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# It's all right It's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter If you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right I say it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right I say it's OK | 0:00:16 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
JOURNALISTS SHOUTING QUESTIONS | 0:00:25 | 0:00:27 | |
All right! | 0:00:32 | 0:00:34 | |
OK. I will make a statement if I can just hear myself think. | 0:00:34 | 0:00:37 | |
I'm delighted that the tribunal has reached this verdict. | 0:00:39 | 0:00:43 | |
This judgment represents an opportunity for all organisations | 0:00:43 | 0:00:47 | |
to shatter glass ceilings. | 0:00:47 | 0:00:49 | |
There is no room for sexism in the workplace. | 0:00:49 | 0:00:51 | |
No room for sexism... in any place in 2014. | 0:00:51 | 0:00:54 | |
So this is one small battle won. Thank you. | 0:00:56 | 0:00:58 | |
Ms Willis, | 0:00:58 | 0:00:59 | |
you spent the first few years of your life on Greenham Common. | 0:00:59 | 0:01:02 | |
Is it fair to say your upbringing provided you with | 0:01:02 | 0:01:04 | |
the tenacity which has helped see you win this case against your ex-employer? | 0:01:04 | 0:01:08 | |
I've no doubt the two are linked, yes. | 0:01:08 | 0:01:09 | |
Your mother fought hard for women's rights as well as protesting Trident. | 0:01:09 | 0:01:13 | |
She must be very proud. Was she with you at court today? | 0:01:13 | 0:01:15 | |
She couldn't be here, unfortunately, no. | 0:01:15 | 0:01:17 | |
Would you still call yourself an activist? | 0:01:17 | 0:01:20 | |
Well, if by activist you mean being a vigorous supporter | 0:01:20 | 0:01:23 | |
of a political cause, then yes, absolutely. I am an activist. | 0:01:23 | 0:01:26 | |
And your father was an activist? | 0:01:26 | 0:01:27 | |
You'll have to be a bit clearer where you're going with this. | 0:01:27 | 0:01:30 | |
It's merely an observation. Two very different approaches. | 0:01:30 | 0:01:33 | |
You've gone down a more legal route, your father adopted a bit of a different approach, didn't he? | 0:01:33 | 0:01:37 | |
Well, my father was a terrorist. That's no secret. | 0:01:37 | 0:01:40 | |
Neither does it have any relevance to this tribunal. That's all for now. Thank you. | 0:01:40 | 0:01:44 | |
Do you know how much she got in damages? | 0:01:44 | 0:01:46 | |
200,000 apparently. | 0:01:46 | 0:01:48 | |
200 grand for sexual discrimination. What a load of bollocks. | 0:01:48 | 0:01:52 | |
Yeah, I think that's the point she's making, Gerry. | 0:01:52 | 0:01:54 | |
So she didn't get the promotion she wanted? | 0:01:54 | 0:01:57 | |
I didn't get the bloody promotion I wanted, either. | 0:01:57 | 0:01:59 | |
Slightly more to it than that, Gerry. | 0:01:59 | 0:02:01 | |
And as criminal as it might seem, that's not what we're looking at here. | 0:02:01 | 0:02:04 | |
Winston Loveitt was an activist, | 0:02:04 | 0:02:07 | |
heavily involved in a group in the '80s called Protest For Peace. | 0:02:07 | 0:02:10 | |
On Thursday the 4th of June 1982, | 0:02:10 | 0:02:12 | |
he attempted a terrorist attack at a demonstration against Trident in central London. | 0:02:12 | 0:02:17 | |
Court records show he was carrying an IED - | 0:02:17 | 0:02:20 | |
Improvised Explosive Device. | 0:02:20 | 0:02:21 | |
Where I come from, that's a home-made bomb. | 0:02:21 | 0:02:24 | |
Well, when made by novices or with substandard materials, | 0:02:24 | 0:02:27 | |
they can either fail to detonate or detonate too early, killing the maker. | 0:02:27 | 0:02:31 | |
Which is exactly what happened to Loveitt. | 0:02:31 | 0:02:34 | |
Own goal, eh? | 0:02:34 | 0:02:35 | |
A few days after this press conference aired, | 0:02:35 | 0:02:38 | |
Bryony Willis received an anonymous note. | 0:02:38 | 0:02:41 | |
"Your father was no terrorist, he was murdered." | 0:02:41 | 0:02:44 | |
Let's have a look. | 0:02:44 | 0:02:45 | |
Fingerprints have gone through IDENT1. No match. | 0:02:45 | 0:02:47 | |
Could be someone he was close to at that time. Possibly another activist. | 0:02:47 | 0:02:51 | |
And we're really going to waste our time and energy following this up? Some hippy terrorist. | 0:02:51 | 0:02:56 | |
Contradiction in terms, there. | 0:02:56 | 0:02:58 | |
A loony, then. | 0:02:58 | 0:03:00 | |
Look, a known agitator blows himself to smithereens. | 0:03:01 | 0:03:04 | |
So what? SASHA'S PHONE BLEEPS | 0:03:04 | 0:03:06 | |
Then 30-odd years later, some other loony cries murder | 0:03:06 | 0:03:09 | |
and everyone jumps! | 0:03:09 | 0:03:11 | |
In my day, you ignored loonies. | 0:03:11 | 0:03:13 | |
-You listening, Guv'nor? -Sorry. | 0:03:15 | 0:03:18 | |
Why would a peace campaigner plant a bomb, anyway? | 0:03:19 | 0:03:22 | |
We're talking about political activists, not terrorists. | 0:03:22 | 0:03:25 | |
-Is there a difference? -A big one, yes. | 0:03:25 | 0:03:27 | |
Well, look at animal rights campaigners. | 0:03:27 | 0:03:29 | |
I mean, God forbid anyone hurts a little fluffy bunny, | 0:03:29 | 0:03:31 | |
but it's fine to stick a nail bomb through somebody's letter box. Totally contradictory. | 0:03:31 | 0:03:35 | |
Maybe that's the whole point. | 0:03:35 | 0:03:37 | |
Perversely, it sort of makes sense. | 0:03:37 | 0:03:40 | |
What better way to highlight the inanity of nuclear weaponry | 0:03:40 | 0:03:42 | |
than by attempting to blow up a load of innocent people? | 0:03:42 | 0:03:45 | |
Well, I think it's a waste of bleedin' time. | 0:03:45 | 0:03:48 | |
Gerry, what are you always telling me about instinct? | 0:03:48 | 0:03:51 | |
Ah, now... That's better. | 0:03:51 | 0:03:54 | |
In 2005, there was a body found in Wapping. | 0:03:54 | 0:03:58 | |
Scrote on scrote. | 0:03:58 | 0:03:59 | |
Now, I always reckoned a bloke called Gary Talbot was involved some way. | 0:03:59 | 0:04:02 | |
Well, he's just been nicked. | 0:04:02 | 0:04:05 | |
You reckon we can make him cough, Guv'nor? | 0:04:05 | 0:04:07 | |
Great. We'll come back to that once we've dealt with this case, shall we? | 0:04:07 | 0:04:11 | |
Danny, with me? | 0:04:11 | 0:04:13 | |
What case?! | 0:04:15 | 0:04:17 | |
I'm not deaf, Gerry. | 0:04:17 | 0:04:18 | |
I know it's a cliche, but you never get bored of that view, do you? | 0:04:24 | 0:04:28 | |
"Architecture aims at eternity." Christopher Wren. | 0:04:28 | 0:04:31 | |
He designed St Paul's. | 0:04:32 | 0:04:34 | |
It is stunning, though. | 0:04:35 | 0:04:37 | |
"Earth has not anything to show more fair. Dull..." | 0:04:38 | 0:04:42 | |
"Dull would he be of soul who could pass by a sight so touching in its majesty: | 0:04:42 | 0:04:46 | |
"This city now doth like a garment wear the beauty of the morning. | 0:04:46 | 0:04:51 | |
"Silent, bare." | 0:04:51 | 0:04:53 | |
Wordsworth. | 0:04:55 | 0:04:57 | |
He's a poet. | 0:04:57 | 0:04:58 | |
Lovely home you have, Mrs Willis. | 0:05:06 | 0:05:08 | |
Did you expect me to live in a tent? SHE CHUCKLES | 0:05:08 | 0:05:12 | |
And it's Ms, not Mrs. I'm not married. | 0:05:12 | 0:05:15 | |
Oh. | 0:05:15 | 0:05:16 | |
I've nothing against it as an institution. | 0:05:16 | 0:05:18 | |
I would have happily married Winston but he didn't want anything | 0:05:18 | 0:05:21 | |
to do with the "bastard state," as he called it. | 0:05:21 | 0:05:24 | |
He's not even named on Bryony's birth certificate. | 0:05:24 | 0:05:27 | |
-Thank you. -He refused to come to the registry office with me. | 0:05:27 | 0:05:30 | |
"I don't need a sodding piece of paper to tell me I'm my daughter's father". | 0:05:30 | 0:05:34 | |
Now, I did have a problem with that. But still, there was no budging him. | 0:05:34 | 0:05:39 | |
Slice of Victoria sponge? It's gluten free. | 0:05:39 | 0:05:42 | |
Oh. Yeah. | 0:05:42 | 0:05:44 | |
It wasn't orgies every night of the week | 0:05:44 | 0:05:46 | |
and sitting round a camp fire knitting dream-catchers on Greenham. | 0:05:46 | 0:05:49 | |
-Take a seat. -Thank you. | 0:05:49 | 0:05:51 | |
