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-Sandra. -I'm in a rush, I'm sorry Tom. | 0:00:12 | 0:00:15 | |
I left a couple of messages on your phone. Four, actually. | 0:00:15 | 0:00:19 | |
-Yeah. -You're avoiding me. -I've just been very busy. | 0:00:19 | 0:00:22 | |
"You've been busy". We're family, Sandra. | 0:00:23 | 0:00:27 | |
-You're the only blood relative I have left. -I'm sorry, Tom. | 0:00:27 | 0:00:31 | |
He's in the room with us now. | 0:00:53 | 0:00:54 | |
He's standing just behind you, Victoria. | 0:00:56 | 0:00:58 | |
Vicky. | 0:00:58 | 0:01:01 | |
Oh, he's frowning. | 0:01:01 | 0:01:03 | |
I don't think he liked you shortening your name, did he? | 0:01:03 | 0:01:07 | |
-He hated it. -He seems agitated again. | 0:01:07 | 0:01:13 | |
It's as if he can't relax, can't settle. | 0:01:13 | 0:01:18 | |
Because of this unfinished business? | 0:01:18 | 0:01:20 | |
I think so, yeah. | 0:01:20 | 0:01:22 | |
He says he needs your help. | 0:01:22 | 0:01:25 | |
He needs you to help him put it right. | 0:01:25 | 0:01:30 | |
Now he's holding up his hand. | 0:01:32 | 0:01:34 | |
-There's a key in it. -This is what he did last time. | 0:01:35 | 0:01:38 | |
-What does this key look like? -Look, I must ask you to remain silent. | 0:01:38 | 0:01:44 | |
The connection to the spirit world is always tenuous. | 0:01:47 | 0:01:50 | |
What does the key mean? | 0:01:51 | 0:01:53 | |
I'm not sure... He seems to think that you might know. | 0:01:53 | 0:01:57 | |
Look, I don't think he's at all happy that there is a stranger in the room. | 0:02:00 | 0:02:04 | |
We need to know what happened the night he died. | 0:02:04 | 0:02:06 | |
No, no. | 0:02:08 | 0:02:09 | |
I'm sorry. He's moving into the darkness. | 0:02:09 | 0:02:14 | |
Perhaps next time. | 0:02:16 | 0:02:18 | |
If this "unfinished business" refers to the burglary, it means it wasn't random. | 0:02:19 | 0:02:23 | |
My father was targeted, which makes his death murder, doesn't it? | 0:02:23 | 0:02:26 | |
I'd like a word with Mr Carter in private, please, Vicky. | 0:02:26 | 0:02:29 | |
OK. | 0:02:29 | 0:02:31 | |
Thank you, again. | 0:02:33 | 0:02:35 | |
Pleasure. | 0:02:35 | 0:02:37 | |
You're a policewoman. | 0:02:41 | 0:02:43 | |
-Detective Superintendent. -You were less than honest. | 0:02:43 | 0:02:46 | |
Coming from you, Mr Carter... | 0:02:46 | 0:02:48 | |
You're sceptical. That's an occupational hazard. | 0:02:48 | 0:02:51 | |
Much of what I do seems outlandish, I understand that. | 0:02:53 | 0:02:55 | |
Actually, taking money from gullible people is quite commonplace. | 0:02:55 | 0:03:00 | |
Don't worry, what you're doing isn't illegal, although it probably should be. | 0:03:00 | 0:03:06 | |
I'm only here to evaluate whether there's any new evidence concerning the death of Miss Anderson's father. | 0:03:06 | 0:03:12 | |
I don't think what you have to say qualifies as evidence. | 0:03:12 | 0:03:15 | |
-You lost someone who means a... -I'm not gullible. | 0:03:15 | 0:03:18 | |
Been gone a while now. | 0:03:18 | 0:03:19 | |
Your father. | 0:03:19 | 0:03:21 | |
This kind of cheap parlour trick... | 0:03:26 | 0:03:28 | |
He's disappointed. | 0:03:28 | 0:03:30 | |
There's someone you should be closer to. | 0:03:30 | 0:03:33 | |
It's a sibling. | 0:03:36 | 0:03:37 | |
There's someone you've neglected. | 0:03:39 | 0:03:42 | |
# It's all right, it's OK | 0:03:45 | 0:03:48 | |
# Doesn't really matter if you're old and grey | 0:03:48 | 0:03:50 | |
# It's all right, I say, it's OK | 0:03:50 | 0:03:53 | |
# Listen to what I say | 0:03:53 | 0:03:56 | |
# It's all right, doing fine | 0:03:56 | 0:03:58 | |
# Doesn't really matter if the sun don't shine | 0:03:58 | 0:04:02 | |
# It's all right, I say, it's OK | 0:04:02 | 0:04:04 | |
# We're getting to the end of the day... # | 0:04:04 | 0:04:07 | |
Douglas Anderson, a wealthy financier | 0:04:09 | 0:04:12 | |
who made his money in investment banking | 0:04:12 | 0:04:14 | |
in Hong Kong. | 0:04:14 | 0:04:15 | |
He retired and moved back to England with his family in 1997 | 0:04:15 | 0:04:19 | |
when Hong Kong was handed back to the Chinese. | 0:04:19 | 0:04:21 | |
About 18 months ago, | 0:04:21 | 0:04:23 | |
Mr Anderson returned to his house in Knightsbridge | 0:04:23 | 0:04:27 | |
after a late dinner, where it appears, he surprised an intruder. | 0:04:27 | 0:04:30 | |
A struggle ensued and Anderson sustained several blows to the face and body. | 0:04:30 | 0:04:35 | |
According to the coroner, he suffered a fatal heart attack, | 0:04:35 | 0:04:39 | |
-but had a pre-existing heart condition. -So the death wasn't necessarily deliberate? | 0:04:39 | 0:04:44 | |
There's no way to know. | 0:04:44 | 0:04:45 | |
Apparently there was a wealth of physical evidence, | 0:04:45 | 0:04:48 | |
fingerprints at the scene, but the original investigation failed to identify the intruder. | 0:04:48 | 0:04:53 | |
-He had no known enemies. -Maybe just at the wrong place at the wrong time? | 0:04:53 | 0:04:57 | |
A couple of days ago, Victoria Anderson, the victim's daughter, | 0:04:57 | 0:05:01 | |
claimed to have uncovered new evidence suggesting that this burglary may not have been random. | 0:05:01 | 0:05:06 | |
And if that's the case, then perhaps his death wasn't accidental, either. | 0:05:06 | 0:05:10 | |
Vicky had been in contact with this man, Sebastian Carter. | 0:05:11 | 0:05:18 | |
Carter is a clairvoyant, a psychic. | 0:05:18 | 0:05:20 | |
He says that he'd been in touch with Anderson's spirit and that Anderson | 0:05:20 | 0:05:26 | |
had unfinished business which he wished Vicky to conclude for him before he could find peace. | 0:05:26 | 0:05:31 | |
Yes, I know. | 0:05:31 | 0:05:32 | |
-This is the bloke you went to see yesterday? -Yeah. -And? | 0:05:33 | 0:05:36 | |
And I don't know. | 0:05:36 | 0:05:38 | |
-You don't know if he's really talking to the dead or not(?) -Well, he could be. | 0:05:38 | 0:05:42 | |
Excuse me? | 0:05:42 | 0:05:44 | |
No, no, no. I was on a case in the '80s. '84, I think. | 0:05:44 | 0:05:48 | |
And we knew this bloke had offed his wife, right, but we couldn't prove it, cos there was no body. | 0:05:48 | 0:05:53 | |
Well, one of the team brought in a mate of his who was into this clairvoyant stuff | 0:05:53 | 0:05:57 | |
