:30 | |
-You must have. -When? We hardly spoke. | 0:48:30 | 0:48:33 | |
The bastard only stamped my paperwork every time | 0:48:33 | 0:48:36 | |
they refused my parole. | 0:48:36 | 0:48:37 | |
My letters. | 0:48:41 | 0:48:42 | |
Mr Fawson, thank you for seeing us so late. | 0:48:45 | 0:48:48 | |
I hope you don't mind, this is my colleague Danny Griffin. | 0:48:48 | 0:48:50 | |
Not at all. It's good to meet | 0:48:50 | 0:48:52 | |
someone who's out there fighting the fight. | 0:48:52 | 0:48:54 | |
We wanted to tell you that Mr Paxton's turned himself in. | 0:48:54 | 0:48:57 | |
You could have phoned. | 0:48:57 | 0:48:59 | |
We wanted to see you. | 0:48:59 | 0:49:01 | |
We also have a suspect in custody | 0:49:01 | 0:49:03 | |
for the murder of Mr Paxton's grandson, Jake. | 0:49:03 | 0:49:06 | |
You seem relieved. | 0:49:06 | 0:49:08 | |
Of course, they are merely a suspect. | 0:49:08 | 0:49:10 | |
We do have other lines of inquiry. | 0:49:10 | 0:49:12 | |
But now you're tense again. | 0:49:12 | 0:49:13 | |
What is this? | 0:49:13 | 0:49:15 | |
Earlier you described prisoners as, what was it? | 0:49:15 | 0:49:20 | |
A species. Why use that word? | 0:49:20 | 0:49:24 | |
A species suggests something lesser, doesn't it? | 0:49:24 | 0:49:27 | |
Something inferior. | 0:49:27 | 0:49:28 | |
When I first started out, I signed the release papers for this kid | 0:49:32 | 0:49:35 | |
who'd just done three years for assault. | 0:49:35 | 0:49:37 | |
Everything about his behaviour suggested it was safe to do so. | 0:49:37 | 0:49:40 | |
But two days later | 0:49:40 | 0:49:43 | |
he murdered an innocent girl. | 0:49:43 | 0:49:46 | |
So you're saying all prisoners are liable to reoffend? | 0:49:46 | 0:49:49 | |
I'm saying they're different to the rest of us. | 0:49:49 | 0:49:52 | |
Your job? That's easy. You prove their guilt, you put them away. | 0:49:52 | 0:49:56 | |
I'm the one who has to decide if they're ready for the world again. | 0:49:56 | 0:49:59 | |
And you can never really know what's going on inside | 0:49:59 | 0:50:01 | |
somebody's head, can you? Whether they've really changed. | 0:50:01 | 0:50:04 | |
-I don't believe so, no. -So you need as much insight, as much | 0:50:04 | 0:50:07 | |
information about their state of mind as possible. | 0:50:07 | 0:50:09 | |
Of course, to make the best decision. | 0:50:09 | 0:50:11 | |
Like their personal correspondence, for example. | 0:50:11 | 0:50:14 | |
I'm not a prison officer. It would be inappropriate. | 0:50:14 | 0:50:17 | |
Even so, after that early shock of your career, | 0:50:17 | 0:50:20 | |
it'd be understandable if you wanted to take extra care. | 0:50:20 | 0:50:24 | |
Perhaps you started with the best intentions... | 0:50:24 | 0:50:26 | |
Then it became a habit. | 0:50:26 | 0:50:27 | |
And as you intruded further and further into the privacy | 0:50:27 | 0:50:31 | |
of this "species" it became part of the job. | 0:50:31 | 0:50:34 | |
You were reading Mr Paxton's mail, weren't you? | 0:50:39 | 0:50:41 | |
And I'm guessing that mail was written in code. | 0:50:45 | 0:50:48 | |
And once you'd cracked that code, | 0:50:49 | 0:50:51 | |
you stumbled upon the secret of Southwark Towers, didn't you? | 0:50:51 | 0:50:55 | |
You cannot prove a word of this. | 0:50:58 | 0:51:01 | |
I can get a warrant to search your home. | 0:51:01 | 0:51:03 | |
Those letters are still there, | 0:51:04 | 0:51:07 | |
aren't they, Brian? | 0:51:07 | 0:51:08 | |
You know how many prisoners do a stretch for a robbery only | 0:51:18 | 0:51:21 | |
to end up with the proceeds anyway? They all do it. | 0:51:21 | 0:51:24 | |
Hide the money they stole. Serve their time. | 0:51:24 | 0:51:27 | |
And you thought, "Why not me for a change?" | 0:51:27 | 0:51:30 | |
But Jake Paxton got in the way? | 0:51:30 | 0:51:32 | |
I wasn't going to hurt the kid. | 0:51:34 | 0:51:36 | |
I was going to cut him a deal. | 0:51:36 | 0:51:37 | |
But that building, it was unstable. | 0:51:37 | 0:51:41 | |
They'd taken half the floors out. | 0:51:41 | 0:51:43 | |
I followed him up to the 25th. | 0:51:43 | 0:51:45 | |
But he spotted me, panicked. | 0:51:55 | 0:51:59 | |
HE SOBS | 0:52:08 | 0:52:11 | |
And he fell... | 0:52:11 | 0:52:13 | |
and he died... | 0:52:13 | 0:52:14 | |