I had to clear my plate, do my homework, get to bed early. Just like any other child. | 0:05:51 | 0:05:55 | |
-Do you have any idea who sent the note? -No. | 0:05:56 | 0:06:00 | |
Why bring it to the police? | 0:06:00 | 0:06:02 | |
I never doubted what my father did, and I grew up hating him for it. | 0:06:02 | 0:06:08 | |
I think if there's even the faintest possibility that it's not true, then I have to know. | 0:06:09 | 0:06:14 | |
-Now, this note your daughter received. Have you any idea who's behind it? -None. | 0:06:16 | 0:06:20 | |
Do you think he was murdered, Alison? | 0:06:20 | 0:06:22 | |
What I think doesn't matter, does it? You're the police. | 0:06:23 | 0:06:27 | |
Yes, and we need your help. | 0:06:27 | 0:06:28 | |
And what you think matters a great deal. | 0:06:28 | 0:06:30 | |
I've never thought he was murdered, no. | 0:06:31 | 0:06:34 | |
But then, I never thought he'd plant a bomb. | 0:06:34 | 0:06:37 | |
Bryony, you were six when your father died? | 0:06:37 | 0:06:40 | |
Can you tell us about that day? Anything you can remember. | 0:06:40 | 0:06:44 | |
There was a coach-load of us went up to London to this protest. | 0:06:44 | 0:06:49 | |
I'd stayed up late with Dad the night before making a banner. | 0:06:49 | 0:06:53 | |
We arrived and I remember getting off the coach. | 0:06:53 | 0:06:57 | |
And everyone was chanting and singing. | 0:06:57 | 0:06:59 | |
I was so little, I could hardly see anything. | 0:07:00 | 0:07:03 | |
I remember I dropped my teddy bear and Dad picked it up. | 0:07:05 | 0:07:08 | |
We were all being pushed along by the crowd, | 0:07:10 | 0:07:15 | |
and I'm not sure how it happened, but somehow we got separated from Dad. | 0:07:15 | 0:07:19 | |
So, I was walking with Mum, and we were listening to speeches | 0:07:20 | 0:07:25 | |
and people cheering, and that was the last time I saw him. | 0:07:25 | 0:07:31 | |
And then we heard this massive explosion... | 0:07:31 | 0:07:36 | |
EXPLOSION SCREAMING | 0:07:36 | 0:07:38 | |
..from a side street. | 0:07:38 | 0:07:40 | |
And Mum grabbed me, and the police swarmed. | 0:07:40 | 0:07:44 | |
That was it. | 0:07:44 | 0:07:45 | |
Must have been difficult, | 0:07:46 | 0:07:48 | |
losing your dad, the inquest afterwards. | 0:07:48 | 0:07:52 | |
All that media attention. | 0:07:52 | 0:07:53 | |
I think I must have just blocked it out. | 0:07:53 | 0:07:57 | |
I know I was very young when he died, but I can remember him. | 0:07:57 | 0:08:02 | |
Things like, um... | 0:08:03 | 0:08:05 | |
Carrying me up to bed and reading me stories, you know? | 0:08:05 | 0:08:10 | |
Sitting on his shoulders. | 0:08:10 | 0:08:11 | |
He was just... He was a normal father, he was a good dad. | 0:08:13 | 0:08:16 | |
I went through all of this with the police when it happened. | 0:08:16 | 0:08:19 | |
Many, many times. I had no idea. | 0:08:19 | 0:08:22 | |
We're not suggesting you had anything to do with the attack. | 0:08:22 | 0:08:25 | |
I should hope not. | 0:08:25 | 0:08:26 | |
Look, we just need to find out who wrote that note and what's the truth behind it. | 0:08:26 | 0:08:30 | |
I don't know. | 0:08:30 | 0:08:32 | |
In fact, the only conclusion I feel comfortable drawing is that | 0:08:32 | 0:08:35 | |
you can't ever really know the truth about anyone or anything, can you? | 0:08:35 | 0:08:40 | |
Take Bryony - an incredibly talented artist, | 0:08:40 | 0:08:43 | |
gave it all up for a career in banking. | 0:08:43 | 0:08:45 | |
Now, where that decision came from, I have no idea. | 0:08:45 | 0:08:48 | |
I'm a social worker, for heaven's sake. | 0:08:48 | 0:08:51 | |
I'd rather she'd joined the police, and that's saying something. | 0:08:51 | 0:08:54 | |
Being a police officer and having a social conscience | 0:08:54 | 0:08:57 | |
aren't mutually exclusive, you know. | 0:08:57 | 0:08:59 | |
I'm sure they're not. I apologise. | 0:08:59 | 0:09:02 | |
Is that the three of you together? | 0:09:02 | 0:09:04 | |
We were on holiday in Dorset. | 0:09:04 | 0:09:06 | |
SHE CHUCKLES SOFTLY Beautiful memories. | 0:09:06 | 0:09:09 | |
I scattered his ashes there. | 0:09:09 | 0:09:11 | |
Pains my heart to keep it up. | 0:09:11 | 0:09:14 | |
Pains my heart to take it down. | 0:09:14 | 0:09:16 | |
Did your dad fall out with other protesters? | 0:09:17 | 0:09:20 | |
Yep, all the time. | 0:09:20 | 0:09:23 | |
Men weren't really welcome on Greenham. | 0:09:23 | 0:09:25 | |
Mum said that there was always some ploy to try and get him off the site. | 0:09:25 | 0:09:30 | |
Cos the RadFems in particular, I think they believed | 0:09:30 | 0:09:33 | |
that men shouldn't be allowed on Greenham. | 0:09:33 | 0:09:35 | |
Any names? | 0:09:35 | 0:09:37 | |
Frances Kane was the leader of the RadFems, and there was always | 0:09:37 | 0:09:40 | |
some sort of strife going on between her and my dad. | 0:09:40 | 0:09:43 | |
Apart from her, I can't really remember. | 0:09:43 | 0:09:45 | |
And what does your mum think about you working in the City? | 0:09:45 | 0:09:49 | |
What's that got to do with anything, sorry? | 0:09:49 | 0:09:51 | |
Well, it's a long way from Greenham Common, isn't it? | 0:09:51 | 0:09:55 | |
I sold my soul to the devil, apparently. | 0:09:55 | 0:09:57 | |
I think Mum believes that I deliberately turned my back | 0:09:59 | 0:10:02 | |
on everything that she and Dad tried to instil in me, | 0:10:02 | 0:10:06 | |
but it's the opposite, really. | 0:10:06 | 0:10:10 | |
We don't speak. We haven't for several years, actually. | 0:10:10 | 0:10:14 | |
I'm late for a meeting. | 0:10:18 | 0:10:19 | |
-Thank you for your time. -You're welcome. | 0:10:20 | 0:10:22 | |
-Can I just ask something else? -Yes. | 0:10:26 | 0:10:28 | |
Curried porridge. | 0:10:28 | 0:10:30 | |
I saw a documentary about Greenham Common. Apparently it was a staple diet. | 0:10:31 | 0:10:36 | |
-Did you not eat...? -No. No, I never ate curried porridge. | 0:10:36 | 0:10:40 | |
Right. | 0:10:40 | 0:10:42 | |
Well, thanks for your time. | 0:10:42 | 0:10:44 | |
Well, thanks very much for taking the time to talk to me. | 0:10:46 | 0:10:49 | |
Thank you. Goodbye. | 0:10:49 | 0:10:51 | |
Right. David Thompson. | 0:10:51 | 0:10:54 | |
Vegan outreach, spent a lot of time at Greenham. | 0:10:54 | 0:10:58 | |
Any connection to Winston Loveitt? | 0:10:58 | 0:10:59 | |
Dunno. He karked it 15 years ago. That was his missus. | 0:10:59 | 0:11:03 | |
But there's a lesson to be learned here. Mung beans kill. | 0:11:03 | 0:11:07 | |
He died from eating mung beans? | 0:11:07 | 0:11:08 | |
No, he got run over. | 0:11:08 | 0:11:10 | |
But it was probably because he was so hungry, he wasn't concentrating. | 0:11:10 | 0:11:14 | |
I mean, personally, I've got to have at least one portion of red meat a day, or else I get the shakes. | 0:11:14 | 0:11:18 | |
That's alcohol withdrawal. | 0:11:18 | 0:11:20 | |
How did it go with Bryony Willis? | 0:11:20 | 0:11:22 | |
No leads on who sent the note, | 0:11:22 | 0:11:24 | |
but we could do with talking to Frances Kane, | 0:11:24 | 0:11:26 | |
leader of the RadFem group on Greenham. | 0:11:26 | 0:11:28 | |
Wanted Winston Loveitt off the site. They were arch enemies, apparently. | 0:11:28 | 0:11:32 | |
How did you two get on with Alison Willis? | 0:11:32 | 0:11:35 | |
Well, the only thing worth mentioning about her is her cake. | 0:11:35 | 0:11:38 | |
Best Victoria Sponge I've ever tasted since my gran's. | 0:11:38 | 0:11:41 | |
And that's saying something. Light as a feather. | 0:11:41 | 0:11:44 | |
-Cold butter. -What? | 0:11:44 | 0:11:46 | |
It's the secret of a good Victoria sponge. | 0:11:46 | 0:11:48 | |
Is it? | 0:11:48 | 0:11:50 | |
-Well, if it's too soft the mixture becomes oily and the finished cake is too dense. -That a fact? | 0:11:50 | 0:11:54 | |
Anything to share with us that's maybe relevant to the case? | 0:11:54 | 0:11:58 | |
Oh, yeah, sorry, sorry. So we checked out some other Greenham protestors who | 0:11:58 | 0:12:02 | |
