Browse content similar to Tender Loving Care. Check below for episodes and series from the same categories and more!
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# It's all right It's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right I say it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:10 | |
# It's all right, doing fine | 0:00:10 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right I say it's OK | 0:00:16 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
This is twisting my melon, man. | 0:00:34 | 0:00:36 | |
We're going to be about as popular as a fart in a spacesuit. | 0:00:36 | 0:00:39 | |
Can we go home now? | 0:00:39 | 0:00:40 | |
Yep. You might just enjoy yourselves. | 0:00:40 | 0:00:42 | |
You can come in. But you lot, no way. | 0:00:42 | 0:00:46 | |
The strip club is round the corner. | 0:00:46 | 0:00:47 | |
Yep, they're with me. | 0:00:47 | 0:00:49 | |
And we're on business. | 0:00:49 | 0:00:51 | |
DANCE MUSIC PLAYS | 0:00:56 | 0:00:58 | |
-Oi, oi, put it away. -If you've got it, flaunt it, you know what I mean! | 0:01:05 | 0:01:09 | |
Steve, you're lowering the tone. | 0:01:09 | 0:01:11 | |
Lowering the tone?! | 0:01:11 | 0:01:12 | |
Sorry about him. | 0:01:12 | 0:01:13 | |
Right, four years ago, 10th November 2010. | 0:01:17 | 0:01:21 | |
28-year-old trauma surgeon Lydia Dryden came here after work | 0:01:21 | 0:01:25 | |
to unwind with some colleagues. | 0:01:25 | 0:01:27 | |
She worked in the A & E round the corner. This was her local. | 0:01:29 | 0:01:33 | |
It was a Wednesday. | 0:01:37 | 0:01:38 | |
She'd been here an hour and she was due in theatre the next morning. | 0:01:38 | 0:01:42 | |
At 11.53, she went outside. | 0:01:43 | 0:01:45 | |
The camera only covered the queue and the door. | 0:01:52 | 0:01:55 | |
As soon as she crossed the road, she was out of sight. | 0:01:55 | 0:01:57 | |
Never seen alive again. | 0:01:57 | 0:01:58 | |
She was found dead, strangled in her flat, 12 hours later. | 0:01:58 | 0:02:01 | |
What happened in-between is a blank. | 0:02:01 | 0:02:03 | |
Where did she live? | 0:02:03 | 0:02:04 | |
Bloomsbury. | 0:02:04 | 0:02:06 | |
Well, that's a distance. | 0:02:06 | 0:02:07 | |
She walked on busy streets and she wasn't caught on camera? | 0:02:07 | 0:02:10 | |
No. But there are plenty of side routes she could have taken that | 0:02:10 | 0:02:13 | |
don't have coverage. | 0:02:13 | 0:02:14 | |
But first, take a look at this. | 0:02:14 | 0:02:16 | |
We need to find this man. | 0:02:16 | 0:02:17 | |
I'll tell you why when we get to Lydia's flat. | 0:02:17 | 0:02:19 | |
When Lydia didn't show for work, | 0:02:32 | 0:02:33 | |
her sister, Katia, came here to check. Found her in her flat on the second floor. | 0:02:33 | 0:02:37 | |
No ligature, bruising to the neck suggesting that she'd been | 0:02:37 | 0:02:40 | |
-strangled by hand. -By the bloke in the e-fit? | 0:02:40 | 0:02:42 | |
The original enquiry ran into the sand. | 0:02:42 | 0:02:44 | |
But the local paper recently did a feature trying to jog | 0:02:44 | 0:02:47 | |
people's memories. | 0:02:47 | 0:02:48 | |
A couple of kids used to play football over there, | 0:02:48 | 0:02:51 | |
they said that they saw a man hanging around for about a month | 0:02:51 | 0:02:53 | |
in a dark car, and sometimes he slept in it. | 0:02:53 | 0:02:56 | |
So, we're here at midnight on the say so of a couple of kids. | 0:02:57 | 0:03:00 | |
-Brilliant. -Lydia's neighbour, Janet, complained of exactly the same thing. | 0:03:00 | 0:03:04 | |
She said she saw a man staring up at her at the flat. | 0:03:04 | 0:03:06 | |
She thought he was stalking her. Nobody took Janet seriously, though. | 0:03:06 | 0:03:11 | |
Why not? | 0:03:11 | 0:03:12 | |
She was a lithium addict. | 0:03:15 | 0:03:16 | |
This gets better and better. | 0:03:16 | 0:03:17 | |
But the windows of the flats are next to each other, so, | 0:03:17 | 0:03:20 | |
if the man was hid in his car, he'd be out of sight, so it's the perfect vantage point! | 0:03:20 | 0:03:24 | |
Time of death between one and four. Fully clothed, no sex involved. | 0:03:24 | 0:03:27 | |
And no forced entry into the flat. | 0:03:27 | 0:03:30 | |
So it's friends, family, boyfriends? | 0:03:30 | 0:03:32 | |
No boyfriend since university. | 0:03:32 | 0:03:33 | |
Did she ever pick anybody up at the bar? | 0:03:33 | 0:03:35 | |
That was a focus of the first enquiry, but nothing came of it. | 0:03:35 | 0:03:38 | |
Who did they like for it? | 0:03:38 | 0:03:39 | |
There were no decent forensics or DNA, the investigation stalled. | 0:03:39 | 0:03:42 | |
So all we've got is the e-fit? | 0:03:42 | 0:03:44 | |
Yes, Danny, the e-fit is all we've got. | 0:03:44 | 0:03:48 | |
But we like a challenge. Don't we? | 0:03:48 | 0:03:50 | |
CAT MEWS | 0:04:25 | 0:04:26 | |
CAT MEWS | 0:04:34 | 0:04:35 | |
CAT PURRS | 0:04:36 | 0:04:38 | |
CAT MEWS | 0:04:48 | 0:04:49 | |
It's wonderful, wonderful that you're reopening this investigation. | 0:04:58 | 0:05:03 | |
The other people, the detectives, what were their names, darling? | 0:05:03 | 0:05:06 | |
Harper and Robson. | 0:05:06 | 0:05:07 | |
Harper and Robson, they gave up far too easily. | 0:05:07 | 0:05:11 | |
One never got the sense that they'd grasped the nettle. | 0:05:11 | 0:05:14 | |
I understand you're all doctors? | 0:05:15 | 0:05:18 | |
Used to be. I work in art conservation now. | 0:05:18 | 0:05:21 | |
And Hugh and I are oncology surgeons. | 0:05:21 | 0:05:23 | |
So we're not addressed as doctors. Plain old Mr and Ms. | 0:05:23 | 0:05:26 | |
It's confusing. The way to remember is the old joke. | 0:05:26 | 0:05:30 | |
Surgeon in theatre says, "Scalpel, Nurse." | 0:05:30 | 0:05:32 | |
She says, "Sister, Doctor," he says, "Mister, Sister!" | 0:05:32 | 0:05:36 | |
Lydia was six years into her surgical training, | 0:05:41 | 0:05:43 | |
and worked at the hospital. | 0:05:43 | 0:05:45 | |
Did she enjoy her job? | 0:05:45 | 0:05:47 | |
Liddy loved the thrill of acute medicine. | 0:05:48 | 0:05:51 | |
Competition for a surgical place must be fierce. | 0:05:51 | 0:05:53 | |
Did you pull strings to get her there? | 0:05:53 | 0:05:55 | |
We would never interfere to give the girls an advantage. | 0:05:55 | 0:05:58 | |
And yet miraculously she ended up at a prestigious London teaching | 0:05:58 | 0:06:01 | |
hospital rather than, say, one in Scunthorpe? | 0:06:01 | 0:06:04 | |
They stand in their own shoes. Lydia got her place on merit. | 0:06:04 | 0:06:07 | |
Katia, why did you leave medicine? | 0:06:10 | 0:06:12 | |
Priorities changed after Lydia. | 0:06:12 | 0:06:14 | |
Were you in London in 2010? | 0:06:14 | 0:06:17 | |
Yes. I didn't see enough of her. | 0:06:17 | 0:06:19 | |
I was working in King's on the other side of town. | 0:06:19 | 0:06:22 | |
Did she have any issues at work? | 0:06:22 | 0:06:24 | |
Look, look, we told Hooper and... | 0:06:24 | 0:06:26 | |
Harper and Robson. | 0:06:26 | 0:06:27 | |
..Harper and Robson, everything that we knew at the time. | 0:06:27 | 0:06:30 | |
There was no mention of boyfriends? Partners? | 0:06:30 | 0:06:32 | |
There are greater priorities in life. | 0:06:32 | 0:06:35 | |
Succeeding in medicine is harder than ever. | 0:06:35 | 0:06:37 | |
Do you recognise this man? | 0:06:40 | 0:06:42 | |
Is this the man who...? | 0:06:48 | 0:06:50 | |
Do you recognise him, Mr Dryden? | 0:06:50 | 0:06:52 | |
It's OK, Dad. | 0:06:58 | 0:06:59 | |
Sorry. It never ends. | 0:07:01 | 0:07:03 | |
So these kids suddenly remember they saw this mystery man asleep in a car | 0:07:09 | 0:07:12 | |
and we're supposed to take them seriously? | 0:07:12 | 0:07:14 | |
Uh-huh. | 0:07:14 | 0:07:15 | |
And you can bet your life that Lithium Janet was off her meds | 0:07:15 | 0:07:19 | |
-when she phoned in about seeing someone. -Oh, yeah. | 0:07:19 | 0:07:22 | |
And in the meantime, we're trolling down here on a totally pointless... | 0:07:22 | 0:07:26 | |
Are you listening to any of this? | 0:07:28 | 0:07:29 | |
Yeah, course, yeah, yeah. | 0:07:29 | 0:07:31 | |
Can you give us five grand and pay my bar bill for a year? | 0:07:32 | 0:07:36 | |