and he pinpointed where she was buried. | 0:05:57 | 0:06:00 | |
How? | 0:06:00 | 0:06:02 | |
Well, she told him, apparently, you know, from the other side. | 0:06:02 | 0:06:05 | |
You're not buying any of this stuff, Jack? | 0:06:05 | 0:06:08 | |
Well, of course I'm not, are you? | 0:06:08 | 0:06:10 | |
Carter was... | 0:06:10 | 0:06:12 | |
-Some of the things he said... -Like what? | 0:06:12 | 0:06:14 | |
-He was quite impressive. -He's a conman. | 0:06:14 | 0:06:17 | |
I'm not saying he's not a good one. | 0:06:17 | 0:06:19 | |
But what these people do is just cold reading. | 0:06:19 | 0:06:22 | |
-Cold reading? -Educated guesses based on your body language, your appearance and whatever. | 0:06:22 | 0:06:28 | |
I mean, for example, one glance at Brian and I can tell you | 0:06:28 | 0:06:31 | |
that he had porridge this morning. | 0:06:31 | 0:06:33 | |
How did you know that? | 0:06:34 | 0:06:35 | |
It's all down your front. | 0:06:35 | 0:06:37 | |
All right, these so-called clairvoyants are impressive, | 0:06:37 | 0:06:40 | |
but come on... Don't let's kid ourselves. | 0:06:40 | 0:06:46 | |
What, you think there might be something in this? | 0:06:46 | 0:06:48 | |
No, course not. Don't be silly. | 0:06:48 | 0:06:51 | |
It's just...there was something that Carter said during the consultation. | 0:06:52 | 0:06:57 | |
He said that he could see Anderson standing in the room with us and that Anderson... Wait. | 0:06:57 | 0:07:02 | |
..Anderson was holding a key in his hand and somehow this key was significant. | 0:07:02 | 0:07:07 | |
-What kind of key? -I don't know, but the point is, Anderson's body | 0:07:07 | 0:07:11 | |
was found on the floor of his study and it was surrounded by keys. | 0:07:11 | 0:07:15 | |
It appears that the intruder found Anderson's keyring in his pocket | 0:07:15 | 0:07:18 | |
and was trying to open desk drawers and various cabinets in the room. | 0:07:18 | 0:07:22 | |
-And none of this was made public at the time? -No. -Lucky guess. | 0:07:22 | 0:07:26 | |
-Why would you guess a key? -Because it's general! | 0:07:26 | 0:07:28 | |
It might not be a physical key, it might be a key to a code or a keyword. | 0:07:28 | 0:07:33 | |
It's open to interpretation. | 0:07:33 | 0:07:35 | |
-That's how these people work. -Maybe he did know something. | 0:07:35 | 0:07:39 | |
Oh, don't you start. | 0:07:39 | 0:07:40 | |
No, no, look, what I am saying is, maybe this Carter character | 0:07:40 | 0:07:45 | |
-knew something about the burglary, but is pretending that he's being told by a ghost? -That's interesting. | 0:07:45 | 0:07:52 | |
Yeah, yeah, it is. | 0:07:52 | 0:07:53 | |
Shouldn't be too difficult to prove, either. | 0:07:53 | 0:07:56 | |
I met him at a dinner, a charity thing. | 0:07:56 | 0:07:59 | |
I can't even remember what it was for now. | 0:07:59 | 0:08:01 | |
There was a drinks reception before we sat down to eat | 0:08:01 | 0:08:05 | |
and I fell into conversation with Mr Carter about my work. | 0:08:05 | 0:08:08 | |
You're a photographer? | 0:08:08 | 0:08:09 | |
Yeah. Wildlife mostly. | 0:08:09 | 0:08:12 | |
It was a hobby that became a job. Those are mine. | 0:08:12 | 0:08:15 | |
Heron Island, on the Great Barrier Reef. It's an amazing place. | 0:08:16 | 0:08:21 | |
My dad bought a holiday home there when I was a kid. | 0:08:21 | 0:08:23 | |
I went back there last year, after he died, to get my head together. | 0:08:23 | 0:08:28 | |
Those were all taken then. | 0:08:28 | 0:08:29 | |
Ha! A noddy tern! | 0:08:29 | 0:08:33 | |
It's a kind of bird. | 0:08:34 | 0:08:35 | |
Whoa! | 0:08:39 | 0:08:40 | |
-(Sorry.) -(Sit down!) | 0:08:40 | 0:08:42 | |
Sebastian Carter? | 0:08:42 | 0:08:44 | |
Yes, sorry. | 0:08:44 | 0:08:46 | |
I was talking to him at this drinks thing, when he suddenly told me | 0:08:46 | 0:08:49 | |
he could see my father, standing right behind me. | 0:08:49 | 0:08:52 | |
-And you believed him? -Yes, I did. | 0:08:52 | 0:08:55 | |
-He said that your father seemed agitated? -He said that he was unable to find rest, that he had some | 0:08:55 | 0:09:01 | |
kind of unfinished business that needed to be taken care of first. | 0:09:01 | 0:09:05 | |
-What unfinished business? -I don't know. | 0:09:05 | 0:09:08 | |
I've had several consultations with Mr Carter since then, but we can't get to the bottom of it. | 0:09:08 | 0:09:13 | |
And how much did these consultations cost? | 0:09:13 | 0:09:16 | |
Oh, he's not charging me for them. | 0:09:16 | 0:09:18 | |
Mr Carter feels an obligation to help restless spirits find peace. | 0:09:18 | 0:09:23 | |
I think this unfinished business has something to do with Hong Kong. | 0:09:23 | 0:09:27 | |
-Why do you say that? -Because we left Hong Kong under a bit of a cloud. | 0:09:27 | 0:09:32 | |
I was young and I wasn't told very much, but I remember my mother | 0:09:32 | 0:09:36 | |
saying that there were all sorts of accusations flying around about my Dad's business being dodgy, somehow. | 0:09:36 | 0:09:42 | |
Dodgy how? | 0:09:42 | 0:09:43 | |
Dad always shrugged it off, said there was nothing to it. | 0:09:43 | 0:09:48 | |
But when we moved back here, my mother was diagnosed | 0:09:48 | 0:09:50 | |
with cancer and my Dad retired, so he could look after her. | 0:09:50 | 0:09:53 | |
Whatever is disturbing him has to be to do with Hong Kong. | 0:09:53 | 0:09:56 | |
But unfinished business could also refer to a personal matter, though, couldn't it? | 0:09:56 | 0:10:01 | |
Yes, I suppose it could, but I have no idea what that could be. | 0:10:01 | 0:10:06 | |
My dad didn't have much of a personal life after my mother died. | 0:10:06 | 0:10:09 | |
And this was the family home? | 0:10:09 | 0:10:12 | |
And your father's body was found in the study? | 0:10:13 | 0:10:16 | |
Yes, I found him. | 0:10:16 | 0:10:18 | |
Thank you. | 0:10:22 | 0:10:23 | |
-Has anything changed in here since it happened? -No. | 0:10:26 | 0:10:29 | |
I occasionally have to go through files for something, home insurance | 0:10:29 | 0:10:33 | |
papers or whatever, but otherwise, it was Dad's space. | 0:10:33 | 0:10:36 | |
He didn't like us to come in here. | 0:10:36 | 0:10:38 | |
And your father's body was found where? | 0:10:38 | 0:10:40 | |
-Erm... Over there, in front of the desk. -You were still living here at the time, weren't you? | 0:10:40 | 0:10:46 | |