were on site at the same time as Winston. | 0:12:02 | 0:12:04 | |
And one of them's got links to The Angry Brigade. | 0:12:04 | 0:12:06 | |
-The Angry Brigade? -Yeah. | 0:12:06 | 0:12:08 | |
Britain's first urban guerrilla group. | 0:12:08 | 0:12:11 | |
Yeah, I remember that mob in the early '70s. | 0:12:11 | 0:12:13 | |
Plotted a string of bombings against government buildings, | 0:12:13 | 0:12:16 | |
25 attacks carried out. No deaths. | 0:12:16 | 0:12:19 | |
And there was a member on Greenham? | 0:12:19 | 0:12:21 | |
Yeah, Mary Griffiths. Record as long as your arm. | 0:12:21 | 0:12:23 | |
Mostly for activist-related crimes. She's in prison now. | 0:12:23 | 0:12:26 | |
Don't these activists ever retire? | 0:12:26 | 0:12:27 | |
Just put their feet up and watch Cash In The Attic? | 0:12:27 | 0:12:30 | |
-Could say the same about... -Yes, yes, yes, thank you very much. | 0:12:30 | 0:12:34 | |
Apparently there was a fair amount of antagonism between Protest for Peace and The Angry Brigade. | 0:12:34 | 0:12:38 | |
Had the same goals, but very different methods. | 0:12:38 | 0:12:41 | |
We need to visit Mary Griffiths, find out exactly how much she had to do with Loveitt. | 0:12:41 | 0:12:45 | |
OK, right. | 0:12:45 | 0:12:47 | |
Frances Kane is a university lecturer. | 0:12:47 | 0:12:49 | |
Evolutionary Psychology and Feminism. | 0:12:49 | 0:12:52 | |
So, if it's all the same with you, I'd prefer a trip to the nick. | 0:12:52 | 0:12:56 | |
Do you know what percentage of students get a job that's actually related to their degree? | 0:12:56 | 0:13:00 | |
No, I don't, but I've a funny feeling you're just about to tell me. | 0:13:00 | 0:13:03 | |
-20%. -That a fact? -Yeah. | 0:13:03 | 0:13:06 | |
So that means there's 80% of them faffing about for three years | 0:13:06 | 0:13:09 | |
doing media studies or some other airy-fairy nonsense, and for what? | 0:13:09 | 0:13:13 | |
To become a mortgage adviser. | 0:13:13 | 0:13:15 | |
Yeah, but it's all about the experience, though, isn't it? | 0:13:15 | 0:13:19 | |
Save me the social conscience crap, I'm paying for that experience. | 0:13:19 | 0:13:23 | |
Very generous of you, Gerry. | 0:13:23 | 0:13:25 | |
I tell you what, if they want an experience, | 0:13:25 | 0:13:28 | |
tell them to get up at five o'clock every morning, | 0:13:28 | 0:13:31 | |
do a 15 hour shift covered in animal guts. | 0:13:31 | 0:13:33 | |
Cos that's what I was doing at their age. | 0:13:33 | 0:13:36 | |
And that IS an experience. | 0:13:36 | 0:13:37 | |
Yeah, but to be fair, Gerry, training as a butcher doesn't have | 0:13:37 | 0:13:41 | |
that much to do with detective work, now does it? | 0:13:41 | 0:13:43 | |
Well, that's not true, actually. | 0:13:43 | 0:13:46 | |
Cos once you can quarter a cow single-handed, without flinching... | 0:13:46 | 0:13:50 | |
Prepares you for anything, doesn't it. | 0:13:50 | 0:13:53 | |
HE SCOFFS | 0:13:53 | 0:13:55 | |
Students. Don't know they're born, most of them. | 0:13:55 | 0:13:58 | |
No, I didn't think Winston Loveitt should have been allowed at Greenham. | 0:13:58 | 0:14:02 | |
It was a place for women, one of the very few places we had. | 0:14:02 | 0:14:06 | |
Sadly things aren't that much different now. | 0:14:06 | 0:14:08 | |
Bryony Willis said the RadFem group instigated a campaign to get | 0:14:08 | 0:14:12 | |
Winston Loveitt off the site? You led that campaign, didn't you? | 0:14:12 | 0:14:16 | |
Yes. yes, I did. | 0:14:16 | 0:14:17 | |
Why are you asking me about something that happened over 30 years ago? | 0:14:19 | 0:14:24 | |
Well, a few days ago Winston's daughter got a note saying he'd been murdered. | 0:14:24 | 0:14:29 | |
Now, we've got to find out who sent that note and why. | 0:14:30 | 0:14:33 | |
And you think I murdered him? | 0:14:33 | 0:14:34 | |
OK, hands up, you got me. | 0:14:37 | 0:14:39 | |
I bumped him off and made earrings out of his testicles. | 0:14:39 | 0:14:42 | |
Ms Kane... | 0:14:42 | 0:14:43 | |
The man blew himself up, for God's sake. | 0:14:43 | 0:14:46 | |
I'm a feminist, not a raving bloody maniac! | 0:14:46 | 0:14:49 | |
Do you have any idea who might have wanted him dead? | 0:14:49 | 0:14:52 | |
None whatsoever. | 0:14:52 | 0:14:53 | |
Is my vagina bothering you? | 0:15:01 | 0:15:03 | |
Sorry? | 0:15:03 | 0:15:06 | |
No, no. It's...very nice. | 0:15:06 | 0:15:08 | |
I had it made for my 50th birthday. | 0:15:08 | 0:15:11 | |
I call it my portrait. | 0:15:11 | 0:15:12 | |
What, you mean that's...you? | 0:15:15 | 0:15:17 | |
That is your...? | 0:15:18 | 0:15:20 | |
Yes. Yes, it's me. | 0:15:20 | 0:15:24 | |
I take it back about quartering a cow. | 0:15:24 | 0:15:26 | |
It did not prepare me for that. | 0:15:26 | 0:15:29 | |
HE EXHALES | 0:15:29 | 0:15:30 | |
It's me. | 0:15:39 | 0:15:41 | |
We need to talk. | 0:15:41 | 0:15:44 | |
Now. | 0:15:44 | 0:15:45 | |
KEYS JINGLE | 0:15:49 | 0:15:51 | |
DOOR UNLOCKS | 0:15:51 | 0:15:53 | |
-Thank you. -Thank you. | 0:15:53 | 0:15:56 | |
My first visitors this stretch. | 0:16:01 | 0:16:03 | |
Not quite what I was hoping for. | 0:16:04 | 0:16:07 | |
This is your sixth custodial sentence? | 0:16:07 | 0:16:10 | |
Can't keep me out of the place. | 0:16:10 | 0:16:13 | |
Fine dining, wide screen televisions, hot tubs. | 0:16:13 | 0:16:16 | |
It's exactly like you read about in the papers. | 0:16:16 | 0:16:19 | |
SHE SIGHS What do you want? | 0:16:22 | 0:16:24 | |
-Winston Loveitt. -He's dead. | 0:16:24 | 0:16:27 | |
Yes. We're fully aware he's dead. | 0:16:27 | 0:16:29 | |
Mary, I understand that we're probably not topping your favourite people's list right now. | 0:16:29 | 0:16:34 | |
But we'd really appreciate some co-operation. | 0:16:34 | 0:16:36 | |
Is it true you were a member of the Angry Brigade? | 0:16:38 | 0:16:41 | |
That in itself is not illegal. | 0:16:41 | 0:16:43 | |
I was never directly involved in any of their campaigns. | 0:16:43 | 0:16:46 | |
But you do condone what they did? | 0:16:46 | 0:16:48 | |
How were relations between The Angry Brigade and Protest For Peace? | 0:16:48 | 0:16:53 | |
I can only speak for myself. | 0:16:54 | 0:16:55 | |
Then would you mind doing so, please? | 0:16:56 | 0:16:59 | |
I thought some were all right. | 0:16:59 | 0:17:02 | |
Some were complete tossers. | 0:17:02 | 0:17:04 | |
And what about Winston Loveitt? Was he a "complete tosser"? | 0:17:04 | 0:17:07 | |
Winston was one of the more dynamic members. | 0:17:07 | 0:17:11 | |
I'd go so far as to say we were political kindred spirits. | 0:17:12 | 0:17:16 | |
Both of us were in favour of direct action. | 0:17:16 | 0:17:19 | |
There were 96 missiles at Greenham. | 0:17:21 | 0:17:24 | |
Each one was four times more powerful than the atomic bomb that destroyed Hiroshima. | 0:17:24 | 0:17:29 | |
Now you think about that for a second. | 0:17:29 | 0:17:31 | |
There's only so much singing around a campfire you can do | 0:17:31 | 0:17:35 | |
before you realise you're about as useful as an ashtray on a motorbike. | 0:17:35 | 0:17:38 | |
You had to make yourself heard. | 0:17:38 | 0:17:41 | |
That's what Winston did. | 0:17:41 | 0:17:43 | |
Did he involve you in his plans for the attack? | 0:17:43 | 0:17:46 | |
-Unfortunately not. -Unfortunately? | 0:17:46 | 0:17:49 | |
Cos I'd have tried to talk him out of it, and he'd still be alive today. | 0:17:49 | 0:17:52 | |
That must have stung. | 0:17:52 | 0:17:54 | |
Your political kindred spirit not including you in his master-plan. | 0:17:54 | 0:17:58 | |
Not really. Any decision he made would have been about protecting me. | 0:17:58 | 0:18:03 | |
He had my best interests at heart. | 0:18:03 | 0:18:05 | |
Really? How can you be so sure about that? | 0:18:05 | 0:18:07 | |
Because we were in love. | 0:18:11 | 0:18:12 | |
So, Alison finds out that Winston and Mary are having an affair, | 0:18:14 | 0:18:18 | |
and, what? She plants a bomb on him in a fit of jealous rage? | 0:18:18 | 0:18:21 | |
Talk about 50 ways to leave your lover... | 0:18:21 | 0:18:24 | |