Course, no problem. Yeah. | 0:07:36 | 0:07:37 | |
-Oi! -What? | 0:07:38 | 0:07:40 | |
DOOR BUZZES | 0:07:40 | 0:07:42 | |
INAUDIBLE | 0:07:42 | 0:07:43 | |
In the last cubicle, on the left. | 0:07:53 | 0:07:55 | |
Thank you. | 0:07:55 | 0:07:57 | |
MAN: What have you done with her? | 0:07:57 | 0:07:59 | |
She's in recovery now. You'll be able to see her in a few hours. | 0:07:59 | 0:08:02 | |
I want to talk to a proper doctor, not somebody straight off the boat. | 0:08:02 | 0:08:05 | |
You people are ruining this country. Oi! | 0:08:05 | 0:08:07 | |
Right, you, that's enough, let's go. | 0:08:07 | 0:08:09 | |
Leave it! Oi! | 0:08:11 | 0:08:14 | |
Does that happen quite often? | 0:08:15 | 0:08:17 | |
Everyone likes to have a shout at public sector servants after a few cans of electric soup. | 0:08:17 | 0:08:21 | |
Sorry. Never seen him. | 0:08:23 | 0:08:25 | |
But you did know Lydia? | 0:08:25 | 0:08:27 | |
I mean, you were the consultant and she was on the surgical team. | 0:08:27 | 0:08:30 | |
Sure. Sadly she was only with us for nine months before she died | 0:08:30 | 0:08:33 | |
and I wouldn't claim to know her as well as some of the others. | 0:08:33 | 0:08:36 | |
No, no, no. We're trying to contact everyone who was here at the time. | 0:08:36 | 0:08:39 | |
Staff move about. But Lydia was a valued colleague. | 0:08:39 | 0:08:42 | |
It's awful. | 0:08:42 | 0:08:43 | |
How did you two get on? | 0:08:44 | 0:08:46 | |
She was very accomplished. | 0:08:46 | 0:08:47 | |
Thank you. | 0:08:52 | 0:08:54 | |
In truth, I hardly knew her. | 0:08:55 | 0:08:57 | |
Hundreds of doctors pass through the department. | 0:08:57 | 0:09:00 | |
Yeah, but this one was murdered, I mean, that would stick in your mind. | 0:09:00 | 0:09:03 | |
Yeah, but they all look the same in their white coats. | 0:09:03 | 0:09:06 | |
There's a factory somewhere pumping out impeccably educated, | 0:09:06 | 0:09:09 | |
proficient young doctors. | 0:09:09 | 0:09:11 | |
And do you come from that factory? | 0:09:11 | 0:09:12 | |
My parents aren't prominent surgeons. | 0:09:12 | 0:09:15 | |
Now at the time, you said that you weren't at the 393 bar | 0:09:16 | 0:09:20 | |
the night she was killed. | 0:09:20 | 0:09:21 | |
I wasn't. | 0:09:21 | 0:09:22 | |
-Didn't you ever socialise? -No. | 0:09:22 | 0:09:24 | |
Well, how do you unwind? | 0:09:24 | 0:09:26 | |
-Me? Sleep! -Oh. | 0:09:26 | 0:09:28 | |
TANNOY: 'Adult trauma call, three minutes.' | 0:09:28 | 0:09:31 | |
I must go. But I'll make sure this picture is circulated. | 0:09:31 | 0:09:34 | |
Thanks very much. | 0:09:34 | 0:09:35 | |
There you are. Where've you been? | 0:09:40 | 0:09:42 | |
Had to wait for the local plods to take matey off down the nick. | 0:09:42 | 0:09:45 | |
I've been trying to get the low-down on Lydia from the rest of the staff. | 0:09:45 | 0:09:48 | |
And? | 0:09:48 | 0:09:49 | |
Most of them weren't here when she was and those that where, they're | 0:09:49 | 0:09:52 | |
-not that keen to dish the dirt on a dead colleague, know what I mean? -Same here. | 0:09:52 | 0:09:56 | |
But they all say that she was kind, steady, conscientious. | 0:09:56 | 0:09:58 | |
Everybody loved her. | 0:09:58 | 0:10:00 | |
Except the person who strangled her, of course. | 0:10:00 | 0:10:02 | |
Listen, if you're talking to the boss, tell her I'm going to hang around here for a bit. | 0:10:02 | 0:10:06 | |
Oh, no, no, no. I'm playing this game, it's brilliant. | 0:10:06 | 0:10:09 | |
Look at this. | 0:10:09 | 0:10:10 | |
You have to get these coloured blocks into the holes at the bottom. | 0:10:10 | 0:10:13 | |
Fascinating. | 0:10:13 | 0:10:14 | |
And then these blobs of snow come down and try and stop you. | 0:10:14 | 0:10:18 | |
I'll see you later, all right. | 0:10:18 | 0:10:19 | |
Yeah, see you later, OK, Gerry. | 0:10:19 | 0:10:21 | |
Oh...! | 0:10:22 | 0:10:23 | |
How did it go with the family? | 0:10:37 | 0:10:38 | |
Denial. Laughter. Tears. | 0:10:38 | 0:10:40 | |
I wasn't asking about you. | 0:10:40 | 0:10:41 | |
The mother's tough as nails, the father's just emotional | 0:10:41 | 0:10:44 | |
and the sister gave up a career in medicine to work in restoration. | 0:10:44 | 0:10:49 | |
Interesting career progression. | 0:10:49 | 0:10:51 | |
And Danny was incredibly rude to all of them. | 0:10:51 | 0:10:53 | |
-Was I? Where's Gerry? -Still down at A & E. | 0:10:53 | 0:10:56 | |
He must be getting them to check his irritable bowel. | 0:10:56 | 0:10:58 | |
But no luck on the e-fit | 0:10:58 | 0:11:00 | |
and still no matches from any of the databases. | 0:11:00 | 0:11:02 | |
Family didn't recognise him either. | 0:11:02 | 0:11:04 | |
I did find this, though. Have a look at this. | 0:11:04 | 0:11:07 | |
This is a tribute site to Lydia. | 0:11:07 | 0:11:09 | |
Most of the folks in these photos | 0:11:09 | 0:11:11 | |
do match the witness statements that were taken. | 0:11:11 | 0:11:13 | |
Do you recognise them? | 0:11:13 | 0:11:14 | |
Well, yeah, everybody except for this guy. Here he is. | 0:11:14 | 0:11:17 | |
I've never seen him before. | 0:11:17 | 0:11:19 | |
This was taken at her sister's birthday ten weeks before she died. | 0:11:19 | 0:11:22 | |
Yeah, but the party was at a pub. | 0:11:22 | 0:11:24 | |
He might have just been a punter who was there at the same time. | 0:11:24 | 0:11:26 | |
We should still trace him all the same. | 0:11:26 | 0:11:28 | |
Fancy a cup of splosh? | 0:11:28 | 0:11:29 | |
No, I'm trying to cut back. | 0:11:29 | 0:11:31 | |
Tannin drains the iron from your body. Gives you anaemia. | 0:11:32 | 0:11:35 | |
Gerry's had amnesia for years, never did him any harm. | 0:11:35 | 0:11:38 | |
You're not funny, you know. Even for a Scot. | 0:11:38 | 0:11:40 | |
Who pished in your handbag today? | 0:11:40 | 0:11:42 | |
He's depressed. | 0:11:42 | 0:11:44 | |
I'm not depressed. And don't bandy the term depression around. | 0:11:44 | 0:11:48 | |
It plays right into the hand of the big pharmaceutical | 0:11:48 | 0:11:51 | |
companies to keep you medicated whenever they feel like it. | 0:11:51 | 0:11:54 | |
Sorry. | 0:12:01 | 0:12:03 | |
What is it, Danny? | 0:12:03 | 0:12:04 | |
Holly's gone to university. | 0:12:06 | 0:12:09 | |
Ah, those tuition fees, they'll get you every time. | 0:12:09 | 0:12:12 | |
INAUDIBLE | 0:12:16 | 0:12:17 | |
Gerry. What did the doctors tell you? | 0:12:25 | 0:12:27 | |
Sod the doctors, if you want to know what's going on in a hospital, you talk to the support staff. | 0:12:27 | 0:12:31 | |
They remember Lydia? | 0:12:31 | 0:12:33 | |
Yeah, course, she was gorgeous, wasn't she? | 0:12:33 | 0:12:35 | |
And the rumour is that she was playing hide the thermometer | 0:12:35 | 0:12:38 | |
with a surgeon called Devlin. | 0:12:38 | 0:12:40 | |
What's your proof, Gerry? | 0:12:40 | 0:12:41 | |
'Well, one of the porters walked in on them.' | 0:12:41 | 0:12:44 | |
They weren't exactly at it. | 0:12:44 | 0:12:46 | |
But she was crying and he was hugging her. | 0:12:46 | 0:12:48 | |
-'Anyone else corroborate?' -No. | 0:12:48 | 0:12:50 | |
It's not enough. | 0:12:50 | 0:12:52 | |
'Well, four other people saw him dropping her off in his Audi.' | 0:12:52 | 0:12:55 | |
And they reckon he used to park around the corner, | 0:12:55 | 0:12:58 | |
presumably so no-one would see her. | 0:12:58 | 0:13:00 | |
'I need to speak to this Devlin.' | 0:13:00 | 0:13:02 | |
Lawrence Devlin is a trauma lead and orthopaedic surgeon, | 0:13:02 | 0:13:06 | |
specialises in wound management, chest wall injuries and amputations. | 0:13:06 | 0:13:11 | |
And he still had time to cuddle up to a woman half his age. | 0:13:11 | 0:13:14 | |
SOFT PIANO MUSIC | 0:13:16 | 0:13:17 | |
MUSIC STOPS | 0:13:21 | 0:13:22 | |
Please. | 0:13:22 | 0:13:24 | |
They're my wife's. She has a studio upstairs. | 0:13:28 | 0:13:30 | |
-She's a photographer? -Photojournalist. How can I help? | 0:13:30 | 0:13:34 | |
Tell me about Lydia Dryden. | 0:13:34 | 0:13:37 | |
She was on my firm for almost a year. Very capable. | 0:13:37 | 0:13:40 | |
Eager to learn. Quick hands. | 0:13:40 | 0:13:42 | |
Like her father. | 0:13:42 | 0:13:43 | |