Yeah. Dad liked company. | 0:10:46 | 0:10:48 | |
Although, that night, I'd been out. | 0:10:48 | 0:10:51 | |
I had a boyfriend at the time in North London and I'd stayed there. | 0:10:51 | 0:10:54 | |
When I came home in the morning, I found him. | 0:10:54 | 0:10:57 | |
There couldn't have been anybody else in the house? | 0:10:57 | 0:11:00 | |
-No. Penny had moved into her own place a few months earlier. -Penny? | 0:11:00 | 0:11:05 | |
-Miss Anderson's sister. -Adopted sister, yeah. | 0:11:05 | 0:11:08 | |
-You and Penny are close? -Very close. | 0:11:08 | 0:11:11 | |
About these keys, the crime scene report said there were a lot of keys on the floor. | 0:11:11 | 0:11:16 | |
Dad liked to keep his keys in one of those old-fashioned leather pouches. | 0:11:16 | 0:11:21 | |
Aside from the house and the car, there were keys for the desk | 0:11:21 | 0:11:27 | |
over there and some of these antique boxes. | 0:11:27 | 0:11:30 | |
None of them were ever used, but Dad liked to keep them all in one place. | 0:11:30 | 0:11:34 | |
So the thief tried out all the keys, but nothing was stolen? | 0:11:34 | 0:11:37 | |
Not as far as I could tell. The boxes were already empty | 0:11:37 | 0:11:40 | |
and the paperwork in the desk seemed complete. | 0:11:40 | 0:11:43 | |
Well, there's things in here must be worth a few bob in their own right. | 0:11:43 | 0:11:46 | |
-Nothing was missing? -The police assume that Dad must have disturbed him before he had the chance. | 0:11:46 | 0:11:51 | |
You really believe that this Sebastian Carter character is in touch with your father's spirit? | 0:11:51 | 0:11:56 | |
Yes, Mr Halford. That is what I believe. | 0:11:56 | 0:12:00 | |
According to the original investigation, Vicky's alibi for the night of the burglary was watertight. | 0:12:00 | 0:12:06 | |
-And there was no motive. -Except money. | 0:12:06 | 0:12:09 | |
-She did get a nice big house out of it. -Yeah, but look at the place, it's like a shrine to her dad. | 0:12:09 | 0:12:14 | |
OK... Hold on, hold on. | 0:12:14 | 0:12:15 | |
Penny Anderson's real father was a man called John Plummer, who had a construction company in Hong Kong. | 0:12:18 | 0:12:23 | |
-Ha! -What? | 0:12:23 | 0:12:26 | |
Well, he had a construction company and his name was Plummer? | 0:12:26 | 0:12:30 | |
-Forget about it. -Yeah, yeah. | 0:12:31 | 0:12:33 | |
Anyway, he was imprisoned in '97, for conspiring to defraud | 0:12:33 | 0:12:38 | |
the Chinese government, to the tune of several million quid. | 0:12:38 | 0:12:42 | |
The money was never recovered | 0:12:42 | 0:12:44 | |
and he died in Victoria Prison in '99. | 0:12:44 | 0:12:47 | |
Well, we can scratch his name from the list of suspects. | 0:12:47 | 0:12:50 | |
What suspects? We haven't even got a crime! | 0:12:50 | 0:12:52 | |
There was the break-in, Jack, and a possible murder rap. | 0:12:52 | 0:12:55 | |
The break-in was probably random. | 0:12:55 | 0:12:57 | |
Douglas Anderson disturbs a burglar, a fight ensues, his heart gives out. | 0:12:57 | 0:13:01 | |
-It's happened before. -I want to see Carter again. | 0:13:01 | 0:13:03 | |
-What about? -I think there's something going on there. | 0:13:03 | 0:13:06 | |
-The man's a fraud. -Not necessarily. -Spare me. | 0:13:06 | 0:13:09 | |
-You two go and speak to Penny Anderson. -And ask her what? | 0:13:09 | 0:13:12 | |
I want to know more about this fraud in Hong Kong, cos if several million | 0:13:12 | 0:13:16 | |
quid disappeared, then maybe Douglas Anderson was involved somehow. | 0:13:16 | 0:13:19 | |
-Maybe that's what the intruder was looking for. -Clutching at straws. | 0:13:19 | 0:13:23 | |
You got something better to do, Jack? | 0:13:23 | 0:13:25 | |
Coming out at both ends, it was. | 0:13:33 | 0:13:36 | |
I spent three days in the toilet. | 0:13:36 | 0:13:39 | |
I got quite good at Sudoku, | 0:13:39 | 0:13:41 | |
but I never ate octopus again. | 0:13:41 | 0:13:44 | |
I'm a bit worried about Sandra. | 0:13:45 | 0:13:47 | |
What about her? | 0:13:47 | 0:13:49 | |
This Sebastian Carter fellow, he's really got under her skin, you know. | 0:13:49 | 0:13:53 | |
Don't be ridiculous, Brian. Sandra's not going to fall for all that nonsense. | 0:13:53 | 0:13:57 | |
I wouldn't be so sure, Jack. | 0:13:57 | 0:13:59 | |
Yesterday, when we were in his office, he alluded to something | 0:13:59 | 0:14:02 | |
-he'd said to her when she went to see him with Vicky Anderson. -What? | 0:14:02 | 0:14:05 | |
Something about her father and her brother, about her father being disappointed in her. | 0:14:05 | 0:14:10 | |
I asked her about it after, but she wouldn't say a word. | 0:14:10 | 0:14:15 | |
This brother business has really knocked her for six, you know. | 0:14:15 | 0:14:18 | |
The CPS aren't prosecuting him. | 0:14:18 | 0:14:20 | |
There's nothing more Sandra could do. | 0:14:20 | 0:14:22 | |
They should both just get on with their lives, as if they'd never met. | 0:14:22 | 0:14:25 | |
How could Carter know about any of this? | 0:14:26 | 0:14:29 | |
He didn't know, Brian! That's what these people do. | 0:14:29 | 0:14:31 | |
They identify a weakness, then take advantage. | 0:14:31 | 0:14:34 | |
No wonder she was so keen on this case. | 0:14:34 | 0:14:37 | |
So, she's got to prove he's a fraud? | 0:14:37 | 0:14:40 | |
Well, what if she can't? | 0:14:40 | 0:14:41 | |
If the four of us can't prove that this clown isn't getting | 0:14:41 | 0:14:45 | |
his information from ghosts, we should all... | 0:14:45 | 0:14:48 | |
Retire? | 0:14:48 | 0:14:49 | |
You know what I mean. | 0:14:51 | 0:14:53 | |
Excuse me. We're looking for Simon Beswick. | 0:15:05 | 0:15:09 | |
Gweilo. | 0:15:09 | 0:15:10 | |
Mr Beswick? I'm Brian Lane and this is Jack Halford. | 0:15:33 | 0:15:37 | |
We're working with the Metropolitan Police's Unsolved Crime and Open Cases squad. | 0:15:37 | 0:15:42 | |
Working "with", not for. | 0:15:42 | 0:15:44 | |
We're consultants, if you like. | 0:15:44 | 0:15:46 | |
And if I don't like? | 0:15:46 | 0:15:48 | |
We have some questions about John Plummer. | 0:15:48 | 0:15:50 | |
You shared a cell with him in Hong Kong. | 0:15:50 | 0:15:53 | |
Bit of a rough old place, was it? | 0:15:53 | 0:15:56 | |
Victoria Prison? Yeah. | 0:15:56 | 0:15:58 | |