and you ran. | 0:52:14 | 0:52:16 | |
I'm not one of them. | 0:52:19 | 0:52:21 | |
I'm not. I'm not one of them. | 0:52:21 | 0:52:24 | |
Archie! | 0:52:33 | 0:52:34 | |
What's going on, Gerry? Archie's in the clear, isn't he? | 0:52:35 | 0:52:38 | |
Can we come in? | 0:52:40 | 0:52:41 | |
Sarah, when we spoke before, you were surprisingly reticent. | 0:52:49 | 0:52:52 | |
But I realised you wouldn't speak to me for the same reason | 0:52:52 | 0:52:55 | |
Archie wouldn't tell us what he'd done with all that money. | 0:52:55 | 0:52:59 | |
Grandma. | 0:53:16 | 0:53:17 | |
In 2008, that was a desolate space. | 0:53:20 | 0:53:23 | |
A brownfield site they used to call it. | 0:53:24 | 0:53:27 | |
Brownfield! There were syringes in the soil, | 0:53:27 | 0:53:30 | |
a sea of bottles, God-knows-what. | 0:53:30 | 0:53:32 | |
But sell a necklace that'd only ever sit in a museum anyway, | 0:53:34 | 0:53:37 | |
give the money to the local neighbourhood group, | 0:53:37 | 0:53:41 | |
and look what happens. | 0:53:41 | 0:53:42 | |
There's life. | 0:53:45 | 0:53:46 | |
There's hope. | 0:53:48 | 0:53:49 | |
Jake wrote about lots of other places round here, didn't he? | 0:53:52 | 0:53:55 | |
There was a patch of scrubland | 0:53:55 | 0:53:57 | |
behind the Prospect Street retirement flats, | 0:53:57 | 0:53:59 | |
Jake called it a rat-run. Always a problem for the residents. | 0:53:59 | 0:54:05 | |
All the robberies and the violence. | 0:54:05 | 0:54:08 | |
So the local garden group got a donation to put in a pocket park. | 0:54:08 | 0:54:12 | |
You know what you hear down there now? | 0:54:14 | 0:54:17 | |
No gunshots. | 0:54:17 | 0:54:18 | |
No screams. | 0:54:18 | 0:54:21 | |
Just little children laughing. | 0:54:21 | 0:54:23 | |
Families. Isn't that something? | 0:54:23 | 0:54:25 | |
It's beautiful, isn't it? | 0:54:28 | 0:54:30 | |
"Designing Out Crime". It's quite a legacy. | 0:54:31 | 0:54:35 | |
You asked what we done with all the money? | 0:54:37 | 0:54:40 | |
It's all around us. | 0:54:42 | 0:54:43 | |
Jake is all around us. | 0:54:45 | 0:54:47 | |
-I suppose you'll need to arrest me now? -No way. | 0:54:50 | 0:54:53 | |
I won't give you any trouble, DCI Miller. Just arrest me. | 0:54:53 | 0:54:57 | |
Don't take the future away from another of my grandchildren. | 0:54:57 | 0:55:00 | |
We can't exactly rip up a football pitch, can we? | 0:55:07 | 0:55:11 | |
Or destroy a pocket park. | 0:55:11 | 0:55:13 | |
I don't expect no favours. | 0:55:23 | 0:55:24 | |
We don't do favours. | 0:55:24 | 0:55:25 | |
Count your blessings, Constable Standing. | 0:55:34 | 0:55:36 | |
Chewing gum? | 0:56:13 | 0:56:14 | |
Vandalism. | 0:56:16 | 0:56:18 | |
Sorry if it's not proper police enough for you. | 0:56:18 | 0:56:20 | |
No, no, no, vandalism's a gateway offence. Can lead to all sorts. | 0:56:20 | 0:56:25 | |
In that case, you need to thank me | 0:56:25 | 0:56:26 | |
for stopping a crime-wave from sweeping over this city. | 0:56:26 | 0:56:29 | |
Listen, I'm really proud of you. | 0:56:33 | 0:56:34 | |
Are you? | 0:56:36 | 0:56:37 | |
This used to be my beat. | 0:56:39 | 0:56:40 | |
Yeah, I was a new PC. | 0:56:42 | 0:56:44 | |
And I saw a couple of kids drop a bag of chips, just over there. | 0:56:44 | 0:56:47 | |
You yelled at them and they ran so you went after them. | 0:56:47 | 0:56:49 | |
Yeah, but they jumped in the bleedin' river! | 0:56:49 | 0:56:51 | |
And you jumped in after them. | 0:56:51 | 0:56:53 | |
Well, I was so hungry for a collar, I forgot I couldn't swim. | 0:56:53 | 0:56:57 | |
Luckily they could. | 0:56:57 | 0:56:58 | |
One of them even gave you CPR and after you came round, you said... | 0:56:58 | 0:57:02 | |
BOTH: "You're nicked!" | 0:57:02 | 0:57:03 | |
Throw that butt on the ground and it's a Fixed Penalty Notice of £75. | 0:57:05 | 0:57:10 | |
Bit steep, isn't it? | 0:57:10 | 0:57:11 | |
We can reduce it to 30 if you pay within 10 days. | 0:57:11 | 0:57:13 | |
Promised me you'd give up anyway. | 0:57:16 | 0:57:18 | |
Yeah, well, I'm working on it. | 0:57:20 | 0:57:22 | |
I want you there, Dad. | 0:57:24 | 0:57:25 | |
For the wedding, the grandkids, all of it. | 0:57:27 | 0:57:30 | |
Why don't we see if Robin's free for lunch? | 0:57:36 | 0:57:39 |