-You know Hugh? -He's a legend. | 0:13:43 | 0:13:45 | |
Albeit one who can't remember which side of the road to drive on. | 0:13:45 | 0:13:48 | |
His wife won't let him near a vehicle, but he's a top-drawer surgeon. | 0:13:48 | 0:13:52 | |
You know Monika, too? | 0:13:52 | 0:13:53 | |
She taught me. It's a small world. | 0:13:53 | 0:13:55 | |
Very intense world as well, I'd imagine. | 0:13:55 | 0:13:58 | |
High pressure, life or death situations. | 0:13:58 | 0:14:01 | |
Your firm must be very close. | 0:14:01 | 0:14:03 | |
That's the best way. You have to work as one. | 0:14:03 | 0:14:05 | |
Were you and Lydia close? | 0:14:05 | 0:14:07 | |
FOOTSTEPS APPROACH | 0:14:07 | 0:14:09 | |
Sorry. I didn't realise we had company. | 0:14:09 | 0:14:11 | |
-This is my wife, Nicole Hunter. -Hi. | 0:14:11 | 0:14:14 | |
Please don't go, we were discussing Lydia Dryden. Did you know her? | 0:14:14 | 0:14:18 | |
No. But obviously I heard. | 0:14:18 | 0:14:21 | |
We were just interested to learn about the close working | 0:14:21 | 0:14:24 | |
relationships within a surgical team. | 0:14:24 | 0:14:26 | |
Nick wouldn't know anything about that. | 0:14:26 | 0:14:28 | |
-He doesn't let me anywhere near his theatre. -No place for a camera. | 0:14:28 | 0:14:31 | |
Was Lydia highly strung? | 0:14:33 | 0:14:35 | |
Not at all. | 0:14:35 | 0:14:36 | |
Did she cry a lot? | 0:14:36 | 0:14:38 | |
You spent a lot of time together, | 0:14:38 | 0:14:40 | |
there must have been some fraught moments. | 0:14:40 | 0:14:42 | |
She didn't ever come to you and cry on your shoulder? | 0:14:42 | 0:14:44 | |
You're trying to embarrass me. | 0:14:46 | 0:14:48 | |
Hospitals thrive on gossip, of which I'm sure there was | 0:14:48 | 0:14:52 | |
no shortage about me and Lydia. | 0:14:52 | 0:14:54 | |
Pray, pay no attention to it. | 0:14:54 | 0:14:56 | |
So you have nothing to tell us? | 0:14:56 | 0:14:59 | |
No, but I can see you're just dying to sling some mud. | 0:14:59 | 0:15:03 | |
Why would there be gossip about you and Lydia? | 0:15:03 | 0:15:06 | |
Lydia once partnered me on an operation that went badly wrong. | 0:15:09 | 0:15:12 | |
She was naturally upset. | 0:15:12 | 0:15:15 | |
So you hugged her? | 0:15:15 | 0:15:16 | |
We're not robots. | 0:15:17 | 0:15:19 | |
What was this operation? | 0:15:19 | 0:15:20 | |
An emergency C-section. | 0:15:20 | 0:15:22 | |
The mother was young but obese, pulmonary embolism, | 0:15:22 | 0:15:26 | |
we lost her and the baby. | 0:15:26 | 0:15:28 | |
It fell to Lydia to inform the husband, | 0:15:28 | 0:15:29 | |
who was extremely upset and became aggressive towards her. | 0:15:29 | 0:15:33 | |
So, I had to comfort her. | 0:15:33 | 0:15:36 | |
Why didn't you volunteer this information to the first enquiry? | 0:15:36 | 0:15:39 | |
Patients die in hospitals. It's hardly news. | 0:15:39 | 0:15:41 | |
We'll need to check the details. | 0:15:41 | 0:15:43 | |
If you want patient information, you'll have to talk | 0:15:43 | 0:15:45 | |
to the care trust. | 0:15:45 | 0:15:46 | |
-You're not going to tell us? -No, and nor will they without a court order. | 0:15:46 | 0:15:49 | |
And if you're trying to imply anything, Lawrence told me | 0:15:49 | 0:15:53 | |
all about the incident. | 0:15:53 | 0:15:54 | |
And how he had to reassure Lydia. | 0:15:54 | 0:15:56 | |
What make of car do you drive? | 0:15:57 | 0:15:59 | |
Well, I don't see what that has to do with anything. | 0:15:59 | 0:16:01 | |
Did Lydia like your Audi? | 0:16:01 | 0:16:03 | |
You're extremely rude. | 0:16:03 | 0:16:04 | |
She's just doing her job. | 0:16:04 | 0:16:06 | |
Now where were you both on the night of November 10th 2010? | 0:16:06 | 0:16:09 | |
She was having dinner with friends in London, | 0:16:11 | 0:16:14 | |
he was at a surgical conference in Leeds. | 0:16:14 | 0:16:16 | |
"Trying to comfort her!" | 0:16:16 | 0:16:18 | |
We don't know that there's anything going on between him and Lydia yet. | 0:16:18 | 0:16:21 | |
His wife was right there in front of him, while he lied to us. | 0:16:21 | 0:16:24 | |
You virtually accused him of having an affair. | 0:16:24 | 0:16:26 | |
He could make a complaint. | 0:16:26 | 0:16:28 | |
He's a big boy, I'm sure he can laugh it off. | 0:16:28 | 0:16:30 | |
Check their alibis. I want a full search. | 0:16:30 | 0:16:32 | |
Especially on him. Police and open source. | 0:16:32 | 0:16:36 | |
I'll get on to the hospital about that operation that went sour, too. | 0:16:36 | 0:16:39 | |
A grieving husband with a grudge could be our stalker. | 0:16:39 | 0:16:42 | |
DRILLING | 0:17:02 | 0:17:03 | |
Katia. Sorry to bother you, Katia. | 0:17:24 | 0:17:27 | |
Just got a couple of things to ask. | 0:17:27 | 0:17:29 | |
Sure. | 0:17:29 | 0:17:30 | |
Do you recognise this man at all? | 0:17:32 | 0:17:34 | |
He was at your birthday party, chatting to Lydia. | 0:17:36 | 0:17:39 | |
He was probably a random. Someone who got talking to her. | 0:17:39 | 0:17:42 | |
-Probably? -I don't know who he is. | 0:17:42 | 0:17:44 | |
Well, they knew each other. Look at them. | 0:17:44 | 0:17:46 | |
They were friends, at least. | 0:17:46 | 0:17:48 | |
If you say so. But I don't recognise him. | 0:17:48 | 0:17:51 | |
What about Lawrence Devlin? | 0:17:51 | 0:17:53 | |
He was the trauma surgeon where Lydia worked. | 0:17:53 | 0:17:56 | |
Were he and Lydia close? | 0:17:56 | 0:17:58 | |
Were they shagging, you mean? I doubt it. Liddy was clever. | 0:17:58 | 0:18:01 | |
She wouldn't sleep on her doorstep. | 0:18:01 | 0:18:03 | |
Lydia did a C-section under his care. | 0:18:03 | 0:18:06 | |
Ended in a double fatality. She got very emotional. | 0:18:06 | 0:18:09 | |
She never mentioned it. | 0:18:09 | 0:18:11 | |
Strange. | 0:18:11 | 0:18:12 | |
What are you driving at? | 0:18:13 | 0:18:14 | |
You're sisters, both had careers in medicine, mutual interests, | 0:18:14 | 0:18:19 | |
shared nights out and yet you seem to know nothing about her. | 0:18:19 | 0:18:23 | |
We weren't intimate. And I'm glad. | 0:18:23 | 0:18:25 | |
Identikit girls following the family footsteps. | 0:18:25 | 0:18:28 | |
It doesn't leave much room. | 0:18:28 | 0:18:30 | |
You've got to keep something for yourself. | 0:18:30 | 0:18:31 | |
Is that why you left medicine? | 0:18:31 | 0:18:33 | |
I took some time off after a ski accident, | 0:18:33 | 0:18:35 | |
and then with what happened to Lydia, | 0:18:35 | 0:18:38 | |
life lost its lustre and medicine paid the price. | 0:18:38 | 0:18:42 | |
If there was some intrigue, some secret I could lead you to, then I would. | 0:18:42 | 0:18:45 | |
But there's nothing. She was lovely. | 0:18:45 | 0:18:47 | |
She worked hard, and she even enjoyed a good night out. | 0:18:47 | 0:18:50 | |
Just like the rest of us. | 0:18:50 | 0:18:52 | |
And then she got killed. | 0:18:52 | 0:18:53 | |
'Hi. Sorry, you know what to do.' | 0:18:56 | 0:18:59 | |
PHONE BEEPS | 0:18:59 | 0:19:01 | |
Hi. It's Dad, sorry, touched the wrong number. | 0:19:01 | 0:19:05 | |
Meant to speak to, um, Henry about, um, a tin of paint. | 0:19:05 | 0:19:10 | |
Anyway...doesn't matter. | 0:19:17 | 0:19:20 | |
I hope you're well, and I'll speak to you soon! | 0:19:20 | 0:19:24 | |
Right. | 0:19:24 | 0:19:26 | |
Come on, quick, quick, he'll be back in in a second! | 0:19:32 | 0:19:35 | |
Oh, this biro's running out. | 0:19:35 | 0:19:37 | |
THEY LAUGH | 0:19:37 | 0:19:39 | |
Sh! Sh! | 0:19:39 | 0:19:40 | |
Private joke? | 0:19:42 | 0:19:44 | |
No. Danny, what it is, is we're, um... We're worried about you. | 0:19:45 | 0:19:50 | |
Yeah, I mean, it's going to be hard now Holly's gone to college. | 0:19:50 | 0:19:53 | |
When my three girls left... | 0:19:53 | 0:19:55 | |
He gave them a suitcase and changed the locks on the house. | 0:19:55 | 0:19:58 | |
No, seriously, we... Well, it's difficult times, | 0:19:58 | 0:20:01 | |
so we've come up with five ideas that we can all do together. | 0:20:01 | 0:20:04 | |
You pick one out of the tin and that's what we do that night. | 0:20:04 | 0:20:07 | |
You don't need to do this. | 0:20:07 | 0:20:08 | |
We do, we do! Come on! | 0:20:08 | 0:20:10 | |
Listen, what were you doing last night? | 0:20:10 | 0:20:12 | |