This didn't happen there, though. | 0:15:58 | 0:16:01 | |
Liverpool. 1986. | 0:16:01 | 0:16:03 | |
Don't drink a bottle of Scotch and then get behind the wheel of a car. | 0:16:03 | 0:16:07 | |
I lost two fingers, a brand-new Mercedes and all I had to show for it was a criminal record. | 0:16:07 | 0:16:13 | |
-Next question? -John Plummer was imprisoned for fraud. | 0:16:13 | 0:16:17 | |
-Weren't we all? -Did he talk to you about what he'd done? | 0:16:17 | 0:16:21 | |
I'm sure you know enough about prisons. | 0:16:21 | 0:16:23 | |
No-one in there had done anything wrong. | 0:16:23 | 0:16:26 | |
-Mr Beswick... -No, he didn't talk about it. | 0:16:26 | 0:16:29 | |
Did he mention a man called Lau Cheung? | 0:16:29 | 0:16:31 | |
-No. -Or Douglas Anderson? | 0:16:32 | 0:16:35 | |
-No. -Did he talk about his daughter? | 0:16:35 | 0:16:38 | |
-No. -Yes, he did. A man in a foreign prison. | 0:16:38 | 0:16:42 | |
You were his cell-mate. Even if he didn't say what he'd done, he talked about his only daughter. | 0:16:42 | 0:16:47 | |
She never came to see him, never even wrote him a letter. | 0:16:47 | 0:16:50 | |
You dwell too long on the whys and wherefores of that situation in a place like that, you go mad. | 0:16:50 | 0:16:58 | |
-He missed her. -Did he know where she was? | 0:16:58 | 0:17:01 | |
She was staying with friends. | 0:17:01 | 0:17:03 | |
He was looking forward to seeing her when he got out. | 0:17:03 | 0:17:06 | |
But that never happened, did it? | 0:17:06 | 0:17:09 | |
Where were you on the night of March 17th, 2009? | 0:17:09 | 0:17:13 | |
I've absolutely no idea. | 0:17:13 | 0:17:16 | |
-What about last night? -Why? What happened last night? | 0:17:16 | 0:17:19 | |
Where were you, Mr Beswick? | 0:17:19 | 0:17:20 | |
I was here. Upstairs. | 0:17:20 | 0:17:23 | |
There's a bedsit up there, comes with the job. | 0:17:23 | 0:17:26 | |
Doing accounts for a grocery shop's a comedown from investment banking, isn't it? | 0:17:26 | 0:17:30 | |
When you've been to prison for fraud, there's not many banks that'll take you on. | 0:17:30 | 0:17:35 | |
I was in prison with the cousin of the guy who owns this place. | 0:17:35 | 0:17:38 | |
-He put a word in for me. -So you were here last night? | 0:17:38 | 0:17:42 | |
-I'm here every night. -What were you doing? | 0:17:42 | 0:17:45 | |
-Drinking. -Do you do that every night, as well? | 0:17:45 | 0:17:47 | |
-Yes, I do. -I'd have thought you'd have given that up, after... | 0:17:47 | 0:17:52 | |
I gave up driving instead. | 0:17:52 | 0:17:54 | |
Better for the planet. | 0:17:54 | 0:17:57 | |
I'm sorry I don't know more about my father's business in Hong Kong. | 0:17:57 | 0:18:01 | |
He was a private man and I was young, too young to have been interested, even if he had told me. | 0:18:01 | 0:18:07 | |
Yeah, he wasn't a criminal. | 0:18:07 | 0:18:10 | |
I don't know what anyone else has told you, | 0:18:10 | 0:18:12 | |
but my father was a good man. | 0:18:12 | 0:18:14 | |
Yeah, but as you say, neither of you know enough about his past to be certain of that. | 0:18:14 | 0:18:19 | |
All we have left of him are memories. | 0:18:20 | 0:18:22 | |
A broken window frame can be fixed and I can live with the damage to some of his possessions, | 0:18:22 | 0:18:27 | |
but if this investigation is going to tarnish his memory, then I... | 0:18:27 | 0:18:31 | |
OK, look, if the guy who killed your father was specifically targeting him... | 0:18:32 | 0:18:37 | |
We're just looking for the truth. | 0:18:37 | 0:18:38 | |
And if memory and the truth turn out to be two different things? | 0:18:38 | 0:18:42 | |
I'd rather have the memory. | 0:18:43 | 0:18:45 | |
I hope Brian and Jack had more luck than us. | 0:18:53 | 0:18:56 | |
Sebastian Carter's involved in this somehow. | 0:18:56 | 0:18:58 | |
It doesn't make sense. If he's trying to con her with all this | 0:18:58 | 0:19:01 | |
psychic stuff, why risk it all by breaking into the house again? | 0:19:01 | 0:19:05 | |
I know. It doesn't make sense. | 0:19:05 | 0:19:06 | |
-Ah, Jack? Yeah, it's me. Nah, not very good, actually. -Excuse me? | 0:19:07 | 0:19:12 | |
-Oi! -What? Grab the car! | 0:19:14 | 0:19:18 | |
I'll call you back, mate! | 0:19:18 | 0:19:19 | |
All right. | 0:19:37 | 0:19:38 | |
Let's just calm down, OK? | 0:19:38 | 0:19:40 | |
We need to talk to... | 0:19:40 | 0:19:42 | |
Oi! | 0:19:43 | 0:19:44 | |
Shit! | 0:19:52 | 0:19:53 | |
It's OK. I don't think anything's broken. | 0:19:54 | 0:19:57 | |
Not you, Gerry, the bloody car! | 0:19:57 | 0:19:59 | |
We've managed to borrow these glasses from counter-terrorism. | 0:20:16 | 0:20:19 | |
There's a hidden camera built into the frame. | 0:20:19 | 0:20:23 | |
Right, make sure you get a good look at everyone in there? Hold them, | 0:20:26 | 0:20:29 | |
as long as you can. When you see your man, shout out. | 0:20:29 | 0:20:32 | |
Yuen will stay with him, so we can nab him when he comes out. | 0:20:32 | 0:20:35 | |
-Aren't you going to send any men in? -No, we've got a few operations going on at the moment. | 0:20:35 | 0:20:39 | |
We don't want to spook anyone. | 0:20:39 | 0:20:41 | |
Besides, there might be one or two dog-lovers in there wouldn't be too pleased to see you. | 0:20:41 | 0:20:46 | |
-Sorry. -Off you go. | 0:20:47 | 0:20:49 | |
-Anything yet? -I'd have said, wouldn't I? | 0:21:04 | 0:21:07 | |
Keep going. | 0:21:08 | 0:21:10 | |
There's a table at the back, go back! | 0:21:18 | 0:21:19 | |
-Which way? Left. Left! Back to your left. -Come on. -Get past him. | 0:21:19 | 0:21:23 | |
That was him. I'm sure that was him. | 0:21:23 | 0:21:25 | |
That's him! That's him! | 0:21:25 | 0:21:27 | |
That's our man. Stay with him. Target is about to exit the building. | 0:21:27 | 0:21:30 | |
-He was with someone. There's an exit at the back. Have you got someone at the back? -Go, go, go! | 0:21:30 | 0:21:34 | |
Daniel Cheung, I'm arresting you on suspicion of burglary. | 0:21:40 | 0:21:43 | |
-You don't have to say anything unless you want to. | 0:21:43 | 0:21:45 | |
You were with someone in there. Who was it, where did they go? | 0:21:45 | 0:21:48 | |
All right, get him in the van. | 0:21:48 | 0:21:51 | |
Who were you meeting, Mr Cheung? | 0:22:05 | 0:22:07 | |
THEY SPEAK CANTONESE | 0:22:07 | 0:22:10 | |