Certainly an effective way to deal with a cheating husband. | 0:18:24 | 0:18:26 | |
Let's get her in first thing tomorrow. | 0:18:29 | 0:18:31 | |
What about Frances Kane? | 0:18:31 | 0:18:33 | |
Don't even go there. Frightened the life out of me, that woman. | 0:18:33 | 0:18:36 | |
I think she had a bit of a soft spot for you, Gerry. | 0:18:36 | 0:18:38 | |
-Oh, don't! -Anyway, never struck me as a cold-blooded killer. | 0:18:38 | 0:18:41 | |
Apparently Winston Loveitt became something of a rock star in activist circles after his death. | 0:18:41 | 0:18:46 | |
Yeah, well, that lot love a martyr, don't they? | 0:18:46 | 0:18:49 | |
Exactly. Maybe the note was from someone jealous, | 0:18:49 | 0:18:51 | |
trying to knock him off his perch. | 0:18:51 | 0:18:53 | |
-What, 30 years later? Some grudge. -It's a possibility. | 0:18:53 | 0:18:56 | |
"Immaculately presented two-bedroom apartment, | 0:18:56 | 0:18:58 | |
"generously sized rooms, two bathrooms. | 0:18:58 | 0:19:01 | |
"Recently refurbished. Viewing highly recommended." | 0:19:01 | 0:19:04 | |
Do you mind? That's private. | 0:19:04 | 0:19:06 | |
Well, sorry. But it's not as though you're looking up leather-clad, nympho grannies, now, is it? | 0:19:06 | 0:19:10 | |
-It's still...private. -OK, OK. Take it easy. | 0:19:10 | 0:19:16 | |
You thinking of downsizing, Dan? | 0:19:16 | 0:19:18 | |
That's a good idea, innit? | 0:19:18 | 0:19:20 | |
I mean, you all on your own, rattling round that house. | 0:19:20 | 0:19:23 | |
I haven't made my mind up yet. I'm just, er... Browsing. | 0:19:23 | 0:19:26 | |
Browsing? Listen, you don't "browse" houses. | 0:19:26 | 0:19:31 | |
You browse in garden centres, John Lewis. | 0:19:31 | 0:19:35 | |
But that property market? It's hard out there, mate. | 0:19:35 | 0:19:38 | |
You go in with the attitude that you're just browsing, you're going to get stiffed. | 0:19:38 | 0:19:41 | |
It's a difficult decision, isn't it? Selling your home. | 0:19:41 | 0:19:45 | |
No, it isn't. What's difficult about it? He's on his own. | 0:19:45 | 0:19:49 | |
Holly still needs a room. It's her house as much as anyone's. | 0:19:49 | 0:19:51 | |
Well, yeah. Christmas, summer holidays. The occasional weekend. | 0:19:51 | 0:19:56 | |
But basically, she's flown the nest, hasn't she? This is about you. | 0:19:56 | 0:19:59 | |
Exactly. It's my business. | 0:19:59 | 0:20:01 | |
You can't be sentimental about it, mate. | 0:20:01 | 0:20:03 | |
At the end of the day, all you're talking about is bricks and mortar. | 0:20:03 | 0:20:07 | |
You've got to get your sensible bonce on, and really think... | 0:20:07 | 0:20:10 | |
DOOR SLAMS | 0:20:10 | 0:20:12 | |
-What's the matter with him? -Who knows? | 0:20:13 | 0:20:16 | |
Well, I certainly don't. Come on - pub. | 0:20:16 | 0:20:19 | |
Couldn't have put it better myself. | 0:20:19 | 0:20:20 | |
No, not for me, thanks. I'm going for a drink with a friend. | 0:20:20 | 0:20:24 | |
Oh, yeah? I thought you looked a bit dapper. Who is the lucky sod? | 0:20:24 | 0:20:28 | |
None of your business. | 0:20:28 | 0:20:29 | |
Thank you, Sash, for... | 0:20:30 | 0:20:35 | |
for coming tonight. | 0:20:35 | 0:20:36 | |
Um... It's only dinner. It's really is just dinner. | 0:20:38 | 0:20:42 | |
I know. It's... | 0:20:42 | 0:20:45 | |
It's great to see you, though. | 0:20:45 | 0:20:46 | |
-BOTH AT ONCE: I miss you. -How's work? | 0:20:57 | 0:20:59 | |
Sorry. | 0:20:59 | 0:21:01 | |
Ned, you... You said you wouldn't do that. You promised. | 0:21:01 | 0:21:04 | |
I know. I'm sorry. | 0:21:04 | 0:21:06 | |
It was going to come out at some point tonight, | 0:21:06 | 0:21:09 | |
better now when I'm sober and level-headed. | 0:21:09 | 0:21:11 | |
Good evening, would you like to see the wine list? | 0:21:14 | 0:21:17 | |
I think we're both fine with water, thank you. | 0:21:17 | 0:21:20 | |
Hello. Yes. Erm, I've seen a property on your website | 0:21:40 | 0:21:44 | |
and I'd like to arrange a viewing. | 0:21:44 | 0:21:46 | |
Erm, my name is Dan Griffin... | 0:21:47 | 0:21:50 | |
..and my number is 0-7... | 0:21:52 | 0:21:55 | |
Sleep tight, little Bee. | 0:23:14 | 0:23:16 | |
INTERCOM RINGS | 0:23:26 | 0:23:28 | |
Hello? | 0:23:33 | 0:23:35 | |
Thank you...for a lovely night. | 0:23:49 | 0:23:52 | |
-I'm not expecting you to say anything. -No, good. | 0:23:53 | 0:23:57 | |
I don't want you to take this the wrong way, but it was great | 0:23:57 | 0:24:01 | |
NOT talking about anything big. SHE CHUCKLES | 0:24:01 | 0:24:04 | |
That's not me trying to wriggle out of anything. | 0:24:04 | 0:24:07 | |
-Ned, I'm going. OK? -Yeah. | 0:24:07 | 0:24:10 | |
I meant, it was just great being with you. | 0:24:11 | 0:24:15 | |
Good night. | 0:24:15 | 0:24:16 | |
Mary Griffiths is a liar. | 0:24:36 | 0:24:38 | |
Why would she make something like that up? | 0:24:38 | 0:24:40 | |
Because she's delusional. | 0:24:40 | 0:24:42 | |
Winston paid her a bit of attention, | 0:24:42 | 0:24:44 | |
and she's taken it completely the wrong way. | 0:24:44 | 0:24:46 | |
She said they had sex, Alison. | 0:24:46 | 0:24:47 | |
Right under your nose. That must have been pretty hard to hack. | 0:24:49 | 0:24:54 | |
I imagine it wasn't much of a secret around the camp, either. | 0:24:54 | 0:24:58 | |
You had no idea? | 0:24:58 | 0:25:00 | |
He didn't love her. | 0:25:05 | 0:25:07 | |
He wasn't the man you thought he was, though, was he, Alison? | 0:25:07 | 0:25:10 | |
He will have had his reasons. It wasn't real. | 0:25:10 | 0:25:13 | |
I think Mary Griffiths might argue with you on that point. | 0:25:13 | 0:25:16 | |
She seemed pretty convinced by him. | 0:25:16 | 0:25:18 | |
I can tell you for a fact, it wasn't real. | 0:25:18 | 0:25:20 | |
Why are you so sure about that? | 0:25:28 | 0:25:30 | |
Alison, why wouldn't it have been real? | 0:25:33 | 0:25:36 | |
Whatever it is you're not telling us, Alison, we will find out. | 0:25:39 | 0:25:43 | |
So I suggest you cut to the chase and tell us the truth before we lose patience. | 0:25:43 | 0:25:47 | |
How do you know "for a fact" that Winston didn't have feelings for Mary Griffiths? | 0:25:47 | 0:25:52 | |
Because he was an undercover police officer. | 0:25:52 | 0:25:54 | |
I found out about a week before he died. | 0:25:58 | 0:26:00 | |
He'd been acting very strangely for a while before that, | 0:26:01 | 0:26:05 | |
erratic and sort of... unravelling. | 0:26:05 | 0:26:08 | |
I knew there something was wrong, but I didn't know what. | 0:26:08 | 0:26:11 | |
Then one day he just cracked. | 0:26:11 | 0:26:14 | |
Of all the things I was expecting him to tell me, that was the very last. | 0:26:14 | 0:26:17 | |
He said he just couldn't hold it in any more. | 0:26:17 | 0:26:20 | |
The relief on his face. | 0:26:22 | 0:26:25 | |
Like he'd been acquitted of some awful crime. | 0:26:27 | 0:26:30 | |
He cried like a baby. Said he was glad. | 0:26:30 | 0:26:33 | |
And he didn't mention Mary Griffiths? | 0:26:33 | 0:26:36 | |
He just spoke about the pressure they put on him to get information. | 0:26:36 | 0:26:40 | |
Special Branch? | 0:26:40 | 0:26:41 | |
With Mary's links to the Angry Brigade, | 0:26:43 | 0:26:45 | |
he must have been targeting her. | 0:26:45 | 0:26:47 | |
What about you, Alison? | 0:26:47 | 0:26:49 | |
What about me? | 0:26:49 | 0:26:50 | |
Come on, you can't be that naive, surely? | 0:26:50 | 0:26:53 | |
Winston wasn't targeting me. | 0:26:53 | 0:26:55 | |
SHE CHUCKLES | 0:26:55 | 0:26:57 | |
It'd have taken him about five minutes to know I was no threat to anyone. | 0:26:57 | 0:27:02 | |
He told me the truth, then a week later he was dead. | 0:27:02 | 0:27:05 | |
You sent the note, didn't you? | 0:27:11 | 0:27:14 | |
When I saw Bryony on television, I just couldn't bear it. | 0:27:16 | 0:27:19 | |
Telling everyone her father was a terrorist. | 0:27:19 | 0:27:22 | |
I couldn't let her go on thinking that. | 0:27:22 | 0:27:25 | |
So, who do you think killed Winston? | 0:27:25 | 0:27:27 | |