I bet it was home alone, with a tin of beans and a bottle of Blue Nun. | 0:20:12 | 0:20:15 | |
Pick a ticket, man. | 0:20:15 | 0:20:16 | |
-Go on, go on! -You know you want to! | 0:20:16 | 0:20:18 | |
Come on. | 0:20:18 | 0:20:20 | |
Good boy. | 0:20:20 | 0:20:21 | |
So, what have you got? | 0:20:24 | 0:20:25 | |
GUITAR MUSIC PLAYS | 0:20:26 | 0:20:28 | |
Hot damn, I'm throwing rocks tonight. | 0:21:28 | 0:21:29 | |
First blood to the youngsters! | 0:21:29 | 0:21:31 | |
We're getting annihilated. | 0:21:31 | 0:21:33 | |
-More drinks? -Oh, yes. -Cheers. | 0:21:33 | 0:21:35 | |
Thanks for doing this. It's been...fun. | 0:21:38 | 0:21:40 | |
Almost. | 0:21:40 | 0:21:41 | |
Come on, Danny, university years will fly by. | 0:21:41 | 0:21:44 | |
She'll be back before you know it. | 0:21:44 | 0:21:45 | |
She was born after the boom, now there's tuition fees, she'll never be able to afford her own place. | 0:21:45 | 0:21:50 | |
Ten years' time, you'll be desperate to get her back out your house. | 0:21:50 | 0:21:53 | |
Right, quick cigarette. | 0:21:53 | 0:21:54 | |
OK, you little beauty. Come to Daddy. | 0:21:56 | 0:22:00 | |
You're nicked. | 0:22:02 | 0:22:03 | |
Sorry. I couldn't resist. I've been getting these awful headaches. | 0:22:04 | 0:22:08 | |
That's called cold turkey. It means you're a junkie. | 0:22:08 | 0:22:11 | |
It's only tea, Danny. | 0:22:11 | 0:22:12 | |
All the same, be careful. It's a gateway drug. | 0:22:12 | 0:22:15 | |
Next up is Horlicks, Ovaltine. | 0:22:15 | 0:22:18 | |
Before you know it, you'll be freebasing cup-a-soups. | 0:22:18 | 0:22:21 | |
When my kids left home, I didn't know who I was for a while. | 0:22:22 | 0:22:25 | |
We don't have to do this. | 0:22:25 | 0:22:27 | |
You never stop being a parent. | 0:22:27 | 0:22:28 | |
Come on, let's roll. You and me this time. | 0:22:30 | 0:22:32 | |
Four strikes in a row? That is unreal. | 0:22:47 | 0:22:49 | |
I believe the expression is, | 0:22:49 | 0:22:50 | |
you mess with the best, you go down with the rest. | 0:22:50 | 0:22:52 | |
Beginner's luck, pal. It will soon wear off. | 0:22:52 | 0:22:54 | |
Whoever heard of anyone killing their doctor? | 0:22:54 | 0:22:57 | |
I mean, the other way round, that's all fair and legal, but... | 0:22:57 | 0:23:01 | |
No, this is meant to be Danny's night. | 0:23:01 | 0:23:03 | |
We are not talking shop. | 0:23:03 | 0:23:04 | |
All right. Sorry, sorry. | 0:23:04 | 0:23:05 | |
Yeah, but if you thought the doctor had messed up | 0:23:05 | 0:23:07 | |
and killed the person you loved, that's a powerful motive. | 0:23:07 | 0:23:10 | |
Yeah, well, good luck getting anything out of the hospital. | 0:23:10 | 0:23:13 | |
You know, they look after their own. Wall of silence. | 0:23:13 | 0:23:15 | |
SHE CLEARS HER THROAT LOUDLY | 0:23:15 | 0:23:17 | |
You put me off then! | 0:23:18 | 0:23:20 | |
So what have we got on Devlin? | 0:23:20 | 0:23:21 | |
His wife Nicole's my pick. She's a wrong 'un. | 0:23:21 | 0:23:24 | |
Her alibi says she was out with three mates, right? | 0:23:24 | 0:23:27 | |
The one I phoned and talked to said he was nowhere near the place. | 0:23:27 | 0:23:31 | |
So, while I'm waiting for the other two to phone back, | 0:23:31 | 0:23:34 | |
I do a few proper checks. | 0:23:34 | 0:23:35 | |
Once upon a time, Nicole was engaged to a bloke in Bristol. | 0:23:35 | 0:23:39 | |
She came home one night, found him doing the dirty with | 0:23:39 | 0:23:42 | |
a mate of hers, went berserk, attacked the pair of them. | 0:23:42 | 0:23:45 | |
Got herself a restraining order. | 0:23:45 | 0:23:46 | |
Maybe she doesn't like being cheated on. | 0:23:46 | 0:23:48 | |
No-one likes being cheated on. | 0:23:48 | 0:23:50 | |
So if the surgeon was stiffing Lydia, Nicole's not likely to | 0:23:50 | 0:23:54 | |
take it well. | 0:23:54 | 0:23:56 | |
Sorry for the mess. We had a party. | 0:24:49 | 0:24:51 | |
Not a domestic? What were you arguing about, Nicole? | 0:24:51 | 0:24:56 | |
Nothing. Everything. | 0:24:57 | 0:24:59 | |
Where's your husband? | 0:24:59 | 0:25:01 | |
He flew out to Syria this morning. | 0:25:01 | 0:25:02 | |
The day after we came round to ask questions? | 0:25:02 | 0:25:05 | |
He's an emergency volunteer for a medical charity that | 0:25:05 | 0:25:07 | |
works in conflict zones. | 0:25:07 | 0:25:09 | |
Was this a long-standing arrangement? | 0:25:09 | 0:25:11 | |
He got the call last night. | 0:25:11 | 0:25:13 | |
The situation's pretty desperate there now. | 0:25:13 | 0:25:15 | |
When's he due back? | 0:25:15 | 0:25:16 | |
Revolution's pretty hard to set your diary by. | 0:25:17 | 0:25:19 | |
How did you two meet? | 0:25:19 | 0:25:21 | |
The second Congo civil war, 2001. I was a media stringer. | 0:25:24 | 0:25:29 | |
The world didn't want to intervene, but they were desperate for pictures | 0:25:31 | 0:25:34 | |
of children with their limbs hacked off. | 0:25:34 | 0:25:37 | |
These are very powerful. | 0:25:38 | 0:25:39 | |
They're pointless. The pornography of despair. | 0:25:39 | 0:25:43 | |
Capturing the pain of others is an exercise in futility. | 0:25:44 | 0:25:47 | |
The horrors remain and the story stays the same. | 0:25:47 | 0:25:51 | |
I need you to tell me the truth, Nicole. | 0:25:53 | 0:25:55 | |
Your alibi is wobbling. | 0:25:55 | 0:25:56 | |
-How? -You tell me. | 0:25:56 | 0:25:58 | |
What happened in Bristol? | 0:25:59 | 0:26:01 | |
All my dirty linen. | 0:26:05 | 0:26:06 | |
-You've got one hell of a temper, Nicole. -I was 23! | 0:26:06 | 0:26:10 | |
The man I thought I was going to spend the rest of my life with | 0:26:10 | 0:26:12 | |
cheated on me. | 0:26:12 | 0:26:14 | |
Has Lawrence ever cheated on you? | 0:26:14 | 0:26:15 | |
You're just shooting in the dark. | 0:26:15 | 0:26:17 | |
Was he sleeping with Lydia? | 0:26:17 | 0:26:19 | |
You really don't care what damage you do. | 0:26:19 | 0:26:21 | |
Answer the question. | 0:26:21 | 0:26:22 | |
He was her father! | 0:26:22 | 0:26:23 | |
He told me last night. | 0:26:28 | 0:26:30 | |
Lawrence was a houseman. I was his registrar. | 0:26:44 | 0:26:48 | |
We got very close. | 0:26:48 | 0:26:49 | |
And you fell pregnant with Lydia? | 0:26:49 | 0:26:51 | |
I was alone in London, from Poland, no family. I married Hugh. | 0:26:53 | 0:26:57 | |
He was much older. | 0:26:59 | 0:27:00 | |
He's a remarkable doctor too, but...he's like a child. | 0:27:00 | 0:27:03 | |
Did Hugh find out about your relationship? | 0:27:04 | 0:27:06 | |
Nobody did. We weren't proud, didn't parade, we fell in love. | 0:27:06 | 0:27:12 | |
Did Lydia find out? | 0:27:12 | 0:27:13 | |
Eventually. | 0:27:15 | 0:27:16 | |
Lawrence and I broke contact when I discovered the pregnancy. | 0:27:17 | 0:27:21 | |
But he still saw me, and Lydia, from time to time, by chance. | 0:27:21 | 0:27:24 | |
Picnics, functions. | 0:27:24 | 0:27:26 | |
How did Lydia find out the truth? | 0:27:26 | 0:27:28 | |
She'd always been suspicious, | 0:27:28 | 0:27:30 | |
had this sense that Hugh wasn't her biological father. | 0:27:30 | 0:27:34 | |
It's a common teenage fantasy. It became our sort of joke. | 0:27:34 | 0:27:38 | |
Just for us. | 0:27:38 | 0:27:40 | |
And I'd say George Clooney, Salman Rushdie, | 0:27:40 | 0:27:44 | |
the manager of Manchester United. | 0:27:44 | 0:27:46 | |
It was fun in the end. And then fate tripped us up. | 0:27:46 | 0:27:50 | |
Lydia went to Lawrence's firm and it became obvious. | 0:27:50 | 0:27:54 | |
We had to tell her. | 0:27:54 | 0:27:56 | |
Will you be long, because I need a lift to the station? | 0:27:58 | 0:28:00 | |
Ten minutes. That tie doesn't work, go and change. | 0:28:00 | 0:28:04 | |
Oh, OK, but hurry, please. Thank you. | 0:28:04 | 0:28:07 | |
When was this, exactly? | 0:28:10 | 0:28:12 | |
February before she died. | 0:28:12 | 0:28:15 | |
We took her out for dinner, and she became...enormously distressed. | 0:28:17 | 0:28:23 | |
Lawrence never had children of his own. It's his tragedy. | 0:28:26 | 0:28:29 | |
He tried to get to know her...wanted to make it all right...but | 0:28:29 | 0:28:34 | |
she was never reconciled to it. | 0:28:34 | 0:28:36 | |