I was alone. | 0:22:10 | 0:22:11 | |
Two cups. Do you see? | 0:22:14 | 0:22:16 | |
THEY SPEAK CANTONESE | 0:22:16 | 0:22:21 | |
One of them was already there when I arrived. | 0:22:21 | 0:22:24 | |
There's an awful lot of change on that bill. | 0:22:24 | 0:22:27 | |
What sort of tea were you drinking? | 0:22:27 | 0:22:29 | |
THEY SPEAK CANTONESE | 0:22:29 | 0:22:33 | |
I'm a big tipper. | 0:22:33 | 0:22:35 | |
You've already been charged with breaking and entering Vicky Anderson's house. | 0:22:35 | 0:22:39 | |
Plus you assaulted my colleague. | 0:22:39 | 0:22:42 | |
My point is you're in a lot of trouble, Mr Cheung, so telling us the truth now can only help you. | 0:22:42 | 0:22:49 | |
I wasn't meeting anyone. | 0:22:57 | 0:22:58 | |
Who are you afraid of? | 0:22:58 | 0:23:01 | |
Not you. | 0:23:04 | 0:23:05 | |
What were you looking for in Vicky Anderson's house? | 0:23:06 | 0:23:09 | |
-Jewellery. Money. -Nothing to do with your father Lau Cheung, | 0:23:13 | 0:23:18 | |
who's in prison because of a fraud he perpetrated with John Plummer in Hong Kong? | 0:23:18 | 0:23:23 | |
And John Plummer is an associate of Douglas Anderson. | 0:23:23 | 0:23:27 | |
The man whose house you broke into. | 0:23:27 | 0:23:30 | |
Do you really expect us to believe that's some sort of coincidence? | 0:23:30 | 0:23:33 | |
KNOCK ON DOOR | 0:23:35 | 0:23:37 | |
For the benefit of the tape, Mr Halford and Mr Lane | 0:23:39 | 0:23:43 | |
are now entering the room and have handed me a slip of paper, | 0:23:43 | 0:23:46 | |
which we will label Exhibit JH-1. | 0:23:46 | 0:23:52 | |
I'm showing Mr Cheung Exhibit JH-1. No need. | 0:23:52 | 0:23:57 | |
That's a list of phone numbers that you've called from your mobile over the last few days. | 0:23:59 | 0:24:03 | |
And that number there belongs to Sebastian Carter, and I don't think he speaks Chinese. | 0:24:03 | 0:24:08 | |
THEY SPEAK CANTONESE | 0:24:16 | 0:24:19 | |
Sorry to waste your time. | 0:24:19 | 0:24:20 | |
At Mr Cheung's request, the interpreter has left the room. | 0:24:20 | 0:24:25 | |
My father isn't in prison. | 0:24:30 | 0:24:33 | |
He's dead. | 0:24:35 | 0:24:37 | |
Douglas Anderson killed him, just as he killed John Plummer. | 0:24:37 | 0:24:43 | |
He said he'd call in some favours, pull some strings to get them off, that they wouldn't go to prison. | 0:24:43 | 0:24:50 | |
-And split the money three ways? -He didn't do anything for them. | 0:24:50 | 0:24:53 | |
He didn't even show up in court! | 0:24:53 | 0:24:57 | |
My family lost everything. | 0:24:57 | 0:25:00 | |
My father went to Su Chou prison. | 0:25:00 | 0:25:04 | |
Have you any idea what that prison is like? | 0:25:04 | 0:25:08 | |
The Chinese government seized everything my father had | 0:25:08 | 0:25:12 | |
and threw my mother and I onto the street. | 0:25:12 | 0:25:16 | |
And Douglas Anderson kept all the money? | 0:25:16 | 0:25:19 | |
-Who told you all this? -My mother. | 0:25:19 | 0:25:23 | |
Is she still in Hong Kong? | 0:25:23 | 0:25:25 | |
I grew up on the Peak, | 0:25:26 | 0:25:30 | |
one of the best addresses in Hong Kong. | 0:25:30 | 0:25:33 | |
We were a wealthy family, part of society. | 0:25:33 | 0:25:36 | |
Now my mother lives in a tin shack in the slum down by the harbour, | 0:25:36 | 0:25:41 | |
with the rats and cockroaches. | 0:25:41 | 0:25:44 | |
This is what Douglas Anderson did to us. | 0:25:45 | 0:25:48 | |
So you came over to find the money. | 0:25:48 | 0:25:51 | |
No such luck, eh? What were you doing hanging around the next day? | 0:25:53 | 0:25:58 | |
-Were you going to give it another go? -You called Sebastian Carter. | 0:25:58 | 0:26:01 | |
Where does he come into all this? | 0:26:01 | 0:26:03 | |
How do you know Sebastian Carter, Mr Cheung? | 0:26:03 | 0:26:06 | |
Your father died in prison as a result of what Douglas Anderson did. | 0:26:09 | 0:26:13 | |
You and your mother were thrown out onto the street. | 0:26:13 | 0:26:16 | |
Well, a jury is going to understand the hardship you've been through. | 0:26:16 | 0:26:20 | |
Now, if you've been manipulated, if you weren't acting alone, | 0:26:20 | 0:26:25 | |
then that just makes you more sympathetic. | 0:26:25 | 0:26:28 | |
Did Sebastian Carter put you up to this? | 0:26:28 | 0:26:31 | |
Is that who you're afraid of? | 0:26:31 | 0:26:33 | |
I'm not saying any more. | 0:26:35 | 0:26:38 | |
Well, I reported my phone stolen a week ago. | 0:26:41 | 0:26:44 | |
Whoever took it must have made these calls to your Mr Chen. | 0:26:44 | 0:26:48 | |
-Cheung. -Cheung. | 0:26:48 | 0:26:50 | |
Sorry, I'm hearing the name for the first time. | 0:26:50 | 0:26:53 | |
MOBILE PHONE RINGS | 0:26:53 | 0:26:56 | |
Any chance we could stop messing about now? | 0:27:01 | 0:27:05 | |
You met with Daniel Cheung at a tea house in Chinatown earlier today. | 0:27:05 | 0:27:09 | |
-No. -We've got video. | 0:27:09 | 0:27:10 | |
Not of me, you haven't. | 0:27:10 | 0:27:13 | |
I was here with a client. Ask my receptionist. | 0:27:13 | 0:27:15 | |
-Then who was he meeting? -I don't know the man. | 0:27:15 | 0:27:18 | |
Daniel Cheung broke into Vicky Anderson's house at your request. | 0:27:18 | 0:27:21 | |
-He called you afterwards. -No! | 0:27:21 | 0:27:24 | |
Now I think you should all just leave. | 0:27:24 | 0:27:26 | |
Nothing more to say on this subject. | 0:27:26 | 0:27:29 | |
Oh, yes, you do, Mr Carter. | 0:27:29 | 0:27:31 | |
Not in so many words maybe, but we both know you're speaking volumes without saying anything. | 0:27:31 | 0:27:37 | |
-Oh, no... -Now, you cut yourself shaving this morning, didn't you? | 0:27:37 | 0:27:40 | |
You don't normally shave yourself, do you? | 0:27:40 | 0:27:43 | |
You go to the barber's. And that's a fake tan, which needs topping-up. | 0:27:43 | 0:27:47 | |
And when did you last have a manicure? Now, I notice those shoes have recently been re-soled. | 0:27:47 | 0:27:53 | |
Nice shoes, but why didn't you just go and get another pair? | 0:27:53 | 0:27:57 | |
-Are you on an economy drive? -I understand what you're doing. | 0:27:57 | 0:27:59 | |
What time is it, Mr Carter? | 0:27:59 | 0:28:01 | |
Oh, no watch! | 0:28:01 | 0:28:04 | |
You normally wear one, don't you? | 0:28:04 | 0:28:05 | |
Cos there's a tan line round your wrist. That's a dead giveaway. | 0:28:05 | 0:28:09 | |