He'd been keeping his bosses at Special Branch at arm's length | 0:27:27 | 0:27:30 | |
for as long as he possibly could so he wouldn't have to leave us. | 0:27:30 | 0:27:34 | |
We were going to go to the demonstration that day and then get as far away as possible. | 0:27:34 | 0:27:39 | |
Leave in the camper van and never come back. | 0:27:39 | 0:27:42 | |
They must have got wind of it. | 0:27:42 | 0:27:44 | |
You think Special Branch killed Winston? | 0:27:44 | 0:27:46 | |
It's the only answer that makes any sense. | 0:27:48 | 0:27:50 | |
He was a security threat now, | 0:27:51 | 0:27:54 | |
they couldn't risk him revealing the truth, so they silenced him. | 0:27:54 | 0:28:00 | |
Forever. | 0:28:00 | 0:28:01 | |
Secrets Act? | 0:28:05 | 0:28:06 | |
Yeah. I need you to refer to it, refresh your memories and then sign, please. | 0:28:06 | 0:28:10 | |
Sir, can I ask what's going on? | 0:28:10 | 0:28:12 | |
Well, I wish I knew. I've been looking up all the relevant files for that period, | 0:28:12 | 0:28:15 | |
but they've been seriously meddled with. | 0:28:15 | 0:28:17 | |
Any relating to this case are either redacted or missing altogether. | 0:28:17 | 0:28:20 | |
Information's pretty scant, to be honest. | 0:28:20 | 0:28:24 | |
I did discover, however, | 0:28:24 | 0:28:25 | |
that Winston Loveitt's real name was DC Benjamin Harker. | 0:28:25 | 0:28:29 | |
Deep swimmer. | 0:28:32 | 0:28:33 | |
A what? | 0:28:33 | 0:28:34 | |
That's what they used to call the people who went the whole hog, | 0:28:34 | 0:28:37 | |
and adopted the lifestyle of the people they were supposed to be infiltrating. | 0:28:37 | 0:28:41 | |
Oh, yeah, yeah, there's been quite a few stories about that recently, hasn't there? | 0:28:41 | 0:28:45 | |
You ever done any of this... "swimming" yourself, Danny? | 0:28:45 | 0:28:48 | |
I dabbled. | 0:28:48 | 0:28:50 | |
Exact circumstances surrounding Harker's death have been omitted, for obvious reasons. | 0:28:50 | 0:28:54 | |
Quite apart from the public scandal, | 0:28:54 | 0:28:56 | |
it would have compromised every other undercover operation they had running at the time. | 0:28:56 | 0:29:01 | |
Sounds like he did a pretty good job of that himself. | 0:29:01 | 0:29:04 | |
Why didn't they just pull him out as soon as they found out that he'd fathered a child? | 0:29:04 | 0:29:08 | |
Possibly because he was closing in on their chief suspect, Mary Griffiths. | 0:29:08 | 0:29:12 | |
The security of any undercover operation had to take precedence | 0:29:13 | 0:29:16 | |
over other less crucial considerations. | 0:29:16 | 0:29:19 | |
Like people's lives. | 0:29:19 | 0:29:20 | |
What's he doing carrying a real bomb? | 0:29:20 | 0:29:22 | |
That Mary Griffiths, she had to be involved somewhere. | 0:29:22 | 0:29:26 | |
Well, he might have gone rogue. | 0:29:26 | 0:29:27 | |
They can't have been exactly over the moon that their entire | 0:29:27 | 0:29:30 | |
undercover operation was threatened. Harker was unravelling. | 0:29:30 | 0:29:33 | |
Maybe Special Branch couldn't take the risk? | 0:29:33 | 0:29:35 | |
You mean like "collateral damage", kind of thing? | 0:29:35 | 0:29:38 | |
I doubt it. Let's not get too carried away with conspiracy theories. | 0:29:38 | 0:29:41 | |
I just need you to find out exactly how he died. | 0:29:41 | 0:29:43 | |
Keep me updated. | 0:29:43 | 0:29:45 | |
Are we nearly there? | 0:29:49 | 0:29:50 | |
Two more minutes. | 0:29:50 | 0:29:52 | |
Look, I'm not averse to a bit of fresh air, | 0:29:52 | 0:29:54 | |
but this has turned into aimless wandering. | 0:29:54 | 0:29:56 | |
Think of it as a field trip. | 0:29:56 | 0:29:58 | |
A sort of team building exercise. | 0:29:58 | 0:30:01 | |
I prefer my team building indoors, | 0:30:01 | 0:30:03 | |
with a pint in me hand. | 0:30:03 | 0:30:04 | |
And with the rest of the team. | 0:30:04 | 0:30:06 | |
Here we go. | 0:30:06 | 0:30:08 | |
Team building in a graveyard? | 0:30:08 | 0:30:09 | |
Yeah, I lied about that bit. | 0:30:09 | 0:30:10 | |
Didn't think you'd come if I told you the truth. | 0:30:10 | 0:30:13 | |
Undercover officers back then tended to assume the identity | 0:30:15 | 0:30:18 | |
of someone who was born around the same time who was also deceased. | 0:30:18 | 0:30:21 | |
Preferably with no living relatives or significant others. | 0:30:21 | 0:30:25 | |
Teaching your grandad to suck eggs, but go on. | 0:30:25 | 0:30:28 | |
So, I thought, go back to basics, | 0:30:28 | 0:30:30 | |
visit Winston Loveitt's grave, see if it throws anything up. | 0:30:30 | 0:30:33 | |
No, you're right, I wouldn't have come if you'd told me the truth. | 0:30:33 | 0:30:37 | |
-I hate cemeteries. -Really? | 0:30:37 | 0:30:39 | |
I can't get enough of them. | 0:30:39 | 0:30:40 | |
I'm going to get cremated. | 0:30:40 | 0:30:42 | |
Nobody's putting me in a box six foot under. | 0:30:42 | 0:30:44 | |
Bingo. | 0:30:44 | 0:30:46 | |
Meet the real Winston Loveitt. | 0:30:46 | 0:30:49 | |
18th December 1952 | 0:30:49 | 0:30:51 | |
to the 24th of May 1960. | 0:30:51 | 0:30:54 | |
Eight years old. | 0:30:55 | 0:30:57 | |
That bouquet looks fairly recent. | 0:30:57 | 0:30:58 | |
Yeah, but look at the state of the whole thing. I mean... | 0:30:58 | 0:31:01 | |
Dirty old headstone. | 0:31:01 | 0:31:03 | |
Who'd put a bunch of flowers on a grave like that? | 0:31:03 | 0:31:06 | |
Good question. | 0:31:06 | 0:31:07 | |
Look, all I'm saying is, if it means you're catching terrorists, | 0:31:12 | 0:31:15 | |
does it matter if you overstep the mark? | 0:31:15 | 0:31:17 | |
Overstep the mark? | 0:31:17 | 0:31:18 | |
You need binoculars to even see the mark, Gerry. | 0:31:18 | 0:31:21 | |
-He had a kid with someone. -Yeah. | 0:31:21 | 0:31:23 | |
Anyway, this is Greenham Common we're talking about here, | 0:31:23 | 0:31:25 | |
not the IRA. | 0:31:25 | 0:31:26 | |
It's a bit like using a sledgehammer to crack a peanut. | 0:31:26 | 0:31:29 | |
Here. | 0:31:29 | 0:31:31 | |
Oh, just wait here a sec. | 0:31:31 | 0:31:33 | |
What's your favourite flower? | 0:31:33 | 0:31:35 | |
The sort they make steak and kidney pie with. | 0:31:35 | 0:31:37 | |
There is a sensitive side in there somewhere, Gerry. | 0:31:37 | 0:31:40 | |
And I will dig it out one day. | 0:31:40 | 0:31:42 | |
You bloody won't. | 0:31:42 | 0:31:43 | |
I love gerberas, they're so pretty, aren't they? | 0:31:44 | 0:31:47 | |
Now, they are prone to drooping - | 0:31:47 | 0:31:49 | |
I'm not going to lie to you, sweetheart. | 0:31:49 | 0:31:51 | |
So what you gotta do, | 0:31:51 | 0:31:52 | |
you gotta watch out for the stems softening at the bottom, | 0:31:52 | 0:31:55 | |
-so just give 'em a little snip, that should sort it out. -OK, thank you! | 0:31:55 | 0:31:58 | |
Hello darling, can I help you? | 0:31:58 | 0:32:00 | |
Sounds like you know your stuff. | 0:32:00 | 0:32:01 | |
Well, I've been doing this 20 years, I never get bored. | 0:32:01 | 0:32:04 | |
I was born for it. | 0:32:04 | 0:32:05 | |
I mean you get some florists - well, they're not FLORISTS, | 0:32:05 | 0:32:08 | |
they're shop assistants, in my opinion, | 0:32:08 | 0:32:10 | |
and you don't get the same service, you see? | 0:32:10 | 0:32:12 | |
Whereas this is my passion, my raison d'etre. | 0:32:12 | 0:32:15 | |
I mean, come in here with a fiver or five hundred quid, | 0:32:15 | 0:32:17 | |
you're going to get the same service. | 0:32:17 | 0:32:20 | |
Flowers are my life. | 0:32:20 | 0:32:22 | |
What can I do for you? | 0:32:22 | 0:32:23 | |
-I'll take a bunch of these, please. -Ooh, carnations. | 0:32:23 | 0:32:27 | |
Not very popular any more, not very trendy. | 0:32:27 | 0:32:30 | |
I always say they'll come back into fashion - | 0:32:30 | 0:32:32 | |
like old people's names for babies. | 0:32:32 | 0:32:34 | |
They've got different meanings. Yeah... | 0:32:34 | 0:32:37 | |
Yellow's supposed to be disappointment... | 0:32:37 | 0:32:40 | |
but I wouldn't mention that, you know, if they're a gift. | 0:32:40 | 0:32:43 | |