You should have told your family. | 0:28:36 | 0:28:38 | |
Why would I want to destroy them? | 0:28:39 | 0:28:42 | |
This is my problem. It's not for them to bear. | 0:28:43 | 0:28:45 | |
Lydia's world had turned upside down, | 0:28:47 | 0:28:50 | |
she wouldn't have made good decisions at work or play. | 0:28:50 | 0:28:52 | |
And her whole family has been lying to us. | 0:28:52 | 0:28:55 | |
A secret like this is like a time bomb. | 0:28:55 | 0:28:57 | |
What if Katia knew? Or Hugh? That would change everything. | 0:28:57 | 0:29:01 | |
How are we doing with Devlin's alibi? | 0:29:01 | 0:29:03 | |
The surgical conference in Leeds says he was there. | 0:29:03 | 0:29:06 | |
He could have driven back overnight, though. | 0:29:06 | 0:29:08 | |
I want every minute of his movements accounted for. And Nicole? | 0:29:08 | 0:29:11 | |
I'm still waiting for her two other friends to get in touch. | 0:29:11 | 0:29:14 | |
But the restaurant said the table was booked in her name | 0:29:14 | 0:29:16 | |
and she paid her part of the bill at 22.46. | 0:29:16 | 0:29:20 | |
Lydia was killed between one and four. | 0:29:20 | 0:29:22 | |
Make a request to their networks, did their phones put them | 0:29:22 | 0:29:24 | |
-in the area? -I'm getting stonewalled by the hospital. | 0:29:24 | 0:29:27 | |
They won't give me the name of the man who lost his pregnant wife and unborn child. | 0:29:27 | 0:29:30 | |
-Data protection. -Well, we can't wait for a court order. Just keep pushing. | 0:29:30 | 0:29:34 | |
OK. | 0:29:34 | 0:29:35 | |
Thank God for that, now we can have a nice cup of Rosie. | 0:29:36 | 0:29:39 | |
Don't make tea, she's on the wagon. | 0:29:39 | 0:29:41 | |
She's in her office. The smell won't kill her. | 0:29:41 | 0:29:44 | |
Well, actually it might. | 0:29:44 | 0:29:46 | |
If she's truly "on the wagon", she's been sentenced to death. | 0:29:46 | 0:29:49 | |
What? | 0:29:49 | 0:29:51 | |
Condemned prisoners being taken from Newgate to be hanged at Tyburn | 0:29:51 | 0:29:54 | |
were allowed to stop off at a pub for one last drink before being put | 0:29:54 | 0:29:57 | |
back "on the wagon" for the final part of their journey to execution. | 0:29:57 | 0:30:00 | |
Fascinating. Get your hand in there. | 0:30:00 | 0:30:03 | |
Once was enough. | 0:30:03 | 0:30:04 | |
Oh, pick a ticket, man. | 0:30:04 | 0:30:05 | |
-"Pub quiz." -YAY! Top darts! That's mine. | 0:30:10 | 0:30:13 | |
You didn't have to range too far across the glittering | 0:30:13 | 0:30:15 | |
landscape of your imagination to get that one, Gerry. | 0:30:15 | 0:30:18 | |
I put it on all the tickets. | 0:30:18 | 0:30:20 | |
It's a grudge match down at the local. | 0:30:21 | 0:30:23 | |
There's a group of students who win every week, | 0:30:23 | 0:30:25 | |
but now, with Danny on our team... | 0:30:25 | 0:30:27 | |
Gerry, are you still talking? | 0:30:27 | 0:30:28 | |
You should be working. And you! | 0:30:28 | 0:30:31 | |
Are you on that bloody game again? For... | 0:30:31 | 0:30:33 | |
No. No. | 0:30:33 | 0:30:35 | |
COMPUTER CHIMES | 0:30:35 | 0:30:36 | |
'DCI Miller? It's Lawrence Devlin. | 0:30:40 | 0:30:42 | |
'I haven't much time, we're expecting some bomb casualties.' | 0:30:42 | 0:30:45 | |
I know you spoke to Nicole. | 0:30:45 | 0:30:47 | |
And Monika. | 0:30:47 | 0:30:49 | |
I want to put you straight. | 0:30:49 | 0:30:50 | |
I need patient details. | 0:30:50 | 0:30:51 | |
'Impossible. The hospital trust's lawyers will crucify me.' | 0:30:51 | 0:30:55 | |
You're worried about lawyers? I'll get warrants for your phone records, bank statements, | 0:30:55 | 0:30:58 | |
I'll question your peers, colleagues, your lovers. | 0:30:58 | 0:31:01 | |
If I can, I'll help, now listen. I hardly knew Lydia. | 0:31:01 | 0:31:05 | |
I wanted to. I tried. | 0:31:05 | 0:31:06 | |
'She wouldn't let me near her...' | 0:31:06 | 0:31:08 | |
-WOMAN: -I need your help! | 0:31:08 | 0:31:10 | |
'Increase the saline. Give her 50 more.' | 0:31:12 | 0:31:15 | |
'I'm calling you because there was an incident at the hospital. | 0:31:18 | 0:31:22 | |
'Lydia tried to steal some drugs, some oxycodone. | 0:31:22 | 0:31:26 | |
-'It's a very serious painkiller.' -Why would she do that? | 0:31:26 | 0:31:28 | |
'I don't know. She said it was an admin mistake.' | 0:31:28 | 0:31:31 | |
She ordered 30 and got 3,000. | 0:31:31 | 0:31:33 | |
I caught her trying to take them out of the hospital. | 0:31:33 | 0:31:35 | |
-'When was this?' -March. | 0:31:35 | 0:31:36 | |
'Six months before she died.' | 0:31:36 | 0:31:38 | |
It has to be significant. | 0:31:38 | 0:31:40 | |
Why would she want 3,000? | 0:31:40 | 0:31:43 | |
'It's none of my business. | 0:31:43 | 0:31:44 | |
'It's a bit late for me to play the concerned parent. | 0:31:44 | 0:31:47 | |
'I made her return them, | 0:31:47 | 0:31:48 | |
'we kept it quiet and we didn't speak much after that. | 0:31:48 | 0:31:52 | |
'She wanted nothing to do with me. | 0:31:53 | 0:31:55 | |
'She spent practically every night in a different bar or club | 0:31:55 | 0:31:58 | |
'but she never had time to talk. | 0:31:58 | 0:32:00 | |
'There's nothing else. I have to go.' | 0:32:00 | 0:32:02 | |
He's not getting away with that. Who's our contact in Syria? | 0:32:04 | 0:32:07 | |
She only wants to arrest him! He's in the middle of a battlefield. | 0:32:07 | 0:32:10 | |
The local plod's got better to do than cuff a doc who's | 0:32:10 | 0:32:13 | |
actually patching up their own people. | 0:32:13 | 0:32:15 | |
MICROPHONE FEEDBACK | 0:32:15 | 0:32:16 | |
MAN: Evening one and all, welcome to the 305th weekly quiz. | 0:32:16 | 0:32:19 | |
Ten rounds, no biting, and we've got a host of fabulous prizes. | 0:32:19 | 0:32:23 | |
Right, come on, concentrate. What are we going to call ourselves? | 0:32:23 | 0:32:26 | |
The Cranial Constables? Universally Challenged. | 0:32:26 | 0:32:29 | |
The possibilities are endless. | 0:32:29 | 0:32:31 | |
Miller's Mob. How about that? | 0:32:31 | 0:32:32 | |
Why was Lydia trying to steal drugs? | 0:32:32 | 0:32:34 | |
-I tell you what, I'll get them in before we start. -Trying to get Daddy's attention? | 0:32:34 | 0:32:38 | |
Oxycodone is heavy-duty. That stuff is more addictive than heroin. | 0:32:38 | 0:32:42 | |
They give it to cancer patients to manage their pain. | 0:32:42 | 0:32:45 | |
The tox report and witness statements showed no | 0:32:45 | 0:32:47 | |
sign that she was ever a user. | 0:32:47 | 0:32:49 | |
Lots of people are, though. Crush it, snort it, bomb it, it's an instant hit. | 0:32:49 | 0:32:52 | |
And there's always a market for prescription pills. | 0:32:52 | 0:32:55 | |
-Quality guaranteed. -You saying she's actually selling this stuff? | 0:32:55 | 0:32:58 | |
Devlin said she spent a lot of time in bars and clubs. | 0:32:58 | 0:33:00 | |
All of a sudden she's a dealer? | 0:33:00 | 0:33:01 | |
3,000 pills at upwards of a tenner a time. | 0:33:01 | 0:33:04 | |
We should get back down there tonight. Ask questions. | 0:33:04 | 0:33:06 | |
If she was working someone's patch, maybe they got pissed off. | 0:33:06 | 0:33:09 | |
Hang on. She's a surgeon with an impeccable family tree, not Scarface. | 0:33:09 | 0:33:12 | |
Come on, get these down you. | 0:33:12 | 0:33:14 | |
It's a fundamental flaw and irony of late western civilisation | 0:33:16 | 0:33:20 | |
that we're allowed to get sloshed but we can't get high. | 0:33:20 | 0:33:22 | |
What's the difference? | 0:33:22 | 0:33:24 | |
There's a legal difference. | 0:33:24 | 0:33:25 | |
And luckily you're on the right side, Gerry, | 0:33:25 | 0:33:27 | |
or you'd have spent the last 50 years in jail. | 0:33:27 | 0:33:30 | |
I only drink to make other people seem more interesting. | 0:33:30 | 0:33:32 | |
Beer is proof that God loves us and wants us to be happy. | 0:33:32 | 0:33:36 | |
MOBILE PHONE CHIMES | 0:33:36 | 0:33:38 | |
Question one. Which popular '80s band took its name from a fictional | 0:33:38 | 0:33:42 | |
doctor in the film Barbarella? | 0:33:42 | 0:33:45 | |
Bloody hell. It's going to be a poncy quiz. | 0:33:45 | 0:33:47 | |
Oi, oi, sit down and get that weird brain of yours in gear. | 0:33:48 | 0:33:51 | |