And I bet it was an expensive watch. How much did the pawnbroker give you for it? | 0:28:09 | 0:28:13 | |
-This is ridiculous. -Is it? Isn't this how you make a living? | 0:28:13 | 0:28:17 | |
-No, this is cheap theatrics. -Whereas you have a gift? -That's right. | 0:28:17 | 0:28:20 | |
You saw Douglas Anderson's ghost. | 0:28:20 | 0:28:22 | |
-I did. -And he told you he had unfinished business. -That's right. -And he was holding a key. | 0:28:22 | 0:28:26 | |
-And he was talking about an unopened box. -Yes. -What was it like? | 0:28:26 | 0:28:29 | |
Well, it was...wooden, with gold and black lacquer. | 0:28:31 | 0:28:37 | |
You are a liar and a fraud. | 0:28:37 | 0:28:39 | |
There was no unopened box at the Anderson house. | 0:28:39 | 0:28:42 | |
Well, then I'm confused. | 0:28:42 | 0:28:46 | |
I mean, I can't always be exactly... | 0:28:46 | 0:28:47 | |
Please don't be confused, Mr Carter. | 0:28:47 | 0:28:49 | |
There was no box because I made it up. | 0:28:49 | 0:28:52 | |
I told Penny Anderson it was significant | 0:28:52 | 0:28:54 | |
in the hope that that information would crop up again somewhere else. | 0:28:54 | 0:28:59 | |
And lo and behold... | 0:28:59 | 0:29:00 | |
It wasn't about the money. | 0:29:04 | 0:29:06 | |
-Revenge, then? -My real father suffered an injustice. | 0:29:06 | 0:29:11 | |
During the commission of a crime. | 0:29:11 | 0:29:13 | |
Douglas Anderson left my father to die in prison. | 0:29:13 | 0:29:16 | |
He also took you in and treated you as his own daughter. | 0:29:16 | 0:29:19 | |
Whereas your real father's actions could have put you in an orphanage. | 0:29:19 | 0:29:23 | |
How long have you known about Hong Kong? | 0:29:23 | 0:29:26 | |
A couple of years. | 0:29:26 | 0:29:28 | |
The company I work for, their head office is in Hong Kong. | 0:29:28 | 0:29:32 | |
They had some dealings with my father's construction company years ago | 0:29:32 | 0:29:35 | |
and I was asked to dig out the particulars of one of these deals from the computer archive. | 0:29:35 | 0:29:41 | |
I found copies of memos my father had written. | 0:29:41 | 0:29:44 | |
It was... | 0:29:45 | 0:29:48 | |
It was like I could hear his voice again after all these years. | 0:29:48 | 0:29:53 | |
I started digging and I followed a trail of newspaper articles and court reports | 0:29:53 | 0:29:59 | |
until I had uncovered the truth. | 0:29:59 | 0:30:02 | |
So then you broke into the house in Knightsbridge looking for clues | 0:30:02 | 0:30:06 | |
as to where Douglas Anderson may have hidden the money. | 0:30:06 | 0:30:09 | |
-That's right. -What happened? | 0:30:09 | 0:30:12 | |
Douglas... Dad found me in the study. | 0:30:12 | 0:30:17 | |
I confronted him about what had happened | 0:30:24 | 0:30:27 | |
and what I'd found out. | 0:30:27 | 0:30:29 | |
It must have been too much for him. | 0:30:33 | 0:30:36 | |
He... His, um... | 0:30:40 | 0:30:42 | |
He, his heart, it, um... | 0:30:45 | 0:30:47 | |
It's all right. You can stop there. | 0:30:47 | 0:30:50 | |
Are you OK? | 0:30:53 | 0:30:54 | |
Right, let's start from the beginning, shall we? | 0:30:56 | 0:30:59 | |
Preferably with a version of the story that's at least plausible this time. | 0:30:59 | 0:31:03 | |
Douglas Anderson's involvement in this fraud was never proved, Penny. | 0:31:05 | 0:31:09 | |
It didn't appear in the newspaper articles or the court records of the time. | 0:31:09 | 0:31:13 | |
And his heart gave out as the result of a struggle with an intruder. | 0:31:13 | 0:31:17 | |
During which he sustained several blows about the face and body | 0:31:17 | 0:31:19 | |
which were not delivered by a person of your size and build. | 0:31:19 | 0:31:22 | |
We know that Daniel Cheung was in Hong Kong at the time, so who broke into the house? | 0:31:22 | 0:31:27 | |
We'll come back to that. What's your relationship with Cheung? | 0:31:30 | 0:31:33 | |
I tracked him down in Hong Kong. | 0:31:33 | 0:31:35 | |
His father suffered an even worse fate than mine did. | 0:31:35 | 0:31:39 | |
Part of that money belonged to him. | 0:31:39 | 0:31:41 | |
It belongs to the Chinese government. | 0:31:41 | 0:31:43 | |
And when my colleague told you about the unopened box, you sent Daniel Cheung to burgle the house again. | 0:31:43 | 0:31:49 | |
-Did you meet with him this morning? -Yes. | 0:31:49 | 0:31:52 | |
-Where? -In a tea house. | 0:31:52 | 0:31:54 | |
Tell us about Sebastian Carter. | 0:31:54 | 0:31:56 | |
Vicky fell for all this psychic nonsense just after her mother died. | 0:31:56 | 0:32:01 | |
I found Carter. He needed money. | 0:32:01 | 0:32:04 | |
I thought if he could persuade her that her father was talking to him, she'd open up a dialogue with Carter | 0:32:04 | 0:32:11 | |
and he'd be able to find the location of the money from her. | 0:32:11 | 0:32:14 | |
-Assuming she knew it. -She knew. -I don't think she does. | 0:32:14 | 0:32:16 | |
Your scheme would never have worked. | 0:32:16 | 0:32:18 | |
Douglas Anderson wouldn't have taken that secret to his grave. | 0:32:18 | 0:32:22 | |
Maybe not. But he didn't know he was going to his grave, did he? | 0:32:22 | 0:32:25 | |
-Who broke into the house that night? -I don't know. -That's not true. | 0:32:25 | 0:32:29 | |
My life has been a lie. | 0:32:29 | 0:32:31 | |
Douglas Anderson cheated my father and left him to rot in a prison. | 0:32:31 | 0:32:35 | |
That's not an answer to the question. | 0:32:35 | 0:32:37 | |
-He must have told Vicky where the money was. -What if he didn't? | 0:32:37 | 0:32:40 | |
She knew the truth. | 0:32:40 | 0:32:41 | |
All this time, they were both laughing at me. | 0:32:41 | 0:32:44 | |
-No. -At my father. -I don't think so. | 0:32:44 | 0:32:46 | |
And if she didn't know, then she's lost her father and her sister has betrayed her, | 0:32:46 | 0:32:52 | |
and she doesn't even know why. | 0:32:52 | 0:32:54 | |
There's an awful lot of red ink in Carter's books. | 0:32:56 | 0:32:59 | |
-That's fine. -I reckon he must have been counting on his share of the fraud money to bail him out. | 0:32:59 | 0:33:04 | |
That's not who Penny's protecting. | 0:33:04 | 0:33:06 | |
I wouldn't fancy him in a fight with Douglas Anderson, anyway. | 0:33:06 | 0:33:09 | |
That's brilliant, thank you very much. | 0:33:09 | 0:33:12 | |