-6.99. -Oh, thanks. | 0:32:43 | 0:32:45 | |
I wonder if you can help me with something else as well? | 0:32:45 | 0:32:48 | |
I'm actually looking to track someone down. | 0:32:48 | 0:32:51 | |
They could have been in this shop recently. | 0:32:51 | 0:32:53 | |
Could be a long shot. | 0:32:53 | 0:32:54 | |
I've got a photogenic memory. | 0:32:54 | 0:32:55 | |
You'll leave here now, yeah, | 0:32:55 | 0:32:57 | |
and say I bump into you, like, somewhere completely unrelated | 0:32:57 | 0:33:00 | |
in three months' time, | 0:33:00 | 0:33:01 | |
I'll be like, "Yellow carnations, 16th of June." | 0:33:01 | 0:33:03 | |
I'm like bloody Rain Man. | 0:33:03 | 0:33:05 | |
The thing is I'm not actually sure who it is I'm looking for. | 0:33:05 | 0:33:07 | |
Right. | 0:33:07 | 0:33:09 | |
See, some flowers were bought from here recently, | 0:33:09 | 0:33:11 | |
and they left on the grave of a local cemetery. | 0:33:11 | 0:33:14 | |
I'm trying to track down who it was who left them. | 0:33:14 | 0:33:17 | |
-Mm. You don't have a name? -No. | 0:33:17 | 0:33:18 | |
We get a lot of people in here buying for the cemetery. | 0:33:18 | 0:33:21 | |
-Can you remember what variety they were? -Blue? | 0:33:21 | 0:33:24 | |
SHE LAUGHS | 0:33:24 | 0:33:26 | |
Yeah, they could be a relation. | 0:33:27 | 0:33:28 | |
The grave they were left at was Winston Loveitt's. | 0:33:28 | 0:33:31 | |
Winston Loveitt! | 0:33:32 | 0:33:33 | |
I know that name, and I'll tell you for why. | 0:33:33 | 0:33:36 | |
We deliver, you see. | 0:33:36 | 0:33:37 | |
Take it to the actual grave every year on his birthday | 0:33:37 | 0:33:41 | |
and the anniversary of his death. | 0:33:41 | 0:33:44 | |
Bless. So sad. | 0:33:44 | 0:33:46 | |
We take the order over the phone. | 0:33:46 | 0:33:48 | |
Maybe the customer's housebound, I don't know, | 0:33:48 | 0:33:51 | |
I don't like to ask, I'm not that sort of... | 0:33:51 | 0:33:53 | |
Yeah, have you got any contact details, please? | 0:33:53 | 0:33:55 | |
I have indeed. I'll just get the book. | 0:33:55 | 0:33:57 | |
No, I don't even need the book. | 0:33:57 | 0:33:58 | |
-Could you could just look in the...? -Yeah, I'll just get the book. -Thanks. | 0:34:06 | 0:34:09 | |
Twice in one week? | 0:34:11 | 0:34:13 | |
I'm honoured. | 0:34:13 | 0:34:14 | |
-Mary, this is my colleague, Steve McAndrew. -Hello. | 0:34:14 | 0:34:18 | |
How did your relationship with Winston Loveitt end? | 0:34:19 | 0:34:23 | |
Straight to the point, no small talk. | 0:34:23 | 0:34:25 | |
He's very efficient, isn't he? | 0:34:25 | 0:34:27 | |
Weather's been wonderful this week, hasn't it? | 0:34:27 | 0:34:29 | |
How did your relationship end? | 0:34:29 | 0:34:32 | |
With a bang. | 0:34:32 | 0:34:34 | |
Gallows humour. Sorry. | 0:34:34 | 0:34:35 | |
You were still involved when he died? | 0:34:35 | 0:34:37 | |
Very much so. | 0:34:37 | 0:34:39 | |
You see, I'm not so sure about that, Mary. | 0:34:40 | 0:34:43 | |
I think you might be telling us little porkies. | 0:34:43 | 0:34:46 | |
I don't like your attitude. | 0:34:46 | 0:34:47 | |
And I don't like yours, either, so there we go - | 0:34:47 | 0:34:49 | |
that's one thing we've got in common at least. Wonderful. | 0:34:49 | 0:34:51 | |
Now, you're lying about Winston Loveitt. | 0:34:51 | 0:34:54 | |
-Why on earth would I do that? -You tell us. | 0:34:54 | 0:34:56 | |
Wasting police time - serious offence. | 0:34:59 | 0:35:02 | |
I'm an upstanding citizen. | 0:35:02 | 0:35:04 | |
Sorry! | 0:35:04 | 0:35:06 | |
Got to make your own fun in here. | 0:35:06 | 0:35:08 | |
Wonderful bloke, Winston, but he wasn't really my type. | 0:35:08 | 0:35:11 | |
Did you kill him? | 0:35:11 | 0:35:13 | |
Of course I didn't, I admired him. He was a comrade. | 0:35:14 | 0:35:17 | |
Exactly. | 0:35:17 | 0:35:18 | |
And when a comrade betrays you like that... | 0:35:18 | 0:35:20 | |
Betrays me?! | 0:35:20 | 0:35:22 | |
How could he betray me? | 0:35:22 | 0:35:23 | |
-Winston was probably the only one I could trust. -Really? | 0:35:23 | 0:35:26 | |
Why are you saying he betrayed me? | 0:35:26 | 0:35:28 | |
I think you know, Mary. | 0:35:28 | 0:35:30 | |
Your only ally? | 0:35:30 | 0:35:32 | |
That must have been a bit of a blow. | 0:35:32 | 0:35:35 | |
He earnt your trust and then he let you down. | 0:35:35 | 0:35:38 | |
I bet you're kicking yourself that you didn't guess sooner. | 0:35:39 | 0:35:42 | |
Nobody likes looking stupid, do they? | 0:35:44 | 0:35:46 | |
Was he sleeping with her? | 0:35:50 | 0:35:52 | |
Who? | 0:35:55 | 0:35:57 | |
Frances. | 0:35:57 | 0:35:58 | |
It was her I loved, not him. | 0:35:58 | 0:36:00 | |
But she wasn't interested. | 0:36:00 | 0:36:02 | |
I confided in Winston. | 0:36:02 | 0:36:05 | |
Then I saw them together. | 0:36:06 | 0:36:08 | |
It was the day of the march. | 0:36:08 | 0:36:10 | |
Just before he died. They were having an argument. | 0:36:10 | 0:36:12 | |
From what we've heard, that wasn't exactly unusual. | 0:36:12 | 0:36:15 | |
It wasn't that sort of an argument - not bickering. | 0:36:15 | 0:36:18 | |
It seemed...personal. | 0:36:18 | 0:36:23 | |
Intimate. | 0:36:23 | 0:36:25 | |
I've never forgotten it. | 0:36:29 | 0:36:31 | |
The flower sender is a Mrs Croft. | 0:36:33 | 0:36:35 | |
She gave us an address - Chamberland Road. | 0:36:35 | 0:36:38 | |
SCOFFS: I like her policy on customer confidentiality(!) | 0:36:38 | 0:36:41 | |
You all right there, Gerry? | 0:36:44 | 0:36:46 | |
You can put those on the back seat if you like. | 0:36:46 | 0:36:48 | |
Nah, I'm fine. | 0:36:48 | 0:36:49 | |
No-one's ever bought me flowers before. | 0:36:51 | 0:36:53 | |
I was trying to guess which colour you'd prefer, and I thought... | 0:36:55 | 0:36:58 | |
yellow. | 0:36:58 | 0:37:00 | |
Yeah. I like yellow. | 0:37:00 | 0:37:02 | |
They're nice. | 0:37:02 | 0:37:04 | |
Thanks. | 0:37:04 | 0:37:05 | |
Hold on, where are we going?! | 0:37:07 | 0:37:09 | |
To see Mrs Croft, where d'you think we're going? | 0:37:09 | 0:37:11 | |
And say what? | 0:37:11 | 0:37:13 | |
"Hello. We're from UCOS. | 0:37:13 | 0:37:14 | |
"There's been a bit of a mess up, | 0:37:14 | 0:37:16 | |
"cos one of our colleagues | 0:37:16 | 0:37:17 | |
"has nicked one of your dead relatives' identity"! | 0:37:17 | 0:37:19 | |
No, I'm not going to put it quite like that, Gerry. | 0:37:19 | 0:37:21 | |
I should hope not. We've signed the Secrets Act! | 0:37:21 | 0:37:24 | |
Yes, I know. Exactly. | 0:37:24 | 0:37:26 | |
Just - don't worry, leave it to me. | 0:37:26 | 0:37:28 | |
59. Here we are. | 0:37:31 | 0:37:32 | |
Oh, hello. | 0:37:34 | 0:37:35 | |
Oh, hello. | 0:37:35 | 0:37:37 | |
What can I do for you? | 0:37:37 | 0:37:38 | |
Mr Croft? Is your wife in, please? | 0:37:38 | 0:37:40 | |
No, she's out at the moment. Can I help? | 0:37:40 | 0:37:43 | |
We're from UCOS - | 0:37:43 | 0:37:44 | |
Unsolved Crime and Open Case Squad. | 0:37:44 | 0:37:47 | |
-What's happened? -Oh, it's nothing to worry about. | 0:37:47 | 0:37:49 | |
We'd like to speak to Mrs Croft about a Winston Loveitt. | 0:37:49 | 0:37:52 | |
Yeah, she leaves flowers on his grave. | 0:37:52 | 0:37:54 | |
Yeah, that's her brother. He died when he was a small child. | 0:37:54 | 0:37:57 | |
Look, can I ask what this is about? | 0:37:57 | 0:37:59 | |
It's nothing to be concerned about, honestly. | 0:37:59 | 0:38:01 | |
If you could ask Mrs Croft to call us, please? | 0:38:01 | 0:38:04 | |
Thank you. | 0:38:04 | 0:38:06 | |
Thank you. | 0:38:06 | 0:38:07 | |
So Mary Griffiths is either an Oscar-winning liar | 0:38:07 | 0:38:09 | |
or she didn't actually murder Loveitt. | 0:38:09 | 0:38:11 | |
And she reckons she saw him and Frances Kane arguing | 0:38:11 | 0:38:14 | |
-shortly before he died? -Yeah. | 0:38:14 | 0:38:15 | |
I knew that bird was iffy. | 0:38:15 | 0:38:17 | |
I mean, who gets a sculpture of your own doo-dah made, eh? | 0:38:17 | 0:38:19 | |
What's that got to do with anything? | 0:38:19 | 0:38:21 | |