Can't, I'm afraid. Holly's home for the night. | 0:33:51 | 0:33:54 | |
You're kidding. | 0:33:54 | 0:33:55 | |
The only time that dustbin of useless information you've | 0:33:55 | 0:33:58 | |
got comes in handy and you're pulling out. | 0:33:58 | 0:34:00 | |
-There's a bottle of bubbly and some Botox vouchers to be won here tonight, Danny. -Sorry. | 0:34:00 | 0:34:05 | |
-Our ship's lost its paddle, hasn't it? We've had it! -Yeah. | 0:34:05 | 0:34:09 | |
No, we haven't. (Duran Duran.) | 0:34:09 | 0:34:12 | |
-Ah, right. -Bring it on. -Good girl. Right, you do all the music. | 0:34:12 | 0:34:16 | |
Hey! There you are. Great to see you! | 0:34:32 | 0:34:36 | |
Are you OK? | 0:34:36 | 0:34:38 | |
Yeah. Fine. | 0:34:38 | 0:34:39 | |
Are you warm enough? | 0:34:39 | 0:34:41 | |
Are you Mr Griffin? | 0:34:41 | 0:34:42 | |
-Who wants to know? -Easy, Dad. This is Ian. | 0:34:45 | 0:34:47 | |
-My boyfriend. -Nice to meet you, Mr Griffin. | 0:34:47 | 0:34:49 | |
Danny, please. | 0:34:51 | 0:34:53 | |
Ian's staying tonight. Is that all right? | 0:34:53 | 0:34:56 | |
Sure. The more the merrier. | 0:34:58 | 0:35:00 | |
You'll hardly notice us. We've got a couple of parties. | 0:35:01 | 0:35:04 | |
You got a cat! | 0:35:06 | 0:35:07 | |
Have I? | 0:35:07 | 0:35:08 | |
Well, you've got a cat dish, man. | 0:35:08 | 0:35:10 | |
Epic, I've always wanted a cat. | 0:35:10 | 0:35:12 | |
Yeah, she's a stray. Probably got lots of other places to stay. | 0:35:13 | 0:35:19 | |
Oh, there's the cab. H, we better get going... | 0:35:19 | 0:35:21 | |
-H? -Later, Dad. Don't wait up! | 0:35:21 | 0:35:25 | |
-He's all right, your dad, for a copper. -He's lovely. | 0:35:26 | 0:35:29 | |
Come on, they're anagrams. | 0:35:32 | 0:35:33 | |
Wonder Gravy? Orange Toes? | 0:35:36 | 0:35:40 | |
Gerry. We're looking for a TV programme. | 0:35:40 | 0:35:42 | |
Yeah, but it's not fair, is it? | 0:35:42 | 0:35:44 | |
I mean, when do we get time to watch television? | 0:35:44 | 0:35:46 | |
-I never wanted any poxy Botox anyway. -Don't give up! | 0:35:46 | 0:35:50 | |
We're miles behind. | 0:35:50 | 0:35:52 | |
Have I Got News For You. | 0:35:52 | 0:35:53 | |
What happened to Holly? | 0:35:53 | 0:35:55 | |
Number 12 is Ready Steady Cook. | 0:35:55 | 0:35:58 | |
And "Quiet Soft Soprano" is A Question Of Sport. | 0:35:58 | 0:36:01 | |
Oh, yes, yes! We're back in the race! | 0:36:01 | 0:36:05 | |
Excellent. Right, let's win this and then we need to go. | 0:36:07 | 0:36:10 | |
Give us some quality time to revel in our victory here. | 0:36:10 | 0:36:13 | |
Then straight down to Bar 393. | 0:36:13 | 0:36:15 | |
I want Lydia's photo shown in every bar and every pub in the area. | 0:36:15 | 0:36:18 | |
What was number 12 again? | 0:36:18 | 0:36:19 | |
Um, Ready Steady Cook, I think. | 0:36:19 | 0:36:23 | |
Good man. | 0:36:23 | 0:36:24 | |
Thank God for that. There's no signal down there. | 0:36:28 | 0:36:31 | |
I've been trying to go mano a mano with this kid from Norway for a place on the all-time leaderboard. | 0:36:31 | 0:36:35 | |
Gerry. Any joy? | 0:36:35 | 0:36:38 | |
There's a ginger rascal over there who can have my number. | 0:36:38 | 0:36:42 | |
Reckons I'm a GILF - a grandad she'd like to... | 0:36:42 | 0:36:44 | |
Yeah, yeah, yeah. Boss, nobody recognised her. | 0:36:44 | 0:36:47 | |
And the idea that she was murdered | 0:36:47 | 0:36:49 | |
because she was treading on someone's patch won't wash either. | 0:36:49 | 0:36:52 | |
The local force had done a clean up, so there were no dealers around anyway. | 0:36:52 | 0:36:55 | |
-Everyone gets their stuff off the internet. -Yeah. | 0:36:55 | 0:36:58 | |
-That's right. -Can we go home now? -It was worth a shot. Right, who needs a lift? | 0:36:58 | 0:37:01 | |
-Yes, me. -There's a bar round the corner, does quite a good Martini. I'll see you later. | 0:37:01 | 0:37:05 | |
-See ya. -Bye. | 0:37:05 | 0:37:06 | |
-All right. -All right, mate. | 0:37:08 | 0:37:10 | |
Excuse me, do you recognise this girl? | 0:37:17 | 0:37:20 | |
No. | 0:37:20 | 0:37:22 | |
Are you sure? Here, take a good look. | 0:37:22 | 0:37:25 | |
Never seen her. | 0:37:25 | 0:37:26 | |
That's a shame, pal. | 0:37:26 | 0:37:27 | |
Because...I've got a picture of you two together. | 0:37:27 | 0:37:31 | |
-How did you know her? -I work in a gym. I was her personal trainer. | 0:37:34 | 0:37:39 | |
-And what else? -We hooked up from time to time. -Cosy arrangement. | 0:37:39 | 0:37:45 | |
Don't talk about her like that. She wrote the rules. | 0:37:45 | 0:37:49 | |
Too busy to go full-time but we were sweet. | 0:37:49 | 0:37:52 | |
Thought about getting together. | 0:37:52 | 0:37:55 | |
Look, if I tell you this, it makes me look bad. | 0:37:58 | 0:38:01 | |
You're looking bad already, pal. And you've got form. | 0:38:01 | 0:38:04 | |
-Here we go. -Put a kid in a coma after a pub brawl. | 0:38:04 | 0:38:07 | |
He was 16. Very brave. | 0:38:07 | 0:38:09 | |
When you're my size, somebody always wants to have a pop at the big man. | 0:38:09 | 0:38:13 | |
Where were you on the night of the 10th of November 2010? | 0:38:13 | 0:38:18 | |
And you lot wonder why no-one comes to talk to you. | 0:38:18 | 0:38:20 | |
-You're going to stitch me up. -Where were you? | 0:38:20 | 0:38:22 | |
Look, she was worried, right? | 0:38:22 | 0:38:25 | |
Those last weeks - there was someone following her. | 0:38:25 | 0:38:28 | |
She was frightened. He was camped outside her flat. | 0:38:28 | 0:38:31 | |
Did she say who it was? | 0:38:31 | 0:38:32 | |
I still don't know whether to take it seriously. | 0:38:32 | 0:38:35 | |
She was out of sorts, acting weird, she'd been having trouble with her family. | 0:38:35 | 0:38:39 | |
Did you see this man? | 0:38:39 | 0:38:41 | |
I hid outside her place one time. She'd asked me to. | 0:38:42 | 0:38:45 | |
There was a bloke, he was in a car. | 0:38:46 | 0:38:48 | |
I got rid of him. | 0:38:48 | 0:38:50 | |
Was this the man? | 0:38:52 | 0:38:53 | |
You knew about him already? | 0:38:56 | 0:38:57 | |
Why didn't you come forward with this information earlier? | 0:38:57 | 0:39:01 | |
This is the guy I saw. | 0:39:07 | 0:39:09 | |
Definitely. | 0:39:09 | 0:39:10 | |
Is he the one who killed her? | 0:39:10 | 0:39:12 | |
Adomako says he was working at Bar 393 till 6am. | 0:39:14 | 0:39:17 | |
We've got CCTV on file already. | 0:39:17 | 0:39:19 | |
Wouldn't be hard to see if he was on the door. | 0:39:19 | 0:39:21 | |
But he's bound to have had a break - and she only lives 20 minutes down the road. | 0:39:21 | 0:39:25 | |
Alice, you little beauty! | 0:39:25 | 0:39:26 | |
Alice? Who's Alice? | 0:39:26 | 0:39:27 | |
My contact at the mobile networks. | 0:39:27 | 0:39:30 | |
Chubby girl but worth her weight, and she's just pulled out a plum. | 0:39:30 | 0:39:34 | |
She's just sent me mobile triangulation details for Nicole, Lawrence, Katia and Monika. | 0:39:34 | 0:39:39 | |
Now, nothing dodgy on any of them for the night in question. | 0:39:39 | 0:39:43 | |
-All where they are meant to be? -Absolutely. | 0:39:43 | 0:39:45 | |
But Hugh Dryden said he was at a lecture in Marylebone, didn't he? | 0:39:45 | 0:39:48 | |
Witnesses backed him up. | 0:39:48 | 0:39:49 | |
And so do the phone records for his main number. | 0:39:49 | 0:39:53 | |
But Alice in Wonderland has found another phone under | 0:39:53 | 0:39:56 | |
a different name but using the same credit card. | 0:39:56 | 0:39:59 | |
-A dirty phone. -Exactly. And Hugh's dirty phone spent | 0:39:59 | 0:40:04 | |
the latter part of the night in Bloomsbury. | 0:40:04 | 0:40:07 | |
You have two phones. | 0:40:12 | 0:40:14 | |
I've had several in my time, actually. I'm always losing them. | 0:40:14 | 0:40:19 | |
One of your phones was in Bloomsbury the night that Lydia died. | 0:40:19 | 0:40:22 | |
Why were you there at midnight? | 0:40:22 | 0:40:25 | |
Was Lydia a disappointment to you? | 0:40:30 | 0:40:32 | |
No, no, no. She was a very fine girl. | 0:40:34 | 0:40:37 | |
Your favourite daughter? | 0:40:37 | 0:40:39 | |
We were always...very fond. | 0:40:39 | 0:40:42 | |
Fond? Sounds like you're talking about a pet. | 0:40:43 | 0:40:46 | |