So what's the opposite of an alibi? | 0:33:12 | 0:33:15 | |
-I don't know. -No, neither do I, but I think I've just heard it. | 0:33:15 | 0:33:18 | |
Penny Anderson reckons she was the one who met Daniel Cheung at the tea house, right? | 0:33:18 | 0:33:23 | |
Well, that was her company and according to her assistant, | 0:33:23 | 0:33:26 | |
she was at a marketing meeting in the boardroom till lunchtime. | 0:33:26 | 0:33:29 | |
So who was Daniel Cheung meeting? | 0:33:29 | 0:33:32 | |
Well, not Carter, and it wasn't Penny. | 0:33:32 | 0:33:36 | |
-And we know it's not Simon Beswick. -Do we? | 0:33:36 | 0:33:38 | |
Plummer was his cellmate. He could have told him about the fraud | 0:33:38 | 0:33:41 | |
and that Anderson still had the money and Beswick fancied it for himself. | 0:33:41 | 0:33:45 | |
But why would Penny be protecting Beswick? | 0:33:45 | 0:33:47 | |
She's put a lot on the line. | 0:33:47 | 0:33:49 | |
I don't see why she'd feel loyalty towards a man she doesn't know. | 0:33:49 | 0:33:51 | |
No, it can't be Beswick. | 0:33:51 | 0:33:53 | |
Both us and the original investigation ran the prints on the first burglary. | 0:33:53 | 0:33:58 | |
Beswick has a criminal record. There would have been a match. | 0:33:58 | 0:34:02 | |
-Unless they do know each other. -Who? Penny and Beswick? | 0:34:02 | 0:34:05 | |
Sandra, what Jack says is right. The prints don't match. | 0:34:05 | 0:34:09 | |
-It's not Beswick. -It's not Beswick. It never was Beswick. | 0:34:09 | 0:34:12 | |
-What wasn't? -Of course the prints don't match. God, that's very clever. | 0:34:12 | 0:34:16 | |
-What is? -There's only one person that Penny could be protecting and it's not Beswick. | 0:34:16 | 0:34:20 | |
He's just calling himself Beswick. | 0:34:20 | 0:34:22 | |
We've got him. | 0:34:22 | 0:34:25 | |
He's not here and the bed-sit upstairs has been cleared out. | 0:34:25 | 0:34:30 | |
Well, as neither of us speak Chinese, | 0:34:30 | 0:34:32 | |
as far as we can work out, he's been gone for a couple of hours. | 0:34:32 | 0:34:35 | |
If he knows the others have been arrested, he might think | 0:34:35 | 0:34:38 | |
this is his last chance to force Vicky to tell him where the money is. | 0:34:38 | 0:34:41 | |
John Plummer, you're under arrest. | 0:35:45 | 0:35:47 | |
I want my money! | 0:35:52 | 0:35:54 | |
-You're not as handy as the other bloke. -Come on, up you get. | 0:35:58 | 0:36:02 | |
We knew Penny was protecting someone but we just couldn't work out who. | 0:36:04 | 0:36:09 | |
You were the only person left in the mix, but why would Penny | 0:36:09 | 0:36:11 | |
protect Simon Beswick, a man she didn't know? | 0:36:11 | 0:36:13 | |
We'd already discounted Simon Beswick because | 0:36:13 | 0:36:16 | |
his fingerprints didn't match those left at the scene of the burglary. | 0:36:16 | 0:36:20 | |
Then we realised there might be another reason why the prints didn't match - | 0:36:20 | 0:36:24 | |
you're not Beswick. | 0:36:24 | 0:36:26 | |
What happened to him? | 0:36:26 | 0:36:27 | |
He died in prison. | 0:36:32 | 0:36:36 | |
Pneumonia. | 0:36:36 | 0:36:37 | |
It was just about the time the British were leaving and the Chinese were taking over. | 0:36:37 | 0:36:43 | |
One bureaucracy supplanting another. | 0:36:43 | 0:36:45 | |
There was enough confusion that the right bribes | 0:36:47 | 0:36:49 | |
in the right places allowed him to be buried as John Plummer. | 0:36:49 | 0:36:52 | |
So you became Beswick, who was serving a much shorter sentence. | 0:36:52 | 0:36:56 | |
You seem to know all the details. Do you need me to be here? | 0:36:56 | 0:36:59 | |
I want to know about the fingers. | 0:36:59 | 0:37:02 | |
-I bet you do. -Bit of a desperate measure, wasn't it? | 0:37:02 | 0:37:05 | |
I don't imagine any of you ever saw the inside of Victoria Prison, did you? | 0:37:05 | 0:37:11 | |
It was a hellhole. | 0:37:11 | 0:37:13 | |
Bad enough when we were running it. | 0:37:13 | 0:37:15 | |
It was only going to get a lot worse when the Chinese took over. | 0:37:15 | 0:37:18 | |
And I was a gweilo, | 0:37:18 | 0:37:21 | |
a foreigner who'd stolen millions of dollars from their own government. | 0:37:21 | 0:37:26 | |
The only way I was getting out of that place was in a box. | 0:37:26 | 0:37:29 | |
And Beswick's missing fingers were noted on his prison file. | 0:37:30 | 0:37:33 | |
Exactly. | 0:37:33 | 0:37:35 | |
I'd managed to squeeze Beswick's whole tedious life story out of him before he croaked. | 0:37:36 | 0:37:43 | |
I knew everything about the man. | 0:37:43 | 0:37:45 | |
But the fingers were a bit of a giveaway. | 0:37:45 | 0:37:50 | |
How did you...? | 0:37:50 | 0:37:52 | |
One of the machines in the prison laundry. | 0:37:52 | 0:37:55 | |
And I used a steam-press to cauterise the wounds. | 0:37:55 | 0:37:58 | |
Gory enough for you? | 0:38:00 | 0:38:02 | |
Take us through the death of Douglas Anderson, Mr Plummer. | 0:38:02 | 0:38:06 | |
-Yes, that didn't go quite according to plan. -Because he died? | 0:38:06 | 0:38:11 | |
Because the bastard died before I could kill him. | 0:38:11 | 0:38:14 | |
I broke in that night with two aims. | 0:38:14 | 0:38:16 | |
Douglas was going to tell me where the money was and then I was going to kill him. | 0:38:16 | 0:38:21 | |
But best laid plans and all that. | 0:38:21 | 0:38:25 | |
When Douglas got back, he found me waiting for him. | 0:38:27 | 0:38:30 | |
I think he was scared. He should have been. | 0:38:30 | 0:38:32 | |
All that time in prison, this was all I'd thought about. | 0:38:32 | 0:38:37 | |
I hit him a couple of times for my own gratification. | 0:38:37 | 0:38:42 | |
I'd no idea he'd developed a heart problem. | 0:38:43 | 0:38:45 | |
The coward started turning blue there and then, | 0:38:47 | 0:38:50 | |
so the clock was ticking. | 0:38:50 | 0:38:53 | |
And that's when he told you about the key? | 0:38:53 | 0:38:55 | |
That's all I could get out of him. | 0:38:55 | 0:38:57 | |
He kept saying, "The key, the key," over and over again. | 0:38:57 | 0:39:00 | |
So I got his keys out, | 0:39:00 | 0:39:04 | |
opened everything I could. | 0:39:04 | 0:39:06 | |
Found nothing. | 0:39:06 | 0:39:08 | |
Douglas seemed to find this funny, | 0:39:08 | 0:39:12 | |
or maybe he was having some kind of seizure. Either way, | 0:39:12 | 0:39:17 | |