Well, I dunno, Gerry - I mean, you've got a photo of yourself | 0:38:21 | 0:38:24 | |
in your Triumph Stag there. | 0:38:24 | 0:38:25 | |
Yeah, but I'm fully clothed. | 0:38:25 | 0:38:26 | |
It's not like I'm waving my tackle about, is it? | 0:38:26 | 0:38:28 | |
Yeah, but it's what it represents, though, isn't it? | 0:38:28 | 0:38:31 | |
-Very true. You know what they say about men and their cars. -Yeah. | 0:38:31 | 0:38:34 | |
Behave. | 0:38:34 | 0:38:35 | |
Who are the flowers from, by the way? | 0:38:35 | 0:38:37 | |
A gentleman never tells. | 0:38:37 | 0:38:39 | |
Still got it, eh? | 0:38:39 | 0:38:40 | |
I never lost it, mate. | 0:38:40 | 0:38:42 | |
Oh, Danny! What car do you drive? | 0:38:42 | 0:38:44 | |
I haven't got one at the moment. | 0:38:44 | 0:38:45 | |
I can never get the bloody thing started. | 0:38:45 | 0:38:48 | |
-How's the house-hunting going? -It's not. | 0:38:48 | 0:38:50 | |
I did a little bit more digging on Frances Kane. | 0:38:53 | 0:38:55 | |
-Home address. -Thanks. | 0:38:55 | 0:38:57 | |
We'll pay her a visit. | 0:38:57 | 0:38:58 | |
Danny? | 0:39:01 | 0:39:02 | |
This is a pretty staggering coincidence, Frances. | 0:39:13 | 0:39:17 | |
Somebody at the same address | 0:39:17 | 0:39:19 | |
laying flowers on the grave of another Winston Loveitt. | 0:39:19 | 0:39:22 | |
Wow. | 0:39:22 | 0:39:24 | |
Unless - I don't know, | 0:39:24 | 0:39:26 | |
but maybe there's something you're not telling us. | 0:39:26 | 0:39:30 | |
I've been waiting for you to come back. | 0:39:34 | 0:39:37 | |
My husband said I should call you. Explain everything. | 0:39:37 | 0:39:41 | |
Great. Go ahead. | 0:39:41 | 0:39:43 | |
Croft is my birth name. | 0:39:46 | 0:39:49 | |
Kane is my professional name. | 0:39:49 | 0:39:51 | |
It was also my undercover name. | 0:39:53 | 0:39:55 | |
It was a student protest in '68 that started everything. | 0:40:00 | 0:40:03 | |
The revolutionary vanguard. | 0:40:05 | 0:40:06 | |
Things were very black and white. | 0:40:08 | 0:40:10 | |
You were either for the establishment or against it. | 0:40:10 | 0:40:14 | |
My father was in the police. | 0:40:14 | 0:40:15 | |
Seemed only natural to follow in his footsteps. | 0:40:15 | 0:40:18 | |
I earned my place in Special Branch. | 0:40:20 | 0:40:23 | |
But I went undercover for the wrong reasons - | 0:40:23 | 0:40:27 | |
to get out. | 0:40:27 | 0:40:28 | |
Almost as soon as I arrived at Greenham I felt like I was home. | 0:40:30 | 0:40:33 | |
That is some turnaround. | 0:40:33 | 0:40:35 | |
Well, my heart wasn't in it. I did it to please my parents. | 0:40:35 | 0:40:39 | |
What was your connection with Ben Harker? | 0:40:39 | 0:40:41 | |
We were colleagues. | 0:40:44 | 0:40:45 | |
But we didn't get along. | 0:40:46 | 0:40:48 | |
My allegiance changed very quickly, but I couldn't tell him that. | 0:40:48 | 0:40:52 | |
Why leave flowers on the boy's grave? | 0:40:52 | 0:40:54 | |
I don't know where Ben's buried. | 0:40:55 | 0:40:57 | |
Special Branch cut me out completely. | 0:40:57 | 0:40:59 | |
I needed to pay my respects somewhere, | 0:41:00 | 0:41:02 | |
so I took flowers to Winston Loveitt's grave - | 0:41:02 | 0:41:04 | |
and I have done every year since. | 0:41:04 | 0:41:06 | |
Even though you didn't particularly like him? | 0:41:06 | 0:41:08 | |
Look... | 0:41:08 | 0:41:10 | |
we were puppets doing Special Branch dirty work | 0:41:10 | 0:41:13 | |
with no input or support from them. | 0:41:13 | 0:41:16 | |
I may not have been best buddies with the man, | 0:41:17 | 0:41:19 | |
but I felt responsible for his death somehow. | 0:41:19 | 0:41:22 | |
I didn't kill him, for God's sake. | 0:41:23 | 0:41:26 | |
Ben took his own life when the pressure got too much, | 0:41:26 | 0:41:28 | |
I'm sure of it. | 0:41:28 | 0:41:30 | |
I only wish he'd talked to me. | 0:41:30 | 0:41:31 | |
Maybe I could have stopped him. | 0:41:31 | 0:41:34 | |
What did he tell you about Mary Griffiths? | 0:41:34 | 0:41:37 | |
Not much. | 0:41:37 | 0:41:39 | |
Mary Griffiths was HIS find, so he was very secretive about her. | 0:41:39 | 0:41:42 | |
God forbid I should steal any of his thunder. | 0:41:44 | 0:41:46 | |
And what about Bryony and Allison? | 0:41:46 | 0:41:48 | |
I was appalled. | 0:41:50 | 0:41:52 | |
How he lived with himself. | 0:41:52 | 0:41:54 | |
I was never cut out for that degree of manipulation. | 0:41:54 | 0:41:57 | |
Look, if this gets out, about my past... | 0:42:00 | 0:42:04 | |
I'd be ruined. | 0:42:04 | 0:42:06 | |
I've managed to move on and start afresh. | 0:42:06 | 0:42:08 | |
If only Ben Harker hadn't made such terrible mistakes | 0:42:11 | 0:42:13 | |
then maybe he could have done the same. | 0:42:13 | 0:42:15 | |
Pretty horrifying way to end it all - if it's true. | 0:42:21 | 0:42:24 | |
He had a breakdown and cracked... | 0:42:24 | 0:42:26 | |
It's plausible. | 0:42:26 | 0:42:28 | |
Yes, but why would Special Branch omit it from his file, though? | 0:42:28 | 0:42:32 | |
Because it reflects badly on them. | 0:42:32 | 0:42:34 | |
We mustn't lose sight of Mary Griffiths, though. | 0:42:35 | 0:42:37 | |
Absolutely, sir. | 0:42:37 | 0:42:39 | |
OK. We can talk more tomorrow when the others are here. | 0:42:39 | 0:42:43 | |
I think it's probably time to call it a day, isn't it? | 0:42:43 | 0:42:46 | |
I'll be off in a minute. | 0:42:46 | 0:42:47 | |
-See you both in the morning. -Night, sir. -Good night. | 0:42:49 | 0:42:51 | |
Am I going to have to give you one of my daughter Holly's lectures? | 0:43:08 | 0:43:12 | |
Hmm? | 0:43:12 | 0:43:13 | |
About staying in the office because there's nobody at home any more. | 0:43:13 | 0:43:17 | |
Be five minutes, I promise. | 0:43:18 | 0:43:20 | |
Good. | 0:43:20 | 0:43:22 | |
Oh, and don't get her started | 0:43:22 | 0:43:24 | |
on the dangers of cheap microwave meals for one. | 0:43:24 | 0:43:27 | |
Apparently that's one step away from wearing a slanket | 0:43:27 | 0:43:29 | |
and spending all weekend on the sofa. | 0:43:29 | 0:43:32 | |
Well, then, I'm a lost cause, I'm afraid. | 0:43:32 | 0:43:34 | |
Well, so am I. Just don't tell my daughter. | 0:43:34 | 0:43:36 | |
-I'll see you tomorrow. -Night. | 0:43:39 | 0:43:41 | |
Dan? | 0:43:46 | 0:43:47 | |
You OK? | 0:43:52 | 0:43:54 | |
Yes, I'm fine, thanks. | 0:43:54 | 0:43:56 | |
The empty nest. | 0:43:56 | 0:43:57 | |
It can be tough. | 0:43:59 | 0:44:00 | |
PHONE CHIMES | 0:44:10 | 0:44:11 | |
PHONE RINGS | 0:44:24 | 0:44:25 | |
Hello? | 0:44:34 | 0:44:35 | |
Hello? | 0:44:36 | 0:44:37 | |
I'm so sorry. | 0:45:20 | 0:45:21 | |
Ned! | 0:45:21 | 0:45:23 | |
Why can't you knock on the door like any other normal person? | 0:45:24 | 0:45:28 | |
Instead of hovering - like a freak. | 0:45:28 | 0:45:30 | |
I wasn't sure whether it was a good idea or not. | 0:45:30 | 0:45:34 | |
I wanted to see you, but then I thought it was selfish. | 0:45:34 | 0:45:37 | |
I'm sorry. | 0:45:37 | 0:45:38 | |
You didn't reply to my text. | 0:45:41 | 0:45:43 | |
Come on, Ned. I'm busy. | 0:45:43 | 0:45:45 | |
Yeah, I know. | 0:45:45 | 0:45:46 | |
This is selfish, actually. | 0:45:48 | 0:45:50 | |
Do you still love me? | 0:45:56 | 0:45:58 | |
In for a penny. | 0:46:03 | 0:46:04 | |
Wasn't I in this? | 0:46:10 | 0:46:11 | |
I cut you out. | 0:46:13 | 0:46:14 | |
Can't say I blame you. | 0:46:18 | 0:46:19 | |
To be honest, I think it'd be worse seeing myself in it. | 0:46:23 | 0:46:26 | |
Stop it. Stop. | 0:46:26 | 0:46:28 | |
I love you, Sash. | 0:46:33 | 0:46:36 | |
I really, really love you. | 0:46:36 | 0:46:38 | |
PHONE RINGS | 0:47:00 | 0:47:02 | |
Sasha Miller. | 0:47:15 | 0:47:16 | |
I'm on my way. | 0:47:20 | 0:47:21 | |
Sash... | 0:47:21 | 0:47:22 | |
Sorry. | 0:47:22 | 0:47:24 | |
It's work. | 0:47:24 | 0:47:26 | |
I've got to go. | 0:47:26 | 0:47:27 | |
When can we talk? | 0:47:27 | 0:47:29 | |
Er...I don't know, Ned. | 0:47:29 | 0:47:31 | |
PHONE RINGS | 0:47:37 | 0:47:38 | |
Hello? | 0:47:44 | 0:47:45 | |
'Bryony, it's DCI Sasha Miller.' | 0:47:45 | 0:47:47 | |
OK, come up. | 0:47:47 | 0:47:48 | |