Not your own flesh and blood. | 0:40:47 | 0:40:48 | |
Look, I have known for many years that Lydia is not my child. | 0:40:50 | 0:40:56 | |
I've never spoken to Monika about it. | 0:40:56 | 0:40:59 | |
She made a mistake, that's all. | 0:40:59 | 0:41:01 | |
And there's no point in provoking a scene. | 0:41:01 | 0:41:06 | |
But Lydia is my child. And I love her profoundly. | 0:41:06 | 0:41:12 | |
You can be certain of that. | 0:41:12 | 0:41:14 | |
Did you see her that night? | 0:41:14 | 0:41:18 | |
I was seeing Katia. | 0:41:18 | 0:41:19 | |
Katia? She didn't say. | 0:41:19 | 0:41:21 | |
She has tremendous trouble with her leg from a ski accident. | 0:41:21 | 0:41:25 | |
Sometimes she needs emergency pain relief. | 0:41:25 | 0:41:26 | |
-At midnight? -The chemists are all closed. I pop over with a few pills. | 0:41:26 | 0:41:30 | |
It's an old problem. | 0:41:30 | 0:41:32 | |
Do you give her oxycodone? | 0:41:32 | 0:41:33 | |
Yes, but that's nothing to worry about. | 0:41:34 | 0:41:37 | |
Lydia was caught stealing oxycodone from the hospital. | 0:41:37 | 0:41:39 | |
Was she giving that to Katia too? | 0:41:39 | 0:41:41 | |
-For a bit. -Which bit? | 0:41:45 | 0:41:48 | |
Until the night that she died. | 0:41:48 | 0:41:49 | |
That's when I started to give Katia oxycodone. | 0:41:52 | 0:41:56 | |
The girls had fallen out that night. | 0:41:56 | 0:41:58 | |
Lydia didn't want to help Katia any more. But Kat was suffering. | 0:41:58 | 0:42:04 | |
Terribly. She was in... | 0:42:04 | 0:42:06 | |
..real anguish. I had to step in. | 0:42:08 | 0:42:10 | |
What have we done? | 0:42:16 | 0:42:17 | |
Lydia was supplying Katia and they had a bust up the night she died. | 0:42:21 | 0:42:24 | |
-Over the oxycodone? -She refused to supply her. Katia went crazy. | 0:42:24 | 0:42:28 | |
-Want to see her now. -You need to speak to Gerry first. | 0:42:28 | 0:42:31 | |
Gerry? | 0:42:34 | 0:42:35 | |
Doctor Devlin finally came good. | 0:42:35 | 0:42:37 | |
The Caesarean that went wrong was on a Becky Vosper, | 0:42:37 | 0:42:42 | |
she died six weeks before Lydia was killed. | 0:42:42 | 0:42:45 | |
Becky's husband and her childhood sweetheart is a Darren Vosper... | 0:42:45 | 0:42:49 | |
24-year-old painter from Leytonstone. | 0:42:49 | 0:42:52 | |
'Has he got any form?' | 0:42:52 | 0:42:53 | |
No. No. We spoke to his mum, she said he went totally off his head | 0:42:53 | 0:42:58 | |
once his wife died. | 0:42:58 | 0:42:59 | |
Hates the world and everyone on it. | 0:42:59 | 0:43:01 | |
'So where is he now?' | 0:43:01 | 0:43:03 | |
Halfway house. We're waiting outside. | 0:43:03 | 0:43:05 | |
-'He's homeless?' -Homeless, helpless, suicidal, apparently. | 0:43:05 | 0:43:09 | |
'Does he match the e-fit?' | 0:43:09 | 0:43:11 | |
-Darren's our man in the car. -Yep. | 0:43:13 | 0:43:16 | |
The pain was remorseless. There was a chance I'd lose my leg. | 0:43:16 | 0:43:20 | |
Oxy is a morphine sulphate. It's yummy. | 0:43:21 | 0:43:24 | |
I tried to come off it. | 0:43:27 | 0:43:28 | |
My GP tapered my dose to practically nothing | 0:43:28 | 0:43:31 | |
and none of my medical friends would sign any out for me. | 0:43:31 | 0:43:33 | |
But Lydia would. | 0:43:33 | 0:43:35 | |
She could see I was a mess - | 0:43:35 | 0:43:36 | |
that's an understatement, by the way - she wanted to help. | 0:43:36 | 0:43:39 | |
She put her career on the line. | 0:43:40 | 0:43:43 | |
Devlin caught her with 3,000 pills. | 0:43:43 | 0:43:46 | |
3,000? No, she never gave me 3,000. | 0:43:46 | 0:43:49 | |
He made her take them back. This was six months before she died. | 0:43:49 | 0:43:52 | |
I didn't know. | 0:43:54 | 0:43:55 | |
Sounds like she went for one big hit - but even after Devlin | 0:43:55 | 0:44:00 | |
caught her, she carried on stealing them from somewhere. She took a lot of risks for you. | 0:44:00 | 0:44:06 | |
What was your arrangement? | 0:44:10 | 0:44:12 | |
Every few weeks, she'd give me 100 or so. | 0:44:16 | 0:44:19 | |
Whatever she could skim from work. | 0:44:19 | 0:44:21 | |
Why couldn't you do that yourself at King's? | 0:44:21 | 0:44:23 | |
Controlled drugs have to be double signed - I had a reputation. | 0:44:23 | 0:44:27 | |
Nobody would help me. | 0:44:27 | 0:44:28 | |
So who was helping? | 0:44:28 | 0:44:29 | |
I don't know, but all of a sudden, that night, | 0:44:29 | 0:44:34 | |
she phoned me after work, said she was going to stop. She was feeling uncomfortable. | 0:44:34 | 0:44:39 | |
-Uncomfortable? -That's what she said. | 0:44:39 | 0:44:44 | |
Which left you without a supply. You must have been frantic, desperate. | 0:44:44 | 0:44:50 | |
Prepared to do anything. | 0:44:50 | 0:44:53 | |
My father always helps me out as a last resort. | 0:44:53 | 0:44:57 | |
If I scream loud enough. | 0:44:57 | 0:44:58 | |
But you were furious with Lydia? | 0:45:01 | 0:45:03 | |
No, no, no. You can't think... | 0:45:03 | 0:45:05 | |
I made some huge mistakes in surgery, yes. | 0:45:07 | 0:45:11 | |
Was politely asked to step aside before I caused any embarrassment, but I would never... | 0:45:11 | 0:45:15 | |
Lydia stole oxycodone on your behalf and ended up strangled - | 0:45:15 | 0:45:19 | |
this is more than embarrassment. | 0:45:19 | 0:45:22 | |
I didn't kill her! I love her. Please. | 0:45:22 | 0:45:26 | |
You should have told me! | 0:45:26 | 0:45:28 | |
And have my mother think it was my fault she died. How am I supposed to live with that?! | 0:45:28 | 0:45:33 | |
I don't know, Katia. How do you? | 0:45:36 | 0:45:39 | |
Is that him? | 0:45:57 | 0:45:58 | |
Yeah. | 0:46:04 | 0:46:05 | |
She deserved to die. | 0:46:11 | 0:46:13 | |
Because of what she did to Becky? | 0:46:13 | 0:46:15 | |
And my boy! She murdered two people that day! | 0:46:15 | 0:46:18 | |
I'm sorry. | 0:46:20 | 0:46:21 | |
I couldn't leave the house after. | 0:46:23 | 0:46:25 | |
My legs had been cut. | 0:46:28 | 0:46:30 | |
There was nothing. | 0:46:32 | 0:46:33 | |
Becky was my girl, see. It was simple. | 0:46:38 | 0:46:42 | |
You know when you know, and she was the one. | 0:46:44 | 0:46:48 | |
You got a son? | 0:46:52 | 0:46:53 | |
He could have been my little mate. | 0:47:00 | 0:47:01 | |
Help me look after his mum, the brothers | 0:47:04 | 0:47:07 | |
and sisters he would have had. | 0:47:07 | 0:47:09 | |
That scum took it all from me! | 0:47:11 | 0:47:14 | |
You stalked her. | 0:47:15 | 0:47:17 | |
Becky knew what was best. | 0:47:20 | 0:47:24 | |
She told me what to do. She's my guardian angel. | 0:47:24 | 0:47:30 | |
What was she telling you, Darren? | 0:47:32 | 0:47:34 | |
At first, we just wanted to know what happened, didn't we, Bex? | 0:47:37 | 0:47:41 | |
An explanation. | 0:47:43 | 0:47:44 | |
You knew where Lydia Dryden lived? | 0:47:46 | 0:47:49 | |
We followed her. Watched her flat... | 0:47:51 | 0:47:55 | |
I knew how to get a key. | 0:47:57 | 0:47:59 | |
Could let myself in and wait, or surprise her in the night. | 0:48:00 | 0:48:04 | |
Four weeks we was there... | 0:48:05 | 0:48:07 | |
..just working out the best way to do her. | 0:48:08 | 0:48:13 | |
Stab... | 0:48:15 | 0:48:18 | |
burn... | 0:48:18 | 0:48:20 | |
beat... | 0:48:20 | 0:48:21 | |
..strangle. | 0:48:23 | 0:48:24 | |
Strangling would be best. Slow. Make her look at us. | 0:48:26 | 0:48:33 | |
An eye for an eye. | 0:48:33 | 0:48:34 | |
She had to die! | 0:48:34 | 0:48:36 | |
Her life in my hands, that was the only way. | 0:48:38 | 0:48:42 | |
But... | 0:48:45 | 0:48:47 | |
I'm sorry, Becky. | 0:48:47 | 0:48:50 | |
Sweetheart, I'm so, so sorry. I couldn't do it. | 0:48:52 | 0:48:59 | |
You... You didn't kill her? | 0:48:59 | 0:49:02 | |
I wanted to! I just couldn't go through. | 0:49:04 | 0:49:08 | |
There was always these two blokes, turning up at all hours. | 0:49:11 | 0:49:13 | |
What blokes? | 0:49:13 | 0:49:15 | |
The bouncer, he's huge, shouted at me once. | 0:49:16 | 0:49:21 | |
You wouldn't mess with him. | 0:49:22 | 0:49:24 | |
And the other one? | 0:49:24 | 0:49:26 | |
Him, from the hospital. | 0:49:28 | 0:49:29 | |
He was always lurking around. Doctor. | 0:49:31 | 0:49:35 | |