I lost my temper and hit him again. | 0:39:17 | 0:39:19 | |
And that's when he died. | 0:39:21 | 0:39:23 | |
-No remorse? -He stole from me. | 0:39:23 | 0:39:26 | |
Then you and Penny cooked up this scheme with Sebastian Carter. | 0:39:26 | 0:39:31 | |
That was Penny's bright idea. | 0:39:31 | 0:39:33 | |
I was all for doing a repeat performance with the girl, | 0:39:34 | 0:39:37 | |
-but we couldn't be absolutely sure she knew where the money was. -She didn't. | 0:39:37 | 0:39:43 | |
Apparently not. | 0:39:43 | 0:39:46 | |
So all of this was for nothing. | 0:39:46 | 0:39:48 | |
You win some, you lose some. | 0:39:48 | 0:39:50 | |
What about your daughter, Penny? | 0:39:50 | 0:39:53 | |
-What about her? -You went to prison, you left her on her own. | 0:39:53 | 0:39:58 | |
I'm sure she had a nice life with the Andersons. | 0:39:58 | 0:40:01 | |
Which you ripped apart by coming back and telling her what had happened. | 0:40:01 | 0:40:04 | |
I told her the truth. | 0:40:04 | 0:40:06 | |
And now she faces a prison sentence because she tried to help you. | 0:40:06 | 0:40:10 | |
Her choice. | 0:40:10 | 0:40:12 | |
-That's it? -Yeah. | 0:40:13 | 0:40:16 | |
Your only child. | 0:40:16 | 0:40:17 | |
I barely know the girl. | 0:40:20 | 0:40:21 | |
Poor Penny. | 0:40:25 | 0:40:27 | |
Given the circumstances, I imagine the courts will be quite lenient with her. | 0:40:27 | 0:40:31 | |
-It's broken, though, isn't it? Everything. -Yes, it is. | 0:40:31 | 0:40:35 | |
What are you going to do? Are you going to stay here? | 0:40:35 | 0:40:38 | |
I put the house on the market this morning. | 0:40:38 | 0:40:39 | |
-Ah. -The contents, everything. | 0:40:39 | 0:40:41 | |
-I don't want it. -I'm sorry about your father. | 0:40:41 | 0:40:45 | |
The man everyone's talking about isn't the man I knew, or the man I want to remember. | 0:40:45 | 0:40:51 | |
Does that make sense? | 0:40:51 | 0:40:53 | |
Yes. | 0:40:53 | 0:40:55 | |
I'm going back to Australia, to Heron Island. | 0:40:55 | 0:40:58 | |
All my best memories are there of him and my mother. | 0:40:58 | 0:41:02 | |
All of us together. And Penny. | 0:41:02 | 0:41:05 | |
I'd like her to join me, but... | 0:41:05 | 0:41:07 | |
The noddy tern! | 0:41:07 | 0:41:08 | |
Brian! | 0:41:08 | 0:41:10 | |
The noddy tern! | 0:41:10 | 0:41:12 | |
The key! It's not a key, it's a CAY! | 0:41:12 | 0:41:16 | |
Heron Island. | 0:41:16 | 0:41:17 | |
-Yes. -You say your family had a home there. | 0:41:17 | 0:41:20 | |
That's right. | 0:41:20 | 0:41:22 | |
Heron Island. It's on the Great Barrier Reef. | 0:41:22 | 0:41:26 | |
It's famously composed of coral sand, rather than rock. | 0:41:26 | 0:41:30 | |
So what do we call an island that's composed of coral sand? | 0:41:30 | 0:41:32 | |
-A cay. -A cay. | 0:41:32 | 0:41:35 | |
C-A-Y. | 0:41:35 | 0:41:36 | |
Douglas Anderson was saying cay, not key! | 0:41:36 | 0:41:39 | |
And that's where the money is. | 0:41:39 | 0:41:41 | |
-On Heron Island? -There's a safe. | 0:41:41 | 0:41:43 | |
Dad had it put in when we left Hong Kong. | 0:41:43 | 0:41:46 | |
But it's not big enough to hold all that money. | 0:41:46 | 0:41:48 | |
Not the money, maybe, but the paperwork. | 0:41:48 | 0:41:50 | |
All the details of the bank account where the money's kept. | 0:41:50 | 0:41:53 | |
-We should get the Aussie cops to search that house. -It's been there all this time? | 0:41:53 | 0:41:57 | |
He never spent a penny of it, and he never told anyone. | 0:41:57 | 0:42:00 | |
What was the point? Why did he do it? | 0:42:00 | 0:42:03 | |
That's the one question we can't answer. | 0:42:03 | 0:42:05 | |
Maybe my mother knows. | 0:42:05 | 0:42:08 | |
There's a woman in Whitechapel my mother communicates with. | 0:42:08 | 0:42:11 | |
I should speak to her before I go. | 0:42:11 | 0:42:13 | |
I'll let you know if I find anything out. | 0:42:13 | 0:42:15 | |
Well done, Brian. | 0:42:23 | 0:42:25 | |
-Poor girl, though, eh? -Sins of the father. | 0:42:25 | 0:42:27 | |
Or three fathers, in this case. | 0:42:27 | 0:42:29 | |
Yeah, well, you can't choose your family, can...? | 0:42:29 | 0:42:32 | |
-Sorry, Sandra. -It's all right. | 0:42:32 | 0:42:35 | |
He was a fraud, Sandra. Sebastian Carter, I mean. | 0:42:35 | 0:42:37 | |
-He didn't know anything. -He did, though, didn't he? | 0:42:37 | 0:42:40 | |
It doesn't really matter that he wasn't communing with the dead. | 0:42:40 | 0:42:43 | |
He was right about what my dad would think. | 0:42:43 | 0:42:45 | |
-The situation with your brother isn't easy. -No, it's not easy. | 0:42:45 | 0:42:49 | |
It's not meant to be easy, Jack. | 0:42:49 | 0:42:50 | |
-Whatever you think I've done now... -You haven't done anything. | 0:42:57 | 0:43:00 | |
My father had an affair with your mother. Now, I don't like that, | 0:43:02 | 0:43:08 | |
but then I don't suppose he was doing it to gain my approval. | 0:43:08 | 0:43:11 | |
None of this is your fault is actually what I'm trying to say. | 0:43:13 | 0:43:17 | |
I know that. | 0:43:17 | 0:43:18 | |
Yeah. | 0:43:18 | 0:43:21 | |
If you don't want to have anything to do with me, I understand. | 0:43:21 | 0:43:26 | |
I'm not much of a family person. | 0:43:26 | 0:43:29 | |
Was he a nice guy? | 0:43:29 | 0:43:31 | |
I think so, yeah. | 0:43:34 | 0:43:37 | |
Well, that's something, then. | 0:43:37 | 0:43:40 | |
There's a pub at the end of your road. | 0:43:40 | 0:43:43 | |
Yes. | 0:43:43 | 0:43:45 | |
Can I buy you a drink? | 0:43:45 | 0:43:48 | |
Yes, you can. | 0:43:50 | 0:43:53 | |
Do you want to come in? | 0:43:55 | 0:43:58 | |
I'm not sure how this is going to work out. | 0:43:58 | 0:44:02 | |
Me, neither. That's OK, isn't it? | 0:44:02 | 0:44:04 | |
I think it'll have to be. | 0:44:06 | 0:44:09 | |
# It's all right It's OK | 0:44:09 | 0:44:12 | |
# Doesn't really matter if you're old and grey | 0:44:12 | 0:44:15 | |
# It's all right I say it's OK | 0:44:15 | 0:44:17 | |
# Listen to what I say | 0:44:17 | 0:44:20 | |
# It's all right, doing fine | 0:44:20 | 0:44:23 | |
# Doesn't really matter if the sun don't shine | 0:44:23 | 0:44:26 | |
# It's all right I say it's OK | 0:44:26 | 0:44:28 | |
# We're gettin' to the end of the day. # | 0:44:28 | 0:44:31 | |
Subtitles by Red Bee Media Ltd | 0:44:32 | 0:44:34 |