I couldn't see anyone down there. | 0:47:58 | 0:48:00 | |
I'm not imagining things. Somebody's been following me. | 0:48:00 | 0:48:02 | |
It's been happening for days. | 0:48:02 | 0:48:04 | |
I thought I was being paranoid but I'm not, I swear. | 0:48:04 | 0:48:06 | |
I believe you. | 0:48:06 | 0:48:07 | |
Have you any idea who it might be? | 0:48:07 | 0:48:09 | |
No. KNOCK AT DOOR | 0:48:09 | 0:48:11 | |
They followed you up. | 0:48:11 | 0:48:13 | |
Don't answer it. | 0:48:13 | 0:48:14 | |
It's OK. Just stay there. | 0:48:14 | 0:48:16 | |
Can you call for back up? | 0:48:16 | 0:48:18 | |
No. I promise you it's all right, Bryony. | 0:48:18 | 0:48:20 | |
Who is it? | 0:48:26 | 0:48:28 | |
-MAN: -I need to speak to Bryony. -Who are you? | 0:48:28 | 0:48:30 | |
Please - I'm not going to hurt to her. | 0:48:30 | 0:48:32 | |
My name's DCI Sasha Miller. | 0:48:32 | 0:48:35 | |
The rest of my team will be here shortly. | 0:48:35 | 0:48:37 | |
I don't care. | 0:48:37 | 0:48:39 | |
It's over. I want it to stop. | 0:48:39 | 0:48:40 | |
Let me talk to Bryony. Bryony! | 0:48:40 | 0:48:43 | |
Yeah, not until you tell us who you are. | 0:48:43 | 0:48:45 | |
Bryony, it's me. | 0:48:46 | 0:48:48 | |
It's your dad. | 0:48:48 | 0:48:49 | |
I'm so sorry. | 0:48:52 | 0:48:53 | |
I'm so sorry, Little B. | 0:48:55 | 0:48:56 | |
So, were you and Frances Kane together the whole time | 0:50:07 | 0:50:09 | |
that you were playing happy families with Bryony and Alison? | 0:50:09 | 0:50:12 | |
No, we sought solace with each other afterwards. | 0:50:12 | 0:50:16 | |
Never underestimate the importance of someone who understands | 0:50:16 | 0:50:20 | |
what it's like to walk in your shoes. | 0:50:20 | 0:50:22 | |
Since the day you saw her, | 0:50:23 | 0:50:25 | |
Frances has been telling me to keep it together, keep it quiet, | 0:50:25 | 0:50:29 | |
ride it out, but.. | 0:50:29 | 0:50:31 | |
I should have listened to her... | 0:50:31 | 0:50:34 | |
but I couldn't stand it any more. | 0:50:34 | 0:50:36 | |
So it was you who put the flowers on Winston Loveitt's grave? | 0:50:36 | 0:50:39 | |
Mm. | 0:50:39 | 0:50:40 | |
In my two years as an undercover police officer in a peace camp, | 0:50:42 | 0:50:45 | |
do you know what my most important discovery was? | 0:50:45 | 0:50:49 | |
We're all ears. | 0:50:49 | 0:50:51 | |
That the people who lived there, | 0:50:53 | 0:50:54 | |
despite their petty squabbles and differences... | 0:50:54 | 0:50:57 | |
..just want peace. | 0:50:59 | 0:51:00 | |
He's a bloody fool. | 0:51:02 | 0:51:03 | |
I told him no good would come of telling the truth. | 0:51:04 | 0:51:07 | |
It was the same back then. | 0:51:07 | 0:51:10 | |
I knew Ben was unravelling, but I persuaded him to hang on in there. | 0:51:12 | 0:51:16 | |
Or I thought I had. | 0:51:16 | 0:51:18 | |
So you knew that he was going to fake his own death? | 0:51:18 | 0:51:20 | |
Not that part. | 0:51:20 | 0:51:22 | |
He begged me to help him escape somehow, but I refused. | 0:51:23 | 0:51:26 | |
I had no idea he was planning something so extreme. | 0:51:26 | 0:51:28 | |
It wasn't until afterwards that I saw the light as well. | 0:51:32 | 0:51:35 | |
Realised how pointless the whole thing was. | 0:51:35 | 0:51:37 | |
All for nothing. | 0:51:40 | 0:51:41 | |
We've had to live with the consequences ever since. | 0:51:43 | 0:51:46 | |
I had no idea. | 0:51:52 | 0:51:53 | |
That he was alive, or that he was an undercover police officer? | 0:51:56 | 0:51:59 | |
That he was alive. | 0:52:01 | 0:52:02 | |
But you knew he was a liar? You knew that. | 0:52:07 | 0:52:09 | |
I'm so sorry. | 0:52:12 | 0:52:14 | |
DOOR OPENS | 0:52:21 | 0:52:22 | |
Ben Harker wants to see to you both. | 0:52:25 | 0:52:28 | |
-I can tell him no - it's no problem. -No, no, no. I want to see him. | 0:52:28 | 0:52:31 | |
Um... | 0:52:32 | 0:52:34 | |
Would it be all right with you | 0:52:34 | 0:52:36 | |
if I had a couple of minutes alone with him first? | 0:52:36 | 0:52:38 | |
After your mother discovered the truth... | 0:52:52 | 0:52:54 | |
I had to do something. | 0:52:56 | 0:52:57 | |
Both of you loved Winston - | 0:52:59 | 0:53:01 | |
not me. | 0:53:01 | 0:53:02 | |
The only way out was to kill him. | 0:53:05 | 0:53:06 | |
The protest that day was supposed to be an opportunity | 0:53:14 | 0:53:17 | |
to incite some sort of direct action, | 0:53:17 | 0:53:20 | |
prove Special Branch right. | 0:53:20 | 0:53:22 | |
But I knew it was my only chance to escape. | 0:53:25 | 0:53:27 | |
Frances followed me. | 0:53:36 | 0:53:37 | |
She could tell I was going to do something stupid. | 0:53:38 | 0:53:41 | |
But she couldn't stop me. | 0:53:42 | 0:53:44 | |
Seconds later... | 0:53:56 | 0:53:58 | |
Winston was dead. | 0:53:58 | 0:54:00 | |
SCREAMING | 0:54:01 | 0:54:03 | |
I was losing it. | 0:54:10 | 0:54:12 | |
I'd pleaded with them to get me out. | 0:54:15 | 0:54:17 | |
This seemed the only way to make them take any notice | 0:54:19 | 0:54:22 | |
We scattered your ashes. | 0:54:22 | 0:54:24 | |
I loved you, Bryony. | 0:54:26 | 0:54:28 | |
Always did. Always will. | 0:54:31 | 0:54:33 | |
Look at me. | 0:54:37 | 0:54:38 | |
Look at me - look me in the eye. | 0:54:38 | 0:54:40 | |
I deserve that much, surely. | 0:54:40 | 0:54:41 | |
You love me, that's what you're saying? | 0:54:45 | 0:54:47 | |
You love me? | 0:54:47 | 0:54:48 | |
Why not just walk away? | 0:54:51 | 0:54:53 | |
I don't understand why. | 0:54:53 | 0:54:56 | |
Why would you let me believe my whole life | 0:54:56 | 0:54:58 | |
that the person I loved... | 0:54:58 | 0:54:59 | |
and trusted...more than anyone in the world | 0:54:59 | 0:55:01 | |
could be capable of terrorism? | 0:55:01 | 0:55:03 | |
Is that love? | 0:55:06 | 0:55:07 | |
I can't expect you to understand. | 0:55:11 | 0:55:13 | |
No. You can't. | 0:55:13 | 0:55:14 | |
The only thing I do understand | 0:55:17 | 0:55:18 | |
is that my father didn't die that day | 0:55:18 | 0:55:20 | |
because, in fact, he never existed in the first place. | 0:55:20 | 0:55:25 | |
Alison... | 0:55:39 | 0:55:40 | |
I pity you with every bone in my body. | 0:55:43 | 0:55:45 | |
What a wretched, miserable man you must be. | 0:55:48 | 0:55:52 | |
Pardon me for stating the obvious, pal, | 0:56:15 | 0:56:18 | |
but this is some almighty bloody mess you've made. | 0:56:18 | 0:56:20 | |
What's that saying? | 0:56:24 | 0:56:25 | |
"Nobody ever died of the truth." | 0:56:27 | 0:56:29 | |
I'm not so sure. | 0:56:31 | 0:56:32 | |
Can I go now, please? | 0:56:37 | 0:56:39 | |
I know it seems a bit weird, | 0:57:14 | 0:57:16 | |
but it feels like I can finally say goodbye to Dad. | 0:57:16 | 0:57:19 | |
It's not weird. | 0:57:21 | 0:57:23 | |
Do you want some time alone? | 0:57:23 | 0:57:25 | |
Please. | 0:57:25 | 0:57:27 | |
SCOFFS: And we think WE'RE a bit messed up. | 0:57:39 | 0:57:43 | |
Speak for yourself. | 0:57:43 | 0:57:44 | |
There will, of course, be an internal enquiry. | 0:57:44 | 0:57:47 | |
Emphasis on the internal. | 0:57:47 | 0:57:48 | |
The people responsible will be held accountable. | 0:57:48 | 0:57:50 | |
I'll make sure of that. | 0:57:50 | 0:57:52 | |
Well, I can't help it, I feel a bit sorry for the poor sod. | 0:57:52 | 0:57:56 | |
-He did have a choice, Gerry. -Yeah. | 0:57:56 | 0:57:58 | |
"It is a goodly life you lead... | 0:57:58 | 0:58:00 | |
"if only you are strong enough to lead it". | 0:58:00 | 0:58:03 | |
Shakespeare? | 0:58:03 | 0:58:04 | |
Wind in the Willows. | 0:58:04 | 0:58:06 | |
# It's all right It's OK | 0:58:12 | 0:58:14 | |
# Doesn't really matter if you're old and grey | 0:58:14 | 0:58:17 | |
# It's all right I say it's OK | 0:58:17 | 0:58:21 | |
# Listen to what I say | 0:58:21 | 0:58:23 | |
# It's all right, doing fine | 0:58:23 | 0:58:25 | |
# Doesn't really matter if the sun don't shine | 0:58:25 | 0:58:29 | |
# It's all right I say it's OK | 0:58:29 | 0:58:31 | |
# We're gettin' to the end of the day. # | 0:58:31 | 0:58:34 |