-Bobby. This is my boss, DCI Miller. -Hi. | 0:49:44 | 0:49:47 | |
-Hi. I'd love to hear your recollections on Lydia first-hand. -Sure. | 0:49:47 | 0:49:51 | |
And if you could explain how she got hold of the oxycodone? | 0:49:51 | 0:49:54 | |
Can you wait about half an hour? I'm short staffed and there's a trachy waiting for me in theatre. | 0:49:54 | 0:49:59 | |
-We won't take a few minutes. -OK. This way. | 0:49:59 | 0:50:02 | |
I wouldn't know anything about Lydia and the oxycodone. | 0:50:07 | 0:50:09 | |
Don't worry. We're already talking to the pharmacy. We'll have our answers in a minute. | 0:50:09 | 0:50:14 | |
I understand from Gerry that you and Lydia weren't especially close. Did you like her, though? | 0:50:14 | 0:50:19 | |
-How do you mean? -We get people like her in our line. Beautiful, clever, connected. | 0:50:19 | 0:50:24 | |
Whereas you earned your stripes the hard way, didn't you? | 0:50:24 | 0:50:27 | |
-I come from an ordinary background, yes. -Did her privilege annoy you? -I never gave it much thought. | 0:50:27 | 0:50:31 | |
-So you didn't feel anything for her either way? -I didn't know her well enough. | 0:50:31 | 0:50:35 | |
Really? I think you knew her much better than you're letting on. | 0:50:35 | 0:50:39 | |
Guv'nor. | 0:50:39 | 0:50:41 | |
(The oxycodone orders stopped after she died.) | 0:50:45 | 0:50:48 | |
You prescribed a lot of oxycodone in the months before Lydia's death. | 0:50:56 | 0:50:59 | |
-It's one of our core painkillers. -Thing is, there's a pattern. | 0:50:59 | 0:51:02 | |
You see, you only ever personally requested it in the months leading up to Lydia's death. | 0:51:02 | 0:51:07 | |
You weren't that interested in it before. | 0:51:07 | 0:51:09 | |
And then Lydia dies and you don't request any for quite a long time. | 0:51:09 | 0:51:15 | |
Sometimes you get a statistical spike. It depends what patients... | 0:51:15 | 0:51:18 | |
Don't insult my intelligence. I know exactly what was going on. | 0:51:18 | 0:51:22 | |
Bobby, we know you helped her get the drugs. | 0:51:38 | 0:51:41 | |
But don't worry, we're not going to make a big deal of that. | 0:51:42 | 0:51:45 | |
Yeah, we don't want to get you into any trouble. | 0:51:45 | 0:51:48 | |
What I want to know is why you would do that for her? | 0:51:48 | 0:51:53 | |
You said you weren't friends and it's very risky professionally. | 0:51:53 | 0:51:58 | |
See, that's the point, Bobby. Why would you help her? | 0:51:58 | 0:52:00 | |
I didn't help her. You can't infer from those prescriptions... | 0:52:00 | 0:52:03 | |
Because she was pretty? | 0:52:03 | 0:52:06 | |
Were you trying to cosy up to her, was that the deal? | 0:52:06 | 0:52:10 | |
I see! | 0:52:12 | 0:52:13 | |
So you get the drugs for her and what does she do in return, eh? | 0:52:13 | 0:52:17 | |
A date? Dinner? A few drinks? | 0:52:17 | 0:52:20 | |
We didn't socialise outside work. | 0:52:20 | 0:52:22 | |
Did you ever go to her place? | 0:52:22 | 0:52:23 | |
No. | 0:52:23 | 0:52:25 | |
So when I take your prints, I'm not going to find | 0:52:25 | 0:52:27 | |
a match from the evidence at her flat? | 0:52:27 | 0:52:30 | |
-Actually, I think I did go there once. -Ah, once? Why? | 0:52:30 | 0:52:34 | |
I dropped something off. | 0:52:34 | 0:52:35 | |
Day or night? | 0:52:35 | 0:52:37 | |
-I can't remember. -What were you dropping off? | 0:52:37 | 0:52:39 | |
She left her coat at work. | 0:52:39 | 0:52:40 | |
Describe it. | 0:52:40 | 0:52:42 | |
It was a sort of duffel jacket. Brown, I think. | 0:52:42 | 0:52:46 | |
Why would she leave her coat at work in November? | 0:52:46 | 0:52:50 | |
Let's just assume you were dropping off the pills to her. | 0:52:55 | 0:52:58 | |
Yeah, but why didn't you just hand them over at work, | 0:52:58 | 0:53:01 | |
rather than going all the way to her flat? | 0:53:01 | 0:53:04 | |
Lydia told her sister that it was making her feel uncomfortable | 0:53:04 | 0:53:08 | |
carrying on. | 0:53:08 | 0:53:09 | |
Did you make her feel uncomfortable? | 0:53:09 | 0:53:11 | |
-What kind of a question is that? -Were you in the bar the night that Lydia was killed? | 0:53:11 | 0:53:15 | |
It's hard to remember specifics. | 0:53:15 | 0:53:17 | |
Doesn't matter - we've got plenty of CCTV. | 0:53:18 | 0:53:20 | |
We weren't looking for you before, | 0:53:20 | 0:53:23 | |
but I'm sure we can find you now if you were there. | 0:53:23 | 0:53:25 | |
I might have been. But then I went straight home. | 0:53:25 | 0:53:28 | |
No, you didn't, Bobby. You went to Lydia's flat. | 0:53:28 | 0:53:32 | |
We've got a witness. | 0:53:33 | 0:53:35 | |
I need a solicitor. | 0:53:44 | 0:53:46 | |
Why would you need a solicitor? | 0:53:46 | 0:53:47 | |
No comment. | 0:53:47 | 0:53:49 | |
You had a thing for her, didn't you, Bobby? | 0:53:49 | 0:53:51 | |
No comment. | 0:53:51 | 0:53:53 | |
She was beautiful. | 0:53:53 | 0:53:55 | |
Clever. Medical aristocracy. | 0:53:57 | 0:54:01 | |
A great catch. | 0:54:02 | 0:54:03 | |
You got close, you gave her the pills, and she was truly grateful. | 0:54:05 | 0:54:09 | |
Self-made man. You were going to get the woman you deserved. | 0:54:10 | 0:54:13 | |
But you read the signs wrong. | 0:54:19 | 0:54:20 | |
She wasn't interested in you. | 0:54:22 | 0:54:24 | |
And that made you very angry. | 0:54:26 | 0:54:32 | |
Am I right? | 0:54:35 | 0:54:36 | |
Do you know how many lives I've saved? | 0:54:46 | 0:54:49 | |
Nobody thanks you in this job. | 0:54:51 | 0:54:53 | |
They suck you dry. | 0:54:56 | 0:54:58 | |
Take everything. | 0:55:00 | 0:55:01 | |
I'd have given her the universe. | 0:55:19 | 0:55:22 | |
She had a boyfriend. | 0:55:26 | 0:55:28 | |
-He's very handsome. -He's absurd. | 0:55:30 | 0:55:32 | |
A surgeon doesn't go out with a bouncer. | 0:55:34 | 0:55:36 | |
You wanted her all to yourself. | 0:55:36 | 0:55:39 | |
Loyalty is very important to me. | 0:55:43 | 0:55:45 | |
I've got the oxy. For your sister. | 0:56:06 | 0:56:10 | |
Just go away, Bobby. | 0:56:10 | 0:56:12 | |
Don't be silly. I'm your friend. | 0:56:12 | 0:56:15 | |
Yeah, she's beautiful, Danny. Are you going to keep her, or...? | 0:56:18 | 0:56:22 | |
Well, I tried to send her away - she keeps coming back. | 0:56:22 | 0:56:25 | |
I've got three kids like that. | 0:56:25 | 0:56:27 | |
-I'm thinking of calling her Simpkin. -Whatever gets you through the night. | 0:56:29 | 0:56:32 | |
Bobby Johal has made a full confession. | 0:56:36 | 0:56:38 | |
-Yes! -Well done. | 0:56:38 | 0:56:40 | |
In that case, this calls for a celebration. | 0:56:40 | 0:56:44 | |
Well, go on. Drink up, we won't think any the less of you. | 0:56:47 | 0:56:51 | |
You know you want to. | 0:56:51 | 0:56:52 | |
SHE MOANS | 0:56:58 | 0:57:00 | |
If I'd known it was that easy to make a woman moan, I'd have called myself Earl Grey! | 0:57:01 | 0:57:05 | |
-Oh, hey, now, Danny, come on. -Let's do it. | 0:57:05 | 0:57:08 | |
Look, you've all been very kind, | 0:57:08 | 0:57:10 | |
-but I think we can probably give it a rest. -No chance. We're having the time of our lives. | 0:57:10 | 0:57:15 | |
-No way! No chance! Pick a ticket! -All right, all right! | 0:57:15 | 0:57:19 | |
-What's a pedibus? -(Yes!) | 0:57:22 | 0:57:24 | |
-You said right. -You all right there, Gerry? | 0:57:27 | 0:57:31 | |
Clash of toes... | 0:57:31 | 0:57:33 | |
# Come fly with me | 0:57:33 | 0:57:34 | |
# Let's fly, let's fly away | 0:57:34 | 0:57:36 | |
# If you can use some exotic booze | 0:57:39 | 0:57:42 | |
# There's a bar in far Bombay | 0:57:42 | 0:57:45 | |
# Come fly with me, let's fly, let's fly away... # | 0:57:46 | 0:57:50 | |
Sorry, you're designated driver. | 0:57:50 | 0:57:52 | |
# Come fly with me | 0:57:52 | 0:57:55 | |
# Let's float down to Peru | 0:57:55 | 0:57:59 | |
# In llama land, there's a one-man band | 0:58:00 | 0:58:03 | |
# And he'll toot his flute for you | 0:58:03 | 0:58:06 | |
# Come fly with me, let's take off in the blue | 0:58:08 | 0:58:12 | |
# Once I get you up there | 0:58:13 | 0:58:17 | |
# Where the air is rarefied | 0:58:17 | 0:58:21 | |
# We'll just glide | 0:58:23 | 0:58:25 | |
# Starry-eyed... # | 0:58:25 | 0:58:28 |